Podcast appearances and mentions of Lonnie Holley

Cyrus Moussavi has carved out a career that is as improbable as it is original. Raised in Iowa in a bicultural Iranian American household, Cyrus grew up spending summers in Iran and the rest of the year steeped in his father's love of prog rock and his mother's passion for traditional Iranian music. That early immersion in disparate sound worlds laid the groundwork for a lifelong obsession with music—not as a performer, but as a listener, connector, and storyteller. After studying economics and philosophy in college, Cyrus gravitated toward filmmaking, not to make conventional movies but to explore how visual storytelling could capture, preserve and transmit music and the lives of those who make it.As a filmmaker, Cyrus has developed a body of work that's both deeply collaborative and boldly inventive. His films include “I Snuck Off the Slave Ship,” a science-fiction documentary co-directed with the visionary artist and musician Lonnie Holley that screened at Sundance and BlackStar, among many other festivals and galleries, and the upcoming “Somebody's Gone,” a feature-length film about gospel legend Brother Theotis Taylor that he is co-directing with Brother Theotis' son, Hubert. And as a music archivist and promoter, since 2019 Cyrus has led the influential reissue label Mississippi Records, where he works closely with artists and their families to bring overlooked and under-celebrated music from around the world to new audiences.In this interview, Cyrus discusses how his early experiences shaped his eclectic sensibility, what it means to ethically archive music across cultures and how he sees his work as both creative practice and cultural preservation. 

Our monthly  episode in which Andrea Cleary and Niall share our favourite music of the past month. The Best of the Month episode is now Patreon-only. Public subscribers get the first 15 minutes or so of the episode as a free preview. Members get to hear the whole episode on their member feeds or on Patreon direct. Discussing music from Lonnie Holley, Bon Iver, Adebisi Shank, Chappell Roan, Avalon Emerson, Niamh Bury, Brighde Chaimbeul, Selena Gomez & Benny Blanco, Paddy Hanna, MJ Lenderman and an old choice from Cornelius. We also chat about what we've been watching lately including Adolescence, Severance, Last One Laughing UK (which I erroneously called Laugh Out Loud), 

On an all-new episode of Discologist, Eduardo and Kevin explore the profound artistry of Lonnie Holley's latest masterpiece Tonky, and Phil Cook's tender and stunning Appalachia Borealis. Together, these extraordinary works offer a soul-stirring journey through the triumphs and trials of the human spirit, each conveyed through a lens as distinct as it is moving. Hosted on Acast. See acast.com/privacy for more information.

Full show: https://kNOwBETTERHIPHOP.com Artist Played: Cameron Bethany, IMAKEMADBEATS, conshus, Onry Ozzborn, Cloudy October, Lonnie Holley, Ken-C, Kidd Called Quest, Ansley Stewart, Pat Van Dyke, Previous Industries, Georgie Sweet, non-a, Ebi Soda, Crescendo, BAYNK, MaLLy, Last Word, WheelUP, Sio, Jayce Cantor, Sankofa, Burnt Bakarak, Royalty, Maia Friedman, Jake Palumbo, Raekwon, OutKast, GOODie MOb, IMAKEMADBEATS

Nel saggio Fumo e cenere lo scrittore indiano Amitav Ghosh ricostruisce una storia di potere, razzismo e colonialismo attraverso l'oppio. Nel 1980 Vincenzo Sparagna e altri autori di fumetti fondarono la rivista Frigidaire, che presto diventò uno spazio di sperimentazione e libertà. L'artista afroamericano Lonnie Holley è un alieno nel mondo della musica e il suo nuovo album Tonki sfugge a ogni catalogazione. Il documentario GEN_ racconta i percorsi di affermazione di genere di chi si rivolge alle strutture pubbliche per superare le proprie sofferenze e trasformare la propria vita.CONMarina Forti, giornalista e scrittrice che collabora con InternazionaleNicolò Porcelluzzi, giornalista della rivista Il TascabileGiovanni Ansaldo, editor di musica di InternazionaleDonatella Della Ratta, professoressa di comunicazione alla John Cabot university di RomaSe ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità . Vai su internazionale.it/podcastScrivi a podcast@internazionale.it o manda un vocale a +39 3347063050Produzione di Claudio Balboni e Vincenzo De Simone.Musiche di Carlo Madaghiele, Raffaele Scogna, Jonathan Zenti e Giacomo Zorzi.Direzione creativa di Jonathan Zenti.Amitav Ghosh: https://www.youtube.com/watch?v=OqdNYLUkId4 Frigidaire: https://open.spotify.com/episode/3tKis0l4YNkTPoHwd3pFtC?si=-uy5h9KZQ36ZofM9gh8nUgLonnie Holley: https://youtu.be/41ERWWPETAc?si=81VH9n2b1ZQvrzYLGEN_: https://www.youtube.com/watch?v=R3rJS6bsygs

Met ditmaal: My Morning Jacket, Bob Mould, Bambara, Throwing Muses, Moreish Idols, Dawn Brothers, Japanese Breakfast, The Chills, Lonnie Holley, Camper Van Beethoven, Sunny War, Caroline, Alan Sparhawk, Durand Jones & The Indications, , plus een exclusieve instore van Armand & The Kik. Concerto Radio, aflevering 589 (28 maart 2025): My Morning Jacket, Die For […]

