Song or hymn on the theme of Christmas
POPULARITY
Categories
Episode 173 - Adapting Dickens: The Story Behind "Carol" In this episode of the Faith and Family Filmmakers podcast, Matt Chastain welcomes James Tew, an award-winning journalist and executive producer of the new Christmas feature film "Carol." James shares his unique journey from public relations to filmmaking, detailing how a church Christmas play evolved into a full-length musical movie over an 11-year period. He discusses the challenges of independent film production, from financing through creative problem-solving, and the importance of faith, family, and perseverance. They also discuss lessons learned in distribution and marketing, and the role of community and networking in the faith-based film industry.Highlights Include:The origins of "Carol" as a church playNavigating an 11-year journey from script to screenCollaborating with director George JohnsonOvercoming musical and financial challengesAssembling a talented production team on a tight budgetAdapting a classic story for a modern, faith-based audienceThe importance of family support and faith in filmmakingLessons learned in distribution and marketingThe value of networking in the film industryBio:An award-winning journalist and public relations professional for more than 30 years, James Tew followed God's leading into film with the blessing and support of his wife Shannon. CAROL began as a church Christmas play, designed to deliver a Gospel message through an original story that follows the framework of A Christmas Carol. Through God-ordained connections, the project went on an 11-year journey to become a Christian, feature-length Christmas musical released in 2024.carolmovie.comhttps://www.facebook.com/carol.musical.moviehttps://www.instagram.com/carolmovie2024/https://www.tiktok.com/@carol.movie.2024https://www.youtube.com/@CAROL-movie-2024Edited by Geoffrey WhittFAFF Association Online Meetups: https://faffassociation.com/#faff-meetingsScreenwriters Retreat - Mexico: https://www.faffassociation.com/writers-retreatJaclyn's Book - In the Beginning, Middle and End: A Screenwriter's Observations of LIfe, Character, and God: https://www.amazon.com/dp/B0D9R7XS9VVIP Producers Mentorship Program https://www.faffassociation.com/vip-producers-mentorship The Faith & Family Filmmakers podcast helps filmmakers who share a Christian worldview stay in touch, informed, and inspired. Releasing new episodes every week, we interview experts from varying fields of filmmaking; from screenwriters, actors, directors, and producers, to film scorers, talent agents, and distributors. It is produced and hosted by Geoffrey Whitt and Jaclyn Whitt , and is brought to you by the
Hello you beautiful people!We start the episode with a few Guinness World Records. How heavy do you think the world's largest Christmas pudding was? or what about the most brussels sprouts eaten in a minute? You'll find out here.Do you know what a 'brolly' is? Well we know in the UK, and Bob Baker will teach you what one is in Do You Hear What I Hear.This episode's version of A Christmas Carol is from the TV series Topper from 1953. It's not that good, but it could be worse.You can watch it here: https://www.youtube.com/watch?v=jFkt5_jG-TYThen Bob is back with Where Are You Christmas, and this time it's in China.Check out Bob's podcast here: https://4fpodcast.buzzsprout.com/In The Christmas Quiz I managed to score 8, let me know how you got on.Get in touch:Email: totalchristmas@gmail.comWeb: totalchristmaspodcast.comMerry Christmas!
The X-Files Season 5, Episode 6: “Christmas Carol” Recorded: 30 Aug 2025 Edited: 11 Sep 2025 Released: 12 Sep 2025 Links: Phone Calls From The Dead by D. Scott Rogo & Raymond Bayless Music: “Dark Science” by David Hilowitz “The Truth Is What We Make of It” by The Agrarians All our episodes are at iwtrw.com (or at iwanttorewatch.com, if you want to type more letters for some reason). Links for everything else I Want To Rewatch-related (including our sweet merch) are at the IWTRW Bio Site.
If you listened to our episode yesterday about Total Recall, you also heard an exciting announcement about our latest adventure. Starting in October, we're collaborating with Troubadour Booksellers to present our very first book club: FoGadour.Once a month, you're invited to the Charlotte, NC area to visit Troubadour Booksellers for a discussion with fellow friends and FoGgers about that month's book. Our lineup begins with Witchcraft for Wayward Girls by Grady Hendrix, followed by Jesus and John Wayne by Kristen Kobe du Mez for November, Charles Dickens' immortal classic A Christmas Carol in December, and we'll kick off the new year with David Gushee's book Changing Our Minds.If you're local (or driving distance) from the Charlotte area, we'd love to see you in person. But stay tuned here as well for ways you can join us in a broader internet community as we read and discuss books together. In case you missed yesterday's episode, here's a special presentation telling you all about FoGadour. We hope to see you there!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In this message, we explore how generosity transforms our lives. Drawing from 1 & 2 Corinthians, we uncover three key principles of generosity: giving is the seed that produces fruit, giving from the heart, and giving as a planned practice. Through biblical examples, personal stories, and even literary illustrations like A Christmas Carol, we learn how acts of giving create new avenues for God to work in our lives, strengthen our faith, and reflect His generous nature. 1 Corinthians 1–3 2 Corinthians 8:7 2 Corinthians 9:6-10 Malachi 3:10 John 3:16 You are welcome and wanted at Life Vineyard Church, we can't wait to meet you!We meet every Sunday at 10am in Mahomet.Lifevineyard.org
Weird History: The Unexpected and Untold Chronicles of History
Misers are known for their intense frugality, hoarding wealth irrespective of the human toll, even when immensely wealthy. Ebenezer Scrooge from A Christmas Carol is the iconic fictional miser. However, many real-life misers existed, unlike Scrooge, did not reform after spectral encounters or familial interventions. Learn more about famous historical misers here. #misers #history #frugality #EbenezerScrooge #AChristmasCarol See show notes: https://inlet.fm/weird-history/episodes/68bdc878daab9f50782c8b56 Learn more about your ad choices. Visit podcastchoices.com/adchoices
As you will learn, our guest this time, Walden Hughes, is blind and has a speech issue. However, as you also will discover none of this has stopped Walden from doing what he wants and likes. I would not say Walden is driven. Instead, I would describe Walden as a man of vision who works calmly to accomplish whatever task he wishes to undertake. Walden grew up in Southern California including attending and graduating from the University of California at Irvine. Walden also received his Master's degree from UCI. Walden's professional life has been in the financial arena where he has proven quite successful. However, Walden also had other plans for his life. He has had a love of vintage radio programs since he was a child. For him, however, it wasn't enough to listen to programs. He found ways to meet hundreds of people who were involved in radio and early television. His interviews air regularly on www.yesterdayusa.net which he now directs. Walden is one of those people who works to make life better for others through the various entertainment projects he undertakes and helps manage. I hope you find Walden's life attitude stimulating and inspiring. About the Guest: With deep roots in U.S. history and a lifelong passion for nostalgic entertainment, Walden Hughes has built an impressive career as an entertainment consultant, producer, and historian of old-time radio. Since beginning his collection in 1976, he has amassed over 50,000 shows and has gone on to produce live events, conventions, and radio recreations across the country, interviewing over 200 celebrities along the way. A graduate of UC Irvine with both a BA in Economics and Political Science and an MBA in Accounting/Finance, he also spent a decade in the investment field before fully embracing his love of entertainment history. His leadership includes serving as Lions Club President, President of Radio Enthusiasts of Puget Sound, and long-time board member of SPERDVAC, earning numerous honors such as the Eagle Scout rank, Herb Ellis Award, and the Dick Beals Award. Today, he continues to preserve and celebrate the legacy of radio and entertainment through Yesterday USA and beyond. Ways to connect with Walden: SPERDVAC: https://m.facebook.com/sperdvacconvention/ Yesterday USA: https://www.facebook.com/share/16jHW7NdCZ/?mibextid=wwXIfr REPS: https://www.facebook.com/share/197TW27jRi/?mibextid=wwXIfr About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson ** 01:20 Well, hi everyone, and welcome to another episode of unstoppable mindset, where inclusion, diversity and the unexpected meet. We're going to deal with all of that today. We have a guest who I've known for a while. I didn't know I knew him as long as I did, but yeah, but we'll get to that. His name is Walden Hughes, and he is, among other things, the person who is the driving force now behind a website yesterday USA that plays 24 hours a day old radio shows. What I didn't know until he told me once is that he happened to listen to my show back on K UCI in Irvine when I was doing the Radio Hall of Fame between 1969 and 1976 but I only learned that relatively recently, and I didn't actually meet Walden until a few years ago, when we moved down to Victorville and we we started connecting more, and I started listening more to yesterday, USA. We'll talk about some of that. But as you can tell, we're talking, once again, about radio and vintage radio programs, old radio programs from the 30s, 40s and 50s, like we did a few weeks ago with Carl Amari. We're going to have some other people on. Walden is helping us get some other people onto unstoppable mindset, like, in a few weeks, we're going to introduce and talk with Zuzu. Now, who knows who Zuzu is? I know Walden knows, but I'll bet most of you don't. Here's a clue. Whenever a bell rings, an angel gets his wingsu was the little girl on. It's a Wonderful Life. The movie played by Carol from Yeah, and she the star was Carolyn Grimes, and we've met Carolyn. Well, we'll get to all that. I've talked enough. Walden, welcome to unstoppable mindset. We're glad you're Walden Hughes ** 03:19 here. Hello, Michael boy, I mean, you, you had John Roy on years ago, and now you finally got to me that's pretty amazing. Michael Hingson ** 03:25 Well, you know, we should have done it earlier, but that's okay, but, but you know what they say, the best is always saved for last. Walden Hughes ** 03:34 Hey. Well, you know, considering you've been amazing with this show on Friday night for the last year. So here yesterday, USA, so we you and I definitely know our ins and outs. So this should be an easy our place talk. Michael Hingson ** 03:47 Yes. Is this the time to tell people that Walden has the record of having 42 tootsie rolls in his mouth at once? Walden Hughes ** 03:52 That's what they say. I think we could do more, though, you know. But yeah, yeah. Well, we won't ask, miss, yeah, we won't ask you to do that here. Why not? Michael Hingson ** 04:03 Yeah, we want you to be able to talk. Well, I'm really glad you're here. Tell us a little about the early Walden growing up and all that. Walden Hughes ** 04:12 I'm my mom and dad are from Nebraska, so I have a lot of Midwestern Nebraska ties. They moved out here for jobs in 65 and I was born in 1966 and I was the first baby to ever survive the world Pierre syndrome, which means I was born with a cleft palate, being extremely near sighted and and a cup and a recession. So I was the first baby through my mom and dad debt by $10,000 in 17 days, and it was a struggle for my folks. You know, in those early days, without insurance, without any. Thing like that. You know, people really didn't think about medical insurance and things like that in those days, that was not an issue. So, um, so I've always had extremely loving family. Then I went through five retina detachments, and starting when I was seven years old, up to I was nine, and I finally woke up one morning seeing white half circle so the retina detached. Sometime in the middle of the night, went to the most famous eye doctor the world at times, Dr Robert macchermer, who was the one who invented the cataract surgery and everything. Later, he wound up being the head of Duke Medical that was down in Florida, and they took one last ditch effort to save my sight, but it was a 2% chance, and it didn't work out. So they went blind in November 75 and went into school for people who may or may not know California pretty aggressive in terms of education, and so when I wear hearing aids, so I parted a hard of hearing class. Newport school. Mesa took care of the kids who were hard of hearing and the blind children went up to Garden Grove. So when I walked my site, went up to Garden Grove. And so that was my dedication. I was always a driven person. So and I also had a family that supported me everything I ever did. They didn't it just they were ultimately supporting me in education, all sorts of stuff. So I wound up in the Boy Scout Program. Wound up being an Eagle Scout like you, wound up being visual honoring the OA. And this was always side of kids. I was sort of the organizer all decided kid, and there was Walden that was right, I was that way in my entire life, which is interesting that the most kids are all hanging out. We were sighted and and even the school district, which was pretty amazing to think about it, Newport, they told my mom and dad, hey, when Wong ready to come back to his home school district, we'll cover the bill. We'll do it. And so my freshman year, after my freshman year in high school, we thought, yeah, it's time to come back. And so the Newport school, Mesa picked up the tab, and so did very well. Went up, applied to seven colleges, Harvard, a Yale Stanford turned me down, but everybody else took me Michael Hingson ** 07:53 so, but you went to the best school anyway. Walden Hughes ** 07:57 So I mean, either like Michael Troy went to UCI and I graduated in three years and two quarters with a degree in economics, a degree in politics, a minor in management, and then I went to work as a financial planner with American Express and then a stockbroker. I always wanted to go back get my MBA. So I got my MBA at UCI, and I graduated with my MBA in accounting and finance in 1995 so that's sort of the academic part Wow of my life. Michael Hingson ** 08:32 How did your parents handle when it was first discovered that you were blind? So that would have been in what 75 how do they handle that? Walden Hughes ** 08:42 They handle it really well. I think my dad was wonderful. My dad was the one that took, took me my birth, to all the doctor appointments, you know, such a traumatic thing for my mom. So my dad took that responsibility. My mom just clean house. But they, they My dad always thought if I were going to make it through life, it was going to be between my ears. It could be my brain and I, I was gifted and academically in terms of my analytical abilities are really off the chart. They tested me like in 160 and that mean I could take a very complicated scenario, break it down and give you a quick answer how to solve it within seconds. And that that that paid off. So no, I think, and they they had complete and so they put in the time. Michael Hingson ** 09:47 What kind of work did your dad do? My dad Walden Hughes ** 09:51 wound up being a real estate agent, okay, and so that gave him flexibility time. My mom wound up working for the Irvine camp. Attorney, which is the big agriculture at that time, now, apartments and commercial real estate here in oil County and so. So with their support and with the emphasis on education, and so they helped me great. They helped my brother a great deal. So I think in my case, having two really actively involved parents paid off, you know, in terms of, they knew where to support me and they knew the one to give me my give me my head, you know, because I would a classic example of this. After I graduated from college at UCI, I was looking for work, and mom said, my mom's saying, oh, keep go to rehab. Talk to them. They're both to help you out, give it. I really wasn't interested, so I sat down and met with them and had several interviews, and they said we're not going to fund you because either A, you're gonna be so successful on your own you pay for your own stuff, or B, you'll completely fail. So when I, and that's when they flat out, told me at rehab, so I I had more more luck in the private sector finding work than I did ever in the public sector, which was interesting. Michael Hingson ** 11:39 I know that when I was in high school, and they it's still around today, of course, they had a program called SSI through the Department of Social Security, and then that there, there was also another program aid of the potentially self supporting blind, and we applied for those. And when I went to UC Irvine, I had met, actually, in 1964 a gentleman while I was up getting my guide dog. He was getting a guide dog. His name was Howard Mackey, and when I went to college, my parents also explored me getting some services and assistance from the Department of Rehabilitation, and I was accepted, and then Howard Mackey ended up becoming my counselor. And the neat thing about it was he was extremely supportive and really helped in finding transcribers to put physics books in braille, paid for whatever the state did it at the time, readers and other things like that that I needed provided equipment. It was really cool. He was extremely supportive, which I was very grateful for. But yeah, I can understand sometimes the rehabilitation world can be a little bit wonky. Of course, you went into it some 18 to 20 years later than that. I, in a sense, started it because I started in 6869 Yeah. And I think over time, just the state got cheaper, everything got cheaper. And of course, now it's really a lot different than it used to be, and it's a lot more challenging to get services from a lot of the agencies. And of course, in our current administration, a lot of things are being cut, and nobody knows exactly what's going to happen. And that's pretty Walden Hughes ** 13:30 scary, actually. When I went to UCI, the school picked it up the pic, the school picked up my transcribing. They picked up my readers and all that. So interesting. How? Michael Hingson ** 13:39 But did they let you hire your own readers and so on? Or do they do that? Walden Hughes ** 13:43 They just put out the word, and people came up and and they paid them. So they just, they were just looking for volunteer, looking for people on the campus to do all the work. And, yeah, in fact, in fact, I had one gal who read pretty much all my years. She was waiting to get a job in the museum. And the job she wanted, you basically had to die to get it open. And so she for a full time employee with the read, can I be taking 20 units a quarter? Yeah. So I was, I was cranking it out. And in those days, everybody, you were lucky they I was lucky to get the material a week or two before midterm. Yeah, so I would speed up the tape and do a couple all nighters just to get through, because I really didn't want to delay, delay by examinations. I wanted to get it, get it through. But, uh, but, you know, but also, I guess I was going four times just throughout the quarter, set them into the summer. Okay, I wanted to get it done. Yeah, so that's, that's how I Michael Hingson ** 14:50 did it. I didn't do summer school, but I did 16 to 20 units a quarter as well, and kept readers pretty busy and was never questioned. And