Podcasts about mahler

Das Australian World Orchestra präsentierte in Sydney Gustav Mahlers 4. und 5. Symphonie. Unter der Leitung von Alexander Briger überzeugte das „wahrenationale Orchester Australiens“ mit einer dichten, energiegeladenen Interpretation. Besonders eindrucksvoll: Sarah Traubels Sopran-Solo in „Das himmlische Leben“. Das Publikum dankte mit langem Applaus und Standing Ovations – ein Abend, der die besondere Stellung dieses Orchesters im Musikleben Australiens bestätigte.

A new book from Jonathan Mahler posits that the years from 1986 to 1990 were some of the most important, and tumultuous, in New York City history. Mahler discusses the book, The Gods of New York: Egotists, Idealists, Opportunists, and the Birth of the Modern City: 1986-1990.

John welcomes Jonathan Mahler, New York Times Magazine staff writer and bestselling author of “The Bronx Is Burning,” to discuss his new book, “The Gods of New York: Egotists, Idealists, Opportunists, and the Birth of the Modern City: 1986-1990.” Mahler unpacks the reinvention of the Big Apple in the second half of the Eighties; riffs on the outsized characters (from Ed Koch and Rudy Giuliani to Larry Kramer, Al Sharpton, and, of course, Donald Trump) who played key roles in it; and argues that the rise of Zohran Mamdani signals an end to the 40-year era spawned by that transformation. He and Heilemann also reminisce about crossing paths as undergrads in 1987—first as teammates and then as cellmates. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Send us a textDescriptionBigger, Louder, Wilder: The Romantic Orchestra Arrives in 60 Seconds. Take a minute to get the scoop!Fun FactWagner was so ambitious he built his own opera house in Bayreuth just to fit the expanded orchestra he envisioned. His pit design hid the musicians from the audience—so all you saw was drama on stage while an enormous, unseen orchestra unleashed waves of sound beneath.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.You can FOLLOW ME on Instagram.

Die Salzburger Festspiele 2025 enden mit einer "Abschiedssymphonie": Die Berliner Philharmoniker spielen unter Kirill Petrenko Gustav Mahlers Neunte. Sie war eigentlich die Zehnte. Die Musikbeispiele dirigiert der Dirigent der Uraufführung der Symphonie, Bruno Walter (CBS).

Jonathan Mahler, author of 'The Gods of New York', joins Joanna Coles to explore Donald Trump's tabloid-fueled rise in the 1980s. From his feud with the Koch brothers over Wollman Rink to the Marla Maples scandal in Aspen and his explosive Central Park Five ad, Mahler reveals how Trump mastered gossip and scandal to build a myth that would carry him into politics. They trace how Trump's obsession with media attention turned Page Six into his personal stage. And they uncover how the tabloid era's culture wars laid the foundation for Trump's future in the White House. Hosted on Acast. See acast.com/privacy for more information.

Each year, the Australian World Orchestra brings together Australia's top musicians from all over the world. On September 3 and 4, the orchestra plays Mahler's 4th and 5th symphonies — with German soprano Sarah Traubel. In conversation, she explains, among other things, what fascinates her in particular about Mahler, what role her solo plays — and why she experiences participating in the Australian World Orchestra like a class reunion in which she herself is the welcomed 'exchange student. ' - Das Australian World Orchestra vereint jedes Jahr Australiens Spitzenmusiker aus aller Welt. Am 3. und 4. September spielt es Mahlers 4. und 5. Symphonie – mit dabei die deutsche Sopranistin Sarah Traubel. Im Gespräch erzählt sie unter anderem, was sie besonders an Mahler fasziniert, welche Rolle ihr Solo spielt – und warum sie das Mitwirken im Australian World Orchestra wie ein Klassentreffen erlebt, bei dem sie selbst die wilkommene ‚Austauschschülerin‘ ist.

Alexander Briger, directeur artistique et chef d'orchestre de l'Australian World Orchestra nous parle des prochains concerts de Gustav Mahler, les Symphonies n°4 et 5, au Hamer Hall de Melbourne et à l'Opéra House de Sydney.

