Podcasts about Porgy

durée : 00:16:39 - Disques de légende du mercredi 29 octobre 2025 - Mélange d'opéra, de blues, de negro spiritual et de jazz, "Porgy and Bess" est jouée pour la première fois dans un théâtre privé de Broadway en octobre 1935. Le voici dans une version de John Mauceri et l'Orchestre symphonique de Nashville enregistrée en 2006. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:16:39 - Disques de légende du mercredi 29 octobre 2025 - Mélange d'opéra, de blues, de negro spiritual et de jazz, "Porgy and Bess" est jouée pour la première fois dans un théâtre privé de Broadway en octobre 1935. Le voici dans une version de John Mauceri et l'Orchestre symphonique de Nashville enregistrée en 2006. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

On Friday's show: We get an update on controversial plans to close a two-block section of Polk Street as a part of the $2 billion expansion of the George R. Brown Convention Center.Also this hour: Children's author Kate DiCamillo talks about how teachers reading to her in school helped shape her into a two-time Newbery Medal winner. DiCamillo, the author of titles like Because of Winn-Dixie and The Tale of Despereaux, will be in Houston for an event with Inprint on Sunday to discuss her latest book, Lost Evangeline.Then, we break down The Good, The Bad, and The Ugly of the week.And it's been 50 years since Houston Grand Opera first presented the American opera Porgy and Bess, which won the organization a Tony and a Grammy Award. As the Gershwins' folk opera returns to the stage, we reflect on its legacy.Watch

From Carnegie Hall to the Metropolitan Opera, renowned baritone Gordon Hawkins has shared the operatic stage with Mirella Freni, Placido Domingo, and Grace Bumbry. His roles over his career have included title roles in "Rigoletto" and "Porgy and Bess," as well as Alberich in the "Ring" cycle, Baron Scarpia in "Tosca" and Marcello in "La boheme." He currently serves on the faculty at Arizona State University. He visited IPR's Studio A, where he reflected on his distinguished career and recorded Samuel Barber's "Sure on this shining night" with collaborative pianist Casey Robards.

durée : 01:29:00 - « Porgy And Bess », 90 ans - par : Laurent Valière - C'est le 10 octobre 1935 que l'œuvre la plus ambitieuse de George Gershwin, "Porgy and Bess", ouvre à Broadway dans le circuit privé. Échec relatif à sa création, l'œuvre est désormais entrée au répertoire des opéras du monde entier. - réalisé par : Céline Parfenoff Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this episode Bryan and Josh are diving into UFO 50, the long-awaited indie collaboration from Derek Yu, Jon Perry, Eirik Suhrke, Paul Hubans, Ojiro Fumoto, and Tyriq Plummer collects fifty original games into one sprawling anthology made by a fictional company called UFO Soft between 1982 and 1989. They explore its meta-narrative, collective authorship, its “lost console” aesthetic, and how its ambitious scope becomes a keen commentary on the experience of creating games across a console generation. From the clever chaos of Party House to the moody depths of Porgy and the sprawling weirdness of Grimstone, we'll talk about which games could stand alone and which thrive because they exist in conversation with the rest. Not every game shines equally, but together they form a unique love letter to game-making and retro gaming. Three Word Reviews:Bryan - Crafty Creative Cornucopia Josh - A Design FeastShow Notes:TIGsource - The Indie Game SourceEggplant: The Secret Lives of GamesMichael Brough

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Dos voces femeninas: la andaluza, de Málaga, María Esteban en el disco 'It´s me' con su quinteto y las composiciones propias 'My pretty girl', 'Waiting', 'Suffer' y 'Dori´s mood'; la catalana, de Ripoll, Cristina Amils con un cuarteto cantando en su disco 'Nobody else' clásicos como 'Autumn in New York, 'Nobody else but me', 'Estate', 'La javanaise', 'Pavana para una infanta difunta' -la obra de Ravel con letra de Cristina-, 'Angel eyes' o 'I loves you Porgy'. Escuchar audio

Heute vor 90 Jahren feierte "Porgy and Bess" in New York Premiere – die Oper von George Gershwin wurde zu einer der erfolgreichsten Broadway-Produktionen eines vollständig afroamerikanischen Ensembles.

1 / 4 MDJ Script/ Top Stories for October 8th Publish Date: October 8th Commercial: From the BG Ad Group Studio, Welcome to the Marietta Daily Journal Podcast. Today is Wednesday, October 8th and Happy Birthday to R.L. Stine I’m Keith Ippolito and here are the stories Cobb is talking about, presented by Times Journal 1. Man falsely accused of Walmart kidnapping reportedly seeking $25 million in damages 2. Atlanta tenor Timothy Miller launches St. Catherine’s community concert series on Oct. 19 3. Roger Hines publishes debut book All of this and more is coming up on the Marietta Daily Journal Podcast, and if you are looking for community news, we encourage you to listen and subscribe! BREAK: INGLES 7 STORY 1: Man falsely accused of Walmart kidnapping reportedly seeking $25 million in damages Mahendra Patel just wanted to help. That’s what he thought he was doing back in March at a Walmart in Acworth—helping a woman he assumed was disabled, struggling to manage two kids in a motorized cart. Instead, he was accused of trying to kidnap her child. What followed was a nightmare: Patel was arrested, denied bond, and spent 46 days in jail. He lost 17 pounds, endured threats from inmates, and was denied his medication. All for what? A misunderstanding. Surveillance footage later cleared his name, showing Patel calmly shopping, finding Tylenol, and leaving the store. Now, he’s suing Acworth for $25 million. STORY 2: Atlanta tenor Timothy Miller launches St. Catherine’s community concert series on Oct. 19 Mark your calendars: local tenor Timothy Miller will take the stage at St. Catherine’s Episcopal Church in Marietta on Oct. 19 at 3 p.m. as part of The Friends of Music concert series. You’ve probably heard Miller’s powerful voice before—maybe during the seventh-inning stretch at a Braves game, belting out “God Bless America.” But his talent goes far beyond that. From Verdi’s Aida to Gershwin’s Porgy and Bess, and even Beethoven’s Symphony No. 9, Miller’s resume is as impressive as it is diverse. The concert is free (yes, free!), with donations welcome. No tickets needed—just show up early for a good seat. STORY 3: Roger Hines publishes debut book 2 / 4 Roger Hines has released his first book, The Hard and the Beautiful: Life in a Family of Seventeen Children, and it’s as heartfelt as the title suggests. In this memoir, Hines—child number 16 of 17—paints a vivid picture of growing up in rural Mississippi. Life was tough: tenant farms, cotton fields, and the weight of poverty. But it was also rich, thanks to faith, laughter, and the unshakable love of his parents, Walter and Levie Hines. “Poverty doesn’t have to be a dead end,” Hines says. “We were poor, but we were rich in all the ways that matter.” The book is available now on Amazon and at local retailers. We have opportunities for sponsors to get great engagement on these shows. Call 770.799.6810 for more info. We’ll be right back. Break: INGLES 7 STORY 4: Police: Intoxicated man made false bomb threat at Johnnie MacCracken’s James E. Lusk, 29, of Marietta, allegedly called in a fake bomb threat to Johnnie MacCracken’s Celtic Firehouse Pub late on Sept. 26—because, according to police, he was drunk and angry. Not exactly a great combo. The arrest warrant also claims Lusk grabbed a woman by the arm during the incident, leaving her in pain. He was arrested three days later and charged with simple battery, false public alarm, and filing a false crime report. Lusk spent a few hours in the Cobb County jail before being released on Sept. 30 on a $10,000 bond. STORY 5: Home Depot hosts Kidde’s Cause for Alarm Home Safety Event On Oct. 4, Kidde teamed up with The Home Depot and iHeartMedia to host a lively fire safety event at The Home Depot on Roswell Road in Marietta. Part of Kidde’s Cause For Alarm campaign, the day was all about raising awareness for fire and carbon monoxide safety—and making homes safer, one alarm at a time. The event kicked off with a Donation Drive-Thru “parade,” complete with fire trucks, gear, and local firefighters from Sandy Springs. Families enjoyed music, food, giveaways, and even met Homer, The Home Depot mascot. The goal? Donate up to $1 million in alarms. Break: 3 / 4 STORY 6: Liberty joins the lineup: Cobb County’s newest K-9 embarks on duty Meet Liberty, the newest (and furriest) member of the Cobb County Sheriff’s K-9 Unit. She’s an 11-month-old bloodhound with a nose for tracking—whether it’s missing people or suspects. But don’t let her serious skills fool you; she’s still a puppy at heart, with a love for stuffed animals (or, honestly, anything she can shred). Liberty is partnered with Deputy Barry Bales, a 17-year veteran who previously worked with K-9 Shax, now retired. “Liberty’s tracking abilities will be a huge asset,” said Sheriff Craig Owens. Expect to see her out and about soon—sniffing, serving, and stealing hearts. STORY 7: Marietta Square gets a seasonal makeover The Marietta Square’s looking a little creepier (and a lot more creative) this October, thanks to the 22nd annual Scarecrows on the Square competition. Local businesses, schools, nonprofits, and just plain crafty Marietta folks have all joined in, decking out scarecrows with everything from humor to heart. Judging happens this week, with winners—Best in Show and category champs—announced at HarvestFest on Oct. 18. HarvestFest kicks off at 9 a.m. in Glover Park, featuring arts and crafts, a pie-eating contest, costumes, and kid-friendly fun. We’ll have closing comments after this. Break: INGLES 7 Signoff- Thanks again for hanging out with us on today’s Marietta Daily Journal Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at www.mdjonline.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network Show Sponsors: ● www.ingles-markets.comSee omnystudio.com/listener for privacy information.

