Podcasts about mahler

260225PC Alles auf ZuckerMensch Mahler am 25.02.2026Der CDU-Parteitag hat eine von Schleswig-Holsteins CDU-Ministerpräsident geforderte Zuckersteuer mehrheitlich abgelehnt. Doch Daniel Günther gibt nicht auf und will die Steuer über den Bundesrat durchsetzen.„Das Thema Zuckersteuer hat sich natürlich nicht erledigt“, sagte der CDU-Politiker dem RedaktionsNetzwerk Deutschland. Sein Landesverband habe einen klaren Parteitagsbeschluss sowie „manche Unterstützung“ auf dem Bundesparteitag bekommen, ferner hätten andere Bundesländer Sympathien dafür. So werde Schleswig-Holstein die Wege, „die uns jetzt offenbleiben – im Bundesrat –, entsprechend nutzen, um erfolgreich zu sein.“Günther zeigte sich verärgert über die Debatte auf dem Parteitag. „Die ganzen Argumente, die da eine Rolle gespielt haben, hatten nichts mit Jugendschutz zu tun.“ Vielmehr habe es sich um eine Abwehrdebatte gehandelt, „weil man glaubte, dass das Thema Zuckersteuer etwas ist, das die Wirtschaft belastet“. Das Gegenteil sei der Fall, wie man in vielen anderen Ländern, etwa Großbritannien, sehen könne. „Und deswegen werden wir weiter Überzeugungsarbeit leisten.“Mahler meint, dass diese Debatte eine Farce ist. Zucker schadet nachweislich der Gesundheit. Vor allem der Gesundheit von Kindern. Wenn die Wirtschaft meint, auf Kosten der Gesundheit der Menschen Geschäfte machen zu können, muss der Gesetzgeber hier entschlossen handeln. Das Beispiel Großbritannien hat gezeigt, dass das geht. Hosted on Acast. See acast.com/privacy for more information.

Les vuitenes simfonies de Beethoven, Bruckner, Dvor

Hay historias que el título mismo no deja lugar a dudas de lo que tratan y a dónde van. No hay espóiler alguno en decir que "Muerte en Venecia" (1912) es una obra sobre esa cita ineludible a la que todos nos enfrentamos. Hace 150 años que nació su autor, Thomas Mann (1875-1955), parte de una familia que ha hecho historia en Alemania como ejemplo de una clase social y una cultura cuya intelectualidad llega una decadencia tal, que acaba en el nazismo. En Thomas se da la tensión también entre la madre católica de origen brasileño y el padre protestante luterano, su atracción por el sur y la racionalidad germana, pero también su orientación homosexual, nunca practicada. Como en todos sus libros, "Muerte en Venecia" tiene una dimensión alegórica y simbólica, que uno no capta si se queda simplemente con la historia de este hombre que se va a Venecia y se queda prendado de un muchacho, para encontrar la muerte. Como novela intelectual, los pensamientos del personaje no dejan lugar a dudas que el chico no es más un símbolo de la belleza y el escritor del arte que te lleva a la destrucción. El director italiano Luchino Visconti lo lleva al cine en 1971 en una fiel versión, que cambia sólo la literatura por la música en la ocupación del protagonista. La quinta y tercera sinfonía de Mahler llenan la película con imágenes de una Venecia invernal, para ilustrar una historias donde hasta las góndolas se convierten en ataúdes. En este programa de radio "Al Trasluz" escuchamos fragmentos del libro leído por Eugenio Barona y de la versión doblada al castellano de la película. José de Segovia comenta la obra y el autor, para tratar el tema de la muerte a la luz de la Biblia con la música de Mahler de fondo y la banda sonora de Angelo Badalamenti para la película de Paul Schrader, "El placer de los extraños" (1990) basada en la novela de Ian McEwan sobre otros extranjeros en crisis que encuentran un terrible final en Venecia. La música que suena al final es la composición de Stelvio Cipriani para "Anónimo veneciano" (1970), la película que se hizo tan popular en España de Enrico María Salerno. Las canciones son el "Senza Fine" de Gino Paoli, escrita en 1961 para la ahora fallecida Ornella Vanoni, pero que escuchamos en la voz del compositor y cantautor genovés. Y la composición que hizo el cantautor belga de habla francesa, Jacques Brel, sobre la muerte en 1959, que fascinó al americano Scott Walker, que la interpreta aquí con su potente voz en 1967 como "Mi muerte" (My Death) en 1967, antes de que David Bowie la popularizará en 1972. La realización técnica que une todas estas músicas y voces es obra de Daniel Panduro y los comentarios de José de Segovia.

