Podcasts about century fox

A friend was just telling me about having several family members visiting here in AK for the summer. He purchased one of those enormous water floats designed for tons of people so they could enjoy it during their stay. Towards the end of summer, the float developed a small leak but made it through their visit. Even though they had used it all summer long, the store they bought it from had a return policy stating they could still bring the float back if it was faulty, so they did. In telling me all of this, his demeanor and tone suggested feelings of guilt even though the store's return policy clearly stated they basically expected him to return the product.  This week, we are getting into God's "return policy", learning to live in His grace, His freedoms, and why we don't need to go back to living like we did before His adoption of us that Pastor Jonathan spoke about last week. Christ exchanged His life for ours and His grace for our guilt. The heartbeat of Church on the Rock is to help people discover how they can LOVE God and LOVE one another, LIVE with passion, purpose and freedom, and LEAD others to this same experience in Jesus. We simply say, “helping others Love, Live, and Lead in Jesus". Commit to your "One More": https://onemoreak.com Let's Connect here: https://churchak.ccbchurch.com/goto/forms/84/responses/new Learn more about us at https://churchak.org If you enjoyed our teaching and would like to donate to our ministries go here: https://pushpay.com/g/churchak?src=hpp COTR CVLI License: 505495395 A Few Good Men (Columbia Pictures, 1992) Scene #8 - CV07221 Braveheart (Paramount Pictures, 1995) Scene #3 - CV01067 Castaway (20th Century Fox, 2000) Scene #2 - CastAway-FireSuccess Charlie and the Chocolate Factory (Warner Brothers, 2005) Scene #10 - CV01742 Elf (New Line Cinema, 2003) Scene #9 - Elf-AngryElf Star Wars: Episode 5 - The Empire Strikes Back (Disney/Fox, 1980) Scene #17 - CV10827 The Lord of the Rings: Two Towers (New Line Cinema, 2002) Scene #4 - CV02376

The multi-talented author, audiobook coach/producer andaward-winning filmmaker Robert A. Lane talks about his latest release “Lights,Action, You!” based on his experiences in the entertainment business combiningstories of valuable lessons and tools from his coaching to eliminate stress& overwhelm! Robert spent 30+ years in the entertainment industry includingradio, TV, voiceover, post-production; spent 14 years at 20th Century Fox as Feature Project Manager, 20 yearsin audio as re-recording mixer, sound designer, voiceover artist, narrator,music composer for many projects, and is also a life coach and motivationalspeaker plus shares his stories spanning 30 years in the industry! Check outthe amazing Robert A. Lane and his latest release on many major platforms and www.robertalanecoaching.comtoday! #podmatch #robertalane #author #audiobookcoach #lightsactionyou#producer #awardwinningfilmmaker #entertainmentbusiness #radio #TV#postproduction #20thcenturyfox #voiceoverartist #lifecoach#motivationalspeaker #spreaker #iheartradio #spotify #applemusic #youtube#anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnerrobertalane#themikewagnershowrobertalane  

The multi-talented author, audiobook coach/producer andaward-winning filmmaker Robert A. Lane talks about his latest release “Lights,Action, You!” based on his experiences in the entertainment business combiningstories of valuable lessons and tools from his coaching to eliminate stress& overwhelm! Robert spent 30+ years in the entertainment industry includingradio, TV, voiceover, post-production; spent 14 years at 20th Century Fox as Feature Project Manager, 20 yearsin audio as re-recording mixer, sound designer, voiceover artist, narrator,music composer for many projects, and is also a life coach and motivationalspeaker plus shares his stories spanning 30 years in the industry! Check outthe amazing Robert A. Lane and his latest release on many major platforms and www.robertalanecoaching.comtoday! #podmatch #robertalane #author #audiobookcoach #lightsactionyou#producer #awardwinningfilmmaker #entertainmentbusiness #radio #TV#postproduction #20thcenturyfox #voiceoverartist #lifecoach#motivationalspeaker #spreaker #iheartradio #spotify #applemusic #youtube#anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnerrobertalane#themikewagnershowrobertalane  

Let's be real, nothing has shifted my understanding of God's love like stepping into foster care and adoption. It took me out of my comfort zone and showed me what it really means to love like the Father. And here's the crazy part: According to Galatians 4:4-5 that's exactly what God did for us. He didn't just rescue me. He adopted me. Gave me His name. Brought me home. I didn't earn it. I couldn't deserve it. But now, because of Jesus, I'm not just forgiven... I'm family. This week in Unhinged, we're diving deep into what it means to be adopted by God and why that changes everything. Come ready. This one hits different. The heartbeat of Church on the Rock is to help people discover how they can LOVE God and LOVE one another, LIVE with passion, purpose and freedom, and LEAD others to this same experience in Jesus. We simply say, “helping others Love, Live, and Lead in Jesus". Commit to your "One More": https://onemoreak.com Let's Connect here: https://churchak.ccbchurch.com/goto/forms/84/responses/new Learn more about us at https://churchak.org If you enjoyed our teaching and would like to donate to our ministries go here: https://pushpay.com/g/churchak?src=hpp COTR CVLI License: 505495395 A Few Good Men (Columbia Pictures, 1992) Scene #8 - CV07221 Braveheart (Paramount Pictures, 1995) Scene #3 - CV01067 Castaway (20th Century Fox, 2000) Scene #2 - CastAway-FireSuccess Charlie and the Chocolate Factory (Warner Brothers, 2005) Scene #10 - CV01742 Elf (New Line Cinema, 2003) Scene #9 - Elf-AngryElf Star Wars: Episode 5 - The Empire Strikes Back (Disney/Fox, 1980) Scene #17 - CV10827 The Lord of the Rings: Two Towers (New Line Cinema, 2002) Scene #4 - CV02376

Check out our picks for our favorite final guys and some honorable mentions of the men we wish had made it to the end! This episode is to honor the men in horror and their contributions.  Hosts: Ethan Noyes, Jamie Verwys, and Nina Yarrington  Producer: Jeremy Noyes  Gain access to all our unhinged content by supporting our Patreon! https://www.patreon.com/BloodyEssentialsPodcast  Stay up to date on all the creepy things we are up to by following us on our social media platforms! https://linktr.ee/bloodyessentials  If you want to let us know how much we are on your mind, feel free to buy us a coffee! We will give you a shoutout on our next episode! https://www.buymeacoffee.com/bloodyessentials  Bloody Essentials Logo by: Greg Stark   Intro/Outro Music: Sweet Little Nightmare by Darren Curtis   Video Footage in Intro Courtesy of: Suspiria 1977 (20th Century Fox), Halloween 1978 (Compass International Pictures & Trancas International Films), and Scream 1996 (Paramount Pictures)

I saw a reel on Instagram recently (don't judge me) of a sheep being rescued from a ditch it had gotten stuck in. With great effort and intention, the farmer pulled it out only to watch it leap a few yards further down the row and jump right back into the same ditch! Although it is a rather funny video, it is also a vivid picture of the ways in which we get ourselves back into trouble spiritually only moments after being rescued by Jesus. This week in our "Unhinged" series, we will discover that often the most dangerous places for us can look deceivingly good to everyone around us...and yet we may die in the ditch. The heartbeat of Church on the Rock is to help people discover how they can LOVE God and LOVE one another, LIVE with passion, purpose and freedom, and LEAD others to this same experience in Jesus. We simply say, “helping others Love, Live, and Lead in Jesus". Commit to your "One More": https://onemoreak.com Let's Connect here: https://churchak.ccbchurch.com/goto/forms/84/responses/new Learn more about us at https://churchak.org If you enjoyed our teaching and would like to donate to our ministries go here: https://pushpay.com/g/churchak?src=hpp COTR CVLI License: 505495395 A Few Good Men (Columbia Pictures, 1992) Scene #8 - CV07221 Braveheart (Paramount Pictures, 1995) Scene #3 - CV01067 Castaway (20th Century Fox, 2000) Scene #2 - CastAway-FireSuccess Charlie and the Chocolate Factory (Warner Brothers, 2005) Scene #10 - CV01742 Elf (New Line Cinema, 2003) Scene #9 - Elf-AngryElf Star Wars: Episode 5 - The Empire Strikes Back (Disney/Fox, 1980) Scene #17 - CV10827 The Lord of the Rings: Two Towers (New Line Cinema, 2002) Scene #4 - CV02376

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz sits down with Michael Uslan, the originator and executive producer of the Batman and Batman-related movie universe, who turned his childhood passion for comic books into Hollywood gold. As an avid comic book collector and Batman superfan, Uslan is proof that following your passion pays off. He shares the story of his decade-long journey to bring a dark, serious Batman to the big screen after being horrified by the campy 1960s TV show.The Origin of Michael Uslan's Passion (07:47)Uslan reveals his "secret origin" moment: watching the first episode of the 1966 Batman TV series and making a vow like young Bruce Wayne to someday show the world the true, dark Batman.Ten Years of Hollywood Rejection (09:53)From October 1979 to the first Batman movie's release, Uslan shares how he and partner Ben Melnicker faced rejection from every studio in Hollywood.Batman's Batman (15:12)When offered the chance to make a campy Batman movie, Uslan said no. His partner Ben called him "Batman's Batman," the character's defender who would stand by his initial vision.Peter Guber Says Yes (16:15)Uslan details how former 20th Century Fox president Peter Guber became the first executive excited about his dark Batman vision, leading to a nine-and-a-half-year journey to production.Financing the Dream (22:43)Uslan explains how he quit his job when his wife was nine months pregnant and raised money by selling project shares to his network, who invested in him, not Batman.Comic Book Academic Pioneer (25:16)Uslan recounts becoming the first person to teach an accredited college course on comic books at Indiana University as a Junior, leading to national publicity and a life-changing phone call from Stan Lee.Stan Lee's Mentorship and Marvel's Debt to Batman (39:54)Uslan shares Stan Lee's revelation that the Marvel Cinematic Universe wouldn't exist without his Batman, which proved superhero movies should focus on the person.Tim Burton and Michael Keaton (40:58)Uslan describes discovering Tim Burton through Pee-Wee's Big Adventure and Burton's genius decision to cast Michael Keaton, initially against Uslan's wishes.Uslan demonstrates persistence, vision, and the courage to say no when protecting something he believed in. His journey from comic book collector to Hollywood producer offers insights into passion-driven success, handling rejection, and the importance of having people who believe in you.If you enjoyed this episode, please leave us a review and share. We look forward to bringing you more behind-the-scenes revelations next time on Don't Kill the Messenger. Host: Kevin GoetzGuest: Michael UslanProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment) For more info about Michael Uslan:Wikipedia: https://en.wikipedia.org/wiki/Michael_E._UslanIMDB: https://www.imdb.com/name/nm0882388/Instagram: https://www.instagram.com/michaeluslan/?hl=en For more info about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Facebook, X, Instagram, YouTube, TikTok, & Substack : @KevinGoetz360LinkedIn @Kevin Goetz

This Fourth of July, Bloody Essentials takes a dip into murky waters with The Bay (2012). Ethan, Jamie, and Nina wade through the found-footage chaos to talk about what worked, what flopped, and why this eco-horror had more bite in theory than execution. Plus, the real-life parasitic nightmares that inspired it—and why The Bay might just be scarier than fireworks gone wrong.Read up on the official details that inspired this film: Cryptococcus Gattii Outbreak CDC: https://www.cdc.gov/mmwr/preview/mmwrhtml/mm5928a1.htm  Hosts: Ethan Noyes, Jamie Verwys, and Nina Yarrington  Producer: Jeremy Noyes  Gain access to all our unhinged content by supporting our Patreon! https://www.patreon.com/BloodyEssentialsPodcast  Stay up to date on all the creepy things we are up to by following us on our social media platforms! https://linktr.ee/bloodyessentials  If you want to let us know how much we are on your mind, feel free to buy us a coffee! We will give you a shoutout on our next episode! https://www.buymeacoffee.com/bloodyessentials  Bloody Essentials Logo by: Greg Stark   Intro/Outro Music: Sweet Little Nightmare by Darren Curtis   Video Footage in Intro Courtesy of: Suspiria 1977 (20th Century Fox), Halloween 1978 (Compass International Pictures & Trancas International Films), and Scream 1996 (Paramount Pictures)

