Podcasts about mahler

durée : 00:18:54 - Disques de légende du lundi 01 décembre 2025 - Figure majeure de la direction d'orchestre scandinave, Osmo Vänskä s'est imposé comme un des grands mahlériens contemporains grâce son intégrale des Symphonies du compositeur viennois, enregistrée avec le Minnesota Orchestra chez BIS. Leur version de la 4e symphonie constitue le joyau de ce cycle. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Erdős Róbert, operaénekes november 29-én, szombaton 18 órakor a Művészetek Palotájában, a Bartók Béla Nemzeti Hangversenyteremben lép színpadra a Szent István Filharmonikusokkal. A koncert címe „Stephanus 2. – Őszinte vallomások, elsöprő szenvedélyek”, és november 29-én, szombaton 18 órakor kerül sor a Művészetek Palotájában, a Bartók Béla Nemzeti Hangversenyteremben. A közönséget ezen az estén a romantika legmélyebb és legőszintébb zenei vallomásai várják. A programban Gustav Mahler és Giacomo Puccini művei hangzanak el, két zeneszerzőé, akik a XX. század hajnalán még a romantikus érzelemvilág legmélyebb rétegeit kutatták. Két zenei univerzum, amely a szerelemről, a szenvedésről és a hitről mesél. A koncert első felében Mahler Egy vándorlegény dalai (Lieder eines fahrenden Gesellen) hangzik el, benne a „Mikor kincsem esküszik”, a „Mentem reggel a réten át”, a „Hordok egy tüzes pengét” és a „Szerelmem kék szép szeme” című dalokkal, Erdős Róbert bariton szólista előadásában. A zenekart Ménesi Gergely vezényli. A műsor második felében Puccini monumentális Messa di Gloria című korai egyházi remekműve csendül fel, amelyben Papp Balázs tenor, Erdős Róbert bariton és Bán Balázs basszus énekes szólistaként lép színpadra.Közreműködik a Szent István Király Oratóriumkórus (karigazgató Záborszky Kálmán) és a Szent István Szakgimnázium Női- és Férfikara (karigazgatók Soltész Éva és Safarek Krisztián). Az est címe, „Őszinte vallomások, elsöprő szenvedélyek”, pontosan kifejezi azt a zenei és lelki ívet, amely Mahler és Puccini világát jellemzi. Mahler finom lírája, emberi vívódása és az élethez való rajongó ragaszkodása találkozik Puccini liturgikus erejével és szenvedélyes dallamvilágával. Ahogy Erdős Róbert fogalmaz, „Mahlernél minden hang egy életpillanat, Puccininál minden szó ima. E két világ között énekelni olyan, mintha a föld és az ég között állna az ember.”A koncerten felcsendül Mahler V. szimfóniájának Adagiettója is, amelyet a zeneszerző Alma Schindler iránti szerelme ihletett. Ezen az estén a zene a lélek színpada lesz – az emberi szenvedély és a hit legőszintébb vallomása.A Szent István Filharmonikusok ezzel az esttel is megerősítik küldetésüket: híd lenni a klasszikus értékek és a kortárs közönség között.Róbert számára ez a fellépés különleges mérföldkő, hiszen novemberben ünnepelte 30. születésnapját, és kislánya alig két hónapos. Ahogy fogalmaz, „a zene most minden eddiginél több életet ad”, és a koncertek számára nem csupán fellépések, hanem hálaadás-pillanatok. Az énekes a Szent István Filharmonikusokat az alma materének nevezi, hiszen tanulmányait is ott kezdte, Záborszky Kálmán igazgatósága idején, és azóta is baráti, mentori kapcsolat fűzi a karmesterhez. A közös munka most új szintre lép, hiszen a Mahler-dalciklusban az emberi szenvedély, a veszteség és a megnyugvás története szólal meg.Róbert a beszélgetésben elárulja, hogy az éneklés nemcsak hivatás, hanem teljes testi-lelki jelenlét. „Az egész testem hangszer, a levegőtől a csontrezgésig minden dolgozik bennem, amikor megszólal a zene.”Elmondása szerint a bel canto technika fegyelem, türelem és állandó fizikai edzettség kérdése. Minden egyes hang mögött ott van az évek munkája, a koncentráció és a hit, hogy a művészet az emberi lélek legnemesebb kifejezése.A koncertre készülve most Mahler és Puccini világa tölti ki napjait, miközben a család és az oktatás is fontos része az életének. A művész jelenleg a Brassói Egyetem doktorandusza, és folyamatosan koncertezik itthon és külföldön. Ahogy ő mondja, „minden színpadon ott van a haza is, mert a magyar zenei hagyomány a világban is otthon van.”Róbert hite szerint a művészet nemcsak szórakoztatás, hanem küldetés. „A közönség és a zeneszerző között mi vagyunk a híd, az üzenet átadói. Ez felelősség, de minden pillanatát ajándéknak érzem.”A Sláger FM-en minden este 22 órakor a kultúráé a főszerep S. Miller András az egyik oldalon, a másikon pedig a térség kiemelkedő színházi kulturális, zenei szcena résztvevői Egy óra Budapest és Pest megye aktuális kult történeteivel. Sláger KULT – A természetes emberi hangok műsora.

