Podcasts about mahler

Thence the universe resounds
 With a joyful cry  I AM. These are the final lines of Alexander Scriabin's epic Poem of Ecstasy, a 300-line poem that takes nearly 10 minutes to read aloud and is one of the most surreal texts in the world. Scriabin wrote a Poem of Ecstasy in text and a Poem of Ecstasy in music simultaneously. Both are absolutely wild, with the musical Poem of Ecstasy being a 20-minute thrill ride that alternates between languid, sinewy, seductive music and some of the loudest, most over-the-top, and dramatic music that could possibly exist. I've always been fascinated by Scriabin, and so this week's episode is an opportunity to talk about his wild (I'm going to be using that word a lot today) life and the eclectic philosophy behind Scriabin's works, as well as to take you through this masterpiece of musical sensuality. Scriabin not only doesn't shy away from sensual aspects in music but instead fully embraces them; in fact, the original title for this piece was Orgiastic Poem! Thankfully, since the piece probably would have never been performed with that title, Scriabin changed the name to Poem of Ecstasy, and the piece has stayed in the repertoire of most big orchestras ever since. And big is the key word here, because this piece is written for an absolutely massive orchestra. Like a Mahler symphony, the Poem of Ecstasy is an event whenever it is performed, simply from seeing the sheer size of the orchestra on stage when you see this piece live in concert. It is truly an overwhelming experience to listen to this piece, and I can't wait to share it with you this week. Join us!

Andrés Amorós continúa el ciclo dedicado a las sinfonías de Gustav Mahler, en esta ocasión con la Sinfonía nº 9.

durée : 01:58:39 - par : Christian Merlin - Deuxième volet de notre vaste histoire de l'Orchestre Philharmonique de Vienne, pour évoquer l'après- Mahler et l'après-Première guerre mondiale. Où l'on croisera les figures de Richard Strauss, Clemens Krauss et Furtwängler, sans oublier la fondation du Festival de Salzbourg. - équipe : Marie Grout, Soizic Noël Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Mary Beth Orr is a wonderful award-winning horn player and folk vocal artist. Throughout this moving episode you'll be hearing short excerpts from her album “The Singing Horn” which celebrates traditional Appalachian songs with Mahler and contemporary works composed for Mary Beth through Vox Novus' Fifteen Minutes of Fame Project. Mary Beth is currently 3rd Horn of the Grand Rapids Symphony, and she shares the best advice I've heard about succeeding at orchestral auditions. Mary Beth also experienced a serious accident that threatened her life and then her ability to play the horn and she shares many other difficult personal challenges. I was so moved to hear her story and wisdom and I encourage you to come back and listen to the end. You can watch the video on my YouTube or listen to the podcast, and I've also linked the transcript. Have a look at the show notes of this episode on my website, where you'll find all the links (suggested episodes, podcast merch, newsletter, and of course Mary Beth and her album). SHOW NOTES: IMPORTANT LINKS! (00:00) Intro(01:43) The Singing Horn, with clips of tracks 1,2,6,3(12:37) 15 Minutes of Fame project Robert Voicsey with clips of tracks 15, 13 (16:26) Mahler, The Singing Horn album inspirations, clips track 4 (22:45) becoming a mother, creative process, clip of her song Good and True track 25(28:51) live experience, connecting with audiences, arrangements and collaborators with clips track 7, 24, 26(40:41) other suggested episodes(41:50) Appalachian singing style, why the horn is hard (50:13) female brass mentors (53:11) the accident and recovery with clip track 12 (01:07:24) grief and living life with joy with clip of track 18 (01:14:06) Mary Beth's sister Ann Marie Orr, disability awareness(01:19:31) audition and career advice

Andrés Amorós continúa el ciclo dedicado a las sinfonías de Gustav Mahler.

durée : 01:26:40 - par : Suzanne Gervais - Natif de Sydney, le ténor Stuart Skelton est un habitué de Mahler et Beethoven mais aussi des rôles wagnériens comme Tristan, qu'il incarne actuellement dans la production de "Tristan et Isolde" à Montpellier. Un héros romantique symbole de l'amour absolu qu'il chante depuis dix ans. Rencontre. - équipe : Colin Gruel, Philippe Petit, Max Dozolme, Clément Buzalka, Julia Macarez, Maud Noury, Jeanne Lerch, Maxime Laporte, Désirée Ristorto - invités : Stuart Skelton Ténor Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:31:28 - par : Suzanne Gervais - Natif de Sydney, le ténor Stuart Skelton est un habitué de Mahler et Beethoven mais aussi des rôles wagnériens comme Tristan, qu'il incarne actuellement dans la production de "Tristan et Isolde" à Montpellier. Un héros romantique symbole de l'amour absolu qu'il chante depuis dix ans. Rencontre. - équipe : Colin Gruel, Philippe Petit, Julia Macarez, Jeanne Lerch, Maxime Laporte, Désirée Ristorto, Maud Noury - invités : Stuart Skelton Ténor Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

