Podcasts about thai elephant orchestra

David Soldier has achieved a rare distinction — not only is he an accomplished Columbia University neuroscientist with over 200 papers and publications, several research grants and numerous prestigious awards to his credit, he is an equally successful and prolific musician in almost every genre of music. His musical undertakings include his work with the Soldier String Quartet (since 1984), a punk chamber group which has recorded with Guided by Voices, Rick Ocasek (Frontman for The Cars), Elliott Sharp, Leroy Jenkins and frequent collaborator John Cale (Velvet Underground); The Kropotkins, comprising Lori Velvette, Velvet Underground Drummer Moe Tucker, Charles Burnham (James Blood Ulmer's Odyssey Band) and Jonathan Kane, the latter with whom David formed the versatile duo, Soldier Kane. Other prolific legends with whom David has collaborated include Bo Diddley, Pete Seeger, Richard Hell and Sonic Youth's Lee Ranaldo. He wrote two chamber operas with Kurt Vonnegut (The Soldier's Story and Ice-9 Ballads), with Vonnegut playing multiple characters in the works. Films David has arranged or scored include I Shot Andy Warhol (Jared Harris); Andy Warhol's Eat and Kiss; and Basquiat, directed by Julian Schnabel and starring Jeffrey Wright and Benicio del Toro. From an experimental side, he has collaborated with conceptual Russian artists Komar & Melamid; and formed the Thai Elephant Orchestra, a musical ensemble consisting of 14 elephants, which he assembled, coordinated and composed. In our conversation, we discuss David's unique discovery of music in Southern Illinois; working with the giants of music; creating music which transcends genre; the origins of rock and roll; and the power of simplicity in hip hop.Opening Credits: Independent Music Licensing Collective (IMLC) - New Lands; Closing Credits: Jack Adkins - Little Stinky

Thai Elephant Orchestra provide you with a listening experience quite different from anything we've ever played on the show before. You can learn more about this engaging project later on in these show notes. Richard has gone down the vinyl rabbit hole again and snapped up their only vinyl release on RSD2. That should tell you how good these "boys" are. Do we have a gender breakdown on the band? Interesting question. The bad news is, however, that you're going to have to listen to Richard railing on The Puppini Sisters before you get there. Jive, swing-based covers just aren't his thing it would seem. Cue a bulging email inbox full of complaints about him. There is hope though. Jamie brings the beyond excellent Wet Leg to the show as well as Black Pistol Fire. There's also Tobin's Bahamas and authentic glam rock from Sheffield-based The Voltz. It's frothy man (thanks Richie!).

In this episode, Laura Chandler takes a look back over the past year of interviews, revisiting key moments with inspiring guests that include renowned channel Paul Selig, activist and former nun Margarita Melville, and the exquisite electric cellist Jami Sieber. And you’ll also hear some new conversations with Robert Thurman and Lama Tsultrim Allione. It features music from some of the great musicians that have been on the show, including Grammy nominee and future guest Barbara Higbie, world music vocalist Lisa Kelman, the monks of Gaden Shartse Dokhang, Jami Sieber (featuring the elephants of the Thai Elephant Orchestra), and NuJazz artists The Allure (with guest vocalist Isa Gucciardi). This episode begins with eighty-eight-year-old activist and former nun Margarita Melville, who in the 1960s, left the Maryknoll sisters to join the Guatemalan resistance, and was dubbed “The Guerrilla Nun.” After barely escaping with her life, she and her husband, former Maryknoll priest Tom Melville, joined a group of activists in the US and became part of a famous civil action known as the Catonsville Nine. Here she talks about her escape from Guatemala and the action that sent her to prison. Lama Tsultrim Allione talks to Laura about her experience of the death of one of her teachers, the great Tibetan Dzogchen master Chögyal Namkhai Norbu Rinpoche. He died on September 27, 2018 and is said to have entered a state known as tugdum. Best-selling author and channel Paul Selig had a spiritual experience 25 years ago that left him clairvoyant. Nine years ago, he began channeling a group he refers to as “The Guides.” In this segment, he talks about his role as a channel and the awareness of the Divine. Jami Sieber talks about her time in Thailand and her first mystical encounter meeting and playing music with the Thai Elephant Orchestra, which became the inspiration for her album, Hidden Sky. And in the final segment, Laura catches up with Robert Thurman at the Science and Non-Duality Conference in San Jose. They talk about one of his favorite subjects, nothing.

