Podcasts about Sonic Youth

When I was a kid in the 80's, I used to listen to a local radio show called On The Wire, presented by Steve Barker. Steve and John Peel were single handedly responsible for me finding bands and artists like African Headcharge, Sonic Youth, Tackhead, Test Dept, Cabaret Voltaire, Mark Stewart and The Mafia, Keith Le Blanc, Red Lorry Yellow Lorry and so many others. It was so, so thrilling to discover these new artists. And the show is still going, Steve is still going (albeit on Mixcloud because the BBC unceremoniously turfed him off the radio in favour of some shit pretentious show that'll have the listeners running for the hills.Anyway, he tags his shows with the magnificent term of “Undefinable” which makes me just love him even more because I loathe the whole way that genres are used to stereotype and pigeonhole.And this is where – in a long winded way -  my guest, David Roush and his wonderful band Ecce Shnak fit in. Undefinable. Going back to the release of Letter to German Vasquez Rubio around 13/14 years ago to their latest single Katy's Wart from their LP Joke Oso. They are a fascinating kaleidoscope of creative fertility and imagination which I think is one of the most important characteristics to have in the world today and I'm really excited to talk to David about his mindset and how this has helped to shape who he is today.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

A harpist since childhood–as well as the daughter of one–Mary Lattimore’s choice of instrument reveals the simple beauty it contains, transcending the stereotype of it being strictly for use in classical music or as flourishes in movie soundtracks. Her ability to cut straight to the heart in her compositions works the same trick, not relying on the standard glissandos often employed by traditional players, but simply reducing the instrument to its essence. Her most recent release is a duet with Julianna Barwick, Tragic Magic, and came out in January of 2026. The duo will perform at this year’s Big Ears Festival in Knoxville in March of 2026. Hear how songs by Debussy, The Cure, and Sonic Youth guided her musical path.See omnystudio.com/listener for privacy information.

Modern indie rock figureheads Snail Mail are gearing up to release a highly anticipated new album. Oliver checks out the latest pre-release single 'My Maker', and plays favourites from the iconic 2018 record 'Lush'. Then, another great new single from the upcoming Brown Horse record, this one with some shoegaze influences, and a look at Canadian post-punk group Cola. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Danny Goldberg shares insider stories from his 50-year career as Led Zeppelin's publicist and Nirvana's manager, revealing Kurt Cobain's creative genius and the first-hand dynamics behind rock's biggest bands. Order Danny's book "Bumping Into Geniuses" here Topics Include: Danny discusses the 2026 reissue of "Bumping into Genius" Admits his turntables are mostly for show, prefers streaming now Kept about 100 vinyls including The Fugs on ESP Records Answered a Billboard ad not knowing music business existed Found his calling through enthusiasm and sensitivity to artists Became Led Zeppelin's US publicist in 1973 for Houses of the Holy The biggest band in the world had never gotten positive press Peter Grant described them as "just mild barbarians" Bonzo would arrive early to tune drums for each room's acoustics Jimmy Page avoided TV—felt it couldn't deliver Zeppelin's true sound Physical Graffiti era: Danny became Swan Song Records vice president His blues tribute pitch rejected—later repurposed for Foghat Robert Plant was eloquent and handled most press duties willingly Jimmy's Crowley interest rarely came up in day-to-day interactions Met Ringo, never John or George—All Things Must Pass is essential Nirvana's 92 Australian tour produced the Rolling Stone cover shoot Kurt's "Corporate magazines still suck" shirt was pure tightrope genius He storyboarded every Nirvana video shot by shot himself Appeared on Headbangers Ball in a dress to subvert metal culture Nevermind hit five radio formats simultaneously—unprecedented crossover success Kurt agreed to edit In Utero packaging for Walmart-only kids Fame invaded his privacy—tabloid coverage of Courtney infuriated him Depression and heroin predated fame—confirmed by Chris Novoselic Danny dismisses conspiracy theories—Seattle PD had no coverup motive Sub Pop planned "Cash Cow"—Kurt licensed it back as Incesticide Incesticide liner notes rank among Kurt's most remarkable creative statements Danny calls In Utero Kurt's best songwriting, his personal favorite Bonnie Raitt's Nick of Time gave Danny credibility to expand management John Silva brought Redd Kross, leading to Sonic Youth, then Nirvana Born Innocent documentary on Redd Kross earns Danny's recommendation High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

 Jib Machine Records is pleased to announce that its kicking off 2026 with some exciting news. Signed with Jib Machine since 2021, one of punk music's most notorious bands, Nihilistics, are featured in the new multi-CD release, “CBGB – A New York city Soundtrack 1975-1986”. The project is out now via Cherry Red Records and features their song “You're To Blame”. The four-piece hardcore band, comprised of Ron Rancid, Ajax Lepinksi, Joe Dread and Troy, first took on the New York scene in 1979. Among the band's more notorious live concerts, are their first-ever gig that resulted in Rancid's arrest. The legend grew and from there the band gigged at the famed CBGB and a slew of other Manhattan clubs followed, as did several albums to their name. Additional artists on the Cherry Red Records release include Talking Heads, Mumps, Blondie, Sonic Youth and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

(00:00:00) Sonic Youth - Washing Machine / 1995 (00:33:21) Japanese Breakfast - Jubilee / 2021 (01:03:16) Dødheimsgard - Black Medium Current / 2023

On this week's Talkhouse Podcast, we've got two women whose singing styles are similar in that they're both absolutely singular, unmistakable, and wonderfully out of step—just don't call it spoken-word. It's Florence Shaw of Dry Cleaning and Sue Tompkins of Life Without Buildings. As you'll hear in this chat, Dry Cleaning sort of fell together in London around 2017, when the three instrumentalists approached their friend Florence Shaw to add some vocals to the music they had been writing. It turned out that Shaw's approach—speaking dense, clearly crafted but never obvious words—slotted in perfectly with the sort of nervous-yet-precise songs they had been working on. By 2020, Dry Cleaning had signed with the venerated 4AD label and the next year released a debut album, New Long Leg, that earned comparisons to post-punk greats like Siouxsie and Sonic Youth. For their third studio album, Secret Love, Dry Cleaning worked with producer-slash-musician Cate Le Bon, and they stretched out a bit, mellowing the sharp corners a bit while Shaw experiments more with vocal melody than before. Check out “Cruise Ship Designer” from Secret Love right here. Another person that eagle-eared listeners have compared Florence Shaw to is Sue Tompkins of the legendary, kinda-lost Scottish band Life Without Buildings. Life Without Buildings only released one album, Any Other City, in their brief three-year run, but it had a focused impact. Shaw remembers hearing the record as a teen. “It blew my mind that you could free yourself from the pressure of making traditional sense in lyrics,” she told the website Hearing Things, before mentioning that she'd love to meet Tompkins one day and thank her. Well, with some recent activity on the Life Without Buildings front—Tompkins contributed vocals to a new Sleaford Mods song, and the band just announced a couple of reunion shows—it seemed like the perfect time to get them together. In this delightful chat, Tompkins and Shaw talk about the similar origins of their respective bands, how genuinely kind the dudes of Sleaford Mods are, and their understandable reticence about the term “spoken word.” They also chatted a bunch about the TV shows Dragons' Den and Eastenders, but we had to trim that in the interest of time. Trust me, it was great. Enjoy.  Thanks for listening to the Talkhouse Podcast, and thanks to Sue Tompkins and Florence Shaw for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