durée : 00:18:54 - Disques de légende du lundi 01 décembre 2025 - Figure majeure de la direction d'orchestre scandinave, Osmo Vänskä s'est imposé comme un des grands mahlériens contemporains grâce son intégrale des Symphonies du compositeur viennois, enregistrée avec le Minnesota Orchestra chez BIS. Leur version de la 4e symphonie constitue le joyau de ce cycle. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Roberto Forés dirige un repertorio de resonancias nórdicas y el debut de Justina Gringytė con la Orquesta de Extremadura, con obras de los finlandeses Outi Tarkiainen y Jean Sibelius, flanqueando a los Kindertotenlieder de Mahler con la desgarradora voz la mezzosoprano lituana. Serán en Badajoz y Mérida, los días 27 y 28 de noviembre, a las ocho de la tarde en sus respectivos palacios de congresos. Charlamos con Forés.

durée : 01:37:07 - En pistes ! du vendredi 21 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Sébastien Daucé et son Ensemble Correspondances redonnent vie aux premières cantates sacrées du compositeur écrites à Mühlhausen. Au programme également : le Quatuor Arod dans un disque Haydn et une intégrale Mahler par le chef Paavo Järvi. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:37:07 - En pistes ! du vendredi 21 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Sébastien Daucé et son Ensemble Correspondances redonnent vie aux premières cantates sacrées du compositeur écrites à Mühlhausen. Au programme également : le Quatuor Arod dans un disque Haydn et une intégrale Mahler par le chef Paavo Järvi. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In the 1960s, Leonard Bernstein famously helped to popularize the music of a then relatively obscure composer, Gustav Mahler. His work, as well as the work of other conductors, made Mahler into a classical-music household name. Mahler's symphonies are played every year all over the world, and he is firmly ensconced in the so-called canon of standard orchestral repertoire. Would it surprise you to know that Franck's D Minor Symphony once had the same reputation? It was played almost every year by most major orchestras, it was recorded by all the great conductors, and it was a fixture of the canon just like a Brahms symphony. Nowadays you would be lucky if, outside of France and Belgium, you hear Franck's Symphony once every five years, if that. The truth is that, other than a short golden period for this symphony, it has either been controversial (around the time it was premiered) or ignored (nowadays), which is a real shame, since it is a glorious piece that I would argue is drastically underrated in our modern world. The symphony was radically innovative for its time, which probably explains some of the more virulent criticism it received, but even though those innovations now sound completely normal to our ears, they are still at the heart of what makes this symphony so profoundly satisfying to listen to. Ahead of my performances of the symphony in Lille this December, I wanted to dive in and explore this unfairly ignored masterpiece. In about 40 minutes of music in three grand movements, Franck pours his soul into this work. That phrase sounds a bit cliché, I know, but I really mean it; there is an earnestness about this music that I find deeply moving, and it is something we will explore together today. We will talk about Franck's late entry into the world of composition, his reputation as an organist, and the challenges he faced in finding acceptance as a composer. Along the way, we will discuss this gorgeous piece in all of its passion and intensity. Join us!

This past September 19th, we observed the anniversary of the death in 1992 of the great Welsh bass-baritone Geraint Evans at the age of 70. A vivid actor and a skilled singer, he both began and ended his career at the Royal Opera House Covent Garden, but was a treasured guest at opera houses all over the globe. In 1966, London/Decca records released a recording designed to give full display to his musical, stylistic, and dramatic versatility. In its US issue it was entitled, appropriately enough, Three Centuries of Baritone Art, and in it many of his greatest roles are highlighted, as well as a number of parts, unusual or uncharacteristic for him, which he never performed onstage.  Needless to say, his Mozart roles are in the forefront, as is his exceptional characterization of Verdi's Falstaff, to which he brought a light buffo touch while still retaining a full vocal palette bolstered by a vivid characterization. On this episode, I supplement this album with a delightful recording of Evans singing from Mahler's Knaben Wunderhorn, a wrenching one of his legendary Wozzeck, and a monumental one of Elegy for a Prince, a work for voice and orchestra by William Mathias, written for and dedicated to Evans, who sang the premiere in 1972 and subsequently recorded it in 1977. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

On the November 20 edition of the Music History Today podcast, Mahler debuts, as does Amy Winehouse & Josh Groban in America, & Michael Jackson & Phil Spector answer to the justice system. Also, happy birthday to Phife Dawg, Joe Walsh, Duane Allman, & Mike D.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters:00:00 Intro 00:16 What happened on this date in music history02:50 Music award ceremonies that were held on this date in music history03:31 Albums released on this date in music history04:46 Singles released on this date in music history05:08 Podcast advertisement05:27 Birthdays of music artists on this date in music history06:40 Passings of music artists on this date in music history07:42 What's on tomorrow's episode