even though we have some pretty hefty reader bills, but it it worked, no and and I hired my own readers, we put out the word, but I hired my own readers. And now I think that's really important. If a school pays for the readers, but lets you hire the readers, that's good, because I think that people need to learn how to hire and fire and how to learn what's necessary and how to get the things that they need. And if the agency or the school does it all and they don't learn how to do it, that's a problem. Walden Hughes ** 15:36 If fashioning is just a sidebar issue, computer really became a big part. And with my hearing loss, TSI was really, yeah, telesensory, the one Incorporated, right? And they were upscale, everybody. It was, you know, $2,500 a pop. And for my hearing, it was the was for the card, the actual card that fits into the slot that would read, oh, okay, okay, right. And eventually they went with software with me, a lot cheaper, yes, and so, so my folks paid for that in the early days, the mid 80s, the computers and the software and a lot of that were trial and error terms of there was not any customer support from the from the computer company that were making special products like that, you were pretty much left on your own to figure it out. Yeah, and so time I went to graduate in 1990 we figured, in the business world, financial planning, I'm gonna need a whole complete setup at work, and we're gonna cost me 20 grand, yeah, and of course, when we have saying, We biking it, we're gonna finance it. What happened was, and this has helped with the scouting program. I knew the vice president of the local bank. And in those days, if it was, if it was still a small bank, he just went, he gave me a personal loan, hmm, and he, I didn't have to get any code centers or anything. No, we're gonna be the first one to finance you. You get your own computer set up. And so they, they, they financed it for me, and then also Boyle kicked in for 7500 but that was, that's how I was able to swing my first really complicated $20,000 units in 1990 Michael Hingson ** 17:33 the Braille Institute had a program. I don't know whether they still do or not they, they had a program where they would pay for, I don't know whether the top was 7500 I know they paid for half the cost of technology, but that may have been the upper limit. I know I used the program to get in when we moved, when we moved to New Jersey. I was able to get one of the, at that time, $15,000 Kurzweil Reading machines that was in 1996 and Braille Institute paid for half that. So it was pretty cool. But you mentioned TSI, which is telesensory Systems, Inc, for those who who wouldn't know that telesensory was a very innovative company that developed a lot of technologies that blind and low vision people use. For example, they developed something called the optic on which was a box that had a place where you could put a finger, and then there was attached to it a camera that you could run over a printed page, and it would display in the box a vibrating image of each character as the camera scanned across the page. It wasn't a really fast reading program. I think there were a few people who could read up to 80 words a minute, but it was still originally one of the first ways that blind people had access to print. Walden Hughes ** 18:59 And the first guinea pig for the program. Can I just walk my site in 75 and they, they wanted me to be on there. I was really the first one that the school supply the optic on and has special training, because they knew I knew what site looked like for everybody, what Mike's describing. It was dB, the electronic waves, but it'd be in regular print letters, not, not broil waters, right? What Michael Hingson ** 19:25 you felt were actually images of the print letters, yeah. Walden Hughes ** 19:30 And the thing got me about it, my hand tingled after a while, Michael Hingson ** 19:35 yeah, mine Walden Hughes ** 19:36 to last forever, Michael Hingson ** 19:38 you know. So it was, it wasn't something that you could use for incredibly long periods of time. Again, I think a few people could. But basically, print letters are made to be seen, not felt, and so that also limited the speed. Of course, technology is a whole lot different today, and the optic on has has faded away. And as Walden said, the card that would. Used to plug into computer slots that would verbalize whatever came across the screen has now given way to software and a whole lot more that makes it a lot more usable. But still, there's a lot of advances to be made. But yeah, we we both well, and another thing that TSI did was they made probably the first real talking calculator, the view, plus, remember Walden Hughes ** 20:25 that? Yep, I know a good sound quality. Michael Hingson ** 20:28 Though it was good sound quality. It was $395 and it was really a four function calculator. It wasn't scientific or anything like that, but it still was the first calculator that gave us an opportunity to have something that would at least at a simple level, compete with what sighted people did. And yes, you could plug your phone so they couldn't so sighted people, if you were taking a test, couldn't hear what what the calculator was saying. But at that time, calculators weren't really allowed in the classroom anyway, so Walden Hughes ** 21:00 my downside was, time I bought the equipment was during the DOS mode, and just like that, window came over, and that pretty much made all my equipment obsolete, yeah, fairly quickly, because I love my boil display. That was terrific for for when you learn with computers. If you're blind, you didn't really get a feel what the screen looked like everybody. And with a Braille display, which mine was half the screen underneath my keyboard, I could get a visual feel how things laid out on the computer. It was easier for me to communicate with somebody. I knew what they were talking Michael Hingson ** 21:42 about, yeah. And of course, it's gotten so much better over time. But yeah, I remember good old MS DOS. I still love to play some of the old MS DOS games, like adventure and all that, though, and Zork and some of those fun games. Walden Hughes ** 21:57 But my understanding dos is still there. It's just windows on top of it, basically, Michael Hingson ** 22:02 if you open a command prompt in Windows that actually takes you to dos. So dos is still there. It is attached to the whole system. And sometimes you can go in and enter commands through dos to get things done a little bit easier than you might be able to with the normal graphic user interface, right? Well, so you, you got your master's degree in 1995 and so you then continue to work in the financial world, or what did Walden Hughes ** 22:35 it for 10 years, but five years earlier? Well, maybe I should back it up this way. After I lost my site in 1976 I really gravitated to the radio, and my generation fell in love with talk radio, so I and we were really blessed here in the LA market with really terrific hosts at KBC, and it wasn't all the same thing over and over and beating the drum. And so listening to Ray Breen, Michael Jackson, IRA for still kill Hemingway, that was a great opportunity for somebody who was 10 years old. Michael Hingson ** 23:18 Really, they were all different shows. And yes, I remember once we were listening to, I think it was Michael Jackson. It was on Sunday night, and we heard this guy talking about submarines, and it just attracted Karen's and my attention. And it turns out what it was was Tom Clancy talking about Hunt for Red October. Wow. And that's where we first heard about it, and then went and found the book. Walden Hughes ** 23:45 But So I grew up in the talk radio, and then that, and I fell in love with country music at the time on koec, and then Jim Healy and sports, yep, and then, and then we were blessed in the LA market have a lot of old time radio played, and it was host like Mike was here at K UCI, John Roy, eventually over KPCC, Bob line. And so my relatives said you should listen to this marathon KPFK, which was a Pacific did an all day marathon. I fell in love with that. Jay Lacher, then one night, after I walked my site, I tuned in. Ray bream took the night off, and Bill balance had frankly sit in. And the first thing they played was Jack Armstrong, and this is where Jack, Jack and Billy get caught up in a snow storm and a bone down the hill. And Brett Morrison came in during the one o'clock two o'clock hour to talk about the shadow. And so my dad took me to, oh, I'm trying to think of the name of the record. Or if they gave away licorice, licorice at the at the record store tower, yeah, not Tower Records. Um, anyway, so we bought two eight track tapes in 1976 the shadow and Superman, and I started my long life of collecting and so. So here we up to 1990 after collecting for 15 years. Going to spill back conventional meetings. I knew Ray bream was going to have kitty Cowan at the guest. Kitty Cowan was a big band singer of the 40s who later the fifth little things mean a lot. And I figured nobody was going to act about her days on the Danny Kaye radio show. And so I called in. They realized I had the stuff. I had the radio shows, they took me off the air, and Kitty's husband, but grand off called me the next day, and we struck up a friendship. And so they were really connected in Hollywood, and so they opened so many doors for me. Mike I Katie's best friend with Nancy Lacher, SR bud with the one of the most powerful agents in town, the game show hosting, who could come up with a TV ideas, but did not know how to run a organization. So that was Chuck Paris, hmm, and Gong Show, yeah, so I wound up, they wound up giving me, hire me to find the old TV shows, the music, all that stuff around the country. And so I started to do that for the Sinatra family, everybody else. So I would, while we do the financial planning, my internet consulting thing really took off. So that wound up being more fun and trying to sell disability insurance, yeah. So one wound up doing that until the internet took over. So that would that. So my whole life would really reshape through kitty Carolyn and Ben granoff through that. So I really connected in the Hollywood industry from that point on, starting 1990 so that that really opened up, that really sure reshaped my entire life, just because of that Michael Hingson ** 27:28 and you've done over the years, one of the other things that you started to do was to interview a lot of these people, a lot of the radio stars, The radio actors Walden Hughes ** 27:39 and music and TV, music, Michael Hingson ** 27:44 yeah. Walden Hughes ** 27:45 And I think when Bill Bragg asked me to interview kitty Carol, and I did that in 2000 and Bill said, Well, could you do more? And so one of Kitty friends, but test Russell. Test was Gene Autry Girl Friday. He she ran kmpc for him. And I think everybody in the music industry owed her a favor. I mean, I had Joe Stafford to Pat Boone to everybody you could think of from the from that big band, 3040s, and 60s on the show. Let's go Michael Hingson ** 28:24 back. Let's go back. Tell us about Bill Bragg. Walden Hughes ** 28:29 Bill Bragg was an interesting character all by himself. Born in 1946 he was a TV camera man for CBS in Dallas. He was also a local music jockey, nothing, nothing, big, big claims of fame boys working for channel two. And then he in Dallas, he was at a press conference with LBJ, and LBJ got done speaking, and the camera crew decided that they were going to pack up and go to lunch. And Bill thought it'd be fun to mark what camera, what microphone the President used for his address, and the guys were in a rush door in the box, let's go have lunch. So Bill lost track, and that bothered him. So he started the largest communication Museum in 1979 and he collected and was donated. And so he had the biggest museum. He had a film exchanger. So in those early days of cable TVs, you know, we had a lot of TV stations specializing in programming, and there were channels, I think this was called a nostalgic channel, wanted to run old TV shows and films. They had the film, but they didn't. Have the equipment. And they got hold of Bill. He said, Okay, I'll do it for you. But what you're going to give me is games. Bill was a wheel and dealer, yeah. And Charlie said, We'll give you your own satellite channel. And I was talking to Bill friend later, John women in those days, in the 1983 when Bill got it, the value of those satellite channels was a million dollars a year, and he got it for free. And Bill would try and figure out, What in the world I'm going to do with this, and that's when he decided to start playing with old time radio, because really nobody was playing that on a national basis. You had different people playing it on a local basis, but not really on a national basis. So Bill was sort of the first one before I play old time radio. I became aware of him because of bur back, so I was trying to get the service on my cable TV company. Was unsuccessful. Michael Hingson ** 30:58 So what he did is he broadcast through the satellite channel, and then different television stations or companies could if they chose to pick up the feed and broadcast it. Did, they broadcast it on a TV channel or Walden Hughes ** 31:13 on radio public asset channel. Okay, so remember note day a lot of public it would have the bulletin boards with the local news of right community, and lot of them would play Bill can't Michael Hingson ** 31:28 play Bill's channel because the only because what they were doing was showing everything on the screen, which didn't help us. But right they would show things on the screen, and they would play music or something in the background. So Bill's programs were a natural thing to play, Walden Hughes ** 31:44 yeah, and so Bill wound up on a stout then he wound up being the audio shop Troyer for WGN, which was a nice break and so. And then Bill got it to be played in 2000 nursing homes and hospitals, and then local AMFM stations would pick us up. They were looking for overnight programming, so local throughout the country would pick it up. And so Bill, Bill was a go getter. He was a great engineer, and knew how to build things on the cheap. He was not a businessman, you know, he couldn't take it to the next level, but, but at least he was able to come up with a way to run a station, 24 hours a day. It was all the tapes were sent down to Nash, down to Tennessee, to be uploaded to play into the system. Eventually, he built a studio and everything in Dallas. And so, Michael Hingson ** 32:38 of course, what what Weldon is saying is that that everything was on tape, whether it was cassette or reel to reel, well, reel to reel, and they would play the tapes through a tape machine, a player or recorder, and put it out on the satellite channels, which was how they had to do it. And that's how we did it at kuci, we had tape, and I would record on Sunday nights, all the shows that we were going to play on a given night on a reel of tape. We would take it in and we would play it. Walden Hughes ** 33:13 And so that's how it's done in the 80s. Eventually built bill, built a studio, and then started to do a live show once a week. Eventually, they grew up to four days a week. And so here is about 1999 or so, and they were playing Musa from kitty cat, and did not know who she was. I would quickly, I would quickly give a couple background from AIM hang up. I didn't really they had no idea who I was yet. I didn't talk about what I would do and things like that. I was just supplying information. And eventually, after two years, they asked me to bring kitty on the show, which I did, and then I started to book guests on a regular basis for them, and then eventually, the guy who I enjoyed all time radio shows listening to Frank Percy 1976 built decided that I should be his producer, and so I wound up producing the Friday Night Live show with Frankie, and eventually we got it up and running, 2002 So Frank and I did it together for 16 years and so that so Bill built a studio in Texas, mailed it all to my House. My dad didn't have any engineering ability. So he and my bill got on the phone and built me a whole studio in six hours, and I was up and running with my own studio here in my bedroom, in 2002 and so overhead, I'm in my bedroom ever since Michael, you know, there you go. Michael Hingson ** 34:58 Well and to tell people about. Frank Bresee Frank, probably the biggest claim to fame is that he had a program called the golden days of radio, and it was mainly something that was aired in the Armed Forces Radio and Television Service on the radio, where he would every show play excerpts of different radio programs and so on. And one of the neat things that's fascinating for Frank was that because he was doing so much with armed forces, and doing that, he had access to all of the libraries around the world that the Armed Forces Radio and Television Service had, so he could go in and oftentimes get shows and get things that no one else really had because they were only available in at least initially, in these military libraries. But he would put them on the air, and did a great job with it for many, many years. Yeah, Frank Walden Hughes ** 35:53 was an interesting character, a pure entrepreneur. He invented a game called pass out, which was a drinking game, board game, and he for 20 years, he spent six months in Europe, six months in United States. And he was making so much money in Europe, he would rent out castles and lived in them, and he would and he would spend months at a time in Germany, which was the main headquarter of art, and just sit there in the archives and make copies of things he wanted to play on his show, yeah. And so that's how he built that. And then he he started collecting transcriptions when he would to 10 he was a radio actor, and so he had one of the largest collection, collection, and he his house, his family house was in Hancock Park, which was the, it was Beverly Hills before Beverly Hills, basically, what did he play on radio? Well, when he was, he was he was deceptive. He was the backup little beaver. When someone Tommy, writer, yeah, when, when Tommy Cook had another project, it was Frank be was a substitute. And so that was a short coin of fame. He did bit parts on other shows, but, but that's what he did as a kid. Eventually, I think Frank came from a very wealthy family. He wound up owning the first radio station when he was 19 years old on Catalina Island in 1949 and then he wound up being a record producer. He worked with Walter Winchell, created albums on without about Al Jolson worked on Eddie Cantor and Jimmy Durante and anyway, Frank, Frank had a career with game with creating board games, doing radio and having an advertising company. Frank was responsible for giving all the game shows, the prices for TV and the way he would do it, he would call an advertise, he would call a company. He said, you want your product. Beyond on this section, go to say, yes, okay, give us, give us the product, and give me 150 bucks. And so Frank would keep the cash, and he would give the project to the TV shows, Michael Hingson ** 38:17 Dicker and Dicker of Beverly Hills. I remember that on so many shows Walden Hughes ** 38:23 so So Frank was a wheeling dealer, and he loved radio. That was his passion project. He probably made less money doing that, but he just loved doing it, and he was just hit his second house. The family house was 8400 square feet, and so it was pretty much a storage unit for Frank hobbies, right? And we and he had 30,000 transcriptions in one time. But when he was Europe, he had a couple of floods, so he lost about 10 to 20,000 of them. Okay? Folks did not know how to keep them dry, but he had his professional studio built. And so I would book guests. I arranged for art link writer to come over, and other people, Catherine