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In this episode, Chris Cochrane guest-hosts for his brother Ray and devotes the whole show to one event: Disney’s D23 2026 fan convention in Anaheim. Friday night delivered Marvel’s new X-Men cast, Adam Driver as Mister Sinister, a fresh Avengers: Doomsday trailer, and a release date for Frozen 3. Saturday turned to the parks, with Villains Land, an Indiana Jones dark ride, the long-awaited Expedition Everest yeti repair, and a Monsters Inc land opening in 2027. – Want to start a podcast? It’s easy to get started! Sign up at Blubrry – Thinking of buying a Starlink? Use my link to support the show. Subscribe to the Newsletter. Email Chris if you want to get in touch! Like and Follow Geek News Central’s Facebook Page. Support my Show Sponsor: Best Godaddy Promo Codes Get 1Password Full Summary Chris Cochrane opens the show and explains why this episode breaks the usual format. Instead of six or eight unrelated stories, the entire episode covers Disney’s D23 convention, which he compares to Apple’s WWDC. For newcomers, he notes that D23 is Disney’s official fan club, named for the company’s founding year of 1923. This year’s event ran two nights at the Honda Center: Friday for movies and television, Saturday for the theme parks. Marvel Finally Casts the X-Men Friday’s headline was the X-Men. The Associated Press put the crowd near 12,000, and Marvel Studios used that stage to name its rebooted team. Christopher Abbott plays Professor Charles Xavier, Inde Navarrette plays Rogue, and Maya Boyd plays Storm. Adam Driver rounds out the group as the villain Mister Sinister. Meanwhile, Samara Weaving, Kit Connor, and Sadie Sink were already known as Emma Frost, Cyclops, and Jean Grey. Jake Schreier directs, and the film arrives May 5, 2028. Chris calls the lineup spot-on casting. He singles out Weaving as a perfect match for the comics, and he points out that Sink already appeared as Jean Grey in Spider-Man: Brand New Day. Navarrette is the least established name, coming off a breakout role in an indie horror film. Boyd, meanwhile, was the name he knew least, with what he believes is a Broadway background. Above all, Chris hopes Marvel does the team justice, and he recommends the animated revival X-Men ’97 on Disney+ as the best place to start. Frozen 3 Gets a Date and a Chaotic Reveal Frozen 3 lands November 24, 2027. That is the Wednesday of Thanksgiving week, the same slot the first two films used. The story centers on Anna and Kristoff’s wedding, which a new villain, an evil Ice Queen, disrupts. Jennifer Lee returns to direct with Trent Correy, and the full voice cast is back. However, the reveal itself fell apart. Kristen Bell and Idina Menzel performed a darker arrangement of “Frozen Heart.” Meanwhile, the audio failed, the video failed, and a set of doors never opened. Menzel asked the crowd whether they should try it again, and Bell simply narrated everything that was supposed to happen. Afterward, Josh Gad sang “Oooh, Samantha,” a new love song for Olaf. Chris is here for it, since Olaf is one of the franchise’s best comic characters. Pixar, Disney Animation, and the Rest of Friday Night Pixar chief Pete Docter laid out a packed slate. Incredibles 3 hits summer 2028 and follows Violet and Dash sneaking out at night to fight crime. Chris hopes that finally shows a grown-up Jack-Jack. Coco 2 follows in November 2029 with Benjamin Bratt returning as Ernesto de la Cruz. That has fans puzzling over how a villain already in the Land of the Dead comes back. Additionally, Pixar showed an original called Ghost Market and a Venice-set cat film called Gatto. On the Disney Animation side, Zootopia 3 is confirmed. The live-action Tangled arrives March 31, 2028 with Kathryn Hahn as Mother Gothel. Chris considers that casting perfect after her turn in Agatha All Along. A live-action Lilo & Stitch sequel, a new Simpsons movie, a Bluey movie, and a Kingdom Hearts anime series round out the list. For Star Wars fans, Ahsoka returns January 20, 2027. Chris also offers a hot take: he prefers Rogue One to the entire sequel trilogy. Consequently, he welcomes original stories like Ryan Gosling’s upcoming Starfighter. Adam Driver Is Mister Sinister Driver appeared by video rather than in person. He told the crowd that he and Kevin Feige had talked for years about joining the Marvel Cinematic Universe. Then he announced he would play Magneto. After a long pause, he corrected himself to Nathaniel Milbury, which is Mister Sinister’s human alias. The gag landed because fans had floated Driver for Magneto for years. For anyone new to the comics, Chris explains that Mister Sinister is a geneticist obsessed with mutant DNA, a manipulator rather than a brawler. The cast met backstage only minutes earlier, so Chris is curious how their chemistry develops. Notably, Christopher Abbott previously worked with Driver on HBO’s Girls. The script comes from Beef creator Lee Sung Jin and The Bear co-showrunner Joanna Calo, two prestige-television names that have Chris excited. Why the X-Men Took Thirty Years to Reach the MCU A business story underlies the casting. In the 1990s, a financially struggling Marvel sold film rights to raise cash. Fox ended up with the X-Men and the Fantastic Four, and Sony took Spider-Man. As a result, Marvel Studios built its connected universe from 2008 onward without some of its most famous characters. The Hugh Jackman era of X-Men films belonged to Fox, with a separate continuity and no crossovers. That changed in 2019, when Disney closed its $71 billion purchase of 21st Century Fox’s film and television studio. Most coverage framed the deal as a streaming play, but it also brought the X-Men home. Chris sums it up neatly: Disney signed the paperwork in 2019, cast the film in 2026, and audiences see it in 2028. Ryan Gosling’s Starfighter, Ghost Rider, and VisionQuest Lucasfilm dated Star Wars: Starfighter for May 28, 2027. Gosling plays Kade Auberon, a pilot from the wrong side of the galaxy tied to the fastest starfighter ever built. Before he walked out, Disney played clips of him as a kid on The Mickey Mouse Club. Gosling said the company changed his life then and is changing it again now. He is also playing Ghost Rider in the Marvel universe. That thrills Chris, since Nicolas Cage last carried the character on the big screen. Meanwhile, the Disney+ series VisionQuest arrives October 14. Paul Bettany returns as Vision and James Spader as Ultron, and the trailer drops the two androids into oddly mundane human situations. Bettany joked that Vision has “rather inconveniently died several times.” Chris agrees the character has been through the wringer since WandaVision. The Avengers: Doomsday Trailer Avengers: Doomsday opens December 18, with Joe and Anthony Russo directing. Robert Downey Jr., Chris Evans, and Hayley Atwell introduced the new footage. It offers the clearest look yet at Downey as Doctor Doom, who fights off Thor and takes his hammer. Evans appears as Captain America holding a baby, and Ian McKellen shows up as a haggard, long-haired Magneto. One quieter shot has Doom staring at a portrait of a lost wife and child. That frames him as a grieving avenger rather than a world-ender. He also commands an army of comic-accurate Sentinels. The cast pulls from the Avengers, the Fantastic Four, and the legacy Fox X-Men, including Patrick Stewart. Hugh Jackman also appeared on screen to say he is willing to return as Wolverine, though that was not a confirmation. Chris, a self-described Marvel nerd, closes with a theory. He suspects the MCU’s Tony Stark was actually Victor von Doom, adopted by the Starks, which would explain the Downey casting. He also predicts the Fox-era X-Men die off in this film and that Thor may be the major casualty. If it happens, he wants credit for calling it. Sponsor: GoDaddy Economy hosting $6.99/month, WordPress hosting $12.99/month, domains $11.99. Website builder trial available. Use codes at geeknewscentral.com/godaddy to support the show. Disney Parks Around the World Saturday’s Disney Experiences showcase covered parks, resorts, and cruise ships, with Neil Patrick Harris hosting. Hong Kong Disneyland gets an Avengers pavilion that reshapes its Stark Expo skyline. Shanghai Disneyland is building the first land devoted entirely to Spider-Man, complete with a new coaster. Since Spider-Man is his favorite hero, Chris hopes to visit once it opens. Closer to home, Avengers Campus at Disney California Adventure is doubling in size with two rides opening in 2028. Avengers: Infinity Defense brings back Jeremy Renner, Anthony Mackie, Chris Hemsworth, and Downey, while Stark Flight Lab adds Brie Larson. A Coco boat ride into the Land of the Dead is also coming, with no height requirement. Chris admits he prefers California Adventure to Disneyland because the rides are better. Overseas, Disneyland Paris will retire its Star Wars Hyperspace Mountain overlay at the end of 2027 and restore the original Jules Verne theme. Paris also gets the first ride ever based on The Lion King. Tokyo Disneyland adds Sugar Rush: Sweet Rescue, the first Wreck-It Ralph ride, plus a Space Mountain launch sequence designed with YouTuber Mark Rober. Finally, Disney Cruise Line announced three more ships, including the Disney Believe in 2027 and an entirely new class in 2029. Back in Anaheim, Tomorrowland is getting reimagined, which Chris welcomes because the land badly needs an update. The Magic Happens parade and the Remember Dreams Come True fireworks are both returning. For the tech crowd, Millennium Falcon: Smugglers Run now has a Fortnite crossover, where in-game missions unlock content on the real ride. Every New Walt Disney World Ride and Land Chris ranks the Florida parks Hollywood Studios first, then Epcot, Animal Kingdom, and Magic Kingdom. Magic Kingdom leads the announcements with Villains Land, now the official name. It features a Maleficent coaster through an enchanted briar and a boat ride through the Evil Queen’s catacombs. Reporting puts its scale near Star Wars: Galaxy’s Edge, and Glenn Close appeared in character as Cruella to announce it. Piston Peak, the Cars area replacing Tom Sawyer Island, adds two more rides, though their exact names remain unsettled. Additionally, the Carousel of Progress gets new scenes and a recast. Jamie Lee Curtis and Bryan Cranston will voice Mom and Dad starting late spring 2027. Chris, invoking Heisenberg, calls Cranston the GOAT. At Animal Kingdom, the Indiana Jones ride now has a name: Indiana Jones and the Myth of the Jade Serpent. It tells an original 1950 story inside a Maya temple, and Harrison Ford personally served as the physical model for the animatronic. Nearby, the Tropical Americas land brings Antonio’s Fiesta de Encanto, with more than fifty animal animatronics and no height requirement. Then comes the fix park regulars have wanted for years. The Expedition Everest yeti broke soon after the ride opened. Rather than fix it, Disney lit it with a strobe for over a decade, earning the nickname disco yeti. Now it is being repaired and returned to full motion. Chris rates Everest among his top five rides anywhere, and he suggests riding it before the fix so you can compare. Over at Epcot, Spaceship Earth gets its first major story rewrite in nearly twenty years, shifting from communication history to human connection. Dreamfinder also returns to Journey Into Imagination, and Disney Experiences chairman Thomas Mazloum introduced that news with two words: “we heard you.” Mazloum added that Disney has more projects underway than at any point in its history. After this rundown, Chris believes him. Monsters Inc Land Opens in 2027 Monstropolis begins opening at Hollywood Studios in early 2027, but in stages. The headline door coaster will not be ready on day one. It is the first suspended coaster in any Disney park. It also uses Disney’s first vertical lift, hauling riders about forty feet straight up before launching them into the door vault. Instead, the land opens with the Glob Theater’s “Welcome to Monstropolis” show and Harryhausen’s, a working sushi restaurant lifted from the first film. The stage show features an original song by Randy Newman, his first ever written for a theme park attraction. Chris also notes that the restaurant name honors stop-motion legend Ray Harryhausen. Wrapping up, Chris names the X-Men casting and the Doomsday trailer as his favorite moments of the weekend. He hopes to cover more movie news on future shows, and he plugs Dune: Part Three, which also opens December 18. Chris signs off with the usual mentions: GNC Insider at geeknewscentral.com/insider, email at geeknews@gmail.com, the newsletter, and modern podcast apps at podcastapps.com. He also thanks GoDaddy for over twenty years of support. The post Huge Announcements From D23!! #1873 appeared first on Geek News Central.

Send us Fan MailGet your notes app or a fresh piece of paper ready, because this conversation with former movie executive and tech entrepreneur Steven Puri took a turn into pure gold. We went so deep into the mechanics of productivity that we completely lost track of time—proving the exact focus concepts we were discussing! If you've ever felt like modern digital distractions are stealing your workday before you even get started, this episode is your ultimate antidote.In this episode, Steven and I dive into the neuroscience of focus, master-level time-boxing, and actionable dopamine management for nurse solopreneurs. We break down why getting into a flow state isn't just about willpower, but about building the right environment, audio cues, and routines to let your creative brain excel. Tune in to discover how you can transform a single hour of daily focus into monumental progress for your health writing business.About Steven PuriSteven is the Founder and CEO of The Sukha Company with the mission to help millions of people find their focus, achieve more and have a healthy work life.Steven's career started as a newscaster/interviewer for the #1 youth news show in the DC/Baltimore market (on WTTG-TV) and then as a junior software engineer & Thomas J. Watson Scholar at IBM. After attending USC in Los Angeles, he began working in film production and produced computer-generated visual effects for 14 movies including Independence Day which won the Academy Award for Visual Effects.Steven's first tech company was Centropolis Effects that produced those CGI effects, and he eventually sold it to the German media conglomerate Das Werk when he was 28.Steven then produced some indie films and eventually went studio-side to develop and produce live-action features as a VP of Development & Production at 20th Century Fox (running the Die Hard and Wolverine franchises) and an EVP at DreamWorks Pictures for Kurtzman-Orci Productions (Star Trek 11, Transformers 1&2, Eagle Eye, Transformers: Prime, et al.).After Fox, Steven returned to building tech companies and had two failed start-ups before founding The Sukha Company – ‘sukha' means ‘happiness from self-fulfillment' in Sanskrit. The Sukha is a focus app that bundles all the tools necessary to enter into a Flow State and a have healthy, productive workday.Steven now lives in Austin, TX.Dopamine Management and Time-Boxing for Nurse WritersToday on the Savvy Scribe Podcast:Why modern tech platforms are intentionally engineered to steal your attention—and how to reclaim your life through effective dopamine managementWhat actually happens in your brain during a flow state, including fascinating neuroimaging findings from FMRI scans.How to conquer the “cold start problem” in the morning and stop reaching for quick digital hits when your work gets frustrating.Unforgettable stories from blockbuster Hollywood screenwriters on using physical environments and personal chronotypes as focus triggers.How a busy high school vice principal and dad used just one focused hour a night to complete his PhD dissertation.The brain science behind why your best ideas strike while doing laundry, walking, or taking a shower.How to harness time-boxing and Parkinson's Law to get more done in two hours than you used to get done all day.The surprising power of ambient audio triggers, from 60–90 BPM focus tracks to real Himalayan rain and Viennese coffee shop sounds.Steven's simple 30-day challenge that will completely transform your daily momentum before you even check your phone in the morning.Mentioned Resources:Sukha (Flow State AppFlow: The Psychology of Optimal Experience by Mihaly CsikszentmihalyiThe Net and the Butterfly: How to Unlock Your Inner Genius by Olivia Fox Cabane and Judah PollackWelcome to the Savvy Scribe Podcast, I'm so glad you're here! Before we start the show, if you're interested, we have a free Facebook group called "Savvy Nurse Writer Community"I appreciate you following me and listening today. I would LOVE for you to subscribe: ITUNESAnd if you love it, can I ask for a

Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use. This week, we spend the entire episode on Haifa-born iconic animator Ralph Bakshi's 1977 sci-fi adventure, "Wizards." Distributed by 20th Century-Fox, the loose premise sets the film about 5,000 years in the future, following a World War III that left Earth so full of radiation to split humanity into fairy-type creatures and mutants. The majority of the raunchy ride builds up to a battle between twin brothers -- two wizards who represent magic or technology. Definitely not a kids' flick, the animation is violent and emphasizes several female fairies' -- ahem -- assets. Hoffman delves deeply into why this is a foundational film and explains the ongoing resonance of Bakshi's work. Borschel-Dan is much less impressed. Let’s hear who gave this film an “oy,” “meh” or the prized “not bad” this week on The Reel Schmooze. The Reel Schmooze is produced by Ari Schlacht and can be found wherever you get your podcasts.See omnystudio.com/listener for privacy information.