Zuerst zum Podcast: Der läuft wieder! Mein Dank geht an Florian und Thomas, die sich beide aufopferungsvoll um den Podcast gekümmert haben. Alle Schäden durch den Angriff aufgeräumt und den Podcast wieder repariert haben. Chapeau - Ohne euch wäre ich völlig aufgeschmissen gewesen. Und nun zur aktuellen Folge: Irgendwann frage ich Heiko, wie viele Auftritte sie mit den Höhner im Jahr spielen. "150," ist die Antwort und ich denke, ach, das ist viel, sehr viel, aber das geht ja noch. Doch dann schiebt er hinterher: "150 Auftrittstage..." Auftritte selbst sind es fast an die 400 im Jahr. Bis zu 10 am Tag. Wahnsinn. Wer die Höhner nicht kennt, der kommt wahrscheinlich nicht aus Köln. Die Höhner sind nicht nur die Top Karnevalsband, sondern neben den Brings, AnnenMayKantereit und Bap der wohl erfolgreichste Exportschlager aus Köln, was Musik anbelangt. Und so gehen die Jungs neben der Karnevalszeit auch auf Deutschlandtour, spielen in der Philharmonie und organisieren einen eigenen Zirkus. Und als wäre das nicht genug, leitet Heiko zusammen mit seiner Frau noch ein Pilates-Studio in Köln. Wie das überhaupt geht, wie man so funktionieren kann und trotzdem die Liebe zur Musik behält, da musste ich mit Heiko drüber reden... Mehr zu Heiko findest du hier: https://www.instagram.com/heiko_braun_/ Die Höhner gibt es hier: https://www.hoehner.com/ Die beiden Podcastfolgen mit René hörst du hier: https://open.spotify.com/episode/1BhBpY2qUVnq4nr3QqupNh?si=Z_DfRCpqRkWyJoZSpJqfQg und hier: https://open.spotify.com/episode/2BrFMlYkKLzbbY0PpapkQl?si=CQuHUmF2QemHLbYagnrJaQ Die beiden erwähnten Höhner Songs: https://open.spotify.com/intl-de/track/0qUE7QaAxUF4yNrjiJZRsu?si=b73b06596f144cd0 und hier rockt es: https://open.spotify.com/intl-de/track/5tKxnC8Y7OLXkgQWm3HAPL?si=43927b6c012e4130 Die Musik Tipps sind dann hier: Mahler: https://open.spotify.com/intl-de/track/283mfjeuVuiMJVbibxVvx4?si=54cbe1f966b34125 Beethoven: https://open.spotify.com/intl-de/track/79RYNk7I1YDy4RLPamenAn?si=fe6b8c8c70f542e9 Johgn Mayer: https://open.spotify.com/intl-de/album/1Xsprdt1q9rOzTic7b9zYM?si=MdSOSBL4S8O_dUTYMeVF7w Ich freu mich tierisch, wenn du auf der Seite von Einfach Schlagzeug mal vorbeischaust unter https://einfachschlagzeug.de/ Und zur Trommel Talk Snare wird es in der nächsten Folge mehr geben! 03:03 - Start 37:47 - Schnellfragerunde 39:09 - Fast in den USA

Reinterpreting centuries-old classical music, marking up symphonies with notes on phrasing, and turning mid-performance disasters into unforgettable moments with Carlos Miguel Prieto, a music director and conductor. How do you get an orchestra to pick up the tempo? (Spoiler: Not by waving your hands faster.) And how does a performance of Beethoven's Fifth sound different today from a century ago?WANT MORE EPISODE SUGGESTIONS? Grab our What It's Like To Be... "starter pack". It's a curated Spotify playlist with some essential episodes from our back catalogue. GOT A COMMENT OR SUGGESTION? Email us at jobs@whatitslike.com FOR SPONSORSHIP OPPORTUNITIES: Email us at partnerships@whatitslike.com WANT TO BE ON THE SHOW? Leave us a voicemail at (919) 213-0456. We'll ask you to answer two questions: 1. What's a word or phrase that only someone from your profession would be likely to know and what does it mean? 2. What's a specific story you tell your friends that happened on the job? It could be funny, sad, anxiety-making, pride-inducing or otherwise. We can't respond to every message, but we do listen to all of them! We'll follow up if it's a good fit.

In this episode, I sit down with Jonathan Mahler, author of The Gods of New York, to explore the four years that transformed America's greatest city—and foretold the divisions that would come to define the nation.From Wall Street's boom to the crack epidemic, from Howard Beach to the Central Park jogger case, from ACT UP to Spike Lee, the New York of 1986–1989 was a city teeming with conflict, creativity, and change. Mahler paints a vivid portrait of a metropolis at war with itself: between greed and grit, privilege and poverty, rebirth and decay.Together, we discuss how this pivotal era gave rise to figures like Donald Trump, Al Sharpton, Ed Koch, and Rudy Giuliani—and why the battles of 1980s New York still echo in today's America.Support the show

Today, Dr. Stephanie Holmes talks with Occupational Therapist, Kelly Mahler. The topic is interoception! Every neurotype can struggle with it, but we find neurodivergent folks can have a few more challenges with interoception.Defined by Kelly's website: Many people notice these feelings in their body with the help of an important sense… a sense called… interoception.Don't let the name fool you. The word interoception might not sound very sexy or important. But this sense is a really big deal. Interoception has a huge influence on many areas of our lives, like self-regulation, mental health, and social connection. About our Guest:Kelly Mahler, OTD, OTR/L, earned a Doctorate in Occupational Therapy from Misericordia University, Dallas, PA. She has been an occupational therapist for 20 years, serving school-aged children and adults. Kelly is the winner of multiple awards, including the 2020 American Occupational Therapy Association Emerging and Innovative Practice Award & a Mom's Choice Gold Medal. She is an adjunct faculty member at Elizabethtown College, Elizabethtown, PA as well as at Misericordia University, Dallas, PA. Kelly is a co-principal investigator in several research projects pertaining to topics such as interoception, self-regulation, trauma & autism.

