Podcasts about Sonic Youth

All One Song: A Neil Young Podcast is coming this summer from the people who bring you Aquarium Drunkard Transmissions. In this deep dive audio experience, liner notes author, musician, and Shakey historian Tyler Wilcox (Pitchfork, Uncut, host of Radio Free Aquarium Drunkard's Doom and Gloom from the Tomb on dublab) invites musicians/artists/writers to discuss…one single song by Neil Young. Join guests like Steve Gunn, Jeff Parker, Ilyas Ahmed, Meg Baird, Rosali, Steve Shelley of Sonic Youth, author Jesse Jarnow, Ethan Miller (Howlin' Rain, Comets on Fire), Transmissions host Jason P. Woodbury, and Chris Forsyth, whose Coca Leaves and Pearls musical combo provide the show with original Young-inspired music.  “With this show, Tyler explores Neil's work in ways that feel revelatory, as if each song is indeed just coming into existence. That's what Young's best music does— communicate the freshness of a single musical moment distilled down to its rawest form. With this show, Wilcox offers a glimpse into the history and lore with sensitivity and care.” —Jason P. Woodbury, host of Aquarium Drunkard Transmissions  Sponsored exclusively by hi-fi streaming service ⁠Qobuz,⁠ All One Song episodes will explore Shakey lore, lyrics, chords, gear, etc, offering historical context and context personal to each guest.  Like Neil famously decreed, “It's all one song.” This summer, Tyler Wilcox takes you deep into that song with All One Song: A Neil Young Podcast from Aquarium Drunkard Transmissions, coming June 25th in the Aquarium Drunkard Transmissions feed. Listen wherever you get podcasts via the ⁠Talkhouse Podcast Network.⁠ 

Episodio 116 - Americo Hollander, voz y guitarra de The Americojones Experience, visitó Mezclas Abruptas porque tiene unas cancionzotas y por lo mismo yo le tenía muchas preguntas. Mi intención era entender cómo encontró que su camino era el del rocanrol y cómo convive su trabajo de modelo con la de músico. Terminé con la sorpresa de que creció entre realeza de este género musical, que los dos tuvimos un momento mágico e inesperado con los integrantes de Sonic Youth y que es muy importante leer "Crimen y Castigo" o "Moby Dick". También qué pena pero terminé cantándole algo del Tri: "si lo tuyo es el rocanrol, pues dale duro y que te bendiga Dios." The Americojones Experience es un proyecto de la Ciudad de México, de esos que hacen que se mantenga la llama encendida del rocanrol. Tienen tres álbumes de estudio, y yo recomiendo iniciar la escucha cronológicamente: Contradicciones, Animal del Demonio y luego Jugador. Sigue a The Americojones Experience: https://www.instagram.com/americojones/ Sobre Mezclas Abruptas: En el DJ booth y en este podcast Susana Medina selecciona temas de manera minuciosa y los pone sobre la mesa abruptamente. En este podcast aprenderás de pizza, perros, música, salud mental, ilustración, alpinismo y una serie de nuevas obsesiones y fascinaciones que en algún momento te servirán de algo. @mezclasabruptas  https://www.instagram.com/mezclasabruptas/ https://twitter.com/mezclasabruptas  https://www.tiktok.com/@mezclasabruptas  YouTube https://www.youtube.com/@MezclasAbruptas @suzyain https://www.instagram.com/suzyrain  https://twitter.com/suzyrain  https://www.tiktok.com/@suzyrain  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Beat Motel, Andrew is joined by the ever-eloquent Dr. Sam to unpack the joys, horrors, and outright weirdness of musicians who make sweet music and even sweeter love together. Things get rolling with a heated debate about whether soup is a drink, a meal, or just a gateway to genital injury. Seriously.From Tom Waits' transformation at the hands of Kathleen Brennan to the relentless Yoko Ono bashing that both Andrew and Sam righteously defend, this episode is a heady blend of irreverent insight and musical deep cuts. We also plunge into the murky waters of band names that make you cringe (hello, Mum Jeans), and wax lyrical about the magic - and occasional monstrosity - of musical power couples.Expect shoutouts to Fleetwood Mac's inter-band bonking, Linda McCartney's immovable sausages, and some righteous love for Man On Man (yes, Roddy Bottom and Joey Holeman are real names). We also throw in rants about Giraffe (not the animal), bad reggae breakdowns in Bond themes, and a stunningly middle-aged moan about fusion food restaurants.Riffs of the weekDr Sam's RiffCypress Hill with the London Symphony Orchestra - When The Shit Goes Down (1:30)Andrew's RiffPrince Daddy & The Hyena - Thrashville 2/3 (ft. Kississippi) (1:54)Dr Sam's track choicesTom Waits - No One Knows When I'm Gone (0:10)Yoko Ono - Give Me Something (opening)Man on Man - Showgirls (0:40)Year of the Knife - Your Control (1:30)Andrew's track choicesThe Kinks - Big Sky (0:56)Wings - Live and Let Die (0:45)Sonic Youth - 100% (1:53)Fleetwood Mac - The Chain (3:02)Email us - beatmotel@lawsie.com

En el programa nos encanta hablar de discos que marcan generaciones y la Gen X sin dudas estuvo atravesada por Sonic Youth y la propuesta de Daydream Nation. Encontra este y mucho más contenido todos los sábados a las 13hs por www.fm913.com.ar o en Spotify

Tuvimos que romper la promesa de este año porque la realidad lo pedía. Nos comunicamos con Gala Garriga, abogada y militante peronista, que nos contó todos los detalles sobre la causa Vialidad por la cual Cristina Kirchner fue condenada. Además, rememoramos el gran Daydream Nation de Sonic Youth y su influencia en la música de los 90/2000. Mati estuvo viendo temporadas nuevas de Los Simpson y recomienda la Casita del Terror de la temporada 35. Encontra este y mucho más contenido todos los sábados a las 13hs por www.fm913.com.ar o en Spotify

A mid-winter pick me up as Oliver looks at favourite comedy indie rock songs. Featuring King Missile, The Dead Milkmen, The Chats, and plenty more! Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