Oliver checks out alt/americana group Hiss Golden Messenger, including a brilliant new single from a recently announced album. Plus, Philly punk rockers Remember Sports' pre-release single 'Across The Line' from their new album 'The Refrigerator' was one of Oliver's tracks of 2025. Now the full album has been released. Oliver checks out another favourite from it and plays a favourite piece of 'indie punk' from their back catalog. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

The Sonic Youth cofounder opens up about her solo output, the intersection of art and music, and her new album, PLAY ME. For over four decades, Kim Gordon has navigated the edges where fine art meets noise. Her claim to fame was as a founding member of Sonic Youth, the band that took the nihilistic, abrasive energy of New York's no wave scene and forged it into a new language for rock. After Sonic Youth's public breakup in 2011, Gordon returned to her original creative practice: visual art. But in recent years, she has undergone a staggering creative transformation that's led her back to music. At 72—an age when most legends are content with the heritage circuit—she has instead dived headlong into the sounds of the present: industrial electronics, Chicago footwork and the blown-out low-end of SoundCloud rap. Aiming to break with her Sonic Youth legacy, Gordon released her first two solo albums, No Home Record and The Collective, in 2019 and 2024, respectively. And now, she's back with her third LP: PLAY ME. Working alongside producer Justin Raisen, she uses beat-oriented frameworks to interrogate what she calls the "tyranny of frictionless culture." From naming Spotify playlists in her lyrics to donating proceeds to reproductive rights, her work remains a vital, confrontational critique of late capitalism and technocratic fascism. In this RA Exchange, Gordon discusses the process of moving closer to solo work, as well as the masculinity of rock; her evolving relationship with electronic music; the politics of the "body;" and why, after thinking she was done with music, she keeps getting pulled back in. Listen to the episode in full.

The Sonic Youth cofounder opens up about her solo output, the intersection of art and music, and her new album, PLAY ME.For over four decades, Kim Gordon has navigated the edges where fine art meets noise. Her claim to fame was as a founding member of Sonic Youth, the band that took the nihilistic, abrasive energy of New York's no wave scene and forged it into a new language for rock. After Sonic Youth's public breakup in 2011, Gordon returned to her original creative practice: visual art. But in recent years, she has undergone a staggering creative transformation that's led her back to music. At 72—an age when most legends are content with the heritage circuit—she has instead dived headlong into the sounds of the present: industrial electronics, Chicago footwork and the blown-out low-end of SoundCloud rap.Aiming to break with her Sonic Youth legacy, Gordon released her first two solo albums, No Home Record and The Collective, in 2019 and 2024, respectively. And now, she's back with her third LP: PLAY ME. Working alongside producer Justin Raisen, she uses beat-oriented frameworks to interrogate what she calls the "tyranny of frictionless culture." From naming Spotify playlists in her lyrics to donating proceeds to reproductive rights, her work remains a vital, confrontational critique of late capitalism and technocratic fascism.In this RA Exchange, Gordon discusses the process of moving closer to solo work, as well as the masculinity of rock; her evolving relationship with electronic music; the politics of the "body;" and why, after thinking she was done with music, she keeps getting pulled back in. Listen to the episode in full. Hosted on Acast. See acast.com/privacy for more information.

In which The Curmudgeons revisit the goofy yet ambitious and thrillingly original dawn of grunge music. Unbeknownst to some, the story of what became the dominant mainstream brand of rock 'n' roll in the 1990s dates back to 1984, back when the Seattle area was cold, rainy, gloomy and also a sleepy outpost that was surprisingly actually skipped by major artists of the time. So what you do you when no one's really watching and there isn't a whole lot to do? You mess around wiht your friends and bond over a love for 1970s classic rock, punk, metal, prog rock and other various forms of guitar-driven rock. And you started bands and shared ideas and worked to one up another in finding a way to meld all you loves into one sonic package. And that's exactly what the innovators of grunge did: found a sweet spot in between the fury of punk on the one hand and the grandeur and theatricality of metal on the other. Here. we discuss the first wave of bands that figuratively--and literally-put grunge on the map. We cover Green River, the Melvins, Soundgarden and more...   Listen to all of this awesome proto grunge from the 1980s by accessing our special Spotify playlist: https://open.spotify.com/playlist/3IcoNHpnt15muKt4cg8CLy?si=6c1adf065eb44519   Here's a handy navigation companion to this episode:   (00:52 - 04:23) - Arturo Andrade sets the parameters for our discussion of early grunge   (06:13 - 23:56) - The Parallel Universe, featuring discussions of music of recent vintage from The Men and Cameron Winter   (24:55 - 58:07) - We discuss the origin in story of grunge by providing context about the Pacific Northwest scene in the 1980s. We also analyze great albums from Green River, the Melvins and Sound Garden   (59:02 - 01:18:41) - We analyze a number of great "grunge-adjacent" albums from Sonic Youth, Dinosaur Jr. and The Pixies. And we cover the last great volley from Green River before its members went on to found Mudhoney and Pearl Jam in later years.   Join our Curmudgeonly Community today! facebook.com/groups/curmudgeonrock   Edited with an assist from Descript! web.descript.com/    Hosted on Podbean! curmudgeonrock.podbean.com   Subscribe to our show on these platforms: podcasts.apple.com/us/podcast/the-curmudgeon-rock-report/id1551808911   open.spotify.com/show/4q7bHKIROH98o0vJbXLamB?si=5ffbdc04d6d44ecb   music.amazon.com/podcasts/5fea16f1-664e-40b7-932e-5fb748cffb1d/the-   Co-produced and co-hosted by The Curmudgeons - Arturo Andrade and Christopher O'Connor  