New KYMN News Contributor Charlie Mahler discusses his background and new role at KYMN. 

New KYMN News contributor Charlie Mahler discusses his background and his new role with KYMN.

Herbert von Karajan zählt zu den prägendsten Dirigenten des 20. Jahrhunderts. Mit seinen Interpretationen von Beethoven über Verdi bis Mahler setzte er Maßstäbe in der klassischen Musik. So unumstritten er aber in der Kunst war, so umstritten ist Karajan historisch. Vor allem sein Verhalten während der NS-Zeit wird bis heute kontrovers diskutiert, ohne, dass eine umfassende historische Aufarbeitung und Einordnung stattgefunden hat. Der Historiker Michael Wolffsohn zeichnet nun auf Grundlage zahlreicher, teils erstmals ausgewerteter Quellen und vielfältiger Perspektiven ein umfassendes Bild von Karajans Leben und Handeln während der NS-Zeit und in den Jahren danach. Das Ergebnis ist eine Figur zwischen „Genie und Gewissen“ im Spannungsfeld von Musik, Politik und Geschichte.

KSO Music Director Julian Kuerti previews the first-ever performance in Kalamazoo of Mahler's Third Symphony at Miller Auditorium.See omnystudio.com/listener for privacy information.

Haitink Conducts Mahler 2 by CSO Association

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In het AVROTROS Vrijdagconcert hoor je wekelijks live de mooiste concerten door het Radio Filharmonisch Orkest, het Groot Omroepkoor en gastensembles. Radio Filharmonisch Orkest Markus Stenz, dirigent Maria Warenberg, mezzosopraan * Roukens - Distorted Fantasia (after J.P. Sweelinck)  * Mahler - Liederen uit ‘Des Knaben Wunderhorn'  * Prokofjev - Suite uit Romeo en Julia (selectie uit suites)

The two-time Grammy Award-winning Albany Symphony Orchestra will present a pair of performances at Troy Savings Bank Music Hall on Saturday at 7:30 and Sunday at 3 PM. It is Valentine's Day Weekend, and the orchestra welcomes us to a program filled with passion, poetry, and musical colors. From the stormy drama of Tchaikovsky and the intimate heartbreak of Mahler to a radiant new world premiere and the joyful warmth of Schumann, the concert follows love in all its forms.

FALLA: El Amor Brujo (Ballet en un acto) (8.12). M. Heredia (cantaora), Orq. de Cámara Mahler. Dir.: P. Heras-Casado. FALLA/CANTEMIR: Pantomima (3.02). Canción del amor dolido (3.33) (arr. E. Solinís). E. Barrokensemble. Dir.: E. Solinís.Escuchar audio

Richard Stokes has been passionate about song since he was a teenager – although, as he readily admits, he's not a great singer. Instead, he's become one of the world's leading authorities on German art songs – or lieder – and has also co-written books on English, French and Spanish songs. His work as a translator includes the complete Bach cantatas and the complete songs of Hugo Wolf, as well as operas by Wagner and Berg. He also collaborated with the pianist Alfred Brendel on translations of his poetry. Since 2006 he's coached young singers at the Royal Academy of Music in London, where he's Professor of Lieder. His choices include music by Bach, Mahler and Stravinsky. Presenter Michael Berkeley Producer Graham Rogers

Seahawks or Patriots? Jason Smith and Mike Harmon give their official Super Bowl 60 game picks. Plus, a great visit from Seattle host Dave “Softy” Mahler!See omnystudio.com/listener for privacy information.

Der große Filmregisseur hat mit seinen legendären Soundtracks nicht nur die Klassik im Kino wirklich salonfähig gemacht, sondern sogar die Interpretations Geschichte beeinflusst. Filmgeschichte rund um Musik von Bruckner, Mahler, Wagner und die italienischen Romantiker.