Hi All, Here is the podcast of my 'In The Groove' show on Starpoint Radio on Sunday 29th June 2025, featuring new releases by Vernessa Mitchell, Robb Scott Ft Ivy Chanel, LOOD, Jane Handcock, Ben Westbeech Ft RAHH, Mishell Ivon, David Morales Ft Antoinette Dunleavy, Kyoto Jazz Massive, Nes Powers Ft. Rich Beggar and Kai Alcé & Glenn Underground, plus more from the new Omar, WheelUp and The Jade albums... as always there's 'A Touch Of Jazz' and theres a fab track from the new Azymuth LP as well as some vintage grooves from Sergio Mendez, Dangerous Minds, Stephanie Mills & Teddy Pendergrass and The Whispers as a tribute to the passing of one of its founder members, Walter Scott... all in 2 hours of ace music, enjoy the selections xPaul Stuart 'In The Groove' - Starpoint Radio - Sunday 29th June 202501. Robb Scott - High Life (Ft Ivy Chanel) (Original Full Length Mix) (Single - DSG Promo 2025)02. Omar Ft India.Arie - Love Is Like (Brighter The Days LP - BBE Music 2025)03. Nes Powers Ft. Rich Beggar - It`s All Love (Remix) (Single - DSG Promo 2025)04. Sergio Mendez - Love Music (Love Music LP - Bell 1973)05. Jane Handcock - Can't Let Go (Single - Death Row Records 2025)06. Mishell Ivon - I Want More (Single - Orange Soul Records 2025)07. Stephanie Mills & Teddy Pendergrass - Two Hearts (Stephanie LP - 20th Century Fox 1981)08. Stefan Mahendra Ft Nahima - Could Be (Single - Soul Lab Records 2025)09. Azymuth - Samba Pro Mamão (Marca Passo LP - Far Out 2025)10. The Jade - At The Queensboro (Love Harder LP - Lovemonk 2025)11. Kyoto Jazz Massive - Power (Ft Vanessa Freeman & Echoes Of A New Dawn Orchestra (Original) (Extra Freedom 2025)12. Imaa - Let's Groove (You Can Be Better LP - iM Electronica 2025)13. Wheelup - Take My Word (Ft Steven Bamidele) (Inner Light LP - Tru Thoughts 2025)14. The Whispers - Imagination (Imagination LP - SOLAR 1981)15. Abel - Can't Let You Go (Ft Rona Ray) (Atjazz Galaxy Aart Remix) (Atjazz Rec Co 2025)16. La Deep Ft Sindiswa Vinqi - Risk It All (Fish Go Deep Remix) (Wooden Discos Promo 2025)17. Franck Roger & DJ Christos Ft Ree Morris - I Can't Wait (Franck's Atlantic Version) (Seasons 2025)18. David Morales Ft Antoinette Dunleavy - Deep Inside (Extended Mix) (Diridim 2025)19. Jovonn - Sunburst (I Am Music EP - Body N Deep 2025)20. Vernessa Mitchell - Shout (Extended Mix) (Quantize 2025)21. Lood - Shout N Out (Cafe 432 & Ronnie Herel Mix) (Vega Records Promo 2025)22. Grant Nelson - Check On Me (Swing City 2025)23. Babs Presents - Just A Little Bit Of Time (True2Life Remix) (4th Set 2025)24. Dangerous Minds - Unity (Deep Zone Mix) (Liquid Groove 12" 1995)25. Ben Westbeech Ft RAHH - Whatever Is Missing In You (Aeroplane Motion Extended Mix) (Glitterbox 2025)26. Kai Alcé & Glenn Underground - New Jump (NDATL Musik 12" 2025)

"SECOND ACT: REDISCOVERING OVERLOOKED MUSICALS" (094) - 6/30/25 In this episode of the podcast, Steve and Nan dive into some of their favorite classic Hollywood musicals that they feel do not get their due. They share fond memories and behind-the-scenes tidbits about timeless films like Summer Stock, State Fair, and Gentlemen Prefer Blondes. With infectious enthusiasm, they discuss the charm of Gene Kelly's choreography, Judy Garland's unforgettable voice, and the sweeping scores that still resonate decades later. Whether you're a seasoned fan or a newcomer to the genre, this episode is a heartfelt tribute to the magic of classic movie musicals. SHOW NOTES:  Sources: 75 Years of the Oscar: The Official History of the Academy Awards (2004), by Robert Osborne; My Path and My Detours: An Autobiography (1985), by Jane Russell; The Hollywood Musical: Every Hollywood Musical from 1927 to the Present Day (1981), by Clive Hirschhorn; The Films of 20th Century Fox (1979), by Tony Thomas & Aubrey Solomon; “Judy Garland and Gene Kelly team up – off and on screen – for “Summer Stock,”  May 6, 2019, by Kay Reynolds, HighDefWatch.com; Wikipedia.com; TCM.com;  IBDB.com; IMDBPro.com; Movies Mentioned:  The Gay Divorcee (1934), starring Fred Astaire, Ginger Rogers, Alice Brady, Edward Everett  Horton & Betty Grable; State Fair (1945), starring Jeanne Crain, Dana Andrews, Dick Haynes, Vivian Blaine, Fay Bainter, & Charles Winninger; The Singing Nun (1966), starring Debbie Reynolds, Greer Garson, Ricardo Montalban, Agnes Moorehead, & Juanita Moore; Gentlemen Prefer Bondes (1953), starring Jane Russell, Marilyn Monroe, Charles Coburn, Elliott Reid, Tommy Noonan, & Norma Varden; Summer Stock (1950), starring Judy Garland, Gene Kelly, Phil Silvers, Marjorie Main, Gloria De Haven, & Eddie Bracken; Orchestra Wives (1942), starring Ann Rutherford, George Montgomery, Cesar Romero, Glenn Miller & his Band, Lynn Bari, Carole Landis, Mary Beth Hughes, Virginia Gilmore & The Nicholas Brothers; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Time to take another deep dive, this time into 2020's disaster horror flick 'Underwater'! But will things go swimmingly, or is the final release from 20th Century Fox all washed up? Let's find out in another wet and wild episode!

With Marvel's ‘first family' finally joining the Marvel Cinematic Universe next month in The Fantastic Four: First Steps, we thought it would be a good time to look back at the theatrical history of this extremely troubled franchise. There have been three attempts across four movies to make the Fantastic Four work on the silver screen, from the unreleased 1994 Roger Corman production, to the two Tim Story-directed films at 20th Century Fox in 2005 and 2007, to the ill-fated production of 2015's Fant4stic, which might just be the worst superhero movie ever made. Some of these movies are better than their reputations suggest – the Tim Story films, with a charming cast and good sense of tone, are fine, if not particularly special – but on the whole, Hollywood has never known what to do with these characters, and surveying these 30 years of failed attempts to bring the Fantastic Four into the cinematic mainstream makes for a fun and fascinating conversation. Enjoy!  Read Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to JAPANIMATION STATION, our podcast about the wide and wonderful world of anime: https://japanimationstation.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vKSubscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation Purely Academic: https://www.youtube.com/@purelyacademicpodcastSupport the show at Ko-fi ☕️ https://ko-fi.com/weeklystuffOriginal Music by Thomas Lack https://www.thomaslack.com/©2012 - Present Jonathan R. Lack & Sean Chapman

Send us a textWhat if you could tap into deep focus without hustling harder?In this episode, I sit down with Steven Puri, former senior exec at DreamWorks and 20th Century Fox, now founder of the Sukha platform and a leading voice in the world of flow states and healthy productivity.We explore:What “flow state” really means (and how to trigger it)How understanding your chronotype can optimize your daily energyWhy binaural beats and structured breaks boost focusThe honest truth about balancing family, fitness, and workWhy your calendar might be the most underrated wellness toolSteven shares practical advice and real-life strategies for anyone who wants to get more done without feeling overwhelmed—whether you're building a business, raising a family, or just trying to stay consistent with your workouts.Tune in to discover how to unlock better energy, creativity, and performance—without burning out.

Architect Stanford White was shot three times at close range by millionaire Harry Kendall Thaw during a performance of Broadway comedy ‘Mamzelle Champagne' on 25th June, 1906. At first, the stunned audience thought it was part of the show. Thaw claimed White had “ruined” his wife, showgirl Evelyn Nesbit - often called America's first ‘It Girl' - who at just 16 had been lured into White's orbit and ‘seduced' by White - though a reading of Nesbit's diary makes it sound a lot more like rape.  But sadistic playboy Thaw was no knight in shining armour himself. His legal defense introduced the bizarre concept of dementia Americana—a supposed burst of "patriotic insanity" any red-blooded man might feel upon learning his wife had been wronged. Astonishingly, it worked.  In this episode, Arion, Rebecca and Olly consider (yet another) ‘trial of the century'; reveal what happened to Nesbit once the dust had settled; and explain what Thaw used to with his $100 bills… CONTENT WARNING: sexual sadism, abuse, coercive control, description of murder. Further Reading: • ‘The History of New York Scandals - Harry Thaw Shoots Architect Stanford White' (New York Magazine, 2012): https://nymag.com/news/features/scandals/stanford-white-2012-4/ • ‘THAW MURDERS STANFORD WHITE; Shoots Him on the Madison Square Garden Roof' (The New York Times, 1906): https://www.nytimes.com/1906/06/26/archives/thaw-murders-stanford-white-shoots-him-on-the-madison-square-garden.html • ‘The Girl in the Red Velvet Swing: Trailer' (20th Century Fox, 1955): https://www.youtube.com/watch?v=ARhXJas59YQ Love the show? Support us!  Join 

Continued innovation and investment is vital to maintaining the U.S.'s leadership in the biopharma sector. Rob and Jackie sit down with Andrew Geall, Chief Development Officer at Replicate Bioscience, and Deborah Barbara, strategic advisor to Primrose Bio, to discuss the development and potential of mRNA as the fourth pillar of pharmaceutical innovation.MentionedSandra Barbosu, “Harnessing AI to Accelerate Innovation in the Biopharmaceutical Industry,” (ITIF, November 2024) Richard Fleischer, dir. Fantastic Voyage, (20th Century-Fox, 1966).RelatedStephen Ezell and Meghan Ostertag, “The Bayh-Dole Act's Role in Stimulating University-Led Regional Economic Growth,” (ITIF, June 2025) 

As the theologian Alistair Begg once said, "As a result of grace, we have been saved from sin's penalty. One day we will be saved from sin's presence. In the meantime we are being saved from sin's power." This week we will unpack Paul's retelling of his own radical story of transformation and we will be left with a question that has been haunting me all week! The heartbeat of Church on the Rock is to help people discover how they can LOVE God and LOVE one another, LIVE with passion, purpose and freedom, and LEAD others to this same experience in Jesus. We simply say, “helping others Love, Live, and Lead in Jesus". Commit to your "One More": https://onemoreak.com Let's Connect here: https://churchak.ccbchurch.com/goto/forms/84/responses/new Learn more about us at https://churchak.org If you enjoyed our teaching and would like to donate to our ministries go here: https://pushpay.com/g/churchak?src=hpp COTR CVLI License: 505495395 A Few Good Men (Columbia Pictures, 1992) Scene #8 - CV07221 Braveheart (Paramount Pictures, 1995) Scene #3 - CV01067 Castaway (20th Century Fox, 2000) Scene #2 - CastAway-FireSuccess Charlie and the Chocolate Factory (Warner Brothers, 2005) Scene #10 - CV01742 Elf (New Line Cinema, 2003) Scene #9 - Elf-AngryElf Star Wars: Episode 5 - The Empire Strikes Back (Disney/Fox, 1980) Scene #17 - CV10827 The Lord of the Rings: Two Towers (New Line Cinema, 2002) Scene #4 - CV02376

¡Sean ustedes bienvenidas a este episodio adicional previo a la onceava temporada! Muchas gracias por ser parte de esta comunidad que avanza y que quiere evolucionar. El día de hoy hablaremos de la película “Marte”, o “The Martian”. Esta historia inició en un blog de Andy Weir y terminó en Hollywood como una de las películas más taquilleras y premiadas en el 2015.¡Muchas gracias por ser parte de esta comunidad! No lo olvides. ¡Estamos juntas en esto!Todos los derechos reservados. Copyright 2025 © Estíbaliz Delgado AmayaScott, R. (Director). (2015). The Martian [Película]. 20th Century Fox.