Caitlin Carney is co-owner of Porgy's Seafood Market in New Orleans.Caitlin calls herself the “Lady Monger.” Her business, Porgy's Seafood Market, is a purple storefront on a busy corner in Mid-City New Orleans. It feels like a cross between a fish shop, a lunch joint, and a neighborhood bar.It's a market with a mission: to reconnect New Orleanians with Gulf seafood. A lot of the fish sold in the city is not from the Louisiana coast. Most shoppers are getting their seafood from big supermarket chains, which don't always make buying local a priority. And those shoppers often choose the fish that's most familiar, like salmon or tilapia, which are not from the Gulf of Mexico. Meanwhile, Caitlin says, it's getting less and less profitable for independent fishers to harvest seafood from the Gulf.Caitlin is trying to educate consumers and also trying to make it more profitable for fishers in Louisiana to keep working. One way she does this is by selling bycatch, which is unintended, non-target catch. Often bycatch is thrown away, even when it's delicious, and the fisher makes no profit.“We love what we call hot fish, which are hot fish—you know, they're sexy,” she says. “Whenever we get bycatch, and they come in and they're gorgeous, we're like, ‘Damn, that's a hot fish!' “One of our favorite bycatch is scorpionfish, which is really fantastic as a sashimi,” she adds. “We got some long tail bass in the other day that I didn't even know you could get. So, yeah, it's always an adventure.”if Caitlin can buy it and then convince her customers that it's worth trying, that means additional revenue for the fisher.Thanks for listening to A Peace of My Mind's podcast. For photos, videos, and additional content, visit our website and follow us on Instagram.

I tried at the end of last week to do a memorial episode honoring my mother who died just a week ago. At the time I couldn't quite manage it, but I am back again using a different approach: I tell vignettes of mine and my mother's lives as they intertwined with the voice and presence of a singer we both enormously admired and enjoyed: Miss Leontyne Price. In between the personal stories, which extend from my earliest childhood to the day before my mother died, I weave in recordings of Leontyne in opera (Aida, La forza del destino, Antony and Cleopatra, Porgy and Bess), song (Hermit Songs, Vier letzte Lieder), spirituals, and more. There will be one more memorial tribute featuring another of Jane's Divas within the week. Thank you again for your empathetic and loving wishes. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

On the September 30 edition of Music History Today, BBC 1 radio premieres, as does Porgy & Bess, & the Magic Flute. Also, happy birthday to Trey Anastasio of Phish. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

George Gershwin segue mais atual do que nunca, e sua obra ganha novos contornos sob a direção de Grace Passô na aguardada estreia de Porgy and Bess no Theatro Municipal. Com seu olhar poético e ousado, Passô traz à cena o universo multifacetado desta ópera, que cruza as fronteiras do jazz, do teatro e da música clássica para contar uma história de luta e amor. Gershwin, que sempre transitou com leveza entre mundos, ainda nos anos 1920 e pouco depois de criar peças icônicas como Rhapsody in Blue, se encantou com o romance Porgy, de DuBose Heyward.A parceria entre Gershwin e Heyward nasceu de uma troca de cartas fervorosa, que resultou na colaboração entre os dois e Ira, o irmão do compositor e letrista consolidado. Em 1934, o compositor mergulhou no ambiente da Carolina do Sul, absorvendo as histórias e os ritmos que vibravam na alma do romance. Assim, em 1935, estreava Porgy and Bess em Boston, com uma inovação que ressoou como um grito de liberdade: a primeira ópera a trazer solistas negros de formação clássica, em um tempo em que tal escolha era uma transgressão.A trama de Porgy and Bess gira em torno das dores e paixões dos moradores de Catfish Row, com personagens como Porgy, um homem humilde e com uma deficiência física, e Bess, em busca de redenção após uma vida de provações. Canções como Summertime, My Man's Gone Now e I Got Plenty o' Nuttin emergem como clássicos eternos, capturando a alma da música norte-americana.Participam deste episódio: Grace Passô, Maíra Ferreira, Luiz-Ottavio Faria, Latonia Moore, Marly Montoni, Jean William, Betty Garcés, Juliana Taino, Edineia Oliveira, Núbia Eunice, Edna D'Oliveira, Michel de Souza, Mikael Coutinho e Samuel Martins.Podcast realizado pelas bolsistas Débora Oliveira, Mirella Lima e Triz Cristina, sob supervisão de Ligiana Costa.

Send us a textAfter finishing a run of 'Stalled' earlier this year at the King's Head Theatre, Josie Benson is now about to appear another UK musical theatre premiere: 'The Harder They Come' at Theatre Royal Stratford East. The show is an adaptation of the cult classic film of the same name and brings together a top tier creative team including director Matthew Xia and writer Suzan-Lori Parks. The production also marks a welcome return to Stratford East for Josie Benson who first worked at the audience-favourite theatre 25 years ago in 'Make Some Noise'. Since then, she's performed in some of the West End's biggest shows including 'Phantom of the Opera' and 'Mamma Mia!'. The show will also reunite Josie with Jason Pennycook with whom she worked with on 'Porgy and Bess' in the West End.In this new interview, Josie Benson sat down with us to talk about this eagerly anticipated new musical which promises to transport audiences to Kingston, Jamaica. The film is famously credited for bringing Reggae to the music and Josie tells us how the music that features in this new production will dazzle audiences looking for a great night out. With tickets selling fast, Josie urges our listeners to book quickly before the run sells out. Over the course of the conversation, we also reflect on how the theatre industry has evolved to become more diverse and inclusive of professionals from different backgrounds. It seems like the perfect time to be revisiting the story of 'The Harder They Come' and it looks like audiences will be treated to an excellent evening of theatre when they see the show.The Harder They Come runs at Theatre Royal Stratford East from 13 September - 25 October with tickets on sale now!Support the show