durée : 00:03:56 - Quand Joe Hisaishi rencontre Antonio Vivaldi - par : Max Dozolme - Ses plus grands modèles sont Debussy et Mahler et pourtant Joe Hisaishi, le compositeur phare des films de Kitano et Miyazaki apprécie aussi beaucoup la musique baroque. Il a même arrangé une œuvre célèbre de Vivaldi pour un court-métrage méconnu du Studio Ghibli. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

251117MM Nein, meine Söhne kriegt ihr nicht!Mahler meint am 17.11.2025„Nein, meine Söhne kriegt ihr nicht!“ sagte meine Tochter Sonja in einem Telefongespräch zu mir. Inzwischen war klar geworden, dass ihre Söhne – sie hat 3 – auf jeden Fall gemustert werden würden. Wenn auch die Wehrpflicht für alle nun wohl nicht kommen wird. Dennoch versetzt sie die Aussicht, dass Nick, 17, Paul, 16 und Felix, jetzt 10 Jahre alt eines Tages zur Bundeswehr gehen müssten. Das ist ja gerade eine beängstigende Situation. Der Krieg ist schleichend bei uns angekommen. Letzte Woche flogen zwei Kampfjets im Tiefflug mit einem Höllenlärm gefühlt ein paar Meter über unser Hausdach.Ich habe nicht nur den Kriegsdienst verweigert (es hieß immer Kriegsdienst und nicht Wehrdienst), war bei der Deutschen Friedensgesellschaft aktiv und habe einige Kriegsdienstverweigerer als Beistand in Verhandlungen begleitet.Das ist lange her und der Wind hat sich gedreht. Leider in die falsche Richtung. Ich habe mich dabei ertappt, dass ich meinem Enkel Noah, 22 Jahre alt, nicht widersprochen habe, als er den Gedanken geäußert hat, eventuell zum Bund zu gehen, dort den Führerschein und eine Ausbildung zu machen. Und ich frage mich, was passiert ist. Beziehungsweise in welche Situation uns Putin mit seinem Säbelrasseln gebracht hat. Habe ich auch die Begrifflichkeit ausgetauscht und Kriegsdienst durch Wehrdienst ersetzt? Ehrenhaft Heimatland und Familie verteidigen?Schon lange gehe ich mit diesen Gedanken schwanger und kämpfe innerlich gegen den Verlust meiner pazifistischen Haltung an. So leicht kriegt ihr mich nicht – genauso wenig wie die Jungs meiner Tochter Sonja. Hosted on Acast. See acast.com/privacy for more information.

Polifonia futurista entre tenebres. Crítica teatral de l'obra «Nauta», de David Costa i Franc Aleu. Intèrprets Cor de Teatre: Sara Costa, Martina Majó, Ànnia Pons (sopranos),: Sara Gómez i Natàlia Menció (mezzosopranos), Mariona Callís i Nuri Hernàndez (contralts), Jordi Forcadell, Nasi Marco i Martí Serrallonga (tenors), Gerard Capdevila i Aleix Fernàndez (barítons), Lluís Gratacós i Joan Rigat (baixos). Música: Monteverdi, Purcell, Rameau, Händel, Scarlatti, Haydn, Mozart, Grieg, Mahler i Leontòvitx. Composició de l’espai sonor i arranjaments: Dani López. Videocreacions i espai escènic: Franc Aleu. Moviment escènic i coreografies: Leo Castro. Programació i disseny tècnic: Marc Aleu. Il·luminació: August Viladomat, ‘Gutty’. So: Joan-Carles Ros, ‘Rosky’, Abdon Compta i Panxii Badii. Vestuari: TXU Studio – Joana Poulastrou i Chu Uroz. Producció tècnica: Llorenç Gómez. Producció: Somfònics, El Canal – Centre de Creació d’Arts Escèniques de Salt / Girona i Temporada Alta. Direcció musical: David Costa. Direcció: David Costa i Franc Aleu. Companyia Cor de Teatre, El Canal - Centre de Creació d'Arts Esceniques, Salt (Gironès), 8 novembre 2025. Teatre Condal, Barcelona, 14 al 16 de novembre 2025. Veu: Andreu Sotorra. Música: Schedryk. Interpretació: AlissaLytvak, Choeur Music Chain for Ukraine. Composició: Mykola Léontoytch. Àlbum: Shchedryk, 2016.

durée : 02:28:45 - France Musique est à vous du samedi 15 novembre 2025 - par : Gabrielle Oliveira-Guyon - Ce samedi, place à un programme riche et contrasté : Chostakovitch, Mahler, Mozart, Verdi, Bartók ou encore le compositeur bulgare Lajos Bardos. - réalisé par : Emmanuel Benito Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Achtsam und bewusst die Natur mit allen Sinnen erleben. Mit Sibelius und Mahler, garantiert ohne Zeckenbiss! Diese Stücke hast Du in der Folge gehört: Ottorino Respighi - "Pini di Roma" // Patrick Hawes - "Reflexionem" // Jean Sibelius - "Lemminkäinen" // SuiteGustav Mahler - "Sinfonie Nr 1 (Ausschnitt)" // Claude Debussy - "Prelude Des Pas sur la Neige" // Den SWR Podcast "Der Landarzt vom Murgtal" findest Du hier: https://www.ardaudiothek.de/sendung/der-landarzt-vom-murgtal/urn:ard:show:215b19ac8dc47b8d/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de

