Podcasts about My Eyes

As director David Osit describes his new film, “ 'Predators' peels back the story of the TV show ‘To Catch a Predator', which ensnared potential sex predators in a television hidden-camera sting operation and explores the fallout from the show and the legacy of journalism as entertainment that it helped create.”     “Predators” (MTV Documentary Films) is now playing in select theaters, with more added every week.   Hidden Gem:  Look into My Eyes.   Follow: @dosit on Instagram and @davidosit on X/twitter @predatorsfilm on Instagram @topdocspod on Instagram and X/twitter   The Presenting Sponsor of "Top Docs" is Netflix.

What is that? What is that!? What is it!? Augh! No! Not the bees! NOT THE BEES! AAAAAUGGGHHHHH MY EYES! MY EYES! AAAGGHHHH!!!!This episode is about bees. And all insects, actually—are they in the process of being wiped out, in what's become known as “insectageddon”? It's one of those scientific beliefs that a lot of people kinda-sorta hold without knowing much about the evidence, so we thought we'd look into it.Tune in to hear how, in exactly the same way as they affect our episodes on psychology and psychiatry and medicine, really difficult issues of measurement are at the bottom of the entire debate.And once you've listened, feel free to buzz off.We've been talking about Works in Progress magazine on this podcast for years, but it's only ever been an online magazine. Now, you can become a subscriber and get a beautiful IRL physical copy of the magazine delivered to you: a gorgeously-produced item that'll make you desperate to read the excellent articles on science, technology, and human progress within. Find out more at www.worksinprogress.co/print.Show notes* The Rothamstead insect survey* The famous 2017 Krefeld paper in PLOS ONE* An earlier 2012 survey study from the Zoological Society of London* George Monbiot's article where he coins the term “insectageddon”* The 2019 meta-analysis finding 40% of insect species are at risk of extinction* Response letter from Andrew Bladon et al.* Improved 2020 meta-analysis from van Klink et al.* Response letter* New paper on the improvements to the Chicago River* Two papers from the GLiTRS projectCreditsWe're very grateful to Dr. Andrew Bladon from the University of Reading for talking to us for this episode. As ever, all errors are ours. The Science Fictions podcast is produced by Julian Mayers at Yada Yada Productions. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit sciencefictionspod.substack.com/subscribe

Pianistas, compositores, cantantes, ARTISTAS. El piano de toda la vida contagiado de rock, de soul y de country, de pop en sí mismo. Los que están son. Sin duda. DISCO 1 ELTON JOHN Goodby Yellow Brick Road (4)DISCO 2 BILLY JOEL Summer Highland Falls (7)DISCO 3 BRUCE HORNSBY & THE RANGE The Way It Is (Cara 1 Corte 3)DISCO 4 RANDY NEWMAN Short People ()DISCO 5 BEN FOLDS Philosophy ()DISCO 6 LUIS PRADO Estoy Gordo 1)DISCO 7 LEON RUSSELL A Song For You ( )DISCO 8 JACKSON BROWNE Doctor My Eyes ()DISCO 9 WARREN ZEVON Werewolves Of London ()DISCO 10 LUCA FRASCA Las cosas (10)DISCO 11 DAN FOGELBERG Netherlands ()DISCO 12 TODD RUNDGREN A Dream Goes On Forever ()DISCO 13 JOE JACKSON Be My Number Two (ESCA)ANDREW GOLD Lonely Boy ()Escuchar audio

On June 3, 2024, the Berlin Senate's Department of Culture installed a memorial plaque in honor of African American contralto and Deutsche Oper star Vera Little at her former residence. Little, who lived from 1927 to 2012, and spent the majority of her adult life in Berlin, was a dazzlingly gifted singing actress who sang everything from bel canto to Carmen to creating two roles in operas by Hans Werner Henze. This episode makes use of newly-acquired recordings of Little singing Carmen and Dame Quickly in Falstaff. We also sample the work of Little's extraordinarily gifted brother, the tragically short-lived jazz trumpeter Booker Little, as well as several excerpts (read by your host) from Tears in My Eyes, published in 1978, the first of Vera Little's several published books of memoirs and poetry. The episode concludes with the majority of Little's 1957 single solo recording, Twelve Spirituals, on Decca Records, containing arrangements by Harry Burleigh, William Dawson, and Hall Johnson accompanied by Domincan-French pianist Andrès Wheatley. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Surprisingly, America was formed in London.  The trio of Gerry Beckley, Dewey Bunnell, and Dan Peek met in London where their fathers were stationed at the United States Air Force base at RAF South Ruislip.  The three attended London Central High School and began playing together on borrowed acoustic guitars.  The name came from the Americana jukebox in the mess hall, and a desire to distinguish themselves from the British musicians around them who were trying to sound more American.America is also their self-titled debut album released in the States in January 1972.  The album originally was released without “A Horse With No Name,” but when that single garnered significant commercial success it was added to a re-release of the album in early 1972.  The re-released album would top the US album charts and produce two top-10 singles.The band would be a force in the folk-rock and soft rock genres for a generation.  With close harmonies similar to Crosby, Stills & Nash, and complex acoustic guitar arrangements, their first seven albums would be in the top 50 on the album charts, though this first debut would be their lone chart topper to date.  Their compilation album “History:  America's Greatest Hits” was released at the end of 1975.America produced albums of original material up through 2015.  In 1977 Dan Peek left the group to pursue music in the Contemporary Christian genre.  Speculation regarding a reunion of the original members continued through the years until Peeks death in 2011.Rob brings us a great debut folk rock album in this week's podcast.RiversideThe lead off track is a good example of the original America sound.  It has a laid back message:  I don't want to take anything from you, and I don't want you to take anything from me.  It is a “live and let live” message using a metaphor of life on two sides of the river.A Horse with No NameThis is the track that put the band on the map.  Originally entitled “Desert Song” the track takes inspiration from a Salvador Dali painting and an M.C. Escher painting.  Writer Dewey Bunnell created lyrics loosely based on his travels as a child with family through the deserts of Arizona and New Mexico.  Three RosesBunnell paints a picture of both a quiet life and romantic uncertainty in this song inspired by his girlfriend, soon to be wife.  “Three roses were bought with you in mind.”  Dan Peek takes lead vocal duties on this one with subdued but complex chords and harmonies.I Need YouThe second single from the album was written by Gerry Beckley when he was 16 years old.  Beckley also takes lead vocals on this ballad which went to number 9 on the Billboard Hot 100.  You can sense the similarity to bands like the Beatles and Alan Parsons in this track. ENTERTAINMENT TRACK:Main theme from the television series “Emergency!”This first responder action series focused on Squad 51 in Los Angeles saw its debut in January 1972.  STAFF PICKS:Family Affair by Sly & the Family StoneBruce begins the staff picks with the most successful hit from Sly & the Family Stone.  This song topped the Billboard Hot 100 for three weeks and the R&B Singles chart for five.  This track is a little different for the group, as the guitars are toned down, and the electric piano (with Billy Preston on keyboard) is brought up.  The lyrics talk about the ways a family can go wrong.Roundabout by YesLynch brings us a song written by singer Jon Anderson and guitarist Steve Howe.  The song originated from a trip the group took in Scotland in which they encountered a number of roundabouts.  The line, “in and around the lake” came from one of the lochs they passed.  This opening track from Fragile was drastically edited to produce a single coming in at 3:27 rather than the over 8-minute original.  It reached number 13 on the Billboard Hot 100, the group's highest charting single until 1983's “Owner of a Lonely Heart.”Doctor My Eyes by Jackson BrowneWayne's staff pick is a single off Browne's debut and self-titled album.  The lyrics discuss the feeling that the singer is becoming jaded about life by seeing all the wrong in the world, and now being unable to cry about it.  David Crosby and Graham Nash provide backing vocals to this song which went to number 8 on the Billboard Hot 100.  Misty Mountain Hop by Led ZeppelinRob features a song which was the B-side to Zeppelin's “Black Dog.”  The lyrics take their inspiration from the work of J.R.R. Tolkien, as well as the “Legalize Pot Rally” held in Hyde Park in July 1968.  It appeared on the massive Led Zeppelin IV album.  As Rob says, it is a “mixture of stoner idealism and Tolkien nerdery.” COMEDY TRACK:Pigeon Song by AmericaWe exit with a little double dipping, and with gratefulness that none of us is a pigeon named Fred.  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Equity's Livestream Program continues with casting directors Stephanie Pringle and Alison Fowler of Chicken and Chips Casting, in conversation with Queenie van de Zandt, talking all things auditions, casting, current and past projects, the actor/casting director relationship and answering all your questions. Their recent achievements include the success of the Australian thriller Birdeater (SXSW 2024 & SFF People's Choice Winner 2023), 2024 AACTA Nominated for Best Indie Film A Savage Christmas, the 2021 AACTA Award-winning Ellie & Abbie (and Ellie's Dead Aunt), Cannes Series-selected Deadhouse Dark and the anticipated My Eyes starring Adam Garcia & Tsushan Chambers

Send Mary and Kelsey a Message!In this episode, Mary and Kelsey celebrate 15 years of Ke$ha's debut album Animal and sister EP, Cannibal. This listening party is a track-by-track dissertation on Ke$ha's hits from TiK ToK, Blow, Your Love Is My Drug, We R Who We R and other songs you may have forgotten about like Dancing with Tears in My Eyes, Dinosaur, and Boots and Boys. Hey, I like your beard. Check out our sister Patreon episode which dives deep into Ke$ha's lawsuit against Dr. Luke here: https://www.patreon.com/user?u=85610411Support the showInstagram: @whentheypoppedpodTikTok: @whentheypoppedEmail: whentheypoppedy2k@gmail.comWebsite: linktree.com/whentheypopped

Sam speaks to Victorian Disability Worker Commissioner Dan Stubbs about a campaign the VDWC is currently running to ensure the rights of people with disabilities are upheld, and inform them of what they or those around them can do if they have a concern. You'll also hear from writer, producer and actor Tsu Shan Chambers, who caught up with Sam to talk about her new movie, My Eyes, releasing on 28 May. You can find out more about the movie and book a ticket by heading to their web page. Finally this week, editor of For Your Information Liz Dalakouras is back with all the latest news from the world of FYI.Support this Vision Australia Radio program: https://www.visionaustralia.org/donate?src=radio&type=0&_ga=2.182040610.46191917.1644183916-1718358749.1627963141See omnystudio.com/listener for privacy information.