‘Prelude' is de opmaat naar het AVROTROS Vrijdagconcert! Gastspreker: Lilian Farahani Radio Filharmonisch Orkest Markus Stenz, dirigent Maria Warenberg, mezzosopraan Roukens - Distorted Fantasia Mahler - Liederen uit ‘Des Knaben Wunderhorn' Prokofjev - Suite uit Romeo en Julia Meer info & kaarten (https://www.npoklassiek.nl/concerten/59837092-6bd4-4c1c-8541-043795693eee/avrotros-valentijnsconcert-prokofjev-en-mahler) In deze podcast vertelt presentator Leonard Evers je iedere week meer over de bijzondere stukken die gaan klinken in TivoliVredenburg én op NPO Klassiek. Dat doet hij samen met verschillende gasten die in de studio aanschuiven. Aan de hand van muziekfragmenten word je warm gemaakt voor de mooie composities die je te wachten staan. Abonneer je nu! Alles over het AVROTROS Vrijdagconcert (https://www.npoklassiek.nl/programmas/avrotros-vrijdagconcert)

260206PC Epstein und kein Ende in Sicht Mensch Mahler am 06.02.2026Nach der Veröffentlichung neuer Dokumente in der Affäre um den verstorbenen Sexualstraftäter Jeffrey Epstein hat US-Präsident Donald Trump gefordert, das Thema abzuhaken. "Ich denke, es ist jetzt an der Zeit, dass sich das Land vielleicht anderen Themen zuwendet, wie zum Beispiel dem Gesundheitswesen oder anderen Themen, die den Menschen am Herzen liegen", sagte Trump am Dienstag vor Journalisten im Oval Office. Das Land denkt überhaupt nicht daran, sich anderen Themen zuzuwenden. Auch die ganze Welt will wissen, welche Ausmaße der Fall Jeffry Epstein in Wahrheit hat. In den Epstein-Akten taucht unter anderem die Aussage einer Frau auf, die sich 2016 unter dem Pseudonym "Tiffany Doe" äußerte. Unter Eid erklärte sie, sie habe "persönlich miterlebt", wie Trump drohte, ein minderjähriges Mädchen "verschwinden zu lassen" und ihre gesamte Familie auszulöschen, so wie er es bereits mit einem anderen 12-jährigen Mädchen getan habe.Trumps Name taucht in den Akten tausendfach auf. Er befindet sich in schlechter Gesellschaft. Bill und Hillary Clinton, der britische Ex-Botschafter Peter Mandelson, der Tech-Milliardär Elon Musk, selbst Angela Merkel und Vladimir Putin tauchen in den mehreren Tausend Seiten der Epstein-Akte auf. Und jede Menge royale Prominenz: Prinz Andrew, der gerade seine Royal Lodge in Windsor verlassen musste, die norwegische Kronprinzessin Mette Marrit, Politiker aus Frankreich, Norwegen und der Slowakei – und das ist nur die Spitze des Eisbergs. Epstein war ein bis in die höchsten Kreise vernetzter Finanzberater und Millionär. Mahler meint, Geld, Macht und Sex ist eine hochexplosive Mischung. Jetzt ist der Schweinestall explodiert und es ist nur zu wünschen, dass einer größten Schurken das nicht überlebt. Vielleicht wird Amerika und die Welt jetzt von Trump erlöst. Hosted on Acast. See acast.com/privacy for more information.

durée : 01:28:05 - Jakub Hruša, la fougue et la rigueur - par : Aurélie Moreau - Jakub Hrůša, entre autres directeur musical de l'Opéra royal de Covent Garden et à partir de 2028, de l'Orchestre Philharmonique Tchèque, est réputé pour sa direction énergique, précise et nuancée. Aujourd'hui: Suk, Dvořák, Brahms, Mahler, Bruckner… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