durée : 01:58:40 - La Saga du Philharmonique de Vienne II : 1918-1937, La République - par : Christian Merlin - Deuxième volet de notre vaste histoire de l'Orchestre Philharmonique de Vienne, pour évoquer l'après- Mahler et l'après-Première guerre mondiale. Où l'on croisera les figures de Richard Strauss, Clemens Krauss et Furtwängler, sans oublier la fondation du Festival de Salzbourg. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In deze week bij Kalm met Klassiek is de inspiratiebron Sint-Maarten, het lichtjesfeest! Morgen kleuren lampionnetjes de straten, en ook hier in de podcast worden deze donkere dagen wat opgelicht. Het eerste muzikale licht van de week is 'Urlicht', dat zich toepasselijk laat vertalen naar "Oerlicht" of, jawel, "Eerste licht". Het is het vierde deel uit 'Symfonie nr. 2' van Gustav Mahler, een deel voor vrouwenstem en orkest. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/thema/kalm-met-klassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=be36463468d84e37). 

In May this year, the Concertgebouw – Amsterdam's legendary concert hall – played host to the 2025 Mahler Festival. Originally scheduled for 2000, the centenary of the first such event, but moved back by five years due to the pandemic, the Mahler Festival saw all of Mahler's symphonies performed chronologically over two weeks, and performed by a handful of the world's great orchestras. The Eighth Symphony fell to the local band, the Royal Concertgebouw Orchestra and their Chief Conductor Designate, Klaus Mäkelä, who gave two performances, both of which were recorded. And that recording has just been released by Decca – digitally worldwide, with a CD version available in Japan and Korea to coincide with the orchestra's first tour of Asia with Mäkelä before Christmas. James Jolly caught up with Klaus Mäkelä to talk about the conductor's continuing fascination with Mahler's music, and particularly with the Eighth Symphony, the performances of which were clearly a highpoint in the conductor's career so far.

durée : 00:28:32 - La Saga du Philharmonique de Vienne II - 1918-1937, La République (4/4) : l'austrofascisme - par : Christian Merlin - Deuxième volet de notre vaste histoire de l'Orchestre Philharmonique de Vienne, pour évoquer l'après- Mahler et l'après-Première guerre mondiale. Où l'on croisera les figures de Richard Strauss, Clemens Krauss et Furtwängler, sans oublier la fondation du Festival de Salzbourg. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:28:44 - La Saga du Philharmonique de Vienne II - 1918-1937, La République (3/4) : de Furtwängler à Krauss - par : Christian Merlin - Deuxième volet de notre vaste histoire de l'Orchestre Philharmonique de Vienne, pour évoquer l'après-Mahler et l'après-Première guerre mondiale. Où l'on croisera les figures de Richard Strauss, Clemens Krauss et Furtwängler, sans oublier la fondation du Festival de Salzbourg. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:28:43 - La Saga du Philharmonique de Vienne II - 1918-1937, La République (2/4) - par : Christian Merlin - Deuxième volet de notre vaste histoire de l'Orchestre Philharmonique de Vienne, pour évoquer l'après- Mahler et l'après-Première guerre mondiale. Où l'on croisera les figures de Richard Strauss, Clemens Krauss et Furtwängler, sans oublier la fondation du Festival de Salzbourg. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:28:41 - La Saga du Philharmonique de Vienne II - 1918-1937, La République (1/4) - par : Christian Merlin - Deuxième volet de notre vaste histoire de l'Orchestre Philharmonique de Vienne, pour évoquer l'après-Mahler et l'après-Première guerre mondiale. Où l'on croisera les figures de Richard Strauss, Clemens Krauss et Furtwängler, sans oublier la fondation du Festival de Salzbourg. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:23 - Fritz Wunderlich, ténor incomparable - par : Aurélie Moreau - Le légendaire ténor Fritz Wunderlich, qui débuta à l'opéra en 1955, avait conquis un vaste public par sa voix douce et puissante, qui rayonnait avec chaleur. Il perdit la vie avant ses 36 ans. Aujourd'hui : Schumann, Mozart, Mahler, Lehár, Schubert… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The last of my festive potpourri episodes for this, my birthday month, this episode focuses on a favorite vocal range of this opera queen: the soprano voice, in all its variety and glory. Included are such pristine lyric voices as Erika Köth, Benita Valente (who just departed us last weekend, shortly after celebrating her 91st birthday), Judith Raskin, Judith Blegen, Mattiwilda Dobbs, and Edith Mathis, among others; medium- to heavier-weight lyric voices such as Pilar Lorengar, Delia Rigal, Teresa Stratas, Taru Valjakka, Melitta Muszely, and Margarete Teschemacher; and “ambiguous” voices as Arleen Augér, Martha Flowers, Irmgard Seefried, Andrée Esposito, Jill Gomez (pictured), Faye Robinson, Hilde Güden, and Elizabeth Harwood which could, if you'll pardon the term, “swing both ways,” at least in terms of vocal weight! They perform a wide range of material of material including vocal chamber music by Manuel de Falla and Miriam Gideon; art song by Brahms, Bridge, Poulenc, Beethoven, Bizet, Granados, Sibelius, and Mahler; operetta and musical selections by Arlen, Lehár, Stolz, and Kern; and full-throated operatic selections by Richard Strauss, Jacques Ibert, Leoncavallo, and Meyerbeer. It's another jam-packed episode guaranteed (in a limited sense) to bring you the full-range of listening pleasure. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