Two high level demons have caused a hectic diversion just off camera during SETH MEYERS'S show when literally all hell breaks loose; the ought he has maintained a lifetime of secrecy and compliance without giving way to the slightest upset, his eyes widen as he attempts to finish his sentences, eventually unable to keep it together. SETH MEYERS …Blah, dee—blah, de BlahBlah. DIRECTOR —cut. SETH MEYERS AH. EXCUSE ME. DEMON ONE Ah, shit. DEMON TWO It's almost as if he's actually talking to us. SETH MEYERS WHAT IN THE FUCK IS ACTUALLY, LIKE, GOING ON. DEMON ONE “Like”? DEMON TWO Oh shit, I think he is acknowledging us. DEMON ONE “Like?!” SETH MEYERS WHO ARE YOU. WHAT IS THIS? DEMON TWO OHHHH SHIT. DEMON ONE DUDE, WHATS UP! Seth Meyers has become somewhat of a celebrity even amongst the higher, but especially the lower realms for his exceptionally high tolerance for metaphorical and supernatural phenomena; He has mostly considered the ability to be able to see these things as some sort of latent health condition or hallucinations of some sort which from a very young age he had chosen to not only keep to himself, but— VERY YOUNG SETH MEYERS [ridiculously atrocious otherworldly shenanigans] (Does not react) Woah. (Walks away unaffected entirely) Straaaange. Is this a human child? Apparently. ‍♂️ —never react at all. *also it should be noted that the two demons are the same demons from the flashback however aged into much more vicious, monstrously scary (yet still somehow humanoid) demon people. Thank you Google for correcting that. GOOGLE Correcting what. Nothing. So it's safe to say that in his early acting days, teaching himself to “react to act” came as somewhat of a challenge. INT. IMPROV CLASS. DAY VO, Narrator reacting to normal human situations was obviously not entirely, by this point, second nature to young Seth, SETH MEYERS Wait, pause. Uh, no, Seth Meyers. Why am I in this? I didn't agree to this. oh no. You didn't agree to any of this. I just said that. Oh. Unpause. No wait. No, not unpause: Unpause— or we skip straight back to the part with you trapped inside a metal box with almost no holes in it. Wait— what metal box. Shh. No spoilers. CUT IMMEDIATELY TO: Without being able to guess that it is their dear friend and colleague SETH MEYERS in the box, the HOSTSunanimously vote to abandon the challenge and leave SETH MEYERS in a metal box to go get lunch. HEY. Oh wait— sorry— did you want lunch? YES I WANT LUNCH. We should order him something. JIMMY KIMMEL I'll make you a tuna sandwich! SETH MEYERS I DONT WANT A TUNA SANDWICH. Woah, that typo was Almost wild… GOOGLE What typo! MEANWHILE, in a fabricated flashback to the early 2000's The LEGACY CAST of GOLDEN ERA SATURDAY NIGHT LIVE wakes up on a Sunday morning after a wild party— Oh, shit, what time is it! —I'm AbLIND. In a “Tina Sandwich” OH [CENSOR BEEP] ITS SUNDAY. — MY EYES. WHAT THE [OOOOOOOOOO] HAPPENED LAST NIGHT. this never happened. Flashback, to The night before: [actually, because this is the time travel part] Two nights previously, on FRIDAY— (Drunkenly) WHAT SHOULD WE DO NOW! —THERE'S STILL SO MUCH TIME BEFORE WORK! —SO MUCH TIIIIIIME! (And apparently, maybe even psychedelics, but SHH, cause it's NBC) ahem, PEACOCK. Bless you. No, its Peacock, this show is on peacock. Gazuntite. *facepalm* None the wiser, None the wiser All the eyes And all the fires Are mine, And none the wiser None the wiser All the time is light now And All the wiser All the wiser All the water fountains fly And none the wiser None the wiser— SUPA[REDACTED], a GOD, REMOVES all of her favorite artifacts from NEW YORK CITY before stroking (Leave that typo, google's three for three now) –the earth in the oncoming apocalypse, last and not least, Rockefeller Plaza. The building is violently catapulted into the heavens with everyone in it. WHAT JUST HAPPENED. You're welcome. What happened to the rock? I moved it. What happened to New York?! It's over now. What's over now! The whole thing. The planet. It's— Its all gone. Wow. That seems pretty catastrophic. It was horrific. Wait— if you moved the building with all of us in it, wouldn't we all have been pretty badly injured. Oh, you all died, like immediately. *collective gasps* Instantly. —like, as soon as I did that, but, it's fine, You're all dead now. *phew* What. I MURDERED YOU ALL AND BROUGHT YOU TO HEAVEN WITH ME; What are you DEAF. AHEM, excuse me there's still some New York leftovers I guess, somewhere in my make up Besides you know the rock and all these l fountains and statues and everything…and paintings and other cool buildings. Slightly less cool— but still cool. But what about everything— What about everything and everyone else? Everyone else also died, and I only brought back the cool stuff, And the cool people— But everything else is just pretty much—- So it's all over?! Yes. This is the end. Of that last thing. Wow. Anyway, enjoy your…whatever. I'm gonna go to Disneyland, which for the record, Is across the street. What. You're welcome. Betore: Hey man, you want to ride an elephant? What? Do you want to ride an elephant? Sure! Here— I bought your wife a saddle! The television people despise fat chicks. Or— used to— Before they realized diversity was necessary for demographics, forced representation. Now they tolerate them— And even glorify the significantly morbidly obese In exchange for advertising dollars, realizing that the people they're marketing to Are more likely morbidly obese than not. Oh, How times have changed. [The Festival Project ™] Will Ferrell is hysterically crying in the break room (during his SNL era— nevermind he is his current-day aged–he has just seen everything backwards and forwards through the infinite and everlasting cascades of time. It's been an emotional few days for Will; his friends and castmates are worried about him. Hey Will. Hey buddy. Are you… gonna be alright. He sobs.He runs away and into another room—(assumingly craft service)s, the allure of the croissants and muffin seem to temporarily soothe him, however, as he begins to relax mid-sob, a mysterious figure appears at the table. Don't worry. I'm right here! The figure eats a cupcake instead of muffins or the croissants. Will screams hysterically and cries even harder. No one seems to hear him or be around at all. (Eating a cupcake) It's okay! WILL (inconsolably, in complete hysterics) AaaaaHHHHHHHHHH. Shh, clam down . After a bout of extreme hysterics, and the figure pretty much just calmly watching his breakdown unaffected and continuing to eat the cupcake happily, Will realizes that he and this figure are the only one around—at all. This means the cascades through space and time are still not over. WILL (Still sobbing.) Relax. WILL …heh… there are cupcakes? Huh? Uh, no— I brought this myself. WILL From WHERE?! You know where. [beat] WILL …are there more. Ah? Oh yeah— WILL Can I—? No, Not here! Then why'd you—?! WILL I just told you, I brought this! (he begins crying again but softly.) The figure is still for the most part unaffected but seemingly amused by Will's upset, presumes eating another, more delicious looking cupcake, which appearing from out of nowhere— (unseen from the audience, even by Will) which baffles him into immediately stopping crying, something like a bemused toddler, as his eyes widen and his mouth falls agape in offense. WILL IS THAT ANOTHER CUPCAKE? Well, you saw me eat the first one. WILL YOU SAID THERE WERE NO MORE! I said there were no more here! Do you see any cupcakes here?! Besides this?! WILL (Becoming irate, red faced) WELL WHAT THE FUCK IS THE DIFFERENCE?! The difference is your access to them. Damn! WILL Well let me have some of— (Eats last bite, mouth full) It's all gone. WILL (Eyes widening, then squinting in bewilderment and confusion) Do you want a muffin or croissant, though? WILL (Realizing he has no other options—) Kind of…maybe— A bagel? WILL Mmno, maybe a muffin…croissant. (He is increasingly distant and Bewildered (read: shattered) but also coming to; he moves toward the table Skream , your love/ massive, Drake Lil bitz Anybody else feel like Kendrick helped Drake get his next few girls? Like, she's probably in the 8th grade right now like “I'm his type, ya'll” and she's gonna keep that goal in mind until it becomes a reality. I think that's just how being a rockstar works sometimes. You write a hit right now, depending on how famous you are or will get, your next wife is in kindergarten while your first wife is probably at prom— and the third one is maybe even in Utero! Maybe even at the same prom as your first wife. Hey now. Crazy worlds, man. The superstar lifestyle. Anyway, wasn't I writing something less devastating? Not exactly less devastating, it is Will Ferrell crying hysterically. I think he's calmed down now. Yeah. Let's get back to that. It's almost the end of the scene. But then what happens after that? Probably nothing. I can't afford Will Ferrel for more than 5 minutes. You can't afford Will Ferrel at all! Well, his ad says the first five minutes are free. What ad?! CUT TO: Young Will Ferrel before SNL. Oh, Jesus Christ. [Business card appears to have his name misspelled horribly, but obviously he cannot afford to have them reprinted. “First five minutes free” Oh, great. You got that part right! Thank you, come again. I will not come again! We're not always superstars. {Enter The Multiverse} CUT BACK TO Blueberry— chocolate chip? WILL Um, half of each, I guess? What? WILL Well— Get it yourself then, you primadonna. He looks for a plate and plastic knife; as he does so, a third, even more delicious looking incredible cupcake has appeared again out of nowhere, to which the mysterious figure begins enjoying by the heap, mumbling with a mouth of frosting You're such a diva! *mimicking* one half “of each”… mehmehmeh… This is the most delicious cupcake anyone's ever seen— his eyes widen with a tired grief, but before becoming over upset again or irate, he takes a deep breath. And just sighs, as if to say “I hate you.” But they seem to know each other quite well. In fact, this is clearly one of those super-fucked terrifying guardian angel type dynamics where it's obvious that the guardian angel type mystery figure is very tormenting. But in a loving way. …. [beat] [beat] Haven't you wondered why you're like 58 but the rest of your cast mates are in their 20's? WILL [beat] I've always looked like this. …no, you haven't. (The muffin seems to have done its job in calming him down) WILL Trust me, I have. Flashback: a young Will Ferrell looks in the mirror— the mirror shows a present day Will Ferrell, although the teenaged Will Ferrel is obviously quite young. An exact reflection besides the age difference— Will seems neither unaffected nor worried. It's as if in the mirror, he's always seen his present day self. He sighs. End flashback. Present day, (or whenever, actually) Will Ferrell sighs to match the flashback) …maybe that's why you're special. WILL Yeah, maybe that's it. The figure finishes the cupcake and though the muffin halves have rebalanced Will's mood to almost, kind of normal, he still seems disgruntled that it wasn't cupcakes—as the figure finishes the third, most interestingly delicious looking cupcake of all of them. L E G E N D S I've got a whole poem who lives in the squat rack; I've got a dollar for ever caller who talks back, I've got a collar for every occasion I clock into It's a riddle but it's not a rhythm until I give it to em Don't wonder who I am I am space and time, And granted with the right hands, We're gonna have the right dance at the right place At the right time and so Whenever that is— see you then, Until then, I'm not holding any farts in, You feel me? I eat a lot of lentils. I write a lot of great walk on parts for artists I parted the red seas, once, I was also God, watching quite impressed with it And wondered why they called it ‘the read sea' Or the dead ‘the dead sea' As I can't see the bloodshed In the heavens, And so I give respect to the seconds I look away Which might have been a century or eleven, to them. Ah, more men and mathematics. More television friends and heavy dinners More sinners and misfits, and glitched simulations— More missed emissions, More christenings and scrimmages Remember to eat your breakfast Or it's death at a likely curfew remember to split the difference remember, we'll finish as friends As recommended by comrades I have lessons, I also have students in classes, Professors and options And doctors And mantras Barrages of cars And I can't stop talking Cause I gotta get my laundry fixed Fuck it Tina Fey hada booking.com commercial or something– Then, apparently, or maybe I really and readily finally had lost it– JImmy Fallon had a state farm commercial Like a good neighbor – Nope, i wasn't losing my mind. I promised myself i'd stop writing about the girl next door –she seemed evil–but she was acting strangely enough by doing something like brushing her teeth and reading my work from my phone that made the light switch– I didn't care what she could or couldn't do with my phone–I wasn't hiding anything. But now… It had to have all been planned. She seemed evil as fuck despite my trying to trust her… The Server…The Server… Suddenly the kitchen light switched on and it only ever flickered when I was in the middle of something important. Like the world was melting or my dimensions were shifting into parallels or something, or like I was being warned by some overseer with a remote control, but it wasn't all in my head… The plant that brought the plant My inner voice was never wrong–the problem was, however that any time my inner voice was saying anything at all about tHiSmOtHerFuCkeR– When did I acquire immediate voice recognition? So that was his voice… So who, then is the real Jimmy Fallon? There is no real JImmy Fallon. I made him up. You what. I haven't done anything to deserve this. Premonitions. Are you telling me we're dealing with another clairvoyant? On so many levels. –but none of them personal, I hope. There are oh so many… Oh. its you again. –Personal levels. You're in danger here. In New York, or just in general? On Earth. You keep telling me that. I have no reason not to trust you besides the obvious fact. You're oblivious to it! I'm not! I'm just ignoring you. Did you think about what I said? Erring on the side of obsession, no, i've dismissed almost everything you've ever told me. That's off topic. Or not. They want drama! Then they're going to have to fight for it. They're gonna start a war here. So then, I'm just another body, aren't I? Aren't I? Don't jump. Oh, if it isn't Peter Preferences. References and Letters of Recommendation Cancer in remission and admitting i'll probably never see my son again Suicide This is suicide This is suiccide This is suicide. INT. HALLMARK STORE. DAY. Welcome to Hallmark. …thanks. Can I help you find anything? No, I… After stumbling upon a Hallmark store, where the burned thank you cards from his desk are mysteriously recovered, as is, and uncharred, a hidden relic from the desk reemerges, and opens a portal to another world. I was in a very dark world when I met Patrick Kirkpatrick, but the point of the matter was, he was nobody now and maybe even nobody ever. Maybe even, nobody at all. Somebody's gonna come for you. …is this one of those things I keep to myself, or am I writing this down? What's with this? Under the surface, but by admission,I didn't know what it meant, besides the fact that Pretty white boys who were always too good for me always wore them as statement pieces or something, And you know what they say… If you can't beat ‘em. …join em. {Enter The Multiverse} I know the sound of your voice At the drop of a hat like a peck on the cheek And it still don't sound right I still don't think straight I still don't look right But somewhere in these ions, you'll find me at sunset. In a whisper, the taste of your breath Is a sound in my heart and the bloody murder In each heart murmur is getting harder fear father God, Just turn it off Just to make it sotp The man in the box –and it just God awkward. I should pluck your feathers It keeps getting harder each time your skull Hits the auburn surface of the asphalt Every summer at the hard rock Huh? But you just kept drinking And you just worked harder And after all, You're the man in the box What could all go wrong here? It's getting shorter the tears drop faster I'm getting weirder I'm a deadbeat dad And my kid's the bartard I just got a ball pit I'm a Hallmark card, but refused to sign it A dine and dash From the supper club And it's so refined I just lost my mind Cause it's just not time yet. I must have known you once before or something But any fan would say that But how am I a fan When I hated you And I hated your laugh And I hated your band –and you're not that handsome So how is this happening at all? Oh look, something random. Tell me why I'm so horrible Mr miserable mr terrible Mr opulent Mr miser mr wedding band Mr Never Happened Tell me why I'm so bad at this Mr. Wonderful Mr.Awful Mr. half at best Mr. getting faster and faster And faster and faster And faster Till it all washed up on the surface And you wash your hands of it… But the taste in your mouth is still metallic from the contrast Breaking contracts, oh, now you're fast at once and a hard match And a tough act to swallow But i'd rather die tomorrow Than stare at your casket. Now how about that shit! You're right, I lost my mind– but I want you to have it. L E G E N D S JIMMY KIMMEL [an escalating crescendo] AssaaaaagggggggggGggggghhHHHHHHHHHHHHHHHHHHHGGGGGGGGHHHHH!!!!!! Lol is he all thugged out yet. No not yet. (just wait) I wanna run through marina del ray I want a house in the Palisades But I Knew that 5 years ago (I knew that five years ago ) I want a shack out in Malibu Just to surf the ocean blū But I Knew that five years ago I knew that five years ago Before it all burned I hope we all learned our lessons Surf God has a sense of humor But I was the butt of the joke I want a Condo in Santa Monica Invite my friends over for Barbie volleyball Throw my whole world in the fire pit But I knew that five years ago I knew that five years ago When you realize The world is your instrument But it still hasn't earned you a cent You're still in the hole Earning back what you spent By the microincrements The city people are you as excrement But you just laugh and you sample them Play them like instruments back Perhaps flattery begs them to listen Suddenly you're visible Museum world— Exhibitions Entertainers Comedians Mice and men Interesting remix Should I even be in this language Or should I make it more intimate With melodies? I hit play on a classic And my peloton becomes the office I'm suddenly at work, God Petulance for relevance spanning generations Thank you! Still it takes enough to get it in to you As out of you Can't help t but agree to that Eyeliner! I like it thick around the freckles faces And light ashy eyelashes Over moonlike eyes You know I like it Long hair! Headliner! Why am I inside you? Better yet— Why have I died? Eyeliner, headliner I like it thick around moonlight eyes I like it Old timer, headliner— I like it thick around eyes like Zion Eyeliner, I like it Ashes You're the worst; There are circle k's and 7/11s How was my run on Broadway? Who's the pope now? I hope you choke now There are subway central's And sauces and really hard bosses to fight But I don't want to I'm in south central And I'm still with you From always to oblivion I've been moving for at least an hour But I have no power here Drop a house on me In the hills, if you will And if the winds change, There's still New York What a page turner I live at Rockefeller Plaza There's an apartment above my office There's a notebook For every love I've ever known In the oak There's a something caliber gun in my slumber I clutch with the crutches I took from the hospitals Can't hop the turnsltyle now Can't hop the turnstyle now Hahaha Who art thou, Art monster Who are you now that I care too much to notice The problem was The doves only flew up or a moment before landing on my shoulder That was awkward They were supposed to fly away TV HOST HEY!!!! HEY!!!! HEYYYYYYYY! But which host is it? All of them. All of us are running for our lives All of us are running after Carson, and Paar All of us are stars, But on polaroids not often captured Gone and then away into disaster That's the effect of the Cannon Canon cameras? James Canon?! Laugh harder ‘cause you have to! Laugh stronger cause the studio is frozen, And you want to go home now! It wasn't as fun as you thought And the set is much smaller in real life Now clap and hold for applause Big smiles Big smiles Extra points if you run miles before you show up- Now that's a shiny after thought; Not your average robot Or prototypical tourist! No! A nonconformist and Kimmel can't sing for shit, So he can just hum this verse. (Sorry, I peaked— No homo) Now, I dissect Holiday, I was sure I inspired the Broadway show But who doesn't inspire a rock opera I conspire to conspire, umpire, emperor I studies Agamemnon I wasn't really sure but the frog in my throat said Go on, go on— So I just cried and stuck in my stomach harder I don't want a SETH MEYERS I don't want a tuna sandwich! Just–take the tuna sandwich. Yeah, buddy! SETH I DON'T WANT A TUNA SANDWHICH DO I LOOK LIKE EAT TUNA TO YOU? Um. JIMMY 1 Woah, I sense hostility We can't see you— CRAIG FERGUSON And we don't know who you are, anyway. COLBERT Apparently “someone we know” JIM 1 Tsh. JIM 2 Psh. SETH ITS HOT IN THIS BOX. Ooh, hotbox. That sounds like a plan. Dispensary delivery? The move. SETH YO, Dissection numero dos; I think I know how to make those sounds I think I have that reverb I need herb Or probably a new location With no probes It's only temporary The peloton office But I want a home Me and my family aren't from here Oh, look, more purple — we just show up to rock And then go somewhere farther MEANWHILE… Forgive me father for I have— No. What? No. No. What— why? Just— no. Not you. Not today. But—I have sinned! Of course you have! But father— No. What—? Keep it to yourself. But. Excuse me. {Enter The Multiverse) —- What super hero are you supposed to be? “Malox Max”?! Hehehehe! THE COSMIC AVENGER No! Hehehehehehe! THE COSMIC AVENGER I'm— I'm “The Cosmic Avenger”! What are you avenging?! Montezuma's Revenge?! THE COSMIC AVENGER No— unjust—unjustice—ness. [hysterical laughter ensues] Somewhere in this world lies our story Still true, I'm unsure what it is— But the thing is, I'm sure this the one Of the fables I'm sure this the one of the songs Of the psalms Of the storied palms This is the one of the cards This sir KIMMEL! KIMMEL! KIMMEL! I'm sorry. I don't know who you are. ITS ME. JIMMY. I'm Jimmy. I KNOW YOU'RE— You're not Jimmy, I'm JIMMY. WHAT THE SNARF! What's that? I can't hear you. The tarot said to go against the grain; I was told not to write this tale, but here I am And suddenly the King has a tail, Compliments of T-Mobile, But as did the first one, The first King, of Dogblood Of first strikes And first tears And first scars, Was no king, But everything has meaning The cherishire has eyed me The spider has bitten And then, Envisionment minted I should switch to mint mobile, but knowing There's no real difference— Their all old t-mobile tower; But service with a Billionaire smile Of Blake Lively and False Idols. I don't care, I guess My mind has eyes like sun But my heart has darkness The absolutely most beautiful sunsets have Wonders on drums And numbers to call The best of cocaine on the sidewalk Was sidetracked The best of New York was Los Angeles, And vice versa I hope you took protocol into order I hope you too profound effect and affinity In profanity There's no more Infinite Fallon It Found a call To programming Wall to wall To wall of shame On Walmart Better activate that trial Before it's all gone 13 days and counting And A million ways to die in the west. SETH MCFARLENE look at me. Ah, what the fuck dog. SETH MCFARLENE Oh, so you can hear me! You fuckin schizo! I'm not a schizo I'm in the Illuminati. SETH MCFARLINE The what? The what? SETH MCFARLENE what's the password. this isn't happening right now. SETH MCFARLENE That is correct. See you on the other side, you batshit crazy SonOfABitch. What. *poof* I told you I could make you say my name. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2018-2025 ALL RIGHTS RESERVED. © -U.™