Crosby, to come over, and Frank would do the interviews. And so I was a big job for me to keep the Friday night show going and get Frankie's guess boy shows. I would have been. He died, Michael Hingson ** 39:22 and he was a really good interviewer. Yeah, I remember especially he did an interview that we in, that you played on yesterday USA. And I was listening to it with Mel Blanc, which is, which is very fascinating. But he was a great interviewer. I think it was 1969 that he started the golden days of radio, starting 49 actually, or 49 not 69 Yeah, 49 that was directly local, on, Walden Hughes ** 39:49 on Carolina, and K, I, G, l, which was a station I think heard out in the valley, pretty much, yeah, we could pick it up. And then, and then he started with on. Forces around 65 Michael Hingson ** 40:02 that's what I was thinking of. I thought it was 69 but, Walden Hughes ** 40:06 and well, he was, on those days there were armed forces Europe picked them up. And also, there was also the international Armed Forces served around the far eastern network, right? Yeah. And so by 67 he was pretty much full on 400 stations throughout the whole world. And I that's probably how you guys picked him up, you know, through that capability. Michael Hingson ** 40:30 Well, that's where I first heard of him and and the only thing for me was I like to hear whole shows, and he played excerpts so much that was a little frustrating. But he was such a neat guy, you couldn't help but love all the history that he brought to it Walden Hughes ** 40:46 and and then he would produce live Christmas shows with with the radio. He would interview the guest he, you know, so he had access to people that nobody generally had, you know. He worked for Bob Hope, right? So he was able to get to Jack Benny and Bing Crosby and yes, people like that, Groucho Marx. So he was, he had connections that were beyond the average Old Time Radio buff. He was truly a great guy to help the hobby out, and loved radio very much. Michael Hingson ** 41:21 Well, going back to Bill Bragg a little bit, so he had the satellite channel, and then, of course, we got the internet, which opened so many things for for Frank or Frank for, well, for everybody but for Bill. And he started the program yesterday, usa.net, on the radio through the internet, Walden Hughes ** 41:44 which he was the first one in 1996 right? There's a great story about that. There was a company called broadcast.com I bet you remember that company, Mike. Anyway, it was founded by a guy who loved college basketball, and he was a big Hoosier fan, and he was living in Texas, and so he would generally call long distance to his buddy, and they would put up the radio. He could went to the basketball games. And eventually he decided, well, maybe I could come up and stream it on my computer, and all these equipment breaking down, eventually he came up with the idea of, well, if I had a satellite dish, I could pick up the feed and put and stream it on the computer, that way people could hear it right. And he hired bill to do that, and he offered bill a full time job installing satellites and working Bill turned them down, and the guy wound up being Mark Cuban. Yeah, and Mark Cuban gave every every employee, when he sold broadcast.com to Yahoo, a million dollar bonus. So Bill missed out on that, but, but in exchange, Mike Cuban gave him broadcast.com While USA channel for free. So Bill never had to pay in the early days, until about 2002 so when Yahoo decided to get out of the streaming business for a while, then that's when we had to find and we found life 365 eventually, and we were paying pretty good. We're paying a really good rate with like 265 Bill was used to paying free, and we were paying, I think, under $100 and I knew guys later a couple years, were paying over $500 a month. And we were, we were, but there was such a willing deal able to get those things for really dope less Michael Hingson ** 43:45 money, yeah. Now I remember being in New Jersey and I started hearing ads for an internet radio station. This was in the very late 90s, maybe even into 2000 W, A, B, y. It was a company, a show that a station that played a lot of old songs from the 50s and 60s and so on. And it was, it was, if you tuned on to it, you could listen. And after four or five hours, things would start to repeat, and then eventually it disappeared. But I started looking around, and I don't even remember how I found it, but one day I heard about this radio station, www, dot yesterday, usa.net. Right, yep.net.com, Walden Hughes ** 44:31 yep, and yeah. And Michael Hingson ** 44:33 I said, Well, oh, I think I actually heard an ad for it on W, A, B, y, when it was still around. Anyway, I went to it, and they were playing old radio shows, and they had a number of people who would come on and play shows. Everyone had an hour and a half show, and every two weeks you would have to send in a new show. But they. They played old radio shows, 24 hours a day and seven days a week, except they also had some live talk shows. And I remember listening one day and heard Bill Bragg talking about the fact that he was going to have his standard Friday night show with Walden Hughes, it would start at nine o'clock. I had no idea who Walden was at the time. And the problem is, nine o'clock was on the in Pacific Time, and it was, I think, Midnight in New Jersey time, as I recall the way it went anyway, it was way too late for me to be up. And so I never did hear Walden on yesterday USA, or I may have actually listened. Just stayed up to listen to one and fell asleep, but the show, the whole innovative process of playing radio all the time on the internet, was intriguing and just opened so many opportunities, I think. And of course, the internet brought all that around. And now there are any number of stations that stream all the time. And Bill Bragg passed away. What in 2016 Walden Hughes ** 46:15 2018 Michael Hingson ** 46:18 1819 2019 Yeah. And Walden now is the person who directs, operates, and is the manager of yesterday USA. And so when I go ahead, Walden Hughes ** 46:30 it's fascinating. In the height of the station, there was 15,000 internet radio stations out there in 2000 they did a survey yesterday, USA was number three in the world, behind the BBC and CNN, which I thought was a pretty nice number to be concerned. We had no budget to promote, right? And the last time I saw the numbers been a couple years, we were number 44 in the world, which I don't think of, 15,000 radio stations. Not bad. No, not at all. You know, really not bad. But now there is more talk than there used to be, because Walden and the gasmans, who we had on years ago on this podcast, but Michael Hingson ** 47:16 have interviewed a lot of people, and continue to interview people. And of course, so many people are passing on that. We're trying to talk to people as much as we can, as they can, and all of us now, because I've started to come a little bit and become a little bit involved in yesterday USA. And as Walden said on Friday night at 730 Pacific Time, see it's earlier, we we do a talk show. Bob Lyons, who did a lot of radio out here, and for 50 years, had a program called Don't touch that dial. And John and Larry and Walden and I get on the air and we talk about, Gosh, any number of different things. We've talked about Braille, we've talked about sometimes, everything but radio. But we talk about a lot of different things, which is, which is a lot of fun. Walden Hughes ** 48:04 And I think it probably is, you know, in the old days, it would pretty much no entertainment, and Bill telling some stories and things like that. But with me, I always had a focus in interviews, but it's so much more fun to do radio as a co host. And that's when Patricia and I connected back in the 2007 I knew was in 2005 she's my co host. And Patricia didn't grow up with whole town radio. She became a fan after she found yesterday, USA into 2000 but she's a very articulate person, and so through the shows, what she and I did on Saturday night, the audience grab it and just we should talk about everything, and I just generate calls. I mean, when she and I were doing eight hours a night, we would average about 18 calls a night, which was pretty amazing, but we would cover the gamut, and I think a really good talk show host had to know a little bit about a lot of things. Yes, he got it. You got to be flexible. And Patricia and I compliment each other that way, that we're able to cover history and politics and music and just everything. And so when I do a show with her, you never know what direction we go with where. When I'm with John Roy, it's more radio centric. So it depends on what night a week people tune in, is what you're going to Michael Hingson ** 49:40 get. And Walden has Patricia on now Tuesdays, Thursdays and Saturdays, but we know why she's really on there, because she likes hearing Perry Como song Patricia that starts out every show Walden plays that he's in love with Patricia. One of these days, there's still the possibility. But anyway, we. We, he, we love it when he, he has Patricia on, and it's every week. So, so it is really cool. And they do, they talk about everything under the sun, which is so fascinating. Tell us about Johnny and Helen Holmes. Walden Hughes ** 50:15 Ah, well, it's an interesting story. I I say the second biggest old time radio station in the country, after yesterday USA. It's about half the size in terms of audience basis. Radio once more, and you can find them at Radio once more.com and they do a good job. No else with probably yesterday USA branch offers own internet radio station, and he found he would go to the east coast to the nostalgic convention, and he connected with Johnny and Helen. Holmes and Johnny and Helen are people who love to attend nostalgic convention and get autographs and things. And they became really friends. So Neil convinced them, why don't you come on? Just come on radio once more. And so after a while, they do the presentation the coffee shop. Neil convinced them to take it, take it to the air, and they started to have their own show, and I was aware of them, and I produced the spirback convention, 2017 in Las Vegas. So Johnny helm came to the convention, and Johnny wanted to say hi to me. I said, I know who you are. I think he was for by that that I knew who he was, but I invited Johnny and Helen to come on with Patricia and I one night to talk about their coffee shop presentation and their show on Radio once more. And we just bonded very quickly and easy to bond with Johnny. They really are really fabulous people. He's really a generous guy, and so over the last six, seven years, we have developed a great friendship on you, and almost have created a whole subculture by itself, playing trivia with them. Every time they come on, Michael Hingson ** 52:17 they do a lot of trivia stuff, and Johnny produces it very well. He really does a great job. And he'll put sound bites and clips and music, and it's gotten me such a major production with Johnny and Helen. And people look forward to it. I sometimes count the interaction people hanging out in the chat room, on the phone, email, about 18 to 20 people will get and get an answer question, was it amazing that that many people will be interested in trivia like that? But and, and Johnny also collects, well, I guess in Helen collect a lot of old television shows as well. Yep. So we won't hold it against him too much, but, but he does television and, well, I like old TV shows too, you bet. Well, so you know, you are, obviously, are doing a lot of different things. You mentioned spurred vac oop. They're after you. We'll wait. We'll wait till the phone die. You mentioned, well, I'll just ask this while that's going on. You mentioned spurred back. Tell us a little bit about what spurred vac is and what they've been doing and what they bring to radio. Walden Hughes ** 53:23 Sprint vac started in 1974 it's the largest full time radio group in the country, called the society to preserve and encourage radio drama, variety and comedy. John Roy Gasman were two of the main driving force behind the club. It reached up to a membership of 1800 people, and they've honored over 500 people who worked in the golden days of radio and to speak at their meeting, come to the special conventions. And so I attended some dinners at the Brown Derby, which was a great thrill. I started attending their conventions, and it was just, it was wonderful. So I so I really got to meet a lot of the old time radio personality and become friends with Janet Waldo and June for a and people like that. And so I eventually got on the board. I eventually became one young, somewhat retired. I wound up being the activity person to book guests, and started producing conventions. And so that became a major part of my life, just producing those things for spur back and in other places, and I first started to do that for reps. Was it the Old Time Radio Group in Seattle in 2007 so they were actually the first convention I produced. Michael Hingson ** 54:54 And rep says radio enthusiasts of Puget Sound, Walden Hughes ** 54:57 right? Reps online.org, G and so I would produce new convention. I was helping super vac, and I also helping the Friends of all time radio back in New Jersey and so. And it probably helped my contact, which is 300 pages long, so, and I would book it. I would also contact celebrities via the mail, and my batting average was 20% which I thought were pretty good. I got Margaret. I got Margaret Truman. She called me, said, Walden, I got your order, and I forgot that I did the show with Jimmy Stewart. I'd be happy to come on talk about my memory. You know, she talked about Fred Allen on the big show, and how, how Mike Wallace had a temper, had a temper. She was a co host. Was among weekdays, which with the weekday version of monitor. Monitor was weekend and weekday, we see NBC. And so she was just fabulous, you know, so and I would get people like that 20% bad average, which was incredible. So I met, that's how it's up to two, my guess was, so I, I was sort of go to guy, find celebrities and booking them and and so in that help yesterday, USA helped the different conventions. And so it and so you're so you're booking the panels, and then you're coming up with ideas for radio recreations. And so I produce 37 of them, ranging from one day to four days. And I get counted, over the last 18 years, I've produced 226 audio theater plays with it. A lot at least, have an idea of how those things Michael Hingson ** 56:55 work. So right now, speaking of recreations, and we're both involved in radio enthusiasts of Puget Sound, and for the last couple of years, I've participated in this. Walden has done radio recreations, and twice a year up in the Washington State area, where we bring in both some some amateurs and some professionals like Carolyn Grimes Zuzu and so many others who come in and we actually recreate old radio shows, both before a live audience, and we broadcast them on yesterday USA and other people like Margaret O'Brien who won Walden Hughes ** 57:46 Gigi Powell coming this year. Phil Proctor. David Osmond from fire sign theater. Chuck Dougherty from Sergeant Preston. John Provo from Timmy from Lassie, Bill Johnson, who does a one man show on Bob Hope. Bill Ratner from GI Joe. Bill Owen, the who might have had he is the author of The Big broadcast, Ivan Troy who Bobby Benson, Tommy cook from the life O'Reilly Gigi parole, a movie actress of the 50s, as you mentioned, Carolyn grime, Beverly Washburn and others, and it's just the radio folks are really down to earth, really nice people, and you get to break bread with them, talk to them and reminisce about what was it like doing that radio show, this movie, or that TV show, and then They still got it, and they can perform on stage, Michael Hingson ** 58:43 and they love to talk about it, and they love to interact with people who treat them as people. And so yeah, it is a lot of fun to be able to do it. In fact, I was on Carolyn Grimes podcast, which will be coming out at some point in the next little while, and Carolyn is going to be on unstoppable mindset. So keep an eye out for that. Bill Owens program is coming out soon. Bill and I did a conversation for unstoppable mindset, and we're going to be doing Bill Johnson will be coming on, and other people will be coming on. Walden has been very helpful at finding some of these folks who are willing to come on and talk about what they did, and to help us celebrate this medium that is just as much a part of history as anything in America and is just as worth listening to as it ever was. There is more to life than television, no matter what they think. Walden Hughes ** 59:40 And also, we do a Christmas thing too. And hopefully Mike, if his speaking engagement allow him, will be with us up at Christmas saying, Well, I will. I'm planning on it. We're gonna do, It's a Wonderful Life. Keith Scott, coming over from Australia, who's a he's the rich little of Australia. And we'll do, It's a Wonderful Life. We'll do. The Christmas Carol, milk on 34th Street film again, Molly Jack Benny will have a great time. Michael Hingson ** 1:00:07 These are all going to be recreations using the the original scripts from the shows, and that's what makes them fun. And for those of us who don't read print, we do have our scripts in Braille, absolutely so that's kind of fun. Well, Walden, this has been absolutely wonderful. We're going to have to do it some more. Maybe we need to get you, John and Larry all together on that. That might be kind of fun. But I really, I don't think we need a host if you that. No, no, we just, you know, just go on. But this has been really fun. I really enjoy it. If people want to reach out to you, how do they do that? Walden Hughes ** 1:00:45 Oh, I think they can call my studio number 714-545-2071, I'm in California, or they can email me at Walden shoes at yesterday, usa.com, W, A, l, D, E, N, H, U, C, H, E, S at, y, E, S T, E, R, D, A, y, u, s a.com, I'm the president of radio enthusiast sound, that's reps online.org or on the board of Sper back, which is S, P, E, R, D, V, A, c.com, so while waiting shakes me down, when Michael Hingson ** 1:01:25 will the showcase actually occur up in Bellevue in Washington? Walden Hughes ** 1:01:30 That will be September 18, 19 20/21, and then our Christmas one is will be Friday, December five, and Saturday, December the sixth. And then we're also going back and spir back, and I bet we'll see you there. We're going to go back to the Troy Blossom Festival next April, 23 to 26 and we'll know, are we set up to do that now? Yep, looks like that gonna happen? Yeah? Oh, good, yeah. So kick out the phone with Nicholas here a few days ago. So everything's gonna go for that, so that will be good. Michael Hingson ** 1:02:03 Yeah, we will do that. That's cool. Well, thank you for being here, and I want to thank you all for listening. I hope you had fun. This is a little different than a lot of the episodes that we've done, but it's, I think, important and enlightening to hear about this medium into to meet people from it. So thank you for listening wherever you are. We hope that you'll give us a five star review of unstoppable mindset wherever you're listening or watching. Please do that. We'd love to hear from you. You can reach me at Michael H, I m, I C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, and you can also go to our podcast page if you don't find podcasts any other way. Michael hingson.com/podcast, that's m, I C, H, A, E, L, H, I N, G, s, O, n.com/podcast, singular. So thanks again for being here and for listening to the show, and Walden, once again, I want to thank you for being here. This has been great. Walden Hughes ** 1:03:01 Thank you, Michael, Michael Hingson ** 1:03:07 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.
Merry Christmas you beautiful people!We begin the show by looking at a Christmas Not So Classic. This one is from one of the biggest bands of all time, U2. They recorded a version of the British classic I Believe In Father Christmas, and it's okay.Here's a link:https://www.youtube.com/watch?v=qD6QSJsASVMThen Bob Baker is looking for Christmas in Where Are You Christmas, and he finds it at Mount Rushmore (with thanks to Benji Pearson).Next up it's the quiz, and we have a little contoversy about some of my pronunciations in the last episode.Halloween is on the horizon and in previous years listener Benji Pearson has dressed as ghosts from A Christmas Carol. This year he's thinking of being the Ghost of Christmas Yet to Come and he asks for my advice, of which I give him very little.Then Bob is back with Do You Hear What I Hear and he's looking at two weeks, or as us Brits would say 'A fortnight'.Check out Bob's podcast here: https://4fpodcast.buzzsprout.com/This episode's version of A Christmas Carol is an episode of the western TV show Cimarron City. It's an interesting one, You can watch it here: https://www.youtube.com/watch?v=soC3lLkqiiAGet in touch:Email: totalchristmas@gmail.comWeb: totalchristmaspodcast.comMerry Christmas!
In this episode, Devo runs down his show in Rochester, discusses his narration class, the Dr. Demento tribute album, his latest acting classes, his first real narration projects, and more! Music in this episode: Tom Lehrer favorites that weren't played on the Manic Mondays tribute episode, "The Masochism Tango," "So Long, Mom," "A Christmas Carol," and "The Elements."
SUMMARY: The conversation features Reverend Cheryl discussing her experiences with childhood trauma, including living in a chaotic environment with an abusive father and a depressed mother. *She emphasizes the importance of recognizing and addressing abuse, understanding forgiveness, and setting boundaries. *The dialogue explores the complexities of healing, the role of faith, and the necessity of confronting abusive behavior while also finding strength in God. *Reverend Cheryl shares insights on how to support women in violent situations, the significance of therapy, and the importance of community support. *Ultimately, she highlights that healing is a lifelong journey involving layers of understanding and growth, and encourages women to assert their identity in Christ to reclaim their voices and establish healthy boundaries. PODCAST INTRO: The ministry of my guest, Reverend Cheryl Kincaid, focuses on giving voice to Christian women caught in violent situations and relationships, aiming to help them find wholeness and healing through God's instruction. Using her personal story of abuse combining that with her education in Marriage and Family Therapy along with her Master of Divinity from San Francisco Theological Seminary, Rev Cheryl talked about understanding abuse, boundaries, identity, righteous anger, and forgiveness as taught in the bible. The discussion on forgiveness alone was worth the conversation because so much about God's love and forgiveness has been hijacked with a toxic empathy that is used against tender hearted, conscious Christians especially the abused. We talked about the difference between forgiveness and denial. Reverend Cheryl states that forgiveness requires acknowledging the hurt caused by others and making a conscious decision to forgive, while denial involves minimizing the impact of the abuse or rationalizing it. One of the tools that Rev Cheryl shares is for the moments when you're having a flashback, you've been triggered or trying to resolve inner, emotional mental conflict in yourself. She shares this exercise, the therapeutic term known as classical conditioning and it involves using your dominate hand to represent yourself as the adult you are and your non-dominate hand as the child you were. Using your dominant hand you write down something like, I know you're in pain right now and Using your name, you ask yourself by writing down, what is going on? Then Using your non-dominant hand write down your emotions. There is a point to using your non-dominant hand because it looks like a child's handwriting. Then Looking at the emotions that surfaced you use your adult hand (that knows the truth about where you are now) to comfort your child hand (that is bringing forth the emotions that are connected to the pain). Reframe the emotions with truth whether it be with God's word/His promises, with facts such as Rev Cheryl said things like, You couldn't take care of yourself then but you can take care of yourself now and then you'd list truths. If it was about money, it could be, I have a job, I have a bank account, I'm working toward financial independence. If it was about not having control then say, I have control over myself, I'm responsible for myself, I am learning to set boundaries, I have boundaries in place etc Things that speak truth over where you are today. To me, I thought it was effective using your hands because it gets you outside your head. I think that would be beneficial because sometimes you have so much emotion and overwhelm in your head that if you can make it external, it seems to help you isolate and sort through your emotions in that moment. It reminds me of the effectiveness of journaling as a way to purge your thoughts on paper, it gets everything you can list out of your mind and you can sort through it that way too. So in short, us the classical condition exercise to take what you're believing based on your past and updating it with the truth of where you are today and where you're headed, toward wholeness and healing. And even if your current answers for today (as the adult) are not in your favor with regard to healing and wholeness it gives you a starting point, it helps you pinpoint the fact you need to take action. One of the things we didn't get a chance to talk about is that Rev Cheryl is an author of several books. Her stories are inspired from witnessing God's redemptive grace in the messy reality of authentic life for Christian's, including her own. In her stories she's not afraid to address violent issues that many women find themselves in. Using realistic life situations she reveals the heart of God, His love, care, concern, ability to heal and restore despite the brokenness of this life. Be prepared to stop this audio along the way so that you can digest what she is sharing; which is practical advice and things you can immediately implement to move from being a victim to becoming victorious! Let's listen in! Live Loved and Thrive! @alifeofthrive.com Sherrie Pilk MORE PODCASTS AND/OR BLOGS ON SIMILAR TOPICS: Letting God Rewrite Trauma and Abuse, with LaShaundra Barnes: https://alifeofthrive.com/2024/11/20/letting-god-rewrite-trauma-and-abuse-with-lashaundra-barnes/ Breaking Cycles of Abuse and Trauma, with Lindsey Smith: https://alifeofthrive.com/2024/07/31/breaking-cycles-of-abuse-and-trauma-with-lindsey-smith/ Heal from Childhood Abuse, with Virginia Jones: https://alifeofthrive.com/2023/03/01/healing-from-childhood-abuse-with-virginia-jones/ CONNECT WITH REVEREND CHERYL: Website: https://revcherylkincaid.com/ BIO: Reverend Cheryl Kincaid is a Presbyterian Minister who studied Marriage and Family Therapy at Bethel Seminary and has a Master of Divinity from San Francisco Theological Seminary. Reverend Kincaid is a prolific author of five books, Hearing the Gospel Through Charles Dickens A Christmas Carol (which is the winner of the 2013 Independent Christian Publishers Illumination Reward for bible study), The little Clay Pot, The Little Candle That Was Frightened of the Dark, Karrie's Thorn and A Forgotten Door Called Home. Rev. Kincaid seeks to tell the story of God's comforting redemptive grace in the midst of an imperfect world. Rev. Cheryl Kincaid has twenty years of experience in Christian ministry, and she confesses that many of her stories were inspired from witnessing God's redemptive grace unfold in wounded Christian's lives, including her own. Visit her website at Pastor Cheryl Kincaid's website to hear her sermons and hear more about her other books at https://revcherylkincaid.com/. To read about Rev. Kincaid's inspiration for writing Hearing the Gospel Through Charles Dickens' A Christmas Carol visit her website http://www.dickensandchristianity.com/ and read about Charles Dickens' faith journey.
Follow Ebenezer Scrooge's Christmas Eve transformation from bitter miser to generous soul. Volg Ebenezer Scrooges transformatie op kerstavond van bittere vrek naar gulle ziel. Uitgegeven door Abel Studios Sprekers: Diorno Braaf, Tom Crispen
Follow Ebenezer Scrooge's transformation from bitter miser to generous soul as three Christmas spirits guide him to redemption on Christmas Eve. Uitgegeven door Abel Studios Spreker: Tom Crispen
What's up, dudes? I'm joined by Nick Bicât, the composer and arranger of the music from the 1984 movie “A Christmas Carol!” We really get into it! Find out about his compositional style and the inspirations behind some of the musical selections and arrangements! We get it all straight from the man himself! Nick Bicât has written over 150 scores and soundtracks for film, television, theater, festival events and concert performance. Winner of a BAFTA and twice nominated, his film and television scores include “A Christmas Carol”, “The Scarlet Pimpernel” , Wetherby, and The Reflecting Ski. He has composed for the Royal Shakespeare Company and the National Theatre, written eleven musicals and an opera The Knife, with Sir David Hare, (best musical score, 1989 New York Drama Desk Awards). Other collaborators include Tony Bicât, Edward Bond, Adrian Mitchell Howard Brenton and Ted Hughes. Subsequently, he has composed songs for Deniece Williams and P.J. Harvey. His song Who Will Love Me Now?, sung by P.J. Harvey, was BBC Radio 1 top film song for 1998. Albums include Under the Eye of Heaven (Virgin Classics), with the London Chamber Orchestra. A choral work Beslan/Requiem, recorded by Andrew Parrott and the Taverner Consort, was released in 2014, and has been performed several times, recently at St George's, Bristol by the Exultate Choir. His latest work Akathistos, a processional cantata on the Siege of Constantinople of 626 AD, was premiered at St. Stephen Walbrook, London in January 2020. Catchy carols? Check. Spooky sonorities? Got ‘em. Tipsy choirs? Better grab some brandy! So grab your staff paper, put on the album, and visit the past with this episode! Give us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!
Merry Christmas you beautiful people!It's a packed episode and we start with The Christmas Quiz. I scored 8, make sure to email me and let me know how you got on.Next up it's Where Are You Christmas and this episode Bob Baker takes us to a couple of Christmas shops in Edinburgh (pronounced Eden-burg, if you're Bob).This epsisode we have a combination of A Christmas Carol and Yule Logs. There are 3 to choose from and they're all a bit crap.This is an audio play adaptation and it's only part 1 (there are no more parts):https://www.youtube.com/watch?v=gMJoiFiJEoc&t=25sThis one is from the horendous version of A Christmas Carol by the BBC and FX:https://www.youtube.com/watch?v=IluciPAhTswAnd this one shows 4 different versions of A Christmas Carol on a tiny screen in the corner of the picture:https://www.youtube.com/watch?v=_zIytOURrx0&t=2527sThen it's What The Dickens! and I look at 3 interesting aspects of A Christmas Carol that you may not have noticed before.Oy! it's Do You Hear What I Hear? and Bob looks at the word 'Oy', which I thought was universal, but turns out I was wrong.Then it's one of my Christmas memories and I reminisce about my experiences going caroling singing as a teenager.Get in touch:Email: totalchristmas@gmail.comWeb: totalchristmaspodcast.comMerry Christmas!
RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next of his regular audio described theatre reviews. This time we have the musical comedy that is ‘The Addams Family' as the current tour visited the Birmingham Hippodrome with description by Professional Audio Describer Jonathan Nash. About ‘The Addams Family' Following two hugely successful UK tours, and sold-out concerts at The London Palladium last year, everyone's favourite kooky family are back on stage this summer in The Addams Family, starring Alexandra Burke (The X Factor, Sister Act, The Bodyguard) as Morticia, Lesley Joseph (Birds of a Feather, Young Frankenstein, Sister Act) as Grandma, Clive Rowe (The Prince of Egypt, Sister Act, A Christmas Carol) as Uncle Fester and Ricardo Afonso (Jesus Christ Superstar, Thriller Live, We Will Rock You) as Gomez. The Addams Family is the spectacular musical comedy from Marshall Brickman and Rick Elice (writers of the multi award-winning hit musical Jersey Boys), with music and lyrics by Tony Award-nominated Andrew Lippa, based on the characters created by Charles Addams. Wednesday Addams, the ultimate princess of darkness, is all grown up and has a shocking secret that only Gomez knows. She's fallen in love with a sweet, young man from a respectable family. With his cherished Morticia in the dark will Gomez manage to keep his daughter's secret until the two families meet for a fateful dinner with hilarious consequences Join them, plus Uncle Fester, Lurch, Pugsley, Grandma and more for a heart-warming story of love, family and friendship… with a twist! Featuring a live orchestra and extraordinary original score The Addams Family is sure to entertain whether you are 7 or 307! For more about the current tour of this vibrant gothic comedy musical that is The Adams Family along with details of performances near you do visit - https://theaddamsfamily.co.uk/uk-tour (Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font)
Today for talking Disney we are ranking all 46 songs from the Muppets feature films Check out Muppet May https://www.youtube.com/playlist?list=PL7wz447AgL4whYaJnOT_R9RLXL5kOx9ss Spotify playlist for Muppet Songs https://open.spotify.com/playlist/0JIBPhzQ0DQHIF0a8afm8u?si=2RzFdNrvSkGjl1lZZFqjuQ The best Disney scenes (no songs) https://youtu.be/gUgX1t1b09g Make sure to check out Rachel's holiday coverage at Hallmarkies Podcast https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id1296728288 Get your #animationjunkie shirt and holiday gear at https://www.teepublic.com/stores/hallmarkies?utm_campaign=Hallmarkies&utm_medium=8581&utm_source=affiliate Follow us on twitter at https://twitter.com/DisneyTalking Please support the podcast on patreon https://www.patreon.com/hallmarkies Check out the Talking Disney Anchor feed https://anchor.fm/talkingdisneycanon Follow us on itunes https://podcasts.apple.com/us/podcast/talking-disney-classics-with-rachel-wagner-stanford-clark/id1479958412 Follow the other Talking Disney Podcast https://www.podbean.com/media/share/pb-cb8n4-c29d63#.XZ6x52RKpGE.twitter Follow Rachel's Reviews on Itunes! https://itunes.apple.com/us/podcast/rachels-reviews/id1278536301?mt=2 Follow Stanford on twitter- https://twitter.com/StanfordClark Follow Stanford's blog http://moviespastandpresent.com/ http://blog.stanfordclark.com/ Follow my blog at https://rachelsreviews.net Follow me on twitter https://twitter.com/rachel_reviews Follow me on facebook https://www.facebook.com/smilingldsgirlreviews/ Listen to Hallmarkies Podcast at https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id1296728288 Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to the place where we get to let our geek flags fly and talk about all things geek. This level of the podcast includes:Brian Cranston in talks to play Professor XQuest Day Ever comic - globalcomix.com/c/quest-day-everSpaceballs 2 teaser trailer - 2027Star Wars Dad Jokes bookStar Wars Coca Cola commercialDoctor Who left HBOMax July 31stThe Simpsons Time coversLive-action Captain Planet movie from NetflixSpider-Punk animated movie from SonyMatt Smith cast as villain in Star Wars: StarfighterWB Discovery shareholders vote against 52 mil for David ZaslavMARVEL Tōkon: Fighting Souls launching 2026 on PS5 & PCMia Goth joins Star Wars: StarfighterJaws @ 50 documentaryJon Bernthal joins cast of Spider-man: Brand New DayMark Hamill shares his dark backstory for Luke in TLJNintendo working on movies for other IPs besides Mario & ZeldaChris Pratt returning for Garfield 2Scrubs returning with OG castTickets for Nolan's The Odyssey in Imax already on sale - July 17 2026One Piece S2 trailer - 2026RIP Michael Madsen / Johnathan Joss / Malcolm-Jamal Warner / James Carter Cathcart / Brian Wilson / Kenneth Colley / Ozzy Osbourne / Hulk HoganTom Rhys Harries lands role of Clayface - Sept 11 2026The Sandman S2 trailerThe Toxic Avenger Red Band trailer - Aug 29Mobland renewed for S2Robert Kirkman sold a Transformers/GI Joe crossover animated seriesDenis Villeneuve to direct James BondLilo & Stitch 2 greenlitEyes of Wakanda teaser trailerThe Running Man trailer - Nov 7David Dastmalchian cast as M Bison in Street FighterJohn M. Chu to direct live-action Hot Wheels movieDuster cancelled by HBORed Sonja trailer - Aug 13Live-action The Legend of Zelda casts Link and Zelda - May 7 2027Taika Waititi rebooting Judge Dredd10 Anime movies most people loveInvincible renewed for S5 before S4 premieresFuturama S13 premieres Sept 15thHot Wheels x Transformers Bone Shaker figureKathleen Kennedy re: future moviesRey movie on holdJon Watts re: S2 of Skeleton CrewJod Na Nawood could returnMando & Grogu trilogy possibilityTemuera Morrison is hopeful Filoni and Favreau are saving Boba Fett for laterObi-Wan Kenobi S2 in the works?Updated galaxy mapRian Johnson confirms his trilogy is not a thingTaika Waitii's Star Wars film gets working titleEpisode IV in theaters Apr 30, 2027The Incredibles 3 sets Peter Sohn as directorRobert Eggers to direct A Christmas Carol for WBDisney and Universal suing AI photo generator companyDC announces Miracle Man animated showSpider-Man: Brand New Day leaksVery Young Frankenstein nears pilot order at FXRyan Gosling in Project Hail Mary - Mar 20 2026The Batman Part II script is completed - Oct 1 2027Showrunner Neil Druckmann departing The Last of UsSinners got costumes from abandoned Blade period movieNYC renames the corner of Essex Street and Delancey Street to Jack Kirby Way and Yancy StreetMoon Knight could return in a TV adaptation of the Damnation arcSuperman Box Office is good enough to kick off more DCUSuperman is propelling new DC projects alreadyEdi Gathegi signed a multi-picture deal play Mister TerrificAquaman and The Flash aren't priorities for a couple yearsJames Gunn does not shoot down Alan Ritchson as BatmanLaura Linny joining LanternsJames Gunn confirms DCU is an alternate realityNaomi Ackie cast as female lead in ClayfaceSwamp Thing movie may be cancelledTeen Titans script is nowhere close to being finishedNcuti Gatwa re: departure from Doctor WhoTed Lasso S4 shares first lookPunisher set photos may show villainDisneyland expansion announcementsTom Felton joining Cursed Child on Broadway in NovViolent Night 2 - December 4, 2026Michael Bay returning to TransformersDune Part 3 - Dec 18, 2026Bad Guys 2 - Aug 1Iron Man and his Awesome FriendsMass Effect live-action series at Amazon Prime VideoLive action My Little Pony from Hasbro entertainmentA live-action Assassin's Creed series is in development at NetflixTTFN… Wookiee out!