Oliver checks out Canadian/Belgian neo-psych band GHOSTWOMAN, a brilliant group that he admits he's been late to the party on. Then, some indie rock 'sonic coincidences', great tracks with some uncanny sonic brothers, which means they're great tracks too. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Inspirado por las radiofórmulas americanas, hoy toca disfrutar de una sesión épica de grunge sin (casi) interrupciones. ¿Te gusta el formato? Deja tu comentario para decidir si repetimos con este u otros géneros. Suenan: Soundgarden, Sonic Youth, Alice in Chains, Veruca Salt, Mudhoney, Brad, PJ Harvey, TAD, Nirvana, Hole, Bush, Pearl Jam, Mother Love Bone + info - https://linktr.ee/b90podcast Espacio patrocinado por: Barullo -Unai Elordui - JulMorGon - David Salamanca Sanz - Jaime Marchica Band - Sr.Jota - Theinvisibleband - jorge - Llorx Miller - Yago Llopis - chalsontheroute - boldano - estebansantosjuanesbosch - Vicent Martin - Matias Ruiz Molina - Próxima Estación Okinawa - Rosa Rivas - Achtungivoox - jvcliment - Jaume Solivelles - Javier Alcalde - jmgomez - Ana Isabel Miguélez Domínguez - Iñigo Albizu - Rachael - Power42 - Naïa - Dani GO - Jaime Cruz Flórez - DOMINGO SANTABÁRBARA - faeminoandtired - Jose Manuel Valera - Ivan Castro - Javi Portas - Belén Vaca - Ana FM - tueresgeorge - Eduardo Mayordomo Muñoz - Barrax de Pump - pdr_rmn - fernando - QUIROGEA Integrative Osteopath - J. Gutiérrez - Gabriel Vicente - Carlos Conseglieri - Miguel - Isabel Luengo - Franc Puerto - screaming - HugoBR - angelmedano - Vicente DC - Alvaro Gomez Marin - Alvaro Perez - Sergio Serrano - Antuan Clamarán - Isranet - Paco Gandia - ok_pablopg - Crisele - Wasabi Segovia - Dani RM - Fernando Masero - María Garrido - RafaGP - Macu Chaleka - laura - davidgonsan - Juan Carlos Mazas - Bassman Mugre - SrLara - carmenlimbostar - Piri - Miguel Ángel Tinte - Jon Perez Nubla - Nuria Sonabé - Pere Pasqual - Juanmi - blinddogs - JM MORENTE - Alfonso Moya - Rubio Carbón - LaRubiaProducciones - cesmunsal - Marcos - jocio - Norberto Blanquer Solar - Tolo Sent - Carmen Ventura - Jordi y varias personas anónimas. ✌️

Fully & Completely: ReduxEpisode 6 — Trouble at the Henhouse (1996)In this episode of Fully & Completely: Redux, we land in 1996 and crack open Trouble at the Henhouse — one of the most misunderstood, emotionally loaded, and quietly radical albums in the catalogue of The Tragically Hip.What should have been a victory-lap record turns into something stranger and braver: stripped-back, red-toned, reflective, and full of songs that don't explain themselves — they linger. This is the sound of a band surviving the 90s, refusing to coast, and accidentally making one of the era's most enduring records.Hosts jD and Greg LeGros dig into the album track by track, placing it inside the cultural hangover of the mid-90s: the end of high school, the death of grunge's innocence, shifting radio formats, CanCon realities, and the moment when everything felt like it was changing — whether you were ready or not.What We Talk AboutWhy Trouble at the Henhouse feels like the hangover to Day for NightThe opening five-song run (Gift Shop → Flamenco) as one of the strongest stretches in the Hip's careerRobbie Baker's guitar finally stepping out of the shadowsThe sequencing controversy (yes, we're talking 700 Foot Ceiling and Butts Wiggling)“Ahead by a Century” as a once-in-a-generation song — and why it had to be the oneGord Downie's writing shift: misdirection, restraint, and devastating clarityDon't Wake Daddy as the emotional centre of the record (and the 90s)Sonic Youth, PJ Harvey, Eric's Trip, and the ghosts living between the groovesWhy this album was divisive then — and why it's essential nowStandout MomentsThe bleed from Gift Shop into Springtime in Vienna as a mission statementThe Kurt Cobain reference that somehow lands with graceFlamenco as both comfort and confrontationSherpa as pure atmosphere — the quiet psychedelic cousin of Day for NightPut It Off as an ending that feels like everything slowly going darkWhy This Album Still HitsTrouble at the Henhouse isn't flashy. It doesn't chase hits. It doesn't hold your hand.It sits with you.This episode makes the case that the record's power lies in its restraint, its refusal to repeat past triumphs, and its willingness to capture a moment when music — and life — felt heavier, stranger, and more complicated.Red instead of blue.Morning instead of night.The hangover instead of the party.Listen & Follow

Elsäßer, Fabian www.deutschlandfunk.de, Corso

On this special interview episode, Erin sits down to talk to Emmy and Peabody Award-winning editor Jessica Hernandez about her work on the documentary The Best Summer, which recently premiered at Sundance to critical acclaim. The Best Summer is an immersive POV camera footage that reveals electric performances, candid interviews, and intimate backstage life with Beastie Boys, Sonic Youth, Foo Fighters, Pavement, Rancid, Beck, The Amps, and Bikini Kill — an all-access view inside an era-defining moment in music. You can follow us on Letterboxd at: https://letterboxd.com/itsafandomthing/Consider supporting us on Patreon: ⁠⁠https://www.patreon.com/itsafandomthingpod⁠⁠.For links to our social media, visit our website: ⁠⁠https://itsafandomthingpod.com/⁠⁠Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.com/invite/7aTTCAWZRx⁠⁠⁠⁠⁠⁠⁠⁠⁠You can follow Fergie on TikTok: ⁠⁠https://www.tiktok.com/@schroederandfergs⁠⁠Cover art by Carla Temis.Podcast logo by Erin Amos.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"With the perfect mix of melody, aggression, and energy, Portland, Oregon's FeverSleep land somewhere between the worlds of punk and grunge–if genres are your thing. But, this is no rehash of a bygone era. These well-seasoned musicians pull from a diverse array of influences to create something fresh but just familiar enough to feel like you're welcoming an old friend. Consisting of former members of Young Livers, Dikembe, and Lock and Key, FeverSleep's debut self-titled EP is characterized by its ferocious thrum of overdriven bass, prowling riffs, and soaring melodies rounded out with a touch of melancholy. Imagine a more melodic Helmet or a more aggressive Sonic Youth, buoyed throughout by a driving wall of noise and haunting choruses reminiscent of Dinosaur Jr. and Constantines. Finally, they throw in some DC-influenced energy and vigor for good measure." Thanks for listening!!! Please Follow us on Instagram @hiddentracks99Pre and Post roll music brought to you by @sleepcyclespa

Oliver checks out his favourite album across all of Pavement frontman Stephen Malkmus' projects, his 2001 debut 'Stephen Malkmus' 25 years after it was released. It's an album which carries a strong sonic ancestry from Pavement, but also sees Malkmus experimenting with more instrumentation and involving folk and Americana sounds. Plus, a look at favourites from the 'Psych Box' compilation by two legendary neo-psych bands. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Matt welcomes Producer /engineer/mixer and film composer Sanford Parker. As an artist he's performed and released albums with extreme heavy and industrial bands like Black Cross Hotel, Corrections House, Mirrors for Psychic Warfare and Minsk. Throughout the years he's collaborated with members of Sonic Youth, Ministry, Napalm Death and Neurosis as well as producing and mixing albums for Darkthrone, Voivod, Brutal Truth, Pelican, YOB, Hide, Youth Code, Wovenhand, Rwake, Local H and many others. TakeawaysSanford opened his studio in March 2020, just before the pandemic.He prefers working with independent artists and punk music.Chicago's music scene is affordable compared to other major cities.Managing overhead is crucial for running a successful studio.Sanford transitioned to mixing in the box for efficiency.He values genuine relationships with artists over bureaucracy.The pandemic shifted his work focus back to mixing.The flexibility of working remotely with clients.Learning to navigate financial discussions with bands.Independent music often allows for quicker decision-making.Links and Show Notes:Sanford's SiteMatt's Rant: Your JourneyCredits:Guest: Sanford ParkerHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