We've got a new jingle! If you want to win, here's what they say: Just start Rick Mahler on Opening DayCard 706 on Beckett -https://marketplace.beckett.com/gamesandcards_87/item/1988-topps-tiffany-706-rick-mahler_30276986Rick on Opening Day - https://www.si.com/mlb/braves/news/rick-mahler-thrived-on-opening-day-for-the-bravesRick in Santurce - https://beisbol101.com/rick-camp-and-rick-mahler-santurce-crabbers-imports-and-atlanta-braves-teammates-part-i/ Hall of Fame Card Corner -  ​​https://baseballhall.org/discover/cardcorner-1982-donruss-rick-mahlerRick's Obituary - https://www.gainesville.com/story/news/2005/03/03/rick-mahler-dies-at-51/31685396007/

Forscher im Norwegen suchten nach Spuren in der Natur spielender Kinder. Die Hütten, die sie fanden, waren 15 Jahre und älter. Ein deutlicher Beleg: Die Kindheit hat sich drastisch verändert. Die Literaturagenten sprechen mit Maja Lunde über ihr Manifest: "Rettet die Kindheit" - und mit Peter Stamm über einen Jungen, der die Phantasie hat, ein Astronaut zu sein. Seine Eltern gehen darauf ein, eine ganz besondere "Reise" beginnt. Außerdem in der Sendung ein Trip der speziellen Art: Thomas Mann im Gespräch mit Tolkien und Stephen King, und: eine Comicbiographie über "Die Knef".

Ein weltberühmter Komponist kehrt ins Leben zurück, jedoch nicht auf die Konzertbühne, sondern mitten in den Alltag eines Ehepaars. In Karl-Heinz Böllings absurder Hörspielkomödie „Mahler zu Besuch“ trifft das Gewöhnliche auf das Geniale, das Häusliche auf das Exzentrische. Regie: Silke Hildebrand Mit: Martin Engler, Traute Hoess, Markus Scheumann und Wilfried Hochholdinger hr 2015| ca. 40 min (Audio verfügbar bis 24.10.2026)

Hüster, Wiebke www.deutschlandfunkkultur.de, Fazit

Just Sarah and Jane today—two “small mediums at large”—jamming on what they call the frequency of love: how to attune to it, why it's a reliable “operator line” to Spirit, and what it looks like in ordinary life (yes, even at Costco

Movie reviews #547 more 70's films we chuckin in the (Done) pile.1 (Heartbreak Kid 1972) Elaine May directs this strong movie, I just wouldn't, call it a comedy. We can all see in Jeannie Berlin's acting, that it is not funny how she is treated by said Heartbreak Kid.2 (The mad adventures of Rabbi Jacob 1973) This was a fake out for me, as it is not a movie about a Rabbi gettin into adventures, but instead it's about this goofy French guy, whom if memory serves, is a jerk. This one's zany and there's a vat of gum!3 (The Apprenticeship of Duddy Kravitz 1974). Richard Dreyfuss, French Actress Michelle Lancot, Randy Quaid, and the rad Bowling coach from the 1979 hit movie Dreamer star in this movie where ya wish old Duddy would seriously get his head out of his ass.4 (Mahler 1974) Jesus stars in this weird Ken Russell film about…………….Gustav Mahler. He looks back on his life while on a train.5 (Wrong Move 1975) I guess this Wim Wenders did a lot for German Cinema, good, but for me the Wrong Move is not watching (The Lost Honor of Katharina Blum) another German film that came out the same year.6 (Nickelodeon 1976) Here we have Ryan O'Neal, Burt Reynolds,Tatum O'Neal, and the Boss of Mr. French in this film about how 2 bumbling guys accidentally become some of the first American filmmakers ever. This is a Peter Bogdanovich film.7 (Lovey a circle of friends part II 1978) Jane Alexander and Timothy Hutton's Dad in Taps star in this important sequel to an important movie about how we deal with children with disabilities, not perfect, but at the time vital to show the world a better way than the medieval torture that came before. Medieval torture may not even be strong enough to describe the horrible ways people were treated in those institutions.Thanks for listening friends, let the people know there's been a 70's film podcast out there pluggin away for……about 7 years?

I sat down with Rob Woodall to talk all things peak bagging. After completing all the Munros, Corbetts and Grahams, Rob progressed to more obscure categories such as HuMPs (hundred metres of prominence) and TuMPs (thirty and upwards metres of prominence), via some long distance hill running rounds (The UK Big Three, the Rigby Round, and his Cuillin Round to name a few). Rob also devised the Trans Cuillin but never got to complete it - James Gibson doing this in 2023.From an early age Rob was interested in maps, and as one list led to another in 2016 he became the first person to visit all 6190 British Trig points - a huge feat which required negotiation with not a few landowners, and even special arrangements to visit trigs within military facilities. We chatted about his recent trips to Norway and Turkey, where he has been ascending P1000 mountains (mountains with a prominence of 1000m or more).In 2014 he became the first person to complete all 1556 Marilyns, UK peaks of P150m (150 metres prominence). The final crux of this endeavor were the 6 summits on the remote archipegalo of St Kilda, two of which - Stac an Armin and Stac Lee - are stacks rising vertically out of the Atlantic and requiring not only calm sea conditions and an approach between October and March to avoid gannet restrictions, but also careful landing stretegies and roped climbing techniques. Rob has always been a collector - he describes initially 'completing' classic symphonies eg by Brahms, Mahler and Sibelius, then also collecting logs of birds, plants, and long distance hill running rounds, as well as his astromonical number of peaks worldwide in a whole range of categories from TuMPs and HuMPs, right up the Ultras - which have 1500m prominence. I also mention a list of P4000m Peaks - but this is a worldwide list not a South American list as I state. Further information on these categories and more can be found at www.peakbagger.com, where Rob is ranked #1 worldwide for his P-Index (a calculation designed to indicate the number and quality of prominent peaks the person has climbed). Rob has even been involved in some work to relocate 'lost' trigpoints, and to find previously uncategorised hills. Many thanks to Rob for giving us a glimpse into his world of prominence and relative peaks.If you want to buy me a cuppa to help support the podcast, thank you and please do at: ⁠⁠⁠https://ko-fi.com/finlaywild⁠