260205PC Gefährlicher Arbeitsplatz Mensch Mahler am 05.02.2026Ein Mitarbeiter der Bahn ist gestorben, nachdem er in einem Zug im Kreis Kaiserslautern von einem Fahrgast angegriffen wurde. Gegen den Tatverdächtigen wurde Haftbefehl erlassen. Seit Montagabend hatten Ärzte nach einem Angriff um das Leben eines Zugbegleiters gekämpft. Jetzt ist er tot. Wie die Staatsanwaltschaft Zweibrücken mitteilt, wurde der 36-jährige Zugbegleiter durch Faustschläge gegen den Kopf schwer verletzt. Er musste im Zug wiederbelebt werden. Nach dem Angriff hatten andere Fahrgäste den Notruf gewählt und Erste Hilfe geleistet, bis der Rettungsdienst da war. Dann wurde der 36-Jährige in ein Krankenhaus gebracht. Der 26jährige Mann, der den Zugbegleiter angegriffen haben soll, wurde nach der Attacke von der Polizei festgenommen. Er sitzt jetzt in Untersuchungshaft. Am frühen Mittwochmorgen sei er im Krankenhaus gestorben. Die Leiche des Mannes soll jetzt obduziert werden. Was inzwischen bei Rettungskräften und Polizei zum traurigen Alltag gehört, gehört in Bus und Bahn leider auch zum Betriebsablauf. Eine fatale Entwicklung, die zeigt, dass nicht nur Menschen in psychischen Ausnahmesituationen solche Taten begehen, sondern die Gewaltbereitschaft in der ganzen Gesellschaft rapide zunimmt. Eine Altersbeschränkung für soziale Medien ist zwar nicht die Lösung, wäre aber ein Ansatz, um der Verrohung bereits im Kindesalter nicht Tür und Tor zu öffnen.Mahler meint und Mensch Mahler am 04.02.26 Sendedatum einen Tag später Hosted on Acast. See acast.com/privacy for more information.

Es sind die Werke eines jungen Mannes am Anfang einer großen Karriere, und sie weisen uns eindrucksvoll darauf hin, was später kommen wird. BR-KLASSIK hat mit Thomas Hampson über Gustav Mahlers "Gesellen"-Lieder gesprochen:

Bi de Amateurtheaters in Hamborg un ümto is in'n Ogenblick ornlich wat los: dat Amateurtheater Duvenstedt speelt de Geister-Kummedie „Kugelfisch Hawai“ un bi dat Stück "Een kommodigen Avend" vun de Bickbeern Schweizer Speeldeel in Rosengoorn-Nenndörp dörv Baggerfohrer Manni mal för en Avend beleven, wat dat heet, een Fro to ween. Un Wi snackt Platt-Reporters weern bi dat Amateurtheater Duvensteed un bi de Bickbeern-Schweizer-Speeldeel to Besöök. Bavento geiht dat ok noch üm uns Plattdüütsch Hörspeel an'n Middewekenavend: Heidi Mahler is dor in dat Stück "Dat ole Huus vun Tante Getrud" to beleven. Wi maakt Jo en beten wat Lust dorop!Moderatschoon: Jan Wulf

Chen Reiss gehört zu den international gefragtesten Opernsängerinnen. Als Sopranistin tritt sie in den großen Häusern der Welt auf, singt bei den bedeutendsten Festivals, hat Hauptrollen an der Bayerischen Staatsoper, dem Théâtre des Champs-Élysées, der Mailänder Scala, der Hamburgischen Staatsoper oder der Wiener Staatsoper gesungen. Ihr jüngstes Album "Jewish Vienna" hat sie zusammen mit Daniel Grossmann und dem Jewish Chamber Orchestra Munich bedeutenden Komponistinnen und Komponisten des 20. Jahrhunderts gewidmet. Darunter sind auch weniger bekannte Namen wie Josefine Winter, die 1943 von den Nazis ermordet wurde. Bevor Chen Reiss Ende März zusammen mit Sharon Kam und Yael Kareth mit Schumann, Mahler und Spohr in der Hamburger Elbphilharmonie auftritt, ist sie zu Gast bei NDR Kultur à la carte. Kurz vor dem 27. Januar, dem Tag des Gedenkens an die Opfer des Holocaust, spricht die israelische Sopranistin mit Friederike Westerhaus über Tradition und zeitgenössische Klänge in Musik und aktueller Gegenwart.