Hoy en La Gran Travesía recordamos la trágica noticia que sacudió el mundo de la música, cuando Buddy Holly, Richie Valens y The Big Bopper fallecían en un accidente de avioneta hace exactamente 67 años, un 3 de febrero de 1959. Además, en el programa de hoy podréis escuchar a The Tornados, The Kinks, Sinnead O´ Connor, Dire Straits, Sonic Youth, Julian Cope, Chemical Brothers, Biffy Clyro, Lemon Pipers, Blondie... y muchos más. ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Tole, Raquel, Poncho C, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

Hosts Jim DeRogatis and Greg Kot share a fresh batch of songs that deserve more attention- what they call "buried treasures." They also hear picks from their production staff.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Annie and the Caldwells, "Wrong (feat. Deborah Caldwell Moore)," Can't Lose My (Soul), Luaka Bop, 2025The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Joyce Manor, "I Know Where Mark Chen Lives," I Used to Go to this Bar, Epitaph, 2026The Long Ryders, "Four Winters Away," High Noon Hymns, Cherry Red, 2026Amateur Hour, "Stad I Ljus," Går I Kras, Appetite, 2025Girl Scout, "Operator," Operator (Single), AWAL, 2026The Eye Captain, "Jane and Milo in the Afterglow," Jane and Milo in the Afterglow, Self Released, 2025Magic Castles, "Death Dreams," The Lore Of Mysticore, Dust and Memory, 2025Scout Gillett, "Too Fast To Last," Tough Touch, Slouch, 2026Orchestra Gold, "Diyanye Ko," Dakan, Self Released, 2025Jason P Woodbury, "Get To Meet Them," Jason P. Woodbury & The Night Bird Singing Quartet, Always Happening, 2026Yoni Mayraz, "Sonic Youth," Dogs Bark Babies Cry, PPK, 2025Gran Moreno, "Aztlan," El Sol, Self Released, 2026Deathcat, "Dreamgrl," Dreamgrl, Sockhead, 2025Brad Mehldau, "Exit Music," Songs: The Art of the Trio, Vol. 3, Warner Bros., 1998Clipse, "All Things Considered," Let God Sort Em Out, Roc Nation, 2025The Replacements, "Left of the Dial," Tim, Sire, 1985See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

U.K Americana group Brown Horse released Oliver's record of the year in 2025, and now they're back already with the first single 'Twisters' from their next project 'Total Dive'. Oliver plays favourites from 'All The Right Weaknesses' and then checks out the new single. Plus, pre-release singles from the much-anticipated new albums from Snail Mail and Courtney Barnett, then a new song from Cut Worms. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

This week we're obsessing over the hilarious and harrowing “Where's My Phone?” from Mitski, a slightly softer solo cut from Sonic Youth's Kim Gordon, the confounding but wondrous wordplay of Father John Misty and more.NPR Music editor Hazel Cills joins host Robin Hilton.Featured songs and artists:(00:00) Mitski: “Where's My Phone?” from ‘Nothing's About to Happen to Me'(09:29) Robber Robber: “The Sound It Made,” from ‘Two Wheels Move the Soul'(16:01) Tinariwen: “Sagherat Assani (feat. Sulafa Elyas),” from ‘Hoggar'(24:44) Kim Gordon: “NOT TODAY,” from ‘PLAY ME'(31:39) Father John Misty: “The Old Law” (single)(37:21) Vero: “100 Calls,” from ‘Razor Tongue'Support the show with a review on Apple, Spotify, or wherever you listen to podcasts. And tell a friend!Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.orgLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Welcome to Part 2 of the second annual Seeing Them Live Year End Concert Review show, where a panel of returning guests share their favorite live music experiences from 2025. Host Charles brings together an eclectic group of music enthusiasts including Andy, Jessica, Steve, and superfan Dawn Fontaine to discuss the most memorable live music experiences of 2025.Dawn shares highlights from her incredible 55-show year, including intimate performances by New York punk bands The Lousekateers and Typhoid Rosie at JJ's Tavern in Florence, Massachusetts, and her milestone 50th Soraia show at Music Fest in Bethlehem, Pennsylvania. The conversation takes an extraordinary turn when Dawn recounts her once-in-a-lifetime experience winning a contest in 2002 that put her on the Rolling Stones' private jet, where she met and chatted with Mick Jagger, Keith Richards, Ronnie Wood, and the late Charlie Watts. The band even played her favorite song, "Can't You Hear Me Knocking," at the Denver show the next night. Dawn also discusses her new role booking shows for Soraia, turning her passion for the band into a dream job that allows her to be part of their team.Steve brings the star power with his account of seeing Lady Gaga at T-Mobile Arena in Las Vegas, which he ranks in his top 10 concerts of all time despite not being a superfan. He describes the show as mind-blowing, with incredible choreography, costume changes, and an intimate piano performance of "Die With a Smile" that transformed the energy of the 18,000-person venue. Steve also highlights seeing St. Vincent at the Tabernacle in Atlanta, praising her guitar skills and stage presence influenced by David Byrne, as well as catching Joan Jett with Alanis Morissette and being amazed at how Joan's voice hasn't changed over the decades. His Vegas weekend also included the Psychedelic Furs at House of Blues and Adele at Caesars Palace, making for an unforgettable concert trip.Andy rounds out the episode with his diverse concert year, starting with the mesmerizing guitar work of Mdou Moctar at The Space and a spontaneous third-row experience seeing Los Lobos and Los Lonely Boys at Hard Rock Gary. His spring break trip to Vegas delivered a surprise highlight when he caught Joe Russo's Almost Dead at Brooklyn Bowl, calling it his surprise concert of the year with their incredible double guitar attack. Andy also shares his Bonnaroo experience, seeing Neil Young perform his new song "Crime in the White House" at Meigs Field (where they unknowingly appeared in the music video), and attending Riot Fest to see Jack White and the Beach Boys with John Stamos. The episode wraps with the group discussing their most anticipated 2026 shows, including Iron Maiden, Radiohead, Guns N' Roses with Public Enemy and Ice Cube, and the long-awaited Rush reunion.BANDS: Adele, Alanis Morissette, Ashley Gavin (comedian), Beach Boys, The, Beaches, The, Billy Idol, Black Crows, The, Buddy Guy, Cocktail Slippers, The, Cure, The, Dead & Company, Dogs in a Pile, Florence and the Machine, Gary Numan, Grunge Worthy, Guns N' Roses, Ice Cube, Idiot Kids, The, Iron Maiden, Jesus and Mary Chain, Joan Jett and the Blackhearts, Joe Russo's Almost Dead, Lady Gaga, Lamp, Los Lobos, Los Lonely Boys, Lousekateers, The, Luke Combs, Marcus King, Mdou Moctar, Mighty Suicide Squirrels, The, Mogwai, Neil Young, Nine Inch Nails, Nirvana, Otis and the Elevators, Pretenders, The, Psychedelic Furs, The, Public Enemy, Radiohead, Rolling Stones, The, Rush, Rush Tribute Project, Soraia, Sonic Youth, St. Vincent, Talking Heads, Typhoid Rosie, Yeah Yeah Yeahs.VENUES: Aragon Ballroom, Bonnaroo, Brooklyn Bowl, Caesars Palace, Crypto Center, Douglas Park, FM Kirby Center, Foxborough Stadium (Patriots Stadium), Garcia's, Hard Rock (Gary, Indiana), Hotel Figueroa, House of Blues (Las Vegas), JJ's Tavern (Florence, Massachusetts), Meigs Field, Metro, The, Music Fest (Bethlehem, Pennsylvania), Redwood Bar (Redwood Grill), Riot Fest, Salt Shed, The, Soldier Field, Space, The, Sphere, The, Tabernacle, The, T-Mobile Arena, United Center, Vic, The, World Music Theater, Zinzenplatz stage (at Music Fest). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Red light fever, getting into Sonic Youth at the climbing gym, and One Battle After Another at the Alamo Drafthouse. Orville Neeley (Memo PST, Warblob, Bad Sports, RadioActivity, Spiritual Cramp, OBNIII's, Orvy) Spiritual Cramp, Radio Activity, Bad Sports Tour Tickets- https://spiritualcramp.com/pages/tour-dates “That drive defines Orville Bateman Neeley III, Austin garage-punk polymath and one of the scene's most gifted songwriters/multi-instrumentalists/recording engineers/producers." Excerpt from https://www.austinchronicle.com Memo PST: Bandcamp: https://memopst.bandcamp.com Instagram: @memopst Website: https://memopst.lnk Merch: https://pdoomrecords.com Records: https://www.merchbar.com Warblob: Bandcamp: https://warblob.bandcamp.com Instagram: @_warblob_ Bad Sports: Bandcamp: https://dirtnaprecords.bandcamp.com Instagram: @badsportsband Merch: https://www.merchbar.com RadioActivity: Bandcamp: https://dirtnaprecords.bandcamp.com Instagram: @radioactivitytx Merch: https://www.merchbar.com Records: https://www.dirtnaprecs.com Spiritual Cramp: Bandcamp: https://spiritualcramp.bandcamp.com Instagram: @spiritualcramptv Website: https://linktr.ee/SpiritualCrampTV Tickets: https://spiritualcramp.com/pages/tour-dates Merch: https://spiritualcramp.com OBNIII's: Bandcamp: https://theobniiis.bandcamp.com Merch: https://churchofpickle.com Orvy: Bandcamp: https://orvysounds.bandcamp.com/ Instagram: @_orvy_ The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/@thevineyardpodcast