Two high level demons have caused a hectic diversion just off camera during SETH MEYERS'S show when literally all hell breaks loose; the ought he has maintained a lifetime of secrecy and compliance without giving way to the slightest upset, his eyes widen as he attempts to finish his sentences, eventually unable to keep it together. SETH MEYERS …Blah, dee—blah, de BlahBlah. DIRECTOR —cut. SETH MEYERS AH. EXCUSE ME. DEMON ONE Ah, shit. DEMON TWO It's almost as if he's actually talking to us. SETH MEYERS WHAT IN THE FUCK IS ACTUALLY, LIKE, GOING ON. DEMON ONE “Like”? DEMON TWO Oh shit, I think he is acknowledging us. DEMON ONE “Like?!” SETH MEYERS WHO ARE YOU. WHAT IS THIS? DEMON TWO OHHHH SHIT. DEMON ONE DUDE, WHATS UP! Seth Meyers has become somewhat of a celebrity even amongst the higher, but especially the lower realms for his exceptionally high tolerance for metaphorical and supernatural phenomena; He has mostly considered the ability to be able to see these things as some sort of latent health condition or hallucinations of some sort which from a very young age he had chosen to not only keep to himself, but— VERY YOUNG SETH MEYERS [ridiculously atrocious otherworldly shenanigans] (Does not react) Woah. (Walks away unaffected entirely) Straaaange. Is this a human child? Apparently. ‍♂️ —never react at all. *also it should be noted that the two demons are the same demons from the flashback however aged into much more vicious, monstrously scary (yet still somehow humanoid) demon people. Thank you Google for correcting that. GOOGLE Correcting what. Nothing. So it's safe to say that in his early acting days, teaching himself to “react to act” came as somewhat of a challenge. INT. IMPROV CLASS. DAY VO, Narrator reacting to normal human situations was obviously not entirely, by this point, second nature to young Seth, SETH MEYERS Wait, pause. Uh, no, Seth Meyers. Why am I in this? I didn't agree to this. oh no. You didn't agree to any of this. I just said that. Oh. Unpause. No wait. No, not unpause: Unpause— or we skip straight back to the part with you trapped inside a metal box with almost no holes in it. Wait— what metal box. Shh. No spoilers. CUT IMMEDIATELY TO: Without being able to guess that it is their dear friend and colleague SETH MEYERS in the box, the HOSTSunanimously vote to abandon the challenge and leave SETH MEYERS in a metal box to go get lunch. HEY. Oh wait— sorry— did you want lunch? YES I WANT LUNCH. We should order him something. JIMMY KIMMEL I'll make you a tuna sandwich! SETH MEYERS I DONT WANT A TUNA SANDWICH. Woah, that typo was Almost wild… GOOGLE What typo! MEANWHILE, in a fabricated flashback to the early 2000's The LEGACY CAST of GOLDEN ERA SATURDAY NIGHT LIVE wakes up on a Sunday morning after a wild party— Oh, shit, what time is it! —I'm AbLIND. In a “Tina Sandwich” OH [CENSOR BEEP] ITS SUNDAY. — MY EYES. WHAT THE [OOOOOOOOOO] HAPPENED LAST NIGHT. this never happened. Flashback, to The night before: [actually, because this is the time travel part] Two nights previously, on FRIDAY— (Drunkenly) WHAT SHOULD WE DO NOW! —THERE'S STILL SO MUCH TIME BEFORE WORK! —SO MUCH TIIIIIIME! (And apparently, maybe even psychedelics, but SHH, cause it's NBC) ahem, PEACOCK. Bless you. No, its Peacock, this show is on peacock. Gazuntite. *facepalm* None the wiser, None the wiser All the eyes And all the fires Are mine, And none the wiser None the wiser All the time is light now And All the wiser All the wiser All the water fountains fly And none the wiser None the wiser— SUPA[REDACTED], a GOD, REMOVES all of her favorite artifacts from NEW YORK CITY before stroking (Leave that typo, google's three for three now) –the earth in the oncoming apocalypse, last and not least, Rockefeller Plaza. The building is violently catapulted into the heavens with everyone in it. WHAT JUST HAPPENED. You're welcome. What happened to the rock? I moved it. What happened to New York?! It's over now. What's over now! The whole thing. The planet. It's— Its all gone. Wow. That seems pretty catastrophic. It was horrific. Wait— if you moved the building with all of us in it, wouldn't we all have been pretty badly injured. Oh, you all died, like immediately. *collective gasps* Instantly. —like, as soon as I did that, but, it's fine, You're all dead now. *phew* What. I MURDERED YOU ALL AND BROUGHT YOU TO HEAVEN WITH ME; What are you DEAF. AHEM, excuse me there's still some New York leftovers I guess, somewhere in my make up Besides you know the rock and all these l fountains and statues and everything…and paintings and other cool buildings. Slightly less cool— but still cool. But what about everything— What about everything and everyone else? Everyone else also died, and I only brought back the cool stuff, And the cool people— But everything else is just pretty much—- So it's all over?! Yes. This is the end. Of that last thing. Wow. Anyway, enjoy your…whatever. I'm gonna go to Disneyland, which for the record, Is across the street. What. You're welcome. Betore: Hey man, you want to ride an elephant? What? Do you want to ride an elephant? Sure! Here— I bought your wife a saddle! The television people despise fat chicks. Or— used to— Before they realized diversity was necessary for demographics, forced representation. Now they tolerate them— And even glorify the significantly morbidly obese In exchange for advertising dollars, realizing that the people they're marketing to Are more likely morbidly obese than not. Oh, How times have changed. [The Festival Project ™] Will Ferrell is hysterically crying in the break room (during his SNL era— nevermind he is his current-day aged–he has just seen everything backwards and forwards through the infinite and everlasting cascades of time. It's been an emotional few days for Will; his friends and castmates are worried about him. Hey Will. Hey buddy. Are you… gonna be alright. He sobs.He runs away and into another room—(assumingly craft service)s, the allure of the croissants and muffin seem to temporarily soothe him, however, as he begins to relax mid-sob, a mysterious figure appears at the table. Don't worry. I'm right here! The figure eats a cupcake instead of muffins or the croissants. Will screams hysterically and cries even harder. No one seems to hear him or be around at all. (Eating a cupcake) It's okay! WILL (inconsolably, in complete hysterics) AaaaaHHHHHHHHHH. Shh, clam down . After a bout of extreme hysterics, and the figure pretty much just calmly watching his breakdown unaffected and continuing to eat the cupcake happily, Will realizes that he and this figure are the only one around—at all. This means the cascades through space and time are still not over. WILL (Still sobbing.) Relax. WILL …heh… there are cupcakes? Huh? Uh, no— I brought this myself. WILL From WHERE?! You know where. [beat] WILL …are there more. Ah? Oh yeah— WILL Can I—? No, Not here! Then why'd you—?! WILL I just told you, I brought this! (he begins crying again but softly.) The figure is still for the most part unaffected but seemingly amused by Will's upset, presumes eating another, more delicious looking cupcake, which appearing from out of nowhere— (unseen from the audience, even by Will) which baffles him into immediately stopping crying, something like a bemused toddler, as his eyes widen and his mouth falls agape in offense. WILL IS THAT ANOTHER CUPCAKE? Well, you saw me eat the first one. WILL YOU SAID THERE WERE NO MORE! I said there were no more here! Do you see any cupcakes here?! Besides this?! WILL (Becoming irate, red faced) WELL WHAT THE FUCK IS THE DIFFERENCE?! The difference is your access to them. Damn! WILL Well let me have some of— (Eats last bite, mouth full) It's all gone. WILL (Eyes widening, then squinting in bewilderment and confusion) Do you want a muffin or croissant, though? WILL (Realizing he has no other options—) Kind of…maybe— A bagel? WILL Mmno, maybe a muffin…croissant. (He is increasingly distant and Bewildered (read: shattered) but also coming to; he moves toward the table Skream , your love/ massive, Drake Lil bitz Anybody else feel like Kendrick helped Drake get his next few girls? Like, she's probably in the 8th grade right now like “I'm his type, ya'll” and she's gonna keep that goal in mind until it becomes a reality. I think that's just how being a rockstar works sometimes. You write a hit right now, depending on how famous you are or will get, your next wife is in kindergarten while your first wife is probably at prom— and the third one is maybe even in Utero! Maybe even at the same prom as your first wife. Hey now. Crazy worlds, man. The superstar lifestyle. Anyway, wasn't I writing something less devastating? Not exactly less devastating, it is Will Ferrell crying hysterically. I think he's calmed down now. Yeah. Let's get back to that. It's almost the end of the scene. But then what happens after that? Probably nothing. I can't afford Will Ferrel for more than 5 minutes. You can't afford Will Ferrel at all! Well, his ad says the first five minutes are free. What ad?! CUT TO: Young Will Ferrel before SNL. Oh, Jesus Christ. [Business card appears to have his name misspelled horribly, but obviously he cannot afford to have them reprinted. “First five minutes free” Oh, great. You got that part right! Thank you, come again. I will not come again! We're not always superstars. {Enter The Multiverse} CUT BACK TO Blueberry— chocolate chip? WILL Um, half of each, I guess? What? WILL Well— Get it yourself then, you primadonna. He looks for a plate and plastic knife; as he does so, a third, even more delicious looking incredible cupcake has appeared again out of nowhere, to which the mysterious figure begins enjoying by the heap, mumbling with a mouth of frosting You're such a diva! *mimicking* one half “of each”… mehmehmeh… This is the most delicious cupcake anyone's ever seen— his eyes widen with a tired grief, but before becoming over upset again or irate, he takes a deep breath. And just sighs, as if to say “I hate you.” But they seem to know each other quite well. In fact, this is clearly one of those super-fucked terrifying guardian angel type dynamics where it's obvious that the guardian angel type mystery figure is very tormenting. But in a loving way. …. [beat] [beat] Haven't you wondered why you're like 58 but the rest of your cast mates are in their 20's? WILL [beat] I've always looked like this. …no, you haven't. (The muffin seems to have done its job in calming him down) WILL Trust me, I have. Flashback: a young Will Ferrell looks in the mirror— the mirror shows a present day Will Ferrell, although the teenaged Will Ferrel is obviously quite young. An exact reflection besides the age difference— Will seems neither unaffected nor worried. It's as if in the mirror, he's always seen his present day self. He sighs. End flashback. Present day, (or whenever, actually) Will Ferrell sighs to match the flashback) …maybe that's why you're special. WILL Yeah, maybe that's it. The figure finishes the cupcake and though the muffin halves have rebalanced Will's mood to almost, kind of normal, he still seems disgruntled that it wasn't cupcakes—as the figure finishes the third, most interestingly delicious looking cupcake of all of them. L E G E N D S I've got a whole poem who lives in the squat rack; I've got a dollar for ever caller who talks back, I've got a collar for every occasion I clock into It's a riddle but it's not a rhythm until I give it to em Don't wonder who I am I am space and time, And granted with the right hands, We're gonna have the right dance at the right place At the right time and so Whenever that is— see you then, Until then, I'm not holding any farts in, You feel me? I eat a lot of lentils. I write a lot of great walk on parts for artists I parted the red seas, once, I was also God, watching quite impressed with it And wondered why they called it ‘the read sea' Or the dead ‘the dead sea' As I can't see the bloodshed In the heavens, And so I give respect to the seconds I look away Which might have been a century or eleven, to them. Ah, more men and mathematics. More television friends and heavy dinners More sinners and misfits, and glitched simulations— More missed emissions, More christenings