Mit Ted & LukeVielen Dank an Basti für die Challenge!Wir fliegen zur sterbenden Sonne und werden immer wahnsinniger, während wir SUNSHINE besprechen!Viel Spaß!www.planetfilmgeek.comfacebook.com/PlanetFilmGeekinstagram.com/planetfilmgeekplanetfilmgeek@gmail.comletterboxd.com/movieschmidtletterboxd.com/tadiciletterboxd.com/lukepfgletterboxd.com/ninjasteinPoster zu "Sunshine" © 2007 20th Century Fox

Steven Puri has produced Academy Award-winning visual effects on films like Independence Day, Braveheart, and Se7en, climbed the executive ladder at DreamWorks and 20th Century Fox, and built three tech companies — two of which failed. Out of those failures came a powerful question: why do some people sustain high performance without burning out, while others grind themselves into the ground?In this episode, Jeff and Steven break down what flow actually is, what your brain is doing when you're in it, how to trigger it consistently, and why most founders are unknowingly working against their own neurology every single day.Key Takeaways[0:00] — Multitasking is a myth. Your brain context switches — and every switch costs you.[4:10] — Steven's origin: bet on proximity to greatness. From Virginia to USC to an Academy Award for Independence Day.[14:55] — What Hollywood taught him: single-minded determination is what separates good from legendary.[22:25] — The Fox wake-up call: he was just the guy in the chair. So he left to build something of his own.[38:55] — The accidental flow state: a Wi-Fi outage on a 2.5-hour flight produced his best work ever — and he didn't even notice time passing.[48:20] — What flow actually feels like: time disappears, distractions drop, self-consciousness fades, and you finish feeling energized — not drained.[51:20] — The neuroscience: fMRI scans show prefrontal cortex activity drops in flow. You stop editing yourself and just work.[55:30] — The 15–23 minute rule: that's how long it takes to drop into flow. One interruption resets the clock.[1:01:00] — Ron Bass's rule: no family talk until he'd written for hours. "When I start talking, I can no longer hear the voices in my head."Tweetable Quotes"Our brains don't multitask. They context switch — and every switch costs you energy you could have spent going deep." — Steven Puri"It takes 15 to 23 minutes to drop into flow. One Slack ping resets the clock to zero. That's not costing you a minute — it's costing you a whole session." — Jeff Mains"You can have results or excuses. Can't have both." — Steven Puri"When I start talking to my family, I can no longer hear the voices in my head. And that's what I get paid for." — Ron Bass (via Steven Puri)"The companies with the biggest incentive for your distraction don't want you to write the book, start the company, or open the restaurant. Your graveyard is their business model." — Steven Puri"Americans overestimate what they can do in a day and underestimate what they can do in a year." — Steven Puri"Why use your brain poorly? You wouldn't type on your keyboard upside down." — Steven Puri"Even if it's just one hour a day, make that hour have the power of two." — Steven Puri"Think of the one thing you could do today that would move your life forward. Don't go to sleep until it's done." — Steven Puri"Build a business of significance while living an epic, adventurous life — that is the whole game." — Jeff MainsSaaS Leadership Lessons1. Proximity to Greatness Is a Strategy Steven's career accelerated every time he put himself in rooms with top performers — from mopping floors near Michael Jordan (metaphorically) to working under Fincher and Cameron. For SaaS founders: deliberately seek mentors, communities, and masterminds where the standard is higher than your current one. You absorb more than you realize.2. The Chair Doesn't Define the Mission Steven hit a wall as a studio executive — well-paid, high-profile, but not his. He was "babysitting Die Hard 5." Many SaaS founders face this inside larger orgs or even their own companies as they scale — doing the job instead of building the vision. Define what you are building, not just what the role requires.3. Protect Your Peak Hours Like Revenue Just as Ron Bass refused to speak to his family until he'd written for hours, the highest-output founders treat their cognitive peak hours as non-negotiable protected time. For most people this is morning. Block it. Turn off Slack. Tell your team. That hour generates disproportionate value — protect it before the reactive demands of leadership consume it.4. Flow State Is a Competitive Advantage — Not a Luxury The research shows flow produces output up to 5x greater per hour. For a SaaS founder juggling product, team, and go-to-market, the difference between 1 hour of deep flow work and 1 hour of fragmented distraction is compounding. Learning to trigger flow is not a wellness exercise — it is a business efficiency investment.5. Monotasking and Time-Boxing Are Table Stakes Multitasking is scientifically false. Context switching burns cognitive resources. The most productive founders pick one thing, finish it, then move to the next. Pair this with Parkinson's Law: time-box every task. Estimates train your brain, create urgency, and prevent the endless stretch that kills output. These two habits alone will outperform most productivity systems.6. One Thing Per Day Compounds Into a Different Life Steven's simplest and most powerful habit: before touching the phone each morning, identify the one thing that would move your life forward today. Not five things. One. Do it before the day's noise sets in. Thirty days of this looks like progress. A year of this looks like a different company.Guest Resourceswww.thesukha.co/mediaSteven@TheSukha.cowww.TheSukha.cohttps://www.linkedin.com/in/steven-puri/Episode SponsorThe Futureproof Series - https://www.youtube.com/playlist?list=PLfkXKUPZ5xuOqMPR7_gzGybncTtavyR1NThe Captain's KeysSmall Fish, Big Pond – https://smallfishbigpond.com/ Use the promo code ‘SaaSFuel'Champion Leadership Group – https://championleadership.com/https://jeffmains.com/books/SaaS Fuel ResourcesWebsite - https://championleadership.com/Jeff Mains on LinkedIn - https://www.linkedin.com/in/jeffkmains/Twitter - https://twitter.com/jeffkmainsFacebook - https://www.facebook.com/thesaasguy/Instagram - https://instagram.com/jeffkmains

Can You Be Highly Productive Without Burning Out? Former DreamWorks and 20th Century Fox executive Steven Puri believes the answer is yes. After working on blockbuster films like Transformers, Star Trek, The Wolverine, and Die Hard, raising more than $21 million as a tech entrepreneur, and leading multiple startups, Steven discovered that sustainable success isn't about doing more—it's about doing what matters with greater focus and intention. In this episode of The Sisterhood of S.W.E.A.T., Steven shares how to enter flow states more consistently, eliminate distractions, prevent burnout, and use artificial intelligence as a tool for higher performance instead of higher stress.  Summary In this episode, Steven Puri shares his journey from Hollywood executive to founder of a flow state app, exploring how understanding the brain can enhance focus, prevent burnout, and improve performance. Discover practical tools and insights to achieve sustainable high performance in a distracted world.  Key  Topics The transition from Hollywood executive to flow state app founder What is a flow state and how to achieve it The role of sound and environment in entering flow How understanding the brain can improve focus and productivity The cultural and psychological themes in popular movies like Die Hard Strategies to align with your natural rhythm and avoid overwhelm The importance of meaningful tasks and skills at the edge of your ability Using music, nature sounds, and environment to trigger flow The impact of societal expectations on gender roles and success Practical steps to find your personal flow triggers  Sound Bites "Flow is like paddling on a river, aligned with the current." "You lose track of time and distractions fall away." "You can feel when you're in flow, it's your true self." Chapters 00:00 Introduction to Steven Puri and his journey 02:17 Transition from Hollywood to focus on high performance 04:22 The story behind Die Hard and its cultural significance 10:57 The deeper themes in the Die Hard franchise 14:05 Men's displacement and success in movies like Taken 16:44 Women, success, and balancing masculinity and femininity 18:25 The state of the film industry and creativity 19:14 Creating a flow state app and its purpose 21:36 Understanding flow and how to access it 23:14 How to get into flow and the role of environment 27:36 The power of triggers like rain and environment 30:29 The importance of alignment and purpose in flow 34:24 Practical tips for entering flow and self-awareness Resources: The Magic & Science of Flow States | Sukha

Listen to this PREVIEW of the 36th episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with Josh Parham about two performances nominated at the AARP Movies for Grownups Awards that weren't nominated for Oscars: Viola Davis ("Widows") and Alfre Woodard ("Clemency"). We discuss their performances, talk about why they weren't nominated, and reveal whether we would have nominated them. You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $5 per month tier. Clips included in this episode: "Widows" - 20th Century Fox

On July 30, 1966, 20th Century Fox released Batman: The Movie, based on the phenom television series from the previous season. As promised, Scott Mendelson and Aaron Neuwirth are joining me for an audio commentary in celebration of it turning 60. You don’t have to sync up or watch along to enjoy, it’ll play just as good as a natural podcast. Follow Aaron on social media @aaronsps4. Follow Scott on social media @scottmendelson -Brandon The Brandon Peters Show will return with another Summer of 86 at 40 Music Video Companion Series episode tomorrow! TECHNICAL INFORMATIONVocalsBrandon – Shure SM58-LC (Recorded with Zoom)Aaron – Blue Yeti (Recorded with Zoom)Scott – Unknown Microphone (Recorded with Zoom) Post ProductionNCH Wavepad Masters Edition v8.38NCH MixPad Masters v5.22The Levelator 2 RUNTIME: 112 minutes

Un produttore napoletano vede il manifesto di Alien e decide di girarne un finto sequel nelle grotte pugliesi, con un mostro fatto di trippa vera e una causa vinta contro la 20th Century Fox: la storia di uno dei bluff più incredibili del cinema italiano. Vuoi far crescere il tuo business? Apri un account FINOM entro il 31 luglio per attivare la promozione esclusiva. Scopri tutti i vantaggi e i dettagli dell'offerta al seguente link — https://www.financeads.net/tc.php?t=76605C2928136110T Ascolta il podcast STORIE di BRAND - https://spotify.openinapp.co/zp15q Entra nel Canale TELEGRAM - https://t.me/storiedibrand Storie su YOUTUBE - https://www.youtube.com/@StoriediBrand Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, acclaimed writers Daniel Kraus and Susan Orlean discuss the process of adapting books into film and television, as well as their latest releases. Kraus—who won the 2026 Pulitzer Prize in Fiction for his novel Angel Down—developed the story for the film The Shape of Water and co-wrote the novel with Guillermo del Toro. Kraus also recently adapted his hit novel Whalefall into a feature film coming out this October from 20th Century Fox. Orlean—whose book The Orchid Thief lead to the creation of the film Adaptation—is currently at work adapting her bestselling nonfiction book The Library Book for television. This program was part of the 2026 American Writers Festival. Co-hosted by the American Writers Museum and Chicago Public Library, the American Writers Festival is a free literary event featuring in-depth conversations with diverse writers from across genres and backgrounds. This conversation took place June 7th, 2026 and was recorded live at the Harold Washington Library Center. AWM PODCAST NETWORK HUB About the speakers: DANIEL KRAUS is a New York Times bestselling writer of novels, TV, and film. His latest novel, Angel Down, won the 2026 Pulitzer Prize in Fiction and was a New York Times Top 10 Book of 2025. His novel Whalefall won the Alex Award, was a Los Angeles Times Book Prize Finalist, and was named a Best Book of 2023 by NPR, The New York Times, Amazon, Chicago Tribune, and more. With Guillermo del Toro, he cowrote The Shape of Water, based on the same idea the two created for the Oscar-winning film. SUSAN ORLEAN is the author of nine books, including The Bullfighter Checks Her Makeup; My Kind of Place; Saturday Night; and On Animals. In 1999, she published The Orchid Thief, a narrative about orchid poachers in Florida, which was made into the Academy Award-winning film Adaptation starring Nicolas Cage and Meryl Streep. Her book, Rin Tin Tin: The Life and the Legend won the Ohioana Book Award and the Richard Wall Memorial Award. In 2018, she published The Library Book, about the arson fire at the Los Angeles Public Library. It won the California Book Award and the Marfield Prize and was longlisted for the Andrew Carnegie Medal. It is being adapted for television. Her memoir, Joyride, was published in October 2025. Orlean has been a staff writer for the New Yorker since 1992, and has also contributed to Vogue, Rolling Stone, Outside, and Esquire. She has written about taxidermy, umbrellas, origami, chickens, and a wide range of other subjects. She was a 2003 Nieman Fellow at Harvard University and a 2014 Guggenheim Fellow. She lives with her husband and son in Los Angeles.

