Podcast appearances and mentions of Ramsey Lewis

Ramsey Lewis, Urban Knights, Tim Gant, Charles Heath – Tequila Mockingbird – 6:16 Cory Wong, Metropole Orkest – Ellie – Live – 6:56 Ramsey Lewis – Love Song – 5:54 Mike Bellenger Group – Dig This – 2:29 Mike Bellenger Group – Stratus – 4:34 Danny Lerman – Don’t Gogo There – 6:02 Teus Nobel […]

Groundbreaking jazz artist, John Klemmer is our guest today. John's Website @johnklemmersaxophonist on Instagram John's Facebook page John's Facebook group Here's a guide to our interview.1. Pioneering New Sounds & GenresJohn, your career is filled with groundbreaking moments—many credit you with creating the first jazz fusion album, pioneering smooth jazz, and introducing electronic effects into jazz saxophone. Looking back, what was driving your constant push for innovation? Did you ever feel resistance from the industry or audiences when breaking new ground?I was in Chicago when WNUA Radio launched the Smooth Jazz format, and I remember how your music, alongside artists like Ramsey Lewis, Larry Carlton, Dave Koz, and Richard Elliott, helped define an entirely new listening experience. Did you see the rise of Smooth Jazz coming, or was it a surprise to you how your sound became such a central part of the movement?2. The Evolution of an ArtistYour music has evolved across many different styles—straight-ahead jazz, jazz-rock fusion, smooth jazz, solo sax, and even New Age music. You've said that some people only know you from one era and may not realize the full scope of your work. How do you personally define your artistic identity? Do you see all these phases as part of one larger creative vision? Collaborations?3. The Art of Reflection & ReinventionYou've taken several sabbaticals throughout your career—pausing to reflect, compose, and reimagine your music. In today's fast-paced digital age, artists often feel pressure to constantly release new content. What advice would you give to younger musicians about the importance of reflection and artistic reinvention?4. The Intersection of Music & EmotionYour album Touch became an unexpected worldwide sensation, connecting deeply with listeners on an emotional level. You've mentioned that this wasn't a commercial decision but rather an honest artistic expression. What do you think made Touch resonate so profoundly with people, and how do you approach translating raw emotion into sound?5. Innovation in a Changing Music IndustryWith the rise of digital streaming, independent labels, and new technology, the music industry has changed drastically since your early days at Cadet/Chess and Impulse! Records. As someone who has always been ahead of the curve, how do you see the future of jazz and experimental music evolving? What excites you about where music is headed?Sponsor:This episode is brought to you by White Cloud Coffee Roasters—use code "Creativity" for 10% off your next order.If you enjoyed this conversation, please subscribe, rate, and review Your World of Creativity on your favorite podcast platform!

durée : 01:05:27 - Club Jazzafip - C'est un club printanier, paré de fleurs et de bourgeons, avec balade à la campagne, pique nique dans l'herbe et peace and love que nous vous proposons en compagnie de Ray Brown, Ramsey Lewis, Tim Hardin, Mouloudji, Azilis...

𝗧𝗵𝗲 𝗢𝗳𝗳𝗶𝗰𝗶𝗮𝗹 𝗦𝗺𝗼𝗼𝘁𝗵 𝗝𝗮𝘇𝘇 𝗦𝗶𝗻𝗴𝗹𝗲𝘀 𝗖𝗵𝗮𝗿𝘁 𝗙𝗼𝗿 𝗦𝗽𝗮𝗶𝗻 & 𝗟𝗮𝘁𝗮𝗺 𝗦𝗲𝗺𝗮𝗻𝗮 𝗱𝗲𝗹 𝟮𝟰 𝗱𝗲 𝗠𝗮𝗿𝘇𝗼 | 𝗙𝗼𝗿 𝗠𝗮𝗿𝗰𝗵 𝟮𝟰𝘁𝗵 Congratulations 𝗙𝗥𝗔𝗡𝗞𝗢 𝗦𝗣𝗘𝗥𝗢, our new TOP 1 Congratulations to everyone that made it into this week’s Top 100! 𝗡𝗘𝗪 𝗧𝗢 𝗧𝗛𝗘 𝗧𝗢𝗣 𝟭𝟬𝟬 🔊 096.- LA SUNSET - Greg Chambers 🔊 095.- GRATIFIED - Julian Vaughn Ft. Oli Silk 🔊 092.- LET'S FLY AWAY - David P. Stevens 🔊 089.- I WANT TO BE WITH YOU - Tim Bowman 🔊 086.- DAYLIGHT - Howard Isaacson 🔊 083.- SCENES FROM AN IMAGINARY LIFE - Architects Of Sound 🔊 086.- SHINING - Evan Taylor 🇪🇸 ESPAÑOLES EN EL TOP 100 𝗕𝗬 𝗬𝗢𝗟𝗔𝗡𝗗𝗔 𝗖𝗘 𝗠𝗨𝗦𝗜𝗖 𝗣𝗜𝗟𝗟𝗦 🔊 BOB COATE - Fordward Flow 𝗕𝗬 𝗙𝗥𝗔𝗡𝗖𝗜𝗦𝗖𝗢 𝗦𝗔𝗡𝗖𝗛𝗘𝗭 𝗦𝗨𝗣𝗘𝗥 𝗖𝗟𝗔𝗦𝗦𝗜𝗖𝗦 🔊 RAMSEY LEWIS 𝗕𝗬 𝗖𝗔𝗣𝗜𝗧𝗔𝗡 𝗝𝗔𝗭𝗭 𝗡𝗘𝗪 𝗥𝗘𝗟𝗘𝗔𝗦𝗘𝗦 🔊 Saxl Rose, Kayla Waters - Sunset 🔊 Kim Waters - The Pacemaker 🔊 Jim Rojas, Jeff Lorber - Solid Ground 🔊 Jessy J - Beso Del Sol 🔊 Walter Beasley - Tu y Yo 🔊 Gerry Smooth - Align 🔊 Mike Di Lorenzo - Modern Times 🔊 Ella & The Bossa Beat - Spring Love Ft. Ryan DeHues 🔊 Horst Lippitch & David Margam - Land Of Dreams 🔊 Jimmy B - Friday - Land Of Dreams 🔊 LoFIAtticus, Nacho Valenciaga - Coastal Breeze 🔊 John Splithoff, Chris Botti - City Days 🔊 Pepe Link, Alejandro Delgado - Groove Memories 🔊 Soulful Beats - The Slow Cruise - Groove Memories 🔊 Ryan Montano - Apropos 𝗡𝗘𝗪 𝗧𝗢 𝗧𝗛𝗘 𝗧𝗢𝗣 𝟮𝟬 🔊 020.- TURN ANOTHER CORNER - Doug Jones 🔊 019.- REASONS 2 LOVE - Threestyle 🔊 017.- FOREVER MORE - Paul Taylor 𝗧𝗢𝗣 𝟭 🔊 001.- IT'S TIME - Franko Spero

durée : 00:59:16 - Petit matin - par : Nathalie Piolé - ☀️ Au lever du jour, tout nous semble possible !

durée : 01:00:23 - Un bon jour - par : Nathalie Piolé -

durée : 00:59:23 - Banzzaï du vendredi 07 février 2025 - par : Nathalie Piolé - Taper des mains en cadence, ça réchauffe !.