  In this powerful and heart-centered episode of the Big Seance Podcast, Patrick sits down with Jamilah Davis McKenzie—a minister, spiritual counselor, and boutique owner, whose life is steeped in legacy, music, ministry, and magic. With the grounded wisdom of your favorite “cool auntie,” Jamilah opens up about surviving a traumatic gunshot wound, living with PTSD, and her eclectic spiritual path rooted in church ministry, Hoodoo, ancestral veneration, and radical authenticity. She shares how her work—whether through oracle readings, retreats, or ministry—creates sacred spaces where people can heal, reconnect, and transform. With a no-nonsense edge and plenty of heart, Jamilah reminds us that true spiritual service often happens in the most unexpected places. Visit BigSeance.com/261 for more info. Other Listening Options Direct Download Link   In this episode: Intro :00 Jamilah Davis McKenzie is a minister, spiritual coach, spiritual counselor, wedding officiant, boutique owner, motivational speaker, and event host dedicated to helping people live their most authentic and fulfilled lives. With a nurturing spirit and a no-nonsense edge, she brings the energy of your favorite “cool auntie”—a Gen X hippie with a sharp tongue, a soulful heart, and a deep commitment to truth and transformation. The daughter of a Tony-nominated opera singer and a non denominational pastor who once served as Malcolm X's bodyguard, Jamilah's life has always been steeped in legacy, purpose, and power. A gifted singer herself, she blends ancestral strength with modern-day wisdom to create spaces where people can heal, grow, and reconnect with their truest selves. :45 Just like the guests from the past three episodes, Patrick met Jamilah this past winter at Missouri Paracon! 1:58 Jamilah and Deb DeRousse's Mystical Magical Retreat by Mystical Awakenings with Big Seance previous guest and friend, Andrea Perron. 7:41 “We make sure that people come in one way and leave different.”  “It's all about just building community, being there for each other, and finding a safe space.”  Jamilah survived being shot in the head in a road rage incident in 1993, and she suffers from PTSD. 12:04 “I know what it feels like to be so down. I know what it feels like to feel like you're nothing but a burden on people. Have you noticed that nobody can convince you of how unworthy you are, more than yourself?” “Part of healing is getting back in touch with that inner child who used to laugh at fart jokes.” Unity Tree Interfaith Ministries 16:11 The daughter of a minister, Jamilah grew up in the church. She loved the music and community, but she had questions. She has begun to describe herself as a “Spiritual Eclectic.” 18:16 “A lot of people can go on Ancestry.com or DNA or whatever, and they can trace stuff back. As an African American, I can't do that. There's only so far I can go. And one of the ways that I feel more connected is through the practices that my people brought here. And that's where the hoodoo comes in, and that's where the indigenous stuff comes in, and that's where ancestor veneration comes in. So I take what I need to build the spiritual life that makes me a better person, so then I can be a better person to help other people.” 22:50 There are many ways to be of service. “I can't tell you how many times I have given a message to someone across the table as I'm doing a reading. I cannot tell you how many times I have ministered to someone over oracle cards. And in a traditional sense, I'd be going to hell right now. But that's where I was of most use. The person sat down for a word. They sat down to be filled at that point and I gave it to them.” 23:35 Jamilah breaks down her empathic abilities. 26:50 Ancestor Veneration and how the practice of Hoodoo was born. 28:10 “We had to use Christianity to kind of mask our faith, so we had to put it in with Christianity to be able to practice anything, or to be able to save any of our culture, or any of our heritage, or any of our religion, because we weren't supposed to be doing that.” On the topic of gatekeeping Hoodoo: “Understand who you are and who you're asking. We're telling you to make sure that you call for your sake, not because we're trying to gatekeep.” 33:16 “There are people of all walks of life, of all skin colors who practice Hoodoo and have a beautiful time doing so. Just make sure that you're really called.”  “A ritual or a spell is nothing but a prayer coupled with action.” 36:11 Being Gen X: “Think about this. Everything we fantasized about, all the things we wished we could have, we have seen come to pass. So we are the magical generation.” 42:22  Jamilah and Patrick discuss AI. Jamilah is all about it! 45:02 Skyclad Handmade Boutique 49:23 Shoutout to Dale Quigley of the Seeking Vibes Podcast, who recently interviewed Jamilah. Check it out! 51:32 Jamilah's parents and grandparents have fascinating stories! Her mother is a Tony-nominated opera singer known for her roles in Porgy and Bess and Aida! 53:00 “The help they were giving me didn't really help me. I found my help in talking to other people and then finding out that my story helped them. And then I saw myself reflected in their response to me.” More on Jamilah's childhood, her struggles as a young adult, PTSD, imposter syndrome, ministry, and spiritual counseling. 53:55 Youtube channel coming soon! 58:35 “I do not do pop ups.” 1:06:10 Outro 1:09:10   Resources:  Jamilah on Facebook SkycladHandmade.com Mystical Awakenings Unity Tree Interfaith Ministries     The Big Seance Podcast can be found right here, on Apple Podcasts, Pandora, Spotify, TuneIn Radio, Amazon Music, Audible, iHeart Radio, and YouTube. Please subscribe and share with a fellow paranerd! Do you have any comments or feedback? Please contact me at Patrick@BigSeance.com. Consider recording your voice feedback directly from your device on my SpeakPipe page! I would love to include your voice feedback in a future show. The candles are already lit, so come on in and join the seance!

Will Trice is the Executive Director of the Arkansas Repertory Theatre and has been since 2019. He has served as a producer for nearly 30 productions on Broadway, the West End, and National Tours. Trice is a three-time Tony Award winner for All The Way, Who's Afraid of Virginia Woolf?, and Porgy & Bess, though he gives away any credit to the fabulous actors, writers, and production crew. He is a five-time Tony nominee for Fiddler on the Roof, The Royal Shakespeare Company's Wolf Hall, You Can't Take It With You, The Glass Menagerie, and The Best Man. Other credits include: American Son, starring Kerry Washington; The Lifespan of A Fact, starring Daniel Radcliffe; American Buffalo; American Psycho; Lady Day At Emerson's Bar & Grill, starring Audra McDonald (Broadway & West End); The Realistic Joneses, starring Toni Collette, Michael C. Hall, & Marisa Tomei; Blithe Spirit, starring Angela Lansbury (West End & National Tour); The Bridges of Madison County; and Glengarry Glen Ross, starring Al Pacino. Prior to his career in producing, Trice served as a Business Analyst with management consulting firm McKinsey & Company, an Artistic Administration Associate with The Metropolitan Opera, and a Strategic Growth Associate with alternative asset managers D.E. Shaw & Company. He holds degrees from Southern Methodist and Northwestern Universities.

This is the weekly columnSummmer-time, and sippin' rosé is easy… fish are jumpin'… and the cotton is high.OK, bastardizing George Gershwin's Porgy and Bess intro may be a déclassé way to introduce a high summer homage to the pink-blush stepchild of both red and white wine. Times change. “One of these mornings you're going to rise up singing, then you'll spread your wings and you'll take to the sky.” And so it has been with rosé.In the past decade-plus rosé has risen from wine sipped by m'lady on her fainting couch or slurped by repressed soccer moms in surreptitious soirées, with ice cubes bobbing in their fully filled ice tea glasses (yes, I am looking at you, closet white zinfandel drinkers). You did what you had to do.This is the middle of the third decade of the 21st century. Today, rosé is recognized as a real wine category that can unabashedly be enjoyed by manly men and girlie girls and all the silly permutations in between. Cash register receipts affirm it.While wines in general have treaded sales waters in recent years, rosé wines have been on a consistent rise. US rosé sales increased in volume 1,433% from 2010 to 2020, and has only barely slowed in the recent years of the current wine sales retreat.To the ecstatic delight of makers, most of the rise is attributable to to Gen Z and Millennials, the very consumers that desperate, salivating wine promoters pursue. Rosé is Cinderella. Once shunned by burly, brusque red wine brothers and haughty, condescending white wine sisters, rosé bided its time until the vicissitudes of fashion inevitably caused trendsetters to frantically scour for the “next big thing.” And there was rosé—the blessed bridge between red and white—and the answer to a winemaker's prayer.Like white wine, rosé is a fast turnaround product. One, two years, sold. Reds are so much more lumbering, taking years—ye, gods, sometimes almost a decade—before they reach their sellable state. Gimlet-eyed bankers avariciously grasping winery loan notes are not noted for patience or understanding.The rosé rise particularly is attributable to a shift away from the treacly sweet by-product of red wine production in the past. Such plonk was never mainstream, but it was effervescently successful when American wine drinkers were toddling neophytes just beginning their journey into the universe of the serious, dry wine most common today. Dry rosé is real, serious wine. It is the most common rosé wine you can purchase. Dry rosés are delectably versatile wines that can work just as well as an aperitif for giddy ingenues as for pompous panjandrums of pairing facing an eclectic cornucopia of food courses.Rosé's time has come. If alive today, Porgy and Bess would be sipping it on their veranda while celebrating the recent rise in their 401K portfolio. The fish are jumpin' and the cotton is high.Tasting notes• H&B Provence Rosé 2023: Delicate delight, very nice Provence rosé managed in a somewhat testing year. Fruit-forward, fresh, subtle herb and minerality. It received praise as being a quality wine that achieved better than its vintage peers. Excellent if not exceptional. But excellent in a Provence rosé is no faint praise. $20 https://www.gusclemensonwine.com/hb-provence-rose-2023/#more-20437• Domaine St. Laurent Rosé de Pinot Noir Block One Rouge Valley, Oregon 2023: Delicate, elegant, showcases light red fruits. Versatile, easily can be enjoyed on its own or paired with lighter fare. Tad more substantial than typical Provence efforts, but reflects that tradition. $25 https://www.gusclemensonwine.com/domaine-st-laurent-rose-de-pinot-noir-block-one-rouge-valley-oregon-2023/#more-20675• Luc Belaire Rare Rosé Sparkling NV, France: A top-selling sparkling rosé in the U.S. Faint sweetness, restrained acidity, and delicious strawberry flavor make it a crowd pleaser. $30 https://www.gusclemensonwine.com/luc-belaire-rare-rose-sparkling-nv-france/#more-20672• Dutcher Crossing Grace Reserve Russian River Valley Brut Rosé NV: Very brisk with significant acidity backbone supporting fresh raspberry, strawberry, and cranberry fruit notes. Depth and complexity from 20 months bottle aging on the lees. Sophisticated effort with power and attitude. No wimp pink sparkling this. $59 https://www.gusclemensonwine.com/dutcher-crossing-grace-reserve-russian-river-valley-brut-rose-nv/#more-20502Last roundTwo young boys are at their first wedding. One turns to the other and asks: “So, how many wives can a man have?”Second boy: “Apparently it is 16. Four better. Four worse. Four richer. Four poorer. And you gotta put up with them in sickness and in health until you die. Jeez!”Wine time.Gus Clemens on Wine is a reader-supported publication. To support my work, consider becoming a paid subscriber. No matter how you subscribe, I appreciate you reading.Links worth exploringDiary of a Serial Hostess Ins and outs of entertaining; witty anecdotes of life in the stylish lane.As We Eat Multi-platform storytelling explores how food connects, defines, inspires.Dave McIntyre's WineLine Longtime Washington Post wine columnist now on Substack. Entertaining, informative.Email: wine@cwadv.comNewsletter: gusclemens.substack.comWebsite: Gus Clemens on Wine websiteFacebook: facebook.com/GusClemensOnWine/posts/Twitter (X): @gusclemensBluesky https://bsky.app/profile/gusclemensonwine.bsky.social .Long form wine stories on Vocal: Gus Clemens on VocalApple podcasts https://www.google.com/search?client=safari&rls=en&q=apple+podcasts+gus+clemens+apple+p…&ie=UTF-8&oe=UTF-8.Linkedin: Gus Clemens on Wine This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit gusclemens.substack.com/subscribe