Welcome to Episode 64 of This Is Not Happening. An Album of the Month podcast. In Part 1, we review and Album of the Month. This month Joey brings perhaps the most critically acclaimed album of 2025, Rosalia's 'LUX'.In Part 2, we play Spin It or Bin It, we pick a theme and all pick songs that represent that theme. As it's January and everybody is back in the gym or re-starting running program's we've picked 'songs to get injured to'._______________________Part 1 | Album of the Month | Rosalia | LUX________________________This is a big one. Big in many ways. Massively popular, globally. But more importantly MASSIVE in scope, scale and ambition. Rosalia's 4th album takes a major turn from the reggaeton, digital urgency of Motomami. This a symphonic, spiritual, complex and challenging collection of songs presented in 4 movements (if you're on vinyl). It requires you to focus, engage and consume with purpose.It's undeniable that it is ambitious, its brilliance is clear ... but will any of us actually like it? Does it make you want to listen to it? Are you drawn to come back to it?Listen to the album here.Watch some of the videos for the tracks here.Check out the Zane Lowe interview with Rosalia here.___________________Part 2 | Spin It or Bin It | Songs To Get Injured To _____________________New Year New Me. The gyms are packed. People are begging to get injured. What should you chose as your soundtrack to that achilles rupture or that rotator cuff tear? The answer is probably in this 16 track play list that we created.We each pick 4 tracks for the playlist and submit 1 track and ask the simple question 'Spin It Or Bin It'?Joey chose 'Baddadan' by Chase & Status et al.Guy chose 'Go' by Chemical Brothers.David chose 'Kool Thing' by Sonic Youth.Nolan chose 'Stop What You're Doing' by Apathy.We've been writing the blog for years come and have a look - https://thisisnothappening.net/

The new collaboration record 'Destination Heaven' by American alt rockers Euphoria Again & Dogwood Tales. Plus, a lively garage rocker from 90s Japanese alt rock legends Yura Yura Teikoku and a beautiful cover by MJ Lenderman performed live and solo at the Chateau Marmont. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Welcome to an Encore Presentation of one of my favorite episodes ever of Revolutions Per Movie, where I got to discuss the documentary Desolation Center with the creators of these legendary events (who else would put the Minutemen on a barge or Einsturzende Neubauten in the desert). Plus, I love it whenever I get to surprise my guests with more guests to create the whole picture from the inside out. Enjoy!(Episode 33 originally aired on April 25th, 2024).The original show notes:This week, we talk to Stuart Swezey & Bruce Licher, who produced and worked on the Desolation Center series of shows that took bands like minutemen, Swans, Redd Kross, Meat Puppets, Sonic Youth, and Einsturzende Neubauten and put them in locations such as the Mojave Desert as a reaction to the omnipresent police violence against punk rock kids. We talked about the Desolation Center documentary that Swezey directed, the iconic visuals that Licher created for the events, having the legendary artist Chris Burden as your teacher, the healing power of Throbbing Gristle, how to source school buses to take punk rockers to the desert, fake ids, Savage Republic, Glenn Branca and the No New York LP, Redd Kross getting lost in the desert, violence coming from rednecks, the notion of selling out and not repeating oneself, the impact of D. Boon on the scene, Survival Research Laboratories, Lydia Lunch, being naive, Action News, the eventual change in the 80s music underground, psychedelics, early punk clubs like The Masque and Brave Dog, NEA grants for industrial noise music events, and we're also joined by surprise guests, ML Compton and Skip King who are featured in the documentary and describe what it was like being a passenger into the unknown.So party with me punker, as we head into the desert at night on this week's Revolutions Per Movie.DESOLATION CENTER:www.desolationcenter.com/STUART SWEZEY:www.amokbooks.com/SAVAGE REPUBLIC: www.independentprojectrecords.com/savage-republicREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

On today's episode Brandon & AP Lindsay talk about and play songs from some of their favorite albums 2025. Is it as long a list as Mr. Sonic Youth's? No, who as time to listen to that many records!? But it is a tight twelve and a bonus album suggested by a listener.   Listen all the way to the end for Brandon's controversial pick. To play or not to play, that is the question. Find us here: Instagram: @BIRP60406 Youtube: @blueislandradiopodcast7320 Leave a voicemail on our hotline: 708-608-0567 Email: APLindsay60406@gmail.com          