[0:06] The psychology of vocal fry. Why ending a sentence in vocal fry removes commitment from your message. [1:07] Introducing Dr Louise Mahler: from singing opera on the great stages of Europe to Top 30 Global Guru in body language, vocal intelligence and communication; author of the bestselling book, Gravitas. [1:50] What's wrong with communication today? We've left out the most important part - delivery. [2:30] How gestures fell out of fashion after World War Two, and why body language theory of the 1970s-80s got it wrong; communication is about bringing your best, not pandering to others' perceptions. [3:30] Cicero: it's not about how to be understood; it's how not to be misunderstood. [4:10] The five canons of rhetoric, and why delivery was considered the most important; gravitas as the manner of trust and respect. [5:20] Gravitas is not seriousness; it's equally weighted with humour and levity. Cicero was said to be the funniest man in ancient Rome. [6:30] A keynote timing mix-up in front of hundreds of CFOs, and how walking on stage laughing set the room on fire. [7:20] Laughter is the bouncing of the diaphragm; only people who trust you will laugh with you. [7:50] Do some people just have executive presence, or can it be learnt? It's always learnt. [8:40] Creating anchors in the air with gestures; what the ancients called architecturally designing your material. [9:40] Three reasons to move: breathing, visual interest, and memory . . . how Roman orators presented for hours without notes. [11:00] The three rules of gestures: always congruent, never repeated more than twice, and hold each gesture until the next one. [12:20] Why breathing matters so much: if the breath doesn't work, go home. What a held diaphragm does to your voice and why upper-body tension reads as aggression. [14:00] Do you need vocal warm-ups before a meeting? The voice is warm all the time; just kick the diaphragm free. [15:00] A fix for nerves and self-doubt: confidence is competence. Without training there is no knowledge; without knowledge there is no confidence. [16:30] On a good day natural talent will arise; on a bad day they fall back on the craft. The amateur practises till they get it right; the professional practises till they can't get it wrong. [17:40] Where practice really happens: internalising your material in everyday life so it comes out authentically, improvised within a framework. [19:00] How metaphor speaks to the unconscious mind; opening with a creative link that connects to your message. [20:20] The autostereogram (magic eye picture) as a metaphor for transformational change: refocus the eyes and see the real picture behind the abstract. [21:20] Vocal fry explained: closing the throat, jamming the diaphragm, and why salespeople sabotage the end of their sentences. You never run out of breath; you only run into tension. [22:30] One thing to do before a big meeting tomorrow: breathe out, throw the elbows off the body, and show your palms - the gesture of trust. [23:00] How to work with Dr Louise Mahler: online and face-to-face coaching, keynotes and executive team work. Closing thought: delivery, delivery, delivery CONTACT DR LOUISE MAHLER https://www.louisemahler.com.au/ Connect with Dr Louise Mahler on LinkedIn: https://www.linkedin.com/in/louisemahler/ ABOUT PODCAST HOST, NINA SUNDAY Nina Sunday's latest book, ‘'Manage Self, Lead Others: Constructive Conversations, True Self-Leadership, and Culture You Can't Fake'' now on Amazon - paperback or kindle. Amazon USA ⁠⁠⁠⁠https://a.co/d/3WaplI9⁠⁠⁠⁠ Amazon Australia ⁠⁠⁠⁠https://amzn.asia/d/0KwghaM⁠⁠⁠⁠ You can read any Kindle eBook on your PC, laptop or phone; you don't need a Kindle device.  === To learn more about face-to-face training programs with Nina Sunday or one of her experienced Facilitators from Brainpower Training Pty Ltd in Australia Pacific, visit: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.brainpowertraining.com.au...⁠ === To visit Nina Sunday's speaker site for global in-person speaking bookings visit: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.ninasunday.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠ === Connect with Nina Sunday on LinkedIn ⁠ https://www.linkedin.com/in/ninasunday/ === To subscribe to Nina Sunday's blog go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.brainpowertraining.com.au/⁠ ⁠⁠⁠⁠⁠⁠⁠⁠and scroll to bottom of the page to register Learn more about your ad choices. Visit megaphone.fm/adchoices

Dirigentinnen und Dirigenten aus aller Welt messen sich bei der renomierten Mahler Competition, die die Bamberger Symphoniker ausrichten. Ein Bericht vom Finale.

Andrés Amorós continúa el ciclo dedicado a las sinfonías de Gustav Mahler.

Kein erster Platz - aber große Schritte in Richtung Karriere: Der Gewinner des Abends ist Jakub Przybycien mit dem Zweitem Preis und dem Publikumspreis, weitere junge Dirigenten setzen ein internationales Ausrufezeichen.

Andrés Amorós continúa el ciclo dedicado a las sinfonías de Gustav Mahler.

Hoeveel 1- of 3-fasen aansluitingen zijn er in NL en is dat een probleem? Verder: de nieuwe Renault Megane, de prijzen van de BMW i3 en de specificaties van de Tesla Cyber Cab. In EVbijpraten: dé vakantietest met dakkoffers, trekhaakkoffers, fietsen op of achter de auto en een caravantest. Stellantis geeft acht jaar garantie op hun Mahler omvormers. Tesla FSD wordt niet goedgekeurd in Zweden en straks misschien niet in heel Europa. Gereden is er met de Zeekr 7 GT, Lexus RZ met yoke-stuur en de Renault 4 Plein Sud. 

Fedor Rudin, Geiger und Dirigent, tritt bei der renommierten Mahler Competition in Bamberg an und sieht den eigentlichen Wettbewerb weniger im Vergleich mit anderen, sondern in der Arbeit mit dem Orchester: "[...] in der Probenarbeit kann man sich wirklich nicht verstecken und da muss man einfach sehr gut arbeiten."

Andrés Amorós continúa el ciclo dedicado a las sinfonías de Gustav Mahler.