In a world filled with competing messages and distractions, the book of Galatians lays out the importance of staying true to the grace of Christ. This week, we will explore Paul's urgent reminder that there is only one true Gospel-one that liberates and transforms. We can't wait to dive into this together! The heartbeat of Church on the Rock is to help people discover how they can LOVE God and LOVE one another, LIVE with passion, purpose and freedom, and LEAD others to this same experience in Jesus. We simply say, “helping others Love, Live, and Lead in Jesus". Commit to your "One More": https://onemoreak.com Let's Connect here: https://churchak.ccbchurch.com/goto/forms/84/responses/new Learn more about us at https://churchak.org If you enjoyed our teaching and would like to donate to our ministries go here: https://pushpay.com/g/churchak?src=hpp COTR CVLI License: 505495395 A Few Good Men (Columbia Pictures, 1992) Scene #8 - CV07221 Braveheart (Paramount Pictures, 1995) Scene #3 - CV01067 Castaway (20th Century Fox, 2000) Scene #2 - CastAway-FireSuccess Charlie and the Chocolate Factory (Warner Brothers, 2005) Scene #10 - CV01742 Elf (New Line Cinema, 2003) Scene #9 - Elf-AngryElf Star Wars: Episode 5 - The Empire Strikes Back (Disney/Fox, 1980) Scene #17 - CV10827 The Lord of the Rings: Two Towers (New Line Cinema, 2002) Scene #4 - CV02376

This episode of Across The Margin : The Podcast features an interview with Stephen Chung, an award-winning cinematographer with well over twenty years of experience in moving images. Stephen's career began as a stills photographer, working in the commercial, fashion, and music industries in Canada and Europe for over a decade. In the 90s, his photography evolved into cinematography, and his earliest credits were music videos for artists such as Feist, Broken Social Scene, Do Make Say Think, Buck 65 and Blue Rodeo. Stephen has worked with Viceland, HBO, Discovery, Nat Geo, History Channel, 20th Century Fox, and The CBC. His most recent documentary — It's All Gonna Break — is the focus of this episode. Imagine being a fly on the wall at the birth of a musical movement that would change indie rock forever. In early 2000s in Toronto, a group of young creative musicians collectively known as, Broken Social Scene, got together and soon became a worldwide phenomenon. It's All Gonna Break is an electrifying and intimate documentary about the indie rock band that redefined the sound of a generation. Filmmaker and longtime friend Stephen Chung was there from the beginning, capturing the chaos, creativity, and camaraderie that fueled their rise and caught on camera the making of the iconic album You Forgot It In People. With never-before-seen archival footage and new interviews with Kevin Drew, Leslie Feist, Brendan Canning, Emily Haines, Amy Millan, and more, the film traces the band's evolution from raw basement jams to global stages. A love letter to independent music, It's All Gonna Break is a vibrant time capsule of a pre-digital era and a moving reflection on friendship, art, and the freedom to create on your own terms. Attend a screening of It's All Gonna Break! Hosted on Acast. See acast.com/privacy for more information.

Ethan, Jeremy, and Nina dig up a demonic gem from the '80s graveyard of horror: Stan Winston's 1988 cult classic Pumpkinhead—a film handpicked by you, our twisted little listeners, for our special Father's Day episode!  Whether you're a horror head or just here for some "dad and buried" trauma, this one's a Hell of a holiday special.Hosts: Ethan Noyes, Jamie Verwys, and Nina Yarrington  Producer: Jeremy Noyes  Gain access to all our unhinged content by supporting our Patreon! https://www.patreon.com/BloodyEssentialsPodcast  Stay up to date on all the creepy things we are up to by following us on our social media platforms! https://linktr.ee/bloodyessentials  If you want to let us know how much we are on your mind, feel free to buy us a coffee! We will give you a shoutout on our next episode! https://www.buymeacoffee.com/bloodyessentials  Bloody Essentials Logo by: Greg Stark   Intro/Outro Music: Sweet Little Nightmare by Darren Curtis   Video Footage in Intro Courtesy of: Suspiria 1977 (20th Century Fox), Halloween 1978 (Compass International Pictures & Trancas International Films), and Scream 1996 (Paramount Pictures)

This week is Conor picked the 1977 post apocalyptic science fantasy film Wizards . Written, directed and produced by Ralph Bakshi and distributed by 20th Century-Fox the film follows a battle between two wizards of opposing powers, one representing the forces of magic and the other representing the forces of technology. It stars Bob Holt, Jesse Welles, Richard Romanus and Mark Hamill. Come join us!!! Website : https://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod                            

We are joined by Producer Jeremy to break down all the gags from the original Scary Movie film and how it kickstarted an age of parody films!   Hosts: Ethan Noyes, Jamie Verwys, and Nina Yarrington   Check out unedited episodes and support our podcast at Patreon! https://www.patreon.com/BloodyEssentialsPodcast  Stay up to date on all the creepy things we are up to by following us on our social media platforms! https://linktr.ee/bloodyessentials  If you want to let us know how much we are on your mind, feel free to buy us a coffee! We will give you a shoutout on our next episode! https://www.buymeacoffee.com/bloodyessentials  Bloody Essentials Logo by: Greg Stark   Intro/Outro Music: Sweet Little Nightmare by Darren Curtis   Video Footage in Intro Courtesy of: Suspiria 1977 (20th Century Fox), Halloween 1978 (Compass International Pictures & Trancas International Films), and Scream 1996 (Paramount Pictures)

THE FOLLOWING PODCAST HAS BEEN APPROVED FORGENERAL AUDIENCESBY THE COMIC BOOK ADAPTATION ASSOCIATION OF AMERICA, INC.Crew Log: Dell DraculaAliens: Apocalypse – The Destroying Angels #1 (1999) 00:00:54The Black Hole (1980) 00:13:02“Once in a Lifetime” by Amara/Schultz/Leonardi/Wiacek 00:20:17Aliens: Apocalypse #2 written by Mark Schultz 00:31:16Aliens: Apocalypse #3 drawn by Doug Wheatley 00:53:29Aliens: Apocalypse – The Destroying Angels #4 01:06:09The Destroying Angels TPB 01:26:05MU/TH/UR 4900 01:43:58episode art galleryblog post20th Century Fox, Aliens (1986), Aliens Podcast, Comic Books, Dark Horse Comics, Dark Horse Presents

Are you searching for practical ways to reclaim your focus and find your flow while working remotely? In this insightful episode of The Quiet And Strong Podcast, host David Hall welcomes Steven Puri—founder and CEO of The Sukha Company, tech entrepreneur, and award-winning film executive—to unpack the real-world challenges and strategies of thriving in a remote work environment.You'll hear Steven's unique journey from Hollywood film production to launching his own tech startups, and how his distinctive perspective as an introvert shaped the creation of his focus-boosting platform, Sukha. Together, David and Steven discuss the myth of multitasking, the science behind flow states, and actionable methods for prioritizing what truly matters on your to-do list (hint: it starts with picking just three things). They also explore ways introverts can own their need for deep work and recharging without sacrificing meaningful connection with colleagues, friends, or family.Whether you're an introvert seeking to maximize your best times of day, a leader managing a distributed team, or simply anyone who wants to work smarter instead of longer, this episode is packed with encouragement, proven strategies, and inspiration to support your journey.Listen in, discover your strengths, and be strong.Episode Link: QuietandStrong.com/226Steven Puri is the Founder and CEO of The Sukha Company, which helps people find focus and achieve a healthy work-life balance through its productivity app. He began his career as a newscaster and a software engineer at IBM, then moved into film production, working on movies like Independence Day and serving as a senior executive at DreamWorks and 20th Century Fox. After his time in Hollywood, Steven returned to tech, focusing on building tools that support focus and productivity in the modern workplace.Website: thesukha.co- - -Contact the Host of the Quiet and Strong Podcast:David Hall Author, Speaker, Educator, Podcaster quietandstrong.comGobio.link/quietandstrongdavid [at] quietandstrong.com Take the FREE Personality Assessment: Typefinder Personality Assessment Follow David on your favorite social platform: Twitter | Facebook | Instagram | LinkedIn | Youtube Get David's book:Minding Your Time: Time Management, Productivity, and Success, Especially for Introverts You may also like:Quiet & Strong Merchandise

Just when you thought it was over…we’re back with more Damn Dirty Apes episodes! When the producer of the original Planet of the Apes film series passed away, his production company sold the rights to 20th Century Fox Studios. Stuck with the rights to a film franchise that had diminishing returns, 20th Century Fox decided […]

In this episode of Bloody Essentials, hosts Nina, Ethan, and Jamie are joined by longtime friend and film enthusiast, John, to unearth a true hidden gem: Lucio Fulci's One on Top of the Other (1969). Long before Fulci became synonymous with splatter horror, he dipped into the world of erotic thrillers and proto-giallo suspense—and the results are deliciously twisted.Set against the foggy backdrop of San Francisco, this stylish thriller serves up double identities, sensual intrigue, and a murder mystery that keeps you guessing. It's Hitchcock by way of Italy, and it's time more people gave it the love it deserves.Join us as we break down Fulci's early masterpiece, its place in the evolution of giallo cinema, and why this seductive, suspense-filled ride is essential viewing for horror and thriller fans alike.

Welcome to Season 04 Episode 4.15 - the "Producers" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in  northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Mr. Steve Wendell/And The Tony Goes To..."; Mr. Rick Mascaro/Founder, Lakeshore Center for the Arts; Mr. Jefferson Westwood, retiring Director, Rockefeller Arts Center. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. And don't forget to enter the giveaway for a $25 gift card from Domus Fare, and 2 tickets to any movie from the Cinema Series. Entries must be received by Friday June 6th at 12 noon! Listen to the podcast for the question and answer. Then email your answer to operahouse@fredopera.org. Make sure you put the word "Giveaway" in the subject line and include your preferred contact information. Thanks for listening! Time Stamps (Approximate) 1:55 - Steve Wendell/And The Tony Goes To... 16:30 - Rick Mascaro/Lakeshore Center for the Arts 33:33 - Arts Calendar 35:31 - Mr. Jefferson Westwood/retiring Director, Rockefeller Arts Center Media "I Wanna Be A Producer", from the musical The Producers, music and lyrics by Mel Brooks, performed by Matthew Broderick, from the original cast album, March 2001 "What I Did for Love", from the musical A Chorus Line, music by Marvin Hamlisch, lyrics by Edward Kleban, performed by Priscilla Lopez, from the original cast album, Columbia 1975 "That's Entertainment", from the film musical The Band Wagon, music by Howard Dietz and Arthur Schwartz; written by Betty Comden and Adolph Green, performed by the Boston Pops Orchestra, John Williams, conductor, January 2014 "There's No Business Like Show Business", from the musical Annie Get Your Gun, written and composed by Irving Berlin, performed by the WDR Funkhausorchester, Michael Seal, conductor, June 2022. "There's No Business Like Show Business", from the film musical There's No Business Like Show Business, written and composed by Irving Berlin, performed by Ethel Merman. 20th Century Fox, December 1954. Artist Links Steve Wendell Rick Mascaro Jefferson Westwood Box Office at SUNY Fredonia Lake Shore Center for the Arts Main Street Studios Ticket Website WCVF Fredonia WRFA Jamestown   BECOME AN OPERA HOUSE MEMBER!

In the early 1940s, Nitti convinced Ricca and the rest of the Outfit's management to extort money from film studios in Los Angeles, California . Chicago gangster John "Handsome Johnny" Roselli controlled the film industry workers' union Projectors Union and threatened the studios with strikes and other union problems. To avoid labour unrest, RKO, Paramount, Metro-Goldwyn-Mayer and 20th Century Fox paid several hundred thousand dollars to the Outfit. However, two Chicago Mafia men, Willie Bioff and George Browne, were arrested for extortion and agreed to testify against the Outfit's management. In March 1943, Ricca, Nitti and other Mafia leaders were indicted for extortion.Translated with DeepL.com (free version)Become a supporter of this podcast: https://www.spreaker.com/podcast/the-history-of-the-american-mafia--4722947/support.