För mig började det som för många andra med “Dirty” 1992. Sonic Youth får en hit i kölvattnet av Nirvana och alternativrockens segertåg. Låten “100%” är bandets signaturmelodi och jag älskar fortfarande den skivan.  Jag ägnar inte så mycket intresse för bandet efter det. Snabbspola fram till 1998. Jag läser en lång intervju med Thurston Moore och Kim Gordon i tidningen Pop som Fredrik Strage skrev. De släpper “A thousand leaves” och då händer det. Det är den magiska nyckeln som får mig att upptäcka de tre övriga plattorna de släppte på 90-talet. Och det är åren 1990-1998 ligger mig varmt om hjärtat.   Men det finns ju naturligtvis mycket mer att prata om när det gäller Sonic Youth. Därför har vi Mikael Tuominen från Kungens män och fotografen Henrik Bergstedt som båda är ett stort fan av bandet som gäster.  Det blir en dryg timmes snack om varför vi gillar Sonic Youth, de enskilda medlemmarna, vad det är i musiken som är unikt, de tre årtionden som bandet släppte skivor, vilken påverkan deras musik haft och mycket, mycket mer. Det här är ett nördavsnitt av rang.  Just One Fix är rubriken vi har när vi skriver om det bästa musikårtiondet någonsin: 90-talet. Det kan vara en podcast eller en text som handlar om band och fenomen från den tid då det var tillåtet att blada och experimentera på ett helt nytt sätt och den alternativa musiken hade en guldålder.

Flesh & Blood, the third studio album by Poison, finds the group at the top of their form.  The team of Bret Michaels on lead vocals, C.C. DeVille on lead guitar, Bobby Doll on bass, and Rikki Rockett on drums had been quite successful in the glam metal genre of the mid-80's, and had developed a reputation for a "work hard, play hard" mentality.  While they had a legendary stage presence, they also were plagued with fights both within and outside of the band.  A number of lawsuits in various cities were predicated on Michaels' tendency to get into fights at parties and other events.  Despite these issues - or perhaps because of them - their reputation only grew over time. Flesh & Blood is an album that is more challenging musically than the earlier ones.  The band is toning down their glam metal persona and taking on more serious lyrical themes.  Songs cover a wide range from sex and motorcycles, to struggles with long term relationships, to frustration with the struggles seen in society.  The band would drop the excessive makeup of their earlier career, and found the songs on a more blues-oriented rock.  More piano work is included, with keyboardist John Webster contributing to the album sessions.The result was a success, reaching triple platinum status by 1991.  The album peaked at number 2 on the Billboard 200 chart and number 3 on the UK albums chart. This album would be a kind of high water mark for the group, as the industry was moving away from the metal sound of the late 80's and into the grunge sound of the mid-1990's.  However, the group would go on to record and tour into the new millennium, and Bret Michaels would become both a solo act and a celebrity with his MTV reality show "Rock of Love with Bret Michaels."Lynch brings us a look at a somewhat more mature Poison on this week's for today's podcast. Unskinny BopNot every song has deep or significant lyrics.  This hit single from the album started as a nonsense lyric, a placeholder that stuck.  The catchy repetition would make it a crowd favorite at concerts, and it was a top 10, going to number 3 on the Billboard Hot 100.Valley of Lost SoulsA deeper cut, this song lyrics talk about the life of a rock artist struggling to make it in a place without compassion.  It is a slower piece, but definitely not a ballad.  Life Goes OnC.C. DeVille brought the original draft of this song to the band.  The lyrics were inspired by a girlfriend of DeVille who was shot and killed in a California bar fight, and describe the quest for light at the end of a dark period in life.Something to Believe InThis ballad was the second single released from the album, and went to number 4 on the Billboard Hot 100.  Bret Michaels dedicated this song to his friend and bodyguard James Kimo Maano who had died previously.  The lyrics reflect the frustration in the failures of society, from poverty, to the treatment of Vietnam veterans, to the hypocrisy of televangelists. ENTERTAINMENT TRACK:You're In the Doghouse Now by Brenda Lee (from the motion picture “Dick Tracy”)This action movie based on the comic series from the 1930's starred Warren Beatty in the title role, along with Al Pacino and Madonna. STAFF PICKS:Ball and Chain by Social DistortionWayne kicks off the staff picks with a more alternative rock song penned by a punk rock band from their third and self-titled album.  The lyrics describe a hard luck story of a man who can't escape his difficulties.  It could be about a relationship, a rut in life, or about any vice that holds you down.Way Down Now by World PartyRob's staff pick is the first single from World Party's second studio album, "Goodbye Jumbo."  If you hear echoes of "Sympathy for the Devil," that is deliberate - though the song is much more upbeat.  It reached number 1 on the U.S. Modern Rock Tracks chart.  World Party is primarily a one-man project from multi-instrumentalist Karl Wallinger from the Waterboys.Tie Dye on the Highway by Robert PlantBruce brings us a song off plant's fifth studio album "Manic Nirvana."  The spoken line, "What we have in mind is breakfast in bed for 400,000." is from Wavy Gravy and the Hog Farm Collective, delivered at the Woodstock festival in 1969 announcing the intention to provide free breakfast to the crowd.  Kool Thing by Sonic YouthLynch closes out the staff picks with a song critical of the over-the-top masculinity of LL Cool J.  It was the first single from their sixth studio album, "Goo."  The track never mentions LL Cool J personally, but references a number of his works.  Chuck D. of Public Enemy provides the spoken vocals to the song.INSTRUMENTAL TRACK:Mildred Pierce by Sonic YouthWe double up on Sonic Youth as we end today's podcast with their instrumental based on a 1945 film noir starring Joan Crawford.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Oliver looks at tracks from the new album by Melbourne garage and surf rockers The Grogans. Plus, other favourite Grogans tracks, including a cover of The Kinks. Then, indie folk group Big Thief. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

In early 1990, Nirvana were ready to start working on their second album. Their label Sub Pop recommended a producer named Butch Vig, who had produced heavier underground bands like Laughing Hyenas and Killdozer. They met up with Butch at his Smart Studios in Madison, Wisconsin to begin recording, laying down eight tracks before they had to head out on tour for six weeks. When they returned home, they made the difficult decision to fire their drummer Chad Channing. Around the same time, Kurt and Krist were thinking of leaving Sub Pop, as the label was facing some financial trouble. When it came up that Sub Pop had begun talking to major labels about some kind of deal, Kurt and Krist felt they might be better off just signing directly to a major label. While in L.A. for label meetings they caught a gig by a punk band called Scream. Kurt and Krist were impressed with their drummer Dave Grohl and they kept in touch. When Scream broke up, not long after, they called up Dave to fly out to Seattle and jam with them. Within two minutes of playing, they knew Nirvana had found their new drummer. Gary Gersh at Geffen Records was one of the record executives looking to sign Nirvana. He had seen them play in New York with Kim Gordon and Thurston Moore of Sonic Youth, who Gersh had signed to the label. Thanks to their encouragement, Geffen signed Nirvana to a deal on April 30, 1991. Nirvana managed to convince their new label that Butch Vig was still the best producer for the next album, and with a budget of $65,000, they headed to Sound City Studios in Van Nuys, California to make it. This is the story of lead single Smells Like Teen Spirit, with newly unearthed audio from the band! Written by Cam Lindsay for iHeartRadio Canada.