What if the greatest lesson from Hollywood wasn't about making blockbuster movies—but about living a more focused, creative, and meaningful life?In this episode of One More Thing Before You Go, Michael welcomes Steven Puri, former EVP at DreamWorks and VP at 20th Century Fox, whose career helped shape iconic films including Transformers, Star Trek, Die Hard, and Independence Day. Yet the most compelling story isn't what happened behind the camera—it's what happened within.Steven shares an extraordinary journey from television news anchor to software engineer, from Oscar-winning visual effects producer to Hollywood executive, entrepreneur, and founder. Along the way, he opens up about selling his first company at 28, enduring the disappointment of failed startups, and discovering that success without purpose is never enough.Together, Michael and Steven explore why flow—that rare state where focus, creativity, and performance align—may be one of the most valuable skills we can cultivate in an age of constant distraction. They discuss how setbacks reshape identity, why failure often becomes our greatest teacher, and how purpose emerges when we stop chasing achievement and start pursuing what truly matters.Whether you're a creator, entrepreneur, leader, or simply searching for greater clarity and fulfillment, this conversation offers practical insights into unlocking your best work—and perhaps your best self.In this episode, you'll discover:Why flow states unlock peak creativity and performanceThe surprising lessons Hollywood taught about storytelling and human natureHow failure can become the catalyst for reinventionWhy focus is becoming one of the world's rarest—and most valuable—skillsPractical ways to create the conditions for deeper work, creativity, and fulfillmentSometimes the biggest breakthroughs don't happen on a movie set. They happen within us.Find us on Apple, Spotify or your favorite listening platform; visit us on our YouTube channel Find everything "One More Thing" here: https://taplink.cc/beforeyougopodcastWant to be a guest on One More Thing Before You Go? Send Michael Herst a message on PodMatch, here: PODMATCH Proud member of the Podmatch Network of Top Rated- PodcastsThis podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy

Bryan Smiley is CEO of Hard Carry Media (HCM), a digital-first media company dedicated to building multi-platform brands and IP specifically for Gen Z men. Under Smiley's leadership, HCM bridges the content gap for this demographic with plans to create and acquire a portfolio of digitally native brands for every stage of Gen Z male life across verticals, including sports, entertainment, comedy, and lifestyle. A veteran Hollywood executive with nearly two decades of experience spanning content development, production, and studio leadership, Smiley has a proven track record of scaling global media powerhouses. At HCM, Smiley oversees a seasoned team responsible for the company's core offerings in development, sales, audience analytics, and in-house production out of its 20,000 SF studio in Los Angeles. HCM's flagship entertainment brand, Full Squad, is one of YouTube's leading variety and social entertainment channels for Gen Z with more than 11 million followers and 260 million monthly views. Prior to HCM, Smiley served as President & Chief Content Officer of Kevin Hart's Hartbeat, where he oversaw more than $500 million in production and helped grow the company into a global studio with hits across TV, film, audio and digital for partners including Netflix, Peacock, Audible, and SiriusXM. Prior to that, he held an executive role at Columbia Pictures, where he led talent-driven deals including Stephen Curry's Unanimous Media and a multi-picture pact with Issa Rae. He has also consulted for Fox Digital Studio, 20th Century Fox's digital arm for early web-first series and films with social influencers.

The Blasters & Blades PodcastWe've got our #Retro #MovieReview episode for your eyeballs today! Dust off your fairy dust and brace yourselves for the ultimate '80s fantasy trip. This week, we are stepping into Ridley Scott's beautifully chaotic 1985 cult classic, Legend. We are talking about Tom Cruise in a chainmail tunic, Mia Sara's iconic gothic transformation, and Rob Bottin's mind-blowing practical makeup effects that gave us the definitive cinematic Devil. Join us as we debate whether this film is a misunderstood masterpiece of dark folklore or just a magnificent, glitter-drenched mess. This was an awesome movie and a fun chat, so what are you waiting for? Co-Hosts:JR HandleyJana S BrownWe work for free, so if you wanna throw a few pennies our way there is a linked Buy Me A Coffee site where you can do so. Just mention the podcast in the comments when you donate, and I'll keep the sacred bean water boiling!Support the Show: https://www.buymeacoffee.com/AuthorJRHandleyOur LinkTree: https://linktr.ee/blastersandbladespodcastToday's SponsorOpal Kingdom Press: https://opalkingdompress.com/Check out the Movie!Movie Link: https://www.amazon.com/Legend-Ultimate-Blu-ray-Tom-Cruise/dp/B004QSQML8/Movie Trailer Link: https://youtu.be/deZ-z4dSi2I?si=-b-1MyA_HDUQcJy1Follow Aaron of Big-Water Outdoors on social mediaMr Bigs Facebook: https://www.facebook.com/profile.php?id=61587334632868Mr Bigs Instagram: https://www.instagram.com/bigwater_outdoorsMr Bigs YouTube: https://youtube.com/@bigwater_outdoorsMr Bigs TikTok: https://www.tiktok.com/@bigwaheh76cFollow Alyssa Askani (Len Berry) on social mediaAlyssa's Website: https://len-berry.com/ Alyssa's Twitter: https://twitter.com/LenBerry_ Alyssa's BlueSky: https://bsky.app/profile/alyssaaskani.bsky.socialAlyssa's TikTok: https://www.tiktok.com/@_lenberryAlyssa's Facebook: https://www.facebook.com/WorldsOfLen Alyssa's Patreon: https://www.patreon.com/LenBerry Alyssa's Tip Jar: https://ko-fi.com/alyssaaskaniwriting/shop Alyssa's LinkTree: www.linktr.ee/lenberry Len's Amazon: https://www.amazon.com/Len-Berry/e/B009WCRN9I/ Follow Bill McUisdean (Wylder396) on social mediaBill's Website: https://zorne.substack.com/Bill's Substack: https://substack.com/@wylder396Bill's Twitter: https://x.com/Wylder396Follow Jana S Brown on social mediaJana's Amazon: https://www.amazon.com/stores/Jana-S.-Brown/author/B015VJV7JWJana's Facebook: www.facebook.com/janasbrownwrites Jana's LinkTree: https://linktr.ee/opalkingdompress #scifishenanigans #scifishenaniganspodcast #bbp #blastersandblades #blastersandbladespodcast #podcast #scifipodcast #fantasypodcast #scifi #fantasy #books #rpg #comics #fandom #literature #comedy #veteran #army #armyranger #ranger #scififan #redshirts #scifiworld #sciencefiction #scifidaily #scificoncept #podcastersofinstagram #scificons #podcastlife #podcastsofinstagram #scifibooks #awardwinningscifi #newepisode #podcastersofinstagram #podcastaddict #podcast #scifigeek #scifibook #sfv #scifivisionaries #firesidechat #chat #panel #fireside #religionquestion #coffee #tea #coffeeortea #CoffeeBrandCoffee #JRHandley #NickGarber #MadamStabby #MovieReview #Review #RetroMovieReview #StabbyMovieReview #OpalKingdomPress #JenaRey #JanaSBrown #Legend #Aaron #BigWaterOutdoors #AlyssaAskani #LenBerry #BillMcUisdean #Legend #TomCruise #Jack #forestchild #MiaSara #Lili #princess #TimCurry #Darkness #DavidBennent #HoneythornGump #elf #AlicePlayten #Blix #goblins #BillyBarty #Screwball #CorkHubbert #BrownTom #PeterOFarrell #Pox #KiranShah #Blunder #TinaMartin #Nell #RobertPicardo #MegMucklebones #AnnabelleLanyon #Oona #fairy #Playten #Gump #Mushussu #Dragon #Phoenix #Wyvern #Gryphons Copyright @ Universal Pictures & 20th Century Fox 1985. Any illegal reproduction of this content will result in immediate legal action by the rights holder. The clips used in this movie review were utilized under the Fair Use Doctrine and are transformative in nature.

Star Wars opened on May 25th, 1977, in 32 American cinemas. The first cut had been a disaster. The director of photography and director were barely speaking. The ILM crew, working in a Van Nuys warehouse in temperatures of up to 130 degrees Fahrenheit, had burned through most of their budget on shots the director deemed unusable. The Tunisian shoot had led to cast injuries and a potential war with Libya. The director was hospitalised with hypertension during production. Its cast were convinced it would fail, as were 20th Century Fox executives. The odds were stacked against it.And yet... what followed was the biggest box office phenomenon in cinema history.But there's more to the story than how Star Wars succeeded. It asks what the film meant to 1977 America, to the New Hollywood generation it emerged from, and to the industry it permanently transformed.Star Wars wouldn't be Star Wars without Marcia Lucas, whose editorial instincts built the Death Star trench run almost from the ground up; John Dykstra and the young engineers at Industrial Light & Magic who invented motion-control camera technology in a Van Nuys warehouse, and Alan Ladd Jr., the one Fox executive who greenlit a film he openly admitted he didn't understand.It's a story worthy of a 350th episode.Massive thanks to Andy from Geek Salad for contributing. You can find Geek Salad's latest Star Wars episode in your podcast app, or click hereMore info on Harmy's Despecialized Edition can be found hereSupport Verbal DioramaLoved this episode? Here's how you can help:⭐ Leave a 5-star review on your podcast app

Filip Keuppens is the CEO of The Pickle Juice Company, a leading functional beverage brand known for its science-backed sports drink designed to help stop muscle cramps. Under his leadership, the company has expanded to more than 17,000 retailers across the US and is trusted by elite athletes and professional sports teams. Before leading The Pickle Juice Company, Filip built deep experience in sales, marketing, and retail at major companies, including Kraft Heinz, Warner Home Video, and 20th Century Fox. He is passionate about advancing sports hydration through science, innovation, and consumer education.  In this episode… Muscle cramps can strike without warning and derail athletic performance. But what if relieving a cramp had less to do with electrolytes and more to do with your nervous system? What does science reveal about how to stop muscle cramps almost instantly? For Filip Keuppens, a consumer products executive and endurance athlete, muscle cramps are primarily a neurological issue rather than simply the result of dehydration or electrolyte loss. He explains how years of scientific research led to the development of a proprietary formula that interrupts the nerve signals responsible for cramping in 60 seconds or less. He also discusses the challenge of educating consumers about the difference between a scientifically formulated product and ordinary pickle brine. Beyond the science, Filip shares how authentic athlete advocacy, strategic retail partnerships, and a values-driven culture have fueled the company's growth while building trust with consumers. He also offers insights into launching products in major retailers, cultivating loyal brand ambassadors, and using AI to improve business operations. In this episode of the Inspired Insider Podcast, host Dr. Jeremy Weisz sits down with Filip Keuppens, CEO of The Pickle Juice Company, to discuss building a science-backed performance beverage brand. They explore the neuroscience behind muscle cramp relief, strategies for expanding into major retail chains, and the power of ambassador marketing. Filip also shares how AI is being explored to improve business efficiency while supporting long-term growth.

Podcast from Defected Records Diana Ross – The Boss (Dimitri From Paris Remix) [Motown] 00:00Hot Chocolate – I Just Love What You're Doing [Infinity] 06:44Back Ivory – Got My Eye On You [Panoramic] 11:50Jackie Moore – This Time Baby [Columbia] 16:23Strikers – Body Music [Prelude Records] 19:36Robin Beck – Sweet Talk [Mercury] 22:59The Whispers – Keep On Loving Me [Solar Records] 27:56Michael Jackson – Baby Be Mine [Epic] 31:54Gladys Knight & The Pips – Taste Of Bitter Love [CBS] 36:08Stephanie Mills – Two Hearts [20th Century Fox] 40:28Unfinished Business – Out Of My Hands (Love's Taken Over) (Vocal Mix) [Still Music] 44:53Tata Vega – I Just Keep Thinking About You Baby [Motown] 49:39Captain Sky – Moonchild (Joey Negro Edit) [Z Records] 53:07Esther Phillips – Our Day Will Come [Mercury] 57:37

"You're gonna be all right, Joan Wilder. You always were." For Episode 409, Thomas and Brandon are back from their hiatus to talk Treasure Hunt Movies. They are kicking off the series with ROMANCING THE STONE, starring Kathleen Turner and Michael Douglas. Listen as the two discuss the life of screenwriter Diane Thomas, the film's unique ties to Indiana Jones, how Michael Douglas fought for the starring role even while serving as a producer on the movie, which A-List actors turned down the movie, why Robert Zemeckis was hired to direct the movie, why 20th Century Fox was disappointed with the movie, and so much more! Use the code cinenation15 on thecinevault.com to get 15% off your online purchase! Also, don't forget to join our Patreon for more exclusive movie content: https://www.patreon.com/cinenation Opening - Watching Industry (00:00:10) Intro of the Treasure Hunt Genre (00:09:52) Intro to Romancing the Stone (00:20:03) How he Romancing the Stone Got to Production (00:26:52) Favorite Scenes (00:41:08) On Set Life - (01:07:34) Aftermath: Release and Legacy (01:12:22) What Worked and What Didn't (01:25:36) Film Facts (01:31:04) Awards (01:35:21) Final Questions on the Movie (01:39:25) Wrapping Up the Episode (01:45:03) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

We're celebrating summer by heading to the drive-in! Over the next two weeks, we're bringing you a double bill of blockbuster movies from last summer. Maybe you saw them, maybe you missed them, but we think you'll enjoy Last Summer's Drive-In Movie Double Feature! Hit the restroom, refill your popcorn, and settle in for a late night… our second feature is starting now! Marvel's first family has had a long and sometimes tortured cinematic history. After several Saturday morning cartoons, they almost made their first big-screen outing in 1994 in a low-budget production from B-movie master Roger Corman. However, the film was buried by Marvel producer Avi Arad and is only available on bootleg. They finally hit the silver screen in 2005 with a big-budget film, which was successful enough to earn a sequel in 2007. A reboot, Fant4stic, was released in 2015 to poor reviews and box office results. With Disney's purchase of 20th Century Fox, the stars of the World's Greatest Comic Magazine were finally folded into the Marvel Cinematic Universe with the release of this 2025 film, colon First Steps. Starring Pedro Pascal as Mister Fantastic, Vanessa Kirby as The Invisible Woman, Joseph Quinn as the Human Torch, and Ebon Moss-Bacharach as the ever-lovin' blue-eyed Thing, this fantastic flick was the first film in MCU Phase Six of the Multiverse Saga and the first MCU installment set entirely in another universe. The Matt Shakman-directed film received solid reviews and outperformed the other two Marvel films released last year. Join us as we bring our drive-in movie viewing to a close with The Fantastic Four: First Steps!   BONUS- POWER PACKED EPISODE..  Plus, we give our review of Supergirl!   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/  