We are joined by the creators of indie horror, Field of Screams, to review the horror film that has divided horror fans since it's release- In a Violent Nature! Hosts: Ethan Noyes, Jamie Verwys, and Nina Yarrington  Producer: Jeremy Noyes  Gain access to all our unhinged content by supporting our Patreon! https://www.patreon.com/BloodyEssentialsPodcast  Stay up to date on all the creepy things we are up to by following us on our social media platforms! https://linktr.ee/bloodyessentials  If you want to let us know how much we are on your mind, feel free to buy us a coffee! We will give you a shoutout on our next episode! https://www.buymeacoffee.com/bloodyessentials  Bloody Essentials Logo by: Greg Stark   Intro/Outro Music: Sweet Little Nightmare by Darren Curtis   Video Footage in Intro Courtesy of: Suspiria 1977 (20th Century Fox), Halloween 1978 (Compass International Pictures & Trancas International Films), and Scream 1996 (Paramount Pictures)

We're without Fear this week for another Movie Mayhem featuring Marvel's most famous blind, billy club wielding avenger, Daredevil! First up, its a collection of issues from #271-282 by writer Ann Nocenti and artist John Romita Jr. which you can find in comic stores under "Heart of Darkness"!  Then, it's the 2003 Daredevil movie from 20th Century Fox featuring Ben Affleck and Jennifer Garner!   Host: Andy Larson Co Hosts: Chad Smith, JA Scott, & Ethan Larson

The crew sits down to review hidden gem, Curse of the Sin Eater, suggested by Producer Jeremy!  Hosts: Ethan Noyes, Jamie Verwys, and Nina Yarrington   Producer: Jeremy NoyesGain access to all our unhinged content by supporting our Patreon! ⁠https://www.patreon.com/BloodyEssentialsPodcast⁠   Stay up to date on all the creepy things we are up to by following us on our social media platforms! ⁠https://linktr.ee/bloodyessentials⁠  If you want to let us know how much we are on your mind, feel free to buy us a coffee! We will give you a shoutout on our next episode! ⁠https://www.buymeacoffee.com/bloodyessentials⁠  Bloody Essentials Logo by: Greg Stark   Intro/Outro Music: Sweet Little Nightmare by Darren Curtis   Video Footage in Intro Courtesy of: Suspiria 1977 (20th Century Fox), Halloween 1978 (Compass International Pictures & Trancas International Films), and Scream 1996 (Paramount Pictures)

In this episode, we speak with two-time Oscar nominee editor Saar Klein. He's known for editing films such as Almost Famous, The Thin Red Line, and The Bourne Identity, to name a few. He also directed the feature film After the Fall.In our conversation, we discussed how he broke into the industry, his approach to storytelling, managing egos, and the importance of opening yourself up to the creative process.This episode is sponsored by The Gate+ and produced by Jack Kirkwood.Hosted by directors Craig Bingham and Ozzie Pullin.Saar Klein - BiographyFilm editor Saar Klein is a two-time Oscar nominee for his work on Terrence Malick's The Thin Red Line and Cameron Crowe's Almost Famous. The Thin Red Line was Klein's second credit as editor, and alongside his Oscar nomination, Klein also received nominations from the ACE, ACCA, and OFTA Awards. For Almost Famous, Klein won the ACE Award for his editing and was similarly nominated for an ACCA and OFTA Award.Klein's collaborative relationship with director Doug Liman began with The Bourne Identity for Universal Pictures, where the two relative newcomers introduced a new realism and energy to action that influenced the genre for years to come. Their partnership continued with films including Jumper for 20th Century Fox, Locked Down for Warner Bros., Fair Game, American Made, and most recently The Instigators for Apple TV, starring Matt Damon and Casey Affleck.Klein also works frequently with director Terrence Malick, their first collaboration being the documentary Endurance, which premiered at Venice Film Festival. Their relationship flourished with The Thin Red Line, The New World, and Klein's uncredited work on The Tree of Life, and the two continue to collaborate to this day. Other credits include Jean-Stéphane Sauvaire's Asphalt City, which was nominated for the Palme d'Or at Cannes Film Festival, Andrew Heckler's Burden, which was nominated for the Sundance Grand Jury Prize, Antonin Baudry's The Wolf's Call for Netflix, and Dito Montiel's Fighting for Universal Pictures.More recently, Klein worked on the Apple TV series Masters of the Air, directed by Cary Fukunaga and starring Austin Butler. Previously, Klein wrote, directed and edited his own film, After the Fall, winner of the 40th Anniversary Award at the Deauville American Film Festival. The film also premiered at Berlin International Film Festival and was nominated for an Audience Award at SXSW Film Festival.Originally from Jerusalem, Klein eventually moved to the United States and received his bachelor's degree in psychology from Vassar College in Poughkeepsie, New York. On his first job, he assisted editors Joe Hutshing, Pietro Scalia, and Hank Corwin on Oliver Stone's JFK, then later returned to co-edit Stone's U-Turn. Klein's versatility across various genres and experience with big-budget studio films and European and independent cinema are a testament to his diverse interest and expertise in storytelling that he continues to hone with each new project.

From the outside, Chrissy Metz seemed to have it all starring in a hit show, inspiring millions, and radiating confidence but behind the spotlight was a woman navigating the painful realities of childhood trauma, body image struggles, people-pleasing, and the long road to emotional healing.In this heartfelt conversation, Chrissy opens up about the survival patterns she developed as a young girl trying to be “good” enough to be loved and how those patterns followed her into adulthood. She shares her experience growing up in a fractured home, enduring emotional pain in silence, and turning to food as both comfort and protection. Through therapy, spiritual grounding, and creative expression, Chrissy began the deep work of untangling her worth from performance. We explore the cost of being the peacemaker, the fear of being truly seen, and the challenge of letting go of perfection. Chrissy reflects on her journey into acting, the power of being chosen for a role that mirrored her own struggles, and how her latest children's book is helping the next generation talk about emotions that many of us were taught to suppress. This is an honest, soul-stirring episode about the courage it takes to stop performing and start healing from the inside out.__________________Follow/Watch/Listen/Subscribe: ⁠⁠Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @rootedrecoverystories⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @patrickcusterproject⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @rootedrecoverystories⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @rootedrecoverystories⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rootedrecoverystories.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠__________________Cast:Patrick Custer - HostInstagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @thepatrickcuster⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠@thepatrickcuster⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠@thepatrickcuster⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thepatrickcuster⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/patrickcuster⁠⁠⁠⁠⁠⁠⁠⁠⁠Chrissy Metz - GuestInsta: @chrissymetzFacebook: @chrissymetzofficialYoutube:  @chrissymetzmusic  Tiktok: @chrissymetzX: @chrissymetzWebsite: www.chrissymetzmusic.comSpotify: Chrissy Metz__________________Get Help (addiction, mental health/trauma):Promises Behavioral HealthCall: (888) 648-4098Website:⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.promises.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@promises_bh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠__________________About Chrissy Metz: Emmy and two-time Golden Globe nominee Chrissy Metz stars on the award-winning NBC series "This Is Us,” winner of the 2018 and 2019 SAG Award for Outstanding Performance by an Ensemble in a Drama Series and People's Choice Award for "Favorite New TV Drama.” Chrissy recently starred as Joyce Smith in the hit 20th Century Fox faith-based film, BREAKTHROUGH. She also performs “I'm Standing With You” on the Breakthrough soundtrack, written by 10-time Academy Award nominee Diane Warren. Chrissy performed this song at the 2019 ACM Awards. Chrissy is currently working on her debut country album.Chrissy recently guest-starred on the hit comedy series “The Last OG” with Tracy Morgan, and the NBC hit series “Superstore". Chrissy is best known for her roles in American Horror Story: Freak Show, Sierra Burgess is a Loser, My Name is Earl, and Entourage, to name a few.Chrissy recently released her memoir, THIS IS ME, which debuted at #1 on the NY Times Bestseller List. People magazine named her to the "Ones to Watch” and “50 Most Beautiful."

Finding Focus and Freedom with Steven Puri WHR 3.223: From Hollywood to Home Office – How Steven Puri Built a Happiness-Driven Company Episode Summary: In this episode of the Work at Home Rockstar Podcast, Tim chats with Steven Puri, Founder and CEO of The Sukha Company. Steven shares his journey from producing Hollywood blockbusters like Independence Day and Star Trek to building a tech company that helps remote workers reclaim their time and joy. He reveals how listening to real user feedback transformed his focus app, how failures in early ventures shaped his leadership, and why his mission now is rooted in happiness, not hustle. This conversation dives deep into tenacity, parenting, AI, and the evolving meaning of work. Who is Steven Puri? Steven Puri is the Founder and CEO of The Sukha Company. His mission is to help millions of remote workers focus better, work smarter, and ultimately live happier lives. Before launching Sukha, Steven had an impressive career in both film and tech—starting out as a newscaster, then a software engineer, and eventually producing CGI effects for Oscar-winning films. He served as a senior executive at 20th Century Fox and DreamWorks, managing major franchises like Die Hard and Star Trek. Today, from his home base in Austin, TX, he's focused on using technology to create a more mindful and balanced remote work experience. Connect with Steven Puri: Website: https://thesukha.co LinkedIn: https://www.linkedin.com/in/stevenpuri Host Contact Details: Website: https://workathomerockstar.com Facebook: https://www.facebook.com/workathomerockstar Instagram: https://www.instagram.com/workathomerockstar LinkedIn: https://www.linkedin.com/in/timmelanson YouTube: https://www.youtube.com/@WorkAtHomeRockStarPodcast Twitter/X: https://twitter.com/workathomestar Email: tim@workathomerockstar.com In this Episode: At 00:41, Steven shares the origin of the Sukha Company, including how a user's feedback inspired its name and mission. At 06:57, he opens up about walking away from Hollywood to rediscover purpose and fulfillment through tech. At 12:00, he talks about how tenacity—not talent—was the key to long-term success, both in film and entrepreneurship. At 15:06, Steven offers insight into raising a child with values and freedom to explore their passions. At 22:09, the conversation turns to AI and the philosophical question of truth in a digital world. At 28:12, in the Guest Solo segment, Steven gives us a deep dive into the Sukha platform and how it's helping engineers, designers, and writers focus better and work less.

The Blasters & Blades PodcastWe've got another #RetroMovieReview episode for your viewing pleasure! We're diving off the deep end of this #CultClassic movie, The Princess Bride. It was a treat episode and long overdue! We think you'll dig it, because we brought on all of the coolest people! We had awesome guests on with us as we waxed poetic about this perfect movie masterpiece! This was an awesome movie and a fun chat, so what are you waiting for? Seriously, lend us your eyes and ears, you won't be sorry!! Click the link and check out this episode.We work for free, so if you wanna throw a few pennies our way there is a linked Buy Me A Coffee site where you can do so. Just mention the podcast in the comments when you donate, and I'll keep the sacred bean water boiling!Support the Show: https://www.buymeacoffee.com/AuthorJRHandleyOur LinkTree: https://linktr.ee/blastersandbladespodcastToday's SponsorThe Storming Area 51 Anthology by Bayonet Books: https://www.amazon.com/Storming-Area-Bayonet-Books-Anthology-ebook/dp/B07XFV7P9T/Coffee Brand Coffee AffiliateSupport the Show: https://coffeebrandcoffee.com/?ref=y4GWASiVorJZDbDiscount Code: PodcastGruntsCoupon Code Gets you 10% offCheck out the Movie!Movie Link: https://www.amazon.com/Princess-Bride-20th-Anniversary/dp/B000TJBNHG/Movie Trailer Link: https://youtu.be/O3CIXEAjcc8?si=pAABXJ69w73GpJcpFollow James JE Pitman on social mediaJames' LinkTree: https://linktr.ee/j.e.pittman James' Amazon: https://www.amazon.com/stores/j.e.-pittman/author/B0BRRWBW9FFollow Jana S Brown on social mediaJana's Amazon: https://www.amazon.com/stores/Jana-S.-Brown/author/B015VJV7JW Jana's Website: www.opalkingdompress.comFollow Jena Rey on social mediaJena's Amazon: https://www.amazon.com/stores/Jena-Rey/author/B08XSCHXYXFollow Melissa McShane on social mediaMelissa's Amazon: https://www.amazon.com/stores/Melissa-McShane/author/B00TON8E1QMelissa's Website: www.melissamcshanewrites.comMelissa's Facebook: www.facebook.com/melissamcshanewritesFollow Teri Kay Jobe on social mediaTeri's Amazon: https://www.amazon.com/stores/Teri-Kay-Jobe/author/B0DG3TPL66Teri's Website: https://terikjobe.com/#scifishenanigans #scifishenaniganspodcast #bbp #blastersandblades #blastersandbladespodcast #podcast #scifipodcast #fantasypodcast #scifi #fantasy #books #rpg #comics #fandom #literature #comedy #veteran #army #armyranger #ranger #scififan #redshirts #scifiworld #sciencefiction #scifidaily #scificoncept #podcastersofinstagram #scificons #podcastlife #podcastsofinstagram #scifibooks #awardwinningscifi #newepisode #podcastersofinstagram #podcastaddict #the #podcast #scifigeek #scifibook #sfv #scifivisionaries #firesidechat #chat #panel #fireside #moviereview #review #retroreview #retroreviews #moviereviews #religionquestion #CoffeeBrandCoffee #MovieReview #Review #RetroMovieReview #ThePrincessBride #ThatLaVoice #JamesJEPittman #JEPittman #JamesPittman #JanaSBrown #JenaRey #MelissaMcShane #TeriKJobe #CaryElwes #Westley #TheDreadPirateRoberts #DreadPirateRoberts #MandyPatinkin #InigoMontoya #ChrisSarandon #PrinceHumperdinck #ChristopherGuest #CountTyroneRugen #WallaceShawn #Vizzini #AndréTheGiant #Fezzik #FredSavage #grandson #RobinWright #Buttercup #PeterFalk #grandfather #PeterCook #ImpressiveClergyman #MelSmith #Albino #CarolKane #Valerie #BillyCrystal #MiracleMax #BetsyBrantley #MargeryMason #AncientBooer #WilloughbyGray #AnneDyson #KingOfFlorin #QueenOfFlorin #Florin #MalcolmStorry #ChiefEnforcerYellin #PaulBadger #AssistantBrute #threeravenspublishing #threeravens # 3ravenspublishing #3ravens #3RP #Legend #Labyrinth #Stardust #RobinHoodMenInTights #EllaEnchanted #Willow #Rambo Copyright @ 20th Century Fox and Interaccess Film Distribution LLC 1987. Any illegal reproduction of this content will result in immediate legal action by the rights holder. The clips used in this movie review were utilized under the Fair Use Doctrine and are transformative in nature.

