Podcasts about Henry Mancini

In a show packed, as always, with quality music, your host Jason Drury begins the show with THE JAMES BOND SUITE from the compilation album JOHN BARRY - THE POLYDOR YEARS: THE CONCERT JOHN BARRY (Quartet Records) by John Barry Jason then continues with THE REIVERS (CONCERT SUITE) by John Williams from La La Land Records new 2-CD set release of music from the classic 1969 film starring Steve McQueen. That is followed by a concert suite of music from the 1980s Gerry Anderson ‘Supermacromation' series TERRAHAWKS (Silva Screen Records) by Richard Harvey. Jason then continues with the "Main Title" from the original 1963 film THE PINK PANTHER by Henry Mancini, released in a new 2-CD set by Quartet Records over Christmas 2024. Afterwards, you'll hear selections from Laurie Johnson's swashbuckling score for THE LADY AND THE HIGHWAYMAN (Dragon Domain Records), ABBOTT AND COSTELLO MEET FRANKENSTEIN from the crowdfunded re-recording of Frank Skinner's score from Intrada Records and a suite from the 1961 Disney family drama GREYFRIARS BOBBY from the album THE FILM MUSIC OF FRANCIS CHARGIN from Naxos Records. Jason then rounds off the show with ‘The End' from another recent release from Quartet Records, another 2-disc reissue, this time from the 1991 Martin Scorsese remake of CAPE FEAR by Bernard Herrmann, adapted, arranged and conducted by Elmer Bernstein. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

durée : 00:57:48 - "Peter Gunn" (Henry Mancini) (1958) - par : Laurent Valero - "Peter Gunn marquera le début d'une très longue et fructueuse collaboration entre Mancini et Edwards. À cette époque la musique de Mancini est très marquée par le jazz West Coast, alors en plein essor, sa musique pour Peter Gunn aura durablement imprimé sa marque sur le film noir." Laurent Valero

durée : 00:57:48 - "Peter Gunn" (Henry Mancini) (1958) - par : Laurent Valero - "Peter Gunn marquera le début d'une très longue et fructueuse collaboration entre Mancini et Edwards. À cette époque la musique de Mancini est très marquée par le jazz West Coast, alors en plein essor, sa musique pour Peter Gunn aura durablement imprimé sa marque sur le film noir." Laurent Valero

Diógenes da Cunha Lima (1937), advogado, professor e poeta de Nova Cruz no Rio Grande do Norte, criou o texto do Jesus paraibano referindo às mesmas condições de vida e luta que teria no sertão nordestino. Acompanha o texto a obra The Inspector Clouseau Theme de Henry Mancini. Escute o episódio da semana. Obrigado.

Este mes vamos a hablar de "VICTOR VICTORIA". Una película de Blake Edwards en la que combinó un estupendo guion, con una banda sonora de Henry Mancini exquisita, puestos al servicio de un reparto excelente, en el que todos están perfectos en su papel. Esta película es mucho más que una comedia o un musical. Es un canto a vivir la vida buscando tu felicidad, respetando a los demás, pero sin que te afecten sus opiniones. Fue todo un cambio en la forma en que se mostraba la homosexualidad en el cine, camuflada y maquillada desde el férreo código Hays. La película por si alguien no la ha visto es España está disponible en Amazon Prime y Apple TV, aparte de haberse editado en formato doméstico, DVD y Blu ray de la película y de la versión teatral. Hablaremos de la adaptación que se hizo a musical teatral, así como de la carrera de Blake Edwards y de su músico favorito Henry Mancini. Para ello nos juntamos Ángel de Quinta y Javier Jiménez de Sevilla, con Paco Dolz de Valencia y como siempre con Unai Aizpurua en la retaguardia organizándolo todo en directo para que todo fluya de la mejor manera posible. Esperamos os guste.