Excerpt of the 12 Jul 1937 Tribute to George Gershwin, featuring Al Jolson. This was one of two numbers performed by Al Jolson on a radio tribute broadcast the evening following George Gershwin's death. The complete broadcast circulates with other Jolson radio shows on the Official Al Jolson Website at www.jolson.org.

This Day in Legal History: Richard and Mildred Loving ArrestedOn this day in legal history, July 11, 1958, Richard and Mildred Loving were arrested in Central Point, Virginia, for violating the state's Racial Integrity Act, which banned interracial marriage. The couple had legally wed in Washington, D.C., but upon returning to Virginia, they were charged with "cohabiting as man and wife, against the peace and dignity of the Commonwealth." Richard, a white man, and Mildred, a Black and Indigenous woman, pled guilty and were sentenced to one year in prison, suspended on the condition that they leave the state for 25 years.The Lovings relocated to Washington, D.C., but their desire to return home ultimately led to a pivotal civil rights case. In 1963, they wrote to Attorney General Robert F. Kennedy, who referred them to the ACLU. Attorneys Bernard Cohen and Philip Hirschkop took up their case, arguing that Virginia's law violated the Equal Protection and Due Process Clauses of the Fourteenth Amendment. After years of legal battles, the case reached the U.S. Supreme Court.In Loving v. Virginia (1967), the Court unanimously struck down laws banning interracial marriage, declaring that "the freedom to marry… may not be infringed by the State." Chief Justice Earl Warren wrote that Virginia's law served no legitimate purpose "independent of invidious racial discrimination." The decision invalidated similar laws in 15 other states.The Lovings never sought to become civil rights icons—they simply wanted to live as a married couple in their home state. Their quiet determination reshaped American constitutional law, affirming marriage as a fundamental right and setting a legal precedent that continues to influence equal protection jurisprudence.The 9th U.S. Circuit Court of Appeals temporarily paused a lower court ruling that had blocked President Donald Trump's executive order removing collective bargaining rights for large segments of the federal workforce. U.S. District Judge James Donato had issued the initial injunction in June, finding the executive order likely violated federal employees' First Amendment rights and targeted unions viewed as adversarial to Trump. The appeals court's administrative stay keeps the order in limbo while it considers the administration's appeal, with oral arguments scheduled for July 17.Trump's order affects 21 federal agencies and would make it easier to discipline or fire employees while restricting union challenges. The order notably broadened national security exceptions to collective bargaining beyond intelligence agencies like the CIA and FBI. Unions argue the move is retaliatory and affects many workers who don't handle national security matters.Earlier, a Washington, D.C. judge blocked the same order at seven agencies, including the DOJ and Treasury, but that ruling is also stayed pending appeal. The Trump administration has also filed lawsuits to void existing union contracts, though one such suit by the Treasury was dismissed for lack of standing. A related case remains pending in Texas.US court pauses block on Trump eliminating union bargaining for federal workers | ReutersThe White House is currently reviewing federal agency layoff plans following a recent U.S. Supreme Court decision that permits large-scale downsizing of the government workforce. Two senior officials confirmed the review is aimed at minimizing future legal challenges by ensuring all plans comply with congressional rules and civil service regulations. Coordination is being handled through the White House Counsel's Office and the Office of Personnel Management. Although no specific timeline has been announced, officials say the layoffs are an "immediate priority," with a goal to reduce the size of government swiftly.The ruling, welcomed by the Trump administration, allows agencies to act on plans developed earlier this year under the guidance of the Department of Government Efficiency, led by Elon Musk. However, the administration acknowledged that labor contracts and due process protections still apply, and lawsuits are expected even if legal thresholds are met.The State Department has already confirmed it will begin issuing termination notices imminently, having proposed nearly 2,000 job cuts in May. Overall, about 260,000 federal employees have already exited through firings, resignations, or early retirements since January. The layoffs are expected to affect more than a dozen departments, including Agriculture, Commerce, and Veterans Affairs.White House reviews mass federal layoff plans, aims for swift action | ReutersMahmoud Khalil, a Columbia University student and permanent U.S. resident, has filed a $20 million claim against the Trump administration, alleging false imprisonment and malicious prosecution. Khalil, a pro-Palestinian activist, was detained for over 100 days by immigration authorities who accused him of undermining U.S.–Israel relations. His legal team submitted the claim under federal rules requiring damages claims to be filed before a lawsuit. Homeland Security dismissed the claim as "absurd," defending its actions as lawful.Khalil argues his arrest was politically motivated, targeting him for his pro-Palestinian speech, and says he would accept an official apology and a policy change as an alternative to monetary compensation. He was released on bail in June after a federal judge ruled his detention violated his First Amendment rights. The case has drawn widespread attention from civil rights and Palestinian advocacy groups, who accuse the administration of equating criticism of Israel with antisemitism.Trump has publicly pledged to deport foreign students participating in anti-Israel protests, and Khalil was the first high-profile detainee under this initiative. His lawyers continue to challenge his deportation, and the administration has six months to respond to his compensation claim.Mahmoud Khalil seeks $20 million from Trump administration over immigration arrest | ReutersThis week's closing theme is by George Gershwin.This week's closing theme is dedicated to one of America's most iconic composers—George Gershwin, who died on July 11, 1937, at just 38 years old. Though his life was short, Gershwin's musical legacy is vast, bridging the worlds of classical music and jazz with unprecedented flair. His compositions resonate with a distinctively American voice, and no piece captures that better than Rhapsody in Blue. Premiered in 1924, the work opens with a now-famous clarinet glissando and bursts into a vibrant, restless energy that seems to embody the optimism and chaos of early 20th-century New York.Commissioned by bandleader Paul Whiteman, Rhapsody in Blue was Gershwin's first major attempt to merge classical form with jazz idioms. What emerged was a concerto-like work that thrilled audiences and critics alike and marked the beginning of serious recognition for jazz as a concert-hall art form. Gershwin performed the piano solo himself at the premiere, having written much of it in a hurry and leaving some sections to be improvised on the spot.His sudden death from a brain tumor shocked the music world. It cut short the career of a composer who had already revolutionized American music and was poised to do much more. In works like Porgy and Bess and An American in Paris, Gershwin demonstrated a rare ability to synthesize European traditions with American vernacular music. But Rhapsody in Blue remains his most enduring testament—a collision of elegance, innovation, and vitality.As we reflect on Gershwin's passing this week, we close with Rhapsody in Blue, a work that continues to pulse with life nearly a century after its premiere. Its blend of bluesy lyricism and orchestral sweep makes it a fitting tribute to a composer whose voice was silenced too soon.Without further ado, George Gershwin's Rhapsody in Blue, enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