El impacto de las músicas negras… Estos días de febrero que nacieron Bobby Brown, Rick James o Bob Marley. ¿Quién es Ruby Andrews? ¿Y Laura Taylor? Atención a Carmen y María, con soul de este siglo y en español, el “más difícil todavía”. Recordamos también a Viola Wills y Karen Young. DISCO 1 RAMSEY LEWIS Sky Islands DISCO 2 VIOLA WILLS* Gonna Get Along Without You NowDISCO 3 BOBBY BROWN Every Little StepDISCO 4 RICK JAMES Give It To Me BabyDISCO 5 CARMEN Y MARÍA No Te TocaDISCO 6 TEDDY SWIMS Your Kind of CrazyDISCO 7 KAREN YOUNG Hot Shot 1978 DISCO 8 ANDREW HAMILTON & LENA FIAGBE Sweet BabyDISCO 9 LAURA TAYLOR Dancin' in My Feet DISCO 10 THE CRUSADERS & BOBBY WOMACK Inherit The WindDISCO 11 SABRINA STARKE Morning SunDISCO 12 BOB MARLEY & THE WAILERS Waiting In VainDISCO 13 RUBY ANDREWS A Love Feeling* Viola Mae WilkersonEscuchar audio

La Navidad es un tiempo alegre de fiesta y celebración familiar en muchas culturas. En la comunidad afroamericana tiene una importancia especial, la canción, el baile y la narración. Era uno de los pocos momentos en que los dueños de las plantaciones daban tiempo a los esclavos para reunirse, aunque fuera bajo su vigilancia. La emancipación en el siglo XIX hizo que la tradición occidental se uniera a elementos de la cultura africana. El Renacimiento de Harlem da una identidad y creatividad a esta música, que tiene su centro en la iglesia, donde se hacen conciertos, obras y lecturas que dan a la historia de la Navidad un anhelo de esperanza y liberación. El movimiento por los derechos civiles de los años 50 y 60 del pasado siglo, hizo que el mensaje de paz de la Navidad encontrará en esos días, su mayor plataforma. El Doctor Soul se une un año más a José de Segovia, para presentar y comentar una selección de temas de Navidad en el programa de Dynamis Radio, "El sueño se ha acabado". Luis Lapuente escoge canciones de los álbumes de soul que aparecían en estas fechas de cantantes como Aretha Franklin (Hark The Herald Angels Sing / The Christmas Song) y muestra la relación de composiciones como "Spanish Harlem" con la Navidad. El Doctor Soul introduce la vertiente jamaicana de Ken Boothe (First Noel), la voz de barítono de Lou Rawls en "Auld Lang Syne", la conciencia social de los Staple Singers (Who Took The Merry Out of Christmas) y la "Blanca Navidad" de Otis Redding. Pasamos de la ligereza de los Jackson 5 (Santa Claus Is Coming To Town), Smokey Robinson (Jingle Bells) o Darlene Love (Winter Wonderland) a la solemnidad de Diana Ross con las Supremes en "Joy To The World" y Robinson con sus Miracles en "O Holy Night". Las composiciones instrumentales que suenan de fondo a la conversación son de la banda de "surf" The Ventures, muchas del músico de jazz Kenny Burrell y el grupo de soul de Memphis, vinculado al sello Stax, Booker T & The M.G´s. Suenan también grabaciones del trompetista Chet Baker, el organista Jimmy Smith, los pianistas Ramsey Lewis y Vince Guaraldi, los saxofonistas Carla Bley, Dexter Gordon, Gene Ammons o el guitarrista Oscar Moore. La realización sonora que mezcla la música, las voces y las canciones es de Daniel Panduro.

Tracklist : 1. Ramsey Lewis – Wade in the water 2. Kimberose – At last 3. Etta James – Losers Weepers 4. Candi Staton – In the ghetto 5. Midnight hour feat. Karolina – Smiling for me 6. Ray Charles... Continue Reading →

Tom Schuman – Transitions – 5:09 China Moses – Put It on the Line – 4:11 Eliane Elias – Little Paradise – 4:59 Richard D. Ruttenberg; Joe Berger; Jimmy Haslip – Mystified – 4:00 David Sanborn – It’s You – 5:10 Ramsey Lewis; Urban Knights; Maurice Brown – The Rose – 4:53 Lyle Mays – […]

Henry Johnson quite simply is a guitarist's, guitarist.  I can amplify that by saying that he is the guitarist that I have had the most requests to interview - “Hey, have you ever thought about Henry Johnson, he's amazing”! I heard it a hundred times...  I have known of Henry for a long time and admired his playing and wanted to get him in Jazz Guitar Today - but our roads kept missing each other.  I was so happy that we finally put it together.  Henry has a fantastic resume playing with the likes of Freddie Hubbard, Ramsey Lewis, Jimmy Smith, Sonny Stitt, Stanley Turrentine, and Joe Williams, WOW! He is an educator, an artist, and a gentleman! He is from my era and influenced by lots of the same people and likes a lot of the same music.  It is with great pride that we bring to you this conversation with the great Henry Johnson.Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Blind Mango Chutney takes you on a journey around the jazz world, from Ramsey Lewis's take on South American classic 'Concerto de Aranjuez,' through the Head Hunters' brand of jazz-funk, to a Jessica Williams study of the Monk/Cootie Williams standard 'Round Midnight.' Top stuff as always.

Edición especial en la que recordamos al saxofonista Don Myrick, un músico fallecido en el año 1993. Repasamos sus trabajos junto a Earth, Wind & Fire, Al Johnson, Rodney Franklin, Terry Callier, Phil Collins, Philip Bailey, Regina Belle, Light of The World, Anita Baker y Ramsey Lewis.

On this edition of The Arts Section, host Gary Zidek catches up with muralist Rafael Blanco. A new exhibit of his vibrant work just opened in the west suburbs. The Dueling Critics, Kelly Kleiman and Jonathan Abarbanel, join Gary to preview all the productions they're looking forward to seeing this autumn. And we'll revisit a conversation with author Aaron Cohen where we talked about his Ramsey Lewis biography.