As broadcast @ www.totallywiredradio.com Tuesday 07.07.26Mucho Soul Live In Session Recorded at Soul On The Canal SideGrow Hackney Saturday 4th July 2026.01. Bobbi Humphrey - Harlem River Drive (Blue Note 1974) 02. Gary Bartz - Music Is My Sanctuary (Capitol Recs 1977) 03. Seawind - He Loves You (CTI 1976) 04. Nicola Conte Ft. Gregory Porter - Do You Feel Like I Feel (Schema 2024) 05. Tom Funk Ft. Andre Espeut - What's It Gonna Be (Lazy robot 2026) 06. Smokey Robinson - Tell Me Tomorrow (Motown 1981) 07. Poppeye - Be My Baby (Super Disco Edits 2025) 08. Mint Jams - Sade Not Sade (Better Listen Recs 2020) 09. Alicia Keys - You Don't Know My Name (J Recs 2003) 10. Jeroboam - Sleepless Night (Favorite Recordings 2026) 11. Barry White - How did You Know It Was Me? (20th Century Fox 1979) 12. Juan Laya, Jorge Montiel & Ramon Ruiz - La Guitarra Azul, Pt. 3 (Imageness 2019) 13. Leroy Hutson - Love The Feeling (Mucho Soul Ext Edit) (Curtom 1976) 14. J.R Bailey - Just Me ‘N You (MAM 1974/Be With 2020) 15. Walt Barr - Free Spirits (Muse 1979) 16. Claudio Roditi Ft. Kenia - Madalena (Greene St. Recs 1984) 17. Valtteri Laurell & The Ricky Tick Big Band - Rico Suave Bossa Nova (BBE 2026) 18. Emanuele Cisi - Pharoah's Message (Sacred Rhythm Epic Journey Mix) (Right Tempo 2026) 19. Moodswings Ft. Chrissie Hynde - Spiritual High (State Of Independence) (Arista 1991) 20. Moodswings - Spiritual High (State Of Independence) (Moodfood Megamix) (Arista 1991) 21. Maureen Walsh - Thinking Of You (Dream Mix) (Urban 1990) 22. Greg Chin - Dashborad Angels (Delsin 2014) 23. Audio Deluxe - 60 Seconds (Volante 1991) 24. Jon Lucien - Soul Chant (Seegweed Edit) (G.A.M.M 2014)

Send Kevin a Text MessageSid Ganis, former President of the Motion Picture Group at Paramount Pictures, former Vice Chairman of Columbia Pictures, and four-term President of the Academy of Motion Picture Arts and Sciences, joins host Kevin Goetz for a wide-ranging conversation spanning more than five decades in Hollywood. Ganis traces his path from an office-boy job won through a chance connection, to marketing campaigns for The Empire Strikes Back and Raiders of the Lost Ark, to greenlighting Ghost and Fatal Attraction, and to acquiring the rights to Forrest Gump during his years running Paramount.Brooklyn Roots and Greek Jewish Heritage (03:14): Ganis traces his Romaniote Jewish heritage to Ioannina, Greece, and his grandparents' flight to New York's Lower East Side. Ganis recalls his first solo trip to the movies, seeing Gunga Din for 25 cents at a neighborhood theater.Quitting College and a Lucky Break (08:50): After dropping out of Brooklyn College, Ganis landed his first publicity job thanks to a chance connection from his Uncle Phil.Joining 20th Century Fox (12:57): Ganis describes his early years in publicity, working for Lee Solters and later joining Fox while Cleopatra was in production.Working with Joseph L. Mankiewicz (17:44): Ganis remembers collaborating with the director years later and calls him one of Hollywood's greats.Testing Ghost (28:01): Ganis shares a test-screening story from Ghost that captures how unpredictable audiences can be.Meeting George Lucas and Joining Lucasfilm (31:34): Ganis recalls being introduced to a young George Lucas by Francis Ford Coppola, then later joining Lucasfilm as Empire Strikes Back went into production.Marketing Raiders of the Lost Ark and Meeting Nancy (33:40): While promoting Raiders of the Lost Ark, Ganis met his future wife, Nancy Hult, through a PBS fundraiser project that later won him an Emmy.Columbia Pictures and a Career in Marketing (37:20): Recruited to Columbia by Peter Guber and Jon Peters, Ganis explains why he stayed in marketing rather than move into production.Four Terms as Academy President (42:26): Ganis reflects on his proudest achievement: spearheading the 17-year effort to build the Academy Museum of Motion Pictures.Sid Ganis's career is a reminder that cultivating relationships and a willingness to stay close to the audience can carry someone through every era of a changing industry. In his own words, his story is one of gratitude for the people who opened doors for him, and for a business he never stopped loving.Host: Kevin GoetzGuest: Sid GanisProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, Nick Nunez, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Sid Ganis:Wikipedia: https://en.wikipedia.org/wiki/Sid_GanisIMDB: https://www.imdb.com/name/nm0304398/Variety: https://variety.com/exec/sid-ganis/For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

Toutes les missions des espions n'impliquent pas des secrets d'Etat, des documents qui peuvent faire tomber un dirigeant ou des opérations militaires spectaculaires. Certaines actions clandestines semblent même quasi inoffensives... Par exemple, faire passer un magazine de mode ou envoyer un roman d'Agatha Christie dans un autre pays. Pourtant, de telles actions peuvent en réalité déstabiliser un régime et faire basculer une guerre. Ce fut l'objectif de la CIA qui a, pendant des décennies de guerre froide, introduit en URSS des ouvrages interdits par le régime communiste. De quoi mener une bataille des esprits, qui a certainement pesé sur l'issue du conflit. Cette semaine, dans "Nid d'espions”, Charlotte Baris et Thomas Mahler, directeur adjoint de la rédaction de L'Express, nous racontent cette opération longtemps restée secrète. “Nid d'espions” est un podcast de L'Express, consacré au renseignement, et au rôle majeur des espions dans les moments clés de l'Histoire. Retrouvez tous les détails de l'épisode ici et abonnez vous à L'Express Podcasts Cet épisode a été écrit par Charlotte Baris, monté et réalisé par Jules Krot. Pour nous écrire : podcast@lexpress.fr Crédits : 20th Century Fox, INA Musique et habillage : Emmanuel Herschon / Studio Torrent Visuel : Alice Lagarde Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

What if AI could handle 85% of your daily work and free you to focus on the tasks that truly matter? In this episode, Mike Koenigs joins Russ and Joey to discuss strategies for leveraging AI to save time, increase productivity, and grow your business. Mike shares practical ways to integrate AI into daily workflows, mentioning tools like Wispr Flow, NotebookLM for centralized knowledge, and Claude/Codex for automating processes. Beyond tools, Mike talks about the mindset shift required to trust AI with repetitive tasks, give it access to relevant data, and learn to relinquish control but maintain oversight. He also shares real-world examples from NASA and private equity that show how AI can accelerate problem-solving and content creation.Top three things you will learn: -How to use AI to automate repetitive tasks-The best AI tools and workflows for business communication, content, and operations-The mindset shifts necessary to optimize productivity and scale efficiently with AIGet a free copy of Mike's book (The Ai Accelerator) here:

You can start late as long as you start! Finally, the Late Starters have arrived to the WCS qualifying tournament! Before the battles, they catch up with some familiar trainers, and meet some all new ones as well! Join us every other Friday for another exhilarating episode of Late Starters! The Late Starters have launched a Patreon to help with the journey in front of them! If you would like to be a supporter head here to help out! Catch ya later! Get merch, subscribe to Youtube and follow us on twitter to stay up to date with every thing Late Starters! You can find everything we do at Airtimefornonsense.com!  #pokemon #ttrpg #roleplay #improv  Cast GM - Austin (@SeezyDrop) Calynn - Alex (@Alexandbirds) Ford - Tim (@Remobware) Victor - Kaycie (@Kayciedoom) Pokedex - Jenna (@JennaChil) Music Some of the music used in this production belongs to ©2022 Pokémon. ©1995-2022 Nintendo/Creatures Inc./GAME FREAK inc. The following music was used for this media project: Embrace The Wind by WinnieTheMoog Free download: https://filmmusic.io/song/6685-embrace-the-wind  License (CC BY 4.0): https://filmmusic.io/standard-license   Artist website: https://linktr.ee/taigasoundprod  Open Those Bright Eyes by Kevin MacLeod Free download: https://filmmusic.io/song/4171-open-those-bright-eyes   License (CC BY 4.0): https://filmmusic.io/standard-license   Artist website: https://incompetech.com  Scheming Weasel [Metal Version] (feat. Kevin MacLeod) by Alexander Nakarada  Free download: https://filmmusic.io/song/8163-scheming-weasel-metal-version-feat-kevin-macleod   License (CC BY 4.0): https://filmmusic.io/standard-license  Arcane Anthems Patreon Ivan Duch and Pokemon Festival - Festival Party Dance by Monume from Pixabay  Fair Wind Fun - Upbeat Background Music by ikoliks from Pixabay  Funk Intro by Kyrylo Momot from Pixabay  Mischief Maker by Geoff Harvey from Pixabay Sound Effects   Drum Roll, Please! by HoBoTrails -- https://freesound.org/s/424927/  -- License: Creative Commons 0 11-Scratching wood.wav by 16HPanskaZavadovsky_Igor -- https://freesound.org/s/498508/  -- License: Creative Commons 0 Boot scuffle small rocks by oscaraudiogeek -- https://freesound.org/s/328935/  -- License: Creative Commons 0 plasticimpact2.wav by Mihacappy -- https://freesound.org/s/828141/  -- License: Creative Commons 0 plasticimpact.wav by Mihacappy -- https://freesound.org/s/828140/  -- License: Creative Commons 0 20 20th Century Fox.m4a by MissloonerVoiceOver255 -- https://freesound.org/s/592192/  -- License: Attribution 3.0 Fire Cracker Show_part3.wav by CGEffex -- https://freesound.org/s/102579/  -- License: Attribution 4.0 Volterock Fireworks zoom 01.wav by Volterock -- https://freesound.org/s/434411/  -- License: Attribution 3.0 Crowd-ahh 3.wav by Shades -- https://freesound.org/s/37235/  -- License: Sampling+ Aplause - Amaze by JoseDu -- https://freesound.org/s/328927/  -- License: Creative Commons 0

This week we have a look at the 1973 film Battle for the Planet of the Apes. This is Episode 486!  Battle for the Planet of the Apes is a 1973 American science fiction film directed by J. Lee Thompson from a screenplay by John William Corrington and Joyce Hooper Corrington, based on a story by Paul Dehn. The film is the sequel to Conquest of the Planet of the Apes (1972) and the fifth and final installment in the original Planet of the Apes film series. It stars Roddy McDowall, Claude Akins, Natalie Trundy, Severn Darden, Lew Ayres, Paul Williams, and John Huston. In the film, after conquering the oppressive humans, Caesar (McDowall) tries to keep the peace amongst the humans and apes, but uprisings endure.Battle for the Planet of the Apes was released in the United States on June 13, 1973, by 20th Century-Fox. The film received mixed-to-negative reviews from critics, grossing $8.8 million against a budget of nearly $2 million.Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

Bennett Yellin and Peter Farrelly talk about meeting each other in school and immediately connecting over their shared sense of humor. Bennett talks about substance abuse in college, while Peter discusses being a very hard driver at work. You talk about getting very lucky working with Eddie Murphy and David Zucker, and about bringing Bobby Farrelly into the group when they were writing movies together. Peter talks about being extremely loyal, living in Ojai, and never feeling like Los Angeles was really his town. Bennett talks about growing up in Beverly Hills in an Orthodox Jewish family. Peter tells a story about using the wrong knives while staying at Bennett's house because meat is not supposed to touch milk. Peter says he doesn't think Rotten Tomatoes is fair, and he also doesn't think criticism is very helpful. Bennett recently wrote a horror movie, Día de Muertos. Peter is a good audience member and wants everyone to contribute. Bennett knew everything about movies, while Peter knew almost nothing about them. Peter also has a very happy crew. Bio:  -Peter John Farrelly (born December 17, 1956) is an American film director, screenwriter, producer, and novelist. Along with his brother Bobby, the Farrelly brothers are best known for directing and producing quirky and romantic comedy films such as Dumb and Dumber, Shallow Hal, Me, Myself and Irene, There's Something About Mary, and the 2007 remake of The Heartbreak Kid. Farrelly solo-directed and co-wrote the comedy-drama Green Book (2018), which won the Audience Award at the Toronto International Film Festival in 2018, the Golden Globe Award for Best Screenplay, and the Academy Awards for Best Picture and Best Original Screenplay. He has been married to Melinda Farrelly since December 31, 1996. They have two children. -Born and raised in Los Angeles, Bennett received his B.A. in Fiction from U.C.L.A.  Still not ready to enter the real world, he enrolled at UMass in Amherst for an M.F.A. in fiction.  It was there — on the first day of school — that he met and befriended Peter Farrelly.  On a lark, they tried writing a comedy together and this spec script ultimately got into the hands of Eddie Murphy and the Zucker Brothers, creators of Airplane and The Naked Gun.  Both Murphy and the Zuckers asked the duo to write movies for them, and their career was off and running. Yellin wrote exclusively with Peter for years until they asked his brother Bobby to join them.  The three went on to write a number of unproduced features together until they created Dumb and Dumber in 1994 and reunited in 2014 to co-write the official sequel chronicling the further idiotic adventures of Harry and Lloyd, Dumb and Dumber To. In 2007, the Farrelly Brothers branched out on their own and Yellin partnered with James Robert Johnson to create a professional writing duo that has endured for sixteen years.  Among the plethora of projects they've tackled during their career — some produced, others not — the two have co-written Let's Scare Jessica to Death for Paramount Pictures, the Fox situation comedy Unhitched, the direct-to-DVD thriller Joy Ride 2: Dead Ahead, Paramount Pictures' Hotel For Dogs 2, the Anchor Bay action-thriller In the Blood with Gina Carano, the 20th Century Fox family film, Santa's Little Helper, and the Warner Brothers re-boot of the Police Academy series, Police Academy: Takin' it to the Streets.  More recently, Yellin and Johnston have co-written a live action family stage show adaptation of the hugely popular Angry Birds IP, and their original supernatural thriller Dia de Muertos has recently completed filming and is set to be released in 2026. Learn more about your ad choices. Visit megaphone.fm/adchoices