Nesta edição, Cleber Facchi (@cleberfacchi), Isadora Almeida (@almeidadora), Renan Guerra (@_renanguerra) e Nik Silva (@niksilva) conversam sobre como a música pop tem dado novo significado ao uso de samples, interpolações e remixes.Apoie a gente: https://apoia.se/podcastvfsmIngressos para a festa: http://bit.ly/4hPdWI9Não Paro De Ouvir➜ Arnaldo Antunes https://tinyurl.com/2p92bb7r➜ Japanese Breakfast https://tinyurl.com/4ytb9dwc➜ Droogie Otis https://tinyurl.com/nhca9wuw➜ Miso Extra https://tinyurl.com/3yfbcb5c➜ FACS https://tinyurl.com/bh2hv49k➜ Saba & No I.D. https://tinyurl.com/52c3xxrs➜ Katy da Voz e as abusadas https://tinyurl.com/5d26jxfu➜ MC Taya https://tinyurl.com/5vcyf7ph➜ Vera Fischer Era Clubber https://tinyurl.com/3m9b6864➜ Smerz https://tinyurl.com/599eu599➜ Jovens Ateus https://tinyurl.com/w256tyxt➜ Josyara https://tinyurl.com/4m93hhyz➜ Malka https://tinyurl.com/426adnt9➜ Aya https://tinyurl.com/23u8rfhf➜ Lindstrøm https://tinyurl.com/577c99j3➜ Jadsa https://tinyurl.com/yft4t4jc➜ Lonnie Holley https://tinyurl.com/2by55wa7➜ Kassian https://tinyurl.com/357vbdwz➜ Horse Vision https://tinyurl.com/5n8ajep8➜ YHWH Nailgun https://tinyurl.com/2z9dzcpxVocê Precisa Ouvir Isso➜ Meu nome é Maria, de Jessica Palud (Cinemas)➜ The White Lotus (Max)➜ Derrick Gee (TikTok)➜ Onda Nova (Cinemas)➜ Switched on Pop: Lady Gaga's Monster ReturnPlaylist Seleção VFSM: https://bit.ly/3ETG7oEContato: sobremusicavamosfalar@gmail.com

On our most mildly controversial pod yet, Ben asserts the theory that Ben Harper is single handedly responsible for unintentionally ruining Australian music. Meanwhile, Ione shocks Miranda July with her bisexuality, and we explain why Oasis are the most generous pop stars of the modern era. We also touch on Dave Navarro's body modification kink, why Pete Hegseth's group chat mistake is very relatable, wonder whether we should we care that 23andMe have our DNA, and why no one seems to be drilling holes in their heads as a bio-hack anymore.To delve deeper into our world visit us at https://weirdertogether.substack.com/

L'album non è mai stato così importante, e i nostri album della settimana sono quelli di Japanese Breakfast, Lonnie Holley e My Morning Jacket. Nuovi singoli per Kae Tempest, Deerhoof, e Populous. Il TOdays Festival 2025 non si farà, mentre l'AMA Music Festival ha una giornata niente male.

Welcome back to Transmissions, your weekly conversational series from Aquarium Drunkard in partnership with the Talkhouse Podcast Network. This week on the show, a long awaited return visit from Lonnie Holley. The Atlanta artist joins us alongside his manager, Matt Arnett, son of William Arnett, the Southern art curator and collector who brought Holley to the attention of the art world in the 1980s.  In those days, Holley often worked directly with trash—taking discarded materials to forge his sculptures. Philip K. Dick has said “the symbols of the divine show up in our world initially at the trash stratum,” and in Lonnie's case, that truth is made evident.  His art draws from what's thrown out—a theme he returns to often—but also from personal tragedy: first artistic project was carving headstones for his sister's two children, who died in a house fire in Alabama in 1979. Since then, his found-object assemblages, paintings, and collages have endeared him to the fine art world—they have even been displayed in the Smithsonian and the White House—in part due to the patronage and care of Arnett's father.  But the younger Arnett helped Holley get on the path he walks know, as an oracular sculpture of sound. Lonnie and Matt join us ahead of the March 21st release of Holley's new album, Tonky. Crafted with Irish producer Jacknife Lee (R.E.M., U2, The Killers) and featuring guests like Isaac Brock of Modest Mouse, harpist Mary Lattimore, rappers Billy Woods and Open Mike Eagle, spoken word from Saul Williams, and others, Tonky rattles with blues-punk-industrial art folk anthems. We discussed the new album, Holley's poetic metaphysics, and his work with kindred spirit Richard Swift.   You can read a full transcript of this conversation at Aquarium Drunkard, where you'll find 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. With your support, here's to another decade. Subscribe at Aquarium Drunkard. Stream a playlist of bumper music featured on Transmissions, as well as selections from our guests. Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. 