Les Tympans de Magellan, c'est un podcast mensuel qui fait voyager vos oreilles. Chaque mois, un nouveau pays mis à l'honneur à travers une liste de morceaux soigneusement choisis. Le pays du mois : Pour ce neuvième épisode, on file en Asie du Sud-Est et on vous emmène en Thaïlande ! Tracklist : The Son of P.M. - "James Bond Theme" Molam Nuanchan & Amphon Sangachit & Thongsa Khrongsap - "Lam Toei Jep Saep" Chalermpon Malakum - "Pleng Show" Various Artists - "Lam Barometer" Angkanang Kunchai - "Kid Hod Chu" The Lanna Orchid Ensemble - "Long Mae Ping" Jelly Rocket - "ไม่พอ" Peerapong Chalermyothin - "Intimacy" Pigu - "Egoistic Flowers (Gameboy ver.)" Robert Millis - "Lao Radio Excerpt / Insect Swarm, Thailand / Myanmar" Caravan - "Distant Gunfire Sounds" Khabuan Mukda - "ตักที่น่านอนตาย" Khana Udom Silapin na Chiang Mai - "Mon Yok Sop" Khana Mai Sak - "Sao motorcy'" (Khana Nok Lae) The Petch Phin Thong Band - "Soul Lam Plearn" Thai Elephant Orchestra - "A Child's Guide To The Elephant Orchestra" Envoyez vos morceaux Vous avez jusqu'au 23 août 23:59 pour envoyer un titre thaïlandais accompagné de votre commentaire à wazoo@xsilence.net Nous sélectionnerons certains des morceaux reçus pour les diffuser et lirons le commentaire associé. • Générique de début : Depeche Mode - "World in My Eyes"• Générique de fin : Wyatt / Atzmon / Stephen - "What a Wonderful World" Retrouver le podcast : XSilence | Facebook | Twitter | iTunes | Podcloud

In part two of this two-part interview, Laura Chandler is joined by the multi-talented composer, singer, and electric cellist, Jami Sieber. Jami creates lush soundscapes using her voice and the cello through a process called “looping.” She tours national and internationally, and her compositions have appeared in film, television and the critically acclaimed video game, Braid. On this episode, Jami discusses her spiritual path, working with sound healing, and the tours she leads to elephant sanctuaries in Thailand. We feature music from Jami’s album, Hidden Sky, inspired by her work with The Thai Elephant Orchestra.

On this episode, Laura Chandler is joined by the multi-talented composer, singer, and electric cellist, Jami Sieber. Jami creates lush soundscapes using her voice and the cello through a process called “looping” that turns her solo instrument into an orchestra of heart-opening sound. Since launching her solo career in 1994, she has performed throughout the Europe, Asia, and North America to rave reviews. Her compositions have appeared in film and television and the critically acclaimed video game, Braid. In part one of this two-part interview with Jami, we discuss her early work in the award-winning pop-rock band, Rumors of the Big Wave, a socially conscious band that came of age during the aids epidemic in the 1980s. She also talks about her solo career, as well as her dedication to social activism, the environment, and her relationship to music, spirit, and the creative process. We are featuring music from Jami’s album, Hidden Sky, inspired by her invitation to meet and play music with The Thai Elephant Orchestra in Thailand. She describes the experience as a mystical collaboration that awakened her to the inherent connection underlying all that appears separate. For in the midst of the sheer joy that permeates life with the elephants, you must also live with the constant grief of their captivity and possible extinction. Hidden Sky is a devotional portrait that embodies both. To really experience Jami’s music, you have to immerse yourself in it, and in this episode you’ll have the opportunity to do just that.

01. Deaf Centre - White Lake [Type] 02. Brandi Ifgray - Seas Of Mars [Puu] 03. Round Five feat. Paul St. Hilaire - Na Fe Throw Version [Main Street] 04. Jimmy Murakawa - Beauty [B&M] 05. Lena Platonos - Hoping By Shopping [Dark Entries] 06. Prins Emanuel - Oran [Music For Dreams] 07. Coil - Love's Secret Domain (LP Version) [Wax Trax!] 08. Becker, Stegmann & Zeumer - Mein Tanzlied [Music From Memory] 09. Robert Görl - Darling Don't Leave Me [Mute] 10. The Exorcist GBG - Can't Stop Walking [Höga Nord] 11. Nine Inch Nails - She's Gone Away [The Null Corporation] 12. Blurt - My Mother Was A Friend Of The Enemy Of The People [Test Pressings] 13. Sisters Of Mercy - Alice [Merciful Release] 14. Synths Versus Me - Bye Bye Tom [Oráculo] 15. Molly Nilsson - I Hope You Die [Dark Skies Association] 16. Mind Over Mirrors - Restore & Slip [Paradise Of Bachelors] 17. Coldcut x On-U Sound feat. Roots Manuva - Vitals (Dub) [Ahead Of Our Time] 18. Big Blood - For Gardiner Greene Hubbard [Don't Trust The Ruin] 19. Buffalo Daughter - Great Five Lakes (Cornelius Remix) [Grand Royal] 20. Acid Baby Jesus - Ayahuasca Blues (Unmanned Drone) [Slovenly Recordings] 21. General Strike - My Other Body [Staubgold] 22. Thai Elephant Orchestra with Dave Soldier & Richard Lair - Shiva Beheads Ganesha [Mulatta] 23. Negativland - Announcement [SST] 24. Pictish Trail - After Life [Lost Map] 25. Roxy Music - Both Ends Burning [Island] 26. Rufus Harley - Bagpipe Blues [Atlantic] 27. John Cale - Big White Cloud [CBS]