The idea wasn't a bad one. With the cost of X-Men movies spiralling, 20th Century Fox was interested in a lower cost, slightly more niche film in the saga. One that could perhaps appeal to a teen audience, that wouldn't put quite the strain on the old finances. Josh Boone - off the back of The Fault In Our Stars - was brought in to write and direct, a dream project for him. But the dream would soon turn sour, with two big, unexpected obstacles, and a whole lot of to and fro over potential reshoots... Learn more about your ad choices. Visit megaphone.fm/adchoices

Chosen by Justin, Only the Lonely arrived in 1991 as a gentler, more bittersweet John Candy vehicle than the broad comedy many audiences might have expected. Written and directed by Chris Columbus and produced by John Hughes and Hunt Lowry, the film brought together Candy, Maureen O'Hara, Ally Sheedy, Anthony Quinn, James Belushi and Kevin Dunn for a Chicago-set romantic comedy-drama with a softer heart than its VHS-era packaging probably suggested. A widely reported production budget is not readily available, but the film earned around $21.8 million domestically after opening wide through 20th Century Fox in May 1991.The production leaned heavily into real Chicago texture, with principal photography beginning on 1 October 1990 and running until 22 December 1990. Locations included North Avenue Beach, the Pump Room, St. John Cantius Church, Greektown and Comiskey Park, with additional interiors built at Chicago Metropolitan Studios. Reception was mixed-to-positive in the period, with particular praise for the performances, and the film has since picked up a modest legacy as one of John Candy's more tender, underrated leading roles: less “falling through furniture,” more “quietly breaking your heart while still making you laugh.”Trailer Guy SynopsisIn a city of crowded bars, roaring trains and overbearing family dinners, one Chicago cop is about to face the most terrifying case of his career: falling in love.Danny Muldoon is loyal, dependable, kind-hearted… and still very much under the command of his mother. But when he meets Theresa, a shy funeral home worker with a quiet charm, Danny sees the possibility of a life beyond guilt, duty and being emotionally handcuffed to the family sofa.Fun FactsOnly the Lonely was Maureen O'Hara's first feature film appearance in roughly two decades, bringing a classic Hollywood presence into a very early-90s comedy-drama.Chris Columbus reportedly wrote the role of Rose with Maureen O'Hara in mind, which is ambitious casting energy of the highest order.The film's title comes from Roy Orbison's famous song “Only the Lonely,” giving the movie an instant dose of old-school melancholy before anyone even says a word.John Candy plays a romantic lead here, which makes the film stand apart from many of his broader comic roles of the 1980s and early 1990s.The cast includes both Macaulay Culkin and Kieran Culkin in small roles, because apparently the early 90s had a legal requirement that at least one Culkin appear somewhere near a John Hughes production.Maurice Jarre, the Oscar-winning composer behind classics such as Lawrence of Arabia and Doctor Zhivago, provided the score.The film was shot in the same general Chicago orbit as several John Hughes-associated productions, helping give it that familiar neighbourhood feel rather than a glossy studio rom-com sheen.Anthony Quinn appears as Nick, the persistent neighbour with eyes for Rose, adding some old-school screen charisma to the film's family chaos.The story has often been compared to Marty, the 1955 romantic drama about a lonely bachelor trying to find love while dealing with family pressure.Support the ShowIf you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠.If you're listening on Apple Podcasts or Spotify, leaving us a 5-star review (and a short comment) really helps more people discover the show. It's quick, free, and makes a huge difference.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this episode, Gina Michnowicz, CEO of The Craftsman, joins AdTechGod to discuss building a creative agency focused on storytelling, experiential marketing, and integrated campaigns for global brands like Cisco, Disney, Marvel, and Godiva. Gina shares her journey from digital consulting to launching The Craftsman, how creative ideas come to life across physical and digital experiences, and why human creativity still matters in the age of AI. From building a 3,000-chocolate-bar train for Godiva and 20th Century Fox to discussing the future of branded content and creators, this conversation dives deep into the evolving world of marketing and advertising. Takeaways Human creativity remains essential despite advances in AI. Great marketing ideas come from non-linear creative thinking. Experiential campaigns work best when integrated with digital and PR. AI is useful for productivity, but not for original ideas. Emotional storytelling is difficult for AI to replicate. Brand awareness and experiential marketing are becoming more valuable. Creators will need to focus on authentic and original content. The best campaigns connect people emotionally to brands. Chapters 00:00 Gina Michnowicz joins the podcast and introduces The Craftsman. 01:09 Gina shares her journey from consulting to founding her agency. 03:44 How The Craftsman works with brands like Disney, Cisco, and Godiva. 06:32 Building integrated campaigns that combine experiential, PR, and social. 07:06 The story behind the 3,000 chocolate bar Godiva train campaign. 09:42 How Gina's digital background shaped her creative approach. 11:12 Gina's perspective on AI in creativity and advertising. 14:21 Why AI struggles with original creative ideas. 17:46 The emotional gap between AI-generated and human-made content. 20:45 Where creativity, branding, and marketing are heading next. 22:50 Gina shares her optimism for the future of creative work. Guests: AdTech God Learn more about your ad choices. Visit megaphone.fm/adchoices

Last week we took on the landmark Ridley Scott movie, Alien, a movie that closed out the 1970's with a bang. This week we're taking on James Cameron and his follow-up to the explosive 1985 smash hit, The Terminator, Aliens. Cameron knew he wanted to make an Alien sequel the moment he first saw the original movie and when the opportunity arose he had to fight tooth and nail, struggling against 20th Century Fox's bad business and legal woes, against apathetic executive who had no interest whatsoever in making another Alien movie, against a production crew that couldn't stand him or his producer Gale Anne Hurd. When all was said and done and the movie hit theaters, Cameron proved to everyone what absolute losers they all were with his clear vision of an explosive action movie that set the pace for the second half of the 80's and set an extremely high bar for action movies to come. Hollywood would never be the same and with the inclusion of the Colonial Marines, Cameron set the entire Alien legacy on a new path. Following the tragedy of the Nostromo disaster Ellen Ripley finds herself waking up 57 years in the future. Her bosses are pissed that she blew up one of their space ships and ban her from flying another mission. An opportunity to get back on a starship comes around when an executive from Weyland Yutani hires her to return to LV-426 to advise a unit of Colonial Marines on a rescue mission of missing colonists who may have come into contact with the same crashed alien ship that doomed her own crew so many years ago. She had enough trouble dealing with one single xenomorph. What happens when the Colonial Marines encounter dozens of them? Get Physical Media Booklet Essay featuring Dave's Werewolf Women of the SS essay here: https://www.seanabley.com/store/ Get your own Bring Me The Axe! Pride shirt here: https://www.bonfire.com/wickedqueeraxe/ Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠ https://www.bonfire.com/store/bring-me-the-axe-podcast/

This week we have a look at the 1972 film Conquest of the Planet of the Apes. This is Episode 485! Conquest of the Planet of the Apes is a 1972 American science fiction film directed by J. Lee Thompson and written by Paul Dehn. The film is the sequel to Escape from the Planet of the Apes (1971) and the fourth installment in the original Planet of the Apes film series It stars Roddy McDowall, Don Murray, Ricardo Montalbán, Natalie Trundy, and Hari Rhodes. In the film, set in a world that has embraced ape slavery, Caesar (McDowall), the son of the late simians Cornelius and Zira, surfaces out of hiding from the authorities and prepares for a rebellion against humanity.Conquest of the Planet of the Apes was released in the United States on June 14, 1972, by 20th Century-Fox. The film received mixed reviews from critics. It was followed by Battle for the Planet of the Apes in 1973.Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

This week you get a bonus episode because we are revisiting the conversation we had back last November with Daniel Kraus, the author of Angel Down.  This novel just won the Pulitzer Prize for fiction.  So enjoy and we will be back with an all new episode next week.   Our website - www.perksofbeingabooklover.com. Instagram - @perksofbeingabookloverpod Facebook - Perks of Being a Book Lover. To send us a message go to our website and click the Contact button.   You can find Daniel Kraus at his website danielkraus.com or on IG at @kraus_author.   This week our episode features Daniel Kraus, a writer who has published over 20 books, but among moviegoers he may be best known as the co-author with Guillermo del Toro of The Shape of Water. The film of this story won four Oscars in 2018. Daniel's 2023 novel Whalefall is being turned into a 20th Century Fox motion picture, and I hope that at some point his latest novel, Angel Down, will also be on film.  Both the premise and writing in Angel Down are unique. It is the story of a group of World War I soldiers told to go into No Man's Land to rescue what they think is a wounded soldier. What they find is an angel. If you enjoy war novels, and even if you don't, I recommend giving this book a read.    Our book rec section of the show features books related to women in politics. If you are interested in politics yet hate the nuttery of American government at the moment, these books can provide a reprieve. We have contemporary fiction, biography, memoir, alternative history, and electoral nonfiction.    Books Mentioned in this Episode: 1- Whalefall by Daniel Kraus  2- Angel Down by Daniel Kraus  3- The Shape of Water by Guillermo del Toro and Daniel Kraus 4- Frankenstein by Mary Shelley 5- The Leaphorn and Chee Series by Tony Hillerman 6- Hearts of the Missing by Carol Potenza 7- The Death and Life of Zebulon Finch by Daniel Kraus  8- Wolf at the Table by Adam Rapp  9- From Under the Truck by Josh Brolin 10- Madonna in a Fur Coat by Sabahattin Ali  11- The Rachel Incident by Caroline O'Donoghue  12- A Five Star Read recommended by fellow Book Lover State Katz @all.da.bookish.things - The Witch's Orchard by Archer Sullivan  13- Cleo McDougal Regrets Nothing by Alison Winn Scotch  14- Charlotte Walsh Likes to Win by Jo Piazza 15- The Partisan Gap: Why Democratic Women Get Elected But Republican Women Don't by Laurel Elder  16- Rodham by Curtis Sittenfeld  17- Mrs. Lincoln: A Life by Catherine Clinton  18- A Different Kind of Power by Jacinda Arden   Media Mentioned: 1- Frankenstein (2025-Netflix) 2- Dark Winds (2022 - present, Netflix) 3- The Shape of Water (2017) 4- 1917 (2019) 5- Whalefall (Upcoming Fall 2026) 6- Michelle Obama Says US Not Ready for a Female President - https://www.nbcnews.com/politics/politics-news/michelle-obama-says-us-not-ready-woman-president-rcna244136    

Disney has made some massive acquisitions over the years. Pixar. Marvel. Lucasfilm. 20th Century Fox. Each one reshaped the future of the company—and pop culture itself. But now that Josh D'Amaro is stepping into the CEO role, the question becomes… what should Disney buy next? In this episode, we play armchair executives and pitch our picks for the best acquisition targets for Disney's future. In this episode, we cover: What Disney currently lacks in its portfolio The companies and brands we think Disney could target next Which acquisitions would help the parks, movies, streaming, and gaming divisions most A few wild-card ideas that could completely reshape the company Whether you love Disney business strategy, theme parks, movies, or pure speculation, this episode is a fun look at where Disney could go next. Submit a question/topic for us to discuss on a future episode. Don't forget to check us out on: -Instagram -Facebook  -Youtube -Patreon Get your Enchanted Ears merch now Timestamps Welcome 00:00 Countdown to Episode 400 01:09 Should Disney Buy Hasbro? 01:59 A Disney Renaissance Fair? 07:37 If Disney Made a Transformers Attraction 10:23 LOTR x Disney??? 12:31 Our Pitch for a Wreck It Ralph Land 16:28 Could Bridgerton Fit in a Theme Park? 19:20 A Legofied Disney World 20:54 YA 23:01 Are People Over KPop Demonn Hunters? 29:22 Who Do You Think Disney Should Buy? 32:24 The End of Superhero Fatigue 32:39

Join us on I Am Refocused Radio for an inspiring conversation with Derek Rydall — transformational leader, best-selling author, spiritual teacher, and founder of a global community of over 200,000 visionary leaders. Derek has guided hundreds of thousands of people worldwide through profound personal and global change, helping them unlock their innate greatness, become truly irreplaceable, and expand their positive impact. His own path through a near-death experience, divorce, financial loss, and the heartbreaking death of his son forged a deep wisdom about turning life's greatest challenges into higher purpose and power. A former screenwriter for Universal, Miramax, 20th Century Fox, and Disney, Derek has also coached Fortune 500 executives and Oscar- and Emmy-winning celebrities on leadership and transformative storytelling. He has shared the stage with icons like Deepak Chopra, Marianne Williamson, Michael Beckwith, and Wayne Dyer, and his popular Emergence podcast has been downloaded millions of times.https://derekrydall.com/

