Podcast appearances and mentions of Oscar Peterson

Robi Botos is a Juno-winning Canadian jazz pianist who was hugely influenced by the late Oscar Peterson — one of the greatest jazz pianists of all time. He opened for Oscar in Switzerland and he even gave Oscar's daughter piano lessons. In celebration of the Canadian jazz legend's centenary (he would have turned 100 on Aug. 15), Robi sits down with Tom Power to talk about Oscar's musical legacy and what made his piano playing so exceptional. Plus, Robi plays a piece he wrote for his friend and hero.

This episode begins with jazz masters Trane, McCoy and Moody. Then a talented San Diego guitarist Alex Ciavarelli. The show concludes with a set of 70's jazz/rock fusion classics. Playlist Artist ~ Name ~ Album John Coltrane ~ Pt. 1: Acknowledgement ~ A Love Supreme McCoy Tyner ~ Man From Tanganyika ~ Tender Moments James Moody ~ Cherokee ~ 80 Years Young: Live at the Blue Note Alex Ciavarelli ~ This Could Be the Start of Something Big ~ A Tribute to Oscar Peterson on Guitar Freddie Hubbard ~ Red Clay ~ Red Clay Herbie Hancock ~ Watermelon Man ~ Head Hunters Joe Farrell ~ Time's Lie ~ Moon Germs

durée : 00:59:25 - Clap Hands - par : Nathalie Piolé -

Join hosts Tami Larson and Dennis Strazulo as they dive into the vibrant atmosphere of JazzFest 2025, with this episode recorded at The Broadside in New Orleans during the 10th Annual Crawfish Festival. In this episode, the first of several generated from JazzFest, the focus is on the experiences of the captivating, modern New Orleans funk band, The Rumble, authors of  a sound they dub "New Orleans Mardi Gras Funk!" Special guest co-host, Wally Ingram, joins the first part of the episode, engaging with The Rumble's co-founder and soulful guitarist, Ari Teitel and its super talented keyboard player, Andriu  “Yano” Yanovski, as they reflect on their hard working paths to success as Grammy nominated musicians. The conversation flips to Ari, Andriu and the hosts delving into Wally's storied journey playing with the likes of Timbuk 3, David Lindley, Sherly Crow, Phil Lesh, Bob Weir, Bonnie Raitt, Jackson Browne, Crowded House, George Clinton, and David Nelson, making Wally a  beloved percussionist/drummer across music genres. As these remarkable artists muse about their influences and mentors, Wally shares stories of his role as mentor for his bass-playing daughter Lydia's friend, Paolo Pesce and his rising band, Great Big Cow, while exuding praise and respect for the New Orleans music scene and much more!Ari and Andriu visit with Tales From  The Green Room fresh off their set with The Gangsters of Love, performing the music of Johnny “Guitar” Watson on the opening day of the  Crawfish Festival. When not playing with The Rumble you can catch Ari playing with Ivan Neville's Dumpstaphunk and Andriu jamming with David Shaw of The Revivalists, or sitting in with a myriad of ensembles around The Crescent City and across the USA.  The duo also make up the-thirds of the sensational improv band, AX3.The backstage banter continues as the hosts chat it up with other members of The Rumble - leader and co-founder Chief Joseph Boudreaux, Jr., trumpet player Aurelien "Sunpie" Barnes, bassist TJ Norris, and  inspirational drummer Trenton O'Neal -  moments before they hit the stage on day two of Crawfish Fest. The artists explore the band's formation, intentional approach, and dynamic performances. The band members also delve into their cultural and musical heritage with engaging anecdotes, industry insights, and a celebration of New Orleans' rich musical tradition. This episode captures the essence of The Rumble's journey and their undeniable impact on New Orleans music and beyond!Catch The Rumble at High Sierra Music Festival 2025 July 3-6!Episode Photo Gallery by Chris Applebaum Images – 4/28/25 Episode Photo Gallery by Chris Applebaum Images – 4/29/25HighlightsThere's something about the groove here. It's different. I kind of always say I don't trust a drummer who hasn't spent some time in New Orleans. Yeah. I mean, it's just, it's in the air. You feel it, you're so spoiled down here, man. It's just amazing. It's unifying too!-Wally Ingram praising the New Orleans music scene Detroit's got such a rich musical tradition, and I had a chance to come up under a lot of the greats and people like Ralph Armstrong, who played with Mahavishnu Orchestra and got a chance to play with Allan Barnes, sax player from Donald Byrd and the Blackbyrds. I had great teachers like Rodney Whitaker, the great upright bass player in Detroit. So I got a strong foundation in blues bebop, R&B, and then played in church and also in Michigan there was a strong jam band community, so I was kind of always in and out of that.-Ari Teitel on learning from the greats in his home state of MichiganIt opens you up. You stay open for the moments, for those times when you might go off script. But that's where the magic is. That's the sauce. Those are the moments I freaking live for. You're on the edge, you don't know what's gonna happen, and then you come up. Especially if I were playing with like Wally or Andrew, I'm confident in that unknown. It will present a lot of opportunities for some great moments, and  in those moments you discover some new musical ground and then everybody shares a smile.-Ari Teitel on how his jazz training opens him up to magical musical momentsWhen I was 19, I met Clyde Stubblefield. in Madison, Wisconsin. A friend of mine brought him to see me play, and I met him and I asked him if he teaches lessons. He goes, no, no man, just play. Just come down every Monday night. I'm at this club. Just come down. So I would go down there and watch him play. Just like what you guys were talking about. And he would say, oh yeah, you're that guy. A drummer, okay, you're up next set. And you'd have to just sit in with his band, which is a full R&B band with horns and they'd be like, oh shit. Clyde's got another drummer. Shit. So you'd have to sit in with his band and hold your own. He was very open to that. And we became great friends his whole life and we played together a lot.-Wally Ingram on learning from legendary James Brown drummer, Clyde StubblefieldI was at the show seeing Robert Randolph when I was 11 years old. My dad got everybody in the section to point at me…this kid, this kid! So he calls me up. I played for two minutes and then his guitar tech came to usher me off. Like, okay, that was it. Good job buddy. And then Rob Randolph waved him off, and said, no, no, no, he's staying up. So I  played a whole 20 minutes with him. He lifted me up. Yeah. Put me on top of a chair. I didn't know it was happening, my legs were flailing!-Ari Teitel reflecting on his big moment on stage with Robert Randolph at age 11 I didn't really know the function of a keyboard in a band fully until I heard about Ray Charles and heard what he did for the first time. I had never played a Rhodes piano. It felt insane the first time I played one. It was Ray Charles really that opened my mind. And then it was like Art Tatum and Oscar Peterson. And that was cool with my parents 'cause they were classically proficient. But then it started to deepen. Then you, obviously, learn about Miles Davis

