Podcasts about sweet little jesus boy

This Listeners' Favorites episode serves a dual purpose: first it is a celebration the publication this week of my partner David Savran's new book, Tell It to the World: The Broadway Musical Abroad, by Oxford University Press. (I'll be doing two episodes with David on this book in March in conjunction with the book launch.) Second, David introduces us to one of his favorite Countermelody episodes, a 2021 Black History Month celebration of the life, voice, and career of the great African American contralto Carol Brice (1916-1985), whose career encompassed both Broadway and opera. It's that very versatility that most attracted David to Brice's work. He describes to us his first exposure to a variety of her recordings, from Falla to Finian's Rainbow. I myself first heard Carol Brice in her recording of “Sweet Little Jesus Boy,” which exemplifies all her musical virtues: simplicity and directness of utterance, lack of sentimentality, and deep identification with both text and music. Add to this a voice of such depth and refinement and a technique so secure that she is almost without equal. From her early career outings as the first African American to win the coveted Naumburg Award, through her appearances on the Broadway stage and in Porgy and Bess, Carol Brice brought an emotional honesty to her performances such as is rarely encountered in any field of genre. On this episode I feature her in a wide range of live and commercial recordings from Marc Blitzstein's Regina to concert pieces by Brahms and Mahler, focusing in particular on a matchless 1947 song recital with her brother Jonathan Brice as her collaborator. Brice's second husband, the baritone Thomas Carey is also featured in a pair of recordings. Thank you, David, for re-introducing my listeners to this great artist, and congratulations on your monumental new book! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.  

The Incarnation, Sermon 5

Special music by the chancel choir.

God came to His own and they did not receive Him, did not know Him. Sweet Little Jesus Boy, by Mahalia JacksonNo rights owned 

Anthem by the Yuma 1st chancel choir.

Countermelody’s Black History Month celebration for 2021 begins with the great African American contralto Carol Brice (1916-1985) who had a distinguished and varied career singing everything from Bach to Harold Arlen. I first heard Carol Brice many years ago in her recording of “Sweet Little Jesus Boy,” which exemplifies all her musical virtues: simplicity and directness of utterance, lack of sentimentality, and deep identification with both text and music. Add to this a voice of such depth and refinement and a technique so secure that she is almost without equal. From her early career outings as the first African American to win the coveted Naumburg Award, through her appearances on the Broadway stage and in Porgy and Bess, Carol Brice brought an emotional honesty to her performances such as is rarely encountered in any field of genre. On this episode I feature her in a wide range of live and commercial recordings from Marc Blitzstein’s Regina to concert pieces by Brahms and Mahler, focusing in particular on a matchless 1947 song recital with her brother Jonathan Brice as her collaborator. I also feature her husband, the baritone Thomas Carey in a pair of recordings. I hope you will be as moved by Carol Brice’s singing as I am every time I hear this radiant artist. This week’s bonus episode for my Patreon supporters features another great African American contralto, Lucretia West, who spent a significant portion of her life and career in Germany, where she was celebrated for her performances of Mahler and Lieder in particular. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content including artist photos and episode setlists. And please head to my Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available.

Pastor Brent Smith sings "Sweet Little Jesus Boy" for special music Sunday morning at Calvary Bible Church.

Pastor Brent Smith sings "Sweet Little Jesus Boy" for special music Sunday morning at Calvary Bible Church.

Wendy Bennett December 8, 2019

In this Christmas-themed episode of Mormon Channel Studio, Yahosh Bonner sings “Sweet Little Jesus Boy” and “Silent Night” and is accompanied by Rashida Jordan Call on piano.

CoolCCMGoodCCMSeason2PlayList 17회 부터 21회까지의 곡을 들어보세요. Amy Grant - A Christmas To Remember Sixpence None The Richer - Christmastime is Here Take6 - Sweet Little Jesus Boy Yolanda Adams - O Little Town Of Bethlehem Mark Schultz - A different kind of Christmas

CoolCCM GoodCCM시즌2 PlayList 19회 : Take6 - Sweet Little Jesus Boy CoolCCM GoodCCM시즌2 PlayList 19회 녹음하는 시점이 연말입니다. 실제로 들으시는 분들은 다양한 때 들으실 수 있지만, 녹음 시점에 맞는 시즌 곡 ‘크리스마스’ 음악들을 준비했습니다. 쿨씨씨엠굳씨씨엠에서는 듣고 있으신 분들의 신청곡이나 기독교 문화와 관련한 알리고 싶으신 소식, 여러분이 만드신 씨씨엠을 기다리고 있습니다. coolccmgoodccm@gmail.com 으로 보내주세요. 팟빵이나 아이튠즈에서 여러분의 평가, 댓글을 남겨주시면 방송에 참고하겠습니다.

It’s our Christmas program — an audio service of lessons and carols of sorts — it’s a little quirky, but full of heart. Music "Watching NASA Channel At Your Apartment At Christmastime" by Bob Fields "All Out of Darkness" by Uncle Owen Aunt Beru "December 26th" by Foxchase Excerpts from "A Christmas Carol" by 20th Century Fox "God Rest Ye Merry Gentlemen" by The Canadian Brass "Fairytale of New York" by Paleface "Mele Kalikimaka" by Albert Adams Excerpts from "Seinfeld" by Sony Home Entertainment "The Christmas Guest" by Johnny Cash "Christmas Time Is Here" by Vince Guaraldi "I'll Be Home For Christmas (But Only In My Dreams)" by Bing Crosby "Because the Night Is Long" from Music From The Gathering Church "Hark The Herald Angels Sing" by Vince Guaraldi "Beautiful Star of Bethlehem" from Music From The Gathering Church "Sweet Little Jesus Boy" by Gladys Knight and the Mormon Tabernacle Choir "Apollo 8 Christmas Message" courtesy of NASA "To Build a Home" by the Cinematic Orchestra "Happy Christmas (War Is Over)" by John Lennon

Sweet Little Jesus Boy by Peachtree Christian Church