We're joined by Stephanie Boluk (UC Davis), Patrick LeMieux (UC Davis), and Trent Kusters (League of Geeks) to discuss Grimstone, the 40th game in the UFO 50 collection. “Praise Biggan, the four of you survived the saloon fire. But somethin' tells me this story's just gettin' started...” Next week: Lords of Diskonia Audio edited by Dylan Shumway.   Discussed in this episode: Final Fantasy Pixel Remaster https://finalfantasypixelremaster.square-enix-games.com/en_US/  SaGa Frontier Remastered https://saga-franchise.square-enix-games.com/en-us/games/saga-frontier-remastered  Dragon Quest I & II HD-2D Remake https://dragonquest.square-enix-games.com/games/en-us/dragon-quest-1-2-hd2d-remake/  Super Mario RPG  https://www.nintendo.com/us/store/products/super-mario-rpg-switch/  Undertale  https://undertale.com/  Final Fantasy VIII Remastered https://www.square-enix-games.com/games/final-fantasy-viii-remastered  Mother 3  https://mother3.fobby.net/  Final Fantasy VII  https://finalfantasyviipc.square-enix-games.com/en  Tales of Symphonia Remastered  https://en.bandainamcoent.eu/tales-of/tales-of-symphonia-remastered  Hylics  https://mason-lindroth.itch.io/hylics  Huicholes: The Last Peyote Guardians https://vimeo.com/ondemand/huicholesfilm The Road to Dragon Quest  https://archive.org/details/road-to-dragon-quest Space Funeral  https://thecatamites.itch.io/space-funeral  Yume Nikki  https://store.steampowered.com/app/650700/Yume_Nikki/  The Thousand Crimes of Ming Tsu by Tom Lin https://www.hachettebookgroup.com/titles/tom-lin/the-thousand-crimes-of-ming-tsu/9780316542173/?lens=little-brown Game Maker's Notebook - XCOM Creator Julian Gollop Shares Game Design Tips , Dev Stories and More  https://gamemakersnotebook.libsyn.com/xcom-creator-julian-gollop-shares-game-design-tips-dev-stories-and-more    Stephanie's Bluesky https://bsky.app/profile/chouxsalad.bsky.social Patrick's Bluesky https://bsky.app/profile/alt254.bsky.social Trent's Bluesky https://bsky.app/profile/trentkusters.bsky.social A Year of UFO 50 - Mortol II https://eggplant.show/ep-a-year-of-ufo-50-mortol-ii  A Year of UFO 50 - Rock On! Island  https://eggplant.show/ep-a-year-of-ufo-50-rock-on-island  A Year of UFO 50 - Mortol  https://eggplant.show/ep-a-year-of-ufo-50-mortol  A Year of UFO 50 - Fist Hell  https://eggplant.show/ep-a-year-of-ufo-50-fist-hell  A Year of UFO 50 - Vainger  https://eggplant.show/ep-a-year-of-ufo-50-vainger  A Year of UFO 50 - Porgy  https://eggplant.show/ep-a-year-of-ufo-50-porgy  A Year of UFO 50 - Bushido Ball  https://eggplant.show/ep-a-year-of-ufo-50-bushido-ball  Into the Depths: Kentucky Route Zero - Part 1  https://eggplant.show/into-the-depths-kentucky-route-zero-part-1      https://bsky.app/profile/eggplantshow.bsky.social https://www.youtube.com/eggplantshow  http://discord.gg/eggplant https://www.patreon.com/eggplantshow

Now in its 31st year, the AfroSolo Arts Festival is thrilled to return to Commonwealth Club World Affairs with "We Come This Far by Music—Let Freedom Ring! Part 2," featuring African American artists and music. The AfroSolo Arts Festival, directed by Thomas R. Simpson, is showcasing a cast of classically trained artists. This program is led by Dr. Carl Blake, pianist and director, and features Bradley Kynard, baritone; Shawnette Sulker, soprano; William Underwood, flutist. It's a joyful, soul-stirring program of music based on African American experiences, as part of San Francisco's Juneteenth Celebration—a national celebration that commemorates the freeing of enslaved people in Texas two years after the Emancipation Proclamation.  AfroSolo Arts Festival is made possible through the support of the California Arts Council, Grants for the Arts, Dream Keeper Initiative, Kenneth Rainin Foundation, SF Arts Commission, and The Friends of AfroSolo. About the Performers Dr. Carl Blake, piano and program director. Carnegie Recital Wigmore Hall (London) and L'Hermitage St. Petersburg, Russia Toured in France, England, Central and South America, Caribbean as artistic ambassador for the U.S. Department of State. Currently, director of music, Church for the Fellowship of All Peoples, San Francisco, and a board member, Noontime Concerts. Bradley Kynard, baritone. This season: The Emissary by Oh/Rourke and Prospero's Island by Shearer/Stevens, Zebul in Jeptha by Handel, Mer hahn en neue Oberkeet (BWV 212) by J.S. Bach, A Little Girl Dreams of Taking the Veil by Wold, Sophia's Forest by Beecher/Moscovitch, and Harriet's Spirit by Shelby/Olvera with Opera Parallèle, Moby Dick, Heggie/Scheer with San Francisco Opera. Brooke. In Little Women, by Adamo. Shawnette Sulker, soprano. Featured artist with San Francisco Opera; Die Königin der Nacht, Cleopatra, Porgy and Bess, Jake Heggie's Intelligence, Allen Shearer's Prospero's Island. Soloist, Carmina Burana, Messiah, and Mahler's symphonies concert performances at Teatro di San Carlo, Lincoln Center, and Leipzig's Gewandhaus. William Underwood III, flutist. Performs in traditional, avant-garde, social and sacred arenas as a solo, collaborative and recording flutist. A veteran of AfroSolo Festivals in San Francisco. Toured Japan extensively with Kyodo Tokyo Incorporated . An Arts Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. Organizer: Anne W Smith and Thomas R. Simpson  Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the final Season 04 Episode 4.16 - the "Short Shorts" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: "The Movie Guy" Mr. Paul Preston on the Cinema Series, and Mr. Joseph Newton, director of the Main Street Studios production of Joseph and the Amazing Technicolor Dreamcoat. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Time Stamps (Approximate) 01:55 - Paul Preston "The Movie Guy"/Cinema Series 26:55 - Arts Calendar 30:45 - Joseph Newton/Joseph and the Amazing Technicolor Dreamcoat Media Short Shorts, written by Tom Austin, Bill Crandell, Bill Dalton, Bob Gaudio; performed by The Royal Teens, January 1958, ABC-Paramount "Let's Go to the Movies", from the musical film Annie, music and lyrics by Charles Strouse, performed by Ann Reinking; 1982, Columbia Pictures "Summertime", from the musical Porgy and Bess, composed by George and Ira Gershwin, Louis Armstrong, trumpet; 1957 "Any Dream Will Do", from the musical film Joseph and the Amazing Technicolor Dreamcoat, Andrew Lloyd Weber (music) and Tim Rice (lyrics), performed by Donny Osmond; November 1999, Universal Pictures (UK) Limited. "Aquarius/Let The Sun Shine In (The Flesh Falters)", from the musical Hair, music by Gait McDermott, lyrics by Gerome Ragni and James Rado; performed by the 5th Dimension from the album The Age of Aquarius, May 1969, Soul City Artist Links Paul Preston "The Movie Guys.net"   Box Office at SUNY Fredonia Lake Shore Center for the Arts Main Street Studios Ticket Website WCVF Fredonia WRFA Jamestown   BECOME AN OPERA HOUSE MEMBER!