Joe Alterman is a jazz pianist who's performed at such prestigious venues as the Kennedy Center, Lincoln Center, Birdland, and Blue Note with his own trio and alongside legends like Houston Person, Les McCann, Dick Gregory, and Ramsey Lewis. Downbeat describes his sound as “rooted in the blues, and with a touch reminiscent of the great pianists of the 1950s—Red Garland, Ahmad Jamal, Bill Evans.” Co-hosts: Jonathan Friedmann & Joey Angel-Field Producer-engineer: Mike Tomren Joe's websitehttps://www.joealtermanmusic.com/ Joe's YouTube channelhttps://www.youtube.com/channel/UChq5mhnUt3EePioDpWuYalg Amusing Jews Merch Storehttps://www.amusingjews.com/merch#!/ Subscribe to the Amusing Jews Podcasthttps://www.spreaker.com/show/amusing-jews Adat Chaverim – Congregation for Humanistic Judaism, Los Angeleshttps://www.humanisticjudaismla.org/ Jewish Museum of the American Westhttps://www.jmaw.org/ Atheists United Studioshttps://www.atheistsunited.org/au-studios

In this episode, Kevin's special guest is John Novello. John, a renowned musician and author, shares his journey of discovering and living by the "Invisible Architect." John also happens to be a jazz, R&B, and pop superstar musician, performing and collaborating with the likes of Ramsey Lewis, Edgar Winter, Manhattan Transfer, Ritchie Cole, Donna Summer, and A Taste of Honey, just for starters. Watch it here: https://youtu.be/DY_QaH2ncYk?si=Qf9ZlspVwNn96gXM#DivineGuidance #InvisibleArchitect #JohnNovello #GrowYourself #SpiritualGrowth #MusicJourney #JazzArtist #Inspiration

Aidan Baker with Richard Baker [00:25] "Western Salvia" Smudging Backwards BW06 2012 Remeber kids, friends don't let friends smudge with white sage. Dwarf Chorus [04:19] "Bluddle-Uddle-Um-Dum (The Washing Song)" Snow White and the Seven Dwarfs Disneyland 1201 1968 Don't forget behind the ears

On this episode, Marc talks with Mike Smith, author of “In With The In Crowd: Popular Jazz in 1960s Black America,” published in May of 2024. Smith argues that most studies of 60s jazz focus on the avant-garde centered around John Coltrane, Ornette Coleman, Albert Ayler, and more, and he sets out to balance that with a history of the more popular jazz artists from that decade, such as Eddie Harris, Nancy Wilson, and Ramsey Lewis, showing how their music also influenced the form and culture of jazz.As Mike writes, “There was an infrastructure that allowed jazz to thrive in the sixties because jazz, for many, was a moneymaker. It wasn't just the music of protest; it wasn't just the music that spoke to feelings of rage, anger, and resentment. Jazz could be all of those things, but it was also so much more.”We hope you enjoy Marc's conversation with Mike Smith!

Many places in the US are experiencing huge amounts of rainfall with flooding and other problems associated with this amount of moisture. This week on the program we'll honor them with songs about water, rain and floods. Music from Ramsey Lewis, Eva Cassidy, Gordon Lightfoot, Stan Rogers, and lots more. Come wade in the water … this week on The Sing Out! Radio Magazine.Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysRamsey Lewis Trio / “Wade in the Water” / Wade in the Water / CadetTellico / “It's Just Rain” / Woven Waters / OrganicBetse & Clarke / “Rolling River” / River Still Rise / Smiling VioletDirk Powell / “Waterbound” / The Transatlantic Sessions Series Five, Vol. 2 / WhirlieEric Brace, Peter Cooper, Thom Jutz / “Down Along the River” / Riverland / Red BeetAnnie Staninec / “Willow on the Lake” / Annie Staninec / Self-producedGordon Lightfoot / “Early Morning Rain” / Gord's Gold / Warner BrothersSquirrel Butter / “Muddy Creek” / Renderings / Self-producedEva Cassidy / “Wade in the Water” / Eva By Heart / Blix StreetMargo Murphy & John Roberts / “Sea Fever” / The Sea and the Sky / RainmakersMoira Smiley / “Bring Me Little Water Silvy” / Bring Me Little Water Silvy / Self-producedHot Tuna / “Water Song” / Burgers / GruntIncredible String Band / “The Water Song” / The Hangman's Beautiful Daughter / ElektraStan Rogers / “White Squall” / Very Best of Stan Rogers / BorealisSally Rogers / “Lovely Agnes” / The Circle of the Sun / Flying FishPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

Aaron Cohen is co-author of Gentleman of Jazz, the autobiography of pianist Ramsey Lewis, nominated for a Book of the Year award in the 29th annual JJA Jazz Awards. He speaks with Brad Stone. 

durée : 00:59:33 - Allumer des feux ! - par : Nathalie Piolé -

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Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1.    Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2.    The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3.    Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4.    Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5.    Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6.    J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7.    Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8.    Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9.    Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin;  Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17.  Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21.  Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23.  Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24.  Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06   Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.  

Few players have made the splash in the archival jazz game as Zev Feldman, who has discovered many lost jazz gems (and a little Fool's Gold) and shown how these issues can be events when packaged properly with good artwork and notes.  This fortnight's show looks at two of his recent productions and two historical albums in the Latin Idiom.  Did the jazz detective uncover more classics, or did his deductions go awry?  Tune in to find out.  Cal Tjader – CATCH THE GROVE; Wes Montgomery – MAXIMUM SWING; Ramsey Lewis – GOING LATIN; Grant Green -THE LATIN BIT.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Esta edición especial está dedicada a la cantante Nancy Wilson, fallecida en Diciembre de 2018. Repasamos algunos de los pasajes de su discografía con sonido R&B y recordamos sus colaboraciones junto a Ramsey Lewis, Henry Johnson, James Ingram, The Crusaders, Terri Lyne Carrington y Grover Washington Jr.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

Upbeat jazz tonight: Pete Fountain, Vince Guaraldi Trio, Wes Montgomery, Ramsey Lewis, Nancy Wilson with Ramsey Lewis, Don Ellis, George Benson, June Katz, The Manhattan Transfer, Stanley Jordan, and The Godfathers of Groove.

Upbeat jazz tonight: Pete Fountain, Vince Guaraldi Trio, Wes Montgomery, Ramsey Lewis, Nancy Wilson with Ramsey Lewis, Don Ellis, George Benson, June Katz, The Manhattan Transfer, Stanley Jordan, and The Godfathers of Groove.