Oliver plays of selection of "hidden gems" from the wide world of alternative and indie rock. Tune in to hear a unqiue take on alternative blues, Chilean neo-psych, underground Japanese shoegaze and a brilliant solo track from Pavement's Stephen Malkmus. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Bienvenidísima a esta Sedición #600 de nuestro Ritual de Lo VIRTUAL eclectomeiroland, seis centenas, seis sentenarios, seis ciegos, si, egos de tener la oportunidad de sabotear las Muy hondas ondas hertzianas con nuestras armas despistemológicas de desfragmentación masiva con mucha música, poesía, narración, y toneladas de paranoia y amor por el absurdo más diestro que ha resultado siniestro por La Política y RocknRoll Radio 106.7 FM este ombligo semanal que en algunas ocasiones nos ha coqueteado la idea de concluir operaciones de este espacio pero en esta ocasión volvemos a decir Not Today, hoy Nelson Mandela cómo justo hoy nos dice Kim Gordon, la cofundadora de Sonic Youth acá en nuestro Ritual de lo VIRTUAL de eclectomeiroland Sedición #600 por la Política y RockandRoll Radio 106.7 FM desde la capital de los baches Hermosillo Sonora hasta el bosque del Ajusco en CDMX por La Radio Común 103.1 FM

Things are gonna get LOUD! This week, we turn the amps up to 11 and put the effects pedals on stun as we celebrate Noise Rock. What exactly is "noise rock" though?? At its simplest definition, it's rock music that emphasizes noise - distortion, feedback, dissonance, abrasion.  But as a subgenre, it only takes a cursory look through internet music forums to see how easily these things can digress into petty arguments about what is or is not noise rock.  Commonly perceived as precursors to noise rock would be various ‘60s psych bands like 13th Floor Elevators and the ubiquitous Velvet Underground, free jazz, and early experimental music where traditional instruments were manipulated to sound like anything but traditional instruments.  In the punk era, the natural outgrowth were things like the no wave scene that was happening in New York and British bands like The Fall, Swell Maps, and This Heat.  From there, throughout the ‘80s, ‘90s and beyond, the term was synonymous with bands like Sonic Youth, Big Black, Swans, the Jesus Lizard, and any number of bands in which Steve Albini had a hand in some way.  Joining us to wade through the mud is a New York based band whose members had a hand in shaping our perception of noise rock. The Whimbrels have just released their self titled debut album on Dromedary Records, and it's an astounding, ambitious and riff-laden affair that has plenty of noise, but also a lot of dynamics and deceptively accessible moments.  Guitarist/Vocalist/Songwriter Arad Evans was associated with Glenn Branca's ensemble from the 1980's until Branca's 2018 death, as well as his band Heroes of Toolik and scores of others.  Bassist/Vocalist/Songwriter Matt Hunter co-founded the great ‘90s/2000's cult favorites New Radiant Storm King and has played with a ton of other notables such as J. Mascis, King Missile, and Silver Jews.  Thanks to Howard Wuelfing from Howlin' Wuelf Media for the introduction and coordination! Proud members of the Pantheon Podcasts family. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fully & Completely: ReduxEpisode 102 — Up To Here (1989)A presentation of The Tragically Hip Podcast SeriesHosted by jD and Greg LeGrosIf Episode 101 was the band trying to get hired, Up To Here is the band showing up like: we're already the headliners, you just don't know it yet.Released in September 1989, The Tragically Hip's first full-length LP is the moment where the sweat and swagger of the EP turns into something sturdier — a vibe, a sound, an identity. This is the record that made the country start paying attention in a different way. Not “hey, that bar band is pretty good,” but “oh… this is our band.”We set the scene: Mulroney still running the country, the first Grey Cup at the SkyDome (and yes, the Rough Riders/Roughriders nonsense is as chaotic as it sounds), and a pop-heavy musical world where Repeat Offender, Milli Vanilli, Paula Abdul, and even Dr. Feelgood are moving units like it's a national sport. Meanwhile, the underground is brewing — Sonic Youth, the weirdos starting to kick the door open — and out of Kingston comes this bluesy, barroom, don't-overthink-it-just-turn-it-up record that somehow becomes a diamond-certified Canadian classic.We talk about why Up To Here connects with everybody — the Queens Pub crowd, the farm-town beer crowd, the “I only know four Hip songs but I know them perfectly” crowd — and how certain tracks became bigger than the band itself. There's a whole New Orleans is Sinking tangent involving Crown Royal, Lake Ontario, and one of the most wholesome cross-cultural Canadian moments imaginable.This album is loaded. Side A is basically a greatest hits package. But we also dig into the deeper stuff: the early emergence of Gord's strange, slippery cadence; the way the band's confidence jumps from the EP to this like it got shot out of a cannon; and the idea that every Hip album has at least one track that quietly points at what comes next.Up To Here is where the lesson plan gets real.In This EpisodeThe cultural and musical landscape of 1989 (Mulroney, pop domination, the underground brewing)Why Up To Here hit everywhere in Canada — bars, cottages, dorms, and car stereosThe leap in identity from the EP to a full-on signature sound“New Orleans is Sinking” as a national anthem (and as a live-performance launchpad)Gord Downie's early “how-the-hell-do-you-sing-that” cadence taking shape (“38 Years Old”)The record's “top-heavy” track sequencing — and why it worksDeep-cut advocacy hour: “Every Time You Go” gets its flowersThe “DNA track” theory: one song per album that hints at the next recordListener callout: What's your Up To Here moment?Album DiscussedUp To Here (1989)Produced by Don SmithA barroom-recorded, road-tested, diamond-certified cornerstone.Time Capsule TracksjD's pick: 38 Years OldGreg's pick: OpiatedWhat's NextNext week, we keep moving — and you can already feel the band getting sharper, stranger, and more themselves. The evolution is in motion.Listen & SubscribeFully & Completely: Redux is available wherever you get your podcasts.

My guest this week is graphic novelist/artist/musician Leela Corman (Victory Parade, Unterzakhn), who chose to discuss the 1980 midnight movie classic Forbidden Zone.We also talk about how Leela creates her long-form graphic novels, the difficulties and joys of making her masterwork Victory Parade, how Einstürzende Neubauten's album Lament helped her create her art, how watercolor is the noise guitar of paints, Leela's use of Busby Berkeley imagery, growing up in the 80s surrounded by transgressive art, Sonic Youth & Big Black, Raw Magazine, Lisa Suckdog, Forced Exposure, RE/SEARCH, how divisive the Forbidden Zone film can be, director Richard Elfman and his creation of The Mystic Knights of the Oingo Boingo troupe (later taken over by his brother, Danny Elfman), how we each discovered the film, how Leela puts a line from Forbidden Zone into every one of her books, Night Flight, the acting of Hervé Villechaize and Susan Tyrrell in the film, how the film spoke to Leela because of its use of Yiddish and ‘Yinglish', how Richard Elfman went broke making the film, its incredible musical sequences, Josephine Baker, Leela working with The Mountain Goats, the legendary performance art of The Kipper Kids in the film, midnight movies and so much more!So let's jump into the mouth in the wall and ride through the intestine on this week's episode of Revolutions Per Movie!!!Leela Corman:http://www.leelacorman.com/Forbidden Zone:https://richardelfman.com/films/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

We start 2026 off LOUD as Oliver plays a selection of favourite indie rock guitar solos. There's Dinosaur Jr (of course), Drive-By Truckers, Israel Nash and a cover of a Peter Green Fleetwood Mac epic. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