Today for talking Disney we are ranking all 46 songs from the Muppets feature filmsCheck out Muppet May https://www.youtube.com/playlist?list=PL7wz447AgL4whYaJnOT_R9RLXL5kOx9ssSpotify playlist for Muppet Songs https://open.spotify.com/playlist/0JIBPhzQ0DQHIF0a8afm8u?si=2RzFdNrvSkGjl1lZZFqjuQThe best Disney scenes (no songs) https://youtu.be/gUgX1t1b09gMake sure to check out Rachel's holiday coverage at Hallmarkies Podcast https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id1296728288Get your #animationjunkie shirt and holiday gear athttps://www.teepublic.com/stores/hallmarkies?utm_campaign=Hallmarkies&utm_medium=8581&utm_source=affiliateFollow us on twitter at https://twitter.com/DisneyTalkingPlease support the podcast on patreon https://www.patreon.com/hallmarkiesCheck out the Talking Disney Anchor feed https://anchor.fm/talkingdisneycanonFollow us on itunes https://podcasts.apple.com/us/podcast/talking-disney-classics-with-rachel-wagner-stanford-clark/id1479958412Follow the other Talking Disney Podcast https://www.podbean.com/media/share/pb-cb8n4-c29d63#.XZ6x52RKpGE.twitterFollow Rachel's Reviews on Itunes! https://itunes.apple.com/us/podcast/rachels-reviews/id1278536301?mt=2Follow Stanford on twitter- https://twitter.com/StanfordClarkFollow Stanford's blog http://moviespastandpresent.com/ http://blog.stanfordclark.com/Follow my blog at https://rachelsreviews.netFollow me on twitter https://twitter.com/rachel_reviewsFollow me on facebook https://www.facebook.com/smilingldsgirlreviews/Listen to Hallmarkies Podcast at https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id1296728288
The Daily Quiz - Art and Literature Today's Questions: Question 1: Which author had a No. 1 bestseller in 2015 with his latest legal thriller 'Rogue Lawyer'? Question 2: In which epic poem by John Milton does Satan plot against Adam and Eve? Question 3: What is the name of the miserly main character in A Christmas Carol? Question 4: Which of these is a play by Shakespeare? Question 5: Which book published in 1952 features an unusual friendship between a spider and a pig? Question 6: What is the name of the account of the Trojan War written by the Ancient Greek poet Homer? Question 7: In which book series does Professor Moriarty appear? Question 8: What playwright wrote "A Streetcar Named Desire"? Question 9: Which of these is NOT a work by Shakespeare? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices
Writing Process with Franky Corcoran|playwright, actor, director, and podcasterFranky Corcoran is a versatile artist who wears many hats in the entertainment realm, serving as a playwright, actor, director, and podcaster. In March 2021, he established his own entertainment venture, known as Corcoran Entertainment. In addition to his various roles, he has hosted a weekly podcast titled The Corcoran Entertainment Show since January 2022. New episodes every Tuesday across all major streaming platforms, such as Spotify and Apple Podcasts.Corcoran's acting journey began in 2013 when he joined his high school drama club. After graduating in 2017, he continued to nurture his passion for performing through community theatre. Throughout his career, he has portrayed several memorable characters, including Felix Ungar in The Odd Couple, Eugene Morris Jerome in Brighton Beach Memoirs and Biloxi Blues, Henry Saunders in Lend Me A Tenor, Mr. Fezziwig in A Christmas Carol, and Captain March in Little Women. His talent was recognized at the New Brunswick Provincial Drama Festival in 2017, where he received the Outstanding Actor award for his work in Michael Frayn's Audience.In addition to acting, Franky has made his mark as a writer and director with credits that include A Miramichi Christmas, Death Costs Dearly, The Lies We Tell Ourselves, House of Violations, and Playhouse Quarrel. He also self published one of his first one act plays, The Lies We Tell Ourselves. His directorial debut in the musical realm happened in June 2023 with Jonathan Larson's tick, tick... BOOM!Link:https://open.spotify.com/show/3WQZis2AmXkQYR8mk7sVs1?si=05579faa87a64a9ehttps://www.instagram.com/corcoranent/?hl=enTags:Actor / Actress,Dogs,Music,Playwright,Podcaster,Podcast Host,Theater Director,Theater Producer,Theatre,TV & Film,Writing Process with Franky Corcoran|playwright, actor, director, and podcasterSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page
Merry Christmas you beautiful people!We start the show with this episode's version of A Christmas Carol. It's an episode of the Disney cartoon series 101 Dalmatians called A Christmas Cruella. If you want, you can watch it here:https://www.youtube.com/watch?v=njxjk4CosPM&t=1290sThen Bob Baker looks at what us Brits mean by a 'flannel' in Do You Hear What I Hear.After that it's The Christmas Quiz. I only scored 6 this week, let me know if you managed any betterNext up Bob is back with Where Are You Christmas, and it turns out it's hiding in Canada.Check out Bob's podcast here: https://4fpodcast.buzzsprout.com/In the quiz in the last episode we had a question about how many doors there are in an advent calendar and Scott Newman, our US correspondent, has done a bit of research on the subject. I have as well, and we look at a few Guinness World Records involving advent calendars.This episode's recommendation is Paul Whitehouse and Bob Mortimer: Gone Fishing. It's a lovely show, and you don't have to be interested in fishing to enjoy it. They've also got some nice Christmas specials (that weren't filmed anywhere near Christmas). It's on the BBC iplayer, but it's on other streaming sites as well, so check it out.Get in touch:Email: totalchristmas@gmail.comWeb: totalchristmaspodcast.comMerry Christmas!
Choice Classic Radio Mystery, Suspense, Drama and Horror | Old Time Radio
Choice Classic Radio presents Favorite Story, which aired from 1946 to 1949. Today we bring to you the episode titled "A Christmas Carol.” Please consider supporting our show by becoming a patron at http://choiceclassicradio.com We hope you enjoy the show!
In this episode, Holidays After Dark explores the Victorian tradition of telling ghost stories during Christmas time and uncovers how books like A Christmas Carol helped the practice seep into popular culture all throughout the world.Buy some merch: https://holidaysafterdark-shop.fourthwall.com/ and https://www.etsy.com/shop/HolidaysAfterDarkEmail your holiday stories to kristin@holidaysafterdark.com. Follow on Twitter and Instagram: @holidayspodcast Like on Facebook: Holidays After Dark Buy a Simulockrum Lock Picking Game here: https://www.etsy.com/shop/TemporalTravels?ref=shop-header-name&listing_id=1520054429&from_page=listingThis episode is sponsored by BetterHelp. Get 10% off your first month at betterhelp.com/holidaysafterdark. Special thanks to Night Owl Productions for producing and editing the podcast!Thank you to Pete Byrnes for composing the theme song!
What sets a technically strong performer apart from a truly unforgettable one? In this episode, Molly Marie Walsh — performer, educator, and MT history advocate — unpacks how a deep understanding of musical theatre's roots enriches performance, informs vocal style, and builds lasting careers. From the social commentary of Hadestown to the escapism of 1930s musicals, Molly and Alexa explore how history shapes artistry, interpretation, and authenticity on stage. A must-listen for performers, teachers, and anyone passionate about meaningful storytelling through song and stage. WHAT'S IN THIS PODCAST? 3:10 What's Molly's favourite era of Musical Theatre history? 8:05 Case study 12:20 Is historical and contextual understanding always necessary? 17:45 Context & vocal targets 24:38 Context & aesthetic design 26:38 Context and the creative's career 29:02 How can contextual understanding help in an audition? 33:46 How historical understanding upholds the craft of Musical Theatre 43:27 What about the ensemble? 47:20 Different resources About the presenter, click HERE RELEVANT MENTIONS & LINKS Urdang Broadway Musicals Show By Show by Stanley Green Graham Norton interview Fifty Key Stage Musicals by Robert W. Schneider and Shannon Agnew Fifty Key Stage Musicals: The Podcast Artists mentioned: Jesse Mueller; Sierra Boggess; Marisha Wallace; Billy Porter Agnes de Mille Jeanine Tesori Shaina Taub Jamie Lloyd Our Musicals, Ourselves by John Bush Jones The Cambridge Companion to the Musical by William A Everett & Paul Laird 150 Years of Popular Musical Theatre by Andrew Lamb A Critical Companion to The American Stage Musical by Elizabeth L. Wollman Strike Up the Band by Scott Miller Horrible Histories Singing Teachers Talk Podcast Ep.10 Songs for Male Contemporary Musical Theatre Singers ABOUT THE GUEST Molly Marie Walsh, originally from California, is a seasoned Musical Theatre performer with credits in the US and UK, including Dirty Rotten Scoundrels, Into the Woods, and A Christmas Carol. Now based in the UK, Molly teaches voice, drama, and musical theatre across Buckinghamshire and at London's Urdang Academy. Molly has worked with musical theatre writers Kansley & Lidert, and she has recently completed the BAST Level 5 Extended Diploma in Singing Teaching Skills. SEE FULL BIO HERE Instagram: @singhappywithmolly BAST Training helps singers gain the confidence, knowledge, skills & understanding required to be a successful singing teacher. "The course was everything I hoped it would be and so much more. It's an investment with so much return. I would recommend this course to any teacher wanting to up-skill, refresh or start up." Kelly Taylor, NZ ...morebasttraining.com | Subscribe | Email Us | FB Group
Sometimes Christmas just doesn't feel like Christmas. It's December 2001, and Richard is living alone, facing down his first Christmas Eve without his family. But he's about to learn that Christmas has its own magic -- and its own surprising plans for him… One hundred and fifty-eight years earlier, Charles Dickens changed the world with his story of another lonely man on Christmas Eve who ended up getting far more than he bargained for. What Dickens didn't know -- but Richard does all too well -- is that what he actually created was literatures most famous near-death experience. Join Richard and Dickens as they each face down their Christmas ghosts -- and hope to wake up the next morning transformed… Notes & Links: You can get a copy of Charles Dicken's A Christmas Carol pretty much anywhere, but I highly recommend Michael Patrick Hearns' The Annotated Christmas Carol where I got most of the information for this episode. You can get it at AbeBooks here: https://www.abebooks.com/servlet/SearchResults?ch_sort=t&cm_sp=sort-_-SRP-_-Results&ds=30&dym=on&isbn=9780393051582&rollup=on&sortby=2 Get the DVD of Albert Finney's musical Scrooge here: https://www.barnesandnoble.com/w/dvd-scrooge-ronald-neame/3719770?ean=0097361459745&gQT=0 Learn all about the GameBoy Advance Owen wanted so badly: https://www.youtube.com/watch?v=tQvSB3KBUIE
Superhero violence and graphic action sequences are prevalent on the screen and on the page, but this book takes an alternative route with practical guidance, frameworks, and tools for incorporating the principles of peacebuilding and nonviolence into compelling fiction. By mapping a path less travelled but just as vital in divisive times, in n A Fiction Writer's Guide to Peace: Crafting Nonviolent Heroism (Bloomsbury, 2025) Dr. Gabriel Ertsgaard shows writers how they can enact nonviolent heroism in their characters, model civil resistance in their stories, and create worlds around a mythos that champions redemptive nonviolence. With concepts applicable to writing for fiction, drama, the screen, and narrative poetry, A Fiction Writer's Guide to Peace deconstructs the necessity for violence in popular works, explores key concepts in peace studies, and helps writers establish their own peace poetics. Focused around the narrative craft techniques of character arcs, campaigns, duels, and worldbuilding, the book features numerous creative writing prompts and examples from key works. These include films such as Trading Places, Selma, Lage Raho Munna Bai, and Frozen and literature ranging from Shakespeare's plays to Dickens' A Christmas Carol to Julia Quinn's Bridgerton novels. A timely and important expansion to any writer's toolkit, A Fiction Writer's Guide to Peace allows storytellers to understand the complex dynamics of, and the damage caused by, violent perspectives and actions, giving them a way into considering nonviolence as powerful and preferable. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Superhero violence and graphic action sequences are prevalent on the screen and on the page, but this book takes an alternative route with practical guidance, frameworks, and tools for incorporating the principles of peacebuilding and nonviolence into compelling fiction. By mapping a path less travelled but just as vital in divisive times, in n A Fiction Writer's Guide to Peace: Crafting Nonviolent Heroism (Bloomsbury, 2025) Dr. Gabriel Ertsgaard shows writers how they can enact nonviolent heroism in their characters, model civil resistance in their stories, and create worlds around a mythos that champions redemptive nonviolence. With concepts applicable to writing for fiction, drama, the screen, and narrative poetry, A Fiction Writer's Guide to Peace deconstructs the necessity for violence in popular works, explores key concepts in peace studies, and helps writers establish their own peace poetics. Focused around the narrative craft techniques of character arcs, campaigns, duels, and worldbuilding, the book features numerous creative writing prompts and examples from key works. These include films such as Trading Places, Selma, Lage Raho Munna Bai, and Frozen and literature ranging from Shakespeare's plays to Dickens' A Christmas Carol to Julia Quinn's Bridgerton novels. A timely and important expansion to any writer's toolkit, A Fiction Writer's Guide to Peace allows storytellers to understand the complex dynamics of, and the damage caused by, violent perspectives and actions, giving them a way into considering nonviolence as powerful and preferable. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction
Superhero violence and graphic action sequences are prevalent on the screen and on the page, but this book takes an alternative route with practical guidance, frameworks, and tools for incorporating the principles of peacebuilding and nonviolence into compelling fiction. By mapping a path less travelled but just as vital in divisive times, in n A Fiction Writer's Guide to Peace: Crafting Nonviolent Heroism (Bloomsbury, 2025) Dr. Gabriel Ertsgaard shows writers how they can enact nonviolent heroism in their characters, model civil resistance in their stories, and create worlds around a mythos that champions redemptive nonviolence. With concepts applicable to writing for fiction, drama, the screen, and narrative poetry, A Fiction Writer's Guide to Peace deconstructs the necessity for violence in popular works, explores key concepts in peace studies, and helps writers establish their own peace poetics. Focused around the narrative craft techniques of character arcs, campaigns, duels, and worldbuilding, the book features numerous creative writing prompts and examples from key works. These include films such as Trading Places, Selma, Lage Raho Munna Bai, and Frozen and literature ranging from Shakespeare's plays to Dickens' A Christmas Carol to Julia Quinn's Bridgerton novels. A timely and important expansion to any writer's toolkit, A Fiction Writer's Guide to Peace allows storytellers to understand the complex dynamics of, and the damage caused by, violent perspectives and actions, giving them a way into considering nonviolence as powerful and preferable. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Superhero violence and graphic action sequences are prevalent on the screen and on the page, but this book takes an alternative route with practical guidance, frameworks, and tools for incorporating the principles of peacebuilding and nonviolence into compelling fiction. By mapping a path less travelled but just as vital in divisive times, in n A Fiction Writer's Guide to Peace: Crafting Nonviolent Heroism (Bloomsbury, 2025) Dr. Gabriel Ertsgaard shows writers how they can enact nonviolent heroism in their characters, model civil resistance in their stories, and create worlds around a mythos that champions redemptive nonviolence. With concepts applicable to writing for fiction, drama, the screen, and narrative poetry, A Fiction Writer's Guide to Peace deconstructs the necessity for violence in popular works, explores key concepts in peace studies, and helps writers establish their own peace poetics. Focused around the narrative craft techniques of character arcs, campaigns, duels, and worldbuilding, the book features numerous creative writing prompts and examples from key works. These include films such as Trading Places, Selma, Lage Raho Munna Bai, and Frozen and literature ranging from Shakespeare's plays to Dickens' A Christmas Carol to Julia Quinn's Bridgerton novels. A timely and important expansion to any writer's toolkit, A Fiction Writer's Guide to Peace allows storytellers to understand the complex dynamics of, and the damage caused by, violent perspectives and actions, giving them a way into considering nonviolence as powerful and preferable. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Superhero violence and graphic action sequences are prevalent on the screen and on the page, but this book takes an alternative route with practical guidance, frameworks, and tools for incorporating the principles of peacebuilding and nonviolence into compelling fiction. By mapping a path less travelled but just as vital in divisive times, in n A Fiction Writer's Guide to Peace: Crafting Nonviolent Heroism (Bloomsbury, 2025) Dr. Gabriel Ertsgaard shows writers how they can enact nonviolent heroism in their characters, model civil resistance in their stories, and create worlds around a mythos that champions redemptive nonviolence. With concepts applicable to writing for fiction, drama, the screen, and narrative poetry, A Fiction Writer's Guide to Peace deconstructs the necessity for violence in popular works, explores key concepts in peace studies, and helps writers establish their own peace poetics. Focused around the narrative craft techniques of character arcs, campaigns, duels, and worldbuilding, the book features numerous creative writing prompts and examples from key works. These include films such as Trading Places, Selma, Lage Raho Munna Bai, and Frozen and literature ranging from Shakespeare's plays to Dickens' A Christmas Carol to Julia Quinn's Bridgerton novels. A timely and important expansion to any writer's toolkit, A Fiction Writer's Guide to Peace allows storytellers to understand the complex dynamics of, and the damage caused by, violent perspectives and actions, giving them a way into considering nonviolence as powerful and preferable. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/fantasy
Superhero violence and graphic action sequences are prevalent on the screen and on the page, but this book takes an alternative route with practical guidance, frameworks, and tools for incorporating the principles of peacebuilding and nonviolence into compelling fiction. By mapping a path less travelled but just as vital in divisive times, in n A Fiction Writer's Guide to Peace: Crafting Nonviolent Heroism (Bloomsbury, 2025) Dr. Gabriel Ertsgaard shows writers how they can enact nonviolent heroism in their characters, model civil resistance in their stories, and create worlds around a mythos that champions redemptive nonviolence. With concepts applicable to writing for fiction, drama, the screen, and narrative poetry, A Fiction Writer's Guide to Peace deconstructs the necessity for violence in popular works, explores key concepts in peace studies, and helps writers establish their own peace poetics. Focused around the narrative craft techniques of character arcs, campaigns, duels, and worldbuilding, the book features numerous creative writing prompts and examples from key works. These include films such as Trading Places, Selma, Lage Raho Munna Bai, and Frozen and literature ranging from Shakespeare's plays to Dickens' A Christmas Carol to Julia Quinn's Bridgerton novels. A timely and important expansion to any writer's toolkit, A Fiction Writer's Guide to Peace allows storytellers to understand the complex dynamics of, and the damage caused by, violent perspectives and actions, giving them a way into considering nonviolence as powerful and preferable. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Merry Christmas you beautiful people!We start the show with this episode's version of A Christmas Carol. It's a made for TV movie starring Tom Arnold and it's an 'interesting' twist on the story. It's called Chasing Christmas and you can watch it here:https://www.youtube.com/watch?v=Yv7nL5nb2E0Next up our resident barman Bob Baker looks at how us Brits say Aeroplane, or Airplane, in Do You Hear What I Hear.Then I share a Christmas memory, about when my daughter Robin first understood about Father Christmas.After the Joke, Bob returns with Where Are You Christmas? and this time Christmas is in Las Vegas.Check out Bob's podcast here: https://4fpodcast.buzzsprout.com/Then it's The Christmas Quiz and I scored 7, not my best, but let me know how you got on.Get in touch:Email: totalchristmas@gmail.comWeb: totalchristmaspodcast.comMerry Christmas!
What's up, dudes? Come live your fantasy in Beverly Hills.Come on and make your dreams come true. William Bruce West from Remember That Show? and West Week Ever and Chad Young from Horror Movie BBQ are with me to do that, and talk about the 1987 cartoon Beverly Hills Teens Christmas episode "Miracle at the Teen Club!"In this two-part episode from Dec. 17-18, 1987, Buck attempts to throw a big Christmas party. Unfortunately, Larke and Troy decide to go caroling and to give toys to needy children, making the party a bust. Only a few of the teens show up, and they all get snowed in at the Teen Club due a cheap snow machine. In order to pass the time, they tell Jillian and Chester their version of Dickens's "A Christmas Carol.” Of course, they cast themselves as the characters, with Buck as Scrooge. Radley, Switchboard, and Nikki are the Ghosts, and they show Buck the errors of being über-wealthy. In true Scrooge fashion, he donates a huge sum of money to the orphanage.Surfing ghosts? Check. Travel via landline? Got it. Bah, hummingbird? Bah, hummingbird?!?! So grab your checkbook, hop in your oversized limo, and carol along to this "Miracle at the Teen Club" episode of a Beverly Hills Teens Christmas! Horror Movie BBQFB: @HorrorMovieBBQTwitter: @HorrorMovieBBQIG: @horrormoviebbqGive us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!
This week, Alexa is joined by performer and vocal coach Conor O'Hara (fresh from the UK tour of Wicked) to explore 10 standout songs for male singers in the contemporary musical theatre space. From smart audition choices to vocal technique tips, Conor offers practical, performer-led insight that both singers and teachers will find invaluable. Whether you're building your rep book or guiding a student through their next audition, this episode is packed with gold. WHAT'S IN THIS PODCAST? 1:04 What is Conor's dream Musical Theatre role? 2:37 What was Conor's journey into Musical theatre? 5:44 What is a Musical Theatre audition like? 12:25 What's Conor's ‘go-to' song? 13:20 What song should you really take to an audition? 20:35 Conor's 10 song list About the presenter, click HERE RELEVANT MENTIONS & LINKS Emily Kristen Morris Singing Teachers Talk - Ep.200 The Secret to Powerful Belting and Seamless Mixing The Hangar Theatre Company GSA Mountview RSC Debbie O'Brien Artists mentioned: Jamie Muscato; Jeremy Jordon; Ben Platt; Aaron Tveit; Jack Wolfe; Brian Darcy James; Ben Joyce; Gavin Creel Danielle Tarento Singing Teachers Talk - Ep.212 10 Songs to Find Your Pop Style Singing Teachers Talk - Ep.205 10 Songs to Inspire Your Singing Lessons Royal Scotland Conservatoire Spotify Radio Jeanine Tesori ABOUT THE GUEST Conor trained at Mountview Dramatic Training, gaining a BA (Hons) in Performance (Musical Theatre). He led the UK premier tour of 'Bedknobs and Broomsticks' as Charlie Rawlins, was a swing in the Royal Shakespeare Company's 'A Christmas Carol' and has recently finished touring around the UK with the Musical 'Wicked'. Alongside a career as a performer, he is currently a singing teacher at Italia Conti. Based in North London, he offers private tuition in person and online for professionals looking to book their next job, students in or out of work aiming to better their technique, drama school auditionees, non-professionals and more. Conor believes strongly in finding the right repertoire to suit the goals of the performer, whether that's to forward the development of technique, to book the job or even just to keep the enjoyment of singing alive. E: cohara1998@gmail.com Instagram: @conorcoaches BAST Training helps singers gain the confidence, knowledge, skills & understanding required to be a successful singing teacher. "The course was everything I hoped it would be and so much more. It's an investment with so much return. I would recommend this course to any teacher wanting to up-skill, refresh or start up." Kelly Taylor, NZ ...morebasttraining.com | Subscribe | Email Us | FB Group
Muppets From Space was the 95th-highest grossing movie of 1999, opening in 4th place behind juggernauts American Pie, Wild Wild West, and The Phantom Menace. Directed by Tim Hill, the co-developer and longtime director of Spongebob Squarepants (which debuted 3 days later!) and written by longtime Muppet writer Jerry Juhl alongside Joey Mazzarino and Ken Kaufman, Muppets From Space was the third of the 1990s cinematic Muppet revival (following Christmas Carol and Treasure Island) Unlike the two other films released that year, Muppets From Space was an attempt to get back to basics - less music and more mayhem, and not an adaptation of a classic literary work. The results, however, fell flat, and the Muppets would not get another theatrical release for more than a decade. This week, John and Julia talk to author and Muppet fan Ethan Warren about what went wrong and what the future of the Muppets might be.
Dave and Alonso go vroom, go meta, and see a Christmas Carol adaptation that's not about Christmas. Subscribe (and review) at Apple Podcasts, follow us @linoleumcast on Bluesky, Instagram, and Facebook, only my love. Join our club, won't you? The Hollywood Reporter article about Elio. Pre-order the second edition of Have Yourself a Movie Little Christmas.
A special interview with author Cheryl Anne Kincaid on her book Hearing the Gospel through Charles Dickens's “A Christmas Carol”.==========================================
Hello you beautiful people!We start the show with a Christmas Not So Classic. The Pet Shop Boys were massive in the 80s and still going strong in the 90s. In 1995 they recorded a Christmas song just for their fanclub members. It's call It Doesn't Often Snow At Christmas, and it's okay I suppose. Have a listen here:https://www.youtube.com/watch?v=cBj8VehCeLEThen it's Where Are You Christmas? and Bob Baker tells us about a couple of places in Japan that celebrate Christmas all year long.Next up is The Christmas Quiz, make sure to email me with your score.Then Bob is back with Do Year Hear What I Hear and he's looking at what us Brits mean by the word 'Yonks'.Check out Bob's podcast here: https://4fpodcast.buzzsprout.com/This episode I don't have a version of A Christmas Carol, I'm looking at Mr Krueger's Christmas. An interesting short film from 1980 starring Jimmy Stewart.Watch it here: https://www.youtube.com/watch?v=oonebld1IoEThis episode's recommendation is my 2 daughters' podcast; I'm Not Complaining with Robin & Juno. They're just about to release their 200th episode so please send a message through so they can play it on their show.Listen to it here: anchor.fm/notcomplainingGet in touch:Email: totalchristmas@gmail.comWeb: totalchristmaspodcast.comMerry Christmas!
What's up, dudes? I've got Ken Kessler from Sounds of Christmas and Scott Leopold from Holly Jolly X'masu here to talk the wonky version of “A Christmas Carol!” Yes, it's “Scrooge's Rock 'N' Roll Christmas” starring Jack Elam and ‘60s/‘70s musical acts!Airing in 1984, the special shows Ebenezer Scrooge in his counting house. Enigmatically, a young girl goes through an unseen time slip à la the Real Ghostbusters and winds up in his place. Subsequently, she attempts to enliven his Christmas spirit with a magical snowglobe that grants wishes. Her wish: teach Scrooge about Three Dog Night.The rest of the show is the duo arguing about Christmas and rock and roll, and watching various bands and singers. Everyone from Merrilee Rush to Paul Revere & the Raiders show up and sing Christmas songs and carols. Mary MacGregor and Mike Love sing “Do You Hear What I Hear?” while the Association sings “Sleigh Ride.” The acts change Scrooge's tune, and all's well that ends well.Bobby Goldsboro? Got him. Mike Love? Much maligned, but he's there too. Bridget? …Bridget?!?! So hop on your sleigh. Shake your magic snowglobe and sing along to this episode on “Scrooge's Rock ‘N' Roll Christmas!”Sounds of ChristmasFB: @SOCMusicTwitter: @SOCMusicIG: @socmusicHolly Jolly X'masuFB: @HollyJollyXmasuTwitter: @HollyJollyXmasuIG: @hollyjollyxmasuGive us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!
Who's your favorite movie dad—and is he actually a good dad? This week, we celebrate Father's Day by debating the Mount Rushmore of movie dads. Is Marlin from Finding Nemo top-tier? What about Goofy? Or…Sean Connery in Indiana Jones?Plus, Josh reviews Dangerous Waters, a Jaws-meets-serial-killer thriller from Shudder. Garrett watched Mickey 17, Bong Joon-ho's latest sci-fi mind-bender. And we all have mixed feelings about Captain America: Brave New World—where's the heart, Marvel?THEN: Robert Eggers is directing a dark new Christmas Carol, and Spaceballs 2 is happening. Don't miss this jam-packed news update!