Who swings harder: Oscar Peterson with guitar or drums? In this jazz piano trio showdown, Adam and Peter go head-to-head with seven scorching tracks spanning OP's career. Team Guitar brings Barney Kessel, Herb Ellis, and Joe Pass, while Team Drums is anchored by the ever-swinging Ed Thigpen.  We break down comping chemistry, shifting textures, virtuosic solos, and how each setup shaped the trio's iconic sound. Which format delivered the best Oscar Peterson performances? Join us for a deep dive into Canada's greatest jazz export.

Ola Onabule – Patience Endures (4:54) Kenny Garrett – May Peace Be Upon Them (8:15) Toon Roos Group – Prelude For Peace And Compassion (3:00) Yellowjackets – Prayer for Peace (6:47) Maciek Pysz – Peacefully Waiting (6:16) Oscar Peterson – Peace (8:47) Rachelle Ferrell – Peace on Earth (2:42) Sonny Emory – Derek Scott – […]

The Grammy-winning Japanese jazz composer and pianist Hiromi has always challenged expectations with her music. Now, she and her group Hiromi's Sonicwonder have released a new album, “Out There.” Hiromi joins Tom Power to talk about the record, why ramen is so important to her life and how she kind of became pen pals with the late Canadian jazz legend Oscar Peterson. Plus, she sets up her song “Yes! Ramen!!”

This podcast episode delves into the profound influence of sound and music on the lives of the speakers, particularly highlighting the speaker's early immersion in a musical environment shaped by familial ties and community interactions. Central to the discussion is the speaker's childhood experiences, particularly the unique upbringing in a music store owned by their father, a musician, which fostered a deep-seated passion for sound creation and production. The narrative unfolds as the speaker recounts the rich tapestry of musical encounters, including memorable jam sessions that engaged both local and visiting musicians, thereby illustrating the organic nature of musical collaboration. Additionally, the speaker reflects on the transition from organ to piano as a significant evolution in their musical journey, emphasizing the challenges and rewards associated with mastering different instruments. This exploration not only encompasses personal anecdotes but also reverberates with broader themes of cultural identity and the transformative power of music in shaping one's aspirations and artistic endeavors.Takeaways: The speaker's early exposure to music was profoundly influenced by their father's profession as a musician and music store owner. The narrative recounts the speaker's journey from a music-centric upbringing to aspiring to become a musician themselves. The transition from organ to piano playing presented significant challenges due to their differing techniques and approaches. Circular breathing, as demonstrated by Hubert Laws, exemplifies the extraordinary skills required in music performance. Significant records and artists, including Jimmy Smith and Oscar Peterson, were pivotal in shaping the speaker's musical aspirations and identity. The speaker's desire to travel and explore the music scene was a driving force behind their decision to immigrate to Canada. Companies mentioned in this episode: Decca Jimmy Smith Hubert Laws George Benson Oscar Peterson Art Tatum Bob James Clive Zander Raph Robinson Adele Miles Robinson

COLEMAN HAWKINS – “ALL AMERICAN FOUR / FIVE” New York, May 29, 1944Make believe, Don't blame meColeman Hawkins (ts) Teddy Wilson (p) John Kirby (b) Sidney Catlett (d) New York, October 17, 1944Under a blanket of blue, Beyond the blue horizonBuck Clayton (tp) Coleman Hawkins (ts) Teddy Wilson (p) Slam Stewart (b) Denzil Best (d) LESTER YOUNG / HARRY EDISON – “PRES & SWEETS” Los Angeles, November 1, 1955Pennies from Heaven, That's all, One o'clock jumpHarry “Sweets” Edison (tp) Lester Young (ts) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Buddy Rich (d) VIC DICKENSON – “QUARTET” New York, June 24, 1952Tenderly, Lion's den, In a mellow toneVic Dickenson (tb) Bill Doggett (org) John Collins (g) Jo Jones (d) MEL POWELL – “SEPTET” New York, December 30, 1953‘S wonderful, It's been so long, You're lucky to meBuck Clayton (tp) Henderson Chambers (tb) Edmond Hall (cl) Mel Powell (p) Steve Jordan (g) Walter Page (b) Jimmy Crawford (d) Continue reading Puro Jazz 15 de abril, 2025 at PuroJazz.

COLEMAN HAWKINS – “ALL AMERICAN FOUR / FIVE” New York, May 29, 1944Make believe, Don't blame meColeman Hawkins (ts) Teddy Wilson (p) John Kirby (b) Sidney Catlett (d) New York, October 17, 1944Under a blanket of blue, Beyond the blue horizonBuck Clayton (tp) Coleman Hawkins (ts) Teddy Wilson (p) Slam Stewart (b) Denzil Best (d) LESTER YOUNG / HARRY EDISON – “PRES & SWEETS” Los Angeles, November 1, 1955Pennies from Heaven, That's all, One o'clock jumpHarry “Sweets” Edison (tp) Lester Young (ts) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Buddy Rich (d) VIC DICKENSON – “QUARTET” New York, June 24, 1952Tenderly, Lion's den, In a mellow toneVic Dickenson (tb) Bill Doggett (org) John Collins (g) Jo Jones (d) MEL POWELL – “SEPTET” New York, December 30, 1953‘S wonderful, It's been so long, You're lucky to meBuck Clayton (tp) Henderson Chambers (tb) Edmond Hall (cl) Mel Powell (p) Steve Jordan (g) Walter Page (b) Jimmy Crawford (d) Continue reading Puro Jazz 15 de abril, 2025 at PuroJazz.