Mesmerising dance floor tapestries from a singular experimental musician. Can you reinvent the human voice? The oldest musical instrument in existence, our voices are the foundation of music as we know it, and few push its limits in electronic music today like Lyra Pramuk. On her masterful debut, Fountain the Berlin-based, US-born artist's voice was the only instrument. No drums, no synths—just her voice warped, synthesized and layered to achieve orchestral-like electronics. Five years on from her breakout, Pramuk's practice has steadily evolved, with a continued interest in ideas of folk and futurism, and how technology can enable us to build community beyond boundaries of time and space. There's a holistic nature to her artistry, one that extends seamlessly into her DJing (she's also a quantum physicist by training). As she explains in the Q&A accompanying this week's RA Podcast, she sees her work as "part of a continuum of sacred, folkloric, and communal music represented by many different subcultures and communities across the world." It's an approach that, like much of Pramuk's output, feels explicitly choral in nature. The first voice we hear on the mix comes from Lonnie Holley, his woozy Southern drawl calling out, "Earth will be there to catch us when we fall." (Although, you have to wonder, if we keep flogging the Earth, will it?) More voices follow across an eye-catching tracklist, from the poetry of friends (Nadia Marcus) to esoteric French chantresses from the '80s (Anne Gillis), while Pramuk wraps an extensive amount of her own forthcoming material around tracks from SD Laika, Leyland Kirby, rRoxymore and 33EMYBW, to name just a few. By the end, voice and noise become indistinguishable—stammering, glitchy vocals colliding with an orchestra of instruments. The effect is mesmerising. Unfolding as one continuous composition, RA.979 exists somewhere between an ambient set at Kwia and the main stage at Unsound, voices and textures blurred into a fluid tapestry of sound. It's a singular offering to the series from a singular artist. @lyra_songs Read the interview and find the tracklist at ra.co/podcast/980

Lonnie Holley faithfully follows his heart by making art and music out of hardship, curiosity, and biological necessity. His practice is by no means typical as he does not work out of a studio, but improvises on the spot. Each performance unfolds organically and speaks to his evolving experimentation. Holley’s new album, Tonky, is set for release on March 21 and features “Protest With Love.” 

Milan Uyeno (of Motte and Bailey) is in the booth tonight, spinning some RnB and soul which slowly gets weirder as the show progresses.Playlist: Sade - No Ordinary LoveTea Fannie, featuring Ice Tha One - Vibe Don't LieThe Weeknd - Red TerrorDaniel Caesar - Pain Is InevitableAutre Ne Veut - World WarMac Miller - Do You Have A Destination?Maxwell - Drowndeep: HulaYves Jarvis - Talking or Listening?Lonnie Holley, featuring Sharon Van Etten - None Of Us Have But A Little WhileJasmine Smoke, featuring Glass Structure - geokill methods

Born and raised in Georgia, Marlon Patton is a New York-based drummer and music producer/engineer. Hailing from a long line of drummers dating back to his grandfather, Phil Patton who played in the Chicago big band circuit, Marlon keeps his schedule interesting and packed full of all types of music. He is the first call for so many musicians not just because of his impeccable time, but because of the incredible musicality of what he delivers. He plays within a huge dynamic range, making him the perfect match for quiet piano jazz performances to hard- hitting rock gigs. He can play with everything from precision to reckless abandon and make it truly his own. He currently is a member of Kenosha Kid, Weisshund, Nelson Patton, Lonnie Holley, The Trey Wright Trio and The Mace Hibbard Quintet. He has toured, performed and/or recorded with Liv Warfield, The Atlanta Symphony Orchestra, Jim White, Larkin Poe, Lonnie Holley, Jeff Coffin, Shahzad Ismaily, Col. Bruce Hampton, John Patitucci, Randy Brecker, Rufus Reid, Marcus Printup, and Wycliffe Gordon. He has recorded for labels such as Sony, Universal, Jagjaguwar, RH Music, Yep Roc, Ropeadope plus many more independent releases. His drumming has been in soundtracks on Adult Swim, ABC, and HBO.  In the studio, Marlon has carved a name for himself recording, mixing, and producing. Some recent projects he's worked on are Lonnie Holley's MITH, Liv Warfield's Live at Cafe Wha, Jim White's Where It Hits You, Leah Calvert's Satellite, Daniel Clay's 10,000 Things, Kenosha Kid's Fahrenheit 451, ILL's Gotten Gains, and Blair Dunlop/Larkin Poe's Killing Time.  In this episode, Marlon talks about: Being willing to abandon "correct" technique in favor of a sound, feel, or idea How New York has changed his musical priorities and identity What true collaboration really means Improvising vs. "composing in the moment" Moving away from Atlanta with the goal of expanding, personally and musically Tapping into old relationships in a new place Sharing studio space with Jordan Rose and mixing Liv Warfield's latest record

Playlist: Sunglaciers - UndermineL'appel Du Vide - WarteschleifeLol Tolhurst x Budgie x Jacknife Lee, featuring Lonnie Holley, Mary Lattimore - BodiesJohn Cale - Shark SharkHabibi - Losing ControlYard Act - The UndertowBluffing - Black HairTony Del Degan - So Quiet And DocileThe Jesus and Mary Chain - Pure PoorGolomb - Dare You To CryThe Wesleys - Death By The BiteGarlands - The Dragging PondMXLX - Perdita De SangueMAHESHVARA - Sense PerceptionTwitch - Sentient 2Jasper Byrne + Sonic - CottonopolisMark Adam Paul - Dungeon Crawler (eta2k's Matcha Infusion)Drummachinemike - Personal InformationSteb Sly - Creeper WeedBlue Odeur - Birds And DangerMkma - BloodsLa Sécurité - K9 Freaks Mix (Freak Heat Waves Remix)Easy Idiot - MercuryErika Angell - BearEl Perro Del Mar - Suburban DreamsCelestial Trails - A Pair Of New WingsEvening Ocean - Letters Or MirageTommy Guerrero - As We Break The VictorHelena Deland - DrawbridgeFuneral Lakes - Hometown HeroTalia Schlanger - So SmallHalo Maud - You Float