Aujourd'hui, je reçois le chorégraphe Emanuel Gat.Il est au programme du Festival Montpellier Danse avec sa dernière création, Cinq Jours au Soleil, imaginée sur la Cinquième Symphonie de Gustav Mahler.Chorégraphe éclectique, créateur lumière et également compositeur, Emanuel Gat entretient avec la musique un rapport singulier : pour lui, elle est indissociable de l'écriture chorégraphique. Comment la musique nourrit-elle le mouvement ? Comment dialogue-t-elle avec la danse ?On l'écoute avec joie.À la fin de cette conversation, Renann Fontoura, artiste-étudiant de la formation Exerce, prolongera l'échange avec quelques questions.Renann Fontoura est un artiste brésilien installé en France, issu de la culture hip-hop. Danseur, chorégraphe, interprète et pédagogue, il termine cette année le master Exerce,  

durée : 00:04:54 - Classic & Co - par : Anna Sigalevitch - Anna Sigalevitch nous parle ce matin de "5 jours au soleil", la nouvelle création du chorégraphe Emanuel Gat avec la 5e symphonie de Mahler. Ce sera les 21 et 22 juin au festival Montpellier Danse, avant une grande tournée la saison prochaine. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Send us Fan MailThis episode comes from two threads that have been weaving together in my practice lately: training in Polarity Champissage — a beautiful Ayurvedic marma-based body therapy developed by my friend and mentor Caroline Crichton — and developing Somatic Stretch and Shake, the movement class I've been teaching at Soma in Belfast, Maine.I want to be upfront: these ideas are still in process for me. I'm researching this both academically and in my own body, and it doesn't feel fully cooked yet. But there has been so much synchronicity around this topic lately that it felt like a sign to share what I have so far — and keep exploring from here.What we cover:The neurogenic tremor — the natural, involuntary shaking response that animals use to discharge stress (and that we've learned to suppress), and why somatic shaking gives this built-in mechanism somewhere to goWhat shaking does to fascia — the connective tissue web running through the entire body, richer in nerve endings than muscle tissue, and how trauma and chronic stress can cause it to tighten, thicken, and lose its fluid qualityMechanotransduction and hyaluronan — how vibration triggers cellular responses in fascia, including the cycling of hyaluronan, the gel-like substance that keeps fascial tissue hydrated and gliding freelyThe interstitium — the recently mapped, fluid-filled connective tissue network discovered somewhat by accident in 2015, and why it was invisible to traditional biopsy methods for so longA possible bridge between systems — emerging research suggesting the interstitium may be the physical substrate for the meridians of Traditional Chinese Medicine, and how this connects to marma points and Polarity ChampissageThe rasa dhatu connection — why interstitial fluid flow decreasing with age (especially after 50) may be one physical mechanism behind the dryness and depletion of rasa dhatu in perimenopause, and how movement and shaking help keep this fluid circulatingHow to actually shake — shaking in sets of three to six minutes, followed by a minute of stillness to let the body integrate; why subtle shaking is just as effective as big movement; and why consistency matters more than intensityThe synchronicities: Thinking about a chapter on the interstitium in Abigail Rose Clark's book Returning Home to Our Bodies — and getting an email from her about an emboided anatomy class she is teaching on the interstitium hours laters. A New York Times article on the interstitium. An interview with Dr. Neil Theise, the NYU pathologist at the center of the 2015 discovery, on fascia, the interstitium, and consciousness. All arriving within days of each other.Somatic Stretch and Shake: In-person classes are held Thursdays from 9:30–10:30am at Soma in Belfast, Maine. Online on-demand classes and a live series are coming soon — join the email list to stay in the loop.Bibliography & ReferencesThe Interstitium — Discovery & ResearchBenias, P.C., Wells, R.G., Sackey-Aboagye, B., et al. (2018). Structure and Distribution of an Unrecognized Interstitium in Human Tissues. Scientific Reports, 8, 4947. https://doi.org/10.1038/s41598-018-23062-6Theise, N.D., & Mahler, S. (2024). Fascia, the Interstitium, and the Living Matrix: Implications for Consciousness Research. [Interview/lecture referenced]Fascia & MechanotransductionEffectiveness of Vibration on Myofascial Trigger Points. World Journal of Yoga, Physical Therapy and Rehabilitation. https://irispublishers.com/wjypr/pdf/WJYPR.MS.ID.000583.pdfDynamic Responses of Human Skin and Fascia to an Innovative Stimulation Device — Shear Wave Stimulation. PMC/NIH. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC11351488/Understanding Fascial Tissue on the Molecular Level — The Calcium-Hyaluronan (CHA) Axis. PMC/NIH. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC12785924/Interstitial Fluid Flow & AgingInterstitial fluid flow decreases with age, especially after 50 years. NMR Biomed, 2024 Jul;37(7):e5030. PMID: 37675787. https://pubmed.ncbi.nlm.nih.gov/38796942/Regulation of interstitial fluid flow along adventitia of vasculature by heartbeat and respiration. ScienceDirect. https://www.sciencedirect.com/science/article/pii/S258900422400628XSomatic Shaking & TRE ResearchThe Science of Shaking Medicine: Unlocking Neurogenic Tremoring for Trauma Release and Nervous System Balance. https://www.shakingmedicine.com/science-of-shaking-medicineThe science of somatics: how shaking resets the nervous system — Rori Cross Brown Yoga. https://www.roriyoga.co.uk/resources/the-science-of-somatics-and-shakingBooks MentionedClark, A.R. Returning Home to Our Bodies. [Chapter on the interstitium]Resources:Free Masterclass:  The Alchemy of the Perimenopause PortalAyurvedic Dosha Quick Reference GuideAbhyanga Self Massage GuideWeekend Nervous System ResetNourished For Resilience Workbook Find me at www.nourishednervoussystem.comand @nourishednervoussytem on Instagram

Boulez Conducts Mahler, Bartók, & Stravinsky by CSO Association

Andrés Amorós continúa con su ciclo dedicado al compositor austríaco.

durée : 00:21:54 - par : Lionel Esparza - On admire Bruno Walter pour ses symphonies de Mozart, de Mahler ou de Beethoven, plus rarement pour ses Schubert. Il en laisse pourtant des versions équilibrées, claires et tendres, d'esprit classique, gravées pour la Columbia lors de son ultime période américaine. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Alice Farnham surveys recordings of Mahler's Symphony no.5 and makes a top recommendation