Tonight's Jazz Feature is one of the first great soloists on the vibraphone: the amazing Lionel Hampton. This was his first session after he signed up with Jazz producer Norman Granz. Granz wished to present the artistic side of Lionel and this recording does the job in a big way. Lionel, who's style works in so many contexts is joined here for the first time by the great Canadian pianist Oscar Peterson, bassist Ray Brown and master drummer Buddy Rich. The band selected the 6 tunes and delivered them with swing and soul. All of this was recorded in New York on September 2, 1953. Lionel the magnificent!

Diese Sendung hat Andreas Pasternack zusammengestellt. Das LIVE – Anspiel diesmal ist : „I loves you Porgy“ – eine Komposition von George Gershwin aus dem Jahr 1935 – ursprünglich ein Duett aus der Oper „Porgy and Bess“. Folgende Titel sind zu hören: 1. Almost like being in Love – Natalie Cole 2:11 2. Der Einsame – Stefan Gwildis & NDR Bigband 3:47 3. Four Beat Cha Cha Cha – Tito Puente 2:29 4. Roxanne – George Michael 4:08 5. In the Mood – Glenn Miller 3:31 6. I loves you Porgy – Till Brönner 4:59 7. Very early – Jaden Evans 4:30 8. Good thing going – Frank Sinatra 3:56 9. It's all right with me – Oscar Peterson 2:54 10. Where's the Love – Laura Fygi 2:23 Für Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

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STANDARS SEMANAL.-917.The Very Thought Of You.-VINILOS MITICOS DEL JAZZ.-.Ben Webster - (1953) - King Of The Tenors.-JAZZACTUALIDAD.-.Latino Blanco Quintet - Mark Nightingale-BOREALIS Título: King of the tenors Músico: Webster, Ben Acompañantes: Benny Carter Fecha de Grabación: 1953 Lugar de Grabación: New York Sello Discográfico: Verve Nº de temas: 8 Formato: LP Instrumento: Saxofón tenor Estilo: Swing Nº de Serie: 837431 Año de Edición: 1994 Duración: 39:58 Calificación: 5* /2 Comentario: Un disco majestuoso que recoge todas las virtudes de este magnifico saxofonista. Además cuenta con la participacion de Benny Carter al saxo alto, Herb Ellis a la guitarra, Harry Edison a la trompeta, Oscar Peterson al piano y Ray Brown al bajo. Título: Borealis. Músicos: Latino Blanco (saxo barítono) & Mark Nightingale (trombón). Acompañantes: Kontxi Lorente (p); Miquel Álvarez (cb) y Vicente Espí (dm). Fecha de Grabación: 2022. 26 junio. Lugar de Grabación: Valencia. Sello Discográfico: Sedajazz Records. Nº de temas: 6. Formato: CD. Instrumento: Saxo baritono y trombón. Estilo: Contemporáneo. Nº de Serie: SJ 152. Año de Edición: 2024. Duración: 38:54. Calificación: 3*1/2 Comentario: Francisco Blanco Latino anda envuelto siempre en más aventuras de las que parece razonable, pero de alguna manera consigue salir exitoso de todas ellas, con un optimismo a prueba de bomba y una inagotable capacidad de disfrutar como señas de identidad. Una de esas aventuras consiste en recordarnos de cuando en cuando su admiración por Gerry Mulligan, tanto en versión de cuarteto sin piano como al frente de una orquesta. Mark Nightingale, es uno de los músicos más respetados y solicitados de la escena británica y europea y Francisco Blanco «Latino», es, asimismo, un instrumentista extraordinario, algo que a veces pasa a segundo plano cuando el artista acentúa, sobre todo, su faceta educadora en torno a ese colectivo maravilloso que es «Sedajazz». La química entre ambos es evidente; y este disco, el segundo que graban juntos, —sin contar el que ambos participan con el octeto de la Sedajazz Record—, deja claro que el dialogo entre saxo barítono y trombón, poco frecuente en el jazz, provoca, de manera natural, una sensibilidad sensorial extraordinaria. La empatía musical entre ambos reputados instrumentistas, hace el resto. Bajo la fórmula del quinteto, Blanco Latino reúne para este su segundo trabajo en colaboración con el trombonista, Mark Nightingale, a Kontxi Lorente al piano, Miquel Álvarez al contrabajo, y Vicente Espí a la batería, es decir, una sección rítmica de las mejores que pueden reunirse hoy en España. El repertorio elegido para esta sesión de grabación, son, en su mayoría, composiciones propias de los músicos que intervienen en la grabación; tres piezas de Mark Nightingale, dos de Latino Blanco, y el sexto, el tema que cierra el álbum, es la preciosa composición de Cole Porter, titulada: «You’d Be So Nice to Come Home To”. Como es habitual en los trabajos que publica «Sedajazz Records», excelente álbum.

On tonight's show: Bix Beiderbecke, Copenhagen Glenn Miller, Adios Benny Goodman, Rose Room Benny Goodman, Big John's Special Frank Sinatra with Tommy Dorsey & His Orchestra, Fools Rush In Doris Day and Les Brown, Sentimental Journey Billie Holiday, What A Little Moonlight Can Do Ella Fitzgerald, You're the Top Eddie "Lockjaw" Davis, Serenade in Blue Annie Ross & Gerry Mulligan, I Guess I'll Have to Change My Plan Nat "King" Cole, Nature Boy Kenny Burrell Octet, A String of Pearls Dave Brubeck, Upstage Rumba Clark Terry and Paul Gonsalves, Funky Clark Terry & Chico O'Farrill, Macarena Clark Terry, Jam Session with Oscar Peterson, Misty Dianne Reeves (with Clark Terry), I Hadn't Anyone ‘til You

Diese Sendung hat Joachim Böskens zusammengestellt. Folgende Titel sind zu hören: 1. Come dance with me – Michale Bublé 2:44 2. Doralice – Joao Gilberto 2:47 3. Over the Rainbow – Chris Botti 3:23 4. Strike up the Band – Count Basie & his Orchestra 3:46 5. When I fall in Love – George Benson feat. Idina Menzel 4:04 6. C'est si bon (It's so good) – Louis Armstrong 3:02 7. Show your Linen, Miss Richardson – B. Goodman & his Orchestra feat. Johnny Mercer 2:58 8. Rio de Janeiro Blue – Joe Sample & Randy Crawford 5:07 9. Three to get ready – Dave Brubeck Quartet 5:23 10. It's allright with me – Oscar Peterson 2:54 Für Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