In this episode, hear from Professor Hanns-Christian Mahler, a visionary in pharmaceutical innovation and culture building. As CEO, Chief Enablement Officer, and Board Member of ten23 health, he's redefining what it means to lead with purpose in the life sciences sector.With a career spanning Merck KGaA, Roche, and Lonza, alongside academic roles at the University of Basel and Frankfurt am Main, Dr. Mahler brings a rare blend of scientific rigour, entrepreneurial drive, and human-centred leadership.At ten23 health, the mission goes beyond developing pharmaceutical solutions; it's about building a company where sustainability, culture, and mindset are as integral as technical excellence.Discussions in the episode:The inspiration behind founding ten23 health and the standout chapters of growth so farEmbedding sustainability as a core mindset, not just a checkboxLessons learned and challenges navigating acquisitionsBalancing human creativity with technology to shape the future of pharmaceutical innovation.Click here to reach out to Peter Rabey direct Like this show? Please leave us a review. Every review helps. 

durée : 00:10:36 - Le Disque classique du jour du mercredi 21 janvier 2026 - Chef charismatique mais d'une grande sensibilité, Klaus Tennstedt s'est consacré corps et âme à la quête d'une expression sincère. Ses interprétations — en particulier celles des symphonies de Mahler — demeurent aujourd'hui encore parmi les plus bouleversantes et les plus admirées. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:10:36 - Le Disque classique du jour du mercredi 21 janvier 2026 - Chef charismatique mais d'une grande sensibilité, Klaus Tennstedt s'est consacré corps et âme à la quête d'une expression sincère. Ses interprétations — en particulier celles des symphonies de Mahler — demeurent aujourd'hui encore parmi les plus bouleversantes et les plus admirées. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Here's a rare sampling of Countermelody favorite, the refulgent Czech contralto Věra Soukupová, in song repertoire, accompanied by both piano and full orchestra. The featured works are two song cycles of the so-called “late Romantic era,” one by Antonín Dvořák (his 1894 Biblical Songs), and one by Gustav Mahler, his 1901 Kindertotenlieder cycle. The Dvořák recording stems from 1967 and features Czech pianist Ivan Moravec; the Mahler is from 1963 and features the great Czech conductor (and Mahler specialist) Václav Neumann leading the Czech Philharmonic. The setlist includes two additional Mahler orchestral songs with Soukupová and Neumann as well as excerpts from Soukupová's 1976 recording of two song cycles by Robert Schumann, accompanied by Czech pianist Jan Horák. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

durée : 02:29:02 - France Musique est à vous du samedi 17 janvier 2026 - par : Gabrielle Oliveira-Guyon - Au programme ce samedi : Beethoven, Mahler, Rameau, Mel Bonis et aussi Charles Trenet - réalisé par : Emmanuel Benito Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The English contralto Alfreda Hodgson (07 June 1940 – 16 April 1992) has been featured numerous times on Countermelody and when I recently acquired a copy of her 1980 solo recital recording originally released on Pearl Records, I decided that the time was right to do a full episode on this rich-voiced, profoundly musical singer. Though she was equally superb in Bach, Mahler, Handel, and Elgar, I have chosen to focus on her performances of the music of Johannes Brahms, including superb recordings of the Alto Rhapsody, the Songs for Alto and Viola, the Vier ernste Gesänge, and a posthumously-assembled collection of his Lieder published under the title Mädchenlieder. Artists accompanying Hodgson include Bernard Haitink, Edward Downes, violist Ludmila Navrath, and her long-standing pianist, the late Keith Swallow. I begin the episode with brief examples of Hodgson singing (in English) the music of her countrymen Lennox Berkeley, Edward Elgar, and John Ireland in the company of Peter Pears, Gennady Rozhdestvensky, Steuart Bedford, and Alan Rowlands. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

DescriptionWhy the Symphony Became a Cultural Symbol in 60 Seconds. Take a minute to get the scoop!Fun FactBeethoven's Ninth Symphony was the first to include a chorus in a symphony—an audacious move at the time. Critics were baffled. Today, its “Ode to Joy” theme is used as the anthem of the European Union, proving the symphony's power to move from concert hall to cultural symbol.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.Support the show

Gustav Mahlers 9. Sinfonie ist Abschied und Aufbruch zugleich. Entstanden 1909, kurz vor seinem Tod, blickt sie existenziell auf Leben, Verlust und Vergänglichkeit. Zwischen tänzerischer Ironie, eruptiver Dramatik und dem entrückten Adagio-Finale entfaltet Mahler ein extremes Klangspektrum. In der Diskothek vergleichen wir prägende Aufnahmen und Interpretationen – und hören uns auch an, wie Mahler auf historischen Instrumenten der Zeit klingt. Gäste von Annelis Berger sind der Komponist David Philip Hefti und der Dirigent Manuel Oswald.