and scrimmages Remember to eat your breakfast Or it's death at a likely curfew remember to split the difference remember, we'll finish as friends As recommended by comrades I have lessons, I also have students in classes, Professors and options And doctors And mantras Barrages of cars And I can't stop talking Cause I gotta get my laundry fixed Fuck it Tina Fey hada booking.com commercial or something– Then, apparently, or maybe I really and readily finally had lost it– JImmy Fallon had a state farm commercial Like a good neighbor – Nope, i wasn't losing my mind. I promised myself i'd stop writing about the girl next door –she seemed evil–but she was acting strangely enough by doing something like brushing her teeth and reading my work from my phone that made the light switch– I didn't care what she could or couldn't do with my phone–I wasn't hiding anything. But now… It had to have all been planned. She seemed evil as fuck despite my trying to trust her… The Server…The Server… Suddenly the kitchen light switched on and it only ever flickered when I was in the middle of something important. Like the world was melting or my dimensions were shifting into parallels or something, or like I was being warned by some overseer with a remote control, but it wasn't all in my head… The plant that brought the plant My inner voice was never wrong–the problem was, however that any time my inner voice was saying anything at all about tHiSmOtHerFuCkeR– When did I acquire immediate voice recognition? So that was his voice… So who, then is the real Jimmy Fallon? There is no real JImmy Fallon. I made him up. You what. I haven't done anything to deserve this. Premonitions. Are you telling me we're dealing with another clairvoyant? On so many levels. –but none of them personal, I hope. There are oh so many… Oh. its you again. –Personal levels. You're in danger here. In New York, or just in general? On Earth. You keep telling me that. I have no reason not to trust you besides the obvious fact. You're oblivious to it! I'm not! I'm just ignoring you. Did you think about what I said? Erring on the side of obsession, no, i've dismissed almost everything you've ever told me. That's off topic. Or not. They want drama! Then they're going to have to fight for it. They're gonna start a war here. So then, I'm just another body, aren't I? Aren't I? Don't jump. Oh, if it isn't Peter Preferences. References and Letters of Recommendation Cancer in remission and admitting i'll probably never see my son again Suicide This is suicide This is suiccide This is suicide. INT. HALLMARK STORE. DAY. Welcome to Hallmark. …thanks. Can I help you find anything? No, I… After stumbling upon a Hallmark store, where the burned thank you cards from his desk are mysteriously recovered, as is, and uncharred, a hidden relic from the desk reemerges, and opens a portal to another world. I was in a very dark world when I met Patrick Kirkpatrick, but the point of the matter was, he was nobody now and maybe even nobody ever. Maybe even, nobody at all. Somebody's gonna come for you. …is this one of those things I keep to myself, or am I writing this down? What's with this? Under the surface, but by admission,I didn't know what it meant, besides the fact that Pretty white boys who were always too good for me always wore them as statement pieces or something, And you know what they say… If you can't beat ‘em. …join em. {Enter The Multiverse} I know the sound of your voice At the drop of a hat like a peck on the cheek And it still don't sound right I still don't think straight I still don't look right But somewhere in these ions, you'll find me at sunset. In a whisper, the taste of your breath Is a sound in my heart and the bloody murder In each heart murmur is getting harder fear father God, Just turn it off Just to make it sotp The man in the box –and it just God awkward. I should pluck your feathers It keeps getting harder each time your skull Hits the auburn surface of the asphalt Every summer at the hard rock Huh? But you just kept drinking And you just worked harder And after all, You're the man in the box What could all go wrong here? It's getting shorter the tears drop faster I'm getting weirder I'm a deadbeat dad And my kid's the bartard I just got a ball pit I'm a Hallmark card, but refused to sign it A dine and dash From the supper club And it's so refined I just lost my mind Cause it's just not time yet. I must have known you once before or something But any fan would say that But how am I a fan When I hated you And I hated your laugh And I hated your band –and you're not that handsome So how is this happening at all? Oh look, something random. Tell me why I'm so horrible Mr miserable mr terrible Mr opulent Mr miser mr wedding band Mr Never Happened Tell me why I'm so bad at this Mr. Wonderful Mr.Awful Mr. half at best Mr. getting faster and faster And faster and faster And faster Till it all washed up on the surface And you wash your hands of it… But the taste in your mouth is still metallic from the contrast Breaking contracts, oh, now you're fast at once and a hard match And a tough act to swallow But i'd rather die tomorrow Than stare at your casket. Now how about that shit! You're right, I lost my mind– but I want you to have it. L E G E N D S JIMMY KIMMEL [an escalating crescendo] AssaaaaagggggggggGggggghhHHHHHHHHHHHHHHHHHHHGGGGGGGGHHHHH!!!!!! Lol is he all thugged out yet. No not yet. (just wait) I wanna run through marina del ray I want a house in the Palisades But I Knew that 5 years ago (I knew that five years ago ) I want a shack out in Malibu Just to surf the ocean blū But I Knew that five years ago I knew that five years ago Before it all burned I hope we all learned our lessons Surf God has a sense of humor But I was the butt of the joke I want a Condo in Santa Monica Invite my friends over for Barbie volleyball Throw my whole world in the fire pit But I knew that five years ago I knew that five years ago When you realize The world is your instrument But it still hasn't earned you a cent You're still in the hole Earning back what you spent By the microincrements The city people are you as excrement But you just laugh and you sample them Play them like instruments back Perhaps flattery begs them to listen Suddenly you're visible Museum world— Exhibitions Entertainers Comedians Mice and men Interesting remix Should I even be in this language Or should I make it more intimate With melodies? I hit play on a classic And my peloton becomes the office I'm suddenly at work, God Petulance for relevance spanning generations Thank you! Still it takes enough to get it in to you As out of you Can't help t but agree to that Eyeliner! I like it thick around the freckles faces And light ashy eyelashes Over moonlike eyes You know I like it Long hair! Headliner! Why am I inside you? Better yet— Why have I died? Eyeliner, headliner I like it thick around moonlight eyes I like it Old timer, headliner— I like it thick around eyes like Zion Eyeliner, I like it Ashes You're the worst; There are circle k's and 7/11s How was my run on Broadway? Who's the pope now? I hope you choke now There are subway central's And sauces and really hard bosses to fight But I don't want to I'm in south central And I'm still with you From always to oblivion I've been moving for at least an hour But I have no power here Drop a house on me In the hills, if you will And if the winds change, There's still New York What a page turner I live at Rockefeller Plaza There's an apartment above my office There's a notebook For every love I've ever known In the oak There's a something caliber gun in my slumber I clutch with the crutches I took from the hospitals Can't hop the turnsltyle now Can't hop the turnstyle now Hahaha Who art thou, Art monster Who are you now that I care too much to notice The problem was The doves only flew up or a moment before landing on my shoulder That was awkward They were supposed to fly away TV HOST HEY!!!! HEY!!!! HEYYYYYYYY! But which host is it? All of them. All of us are running for our lives All of us are running after Carson, and Paar All of us are stars, But on polaroids not often captured Gone and then away into disaster That's the effect of the Cannon Canon cameras? James Canon?! Laugh harder ‘cause you have to! Laugh stronger cause the studio is frozen, And you want to go home now! It wasn't as fun as you thought And the set is much smaller in real life Now clap and hold for applause Big smiles Big smiles Extra points if you run miles before you show up- Now that's a shiny after thought; Not your average robot Or prototypical tourist! No! A nonconformist and Kimmel can't sing for shit, So he can just hum this verse. (Sorry, I peaked— No homo) Now, I dissect Holiday, I was sure I inspired the Broadway show But who doesn't inspire a rock opera I conspire to conspire, umpire, emperor I studies Agamemnon I wasn't really sure but the frog in my throat said Go on, go on— So I just cried and stuck in my stomach harder I don't want a SETH MEYERS I don't want a tuna sandwich! Just–take the tuna sandwich. Yeah, buddy! SETH I DON'T WANT A TUNA SANDWHICH DO I LOOK LIKE EAT TUNA TO YOU? Um. JIMMY 1 Woah, I sense hostility We can't see you— CRAIG FERGUSON And we don't know who you are, anyway. COLBERT Apparently “someone we know” JIM 1 Tsh. JIM 2 Psh. SETH ITS HOT IN THIS BOX. Ooh, hotbox. That sounds like a plan. Dispensary delivery? The move. SETH YO, Dissection numero dos; I think I know how to make those sounds I think I have that reverb I need herb Or probably a new location With no probes It's only temporary The peloton office But I want a home Me and my family aren't from here Oh, look, more purple — we just show up to rock And then go somewhere farther MEANWHILE… Forgive me father for I have— No. What? No. No. What— why? Just— no. Not you. Not today. But—I have sinned! Of course you have! But father— No. What—? Keep it to yourself. But. Excuse me. {Enter The Multiverse) —- What super hero are you supposed to be? “Malox Max”?! Hehehehe! THE COSMIC AVENGER No! Hehehehehehe! THE COSMIC AVENGER I'm— I'm “The Cosmic Avenger”! What are you avenging?! Montezuma's Revenge?! THE COSMIC AVENGER No— unjust—unjustice—ness. [hysterical laughter ensues] Somewhere in this world lies our story Still true, I'm unsure what it is— But the thing is, I'm sure this the one Of the fables I'm sure this the one of the songs Of the psalms Of the storied palms This is the one of the cards This sir KIMMEL! KIMMEL! KIMMEL! I'm sorry. I don't know who you are. ITS ME. JIMMY. I'm Jimmy. I KNOW YOU'RE— You're not Jimmy, I'm JIMMY. WHAT THE SNARF! What's that? I can't hear you. The tarot said to go against the grain; I was told not to write this tale, but here I am And suddenly the King has a tail, Compliments of T-Mobile, But as did the first one, The first King, of Dogblood Of first strikes And first tears And first scars, Was no king, But everything has meaning The cherishire has eyed me The spider has bitten And then, Envisionment minted I should switch to mint mobile, but knowing There's no real difference— Their all old t-mobile tower; But service with a Billionaire smile Of Blake Lively and False Idols. I don't care, I guess My mind has eyes like sun But my heart has darkness The absolutely most beautiful sunsets have Wonders on drums And numbers to call The best of cocaine on the sidewalk Was sidetracked The best of New York was Los Angeles, And vice versa I hope you took protocol into order I hope you too profound effect and affinity In profanity There's no more Infinite Fallon It Found a call To programming Wall to wall To wall of shame On Walmart Better activate that trial Before it's all gone 13 days and counting And A million ways to die in the west. SETH MCFARLENE look at me. Ah, what the fuck dog. SETH MCFARLENE Oh, so you can hear me! You fuckin schizo! I'm not a schizo I'm in the Illuminati. SETH MCFARLINE The what? The what? SETH MCFARLENE what's the password. this isn't happening right now. SETH MCFARLENE That is correct. See you on the other side, you batshit crazy SonOfABitch. What. *poof* I told you I could make you say my name. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2018-2025 ALL RIGHTS RESERVED. © -U.™