Is the history of New York City the heart of the American story? Or does it exist in parallel, perhaps even independently, from the main American narrative. As with everything about the Big Apple (so good they named it twice), the answer is both. Or everything. At least according to Jonathan Mahler, author of The Gods of New York, a new history of the egoists and opportunists who remade the city in the 1980s. It's the story of Donald Trump, of course, as well as Rudi Guiliani, Ed Koch, Spike Lee, Larry Kramer, Al Sharpton and an astonishingly entertaining cast of characters that only New York could create. But it's also the broader American story of the victory of neo-liberal economics and ever-deepening chasm between Wall Street wealth and main street poverty. Mahler argues that the transformation from the "Mean Streets" dystopia of the 1970s to the finance-dominated metropolis of the 1980s didn't just save New York City —it created the troubling template for modern America, complete with all our current economic inequalities, political absurdities and tabloid cultural realities. 1. The 1980s Created Modern America's Template The transformation of New York from 1986-1990 wasn't just urban renewal—it was the birth of neoliberal America. The city's embrace of Wall Street, real estate development, and deregulation became the blueprint for how America would operate for the next four decades.2. Power Shifted from Public to Private The era marked a fundamental transfer of urban power from public officials like Robert Moses and labor unions to private developers like Trump. Instead of government-led projects, cities began relying on private industry to drive development—often with devastating consequences for working-class communities.3. Trump's Origin Story Explains His Political Magic Trick Trump went from being the 1980s symbol of greed and excess to becoming the voice of America's disaffected in 2016. This transformation from tabloid character to populist leader represents one of the most remarkable political reinventions in American history.4. The American Dream Became Less Accessible New York's evolution into what Bloomberg called "a luxury product" reflects a broader national trend. The same forces that saved the city from 1970s decline also priced out working and middle-class families, making economic mobility increasingly difficult.5. Tabloid Culture Became Political Culture The larger-than-life personalities who dominated 1980s New York—the "Gods" of Mahler's title—pioneered a celebrity-driven, spectacle-based approach to public life that eventually consumed American politics, from Trump's rise to our current media-saturated political landscape.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

A new book titled “Gods of New York: Egotists, Idealists, Opportunists, and the Birth of the Modern City, 1986-1990” covers New York City's pivotal and transformative years in the 1980s, tracing notable figures such as Donald Trump, Al Sharpton, Curtis Sliwa and Rudy Giuliani. The author, Jonathan Mahler, is a New York Times Magazine staff writer. He previously wrote the critically acclaimed bestseller “Ladies and Gentlemen, the Bronx is Burning,” an account of 1977 in the city. Mahler joined NY1's Errol Louis to discuss the new book, focusing on the economic boom driven by Wall Street, the rise of homelessness and key struggles like the fiscal crisis and the crack epidemic. They also discussed how it all relates to the present day, the race for mayor and Democratic candidate Zohran Mamdani.

Alexander Briger ist einer der führenden Dirigenten Australiens und Gründer des Australian World Orchestras, das ein Mal im Jahr seine hochkarätigen Mitglieder aus aller Welt in Melbourne und Sydney zu ganz besonderen Konzerten zusammenbringt. Wir sprechen mit Alexander Briger über die Werke Gustav Mahlers und darüber, was das Australian World Orchestra so besonders macht.

Teodor Currentzis und sein Orchester Utopia begeisterten bei den Salzburger Festspielen mit einem verspielten Programm. Sie interpretieren Schostakowitschs 2. Klavierkonzert und Mahlers 4. Symphonie mit rhythmischer Brillanz und tänzerischer Leichtigkeit.

Few musicians have expanded the horizons of their instrument quite like harpist Alice Giles. From winning the Israel International Harp Contest at just 21, to acclaimed performances across Europe and America, Alice has become one of the world's most celebrated harpists — praised for her artistry, imagination and technical brilliance. But her journey has not always been conventional: she's performed with the great orchestras, championed contemporary repertoire, and even carried her harp to Antarctica.In this conversation, Alice reflects on her formative years and the mentors who shaped her, including the legendary June Loney and Alice Chalifoux. She shares the challenges and triumphs of building an international career, the delicate art of balancing music with family life, and what it means to her now to guide the next generation as both teacher and Chair of the World Harp Congress. With warmth, insight and a touch of adventure, Alice offers a portrait of a musician who has never stopped exploring what the harp can be – in sound, in colour, and in life.Alice Giles performs with the Australian World Orchestra under chief conductor Alexander Briger for Mahler's 4th and 5th Symphonies, at Hamer Hall in Melbourne on Wednesday September 3, and the Concert Hall of the Sydney Opera House on Thursday September 4.

Tęsknili Państwo za Jarkiem Rudšem? Zaprasza do wysłuchania odcinka o jego nowy (w Polsce) komiksie "Przez noc".