For this episode we're joined by Sonic Youth legend Thurston Moore to discuss his new book Now Jazz Now: 100 Essential Free Jazz and Improvisation Recordings, 1960-80. We start by recapping on the story our guest told in his acclaimed 2023 memoir Sonic Life. In the course of the conversation about his early musical life in Florida and Connecticut we hear a clip from Steve Roeser's 1994 audio interview with him. Discussion of early influences such as the Stooges takes us back to Thurston's stint in the late J.D. King's New York band the Coachmen – and then on to Sonic Youth itself. Our guest's friendship with neo-gonzoid scribe Byron Coley – a brilliant guest on our podcast last summer – takes us up to the present and the publication of Now Jazz Now. A general conversation on the subjects of "free jazz" and "improv" ensues, taking in clips from Thurston's pal David Toop's 1995 audio interview with the late Derek Bailey. After Mark has quoted from newly-added library pieces about Bill Evans (1972) and OMD (1984), Jasper talks us out with his thoughts on James Brown's 1994 loaded encounter with the Beastie Boys. Many thanks to special guest Thurston Moore. Now Jazz Now is published by Ecstatic Peace Library and available from ecstaticpeace.net/now-jazz-now. Pieces discussed: Sonic Youth, Sonic Youth And the Blast First Axis, Derek Bailey audio, Cecil Taylor: Ladies and gentlemen, please adjust your re-entry goggles, David Toop: Gorilla Noises & Mains Hum, Bill Evans: Living Time With Evans, Orchestral Manoeuvres In The Dark: OMD and The Beastie Boys: Still Ill.

It's an end of year wrap up as Oliver looks at his favourite indie rock songs released in 2025 and played on A Sonic Youth. Central to the show is Brown Horse's 'All The Right Weaknesses', along with tracks from Wednesday, Colin Miller, MJ Lenderman and Drive-By Truckers frontman Patterson Hood. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Oliver takes a look at 'Holo Boy', the new record from Nate Amos' project This Is Lorelei. Then, a collection of alternative Xmas tracks, including a set from the 'Psych-Out Christmas' record. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

New York has always been – bold statement coming up – my favourite music city. No question that it's connected to my life changing discovery of the Ramones way back when. I still can't walk past the Guild Hall in my hometown of Preston without a couple of nostalgic tears forming for when I first saw them play there  – I tried my best not to wash off the water that Joey threw over me when things were getting a little hot. But getting back on track… all those New York musicians over the years – infinitely different stylistically, but almost always identifiable as a New York “sound”. I don't know what it is – and hindsight's a glorious thing to have – but could the Ramones, Blondie, Public Enemy, Roxanne Shante, Lou Reed, Talking Heads, Swans, Sonic Youth, Yeah Yeah Yeahs, Nas, have existed anywhere else and created their own distinctive sound yet is still a New York sound? Jesse Hartman's, Laptop, goes back to the late 90's – such a divisive decade. I really feel Laptop were ahead of their time and this is perhaps part of what makes New York New York – that ability to be ahead of the pack so often . They had the cinematic monologues, the rebellion, the self deprecation, the love, the heartbreak, the nostalgia and an ability to cross generations. I say that because I'm 20-odd years older and their second coming is here and I'm still hooked.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

An exploration of modern garage rock legend Ty Segall, including a powerhouse hard rock cover of 'Diddy Wah Diddy' and a newly released live track. Also, a new live in studio version of L.A. psych rockers levitation room's greatest track. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

We have two of the greatest modern rock bands on this week's A Sonic Youth! First, The Hold Steady's 'Separation Sunday' 20 years on with a deluxe reissue. Then, Drive-By Trucker's greatest live performances with Jason Isbell including a recent feature on the Colbert late night show. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

The '90s were a strange time. From Gregorian chants to swing bands, you never knew what would make it onto the radio. But some of the strangest groups to improbably infiltrate the mainstream came from the post-Grateful Dead jam band scene. Our guest today is Mike Ayers, author of ⁠Sharing in the Groove: The Untold Story of the '90s Jam Band Explosion and the Scene that Followed. ⁠ The book, an oral history, is really a blast. It covers all the big players of the era: Phish, Blues Traveler, Spin Doctors, Widespread Panic, Dave Matthews Band, but Ayers takes it to the next level by expanding the definition of "jam band" to include Medeski, Martin and Wood, Greyboy and the acid jazz scene, New Orleans funk band Galactic, and John Zorn and the Knitting Factory downtown NYC scene, and much more. This episode, guest host (and Transmissions audio editor) Andrew Horton, Jason P. Woodbury, and Ayers sit down to hash out the era in which even Sonic Youth and Yo La Tengo embraced their jammiest free improv tendencies. What are the limits of the whole "jam band" thing really? Come along with us as we dig into Sharing in the Groove. Transmissions is created in partnership with the Talkhouse Podcast Network. We're brought to you by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Aquarium Drunkard⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, an independent music media crew headed by Justin Gage. Over at Aquarium Drunkard, you'll gain access to 20 years of music writing, playlist, essays, mixtapes, radio special, podcasts, videos and more.

En ce début de semaine, RTL2 Pop-Rock Station installe une ambiance réconfortante entre grands classiques et nouveautés avec Fleetwood Mac, Eagles, Sonic Youth, Tame Impala ou encore Snow Patrol. La soirée est marquée par l'hommage à John Lennon, assassiné il y a 45 ans, avec "Just Like Starting Over". Neil Young est également à l'honneur avant l'arrivée de Bob Dylan et Eagles. L'album de la semaine "Unfolded" de Melody's Echo Chamber est mis en lumière avec "Daisy", tandis que la programmation enchaîne Bloodhound Gang, Billy Idol et une collaboration très attendue entre Gorillaz et Idles sur "The God Of Lying". La reprise de la soirée revisite "Rehab" d'Amy Winehouse dans une version industrielle signée Ministry, ouvrant la deuxième heure entre Franz Ferdinand, Sonic Youth, Therapy?, Tom Waits et Kasabian. La fin d'émission fait la part belle aux nouveautés avec Poppy et son futur album "Empty Hands", puis la découverte Fresh Fresh Fresh du jour : Ratboys, groupe indie rock de Chicago, attendu avec un sixième album en février. The Exploited, Tom Waits, Wet et Metallica viennent conclure cette soirée dense sur RTL2 Pop-Rock Station. Tame Impala - Dracula Snow Patrol - Called Out In The Dark John Lennon - (Just Like) Starting Over Fleetwood Mac - Silver Springs (Live) Neil Young & The Crazy Horse - Break The Chain Bob Dylan - Like A Rolling Stone Dropkick Murphys - Johnny, I Hardly Knew Ya Melody's Echo Chamber - Daisy (Feat. El Michels Affair) Eagles - New Kid In Town Bloodhound Gang - Fire Water Burn Billy Idol - Flesh For Fantasy Gorillaz - The God Of Lying (Feat. Idles) Ministry - Rehab Franz Ferdinand - (The Dark Of The) Matinée Imogen Heap - What Have You Done To Me ? The Surfaris - Wipe Out Sonic Youth - 100 % Poppy - Bruised Sky Prince - Kiss Kasabian - Shoot The Runner Ratboys - Anywhere Therapy? - Nowhere The Exploited - U.S.A. Tom Waits - The Piano Has Been Drinking Wet Leg - Chaise Longue Bruise Control - Gone To Ground Metallica - OneHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Elizabeth Stokes and Jonathan Pearce from the Beths are back to discuss their new album, Straight Line Was a Lie, NBA basketball, cricket, and baseball, overcoming writer's block by reading a book by Stephen King, Liz's health challenges and her current state of mind, how Jonathan and his bandmates have supported and worked with her in recent years, a helpful typewriter, accepting that people change, Sonic Youth's “Teenage Riot” and writing a rather dynamic Beths record, Indiana Jones and Raiders of the Lost Ark, cover songs, current tour dates, new songs, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:All Things Konsidered: JID, Sloan, Julianna Riolino, Live showsEp. #1019: FriendshipEp. #1009: SuperchunkEp. #954: Peter Ames Carlin on R.E.M.Ep. #722: The BethsEp. #673: Sonic YouthSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