This week’s episode is about nonhuman musicians. It’s rarer than you’d think. The palm cockatoo. Nature’s drummer. In possibly related news, I know what my next tattoo is going to be. Snowball the Dancing Cockatoo. Members of the Thai Elephant Orchestra at the Thai Elephant Conservation Center: Further reading: Kinship with Animals by Dave Soldier Show transcript: Welcome to Strange Animals Podcast. I’m your host, Kate Shaw. This week’s episode about nonhuman musicians was inspired by an article about palm cockatoos. The male cockatoos drum on tree trunks or hollow logs as part of their courtship display, which doesn’t sound all that unusual until you learn that they use special crafted sticks to drum. A male will select a stick, trim it down the way he wants it, and hold it in his claw to drum. Sometimes he’ll use a hard seedpod instead. The resulting beats are not only consistently in rhythm, each individual has a personal style. Some drum quickly, some slowly, some throw in little flourishes. Sometimes females will drum too, and if a female likes a male’s drumming, she may imitate him or join in. Here’s a little clip of a male drumming. He’s also whistling. [palm cockatoo drumming] The palm cockatoo is an awesome-looking bird. It looks like a drummer. It’s up to two feet long, or 61 cm, smoky gray or gray-black with a heavy gray beak, red cheek patches that flush when the bird is upset or excited, and a messy crest of feathers. It’s native to Papua New Guinea, Indonesia, and the very northern tip of Australia, Cape York Peninsula. Only the Australian birds are known to drum. Unfortunately, the Australian birds are the ones most threatened in the wild due to habitat loss. The palm cockatoo eats nuts and seeds, and like all parrots it can live a long time. And yes, you can get them as pets—and now I’m desperate for one even though the last thing I need is a pet cockatoo. I have a coworker with a pet parrot who she says is incredibly neurotic. He tends to get overexcited and starts screaming, and she has to put him in his cage and cover it so he’ll shut up. Her kids found the parrot when they were young. He plopped down in her yard when they were playing outside, and they put an empty laundry basket over him to trap him. No one claimed him, so my coworker has now been stuck with a neurotic parrot for over twenty years. She’s pretty sure he survived in the wild by hanging out with crows, because one of the things that will set off his excited screaming is hearing crows outside. And while cockatoos and parrots in general are typically affectionate and make good pets, palm cockatoos are not. They’re considered “difficult.” When parrot fanciers call a type of bird difficult, it’s difficult. Anyway, the really unusual thing about the palm cockatoo’s drumming isn’t its tool use, which is well known among many types of birds, especially parrots and their relations. It’s the rhythm. Most animals can’t keep a beat. Synchronization to an external rhythm is called rhythmic entrainment. Humans are really good at it and recognize a beat automatically, but responding in time to a rhythm is a learned skill. Small children have to learn to keep a beat by moving their bodies, speaking, or singing, and they learn it best in social settings. That’s why music, dance, and rhythmic play activities are so important to preschool children. And as a drummer myself, I promise you, humans of any age can learn to improve their rhythm. But most animals don’t seem to have the ability to distinguish rhythmic beats, although it hasn’t been studied all that much until fairly recently. Some researchers think it may have something to do with the ability to mimic vocal sounds. That would explain why many birds show rhythmic entrainment, varying from species to species. A sulfur-crested cockatoo named Snowball was internet-famous for a while in clips where the bird danced to music. As a result,

A neuroscientist who goes by “Dave Soldier” when he’s not in the lab has a diverse musical background. He’s had a role in assembling the Thai Elephant Orchestra and making music with the Kropotkins along with countless other projects. One of Dave’s most unique projects, “The People’s Choice Music,” was inspired by a duo of Russian conceptual artists, Komar and Melamid. In this satirical survey, Dave gathered information on what elements could help him write the most wanted and unwanted songs.