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features Robert Watt, former Assistant Principal Horn of the Los Angeles Philharmonic.   Robert Lee Watt was born in Neptune, New Jersey the 4th child of seven. His father, Edward Watt Jr. played trumpet professionally in a Jazz ensemble, “The New Jersey Squires of Rhythm.” When Robert was eight years old he got curious about his father's trumpet, kept high on a shelf. Too short to reach it, Robert conscripted his little brother Tony to help. But with Tony on his shoulders he lost his balance, causing both of them to fall to the floor, trumpet in hand.  Robert then attempted to fix the dents in the instrument by using a hammer. The badly damaged trumpet was the way Robert's father discovered his interest in horns. After a serious reproach, Robert's father tried to teach him trumpet. However, it wasn't until years later that Robert discovered the instrument he really wanted to play.    While helping his father clean out a room in the basement Robert discovered some old 78 recordings. The curious Robert gave the old recordings a spin. It was the “William Tell Overture” on hearing the French horns on that recording he asked his father what instrument came in after the trumpet. His father informed him that it was a “French horn” “A middle instrument that never gets to play the melody like the trumpet…why, do you like that horn?” His father asked. Robert replied, “It gives me chills when I hear it, I love it. That's what I want to play.” His father informed the young Robert that it really wasn't the instrument for him. Explaining that it was an instrument for thin-lipped white boys. “Your lips are too thick to play that small, thin, mouthpiece. You'd be better suited for the trumpet like you father.”  Upon reaching high school Robert seriously pursued the French horn. Approaching the band director of his high school in Asbury Park, Robert was again told that his lips were too thick to play the French horn. After being persistent, the band director gave Robert an old French horn that barely worked.  Nevertheless, Robert advanced quickly and was soon winning auditions for honor bands and orchestras throughout the state of New Jersey, bringing great honor to his high school. After high school Robert was accepted to the New England Conservatory of Music in Boston where he majored in music and studied French horn with Harry Shapiro of the Boston Symphony. Mr. Shapiro took great interest in Robert pushing him hard. At the end of his first year Mr. Watt was asked to perform the Strauss Horn Concerto No. 1, with the Boston Pops Orchestra under Arthur Fiedler. The following summer he received a fellowship to the Berkshire Music Festival at Tanglewood. Returning to the Conservatory for his third year Mr. Watt was informed by the president's office that the Conservatory had financial problems and that all scholarships would be canceled for the coming year. At the end of his junior year at the Conservatory Mr. Watt was informed by his French horn teacher that it was time for him to audition for a position in a major symphony orchestra. On the advice of his teacher, Mr. Watt chose Los Angeles and Chicago. When Mr. Watt returned from his audition journey, he had made the finals at both auditions. Two months later The Los Angeles Philharmonic offered him the position of Assistant First Horn. Making him the first African American French horn player hired by a major symphony orchestra in the United States. Mr. Watt joined the ranks of only a handful of African Americans playing in symphony orchestras in these United States. According to the American Symphony Orchestra League, that represented less than 2% of the total, out of twenty-six top orchestras. Mr. Watt held his position until 2007, a career spanning 37 years.  Mr. Watt performed several times as soloist with the Los Angeles Philharmonic under Zubin Mehta and several orchestras in the Los Angeles area as well as the Oakland Symphony performing the Richard Strauss Second Horn Concerto While a member of the Los Angeles Philharmonic Mr. Watt has performed with principal and guest conductors that included: Leonard Bernstein, Eugene Ormandy, Eric Leinsdrof, Carla Maria Giulini, Pierre Boulez, Zubin Mehta, Henry Lewis, James De Priest, Michael Tilson Thomas, Herbert Blumstedt, Andre Previn, Marin Alsop, Esa-Pekka Salonen and Christoph Von Dohnányi. Included among the many world renown artists he has performed with were:     Yo-Yo Ma, Luciano Pavarotti, Placido Domingo, Jose Carreras, Wynton Marsalias, Henry Mancini, Gladys Night, Isaac Hayes, Quincy Jones, Stevie Wonder, Ray Charles, Barry White, Rihanna, Paula Abdul, Herbie Hancock, Lalo Schifrin, The Carpenters, Benny Carter, Quincy Jones, Bon Jovi, Elton John and film composer, John Williams. He has played on film scores of: Spiderman II, Rush Hour, Mission Impossible, Spike Lee's “Miracle at St. Anna, Golf and many others.  Mr. Watt has played the music for the Twentieth Century Fox cartoons, The Simpsons, American Dad, Family Guy and King of the Hill for the past three years. He played on the five hour TV special “The Jacksons, an American Family” under Harold Wheeler, and played for several years for the TV program “Startrek Voyager.” In the late 80's Mr. Watt helped organize an African American Brass Quintet, “The New Brass Ensemble” which performed throughout the United States and abroad.  Mr. Watt has done public speaking lecturing on music and African history in the Los Angeles area. He was hired as guest professor at Los Angele City College teaching the course, “Music of Black Americans”. Recently Mr. Watt executive produced a short film in memory of his friend Miles Davis. The film is based on the musical composition “Missing Miles” by Todd Cochran, commissioned by Mr. Watt, for French horn and piano. The short film was chosen by the Pan African Film Festival and the Garden State Film Festival.  Mr. Watt is a licensed airplane pilot with an instrument rating. He is a saber fencer and he speaks German and Italian.

We now pull out yet another one of the seven Henry Mancini albums my dad had. He's one of my favorites too. This one is a follow up to Mancini Plays The Great Academy Award Songs, the album you heard in Volume 43: Mancini and the Oscar Winners. There's just something about his music. You just recognize the sound right away. So get ready to hear music from a composer arranger who had his hands on the scores for more than 100 big screen films in Volume 223: Mancini Movie Magic. More information about this album, see the Discogs webpage for it.  Credits and copyrights Henry Mancini – 12 Great Oscar Winners Volume 2 Label: RCA Victor – PRM-175 Format: Vinyl, LP, Mono Released: 1965 Genre: Stage & Screen Arranged By – Mr. Mancini Chorus – The Chorus Of Henry Mancini Orchestra – The Orchestra Of Henry Mancini Prepared Expressly For B.F. Goodrich We will hear 7 of the 12 songs on this album. Call Me Irresponsible Written By – Sammy Cahn and Jimmy Van Heusen High Hopes Written By – Sammy Cahn and Jimmy Van Heusen Never On Sunday Written By Manos Hadjidakis The lyrics to the English version of the song were written by Billy Towne Thanks For The Memory song composed by Ralph Rainger with lyrics by Leo Robin Over The Rainbow Written By – Yip Harburg and Harlold Arlen In The Cool, Cool, Cool Of The Evening Written By – Harold Carmichael and Johnny Mercer Swingin' On A Star Written By – Jimmy Van Heusen and Johnny Burke I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #henrymancini #oscarwinningmusic #musicalmemories #musichistory #vinylcollecting #vinylrecords

Send us a textHosts David C. Gross and Tom Semioli welcome bassist bandleader Steve Miller to discuss his homage to the legendary American composer and conductor.  Music on the Way: The Music of Henry Mancini with Bassist Bandleader Steve Millhouse