In Hour 4, Evan and Bonta are joined by Dave 'Softy' Mahler to discuss 49ers-Seahawks and the current status of the rivalry

Wedding planning can feel like a lot, and plenty of couples end up overwhelmed. One of the best ways to ease the stress is to choose a wedding planner whose personality and style truly fit your vision. And once they're on your team, Lara Mahler of The Privilege is Mine is here to explain how to be the kind of client and collaborator who helps your planner help you—so everything runs smoother from start to finish. Lara also chats about her new wedding planning app designed to support nearlyweds who want to plan their dream celebration on their own. Tune in today to tap into her deep well of expertise! Please rate, review and subscribe to this podcast wherever you're listening so you never miss an episode. Even better share it with a friend! It's a great way to show your support and let us know what you think. Thank you for listening. To get the full show notes head to https://sarazarrella.com/rhode-island-wedding-vendors-wedding-podcast-stress-free-wedding-planning/ For more information check out our website at www.sarazarrella.com/podcast Check us out on YouTube! Make sure to like and subscribe! https://www.youtube.com/@SaraZarrella/podcasts Join our Monthly Newsletter for tips, tricks and Freebies! https://sarazarrella.com/newsletter Would love to be friends on the gram at https://www.instagram.com/sarazarrellaphotography/

durée : 01:28:25 - Leonard Bernstein, l'incandescence d'un artiste unique - par : Aurélie Moreau - Leonard Bernstein, musicien complet : accordant instinct et culture, son génie s'étend des œuvres remarquables qu'il a composées à ses interprétations passionnantes comme pianiste et chef. Aujourd'hui : Bernstein, Beethoven, Mahler, Mozart, Berlioz… - réalisé par : Lionel Quantin Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The New Yorker magazine called Joyce DiDonato “perhaps the most potent female singer of her generation.”  Joyce has towered at the top of the industry as a performer, a producer, and a fierce advocate for the arts. With a repertoire spanning over four centuries, a varied and highly acclaimed discography, and industry-leading projects, her artistry has defined what it is to be a singer in the 21st century.Joyce enjoys a musical partnership with Yannick Nézet-Séguin and the Philadelphia Orchestra and, of course, the Metropolitan Opera. Joyce's distinctively varied 2025-26 season commenced with season-opening concerts for the Minnesota Orchestra and Montreal's Orchestre Métropolitain, as well as the re-opening Powell Hall with the St. Louis Symphony Orchestra in a Kevin Puts's World Premiere, House of Tomorrow. She only recently made her Lincoln Center Theater stage debut as The Mother in Amahl and the Night Visitors, and is about to star in the Met's production of Innocence by Kaija Saariaho.Concert appearances include Mahler's Symphony No. 2 with Nézet-Séguin and The Philadelphia Orchestra, and Mahler's Symphony No. 3 with Nézet-Séguin and the Berlin Philharmoniker. Joyce also joins the Metropolitan Opera Orchestra for her second European tour with Yannick and this orchestra following a performance of Mahler's Symphony No. 4 at Carnegie Hall.She is also, quite plainly, a genuine delight.  

Episode 103 begins with Phil Drinking Evan Williams The Outdoorsman and John having a Traveller whiskey. Then, onto things like: Charo(!), John's Rapid City update, Mahler's First Symphony, NIN Tron: Ares Soundtrack, The Studio, The Roof Man, 40s Junction.

Jonathan Mahler is a longtime staff writer for the New York Times Magazine and the author of the best-selling book Ladies and Gentlemen, the Bronx Is Burning, New York Times notable book The Challenge: Hamdan V. Rumsfeld and the Fight Over Presidential Power, and recently published book The Gods of New York: The Tumultuous Eighties, from Donald Trump to the Tompkins Square Riots. Mahler’s first book was adapted into a mini-series for ESPN and his second book, The Challenge, won The Scribes Book Award in 2009. Formerly a columnist for Bloomberg View, Mahler’s writing has also appeared in Slate, the Daily Beast, and New York Magazine. Mahler’s work in sports journalism has been featured in the anthology book series The Best American Sports Writing and received numerous journalism and media awards, including the Gerald Loeb Award and the Mirror Award.See omnystudio.com/listener for privacy information.