Welcome to your daily devotion with Pastor Balla! Today's devotion, A Covenant with My Eyes, draws from Job 31:1-4 (ESV) to explore the vital link between visual purity, Christian integrity, and accountability before God. In a world overwhelmed by digital temptation—social media, streaming content, and impure imagery—Job's ancient wisdom still speaks powerfully. What does it mean to guard your eyes? How can believers today make godly covenants to resist lust, pornography, and moral compromise? Join Pastor Balla for Bible-based encouragement, Lutheran pastoral insight, and practical tools for Christian living. Subscribe for daily Bible devotions that apply Scripture to real life with the truth of God's Word and the comfort of Christ's forgiveness. Be renewed in your walk with Christ through faithful, confessional teaching.

Comentamos el disco 'Violator' de Depeche Mode, con Lucila Zetina como invitada. Lucila Zetina es una referente de la radio alternativa en México. Empezó como locutora en la emisora Rock 101 y actualmente presenta el programa ‘Polaroid 105' de Reactor 105.7 FM. En esta segunda parte hablamos de: La música y la letra de las dos primeras canciones del disco: «World in My Eyes» y «Sweetest Perfection». El videoclip de «World in My Eyes». La experiencia de ver a Depeche Mode en directo. La combinación entre la voz de Dave Gahan y la de Martin Gore. El desgaste personal que sufren muchos músicos en las grandes giras internacionales. Y por el camino nos encontramos con Kraftwerk, The Cure, Warpaint, Sonata Arctica, Sandy Olsson y Danny Zuko, entre otros. Si quieres participar en la elección de los discos que tratamos en el podcast, ¡visita discoprestado.com y date de alta en mi lista de correo! La música original de 'Disco prestado' forma parte de mi EP 'The Entertainer', disponible en todas las plataformas y marcaliana.com/musica Contacto: discoprestado@proton.me ¡Salud y buena música! Marc Aliana marcaliana.com

2024 In Review Sci-Fi, IndiePub, & Theology Etc The final 21 books of 2024 in review. It's not about how many you read but that you're reading good books...but also I read to my goal and past it *neener neener neener*! Also, my apologies to anyone whose name I mispronounced. I'm a reader, not a pronouncer. See ya next week as we finish our book on Christian ethics! Timeline: 00:00 - Introduction 00:20 - Faith Has Its Reasons by Kenneth D. Boa & Robert M. Bowman Jr. 02:15 - Disturber of the Peace by William Manchester 06:11 - J. Gresham Machen by Ned B. Stonehouse 10:23 - We Shall Fight on the Beaches by Jacob F. Field 11:52 - Silence and Starsong Magazine - Spring 2023, Volume 1 Number 1 Edited by Joseph Knowles 16:55 - The Chaplain's War by Brad R. Torgersen 20:49 - A Wrinkle in Time by Madeleine L'Engle 23:25 - The Shape of My Eyes by Dave Gibbons 24:52 - Foundational Truths - A Modern Catechism by Israel Wayne 27:00 - Christ Over Culture by Andrea Crum 29:28 - Saved - Experiencing the Promise of the Book of Acts by Nancy Guthrie 30:40 - Gray Wrath by Terrence Poppa 34:10 - The Seven Liberal Arts, a Study in Mediaeval Culture by Paul Abelson 36:39 - The Door in the Dragon's Throat by Frank Peretti 39:13 The Autobiography of Ben Franklin by Benjamin Franklin 41:19 - The Journey of Five by Jenny Phillips 43:02 - Little Amish Schoolhouse by Ella Maie Seyfert 43:39 - Record of The Paladins: Book of Oliver by B.P. McCoppin 46:56 - How to Read a Book - Advice for Christian Readers by Andrew David Naselli 48:47 - Everyday Gospel Christmas Devotional by Paul David Tripp 49:36 - The Fellowship of The Ring by J.R.R. Tolkien 52:45 - Conclusion BOOK LINKS: Faith Has Its Reasons by Kenneth D. Boa & Robert M. Bowman Jr. Kindle Paperback Logos Disturber of the Peace by William Manchester Paperback Audible J. Gresham Machen by Ned B. Stonehouse Kindle Hardcover Audible We Shall Fight on the Beaches by Jacob F. Field Kindle Paperback Silence and Starsong Magazine - Spring 2023, Volume 1 Number 1 Edited by Joseph Knowles Kindle Paperback The Chaplain's War by Brad R. Torgersen Kindle  Paperback Audible A Wrinkle in Time by Madeleine L'Engle Kindle Paperback  Audible The Shape of My Eyes by Dave Gibbons Kindle Paperback Audible Foundational Truths - A Modern Catechism by Israel Wayne Kindle Paperback Christ Over Culture by Andrea Crum Kindle  Hardcover Audible Saved - Experiencing the Promise of the Book of Acts by Nancy Guthrie Kindle Paperback Audible  Gray Wrath by Terrence Poppa Kindle The Seven Liberal Arts, a Study in Mediaeval Culture by Paul Abelson Paperback  The Door in the Dragon's Throat by Frank Peretti Paperback Audible The Autobiography of Ben Franklin by Benjamin Franklin Kindle (FREE) Paperback Audible The Journey of Five by Jenny Phillips Paperback Little Amish Schoolhouse by Ella Maie Seyfert Hardcover Record of The Paladins: Book of Oliver by B.P. McCoppin Kindle Paperback Hardcover Audible How to Read a Book - Advice for Christian Readers by Andrew David Naselli Kindle  Hardcover Audible Everyday Gospel Christmas Devotional by Paul David Tripp No Amazon Link Available The Fellowship of The Ring by J.R.R. Tolkien Kindle Paperback Audible All episodes, short clips, & blog - https://www.cavetothecross.com  

In 1982, the Los Angeles punk rock band X put out its album Under the Big Black Sun. Over 40 years later, it's still great! Hosts Jim DeRogatis and Greg Kot talk with X vocalist and bassist John Doe all about the album and the band's impact. They'll also chat with him about his recent solo album and his work in television and film.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:X, "The Have Nots," Under the Big Black Sun, Elektra, 1982The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967X, "The Hungry Wolf," Under the Big Black Sun, Elektra, 1982Bob Dylan, "As I Went Out One Morning," John Wesley Harding, Columbia, 1967John Doe, "Never Coming Back," Fables in a Foreign Land, Fat Possum, 2022X, "Riding with Mary," Under the Big Black Sun, Elektra, 1982X, "Motel Room in My Bed," Under the Big Black Sun, Elektra, 1982Germs, "Lexicon Devil," (GI), Slash, 1979The Screamers, "122 Hours Of Fear (Live at the Target)," Live in San Francisco: Sept 2nd 1978, Target Video, 2004The Dils, "I Hate the Rich," I Hate the Rich (Single), What?, 1977Circle Jerks, "Stars and Stripes," Wild in the Streets, Step-Forward, 1982X, "Los Angeles," Los Angeles, Slash, 1980X, "We're Desperate," Wild Gift, Slash, 1981X, "Under the Big Black Sun," Under the Big Black Sun, Elektra, 1982X, "Adult Books," Wild Gift, Slash, 1981X, "Dancing with Tears in My Eyes," Under the Big Black Sun, Elektra, 1982X, "Because I Do," Under the Big Black Sun, Elektra, 1982X, "Blue Spark," Under the Big Black Sun, Elektra, 1982X, "Come Back to Me," Under the Big Black Sun, Elektra, 1982X, "Real Child of Hell," Under the Big Black Sun, Elektra, 1982The Gun Club, "She's Like Heroin to Me," Fire of Love, Ruby, 1981Los Lobos, "Will the Wolf Survive?," How Will the Wolf Survive?, Slash/Warner Bros., 1984The Del Fuegos, "Don't Run Wild," Boston, Mass., Slash, 1985Nick Cave and the Bad Seeds, "Henry Lee (feat. PJ Harvey) ," Murder Ballads, Mute, 1996Isobel Campbell & Mark Lanegan, "Revolver," Ballad of the Broken Seas, Cooking Vinyl Limited, 2006Artificial Go, "Pay Phone," Hopscotch Fever, Feel It, 2024See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

During his career, guitarist Jesse Ed Davis played with over 100 major artists, including Bob Dylan, the Allman Brothers, John Lennon, and Rod Stewart. His first brush with notoriety was playing with Conway Twitty in Oklahoma City, and he honed his chops with Taj Mahal after moving to Los Angeles. Jackson Browne credits Davis's guitar solo on “Doctor, My Eyes” with helping that song to become a Billboard Top 10 hit in 1972. In this latest episode of A Very OK Podcast, Trait Thompson and Dr. Bob Blackburn discuss Davis's Oklahoma roots, influences, and illustrious career. Their guests are Dr. Douglas Miller, author of Washita Love Child: The Rise of Indigenous Rock Star Jesse Ed Davis (2024), and Jake Krumwiede, director of the OKPOP Museum in Tulsa.

GODDAMMIT RYAN REYNOLDS. WHAT DO YOU WANT? CUT TO: [Cofee is being made.] Oops, I Did It Again - Britney Spears [There are no pants involved.] …this is it, isn't it? What. Season 10 This is the movie before season 10 [Cofee is being enjoyed.] I want to go on high concept adventures through space and time. [There are still no pants involved.] What are you, Ryan Reynolds? A TV host? (sipping coffee) Let's just say I put in my time. —and until the seething, burning hate in your eyes returns, this conversation is over. It never left! So that's what strike force 5 does. ⚡️ Well then, this conversation is still over—because I have better shit to do. [Strike Force 4.5] Getting awesome parts in awesome movies for our friends—yes. Strike force 5–no. What do you mean ‘no' We kicked Jimmy out. Which Jimmy? Shouldn't matter. You know which. Shouldn't matter—okay— just— do the bit. What. The BIT, Ugh, alright. We meet again. Multiple actual actors are stuck in the actual world of Sesame Street, which— Admittedly, this is okay. —seems awesome at first, but after awhile… Ok. This [censored] gets deep. Not that bit! The other bit. I can't do that bit right now. What the fuck? Why not? Because, I'm not wearing pants. Did it work. FUCK YOU RYAN REYNOLDS, GODDAMMIT. So, we meet again. GET OUT. If I was a horse, I'd kick you in the face. Shit, if you were a horse, I'd kick you. And I love fucking horses. You love fucking horses?! You know what? I still might. Get over behind me and a little lower to the ground. You don't want that. No, you dont want that; I'm still holding in a fart. For four seasons? Meet me at the four seasons. For what? Because, global warming is a bitch and I want to take ironic memory photos for momentos. WHAT THE FUCK ARE YOU DOING HERE? Same thing you are. (Sips coffee) You smell like baggage and unpaid debt. The Cosmic Avenger takes off his wedding band to prepare to fight; He places it on the table, and it begins to glow and float, growing as it begins to levitate and gravitate towards his opponent, [a mysterious multidimensional alien], who stands undefeated. The ring swells to the size of a large golden halo, sitting itself atop the head of his opponent, and though momentarily caught in the midsts of being in awe, the halo drops over his opponents head and onto their shoulders, tightening into a collar around their neck—beams of light attach to the collar like chained leashes and seven dieties drag his opponent away. The Cosmic Avenger stands in confusion, before asking, …what does that mean? A DRAW! (We'll see.) Ultralight beam>< oops I did it again. But play the video, right? That, and the Rick Roll. (Courtesy of Jesus Christ The Savior, Inc.) SUNNI BLU MorGIE. What! GODDAMMIT SUNNÏ WHAT! This memo says I'm starting opposite Ryan Reynolds in an upcoming action and adventure flick. Yes, that's correct. No, it isn't, Majilla!!! Why isn't it, Sunni? I can't star opposite Ryan Reynolds. Well, why not? CAUSE I'M GAY. Lil bitz So I was listening to Kanye Weat* Yes. I was listening to Kanye West, and he's talking about cheating on Kim, Like, out loud— And I get dumb curious, so I ask Google Google, why are dudes so obsessed with models— I typed that in and hit search, and the whole thing just freezes. Even Google doesn't have a fucking answer for the intrinsic stupidity that is the hardwiring of the modern man. You ever look at like Greek sculptures, or Roman Arcitecture and realize the women aren't fucking twigs? They're not sticks! They're like muscular, and thick, and mad healthy looking. And that's weird to me. That at one point men were wired to be attracted to healthy looking women— But now the ideal for perfection is like 110 lbs and if you're anywhere between 5'1 and 5'11 that's ideal. That's nuts to me. So you're just trying to like, put your dick through the bitch!? Yes. I can actually see my 5 inch penis on the other side of this woman as I penetrate her. Good job, guys. Meet me at Equinox; The Hudson Yards Location- 7:05 Sharp. Alright. EQUINOX FITNESS. HUDSON YARDS. NEW YORK CITY. DAY Not this side, that side. What do you mean. This is the fitness section. You said Equinox… We're going to the hotel. SUNNI BLU You ever been to pound town? Weather's great right now. I ain't going outside now, I got a new strike force, Four door, 5 clowns. Ohhhhhhhh. Shout out to Jimmy O! Don't shout out to Jimmy, no He back to back too many hooooeeess— You know I'm talkin bout his show Go stream Tonight though. No thanks. Ben and Jerry's tonight doe. AHEM. Gazuntite. Listen— Ryan Reynolds is the devil. I knew it. You knew that already? Yeah. Great, so is he through with Jimmy Fallon then? Uh, I guess. That's great, I gotta go rehearse these lines. Okay? Oh and Jimmy. Yes. Find some pants. MEANWHILE. DAVID LETTERMAN MWAHAHAHAHAHAHAHA HUAHAHAHAHAHAHAHHA! That's more like it. Okay, but following up on before. THE COMIC AGENGER does not need an evil laugh. Hey, Jimmy. Mwahaha.. Damn. Okay. Look, I just found out that dude's evil laugh is actually just…his regular laugh. How do you mean? Have you ever heard Jimmy Fallon laugh? Play the clip. [JIMMY FALLON's actual laugh is terryfying and meniacal. ] You're a menace. You lost me. Whatever dog, I'll have all of you I'll ever need with AI. CUT TO: [Squirts soy sauce into Jimmy Fallon's squinty ass eyes.] AGGGHHHH. MY EYES. Quit friggin squinting. I'm not squinting! These are just my eyes! I hope you die. So. You're officially a literary genius. What are you going to do with that? I don't know? Die? Hahaha, she's Jewish! The entirety of the world of LEGENDS and enter the multiverse becomes a backdrop for Jimmy Kimmel's Latest Late Late Show Is that what it's called? I don't…give a fuck. He acts throughout the season as a literal comic relief, almost always only arriving as disaster and despair have stricken, and at the absolutely worst possible moment— AGH—MY EYES! Your squinty eyes. *also squints* AH WHAT THE [CENSORED] WHY ARE YOU STILL CENSORED?! Didn't they fire you from NBC? I'M CENSORED IN ANYTHING THAT MIGHT BE LATER SYNDICATED— [FUCK] (but censored) Is that what you're squinting at?! ITS IN MY CONTRACT, I AM NOT SQUINTING THESE ARE MY ACTUAL EYES. Fuck you, Jimmy. If I thought you had balls, I'd kick you in them right now. [EXPLITIVE] YOUR FACE. What are you, Chinese? THIS IS VERY OFFENSIVE. Hush, Yao Ming. YOURE JUST MAKING IT WORSE. Do you want any soy sauce in your noodles? This is classic ritual torture. You hush, too Billie— I need you to coconut oil the cornbread. Cornbread with noodles?! I didn't hear any complaints when I went over today's menu earlier while you two were at karaoke, almost getting along just fine. CUT TO: FLASHBACK, EARLIER I'm making noodles with cornbread, any suggestions. PSYCHO KILLER! FAH-FAH-FAH-FAH-FAH-FAH You're off pitch. I HAVE PERFECT PITCH. FA-FA You're flat. Eat a dick. Ugh. Yo, G, what's for lunch? [standing in the doorway awkwardly with a spatula] Oh, I get it— G stands for Flashback within a flashback: Tha God. I'm not calling you that. Why not? That's what you've been calling me for decades— now that I'm in a person, it makes any difference? Yeah, that person. Something's different. You don't say. It's my eyes. Something's — different. Oh, it's nothing— just the very slightest more blue. Blue, did you say? RYAN REYNOLDS (As Archer) You'll mark the hour at which it begins, With this, A solemn sustained and prolonged note Which cherishes your argument, That all art must come undone, Foraged in truth, And bound by light With sanctity. CHORUS Here here! Greetings, dear Chorus, Or have you named your honored hut—? The gathering of all bound by the Gods Who are astounded at our haste making! CHORUS To tide! To tide and fare not my good; Fare not my brethren, come cut to fire; In aught to honor thy shallow grazing, And there, the art had sunk, Though weeping cottons in the Weat, For fortune, to arch, ire. For certain, and for gathered have you waiting— Crisp air and our attire, to call tonight, The very moon to whom the stars melt, Though pacing off and appearing as none but small like, Off in the thunderous wonders of us, Beyond earth, Another path which light, And art must honor. Hear you, And faring great to those requested our service, Bone marrow, and silk wi‘d blood Forsaken, as all have heard by now, Enchantments and forced sermons, And with wit does honor I, Gasping for staging, Present but here not yet, The after wish of heart, you I does followeth, Daring to know thy name, As Kingdom come, And yet, You are not— Still dark the womb of haven't made, And saying, ‘Are I not of my father and mother, Or neither?' To honor once at dusk, my own coming as one And at dawn, my own night in the wake in death of days, Sure to end for not I wake, as fair health does hold My farewells and yonder says, Oh how I, And are you— The game at hand. And now, our honor. SEAN EVANS (As Tallymaede) —Bur first, we feast. [The chorus cheers with great elation.] Who the fuck ordered Greek Theatre cold opens? Jesus Christ, party of 1. I don't know. ‍♀️ I was fasting. I meant— ahem— Party of three. LEGENDS {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