Nous sommes à Hollywood, Los Angeles, en 1958. L'âge d'or du cinéma mais aussi depuis peu, une usine à séries télévisées. Ah ce sont deux choses bien distinctes car la télé c'est de la fiction vite faite, vite consommée, une véritable usine. Et justement, on est occupé à y monter la seconde série créée par un jeune réalisateur répondant au nom de Blake Edwards. On le dit prometteur même si les quelques films qu'il a réalisés pour le cinéma n'ont pas trouvé leur public. Mais bon, il faut qu'il fasse ses armes et justement, cette série policière de la chaîne NBC (pour laquelle entre parenthèses travaille à New York le jeune Woody Allen) semble prometteuse. Ça parle d'un détective avec de forts penchants pour les femmes, l'alcool et le jazz, son nom : Peter Gunn.Ah, s'il est question de jazz, il faut confier la musique à un spécialiste de la bande originale et du jazz : Henry Mancini. Lequel s'exécute mais allez savoir si c'est faute de temps ou de cachet, il faudrait un solide pianiste pour arranger et exécuter ça, vite fait aussi, bien sûr, on est à Hollywood et on a autre chose à faire. Ah oui, et qui ne soit pas trop gourmand non plus.On n'a qu'à demander à Johnny. Johnny Williams, c'est ce pianiste qui joue à gauche à droite, et qui travaille aussi pour les studios Universal. Un gars très cool qui ne fait jamais d'histoires. Parfait ! Johnny, John de son vrai prénom, mais Johnny ça fait plus jazzman pour les engagements dans les clubs, vient en studio pour 40 dollars et en trois heures, il plie le thème de Peter Gunn, sans avoir conscience, évidemment, du destin exceptionnel que va connaître ce morceau qui constitue la collaboration improbable de deux des plus grands compositeurs de l'histoire du cinéma. Oui, qui sait encore aujourd'hui à quoi ressemblait cette série, qui était ce Peter Gunn. Mais tout le monde connaît le morceau et aussi, sait qui est Blake Edwards, qui ne manquera pas de faire appel à Henry Mancini quand il tournera deux ans plus tard Breakfast at Tiffany's et puis encore plus tard La Panthère Rose.Quant à Johnny ? Et ben il va laisser tomber le y, les p'tits concerts de jazz et se consacrer à ses œuvres pour orchestre classique. Car autant il n'a jusqu'ici jamais cru qu'il arriverait à vivre de la composition, c'est vrai il n'y a que jouer du piano pour faire bouillir la marmite, autant grâce à ce Peter Gunn, on va commencer à lui proposer des musiques de film. Et il va ainsi traverser les années 60 à pondre des bandes originales de petits films jusqu'à cet Oscar pour une chanson qu'on a oubliée mais qui lui vaut de passer la vitesse supérieure et de devenir le compositeur attitré de films d'un nouveau genre au début des années 70 : les films catastrophes. Et après un Poséidon, un Tremblement de terre et une Tour infernale, John Williams est contacté par le jeune Steven Spielberg à qui Williams offre la recette ultime : le thème musical, pièce essentielle du scénario … Les Dents de la Mer. De là à ce que Spielberg le recommande à son ami George Lucas, il n'y avait qu'un pas, et 54 nominations aux Oscars plus tard, qui ignore le nom de John Williams ?

What's up, dudes? Merry Christmas 2!! “Santa Claus: The Movie” is a fantastic origin story, made better by Henry Mancini's score and a killer song of Sheena Easton. Thus, Robert Nicholas from Behind the Bells joins me to really dig into a particular cue from the “Santa Claus: The Movie” score and dish about the Christmas carol medley of it all as well.First, we get into the nostalgic synths with "It's Christmas All Over the World". Played during the end credits, the mid-tempo song set the stage for the emotions of Christmas, washing over the audience like a warm blanket. Written originally with Freddie Mercury in mind, the song eventually was recorded by Sheena Easton. Likewise, the film also features a track by Aled Jones of "The Snowman" fame.Mancini purposely chose to score and arrange the orchestra as traditionally as possible. Subsequently, his score evoked a sense of wistfulness and comfort, harking back to days of yore. According to an interview with Randall D Larson for CinemaScore in 1987, Mancini stated:"One thing we had to satisfy was that you can't have picture about Christmas or Santa Claus and not touch on the traditional. I decided that it would be a good idea to get all of those numbers in one place, rather than spotting them here and there throughout the film. So on Santa's first flight I used them in a piece by itself, and it all worked out well because the montage was well conceived and it made sense. But from there on we went to original music.”Of course, the piece he was speaking of was "Christmas Rhapsody." The cue begins with a triumphant rendition of Deck the Halls before segueing into Joy to the World. A melodic and intimate version of Hark! The Herald Angels Sing follows, succeeded by The 12 Days of Christmas, God Rest Ye Merry, Gentlemen, and O Tannenbaum. Finally, the cue ends with majesty and serenity with The First Noel and Silent Night.Tchaikovsky-esque instrumentation? Check. Catchy Santa Claus theme? Got it. Synthesizer? Yes, but only if a pop star is singing! So grab your celesta, join the orchestra, and play along to this episode all about the “Santa Claus: The Movie” score and soundtrack!Behind the BellsFB: @BehindtheBellsIG: @behind_the_bells_podcastGive us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!

David es Director Creativo. Empezó estudiando ingeniería de sistemas, para luego dedicarse a la creación de dibujos animados.Entre sus áreas de experiencia destacan la animación, la música, la realización de cortometrajes y de series televisivas.En su trayectoria profesional David ha realizado series televisivas para canales de gran prestigio. Fundó, junto a Linda Otero, Fantoons Animation Studios, empresa en la que se ha desempeñado como Director Creativo.Entre sus clientes destacan agrupaciones musicales y artistas de la talla de Rush, The Beach Boys, Henry Mancini, Simón Díaz, Iron Maiden, Mötorhead, Alice Cooper, Marillion, Frank Zappa y Jhonny Ramone. También ha producido videos musicales animados para Ella Fitzgerald, Nat King Cole, Frank Sinatra, Bing Crosby, y Chuck Berry. Destaca entre éstos el trabajo realizado para Frank Sinatra con la canción “Have yourself a merry little Christmas”, cuya animación producida por Fantoons, cuenta la historia de un personaje venezolano que ha decidido emigrar y lucha por florecer en tierras nuevas afrontando la añoranza por su país y su familia. Su trabajo ha recibido los elogios de las revistas Rolling Stone, The Guardian, Univision, CNN, Sirius XM, PROG Magazine y otros destacados medios de prensa.Además, han ganado múltiples premios. Actualmente, Fantoons ha acumulado más de 100 millones de visitas en su contenido en plataformas sociales y más de 100 mil libros vendidos.Explora lo que tenemos para ti en nuestra página web: https://tramauniversity.org/Síguenos en Instagram para estar al día con todas nuestras actividades:https://www.instagram.com/tramauniversity/

Sintonía: "Peter Gunn" - Henry Mancini"Magic In The Air" - "Freedom For You" - "Strange House" - "Feel Like Flying" - "Roll On" - "Anything" (bonus). Las seis canciones extraídas del único álbum del grupo londinense The Attack (1966-68), titulado "Strange House"; publicado en 1968 por Angel Air Records y reeditado en vinilo por Guerssen Records en el 2022. Todas las canciones compuestas e interpretadas por The Attack "Don´t Cry, No Fears, No Tears Comin´ Your Way" - "Weight Of Your Words" - "It Doesn´t Matter Anymore" - "Two Rooms" - "You Can´t Go Home Again" (bonus) - "Terry´s Theme" (bonus) - "Our Love Affair´s In Question" - "I´m Not Sure What I Wanna Do" - "We Had A Good Thing Goin´ " (bonus) - "The Words" (bonus). Las nueve canciones más la instrumental, extraídas del 2º LP de los estadounidenses The Cyrkle, publicado y reeditado en vinilo por Columbia Records en 1967 y 2024 respectivamente. Todas las músicas compuestas e interpretadas por The Cyrkle Este programa está dedicado a la memoria de Miguel Ángel Del Pino. Gracias a él conocí a los Attack, uno de mis grupos británicos favoritos de los 60...Escuchar audio