Diese Sendung hat Joachim Böskens zusammengestellt. Folgende Titel sind zu hören: 1. Come dance with me – Michale Bublè 2:44 2. Doralice – Joao Gilberto 2:47 3. Over the Rainbow – Chris Botti 3:23 4. Strike up the Band – Count Basie & his Orchestra 3:46 5. When I fall in Love – George Benson feat. Idina Menzel 4:04 6. C'est si bon (It's so good) – Louis Armstrong 3:02 7. Show your Linen, Miss Richardson – B. Goodman & his Orchestra feat. Johnny Mercer 2:58 8. Rio de Janeiro Blue – Joe Sample & Randy Crawford 5:07 9. Three to get ready – Dave Brubeck Quartet 5:23 10. It's allright with me – Oscar Peterson 2:54 Für Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

durée : 00:59:18 - Banzzaï du vendredi 07 mars 2025 : Comes Love - par : Nathalie Piolé - Préparez-vous... ce soir dans Banzzaï, c'est l'amour qui déboule !

Sintonía: "Just In Time" - The Oscar Peterson Trio"Mean to Me" - "Pennies From Heaven" - "One O´ Clock Jump" - "She´s Funny That Way" - "I Found A New Baby". Músicas extraídas del álbum "Pres & Sweets" (Verve 1955), del saxofonista Lester Young y el trompetista Harry Edison "You Make Me Feel So Young" - "Come Dance With Me" - "The Tender Trap" - "It Happened In Monterey" - "I Get A Kick Out Of You" - "How About You". Músicas extraídas de "A Jazz Portrait Of Frank Sinatra" (Verve 1959), del pianista Oscar PetersonEscuchar audio

This episode begins with Pärt's “Hymn to a Great City.” (That would be New York.) Elsewhere, there are songs, setting Langston Hughes and Mark Van Doren. Oscar Peterson plays a pop song, adding various musical ingredients. Finally, there is a tribute to Edith Mathis, the Swiss soprano, who has died at eighty-seven. Much to listen to, and maybe even think about. Pärt, “Hymn to a Great City” Wheeler, “If I Had a Wife” Tchaikovsky/Wild, Pas de quatre (“Dance of the Cygnets”) from “Swan Lake” Bonds, “The Negro Speaks of Rivers” Prokofiev, Sonata for Solo Violin Modugno, “Volare” Wood & Mellin, “My One and Only Love” Bach, “Alleluja” from “Jauchzet Gott in allen Landen”

Tonight's Jazz Feature is a tribute to Canada and all things Canadian. It's been heard on The Jazz Show before but in these unsettled times I think it's time to hear it again. It's The Canadiana Suite played by and composed by the great Canadian pianist Oscar Peterson. Oscar performs the suite with his working trio of the time with Ray Brown on bass and Ed Thigpen on drums. It was recorded on Sept.9,1964 in New York. The 8 movement suite takes us across Canada from East to West in a series of musical portraits. It's time to be proud of Canada and the Canadiana Suite represents that pride.

  | Oscar Peterson  | Wave | Jimmy Forrest  | You Go to my head | Kurt Elling  | Winelight | Astud Gilberto  | Agua De Beber | Cesar Percio  | D'autres iles en soit | Visioneers  | Eyes don't lie | Grover Wahsington Jr  | Winelinght | Herbie Mann  | 

Andrés Amorós sigue con su ciclo dedicado por este gran músico de jazz.

Andrés Amorós dedica un ciclo al músico de jazz con motivo del centenario de su nacimiento que se hizo famoso con ritmos como el Boogie Woogie.

This show has new music released in 2025 from Artemis, Nicole Zuraitis and Noah Preminger. Much more as well from pianists Emmet Cohen and Oscar Peterson. There is also a couple of tracks out of San Diego from David Borgo and Rob Thorsen. Playlist  Artist ~ Name ~ Album ARTEMIS ~ The Smile of the Snake ~ ARBORESQUE Nicole Zuraitis ~ brand new key ~ siren songs volume 1 Emmet Cohen ~ Henei Ma Tov ~ Vibe Provider Oscar Peterson ~ C-Jam Blues ~ Night Train Oscar Peterson ~ Georgia On My Mind ~ Night Train Noah Preminger ~ Carry Me Ohio ~ Single Rob Garcia ~ Dark Blue Horse Power ~ Natural Bounce David Borgo ~ Senescence ~ Persistence Rob Thorsen Quartet ~ The Intimacy of the Blues ~ Evolution Wayne Shorter ~ Armageddon ~ Night Dreamer

Text us about this show.Anyone who has spent any time around the NE Wisconsin music scene knows about John Harmon. John is a world class jazz pianist and composer who studied under the great Oscar Peterson and played with the likes of Ray Brown and Milt Jackson. In the 1970s he formed the progressive jazz band Matrix who turned out six critically accaimed albums and toured the world. John's sons, Noah and Zach, are both extremely talented musicians. Noah, a keyboard player, is part of Kyle Megna and the Monsoons and Zach is a polyrhythmic drummer who has played with a number of artists both in LA and NE Wisconsin. Put them together and you have an incredible jazz trio with some deep musical roots called The Harmon Boyz."The Fly" performed by Matrixwritten by John Harmon℗ 1979 Warner Records Inc. Used with permission of John Harmon."Happy" written and performed by Eric Koppa℗ 2024 Eric Koppa Music. Used with permission of Eric Koppa.Face Your EarsExplore home recording and music creation with Rich and Justin on 'Face Your Ears'!Listen on: Apple Podcasts SpotifySupport the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...