This immersive new autobiography provides insight into the early life and illustrious career of the late great Ramsey Lewis, one of the most popular jazz pianists of all time. Beginning with his childhood growing up in Chicago's Cabrini Green neighborhood, Ramsey Lewis recounts his memories of the music in his parents' church and his early piano lessons. As he learned classical technique, Lewis also absorbed countless jazz records and heard gospel music weekly, finally becoming a performer himself in his teenage years. With his coauthor and collaborator, Aaron Cohen, Lewis describes his early steps in jazz from joining the Clefs in the '50s, to eventually establishing the Ramsey Lewis Trio. This memoir provides an evocative tour of Lewis's life from the club circuit of the early 1960s and recording with Chess Records to working with producer Maurice White and musicians such as Stevie Wonder. In this deep dive into an exceptional life and expansive career, Lewis takes us through his artistic challenges, offers insight and perspective on his own musical growth and the creative process, and describes his eventual foray into symphonic composition and performance. Gentleman of Jazz: A Life in Music (Blackstone, 2023) is an inspiration to young musicians eager to follow in his footsteps and a tribute to the legacy of Ramsey Lewis and is sure to appeal to longtime fans as well as those new to the jazz scene. Ramsey Lewis (1935-2022) was one of the most popular jazz pianists of all time, with more than eighty albums to his name. A National Endowment for the Arts Jazz Master, Top 10 hitmaker, and winner of three Grammys, Lewis also hosted popular television and radio shows that honored the history of jazz music. He was not only influential for many modern jazz artists but beats he created decades ago can be heard across R&B and hip-hop. Through it all, Lewis remained grounded, never leaving behind his roots in Chicago. Aaron Cohen covers the arts for numerous publications and teaches English, journalism, and humanities at the City Colleges of Chicago. He is the author of Aretha Franklin's "Amazing Grace" and Move on Up: Chicago Soul Music and Black Cultural Power. Aaron Cohen on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

This immersive new autobiography provides insight into the early life and illustrious career of the late great Ramsey Lewis, one of the most popular jazz pianists of all time. Beginning with his childhood growing up in Chicago's Cabrini Green neighborhood, Ramsey Lewis recounts his memories of the music in his parents' church and his early piano lessons. As he learned classical technique, Lewis also absorbed countless jazz records and heard gospel music weekly, finally becoming a performer himself in his teenage years. With his coauthor and collaborator, Aaron Cohen, Lewis describes his early steps in jazz from joining the Clefs in the '50s, to eventually establishing the Ramsey Lewis Trio. This memoir provides an evocative tour of Lewis's life from the club circuit of the early 1960s and recording with Chess Records to working with producer Maurice White and musicians such as Stevie Wonder. In this deep dive into an exceptional life and expansive career, Lewis takes us through his artistic challenges, offers insight and perspective on his own musical growth and the creative process, and describes his eventual foray into symphonic composition and performance. Gentleman of Jazz: A Life in Music (Blackstone, 2023) is an inspiration to young musicians eager to follow in his footsteps and a tribute to the legacy of Ramsey Lewis and is sure to appeal to longtime fans as well as those new to the jazz scene. Ramsey Lewis (1935-2022) was one of the most popular jazz pianists of all time, with more than eighty albums to his name. A National Endowment for the Arts Jazz Master, Top 10 hitmaker, and winner of three Grammys, Lewis also hosted popular television and radio shows that honored the history of jazz music. He was not only influential for many modern jazz artists but beats he created decades ago can be heard across R&B and hip-hop. Through it all, Lewis remained grounded, never leaving behind his roots in Chicago. Aaron Cohen covers the arts for numerous publications and teaches English, journalism, and humanities at the City Colleges of Chicago. He is the author of Aretha Franklin's "Amazing Grace" and Move on Up: Chicago Soul Music and Black Cultural Power. Aaron Cohen on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This immersive new autobiography provides insight into the early life and illustrious career of the late great Ramsey Lewis, one of the most popular jazz pianists of all time. Beginning with his childhood growing up in Chicago's Cabrini Green neighborhood, Ramsey Lewis recounts his memories of the music in his parents' church and his early piano lessons. As he learned classical technique, Lewis also absorbed countless jazz records and heard gospel music weekly, finally becoming a performer himself in his teenage years. With his coauthor and collaborator, Aaron Cohen, Lewis describes his early steps in jazz from joining the Clefs in the '50s, to eventually establishing the Ramsey Lewis Trio. This memoir provides an evocative tour of Lewis's life from the club circuit of the early 1960s and recording with Chess Records to working with producer Maurice White and musicians such as Stevie Wonder. In this deep dive into an exceptional life and expansive career, Lewis takes us through his artistic challenges, offers insight and perspective on his own musical growth and the creative process, and describes his eventual foray into symphonic composition and performance. Gentleman of Jazz: A Life in Music (Blackstone, 2023) is an inspiration to young musicians eager to follow in his footsteps and a tribute to the legacy of Ramsey Lewis and is sure to appeal to longtime fans as well as those new to the jazz scene. Ramsey Lewis (1935-2022) was one of the most popular jazz pianists of all time, with more than eighty albums to his name. A National Endowment for the Arts Jazz Master, Top 10 hitmaker, and winner of three Grammys, Lewis also hosted popular television and radio shows that honored the history of jazz music. He was not only influential for many modern jazz artists but beats he created decades ago can be heard across R&B and hip-hop. Through it all, Lewis remained grounded, never leaving behind his roots in Chicago. Aaron Cohen covers the arts for numerous publications and teaches English, journalism, and humanities at the City Colleges of Chicago. He is the author of Aretha Franklin's "Amazing Grace" and Move on Up: Chicago Soul Music and Black Cultural Power. Aaron Cohen on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

This immersive new autobiography provides insight into the early life and illustrious career of the late great Ramsey Lewis, one of the most popular jazz pianists of all time. Beginning with his childhood growing up in Chicago's Cabrini Green neighborhood, Ramsey Lewis recounts his memories of the music in his parents' church and his early piano lessons. As he learned classical technique, Lewis also absorbed countless jazz records and heard gospel music weekly, finally becoming a performer himself in his teenage years. With his coauthor and collaborator, Aaron Cohen, Lewis describes his early steps in jazz from joining the Clefs in the '50s, to eventually establishing the Ramsey Lewis Trio. This memoir provides an evocative tour of Lewis's life from the club circuit of the early 1960s and recording with Chess Records to working with producer Maurice White and musicians such as Stevie Wonder. In this deep dive into an exceptional life and expansive career, Lewis takes us through his artistic challenges, offers insight and perspective on his own musical growth and the creative process, and describes his eventual foray into symphonic composition and performance. Gentleman of Jazz: A Life in Music (Blackstone, 2023) is an inspiration to young musicians eager to follow in his footsteps and a tribute to the legacy of Ramsey Lewis and is sure to appeal to longtime fans as well as those new to the jazz scene. Ramsey Lewis (1935-2022) was one of the most popular jazz pianists of all time, with more than eighty albums to his name. A National Endowment for the Arts Jazz Master, Top 10 hitmaker, and winner of three Grammys, Lewis also hosted popular television and radio shows that honored the history of jazz music. He was not only influential for many modern jazz artists but beats he created decades ago can be heard across R&B and hip-hop. Through it all, Lewis remained grounded, never leaving behind his roots in Chicago. Aaron Cohen covers the arts for numerous publications and teaches English, journalism, and humanities at the City Colleges of Chicago. He is the author of Aretha Franklin's "Amazing Grace" and Move on Up: Chicago Soul Music and Black Cultural Power. Aaron Cohen on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