This week, the boys head back to 1962 to discuss Blake Edwards's “Days of Wine and Roses”, starring Jack Lemmon and Lee Remick. We've previously discussed the 1962 films “To Kill a Mockingbird”, “What Ever Happened to Baby Jane?”, and “The Man Who Shot Liberty Valence”. We start the conversation with thoughts on the Oscars, the state of cinema, and more! Grab a beer- or coffee- and join us for a conversation about this excellent film about an alcoholic couple navigating life.  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 7:41 Gripes + Oscars Reflections; 29:37 1962 Year in Review; 51:07 Films of 1962: “Days of Wine and Roses”; 1:25:15 What You Been Watching?; 1:36:36 Next Week's Movie Announcement Additional Cast/Crew: Philip H. Lathrop, J.P. Miller, Tex Frontier, Henry Mancini, Charles Bickford, Jack Klugman, Tom Palmer, Alan Hewitt, Maxine Stuart, Martin Manulis. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Oscars 2024, Oscars 2025, Alcoholism, Hulu, Marvel, The Hulk, The Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir. 

This week a light-hearted (and therefore much-needed!) tribute to the marvelous Felicia Weathers, who, in the midst of her burgeoning operatic career in the late 1960s, made two LPs of Schlagermusik, 1968's Liebe Love L'amour (which also sports the best record cover in the history of the LP!) and, the following year, Wunderbar ist die Welt. Both of these were arranged and conducted by one Harold M. Kirschstein, referred to in the liner notes as an important conductor and arranger. Imagine my surprise when, upon doing a little research, I discovered that this person was better known in his native United States as Henri René, whom I knew from his work with Eartha Kitt in the early days of her recording career. His arrangements are, of course, predictably delightful. Amid all her other successes, Felicia Weathers (like Maria Ewing a generation later) found her greatest fame performing the title role of Richard Strauss's Salome. This role may have put strain on her voice and shortened her career, but in the late 1960s her voice, as captured on these recordings, was a beguilingly beautiful instrument. She also displays a fine interpretive approach, keen linguistic sense, and vital communicative powers to these songs, which feature some of my favorite melodies ever, including those written by Georges Auric, Jimmy Webb, Harold Arlen, Henry Mancini, Jean-Paul Egide Martini, Oscar Straus, and Friedrich Hollaender. I supplement these delicious selections with two Rodgers and Hammerstein medleys from Weathers' 1969 album of songs from musicals, Hello, Young Lovers, which also features duets with the superb African American baritone William Ray, who was also based in Europe during those years. Enjoy this delicious, if brief, escape from reality! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

CONTENT WARNING: Discussion of alcoholism, child neglect, substance abuse, addiction. Every year at the Oscars there's a movie that stands out as the film that should be the Best Picture, just for the sheer raw power of its storytelling. This is that movie. Jack Lemmon is giving a performance for the ages, the supporting cast is rock solid, and the always contrarian Blake Edwards goes for broke. This could have easily been a melodrama, but you get the sense very quickly that everyone making this movie got the impact of what they were doing here. And that's incredible, considering there's movies that come out in 2025 that can't capture the truth of addiction like this movie. We continue Oscars ‘62 with Days of Wine and Roses onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpts taken from the main title to the film Days of Wine and Roses, composed and conducted by Henry Mancini with lyrics by Johnny Mercer. Copyright 1962 Warner Bros. Entertainment Inc. All Rights Reserved. Excerpt taken from the main title to the film To Kill A Mockingbird, written and composed by Elmer Bernstein. Copyright 1962 Universal Studios. All Rights Reserved.

CONTENT WARNING: Discussion of abuse, car accidents, aging, mental illness.. If last week was about a world war, this film is about a two-woman war. Joan Crawford and Bette Davis were two of the bitterest rivals in the 30's and 40's, but by 1962 both were desperate for a hit. So was director Robert Aldrich, and the three combined to create a unique blend of gothic horror and Hollywood cynicism that still resonates today. We continue Oscars ‘62 with What Ever Happened to Baby Jane? onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the film What Ever Happened to Baby Jane?, copyright 1962 The Associates & Aldrich Company Inc.; 1962 Warner Bros. Entertainment Inc. All rights reserved. Excerpt taken from the main title to the film Days of Wine and Roses, composed and conducted by Henry Mancini with lyrics by Johnny Mercer. Copyright 1962 Warner Bros. Entertainment Inc. All Rights Reserved.

Lounge Cinematica Radio 5th Season Episode 5x11 Released on 27.01.25 Directed by... Javier Di Granti 01. Henry Mancini – The Pink Panther (Original MGM Motion Picture Soundtrack) [Quartet Records QR570 ©2024]* incluiding Film Versions never listened before: Main Title (Theme From The Pink Panther) Cortina (Film Version) Nasty Little Habits Champagne and Quail (Film Version) Piano and Strings (Film Version) The Lonely Princess (Film Version) Royal Blue (Film Version) It Had Better Be Tonight (Meglio Stasera) Vocals: Fran Jeffries Something for Sellers (Film Version) Shades Of Sennett (Film Version) / End Titles 02. Betty Missiego - Intimidad [Marfer M.20-278 7" ©1972] 03. Max Raffeng - Cocktail For Two [Four Flies Digital ©2024]* 04. Carlo Rustichelli - Sedotti e Bidonati (Night Slow) [CAM Sugar UMe Digital ©2024]* 05. Os Duques - Mas Que Nada [Marfer M-664 7" ©1967] *New Release