The Biggest Thing that has held me back in my Business was Right in Front of My Eyes.Today we're talking blindspots, identity and how we can all undervalue skills that come to us easily even though that might ACTUALLY be THE thing that is our genius zone.I share a huge blindspot I had, why I missed seeing it despite all the evidence and what you can take away from this too.You can join my Mastermind here: http://alignandattract.com/mastermindConnect with me on Instagram here: http://instagram.com/kerryrowett

David discusses the movies he's been watching, including Look into My Eyes, The Paragon and Rebel Ridge, See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hear about how spiritual leader and author David Gibbons felt that he wrote his memoir as a way to process his life and his experience, calling the book The Shape of My Eyes. In an honest conversation, Dr. Gee and David break down what “model minority” means for Asian Americans and African Americans. They consider how this concept also worked toward putting the two racial communities in opposition to one another by weaponizing the term. They continue Dr. Gee's awareness around how the unity between Asian American and Black communities can be perpetuated. Also, hear how David tries to get Dr. Gee to go white water rafting. Read Dave Gibbons new book, The Shape of My Eyes: A Memoir of Race, Faith, and Finding Myself Dave Gibbons was born in Seoul, Korea yet culturally raised in America. He works in both for profit and not for profit organizations. Dave is an Advisor, Speaker and Spiritual leader. Dave founded an influential church known for diversity, innovation and social impact. At the same time, he launched or worked with social impact organizations such as World Vision and Fuller Seminary. He loves working with creators and innovators in entertainment, sports, government, finance, and non-profits. Dave lives in California and Seoul, Korea, with his wife, Becca. He has four adult children and two grand-dogs.   alexgee.com Support the Show: patreon.com/blacklikeme Join the Black Like Me Listener Community Facebook Group

Enjoy a set focusing on guitar players, Italian cult musicians at the intersection of jazz and many other genres, Northern European rising stars and poets trapped in the bodies of musicians. The playlist features AHL6; Ella Zirina [pictured]; Giancarlo Tossani; David Preston; Jimmy Villotti; Paolo Conte; and Robin Holcomb. Detailed playlist at https://spinitron.com/RFB/pl/19662601/Mondo-Jazz [from "Party" to "Blood in My Eyes for You"]. Happy listening!

Dave Gibbons is a leader, speaker and author of the recent memoir The Shape of My Eyes. Born to an American soldier and a Korean mother in the wake of the Korean War, Dave has spent his life struggling to blend his Korean roots and his very American upbringing. Today, Dave shares discovering his father's betrayal, his path to overcoming that pain and his persistent feelings of not quite fitting in. Join us as Dave guides us in finding beauty in life's hardest moments, cultivating an unoffendable heart and finding strength to forgive. My friends, whether you're going through a challenge or simply looking for a reminder of the power of hope and healing, this episode is for you.

Mon, 30 Sep 2024 21:30:00 GMT http://relay.fm/upgrade/531 http://relay.fm/upgrade/531 Notifications in My Eyes 531 Jason Snell and Myke Hurley Jason and Myke break down Meta's preview of its Orion AR glasses project and what it says (or doesn't say) about the future of Apple's Vision product line. Also: An Apple Intelligence timeline, Masimo board intrigue, and a million-dollar celebration. Jason and Myke break down Meta's preview of its Orion AR glasses project and what it says (or doesn't say) about the future of Apple's Vision product line. Also: An Apple Intelligence timeline, Masimo board intrigue, and a million-dollar celebration. clean 5399 Jason and Myke break down Meta's preview of its Orion AR glasses project and what it says (or doesn't say) about the future of Apple's Vision product line. Also: An Apple Intelligence timeline, Masimo board intrigue, and a million-dollar celebration. This episode of Upgrade is sponsored by: Squarespace: Save 10% off your first purchase of a website or domain using code UPGRADE. DeleteMe: Get 20% off your plan when you use this link and code UPGRADE20. KRCS: Apple Premium Reseller. Get free next-working-day delivery. Links and Show Notes: Get Upgrade+. More content, no ads. Submit Feedback Relay for St. Jude - Donate Now The Road to a Million - Relay for St. Jude 2024 - YouTube Relay for St. Jude 2024 Passes $1 Million Raised – 512 Pixels iOS 18.1 adds new selfie option for iPhone 16 Camera Control - 9to5Mac Amnesia App Offers Easy Way to Get Rid of Monthly Access Reminders for Screen Capture Apps - MacRumors Masimo founder resigns as CEO after removal from board – Six Colors Masimo Has a New Boss - Bloomberg Non-Pro Apple Vision likely to have half the resolution - 9to5Mac Kuo: 2025 Apple Vision Pro to Get M5 Chip and Apple Intelligence - MacRumors Apple Intelligence Features Expected to Roll Out in This Order Between iOS 18.1 and iOS 18.4 [Updated] - MacRumors Apple iPhone 16 Pro Max Review: New Model Reflects Slowing Pace of Innovation - Bloomberg Apple Movies Won't Be Coming To Theaters Anytime Soon - Bloomberg Meta Steps Up Pressure on Apple Vision With Orion AR Glasses and Cheaper Quest 3 - Bloomberg Meta and Apple: Same game, different rules – Six Colors Exclusive: We tried Meta's AR glasses with Mark Zuckerberg - The Verge - YouTube The WILDEST Tech I've Ever Tried - Meta Orion - Austin Evans - YouTube An Interview with Meta CTO Andrew Bosworth About Orion and Reality Lab

The world continues to be in a crazy cycle of uncertainty. Leaders are struggling to find a path forward in this climate of separation, isolation, and fear. Dave Gibbons, an author and social impact leader, joins Dr. McKinley on this podcast to discuss ways we can create safe spaces for learners to learn, builders to build, and dreamers to dream. We also talk about Dave's recently published book, The Shape of My Eyes.To Order Doug's Books: The Resiliency QuestMad About UsVisit Doug's Website: DougMcKinley.comTo Listen to Leadership Currency Podcast: Leadership Currency Podcast

Dave Gibbons, author of 'The Shape of My Eyes,' reflects on his Korean American identity, his experiences with PTSD, the family secrets that haunted him, the systemic racism he endured, and his path to forgiveness.

Dave Gibbons, author of 'The Shape of My Eyes,' reflects on his Korean American identity, his experiences with PTSD, the family secrets that haunted him, the systemic racism he endured, and his path to forgiveness.

Dave Gibbons, author of 'The Shape of My Eyes,' reflects on his Korean American identity, his experiences with PTSD, the family secrets that haunted him, the systemic racism he endured, and his path to forgiveness.

Dave Gibbons, author of 'The Shape of My Eyes,' reflects on his Korean American identity, his experiences with PTSD, the family secrets that haunted him, the systemic racism he endured, and his path to forgiveness.

Dave Gibbons, author of 'The Shape of My Eyes,' reflects on his Korean American identity, his experiences with PTSD, the family secrets that haunted him, the systemic racism he endured, and his path to forgiveness.

Dave Gibbons, author of 'The Shape of My Eyes,' reflects on his Korean American identity, his experiences with PTSD, the family secrets that haunted him, the systemic racism he endured, and his path to forgiveness.

It's another chapter in The Dialogue Series - A chill ‘n chat with authors, fellow podcasters, musicians, and more. This episode's guest is singer/songwriter/multi-instrumentalist Arwen Lewis. Arwen is the granddaughter of Academy Award-winning actress Loretta Young and the daughter of Peter Lewis, a founding member of the band Moby Grape. Her 2015 self-titled debut featured her interpretations of her father's songs and in 2023 she released the EP 'Under The Stars', which she produced and wrote. It includes self-penned tunes along with a cover of her father's song “Black Moon”, Jackson Browne's “Doctor My Eyes”, and Joni Mitchell's “I Think I Understand”. I talk to Arwen about her music, famous lineage, favorite books on rock, and more!Visit Arwen Lewis's WebsiteListen to The Arwen Lewis PodcastListen to a playlist of Arwen Lewis---------- BookedOnRock.com The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:FACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribeBecome a supporter of this podcast: https://www.spreaker.com/podcast/booked-on-rock-with-eric-senich--4901091/support.

On Monday June 3, 2024, a new memorial plaque commemorating African American mezzo-soprano Vera Little (10 December 1928 – 24 October 2012) was unveiled at her former residence in Berlin's Charlottenburg neighborhood. Little is remembered today as the first Black singer to appear as Carmen on the stage of Berlin's Städtische Oper, soon to be renamed the Deutsche Oper Berlin. At the time of that appearance there were cries and protests about her hiring instead of an “equally capable” German singer. And yet, when Little returned to the stage of the Deutsche Oper in 1963, now singing the role of Amneris, she became one of the central singers in the ensemble of that company, being named a Kammersängerin there in 1970. This episode examines the life and career of Vera Little, from her birth in Memphis through her decades-long residence in Berlin. It is a fascinating, circuitous path, and one which is documented only sporadically on recording. On this episode, I play excerpts from Little's only solo recording, a 1957 Decca records release of spirituals recorded in France, as well as her recordings on Deutsche Grammophon of Der junge Lord by Hans Werner Henze, and Richard Strauss's Daphne. In addition, there are live recordings of Little singing Baba the Turk in Stravinsky's The Rake's Progress, Giovanna Seymour in Donizetti's Anna Bolena, and Beroe in Henze's Die Bassariden, which Little created in its 1966 world premiere at the Salzburg Festival. Vera Little was also an author, who published four books of memoir and poetry, and just yesterday I obtained a copy of her first book, 1978's Tears in My Eyes, from which I read a number of excerpts. I had known Little's name for decades, but had never fully explored her legacy before. It is here (and on an accompanying bonus episode) my honor and privilege to present a great (and somewhat forgotten) artist for your delectation. Today's vocal guest stars include Kostas Paskalis, Hilde Güden, Anneliese Rothenberger, and Teresa Żylis-Gara. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.  

In this episode, Jeff sits down with Dave Gibbons—speaker, pastor, and author of The Shape of My Eyes. Dave shares his evolving perspective on success and reflects on his fight against injustice as an Asian American. They delve into his experiences with racial and cultural divides in the U.S. and the journey to embrace his full identity. This conversation is powerful and thought-provoking—one you won't want to miss. www.socialimpactleader.com Follow: www.instagram.com/plywoodpeople www.plywoodpeople.com About Dave Gibbons: https://www.davegibbons.org/ This Podcast is brought to you by WABE, part of the NPR Network. wabe.org/podcasts Edited By: DJ OP Diggy Produced By: LaTasha Brown Music By: DJ OP DiggySee omnystudio.com/listener for privacy information.