Paola Capriolo, Teresa Maresca"Il canto della luna"Con la traduzione dal tedesco del "Canto della terra" di Gustav MahlerBibliotheka Edizioniwww.bibliotheka.itNell'autunno 1907 fu pubblicata in Germania l'antologia Il flauto cinese, un centinaio di liriche di autori compresi tra il XII secolo a. C. e l'epoca contemporanea. Gustav Mahler ne venne a conoscenza e l'incontro con quelle poesie ebbe un immediato riflesso sulla sua opera. Nel 1908, sulle Dolomiti, dove trascorse le ultime estati della sua vita, compose infatti il ciclo di lieder Il Canto della Terra, basato su sette poesie della raccolta, traendo spunto per la maggior parte da Li Po (702 – 763). L'ombra fascinosa e potente di uno dei capolavori della musica del ‘900 ha suggerito alla scrittrice Paola Capriolo e all'artista Teresa Maresca un libro a quattro mani che intreccia in modo personalissimo e originale letteratura, pittura e musica.Paola Capriolo vive e lavora a Milano.Ha esordito nel 1988 con i racconti de La Grande Eulalia (Premio Berto), in seguito Il Nocchiero (Premio Rapallo, Premio Selezione Campiello), Il Doppio Regno (Premio Grinzane Cavour), e, tra gli altri, Una Luce Nerissima, Il Pianista Muto, Mi ricordo, Marie e il signor Mahler, Irina Nikolaevna.Tutti i suoi romanzi sono stati tradotti in molte lingue. Ha tradotto classici della letteratura tedesca, tra cui Goethe, Kafka, Kleist, Thomas Mann. Teresa Maresca vive a Milano dagli anni '80.Con una pittura figurativa e visionaria lavora sui temi del paesaggio, spesso rivisto attraverso la memoria cinematografica o la poesia.Hanno scritto di lei Carlo Sini, Sergio Givone, Lalla Romano, Roberto Sanesi, Paolo Biscottini.Ha pubblicato il libro Il Primitivo del Sogno su arte, natura e pensiero primitivo e ha in preparazione la mostra-installazione Stars&Bones per la Fabbrica del Vapore di Milano. Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Andrés Amorós continúa con el ciclo dedicado al compositor austriaco Gustav Mahler.

The conductor Klaus Tennstedt was born on June 6, 1926. After his arrival from East Germany to the West, he held chief conductor posts with the NDR Symphony Orchestra in Hamburg (1979-81), and with the London Philharmonic Orchestra (1983-87), with whom he recorded extensively, including a Mahler symphony cycle (of which No 8 won a Gramophone Award back in 1987). To mark the anniversary Warner Classics has issued a 41-CD set of all of the conductor's EMI recordings. Additionally, there is a substantial Tennstedt catalogue on the LPO's own label as well as numerous off-air performances on YouTube and various other record labels. A century on, we celebrate Tennstedt's artistry with a special Gramophone podcast in which the critic and broadcaster Edward Seckerson – who interviewed the conductor, attended recording sessions and heard him live many time – talks to James Jolly about what made him such an admired musician. See omnystudio.com/listener for privacy information.

Ein Bauernhaus in Toblach, eine zugige Holzhütte – und Musik an der Grenze zum Unendlichen: Mahlers 9. Sinfonie klingt wie ein Abschied, aber auch wie ein letzter großer Liebesbrief an die Welt. Von Christoph Vratz.

Today's lengthy episode (I probably should’ve divided it in half!) is another devoted to orchestral song, in this case Deutsche Orchesterlieder. But, in a twist, you will not be hearing any music by either Mahler or Strauss today. (Their orchestral songs have already been amply represented on Countermelody. No, today I am featuring songs ranging from the late nineteenth century through the mid-twentieth century. Some of the composers presented – Alban Berg, Max Reger, Hugo Wolf, Arnold Schoenberg – will be familiar to listeners; others – Alexander Zemlinsky (pictured), Hans Pfitzner, Paul Hindemith, Hans Werner Henze, Franz Schreker – perhaps more as names familiar for musical historical reasons than for their actual compositions. Still others – Ernst Toch, Wolfgang Fortner, Joseph Marx – may be new discoveries altogether. What links them is that they are all fascinating composers whose works run the gamut from lush post-romanticism to exotic orientalism to Neue Sachlichkeit clarity. Texts include the great German lyric poets; anonymous Italian folk poetry; German translations of American poets such as Walt Whitman and major figures of the Harlem Renaissance; and translations of ancient Chinese poetry and the verse of Rabindranath Tagore. Similarly varied are the singers (Elisabeth Söderström, Friedrich Schorr, Edith Mathis, Willard White, Elly Ameling, Irmgard Seefried, Roberta Alexander, Barry McDaniel, Christine Brewer, Christa Ludwig, Helen Donath) and conductors (Michael Tilson Thomas, Riccardo Chailly, Rafael Kubelik, Sergiu Celibidache, Erich Leinsdorf, Carl Schuricht, Hermann Scherchen), heard. Settle in for a ride across a varied, surprising, and always engaging musical landscape. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

Andrés Amorós continúa el ciclo dedicado a las sinfonías de Gustav Mahler.

durée : 01:28:51 - par : Lionel Esparza - Retour sur les albums marquants de ce mois de mai : Barbara Hannigan revisite l'imaginaire américain, Justin Taylor réinvente le clavecin du XXe siècle et Vasily Petrenko redonne souffle à la monumentale Symphonie n°3 de Mahler. Sans oublier Elegance, un hommage raffiné à la musique française. - réalisation : Flora Sternadel, Jeanne Lerch Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Mäkelä Conducts Mahler 3 by CSO Association

durée : 00:24:12 - par : Lionel Esparza - En 1988, Riccardo Chailly devient le premier chef non néerlandais à diriger l'Orchestre royal du Concertgebouw d'Amsterdam depuis sa fondation un siècle plus tôt. Italien tourné vers le répertoire germanique, il s'inscrit dans la longue tradition mahlérienne de la formation. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Wenn Schüler*innen zu kompetenten Demokrat*innen werden sollen, müssen sie über ihr eigenes Lernen mitentscheiden können – sagt Myrle Dziak-Mahler, Geschäftsführerin lernlog gGmbH.