As broadcast @ www.totallywiredradio.com Tuesday 07.01.25Hour One Best Of Jazz 202401. Work Money Death - We Are The People (ATA Recs 2024)02. Mario Rusca Quintet - 4th Dimension (Right Tempo 2024)03. Roy Hargrove's Crisol - Rumba Roy (Verve 2024)04. Copa Salvo - Bolivia '67 (Jazz Room Recs 2024)05. Andromeda Turee - Earth Waltz (Starbilt Recs 2024)06. Alina Bzhezhinska - Anima Breathe (BBE 2024)07. Nathan Haines - Belo Dia (EMK 2024)08. Culross Close - Attachments (K15/Self Release 2024)09. Erlend Øye & La Comitiva - For The time Being (Bubbles 2024)Hour Two Tribute To Alfredo Fiorito10. Manuel Göttsching - E2-E4 (Edit) (Inteam GmbH 1984)11. Mandy Smith - I Just Can't Wait (Cool & Breezy Jazz Edit) (PWL 1987)12. William Pitt - City Lights (Public France 1986)13. Cyndi Lauper - What's going On (Portrait 1986)14. The Thrashing Doves - Jesus On The Payroll (A&M 1987)15. Yello - La Habanera (Mercury 1987)16. The Cure - The Blood (Fiction 1985)17. Housemaster Boyz & The Rude Boy Of House - House Nation (Dance Mania 1986)18. Kenny Jammin Jason Ft. Fast Eddie - Can U Dance (DJ International 1987)19. Risque Rythum Team - Risque Rythum (Chicago Connections 1986)20. The Woodentops - Why? (Live) (Rough Trade 1987)21. Elkin & Nelson - Jibaro (CBS 1974)22. Henry Mancini & His Orchestra - Pink Panther Theme (RCA Victor 1964)

Paddling the three-man conversational kayak across the rock and roll rapids this week involved … … Olive Mess, Candied Yams, Gorilla Biscuits …? Challenging indie act or seasonal vegan recipe? … the amount YMCA earned through Donald Trump and why the man who wrote it is complaining. … Tom Hanks' valuable words of wisdom. … Neil Tennant's favourite bridge in a pop song (and it's not We Can Work It Out or I Will). … musicians and the modern world of the “one-night stand” circuit. … Baker Street, Money, Careless Whisper, Giant Steps, Jungleland … and the sax solo that outranks them all. … the genius of Henry Mancini and the powerful DNA of film music. … the lost world of small ads – eg this pasted by Roxy Music: “The perfect guitarist for avant rock group: original, creative, adaptable, melodic, fast, slow, elegant, witty, scary, stable, tricky. Quality musicians only.” … Beatles '64 - “randomly assembled and directionless”, a listener declares!  Here's Plas Johnson playing the Pink Panther theme with Henry Mancini: https://youtu.be/jBupII3LH_Q?si=brjVwsPlmcnii1MdFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Paddling the three-man conversational kayak across the rock and roll rapids this week involved … … Olive Mess, Candied Yams, Gorilla Biscuits …? Challenging indie act or seasonal vegan recipe? … the amount YMCA earned through Donald Trump and why the man who wrote it is complaining. … Tom Hanks' valuable words of wisdom. … Neil Tennant's favourite bridge in a pop song (and it's not We Can Work It Out or I Will). … musicians and the modern world of the “one-night stand” circuit. … Baker Street, Money, Careless Whisper, Giant Steps, Jungleland … and the sax solo that outranks them all. … the genius of Henry Mancini and the powerful DNA of film music. … the lost world of small ads – eg this pasted by Roxy Music: “The perfect guitarist for avant rock group: original, creative, adaptable, melodic, fast, slow, elegant, witty, scary, stable, tricky. Quality musicians only.” … Beatles '64 - “randomly assembled and directionless”, a listener declares!  Here's Plas Johnson playing the Pink Panther theme with Henry Mancini: https://youtu.be/jBupII3LH_Q?si=brjVwsPlmcnii1MdFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Paddling the three-man conversational kayak across the rock and roll rapids this week involved … … Olive Mess, Candied Yams, Gorilla Biscuits …? Challenging indie act or seasonal vegan recipe? … the amount YMCA earned through Donald Trump and why the man who wrote it is complaining. … Tom Hanks' valuable words of wisdom. … Neil Tennant's favourite bridge in a pop song (and it's not We Can Work It Out or I Will). … musicians and the modern world of the “one-night stand” circuit. … Baker Street, Money, Careless Whisper, Giant Steps, Jungleland … and the sax solo that outranks them all. … the genius of Henry Mancini and the powerful DNA of film music. … the lost world of small ads – eg this pasted by Roxy Music: “The perfect guitarist for avant rock group: original, creative, adaptable, melodic, fast, slow, elegant, witty, scary, stable, tricky. Quality musicians only.” … Beatles '64 - “randomly assembled and directionless”, a listener declares!  Here's Plas Johnson playing the Pink Panther theme with Henry Mancini: https://youtu.be/jBupII3LH_Q?si=brjVwsPlmcnii1MdFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

To tee up the Great Performances/ PBS Henry Mancini concert at the Hollywood Bowl (11/29), we'll have an hour of great songs with music by legendary composer Henry Mancini, performed by an all-star ensemble: Sarah Vaughan, Sammy Davis, Jr., Steve Lawrence, Julie Andrews and more.

"Breakfast at Tiffany's" ist Kult – auch dank der berühmten Szene mit Holly Golightly, ihrer Gitarre und "Moon River". Roland verrät, warum Henry Mancinis ikonischer Song fast gestrichen wurde, dann doch im Film blieb - und wo der echte Moon River fließt.

Aedín takes an immersive dive into the life and music of one of the greatest film music composers of all time: Henry Mancini.

Música f. Arte de combinar los sonidos de la voz humana o de los instrumentos, o de unos y otros a la vez, de suerte que produzcan deleite, conmoviendo la sensibilidad, ya sea alegre, ya tristemente. De una manera desapasionada, podríamos decir que la música es una combinación de sonidos que siguiendo un patrón componen una melodía que puede ser más o menos agradable. Pero si en lugar de resultar agradable resulta molesta, entonces se convierte en ruido. Por lo tanto, desarrollando el discurso contrario, si creamos ruido pero lo modelamos para que tenga un sentido musical tal vez hayamos descubierto la manera de convertir la música en el arte del ruido. Arborra, Desert Dwellers, AUSKLANG, Julie Hanney, Dear Gravity, Colin Masson, The Art of Noise, Slow Meadow, Receptor Modulator, Henry Mancini. 🎧 El playlist detallado: lostfrontier.org/t29.html#1034.