John Canzano talks with KJR's Dave "Softy" Mahler about Washington football, the rivalry with the Oregon Ducks, and trolls. Subscribe to this channel. Read JohnCanzano.com

Mahler Festival Broadcast: Mahler 7 by CSO Association

Dave "Softy'' Mahler (93.3 KJR FM in Seattle) joins Prater and Mallory to talk about Saturday's LA Bowl between Boise State and Washington. Mahler shares the strengths and weaknesses of Washington's roster, what to expect in Saturday's game and the role coach Chris Petersen played in both programs.See omnystudio.com/listener for privacy information.

Former Boise State and Washington coach Chris Petersen joins the show to talk about his former teams, the LA Bowl on Saturday night and the controversial issues that are hovering about his favorite sport, Petersen said current Boise State coach Spencer Danielson is having his best season - how do we feel about that and what kind of grade would you give Danielson for his 2025 season, Seattle radio personality Softy Mahler on the Broncos and Dawgs in the LA Bowl, Bob talks to RB1 Dylan Riley in Bronco Focus (is he the MVP of Boise State's season?), Philip Rivers, 44, is back in the NFL - prompting a series of questions: "How old is too old?''See omnystudio.com/listener for privacy information.

In the 1960s, Leonard Bernstein famously helped to popularize the music of a then relatively obscure composer, Gustav Mahler. His work, as well as the work of other conductors, made Mahler into a classical-music household name. Mahler's symphonies are played every year all over the world, and he is firmly ensconced in the so-called canon of standard orchestral repertoire. Would it surprise you to know that Franck's D Minor Symphony once had the same reputation? It was played almost every year by most major orchestras, it was recorded by all the great conductors, and it was a fixture of the canon just like a Brahms symphony. Nowadays you would be lucky if, outside of France and Belgium, you hear Franck's Symphony once every five years, if that. The truth is that, other than a short golden period for this symphony, it has either been controversial (around the time it was premiered) or ignored (nowadays), which is a real shame, since it is a glorious piece that I would argue is drastically underrated in our modern world. The symphony was radically innovative for its time, which probably explains some of the more virulent criticism it received, but even though those innovations now sound completely normal to our ears, they are still at the heart of what makes this symphony so profoundly satisfying to listen to. Ahead of my performances of the symphony in Lille this December, I wanted to dive in and explore this unfairly ignored masterpiece. In about 40 minutes of music in three grand movements, Franck pours his soul into this work. That phrase sounds a bit cliché, I know, but I really mean it; there is an earnestness about this music that I find deeply moving, and it is something we will explore together today. We will talk about Franck's late entry into the world of composition, his reputation as an organist, and the challenges he faced in finding acceptance as a composer. Along the way, we will discuss this gorgeous piece in all of its passion and intensity. Join us!

This past September 19th, we observed the anniversary of the death in 1992 of the great Welsh bass-baritone Geraint Evans at the age of 70. A vivid actor and a skilled singer, he both began and ended his career at the Royal Opera House Covent Garden, but was a treasured guest at opera houses all over the globe. In 1966, London/Decca records released a recording designed to give full display to his musical, stylistic, and dramatic versatility. In its US issue it was entitled, appropriately enough, Three Centuries of Baritone Art, and in it many of his greatest roles are highlighted, as well as a number of parts, unusual or uncharacteristic for him, which he never performed onstage.  Needless to say, his Mozart roles are in the forefront, as is his exceptional characterization of Verdi's Falstaff, to which he brought a light buffo touch while still retaining a full vocal palette bolstered by a vivid characterization. On this episode, I supplement this album with a delightful recording of Evans singing from Mahler's Knaben Wunderhorn, a wrenching one of his legendary Wozzeck, and a monumental one of Elegy for a Prince, a work for voice and orchestra by William Mathias, written for and dedicated to Evans, who sang the premiere in 1972 and subsequently recorded it in 1977. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Reinterpreting centuries-old classical music, marking up symphonies with notes on phrasing, and turning mid-performance disasters into unforgettable moments with Carlos Miguel Prieto, a music director and conductor. How do you get an orchestra to pick up the tempo? (Spoiler: Not by waving your hands faster.) And how does a performance of Beethoven's Fifth sound different today from a century ago?WANT MORE EPISODE SUGGESTIONS? Grab our What It's Like To Be... "starter pack". It's a curated Spotify playlist with some essential episodes from our back catalogue. GOT A COMMENT OR SUGGESTION? Email us at jobs@whatitslike.com FOR SPONSORSHIP OPPORTUNITIES: Email us at partnerships@whatitslike.com WANT TO BE ON THE SHOW? Leave us a voicemail at (919) 213-0456. We'll ask you to answer two questions: 1. What's a word or phrase that only someone from your profession would be likely to know and what does it mean? 2. What's a specific story you tell your friends that happened on the job? It could be funny, sad, anxiety-making, pride-inducing or otherwise. We can't respond to every message, but we do listen to all of them! We'll follow up if it's a good fit.