Send us a textGeorge Feltenstein from the Warner Archive joins host Tim Millard to discuss the remarkable restoration and reconstruction of the 1945 film "Rhapsody in Blue," now available on Blu-ray in its complete 161-minute version for the first time in 80 years.• Warner Bros.' restoration team combined original camera negative footage with a composite fine-grain master to reconstruct the complete film as director Irving Rapper intended• The rediscovered 5-minute Porgy and Bess sequence featuring Anne Brown's full performance of "Summertime" replaces the truncated 1:45 version shown in theaters• The Warner Brothers Studio Orchestra deserves special recognition for their outstanding musical performances and arrangements by Ray Heindorf• Many actual Gershwin associates appear in the film, including Paul Whiteman's orchestra, Oscar Levant, and Al Jolson performing "Swanee"• The film successfully portrays Gershwin's dedication to creating uniquely American music that incorporated jazz and diverse cultural influences• This frame-by-frame restoration delivers unprecedented audio and visual quality, surpassing even the original theatrical presentation• Robert Alda delivers a charismatic performance as George Gershwin, supported by excellent performances from Joan Leslie, Alexis Smith, and Charles CoburnPurchase Link: RHAPSODY IN BLUE (1945) [EXTENDED PRE-RELEASE VERSION] Blu-ray The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

It's Pride Month, and what better time to focus on queer musical culture in all its various manifestations! As far back as I can remember, I have been an Opera Queen, and today I kick off our queer celebrations with the a tribute to one of our favorite divas, the late Grace Bumbry. The chutzpah that she demonstrated throughout her career found particularly thrilling manifestation when she began transitioning to soprano roles in the early 1970s. Always an intrepid singer, Bumbry had a confidence, a fearlessness that swept all before it. Sometimes her reach exceeded her grasp, but even so, the results were always breathtaking, more often than not in a good way. I am not going to make the tired claim that Bumbry should have remained a mezzo and that when she started singing soprano, she destroyed her instrument. This tired trope is belied by the evidence at hand, including an active singing career that lasted more than 60 years. A while back I did a version of this episode featuring her studio recordings of the soprano repertoire, but there's a wild, abandoned quality to her soprano singing that is especially compelling in live recordings. So today I have sought out live performances captured on recordings between 1971 and 2007 (at a seventieth birthday concert) which reveal La Bumbarina at her most thrilling, including excerpts from Tosca, La Gioconda, Il Trovatore, Nabucco, Porgy and Bess, Ernani, L'Africaine, Aida, Salome, and Anna Bolena with such co-stars as Franco Corelli, Norman Bailey, Louis Quilico, and her beloved frenemy Shirley Verrett. If you love Grace, you don't want to miss this episode. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

The earliest selection on last week's Elisabeth Söderström episode featured the soprano at 24 singing the title role of Madama Butterfly. In that live recording, we also heard as Sharpless her compatriot the baritone Hugo Hasslo, to whom I introduced my listeners last fall. Today I dive a little bit deeper into Hasslo's extant recordings. Considering what a great singer he was, and how his reputation has merely grown with the passage of time, it's shocking how rarely Hasslo recorded in the studio. Therefore the majority of this episode consists of live recordings, from as far back as Hasslo's operatic debut in 1940 as Guglielmo under the baton of Fritz Busch, through to his performance as di Luna alongside Jussi Björling's final operatic appearance in Sweden twenty years later. Along the way we hear excerpts from Rigoletto, Il tabarro, Yevgeny Onegin (or should I say Eugen Onegin), Il trovatore, and… Porgy and Bess (?!?!). I also include a sample of the singing of Hasslo's teacher, the Scottish tenor Joseph Hislop to show that the apple did not fall far from the tree! Other singers appearing on the episode include Sena Jurinac, Einar Andersson, Sigurd Björling, Eric Sædén, Margareta Hallin, Arne Tyrén, Aase Nordmo Løvberg, Apollo Granforte, and a surprise visit from last week's subject, the transcendent Elisabeth Söderström. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Este 8 de mayo, el pianista Keith Jarrett cumple 80 años. Le escuchamos tocando en estudio 'I loves you, Porgy', 'Someone to watch over me' y 'Be my love' del disco solo de piano de 1999 'The melody at night with you'; en 'Tokyo encore-Nothing but a dream' de su disco grabado en concierto en Japón el 30 de enero de 1985; en 'My song' del disco homónimo de los setenta con el cuarteto europeo formado con Jan Garbarek, Palle Danielsson y Jon Christensen; en 'No moon at all' y 'Don´t ever leave' de su disco 'Jasmine' a dúo con Charlie Haden; en 'Straight no chaser' en trío con Gary Peacock y Jack DeJohnette del disco 'Bye bye blackbird'; en dos partes de su disco 'Rio', grabación de un concierto en solitario en 2011 en Río de Janeiro, y en 'Answer me, my love' de un concierto también de piano solo en Budapest en 2016. Escuchar audio

From church choir in Eatonville, Florida, to becoming the first Black Phantom on Broadway, Norm Lewis opens up about his unique path to the stage. He shares how early dreams of a tennis career turned into a life in music and theatre, and the surprising way a cruise ship job launched it all. In this candid conversation, Norm reflects on near-misses, bold moves, and the audition advice that changed his life. We also discuss his current role in Ceremonies in Dark Old Men, a rarely produced Off-Broadway play making a powerful return. Norm dives into the emotional depth of playing a character reckoning with failure and legacy, and how the story echoes his own questions about longevity, identity, and purpose in the industry. Plus, we talk about the importance of representation, founding Black Theatre United, and why mentorship is such a vital part of his mission today. Norm Lewis is a Tony, Emmy, and SAG Award-nominated performer known for his Broadway roles in The Phantom of the Opera, Porgy and Bess, Sweeney Todd, Les Misérables, Once on This Island, and Chicken and Biscuits. His screen credits include Da 5 Bloods, The Good Fight, Pose, and NBC's Jesus Christ Superstar Live. He is a founding member of Black Theatre United and currently stars Off-Broadway in Ceremonies in Dark Old Men. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Norm: @normlewis777 on Instagram Black Theatre United: blacktheatreunited.com Connect with The Theatre Podcast: Support us on Patreon: ⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠@theatre_podcast⁠⁠⁠ ⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠ ⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠@alanseales⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Emmy, Tony, and SAG Award nominee Norm Lewis joins The Art of Kindness with Robert Peterpaul to discuss leading a cast with kindness, the unique way advertising influenced his career, his new show Ceremonies in Dark Old Men and more. NORM LEWIS was recently seen onstage starring in the national tour of the Tony Award-winning production of A Soldier's Play and in Andrew Lloyd Webber's West End Concert of Love Never Dies. He starred in Spike Lee's critically acclaimed, "Da 5 Bloods," and in the groundbreaking FX series, Pose. Additionally, Mr. Lewis can be seen starring opposite Hilary Swank in the feature "The Good Mother," Amazon Prime's newest series, Swarm, and Hulu's, Up Here. He was also seen as 'Caiaphas' in the award-winning NBC television special, “Jesus Christ Superstar Live in Concert!,” alongside John Legend, Sara Bareilles, and Alice Cooper. Mr. Lewis returned to Broadway in the Fall of 2021, starring in Chicken and Biscuits at the Circle In The Square Theatre. He previously appeared in the Broadway revival of Once on This Island and as Sweeney Todd in the Off-Broadway production of Sweeney Todd: The Demon Barber of Fleet Street at the Barrow Street Theatre, receiving the AUDELCO Award for his performance. In May of 2014, he made history as The Phantom of the Opera's first African American Phantom on Broadway. He has been seen on PBS in the Live From Lincoln Center productions of Showboat with Vanessa Williams, Norm Lewis: Who Am I?, New Year's Eve: A Gershwin Celebration with Diane Reeves, as well as American Voices with Renée Fleming and the PBS Specials First You Dream – The Music of Kander & Ebb and Ella Wishes You A Swingin' Christmas. He can be seen recurring in the VH1 series, Daytime Divas, also alongside Vanessa Williams. His additional television credits include Women of The Movement, Law & Order, Dr. Death, Mrs. America, Better Things, The Unbreakable Kimmy Schmidt, Bull, Chicago Med, Gotham, The Blacklist, and Blue Bloods, as well as in his recurring role as Senator Edison Davis on the hit drama Scandal. Mr. Lewis is a proud, founding member of Black Theatre United, an organization which stands together to help protect Black people, Black talent and Black lives of all shapes and orientations in theatre and communities across the country. He received Tony, Drama Desk, Drama League, and Outer Critics Circle award nominations for his performance as Porgy in the Broadway production of The Gershwins' Porgy & Bess. Other Broadway credits include Sondheim on Sondheim, The Little Mermaid, Les Misérables, Chicago, Amour, The Wild Party, Side Show, Miss Saigon, and The Who's Tommy. In London's West End he has appeared as Javert in Les Misérables and Les Misérables: The 25th Anniversary Concert, which aired on PBS. Off-Broadway Mr. Lewis has performed in Dessa Rose (Drama Desk nomination, AUDELCO Award), Shakespeare in the Park's The Tempest, The Two Gentlemen of Verona (Drama League nomination), Captains Courageous, and A New Brain. His regional credits include Porgy in The Gershwins' Porgy and Bess (A.R.T.), Ragtime, Dreamgirls (with Jennifer Holliday), First You Dream, Sweeney Todd, and The Fantasticks. His additional film credits include Christmas In Tune (starring opposite Reba McEntire), Magnum Opus, Winter's Tale, Sex and the City 2, Confidences, and Preaching to the Choir. Norm's albums "The Norm Lewis Christmas Album" & "This is The Life" can be found on Amazon.com as well as cdbaby.com. Ceremonies in Dark Old Men Tickets: https://www.thepeccadillo.com/ Follow Norm: @thenormlewis Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