Chuck Todd opens with a revealing moment that perfectly encapsulates Trump's psychology: after praising Todd on Truth Social for comments taken completely out of context, Trump exposes his desperate hunger for validation and his dangerous ability to rewrite reality, while the six-week delay reveals how information bubbles work in his administration and his "neediness" for historic affirmation drives increasingly erratic behavior that's systematically dismantling constitutional norms. He argues we're witnessing a fundamentally different Trump 2.0 where the resistance that constrained his first term has evaporated, leaving Republicans as a "unified defense mechanism" while Democrats fracture over strategy, all as Trump successfully convinces the country that rules simply don't apply to him anymore. Then, he looks ahead to several key developments shaping the 2026 midterms, from Eleni Kounalakis's California governor exit clearing the field for Rick Caruso, to Sherrod Brown's strategic Ohio Senate bid against likely GOP nominee Vivek Ramaswamy with Amy Acton as a Democratic wildcard, to Mamdani's commanding New York City poll lead over flailing campaigns from Eric Adams and Andrew Cuomo. Throughout, he warns that Trump's systematic destruction of institutional norms threatens America's constitutional republic at the exact moment when international credibility and democratic checks and balances matter most for global stability, while his apocalyptic vision of Washington creates a permission structure for authoritarianism that will outlast his presidency.Then, author Jonathan Mahler joins Chuck Todd for a deep dive into his new book “The Gods of New York” which explores the cultural and political forces that shaped New York City during its transformative 1980s era. They discuss figures like Ed Koch who pioneered the "celebrification" of NYC mayors, and Donald Trump who was considered a "fleeting cultural figure" despite learning how to manipulate tabloid culture for attention. Mahler traces the interconnected stories of power brokers like Roy Cohn, who connected Trump with NYC's elite before his death signaled the end of an era, and the complex relationship between Trump and Al Sharpton, who "fed off each other" while Sharpton strategically chose which politicians could attend high-profile funerals like that of murdered teenager Yusef Hawkins. The conversation explores how Trump inserted himself into politics through cultural commentary starting in 1988, mirroring George Steinbrenner's attention-grabbing tactics from the 1970s, while the city grappled with the AIDS epidemic and Ed Koch's failure to meet the moment due to fears of being outed.The discussion examines the broader cultural awakening of the era, from the rise of ACT UP during the AIDS crisis to Spike Lee's movie "Do the Right Thing" serving as a wake-up call for white America, all occurring under the looming presence of Mario Cuomo, who was "larger than life" in New York politics. Mahler details how Trump mastered the art of becoming one of New York's "tabloid gods" before heading toward spectacular bankruptcy in 1990 and entering his "hibernation" period in the '90s, while also drawing parallels between historical political dynamics and contemporary figures like Zohran Mamdani. The episode concludes with insights into why transformational mayors like David Dinkins struggled with reelection and how the Yankees' resurgence became symbolic of the city's broader renewal, providing essential context for understanding how New York's unique political and cultural ecosystem created the conditions that would eventually propel Trump from local celebrity to national political figure.Finally, he answers listeners' questions in the “Ask Chuck” segment.Timeline:00:00 Chuck Todd's Introduction03:45 Trump praises Chuck on Truth Social04:45 Trump missed the context of Chuck's comments05:30 It took six weeks for Chuck's comment to make it to Trump06:45 Trump wants to be historic and shows he's needy08:00 Trump is desperate for affirmation, whether it's positive or negative09:15 Trump bullies everyone into believing there are no rules10:15 Trump ran into resistance in 1.0, but not in 2.011:15 Why the pushback to Trump has dissipated14:00 The Republican party is a unified defense mechanism for Trump14:45 Democrats are split on how to push back on Trump18:00 The apocalyptic vision of DC Trump paints is inaccurate20:30 Trump's actions are terrible for the long term image of the U.S.22:15 If we want to stay a constitutional republic, we need checks and balances24:15 Two big developments in CA governor race25:15 Eleni Kounalakis drops out of CA gov race26:15 Rick Caruso setting up run for governor? Would be frontrunner28:45 Stephen Kloobeck and Caruso could eat into each other30:15 Sherrod Brown opts to run for senate rather than governor32:30 Brown puts the Ohio senate seat in play34:30 Amy Acton could present real challenge to Ramaswamy in Ohio38:30 Ohio will be a stress test for Republican brand in a bad year39:30 Mamdani leads by wide margin in new poll, Adams gets no traction40:00 Cuomo campaign is flailing41:30 Jonathan Mahler joins the Chuck ToddCast! 43:00 Jonathan's New York "credentials" 46:00 Inspiration for "The Bronx is Burning" 48:15 Ed Koch started the celebrification of NYC mayors 50:00 Koch presided over a rebirth of NYC before it unraveled 51:15 Why Roy Cohn's death signaled the end of an era 52:30 Cohn connected Trump with the NYC elite 54:00 Al Sharpton & Donald Trump fed off each other 55:30 Trump was considered a "fleeting cultural figure" in the 80s 57:30 The civil rights community wanted to break with Sharpton 59:00 Sharpton publicized the murder of Yusef Hawkins 1:00:00 Sharpton chose the politicians allowed at the funeral 1:01:30 Mario Cuomo was larger than life, loomed over NYC 1:04:15 Trump begins his rise as celebrity beyond NYC in 1988 1:05:30 Trump inserts himself into politics via cultural commentary 1:07:00 The Rise of Act up amidst the AIDS epidemic 1:09:45 Anger that Ed Koch wasn't meeting the moment during epidemic 1:11:00 Koch didn't bring attention to AIDS for fear of being outed 1:14:00 Spike Lee's "Do the Right Thing" breaks into cultural zeitgeist 1:19:00 "Do the Right Thing" was a wake up call for white America 1:21:15 The "Gods of New York" are tabloid gods 1:22:30 Trump learned how to grab attention in NYC tabloid culture 1:23:30 Steinbrenner in the 70s was Trump in the 80s 1:25:00 The Yankees resurgence importance to NYC's resurgence in 70s 1:26:30 Trump headed for a spectacular bankruptcy in 1990 1:28:15 Trump's "hibernation" period in the 90s 1:29:30 Is there a parallel to Mamdani's victory? 1:30:30 Why David Dinkens couldn't win reelection1:33:15 Chuck's thoughts on interview with Jonathan Mahler 1:36:00 Ask Chuck 1:36:15 Will Democrats' strategy of gerrymandering help or hurt them? 1:39:00 Top cities for MLB expansion? 1:46:00 What's the response to Texas redistricting if not California?