Hoy continuamos en La Gran Travesía con el repaso a los 500 temas más destacados de la década de los 90, con el programa número 41. Comenzamos con el recorrido por el año 1998, con los puestos que van desde el 50 al 40 y donde podréis escuchar a Sonic Youth, Manu Chao, Drugstore, Lucinda Williams, Garbage, Sloan, Pulp.... Aquí os dejamos la lista con los anteriores programas de la década de los 90 https://www.ivoox.com/500-mejores-canciones-90_bk_list_9987185_1.html Y aquí tenéis la lista con los 500 temas más destacados de la década de los 80. https://www.ivoox.com/500-mejores-canciones-80_bk_list_5787084_1.html También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo que además contará con 15 programas de radio complementarios, a modo de ficción sonora... con muchas sorpresas y voces conocidas... https://www.ivoox.com/gran-travesia-del-rock-capitulos-del-libro_bk_list_10998115_1.html Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas webs, en todostuslibros.com Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Gin1975, Alberto Velasco, Poncho C, Don T, Francisco Quintana, Gastón Nicora, Con,, Dotakon, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Javier Gonzar, Poncho C, Nacho, Javito, Alberto, Pilar Escudero, Blas, Moy, Dani Pérez, Santi Oliva, Vicente DC,, Leticia, JBSabe, Flor, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Guillermo Gutierrez, Sementalex, Miguel Angel Torres, Suibne, Javifer, Matías Ruiz Molina, Noyatan, Estefanía, Iván Menéndez, Niksisley y a los mecenas anónimos.

This week, Wet Leg are back with new singles from a second album! Plus, more new releases from Wednesday, Hooveriii, and The Convenience. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Oliver looks at the new album and other favourite tracks from grungy indie rock band Momma. Plus, Jason Molina's Magnolia Electric Co and their Americana rock record 'What Comes After The Blues' 20 years after its release. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

On the show this time, it's the dynamic experimental music of Japanese band MONO. MONO has been making music together since 1999. Their sound is guitar-driven, and anchored by a propulsive, hypnotic rhythm section. The music has the harmonic richness of film scores, and they have played with orchestras over the years. Other influences include minimalism, Sonic Youth style noise, My Bloody Valentine’s shoegaze, and the true-to-the-sound-in-the-room aesthetic of engineer Steve Albini. They consistently remind us that music can convey meaning, without words, so all these labels and comparisons are reductive. When they play, and you listen, you will understand. Any true MONO fan will tell you - you have to see them live. Their latest is OATH, out now through Temporary Residence Records. Recorded December 16, 2024 Run On Hear The Wind Sing We All Shine On Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

On the show this time, it's the dynamic experimental music of Japanese band MONO. MONO has been making music together since 1999. Their sound is guitar-driven, and anchored by a propulsive, hypnotic rhythm section. The music has the harmonic richness of film scores, and they have played with orchestras over the years. Other influences include minimalism, Sonic Youth style noise, My Bloody Valentine’s shoegaze, and the true-to-the-sound-in-the-room aesthetic of engineer Steve Albini. They consistently remind us that music can convey meaning, without words, so all these labels and comparisons are reductive. When they play, and you listen, you will understand. Any true MONO fan will tell you - you have to see them live. Their latest is OATH, out now through Temporary Residence Records. Recorded December 16, 2025 Run On Hear The Wind Sing We All Shine On Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

We're extremely excited to present part one of our talk with the Phil Lesh of Deerhoof, Greg Saunier. Deerhoof has been a favorite band of Brandon and me (Rob, the guy Greg keeps making fun of for saying dumb shit) for roughly 20 years. Although Deerhoof was an integral element of us becoming extremely cool dudes into challenging media that's far too intellectual for most people, I think we all agree with Greg's assessment of Deerhoof as a pop band. Of 90s/00s rock bands, it feels disingenuous to consider their noisiness more alienating than Sonic Youth, their lyrics more abstract than Pavement, or their overall vibe weirder than Bjork. Seeing Deerhoof in concert is nearly as accessible as seeing their greatest stylistic influence, the Rolling Stones.That said, the show opens with an attempt to recreate the original edit of their first 7”, The Return of the Wood M'Lady. But we close out with one of Ty Segall's daughter's favorite songs, Panda Panda Panda.Find more on Greg at Deerhoof's website or follow his political rants on Instagram.For more of Jennifer's discussions on polyamory, communism, and Christianity, check out The Dirtbag Christian. For more from me, the feature from my video zine with the POTUS of Noise, Bucko Crooks, is on his YouTube. And eventually Brandon's YA graphic novel on the history of skateboarding with AJ Dungo will be out on Flying Eye Books. Also, we're putting out a cassette for the 10th anniversary of the Edgar Allen Poecast and we're doing a new one this year. For more info on participating in that or other guest suggestions, email me at rob@undressingunderground.comPart two's up next week. Although we talked for two hours, we still didn't get a chance to ask about other members of Deerhoof, their new album, Greg's other projects, or how to pronounce Saunier.

The ACFM crew offer a weird-left perspective on the role of the hero (and heroine) in politics and culture. Nadia, Jem and Keir assess theories of Great Men, the myth of the hero's journey and the lure of the anti-hero with ideas from Weber and Hegel and music from Tina Turner and Sonic Youth. Find […]

The ACFM crew offer a weird-left perspective on the role of the hero (and heroine) in politics and culture. Nadia, Jem and Keir assess theories of Great Men, the myth of the hero's journey and the lure of the anti-hero with ideas from Weber and Hegel and music from Tina Turner and Sonic Youth. Find […]

Oliver looks at Mike Polizze, both his impressive solo work and his releases under his band Purling Hiss. Polizze's music ranges from subdued indie-folk rockers to Dinosaur Jr and Husker Du inspired grungy indie rockers. Plus, a new single from NZ indie rock figureheads The Beths. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Layla & May from New York's BirthdayGirl are the guests for this episode of the podcast, choosing to talk about Sonic Youth's Sister! Host: Matt LathamGuests: Layla & May from Birthday Girl------------Listen to The Spotify Hall of Fame PlaylistEmail: Pick A DiscFollow us on:Bluesky | Instagram | FacebookPick A Disc(Ord) Discord ServerListen to We Dig Podcasts Shows: @wedigpodcasts | LinktreeLogo designed by: Dan Owen

Oliver checks out the infectiously catchy sunny indie rockers on This Is Lorelei's album 'Box for Buddy, Box for Star'. Plus, a look at the new DOPE LEMON (Angus Stone) record 'Golden Wolf'. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Episode 139 is here! This week on the Rock Roulette Podcast, we're wrapping up our review of Sonic Youth's debut album Confusion Is Sex. Does the second half of this chaotic 1983 release leave a lasting impression? Tune in for our final thoughts!