To wrap up our 100+ episode celebration, we're going on a true side-journey. This time we're not including any connections to Fall members, just Fall tracks... We're talking about Sonic Youth's 1988 Peel Session which is comprised completely of Fall covers. Bonus journey: Pixies cover The Fall. Harley's 'He Pep!'/'You Pep!' cover: https://www.youtube.com/watch?v=d-qaxKpvSc4Are you searching for the new episode now? Are you looking for the real thing, yeah? You may be missing out on more great Fall-related explorations… but not if you join ⁠WATF PATREON:  Full A & B-SIDE discussions (Now!), special (Patreon-only) bonus episodes, side excursions into Fall-member side projects, and early access to all episodes! ⁠⁠⁠⁠⁠⁠Join WATF Pod on PATREON and get them all! Including rare Fall content, merch, and exclusive chats with Gavin & Steve as they discuss everything Fall-related.⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow WATF Pod on: ⁠Instagram⁠  //  YouTube  //  ⁠Twitter⁠  //  ⁠Facebook⁠For more Fall-related info, please visit our fellow Fall-heads' great work at:  TheFall.org  //  Annotating The FallTheme Song by Gavin Watts: ⁠https://wearethefallpod.bandcamp.com/⁠Produced and presented by Watts Happening Records: ⁠www.TheWattsHappening.com⁠Advertising & Guest Inquiries - Contact:  wearethefallpod@gmail.com

1990's rock was an exciting time. Nevermind (no pun intended) Nirvana, what about Sonic Youth, Dinosaur Jr, The Meat Puppets, Primus and Smashing Pumpkins?In his new book, Greg Prato gets the full story of the era from the folks who lived it. Alternative for the Masses by Greg Prato is available right now wherever you get your books.

1990's rock was an exciting time. Nevermind (no pun intended) Nirvana, what about Sonic Youth, Dinosaur Jr, The Meat Puppets, Primus and Smashing Pumpkins?In his new book, Greg Prato gets the full story of the era from the folks who lived it. Alternative for the Masses by Greg Prato is available right now wherever you get your books.

My guest this week is JIM RULAND (Author of Corporate Rock Sucks: The Rise And Fall of SST Records and co-author of My Damage: Keith Morris, Rumors Of My Demise: Evan Dando) who discusses the incredible SST RECORDS VHS TAPE: THE TOUR w/ Hüsker Dü, minutemen, The Meat Puppets, Saccharine Trust & SWA!!We talk about Jim's exposure to the iconic SST Records label (who put out records by Black Flag, The Meat Puppets, Sonic Youth, Dinosaur Jr., minutemen, The Dicks, Negativland), unknown songs on mixtapes, how SST created the blue print for independent U.S. labels with their mailorder, catalogs & hype, how anti-authority the label was, the ubiquitous police presence trying to shut down the label, how the suburbs changed the L.A. punk rock scene, how Black Flag and D.O.A. set the map for punk rock touring, when the label started to frustrate their bands, Target Video, Throbbing Gristle, why the band SWA was hard to crack, the spoken word world of SST, Greg going to jail for Black Flag, Jack Brewer and Joe Baiza of Saccharine Trust, when punk bands started doing un-ironic covers, how this might be one of the greatest Meat Puppets performances of all times, Up On The Sun, the house producers SPOT and Ethan James, Husker Du recording Zen Arcade and some of the myths surrounding it, the singularity of Minutemen, the Black Flag Benefit For Cats, working with Keith Morris on his book, the character of Hermosa Beach and the vibe of South Bay, Saint Vitus, Side Two of My War, Zoogt RIft, Negativland, the SST radio show and more!So let's grow our hair out and slow everything down on this week's Revolutions Per Movie!The Tour Video: https://www.youtube.com/watch?v=ZrtLTf5KE68The Book: https://www.jimruland.net/?page_id=2561REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Sonic Youth, Tam Lin, Model of Truth, Northern Liberties, Sir Tad, Supertoque, Dave Ruder, Voyage to Outer Space, hyphyskazerbox, Mononatur, and The Gate

Offering a perspective of hope and unity, Danny Goldberg and Raghu Markus explore morality, polarization, and how negative media drives collective anxiety.Pre-order Danny's upcoming book, Liberals with Attitude: The Rodney King Beating and the Fight for the Soul of Los AngelesThis time on Mindrolling, Raghu and Danny discuss:The uproar surrounding the brutal beating of Rodney King by the L.A. policeSeeing history as the study of change, and looking into how history impacts our lives todayHow the human condition largely remains the same century after centuryThe inner conflict between morals: choosing what is right vs. what feels safeBuilding bridges by connecting over universal human values instead of polarizing politicsHealing our felt sense of separation by remembering that we are all interconnectedThose who feel they are losing power when others make progressThe seduction of negative news media and how it feeds collective anxiety and divisionFinding perspective by remembering that every era faces troubling timesConsidering the Sermon on the Mount as a moral compassLearning to honor fear without being a slave to it Click HERE to pre-order There is No Other by Ram Dass, with contributions from Sharon Salzberg, Jack Kornfield, and more. About Danny Goldberg:Danny Goldberg is an author and music executive who has spent decades in the business. As a manager, Danny's clients included Bonnie Raitt, Nirvana, The Allman Brothers Band, and Sonic Youth. As a label executive he was President of Atlantic Records, and Chairman of Warner Bros Records and the Mercury Records Group – among others. Danny Goldberg's previous books include Bloody Crossroads 2020: Art, Entertainment and Resistance to Trump, Serving The Servant: Remembering Kurt Cobain, How The Left Lost Teen Spirit, Bumping Into Geniuses: My Life Inside The Rock and Roll Business and In Search of The Lost Chord: 1967 and the Hippie Idea. Learn more about Danny and his work HERE.Check out the article Culture, Empathy and Resistance by Danny Goldberg and the book NEXUS by Yuval Noah Harari“People always say to me, ‘It's never been this way'. That's just absolutely not true. We had slavery in this country. Women couldn't vote until 1920. Homosexuality, you could still go to jail up until the 60s for it. The AIDS epidemic during the Reagan period. Not to mention human history, the Crusades, and the Holocaust. There have been many, many dreadful times.'” – Danny GoldbergSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.