This immersive new autobiography provides insight into the early life and illustrious career of the late great Ramsey Lewis, one of the most popular jazz pianists of all time. Beginning with his childhood growing up in Chicago's Cabrini Green neighborhood, Ramsey Lewis recounts his memories of the music in his parents' church and his early piano lessons. As he learned classical technique, Lewis also absorbed countless jazz records and heard gospel music weekly, finally becoming a performer himself in his teenage years. With his coauthor and collaborator, Aaron Cohen, Lewis describes his early steps in jazz from joining the Clefs in the '50s, to eventually establishing the Ramsey Lewis Trio. This memoir provides an evocative tour of Lewis's life from the club circuit of the early 1960s and recording with Chess Records to working with producer Maurice White and musicians such as Stevie Wonder. In this deep dive into an exceptional life and expansive career, Lewis takes us through his artistic challenges, offers insight and perspective on his own musical growth and the creative process, and describes his eventual foray into symphonic composition and performance. Gentleman of Jazz: A Life in Music (Blackstone, 2023) is an inspiration to young musicians eager to follow in his footsteps and a tribute to the legacy of Ramsey Lewis and is sure to appeal to longtime fans as well as those new to the jazz scene. Ramsey Lewis (1935-2022) was one of the most popular jazz pianists of all time, with more than eighty albums to his name. A National Endowment for the Arts Jazz Master, Top 10 hitmaker, and winner of three Grammys, Lewis also hosted popular television and radio shows that honored the history of jazz music. He was not only influential for many modern jazz artists but beats he created decades ago can be heard across R&B and hip-hop. Through it all, Lewis remained grounded, never leaving behind his roots in Chicago. Aaron Cohen covers the arts for numerous publications and teaches English, journalism, and humanities at the City Colleges of Chicago. He is the author of Aretha Franklin's "Amazing Grace" and Move on Up: Chicago Soul Music and Black Cultural Power. Aaron Cohen on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

This immersive new autobiography provides insight into the early life and illustrious career of the late great Ramsey Lewis, one of the most popular jazz pianists of all time. Beginning with his childhood growing up in Chicago's Cabrini Green neighborhood, Ramsey Lewis recounts his memories of the music in his parents' church and his early piano lessons. As he learned classical technique, Lewis also absorbed countless jazz records and heard gospel music weekly, finally becoming a performer himself in his teenage years. With his coauthor and collaborator, Aaron Cohen, Lewis describes his early steps in jazz from joining the Clefs in the '50s, to eventually establishing the Ramsey Lewis Trio. This memoir provides an evocative tour of Lewis's life from the club circuit of the early 1960s and recording with Chess Records to working with producer Maurice White and musicians such as Stevie Wonder. In this deep dive into an exceptional life and expansive career, Lewis takes us through his artistic challenges, offers insight and perspective on his own musical growth and the creative process, and describes his eventual foray into symphonic composition and performance. Gentleman of Jazz: A Life in Music (Blackstone, 2023) is an inspiration to young musicians eager to follow in his footsteps and a tribute to the legacy of Ramsey Lewis and is sure to appeal to longtime fans as well as those new to the jazz scene. Ramsey Lewis (1935-2022) was one of the most popular jazz pianists of all time, with more than eighty albums to his name. A National Endowment for the Arts Jazz Master, Top 10 hitmaker, and winner of three Grammys, Lewis also hosted popular television and radio shows that honored the history of jazz music. He was not only influential for many modern jazz artists but beats he created decades ago can be heard across R&B and hip-hop. Through it all, Lewis remained grounded, never leaving behind his roots in Chicago. Aaron Cohen covers the arts for numerous publications and teaches English, journalism, and humanities at the City Colleges of Chicago. He is the author of Aretha Franklin's "Amazing Grace" and Move on Up: Chicago Soul Music and Black Cultural Power. Aaron Cohen on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

This immersive new autobiography provides insight into the early life and illustrious career of the late great Ramsey Lewis, one of the most popular jazz pianists of all time. Beginning with his childhood growing up in Chicago's Cabrini Green neighborhood, Ramsey Lewis recounts his memories of the music in his parents' church and his early piano lessons. As he learned classical technique, Lewis also absorbed countless jazz records and heard gospel music weekly, finally becoming a performer himself in his teenage years. With his coauthor and collaborator, Aaron Cohen, Lewis describes his early steps in jazz from joining the Clefs in the '50s, to eventually establishing the Ramsey Lewis Trio. This memoir provides an evocative tour of Lewis's life from the club circuit of the early 1960s and recording with Chess Records to working with producer Maurice White and musicians such as Stevie Wonder. In this deep dive into an exceptional life and expansive career, Lewis takes us through his artistic challenges, offers insight and perspective on his own musical growth and the creative process, and describes his eventual foray into symphonic composition and performance. Gentleman of Jazz: A Life in Music (Blackstone, 2023) is an inspiration to young musicians eager to follow in his footsteps and a tribute to the legacy of Ramsey Lewis and is sure to appeal to longtime fans as well as those new to the jazz scene. Ramsey Lewis (1935-2022) was one of the most popular jazz pianists of all time, with more than eighty albums to his name. A National Endowment for the Arts Jazz Master, Top 10 hitmaker, and winner of three Grammys, Lewis also hosted popular television and radio shows that honored the history of jazz music. He was not only influential for many modern jazz artists but beats he created decades ago can be heard across R&B and hip-hop. Through it all, Lewis remained grounded, never leaving behind his roots in Chicago. Aaron Cohen covers the arts for numerous publications and teaches English, journalism, and humanities at the City Colleges of Chicago. He is the author of Aretha Franklin's "Amazing Grace" and Move on Up: Chicago Soul Music and Black Cultural Power. Aaron Cohen on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Tonight commemorates the 10th anniversary of What's Hot at the Ten Spot, exclusively on the RadioActive1 WBOB! Where contemporary jazz meets R&B and old school funk. It's going to be a night filled with soulful melodies, funky basslines, and groovy rhythms that will have you moving and grooving all night long. Joining us tonight, we have the incredible smooth jazz sounds of Sean U, Oli Silk, Fourplay, Michael Broening, Lin Rountree, Brian Bromberg, Four80East, and Lisa Addeo. We're gonna make if funky with Ramsey Lewis, Nate White, Brian Culbertson, and Rick James. And we'll keep it grown and sexy with Frankie Beverly and Maze, Andy Stokes, Teena Marie, Carlos Santana, and a new jam from the legendary Melba Moore. So, join us as we celebrate the 10th anniversary of "What's Hot at the Ten Spot." Get ready to dance, groove, and let loose. It's going to be a celebration like no other, where music transcends time and brings us all together in a night of pure joy. Let's make some unforgettable memories on this special night!