Oliver looks at the beautiful new album from Colin Miller, the Asheville, North Carolina artist Oliver first knew of as MJ Lenderman's drummer. Plus, some Lenderman tracks and the latest single from DOPE LEMON's new album. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

This week on the show, the great Yuka Honda. She's a New York musician. In the 1990s, she emerged from the fertile New York music underground with Cibo Matto alongside groups like the Beastie Boys, Sonic Youth, and Luscious Jackson. She's collaborated with an extensive roster of musicians, including John Zorn,David Byrne, Yoko Ono, Sean Ono Lennon, and her husband, guitarist Nels Cline.  Earlier this year, we taped the conversation you're about to hear. Some of it ran as text in the Across the Horizon zine that was available at Big Ears Music Fest. What is Across the Horizon? Well, it's a collaborative series from Bob Holmes of Suss and Northern Spy Records gathering together like-minded artists drawn “from the wide landscape of instrumental music” (including Luke Schneider, Marisa Anderson, William Tyler and more) to curate a series of digital releases that will culminate in a double LP compilation of stellar sonic explorations on August 13th.  Under her Eucademix banner, Yuka has explored experimental electronics via two semi recent Farm Psychedelia EPs and her Across The Horizon contribution “A Long Slow Blink Before The Answer.”  In this conversation, we get into food, art, language, and much more. You can read a ⁠full transcript⁠ of this conversation at Aquarium Drunkard, where you'll find 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. With your support, here's to another decade. ⁠Subscribe at Aquarium Drunkard. ⁠ Stream a ⁠playlist of bumper music featured on Transmissions⁠, as well as selections from our guests. Transmissions is a part of the ⁠Talkhouse Podcast Network⁠. Visit the Talkhouse for more interviews, fascinating reads, and podcasts.

Episode 138 is live, and the wheel has spoken! This week on the Rock Roulette Podcast, we're diving into Sonic Youth's debut album Confusion Is Sex. Does this raw and noisy 1983 release set the stage for their legendary career? Tune in to hear our take!

Ben Lee began his career as a young teenager in the early 90's, in the Australian lo-fi punk band Noise Addict, who were discovered by Sonic Youth and the Beastie Boys. That began an extraordinary career that has been both eclectic and eccentric. Ben has put out over 20 solo albums that have made romantics swoon for multiple generations and catapulted him to national treasure status. But enough of all that, we're here to talk about fwendship! In this episode, Ben talks about being occasionally guilty of fair-weather friendship, of friendship within cults, setting friendships loose, World Expo 88, showbiz superfriends, the necessity for admiration in friendship, friendship in family, and his perpetual search for romance in all things.CONTACTText - 0431 345 145Email - fwendspod@gmail.comMail - PO Box 24144, Melbourne, Vic, 3001RATE AND REVIEWOf course you've already subscribed or followed the show, now we'd love you to leave a rating and a review. In whatever podcast app you're in right now, just throw down the 5 stars. Will make our day, and help to get the podcast into more people's ears (which will ultimately mean even bigger name guests for you!)INSTAGRAMFwends PodGeorgia MooneyRhys NicholsonKyran NicholsonYOUTUBESoon (how soon we don't know) you will be able to watch clips of the show on YouTube, click through and hit subscribe now to get them the second they appear: Fwends Pod YouTubeSKIP AHEAD00:00 - Georgia, Kyran and Rhys catch up25:00 - Interview Hosted on Acast. See acast.com/privacy for more information.

Touring strategy, recording, and collaboration are at the heart of this conversation with independent music artist Abe Partridge. Fresh from recording with Steve Shelley of Sonic Youth, Abe shares his journey on the road since 2017, including performing with Matthew Sweet and recently signing with a booking agent. We explore his Alabama Astronaut podcast documenting the undocumented folk music of serpent-handling churches in Appalachia, and discuss practical approaches for planning shows, building industry relationships, and creating sustainable revenue through live performances rather than streaming. Gain valuable insights on navigating the music business as an independent artist who's found his unique path to success. Support the Unstarving Musician The Unstarving Musician exists solely through the generosity of its listeners, readers, and viewers. Learn how you can offer your support at UnstarvingMusician.com/CrowdSponsor This episode of the was powered by Liner Notes. Learn from the hundreds of musicians and industry pros I've spoken with for the Unstarving Musician on topics such as marketing, songwriting, touring, sync licensing and much more. Sign up for Liner Notes. Liner Notes is an email newsletter from yours truly, in which I share some of the best knowledge gems garnered from the many conversations featured on the Unstarving Musician. You'll also be privy to the latest podcast episodes and Liner Notes subscriber exclusives. Sign up at UnstarvingMusician.com/LinerNotes. It's free and you can unsubscribe at anytime. Resources The Unstarving Musician's Guide to Getting Paid Gigs, by Robonzo Music Marketing Method – The program that helps musicians find fans, grow an audience and make consistent income Bandzoogle – The all-in-one platform that makes it easy to build a beautiful website for your music Dreamhost – See the latest deals from Dreamhost, save money and support the UM in the process. More Resources for musicians Pardon the Interruption (Disclosure)  Some of the links in this post are affiliate links. This means I make a small commission, at no extra charge to you, if you purchase using those links. Thanks for your support! Stay in touch! @RobonzoDrummer on  Instagram @UnstarvingMusician on Facebook  and  YouTube    

Wowee Zowee it's Pavement time again! Oliver looks at Pavement's 1995 album, one which many fans consider the definitive Pavement record. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