AI artist Mick Mahler has a counterintuitive take: the more powerful the machines get, the less the technology actually matters. Showing delightful examples of his own art, from jazz-playing spiders to a Kafka-inspired beetle film, he explains how creators can use new technology to serve their vision (not replace it). The real question — the one that separates meaningful work from AI slop — is the one only you can answer. Hosted on Acast. See acast.com/privacy for more information.

durée : 01:27:35 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Le chef Semyon Byshkov présente une intégrale des symphonies de Gustav Mahler enregistrées entre 2018 et 2025 au Rudolfinum de Prague, avec l'Orchestre philharmonique tchèque dont il est le directeur musical. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:27:35 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Le chef Semyon Byshkov présente une intégrale des symphonies de Gustav Mahler enregistrées entre 2018 et 2025 au Rudolfinum de Prague, avec l'Orchestre philharmonique tchèque dont il est le directeur musical. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Das erste elsässische Musikfest wird mit einem denkwürdigen Konzert eröffnet. Auf dem Programm: Mahlers 5. Symphonie und die Tondichtung "Sinfonia Domestica" von Richard Strauss . Beide Werke dirigiert von den Komponisten selbst.

How often have you heard someone say they aspire to be an ISO consultant? Likely not at all! That's not surprising as it's quite a niche world to find yourself in, yet despite that, there are still thousands of ISO professionals worldwide. We're continuing with our mini-series where we introduce members of our team, to explore how they fell into the world of ISO and discuss the common challenges they face while helping clients achieve ISO certification.   In this episode we introduce Steve Mason, a Principle isologist® at Blackmores, to share the journey of how he went from intern, to ISO Assessor, to ISO consultant and the challenges he's faced while working with clients. You'll learn ·      What is Steve's role at Blackmores? ·      What does Steve enjoy outside of consultancy? ·      What path did Steve take to become an ISO Consultant? ·      What is the biggest challenge he's faced when implementing ISO Standards? ·      What is Steve's biggest achievement?   Resources ·      Isologyhub ·      ISO 14001:2026 What's Changed And How to Comply Webinar Registration   In this episode, we talk about: [00:30] Episode Summary – We introduce Steve Mason, a Principle Isologist® here at Blackmores, to discuss his journey towards becoming an ISO consultant who specialises in ISO 27001, ISO 27701, ISO 27018, ISO 27017 and ISO 20000-1. [02:40] What is Steve's role at Blackmores? Her role primarily involves supporting clients in two key areas: maintaining and continually improving their existing ISO management systems and helping them establish and implement new standards. As part of that support, he: ·      Makes Standards understandable and accessible to clients ·      Conduct internal audits ·      Reviews and updates management system documentation ·      Facilitate management reviews ·      Train internal teams and prepare them for certification audits. Steve is the Standard champion for ISO 27001, ISO 27701, ISO 27017, ISO 27018 and ISO 20000-1 at Blackmores, but he also deals with ISO 9001, ISO 41001, ISO 22301 and ISO 42001 related projects and support. Steve's other main role at Blackmore's is as a Mental Health First Aider, which is shared with Minoo Agarwal. Together, they provide resources and offer support to the team. [06:00] The importance of Mental Health management in the workplace: Steve had faced bullying in previous roles, so preventing others from experiencing the same had become a big motivator for him taking on the role of Mental First Aider for Blackmores. He emphasizes it's importance, and highlights 2 key Standards that you can use to help support mental first aid within your business. This includes ISO 45003 Mental Health in the Workplace and BS 30480 Suicide and the Workplace. [09:10] What does Steve enjoy doing outside of consultancy?: Steve has a wide variety of interests and hobbies, including: Lay Minister: Steve is a Lay Minister in the United Reform Church and mainly based at the URC Chapel in Walkern, but can be found leading worship and preaching at Ashwell, Baldock, Stevenage and Knebworth chapels. Poetry: Steve enjoys writing poetry about anything and everything, racking up an impressive 190 poems so far. Some of his main inspirations include Wordsworth and Keats. If you ever see a poem on the Blackmores LinkedIn page, odds are, it was written by Steve! Classical Music: He's a fan of classical music, anything by Beethoven, Mahler or Shostakovich specifically. He likes these composers in particular due to their stretching of the rules of music for the time. Exploring hidden London: Steve often goes on hidden London tours which explore disused underground stations which may have been shut down as long as 100 years ago! Buses and Trains: Steve was lucky enough to drive a bus in his past, of which he has the licence plate of sitting in his office. He collects bus and train models and will go out to snap a photo or two of their real world counterparts when he comes across them. History: Steve is a huge mystery buff, with a particular fondness for Richard III and the War of the Roses and the Anglo Saxon period of history. Family Tree: Steve has been tracing his family tree back as far as he can on his mother's side, which extends as far back as 1547! Interestingly enough he found out that relatives from way back then got married in the church that he currently lives nearby and got qualified as a Lay Minister for the Church of England in Stevenage! Cats: He's owned his fair share of feline friends through the years, with one particular tabby holding the name 'Spartacus'. [22:35] What was Steve's path towards becoming an ISO Consultant?:  Steve was once told in the 1980s 'There is no future in Standards; find another career, perhaps in Sales or Purchasing'. How wrong that turned out to be! He's always worked with standards, from the first day he started work doing inspection in Goods Inwards, he was referring to them. The direction towards Management systems came in 1983 when he started implementing BS 5750. From that day onward he had been involved in Management Systems. Steve completed a management apprenticeship at Racal-Guardall where he was able to do 3 months' work experience in all departments, which helped him appreciate how companies function and how important it is to maintain good communication channels. He was at the end of this apprenticeship that the opportunity arose in the QA department to work on BS 5750. His career path has included other organisations such as Tektronix, BOC Ohmeda, Cirkit, Deta, TDK and BSI, all of which earned Steve a lot of experience in Manufacturing and Service and Distribution, mainly in Quality and Customer Service roles. Steve has always felt a bit like a closet consultant, even when he worked as an assessor at BSI. He feels as if Blackmores has enabled him to fully flourish and develop his portfolio of standards – not bad for a career where there was apparently no future in standards! [28:45] Born to be a consultant – Steve mentions that consultancy is a