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We're joined by guest hosts Adam Saltsman (Finji), Trent Kusters (League of Geeks), and Teddy Dief (We Are OFK) to discuss Vainger, the 29th game in the UFO 50 collection. “The Vainger returns to Io and finds itself betrayed. The enemy must be found and eradicated.” Next week: Rock On! Island Audio edited by Dylan Shumway. Discussed in this episode: Prince of Prussia  https://adamatomic.itch.io/prince Deus Ex  https://store.steampowered.com/app/6910/Deus_Ex_Game_of_the_Year_Edition/  The Swapper https://store.steampowered.com/app/231160/The_Swapper/  Transistor https://www.supergiantgames.com/games/transistor/ Uncle Slam's record Vainger speed run https://www.youtube.com/watch?v=q12oY8A5ekA Prince of Persia: The Lost Crown https://store.steampowered.com/app/2751000/Prince_of_Persia_The_Lost_Crown/  Bloodborne https://www.playstation.com/en-us/games/bloodborne/ Magic, Kevlar, and Conspiracies with Tactical Breach Wizards Dev Tom Francis https://interactive.libsyn.com/magic-kevlar-and-conspiracies-with-tactical-breach-wizards-dev-tom-francis  Usual June https://store.steampowered.com/app/2702430/Usual_June/ Hyper Light Drifter https://store.steampowered.com/app/257850/Hyper_Light_Drifter/  We Are OFK (game) https://store.steampowered.com/app/1490340/We_Are_OFK/ We Are OFK (artist page) https://www.ofk.cool/ Teddy Dief's webpage https://www.teddydief.com/ Gaburi Chicken, LA https://gaburiusa.com/ A Year of UFO 50 – Warptank https://eggplant.show/ep-a-year-of-ufo-50-warptank A Year of UFO 50 – Camouflage https://eggplant.show/ep-a-year-of-ufo-50-camouflage Surviving Overland with Adam Saltsman https://eggplant.show/28-surviving-overland-with-adam-saltsman A Year of UFO 50 – Porgy https://eggplant.show/ep-a-year-of-ufo-50-porgy A Year of UFO 50 – Bushido Ball https://eggplant.show/ep-a-year-of-ufo-50-bushido-ball   https://www.youtube.com/eggplantshow  http://discord.gg/eggplant https://www.patreon.com/eggplantshow

'Abundância' es el título de un nuevo disco de la lisboeta de madre mozambiqueña María João, que contiene canciones como 'Ao sol', 'Maputo jive' o 'Beatriz -de Edu Lobo y Chico Buarque-. Otra lisboeta, en su caso de familia caboverdiana, Lura, celebra sus 25 años en la música con el disco 'Multicolor' ('Si si', 'Dançar', 'Preta', 'Bla bla bla'). El pianista François Couturier y el violinista Dominique Pifaréli firman un disco a dúo titulado 'Preludes and songs' que se abre con la viñeta 'Le surcroît' y para el que han grabado 'La chanson des vieux amants', de Brel, y 'I loves you Porgy' de Gershwin. Y otra francesa, Elise Vassalucci, canta 'The peacocks' de Jimmy Rowles con letra en francés de su autoría. Despide el cuarteto del baterista brasileño Sergio Reze 'O vento' (Dorival Caymmi)/'Vera Cruz' (Milton Nascimento).Escuchar audio

Today I present the male lead creator of Gershwin's towering masterpiece, Porgy and Bess, the magnificent Todd Duncan (12 February 1903 – 28 February 1998), whose other creations included work by Kurt Weill, Cole Porter, and a pop standard that might surprise you. Duncan also made extraordinarily important contributions as a teacher, a recitalist, and as a civil rights figure. All of these aspects of his life are explored in this episode, which features recordings from all corners of his artistic and musical life, including two live broadcasts of excerpts from Porgy and a number of rare recordings of art song and a treasurable (if craggily-recorded) album of spirituals. Here was a man who pursued his career and his life with a strong sense of his own self-worth, but also kindness, integrity, and humility. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

From the first performance of ‘Porgy and Bess,' George Gershwin stipulated the opera had to feature an all-Black cast, not white performers in blackface. This benefitted Black opera singers, but their fear was being typecast. Find out more in the ‘Rhapsody in Black' podcast.

Today on Countermelody the first of two (for now) episodes celebrating the creators of George Gershwin's legendary (and controversial) opera Porgy and Bess. Today we explore the fascinating life (and scant recorded legacy) of Anne Wiggins Brown, who was born in Baltimore on August 09, 1912, and died in Oslo on March 13, 2009. Like Muriel Smith, who a few years later created the title role of Carmen Jones on Broadway, Brown was still a student at the time she created the role of Bess. In Brown's case, she was enrolled at the Juilliard School, one of the very first Black students admitted to the venerable institution. She was possessed of an admirable musical pedigree on her mother's side; her father was a doctor and the family was raised in relative privilege in Baltimore. This, however, did not mean that all doors were open to the young would-be singer, who found her way by sheer determination and willpower. These same traits led to her being cast in the female lead of Gershwin's Broadway opera, as well as a close working relationship with the composer, who expanded the role from a secondary part to having her name included in the title. Brown sang more than 500 performances of Bess around the world, but in 1948 chose to settle in Norway, where she married Thorleif Schjelderup, an Olympic skier who also became an author an environmentalist. Though she occasionally returned to the United States, Norway remained her home until her death at the age of 96. Brown's career included significant concertizing and operatic appearances throughout the world. Eventually severe asthma led to her sudden retirement from the stage in 1955. She often decried the ugly spectre of racism, which she felt also curtailed and restricted her career. After her retirement, she became a noted voice teacher and stage director, leading several noteworthy productions of Porgy in the 1960s. This episode includes the vast majority of her slim recorded output, which include various excerpts from Porgy (in effect the very first Original Cast Album), as well as a collection of rare Norwegian recordings of spirituals, folk songs, and art songs in which she reveals a strong, true voice and a deeply musical sensibility, showing herself to be yet another artist whose artistic significance matches her historical importance. The episode opens with a heartfelt (and heartbroken) tribute to the great Roberta Flack, who died in the morning hours of February 24th. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

We're joined by Trent Kusters (League of Geeks) and Kayin (I Wanna Be The Guy) to discuss Porgy, the 22nd game in the UFO 50 collection. "Strange happenings near the coast! Dive deep and get to the bottom of what's fishy in the sea." Next week: Onion Delivery Audio edited by Dylan Shumway.   Discussed on this episode: Kayin's Porgy Blog Post – ”On Backtracking” https://kayin.moe/backtracking   Games: Agency as Art – C. Thi Nguyen https://global.oup.com/academic/product/games-9780190052089?cc=us&lang=en&  A Play of Bodies – Brendan Keogh https://mitpress.mit.edu/9780262037631/a-play-of-bodies/  Shadow The Past's Porgy Speedruns (1st World Record run) https://www.youtube.com/watch?v=SoYXGkX2_IA&t=1s  Game Maker's Notebook – 17 Year Development Journey with Caves of Qud https://interactive.libsyn.com/17-year-development-journey-with-caves-of-qud    Kayin's website https://kayin.moe/about   Kayin on bluesky https://bsky.app/profile/kayin.moe  Trent on bluesky https://bsky.app/profile/trentkusters.bsky.social   http://discord.gg/eggplant https://www.patreon.com/eggplantshow  

Today on another encore edition of the Rarified Heir Podcast, we are speaking with Josh Langsam, grandson of the great Cab Calloway. Our conversation with Josh was full of amazing family connections as well as a terrific lists of firsts from Cab Calloway that was fascinating to learn about. From fashion to language to composing and performing, Cab Calloway was both an entertainer as well as a cultural icon. While many of us knew him first from his appearance as Curtis in The Blues Brothers film, as the basis for both Jake and Elwood. While that film helped bring Cab back into popular culture, Cab's influence on popular culture in the first half of the 20th century. A song writer and performer whose song “Minnie The Moocher” sold one million copies – the first black entertainer to do so. He was also the first black entertainer to have a radio show and even was made into a cartoon in a Betty Boop short. And if that's not enough, none other than George Gershwin based the character Sportin' Life in the smash hit Porgy and Bess on Cab as well. We spoke to Josh about his grandfather's legacy and how he is working to enhance his legacy in 2025 and beyond. We spoke about Josh's plans for the estate and frankly, the what's and how's of running such an estate. We learned a lot from Josh on this episode as there was a lot to learn. So sit back and take a listen to the Rarified Heir Podcast. Everyone has a story.