In this episode, I sit down with Jonathan Mahler, author of The Gods of New York, to explore the four years that transformed America's greatest city—and foretold the divisions that would come to define the nation.From Wall Street's boom to the crack epidemic, from Howard Beach to the Central Park jogger case, from ACT UP to Spike Lee, the New York of 1986–1989 was a city teeming with conflict, creativity, and change. Mahler paints a vivid portrait of a metropolis at war with itself: between greed and grit, privilege and poverty, rebirth and decay.Together, we discuss how this pivotal era gave rise to figures like Donald Trump, Al Sharpton, Ed Koch, and Rudy Giuliani—and why the battles of 1980s New York still echo in today's America.Support the show

Today, Dr. Stephanie Holmes talks with Occupational Therapist, Kelly Mahler. The topic is interoception! Every neurotype can struggle with it, but we find neurodivergent folks can have a few more challenges with interoception.Defined by Kelly's website: Many people notice these feelings in their body with the help of an important sense… a sense called… interoception.Don't let the name fool you. The word interoception might not sound very sexy or important. But this sense is a really big deal. Interoception has a huge influence on many areas of our lives, like self-regulation, mental health, and social connection. About our Guest:Kelly Mahler, OTD, OTR/L, earned a Doctorate in Occupational Therapy from Misericordia University, Dallas, PA. She has been an occupational therapist for 20 years, serving school-aged children and adults. Kelly is the winner of multiple awards, including the 2020 American Occupational Therapy Association Emerging and Innovative Practice Award & a Mom's Choice Gold Medal. She is an adjunct faculty member at Elizabethtown College, Elizabethtown, PA as well as at Misericordia University, Dallas, PA. Kelly is a co-principal investigator in several research projects pertaining to topics such as interoception, self-regulation, trauma & autism.

Mahler walks us through The Gods of New York: Egotists, Idealists, Opportunists, and the Birth of the Modern City, 1986–1990—how a late-'80s crucible of crime, crack, and tabloids minted characters like Spike Lee ("the coolest guy in America"), Al Sharpton, Donald Trump, Ed Koch, and Rudy Giuliani. We revisit Howard Beach, Yusuf Hawkins, Do the Right Thing, and the media ecosystem that turned norm-breaking into power, alongside the policy tradeoffs (SROs, development, homelessness) that still echo today. It's a brisk tour of the years when New York became the prototype for how America lives now. Plus: how to read diplomatic reporting—and why Hamas yielded when its only real leverage was other people's bodies. Produced by Corey Wara Production Coordinator Ashley Khan Email us at ⁠⁠⁠⁠thegist@mikepesca.com⁠⁠⁠⁠ To advertise on the show, contact ⁠⁠⁠⁠ad-sales@libsyn.com⁠⁠⁠⁠ or visit ⁠⁠⁠⁠https://advertising.libsyn.com/TheGist⁠⁠⁠⁠ Subscribe to The Gist: ⁠⁠⁠⁠https://subscribe.mikepesca.com/⁠⁠⁠⁠ Subscribe to The Gist Youtube Page: ⁠⁠⁠⁠https://www.youtube.com/channel/UC4_bh0wHgk2YfpKf4rg40_g⁠⁠⁠⁠ Subscribe to The Gist Instagram Page: ⁠⁠⁠⁠GIST INSTAGRAM⁠⁠⁠⁠ Follow The Gist List at: ⁠⁠⁠⁠Pesca⁠⁠⁠⁠ ⁠⁠⁠⁠Profundities | Mike Pesca | Substack⁠⁠⁠⁠