This week on The Curatorial Blonde we have Allison Glenn. Allison Glenn is a New York-based curator and writer focusing on the intersection of art and public space, through public art and special projects, biennials, and major new commissions by a wide range of contemporary artists. She is a Visiting Curator in the Department of Film Studies at the University of Tulsa, organizing the Sovereign Futures convening, and Artistic Director of The Shepherd, a three-and-a-half-acre arts campus part of the newly christened Little Village cultural district in Detroit.  Previous roles include Co-Curator of Counterpublic Triennial 2023; Senior Curator at New York's Public Art Fund, where she proposed and developed Fred Eversley: Parabolic Light (2023) and Edra Soto Graft (2024) for Doris C. Freedman Plaza; Guest Curator at the Speed Art Museum, and Associate Curator of Contemporary Art at Crystal Bridges Museum of American Art. In this role, Glenn shaped how outdoor sculpture activates and engages Crystal Bridges 120-acre campus through a series of new commissions, touring group exhibitions, and long-term loans. She also realized site-specific architectural interventions, such as Joanna Keane Lopez, A dance of us (un baile de nosotros), (2020), as part of State of the Art 2020 at The Momentary. She acted as the Curatorial Associate + Publications Manager for Prospect New Orleans' international art triennial Prospect.4: The Lotus in Spite of the Swamp. A Curatorial Fellowship with the City of Chicago's Department of Cultural Affairs and Special Events, culminated with In the beginning, sometimes I left messages in the street (2016), a citywide billboard and performance exhibition. As Program Manager at University of Chicago's Arts Incubator, she worked with a team led by Theaster Gates to develop the emergent space, where she curated exhibitions and commissioned performances such as Amun: The Unseen Legends (2014), a new performance from Terry Adkin's Lone Wolf Recital Corps, that included Kamau Patton. Glenn has been a visiting critic, lecturer, and guest speaker at a number of universities, including The University of Tulsa, University of Pennsylvania, School of the Art Institute of Chicago, Louisiana State University, and Pacific Northwest College of Art. Her writing has been featured in catalogues published by The Los Angeles County Museum of Art, The Neubauer Collegium, Counterpublic Triennial, Prospect New Orleans Triennial, Princeton Architectural Press, Crystal Bridges Museum of American Art, Scottsdale Museum of Contemporary Art, Kemper Museum, Studio Museum in Harlem, and she has contributed to Artforum, ART PAPERS, Brooklyn Rail, Hyperallergic, ART21 Magazine, Pelican Bomb, Ruckus Journal, and Newcity, amongst others. She has curated notable public commissions, group exhibitions, and site specific artist projects by many artists, including Mendi + Keith Obadike, Matthew Angelo Harrison, Maya Stovall, Rashid Johnson, Basel Abbas + Ruanne Abou-Rahme, Lonnie Holley, Ronny Quevedo, Edra Soto, Terry Adkins, Kamau Patton,Shinique Smith, Torkwase Dyson, George Sanchez-Calderon, Hank Willis Thomas, Odili Donald Odita, Martine Syms, Derrick Adams, Lisa Alvarado, Sarah Braman, Spencer Finch, Jessica Stockholder, Joanna Keane-Lopez, Genevieve Gaignard and others. Her 2021 exhibition Promise, Witness, Remembrance was name one of the Best Art Exhibitions of 2021 by The New York Times. Glenn is a member of Madison Square Park Conservancy's Public Art Consortium Collaboration Committee and sits on the Board of Directors for ARCAthens, a curatorial and artist residency program based in Athens, Greece, New Orleans, LA and The Bronx, New York. She received dual Master's degrees from the School of the Art Institute of Chicago in Modern Art History, Theory and Criticism and Arts Administration and Policy, and a Bachelor of Fine Art Photography with a co-major in Urban Studies from Wayne State University in Detroit.

We highlight three events that should be on your radar, starting with a trip to London's Royal Academy of Arts to explore Ukrainian modernism. Then we head to the south of France for this year's edition of a major summer photography festival, before hearing from US artist Lonnie Holley at his new show at London's Camden Art Centre, ‘All Rendered Truth'.  See omnystudio.com/listener for privacy information.