skill that many are born to be. You can train and learn the skills of course, but for some it comes very naturally and it can be hard to replicate that skillset in others. [30:15] What is Steve's favourite aspect of being a Consultant? Steve loves talking with clients and working with them to explore solutions that can address the requirements of the standards. His motto is 'Mould the Standard to the organisation and not the organisation to the standard' This means, always producing a management system that benefits the organisation first and then adjusting it to meet the requirements of the standard. Organisations that mould the business to the standard usually end up with a management system that is a 'bolt-on' and an uncomfortable, sometimes irrelevant, fit. Everyone in the organisation needs to feel that the management system is a natural fit to what they do. He also enjoys supporting his colleagues at Blackmores. We're a business built on knowledge sharing, and there's no point gatekeeping anything we've learned as a team. So consultants often get together to discuss lessons learned and ensure best practice is a shared experience. Ironically enough, one of Steve's least favourite aspects of being a consultant is auditing! Mostly since he's been doing it for some 40 years now, so he can be forgiven for finding the exercise a bit tedious at times. However, he never let's that affect the end result of an audit. [37:00] What Standards does Steve specilaise in and why? Steve initially started with ISO 9001 but was steered towards ISO 27001 and ISO 20000-1 during his time as BSI. This was based upon his career path up to the point he joined BSI as they align assessors to familiar business and technical environments. In Blackmores, he has been able to develop these areas of Quality, Service and Risk by adding standards related to Business Continuity, PII and Cloud Security, Facilities Management and AI Management. Steve's favourite standard is ISO 20000-1 which started off as an IT Service Management System but can also be used effectively for all services. He always refers to ISO 20000-1 as 'ISO 9001 on Steroids' because it is much more specific and focuses on the subject of service management. Sadly, ISO20000-1 is under rated, under sold and in some cases, never heard of – this is usually because contracts require IS O9001 but the people writing those contracts don't actually know or understand what they are asking for. In simple terms it is a Service Quality Management System and Steve has come across organisations which have shoe-horned ISO 9001 into the business instead of using the natural fitting standard ISO 20000-1. Steve would advise any company that is providing a service with helpdesk support to look at ISO 20000-1, especially if they find that ISO 9001 isn't working well for them. [43:00] What is the biggest challenge Steve had faced during a project and how did he overcome it?: Creating a management system in 10 days for a client which was due to lose a major contract because they had let their certification to ISO 9001 lapse between the 2008 and 2015 versions. Quite the undertaking in such a short amount of time! Steve refuses to claim full responsibility for the success however, as the client was totally invested in getting the system up and running and put in a lot of effort to work with Steve to get it done in time. If it had been any other standard, it would have been impossible, but because it was ISO 9001 and wthey were drawing on what had been in place previously it was possible. Generally, problems arise when there is limited or no Leadership support and commitment, because without this management systems can't be set up in a way that benefits the organisation. All management systems must align with the Business Strategy and should be used to ensure that the strategy is achieved. If you'd like to learn more about the importance of Leadership and aligning your management system with strategic direction, check out a few of our previous episodes. [50:10] What is Steve's proudest achievement?  Steve isn't really one to collect achievements, so he cites winning 1st Prize at 6 years old in a fancy-dress competition, dressed as a Snowman was a proud achievement for 6 year old him. He is also proud of becoming a Lay Reader initially in the Church of England at 37 and latterly in the URC. Another highlight is appearing on The Chase back in 2017, successfully passing the auditions which saw 40,000 applicants. If you want to go see him go up against the Chasers, he was in Series 10 episode 119. He can't point to any one ISO related project as he sees them all as an equal success. He puts all his effort into every project, and his success track shows this to be evident. [54:35] ISO 14001 Transition Webinar:  If you currently hold a 2015 certificate for ISO 14001, then the countdown has already started to transition to the latest 2026 version. We'll be covering the changes and what you need to do to comply and complete your transition in a webinar on the 29th May. You can register your place here.   If you'd like any assistance with implementing ISO standards, get in touch with us, we'd be happy to help! We'd love to hear your views and comments about the ISO Show, here's how: ●     Share the ISO Show on Twitter or Linkedin ●     Leave an honest review on iTunes or Soundcloud. Your ratings and reviews really help and we read each one. 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Thank you to Jerry for sponsoring today's episode on Patreon! Goethe's Faust is considered to be the greatest work of German literature. This sprawling, 2-part play occupied Goethe's life for nearly 60 years, from its original version, begun in 1772, all the way to Goethe's final revisions before his death. It inspired just about every Romantic era composer who came after it, including Beethoven, Schubert, Schumann, Brahms, Berlioz, Gounod, Mahler, and our subject for the show today, Franz Liszt. Liszt, who was in many ways the world's first pop star, was initially skeptical of Faust, saying that he couldn't relate to the eponymous main character of the play. He wrote: "Faust's personality scatters and dissipates itself; he takes no action, lets himself be driven, hesitates, experiments, loses his way, considers, bargains, and is interested in his own little happiness." But slowly, Liszt began to be taken in by this remarkable play and decided to try his hand at a reflection on it, writing a massive, 3-movement, 75-minute-long symphony that never attempts to tell the story of Faust, but instead reflects on the psychological nature of the 3 central characters: Faust, Gretchen, and Mephistopheles (the Devil). A lot of English-speaking listeners will know this as the story of a man who sold his soul to the devil, but for Goethe it was much more than that, and it was for Liszt as well. I've never talked about Liszt on the show, because frankly I've never been in love with his music. But this is one of the great things that these Patreon-sponsored episodes can do — help me discover pieces that I've never come across before. So today, we're going to talk about Liszt, Faust, and then take a stab at some of the greatest moments in this symphony. We'll talk about thematic transformation, a technique Liszt essentially invented and which is a vital part of understanding this piece.