DJ Missile stays on target with horrorcore raps from Ill Bill, cinematic bangers by Snowgoons and Substance810, and wild card treats from Adrian Quesada and Jefferson Airplane. Plus a modern funk KO by the Vapor Caves, cosmic jazz trips with Hiroshi Suzuki and Ramsey Lewis, and a brilliant "Ante Up" flip by DJ Nonay. View the full playlist for this show at https://www.wefunkradio.com/show/1174 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/

Another salubrious and soulful show by Blind Mango Chutney, featuring legends such as Ramsey Lewis, Chet Baker, Pat Metheny, Jack Wilkins, Shelly Manne and more.

"Jamming with Legends: Derek Trucks & Remembering James Casey"Larry Mishkin begin with a discussion about a recent Phish concert featuring a special guest appearance by Derek Trucks, during which they performed songs like "Golden Age," "First Tube," and "Possum." They reflect on the unique chemistry between Derek Trucks and Trey Anastasio and how it elevated the performance.The second part of the episode is a tribute to James Casey, a talented saxophonist who recently passed away at the age of 40 due to colon cancer. They mention his contributions to the jam band community and his ability to harmonize and play alongside iconic musicians like Trey Anastasio and Phil Lesh. Larry share heartfelt messages from Trey Anastasio, Bill Kreutzmann, and Billy Strings, highlighting James Casey's remarkable musical talents and the impact he had on those who worked with him..Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergRecorded on Squadcast  Derek Trucks walked out on stage at Saratoga Springs Performing Arts Center (“SSPAC”) on August 26th and that is just too good to ignore.  So three songs from that show with Derek Trucks playing along. Also, James Casey died at 40 from colon cancer.  Amazing musician, tremendous Sax player and great singer.  Played as part of the “brass” section for Trey Anastasio Band along with Jennifer Hartwick and Natalie Cressman.  The same brass section also toured with Phil Lesh and Friends - I just saw them with James this past March at the Salt Shed in Chicago (I did not know he was sick).  Second set of songs from three of his performances, two vocal and one playing sax. Phish with Derek Trucks8/26/2023                Saratoga Springs Performing Arts Center (“SPAC”) INTRO:                  Golden Age3:14 – 4:31Phish w Derek Trucks Live - YouTube                 Song was written and first performed by TV On The Radio, first single from their album Dear Science, released on August 26, 2008. SPIN magazine rated it the 8th best song of the year.                 Phish began covering the song in 2009                First played on November 27, 2009 at Times Union Center (Pepsi Arena/MVP Arena) in Albany, NY                To date played 70 times, with this performance being the most recent (Dick's is still to come so by Monday, this may be incorrect)                 TV on the Radio (TVOTR[2][3]) is an American rock band from Brooklyn, New York, formed in 2001. The band consists of Tunde Adebimpe (vocals, loops), David Andrew Sitek (guitars, keyboards, loops), Kyp Malone (vocals, guitars, bass, loops), and Jaleel Bunton (drums, bass, vocals, loops, guitars). Gerard Smith (bass, keyboards, loops) was a member of the band from 2005 until his death in 2011.TVOTR has released five studio albums: Desperate Youth, Blood Thirsty Babes (2004), Return to Cookie Mountain (2006), Dear Science (2008), Nine Types of Light (2011), and Seeds (2014), alongside several EPs.                 The band's third album, Dear Science, was released on September 23, 2008, on Interscope. It was made available for streaming on their Myspace page and subsequently leaked onto the internet on September 6, 2008. The album was named the best album of 2008 by Rolling Stone,[8]The Guardian,[9]Spin,[10]The A.V. Club,[11]MTV,[12]Entertainment Weekly,[13]Pitchfork Media's readers' poll,[14] as well as the Pazz and Jop critic's poll.[15] It was also named the second best album of 2008 by NME and the fourth best by Planet Sound. SHOW #1:           First Tube:20 – 1:38Phish with Derek Trucks - First Tube. Saratoga Springs 8/26/23 #phish #derektrucks - YouTube  “First Tube,” is the 12th and final track on the band's 2000 album, Farmhouse Anastasio led a performance by a one-off band called 8 Foot Fluorescent Tubes on April 17, 1998, at the original Higher Ground in Winooski, just outside Burlington, Vermont. The show was the first time Anastasio performed in public with Lawton and Markellis, who were joined by guitarist/vocalist Tom Lawson of The Pants, saxophonist Dave Grippo, trombonist James Harvey and vocalist Heloise Williams of Viperhouse.“First Tube” was seemingly named for its placement as the first song played at the 8 Foot Fluorescent Tubes show, which also saw the premieres of future Phish/TAB songs “Sand,” “Mozambique” and “Last Tube.” Trey, Tony and Russ would go on to form the first incarnation of the Trey Anastasio Band which made its debut — back at the Higher Ground — in February 1999. That concert again featured “First Tube” as part of the setlist.The same TAB trio was also the lineup on Trey's first solo tour in May 1999. By the end of that acoustic/electric tour, “First Tube” was a full-on show-stopper that highlighted many electric second sets. Along with fellow 8 Foot Fluorescent Tubes original “Mozambique,” “First Tube” made its Phish debut on September 9, 1999, in Vancouver, British Columbia.One of two instrumentals on Farmhouse — along with “The Inlaw Josie Wales” — “First Tube” earned Phish a Grammy Award Nomination for Best Rock Instrumental Performance in 2001. Nominated alongside Peter Frampton, Kenny Wayne Shepherd and Joe Satriani, Phish lost to Metallica, Michael Kamen and the San Francisco Symphony's “The Call of Ktulu” First Tube” was played by Phish four times when they returned in 2003 but not at all in 2004, the year that began a second break lasting until 2009. Since coming back from the second hiatus, “First Tube” has remained a staple of both Phish concerts and Trey solo shows  SHOW #2:           Possum53:40 – 55:09Phish w Derek Trucks Live - YouTube The Man Who Stepped into Yesterday (often abbreviated as TMWSIY) is a 1987 concept album written by Trey Anastasio, the guitarist and lead vocalist of the American rock band Phish, as his senior thesis while attending Goddard College. Composed in 1987, the thesis included an essay piece and collection of songs (recorded by Phish) relating an epic tale from the band's fictional land of Gamehendge. On the album, the story of Gamehendge is told in nine parts, with short spoken narration in between. The saga can be compared to rock concept album projects like The Doors' Celebration of the Lizard or Rush's 2112 suite.The story's primary protagonist is Colonel Forbin. Other major characters include Tela, the "jewel of Wilson's foul domain" and the "evil" Wilson himself. Several of the album's spoken narrative sections are accompanied by background music borrowed from sections of the Phish songs "Esther" and "McGrupp and the Watchful Hosemasters". The final track, "Possum", is the only song on the album not written by Anastasio, having been written by former Phish member Jeff Holdsworth and later added to the Gamehendge cycle.Jeff Holdsworth is a musician who was a founding member of the rock band Phish.[1] Founded at the Redstone campus dormitories of the University of Vermont (UVM) in the fall of 1983, the band originally featured Holdsworth and Trey Anastasio sharing lead vocal and guitar duties, Jon Fishman on drums, and Mike Gordon on bass guitar. Holdsworth left the band in 1986 after graduating from UVM to pursue a career in electrical engineering, shortly before the band recorded their debut self-produced album, The White Tape, though he had played on some of the demo recordings (done in a dorm room) that would later be re-recorded for that album. His songs "Possum" and "Camel Walk" continue to be Phish live show favorites.  James Casey                       ARTICLE Show #3:             Dear PrudencePhil & Friends (Casey singing)  Rick Mitarotonda (Goose), John Medeski, Grahame Lesh, Nicki Bluhm, James Casey, Katie Jacoby, John MoloMarch 17 2023Capitol Theater3:12 – 4:36Phil Lesh & Friends - Dear Prudence - Feat. Rick Mitarotonda (Goose) + James Casey (TAB) - 3/17/23 - YouTube Dear Prudence" is a song by the English rock band the Beatles from their 1968 double album The Beatles (also known as "the White Album"). The song was written by John Lennon and credited to the Lennon–McCartneypartnership. Written in Rishikesh during the group's trip to India in early 1968, it was inspired by actress Mia Farrow's sister, Prudence Farrow, who became obsessive about meditating while practising with Maharishi Mahesh Yogi.[2] Her designated partners on the meditation course, Lennon and George Harrison, attempted to coax Farrow out of her seclusion, which led to Lennon writing the song. Lennon wrote "Dear Prudence" using a finger-picking guitar technique that he learned from singer-songwriter Donovan. Its lyrics are simple and innocent and celebrate the beauty of nature. The Beatles recorded the song at Trident Studios in late August 1968 as a three-piece after Ringo Starr temporarily left the group out of protest at McCartney's criticism of his drumming on "Back in the U.S.S.R." and the tensions that typified the sessions for the White Album. Dear Prudence" has received praise from music critics, with many praising its lyrics and the band's performance. Lennon later selected it as one of his favourite songs by the Beatles. The song has been covered by many artists, including the Jerry Garcia Band, Ramsey Lewis and Siouxsie and the Banshees, whose version was a top-five hit in the UK in 1983. SHOW #4:           No Men In No Man'sTAB (Casey Sax solo)11.19.2022Reading PA:55 – 2:03TAB's James Casey…Smokin Sax Solo. NMINML. 11/19/2022. Reading, PA - YouTube Written by Trey and Tom Marshall (American lyricist, keyboardist and singer-songwriter best known for his association with Trey Anastasio from Princeton Day School in New Jersey and the rock band Phish.[1] He has been the primary external lyricist for Phish during their career (1983–2004, 2009–present), with songwriting credits for more than 95 originals. In addition to his songwriting work, Marshall also fronts the rock band Amfibian and hosts the Phish podcast Under the Scales.[2] Marshall is the co-founder of Osiris, a podcast network in partnership with Jambase.) From Phish album Big Boat, released October 7, 2016 First played by Phish on July 21, 2015 at Les Schwab Amphitheater in Bend, Oregon (debuted with Blaze On and Shade, next they broke out Mercury)Last played (excluding Dick's) July 30, 2023 at MSG67 times OUTRO:                Touch of GreyPhil & Friends (Casey singing) Grahame Lesh, John Medeski, Rick Mitarotonda, John Molo, James Casey, Natalie Cressman, Jennifer Hartswick10.22.2022Capitol Theater3:44 – 5:16James Casey, Touch of Grey, Phil Lesh & Friends 10/22/22 - YouTube Written by Jerry and Robert Hunter,First played in September 15, 1982 at the Cap Center, Landover MarylandLast on July 9, 1995 at Soldier Field, ChicagoPlayed 211 times 