The show that talks about you on purpose is back! This time around, we're discussing the security of Geek Squad protection, the music of Lonnie Holley is debated, the ghost of Babe Ruth haunts the podcast, grandpa Jeter is out of touch with the mainstream, the dream of making "a good episode" of TRAPPO, goofy foreign horror movies, the fires of HELL are close at hand, the boys are feeling excluded since the ghouls have moved on to bigger and better things, the possibility of a TRAPPO newsletter is raised and immediately dismissed, and a whole bunch of other weird and off-putting stuff also occurs. Join the conversation! Tell us what you think about the show, how you think our pop culture is going to evolve in the future, the pain of rejection, the agony of Christmas in July, or whatever else, Just leave a comment on the official TRAPPO blog (CLICK HERE), or send us a long-winded email (CLICK HERE), and we can figure out this crazy thing called life together. We're also on social media, so check us out on Instagram (CLICK) and Threads (CLICK) and we'll have a blast! Thanks for listening! --- Send in a voice message: https://podcasters.spotify.com/pod/show/trappo/message

Lonnie Holley and Aleesa Pitchamarn Alexander in conversation at the Auburn Forum for Southern Art and Culture, a symposium organized by The Jule Collins Smith Museum of Fine Art at Auburn University on February 3, 2024. Dr. Aleesa Pitchamarn Alexander is curator of the exhibition "Black Codes: Art and Post-Civil Rights Alabama" on view January 23 through July 7, 2024 at The Jule Collins Smith Museum of Fine Art at Auburn University, featuring the work of Lonnie Holley alongside work by Thornton Dial (1928 – 2016), Ronald Lockett (1965 – 1998) and Joe Minter (b. 1943). Dr. Alexander is the Halperin Associate Curator of Modern and Contemporary Art and Co-Director of the Asian American Art Initiative at the Cantor Arts Center, Stanford University. Lonnie Holley (b. Birmingham, AL, 1950) lives and works in Atlanta, Georgia. His work is represented in the permanent collections of the Los Angeles County Museum of Art, Los Angeles, CA; Metropolitan Museum of Art, New York, NY; National Gallery of Art, Washington, DC; Smithsonian American Art Museum, Washington, DC; Whitney Museum of American Art, New York, NY; among many others.

This week on Transmissions: Camae Ayewa, better known as Moor Mother. As one-half of the Black Quantum Futurism collective, a creative project she founded with Rasheedah Philips, Ayewa has focused her considerable energies on “the manipulation of space-time in order to see into possible futures, and/or collapse space-time into a desired future in order to bring about that future's reality.” As the front-person of the incendiary jazz punk group Irreversible Entanglements, she's let it rip on a series of albums released by International Anthem & Don Giovanni Records. Last year's Protect Your Light found the band moving to the legendary Impulse! Records.   Along the way, she's released records under the Moor Mother banner, like 2021's Black Encyclopedia of the Air and 2022's Jazz Codes. Her latest is The Great Bailout, a record that functions at times like a sonic horror movie, while also possessing tremendous passages of beauty. Joined by guests like Lonnie Holley, Kyle Kidd, and Sistazz of the Nitty Gritty—past Transmissions guest Angel Bat Dawid delivers an absolutely breathtaking clarinet solo out ‘South Sea”—the album finds Moor Mother transmuting jazz, noise, rock, folk, gospel, classical music—melting down genres in a poetic churn. Moor Mother plays history and time like a science fiction story, bending temporal moments in a psychedelic flurry. This conversation flows in similar way. Join us to jump through timelines, ponder the Mandela Effect, and untangle histories with Moor Mother on Transmissions. Just announced: Aquarium Drunkard Transmissions Live! at the Philosophical Research Society in Los Angeles, feat. Will Sheff (Okkervil River) in conversation author Sean Howe, discussing his book on High Times founder Thomas King Forçade. Secure your tickets now. Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. Next week on Transmissions? Moor Mother. For heads, by heads. Aquarium Drunkard is powered by our members. Keep the servers humming and help us continue doing it by subscribing to our online music magazine. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

A sprawling, expansive chat with two artists who embody a DIY ethos interconnected with spirituality and poetry.  Two chats with musician, sculptor Lonnie Holley and poet Moor Mother (Camae Awaye) chatting through their practices, converging across their innovative use of materials, unique ways of collaborating and principled resistance. A conversation to sink deep into, with both Lonnie and Camae reminding us that beauty is in our toolkit for the revolution.  You can catch them both live, alongside free jazz ensemble Irreversible Entanglements, at the Opera House on February 26, more details here.  This episode was co-hosted and co-produced by Alicia Zhao & Shareeka HelaluddinSee omnystudio.com/listener for privacy information.

Ponerle un lazo a cualquier cosa en 2024 es acertar. John Glacier se lo ha puesto a la portada y al título de 'Like A Ribbon', su nuevo EP. La rapera, productora y poeta londinense ha encontrado en Eartheater une aliade a su propuesta esquiva, minimalista, experimental, incluso surrealista para firmar 'Money Shows', primer adelanto de ese EP.Playlist:Irenegarry - Un Día De EstosMeth Math, Daniela Lalita - TrenzasCaroline Polachek - DangSmerz - The StylistBICEP - CHROMA 001 HELIUMOrbital, David Holmes, Mike Garry - Tonight In BelfastSwimming Paul - FadingDepresión Sonora - malaJohn Glacier, Eartheater - Money ShowsTORRES - I got the fearThe Smile - You Know Me!Pajaro Sunrise - Hey MatisseA. Savage - Black Holes, the Stars and YouAdrianne Lenker - Sadness As A GiftLonnie Holley, Bon Iver - Kindness Will Follow Your TearsEscuchar audio

Topics: Poconos, Kalahari Water Park, Station Bar in Woodstock, Phish at Madison Square Garden NYE, dduk guk New Year's Day, University of Michigan football, NOTEM planners, Humbled by the Void practice, MTA adventures, birthday parties, upcoming Mardi Gras 2/10 gig at Mama Tried, Maine Beer Co., Oh Me Oh My by Lonnie Holley, The Hypos S/T, Little Rope by Sleater-Kinney, Hometown to Come by Minwhee Lee, Selected Jambient Works, Vol. 1 by Country Sadness, Explosive Hits Vol. 1 by Trans-Canada Highwaymen, Orange Head by Black Grape, Saviors by Green Day, Doppelganger by Naomi Klein, Ramona and her Father by Beverly Cleary, The Gospel of the Hold Steady by Michael Hann, The Six Day War by Michael B. Oren.