I was so honoured and delighted to have this opportunity to have this conversation with Nancy Shear, whose diverse career in classical music will fascinate you. I loved reading her memoir “I knew a man who knew Brahms” which is very much a book about appreciation for great music making as well as the importance of reflecting on the legacies our elders. You'll hear about insights gleaned from her close releationships with many luminaries including Leopold Stokowski and Mstislav Rostropovich. Nancy was a troubled teenager when she began working as part of the Philadelphia orchestra library staff, and her brave determination, sensitivity and brilliance have led her to many unexpected opportunities. Whether or not you are currently a fan of classical music, I'm sure Nancy's wisdom and storytelling will inspire you. We're also including Nancy's suggested listening links in the show notes, as well as other episodes you'll enjoy. Complete show notes take you to: video, transcript, Nancy's website and listening suggestions, other episodes you'll enjoy, podcast newsletter sign-up, podcast merch store, podcast support page to buy this independent podcaster a coffee, and more! SHOW NOTES with ALL links! (00:00) Intro(01:38) memoir “I Knew a Man Who Knew Brahms”(12:01) Leopold Stokowski and her memoir(38:14) William R. Smith (43:25) Eugene Ormandy(52:48) other suggested episodes (53:47) Stokowski, excerpt from the book(56:50) Stravinsky Rite of Spring, Stokowski, Mahler(01:00:35) Rostropovich(01:08:49) Nancy's career and independence (01:17:35) Stokowski's fascination with technology(01:20:32) great concerts, Byron Janis, Jacqueline du Pré, Ormandy(01:24:22) Curtis(01:27:41) growth mind-set, healthy tech boundaries, writing(01:36:45) final excerpt from “I Knew a Man Who Knew Brahms” about Stokowski, Saul Caston, music appreciation(01:40:14) who was the man who knew Brahms, importance of legacyphoto of Nancy: David Teubner

durée : 01:28:34 - par : Lionel Esparza - On lui doit West Side Story, 3 symphonies, des pages chorales et liturgiques ; on lui doit aussi une discographie immense à la baguette, avec le New York Philharmonic mais pas seulement. Portrait de Leonard Bernstein chef d'orchestre, de Mozart à Chostakovitch, en passant par Brahms, Mahler & Ravel. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

SynopsisAs far as anniversary gifts go, the one Dutch conductor Willem Mengelberg received in 1920 was pretty spectacular. To celebrate his 25th year as Music Director of the Concertgebouw Orchestra in Amsterdam, they staged a special month-long festival in honor of one of Mengelberg's favorite composers — Gustav Mahler, the Austrian composer of monumental symphonies, who had, in fact, conducted the Concertgebouw several times before his untimely death at 50 in 1911.Mahler was the conductor Mengelberg admired most, and Mengelberg and his orchestra were ardent champions of Mahler's symphonies, too: their 1920 festival performed all nine of them over the course of two weeks that May. Mahler's widow Alma was in attendance, as were his younger Austrian contemporaries Arnold Schoenberg and Anton Webern, Danish composer Carl Nielsen and a young British conductor and Mahler fan named Adrian Boult, who reported on the festival for a British newspaper back home.In 1995, the Concertgebouw staged another Mahler Festival on the 75th anniversary of the 1920 one, this time inviting the Berlin Philharmonic and the Vienna Philharmonic to participate. A hundredth-anniversary festival was planned for May 2020, but the COVID pandemic forced that Mahler cycle to be postponed until May 2025. Good things come to all who wait.Music Played in Today's ProgramGustav Mahler (1860-1911): Symphony No. 1 (Titan); Royal Concertgebouw Orchestra; Riccardo Chailly, conductor; London/Decca 448813