Lisa sends Pat a birthday pie. Lisa has a surprise for Pat during this podcast. This upcoming election is creating a LOT of anxiety. Pat has issues in the shower. Laughter padding is a thing. Songs in this episode: “Peter Gunn Theme” Henry Mancini (1958) “Me and Bobby McGee” Janis …

Episode 49 is with the incredible composer, conductor, arranger, and multi-instrumentalist, Miguel Atwood Ferguson. We delve into Miguel's extensive career, having participated in over 600 recordings and 2,500 shows. He shares key insights from these experiences and his role in the next legendary LA movement alongside talents like Thundercat, Kamasi Washington, Flying Lotus and Terrace Martin.Miguel recounts the artist's journey—meeting Thundercat for the first time, their collaboration, and the lessons learned along the way. We get a glimpse into his approach to blending classical music with hip-hop and working with icons such as Flying Lotus and Anderson .Paak. From arranging over Flying Lotus' music to performing with the Metropole Orkest and doing strings on Anderson .Paak & Smokey Robinson's “Make It Better,” he reveals the intricacies of handling entrepreneurship as a musician, the process of becoming a "one-man orchestra," and how budgets impact the execution of creative ideas.We also touch on his personal life—being a dad, lessons from his solo album "Les Jardins Mystiques Vol.1," and his experiences performing alongside legends like Henry Mancini, Quincy Jones, and John Williams. This enlightening conversation offers a deeper understanding of the role of a conductor, the importance of getting your work credited as a writer, and the transformative power of music across genres. Tune in to hear how Miguel continues to inspire and shape his musical world.‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! Listen to the audio form of this podcast wherever you get your podcasts: https://rss.com/podcasts/gowithelmoFollow Miguel:https://www.instagram.com/miguelatwoodferguson/Follow Elmo Lovano:https://Instagram.com/elmolovanohttps://Twitter.com/elmolovano

Scrump and Drew are joined by Bella Ivy, host of the "Each Other's Soulmate" podcast, to talk about the music of; Fergie, Gnarls Barkley, Operation Ivy, Los Tigrillos, Mike Jones, Slim Thug, Paul Wall, Henry Mancini, Origami Angel, Lil Dicky, Motionless In White, Sade, Type O Negative, and more! London Bridge-Fergie Crazy-Gnarls Barkley Vampiresa-Los Tigrillos Sound System-Operation Ivy Still Tippin-'-Mike Jones ft Slim Thug and Paul Wall Moon River-Henry Mancini Where Blue Light Blooms-Origami Angel Going Gray-Lil Dicky Cyberhex-Motionless In White By Your Side-Sade Anesthesia-Type O Negative Special thanks to Bella's dad for the outro.   Patreon Merchandise   Social Media: Twitter Instagram 

Noah and Bill quibble over the differences between make-up and skin care in this one. @noahandbillshow -- @williamscurry -- @noahtarnow This week's theme: "Baby Elephant Walk” by Henry Mancini. New episodes every Monday morning on Spotify, Soundcloud, iTunes, and GooglePlay!

Jonás Trueba nos presenta su último trabajo: Volveréis, una cinta que fue galardonada con el premio a la mejor película europea de la Quincena de Cineastas de Cannes, y que narra la historia de una pareja que decide organizar una fiesta para celebrar su ruptura tras 15 años de relación. Ana Vega Toscano rinde un homenaje al compositor y director de orquesta Henry Mancini en el centenario de su nacimiento. Empieza la cuenta atrás para el inicio del Festival de Cine de San Sebastián. Repasamos las cuatro películas españolas que compiten en sección oficial: El llanto, Soy Nevenka, Los destellos y Tardes de soledad En la segunda hora del programa escucharemos la gala de la XV edición del Concurso de Cortometrajes RNE-EGEDA, donde hablamos con los premiados en las diferentes categorías y con el ganador de la pasada edición. Escuchar audio

País Estados Unidos Dirección George Sherman Guion William Sackheim, Louis Stevens Reparto Joel McCrea Yvonne De Carlo Pedro Armendáriz Alfonso Bedoya Música William Lava, Henry Mancini, Herman Stein Fotografía Irving Glassberg Sinopsis Guerra de Secesión (1861-1865). Cuando la derrota del Sur es inminente, el mayor Mattson intenta desesperadamente salvar a su ejército. Roba un cargamento de oro y se dirige a una ciudad en la frontera con Méjico, cerca de Río Grande, para intercambiar con el general Calleja oro por municiones. Pero, antes del trueque, Mattson tiene problemas con el Barón Von Holden, el asesor militar alemán de Calleja, y con Carmelita, la temperamental dueña del saloon

Shot on location in foggy San Francisco, Blake Edwards' Experiment in Terror was his follow up to Breakfast at Tiffany's - again engaging a young sophisticated city girl with a handsome leading man but this time in a very different context.  Lee Remick plays Emily Sherwood, a bank teller menaced by a blackmailer and serial killer and Glenn Ford is the FBI agent assigned to protect her and capture the villain.  Ross Martin, known mostly for playing nice guys, is bad guy Red Lynch and was nominated for a best supporting actor Golden Globe. Dan and Vicky discuss the stylish noir thriller along with plenty of recently seen: Deadpool and Wolverine, A Good Girl's Guide to Murder, Night Watch: Demons are Forever, Love Lies Bleeding, and Maxxxine.      Check us out on all our socials:  hotdatepod.com FB:  Hot Date Podcast Twitter: @HotDate726 Insta:  hotdatepod

To mark Henry Mancini's 100th birthday, music expert JonBurlingame takes us back to where the composer's prolific career really took off - the 1960s TV show Peter Gunn.

En esta edición de nuestro podcast presentamos 'Starship Syncopation', el álbum que ha grabado el guitarrista Cory Wong acompañado por la orquesta de Países Bajos Metropole Orkest. En el repaso a otras novedades de la música Smooth Jazz reseñamos los álbumes de Art Sherrod Jr., Dan Siegel, Kat Hawley, The Henry Mancini 100th Sessions y Vincent Ingala. En el bloque para el recuerdo rescatamos el único disco que grabó el vocalista Bobby Glenn, rodeado por varios componentes de la banda Earth, Wind & Fire.