1. Elton John 2. Bully 3. Angel Olsen 4. Jona Lewie 5. Buffao Nichols 6. Paramore 7. Graham Nash 8. Slowdive 9. Phoebe Snow 10. Bonny Light Horseman 11. Pretenders 12. The Clientele 13. Ry Cooder 14. Lonnie Holley 15. Militarie Gun 16. Be Your Own Pet

LoveBabz LoveTalk: Lonnie Holley by WNHH Community Radio

To close out the year, Brittany is sitting down with Lonnie Holley. He's a painter, sculptor, and musician who released his latest album, Oh Me Oh My, in early 2023. In it he sings of his difficult childhood growing up in Jim Crow Alabama where he was sold, beat, and effectively enslaved. But today he sings of hope. He's been on a journey to heal his pain, and the pain of the generations that came before and the ones that will follow. It's a story of gratitude.

Anche in questo 2023 è andata in onda la classifica dei migliori dischi dell'anno selezionati dai dj di RCA. Non sono mancate sorprese, esclusioni ed un vincitore inatteso. La trasmissione è stata condotta da Fabrizio Forno, Dave e Gianluca Polverari 1 – LUCIO CORSI “la gente che sogna” 2 – LONNIE HOLLEY “oh me oh

Von wegen „Was Hänschen nicht lernt…“ – man kann auch erst mit über 60 Jahren sein erstes Musikalbum aufnehmen und damit erfolgreich durchstarten. Der Afro-Amerikaner Lonnie Holley hatte sich in den 1980er Jahren zunächst einen Namen als bildender Künstler gemacht, und veröffentlichte 2012 erstmals ein Album. Inzwischen ist er über 70 und wenn er auf der Bühne steht, dann ist das wie ein Blick in die Geschichte des Jazz – meint Martina Senghas, die ihn bei einem Enjoy-Jazz-Konzert in Mannheim zusammen mit der Sängerin Moor Mother gehört hat.

US artist Lonnie Holley is a prolific maker of things - whether it's his assemblages of found objects or the fluid, jazz-style improvisations of his music. He's one of those polymath creative spirits who don't separate one artform from the other. But his life of improvisational creativity wasn't a certainty for Lonnie, who was born 73 years ago in the Jim Crow era in a hotbed of racial politics in America's Deep South. Classicist Mary Beard examines art inspired by the lives and excesses of the Caesars, who wielded power in cruel and immoral ways. They established a visual propaganda machine - minting themselves in coins, sculpture, paintings, mosaics, and even baked goods! Their art historical legacy is however contemporary and omnipresent. First broadcast November 2022.

Hear from our Head of Programming, Veronica Sullivan, as she reflects on last year's successful Spring Fling, and shares what's in store for audiences this year. In 2023 the Wheeler Centre's Spring Fling is going Above and Beyond: looking further, delving deeper, and asking bigger questions with outstanding thinkers who are reshaping our world and envisioning extraordinary futures. Across 24 captivating events from 2 to 14 October, hear from international guests Hernan Diaz (Trust), musician and artist Lonnie Holley, Rebecca Makkai (I Have Some Questions for You), Caroline O'Donoghue (The Rachel Project and host of the hit podcast Sentimental Garbage) and Ed Yong (An Immense World), alongside local luminaries including Leigh Sales, Trent Dalton, Melissa Lucashenko, Thomas Mayo, Pia Miranda and Andrew Quilty.Tickets to Spring Fling are on sale now at wheelercentre.com. Buy three or more eligible Spring Fling events and get 15% off your purchase. The Wheeler Centre is incredibly thankful for the generous support of its patrons Maureen Wheeler AO and Tony Wheeler AO; series partners The Moat and Readings; and event partners the E.W. Cole Foundation, Montalto, Museums Victoria and RMIT Culture. Special thanks to accommodation partner The Sofitel. Featured music is Kwick Baby by Young Community. Spring Fling is proudly supported by the Victorian Government through Creative Victoria and is supported through the Melbourne City Revitalisation Fund – a $200 million partnership of the Victorian Government and the City of Melbourne.Support the Wheeler Centre: https://www.wheelercentre.com/support-us/donateSee omnystudio.com/listener for privacy information.

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We took a shot on a weird one this time around!

Luminary Lonnie Holley released Broken Mirror: A Selfie Reflection with Matt White in 2022. The amalgam of afro-futurism and cosmic southern funk make for a rollicking time for a juxtaposition for two artists that make for surprising collaborators. Holley, born in Birmingham, Alabama, in 1950, has dedicated his life to improvisational creativity in the form of both sound and visual art. White, a Virginia-based producer and musician who's worked with the likes of Bon Iver's Justin Vernon, Sharon Van Etten & the Mountain Goats. “I am an African-American, colored, Black or from the negros that were brought to America on slave ships,” says Holley. “So when I do something like ‘I Snuck Off the Slave Ship' or ‘Broken Mirror Reflections,' [those were] two different pieces of music, but aren't we still bound by those conditions? We're bound by slavery and we're bound by the fear of the broken mirror.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to the latest New Music Showcase here on TRAPPO! Now we may not be able to call our nascent ongoing series "a success" as of yet, but we're gonna keep plugging along, because we're just a pair of stubborn fools who want to share some neat new-ish music with our rapidly dwindling audience! Our latest offering to the new music gods is Oh Me Oh My from legendary outsider artist Lonnie Holley! Who is Lonnie Holley, you may well ask? You can learn a little more about this fascinating figure by clicking right here, and we really think you should. Suffice to say, the man has led a truly intriguing life, and his late-period forays into the musical realm have proven thus far to be incredibly moving and heartfelt, and Oh Me Oh My is no exception. So just listen to the episode, okay? And if you want to listen to Lonnie Holley's Oh Me Oh My, just click this string of words right here and listen away! We've got a poll over on the official TRAPPO blog that we'd sure love you to participate in, if you would be so kind. Just click this thick link to decide whether or not Oh Me Oh My is inducted into the TRAPPO Essentials Can(n)on. It's up to you, dear listener! The poll will remain open until the next episode of TRAPPO goes live, which will probably be next week, but considering our recent track record, who honestly knows? Either way, we desperately want you to vote in this poll. Lonnie Holley needs your votes. There's also a conversation going on right now, and we'd love you to become a part of that. Just visit the official TRAPPO blog and leave a comment on the post of your choosing. Tell us what you think about the New Music Showcase so far, share your thoughts on Lonnie Holley's music, or just type whatever's on your mind. We don't care. As long as you're not spilling any bigoted tea, it's all good. You could also send us an email if you were so inclined. You probably won't, but that door is always open. Just direct those theoretical emails to trapposhow@gmail.com and we may read your rambling thoughts on a future episode of the show. Thanks for listening, and thanks for voting! --- Send in a voice message: https://podcasters.spotify.com/pod/show/trappo/message

Lonnie Holley has lived a storied life. He was taken from his family by a burlesque dancer who performed in carnivals when he was a baby, suffered head injuries from getting hit by a car as a kid, then put in the Alabama Industrial School for Negro Children, also known as Mount Meigs. He went on to become a visual artist whose works have been on display at The White House and The Smithsonian. Holley started releasing music about a decade ago when he was in his 60s. He's now out with his seventh album. It's called 'Oh Me Oh My' and features collaborations with Bon Iver, Michael Stipe of R.E.M., Sharon Van Etten, and more. Lonnie Holley shares his life story and how his experiences have informed his new record.Support the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.

Depois de alguns episódios com a ponte entre os dois lados do Atlântico comprometida, o trio agridoce titular do Boia volta ao debate semanal lépido e fagueiro. Como de costume, João Valente, Júlio Adler e Bruno Bocayuva não embarcam na histeria coletiva em torno do resultado mais polêmico da última semana, mas clamam por justiça técnica e algum amparo da lógica para reconstruir o que se entende por julgamento no surfe de competição. No Imagem Falada o trio resgata uma ode do baixinho Midget Farrely a Phil Edwards, o melhor surfista da era de transição entre a madeira e a fibra. Já o Almanaque chega mais caseiro com os traços do sócio atleta do Boia, Allan Sieber comparando personagens do mundo das artes e do surfe. No meio do balanço, a trinca celebra o discurso do Chico em Portugal durante a providencial entrega atrasada no prêmio Camões. E a trilha que embala a episódio abre com I Am a Part of the Wondere com Lonnie Holley e fecha com Rodrigo y Gabriela e The Ride Of The Mind. Um é pouco, dois é bom, mas três é sempre melhor. --- Send in a voice message: https://podcasters.spotify.com/pod/show/boia/message

Vocalist Nat Luca from The Holy Ghost Tabernacle Choir joins us this week to chat.We get into chats about everything from Deathwish to Purevolume, Screamo, Jam Bands, Graphic Design, Photography, Journalism, upcoming tours, synthpop, marginalized groups and queer rights, twitter, radio pop rock and community outreach. Blacklisted, Converge, Dying Whale, William Bonney, Midwest Pen Pals, Full Of Hell, Black Tusk, Lobstrocity, Oceaner, Measurement, Long.Way.Down., Torch, Loma Prieta, Adele, Crippling Alcoholism, Blood Brothers, Rotting In Dirt, Knoll, and Rainbow Kitten Surprise, Callous Daoboys, MSPAINT and Lonnie Holley and Home Is Where.

A godfather of improvisational creativity, Lonnie Holley transcends struggle and hardship by making art and music. Holley takes a thoughtful approach to music making, building his songs like sculptures. He flows through stream-of-consciousness lyrics on “Kindness Will Follow Your Tears,” featuring none other than Justin Vernon's Bon Iver. 

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The 73 year old outsider artist has pivoted towards music in later life, with the opening of his bio on Wikipedia reading, "He was born the 7th of 27 children during the Jim Crow era and claims to have been traded for a bottle of whiskey when he was four". This though is highly accessible and in no way off-puting music, that at its best draws a link from 1800's slavery to modern variants.

Lonnie Holley's Oh Me, Oh My is a continuation of his exploration of the darker rooms of our history that were the centerpiece of his 2018 album Mith. On that release, Holley seemed content to simply illuminate for the sake of awareness. Oh Me, Oh My finds the lauded artist/poet/musician settling for nothing less than carrying the listener to a home in the light that everyone, Holley seems to argue, deserves no matter what hardship came before. It's a message of hope that will thaw even the coldest of hearts, and an early (and easy) contender for the best album you are likely to hear in 2023.PLUS! Eduardo and Kevin are spinning tracks from percussionist Joe Westerlund's new LP Elegies for the Drift and Los Angeles music collective Wild Up's exploration of the work of Julius Eastman!Discussion Guide0:00 - Shop Talk5:15 - Tracks we love24:43 - Oh Me, Oh My1:01:15 - Apple Classical Music App / Wrap upSupport this show http://supporter.acast.com/discologist. Hosted on Acast. See acast.com/privacy for more information.

Protect trans lives. Protect trans youth. Get involved. Wednesday episodes are exclusively on Patreon. Album of the Day is: Lonnie Holley “Oh Me Oh My” https://lonnieholley.bandcamp.com/album/oh-me-oh-my Additional links for the day: https://www.freedomoklahoma.org/ https://www.thetrevorproject.org/ https://southernequality.org/resources/transinthesouth/ Brad Rose is the the principal writer and editor-in-chief of Foxy Digitalis, an online music magazine and has run various DIY record labels for the last 30 years. Wednesday episodes are exclusively on Patreon. foxydigitalis.zone patreon.com/foxydigitalis twitter: @foxydigitalis Instagram: @foxy.digitalis Mastodon: foxydigitalis@mastodonmusic.social

Filmmaker George King and Atlanta musician and scholar Mausiki Scales speaks with Lois Reitzes about the new documentary “Thumbs Up for Mother Universe: Stories from the Life of Lonnie Holley.” Plus, we hear about the new Fernbank Museum exhibition “The Nature of Color.” And we spotlight Atlanta painter Wynter Bell as part of our “Speaking of Art” series. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

MAGZ FM RADIO / DIY / PHILLY Turbojazz - Free Jaxx Oxgn - Raw Source Quant - Nelly Disco Dwight Trible - Truth Lonnie Holley ft. Moor Mother - I Am A Part Of The Wonder Unknown - Not Quite Sure Lindsey Abudei - A Sliver For Your Heart The Degrees - Follow Me Down Decon - Trenches Soul Connection - U Doing Me Like That Liv.e - Ghost Bootzy Enyon - Everything Goes Lothario - Crazy Boston Chery - 24 Hours Heroes Of Limbo - Watch Out Now Cozy Coxa - Gargoyles & City Girls Traph Hazard - Grungy.Rise Buddy Leezle x Ruler Why - MUHFUGGAH! Shonny Jones - The Head Dpath - Luna de Saavedra Chok Kerong & Vanessa Fernandez - Cry (ft. weish) WWW.MAGGYSROOFTOPAERIAL.COM

MAGZ FM DIY / RADIO / 380Turbojazz - Free Jaxx Oxgn - Raw SourceQuant - Nelly Disco Dwight Trible - Truth Lonnie Holley ft. Moor Mother  - I Am A Part Of The Wonder Not Quite Sure - F*ck If We Know Lindsey Abudei - A Sliver For Your Heart The Degrees - Follow Me Down Decon - Trenches Soul Connection - U Doing Me Like ThatLiv.e - GhostBootzy Enyon - Everything Goes Lothario - Crazy Boston Chery - 24 HoursHeroes Of Limbo - Watch Out Now Cozy Coxa - Gargoyles & City Girls Traph Hazard - Grungy.Rise Buddy Leezle x Ruler Why - MUHFUGGAH! Shonny Jones - The Head Dpath - Luna de Saavedra Chok Kerong & Vanessa Fernandez - Cry (ft. weish) magz fm / musik you haven't heard yetconnect: www.maggysrooftopaerial.com

This week Kyle Long revisits some of his favorite interviews of 2019, including: Tank and The Bangas, Lonnie Holley, Anila Agha, Amerikkken, and Destiny Muhammad.

Kyle shares interviews from the 2019 Big Ears Festival with Meredith Monk, Lonnie Holley, and Amirtha Kidambi.

FoxD'Legnd joins Kyle Long for a conversation, and Kyle shares a preview of my recent interview with Lonnie Holley.

The guys join The Losers' Club as they dig into songs mentioned in the works of the Master of Horror, Stephen King. Plus, Jobee gives his review/reaction to Mith by Lonnie Holley, music from Mitski, the Spotify Wager, music from France's Jerome B. Sedeyn in the Unsigned Artist Spotlight, and see who Jeff calls the 1950s version of death metal band Deicide. 

There are extraordinary and miraculous lives, and then there's the unfathomable unimaginable existence of Lonnie Holley.