Clarissa: Roberta Alexander Laura / Inez: Elena Vink Don Gaston: Howard Haskin Don Gomez de Freiros: Wouter Goedhart Don Pantaleone: Hubert Waber Don Pinto de Fonseca: Lieuwe Visser Waard: Palle Fuhr Jorgensen Ambrosio: Rudolph Katzboeck Groot Omroepkoor, Omroeporkest Conductor: Kenneth Montgomery Concertgebouw, Amsterdam 19 February 1983 Broadcast https://parterre.com/2025/08/13/a-matinee-a-pinto-play/

Von holprigem Mahler zu brillanten Schostakowitsch: Andres Nelsons und die Wiener Philharmoniker spielen in Salzburg wie Tag und Nacht. Ein musikalisches Wechselbad der Gefühle, das man nicht so schnell vergisst.

We would love to hear from you, wherever you are!Classical Music by Butterworth, Mahler, Tallis, Vaughan Williamshttps://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

In today's episode, Matthew Campbell of My Wedding Songs and Michael Mahler of Vibo talk about wedding music management from the DJ and couple's perspectives using the Vibo app.Michael Mahler is the CEO of Vibo, an innovative music planning platform transforming how couples and DJs collaborate to create unforgettable event soundtracks. With a background as a professional wedding DJ, Michael saw firsthand the challenges of organizing music requests and timelines. This inspired him to develop Vibo - a user-friendly app that streamlines the entire planning process, from song selection to event coordination. His mission is to empower DJs and event professionals with tools that elevate the client experience. Michael brings a unique blend of tech-savvy entrepreneurship and real-world event expertise to the industry.A Word About My Wedding SongsMy Wedding Songs is a resource for wedding music planning. Grab a copy of our Wedding Music Planner for ceremony and reception guides with song suggestions. Join the Wedding MusicLetter for weekly trending wedding songs and ideas.

Andrés Amorós dedica un tercer programa al director de orquesta Currentzis con sus nuevas versiones de las obras de Mahler.

Welcome to the third part of the lore series... PAIRS LORE!!! We were incredibly grateful to be guided by an actual real life pairs skater--Kirsten Moore-Towers. Join us as we listen to KMT take us through everything you need to know about being inelegant, 99 pounds, and choosing love over being in first place.Support us on Patreon: Patreon.com/TheRunthroughPodcastYoutube: The RunthroughKMT's WATCH LIST:Rodnina Ulanov 1969 worlds freeMoskvina mishin 1969 worlds freeCherkasova shakrai 1977 worlds free (is it a quad?!)Babilonia Gardner 1979 worlds freeRodnina Zaitsev 1980 worlds freeValova vasiliev 1983 worlds freeUnderhill martini 84 worlds freeGordeeva grinkov 86 worldsGordeeva grinkov 87 Europeans free (no music! Quad twist. Boot strap gate)Mishkutenok dmitriev 92 worlds freeBrasseur eisler 93 worlds freeGordeeva grinkov 94 Olympics freeShishkova naumov 94 worlds freeMeno sand 96 worlds freeKatia Gordeeva tribute performance ‘celebration of life - Mahler' 96 (must watch until the end)

Nach dem Zugunglück in Oberschwaben werten Ermittler den Fahrdatenschreiber aus. Der Holocaust-Leugner Horst Mahler ist tot. Und Trump will Waffenruhe zwischen Thailand und Kambodscha vermittelt haben. Das ist die Lage am Montagabend. Die Artikel zum Nachlesen: Zugunglück in Oberschwaben: »Das willst du nicht sehen. So viele Verletzte« Zum Tod von Horst Mahler: Am Ende war die NPD ihm nicht radikal genug Blutiger Grenzkonflikt: Thailand und Kambodscha stimmen Waffenruhe zu+++ Alle Infos zu unseren Werbepartnern finden Sie hier. Die SPIEGEL-Gruppe ist nicht für den Inhalt dieser Seite verantwortlich. +++ Den SPIEGEL-WhatsApp-Kanal finden Sie hier. Alle SPIEGEL Podcasts finden Sie hier. Mehr Hintergründe zum Thema erhalten Sie mit SPIEGEL+. Entdecken Sie die digitale Welt des SPIEGEL, unter spiegel.de/abonnieren finden Sie das passende Angebot. Informationen zu unserer Datenschutzerklärung.