What happens when Kim Gordon and L.L. Cool meet for an interview 1989? You get this week's song, Sonic Youth's 1990 major label debut single “Kool Thing.” Join Diallo and LUXXURY as they unpack where the interview went awry, debate the song's subtle (or not so subtle) L.L. references, and untangle the layers and layers of Sonic Youth's trademark guitar noise. One Song Spotify Playlist: https://open.spotify.com/playlist/40SIOpVROmrxTjOtH7Q1yw?si=fe485f0104594825 Songs Discussed: "Kool Thing" - Sonic Youth "BYE BYE" - Kim Gordon "Bull in the Heather" - Sonic Youth "Cheree" - Suicide "You Got Me" - Theoretical Girls "Indeterminate Activity of Resultant Masses" - Glenn Branca "Teenage Riot" - Sonic Youth "Rock the Bells" L.L. Cool J "I Can't Live Without My Radio" - L.L. Cool J "Into the Groovey" - Ciccone Youth "Going Back to Cali" - L.L. Cool J "I Against I" - Bad Brains "In the Air Tonight" - Phil Collins Learn more about your ad choices. Visit megaphone.fm/adchoices

Billboard's Behind the Setlist talks to Thurston Moore, co-founder of Sonic Youth, about his body of work as a solo artist and collaborator; his latest album, Flow Critical Lucidity; the likelihood of a Sonic Youth reunion; his musical education witnessing New York's vibrant music scene in the late ‘70s; and his memoir, Sonic Life, that was released in 2023.  Links: Thurston Moore home page Jay Gilbert @ Label Logic Glenn Peoples @ Billboard Learn more about your ad choices. Visit megaphone.fm/adchoices

The podcast episode features Jesse Rifkin, the owner of Walk on the Wildside Tours NYC, a music history walking tour company in New York City, and the author of the book 'This Must Be the Place: Music, Community, and Vanishing Spaces in New York City.' Rifkin shares his background, including his consultancy roles as a pop music historian and his 12 years as a touring musician. They discuss his first concert experience, watching Bob Dylan with Ani DiFranco as the opening act at the Filene Center in Vienna, Virginia, and the interesting intersections his life has had with notable music historians like Alan Lomax.Rifkin recounts his experience attending a unique U2 concert at the Apollo Theater in Harlem, highlighting how seeing a globally famous band in an intimate venue was a surreal and memorable experience. He emphasizes the different dimensions of enjoying massive arena shows versus small, underground music scenes. He talks about his favorite bands, particularly Akron Family and other experimental groups, often performing at DIY venues like Silent Barn and emphasizing how these experiences felt more personal and impactful.The conversation shifts to Jesse's walking tours, which often focus on the punk and post-punk scenes in NYC, featuring iconic sites like CBGB. He discusses the importance of understanding the human and local context behind legendary music and bands, offering a more tangible and relatable connection to this history. His tours aim to demystify the grandiosity of famous musicians by highlighting their humble beginnings in intimate settings.Finally, Jesse talks about his book and its evolution from his extensive tours and Instagram presence, which caught the attention of his editor in 2019. He details the content of the book, which spans 60 years of music history, categorizing different NYC music scenes, and offers practical insights into creating community-driven music venues. Jesse's mission is to show that music and performance spaces can be accessible and transformative, urging people to see the possibility within DIY approaches to music and community building.BANDS: Akron Family, Bad Brains, Beastie Boys, Blondie, Bob Dylan, Castanets, The Cure, Elephant 6 Recording Company, Grateful Dead, Lynyrd Skynard, Neutral Milk Hotel, New York Dolls, Olivia Tremor Control, Patti Smith, Ramones, Sonic Youth, Talking Heads, U2, Velvet Underground, Wooden Wand and the Vanishing Voice, Woods.VENUES: 171A, Apollo Theater, Bowery Ballroom, CBGB, Death by Audio, Jelly NYC, Silent Barn, Tonic, Uncle Paulie's, Wolf Trap. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

These days, large-scale high-production music festivals take over major cities and regularly attract crowds of every genre — including the current version of Lollapalooza that draws a casual 400,000 people to its resident Chicago stomping grounds. But kick it back a few decades and this kind of maximalist mega-show wasn't quite the norm it is now, especially for musical tastes outside of the mainstream. In their second collaborative book, Lollapalooza: The Uncensored Story of Alternative Rock's Wildest Festival, music journalists Richard Bienstock and Tom Beaujour flash back to when the Lollapalooza we know now was a new tour concept bringing 1990s alternative artists and ideas center stage. Lollapalooza first transports readers back to the festival's origins – a 20+ city summer sprawl highlighting alternative music, art, and counterculture, conceived by Perry Farrell as a farewell tour for his band Jane's Addiction. From 1991-1997, this breakthrough tour shifted the scope of live music experiences and helped forge a new path for the decade's subcultures to reach the masses and the media. Bienstock and Beaujour have compiled hundreds of new interviews to dig into the dirt of how the historic festival came into being at every level – from headlining artists and record label execs to tour organizers and promoters to freakshow performers, stage crews, and roadies. Lollapalooza is packed with gritty details of an era of shows that defied genres and drew crowds across style lines. Music, art, and politics drawing from alt-rock, goth, industrial, metal, punk, hip-hop, EDM, and avant-garde explorations – all coming together under one big tent. Featuring original interviews with iconic artists like Green Day, Patti Smith, Rage Against the Machine, Ice-T, Pearl Jam, Sonic Youth, Soundgarden, Nine Inch Nails, Jane's Addiction, Tool, Smashing Pumpkins, Alice in Chains, Metallica, and many more, this collection amplifies voices that helped shape generations of contemporary thinkers, creative activists, and live music audiences. Journeying through 90s nostalgia, uncensored first-hand accounts, and the long-term reverberations of a groundbreaking tour, Bienstock and Beaujour document a high-impact chapter of modern American music. A VIP pass to the action onstage and backstage, on the road and behind the scenes – Lollapalooza details the cultural shift of the alternative rock revolution and the echoes still heard through concert crowds today. Richard Bienstock is a journalist, musician, and author whose work has been featured in the New York Times, The Wall Street Journal, Rolling Stone, Billboard, and Spin. He is the executive editor of Guitar Aficionado magazine and former senior editor of Guitar World and has authored and co-authored books including Kurt Cobain: Montage of Heck and Slash: An Intimate Portrait.  Tom Beaujour is a journalist, music producer, and engineer who has been featured in television shows like Orange is the New Black, A Handmaid's Tale, and Criminal Minds. He is a co-founder and former editor-in-chief of Revolver and has contributed to Rolling Stone, the New York Times, Blender, and Billboard. He is the co-author of Nöthin' But a Good Time: The Uncensored History of the '80s Hard Rock Explosion, alongside Richard Bienstock. Mike Squires is a Seattle-based touring musician and the host of Couch Riffs Podcast since 2019. His touring and recording credits include Duff McKagan, Peter Hook, Ugly Kid Joe, Harvey Danger, and The Long Winters.   Buy the Book Lollapalooza: The Uncensored Story of Alternative Rock's Wildest Festival Third Place Books