It's a Man-cin-tennial: great songs with music by legendary composer Henry Mancini, performed by an all-star ensemble: Sarah Vaughan, Sammy Davis, Jr., Steve Lawrence, Julie Andrews and more. 

durée : 01:03:35 - Club Jazzafip - Aujourd'hui ce sont les animaux qui inspirent notre partition. Familiers, fidèles ou à l'état sauvage, avec Henry Mancini, Jobim, Susheela Raman, Jaco Pastorius ou encore Red Hot Chili Peppers.

Kenny and Mark kick off a packed Season Six assessing the many non-musical ventures Madonna embarks on into the second decade of the 21st century including clothing lines, fragrances and gyms. Plus, a deep dive conversation about W.E. and its official theme song “Masterpiece”. Topics include: the emergence of Lourdes Leon, Taylor Momson, Zendaya and the rest of the Material Girl models, Madonna as stylist, the departures of Tracy Anderson and Caresse Henry, co-writing with Alex Keshishian, Wallis Simpson as played by Andrea Riseborough, Oscar Isaac, the aloofness of Abbie Cornish, David Harbour, the silent songwriting team of Julie Frost and Jimmy Harry, the Stephen Sondheim auction, the matchmaking prowess of William Orbit, Abel Korzeniowski, Henry Mancini, Dimitry from Paris, Hagen Bogdanski, HYDRANGEAS!, the spat at the Golden Globes with David Furnish and Sir Elton John, it's all so reductive… We are thrilled to be back and to be hanging in the Louvre - totes mcgotes!

TVC 654.1: Part 2 of a conversation that began last week with music journalist and music historian Jon Burlingame (Music for Prime Time: A History of American Television Themes and Scoring). Jon's latest book, Dreamsville: Henry Mancini, Peter Gunn, and Music for TV Noir, is a combination history of Peter Gunn (NBC/ABC, 1958-1961) on television; biography of Grammy Award-winning and Academy Award-winning composer Henry Mancini; and discography of all of the original music that Henry Mancini composed for both Peter Gunn and Mr. Lucky (CBS, 1959-1960) and the soundtrack albums that accompanied both series. Topics this segment include the pivotal role that Alan Livingston, then head of programming for NBC, played in releasing Mancini's music for Peter Gunn as a soundtrack album, how Mancini handpicked many of the musicians who recorded with him on both Peter Gunn and Mr. Lucky, including John Williams and Bob Bain. Dreamsville: Henry Mancini, Peter Gunn, and Music for TV Noir is available from BearManor Media. Learn more about your ad choices. Visit podcastchoices.com/adchoices

TVC 654.4: Music journalist Jon Burlingame (Music for Prime Time, Dreamsville: Henry Mancini, Peter Gunn, and Music for TV Noir) talks about Henry Mancini's work in motion pictures, including how Mancini proved that a great composer could also be a great songwriter (which he did, with “Moon River”). Dreamsville: Henry Mancini, Peter Gunn, and Music for TV Noir is available from BearManor Media. Learn more about your ad choices. Visit podcastchoices.com/adchoices

TVC 653.2: Music journalist Jon Burlingame (Music for Prime Time, Dreamsville: Henry Mancini, Peter Gunn, and Music for TV Noir) talks to Ed about how Blake Edwards came to develop Mr. Lucky (CBS, 1959-1960) for television, including how Edwards originally wanted Ricardo Montalban to play the title character and how Ross Martin wasn't signed to play Andamo just before production began. Dreamsville: Henry Mancini, Peter Gunn, and Music for TV Noir is available from BearManor Media. Learn more about your ad choices. Visit podcastchoices.com/adchoices

TVC 654.4: Music journalist Jon Burlingame (Music for Prime Time, Dreamsville: Henry Mancini, Peter Gunn, and Music for TV Noir) talks about Henry Mancini's work in motion pictures, including how Mancini proved that a great composer could also be a great songwriter (which he did, with “Moon River”). Dreamsville: Henry Mancini, Peter Gunn, and Music for TV Noir is available from BearManor Media. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Animators Frank Thomas and Ollie Johnston talk about the music of Bambi, and legendary composer Henry Mancini expresses his appreciation of Bambi's score. 

Esteemed author, journalist and educator Jon Burlingame sits down for a brand new Film.Music.Media conversation! If you follow film and TV music at all then you'll recognize the name Jon Burlingame. When it comes to the topics of film and television music, Jon has been the leading author and journalist in the field covering almost every aspect of the art form and business. His articles, books, interviews and lectures have helped keep screen music as part of the public conversation for his entire career. For this interview we're excited to talk about Jon's latest book titled Dreamville: Henry Mancini, Peter Gunn And Music For TV Noir. The book is a fascinating and entertaining look into a specific point in the career of the great Henry Mancini. Jon talks about why he was inspired to write the book, why this point in TV music history is so important, and how he approaches his research and writing. We also take a look into Jon's path to film music journalism. Learn how Jon's career started in New York, and how it evolved into the world of film and TV music. A Film.Music.Media Production | Produced & Presented by Kaya Savas

This week Dale, Tim, and Carolyn talk with author and columnist Jon Burlingame about his new book, "Dreamsville." It's about the music of Henry Mancini and the development of TV and movie themes. It's very informative and very, very fun.