Allroggen, Antje www.deutschlandfunk.de, Kultur heute

Horst Mahler begriff sich von Grund auf als Neonazi, sagt der Soziologe Wolfgang Kraushaar. Er habe zwar auch linke Wege eingeschlagen, aber es habe drei Kontinuitäten in seinem Denken gegeben: Antiliberalismus, Antiamerikanismus und Antisemitismus. Kraushaar, Wolfgang www.deutschlandfunkkultur.de, Studio 9

Der RAF-Mitbegründer und Rechtsextremist Horst Mahler ist mit 89 Jahren in Berlin gestorben. Der Extremismusforscher Eckhard Jesse hat sich mit dessen Biografie befasst.

Arnold Schönbergs Oper "Erwartung" und Gustav Mahlers "Lied von der Erde" verschmelzen zu einem intensiven Abend. Regisseur Peter Sellers inszeniert ein politisches Drama, das die Wiener Philharmoniker unter Esa-Pekka Salonen sinnlich und fesselnd gestalten.

William Mahler - The Need to Preach the Gospel in All the World

Senior Times Classical Collection More Musical Masterworks Including works by Haydn, Mozart, Beethoven, Mahler, Schubert, Rossini, Handel and more Introduced by John Low. Produced by Conor O'Hagan

Picknick, Musik und Sommerluft - Carolin Widmann spielt am Sonntag Open Air in Nürnberg! Die Geigerin liebt, wenn die Natur mitsingt. Mit dabei: Korngold, Mahler und mehr. Ein Konzertabend voller Genuss im Luitpoldhain!

Synopsis“Time is a funny thing,” as one of the more philosophically-inclined Viennese characters so wisely observed in Richard Strauss' opera Der Rosenkavalier.Der Rosenkavalier had its premiere in 1911, and coincidentally, on today's date that year, Viennese composer Anton von Webern completed one of the shortest orchestral works ever written — the fourth of his Five Pieces for Orchestra, which lasts about 20 seconds time. It's so short, it takes longer to describe the music than to actually hear it!Webern was attempting to render down the extravagant style of late-Romantic composers like Strauss and Mahler into its quintessence — a haiku-like concentration of gesture and color, the musical equivalent of a Japanese painting of just a few deft brush strokes across a blank canvas, with more implied than actually shown.In the same spirit, but at the opposite end of the time spectrum, is the work of American composer Morton Feldman, who holds the record for composing some of the longest pieces ever written. Feldman was friends with, and inspired by, painters of the so-called New York School, including Mark Rothko and Philip Guston. A 1984 work by Feldman is titled For Philip Guston, and, in complete performance, it's a piece that runs about four hours.Music Played in Today's ProgramRichard Strauss (1864-1949): Der Rosenkavalier: Suite; New York Philharmonic; Lorin Maazel, conductor; DG 7890Anton Webern (1883-1945): No. 4, from Five Pieces for Orchestra; Ensemble InterContemporain; Pierre Boulez, conductor; DG 437786Morton Feldman (1926-1987): For Philip Guston; The California EAR Unit; Bridge 9078

This past April, my former voice teacher and treasured friend Joan Caplan died at the age of 92. A few weeks ago, family and friends organized a memorial gathering for which I produced a short audio tribute, which is heard at the beginning of this episode. Before the event, we heard a number of recordings of Joan in her prime that absolutely knocked me on my ear. I was kindly given copies of these recordings from which I have fashioned an expanded episode in her honor. Most of these recordings have simply never been heard before, but I know that Joan was very proud of the work that she did during her active singing career, before she dedicated herself wholeheartedly to her teaching. Her rare live recordings of arias by Handel, Verdi, Donizetti, Purcell, and Hasse display her magnificent technique, while excerpts from her song recitals, including music by Brahms, Mahler, Montsalvatge, and Glanville-Hicks, display her versatility as well as her interpretive insight. I also share personal insights and reminiscences of Joan which will, I hope, reveal the special relationship that I shared with her, which many of her students, friends, and chosen family also experienced. When I last visited Joan, I promised her that I would do what I could to ensure that she would be properly remembered. With this episode, I do my part, to the best of my ability, to keep that promise. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Für die einen heißt es über den Sommer ab ans Meer, bei Gustav Mahler hingegen ruft der Berg.

durée : 00:31:38 - Solaé, le rendez-vous protestant - par : Jean-Luc Gadreau - Rencontre avec la pianiste Anne-Lise Gastaldi - réalisation : Thomas Jost