Much has been made of the hallucinatory qualities of OpenAI's ChatGPT product. But as the Wall Street Journal's resident authority on OpenAI, Keach Hagey notes, perhaps the most hallucinatory feature the $300 billion start-up co-founded by the deadly duo of Sam Altman and Elon Musk is its attempt to be simultaneously a for-profit and non-profit company. As Hagey notes, the double life of this double company reached a surreal climax this week when Altman announced that OpenAI was abandoning its promised for-profit conversion. So what, I asked Hagey, are the implications of this corporate volte-face for investors who have poured billions of real dollars into the non-profit in order to make a profit? Will they be Waiting For Godot to get their returns?As Hagey - whose excellent biography of Altman, The Optimist, is out in a couple of weeks - explains, this might be the story of the hubristic 2020's. She speaks of Altman's astonishingly (even for Silicon Valley) hubris in believing that he can get away with the alchemic conceit of inventing a multi trillion dollar for-profit non-profit company. Yes, you can be half-pregnant, Sam is promising us. But, as she warns, at some point this will be exposed as fantasy. The consequences might not exactly be another Enron or FTX, but it will have ramifications way beyond beyond Silicon Valley. What will happen, for example, if future investors aren't convinced by Altman's fantasy and OpenAI runs out of cash? Hagey suggests that the OpenAI story may ultimately become a political drama in which a MAGA President will be forced to bail out America's leading AI company. It's TikTok in reverse (imagine if Chinese investors try to acquire OpenAI). Rather than the conveniently devilish Elon Musk, my sense is that Sam Altman is auditioning to become the real Jay Gatsby of our roaring twenties. Last month, Keach Hagey told me that Altman's superpower is as a salesman. He can sell anything to anyone, she says. But selling a non-profit to for-profit venture capitalists might even be a bridge too far for Silicon Valley's most hallucinatory optimist. Five Key Takeaways * OpenAI has abandoned plans to convert from a nonprofit to a for-profit structure, with pressure coming from multiple sources including attorneys general of California and Delaware, and possibly influenced by Elon Musk's opposition.* This decision will likely make it more difficult for OpenAI to raise money, as investors typically want control over their investments. Despite this, Sam Altman claims SoftBank will still provide the second $30 billion chunk of funding that was previously contingent on the for-profit conversion.* The nonprofit structure creates inherent tensions within OpenAI's business model. As Hagey notes, "those contradictions are still there" after nearly destroying the company once before during Altman's brief firing.* OpenAI's leadership is trying to position this as a positive change, with plans to capitalize the nonprofit and launch new programs and initiatives. However, Hagey notes this is similar to what Altman did at Y Combinator, which eventually led to tensions there.* The decision is beneficial for competitors like XAI, Anthropic, and others with normal for-profit structures. Hagey suggests the most optimistic outcome would be OpenAI finding a way to IPO before "completely imploding," though how a nonprofit-controlled entity would do this remains unclear.Keach Hagey is a reporter at The Wall Street Journal's Media and Marketing Bureau in New York, where she focuses on the intersection of media and technology. Her stories often explore the relationships between tech platforms like Facebook and Google and the media. She was part of the team that broke the Facebook Files, a series that won a George Polk Award for Business Reporting, a Gerald Loeb Award for Beat Reporting and a Deadline Award for public service. Her investigation into the inner workings of Google's advertising-technology business won recognition from the Society for Advancing Business Editing and Writing (Sabew). Previously, she covered the television industry for the Journal, reporting on large media companies such as 21st Century Fox, Time Warner and Viacom. She led a team that won a Sabew award for coverage of the power struggle inside Viacom. She is the author of “The King of Content: Sumner Redstone's Battle for Viacom, CBS and Everlasting Control of His Media Empire,” published by HarperCollins. Before joining the Journal, Keach covered media for Politico, the National in Abu Dhabi, CBS News and the Village Voice. She has a bachelor's and a master's in English literature from Stanford University. She lives in Irvington, N.Y., with her husband, three daughters and dog.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Full TranscriptAndrew Keen: Hello, everybody. It is May the 6th, a Tuesday, 2025. And the tech media is dominated today by OpenAI's plan to convert its for-profit business to a non-profit side. That's how the Financial Times is reporting it. New York Times says that OpenAI, and I'm quoting them, backtracks on plans to drop nonprofit control and the Wall Street Journal, always very authoritative on the tech front, leads with Open AI abandons planned for profit conversion. The Wall Street Journal piece is written by Keach Hagey, who is perhaps America's leading authority on OpenAI. She was on the show a couple of months ago talking about Sam Altman's superpower which is as a salesman. Keach is also the author of an upcoming book. It's out in a couple weeks, "The Optimist: Sam Altman, OpenAI and the Race to Invent the Future." And I'm thrilled that Keach has been remarkably busy today, as you can imagine, found a few minutes to come onto the show. So, Keach, what is Sam selling here? You say he's a salesman. He's always selling something or other. What's the sell here?Keach Hagey: Well, the sell here is that this is not a big deal, right? The sell is that, this thing they've been trying to do for about a year, which is to make their company less weird, it's not gonna work. And as he was talking to the press yesterday, he was trying to suggest that they're still gonna be able to fundraise, that these folks that they promised that if you give us money, we're gonna convert to a for-profit and it's gonna be much more normal investment for you, but they're gonna get that money, which is you know, a pretty tough thing. So that's really, that's what he's selling is that this is not disruptive to the future of OpenAI.Andrew Keen: For people who are just listening, I'm looking at Keach's face, and I'm sensing that she's doing everything she can not to burst out laughing. Is that fair, Keach?Keach Hagey: Well, it'll remain to be seen, but I do think it will make it a lot harder for them to raise money. I mean, even Sam himself said as much during the talk yesterday that, you know, investors would like to be able to have some say over what happens to their money. And if you're controlled by a nonprofit organization, that's really tough. And what they were trying to do was convert to a new world where investors would have a seat at the table, because as we all remember, when Sam got briefly fired almost two years ago. The investors just helplessly sat on the sidelines and didn't have any say in the matter. Microsoft had absolutely no role to play other than kind of cajoling and offering him a job on the sidelines. So if you're gonna try to raise money, you really need to be able to promise some kind of control and that's become a lot harder.Andrew Keen: And the ramifications more broadly on this announcement will extend to Microsoft and Microsoft stock. I think their stock is down today. We'll come to that in a few minutes. Keach, there was an interesting piece in the week, this week on AI hallucinations are getting worse. Of course, OpenAI is the dominant AI company with their ChatGPT. But is this also kind of hallucination? What exactly is going on here? I have to admit, and I always thought, you know, I certainly know more about tech than I do about other subjects, which isn't always saying very much. But I mean, either you're a nonprofit or you're a for-profit, is there some sort of hallucinogenic process going on where Sam is trying to sell us on the idea that OpenAI is simultaneously a for profit and a nonprofit company?Keach Hagey: Well, that's kind of what it is right now. That's what it had sort of been since 2019 or when it spun up this strange structure where it had a for-profit underneath a nonprofit. And what we saw in the firing is that that doesn't hold. There's gonna come a moment when those two worlds are going to collide and it nearly destroyed the company. To be challenging going forward is that that basic destabilization that like unstable structure remains even though now everything is so much bigger there's so much more money coursing through and it's so important for the economy. It's a dangerous position.Andrew Keen: It's not so dangerous, you seem still faintly amused. I have to admit, I'm more than faintly amused, it's not too bothersome for us because we don't have any money in OpenAI. But for SoftBank and the other participants in the recent $40 billion round of investment in OpenAI, this must be, to say the least, rather disconcerting.Keach Hagey: That was one of the biggest surprises from the press conference yesterday. Sam Altman was asked point blank, is SoftBank still going to give you this sort of second chunk, this $30 billion second chunk that was contingent upon being able to convert to a for-profit, and he said, quite simply, yes. Who knows what goes on in behind the scenes? I think we're gonna find out probably a lot more about that. There are many unanswered questions, but it's not great, right? It's definitely not great for investors.Andrew Keen: Well, you have to guess at the very minimum, SoftBank would be demanding better terms. They're not just going to do the same thing. I mean, it suddenly it suddenly gives them an additional ace in their hand in terms of negotiation. I mean this is not some sort of little startup. This is 30 or 40 billion dollars. I mean it's astonishing number. And presumably the non-public conversations are very interesting. I'm sure, Keach, you would like to know what's being said.Keach Hagey: Don't know yet, but I think your analysis is pretty smart on this matter.Andrew Keen: So if you had to guess, Sam is the consummate salesman. What did he tell SoftBank before April to close the round? And what is he telling them now? I mean, how has the message changed?Keach Hagey: One of the things that we see a little bit about this from the messaging that he gave to the world yesterday, which is this is going to be a simpler structure. It is going to be slightly more normal structure. They are changing the structure a little bit. So although the non-profit is going to remain in charge, the thing underneath it, the for-profit, is going change its structure a little bit and become kind of a little more normal. It's not going to have this capped profit thing where, you know, the investors are capped at 100 times what they put in. So parts of it are gonna become more normal. For employees, it's probably gonna be easier for them to get equity and things like that. So I'm sure that that's part of what he's selling, that this new structure is gonna be a little bit better, but it's not gonna be as good as what they were trying to do.Andrew Keen: Can Sam? I mean, clearly he has sold it. I mean as we joked earlier when we talked, Sam could sell ice to the Laplanders or sand to the Saudis. But these people know Sam. It's no secret that he's a remarkable salesman. That means that sometimes you have to think carefully about what he's saying. What's the impact on him? To what extent is this decision one more chip on the Altman brand?Keach Hagey: It's a setback for sure, and it's kind of a win for Elon Musk, his rival.Andrew Keen: Right.Keach Hagey: Elon has been suing him, Elon has been trying to block this very conversion. And in the end, it seems like it was actually the attorneys general of California and Delaware that really put the nail in the coffin here. So there's still a lot to find out about exactly how it all shook out. There were actually huge campaigns as well, like in the streets, billboards, posters. Polls saying, trying to put pressure on the attorney general to block this thing. So it was a broad coalition, I think, that opposed the conversion, and you can even see that a little bit in their speech. But you got to admit that Elon probably looked at this and was happy.Andrew Keen: And I'm sure Elon used his own X platform to promote his own agenda. Is this an example, Keach, in a weird kind of way of the plebiscitary politics now of Silicon Valley is that titans like Altman and Musk are fighting out complex corporate economic battles in the naked public of social media.Keach Hagey: Yes, in the naked public of social media, but what we're also seeing here is that it's sort of, it's become through the apparatus of government. So we're seeing, you know, Elon is in the Doge office and this conversion is really happening in the state AG's houses. So that's what's sort interesting to me is these like private fights have now expanded to fill both state and federal government.Andrew Keen: Last time we talked, I couldn't find the photo, but there was a wonderful photo of, I think it was Larry Ellison and Sam Altman in the Oval Office with Trump. And Ellison looked very excited. He looked extremely old as well. And Altman looked very awkward. And it's surprising to see Altman look awkward because generally he doesn't. Has Trump played a role in this or is he keeping out of it?Keach Hagey: As far as my current reporting right now, we have no reporting that Trump himself was directly involved. I can't go further than that right now.Andrew Keen: Meaning that you know something that you're not willing to ignore.Keach Hagey: Just I hope you keep your subscription to the Wall Street Journal on what role the White House played, I would say. But as far as that awkwardness, I don't know if you noticed that there was a box that day for Masa Yoshison to see.Andrew Keen: Oh yeah, and Son was in the office too, right, that was the third person.Keach Hagey: So it was a box in the podium, which I think contributed to the awkwardness of the day, because he's not a tall man.Andrew Keen: Right. To put it politely. The way that OpenAI spun it, in classic Sam Altman terms, is new funding to build towards AGI. So it's their Altman-esque use of the public to vindicate this new investment, is this just more quote unquote, and this is my word. You don't have to agree with it. Just sales pitch or might even be dishonesty here. I mean, the reality is, is new funding to build towards AGI, which is, artificial general intelligence. It's not new funding, to build toward AGI. It's new funding to build towards OpenAI, there's no public benefit of any of this, is there?Keach Hagey: Well, what they're saying is that the nonprofit will be capitalized and will sort of be hiring up and doing a bunch more things that it wasn't really doing. We'll have programs and initiatives and all of that. Which really, as someone who studied Sam's life, this sounds really a lot like what he did at Y Combinator. When he was head of Y Combinator, he also spun up a nonprofit arm, which is actually what OpenAI grew out of. So I think in Sam's mind, a nonprofit there's a place to go. Sort of hash out your ideas, it's a place to kind of have pet projects grow. That's where he did things like his UBI study. So I can sort of see that once the AGs are like, this is not gonna happen, he's like, great, we'll just make a big nonprofit and I'll get to do all these projects I've always wanted to do.Andrew Keen: Didn't he get thrown out of Y Combinator by Paul Graham for that?Keach Hagey: Yes, a little bit. You know, I would say there's a general mutiny for too much of that kind of stuff. Yeah, it's true. People didn't love it, and they thought that he took his eye off the ball. A little bit because one of those projects became OpenAI, and he became kind of obsessed with it and stopped paying attention. So look, maybe OpenAI will spawn the next thing, right? And he'll get distracted by that and move on.Andrew Keen: No coincidence, of course, that Sam went on to become a CEO of OpenAI. What does it mean for the broader AI ecosystem? I noted earlier you brought up Microsoft. I mean, I think you've already written on this and lots of other people have written about the fact that the relationship between OpenAI and Microsoft has cooled dramatically. As well as between Nadella and Altman. What does this mean for Microsoft? Is it a big deal?Keach Hagey: They have been hashing this out for months. So it is a big deal in that it will change the structure of their most important partner. But even before this, Microsoft and OpenAI were sort of locked in negotiations over how large and how Microsoft's stake in this new OpenAI will be valued. And that still has to be determined, regardless of whether it's a non-profit or a for-profit in charge. And their interests are diverging. So those negotiations are not as warm as they maybe would have been a few years ago.Andrew Keen: It's a form of polyamory, isn't it? Like we have in Silicon Valley, everyone has sex with everybody else, to put it politely.Keach Hagey: Well, OpenAI does have a new partner in Oracle. And I would expect them to have many more in terms of cloud computing partners going forward. It's just too much risk for any one company to build these huge and expensive data centers, not knowing that OpenAI is going to exist in a certain number of years. So they have to diversify.Andrew Keen: Keach, you know, this is amusing and entertaining and Altman is a remarkable individual, able to sell anything to anyone. But at what point are we really on the Titanic here? And there is such a thing as an iceberg, a real thing, whatever Donald Trump or other manufacturers of ontologies might suggest. At some point, this thing is going to end in a massive disaster.Keach Hagey: Are you talking about the Existence Force?Andrew Keen: I'm not talking about the Titanic, I'm talking about OpenAI. I mean, Parmi Olson, who's the other great authority on OpenAI, who won the FT Book of the Year last year, she's been on the show a couple of times, she wrote in Bloomberg that OpenAI can't have its money both ways, and that's what Sam is trying to do. My point is that we can all point out, excuse me, the contradictions and the hypocrisy and all the rest of it. But there are laws of gravity when it comes to economics. And at a certain point, this thing is going to crash, isn't it? I mean, what's the metaphor? Is it Enron? Is it Sam Bankman-Fried? What kind of examples in history do we need to look at to try and figure out what really is going on here?Keach Hagey: That's certainly one possibility, and there are a good number of people who believe that.Andrew Keen: Believe what, Enron or Sam Bankman-Fried?Keach Hagey: Oh, well, the internal tensions cannot hold, right? I don't know if fraud is even necessary so much as just, we've seen it, we've already seen it happen once, right, the company almost completely collapsed one time and those contradictions are still there.Andrew Keen: And when you say it happened, is that when Sam got pushed out or was that another or something else?Keach Hagey: No, no, that's it, because Sam almost got pushed out and then all of the funders would go away. So Sam needs to be there for them to continue raising money in the way that they have been raising money. And that's really going to be the question. How long can that go on? He's a young man, could go on a very long time. But yeah, I think that really will determine whether