This week on Echoes of Indiana Avenue we'll continue our look back at the Indiana Avenue Jazz Festival —  an annual concert series that flourished on the Avenue from 1983 to 1997. The festival was established at a time when the Avenue was in decline. The expansion of IUPUI during the 1970s saw whole neighborhoods wiped out. By the early 1980s, this once-vibrant mecca of entertainment and culture was beginning to fall silent. The organizers of the Indiana Avenue Jazz Festival dreamed of celebrating the Avenue's rich legacy, by bringing world class music back to the neighborhood – and they succeeded. The festival started small, featuring a line-up drawn from local talent. But in a few short years, the festival attracted legendary jazz stars – including: Ahmad Jamal, Betty Carter, Ramsey Lewis, Terence Blanchard, Pharoah Sanders, and more. Join us as we take a year-by-year look back at the Indiana Avenue Jazz Festival. We'll listen to music from artists who performed at the festival, with a focus on local musicians - including David Young, Keni Washington and OmniVerse, The Hampton Sisters, Billy Wooten, Cherryl Hayes, Terence Blanchard and more.

Entrando de sola no Tahiti, sem esquecer os 100 anos do Millor, nem os 80 do Robert De Niro, esse é o seu Boia moleque, Boia raiz, que chama a responsabilidade quando o jogo endurece (epa!). João Valente, Bruno Bocayuva e Júlio Adler recebem Marcelus Viana, sócio fundador dessa bagunça aqui, amigo de todas as horas e coroa power temido nos 7 mares pelo deslocamento de água. Tocamos o terror e 4 canções sem absolutamente nenhum vínculo entre elas, Surfin' Safari dos Beach Boys, Computer Games dos Neo zelandeses Mi-Sex, Dear Prudence tocada pelo Ramsey Lewis e Jump, pelos escoceses do Aztec Camera. “Chato... Indivíduo que tem mais interesse em nós do que nós temos nele” Millor Fernandes --- Send in a voice message: https://podcasters.spotify.com/pod/show/boia/message

For the next two weeks on Echoes of Indiana Avenue we'll look back at the Indiana Avenue Jazz Festival —  an annual concert series that flourished on the Avenue from 1983 to 1997. We'll listen to music from artists who performed at the festival, with a focus on local musicians. The festival was established at a time when the Avenue was in decline. The expansion of IUPUI during the 1970s saw whole neighborhoods wiped out. By the early 1980s, this once-vibrant mecca of entertainment and culture was beginning to fall silent. The organizers of the Indiana Avenue Jazz Festival dreamed of celebrating the Avenue's rich legacy, by bringing world-class music back to the neighborhood – and they succeeded. It started small, featuring a line-up drawn from local talent. But in a few short years, the festival attracted legendary jazz stars – including: Ahmad Jamal, Betty Carter, Ramsey Lewis, Terence Blanchard, Pharoah Sanders, and more.  