Today's Post - https://bahnsen.co/3QMkXSl David Bahnsen analyzes Rupert Murdoch's 2019 sale of major 21st Century Fox entertainment assets to Disney for $71.3B, emphasizing not the politics of the parties but the business logic and investing takeaways. He contrasts Disney's struggles since the deal with Fox's stronger stock performance, arguing the outcome reflects capital intensity and duration risk: Disney bought scale and IP to compete in streaming, requiring heavy reinvestment amid intense competition and limited margin of safety, while Murdoch kept Fox's news and sports assets (Fox News, Fox Business, broadcast and sports rights) as more durable, real-time, less disrupted businesses with higher margins. Bahnsen connects this to dividend growth investing as a shorter-duration equity profile that “gets paid now,” helping de-risk unknowns versus long-duration, capital-heavy bets like streaming content. 00:00 Welcome and Setup 01:10 Polarization Disclaimers 03:32 The 2019 Fox Disney Deal 05:13 Stock Performance Aftermath 06:48 Disney's IP Playbook 08:25 Murdoch Keeps News Sports 10:59 Streaming Wars and Capital Risk 12:52 Capital Light Durability Lesson 15:17 Duration Risk and Dividends 18:16 Dividend Growth Takeaways 19:30 Closing Thoughts Links mentioned in this episode: DividendCafe.com TheBahnsenGroup.com

This week we have a look at the 1971 film ESCAPE FROM THE PLANET OF THE APES. This is Episode 484! Escape from the Planet of the Apes is a 1971 American science fiction film directed by Don Taylor and written by Paul Dehn. The film is the sequel to Beneath the Planet of the Apes (1970) and the third installment in the original Planet of the Apes film series. It stars Roddy McDowall, Kim Hunter, Bradford Dillman, Natalie Trundy, Eric Braeden, Sal Mineo, and Ricardo Montalbán. In the film, Cornelius (McDowall) and Zira (Hunter) flee back through time to 20th-century Los Angeles, where they face fear and persecution.Escape from the Planet of the Apes was released in the United States on May 26, 1971, by 20th Century-Fox. The film received a mainly positive response from critics and is generally considered the best sequel of the original Apes series. Escape was followed by Conquest of the Planet of the Apes in 1972.Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

ose and I love doing movie commentaries, but we have run out of films to cover!  The series "Commentary on Clive's Contemporaries"   allows us to look in the background and see what movies were happening when these Clive Barker movies and sequels were being made.  We choose a range of movies, and you, the listeners, vote for which one we cover. This series was sponsored by our listeners in the 2025 Kickstarter Campaign, Clive Barker Podcast Presents Fundraiser 11 : The Patron Configuration and covers a range of years from 1973 (Salome) to 2024 (Night of the Zoopocalypse) and beyond.    So Far 1973 — The Forbidden VS. Enter the Dragon 1978 — Salome Vs. Invasion of the Body Snatchers 1985 — Transmutations VS. Silver Bullet 1986 – Rawhead Rex VS. Big Trouble In Little China Commentary: 1986 – Big Trouble In Little China 1h 39m Directed by John Carpenter Written by Gary Goldman, David Z. Weinstein, W.D. Richter Show Notes Behind the Scenes Music Video The Temple of the Killer Tiger Monkeys Podcast Features Hellraiser cast and James Pax (Lightning)  And this podcast, having no beginning will have no end.  web www.clivebarkercast.com Apple Podcasts,  Android,  Amazon Music, Spotify, Pandora, Libsyn, Tunein, iHeart Radio, Pocket Casts, Radio.com, and YouTube and Facebook: | BarkerCast Listeners Group | Occupy Midian  BlueSky | Reddit | Discord Community Support the show Buy Our Book: The BarkerCast Interviews Occupy Midian  Hardcover | Kindle | Apple Become a Patreon Patron | Buy a T-Shirt Music is by Ray Norrish All Links and show notes in their Entirety can be found at https://www.clivebarkercast.com AI Overview Ryan and José conducted a detailed analysis and discussion of the 1986 film "Big Trouble in Little China" as part of their Clive Barker podcast series focused on comparing Clive Barker's films with contemporary works. They examined the film's production, including its $100,000 Guardian creature puppet, visual effects by Richard Edlund and Steve Johnson, and the Fox backlot sets used for filming. The hosts discussed the film's characters, particularly James Hong's performance as Lopan, and analyzed key scenes including the supernatural battles and optical effects. They compared the film favorably to previous episodes' selections like "Rawhead Rex" and "Transmutations," concluding that "Big Trouble in Little China" was more entertaining and well-executed. The podcast included technical difficulties with Ryan's Blu-ray player and audio issues, but they managed to complete their thorough analysis of the film's narrative structure, special effects, and cultural significance. Clive Barker Podcast Discussion Ryan and José discussed their podcast episode focusing on Clive Barker's Contemporary Commentaries for 1986, where they selected Big Trouble in Little China for comparison with Barker's film. They reflected on previous comparisons, with José favoring Enter the Dragon over The Forbidden and both preferring Salome over Invasion of the Body Snatchers. The conversation ended with them preparing to discuss Big Trouble in Little China after the opening 20th Century Fox logo. Big Trouble in Little China Analysis José and Ryan discussed the film Big Trouble in Little China, focusing on its reception as a flop at the time of release despite now being considered one of John Carpenter's best movies. They analyzed the character dynamics, particularly how Jack Burton's story takes a backseat to Wang's narrative, and discussed the film's unique blend of grounded and fantasy elements. The conversation also covered the film's production history, including casting considerations and a 2014 comic book continuation that picks up where the film ends. Big Trouble in Little China Analysis Ryan and José discussed the film "Big Trouble in Little China," focusing on its action sequences, characters, and supernatural elements. They analyzed specific scenes, including the extended ending with the red Camaro and the fight sequences involving different gangs. José noted the film's stylized aspects and questioned the realism of certain scenes, while both discussed the film's supernatural villains and their abilities. They also reflected on their childhood experiences watching the movie and its cultural impact. Big Trouble in Little China Discussion José and Ryan discussed the movie "Big Trouble in Little China," focusing on various aspects including character details, special effects, cinematography, and music. They explored specific plot points, such as the roles of characters like Jack Burton, Gracie Law, and Miao Yin, as well as the movie's use of animation and sets. José noted the film's great cinematography and mentioned being tired after landscaping, while both highlighted the movie's engaging elements and memorable scenes. Movie Analysis and Visual Effects José and Ryan discussed various aspects of a movie, focusing on its visual effects, plot elements, and comparisons to other John Carpenter films. They analyzed specific scenes, including the use of green fire, supernatural creatures, and the movie's mix of styles. The conversation also touched on the cinematography, the character EggShen, and the movie's tone compared to other films in the series. Movie Special Effects Discussion José and Ryan discussed the special effects and makeup in the movie, including the connection between it and Lord of Illusions through Steve Johnson. They compared it to Silver Bullet, concluding that Silver Bullet was better despite Gary Busey's presence in Transmutations. The conversation also covered production details like the sloping corridor set and optical effects used in the movie. Film Location and Production Planning José and Ryan discussed filming locations, noting that costs and logistics led to filming at the Fox Backlot in LA instead of San Francisco. They analyzed various movie scenes, including action sequences, character dynamics, and set details, while also discussing the technical aspects of water and bullet effects in filmmaking. The conversation included references to other films and characters, and they explored ideas for creating graphics comparing monsters from different movies. Big Trouble in Little China Analysis José and Ryan discussed various aspects of the film "Big Trouble in Little China," including specific scenes, character backgrounds, and production details. They analyzed the film's tropes, such as the door scene, and discussed deleted scenes and the roles of actors like Kim Cattrall and Dennis Dun. The conversation also touched on the film's set design, miniatures, and monsters, as well as the background of the music video for "Dolly Dagger" featuring James Hong. Movie Production Discussion Meeting José and Ryan discussed various aspects of a movie, including character backgrounds, plot details, and special effects. They talked about actors' roles, such as Susie Pai's transition from cheerleading to modeling and acting, and Carter Wong's casting due to his Thai boxing skills. They also analyzed specific scenes, props, and effects, including the Bog of Eternal Stench and the Guardian puppet, noting the significant effort and cost involved in creating certain elements. Movie Effects and Production Analysis José and Ryan discussed various aspects of a movie, focusing on specific scenes, special effects, and the making of certain elements. They analyzed the fight sequences, visual effects like the Guardian monster, and noted the use of animatronics and remote-controlled elements. They also commented on the cartoony nature of some scenes and the challenges of creating certain effects within budget constraints. Big Trouble in Little China Discussion José and Ryan discussed the movie Big Trouble in Little China, analyzing its special effects, characters, and story elements. They compared it to other horror films like Rawhead Rex and Hellraiser, expressing a preference for Big Trouble in Little China. The conversation then shifted to planning future content, including a Book Club of Blood discussion on The Body Politic and potential 1987 horror movie selections for voting. They also briefly discussed the use of AI in content creation and its impact on documentary-style videos.

Lew Wolff didn't set out to become a successful developer or a professional sports team owner. He didn't grow up around business, and by his own account, he stumbled into real estate almost by accident. But over the course of a decades-long career, he would go on to reshape downtown San Jose, partner with 20th Century Fox, and take ownership stakes in teams like the Oakland Athletics and Golden State Warriors.In this episode of Big Shot, Lew sits down with Harley and David to reflect on the unconventional path that led him there. He shares how the sudden death of his father forced him to grow up quickly, how a chance decision in college set him on a career in real estate, and how one unexpected opportunity led to a role at Fox and a headline that would change everything overnight.Along the way, Lew explains why he built his career around partnerships, how he thinks about choosing the right people to work with, and why he has always prioritized relationships over short-term profit. He also reflects on his time in professional sports, including the story behind Moneyball, the challenges of public scrutiny, and the behind-the-scenes dynamics that shaped the future of the A's.—In This Episode We Cover:(00:00) Intro(02:25) Lew's early years growing up in the Midwest(05:54) How his father's death changed his path(10:28) Growing up Jewish in St. Louis(11:43) His first job and move to Los Angeles(14:34) Starting his own firm and selling to Booz Allen(17:18) His work with 20th Century Fox(24:39) Balancing the San Jose development with his work at Fox(27:20) How his studio office helped attract clients(29:21) How Bud Selig led him to buy a stake in the Oakland A's(38:18) Lew's philosophy on partnerships and how to choose them (42:54) Buying and selling his stake in the Golden State Warriors(45:46) The kind of work he enjoys and what he credits for his success(50:42) The story behind Moneyball(54:19) Why he stays focused on the future(55:20) Why he prioritizes relationships over profit(58:57) How he handled negative press as owner of the A's(1:03:48) How the Giants blocked the A's from building a new stadium(1:08:59) How he learned to let things go(1:12:51) Lew and Bud's attempt to integrate their fraternity(1:15:07) His thoughts on Jewish entrepreneurship(1:18:38) What he's most proud of—Where To Find Lew Wolff:• Website: https://www.wolffurban.com/ Where To Find Big Shot: • Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bigshot.show/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@bigshotpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  • TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@bigshotshow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/bigshotshow/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  • Harley Finkelstein: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/harleyf⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • David Segal: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/tea_maverick⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• Production and Marketing: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://penname.co⁠

Glenn Ginsburg is the President of QYOU Media, a media and entertainment company powered by the creator economy. QYOU specializes in developing, creating, and distributing creator-centric campaigns that help brands connect with audiences and make a cultural impact across social and digital platforms. With more than 25 years of experience across the creator economy and wider entertainment and media industry, Ginsburg has been instrumental in building and optimizing the QYOU team since he joined 2015 and currently oversees brand partnerships, strategy, creative content development and distribution with a client portfolio that includes Hulu (Paradise), Paramount Pictures (A Quiet Place: Day One and Smile 2), Kraft Heinz (Buffalo Wild Wings x Mustard), Warner Brothers (Wonka), 20th Century Fox, Sony Pictures, DreamWorks, and other leading entertainment companies, as well as Ubisoft, Hyundai, Kraft Heinz, MGA Entertainment and more.

What if the thing holding your construction company back isn't lack of effort — it's lack of deep thinking? In this episode, I sit down with Steven Puri, former EVP at DreamWorks, former VP at 20th Century Fox, and CEO of The Sukha Company — to talk about flow state: what it is, why the best leaders in the world use it, and how construction company owners can harness it to make better decisions and leapfrog the competition. Three things you'll walk away with: Why grinding harder creates linear growth — and deep thinking creates competitive leaps How to find your chronotype and build a flow state practice that actually fits your schedule The 'other movie' principle: why your best ideas come when you're working on something else Steven Puri is CEO of The Sukha Company, former EVP at DreamWorks, and former VP at 20th Century Fox. He speaks and consults on the neuroscience of peak performance for leaders across industries.  