it's a disaster or not.Andrew Keen: But how long can it go on? I mean, how long could Sam have it both ways? Well, there's a dream. I mean maybe he can close this last round. I mean he's going to need to raise more than $40 billion. This is such a competitive space. Tens of billions of dollars are being invested almost on a monthly basis. So this is not the end of the road, this $40-billion investment.Keach Hagey: Oh, no. And you know, there's talk of IPO at some point, maybe not even that far away. I don't even let me wrap my mind around what it would be for like a nonprofit to have a controlling share at a public company.Andrew Keen: More hallucinations economically, Keach.Keach Hagey: But I mean, IPO is the exit for investors, right? That's the model, that is the Silicon Valley model. So it's going to have to come to that one way or another.Andrew Keen: But how does it work internally? I mean, for the guys, the sales guys, the people who are actually doing the business at OpenAI, they've been pretty successful this year. The numbers are astonishing. But how is this gonna impact if it's a nonprofit? How does this impact the process of selling, of building product, of all the other internal mechanics of this high-priced startup?Keach Hagey: I don't think it will affect it enormously in the short term. It's really just a question of can they continue to raise money for the enormous amount of compute that they need. So so far, he's been able to do that, right? And if that slows up in any way, they're going to be in trouble. Because as Sam has said many times, AI has to be cheap to be actually useful. So in order to, you know, for it to be widespread, for to flow like water, all of those things, it's got to be cheap and that's going to require massive investment in data centers.Andrew Keen: But how, I mean, ultimately people are putting money in so that they get the money back. This is not a nonprofit endeavor to put 40 billion from SoftBank. SoftBank is not in the nonprofit business. So they're gonna need their money back and the only way they generally, in my understanding, getting money back is by going public, especially with these numbers. How can a nonprofit go public?Keach Hagey: It's a great question. That's what I'm just phrasing. I mean, this is, you know, you talk to folks, this is what's like off in the misty distance for them. It's an, it's a fascinating question and one that we're gonna try to answer this week.Andrew Keen: But you look amused. I'm no financial genius. Everyone must be asking the same question.Keach Hagey: Well, the way that they've said it is that the for-profit will be, will have a, the non-profit will control the for profit and be the largest shareholder in it, but the rest of the shares could be held by public markets theoretically. That's a great question though.Andrew Keen: And lawyers all over the world must be wrapping their hands. I mean, in the very best case, it's gonna be lawsuits on this, people suing them up the wazoo.Keach Hagey: It's absolutely true. You should see my inbox right now. It's just like layers, layers, layer.Andrew Keen: Yeah, my wife. My wife is the head of litigation. I don't know if I should be saying this publicly anyway, I am. She's the head of Litigation at Google. And she lost some of her senior people and they all went over to AI. I'm big, I'm betting that they regret going over there can't be much fun being a lawyer at OpenAI.Keach Hagey: I don't know, I think it'd be great fun. I think you'd have like enormous challenges and have lots of billable hours.Andrew Keen: Unless, of course, they're personally being sued.Keach Hagey: Hopefully not. I mean, look, it is a strange and unprecedented situation.Andrew Keen: To what extent is this, if not Shakespearean, could have been written by some Greek dramatist? To what extend is this symbolic of all the hype and salesmanship and dishonesty of Silicon Valley? And in a sense, maybe this is a final scene or a penultimate scene in the Silicon Valley story of doing good for the world. And yet, of course, reaping obscene profit.Keach Hagey: I think it's a little bit about trying to have your cake and eat it too, right? Trying to have the aura of altruism, but also make something and make a lot of money. And what it seems like today is that if you started as a nonprofit, it's like a black hole. You can never get out. There's no way to get out, and that idea was just like maybe one step too clever when they set it up in the beginning, right. It seemed like too good to be true because it was. And it might end up really limiting the growth of the company.Andrew Keen: Is Sam completely in charge here? I mean, a number of the founders have left. Musk, of course, when you and I talked a couple of months ago, OpenAI came out of conversations between Musk and Sam. Is he doing this on his own? Does he have lieutenants, people who he can rely on?Keach Hagey: Yeah, I mean, he does. He has a number of folks that have been there, you know, a long time.Andrew Keen: Who are they? I mean, do we know their names?Keach Hagey: Oh, sure. Yeah. I mean, like Brad Lightcap and Jason Kwon and, you know, just they're they're Greg Brockman, of course, still there. So there are a core group of executives that have that have been there pretty much from the beginning, close to it, that he does trust. But if you're asking, like, is Sam really in control of this whole thing? I believe the answer is yes. Right. He is on the board of this nonprofit, and that nonprofit will choose the board of the for-profit. So as long as that's the case, he's in charge.Andrew Keen: How divided is OpenAI? I mean, one of the things that came out of the big crisis, what was it, 18 months ago when they tried to push him out, was it was clearly a profoundly divided company between those who believed in the nonprofit mission versus the for-profit mission. Are those divisions still as acute within the company itself? It must be growing. I don't know how many thousands of people work.Keach Hagey: It has grown very fast. It is not as acute in my experience. There was a time when it was really sort of a warring of tribes. And after the blip, as they call it, a lot of those more safety focused people, people that subscribe to effective altruism, left or were kind of pushed out. So Sam took over and kind of cleaned house.Andrew Keen: But then aren't those people also very concerned that it appears as if Sam's having his cake and eating it, having it both ways, talking about the company being a non-profit but behaving as if it is a for-profit?Keach Hagey: Oh, yeah, they're very concerned. In fact, a number of them have signed on to this open letter to the attorneys general that dropped, I don't know, a week and a half ago, something like that. You can see a number of former OpenAI employees, whistleblowers and others, saying this very thing, you know, that the AG should block this because it was supposed to be a charitable mission from the beginning. And no amount of fancy footwork is gonna make it okay to toss that overboard.Andrew Keen: And I mean, in the best possible case, can Sam, the one thing I think you and I talked about last time is Sam clearly does, he's not driven by money. There's something else. There's some other demonic force here. Could he theoretically reinvent the company so that it becomes a kind of AI overlord, a nonprofit AI overlord for our 21st century AI age?Keach Hagey: Wow, well I think he sometimes thinks of it as like an AI layer and you know, is this my overlord? Might be, you know.Andrew Keen: As long as it's not made in China, I hope it's made in India or maybe in Detroit or something.Keach Hagey: It's a very old one, so it's OK. But it's really my attention overlord, right? Yeah, so I don't know about the AI overlord part. Although it's interesting, Sam from the very beginning has wanted there to be a democratic process to control what decision, what kind of AI gets built and what are the guardrails for AGI. As long as he's there.Andrew Keen: As long as he's the one determining it, right?Keach Hagey: We talked about it a lot in the very beginning of the company when things were smaller and not so crazy. And what really strikes me is he doesn't really talk about that much anymore. But what we did just see is some advocacy organizations that kind of function in that exact way. They have voters all over the world and they all voted on, hey, we want you guys to go and try to that ended up having this like democratic structure for deciding the future of AI and used it to kind of block what he was trying to do.Andrew Keen: What are the implications for OpenAI's competitors? There's obviously Anthropic. Microsoft, we talked about a little bit, although it's a partner and a competitor simultaneously. And then of course there's Google. I assume this is all good news for the competition. And of course XAI.Keach Hagey: It is good news, especially for a company like XAI. I was just speaking to an XAI investor today who was crowing. Yeah, because those companies don't have this weird structure. Only OpenAI has this strange nonprofit structure. So if you are an investor who wants to have some exposure to AI, it might just not be worth the headache to deal with the uncertainty around the nonprofit, even though OpenAI is like the clear leader. It might be a better bet to invest in Anthropic or XAI or something else that has just a normal for-profit structure.Andrew Keen: Yeah. And it's hard to actually quote unquote out-Trump, Elon Musk on economic subterfuge. But Altman seems to have done that. I mean, Musk, what he folded X into XAI. It was a little bit of controversy, but he seems to got away with it. So there is a deep hostility between these two men, which I'm assuming is being compounded by this process.Keach Hagey: Absolutely. Again, this is a win for Elon. All these legal cases and Elon trying to buy OpenAI. I remember that bid a few months ago where he actually put a number on it. All that was about trying to block the for-profit conversion because he's trying to stop OpenAI and its tracks. He also claims they've abandoned their mission, but it's always important to note that it's coming from a competitor.Andrew Keen: Could that be a way out of this seeming box? Keach, a company like XAI or Microsoft or Google, or that probably wouldn't happen on the antitrust front, would buy OpenAI as maybe a nonprofit and then transform it into a for-profit company?Keach Hagey: Maybe you and Sam should get together and hash that out. That's the kind ofAndrew Keen: Well Sam, I'm available to be hired if you're watching. I'll probably charge less than your current consigliere. What's his name? Who's the consiglieri who's working with him on this?Keach Hagey: You mean Chris Lehane?Andrew Keen: Yes, Chris Lehane, the ego.Keach Hagey: Um,Andrew Keen: How's Lehane holding up in this? Do you think he's getting any sleep?Keach Hagey: Well, he's like a policy guy. I'm sure this has been challenging for everybody. But look, you are pointing to something that I think is real, which is there will probably be consolidation at some point down the line in AI.Andrew Keen: I mean, I know you're not an expert on the maybe sort of corporate legal stuff, but is it in theory possible to buy a nonprofit? I don't even know how you buy a non-profit and then turn it into a for-profit. I mean is that one way out of this, this cul-de-sac?Keach Hagey: I really don't know the answer to that question, to be honest with you. I can't think of another example of it happening. So I'm gonna go with no, but I don't now.Andrew Keen: There are no equivalents, sorry to interrupt, go on.Keach Hagey: No, so I was actually asking a little bit, are there precedents for this? And someone mentioned Blue Cross Blue Shield had gone from being a nonprofit to a for-profit successfully in the past.Andrew Keen: And we seem a little amused by that. I mean, anyone who uses US health care as a model, I think, might regret it. Your book, The Optimist, is out in a couple of weeks. When did you stop writing it?Keach Hagey: The end of December, end of last year, was pencils fully down.Andrew Keen: And I'm sure you told the publisher that that was far too long a window. Seven months on Silicon Valley is like seven centuries.Keach Hagey: It was actually a very, very tight timeline. They turned it around like incredibly fast. Usually it'sAndrew Keen: Remarkable, yeah, exactly. Publishing is such, such, they're such quick actors, aren't they?Keach Hagey: In this case, they actually were, so I'm grateful for that.Andrew Keen: Well, they always say that six months or seven months is fast, but it is actually possible to publish a book in probably a week or two, if you really choose to. But in all seriousness, back to this question, I mean, and I want everyone to read the book. It's a wonderful book and an important book. The best book on OpenAI out. What would you have written differently? Is there an extra chapter on this? I know you warned about a lot of this stuff in the book. So it must make you feel in some ways quite vindicated.Keach Hagey: I mean, you're asking if I'd had a longer deadline, what would I have liked to include? Well, if you're ready.Andrew Keen: Well, if you're writing it now with this news under your belt.Keach Hagey: Absolutely. So, I mean, the thing, two things, I guess, definitely this news about the for-profit conversion failing just shows the limits of Sam's power. So that's pretty interesting, because as the book was closing, we're not really sure what those limits are. And the other one is Trump. So Trump had happened, but we do not yet understand what Trump 2.0 really meant at the time that the book was closing. And at that point, it looked like Sam was in the cold, you know, he wasn't clear how he was going to get inside Trump's inner circle. And then lo and behold, he was there on day one of the Trump administration sharing a podium with him announcing that Stargate AI infrastructure investment. So I'm sad that that didn't make it into the book because it really just shows the kind of remarkable character he is.Andrew Keen: He's their Zelig, but then we all know what happened to Woody Allen in the end. In all seriousness, and it's hard to keep a straight face here, Keach, and you're trying although you're not doing a very good job, what's going to happen? I know it's an easy question to ask and a hard one to answer, but ultimately this thing has to end in catastrophe, doesn't it? I use the analogy of the Titanic. There are real icebergs out there.Keach Hagey: Look, there could be a data breach. I do think that.Andrew Keen: Well, there could be data breaches if it was a non-profit or for-profit, I mean, in terms of this whole issue of trying to have it both ways.Keach Hagey: Look, they might run out of money, right? I mean, that's one very real possibility. They might run outta money and have to be bought by someone, as you said. That is a totally real possibility right now.Andrew Keen: What would happen if they couldn't raise any more money. I mean, what was the last round, the $40 billion round? What was the overall valuation? About $350 billion.Keach Hagey: Yeah, mm-hmm.Andrew Keen: So let's say that they begin to, because they've got, what are their hard costs monthly burn rate? I mean, it's billions of just.Keach Hagey: Well, the issue is that they're spending more than they are making.Andrew Keen: Right, but you're right. So they, let's say in 18 months, they run out of runway. What would people be buying?Keach Hagey: Right, maybe some IP, some servers. And one of the big questions that is yet unanswered in AI is will it ever economically make sense, right? Right now we are all buying the possibility of in the future that the costs will eventually come down and it will kind of be useful, but that's still a promise. And it's possible that that won't ever happen. I mean, all these companies are this way, right. They are spending far, far more than they're making.Andrew Keen: And that's the best case scenario.Keach Hagey: Worst case scenario is the killer robots murder us all.Andrew Keen: No, what I meant in the best case scenario is that people are actually still without all the blow up. I mean, people are actual paying for AI. I mean on the one hand, the OpenAI product is, would you say it's successful, more or less successful than it was when you finished the book in December of last year?Keach Hagey: Oh, yes, much more successful. Vastly more users, and the product is vastly better. I mean, even in my experience, I don't know if you play with it every day.Andrew Keen: I use Anthropic.Keach Hagey: I use both Claude and ChatGPT, and I mean, they're both great. And I find them vastly more useful today than I did even when I was closing the book. So it's great. I don't know if it's really a great business that they're only charging me $20, right? That's great for me, but I don't think it's long term tenable.Andrew Keen: Well, Keach Hagey, your new book, The Optimist, your new old book, The Optimist: Sam Altman, Open AI and the Race to Invent the Future is out in a couple of weeks. I hope you're writing a sequel. Maybe you should make it The Pessimist.Keach Hagey: I think you might be the pessimist, Andrew.Andrew Keen: Well, you're just, you are as pessimistic as me. You just have a nice smile. I mean, in all reality, what's the most optimistic thing that can come out of this?Keach Hagey: The most optimistic is that this becomes a product that is actually useful, but doesn't vastly exacerbate inequality.Andrew Keen: No, I take the point on that, but in terms of this current story of this non-profit versus profit, what's the best case scenario?Keach Hagey: I guess the best case scenario is they find their way to an IPO before completely imploding.Andrew Keen: With the assumption that a non-profit can do an IPO.Keach Hagey: That they find the right lawyers from wherever they are and make it happen.Andrew Keen: Well, AI continues its hallucinations, and they're not in the product themselves. I think they're in their companies. One of the best, if not the best authority, our guide to all these hallucinations in a corporate level is Keach Hagey, her new book, The Optimist: Sam Altman, Open AI and the Race to Invent the Future is out in a couple of weeks. Essential reading for anyone who wants to understand Sam Altman as the consummate salesman. And I think one thing we can say for sure, Keach, is this is not the end of the story. Is that fair?Keach Hagey: Very fair. Not the end of the story. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Just in time for Mother's Day, Bloody Essentials is digging into Serial Mom—because nothing says “I love you, Mom” like a murderous matriarch with perfect hair and a penchant for punishing bad manners. We gush over Kathleen Turner's killer performance and John Waters' delightfully twisted take on suburban motherhood. It's a bloody good time with the ultimate mama bear—just don't wear white after Labor Day.  Hosts: Ethan Noyes, Jamie Verwys, and Nina Yarrington  Producer: Jeremy Noyes  Gain access to all our unhinged content by supporting our Patreon! https://www.patreon.com/BloodyEssentialsPodcast  Stay up to date on all the creepy things we are up to by following us on our social media platforms! https://linktr.ee/bloodyessentials  If you want to let us know how much we are on your mind, feel free to buy us a coffee! We will give you a shoutout on our next episode! https://www.buymeacoffee.com/bloodyessentials  Bloody Essentials Logo by: Greg Stark   Intro/Outro Music: Sweet Little Nightmare by Darren Curtis   Video Footage in Intro Courtesy of: Suspiria 1977 (20th Century Fox), Halloween 1978 (Compass International Pictures & Trancas International Films), and Scream 1996 (Paramount Pictures)