My fellow pro-growth/progress/abundance Up Wingers,Once-science-fiction advancements like AI, gene editing, and advanced biotechnology have finally arrived, and they're here to stay. These technologies have seemingly set us on a course towards a brand new future for humanity, one we can hardly even picture today. But progress doesn't happen overnight, and it isn't the result of any one breakthrough.As Jamie Metzl explains in his new book, Superconvergence: How the Genetics, Biotech, and AI Revolutions will Transform our Lives, Work, and World, tech innovations work alongside and because of one another, bringing about the future right under our noses.Today on Faster, Please! — The Podcast, I chat with Metzl about how humans have been radically reshaping the world around them since their very beginning, and what the latest and most disruptive technologies mean for the not-too-distant future.Metzl is a senior fellow of the Atlantic Council and a faculty member of NextMed Health. He has previously held a series of positions in the US government, and was appointed to the World Health Organization's advisory committee on human genome editing in 2019. He is the author of several books, including two sci-fi thrillers and his international bestseller, Hacking Darwin.In This Episode* Unstoppable and unpredictable (1:54)* Normalizing the extraordinary (9:46)* Engineering intelligence (13:53)* Distrust of disruption (19:44)* Risk tolerance (24:08)* What is a “newnimal”? (13:11)* Inspired by curiosity (33:42)Below is a lightly edited transcript of our conversation. Unstoppable and unpredictable (1:54)The name of the game for all of this . . . is to ask “What are the things that we can do to increase the odds of a more positive story and decrease the odds of a more negative story?”Pethokoukis: Are you telling a story of unstoppable technological momentum or are you telling a story kind of like A Christmas Carol, of a future that could be if we do X, Y, and Z, but no guarantees?Metzl: The future of technological progress is like the past: It is unstoppable, but that doesn't mean it's predetermined. The path that we have gone over the last 12,000 years, from the domestication of crops to building our civilizations, languages, industrialization — it's a bad metaphor now, but — this train is accelerating. It's moving faster and faster, so that's not up for grabs. It is not up for grabs whether we are going to have the capacities to engineer novel intelligence and re-engineer life — we are doing both of those things now in the early days.What is up for grabs is how these revolutions will play out, and there are better and worse scenarios that we can imagine. The name of the game for all of this, the reason why I do the work that I do, why I write the books that I write, is to ask “What are the things that we can do to increase the odds of a more positive story and decrease the odds of a more negative story?”Progress has been sort of unstoppable for all that time, though, of course, fits and starts and periods of stagnation —— But when you look back at those fits and starts — the size of the Black Plague or World War II, or wiping out Berlin, and Dresden, and Tokyo, and Hiroshima, and Nagasaki — in spite of all of those things, it's one-directional. Our technologies have gotten more powerful. We've developed more capacities, greater ability to manipulate the world around us, so there will be fits and starts but, as I said, this train is moving. That's why these conversations are so important, because there's so much that we can, and I believe must, do now.There's a widely held opinion that progress over the past 50 years has been slower than people might have expected in the late 1960s, but we seem to have some technologies now for which the momentum seems pretty unstoppable.Of course, a lot of people thought, after ChatGPT came out, that superintelligence would happen within six months. That didn't happen. After CRISPR arrived, I'm sure there were lots of people who expected miracle cures right away.What makes you think that these technologies will look a lot different, and our world will look a lot different than they do right now by decade's end?They certainly will look a lot different, but there's also a lot of hype around these technologies. You use the word “superintelligence,” which is probably a good word. I don't like the words “artificial intelligence,” and I have a six-letter framing for what I believe about AGI — artificial general intelligence — and that is: AGI is BS. We have no idea what human intelligence is, if we define our own intelligence so narrowly that it's just this very narrow form of thinking and then we say, “Wow, we have these machines that are mining the entirety of digitized human cultural history, and wow, they're so brilliant, they can write poems — poems in languages that our ancestors have invented based on the work of humans.” So we humans need to be very careful not to belittle ourselves.But we're already seeing, across the board, if you say, “Is CRISPR on its own going to fundamentally transform all of life?” The answer to that is absolutely no. My last book was about genetic engineering. If genetic engineering is a pie, genome editing is a slice and CRISPR is just a tiny little sliver of that slice. But the reason why my new book is called Superconvergence, the entire thesis is that all of these technologies inspire, and influence, and are embedded in each other. We had the agricultural revolution 12,000 years ago, as I mentioned. That's what led to these other innovations like civilization, like writing, and then the ancient writing codes are the foundation of computer codes which underpin our machine learning and AI systems that are allowing us to unlock secrets of the natural world.People are imagining that AI equals ChatGPT, but that's really not the case (AI equals ChatGPT like electricity equals the power station). The story of AI is empowering us to do all of these other things. As a general-purpose technology, already AI is developing the capacity to help us just do basic things faster. Computer coding is the archetypal example of that. Over the last couple of years, the speed of coding has improved by about 50 percent for the most advanced human coders, and as we code, our coding algorithms are learning about the process of coding. We're just laying a foundation for all of these other things.That's what I call “boring AI.” People are imagining exciting AI, like there's a magic AI button and you just press it and AI cures cancer. That's not how it's going to work. Boring AI is going to be embedded in human resource management. It's going to be embedded just giving us a lot of capabilities to do things better, faster than we've done them before. It doesn't mean that AIs are going to replace us. There are a lot of things that humans do that machines can just do better than we are. That's why most of us aren't doing hunting, or gathering, or farming, because we developed machines and other technologies to feed us with much less human labor input, and we have used that reallocation of our time and energy to write books and invent other things. That's going to happen here.The name of the game for us humans, there's two things: One is figuring out what does it mean to be a great human and over-index on that, and two, lay the foundation so that these multiple overlapping revolutions, as they play out in multiple fields, can be governed wisely. That is the name of the game. So when people say, “Is it going to change our lives?” I think people are thinking of it in the wrong way. This shirt that I'm wearing, this same shirt five years from now, you'll say, “Well, is there AI in your shirt?” — because it doesn't look like AI — and what I'm going to say is “Yes, in the manufacturing of this thread, in the management of the supply chain, in figuring out who gets to go on vacation, when, in the company that's making these buttons.” It's all these little things. People will just call it progress. People are imagining magic AI, all of these interwoven technologies will just feel like accelerating progress, and that will just feel like life.Normalizing the extraordinary (9:46)20, 30 years ago we didn't have the internet. I think things get so normalized that this just feels like life.What you're describing is a technology that economists would call a general-purpose technology. It's a technology embedded in everything, it's everywhere in the economy, much as electricity.What you call “boring AI,” the way I think about it is: I was just reading a Wall Street Journal story about Applebee's talking about using AI for more efficient customer loyalty programs, and they would use machine vision to look at their tables to see if they were cleaned well enough between customers. That, to people, probably doesn't seem particularly science-fictional. It doesn't seem world-changing. Of course, faster growth and a more productive economy is built on those little things, but I guess I would still call those “boring AI.”What to me definitely is not boring AI is the sort of combinatorial aspect that you're talking about where you're talking about AI helping the scientific discovery process and then interweaving with other technologies in kind of the classic Paul Romer combinatorial way.I think a lot of people, if they look back at their lives 20 or 30 years ago, they would say, “Okay, more screen time, but probably pretty much the same.”I don't think they would say that. 20, 30 years ago we didn't have the internet. I think things get so normalized that this just feels like life. If you had told ourselves 30 years ago, “You're going to have access to all the world's knowledge in your pocket.” You and I are — based on appearances, although you look so youthful — roughly the same age, so you probably remember, “Hurry, it's long distance! Run down the stairs!”We live in this radical science-fiction world that has been normalized, and even the things that you are mentioning, if you see open up your newsfeed and you see that there's this been incredible innovation in cancer care, and whether it's gene therapy, or autoimmune stuff, or whatever, you're not thinking, “Oh, that was AI that did that,” because you read the thing and it's like “These researchers at University of X,” but it is AI, it is electricity, it is agriculture. It's because our ancestors learned how to plant seeds and grow plants where you're stationed and not have to do hunting and gathering that you have had this innovation that is keeping your grandmother alive for another 10 years.What you're describing is what I call “magical AI,” and that's not how it works. Some of the stuff is magical: the Jetsons stuff, and self-driving cars, these things that are just autopilot airplanes, we live in a world of magical science fiction and then whenever something shows up, we think, “Oh yeah, no big deal.” We had ChatGPT, now ChatGPT, no big deal?If you had taken your grandparents, your parents, and just said, “Hey, I'm going to put you behind a screen. You're going to have a conversation with something, with a voice, and you're going to do it for five hours,” and let's say they'd never heard of computers and it was all this pleasant voice. In the end they said, “You just had a five-hour conversation with a non-human, and it told you about everything and all of human history, and it wrote poems, and it gave you a recipe for kale mush or whatever you're eating,” you'd say, “Wow!” I think that we are living in that sci-fi world. It's going to get faster, but every innovation, we're not going to say, “Oh, AI did that.” We're just going to say, “Oh, that happened.”Engineering intelligence (13:53)I don't like the word “artificial intelligence” because artificial intelligence means “artificial human intelligence.” This is machine intelligence, which is inspired by the products of human intelligence, but it's a different form of intelligence . . .I sometimes feel in my own writing, and as I peruse the media, like I read a lot more about AI, the digital economy, information technology, and I feel like I certainly write much less about genetic engineering, biotechnology, which obviously is a key theme in your book. What am I missing right now that's happening that may seem normal five years from now, 10 years, but if I were to read about it now or understand it now, I'd think, “Well, that is kind of amazing.”My answer to that is kind of everything. As I said before, we are at the very beginning of this new era of life on earth where one species, among the billions that have ever lived, suddenly has the increasing ability to engineer novel intelligence and re-engineer life.We have evolved by the Darwinian processes of random mutation and natural selection, and we are beginning a new phase of life, a new Cambrian Revolution, where we are creating, certainly with this novel intelligence that we are birthing — I don't like the word “artificial intelligence” because artificial intelligence means “artificial human intelligence.” This is machine intelligence, which is inspired by the products of human intelligence, but it's a different form of intelligence, just like dolphin intelligence is a different form of intelligence than human intelligence, although we are related because of our common mammalian route. That's what's happening here, and our brain function is roughly the same as it's been, certainly at least for tens of thousands of years, but the AI machine intelligence is getting smarter, and we're just experiencing it.It's become so normalized that you can even ask that question. We live in a world where we have these AI systems that are just doing more and cooler stuff every day: driving cars, you talked about discoveries, we have self-driving laboratories that are increasingly autonomous. We have machines that are increasingly writing their own code. We live in a world where machine intelligence has been boxed in these kinds of places like computers, but very soon it's coming out into the world. The AI revolution, and machine-learning revolution, and the robotics revolution are going to be intersecting relatively soon in meaningful ways.AI has advanced more quickly than robotics because it hasn't had to navigate the real world like we have. That's why I'm always so mindful of not denigrating who we are and what we stand for. Four billion years of evolution is a long time. We've learned a lot along the way, so it's going to be hard to put the AI and have it out functioning in the world, interacting in this world that we have largely, but not exclusively, created.But that's all what's coming. Some specific things: 30 years from now, my guess is many people who are listening to this podcast will be fornicating regularly with robots, and it'll be totally normal and comfortable.. . . I think some people are going to be put off by that.Yeah, some people will be put off and some people will be turned on. All I'm saying is it's going to be a mix of different —Jamie, what I would like to do is be 90 years old and be able to still take long walks, be sharp, not have my knee screaming at me. That's what I would like. Can I expect that?I think this can help, but you have to decide how to behave with your personalized robot.That's what I want. I'm looking for the achievement of human suffering. Will there be a world of less human suffering?We live in that world of less human suffering! If you just look at any metric of anything, this is the best time to be alive, and it's getting better and better. . . We're living longer, we're living healthier, we're better educated, we're more informed, we have access to more and better food. This is by far the best time to be alive, and if we don't massively screw it up, and frankly, even if we do, to a certain extent, it'll continue to get better.I write about this in Superconvergence, we're moving in healthcare from our world of generalized healthcare based on population averages to precision healthcare, to predictive and preventive. In education, some of us, like myself, you have had access to great education, but not everybody has that. We're going to have access to fantastic education, personalized education everywhere for students based on their own styles of learning, and capacities, and native languages. This is a wonderful, exciting time.We're going to get all of those things that we can hope for and we're going to get a lot of things that we can't even imagine. And there are going to be very real potential dangers, and if we want to have the good story, as I keep saying, and not have the bad story, now is the time where we need to start making the real investments.Distrust of disruption (19:44)Your job is the disruption of this thing that's come before. . . stopping the advance of progress is just not one of our options.I think some people would, when they hear about all these changes, they'd think what you're telling them is “the bad story.”I just talked about fornicating with robots, it's the bad story?Yeah, some people might find that bad story. But listen, we live at an age where people have recoiled against the disruption of trade, for instance. People are very allergic to the idea of economic disruption. I think about all the debate we had over stem cell therapy back in the early 2000s, 2002. There certainly is going to be a certain contingent that, what they're going to hear what you're saying is: you're going to change what it means to be a human. You're going to change what it means to have a job. I don't know if I want all this. I'm not asking for all this.And we've seen where that pushback has greatly changed, for instance, how we trade with other nations. Are you concerned that that pushback could create regulatory or legislative obstacles to the kind of future you're talking about?All of those things, and some of that pushback, frankly, is healthy. These are fundamental changes, but those people who are pushing back are benchmarking their own lives to the world that they were born into and, in most cases, without recognizing how radical those lives already are, if the people you're talking about are hunter-gatherers in some remote place who've not gone through domestication of agriculture, and industrialization, and all of these kinds of things, that's like, wow, you're going from being this little hunter-gatherer tribe in the middle of Atlantis and all of a sudden you're going to be in a world of gene therapy and shifting trading patterns.But the people who are saying, “Well, my job as a computer programmer, as a whatever, is going to get disrupted,” your job is the disruption. Your job is the disruption of this thing that's come before. As I said at the start of our conversation, stopping the advance of progress is just not one of our options.We could do it, and societies have done it before, and they've lost their economies, they've lost their vitality. Just go to Europe, Europe is having this crisis now because for decades they saw their economy and their society, frankly, as a museum to the past where they didn't want to change, they didn't want to think about the implications of new technologies and new trends. It's why I am just back from Italy. It's wonderful, I love visiting these little farms where they're milking the goats like they've done for centuries and making cheese they've made for centuries, but their economies are shrinking with incredible rapidity where ours and the Chinese are growing.Everybody wants to hold onto the thing that they know. It's a very natural thing, and I'm not saying we should disregard those views, but the societies that have clung too tightly to the way things were tend to lose their vitality and, ultimately, their freedom. That's what you see in the war with Russia and Ukraine. Let's just say there are people in Ukraine who said, “Let's not embrace new disruptive technologies.” Their country would disappear.We live in a competitive world where you can opt out like Europe opted out solely because they lived under the US security umbrella. And now that President Trump is threatening the withdrawal of that security umbrella, Europe is being forced to race not into the future, but to race into the present.Risk tolerance (24:08). . . experts, scientists, even governments don't have any more authority to make these decisions about the future of our species than everybody else.I certainly understand that sort of analogy, and compared to Europe, we look like a far more risk-embracing kind of society. Yet I wonder how resilient that attitude — because obviously I would've said the same thing maybe in 1968 about the United States, and yet a decade later we stopped building nuclear reactors — I wonder how resilient we are to anything going wrong, like something going on with an AI system where somebody dies. Or something that looks like a cure that kills someone. Or even, there seems to be this nuclear power revival, how resilient would that be to any kind of accident? How resilient do you think are we right now to the inevitable bumps along the way?It depends on who you mean by “we.” Let's just say “we” means America because a lot of these dawns aren't the first ones. You talked about gene therapy. This is the second dawn of gene therapy. The first dawn came crashing into a halt in 1999 when a young man at the University of Pennsylvania died as a result of an error carried out by the treating physicians using what had seemed like a revolutionary gene therapy. It's the second dawn of AI after there was a lot of disappointment. There will be