Melanie St. Pierre-Bednis, Neil Bednis, and Fraser McClean from Casper Skulls discuss their new album Kit-Cat, the TV show character Frasier Crane, the significance of alt-rock radio and MuchMusic on young minds, Robert Frost poems and being goth, the Bunnies in Berlin record made at the Romano brothers' studio in Welland, moving from stark post-punk to heartfelt indie-rock, loving bands like Sonic Youth and Silver Jews, inspirations like “Rowdy” Roddy Piper, a Richard Hell biography, and There Will Be Blood, upcoming shows, writing new songs, other future plans, and much more!EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online. Support vish on Patreon!Related episodes/links:Ep. #958: Nels ClineEp. #910: The Hard QuartetEp. #734: Bonnie TrashEp. #713: Built to SpillEp. #677: PavementEp. #673: Sonic YouthEp. #481: David BermanSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Oliver goes track-by-track and plays favourites from southern rockers Drive-By Truckers' 'lost album' The Big To-Do. This is an album which varies between country honks, alt-folk and big Crazy Horse guitar rockers. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Killer parties, citrus and liquor, hoodrat chicks and more as we look at The Hold Steady's powerhouse 2009 live album 'A Positive Rage'. This is a rock band at their peak, playing songs from their much-loved first four records. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

In LOLLAPALOOZA: The Uncensored Story of Alternative Rock's Wildest Festival (St. Martin's Press; March 25, 2025; $32.00 Hardcover) New York Times bestselling authors Richard Bienstock and Tom Beaujour tell the no-holds-barred history of the iconic music festival. Through hundreds of new interviews with artists, tour founders, festival organizers, promoters, publicists, sideshow freaks, stage crews, record label execs, reporters, roadies and more, LOLLAPALOOZA chronicles the tour's pioneering 1991-1997 run, and, in the process, alternative rock's rise - as well as the reverberations that led to a massive shift in the music industry and the culture at large. LOLLAPALOOZA features original interviews with some of the biggest names in music, including Perry Farrell and Jane's Addiction, Pearl Jam, Soundgarden, Nine Inch Nails, Sonic Youth, Tool, Smashing Pumpkins, Ice-T, Rage Against the Machine, Green Day, Patti Smith, Alice in Chains, Metallica and many more. Conceived by Farrell as a farewell tour for Jane's Addiction, Lollapalooza's inaugural outing across the U.S. in the summer of 1991 helped to coalesce an ideology and aesthetic that not only washed over popular music but seeped into fashion, film, television, literature, food, politics and more. Throughout the decade, Lollapalooza offered a vast and diverse ensemble of bands, breaking barriers of genre and uniting alternative rock, heavy metal, punk, hip-hop, industrial, goth, avant-garde, spoken word, electronic dance music and other styles under one big tent, and setting the template for the modern American music festival and the scores of other contemporary destination fests that are now an integral part of how audiences experience live music. Unorthodox not just in music, Lollapalooza also spotlighted visual arts, nonprofit organizations, political outfits and even the occasional freak show, offering a tantalizing cocktail of culture, art, and activism that, taken together, defined the alternative mindset that dominated the 1990s. Echoes of its impact reverberate strongly today - cemented by annual sell-outs at destination events all over the world, an estimation of 400,000 attendees at the flagship Chicago fest each summer, and a spot among the world's largest and longest-running music festivals. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

This week, another milestone episode in our journey that is the InObscuria Podcast. We are also preparing for another visit to the Rock n Pod Expo in Nashville, TN, USA on April 12. This made your humble hosts ponder our future, and a decision was made to slightly tweak our mantra. To explore and expand the soundscape of obscure music beyond where we've gone before. Therefore, we call this episode our event horizon! A new beginning with a similar feel… Hope ya dig! What's this InObscuria thing? We're a podcast that exhumes obscure music of all genres and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. We hope we turn you on to something new and introduce to your new favorite artists!For more on Rock N Pod 2025 (April 11-13) go to https://nashvillerocknpodexpo.com/Songs this week include:The Soup Dragons – “Lovegod” from Lovegod (1990)Blueground Undergrass – “Wichita Lineman” from Barnyard Gone Wrong (1999)The Midnight – “Gloria” from Red, White, And Bruised: The Midnight Live (2023)King Plague – “Ave Plague” from Weeping Soul (2015)Lettuce – “Need To Understand” from Rage! (2008)Sonic Youth – “Superstar” from If I Were A Carpenter (1994)DOMi & JD BECK – “BOWLiNG feat. Thundercat” from NOT TiGHT (2022)a-ha – “The Sun Always Shines On T.V.” from Hunting High & Low (1985)Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Oh, and BTW: April Fools

This week on The Cobain 50, we share one last bonus episode before we hit the final stretch of albums on Kurt Cobain’s top albums list. Ray Farrell may not be a familiar name to most, but he’s worked with many of the artists and labels we’ve talked about on the list: from SST and Rough Trade to Geffen Records, Sonic Youth to Wipers, Farrell has been through it all. He shares with us stories from his time in the industry, as well as some memories of talking records with Kurt himself. Hosts: Dusty Henry and Martin DouglasAudio producers: Matt Martin and Roddy NikpourPodcast manager: Isabel KhaliliEditorial director: Larry Mizell Jr.Support the podcast: kexp.org/cobainSee omnystudio.com/listener for privacy information.

This week our good friend Denver Williams stops by the Temple to promote his latest single Let It Ride and to talk up his new album that will be released on May 17th at The Post. We also delve into the Sonic Youth song 100% and its relationship to Henry Rollins and the murder of […] The post Show 620 – 100% of Denver Williams appeared first on The Jerry Jonestown Massacre.