TVC 654.5: Ed welcomes back esteemed music journalist and music historian Jon Burlingame (Music for Prime Time: A History of American Television Themes and Scoring). Jon's latest book, Dreamsville: Henry Mancini, Peter Gunn, and Music for TV Noir, is a combination history of Peter Gunn (NBC/ABC, 1958-1961) on television; biography of Grammy Award-winning and Academy Award-winning composer Henry Mancini; and discography of all of the original music that Henry Mancini composed for both Peter Gunn and Mr. Lucky (CBS, 1959-1960) and the soundtrack albums that accompanied both series. Topics this segment include the many moments of serendipity that enabled series creator/producer Blake Edwards to get Peter Gunn on the air and hire Henry Mancini; how Mancini changed the face and sound of prime time television by introducing jazz music as dramatic accompaniment; and the sheer volume of original music that Mancini composed for both Gunn and Mr. Lucky every week between 1958 and 1961. Dreamsville: Henry Mancini, Peter Gunn, and Music for TV Noir is available from BearManor Media. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hosted by Lee Cowan. In our cover story, Kris Van Cleave examines the crisis of confidence in Boeing following a series of terrible accidents involving 737 Max jetliners. Also: Lee Cowan marks the 25th anniversary of the popular cartoon character SpongeBob SquarePants; David Martin looks at how tactics and technology are transforming the war in Ukraine; Nancy Giles visits exhibits celebrating Afrofuturism; Tracy Smith attends recording sessions around the world for a Henry Mancini tribute album; and Serena Altschul checks out a popular cooker known as the Big Green Egg.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today we present our latest ALL REQUEST SHOW on THE ARCHIVE on the CINEMATIC SOUND RADIO PODCAST. Since launching the CINEMATIC SOUND RADIO PODCAST Patreon in April of 2021, we've offered our patrons exclusive perks based on the tier they signed up for. One of those perks is participating in all request programs. If you want to participate in future all-request shows, please head over to our Patreon page, and join the community in any tier that is $5 USD/month or above. Once you do so, you will be able to participate in all upcoming all-request programs. For this all-request program, Jason Drury stepped in once again as host and gave our wonderful patrons a choice between four themes to choose from: War Films, End Credits, British Film and TV Shows, and Box Office Blockbusters. A vote was held on our Patreon page, and End Credits won with 50% of the vote. Our participants today include Eldaly Morningstar, Glenn McDorman, Victor Field, Angela Rabatin, Don Mase, Lee Wileman, Will Welch, Stacy Livitsanis, Deniz Çağlar, Carl Wonders, Joe Wiles, Thomas Tinneny, Dave Willians, and Alan Rogers.  They requested tracks from such composers as Johnny Costa, Michael Small, Henry Mancini, Ennio Morricone, Jerry Goldsmith, Debbie Wiseman, Keiki Kobayashi, Yoko Kanno, James Horner, John Williams, James Newton Howard, Carl Davis, and David Shire. Thanks to everyone who participated. For those who didn't get a chance to send in a request and want to be a part of the next all-request program, we'd love to have you join our wonderful CINEMATIC SOUND RADIO PODCAST Patreon family. Enjoy the show! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Mike Kohutich, Scott Bordelon, James Alexander —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

GGACP celebrates the recent release of the musical documentary "Killing Me Softly with His Songs" (now streaming) by revisiting this memorable interview with Grammy and Emmy winner Charles Fox. In this episode, Charles looks back on a six-decade career of writing top 40 hits as well as themes for TV shows (“Happy Days,” “Wonder Woman,” "The Love Boat"), feature films (“Barbarella,” “9 to 5”) and game shows (“Match Game,” “What's My Line?”). Also, Charles teams with Barry Manilow, pens a tune for Burt Reynolds, witnesses the Ed Ames tomahawk incident and remembers friends Neal Hefti, Jerry Goldsmith and Henry Mancini. PLUS: “Love, American Style”! The Charles Fox Singers! The inventiveness of Ernie Kovacs! Gilbert sings the soundtrack from “Zapped!” And the boys pay loving tribute to Paul Williams! Learn more about your ad choices. Visit megaphone.fm/adchoices

La Venganza de los lunes, el Eterno Retorno de lo Terrible Alejandro Dolina, Patricio Barton, Gillespi Introducción Entrada0:02:04 Segmento Dispositivo Traiciones en los mitos02:25 "Traicionera" ♫ (Música: Juan Ghirlanda, letra: Luis Garros Pe. Año 1928. Canta Gardel, una de las dos versiones que grabó ese mismo día, Dolina comenta que nunca sabremos cuál es la que repitió y conjetura que la se oye es, probablemente, la segunda) Segmento Humorístico Beneficios de bañarse en pareja. 23:05 Segmento Humorístico ¡Mamá, me encontré con un extraterrestre! 48:22 Sordo Gancé / Trío Sin Nombre Presentación1:16:00 "La rueda mágica" ♫ (Fito Páez, del Amor Después del Amor, 1991. Cantan Charly y Calamaro) "What a Wonderful world" ♫ (Grabada en 1967, por Louis Armstrong. Canción que escribieron Bob Thiele y George David Weiss) "Yo no sé qué me han hecho tus ojos" ♫ (Música y letra: Francisco Canaro, escrita para Ada Falcón, en 1933) "I am The Walrus" ♫ (The Beeatles, del Magical Mystery Tour. Lennon escribió la canción para confundir -o como una ironía- a escuchas que siempre hacían interpretaciones muy serias de las letras de los Beatles) "Zamba de Carnaval" ♫ (De Gustavo "Cuchi" Leguizamón y Manuel J. Castilla. Puede que sea del 1965) "Blue Moon" ♫ (Escrita por Richard Rodgers and Lorenz Hart en 1934, pasó a ser un "Standard" muy popular del jazz) "Días de vino y rosas" ♫ (Days of Wine and Roses; Canción del año 1962 con música del compositor estadounidense Henry Mancini y letra de Johnny Mercer para la película Days of Wine and Roses, de Blake Edwards. Ganó el Oscar a mejor canción) "Jijiji" ♫ (Patricio Rey y sus Redonditos de Ricota, de su segundo álbum de estudio, Oktubre, 1986) "Cuando los santos vienen marchando" ♫ (When the Saints Go Marching In, a veces traducida como "La marcha de los Santos", es un himno góspel estadounidense. Su origen exacto se desconoce. Su versión más famosa es la realizada por Louis Armstrong en 1927)

So you're asking yourself what do Henry Mancini, West Aliquippa, Pennsylvania, Tony Dorsett, the Conway Yard and the Norfolk Southern have in common with our next guest?? Well basically nothing other than all these people and places were mentioned on this podcast as we discovered the secret of hollow core door layouts. Richard Shirey has been working for the Norfolk Southern for over a decade and has a vast knowledge of all things railroading and in particular, railroading in the Western Pennsylvania area. We were introduced to Richard by our good friend Bradd “the Professor” Williamson who claimed to have a vast knowledge of our guest. So grab a big bowl of shredded sheet music, a tall cool glass of horn spit and enjoy!!