Mahler walks us through The Gods of New York: Egotists, Idealists, Opportunists, and the Birth of the Modern City, 1986–1990—how a late-'80s crucible of crime, crack, and tabloids minted characters like Spike Lee ("the coolest guy in America"), Al Sharpton, Donald Trump, Ed Koch, and Rudy Giuliani. We revisit Howard Beach, Yusuf Hawkins, Do the Right Thing, and the media ecosystem that turned norm-breaking into power, alongside the policy tradeoffs (SROs, development, homelessness) that still echo today. It's a brisk tour of the years when New York became the prototype for how America lives now. Plus: how to read diplomatic reporting—and why Hamas yielded when its only real leverage was other people's bodies. Produced by Corey Wara Production Coordinator Ashley Khan Email us at ⁠⁠⁠⁠thegist@mikepesca.com⁠⁠⁠⁠ To advertise on the show, contact ⁠⁠⁠⁠ad-sales@libsyn.com⁠⁠⁠⁠ or visit ⁠⁠⁠⁠https://advertising.libsyn.com/TheGist⁠⁠⁠⁠ Subscribe to The Gist: ⁠⁠⁠⁠https://subscribe.mikepesca.com/⁠⁠⁠⁠ Subscribe to The Gist Youtube Page: ⁠⁠⁠⁠https://www.youtube.com/channel/UC4_bh0wHgk2YfpKf4rg40_g⁠⁠⁠⁠ Subscribe to The Gist Instagram Page: ⁠⁠⁠⁠GIST INSTAGRAM⁠⁠⁠⁠ Follow The Gist List at: ⁠⁠⁠⁠Pesca⁠⁠⁠⁠ ⁠⁠⁠⁠Profundities | Mike Pesca | Substack⁠⁠⁠⁠

-Hump Dayyyyy-NDSU Offensive and Defensive MVP's so far-Dave 'Softy' Mahler joins to talk the Seattle sports scene-Our guy Noah Gindorff joins-NDSU vs ISU thoughts

The names are almost all known nationally: Ed Koch, Rudy Giuliani, David Dinkins, Al Sharpton, Larry Kramer, and Donald Trump. These are people who were first in the news in the 1980s. Their early public lives are now featured in Jonathan Mahler's book, "The Gods of New York." The book is divided into four large chapters titled 1986, 1987, 1988, 1989. Mr. Mahler, a feature writer for the New York Times Magazine, closes his book with this last paragraph: "The existential questions that New York faced as it entered 1986 were answered. The great working-class city was gone." Learn more about your ad choices. Visit megaphone.fm/adchoices

The names are almost all known nationally: Ed Koch, Rudy Giuliani, David Dinkins, Al Sharpton, Larry Kramer, and Donald Trump. These are people who were first in the news in the 1980s. Their early public lives are now featured in Jonathan Mahler's book, "The Gods of New York." The book is divided into four large chapters titled 1986, 1987, 1988, 1989. Mr. Mahler, a feature writer for the New York Times Magazine, closes his book with this last paragraph: "The existential questions that New York faced as it entered 1986 were answered. The great working-class city was gone." Learn more about your ad choices. Visit megaphone.fm/adchoices

Mahler Festival Broadcast: Mahler 6 by CSO Association

Jonathan Mahler's The Gods of New York is a brilliant chronicle of the late 1980s, when a rotating cast of outrageous characters — Trump, Koch, Sharpton, among others — hogged the headlines. Bradley talks to Mahler about the clash of epic egos, as well as shifting social conditions. How exactly did homelessness and untreated mental illness go from an emergency that pricked the conscience of New Yorkers to a normalized, if regrettable, fact of urban life? Fast-forwarding to the present, they parse Brooklyn's transformation, how the business elite grew complacent, where Mamdani will lead us, and who will write the next chapter about a wealthier but increasingly rudderless city.This episode was taped at P&T Knitwear at 180 Orchard Street — New York City's only free podcast recording studio.Send us an email with your thoughts on today's episode: info@firewall.media.Be sure to watch Bradley's new TED Talk on Mobile Voting at https://go.ted.com/bradleytusk.Subscribe to Bradley's weekly newsletter and follow Bradley on Linkedin + Substack + YouTube.