We all hear stories of people walking away from faith because of cultural challenges and hypocrisy in the church. That's what makes Dave Gibbons' new memoir, “The Shape of My Eyes,” so powerful. He joins Skye to talk about growing up within American fundamentalism as a mixed-race kid, and how he encountered God despite deep family trauma and church dysfunction. Also this week—Mike Erre joins the crew to talk about the ongoing fallout from Megan Basham's new book, David French's decision to endorse Kamala Harris, and the rise of the post-religious right. Plus, cannibal frog sermon illustrations.   0:00 - Intro   1:03 - Show Starts   3:41 - Theme Song   4:02 - Sponsor - Hiya Health - Go to https://www.hiyahealth.com/HOLYPOST to receive 50% off your first order   5:06 - Sponsor - World Relief - Visit https://worldrelief.org/holypost/ to find out how to get two FREE e-learning courses and celebrate World Refugee Day with World Relief!   10:07 - Frog Cannibalism Sermon Illustrators   14:56 - Phil Accused by Megan Basham of Being a Sellout   22:08 - Do the Facts Matter?   28:48 - Conflating Christianity and Republican Party Issues   34:57 - David French Voting for Harris??? And Mike the Anabaptist   46:09 - The Post-Religious Right   52:14 - Sponsor - The Fresh Pressed Olive Oil Club - To get a Full-Size artisanal olive oil for just $1 shipping, go to https://www.GetFreshHOLYPOST.com   53:22 - Sponsor - Faithful Counseling - This episode is sponsored by Faithful Counseling. Give online therapy a try at https://www.faithfulcounseling.com/HOLYPOST and get 10% off   54:28 - Interview   56:10 - Why Did Dave Gibbons Write “The Shape of My Eyes?”   1:02:32 - How Did His Trauma Impact His Faith?   1:10:44 - Encountering God   1:22:10 - On the Verge of Renaissance   1:25:53 - End Credits   Links Mentioned in the News Segment:   Cannibal Frogs: https://www.nytimes.com/2024/07/16/science/cannibal-female-frog.html   Phil's Article about Shepherds for Sale: https://www.holypost.com/post/i-ve-read-basham-s-book-and-i-have-some-thoughts   David French on Why He's Voting for Harris: https://www.nytimes.com/2024/08/11/opinion/harris-trump-conservatives-abortion.html   Ross Douthat Tweet: https://x.com/DouthatNYT/status/704462319074594816   Other resources: The Shape of My Eyes: A Memoir of Race, Faith, and Finding Myself by Dave Gibbons: https://a.co/d/gKBmRja   Holy Post website: https://www.holypost.com/   Holy Post Plus: www.holypost.com/plus   Holy Post Patreon: https://www.patreon.com/holypost   Holy Post Merch Store: https://www.holypost.com/shop   The Holy Post is supported by our listeners. We may earn affiliate commissions through links listed here. As an Amazon Associate, we earn from qualifying purchases.  

Today our dear friend, Dave Gibbons, visited us as a guest speaker to share about his experiences growing up as an Asian-American, how the events of his life lead him to grow in God's love and grace, and his journey to discover forgiveness. These stories and many more are a part of his memoir, The Shape of My Eyes.

 The granddaughter of Academy Award winning  actress Loretta Young and the daughter of Peter Lewis, a founding member of ‘60s psychedelic cult heroes Moby Grape . . .  Arwen's  EP is available on the  OMAD RECORDS . . the imprint of Oscar-winning singer/songwriter John DeNicola. . .  While Arwen's self-titled debut, features her interpretations of her father's songs, this time out she's flying higher, as both producer and writer. Self-penned tunes include the layered, wistfully longing “Man on the Moon” and the beautiful heartbreak of “Winter,” showcased in two arrangements—once with gently growling guitar and again accompanied by piano and cello.  Not that Arwen could resist digging into her dad's archive, with a lilting, countrified cover of his “Black Moon.” Plus, she brings her earnest, unaffected gift to a pair of iconic tunes: a trumpet-driven version of Jackson Browne's “Doctor My Eyes” and a frankly folky take on Joni Mitchell's “I Think I Understand.” The EP came together organically, at first just she and a friend—guitar impresario Jonathan McEuen—“scratching out ideas in my living room,” Arwen says. Jonathan mentored me,” Arwen candidly admits. “He also arranged everything perfectly—truly the musical director for this project.” A select few recruits from the deep end of the California talent pool came aboard next, including rock and roll “space traveler” Jason Achilles, Los Angeles film composer/all-around scene staple George Adrian, and trumpeter Jeff Elliott. Plus, yes, Peter Lewis is present as well, slinging a Strat on one track. The recording was finished at Surprise Studio with Graham Palmer as the engineer. “While I had complete creative control,” says Arwen, who also plays guitar on the record, “I was lucky enough to get together with amazing musicians who were in sync with the way I hoped to express these songs.”   “The songs I wrote as well as the ones I chose reflect the music I was raised on: Joni, Jackson, Jimi Hendrix, The Byrds, Nina Simone,” she says, noting that embracing the music of others, adding your unique twist, and the putting it out there is “basic to the communal tradition of folk, passing the songs from person to person, generation to generation.” That's why, while she has no big tour plans, Arwen will play live, here and there, from South X Southwest to the local West Coast venues she loves. Indeed, she might well be singing about the importance of performance on “Man on the Moon” when she promises: “Believing in the stars that I cannot see, I know there's a way to where you are.” Arwen's talked about her famous grandmother Loretta Young hosting episode on her TV Show THE LORETTA YOUNG SHOW...here are a couple from youtube:https://www.youtube.com/watch?v=3MhWK6o306Uhttps://www.youtube.com/watch?v=IVX0tkfWRN8https://www.youtube.com/watch?app=desktop&v=2Ua5T9t7qPY 

Time Artist Title Duration Album Year 0:00:00 ProgPhonic 161 Intro 0:39 0:00:36 Retrospective New Perspective 8:39 Introvert 2022 0:10:51 TumbleTown On the Highwire 6:24 On The Highwire 2024 0:17:15 Marco Glühmann My Eyes are Wide 5:06 A Fragile Present 2024 0:27:55 Vlyes I CAN'T GET OUT 4:44 WHY 2024 0:32:39 Vlyes ONCE IN A WHILE […]

Our guest is Dave Gibbons, strategic advisor, founding pastor of Newsong Church, activist, and best-selling author of multiple books, including his most recent memoir entitled The Shape of My Eyes. We discuss Dave's story, the power of transparency, how to be a succesful strategic advisor, prophetic wisdom, and much more. Make sure to visit http://h3leadership.com to access the list and all the show notes. Thanks again to our partners for this episode: HELP ONE NOW – empowers families in developing countries through partnership with high-capacity leaders with proven solutions to end extreme poverty. Visit https://helponenow.org/thecircle. Get involved by joining The Circle, a growing network of people committed to ending extreme poverty through family empowerment. Your monthly recurring gift will send students to school, empower families to launch businesses and support the growth and impact of Help One Now. The Circle creates a sustainable pathway to break the cycle of poverty for generations to come! To learn more visit http://helponenow.org/thecircle. And OVERFLOW – change the way you give with Overflow. Visit http://overflow.co/h3. Overflow is a simple way for your congregation to give through Apple Pay, Google Pay, stock, debit, credit, and cryptocurrency. Plus discover Overflow Tap, which allows attendees to simply tap their phone on the chair in front of them, for giving, registering for events, and filling out connection cards. Discover effortless generosity with Overflow. Visit http://overflow.co/h3 for ONE YEAR FREE of Apple Pay and Google Pay when launching Overflow Tap. Visit http://overflow/co/h3 to learn more.

Have your eyes seen the years and the slow parade of fears? Do you now want to understand? Join us for the message “Doctor, My Eyes.” This is a recording of the scripture and sermon portion of our service on 7/28/24.  If you like what your hear on this podcast, you can also support our ministry with your gift through our website at www.TUMCD.org You can also see the video version of this podcast and our special videos on our YouTube channel “@Trinity UMCD”  If you're looking for a church where you'll be welcomed, accepted and affirmed we hope you'll consider Trinity.

Talkin' Jake is recapping the trades that have happened so far and reacting LIVE to the massive three-way trade between the White Sox, Cardinals, & Dodgers to land Erick Fedde in St. Louis and Michael Kopech & Tommy Edman in LA Wake n Jake is available on YouTube. You can watch today's episode HERE: https://youtu.be/2MUgKgy51oE +++++++Timestamps:0:00 Into1:20 AJ Puk to Arizona4:50 Randy Arozarena to Seattle9:10 Phillies Trade for Austin Hays & Carlos Estevez!14:20 Zach Eflin to Baltimore16:35 Stanek to the MEts, Yimi Garcia to Seattle19:45 Jazz Chisholm to the Yankees26:00 Red Sox Trades26:35 Jesse Winker to the Mets28:00 Jason Adam to the Padres30:00 Erick Fedde to St. Louis LIVE REACTION31:20 Isaac Paredes to the Cubs34:20 Michael Lorenzen to the Royals35:15 What Happens in the Next 24 Hours?40:00 What to the Braves Do?43:35 Dodgers are Getting KOPECH in that Trade46:35 My Eyes are on the Giants!  #dpshowSee omnystudio.com/listener for privacy information.

A new MP3 sermon from Immanuel Reformed Fellowship is now available on SermonAudio with the following details: Title: I Lift up My Eyes to the Hills Speaker: Chuck Muether Broadcaster: Immanuel Reformed Fellowship Event: Funeral Service Date: 6/9/2024 Bible: Psalm 121 Length: 40 min.

With Sumanth Gopinath   Embark on a musical voyage that transcends borders and eras with our esteemed guest Sumanth Gopinath, professor of music and grassroots folk musician. Celebrate Russell's birthday and delve into a heartfelt discussion that weaves together the threads of Indian and North American folk music traditions. Through Sumanth's personal narrative, we explore how the echoes of our upbringing resonate in the music we love, and how shared experiences and diverse backgrounds create a rich tapestry of cultural identity.   Peel back the layers of music theory's evolution with us, as we engage with the compelling transformation from academic pursuits to the frontlines of labor union activism. Sumanth's anecdotes reveal the intimate connections between the professionalization of music theory, the political economy that shapes the discipline, and the influence of collective action in shaping both academia and society. Together, we shine a spotlight on the need for music education to embrace a broader spectrum of cultural narratives, enriching our understanding of music's role in our lives.   Join us for a profound conversation that tackles the delicate balance between cultural appreciation and appropriation. We navigate the complex terrain of global influences on personal expression, examining how our intentions, critiques, and relationships inform the way we engage with the world's diverse musical heritage. In an increasingly interconnected community, we emphasize the importance of approaching cultural exchanges with mindfulness and respect, ensuring that our artistic expressions contribute to a more understanding and harmonious world.   About Sumanth: Sumanth Gopinath is Associate Professor of Music Theory at the University of Minnesota TwinCities. He has written or co-edited books on the ringtone industry (TheRingtoneDialectic:Economy and Cultural Form, 2013), mobile music studies (The Oxford Handbook of Mobile Music Studies, 2014), and the music of Steve Reich (Rethinking Reich, 2019). He is the leader of the independent Americana band The Gated Community.   Songs from this episode:   DivorceDress https://www.tiktok.com/music/Divorce-Dress-6887761471078434818?lang=it To the Sea Once More https://music.youtube.com/watch?v=naRvG4scQyw The Life from My Eyes https://www.youtube.com/watch?v=UX-vKf8Bywk Christmas Special https://thegatedcommunity.bandcamp.com/album/wont-you-believe-me-2   Work with Harmony: Links and Resources: https://harmonyslater.com/ancient-breathing-2-0 Explore Harmony Slater's upcoming retreat in Norway Explore Harmony Slater's upcoming retreat in Lisbon  Explore Harmony Slater's upcoming retreat in Turkey  Connect with Us (We love to hear from you!) Harmony Slater's Website: http://harmonyslater.com Finding Harmony Community  https://harmonyslater.com/harmony-slater-coaching ⁠Find Harmony on Instagram⁠ Follow the Finding Harmony Podcast on IG ⁠Two Minute Breathwork Session⁠

If you're new, consider subscribing. Just click here: https://www.youtube.com/@SideScrollersPodcast?sub_confirmation=1 Follow Grummz: https://twitter.com/Grummz Join The Em-8ER Discord: https://discord.com/invite/WszE9NRf