Noul Guvern are în vedere reforme majore în Sănătate. În spitale, de exemplu, mii de paturi vor fi eliminate, iar medicii vor fi plătiți în funcție de performanță. Mai exact, ministerul Sănătății plănuiește să reducă cu 20% numărul de paturi din spitale, direcționând resursele către servicii medicale mai utile precum ambulatorii și recuperare.  În nici un caz nu se vor închide spitale, dă asigurări ministrul de resort, Alexandru Rogobete. "Reducerea numărului de paturi de spitalizare continuă nu înseamnă închiderea de spitale sub nicio formă. Înseamnă transformarea paturilor care stau goale în multe unități sanitare sau în multe secții din anumite unități sanitare, convertirea lor, transformarea lor în spitalizare de zi. În ambulatoriu de specialitate, în paliație, în paturi pentru bolnavi, bolnavi cronici, pentru recuperare medicală și așa mai departe lista continuă. Practic, reducerea numărului de paturi de spitalizare continuă cu 20%, cum scrie în programul de guvernare, se referă la o reașezare a sistemului de sănătate și la o reașezare a tipului de serviciu medical pe care spitalele îl oferă oamenilor. Sub nicio formă nu se vor închide spitale. Este evident că acele specialități nu mai oferă adresabilitate populației din acea comunitate și atunci încercăm convertirea lor către alte specialități deficitare, unde este nevoie. Aceasta este gândirea, aceasta este reforma", a declarat Alexandru Rogobete la Digi24. Potrivit acestuia, "se discută de ani de zile despre creșterea capacității de răspuns a ambulatoriu de specialitate. Se vorbește de ani de zile despre creșterea numărului de paturi, de spitalizare de zi, internări de zi. Pacientul merge dimineața, are parte de toate investigațiile necesare. Seara este externat. Vă dau exemple gastro copii, colonoscopie, analize medicale de tot felul, ecografii, RMN-uri cu substanță de contrast și sigur lista poate continua, deci sub nicio formă. Acum e adevărat că atunci când spun reducerea numărului de paturi, prima idee este că acele paturi o să dispară", a precizat Rogobete.   Rata de ocupare a paturilor într-o unitate medicală nu trebuie să fie 100%, și nu pentru că vrem să avem paturi libere, ci pentru că este nevoie de igienizare frecventă a paturilor și saloanelor, cu procedee de dezinfecție terminală care să permită condiții de siguranță pentru cei care vin în spital, spune la RFI conf. dr. Beatrice Mahler. Potrivit acesteia, "riscul de infecții nosocomiale nu poate fi redus decât respectând procedurile, ca să nu mai vorbim de obligativitatea izolării cazurilor cu risc potențial de transmiterea a infecției. (ex în cazul pacienților cu boli infecțioase)". "Eu cred că reforma este necesară, este mult așteptată de o mare parte din profesioniștii din sănătate, pentru că problema nu este numărul de paturi, ci problema este finanțarea sistemului de sănătate. În acest moment, toate spitalele supraviețuiesc pentru că foarte puține sunt eficiente, pentru că există internarea continuă, deoarece sistemul de sănătate finanțează eficient pacientul care este internat în pat. Ori acest lucru trebuie să se schimbe. Nu înseamnă că acest tip de internare nu trebuie să fie plătit, dar trebuie să se prioritizeze evaluarea pacientului în ambulator sau în pachete de spitalizare de zi, pentru că românii își doresc acest tip de serviciu medical, iar atâta timp cât sistemul de sănătate nu se adaptează la ceea ce își dorește populația și la ceea ce până la urmă face bine tuturor, inclusiv medicilor și personalului din sănătate, o să rămânem cu un sistem care va aduce nemulțumiri și pacienților, cei care trebuie să beneficieze de sistem, dar și personalului medical, pentru că, pe de o parte, unii, așa cum vedem în acest moment, în unele spitale și mai ales în anumite specialități, există un număr mare de pacienți, iar în altele numărul de pacienți sau presiunea care vine către secțiile respective este mult mai mic", spune conf.dr. Beatrice Mahler.  Noul program de guvernare a fost adoptat pe 26 iunie în Parlamentul României. Pentru a fi puse în practică, propunerile trebuie însă transformate într-un nou cadru legislati 

durée : 00:25:39 - Musicopolis - par : Anne-Charlotte Rémond - Dans ce conte musical, Anne-Charlotte Rémond s'est laissée inspirer par les symphonies du compositeur Gustav Mahler. Suivons Hannelore et ses frères pour un périple dans la montagne à la recherche d'un nid, celui de Wunderflug, un oiseau gigantesque qui parcourt des espaces immenses... - réalisé par : Philippe Petit Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:25:45 - Musicopolis - par : Anne-Charlotte Rémond - Suite et fin de ce conte musical inspiré par les symphonies du compositeur Gustav Mahler. Portée par la voix de la Montagne, Hannelore, espère retrouver ses frères. Elle est confiante. Malgré son inquiétude, elle est certaine de bientôt les revoir... - réalisé par : Philippe Petit Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In 1897, Gustav Klimt led a group of radical artists to break free from the cultural establishment of Vienna and found a movement that became known as the Vienna Secession. In the vibrant atmosphere of coffee houses, Freudian psychoanalysis and the music of Wagner and Mahler, the Secession sought to bring together fine art and music with applied arts such as architecture and design. The movement was characterized by Klimt's stylised paintings, richly decorated with gold leaf, and the art nouveau buildings that began to appear in the city, most notably the Secession Building, which housed influential exhibitions of avant-garde art and was a prototype of the modern art gallery. The Secessionists themselves were pioneers in their philosophy and way of life, aiming to immerse audiences in unified artistic experiences that brought together visual arts, design, and architecture. With:Mark Berry, Professor of Music and Intellectual History at Royal Holloway, University of LondonLeslie Topp, Professor Emerita in History of Architecture at Birkbeck, University of LondonAndDiane Silverthorne, art historian and 'Vienna 1900' scholarProducer: Eliane GlaserReading list:Mark Berry, Arnold Schoenberg: Critical Lives (Reaktion Books, 2018)Gemma Blackshaw, Facing the Modern: The Portrait in Vienna 1900 (National Gallery Company, 2013)Elizabeth Clegg, Art, Design and Architecture in Central Europe, 1890-1920 (Yale University Press, 2006)Richard Cockett, Vienna: How the City of Ideas Created the Modern World (Yale University Press, 2023)Stephen Downes, Gustav Mahler (Reaktion Books, 2025)Peter Gay, Freud, Jews, and Other Germans: Masters and Victims in Modernist Culture (Oxford University Press, 1979)Tag Gronberg, Vienna: City of Modernity, 1890-1914 (Peter Lang, 2007)Allan S. Janik and Hans Veigl, Wittgenstein in Vienna: A Biographical Excursion Through the City and its History (Springer/Wien, 1998)Jill Lloyd and Christian Witt-Dörring (eds.), Vienna 1900: Style and Identity (Hirmer Verlag, 2011)William J. McGrath, Dionysian Art and Populist Politics in Austria (Yale University Press, 1974)Tobias Natter and Christoph Grunenberg (eds.), Gustav Klimt: Painting, Design and Modern Life (Tate, 2008)Carl E. Schorske, Fin-de-siècle Vienna: Politics and Culture (Vintage, 1979)Elana Shapira, Style and Seduction: Jewish Patrons, Architecture and Design in Fin-de-Siècle Vienna (Brandeis University Press, 2016)Diane V Silverthorne, Dan Reynolds and Megan Brandow-Faller, Die Fläche: Design and Lettering of the Vienna Secession, 1902-1911 (Letterform Archive, 2023)Edward Timms, Karl Kraus: Apocalyptic Satirist: Culture & Catastrophe in Habsburg Vienna (Yale University Press, 1989)Leslie Topp, Architecture and Truth in Fin-de-Siècle Vienna (Cambridge University Press, 2004)Peter Vergo, Art in Vienna, 1898-1918: Klimt, Kokoschka, Schiele and Their Contemporaries (4th ed., Phaidon, 2015)Hans-Peter Wipplinger (ed.), Vienna 1900: Birth of Modernism (Walther & Franz König, 2019)Hans-Peter Wipplinger (ed.), Masterpieces from the Leopold Museum (Walther & Franz König)Stefan Zweig, The World of Yesterday: An Autobiography (University of Nebraska Press, 1964)In Our Time is a BBC Studios Audio ProductionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.

Fun time for S6 E2 comes courtesy of three, dynamic industry insiders with diverse approaches to the business, but a shared sense of humor and passion for people and wine.Mary Davis is the beverage program director at Detroit's acclaimed Takoi restaurant. Adam Mahler, a returning panelist familiar to regular listeners, is the founder and owner of Ampelography, a Toledo-based wine brokerage house. Sean Mankowski is the regional manager for Taub Family Selections, the fine (mostly Italian) wine division of Palm Bay Imports.We're posting from our phone here, while on vacation in Italy, so excuse the descriptive brevity and trust us when we say you won't be disappointed in this episode; it's a solid hour of entertainment! Thanks for listening, and if you enjoy the show, please subscribe to follow and help us the grow the show!