On this episode of The Bandwich Tapes, I sit down with percussionist Jake Nissly, Principal Percussionist of the San Francisco Symphony, for a conversation about what it actually takes to build and sustain a career at the highest level of orchestral playing. Jake's résumé is remarkable, but what stands out even more is the range of hats he wears: orchestral musician, soloist, educator, department chair at the San Francisco Conservatory of Music, drum set player, former drum corps kid, and even Little League coach.We spend time unpacking the reality of orchestral auditions, the intense preparation, the psychological pressure of playing behind a screen, and the almost figure-skating-level precision required to compete in that world. Jake walks through his own path: winning the Detroit Symphony job at 26, then later the Cleveland Orchestra, and ultimately facing the difficult experience of not receiving tenure. Rather than ending his trajectory, that moment reshaped it and eventually led him to the San Francisco Symphony.One of my favorite parts of this conversation centers on Jake's concept of feel. He credits much of his orchestral success to his background in drum set and drum corps, where groove, flexibility, and listening are everything. That experience, he says, translates directly into orchestral playing, even in repertoire like Mahler or Ravel's Bolero, where there's still a pocket to find if you're listening closely enough.We also talk about teaching and the changing landscape for young musicians. Jake shares thoughtful insights about how YouTube and digital access have transformed preparation, often producing incredibly polished players who sometimes struggle to develop ownership, personality, and soul in their playing. It's an honest conversation about pedagogy, resilience, and the kind of musicianship that lifts everyone in the room.Key TakeawaysOrchestral auditions demand extraordinary precision — success often comes down to microscopic musical details.Career paths are rarely linear — setbacks can become turning points rather than endings.Groove matters in orchestral music — Jake's drum set and drum corps background inform his orchestral feel.Listening is the core skill — great musicians adjust in real time to the ensemble around them.Technical mastery alone isn't enough — personality and ownership bring music to life.Teaching requires adapting to new generations — digital resources have reshaped how students prepare.Leadership in music is collaborative — the best players elevate the entire ensemble.Music from the EpisodeJohn Adams - City Noir: I. The City and its Double - St. Louis Symphony (David Robertson, conductor) - Jake Nissly - drum setAdam Schoenberg - Losing Earth: Concerto for Percussion & Wind Ensemble - The University of Texas Wind Ensemble (Jerry Junkin, conductor) - Jake Nissly - percussionAbout the PodcastThe Bandwich Tapes is a podcast hosted by Brad Williams, featuring conversations with musicians, composers, producers, and creative thinkers about their musical journeys. Each episode explores the influences, decisions, and experiences that shape a life in music—one conversation at a time.Connect with the ShowEmail: contact@thebandwichtapes.com

Mälkki, Liebermann & Mahler 4 by CSO Association

James Aldred is an Emmy award-winning documentary wildlife cameraman and filmmaker who has collaborated with David Attenborough on projects such Planet Earth, The Life of Mammals and Our Planet. He often finds himself suspended from ropes or on platforms high up in the rainforest canopy, capturing shots of rarely-seen animals and birds, including orangutans, gibbons and eagles.He recalled some of his treetop adventures - and the many dangers he's faced - in his first book, The Man Who Climbs Trees. His second, Goshawk Summer, detailed his experience of filming a family of goshawks in the New Forest during lockdown. It went on to win the Wainwright Prize for Nature Writing. His most recent book, A Wagon in the Woods, returns to the New Forest and is about his painstaking restoration of an old horse-drawn wagon he once played in as a child. James picks music by Borodin, Wagner, Mahler, Bach and John Barry.

Jennifer Halboth, CEO Americas for Riverside Luxury Cruises, talks with Alan Fine of Insider Travel Report at Seatrade Cruise Global in Miami about the addition of Riverside Mahler to the fleet 2028. Mahler is currently sailing under the Uniworld brand as the S.S. Elizabeth, but was part of the original Crystal River Cruises fleet that Riverside purchased in 2023. Halboth discusses how the expansion is expected to increase capacity on the Rhine, Moselle and Danube; provide more inventory for travel advisors; allow for ship swaps between sister vessels; and support the company's continued growth. For more information, visit www.riverside-cruises.com.  All our Insider Travel Report video interviews are archived and available on our Youtube channel  (youtube.com/insidertravelreport), and as podcasts with the same title on: Spotify, Pandora, Stitcher, PlayerFM, Listen Notes, Podchaser, TuneIn + Alexa, Podbean,  iHeartRadio,  Google, Amazon Music/Audible, Deezer, Podcast Addict, and iTunes Apple Podcasts, which supports Overcast, Pocket Cast, Castro and Castbox. 

durée : 00:11:15 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Le chef d'orchestre Christoph Eschenbach et l'Orchestre du Festival de Verbier enregistrent la quatrième symphonie de Gustav Mahler, qui évoque la vision enfantine du paradis, un monde où l'innocence remplace la gravité. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:11:15 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Le chef d'orchestre Christoph Eschenbach et l'Orchestre du Festival de Verbier enregistrent la quatrième symphonie de Gustav Mahler, qui évoque la vision enfantine du paradis, un monde où l'innocence remplace la gravité. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

This week, we've gone back into the City Arts & Lectures archives for a 2009 interview with the late conductor, composer, and pianist Michael Tilson Thomas. Tilson Thomas was the music director and conductor of the San Francisco Symphony from 1995 to 2020 - and stayed active as its music director emeritus until the last year of his life. He was known as a champion of contemporary American music - and an innovator in presenting symphonic music - even collaborating with heavy metal band Metallica. He received 12 Grammy Awards for the San Francisco Symphony's recordings of Mahler, Prokofiev,  Stravinsky, and John Adams.  In June of 2008 - Michael Tilson Thomas presented “The Thomashevskys - Music and Memories of a Life in the Jewish Theater” at Davies Symphony Hall.  This multimedia performance celebrated the life and work of his grandparents, Boris and Bessie Thomashevsky. He shares some of those stories in this program.  We'll also hear him talk with culture critic Steven Winn about “Keeping Score” the PBS documentary series which he created and hosted...and about his work with the New World Symphony in Miami. In the years since this program was recorded on January 6, 2009 - Michael Tilson Thomas continued to lead the San Francisco Symphony - and guest conduct orchestras all over the world.  In 2021, he was diagnosed with an aggressive form of brain cancer - but continued to work and travel - and was able to take the podium at his 80th birthday celebration in 2025.  Michael Tilson Thomas died at his home in San Francisco on April 22, 2026. 

Hrůša Conducts Mahler 9 by CSO Association

A Regular Drill Guest, Softy Mahler in Seattle, joins us to go in-depth on Kenneth Walker!See omnystudio.com/listener for privacy information.