El pianista François Couturier y el violinista Dominique Pifarély tocan 'I loves you, Porgy' de los Gershwin y 'La chanson des vieux amants' de Brel en su reciente disco a dúo 'Preludes and songs'. Además, Bianca Gismonti ('Sanfona', 'A fala da paixão'), Luiz Murá ('Undiú', 'Bahia com H'), Mafalda Minozzi ('Café South American style', 'Eu e a brisa', 'Agua de beber') y Chet Baker ('Skylark').Escuchar audio

Hi friends, and welcome back to Busy Kids Love Music! This week, we conclude our three-part series on the brilliant composer George Gershwin with a look at his opera masterpiece, Porgy and Bess. What You'll Hear in This Episode: Background on Porgy and Bess: Learn how Gershwin, his brother Ira, and DuBose Heyward collaborated to create this groundbreaking "folk opera" that premiered in 1935. The Story: Explore the opera's plot, centered on the struggles and resilience of a close-knit African American community in Catfish Row, Charleston. Unforgettable Music: Enjoy excerpts from iconic pieces like: “Summertime” “I Got Plenty o' Nuttin'” “Bess, You Is My Woman Now” Cultural Impact: Discover how Gershwin's decision to cast African American performers in the leading roles broke barriers while also sparking debate. Modern Reflections: Understand how productions today balance honoring Gershwin's work with addressing cultural sensitivities. Additional Resources:

Welcome to Busy Kids Love Music! In today's episode, we continue our series on the remarkable George Gershwin, focusing on one of his most famous works, Rhapsody in Blue. Discover the story behind this iconic piece, learn what makes it unique, and hear why it's considered a groundbreaking moment in American music history. What You'll Learn in This Episode: The Inspiration: Learn how a train ride and a tight deadline led to the creation of Rhapsody in Blue. The Title: Explore the meaning behind the title and how the piece captures the spirit of America. The Music: Dive into Gershwin's innovative blend of jazz and classical styles, featuring instruments like the clarinet, saxophone, and piano. The Premiere: Hear how the piece's 1924 debut wowed audiences and redefined jazz as a serious art form. Why It's Famous: Discover why Rhapsody in Blue is still celebrated as one of the greatest American compositions.

Welcome back to Busy Kids Love Music! In today's episode, we kick off a brand-new series all about one of America's most beloved composers, George Gershwin. From his humble beginnings in Brooklyn to his rise as a composer who seamlessly blended jazz and classical styles, Gershwin's life and music continue to captivate audiences of all ages.

In a previous interview produced by PBS Wisconsin, longtime Madison Symphony conductor John DeMain traced his musical development from his Ohio childhood to his experiences conducting George Gershwin’s Porgy and […]

durée : 01:00:43 - Certains l'aiment Fip - À l'occasion de la Folle journée de Gershwin à la Philharmonie de Paris, retour sur Manhattan, Drôle de frimousse, Un américain à Paris, Porgy and Bess ou Lady be good.

The couples paired up in Martin Ritt's 1961 musical drama Paris Blues were more than just smart casting.  Real life married paramours Paul Newman and Joanne Woodward play Ram and Lillian, a jazz musician and the woman he falls in love with him.  And Sidney Poitier and Diahann Carroll, real life lovers at the time, play Eddie and Connie.  Carroll and Poitier had carried on an extramarital affair on their previous film Porgy and Bess and continued during the making of Paris Blues.  Both eventually stayed married and ended the affair after Paris Blues was completed.  Dan and Vicky discuss the jazz heavy film along with lots of recently seen including Moana 2, The Coffee Table, Twisters, Blink Twice, They/Them, Kyle Mooney's Y2K and NBC series St. Denis.  Our socials:  hotdatepod.com FB:  Hot Date Podcast Twitter: @HotDate726 Insta:  hotdatepod

The government has announced that a ban on the private prescriptions of medicines used to delay puberty to young people questioning their gender in the UK, is being made indefinite. They are no longer prescribed on the NHS. Following the recommendations of the Cass review, the only new access to these puberty blocking drugs for young people will be via a clinical trial, due to start in early 2025. Deborah Cohen, former BBC Newsnight health correspondent and Visiting Senior Fellow at LSE Health has been looking into what this trial might look like and the debates around its design and ethics. She joins Nuala McGovern to explain further.The Women Against State Pension Inequality (WASPI) say they are furious at the latest government announcement that they won't be paid compensation. They say they weren't properly informed that their state pension age was rising and therefore weren't able to prepare for retirement. A Parliamentary Ombudsman investigation in March recommended that they be paid compensation, the government says the cost - which it says would be up to £10.5 billion - would not "be fair or proportionate to taxpayers". Nuala speaks to the current Parliamentary and Health Service Ombudsman, Rebecca Hilsenrath.Before Taylor Swift, there was Kay Swift - the first woman to compose a hit Broadway musical. She also worked alongside George Gershwin on many of his works such as Porgy and Bess – and they had a long affair. But Kay has largely been forgotten by history. A new Radio 3 Drama: Gershwin & Miss Swift, seeks to change that. Nuala is joined by Kay's granddaughter, the author Katharine Weber, and actor Lydia Leonard who plays Kay in the drama.A recent report by the National Council for the Training of Journalists found that 91% of UK journalists come from white ethnic groups. This has increased by 3% since last year. Amid large numbers of job cuts within the sector, what can be done to help keep female black and minority ethnic journalists within the profession? Nuala is joined by Habiba Katsha, a freelance journalist considering an alternative career, and award-winning writer and journalist Afua Hirsch.Presenter: Nuala McGovern Producer: Lottie Garton

Louis Armstrong finally pops up on his own "Broadway to Main Street" program, inimitably offering tunes from Porgy and Bess, Mame, Call Me Madam, Hello Dolly! (of course) and many more.

Dr. Kendra Hamilton's book, Romancing the Gullah in the Age of Porgy and Bess, is a literary and cultural history of a place: the Gullah Geechee Coast, a four-state area that's one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States.

Christopher Akerlind, has designed lighting, and occasionally scenery, for over 650 productions of theater, opera, and dance across the U.S. and around the world, including 24 shows on Broadway. Chris's recent work includes Waiting for Godot at Theatre for a New Audience, Lynn Nottage's play Clyde's on Broadway and at the Mark Taper Forum, The Light in the Piazza, for which he won his first Tony, Paula Vogel's play Indecent, winning him both the Tony and Drama Desk Awards, Rocky the Musical, which garnered him a Tony nomination, Sting's musical The Last Ship, and The Gershwin's Porgy and Bess, for which he was also Tony nominated. Among Chris's other Broadway lighting designs are: August Wilson's The Piano Lesson and Seven Guitars, Talk Radio, and the musical, Waitress.Chris's numerous shows not on Broadway include: Scene with Cranes for CalArts Center for New Performance; the premiere of M Butterfly for the Santa Fe Opera; and Martha Clarke's devised pieces God's Fool, Angel Reapers, and Cheri. Chris has also received an Obie Award for Sustained Excellence, four Drama Desk Awards, the Michael Merritt Award for Design and Collaboration, two Chicago area Joseph Jefferson Awards, as well as numerous nominations for the Drama Desk, Lucille Lortel, and Outer Critics Circle Awards.Chris has taught lighting design at schools like Cal Arts, USC, CMU, and his alma mater, Yale.

My guests today are the co-owners of Porgy's Seafood Market, a local market and restaurant with a focus on Louisiana caught seafood.