The Thunder are NBA champions and Dave 'Softy' Mahler has a lot to say about it. Kids cover your ears and Sonics fans (of age) listen up! The KJR 93.3 radio host talked with Danny Ball about the Finals, possible Sonics & Thunder rivalry, NBA expansion, and the recent announcement of Lenny Wilkens being honored with a statue in front of Climate Pledge Arena. Follow us on IG: @iconic_sonics Sponsored by Epic Seats Presented by Simply Seattle

Now in its 31st year, the AfroSolo Arts Festival is thrilled to return to Commonwealth Club World Affairs with "We Come This Far by Music—Let Freedom Ring! Part 2," featuring African American artists and music. The AfroSolo Arts Festival, directed by Thomas R. Simpson, is showcasing a cast of classically trained artists. This program is led by Dr. Carl Blake, pianist and director, and features Bradley Kynard, baritone; Shawnette Sulker, soprano; William Underwood, flutist. It's a joyful, soul-stirring program of music based on African American experiences, as part of San Francisco's Juneteenth Celebration—a national celebration that commemorates the freeing of enslaved people in Texas two years after the Emancipation Proclamation.  AfroSolo Arts Festival is made possible through the support of the California Arts Council, Grants for the Arts, Dream Keeper Initiative, Kenneth Rainin Foundation, SF Arts Commission, and The Friends of AfroSolo. About the Performers Dr. Carl Blake, piano and program director. Carnegie Recital Wigmore Hall (London) and L'Hermitage St. Petersburg, Russia Toured in France, England, Central and South America, Caribbean as artistic ambassador for the U.S. Department of State. Currently, director of music, Church for the Fellowship of All Peoples, San Francisco, and a board member, Noontime Concerts. Bradley Kynard, baritone. This season: The Emissary by Oh/Rourke and Prospero's Island by Shearer/Stevens, Zebul in Jeptha by Handel, Mer hahn en neue Oberkeet (BWV 212) by J.S. Bach, A Little Girl Dreams of Taking the Veil by Wold, Sophia's Forest by Beecher/Moscovitch, and Harriet's Spirit by Shelby/Olvera with Opera Parallèle, Moby Dick, Heggie/Scheer with San Francisco Opera. Brooke. In Little Women, by Adamo. Shawnette Sulker, soprano. Featured artist with San Francisco Opera; Die Königin der Nacht, Cleopatra, Porgy and Bess, Jake Heggie's Intelligence, Allen Shearer's Prospero's Island. Soloist, Carmina Burana, Messiah, and Mahler's symphonies concert performances at Teatro di San Carlo, Lincoln Center, and Leipzig's Gewandhaus. William Underwood III, flutist. Performs in traditional, avant-garde, social and sacred arenas as a solo, collaborative and recording flutist. A veteran of AfroSolo Festivals in San Francisco. Toured Japan extensively with Kyodo Tokyo Incorporated . An Arts Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. Organizer: Anne W Smith and Thomas R. Simpson  Learn more about your ad choices. Visit megaphone.fm/adchoices

In the first hour of the show Dave is joined by Dave "Softy" Mahler from 93.3 KJR to hear the opinion from Seattle about the Thunder's run to the playoffs, told you what's on deck tonight, and finished with Friday Fun and Games with Allen Stiles.

This work marks a departure from his previous symphonies, which were linked together by vocal music. But what is this? Is this Mahler working through his mortality and uncertainty, or something else? John Banther and Evan Keely show you what to listen for, how Mahler achieves his unique sound, and what it could all mean. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Join Monique Duson and Kevin Briggins as they dive into the recent Corey Mahler vs. James White debate, responding to Mahler's controversial claim that black people cannot be sanctified like white people. They unpack the biblical truth that the Holy Spirit works equally in all believers, regardless of race, and expose the flaws in racist ideologies like white supremacy. Discover what Scripture says about unity, justification, and sanctification in Christ. Don't miss this powerful discussion on rejecting pride, embracing biblical unity, and standing firm in the gospel.

Support the work of End Abortion Now! Check out our newest sponsor, Future of Christendom! -Get the NAD treatment Jeff is on, go to Ion Layer and put “IONAPOLOGIA” into the coupon code and get $100 off your first three months!-Check out our new partner Amtac Blades and use code APOLOGIA in the check out for 5% off! -You can get in touch with Heritage Defense and use coupon code “APOLOGIA” to get your first month free! -For some Presip Blend Coffee Check out our Store. -Check out the Ezra Institute

A new MP3 sermon from Alpha and Omega Ministries is now available on SermonAudio with the following details: Title: Dividing Line/Apologia Radio MashUp Reviewing the Mahler Debate and Related Topics/Is Subtitle: The Dividing Line 2025 Speaker: Dr. James White Broadcaster: Alpha and Omega Ministries Event: Podcast Date: 5/22/2025 Length: 85 min.

Joined Luke and Zach from Apologia Radio for a "mashup" show today to go over the Mahler debate and related issues. We ended up talking about the future, the state of the church, and a lot more! Love chatting with my brothers, and hope you enjoy the result!

Had a lot to report on regarding Thursday's debate, and talked a bit about Mahler's abuse of Genesis 9:25-27 as well. Discussed some of the nasty anons like DefiantBaptist and their amazing behavior. Eventually moved to "Catholic Integralism" and Pope Leo XIV, and finished up with some information about the two major (month-plus long) trips in July and September.

For more from Doug, subscribe to Canon+: https://canonplus.com/

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