durée : 00:15:31 - Le Disque classique du jour du lundi 29 septembre 2025 - Avec une grande profondeur émotionnelle, la mezzo-soprano Anna Lucia Richter interprète Des Knaben Wunderhorn Lieder et les Kindertotenlieder de Gustav Mahler - deux cycles qui éclairent le destin humain. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:31 - Le Disque classique du jour du lundi 29 septembre 2025 - Avec une grande profondeur émotionnelle, la mezzo-soprano Anna Lucia Richter interprète Des Knaben Wunderhorn Lieder et les Kindertotenlieder de Gustav Mahler - deux cycles qui éclairent le destin humain. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

As many of you know, my beloved mother died this past week. I've been trying for two days now to put together a memorial episode that would do justice to the many divergent aspects of the woman that she was. Alas, I have not yet been able to rise to the challenge, so instead, I offer a recently published bonus episode devoted to the exceptional English contralto Anna Reynolds (05 June 1930 – 24 February 2014), a true servant of her art. She was an extraordinarily eclectic interpreter, blessed with a caramel voice and a vivid interpretive sense. I have chosen music by Bach and Mahler to highlight the qualities that made her so special, and which served the ethos of both of these composers remarkably well. These are among the finest interpretations of the vocal music of either Bach or Mahler that you will ever encounter. Today's guest artists include soprano Helen Donath and tenor Peter Schreier, pianist Geoffrey Parsons, and conductors Hermann Scherchen, Josef Krips, Lorin Maazel, Benjamin Britten, Wyn Morris, Rudolf Kempe, and Karl Richter. May this exceptional artist and her colleagues bring a sense of peace, grace, and repose to all of us who so desperately need it. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

SynopsisIn all, Polish composer Krzysztof Penderecki completed eight symphonies, and in 2013, to celebrate his 80th birthday, there appeared a box set of recordings billed as his “complete symphonies,” all conducted by their composer. But while that “complete” set included Symphonies Nos. 1-5 and 7&8, it was missing No. 6. The reason? Although Penderecki had begun work on his sixth symphony years earlier, it remained unfinished when the set was issued.Fast forward to today's date in 2017 for the out-of-sequence premiere of Penderecki's Symphony No. 6, given in China by the Guangzhou Symphony Orchestra. The venue was apt, since the symphony was subtitled Chinese Poems, and included settings for baritone and orchestra of eight ancient Chinese poems — with a Chinese instrument, the erhu, providing solo interludes.Curiously, Penderecki chose to set German translations of the Chinese poems, translations published back in 1907 in the same collection Gustav Mahler had sourced for his unnumbered song-symphony Das Lied von der Erde, the Song of the Earth. And it's probably no coincidence that Penderecki's Symphony No. 6 sounds very much like he was trying to channel both the spirit and sound world of Mahler's early 20th century song-symphony into own his 21st-century one.Music Played in Today's ProgramKrzysztof Penderecki (1933-2020): Symphony No. 6 (Chinese Poems); Stephan Genz, baritone; Polish Chamber Philharmonic Orchestra Sopot; Wojciech Rajski, conductor; Accord ACD-270

Mäkelä Conducts Mahler 3 by CSO Association

Even before the continuing acts of gun violence in the US this week, I had chosen a theme that necessitated a rather sombre setlist: the artistry of Canadian-born singer George London in recital. Though London was one of the premier operatic bass-baritones in the 1950s, he also reserved a significant corner of his artistic endeavors for the recital stage. This episode focuses on London's live and studio recordings of this repertoire, which, in part simply by virtue of the dark color of his voluminous voice, tended toward the serious: Schubert's Heine settings, Brahms's Vier ernste Gesänge, Ibert's Don Quichotte songs, Duparc's sepia-toned melodies, Mahler's Kindertotenlieder, and his calling-card, Mussorgsky's Songs and Dances of Death. Examples of London singing all of this repertoire are included, accompanied by Paul Ulanowsky, Leo Taubman, Erik Werba, and John Newmark, among others. The episode is dedicated to the memory of all innocent victims in the epidemic of gun violence in the United States. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

A new book from Jonathan Mahler posits that the years from 1986 to 1990 were some of the most important, and tumultuous, in New York City history. Mahler discusses the book, The Gods of New York: Egotists, Idealists, Opportunists, and the Birth of the Modern City: 1986-1990.

John welcomes Jonathan Mahler, New York Times Magazine staff writer and bestselling author of “The Bronx Is Burning,” to discuss his new book, “The Gods of New York: Egotists, Idealists, Opportunists, and the Birth of the Modern City: 1986-1990.” Mahler unpacks the reinvention of the Big Apple in the second half of the Eighties; riffs on the outsized characters (from Ed Koch and Rudy Giuliani to Larry Kramer, Al Sharpton, and, of course, Donald Trump) who played key roles in it; and argues that the rise of Zohran Mamdani signals an end to the 40-year era spawned by that transformation. He and Heilemann also reminisce about crossing paths as undergrads in 1987—first as teammates and then as cellmates. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Jonathan Mahler, author of 'The Gods of New York', joins Joanna Coles to explore Donald Trump's tabloid-fueled rise in the 1980s. From his feud with the Koch brothers over Wollman Rink to the Marla Maples scandal in Aspen and his explosive Central Park Five ad, Mahler reveals how Trump mastered gossip and scandal to build a myth that would carry him into politics. They trace how Trump's obsession with media attention turned Page Six into his personal stage. And they uncover how the tabloid era's culture wars laid the foundation for Trump's future in the White House. Hosted on Acast. See acast.com/privacy for more information.