ON TODAYS PROGRAM… MIAMI IS THE REAL 2026 SEASON OPENER!! TURKEY GP RETURNS FOR 2027! JEAN ALESI CRASHES HIS 1969 312 FERRARI AT THE MONACO HISTORIQUES! TOTO KEEPING HIS CARDS CLOSE TO HIS CHEST! BYD ARE TALKING WITH DOMINICALI!!…..AND…. FERNANDO'S VICTORY OVER THE RED BARRON WAS 20 YEARS AGO! AND… THIS WEEK'S NASIR HAMEED CORNER WE HAVE: JEROME D'AMBROSIO AND LANDO NORRIS AT DONINGTON 2015!! On 24 April 2005, the San Marino Grand Prix at Imola became one of the defining races of Fernando Alonso's first championship season. He won for Renault, but the result is remembered above all for the final laps, when Michael Schumacher brought the Ferrari close enough to make every corner matter. Alonso had started second. Schumacher had started 13th on the grid after a difficult qualifying session, yet as his pace came alive, it transformed the afternoon. Kimi Räikkönen had led early for McLaren before retiring with a driveshaft problem, and Alonso inherited a race that soon became a test of control as much as speed. In the closing phase, Schumacher was the faster driver. He had the Ferrari underneath him, the experience of seven world titles behind him, and a circuit where passing was difficult. Alonso had track position, a Renault R25 to protect, and no margin for error. For lap after lap, he placed the car exactly where it needed to be. Alonso crossed the line just 0.215 seconds ahead of Schumacher. After the later BAR-Honda disqualifications, Alexander Wurz was classified third for McLaren Mercedes. Imola 2005 remains a clean piece of Formula 1 memory: pressure, restraint, and two drivers at different points of their stories meeting at the edge of a changing era. Machismo! We spoke with former World Drivers' Champion Nigel Mansell after the regulation refinements were announced and he shared his views. Here's a summary of what he said: It's fabulous that everyone's talking and this is a massive change "I think the fabulous thing is that everyone's talking. It's been a massive change in regulations, both with the car and the engine. I think there's going to be improvements with the harvesting of power. Hopefully, they won't be slowing down too much into some of the corners now.” "I think it is so vitally important for the drivers to be able to drive the cars to the maximum, as opposed to having a computer telling them when they can brake or can't brake. Fernando Alonso made us all laugh by saying that his chef could drive the car better than he could at the moment.” "We have to get back to normality. Formula One is the grand stallion of all racing worldwide and we mustn't lose sight of that. And as technology gathers pace, they can do these other tweaks to do 50/50 later but they just need to give more power to the cars at the moment to go racing.” I'd like to see more power to the elbows of the drivers "In engineering terms, if it's not broken, you don't try to fix it. People don't understand that there's major changes which have been in place for some time. It takes a lot of time for all the teams and manufacturers to put it all together.”   "So the complexity of the rules is enormous and if you don't get it right, along with the combination of the power units, harvesting of electrical power, and so on and so forth. It's a minefield.”   "Drivers can fall foul of so many regulations and yet it's the computers doing it all. I'd just like to see more power to the elbow of the drivers, as opposed to computers doing it.”   "Going back to the 70s and 80s, 90+ percent of the engines were Cosworth DFV. Everyone had the same engines pretty much and we had fantastic racing. You knew the cars, the drivers, the tyres, the mechanics and the engineers made a huge difference.”   "Yes we're in the computer age but racing should be as stable as it can be, for everyone to be able to catch up to compete. Everyone's mooting it would be great to have the V10s back for the noise. If you're a purist, the answer is yes. Everybody makes their own V10 and it'll sound fantastic because it's the pinnacle of motorsport.” Challenge for F1 is to balance technological advancement and "racing" "I have tremendous sympathy, and support the drivers one hundred percent with what they're saying. They need to be listened to. They've got a job to do and they do a fantastic job, all of them.”   "It's all well and good, coming up with new ideas and regulations. All I'd say to the powers that be is that they've done a fantastic job but they have to work and they have to be able to be implemented safely and properly.”   "When they've tweaked it enough that it works, it's fantastic. But until it does work properly for everybody, we need to keep tweaking it, I think urgently now so that we get the show on the road.”   "As long as it doesn't carry on for much longer they'll be fine. They're all doing a great job. What the manufacturers have done, the FIA, the governing body and Liberty Media themselves.”   "They mustn't lose sight of the fact that the cars need to race properly. It has some growing pains but it has been the most difficult start of any year because they've had three races and then this month or so off. And now we've got Miami so I think everyone's excited about that at the end of next week as we can get racing again.” Mercedes still have the advantage despite regulation refinements "If you're Mercedes you must be incredibly frustrated because you could have gotten a big lead in the championship.”   "The people who are struggling, they'd go 'oh, thank you!'. They get a bit more time to sort things out and get ready for the next race.”   "It's on both ends of the spectrum. Some people are going to feel very comfortable with it and some will feel frustrated. It's racing anyway. There's always something going on.”   "I don't think so (Mercedes and Toto Wolff being disappointed) because we haven't had a proper race yet, if you're a purist. Mercedes have done such a fantastic job, they'll have an advantage all through the year. Their engine is better than anybody else's.”   "We're talking purely here about harvesting power and drivers being able to race the cars on the track and at every corner as much as they can. So it's a different thing altogether".   "I still think Mercedes will have an advantage all through the year but it's a big development. It's a big development with the cars, with the engines. A month is a very long time and we could see a lot of changes in Miami. Once we get racing properly, everything can stay stable again. It's just that everybody is not racing properly at the moment".   These regulation refinements make Miami GP the first pivotal race of the season   "I hope everything settles down and we have a great race in Miami.”   "I think Miami, because the focus is on it, could be one of the pivotal races this year with all the new tweaks. I think Miami's got hype because obviously without going into the negativity of what's happening in the war, with this month off, everybody's hungry to go racing again. So Miami's going to be under the microscope, and I think it's going to be a fantastic race down there.”   "Well, I'll let you know firsthand I'm gonna be there this year for one of the days, so I'm gonna go and have a look. This is my first time in Miami. I haven't been there but Miami is a great spectacle. I think every year when any race returns, there's improvements.”   "I'm very optimistic that Miami will be a much better presentation.” Stovebolt Special Returns to Pebble Beach Decades after Historic Run in Last Road Race   PEBBLE BEACH, CALIFORNIA (April 22, 2026) — At the drop of the green flag, in what was to be the very last road race at Pebble Beach although no one knew that then, two-time past winner Bill Pollack jumped into the lead in a much-modified car that would come to be known as the “Stovebolt Special”—a 1950 HWM fitted with experimental disc brakes and the very first Chevy V8 to be used in road racing. The date was April 22, 1956. For a brief time, the car led the Ferraris of Phil Hill, Carroll Shelby, and Ernie McAfee as well as every other car in the race. It was powered to win—and might have done so but for the many tight corners of the tree-lined course, which the just-completed special struggled to navigate since its handling was not yet dialed in. Ultimately it finished sixth overall—a fine achievement in a field comprising the top sports racing cars and drivers of the day.  Although the Stovebolt Special now resides in England with renowned auto journalist and current owner Simon Taylor, it will return to Pebble Beach this August for the 75th celebration of the Pebble Beach Concours d'Elegance, an event that began in tandem with the Pebble Beach Road Races in 1950.  The HWM had already lived a long and storied life when it raced at Pebble Beach. In original form, as a works race car bearing a four-cylinder two-liter Alta engine, it served as the steed for Stirling Moss in his first paid competition. He raced the car for HWM throughout much of the 1950 season, recording several fine results including a third-place finish behind the Alfas of Giuseppe Farina and Juan Manuel Fangio in the Bari Grand Prix. With Johnny Claes at the wheel, the HWM won the Grand Prix des Frontieres. It was also driven by Rudi Fischer and Raymond Sommer.  A few years later, the car was sold to 20th Century Fox to be used in the film “The Racers,” starring Kirk Douglas—and was crashed in accord with the script.  It was Tom Carstens who bought the wreck and resurrected it for Pebble Beach, not simply rebuilding it, but doing all that he could to improve the chassis, transmission, and body. The new Chevy V8 engine was bored and stroked to just under five liters by Bobby Meeks at Vic Edelbrock's shop and then was fitted in the car by Eddie Kuzma, who managed that task by repositioning the firewall and fabricating new rear bodywork. Ted Halibrand's shop added a quick-change rear axle and the disc brakes.  The finished creation was called the Stovebolt Special by “Sports Cars Illustrated” magazine—and the name stuck. The return of the Stovebolt Special to Pebble Beach is made possible thanks to Simon Taylor as well as the American Hot Rod Foundation (ahrf.com), particularly founder Steve Memishian and foundation manager David Steele.The “Stovebolt Special” among several race cars in competition at the very last road race through the tree-lined course in Pebble Beach. Photo Credit: Julian P. Graham / Pebble Beach Company Lagorio ArchivesThe 75th Concours will pay tribute to its historic ties in racing as well as the many “first-ever” gatherings of cars that have made it famous. The former road racers will be showcased in two special classes, one focusing on cars that raced in close-to-original form as made by their manufacturers and the other focusing on specials that were much modified. The event will also feature cars ranging from early American Speedsters to Ferraris and Japanese race cars, and the latest new creations and dream cars will be displayed on the Concept Lawn.  ZHENRUI CHI JOINS THE ASTON MARTIN ARAMCO FORMULA ONE™ TEAM DRIVER ACADEMY 22 April 2026, AMRTC, Silverstone, UK: The Aston Martin Aramco Formula One™ Team is pleased to announce that Zhenrui Chi has joined its Driver Academy. The 17-year-old, regarded as one of China's most promising young drivers, becomes the latest addition to the Academy's expanding roster as the team continues to strengthen its long-term pathway for developing emerging talent from across the global motorsport landscape. As a member of the team's Driver Academy, Zhenrui will race in an Aston Martin Aramco-liveried car, introducing the marque's iconic green to the Formula Regional grid. Zhenrui's signing follows a comprehensive selection process carried out by the team's Driver Academy programme, which first saw him driving at its evaluation day in Mugello before tracking his impressive 2025 campaign. Over the course of the season, he demonstrated consistent front-running pace and racecraft across European and Middle East F4 categories, delivering a series of standout performances that underlined his talent. As part of the Aston Martin Aramco Driver Academy, Zhenrui will take part in a tailored development programme designed to support every aspect of his motorsport progression. The programme includes racecraft mentorship from experienced team personnel both trackside and at the AMR Technology Campus, physical conditioning, and a dedicated media and communications training to prepare him for the demands of professional motorsport. Zhenrui Chi, Aston Martin Aramco Formula One™ Team Driver Academy: “Joining the Aston Martin Aramco Formula One™ Team family is a huge honour for me. It's a great responsibility, but also an incredible opportunity and motivation to keep pushing myself to the next level. Knowing that I have the support of such an iconic team, with all its experience and expertise, gives me a lot of confidence for the journey ahead. I know the road will require hard work and dedication, and I'm fully aware that I have to continue to prove I deserve this opportunity. I'm ready to give everything I have and I can't wait to start this journey with Aston Martin Aramco.” Nuno Pinto, Racing Director, Aston Martin Aramco Formula One™ Team Driver Academy: “Zhenrui is exactly the kind of talent our Academy exists to find. We first saw him at an evaluation test in Mugello and were immediately impressed by his ability and approach. We then followed his progress through the rest of the 2025 season, where he showed not only pace but also strong consistency in one of the most competitive junior categories in racing, Italian F4. We are delighted to welcome him to the Academy and to support his development through our programme at Silverstone. With the resources of the AMR Technology Campus and the environment we have built around our drivers, we believe we can help him to continue to grow. This is a long-term partnership, and we are looking forward to the journey ahead together.”

In space, no one can hear you podcast, and the boys are making their yearly return to the Alien franchise to discuss this divisive third installment. Join them in the dingy hallways of Fury 161, where the only thing scarier than poorly composited xenomorph effects is evil 20th Century Fox producers. Plus, David and Justus get called in for an unexpected meeting. All this and more cosmic horrors await!Alien 3 (1992) is directed by David Fincher and stars Sigourney Weaver, Charles S. Dutton, Charles Dance, Paul McGann, and Brian GloverMusic: “Fractals” by Kyle Casey and White Bat Audio

Beneath the Planet of the Apes is a 1970 American science fiction film directed by Ted Post from a screenplay by Paul Dehn, based on a story by Dehn and Mort Abrahams. The film is the sequel to Planet of the Apes (1968) and the second installment in the original Planet of the Apes film series.[3] It stars James Franciscus, Kim Hunter, Maurice Evans, and Linda Harrison, and features Charlton Heston in a supporting role. In the film, a second spacecraft arrives on the planet ruled by apes, carrying astronaut Brent (Franciscus), who searches and finds Taylor (Heston) only to realize the apes are not their greatest threat.Beneath the Planet of the Apes was released in the United States on May 26, 1970, by 20th Century-Fox. The film received mixed reviews from critics. It was followed by Escape from the Planet of the Apes in 1971.Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

Learn how to leverage AI agents to build faster, smarter, and more profitable businesses without burning yourself out. AI agents are no longer something you plan for in the future they are working right now for the founders who are paying attention, and in this episode, I sit down with one of my favorite people on the planet to show you exactly what that looks like in practice. We go deep into how AI agents are being used today to automate creative work, produce films, manage workflows, and even build the software that builds the software. If you have ever felt like you are falling behind with AI, this conversation is going to light a fire under you, because the scoreboard has reset and the window to get ahead is open right now. Mike Koenigs is a 5x serial entrepreneur with five exits, a 19x bestselling author, a stage 3a colorectal cancer survivor, and the guy founders call when they are ready to build their next act. Peter Diamandis calls him an arsonist of the mind, and Tony Robbins has said he is an extraordinary man who brings insights so valuable that you need to take advantage of what he has to offer. Mike has taken the stage at MIT, NASA, the United Nations, Abundance 360, Tony Robbins events, Strategic Coach, and Genius Network, demonstrating hands-on AI systems in real time. He is the founder of The Superpower Accelerator and AI Accelerator, co-host of two top 1% podcasts, and has spent four decades working with companies like Sony, BMW, and 20th Century Fox, as well as hundreds of entrepreneurs building high-net, low-overhead businesses they actually love. KEY TAKEAWAYS: AI agents can fully automate creative workflows including scriptwriting, mood boards, video production, and voiceover without needing a large team behind you. Your competitive edge is not the tools you use but the context, experience, and creative thinking you bring to the way you use them. Mike's go-to AI stack includes NotebookLM, Claude, Manus, Replit, and Gemini, and with those tools alone he can build almost anything he needs. We are moving from an output-based economy to an outcome-based economy, and the founders who will win are the ones who lead with creative thinking and critical problem-solving. AI does not have taste and does not know what finished looks like, which means your vision, judgment, and experience remain your greatest assets. The biggest trap in AI is not falling behind but getting pulled into infinite possibility without clear constraints, which costs you focus and precious time. Building agents that handle repetitive background work frees you up to operate as the architect, the creative force driving outcomes rather than the one doing the manual lifting. The founders who come out ahead are the ones who wake up curious every single day, embrace discomfort, and keep showing up to learn and apply before anyone else does. Connect with Mike Koenigs: aiaccelerator.com/free Growing your business is hard, but it doesn't have to be. In this podcast, we will be discussing top level strategies for both growing and expanding your business beyond seven figures. The show will feature a mix of pure content and expert interviews to present key concepts and fundamental topics in a variety of different formats. We believe that this format will enable our listeners to learn the most from the show, implement more in their businesses, and get real value out of the podcast. Enjoy the show. Please remember to rate, review and subscribe to the podcast so you don't miss any future episodes. Your support and reviews are important and help us to grow and improve the show. Follow Charles Gaudet and Predictable Profits on Social Media: Facebook: facebook.com/PredictableProfits Instagram: instagram.com/predictableprofits Twitter: twitter.com/charlesgaudet LinkedIn: linkedin.com/in/charlesgaudet Visit Charles Gaudet's Wesbites:  www.PredictableProfits.com www.predictableprofits.com/community https://start.predictableprofits.com/community  