A salute to musicians born in 1925, including: Sammy Davis Jr, Art Pepper, Marty Robbins, Celia Cruz, Oscar Peterson, Johnny Horton, Bill Haley and Charlie Byrd.

durée : 00:59:43 - Oscar Peterson "City Lights : The Oscar Peterson Quartet – Live in Munich, 1994" - par : Nicolas Pommaret - “City Lights : The Oscar Peterson Quartet - Live in Munich 1994” paraît chez Two Lions.

durée : 01:00:35 - Club Jazzafip - À l'occasion de ses 50 ans de carrière, nous invitons la chanteuse amoureuse du jazz, du blues et du gospel à prendre les rênes de notre programmation avec Erik Truffaz, Ella Fitzgerald, Oscar Peterson, Billie Holiday, Claude Nougaro, Miles Davis, Peggy Lee, Kenny Burrell ….

Welcome to the J&J on Jazz Podcast. This podcast was originally released on May 6th, 2022, on the Jeff Antoniuk - Educator YouTube channel. Please subscribe to the YouTube channel and feel free to enjoy the video version as well.FOR ALL INSTRUMENTS!In episode #37, It's Dominant over Minor . . .  That almost sounds like BBQ sauce over ice cream, right? How can that even work? Well, our heroes (Cannonball, Kenny Dorham, Oscar Peterson and on and on) use this idea all the time. Today James and Jeff pull back the curtain on playing killer bebop lines over a minor chord. Mentioned in this podcast:• www.JazzWire.net - Since we announced JazzWire back in 2017, it has become an incredible Community of hundreds of adult musicians from over 25 different countries around the world. If you are looking for a plan for your practice, regular insights and wisdom on playing jazz, and a huge COMMUNITY of jazz players from around the world, this is the place for you! • J&J on Jazz - Many of the J&J episodes include a PDF (but not all!!). Just write us at J&JonJazz@gmail.com, and we'll offer you the pdf for the episode you're looking for if available (or all PDFs for a small price)! We will also put you on the list to receive each new pdf, weekly.  Amazing practice ideas, every week, for free. What's not to love!?

On this edition of the Richard Crouse Show we meet musician, broadcaster, photographer, empresario, and author who joins me today to talk about his newest book “Rollin' Through the ‘70s. Weed, Woman and Song.” Born in Indiana, his recording career began in 1965 with a cover of jazz great Bobby Timmon's song “Moanin'” by his band The Chateaus. Since then, he was mentored by jazz legend Oscar Peterson, and worked with everyone from Janis Joplin and The Pointer Sisters to Linda Ronstadt and Howdy Doody. I've had a remarkable life, he says, and he joins me today to talk about Vietnam and his arrival in Canada, smoking hash and many other stories from his book “Rollin' Through the ‘70s. Weed, Woman and Song.” Then we get to know Christophe Lebold, a professor of literature, performance studies and rock culture from Strasbourg, France, joins me to talk about his book “Leonard Cohen: The Man Who Saw the Angels Fall.” It's an intriguing, massive, 543-page compendium that takes a deep metaphysical dive into the late Montrealer's world.

This week's show: Maxïmo Park, Circle Jerks, Cliff & Ivy, Movieland, Humdrum, Idaho, and Sunstack Jones, plus Woody Guthrie, Del Shannon, Turtles, B.B. King, Dusty Springfield, Johnny Bond, and Louis Armstrong & Oscar Peterson; and R.I.P. Phil Lesh (19...

durée : 02:28:32 - France Musique est à vous du samedi 09 novembre 2024 - par : Gabrielle Oliveira-Guyon - Pour préparer l'hiver, VOUS nous avez concocté la sélection musicale idéale pour les réveils hivernaux : Chili Gonzales, Oscar Peterson, Robert Schumann, Johannes Brahms, Franck Pourcel et bien d'autres ! - réalisé par : Emmanuel Benito

WARREN WOLF “HISTORY OF THE VIBRAPHONE” Long Island City, NY, December 1, 2023Sad eyes (1,3) Midnight sun (1) Django Tim Green (as-1,sop-2) Warren Wolf (vib) Alex Brown (p,el-p-3) Vicente Archer (b) Carroll “CV” Dashiell, III (d) DAVE YOUNG “SIDE BY SIDE, VOLUME THREE” Toronto, 1995In a mellow tone (1) Joshua (2) Lament (3)Oscar Peterson (1), Cedar Walton (2) y Cyrus Chestnut (3)(p) Dave Young (b FEDERICO DANNEMANN / ROBERTO DAÑOBEITÍA “MESTIZA” Santiago ca 2022Akaal, El pavo real, Viejo mundo, Fuga Desolación, Milonga para YinyinClaudio Rubio (saxos) Daniela Rivera (violín, viola) Sebastián Castro (p) Federico Dannemann (g.voz), Roberto Dañobeitia (g) Rodrigo Espinoza (b) Félix Lecaros (dr) Sara Pozo (voz) Continue reading Puro Jazz 29 de octubre, 2024 at PuroJazz.

Peter and Adam check out Night Train by Oscar Peterson. This legendary trio shaped musicians for years to come. How did this album effect you?Unlock your FREE Open Studio trial to become a better player today.OP LIVE at DenmarkCheck out Night TrainLooking to drop a question? Want to listen to the audio pod? Look no furtherhttps://youllhearit.com/Have a question for us? Leave us a SpeakPipeCheckout courses from Adam, Peter and more at Open Studio

“JOE VENUTI AND EDDIE LANG” “JOE VENUTI AND EDDIE LANG” New York, September 29, 1926Stringing the blues, Black and blue bottomJoe Venuti (vln) (g) STUFF SMITH “BILTMORE HOTEL” New York, January 6, 1937Honeysuckle rose, Stomping at the SavoyStuff Smith (vln) Clyde Hart (p) Bobby Bennett (g) John Kirby (b) Cozy Cole (d) Ella Fitzgerald (vcl) EDDIE SOUTH “PARIS” – November 25, 1937Fiddle blues (1,2)Eddie South (vln) Stephane Grappelli (vln-1) Django Reinhardt (g) Paul Cordonnier (b-2) “AND DUO” – Hilversum, Holland, March 13, 1938Black gypsyEddie South (vln) Dave Martin (p) STEPHANE GRAPPELLI “VIOLINS NO END” Paris, May 4, 1957Don't get around much anymoreStephane Grappelli, Stuff Smith (vln) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Jo Jones (d) JEAN-LUC PONTY “UPON THE WINGS OF MUSIC” Los Angeles, CA, January, 1975Upon the wings of musicJean-Luc Ponty (vln,el-vln,violectra,synt) Patrice Rushen (p,el-p,org,clavinet,synt) Dan Sawyer (el-g) Ralphe Armstrong (el-b) Leon “Ndugu” Chancler (d,perc,tom-tom) BILLY BANG “TRIBUTE TO STUFF SMITH” New York, September 20, 21 & 22, 1992Lover manSun Ra (p,synt) Billy Bang (vln) John Ore (b) Andrew Cyrille (d) REGINA CARTER “ELLA : ACCENTUATE THE POSITIVE” New York, December, 2016All my lifeXavier Davis (p) Marvin Sewell (g) Regina Carter (vln) Chris Lightcap (b) Alvester Garnett (d) JENNY SCHEINMAN “THE RABBI'S LOVER” Brooklyn, NY, 2001The rabbi's loverRuss Johnson (tp) Adam Levy (g) Jenny Scheinman (vln) Greg Cohen (b) Trevor Dunn (b-1) Kenny Wollesen (d) Continue reading Puro Jazz 21 de octubre, 2024 at PuroJazz.