The death of Marilyn Monroe.The boys begins with a look into her early years. Born Norma Jean Mortenson in 1926, Marilyn's childhood was far from easy, with her mother suffering a mental breakdown when she was just eight years old, leaving her to spend much of her youth in foster care. The boys joke about how “Norma Jean” doesn't quite have the same star power as “Marilyn Monroe,” but they quickly move on to discuss her rise to fame.At just 20 years old, Marilyn was signed by 20th Century Fox, where she was transformed from a model into the iconic actress we know today. By 1950, she was already gaining fame, and by 1954, her infamous affair with JFK began, sparking rumors that would last for decades. The boys touch on her marriages to baseball legend Joe DiMaggio and playwright Arthur Miller, with a bit of humor thrown in, especially when Eric and Sean wonder about Miller's appeal compared to Marilyn's stunning beauty.From her platinum blonde hair to her famous red lips and white dress, Marilyn became the embodiment of stardom in the ‘50s and ‘60s. But beneath the fame and glamour, the boys point out, Marilyn's life was far from perfect, with her struggles in her personal relationships, her mental health issues, and an alleged affair with Bobby Kennedy.As the episode moves into the discussion of her tragic end, the boys delve into the conspiracy theories surrounding her death. Was it suicide? Or was she silenced for knowing too much? The episode ends on a cliffhanger, with the boys teasing more mysterious details to come in Part 2.The boys continue to explore the strange and unsettling details surrounding Marilyn Monroe's death. They start by recounting the events of August 1962, leading up to her final hours. The boys paint a picture of a woman at the mercy of the people around her—her psychiatrist, her housekeeper, and the people she loved, all seemingly playing their parts in a tragic, tangled web. Marilyn's strange behavior in the days leading up to her death, including mysterious phone calls and an unsettling phone call to Bobby Kennedy, adds more fuel to the fire.The boys examine the conflicting reports surrounding her condition that evening, as well as the discrepancies in the timeline of her death. Why did Marilyn's psychiatrist wait so long to call for help? Why did Peter Lawford and the Kennedys seem to vanish when she needed them the most? These questions lead to even more conspiracy theories—was Marilyn's death really a suicide, or did the Kennedys and the mob have a hand in it?The boys touch on the questionable actions of those closest to Marilyn, from her housekeeper, Eunice, to her psychiatrist, Dr. Greens, who was heavily involved in her life. The boys point out the eerie timing of events, from the strange phone calls she received the night before her death to the conflicting statements made by her associates afterward.By the end of Part 2, the boys discuss the most popular conspiracy theories, including the possibility that Marilyn was intentionally silenced by the Kennedys or the mob after she threatened to expose secrets that could have damaged the political establishment. With her death still shrouded in mystery, the boys agree that there's more to Marilyn Monroe's story than meets the eye.www.patreon.com/theconspiracypodcast