Fools Fest is KCSU's annual punk festival, always set to happen around April Fools Day! Every year, KCSU gathers local punk and punk-adjacent bands to play on Colorado State University's campus, creating a unique and exciting event for all to enjoy. KCSU's music directors, Mia Templien and Ria Janapati, had the opportunity to sit down with a few of the bands performing for some in-depth interviews.The amalgamation of kids wanting to play in a band but not finding the right people is what created Snow Day. Consisting of Grace Murch, Jack DeStefano, Kenny Barnes, and Bradley Brungardt, Snow Day is a hodgepodge of alternative rock, punk, noise rock, and much more. Murch had never played bass before, DeStefano snagged Barned from Denver, and Brungardt got a call from Snow Day's old drummer, asking him to fill in. They find inspiration in bands like Sonic Youth, Nettspend, and Xaviersobased, and are ready to rock CSU's socks off!

Despite having no manufacturing experience, Nick Phillips (The Breadmakers, Corduroy Records) impulsively bought Australia's last vinyl pressing equipment, not only saving it from the scrap heap, but creating an Australian vinyl legacy and spirit that continues through today's modern pressing plants. Topics Include: Introduction of Nick Phillips and his vinyl industry background. Early records on Mr Spaceman – label-mates with Cosmic Psychos How Nick impulsively bought a record factory in Sydney. Nick had no manufacturing experience before buying the equipment. The equipment cost approximately $6,000 in 1989-1990. Nick moved the vinyl pressing equipment to Melbourne. Finding an affordable factory space in McKinnon, Melbourne. The labor-intensive nature of hand-pressed vinyl record production. Description of the vinyl manufacturing process with electroplating. Need to import vinyl pellets from California after local supply ended. The machines were 1960s Swedish Alpha Toolex presses. Typical daily production of 500 albums or 800 seven-inches. Discussion of major artists pressed at Corduroy Records. Direct-to-acetate recordings as a significant part of operations. Sonic Youth's visit to record direct-to-acetate - "Melbourne Direct" record The White Stripes recording session that didn't go smoothly. How the White Stripes acetates were transferred to Third Man Records Corduroy's unusual business model of charging majors more. Employee requirement to run their own record labels. Nick's perspective on running a business more for passion. The origin of the Corduroy Records name. Why they added "& Detective Agency" to the business name. Their one failed detective case involving counterfeit Nike socks. Financial challenges of running the pressing plant. How EMI and other labels sued Corduroy for copyright infringement. The factory relocation costs that contributed to closing. Selling the equipment to Obese Records/future Zenith Records. How Hilltop Hoods went from customers to part-owners. The machines are still operating today at Zenith Records. Nick's band The Breadmakers has been active for 35 years. The Breadmakers' consistent 1960s R&B sound over decades. The new Breadmakers album "Lonesome Sundown." Nick's satisfaction at keeping vinyl alive in Australia. Directing listeners to thebreadmakers.bandcamp.com for music. Interview wrap up EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

In LOLLAPALOOZA: The Uncensored Story of Alternative Rock's Wildest Festival (St. Martin's Press; March 25, 2025; $32.00 Hardcover) New York Times bestselling authors Richard Bienstock and Tom Beaujour tell the no-holds-barred history of the iconic music festival. Through hundreds of new interviews with artists, tour founders, festival organizers, promoters, publicists, sideshow freaks, stage crews, record label execs, reporters, roadies and more, LOLLAPALOOZA chronicles the tour's pioneering 1991-1997 run, and, in the process, alternative rock's rise - as well as the reverberations that led to a massive shift in the music industry and the culture at large. LOLLAPALOOZA features original interviews with some of the biggest names in music, including Perry Farrell and Jane's Addiction, Pearl Jam, Soundgarden, Nine Inch Nails, Sonic Youth, Tool, Smashing Pumpkins, Ice-T, Rage Against the Machine, Green Day, Patti Smith, Alice in Chains, Metallica and many more. Conceived by Farrell as a farewell tour for Jane's Addiction, Lollapalooza's inaugural outing across the U.S. in the summer of 1991 helped to coalesce an ideology and aesthetic that not only washed over popular music but seeped into fashion, film, television, literature, food, politics and more. Throughout the decade, Lollapalooza offered a vast and diverse ensemble of bands, breaking barriers of genre and uniting alternative rock, heavy metal, punk, hip-hop, industrial, goth, avant-garde, spoken word, electronic dance music and other styles under one big tent, and setting the template for the modern American music festival and the scores of other contemporary destination fests that are now an integral part of how audiences experience live music. Unorthodox not just in music, Lollapalooza also spotlighted visual arts, nonprofit organizations, political outfits and even the occasional freak show, offering a tantalizing cocktail of culture, art, and activism that, taken together, defined the alternative mindset that dominated the 1990s. Echoes of its impact reverberate strongly today - cemented by annual sell-outs at destination events all over the world, an estimation of 400,000 attendees at the flagship Chicago fest each summer, and a spot among the world's largest and longest-running music festivals. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Howie Klein has been my regular Thursday guest for over a dozen years now, but our friendship goes back further to the early 90s, when I was doing rock radio in Los Angeles and he was president of Reprise Records. When Howie left Reprise and Warner Brothers as Time Warner and AOL merged, he began devoting all of his time to progressive politics, launching Down with Tyranny and the Blue America PAC.Danny Goldberg also worked in the music industry as a personal manager, record company president, public relations man and journalist since the late 1960s. When Howie and I first met, Danny managed Nirvana, Hole, Sonic Youth, Bonnie Raitt, The Allman Brothers, Rickie Lee Jones and more. From 2005-2006, Danny was CEO of Air America Radio. That was a few years before I joined the network and hosted a nightly show there.All three of us share the common experience of working in the music industry and being very involved in progressive politics. Today, we're all dealing with our current political situation as best we can. Admittedly, I am not handling it well.Two weeks ago on the show, Howie mentioned that he had dinner with his dear old friend Danny Goldberg, and told me that Danny had some very important and insightful thoughts on surviving these dark days and fighting back, and suggested we have Danny join us on the show. So he is doing that today. They'll be here for the second half-hour.Tonight, Bernie Sanders and Alexandria Ocasio Cortez will be in my neck of the woods. They're heading out west as part of Bernie's Fighting Oligarchy tour. I will be there and will bring you coverage tomorrow and Monday. They're leading the way of the resistance, but it's up to all of us. At the top of the show, I'll share some more constructive ways we can and are fighting back. It's all in our hands right now...