accidents . . .Let's just say, hypothetically, there's an accident . . . some kind of self-driving car is going to kill somebody or whatever. And let's say there's a political movement, the Luddites that is successful, and let's just say that every self-driving car in America is attacked and destroyed by mobs and that all of the companies that are making these cars are no longer able to produce or deploy those cars. That's going to be bad for self-driving cars in America — it's not going to be bad for self-driving cars. . . They're going to be developed in some other place. There are lots of societies that have lost their vitality. That's the story of every empire that we read about in history books: there was political corruption, sclerosis. That's very much an option.I'm a patriotic American and I hope America leads these revolutions as long as we can maintain our values for many, many centuries to come, but for that to happen, we need to invest in that. Part of that is investing now so that people don't feel that they are powerless victims of these trends they have no influence over.That's why all of my work is about engaging people in the conversation about how do we deploy these technologies? Because experts, scientists, even governments don't have any more authority to make these decisions about the future of our species than everybody else. What we need to do is have broad, inclusive conversations, engage people in all kinds of processes, including governance and political processes. That's why I write the books that I do. That's why I do podcast interviews like this. My Joe Rogan interviews have reached many tens of millions of people — I know you told me before that you're much bigger than Joe Rogan, so I imagine this interview will reach more than that.I'm quite aspirational.Yeah, but that's the name of the game. With my last book tour, in the same week I spoke to the top scientists at Lawrence Livermore National Laboratory and the seventh and eighth graders at the Solomon Schechter Hebrew Academy of New Jersey, and they asked essentially the exact same questions about the future of human genetic engineering. These are basic human questions that everybody can understand and everybody can and should play a role and have a voice in determining the big decisions and the future of our species.To what extent is the future you're talking about dependent on continued AI advances? If this is as good as it gets, does that change the outlook at all?One, there's no conceivable way that this is as good as it gets because even if the LLMs, large language models — it's not the last word on algorithms, there will be many other philosophies of algorithms, but let's just say that LLMs are the end of the road, that we've just figured out this one thing, and that's all we ever have. Just using the technologies that we have in more creative ways is going to unleash incredible progress. But it's certain that we will continue to have innovations across the field of computer science, in energy production, in algorithm development, in the ways that we have to generate and analyze massive data pools. So we don't need any more to have the revolution that's already started, but we will have more.Politics always, ultimately, can trump everything if we get it wrong. But even then, even if . . . let's just say that the United States becomes an authoritarian, totalitarian hellhole. One, there will be technological innovation like we're seeing now even in China, and two, these are decentralized technologies, so free people elsewhere — maybe it'll be Europe, maybe it'll be Africa or whatever — will deploy these technologies and use them. These are agnostic technologies. They don't have, as I said at the start, an inevitable outcome, and that's why the name of the game for us is to weave our best values into this journey.What is a “newnimal”? (30:11). . . we don't live in a state of nature, we live in a world that has been massively bio-engineered by our ancestors, and that's just the thing that we call life.When I was preparing for this interview and my research assistant was preparing, I said, “We have to have a question about bio-engineered new animals.” One, because I couldn't pronounce your name for these . . . newminals? So pronounce that name and tell me why we want these.It's a made up word, so you can pronounce it however you want. “Newnimals” is as good as anything.We already live in a world of bio-engineered animals. Go back 50,000 years, find me a dog, find me a corn that is recognizable, find me rice, find me wheat, find me a cow that looks remotely like the cow in your local dairy. We already live in that world, it's just people assume that our bioengineered world is some kind of state of nature. We already live in a world where the size of a broiler chicken has tripled over the last 70 years. What we have would have been unrecognizable to our grandparents.We are already genetically modifying animals through breeding, and now we're at the beginning of wanting to have whatever those same modifications are, whether it's producing more milk, producing more meat, living in hotter environments and not dying, or whatever it is that we're aiming for in these animals that we have for a very long time seen not as ends in themselves, but means to the alternate end of our consumption.We're now in the early stages xenotransplantation, modifying the hearts, and livers, and kidneys of pigs so they can be used for human transplantation. I met one of the women who has received — and seems to so far to be thriving — a genetically modified pig kidney. We have 110,000 people in the United States on the waiting list for transplant organs. I really want these people not just to survive, but to survive and thrive. That's another area we can grow.Right now . . . in the world, we slaughter about 93 billion land animals per year. We consume 200 million metric tons of fish. That's a lot of murder, that's a lot of risk of disease. It's a lot of deforestation and destruction of the oceans. We can already do this, but if and when we can grow bioidentical animal products at scale without having all of these negative externalities of whether it's climate change, environmental change, cruelty, deforestation, increased pandemic risk, what a wonderful thing to do!So we have these technologies and you mentioned that people are worried about them, but the reason people are worried about them is they're imagining that right now we live in some kind of unfettered state of nature and we're going to ruin it. But that's why I say we don't live in a state of nature, we live in a world that has been massively bio-engineered by our ancestors, and that's just the thing that we call life.Inspired by curiosity (33:42). . . the people who I love and most admire are the people who are just insatiably curious . . .What sort of forward thinkers, or futurists, or strategic thinkers of the past do you model yourself on, do you think are still worth reading, inspired you?Oh my God, so many, and the people who I love and most admire are the people who are just insatiably curious, who are saying, “I'm going to just look at the world, I'm going to collect data, and I know that everybody says X, but it may be true, it may not be true.” That is the entire history of science. That's Galileo, that's Charles Darwin, who just went around and said, “Hey, with an open mind, how am I going to look at the world and come up with theses?” And then he thought, “Oh s**t, this story that I'm coming up with for how life advances is fundamentally different from what everybody in my society believes and organizes their lives around.” Meaning, in my mind, that's the model, and there are so many people, and that's the great thing about being human.That's what's so exciting about this moment is that everybody has access to these super-empowered tools. We have eight billion humans, but about two billion of those people are just kind of locked out because of crappy education, and poor water sanitation, electricity. We're on the verge of having everybody who has a smartphone has the possibility of getting a world-class personalized education in their own language. How many new innovations will we have when little kids who were in slums in India, or in Pakistan, or in Nairobi, or wherever who have promise can educate themselves, and grow up and cure cancers, or invent new machines, or new algorithms. This is pretty exciting.The summary of the people from the past, they're kind of like the people in the present that I admire the most, are the people who are just insatiably curious and just learning, and now we have a real opportunity so that everybody can be their own Darwin.On sale everywhere The Conservative Futurist: How To Create the Sci-Fi World We Were PromisedMicro Reads▶ Economics* AI Hype Is Proving to Be a Solow's Paradox - Bberg Opinion* Trump Considers Naming Next Fed Chair Early in Bid to Undermine Powell - WSJ* Who Needs the G7? - PS* Advances in AI will boost productivity, living standards over time - Dallas Fed* Industrial Policy via Venture Capital - SSRN* Economic Sentiment and the Role of the Labor Market - St. Louis Fed▶ Business* AI valuations are verging on the unhinged - Economist* Nvidia shares hit record high on renewed AI optimism - FT* OpenAI, Microsoft Rift Hinges on How Smart AI Can Get - WSJ* Takeaways From Hard Fork's Interview With OpenAI's Sam Altman - NYT* Thatcher's legacy endures in Labour's industrial strategy - FT* Reddit vows to stay human to emerge a winner from artificial intelligence - FT▶ Policy/Politics* Anthropic destroyed millions of print books to build its AI models - Ars* Don't Let Silicon Valley Move Fast and Break Children's Minds - NYT Opinion* Is DOGE doomed to fail? Some experts are ready to call it. - Ars* The US is failing its green tech ‘Sputnik moment' - FT▶ AI/Digital* Future of Work with AI Agents: Auditing Automation and Augmentation Potential across the U.S. Workforce - Arxiv* Is the Fed Ready for an AI Economy? - WSJ Opinion* How Much Energy Does Your AI Prompt Use? I Went to a Data Center to Find Out. - WSJ* Meta Poaches Three OpenAI Researchers - WSJ* AI Agents Are Getting Better at Writing Code—and Hacking It as Well - Wired* Exploring the Capabilities of the Frontier Large Language Models for Nuclear Energy Research - Arxiv▶ Biotech/Health* Google's new AI will help researchers understand how our genes work - MIT* Does using ChatGPT change your brain activity? Study sparks debate - Nature* We cure cancer with genetic engineering but ban it on the farm. - ImmunoLogic* ChatGPT and OCD are a dangerous combo - Vox▶ Clean Energy/Climate* Is It Too Soon for Ocean-Based Carbon Credits? - Heatmap* The AI Boom Can Give Rooftop Solar a New Pitch - Bberg Opinion▶ Robotics/Drones/AVs* Tesla's Robotaxi Launch Shows Google's Waymo Is Worth More Than $45 Billion - WSJ* OpenExo: An open-source modular exoskeleton to augment human function - Science Robotics▶ Space/Transportation* Bezos and Blue Origin Try to Capitalize on Trump-Musk Split - WSJ* Giant asteroid could crash into moon in 2032, firing debris towards Earth - The Guardian▶ Up Wing/Down Wing* New Yorkers Vote to Make Their Housing Shortage Worse - WSJ* We Need More Millionaires and Billionaires in Latin America - Bberg Opinion▶ Substacks/Newsletters* Student visas are a critical pipeline for high-skilled, highly-paid talent - AgglomerationsState Power Without State Capacity - Breakthrough JournalFaster, Please! is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit fasterplease.substack.com/subscribe
With Steve out this week, Sean summoned three of our oldest friends. Bruce Christopher (aka Portia Davis), Brandon Coulter (aka Ghus), and Cameron Gawne (resident zookeeper and horror nerd) for a boozy séance and horror hangout.They kick things off with some horror news, covering the upcoming Alien: Earth series, Robert Eggers' now confirmed to take on A Christmas Carol, and A24's terrifying Backrooms adaptation.Then things get paranormal (and kind of unhinged) as they summon the souls of the dead via a spirit board game (a horror movie themed 20 Questions where each of them channels the ghost of a slain horror movie victim, and the others try to guess who died horribly. Spoiler..they get progressively drunker and worse at it.)So come for the news, stay for the chaos. Light a candle, pour a drink, and join the séance!!!Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorBruce Christopher: @brucechristopher, Portia Davis on Music PlatformsBrandon Coulter: @bscoulter_, @Ghus_Music, Ghus on Music PlatformsCameron Gawne: @CollectivecammySean: @hypocrite.ink on IG/TikTok, @hypocriteink on Twitter/XEnjoy this episode? Don't forget to subscribe, rate and leave a review on your favorite podcast platform! For early Access and ad-free episodes, subscribe on Wondery+.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Hello you beautiful people!We start the show with Christmas All Over The World and we take a look at the Yorkshire tradition of The Old Hoss. A bunch of people go round the pubs and one of them is dressed as a horse and they sing a poem... and I'm not making it up.Next up Bob Baker has a look at what us Brits call 'taps' and those Yanks call 'faucets' in Do You Hear What I Hear.After the joke it's this episodes version of A Christmas Carol. It's called Ebbie and it's a modern day (90s) take with a female Scrooge. It's actually alright. You can watch it here: https://www.youtube.com/watch?v=hTRm5gX6CXsThen Bob is back with Where Are You Christmas? and he looks at some places here in the UK that (to my shame) I wasn't aware of.Check out Bob's podcast here: https://4fpodcast.buzzsprout.com/Then it's The Quiz. I scored 8, make sure to email me with your score.This episode's recommendation is It's A Fair Cop with Alfie Moore. It's my latest favourite thing.Here's a link: https://www.bbc.co.uk/sounds/brand/b060fj66Get in touch:Email: totalchristmas@gmail.comWeb: totalchristmaspodcast.comMerry Christmas!
Austin and Stephen are discussing tons of New Trailers Movie Announcements and more! Don't forget to follow us on socials; you can find us everywhere via our link - https://lnk.bio/rXxW - Also, www.movigapodcast.comTime codes:1:00 - Top 322:00 - Main Discussion 1:05:00 - Community Discussion/Wrap-Up
GET YOUR MULTIVERSE NEWS MERCH HERE:https://multiverse-news-shop.fourthwall.com/In a peek behind the curtain, James Gunn shared with Rolling Stone this week that the Milly Alcock-lead film Supergirl: Woman of Tomorrow will now just be called Supergirl. This is similar to July's Superman, which started out with the title Superman: Legacy. Gunn shared that he and his team do what he calls “premortems,” where they attempt to suss out issues with projects prior to release rather than reacting on the back end. The shortening of titles has come out of those discussions. In the same article, Gunn got candid about the state of Batman in the DCU and the complexities of navigating the character with Matt Reeves' adaptation in consideration or making it his own. Lastly, Gunn announced today that actor Tom Rhys Harries will play Basil Karlo/Clayface in the film set to be released in September 2026.Live action remakes continue to rule at the box office, with this weekend's How to Train Your Dragon capturing the top spot opening to a global $197 million. A24's romantic comedy Materialists starring Dakota Johnson, Chris Evans, and Pedro Pascal, opened to a modest $11 million domestically, but goes down in studio history as A24's third highest debut at the box office. Next weekend Sony gives us 28 Years Later and Pixar releases Elio.Nosferatu director Robert Eggers is tackling the classic Charles Dickens story, A Christmas Carol. Eggers is on record as never wanting to make a film set in a modern age, and the ghost story that is A Christmas Carol seems right up his alley. Though unconfirmed, Willem Dafoe is likely set to play the main character of Ebenezer Scrooge as Dafoe has been in three of Eggers films.Tommy Wirkola will return to direct Violent Night 2, the sequel to the Christmas-themed action movie released in 2022, sources tell The Hollywood Reporter. David Harbour, who starred in the first film, will also return. The sequel is currently dated for December 4, 2026.Bill Pullman and Rick Moranis are set to reprise their respective roles as Lone Starr and Dark Helmet in the new Spaceballs movie from Amazon MGM Studios, with Keke Palmer and Lewis Pullman also joining the cast. The original film's director and star, Mel Brooks - who will turn 99 this month - will also feature in the cast once again, reprising his role as Yogurt. The film is currently set to release in 2027.On the animation side of DC Studios, Warner Bros. announced a new series called Mister Miracle, based on the comic series written by renowned writer Tom King who will also be the showrunner. Mister Miracle is an escape artist character who is a celebrity in the comic book world he lives in.Paramount+ has renewed Star Trek: Strange New Worlds the series for a fifth and final six-episode season. Production on the upcoming season will begin later this year.Pixar Animation Studios offered an exclusive first look at its upcoming features — including Hoppers and Toy Story 5 — and announced a brand-new original production, Gatto, during a studio presentation on Friday at the Annecy international animation film festival as part of a broader showcase that also included extensive footage from Pixar's 2025 release Elio.Gatto will be directed by Luca filmmaker Enrico Casarosa, follows Nero, a water-hating black cat living in the picturesque city of Venice, Italy, who befriends Maya, a lonely street musician.Glenn Close and Billy Porter have joined the cast of Hunger Games: Sunrise on the Reaping. Close will play Drusilla Sickle, the cruel escort to the District 12 Tributes, while Porter snagged the role of Magno Stift, her estranged husband and the Tributes' uninspired designer. Today, Jhaleil Swaby was also added to the cast as Panache, a career tribute from District 1.
Check out our review of A24's Materialists,' Celine Song's follow-up to ‘Past Lives'. Beforehand, we'll discuss the week's top entertainment news, including our reactions to trailers for ‘The Naked Gun' reboot and Ari Aster's ‘Eddington'; 'Spaceballs' is getting a sequel; Robert Eggers is tackling ‘A Christmas Carol' with Willem Dafoe; and more! Enjoy!TIMECODES… Intro (0:00)The Toms: Entertainment News (1:20)‘Materialists' Review (31:20)*SPOILERS* for ‘Materialists' (41:13)What Are Ya Doin'? (1:03:21)SOCIAL MEDIA LINKS...Email: tomppodcast@gmail.comYouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlwFacebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/Twitter: https://twitter.com/TOMPPodcastPatreon: https://www.patreon.com/tomppodcastINTRO MUSIC... "Constellation" by Brian Hanegan
Spaceballs 2, Mister Miracle show, Wonder Woman movie, Strange New Worlds ends after season 5, The Last of Us season 3 news, Heist Safari animated show, Fast & Furious ride at Universal, Doctor Who cartoon, Robert Eggers doing A Christmas Carol, Disney/Universal AI Lawsuit, and MORE!
MUSICRIP: Brian Wilson, founder and creative genius of The Beach Boys and a longtime solo artist, has died at age 82. One of two "irreplaceable" instruments stolen before Heart's May 30th show at Atlantic City's Hard Rock Hotel and Casino has been recovered. Nirvana's video for "Smells Like Teen Spirit" has surpassed two billion views on YouTube. Uploaded to the video platform in June 2009, it hit a billion views in 2019. TVRIP: Ananda Lewis, the iconic MTV VJ died on Wednesday after a lengthy breast cancer battle at the age of 52.Netflix has an animated "Stranger Things" spin-off in the works, and they dropped some details yesterday. MOVING ON INTO MOVIE NEWS:Robert Eggers will direct a new version of "A Christmas Carol". DC Studios co-chief James Gunn has confirmed that he's working on a new 'Wonder Woman' movie. Miley Cyrus has revealed that she lost a lot during her "wild" years when she was trying to make a clean break from her "Hannah Montana" era. NOne of the things she lost was the lead role in the animated kids' movie "Hotel Transylvania". And what caused her to lose it was the PENIS CAKE she got for her then-boyfriend Liam Hemsworth.AND FINALLYIf you're afraid to press your luck this upcoming Friday the 13th, the film experts at 'Bloody Disgusting' recommend staying home and streaming these horror filmsFollow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows http://www.1057thepoint.com/RizzSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The gang is all here as we talk about Barry's Steamer: Squirrel with a Gun, Alice isn't Dead, Welcome to Night Vale, Penn and Teller, The Empire Strips Back, Zombicide, Skyjoe, Dogma, Outlander, Miss Austen, Finders Keepers, Once Upon a Time in Hollywood, The Strangers series, Popcorn Buckets, Neverwinter Nights, Baldur's Gate 3, Vampire the Masquerade, Nintendo Power Pad, Wonder Woman in Development, Giant Skull's DnD, a new Twilight Zone movie, Evil Dead in Concert, Switch 2 breaks records, and Eggers' Christmas Carol. Embrace the chaos, it's time for a GeekShock!
The artist behind a new illustrated version of "A Christmas Carol," titled Scrooge is on the show the week to talk about the project, funding now on Zoop! We also discuss returning to old ideas, working with Todd McFarlane on Spawn, drawing for role playing games, and a lot more!We make our show on Zencastr, and you can too! Follow this link to sign up now!