In this episode of the Bloody Essentials Podcast, the hosts step outside the crypt to share some of their favorite things beyond horror—plus a few spicy horror hot takes you won't want to miss. From guilty pleasures to controversial opinions, it's a bloody good time. Subscribe and stay spooky!

Comedy on a ThursdayFirst a look at the events of the dayThen George Burns and Gracie Allen, originally broadcast April 24, 1947, 78 years ago, Moving In with Bill Goodwin.   George and Gracie move out of Bill's house because some of Bill's girlfriends take an interest in George. Followed by Jack Benny, originally broadcast April 24, 1955, 70 years ago, Jack rents his Maxwell to 20th Century Fox.  After a meeting of the Beverly Hills Beavers, Jack rents his Maxwell to 20th Century Fox to use in a movie.Then Fred Allen, originally broadcast April 24, 1949, 76 years ago, The Mad Doctor Of Downing Street.  Guest Basil Rathbone joins Fred in a mystery play titled "The Mad Doctor Of Downing Street." Detective One Long Pan to the rescue!Followed by Amos ‘n' Andy, originally broadcast April 24, 1949, 76 years ago, Andy Inherits $2000. The Kingfish decides to open a college when Andy inherits $2000 if he goes to college. The Kingfish becomes a psychiatrist to prove that going to school will cause Andy's brain to pop! When that doesn't work, the Kingfish finds a new will!Finally, Lum and Abner, originally broadcast April 24, 1942,  83 years ago, Cedric Living in a Tent.  The boys are trying to figure out how to get the store into the new apartments. Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

We are talking all things supernatural including real life experiences we have had on a very special episode of Bloody Essentials.Shout out to rose_d56 for suggesting this topic! We look forward to delving into more supernatural stories very soon!  Hosts: Ethan Noyes, Jamie Verwys, and Nina Yarrington   Gain access to all our unhinged content by supporting our Patreon! https://www.patreon.com/BloodyEssentialsPodcast  Stay up to date on all the creepy things we are up to by following us on our social media platforms! https://linktr.ee/bloodyessentials  If you want to let us know how much we are on your mind, feel free to buy us a coffee! We will give you a shoutout on our next episode! https://www.buymeacoffee.com/bloodyessentials  Bloody Essentials Logo by: Greg Stark   Intro/Outro Music: Sweet Little Nightmare by Darren Curtis   Video Footage in Intro Courtesy of: Suspiria 1977 (20th Century Fox), Halloween 1978 (Compass International Pictures & Trancas International Films), and Scream 1996 (Paramount Pictures)

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz interviews Tony Sella, the legendary marketing executive behind some of Hollywood's most iconic movie campaigns. During his decades at 20th Century Fox, Sella was the creative force behind unforgettable posters, trailers, taglines, and promotions for films including Avatar, X-Men, Independence Day, Bohemian Rhapsody, and nearly 1,000 others. He shares insights into his creative process, memorable marketing moments, and the philosophy that guided his extraordinary career.Research as the Foundation for Creative Solutions (01:55) Sella emphasizes that research is only as valuable as the questions asked, highlighting how audience feedback helped solve marketing challenges for films like The Happening and Life of Pi. He and Goetz discuss their long collaboration using qualitative research to refine marketing approaches for hundreds of successful campaigns.Finding the "Essential Idea" in Marketing (03:56) Sella explains his unique ability to identify a film's core marketing hook, as demonstrated with the Devil Wears Prada campaign featuring the iconic Prada shoe as a trident.Balancing Trailer Impact with Movie Quality (11:35) Sella reveals a crucial marketing principle about the relationship between trailers and the films they promote, using examples from both Avatar and The Simpsons Movie. For good movies, the trailer must be exceptional, while for truly great films, the trailer must match the emotional impact of the film itself.Groundbreaking Campaigns: Independence Day (15:49) Describing the legendary Super Bowl spot featuring the White House explosion, Sella explains how they created a cultural phenomenon with the tagline "Enjoy the Super Bowl. It may be your last."From Disney to Fox: Career Evolution (21:12) Sella recalls getting his "PhD" at Disney, working on hits like Good Morning Vietnam before moving to Fox, where he helped transform films like Taken through innovative marketing approaches and identifying powerful campaign hooks.The Three Pillars of Creative Success (43:55) Reflecting on campaigns for Walk the Line and Bohemian Rhapsody, Sella shares his philosophy that the most important elements in creative work are passion, talent, and taste—innate qualities that cannot be acquired.During this lively discussion, Sella showcases the creative intuition that made him a marketing legend while acknowledging the collaborative nature of his success. His story offers helpful insights for anyone interested in film marketing, promotion, or the art of connecting with audiences.If you enjoyed this episode, please leave us a review or connect on social media. We look forward to bringing you more revelations from behind the scenes next time on Don't Kill the Messenger! Host: Kevin GoetzGuest: Tony SellaProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment) For more information about Tony Sella: IMDB: https://www.imdb.com/name/nm2523305/ For more information about Kevin Goetz: Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Facebook, Twitter, Instagram: @KevinGoetz360Linked In @Kevin GoetzScreen Engine/ASI Website: www.ScreenEngineASI.com

Jim Fielding is a respected leader and C-Suite veteran in brand strategy, consumer products and experiences, and storytelling. He has worked at some of the world's largest media and retail companies, including Disney, Dreamworks, and 20th Century Fox. He is a passionate advocate and philanthropist for the Queer Community, higher education, and diversity, equity and inclusion. As author of All Pride, No Ego (Wiley, Aug. 15, 2023), he is committed to safe and authentic spaces for all individuals and communities. Jim spends his time as an Executive Coach, Speaker, and Advocate now and gives back through his work with Braven Mentoring, the Indiana University Foundation Board, The Point Foundation, and various local community efforts in Atlanta.To know more about Jim visit his website: www.hijimfielding.comThis episode is sponsored by: The Outlier ProjectWebsite: https://www.theoutlierproject.live/LinkedIn: https://www.linkedin.com/company/theoutlierproject

Join us as we celebrate Easter with a deranged 12 foot bunny rabbit! Listen along as we revisit this early 2000's classic.  Hosts: Ethan Noyes, Jamie Verwys, and Nina Yarrington   Check out unedited episodes and support our podcast at Patreon! https://www.patreon.com/BloodyEssentialsPodcast  Stay up to date on all the creepy things we are up to by following us on our social media platforms! https://linktr.ee/bloodyessentials  If you want to let us know how much we are on your mind, feel free to buy us a coffee! We will give you a shoutout on our next episode! https://www.buymeacoffee.com/bloodyessentials  Bloody Essentials Logo by: Greg Stark   Intro/Outro Music: Sweet Little Nightmare by Darren Curtis   Video Footage in Intro Courtesy of: Suspiria 1977 (20th Century Fox), Halloween 1978 (Compass International Pictures & Trancas International Films), and Scream 1996 (Paramount Pictures)

Live into your greatest possibilities. Join the Limitless Life Club today! https://www.limitlesslifeclub.org    What if the key to joy isn't working harder, but listening to what truly lights you up?   In this episode, Jackie de Crinis, host of The Overthinker's Guide to Joy, shares how she went from a successful corporate career to following her passion and now helps others do the same.   She talks about how to recognize the signs of chronic stress, the power of coaching, and how to build a business that feels good to your soul. Jackie also shares helpful tips for managing stress, building healthy habits, and shifting your mindset.   If you're feeling stuck or overwhelmed, success and purpose leave clues. They're in the things that light you up. Follow them.    Know more in this episode of the Oracle On Purpose Podcast: Building a Business That Feeds Your Soul with Jackie de Crinis.   Enjoy the podcast? Subscribe and leave a 5-star review!   You can also tune in to this episode on YouTube and all your favorite podcast platforms.   —------------------------------------------------------------------------------------------  Before becoming a coach, Jackie de Crinis was a television executive who developed dozens of award-winning TV shows. She worked for major networks and studios, including ABC, 20th Century Fox, Sony Television, and the USA Network, all while raising her three children. It wasn't until after she retired from her 30-year television career that she thought about how she could have done it differently. She went to work learning everything I could about changing my daily habits, so that she could be healthier, happier, and way more energized than she ever was. She decided to take advantage of all of her life experience as an executive, wife, mother, psychology major, yoga and meditation teacher, nutrition advocate, and become a certified life coach.   Connect with Jackie de Crinis. Website: https://jackiedecrinis.com/  Facebook: https://www.facebook.com/jackiedecrinislifecoach Instagram: https://www.instagram.com/jackiedecrinis/  LinkedIn: https://www.linkedin.com/in/jackie-de-crinis-7252211/   —-----------------------------------------------------------------------------------------------    I am Lia Dunlap, The Oracle on Purpose with a mission to change people's lives for good. With over 25 years of experience as an Intuitive Business Architect and Coach, I have helped thousands of clients in 76 countries, including hosting three international retreats. As a Best-Selling Author, Founder of the Master Creators Academy, Certified Clinical Hypnotherapist, International Speaker, and Creator of the POWER Plan Life Coaching Program, My Purpose Is Clear: Helping YOU find and follow Your Purpose. I have worked with thousands of leaders, entrepreneurs, and business owners for over two decades, helping them find and experience their Unique Life Purpose.   Catch the latest episodes of Oracle On Purpose here!   https://www.oracleonpurpose.com/podcast-new   Work with Lia today. https://www.oracleonpurpose.com/meet-the-oracle   Ask the Oracle - Join the next Oracle Insight & Alignment Call. https://www.oracleonpurpose.com/offers/Qcb9YRFF   How Aligned Is Your Business with Your Highest Power? Take the Quiz here: https://oracleonpurpose.outgrow.us/powerbizquiz   Connect with Lia Dunlap! Website: https://www.oracleonpurpose.com/ Facebook: https://www.facebook.com/CoachLiaDunlap X: https://x.com/CoachLiaDunlap Instagram: https://www.instagram.com/coachliadunlap/# YouTube: https://www.youtube.com/channel/UC8IOgSSGVVNG2usEJE07X8g LinkedIn: https://www.linkedin.com/in/coachliadunlap   #WomenEmpowerment #BusinessTips #EntrepreneurLife #FollowYourPurpose #PurposeDrivenLife #OverthinkersGuide #LifeCoachForWomen #WorkLifeBalance #EmpoweredLiving #JoyfulLiving #StressFreeLife #InspiringPodcast  

It's a film made for TV that takes the spotlight in this episode of Film Stories, as 1984's terrifying post-apocalyptic Threads moves into the limelight. A film made on a very tight budget, and shot in under three weeks, it was nearly derailed entirely by an American TV production around the same time. And when it did get made and was screened? Well, traffic wardens have never looked so chilling. 20th Century Fox meanwhile had plans for a remake of Agatha Christie's Murder On The Orient Express.. When Kenneth Branagh joined, he not only had a decision about facial hair to make, but there was also the challenge of a very large cast with very few days together. Stories of both are told in this episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Cleopatra” (1963), a four-hour epic starring Elizabeth Taylor as the titular queen, is legendary in the history of filmmaking. Its notoriously troubled production made it one of the most expensive movies ever made and brought 20th Century Fox on the verge of collapse, but Taylor's portrayal has defined the image of Cleopatra in pop culture for over sixty years. We look back on the history of the film itself, assess its presentation of Hellenistic Egypt, and talk about the problems of telling the story of powerful woman whose life was so entangled with that of the men around her. Episode Notes: (https://hellenisticagepodcast.wordpress.com/2025/04/01/bonus-elizabeth-taylors-cleopatra-1963/) Social Media: Twitter (https://twitter.com/HellenisticPod) BlueSky (https://bsky.app/profile/hellenisticpod.bsky.social) Facebook (www.facebook.com/hellenisticagepodcast/) Instagram (https://www.instagram.com/hellenistic_age_podcast/) Twitch (https://www.twitch.tv/hellenisticagepodcast) Show Merchandise: Etsy (https://www.etsy.com/shop/HellenisticAgePod) Redbubble (https://www.redbubble.com/people/HellenisticPod/shop?asc=u) Donations: Patreon (https://patreon.com/TheHellenisticAgePodcast) Ko-Fi (https://ko-fi.com/hellenisticagepodcast) Amazon Book Wish List (https://tinyurl.com/vfw6ask)