William S. Burroughs was a literary icon whose novel Naked Lunch, one of the signature works of the Beat Generation, was banned and went on trial for obscenity. His writing inspired generations of musicians, from the Rolling Stones and Patti Smith to Nirvana and Sonic Youth. But long before all that, in 1951, when he was an unknown and mostly failed writer, William S. Burroughs made the most fateful decision of his life when he pointed a gun at a highball glass balanced on top of his wife's head…and pulled the trigger. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In his memoir Sonic Life (Faber), Thurston Moore recounts a life that has been defined by music. Following a childhood rock 'n' roll epiphany in the early 1960s, his infatuation with the subversive world of 1970s punk and no wave led him to move to New York City, where he immersed himself in the underground music and art scenes. In 1981 he co-founded the band Sonic Youth, who changed the sound of modern rock music in a thirty-year career of constant experimentation. Throughout the book we encounter a constellation of musicians and artists who inspired him, including The Velvet Underground, The Stooges, Patti Smith, Television, Jean-Michel Basquiat and Keith Haring.Moore talks with poet Jack Underwood (A Year in the New Life, Happiness). Hosted on Acast. See acast.com/privacy for more information.

Cet épisode est issu du podcast "Ça a commencé comme ça" proposé par la Bourse de commerce-Pinault Collection et disponible ici pendant une semaine. Tous les autres épisodes du podcast sont à retrouver gratuitement sur toutes les applications de podcasts (Spotify, Apple Podcasts, Deezer...). The girl in the band. Kim Gordon naît à Los Angeles, en 1953. Après ses études d'art, elle quitte la Californie pour s'installer à New York. Dans les années 1980, Big Apple est le creuset de l'avant-garde artistique. Happée par la no wave, un courant artistique apparu en 1977 dans le quartier du Lower East Side. L'expression mucicale de ce mouvement est ouverte à la dissonance et au bruitiste. Dans ce contexte, Kim Gordon est frappée par sa rencontre avec un guitariste passionné, Thurston Moore. Elle devient bassiste du groupe qu'il forment, Sonic Youth, devenu culte. Ensemble, ils poussent plus loin la déstructuration, la décomplexion musicale. Pour Sonic Youth, la musique, c'est aussi du bruit ! Membre d'un groupe de rock alternatif, Kim Gordon est aussi une artiste visuelle, et bientôt l'icône d'une génération, qui ne veut plaire à personne.CRÉDITSÇa a commencé comme ça est un podcast co-produit par Binge Audio et la Bourse de commerce – Pinault Collection. Écriture : Caroline Halazy. Incarnation et interprétation : Panayotis Pascot. Réalisation et mixage : Maxime Singer. Musique originale : Nicolas Olier. Identité graphique : Upian. ÉQUIPE BINGE AUDIO : Production et édition : Dimitri Mayeur & Albane Fily. Direction de projet : Soraya Kerchaoui-Matignon. ÉQUIPE BOURSE DE COMMERCE - PINAULT COLLECTION : Stéphanie Hussonnois-Bouhayati, Clémence Laurent de Cassini, Cyrus Goberville, Louise Guerrin.

Dave Markey is a self-taught filmmaker and musician who has documented underground music and punk culture for over four decades. His films, including 1991: The Year Punk Broke and Desperate Teenage Lovedolls, capture the energy of the punk scene with a direct, DIY approach. He has worked with Sonic Youth, Nirvana, Black Flag, and the Circle Jerks, among others. His latest documentary, The Secret Lives of Bill Bartell (2025), explores the influence of a key figure cultural figure, bull rider and cop Bill Bartell.

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Owen Williams from the Tubs discusses their excellent album, Cotton Crown, DADGAD guitar tuning and affinities for artists like Big Star, Richard Thompson, and SZA, how the humour in his music can be overlooked for its sentimentality, his unique musical upbringing and penchant for misbehaviour as a young teen, processing his mother's suicide, his prose writing background, starting Perfect Angel Press, and updates about two of his novels, what Gob Nation is all about and spitting on people, Sonic Youth and Superchunk allusions, touring, working on a new album, other future plans, and much more.Support vish on Patreon!Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #909: Jade HairpinsEp. #900: Fugazi and Jem CohenEp. #892: Fucked UpEp. #880: Guided By VoicesEp. #834: J MascisEp. #738: SuperchunkEp. #722: The BethsEp. #673: Sonic YouthEp. #634: Richard ThompsonEp. #578: Chris Rowley of Adulkt LifeSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Last week I debuted a new series where The Ledge rights the wrongs of that inept board that handles the Rock and Roll Hall Of Fame. The previous episode presented artists from the 50s, 60s, and 70s that deserves to be inducted. This week we handle the 80s. Take a look at the 33 artists I present on this broadcast. You can’t deny that this would make the Hall a lot more fun. Imagine Jello Biafra’s induction speech for the Dead Kennedys! Or the remarks Henry Rollins would make for Black Flag. Or the emotions that would erupt for the late Shane MacGowan and the rest of The Pogues. How about the ensuing jam session that would involve Nick Cave with members of X, The Cramps, Husker Du, Sonic Youth, and the Fleshtones? Of course, any Hall that I curate would have to include The Replacements! In fact, just insert them into the building and all of my complaints would immediately end. (Or would it?) For more info, including setlists, head to http://scotthudson.blogspot.com

Legendary musician and multi-disciplinary artist Kim Gordon released a banger of a solo album in 2024, the blistering, sonically vicious 'The Collective'. This week we're joined by guests Alexander Hacke (Einstürzende Neubauten) and Danielle de Picciotto (Crime & the City Solution, Love Parade) - who together comprise the genre-defying, trailblazing duo hackedepicciotto - to unpack this mind-bender of a record. Songs discussed in this episode: Evermore, Awake, Lovestuff - hackedepicciotto (Live in Napoli); Zeichnungen des Patienten O.T. - Einstürzende Neubauten; Murdered Out - Kim Gordon; Sucker - Charli XCX; HUMBLE - Kendrick Lamar; Can You Feel It - Mr Fingers; Baby I Can Drive My Car - Gudrun Gut; Dream Baby Dream - Suicide; BYE BYE - Kim Gordon, Miuzi Weighs A Ton - Public Enemy; The Candy House, I Don't Miss My Mind - Kim Gordon; Frenz - The Fall; I'm A Man - Kim Gordon; Spiritual Healing - Dälek; Trophies - Kim Gordon; Evermore - hackedpicciotto; It's Dark Inside, Psychedelic Orgasm, Treehouse, Shelf Warmer, The Believers, Dream Dollar, Bangin' On The Freeway - Kim Gordon; Grace (Live In Napoli) - hackedepicciotto