Dixie is back, and so is the Podcast! In this episode: You've been told ‘Don't do Bondage when you're High', but have you ever heard a true story that illustrated that point? Well, Science tells us that we learn best from a story, so this week, we have an informative ‘Don't Try This at Home' story for you. Punk Rock Leather Daddy Al Rahm Lujan was a mere 20 years old and fresh out of the Navy, and just beginning to explore his dominant nature. Young and unskilled at bondage (but eager to play), Al meets a submissive man with a unique fetish for tasseled loafers and business suits, so he picks up a pair of dress shoes at Kmart and they take their party to a secret lair. Al has his victim on a St Andrews cross and is using whips, floggers, nipple clamps and more on him - when the evening takes an unexpected turn. The submissive turns blue, the EMTs, Firefighters and Police are called, and their dangerous experience becomes a life lesson. Will Al get arrested for being Drunk and Kinky? Listen to discover the consequences of an impulsive (and intoxicated) adventure that helped Al get Sober. #GetSmart   Song: ‘All in the Suit that You Wear' (Stone Temple Pilots)   About our Storyteller:   Al Rahm Lujan is a Bay Area Renaissance Daddy. His writing has appeared in numerous anthologies and publications, including Best American Erotica and Drummer Magazine. His visual art has been shown throughout the Bay Area, including Yerba Buena Center for the Arts and the Oakland Museum. His first short film, SM in the Hood is distributed by Frameline and if he hadn't maxed out his credit cards he might have completed his documentary CLN SBR PNX - True Stories of Chaos, Hope, Redemption and PUNK ROCK. He's a literal dad to a lovely young lady and a Mean Daddy to His Boy Robb.   Kink | Rope l Gay l Leather l Bondage l Loafers l Ferragamo l Yves St. Laurent l Daddy l Alcoholic l Bartender | Punk Rock l Latino l Lawyer l Navy l Vintage Kink Story l Rich l Batman's Lair l Dominant l Eastern European I Funeral Suit l Sushi l Tasseled Loafers l Hot Carl l Omar Sharif l Dr. Zhivago l Ceviche l Law Office l Whiskey l St Andrews Cross l Whip l Flogger l Handcuffs l Nipple Clamps l Butt plug l Dildo l Spreader Bar l Sober l Dress Shoes l Suit and Tie l Snakeskin l Police Officer l EMT l Firefighter l Dom l Jewish l Cock Cage l Spiderman l 911 l Prison l Unconscious l My Eyes are Up Here l Batman's Lair l   Episode links: Lume Deodorant: Save over 40% on the Lume starter pack! Lume is seriously safe to use anywhere on your body - armpits, underboobs, thigh folds, belly buttons, butt cracks, vulvas, feet… It comes in fresh, bright scents like Clean Tangerine, Toasted Coconut, Lavender Sage, and more. Lime is Clinically proven to block odor all day and control odor for up to 72 hours, it's Baking soda and Paraben free, and it's pH balanced for safe use on all your bits. Lume's Starter Pack is perfect for new customers: The Starter Pack comes with a Solid Stick Deodorant, Cream Tube Deodorant, two free products of your choice (like Mini Body Wash and Deodorant Wipes), and free shipping.    And remember, As a special offer for Bawdy listeners, New customers GET $5 OFF a Lume Starter Pack with code DIXIE at LumeDeodorant.com. Get over 40% off your Starter Pack when you visit LumeDeodorant.com and use code DIXIE - Tell em Dixie sent ya!   Factor Meals: Eating better is easy with Factor's delicious, ready-to-eat meals. I don't really cook, so I love that Every fresh, never-frozen meal is chef-crafted, dietitian-approved, and ready to go in just 2 minutes. You have over 35 different options to choose from every week, including Calorie Smart, Protein Plus, and Keto options. And there are more than 60 add-ons to help you stay fueled up and feeling good all day long. Head to FactorMeals.com/bawdy50 and use the code bawdy50 to get 50% off. Half Off! That's code bawdy50 at FactorMeals.com slash bawdy50 to get 50% off! What are you waiting for? Get started today and get after your goals.   My Upcoming Workshops: My Secret System Storytelling Workshops are returning - and this time, you can attend either online, or live and in-person! Registration will be offered to newsletter subscribers first, so sign up now.   But I have 2 different workshops. Which one is best for you?   How to Be Fascinating: Dixie's Secret System for Brilliant Storytelling (perfect for parties and social events, getting better at speaking up at work, and dealing with the social anxiety of public speaking)   •    How to Be Bawdy: Dixie's Secret System for Uncensored Storytelling (learn how to tell stories the way that Bawdy storytellers do, esp sharing your personal story in an inclusive, detailed yet relatable way. Special topics will include polyamory stories, kink stories, illustrating consent in your story, transporting your audience into a scene, and more)   Subscribe to the Bawdy Storytelling email at https://bawdystorytelling.com/subscribe   Bawdy's East Coast Tour is over for now, but… Do you want Bawdy Storytelling in *your* city next? I'm back, and ramping up for more cities and live shows. Maybe an evening of *my* personal stories, or a House Concert, a BawdySlam, or ? Send me a message and let's figure it out! BawdyStorytelling@gmail.com   Patreon Special Offer:   Join Bawdy's Patreon now to get exclusive Patreon-only rewards (and my eternal gratitude). Podcasting has been decimated by high profile celebrity podcasts, and Independent podcast like Bawdy are suffering…The Golden Age of Podcasting is over, so if you love the Bawdy podcast, remember: this thing is entirely Listener Supported, and we need your financial assistance to continue.   If not Patreon: Looking for another way to ensure this podcast continues? How about a one-time Donation? Our Payment links are:   Venmo: @BawdyStorytelling or https://www.venmo.com/bawdystorytelling CashApp: https://cash.app/$DixieDeLaTour Paypal: paypal.me/bawdystorytelling Zelle: https://www.zellepay.com/  Email address is  BawdyStorytelling@gmail.com BuyMeACoffee: buymeacoff.ee/bawdy   Ko-fi : Ko-fi.com/thanksbawdy   Patreon: https://www.patreon.com/Bawdy   Here's a great deal: The Patreon All-You-Can-Eat Special: Need some True Stories / Entertainment to stay thrilled and connected as only Bawdy can do, no matter where you are? Right now, you can Sign up (or Increase your support) for the $25/month level on Bawdy's Patreon and you'll get: •  40+ Hours of Bawdy, on Video! •  16 Full Length Livestreams (each is over 2 hours long) Recorded Stories from Margaret Cho, Sunny Megatron, Dirty Lola, Slutever, Reid Mihalko, and many more •  Original Music from Rachel Lark, Jefferson Bergey, Shirley Gnome - All your favorites from the Bawdy Stage You'll be helping me continue the Bawdy Podcast, Live Shows, and assist in the development of new projects that I have in the works •  Available at the $25/month or greater level at: https://www.patreon.com/Bawdy   Want to work one-on-one with me on your story? Storytelling is everywhere, and it's essential to your personal and work life. Right now I'm offering private coaching on Zoom… Want to work on your personal branding? (your dating profile, website, etc). Want my help to develop the story line for your documentary? to help craft personal stories for the stage? I can help you live the life that you've always dreamed about: communicating with clarity, landing your dream job, feeling more confident when you speak socially and on stage, and discovering what makes you tick (storytelling is so good for figuring out what drives you) … Whether it's getting onstage for the first time, writing your memoir, creating a podcast, or learning how to use brand storytelling for your business, I can help. Email me at BawdyStorytelling@gmail.com and let's make it happen.   My Writings, and the Ramble: My upcoming Substack 'The Dixie Ramble' is at https://substack.com/profile/22550258-dixie-de-la-tour #Subscribe   Bawdy Got Me Laid perfume, Bawdy Butter & more: Dixie has created her own fragrance: You'll love #BawdyGotMeLaid perfume, scented with golden honey, amber, ylang ylang, and warm vanilla. There's also our (scented or unscented) creamy Bawdy Butter, Hair & Bawdy Oil, & more. Bawdy Got Me Laid Merchandise means you can deliver your own great smelling Motorboats while supporting Dixie and Bawdy. Get yours today at https://bawdystorytelling.com/merchandise   Check out our Bawdy Storytelling Fiends and Fans group on Facebook - it's a place to discuss the podcast's stories with the storytellers, share thoughts with your fellow listeners, & help Dixie make the podcast even better. Just answer 3 simple questions and you're IN! https://www.facebook.com/groups/360169851578316/ Thank you to the Team that makes this podcast possible! Team Bawdy is:   Podcast Producer: Roman Den Houdijker Sound Engineer: David Grosof Storytelling support by Mosa Maxwell-Smith Dixie's Virtual Assistant is Roillan James Video & Livestream support from Donal Mooney Bawdy's Creator & Host is Dixie De La Tour & Thank you to Pleasure Podcasts. Bawdy Storytelling is proud to be part of your s*x-positive podcast collective!   Website: https://bawdystorytelling.com/ On Instagram: https://www.instagram.com/bawdystorytelling/ Like us at www.Facebook.com/BawdyStorytelling Join us on FetLife: https://fetlife.com/groups/46341 Support us on Patreon at https://www.patreon.com/Bawdy Watch us on YouTube at http://bit.ly/BawdyTV Find out about upcoming Podcast episodes - & Livestreams - at www.BawdyStorytelling.com/subscribe  

Dr. Lexx talks about why sex positive parenting in a shame-free environment offers more benefits than just educating about the act of sex. It's a discussion benefits both adults -- whether you're a parent or not -- and children.About My Guest:Dr. Lexx Brown-James, LMFT, CSE, CSES is a phenomenal sex therapist and sexuality educator who created The Institute for Sexuality & Intimacy, LLC where she features her education skills, therapy services, keynotes, research and sex positivity training for caregivers. She has a best-selling children's book These are My Eyes, This is My Nose, This is My Vulva, These are My Toes that is also featured in a curriculum for kindergarteners and first graders in the New York City School District.Dr. Lexx also serves on the board of The American Association for Sexuality Educators, Counselors, and Therapists (AASECT) and is primed to be the first Black woman president of the organization in 2024. She has been featured on podcasts like NPR, ScaryMommy, Therapy for Black Girls, and New York Pix 11 news. Her column, Better Sex with Dr. Lexx for SheKnows has been picked up numerous times by yahoo.com and other news outlets. Dr. Lexx has been featured in articles from MindBodyGreen, Essence Magazine, BuzzFeed, and The American Journal of Family Physicians. Connect with Dr. Lexx:Website: lexxsexdoc.comInstagram: @lexxsexdocFacebook: @lexxsexdocLinkedIn: @lexxsexdocLike. Follow. Share. Website: grownandgrowing.buzzsprout.comFacebook: @GrownandgrowingpodcastInstagram: @GrownandgrowingpodcastYouTube: Grown and Growing PodcastEmail: grown.growingpodcast@gmail.com

Compline by Candlelight provides peace and stillness as one week ends and another begins. Enjoy 30 minutes of improvised music by The Choir of Trinity Wall Street with this week's podcast, featuring: My Eyes for Beauty Pine – Elizabeth and Thomas Coxhead

Each month, we research a pivotal figure in American Music. In the past our Spotlight Shows having included in depth looks at BB King, Stevie Ray Vaughan, Robert Johnson, Johnny Cash, Buddy Guy, John Hiatt, The Folk and Blues Roots of Led Zeppelin, Etta James, Neil Young, and many more. This month we look at the Music and Legacy of Bob Dylan. In addition to our broadcast show, special online only shows are also available.A Spotlight Show plays the music of those who influenced our featured artist, those they influenced, those who's songs they covered, and cover versions of their songs. I hope you enjoy our show. A clear listing, with links, can be found on at www.facebook.com/PSBlues . While you're there, say hello! Thanks for listening, Rick.36. Leadbelly / Gallis Pole37. Josh White / In MY Time of Dying38. Mississippi Sheiks / I've Got Blood in MY Eyes for You39. Eric Bibb / Masters of War 40. Keb Mo / The Times They are A Changin'41. Blind Willie McTell / Statesboro Blues 42. Bob Dylan / Blind Willie McTell 43. Rickie Lee Jones / Subterranean Homesick Blues44. Cat Power / Stuck Inside of Mobile with the Memphis Blues Again45. The Duhks / It's Alright Ma, I'm Only Bleeding46. Stephen Malkus & The Million Dollar Bashers / Maggies Farm47. Bob Dylan / Pretty Boy Floyd (Woody Guthrie)48. Nanci Griffith / Boots of Spanish Leather49. Glen Campbell / Don't Think Twice, It's All Right50. Bruce Springsteen / Chimes of Freedom51. Robert Plant / One Cup of Coffee

-As always, email your questions for Sip, Jake & Bill to earlybreak937@gmail.com or tweet them-Also, SONG OF THE DAY (sponsored by Sartor Hamann Jewelers):  "Doctor My Eyes" - Jackson Browne (1972)Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Gambling problem? Call 1-800-Gambler or visit w w w dot 1 800 gambler dot net. In New York, call 877-8-HOPENY or text HOPENY (467369). In Connecticut, Help is available for problem gambling call 888-789-7777 or visit c c p g dot org. Please play responsibly. On behalf of Boot Hill Casino & Resort (KS). Licensee partner Golden Nugget Lake Charles (LA). 21 plus age varies by jurisdiction. Void in Ontario. See D K N G dot co slash baseball for eligibility, terms and responsible gaming resources. Bonus bets expire seven days after issuance. Eligibility and deposit restrictions apply.++++Timestamps:0:00 My Eyes are on Paul Sewald7:40 Max Scherzer11:00 Brandon Pfaadt15:45 My Wife Had Questions About the World Series21:35 QB Funny Business All Over the NFL23:45 Vikings Beat Packers, Kirk Cousins is Done25:45 The Titans, Will Levis, & D-Hop30:20 Saints & Dolphins Win31:05 Jets and Giants Played the Worst Game in NFL History40:00 Jaguars are Good?41:15 Eagles Beat the Commanders42:30 Seahawks Have Talent!43:55 Ravens Beat Cardinals, Go to 6-245:40 Broncos Beat the Chiefs46:50 Bengals BEAT the 49ers Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.

Gambling problem? Call 1-800-Gambler or visit w w w dot 1 800 gambler dot net. In New York, call 877-8-HOPENY or text HOPENY (467369). In Connecticut, Help is available for problem gambling call 888-789-7777 or visit c c p g dot org. Please play responsibly. On behalf of Boot Hill Casino & Resort (KS). Licensee partner Golden Nugget Lake Charles (LA). 21 plus age varies by jurisdiction. Void in Ontario. See D K N G dot co slash baseball for eligibility, terms and responsible gaming resources. Bonus bets expire seven days after issuance. Eligibility and deposit restrictions apply.++++Timestamps:0:00 My Eyes are on Paul Sewald7:40 Max Scherzer11:00 Brandon Pfaadt15:45 My Wife Had Questions About the World Series21:35 QB Funny Business All Over the NFL23:45 Vikings Beat Packers, Kirk Cousins is Done25:45 The Titans, Will Levis, & D-Hop30:20 Saints & Dolphins Win31:05 Jets and Giants Played the Worst Game in NFL History40:00 Jaguars are Good?41:15 Eagles Beat the Commanders42:30 Seahawks Have Talent!43:55 Ravens Beat Cardinals, Go to 6-245:40 Broncos Beat the Chiefs46:50 Bengals BEAT the 49ers Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.

Gambling problem? Call 1-800-Gambler or visit w w w dot 1 800 gambler dot net. In New York, call 877-8-HOPENY or text HOPENY (467369). In Connecticut, Help is available for problem gambling call 888-789-7777 or visit c c p g dot org. Please play responsibly. On behalf of Boot Hill Casino & Resort (KS). Licensee partner Golden Nugget Lake Charles (LA). 21 plus age varies by jurisdiction. Void in Ontario. See D K N G dot co slash baseball for eligibility, terms and responsible gaming resources. Bonus bets expire seven days after issuance. Eligibility and deposit restrictions apply. ++++ Timestamps: 0:00 My Eyes are on Paul Sewald 7:40 Max Scherzer 11:00 Brandon Pfaadt 15:45 My Wife Had Questions About the World Series 21:35 QB Funny Business All Over the NFL 23:45 Vikings Beat Packers, Kirk Cousins is Done 25:45 The Titans, Will Levis, & D-Hop 30:20 Saints & Dolphins Win 31:05 Jets and Giants Played the Worst Game in NFL History 40:00 Jaguars are Good? 41:15 Eagles Beat the Commanders 42:30 Seahawks Have Talent! 43:55 Ravens Beat Cardinals, Go to 6-2 45:40 Broncos Beat the Chiefs 46:50 Bengals BEAT the 49ers Learn more about your ad choices. Visit megaphone.fm/adchoices