Tonight's show: Benny Carter, Ella Fitzgerald, Zoot Sims & Bob Brookmeyer, Stanley Turrentine with Grant Green and Tommy Flanagan, Roy Eldridge, Dave Brubeck, Ramsey Lewis, Jerry Fielding, Stan Getz with Kenny Barron, Etta James, and The Rosenberg Trio.

Dion Graham's brisk pacing works well to invite listeners into the energetic life and career of jazz icon Ramsey Lewis. Host Jo Reed and AudioFile's Robin Whitten discuss this delightful memoir for jazz lovers and newcomers alike. Graham has once again captured the essence of a great jazz musician in this audiobook, and his deftly modulated performance celebrates the musician's remarkable story and long career. This audiobook defines an important American musician who made major contributions to twentieth-century jazz. His memoir was completed just before his death in 2022. Read the full review of the audiobook on AudioFile's website. Published by Blackstone Audio. Find more audiobook recommendations at audiofilemagazine.com Support for AudioFile's Behind the Mic comes from BOLINDA. A world-leading audiobook and technology company, Bolinda publishes the greatest books you'll ever hear and inspire people to live their best lives through the power of storytelling. Learn more about your ad choices. Visit megaphone.fm/adchoices

On tonight's show: Louis Armstrong, Miles Davis & Sonny Rollins, Ella Fitzgerald, Dave Brubeck and Paul Desmond, Lena Horne, Miles Davis, Sergio Mendes, Herbie Mann & The Bill Evans Trio, Budd Johnson with Earl "Fatha" Hines, Buddy Rich, Ramsey Lewis, The Crusaders, Joani Taylor & the Bob Murphy Trio, and the Gary Smulyan Quintet.

Ronnie Laws is an award-winning tenor saxophonist and composer whose career has, since the early 1970s, straddled the worlds of jazz and R&B. Since 1975 he has placed seven albums in the Top 200 -- including his 1975 Blue Note debut Pressure Sensitive -- as well as tracks and albums in no less than six other categories. He has worked as an in-demand session man and live musician with a who's-who of jazz and R&B greats including Ramsey Lewis, Gregory Porter, B.B. King, George Duke, Quincy Jones, Stanley Jordan, and dozens more. Laws, the younger brother of flutist Hubert Laws, is the product of a musical family. Two of his sisters, Debra and Eloise, are also professional singers. Born in Houston, Texas, Laws began teaching himself to play the alto saxophone at the age of 11. While his first love was baseball, a serious eye injury ended those dreams early and he focused on music, which he studied in high school, at Stephen F. Austin State, and later at Texas Southern University, where he switched to tenor, earned a degree, and developed a progressive mastery and technique. In 1970 he moved to Los Angeles in pursuit of a musical career. He woodshedded with the Jazz Crusaders (Hubert had played with them in the '50s) and especially Hugh Masakela. His early gigs in the city were with pianist Walter Bishop, Jr., Doug Carn, and on his brother's CTI recordings. In 1972, he joined Earth, Wind & Fire for 18 months and was, in effect, its first saxophonist, playing both tenor and soprano; he played on the album Last Days and Time. In Los Angeles, he made the acquaintance of Donald Byrd. The two became friends and Byrd got Laws signed to Blue Note. His 1975 debut, Pressure Sensitive, got serious radio play despite landing at 73, and yielded the enduring jazz-funk classic "Always There." It has been covered and/or sampled by well over 100 artists. Laws was on his way. With his other '70s work -- 1976's Fever, Friends and Strangers, and Flame -- which boasted his first cross continental 12" hit "All for You," Laws established himself as a workhorse studio musician, playing on recordings by Ramsey Lewis, his sister Eloise, Arthur Adams, Gene McDaniels, and Wayne Henderson, to name a few. In the '80s, Laws was an international festival and club draw. Three singles from his first three albums all went gold, as did their respective long-players. Despite the fact that he is often characterized strictly as a "smooth jazz" artist, Laws might be the first instrumentalist to score hits in the emerging "quiet storm" subgenre of R&B. Learn more about your ad choices. Visit megaphone.fm/adchoices

With a career spanning six decades and over 80 albums to his credit, NEA Jazz Master and multiple GRAMMY® winner Ramsey Lewis is one of the most distinguished artists of our time. His crossover success as a mainstream artist made him a household name with hits like "The In Crowd" and "Sun Goddess." Yet it is through his last great offering to the world that we learn the depth of this tremendous figure. Published this month, Gentleman of Jazz: My Life In Music is Lewis' posthumously released autobiography which chronicles his incredible journey from the Cabrini-Green Homes of Chicago with a family devoted to music, to his rise to stardom with The Ramsey Lewis Trio and beyond. On the week of Lewis' 88th birthday, Gentleman of Jazz co-author Aaron Cohen and Lewis' wife and closest confidant Jan join Milestones to discuss everything from Lewis' activism and mentorship, to his exceptional work in media. From his connection to artists like Charles Stepney, Minnie Riperton, Maurice White and Stevie Wonder, to his unyielding love for the city of Chicago and the unprecedented breadth of music he produced that helped expand the landscape of jazz forever.  Milestones theme produced by Riley K. GlasperProduction Assistance: Corey Goldberg Millennium Park Summer Music Series Tribute to Ramsey Lewis: A Gentleman of Jazz on June 22 at 6:30PM: https://www.chicago.gov/city/en/depts/dca/supp_info/millennium_park9.html

Aaron Cohen talks all things Ramsey Lewis. To celebrate the recent publication of Gentleman of Jazz, the Ramsey Lewis autobiography, which Aaron co-wrote.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The British actor played the brooding Mr. Darcy in the 2005 film adaptation of Pride & Prejudice. Now he's won an Emmy for playing scheming Midwesterner Tom Wambsgans on Succession. Kevin Whitehead remembers jazz pianist Ramsey Lewis, who had the 1965 crossover hit "The In Crowd."Justin Chang reviews The Woman King starring Viola Davis.

Arrested on misdemeanor marijuana charge… Pox death in U.S.? Homeless Megaplex in Chinatown Seattle… Emmys ratings… In Memoriam stumbles again… Lizzo was happy… Who Died Today: Ken Starr 76 / Jean-Luc Godard 91 / Ramsey Lewis 87… Assisted Suicide… Queen / King and Harry… DNA from rape kit is re-victimizing… 200 passengers re-screened after landing… Two women going to jail for plane fight… Pilot awesome during airdrop of nude pic… Railroad strike closer to happening…  Learn more about your ad choices. Visit megaphone.fm/adchoices