Nick Heyward was one of our favourite cover stars when we were at Smash Hits in the ‘80s, the days when hardcore Haircut One Hundred fans turned out in Fair Isle sweaters and Sou'Westers. He now lives mostly in Florida, he's made nine solo albums – one magnificently titled Open Sesame Seed - and he's toured again with his old band after ten years' painful separation. Touring the UK in October, he couldn't be more upbeat about the road ahead – “I can do anything!” – and looks back here at the first shows he saw and played himself. Which involves … … seeing Count Basie, Ray Charles and Oscar Peterson on the same bill when he was 12. … “if you stop playing music you're like the boxer that gave up the fight”. … pop dress codes, knock-off pop merchandise and trips to Shellys Shoes. … growing up in Beckenham where Bowie was “the lighthouse beam that made being a pop star possible”. … old schoolfriends and Haircut One Hundred members Les and Graham and how “we got our friendship back”. … why seeing XTC was “like plugging into electricity”. … Buzzcocks and Boomtown Rats at the Croydon Greyhound.   … how he was saved by management. … singing Love Plus One in Salisbury Cathedral. … and the lingering thrill of his first reviews (by Graham K Smith and Adrian Thrills). Nick's tour dates here:https://nickheyward.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Nick Heyward was one of our favourite cover stars when we were at Smash Hits in the ‘80s, the days when hardcore Haircut One Hundred fans turned out in Fair Isle sweaters and Sou'Westers. He now lives mostly in Florida, he's made nine solo albums – one magnificently titled Open Sesame Seed - and he's toured again with his old band after ten years' painful separation. Touring the UK in October, he couldn't be more upbeat about the road ahead – “I can do anything!” – and looks back here at the first shows he saw and played himself. Which involves … … seeing Count Basie, Ray Charles and Oscar Peterson on the same bill when he was 12. … “if you stop playing music you're like the boxer that gave up the fight”. … pop dress codes, knock-off pop merchandise and trips to Shellys Shoes. … growing up in Beckenham where Bowie was “the lighthouse beam that made being a pop star possible”. … old schoolfriends and Haircut One Hundred members Les and Graham and how “we got our friendship back”. … why seeing XTC was “like plugging into electricity”. … Buzzcocks and Boomtown Rats at the Croydon Greyhound.   … how he was saved by management. … singing Love Plus One in Salisbury Cathedral. … and the lingering thrill of his first reviews (by Graham K Smith and Adrian Thrills). Nick's tour dates here:https://nickheyward.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Nick Heyward was one of our favourite cover stars when we were at Smash Hits in the ‘80s, the days when hardcore Haircut One Hundred fans turned out in Fair Isle sweaters and Sou'Westers. He now lives mostly in Florida, he's made nine solo albums – one magnificently titled Open Sesame Seed - and he's toured again with his old band after ten years' painful separation. Touring the UK in October, he couldn't be more upbeat about the road ahead – “I can do anything!” – and looks back here at the first shows he saw and played himself. Which involves … … seeing Count Basie, Ray Charles and Oscar Peterson on the same bill when he was 12. … “if you stop playing music you're like the boxer that gave up the fight”. … pop dress codes, knock-off pop merchandise and trips to Shellys Shoes. … growing up in Beckenham where Bowie was “the lighthouse beam that made being a pop star possible”. … old schoolfriends and Haircut One Hundred members Les and Graham and how “we got our friendship back”. … why seeing XTC was “like plugging into electricity”. … Buzzcocks and Boomtown Rats at the Croydon Greyhound.   … how he was saved by management. … singing Love Plus One in Salisbury Cathedral. … and the lingering thrill of his first reviews (by Graham K Smith and Adrian Thrills). Nick's tour dates here:https://nickheyward.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

JO JONES SEXTET “VAMP ‘TIL READY” New York, April 19, 1960Liza, You're getting to be a habit with me, Should I ?, Royal garden bluesHarry “Sweets” Edison (tp) Bennie Green (tb) Jimmy Forrest (ts) Tommy Flanagan (p) Tommy Potter (b) Jo Jones (d) JESS STACY “AND FRIENDS” New York, November 25, 1944Liza, You're getting to be a habit with me, Should I ?, Royal garden bluesJess Stacy (p) Specs Powell (d) JUAN TIZOL “AND HIS ORCHESTRA” Los Angeles, April 7, 1946Keb-Lah, The Sphinx, Zanzibar, You Can't Have Your Cake And Eat ItDick Cathcart (t), Juan Tizol (v-tb), Willie Smith (as; vo on #17), Babe Russin (ts), Arnold Ross (p), Irving Ashby (g), Ed Mihelich (b), Nick Fatool (d) “LOUIS ARMSTRONG/OSCAR PETERSON” Hollywood, CA, October 14, 1957Let's fall in love, What's new, Moon song, There's no you, Sweet LorraineLouis Armstrong (tp,vcl) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Louie Bellson (d) Continue reading Puro Jazz 27 de septiembre, 2024 at PuroJazz.

Jesus Molina discovered his musical gift at a very young age. Born in Colombia, you might assume that his music inspiration was cumbia or vallenato. That wasn't the case for Jesus. As a self-proclaimed YouTube baby, it was there that he discovered legendary jazz artists, such as Oscar Peterson, Art Tatum, Errol Garner, Bill Evans, Chick Corea, and Dizzy Gillespie - artists that captivated him and shaped the musician he is today. In 2016, Molina was honored with the prestigious Latin Grammy Cultural Foundation award, the Juan Luis Guerra Scholarship, which included music education at the Berklee College of Music. Since then, Jesus has emerged as one of the premier jazz keyboardists on the international stage. He recently released a new album titled “Selah” that was produced by the legendary Bobby Colomby. Here to chat with us about the new album, and his sudden rise to prominence on the jazz scene, is Jesus Molina.

In this episode, Eric sits down with the talented artist Sam Pace..! They discuss his early life; having been born in Texas but raised in California and his adventures as a young man. How he first discovered his artistic talent… his educational journey, cultivating his artistic abilities and the mentors he's had along the way from William Pajaud, to Charles Dickson! His passion for and dedication to practicing and mastering Karate.. how he reconciled between his two passions and how the martial arts has shaped him as a visual artist by instilling the principles of discipline into his artistic practices. His exciting travels; from competing in a Karate tournament in Hawaii, to living in France and painting for six months… His process as an artist, the mediums he works in and other artists and musicians that have inspired and influenced him. His passion for music and how it translates into his work… and what it means as an artist to give your message to the world.  Guest Bio: Born to a mother and father from the Deep South, who followed the Great Black Migration west seeking better opportunities, Sam's talents were given the chance to flourish. Encouraged by his parents to express his creative abilities, he continued developing his skills throughout high school where he earned a Fine Arts scholarship. During high school and college, Sam expanded his energies to mastering the martial arts. He became a world ranked tournament champion who continues to share his talent through his leadership in the Black Karate Federation. ​In 1989 Sam moved to Europe where he began developing his current style, using Jazz and Blues as the subject matter. His unique interpretation co-mingles the moods and sounds of contemporary and 1920's Black Renaissance Jazz and Blues artists into a visual narrative. His works vary in several different mediums from acrylic on canvas, wood, and collage, to discarded recyclable objects. Among his credits, Sam has produced works for such notables and organizations as the president of an investment company, vice president of Blue Note Records, Los Angeles Urban League, and entertainers Nancy Wilson, Poncho Sanchez, Cassandra Wilson, and Eddie Palmarie. ​Commissioned works include famed drummer Elvin Jones for the Playboy Jazz Festival, Vancouver Wine and Jazz Festival, Los Angeles Metropolitan Transit Authority, Central Avenue Jazz Festival, and Watts Towers Jazz Festival.For more on Eric's Perspective, visit www.ericsperspective.com#ERICSPERSPECTIVE #AFRICANAMERICAN #ARTSUBSCRIBE: http://bit.ly/2vVJkDn Connect with us ONLINE:  Visit Eric's Perspective website: https://bit.ly/2ZQ41x1 Facebook: https://bit.ly/3jq5fXP Instagram: https://bit.ly/39jFZxG X: https://bit.ly/2OM TikTok: https://bit.ly/4cv8zfg

The Canadian jazz pianist Oliver Jones turns 90 today. Tom visits Oliver at his home in Montreal to talk about his legacy in Canadian music, his relationship with his hero and role model Oscar Peterson, the time he played for Nelson Mandela, and what the secret is to continuing to play music in your 90s. 

STAN GETZ / J. J. JOHNSON “AT THE OPERA HOUSE” Chicago, IL, September 29, 1957Billie's bounce, My funny ValentineJ.J. Johnson (tb) Stan Getz (ts) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Connie Kay (d) GIOVANNI GUIDI “A NEW DAY” Pernes-les-Fontaines, France, August, 2023Cantos del ocells (1), Only sometimes (1), My funny ValentineJames Brandon Lewis (ts-1) Giovanni Guidi (p) Thomas Morgan (b) Joao Lobo (d) ) ART BLAKEY'S JAZZ MESSENGERS “ROOTS AND HERBS” Englewood Cliffs, N.J., February 18, 1961Roots and herbs, Look at the birdie, Petty larcenyLee Morgan (tp) Wayne Shorter (ts) Bobby Timmons (p) Jymie Merritt (b) Art Blakey (d) Continue reading Puro Jazz 09 de septiembre, 2024 at PuroJazz.

Pianist Mulgrew Miller, born August 13, 1955, toured with the Duke Ellington Orchestra for three years right out of college, later accompanying singer Betty Carter, then three year stints with trumpeter Woody Shaw followed by Art Blakey's Jazz Messengers. He was already recording with his own groups when he joined drummer Tony Williams in quintet and trio settings, he also served as director of jazz studies at William Paterson college up unto his tragic death of a stroke at age 57. His playing never lost its roots as a church pianist, but he also incorporated the pyrotechnic technical influences of Oscar Peterson and the harmonic language of McCoy Tyner.

 Roni Eytan, a renowned Israeli-born, New York based jazz harmonica player, performs with a passion that differs from other harmonica artists. Perhaps it's the region from which he derives-the Middle East and North Africa. His culture greatly influences his compositions and inspires his passions. Roni's work is influenced by harmonica legend Toots Thielemans but only partially. The folk cultures that make up the regions and his spiritual influences mostly inspire his writing.  Roni Eytan stopped by my studio to talk about his harmonica work and how he got interested in this instrument. We talk about Roni's early fascination with music in Jerusalem, initially wanting to play the trumpet inspired by a film by a popular British band, the Beatles. After a short stint with the trumpet, he transitioned to the harmonica influenced by various sources, including friends and inspired by Israeli artists such as Yonathan Avishai and Avishai Cohen. Roni talks about his journey into jazz, mentioning significant influences like jazz legends Oscar Peterson and Charlie Parker as well as Toots Thielemans and the modern-day sound of French harmonica player Gregoire Maret. Educated at the Herbie Hancock Institute at UCLA in Los Angeles, California, Roni emphasizes the importance of mentorship and collaboration and how powerfully important to him and his work were Herbie Hancock and Wayne Shorter. He also delves into different types of harmonicas, including diatonic, chromatic, and microtonal, and his innovative approach to microtonal harmonica playing for traditional music from his region. The history of the harmonica is fascinating, and I encourage you to delve into it. The conversation wraps up with Roni discussing his compositional process. For this episode, three tracks are presented from the concert the Roni Eytan Quartet presented in Columbus, Ohio, hosted by A Tribe for Jazz. The quartet includes Roni Eytan-harmonica, Gadi Lehavi-piano, Simon Willson-bass, and Alon Benjamini-drums. These tracks are not compressed in any fashion. These are the raw tracks from the show in Columbus, Ohio at the Columbus Dance Theater, thanks to A Tribe for Jazz. The three tracks are respectively: "Winter Dance"-Duet between Roni Eytan and Alon Benjamini: 5:22; "Focus-Hymn"-3:08; and "Melody People"-11:14. Thanks for listening. If you're a subscriber, you're one of the first ones to receive this episode. Subscribing gives you that honor. Following the opening track, Roni and I begin our conversation with how his interest in the harmonica started. I'm Steve Braunginn. Photo by Stephen Braunginn.              

Today’s Show Notes! Wonderful World: More of the best of London with Rick Steves, HERE. Bon Appetit: Check out some of the INCREDIBLE foods to be found at the Borough Market in London, HERE! Sounds Good: Give a listen to the magnificent “Hymn To Freedom” by the Oscar Peterson Trio, HERE.

Playlist for The Everything Show 7/8/2024Moon Duo / Planet CaravanDan Auerbach / Every Chance I Get (I Want You In The Flesh)Einsturzende Neubauten / Ist IstThe Animals / Hey GypPsychic Graveyard / Your Smile is a HoaxRadiohead / High And DryFrancis / How It's Gonna Be from Now OnLes Cyclades / AlocasiaWilliam DeVaughn / Be Thankful For What You've GotThe Sweet Inspirations / Sweet InspirationOnce Twice / SparksNina Simone / Sinnerman (Sofi Tukker Remix)Beak> / The SealWinnetka Bowling League / This Is LifeCharlie Parker / Funky Blues (feat. Charlie Parker, Johnny Hodges, Benny Carter, Charlie Shavers, Flip Phillips, Ben Webster, Oscar Peterson, Barney Kessel, Ray Brown & J.C. Heard)Robben Ford / White Rock Beer...8 centsDwight Yoakam / What I Don't KnowEels / GOLDYBuddy Holly / It's So EasyLinda Ronstadt / It's So EasyDarden Smith / I Don't Want To Dream AnymoreChris Isaak / Wicked GameFats Waller / I'm Gonna Sit Right Down And Write Myself A LetterThe Viscounts / Harlem Nocturne

Soaring in on a southerly breeze after his week by the sea, the London Hippy returns with an all-out 60's show. The first half of the show embodies the London-look; Psych-rock from England, Germany, the US and Turkey plus some pretty bits of blues and Summer-folk plus. The second half of the show explores the Hippy through the divine sounds of Folk Funk, Stoned Soul and, yes you heard it, Gospel. And to round off, a homage to a golden era for Jazz which saw the best work from the likes of John Coltrane, Grant Green, Oscar Peterson and Bill Evans. For more info and tracklisting, visit: https://thefaceradio.com/the-london-hippyTune into new broadcasts of The London Hippy, Thursdays from 2 – 4 PM EST / 7 - 9 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Small Business Origins, host John Kelley interviews Rick DellaRatta, founder of Jazz for Peace, a nonprofit organization that uses jazz events to raise funds and awareness for other outstanding causes around the world. Rick shares how his lifelong passion for music led him to realize the power of jazz to bring people together across boundaries. On September 11, 2001, witnessing the attacks inspired Rick to found Jazz for Peace. He discusses how the organization works with small community causes to organize jazz events that support their fundraising and outreach goals. Main Discussion Points:- Rick's early years growing up in a musical family and starting piano lessons- Studying jazz and traveling as a musician around the U.S. and internationally - Seeing music's ability to connect with people regardless of background - Being inspired on 9/11 to use jazz to help outstanding causes and bring more peace- How Jazz for Peace partners with small local causes to organize custom jazz events- Raising money, awareness, supporters for community organizations in need Guest Bio: Rick DellaRatta is now considered by many to be one of the finest Singer/Pianists performing today and one of only a handful of Jazz Artists who can make a successful musical presentation to a large audience without having to abandon the true art form of Jazz. Through his life long endeavor to help advance people to their highest potential through the understanding of Jazz as well as spreading peace worldwide through his "Jazz for Peace World Tour", Rick DellaRatta is considered to be an innovator and a visionary.His unique and original piano playing and composing has been compared in print to Chick Corea, Herbie Hancock, Wayne Shorter, Bill Evans, McCoy Tyner, Keith Jarrett, Joe Zawinul, Horace Silver, Oscar Peterson and Thelonious Monk while his signature vocal sound and style has been likened to Chet Baker, Billie Holiday, Joao Gilberto, Ivan Lins, Michael Franks and Antonio Carlos Jobim.Dr. Billy Taylor put Ricks impact in perspective when commenting on Ricks "Thought Provoking CD - he said: "Rick DellaRatta is one of the people who is taking Jazz to the next level".Company Bio:Jazz for Peace is a volunteer-run 501(c)(3) nonprofit organization founded by Rick DellaRatta in New York City in 2002. Its mission is to use jazz performance events to provide substantial funding and well-deserved prestige to outstanding causes and their communities while nurturing cultural enrichment, community goodwill and global cooperation. Over its 20-year history, Jazz for Peace has directed over $1 million in funding plus donated supplies to deserving organizations across the U.S. and in over 30 countries.Key Quotes:"Music has a power, has a healing power, it has a communication power, it go breaks through boundaries and barriers, has all these magical qualities are in music." (00:23:42) "Why don't I take all of this that we already know and do something with it? You know? Do something with it." (00:25:00)"When you see the people we've, helped, most of most of them are organizations you've never heard of...There's a charity that helps birds. I mean, anything you name it and we've played for it." (00:41:28)Links Mentioned:Beefy MarketingJazz for Peace OnlineX (Formerly Twitter)Instagram