Jim Hill and Lauren Hersey unpack a surprisingly chaotic Muppets merch rollout on TikTok Shop, explore the viral duck trend making its way into Disney parks, and break down the latest Star Wars Day merchandise strategy. Then, Jim dives deep into the history of the Star Wars licensing deal that changed Hollywood forever—and why it's still considered one of the smartest (and most lopsided) deals ever made. From plush drops to billion-dollar gambles, this episode connects the dots between fandom, merchandising, and Disney's evolving playbook. NEWS • Disney tests a Muppets merch comeback with a TikTok-first exclusive plush launch • Fans report confusion and delays during the Muppets TikTok Shop rollout • The viral “ducking” trend arrives at Disney parks with new collectible lines • Disney Cruise Line draws boundaries on where guests can place or hide ducks • Star Wars Day merch drops roll out weekly, building momentum toward May the 4th FEATURE • The origin of Star Wars merchandising and George Lucas' unprecedented deal • How 20th Century Fox underestimated toy licensing after past failures • Why Star Wars has generated over $40 billion in merchandise sales • The surprising connection between Disney musicals and Star Wars' business model HOSTS • Jim Hill – X/Twitter: @JimHillMedia | Instagram: @JimHillMedia • Lauren Hersey – X/Twitter: @laurenhersey2 | Instagram: @lauren_hersey_ FOLLOW • Facebook: @JimHillMediaNews • YouTube: @jimhillmedia • TikTok: @jimhillmedia • Patreon: https://www.patreon.com/jimhillmedia SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR This episode is brought to you by UnlockedMagic.com – your go-to source for great deals on Disney and Universal theme park tickets. Lock in savings now for your next trip and take the stress out of planning. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. https://www.jimhillmedia.com/sponsor/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Are you busy all day but never finishing the work that actually matters? What if the problem isn't discipline — it's that you've never learned how to enter a flow state on demand? Steven Puri joins Nick Urban to break down the science and practice of flow states. Steven shares the exact protocol he built after two decades in Hollywood and tech: how music at 60-90 BPM triggers focus, why rain sounds outperformed $100K of custom compositions, and the morning intention habit he calls the single highest-ROI practice for productivity. Meet our guest Steven Puri is the Founder and CEO of The Sukha Company, a flow state productivity platform helping knowledge workers find their focus and do their best work. Before building Sukha, Steven served as VP at 20th Century Fox running the Die Hard and Wolverine franchises, EVP at DreamWorks Pictures for Kurtzman-Orci Productions (Star Trek, Transformers), and produced CGI for 14 films including Independence Day. He sold his first tech company, Centropolis Effects, at age 28. Steven lives in Austin, TX. Thank you to our partners Outliyr Biohacker's Peak Performance Shop: get exclusive discounts on cutting-edge health, wellness, & performance gear Ultimate Health Optimization Deals: a database of of all the current best biohacking deals on technology, supplements, systems and more Latest Summits, Conferences, Masterclasses, and Health Optimization Events: join me at the top events around the world FREE Outliyr Nootropics Mini-Course: gain mental clarity, energy, motivation, and focus Key takeaways Flow takes 15-23 minutes of uninterrupted focus to enter — short gaps between meetings don't count Music at 60-90 BPM, non-vocal, with long melodic stretches is the evidence-based sweet spot Rain sounds beat custom-composed focus music because they trigger unconscious memory associations Your physical workspace creates mental triggers — one location per type of deep work Before touching your phone each morning, name the ONE thing that moves your life forward Standard Pomodoro (25/5) often interrupts flow — try 50/10 cycles instead Social media platforms deploy casino game designers to maximize your time on app A father of two completed his PhD with just 60 focused minutes per weeknight Episode highlights 00:54 Steven's background: Hollywood, startups & flow state discovery 02:58 What is a flow state? Csikszentmihalyi's research explained 11:05 How "Sukha" got its name on a honeymoon in Bali 18:35 Music for flow: the 60-90 BPM sweet spot 22:32 Why rain sounds crushed $100K of custom music 29:54 Social media is engineered to steal your focus 35:27 The #1 morning habit for peak productivity 37:13 Default mode network: why great ideas come when you're not trying 42:17 Physical space = mental space (the $5 million villa story) 47:32 Time blocking & Pomodoro customization 52:05 How a dad finished his PhD in 60-minute flow sessions Links Watch it on YouTube: https://youtu.be/KhesUIwp0pI  Full episode show notes: http://outliyr.com/256  Connect with Nick on social media Instagram Twitter (X) YouTube LinkedIn Easy ways to support Subscribe Leave an Apple Podcast review Suggest a guest Do you have questions, thoughts, or feedback for us? Let me know in the show notes above and one of us will get back to you! Be an Outliyr, Nick

After a long break in which your intrepid host has contended with everything from eye surgery to accreditation, the second part of the panel discussion on The Counselor is finally here.Returning for the second part of his first appearance on the podcast is Dr. Russell Hillier, whose consideration of the screenplay first sparked my interest in examining the text again.  He is Professor of English at Providence College, Rhode Island. He is the author of two books, Milton's Messiah (Oxford University Press, 2011) and Morality in Cormac McCarthy's Fiction: Souls at Hazard (Palgrave Macmillan, 2017), and he is coeditor of Combined Lights: Comparative Essays on the Writings of John Donne and George Herbert (University of Delaware Press, 2021). Additionally, he has published articles on many authors in many journals. Returning as well is the excellent Dr. Dianne Luce. She is the author of Reading The World. Cormac McCarthy's Tennessee Period, University of South Carolina Press, 2009, and Embracing Vocation: Cormac McCarthy's Writing Life, 1959-1974, U South Carolina Press 2023. She is currently working on a second volume of Cormac McCarthy's Writing Life, covering 1974-1985.  Bryan A. Giemza is Professor of Humanities and Literature at the Texas Tech University Honors College. His work bridges literature, climate communication, and public-facing humanities. He has published widely on McCarthy's engagement with science, theology, and the American West. His forthcoming edited volume, Sowing the West Texas Wind, examines the causes and consequences of misinformation through regional case studies. His work has been supported by major humanities funders including the Andrew W. Mellon Foundation, the National Endowment for the Humanities, and the Fulbright Program. His book Science and Literature in Cormac McCarthy's Expanding Worlds was published by Bloomsbury in 2023. As always, listeners are warned: there be spoilers here.  Film trailer excerpts from The Counselor, directed by Ridley Scott, distributed by 20th Century Fox, 2013.  Thanks as always to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY.  The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society.  Download and follow this podcast on Apple, Spotify, Google Play, Stitcher, or wherever you get your podcasts.  If you're agreeable it'll help us if you provide favorable reviews on these platforms.  To contact the host, please reach out to readingmccarthy@gmail.com. Support the showStarting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast.  This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships.   But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

Peter Duke is a Creative Director, Technologist, and Photographer with a diverse background in technology, games, communications, and marketing. His clients include 20th Century Fox, Virgin Entertainment, Sega GameWorks, Universal Studios, SHOAH Foundation Institute, The United States Army, The National Security Agency, Microsoft, Lions Gate, Capitol EMI, IMAX, Vanity Fair, and Glamour magazines.In 2010, Peter met Andrew Breitbart and co-founded the outlet GotNews and the news-based crowdfunding sites WeSearchr and FreeStartr. All three enterprises were defunded and de-platformed for wrongthink. In 2017, he was featured in an attempted hit piece in the New York Times, where he was labeled "The Annie Leibovitz of the Alt-Right." While immersed in open-source journalism, he discovered a world of unreported stories, which led to a dizzying, eye-opening reframing of reality. Today, he continues to use his abilities to move the truth forward against the titanic forces of the Power Elite and their henchmen.His current focus is on examining revisionist history and finding ways to communicate with people hypnotized by media.PETER DUKE:Substack: https://thedukereport.substack.comBooks: https://DukeReportBooks.comX: https://x.com/thedukereportYouTube: https://www.youtube.com/@TheDukeReportRumble: https://rumble.com/user/TheDukeReportemail: contact@thedukereport.comTHE RIPPLE EFFECT PODCAST:WEBSITE: http://TheRippleEffectPodcast.comWebsite Host & Video Distributor: https://ContentSafe.co/SUPPORT:PATREON: https://www.patreon.com/TheRippleEffectPodcastPayPal: https://www.PayPal.com/paypalme/RvTheory6VENMO: https://venmo.com/code?user_id=3625073915201071418&created=1663262894MERCH: Store: http://www.TheRippleEffectPodcastMerch.comTHEORY 6 MUSIC: https://open.spotify.com/artist/1w91xRlB4b2MJYyXXhJcyFSPONSORS:OPUS A.I. Clip Creator: https://www.opus.pro/?via=RickyVarandasScott Horton Academy: https://scotthortonacademy.com/rippleeffectUniversity of Reason-Autonomy: https://www.universityofreason.com/a/2147825829/ouiRXFoLWATCH:OFFICIAL YOUTUBE: https://www.youtube.com/@TheRippleEffectPodcastOFFICIALYOUTUBE CLIPS CHANNEL: https://www.youtube.com/@RickyVarandasLISTEN:SPOTIFY: https://open.spotify.com/show/4lpFhHI6CqdZKW0QDyOicJiTUNES: http://apple.co/1xjWmlFTHE UNION OF THE UNWANTED: https://linktr.ee/TheUnionOfTheUnwanted

Peter Duke is a Creative Director, Technologist, and Photographer with a diverse background in technology, games, communications, and marketing. His clients include 20th Century Fox, Virgin Entertainment, Sega GameWorks, Universal Studios, SHOAH Foundation Institute, The United States Army, The National Security Agency, Microsoft, Lions Gate, Capitol EMI, IMAX, Vanity Fair, and Glamour magazines.In 2010, Peter met Andrew Breitbart and co-founded the outlet GotNews and the news-based crowdfunding sites WeSearchr and FreeStartr. All three enterprises were defunded and de-platformed for wrongthink. In 2017, he was featured in an attempted hit piece in the New York Times, where he was labeled "The Annie Leibovitz of the Alt-Right." While immersed in open-source journalism, he discovered a world of unreported stories, which led to a dizzying, eye-opening reframing of reality. Today, he continues to use his abilities to move the truth forward against the titanic forces of the Power Elite and their henchmen.His current focus is on examining revisionist history and finding ways to communicate with people hypnotized by media.PETER DUKE:Substack: https://thedukereport.substack.comBooks: https://DukeReportBooks.comX: https://x.com/thedukereportYouTube: https://www.youtube.com/@TheDukeReportRumble: https://rumble.com/user/TheDukeReportemail: contact@thedukereport.comTHE RIPPLE EFFECT PODCAST:WEBSITE: http://TheRippleEffectPodcast.comWebsite Host & Video Distributor: https://ContentSafe.co/SUPPORT:PATREON: https://www.patreon.com/TheRippleEffectPodcastPayPal: https://www.PayPal.com/paypalme/RvTheory6VENMO: https://venmo.com/code?user_id=3625073915201071418&created=1663262894MERCH: Store: http://www.TheRippleEffectPodcastMerch.comTHEORY 6 MUSIC: https://open.spotify.com/artist/1w91xRlB4b2MJYyXXhJcyFSPONSORS:OPUS A.I. Clip Creator: https://www.opus.pro/?via=RickyVarandasScott Horton Academy: https://scotthortonacademy.com/rippleeffectUniversity of Reason-Autonomy: https://www.universityofreason.com/a/2147825829/ouiRXFoLWATCH:OFFICIAL YOUTUBE: https://www.youtube.com/@TheRippleEffectPodcastOFFICIALYOUTUBE CLIPS CHANNEL: https://www.youtube.com/@RickyVarandasLISTEN:SPOTIFY: https://open.spotify.com/show/4lpFhHI6CqdZKW0QDyOicJiTUNES: http://apple.co/1xjWmlFTHE UNION OF THE UNWANTED: https://linktr.ee/TheUnionOfTheUnwanted

No two ways about it, 2000's X-Men movie was a massive gamble. At a time when studios needed movie star vehicles, 20th Century Fox found itself without a summer blockbuster due to a delay on a Tom Cruise film. It'd already greenlit and backtracked on X-Men once. When the film finally got going? Well, there'd be well-reported behind the scenes problems. A star who wasn't cast until shooting began. And a story that requires a fair amount of use of the word 'allegedly'... Learn more about your ad choices. Visit megaphone.fm/adchoices

In today's episode, we welcome Steven Puri, founder of The Sukha Company — a mission-driven wellness and productivity platform helping millions find focus, achieve more, and cultivate a healthy work-life rhythm.“Sukha” is Sanskrit for happiness born from self-fulfillment, and Steven brings that intention beautifully into this guided meditation.Drawing from a career that spans newscasting, award-winning film production (including Independence Day), major studio leadership at 20th Century Fox and DreamWorks, and now the tech and wellness space, Steven's work centers on elevating the human experience. Today, he leads listeners through a meditation on compassion and interconnectedness—an invitation to soften, expand, and remember our shared humanity.What You'll ExperienceIn this gentle five-minute meditation, Steven guides you to:Settle into stillness with a relaxed breathVisualize a small, warm light of compassion glowing at the heart centerAllow that compassionate light to expand through the body and beyondOffer radiance and ease to those around you—and to those you may never meetRemember the profound truth that we belong to one anotherReturn to your day carrying a quieter, steadier presence of kindnessThis meditation reminds us that unity isn't something we must create—it's something we awaken, breath by breath.About our GuestSteven Puri is the Founder and CEO of The Sukha Company, home of The Sukha focus app—designed to help individuals achieve clarity, productivity, and emotional balance.A former Emmy-level visual effects producer, film studio executive, tech entrepreneur, and longtime meditation practitioner, Steven brings a unique blend of creativity, neuroscience, and spiritual grounding to his work.Learn more at: https://www.thesukha.coThank you for taking Five Minutes of Peace with us.May the compassion you cultivate ripple far beyond this moment.This podcast is created by The Peace Room in Boise, Idaho.Explore Reiki treatments, trainings, meditations, and upcoming workshops at: