Podcasts about Basquiat

Cette Semaine LTDJ reçoit Kaine BasquiatÀ chaque épisode Dj Crowd et Jay Seven reçoivent des invités pour le temps d'un jujube! Suivez les émissions pour les conversations les plus comiques, informatives et absurdes du Québec!Salutations aux commanditaires:Le Kampus, Malefycia, Rollin Loud Oka, Dirty Devil VodkaInfographie par : Dj Crowd pour Muliani GfxMusique par : @BeatsbyGallo pour MajorWayStudio : KampusSuivez-nous sur les médias sociauxPour écouter l'after-Show :https://www.patreon.com/letempsdunjujubeDj Crowd :https://www.instagram.com/djcrowd/https://www.facebook.com/worldfamousdjcrowdTiktok, Snapchat, Twitter : Dj CrowdJaySeven :https://www.instagram.com/j7official/LTDJ : https://www.instagram.com/letempsdunjujube/https://www.facebook.com/letempsdunjujube/Merci !!!!!!!Support the show Suivez-nous sur les médias sociauxPour écouter l'after-Show :https://www.patreon.com/letempsdunjujubeDj Crowd :https://www.instagram.com/djcrowd/https://www.facebook.com/worldfamousdjcrowdTiktok, Snapchat, Twitter : Dj CrowdJaySeven :https://www.instagram.com/j7official/LTDJ : https://www.instagram.com/letempsdunjujube/https://www.facebook.com/letempsdunjujube/Merci !!!!!!! 

Read along with this podcast at: https://isee109.com/2026/05/16/all-colored-cast-basquiat-nipsey-and-the-well-they-shared/

So folks ask me to do more nonfiction on this podcast, and while I admit that it is a bit of a stretch to call today's book pure nonfiction, I at least think that it's closely aligned. It's not a biography, though. Consider it more of a personal memoir from 1962. In essence, it's the true story of Andy Warhol's extended family, written by one of his nephews. Sadly, James Warhola didn't continue to make much in the way of children's books (though he did make a sequel to this book called Uncle Andy's Cats). We discuss everything from David Bowie's depiction of Andy in the film Basquiat, to creepy ventriloquist dummies, to what you should do if roughly a dozen members of your extended family show up at your door (answer: put them to work). For the full Show Notes of this week's episode, please visit: https://afuse8production.slj.com/2026/05/11/fuse-8-n-kate-uncle-andys-by-james-warhola/

W tym odcinku Big Book Podcast Julia Rzemek i Bartosz Kamiński rozmawiają o dwóch biografiach poświęconych słynnym malarzom: „Basquiat. Życie i dziedzictwo legendy sztuki” Phoebe Hoban oraz „Monet” Jackie Wullschläger. Polecają również kilka innych książek, które na nowo odkrywają postaci ze świata sztuki.Dziękujemy osobom, które wspierają powstawanie tego podcastu w Patronite. I zapraszamy kolejne osoby do tego grona, bo wspieranie naszej fundacji wiąże się z różnymi małymi przyjemnościami. Sprawdź i wspieraj kulturę czytania!https://patronite.pl/bigbookcafeDziękujemy Miastu Stołecznemu Warszawa za wsparcie w Stałym Programie Kulturalnym, także dzięki niemu tworzymy dla Was serwisy informacyjne w formach audio, wideo i newsletterowej.

Vi har 313 partipolitiska företrädare som är gängkriminella. Vad gör partierna? SD:s kvittningsbråk får oss att undra om SD vill sänka Tidö. Tanken att man föraktar äldre för att man kritiserar Mats Svegfors försök att sänka regeringen är lika löjlig som att man inte kan ha synpunkter på vad svarta säger utan att vara rasist. Alexandra Charles har helt enkelt fel. Poängen är väl den motsatta: att man bör ta honom på allvar oavsett hans ålder. Och allvaret handlar så delvis om den oattraktiva egenskapen att vara illojal. Vill man inte vara lojal, stå utanför partier. Men att sänka sina kompisar i en valrörelse är inte ett tecken på god moral, utan ett karaktärsfel. En annan intressant sak, där detta är en del, är att kampanjerna mot regeringen nu är igång. Sossarna är alltid bäst på detta och de har många journalister med sig. Många kommunikatörer ställer upp i valet. Men varför petas Bengt Ohlsson ut ur DN:s helgbilaga efter 38 år? Cykla är hälsosamt, får vi veta, men polisen varnar för att cyklister blir av med sina värdesaker. Vi var på Louisiana med Harriet och Owe Gustafson för att titta på Basquiat, väl värt resan. Djävulen bär Prada 2 kan man däremot hoppa, även om det alltid är kul att gå på Borrby bio. Johans sommarprojekt är att läsa viktorianska Anthony Trollope, med början i The way we live now. Susannas är att läsa och läsa om Simone de Beauvoir. Segerdag i Moskva i dag - otroligt att Putin tvingas skala ner i rädsla för Ukraina. Kanske är han riktigt pressad, även i Moskva. Lena Andersson skriver kul om maktspråk i Svenskan. Och Susanna bär en fin tröja av camillathulin.se. Hosted on Acast. See acast.com/privacy for more information.

Jean-Michel Basquiat (1960-1988) var en legendarisk og særegen amerikansk kunstner. Uttrykket hans likner ikke på noen andres, men det er mange som prøver å likne på ham.Basquiat er aktuell med utstillingen Headstrong som vises på Louisiana kunstmuseum til 17. mai 2026.I denne episoden dekoder kunsthistoriker og forlagsleder for Munchmuseets forlag, Josephine Langebrekke Basquiats Undiscovered Genius i samtale med kunsthistoriker og programleder i Kunstpodden, Cecilie Tyri Holt.

Welcome to episode #1034 of Thinking With Mitch Joel (formerly Six Pixels of Separation). At a time when the lines between culture, commerce and identity feel increasingly blurred, few people understand how value is actually constructed… and reconstructed… better than Douglas Woodham. A former President of the Americas at Christie's and a longtime advisor through his firm Art Fiduciary Advisors, Doug brings a rare dual lens to the conversation… equal parts economist and art obsessive. With a PhD in economics and decades spent inside the machinery of the global art market, he has seen firsthand how artists move from obscurity to icon status… and how markets, narratives and power structures shape that journey . His latest book, Jean-Michel Basquiat - The Making of an Icon, goes far beyond biography to examine how one artist's legacy was not just created… but carefully engineered. In this conversation, Doug explores the intersection of art and economics, unpacking how scarcity, status and human behavior drive the desire to collect… and why ownership has become increasingly performative in a social media age. He challenges the romantic notion that value is purely about the work itself, pointing instead to branding, cultural timing and strategic stewardship… particularly in Basquiat's posthumous rise. We also dig into the broader shifts reshaping the art world… from the declining cultural centrality of fine art to the rise of alternative collectibles, the failure of NFTs to gain traction in traditional markets, and the fragile economics behind fractional ownership models. What emerges is a sharper understanding that art is not just about beauty or expression… it is about markets, narratives and belief systems that determine what is worth owning… and why. Enjoy the conversation… Running time: 1:04:35. Hello from beautiful Montreal. Listen and subscribe over at Apple Podcasts. Listen and subscribe over at Spotify. Please visit and leave comments on the blog - Thinking With Mitch Joel. Feel free to connect to me directly on LinkedIn. Check out ThinkersOne. Here is my conversation with Douglas Woodham. Jean-Michel Basquiat - The Making of an Icon. Art Fiduciary Advisors. Art Collecting Today. Follow Doug on Instagram. Follow Doug on LinkedIn. Chapters: (00:00) - Introduction to Doug Woodham and His Expertise. (02:42) - The Life and Legacy of Jean-Michel Basquiat. (04:48) - Connecting Art and Economics. (08:45) - Human Behavior and the Desire for Collectibles. (12:10) - The Shift in Art Collecting Trends. (15:42) - NFTs and Their Impact on the Art Market. (20:29) - Artist Compensation and Ownership Rights. (24:28) - Cultural Relevance of Fine Art Today. (27:58) - The Psychology of Collecting and Scarcity. (32:37) - The Business of Scarcity in Consumer Brands. (35:15) - The Importance of Secondary Markets in Collectibles. (40:10) - The Evolution of Basquiat's Brand Posthumously. (54:51) - The Intersection of Art and Commercialization. (59:53) - Fractional Ownership in Art Investments.

Artificial Intelligence helped me produce this episode. You should know that the painting by Basquiat is a premonition of the life of Nipsey Hussle. Listen!

Jesus can easily be relegated in our minds to specific areas of our lives or in popular art. We see depictions of him in paintings, music, and films. But, Jesus is more real and more present to us than any artistic representation can reproduce. This blogcast explores “Jesus Alive: Encountering the Truth of Christ" from the Ad Infinitum blog, written by Brady Baylis and read by Jonathan Harrison.I think there is something special about a cover—about taking a song, a painting, or a movie and recreating it within the modern frame of mind. Aretha Franklin's bold and unapologetic “Respect” is a perfect example, as she interprets the song as a Black woman in the 1960's. As is Jimi Hendrix's “All Along the Watchtower,” in which he narrates the song with hauntingly beautiful guitar riffs. In visual art, Andy Warhol recreates the portrait of Mao Zedong with a messy array of bright colors—an unusual depiction of the dictator. Finally, modern movies, headlined by the Cohen Brothers' True Grit, give life to old characters and stories, recreating them for new audiences.However, even the Beatles, the most covered band of all time, cannot compete with the millions of interpretations of Jesus Christ. Thousands of artists have painted Christ crucified or the Madonna and Child. Everyone from Van Gogh, Basquiat, or da Vinci have painted Jesus Christ, each in their own manner. It can be mind-numbing to try to flip through them all, viewing each painting, alien to the others, and, oftentimes, to us. There are always two questions to ask when discussing art: “What is this artist trying to say?” and “What do we think he or she is trying to say?”These questions matter much more when investigating faith. In a special way, how artists of all disciplines—including sculptors, writers, or directors—interpret Jesus will affect us. Every Catholic, no doubt, thinks of Jesus through some piece of art or another, but Jesus is more than just a collection of paints, words, or images. Jesus is alive. It is tempting to trap Him in a Caravaggio, an El Greco, or even in the Passion of the Christ—to prevent Him from challenging us. Jesus as represented in art cannot call us out in our sins; He cannot tell us the hard truths we need to wrestle with. Even further, we should not trap Jesus in the Church or solely in the Mass. Yes, we are oftentimes challenged in specific ways during the Mass, especially when a priest gives a difficult homily. It can be easy, however, to selectively hear the priest, interpreting him and hearing only what we want to hear. We often want a sanitized Jesus, one that affirms us and makes us feel good. But while Jesus resides in the tabernacle and comes to meet us in every celebration of the Eucharist, He cannot be left there. Jesus wants to encounter us personally in order for us to help others encounter Him.Jesus always challenged His disciples to worship, act, and believe in accordance with truth. Jesus was not “sanitized” or acting in the “proper way” when He overturned the tables of the money changers; He was not “sanitized” when He described the narrow way; and He surely was not clean and tidy when He died on the Cross. Jesus defied our expectations. He was filled with passion for God's truth. While He is Beauty itself, Jesus often made His listeners look away as they were unable to embrace the unsavory truth that can be hard to swallow.I enjoy going to Washington's National Gallery of Art or New York's MET, but next time I see Christ there, I will be reminded that He is not trapped in the golden walls of the frame. Jesus is alive, living in the Eucharist and in others. While it is beautiful to witness Jesus in the arts, we must remember that Christ lives in the audience, the museum goers. While the beauty of the art itself is mesmerizing, Christ is alive in flesh, both on the altar and in people who remind us that, while beautiful, Christ's message is a challenge.  Author:Brady Baylis is alum of The Catholic University of America with a degree in history and secondary education. Resources:Listen to On Mission: Eucharistic Revival: Year of MissionEucharist podcastsRead the Ad Infinitum blogBlog posts about the Eucharist Follow us:The Catholic Apostolate CenterThe Center's podcast websiteInstagramFacebookApple PodcastsSpotify Fr. Frank Donio, S.A.C. also appears on the podcast, On Mission, which is produced by the Catholic Apostolate Center and you can also listen to his weekly Sunday Gospel reflections. Follow the Center on Facebook, Instagram, X (Twitter), and YouTube to remain up-to-date on the latest Center resources.

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Gather around fellow artists! It's time to find out if the 1996 film about a young artist who came and went before his time holds up or not. Let's find out if Basquiat (1996) starring Jeffrey Wright holds up or not! In addition Joe Lowry's back with his latest edition of Name That Character Actor movie trivia! As always the fellas offer their latest movie thoughts during quarantine viewing picks. Please sub our YouTube where you can watch all of our episodes instead of just listening. We post the video version of each episode over there every week. Also, you can give us a 5 star review on your podcast platform of choice. Do it right now! It takes 30 seconds. Thank you! If anything from this episode strikes you, email the show cinema9pod@gmail.com

Ángeles Caso conversa con la directora del Teatro Tribueñe, Irina Kouberskaya, una de las figuras fundamentales para entender la historia del teatro del último medio siglo en España. Le acompaña su hija, Catarina de Azcárate, la protagonista de su último montaje, La Gaviota de Chéjov. Más tarde, hablamos del debate que acogió el Museo del Prado entre Salman Rushdie y el conservador Alejandro Vergara sobre las obras del Bosco y las 'Pinturas negras'; y de Soy Asurbanipal, rey del mundo, rey de Asiria, una exposición que puede visitarse en el Caixaforum de Madrid. Por último, Guillermo Busutil se adentra en su Ventana del Nautilus en grandes figuras del arte urbano como Banksy y Basquiat.Escuchar audio

Filmmaker Alexis Lloyd has made a distinctive impact on contemporary cinema with Group: The Schopenhauer Effect, currently in its theatrical run at The Quad Cinema in Greenwich Village, NYC. The film draws deeply from his upbringing immersed in psychiatry and psychoanalysis, blending that foundation with his passion for storytelling. Conceived as a prequel to his acclaimed, eponymous YouTube web series, the project offers a poignant exploration of the conflicts, epiphanies, and catharses that emerge within group therapy.Released five years after the first season, the film reunites much of the original cast while introducing a pivotal new character portrayed by Thomas Sadoski, reuniting Lloyd with one of his frequent collaborators. Sadoski plays a documentarian named Alexis, caught between artistic ambition and financial survival, who must earn the group's trust while seeking permission to use their sessions professionally—an inherently delicate and potentially disruptive undertaking.Lloyd's last feature, 30 Beats, is an ensemble exploration of sexual compulsivity and the longing for connection, featuring Sadoski alongside Lee Pace, Justin Kirk, Paz de la Huerta, and Jennifer Tilly. Earlier in his career, he directed several short films, including Indiscretion (2001) and Le 10ème Jour (2003).In addition to his work as a filmmaker, Lloyd had a prolific career as Managing Director at Pathé, where he oversaw distribution on a range of influential films, including Basquiat, Swingers, Pi, The Virgin Suicides, Memento, The Blair Witch Project, Bound, Austin Powers, The Fifth Element, and The Spanish Prisoner.In our conversation, we explore the origins of his interest in mental health storytelling, the response to his latest feature, the challenges of filming during COVID-19, and why casting a real psychoanalyst was essential to creating an authentic group dynamic.Opening Credits: Ketsa - Goes Red I CC BY 4.0; Pierce Murphy - Chania I CC BY 4.0. Closing Credits: Pierce Murphy - Baby, Write I CC BY 4.0.

From the alien drifter of The Man Who Fell to Earth to the unforgettable Goblin King of Labyrinth, David Bowie built one of the strangest and most fascinating film careers in pop history.In this episode, hosts Laura Gommans and Tom Ooms dive into David Bowie's acting career, exploring how the musician moved through cinema across four decades. They chat about what drew Bowie to the silver screen, why acting became one of his favourite side quests, and the performances that defined his screen presence.From playing Andy Warhol in Basquiat to a perfectly deadpan cameo in Zoolander, they discuss why directors kept casting Bowie, what made him so magnetically strange on camera, and which roles remain the most unforgettable—before tackling the impossible question: who could ever play Bowie in a biopic?Fill out our ⁠survey⁠ and win up to €100 worth of prizes.Get tickets to Sound And Vision: Remembering David Bowie @ LAB111Films Mentioned: The Man Who Fell to Earth (Nicolas Roeg, 1976) Christiane F. (Uli Edel, 1981) Merry Christmas Mr. Lawrence (Nagisa Oshima, 1983) The Hunger (Tony Scott, 1983) Labyrinth (Jim Henson, 1986) The Last Temptation of Christ (Martin Scorsese, 1988) Twin Peaks: Fire Walk With Me (David Lynch, 1992) Basquiat (Julian Schnabel, 1996) Zoolander (Ben Stiller, 2001)Moonage Daydream (Brett Morgen, 2022)

We talk about the Olympic gold and Trump glomming, Sal gets food poisoning, college drinking days, and how Basquiat's art affects us differently.

Basquiat (1996) - Review of one the best artist biopics EVER!

Basquiat (1996) - Review of one the best artist biopics EVER!

Kristi Lee, Dr. Rob Shumaker and guest Josh Arnold break down Oscar season, including best picture, best actor, best actress and best director debates. The conversation covers award show fatigue, movie reviewing culture, streaming versus theaters, and why the big-screen experience still matters. Films discussed include The Golden Compass, Marty Supreme, One Battle After Another, Hamnet, Sinners, Frankenstein, Zootopia 2, Blue Velvet, Basquiat, Blade Runner, Blade Runner 2049, The Godfather, The Wizard of Oz, Lost in Translation, Mamma Mia, Road House, Begonia and Perfect Days, along with reflections on IMAX, movie etiquette and seeing films with an audience.

In this episode, we sit down with Walker Antonio, a Virginia-based Filipino-American painter whose work blurs the boundaries between the real and surreal, the physical and psychological. Working primarily on a large scale, Walker's process moves from energetic chaos to deliberate refinement—a philosophy that extends to his remarkable career trajectory. Just 18 months after graduating from Wofford College with his BA in Studio Art and Art History, Walker has built an impressive professional practice. He shares his unconventional journey from receiving the 2023 Whetsell Family Fellowship to spending 10 months at a ski resort in Germany, and how he quickly gained representation with three galleries upon returning stateside. We dive into Walker's evolving artistic practice—from large-scale figurative works exploring themes of environment and identity to experimental 6x6-inch pieces that challenge his understanding of composition. He opens up about the pivot points in his career, including creating 34 pieces in 10 days during the Foundation House Artist Residency and showing alongside Picasso and Basquiat at the Palm Beach Modern Contemporary Art Fair. As the first visual artist selected for the Kenan-Lewis Fellowship at Woodberry Forest School, Walker offers candid insights on balancing teaching, pursuing his MA in Fine Arts from Falmouth University, and managing the business side of art. He emphasizes the power of authentic networking over social media growth, the many hats artists must wear (accountant, marketer, graphic designer), and why he's chosen to avoid commissions to protect his creative vision. With solo exhibitions at Stevenson & Co. (Charleston, SC) and the Rhodes Art Center (Gill, MA) in 2025, plus upcoming shows at Sheridan Studios (Macon, GA) in February 2026 and the Baker Gallery (Woodberry Forest, VA) in November 2026, Walker's career is rapidly expanding. His work has been published in American Art Collector and Suboart Magazine, with forthcoming publication in the Penn Journal of Arts and Sciences. Whether you're an emerging artist or simply curious about the art world, Walker's perspective on treating Instagram as a living portfolio, his strategic approach to artist residencies (including his upcoming 2026 Elf School of the Arts Residency), and his commitment to "just keep going" will inspire you to pursue your creative path with intention and authenticity. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

After the undercurrents is a new exhibition bringing together the work of two senior painters, Australian artist Gordon Bennett and Tāmaki-based Emily Karaka, opening tonight at Artspace Aotearoa.  Gordon Bennett was a Brisbane-based artist who is widely recognised as one of Australia's most significant and critically engaged contemporary practitioners. His practice moved between these different phases – from often more abstract forms, to his conscious appropriation of Basquiat to create these cross-cultural dialogues, to the work made under the name of ‘John Citizen' as a means to question identity and politics of categorisation in Australian art – seeking to map alternative histories and question the status quo through these various forms.  His work has been paired with Tāmaki-based painter Emily Karaka whose practice draws on the personal and political through these diverse art making traditions, vibrant colours, and historical narratives that guide her. Grounded in the cultural and political landscape of Aotearoa, her work articulates emotional intensity and her unique perspective, speaking to her long-standing advocacy for kaitiakitanga and mana motuhake.  In After the undercurrents, with both artists drawing on their respective narratives of place and indigenous worldviews, the pairing allows the viewer to contemplate Artspace Aotearoa's annual question for 2026: ‘Which history?' Sof had a kōrero with Kaitohu Director of Artspace Aotearoa, Ruth Buchanan, about the show and Gordon Bennett and Emily Karaka's respective practices.

Being laughed at or criticized or misunderstood is the price of leaving the herd and producing your magic.Aside from the mastery on the canvas and the genius of the brushstrokes, what makes a work of art by Jean Michel Basquiat worth hundreds of millions and this rough-edges piece worth so little is the signature at the bottom. Through his prowess, Basquiat made his name worth something. And then he protected his good name so that his greatness would stand the test of time. As all great masters do.I've created a powerful completely new online program called The Amazing Day Blueprint. It's a proven system to help you constantly make your days productive, healthy and happy in 2026. Here are the details.FOLLOW ROBIN SHARMA:InstagramFacebookXYouTube

Understanding the Iconic Personal Brand of Jean-Michel Basquiat with Doug Woodham. In this episode, Brandon sits down with Doug Woodham, author of 'Jean-Michel Basquiat: The Making of an Icon,' to delve into the fascinating life and lasting cultural impact of Jean-Michel Basquiat. From his early struggles as a homeless teenager to becoming one of the most valuable artists in history, Basquiat's journey is explored in depth. Woodham discusses the pivotal moments and relationships that shaped Basquiat's career, his bold and enigmatic art, and the strategic decisions that cemented his posthumous fame. 00:50 Introduction to Basquiat's Cultural Impact  04:06 The 2017 Sale and Its Global Impact 05:41 Licensing and Pop Culture Integration 10:48 Basquiat's Artistic Style and Influence 15:41 The Neo-Expressionism Movement 21:21 Early Struggles and Key Relationships 26:22 Navigating the Art World 32:43 Celebrity Endorsements and Market Resurgence This is the Brands On Brands Podcast with Brandon Birkmeyer www.brandsonbrands.com Don't forget to get your own personal branding scorecard at: https://www.brandsonbrands.com/scorecard CONNECT WITH ME Connect with me on social media: https://www.brandsonbrands.com/mylinks READ MY BOOK - FRONT & CENTER LEADERSHIP I launched a new book and author website. Check it out here. https://www.brandonbirkmeyer.com/fcl CHECK OUT MY COURSES Get tactical trainings and access to one-on-one coaching! https://www.brandsonbrands.com/courses SUBSCRIBE TO THE NEWSLETTER Get the latest news and trends on all things personal branding and the creator economy. https://www.brandsonbrands.com/newsletter

Download the work of art and listen to this podcast simultaneously.

durée : 00:49:18 - Affaires sensibles - par : Fabrice Drouelle, Franck COGNARD - Aujourd'hui dans Affaires sensibles, chevauchons la mort avec le peintre noir-américain Jean-Michel Basquiat. - réalisé par : Frédéric Milano Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Partendo da una sneaker iconica, la adidas Superstar, scopriamo come un dettaglio funzionale - quattordici buchi per passarci i lacci - finisce per diventare una dichiarazione politica.Per riuscirci andiamo nella New York del 1986: dalla metro che mescola mondi diversi a Keith Haring e Basquiat, dal Bronx in fiamme alla nascita dell'Hip Hop, fino alla notte in cui ventimila persone alzano le proprie adidas al cielo al Madison Square Garden.È la storia di come una scarpa da basket esce dal campo, perde i lacci e diventa simbolo culturale, bandiera di una comunità e inizio dell'industria streetwear moderna.

Le 10 décembre 2025, veille de son concert parisien à la Maroquinerie, l'artiste franco- camerounais James BKS a offert à son public une version deluxe de son EP See us rise - and win. Accompagné de son invité, le peintre et digital artiste Fred Ebami, il répond aux questions de Claudy Siar, Yasmine Bakayoko et Stéphane Linon. En fin d'émission, les invités affrontent les chroniqueurs dans l'épreuve du Blind Test. James BKS est un artiste pluridisciplinaire, auteur-compositeur interprète, fils de Manu Dibango. Sa musique fusionne rythmes et chants d'Afrique de l'Ouest aux sonorités modernes telles que le hip-hop et l'afro-pop. See us rise est le troisième projet de l'artiste, co-produit par JoAtouch et mixé par Roark Bailey. Dans cet EP, l'artiste se révèle sans artifice. Playlist du 7 janvier : James BKS - Milli Vanity La chanson Milli Vanity fait référence au scandale qui a touché groupe Milli Vanilli à la fin des années 80. Dans Milli Vanity, James BKS raconte l'envers du décor du succès. James BKS - See us rise James BKS - Assia James BKS - Wettin U go choose La chaine YouTube de James BKS Fred Ebami, l'invité que James BKS a souhaité mettre en lumière : Artiste pop art franco-camerounais, Fred Ebami s'inscrit dans le digital et s'inspire de Basquiat ou encore d'Andy Warhol. Grâce à une technique artistique qui lui est propre - créer des visuels à partir de photos et de dessins retravaillés à l'ordinateur -, Fred Ebami fait le lien entre l'organique et le digital. Plus d'infos sur Fred Ebami Pour visionner les clips, cliquez sur les titres des chansons Retrouvez la playlist officielle de RFI Musique.

Le 10 décembre 2025, veille de son concert parisien à la Maroquinerie, l'artiste franco- camerounais James BKS a offert à son public une version deluxe de son EP See us rise - and win. Accompagné de son invité, le peintre et digital artiste Fred Ebami, il répond aux questions de Claudy Siar, Yasmine Bakayoko et Stéphane Linon. En fin d'émission, les invités affrontent les chroniqueurs dans l'épreuve du Blind Test. James BKS est un artiste pluridisciplinaire, auteur-compositeur interprète, fils de Manu Dibango. Sa musique fusionne rythmes et chants d'Afrique de l'Ouest aux sonorités modernes telles que le hip-hop et l'afro-pop. See us rise est le troisième projet de l'artiste, co-produit par JoAtouch et mixé par Roark Bailey. Dans cet EP, l'artiste se révèle sans artifice. Playlist du 7 janvier : James BKS - Milli Vanity La chanson Milli Vanity fait référence au scandale qui a touché groupe Milli Vanilli à la fin des années 80. Dans Milli Vanity, James BKS raconte l'envers du décor du succès. James BKS - See us rise James BKS - Assia James BKS - Wettin U go choose La chaine YouTube de James BKS Fred Ebami, l'invité que James BKS a souhaité mettre en lumière : Artiste pop art franco-camerounais, Fred Ebami s'inscrit dans le digital et s'inspire de Basquiat ou encore d'Andy Warhol. Grâce à une technique artistique qui lui est propre - créer des visuels à partir de photos et de dessins retravaillés à l'ordinateur -, Fred Ebami fait le lien entre l'organique et le digital. Plus d'infos sur Fred Ebami Pour visionner les clips, cliquez sur les titres des chansons Retrouvez la playlist officielle de RFI Musique.

In Episode 297 of Where Brains Meet Beauty, founder and CEO of Glamazon Beauty Cosmetics Kim Baker and content creator and Your Glow Guide author Felicia Walker sit down to talk about building careers that did not exist when they were kids.Kim's path starts at 13 as a model with Elite, crossing paths with legends like Andy Warhol and Basquiat, then being pulled out of the industry for her own safety. She later returns, co-pioneers plus-size modeling and eventually pivots into makeup artistry after years of struggling to find foundation that matched her skin. Mixing shades behind the counter at brands like Prescriptives and Bobbi Brown became an education in undertones and inclusivity that now powers Glamazon Beauty. Today, she is part artist, part founder, part motivator, writing handwritten notes to customers and using public speaking to help women feel “beautifully empowered.”Felicia's journey began in a different place: HR executive by day, beauty obsessive by night. She launched a blog simply to pour out everything living in her head about skincare, ingredients and routines. That curiosity turned her into an early “digital beauty space architect,” breaking down formulas and skin types long before ingredient education was mainstream. Blogging opened doors to editorial, product development and now authorship. Her focus has evolved into helping people truly understand their skin and spotlighting 50+ skincare and longevity, a demographic she rarely saw represented.Together, Kim and Felicia talk about listening to the “whisper” of a calling, balancing data with gut, handling comments with grace (and a bit of edge when needed), and using influence to educate rather than just sell. One builds confidence with a foundation stick, the other with a framework for skincare, but both are expanding what it means to have a career in beauty on their own terms. Check out more from Kim at glamazonbeauty.com & Felicia's book Your Glow Guide.

“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastImages courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.

“All of the great artists are there for a reason: because they rebelled in some way. They created a visual vocabulary that felt fresh and new, which excited people. So, the great artists are not built on sort of anthills of sand. They're built on things of substance and of meaning. Though this is not a sufficient condition to become an icon, it's a necessary but not sufficient condition. I think you have to have an interesting and vivid personality or personal narrative that makes you interesting for people to talk about and want to learn about. I think you also have to have a support network of galleries, curators, and collectors who are excited about your work and want to push it forward, not wanting it to be forgotten. Basquiat's visual vocabulary is distinctive and stands out relative to what was being done in the 1980s. That's the sort of strong hill on which his reputation is built. Basquiat benefited from being the first black artist of note who got pushed forward. As in many things, the first benefits.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“All of the great artists are there for a reason: because they rebelled in some way. They created a visual vocabulary that felt fresh and new, which excited people. So, the great artists are not built on sort of anthills of sand. They're built on things of substance and of meaning. Though this is not a sufficient condition to become an icon, it's a necessary but not sufficient condition. I think you have to have an interesting and vivid personality or personal narrative that makes you interesting for people to talk about and want to learn about. I think you also have to have a support network of galleries, curators, and collectors who are excited about your work and want to push it forward, not wanting it to be forgotten. Basquiat's visual vocabulary is distinctive and stands out relative to what was being done in the 1980s. That's the sort of strong hill on which his reputation is built. Basquiat benefited from being the first black artist of note who got pushed forward. As in many things, the first benefits.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastImages courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.

“All of the great artists are there for a reason: because they rebelled in some way. They created a visual vocabulary that felt fresh and new, which excited people. So, the great artists are not built on sort of anthills of sand. They're built on things of substance and of meaning. Though this is not a sufficient condition to become an icon, it's a necessary but not sufficient condition. I think you have to have an interesting and vivid personality or personal narrative that makes you interesting for people to talk about and want to learn about. I think you also have to have a support network of galleries, curators, and collectors who are excited about your work and want to push it forward, not wanting it to be forgotten. Basquiat's visual vocabulary is distinctive and stands out relative to what was being done in the 1980s. That's the sort of strong hill on which his reputation is built. Basquiat benefited from being the first black artist of note who got pushed forward. As in many things, the first benefits.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastImages courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.

“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastImages courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.

“All of the great artists are there for a reason: because they rebelled in some way. They created a visual vocabulary that felt fresh and new, which excited people. So, the great artists are not built on sort of anthills of sand. They're built on things of substance and of meaning. Though this is not a sufficient condition to become an icon, it's a necessary but not sufficient condition. I think you have to have an interesting and vivid personality or personal narrative that makes you interesting for people to talk about and want to learn about. I think you also have to have a support network of galleries, curators, and collectors who are excited about your work and want to push it forward, not wanting it to be forgotten. Basquiat's visual vocabulary is distinctive and stands out relative to what was being done in the 1980s. That's the sort of strong hill on which his reputation is built. Basquiat benefited from being the first black artist of note who got pushed forward. As in many things, the first benefits.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastImages courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.

Judson and his husband celebrate their 10th wedding anniversary in Eureka Springs, Arkansas, while Brian and his family discover a free gallery show featuring original works by Basquiat, Haring, Koons, Mapplethorpe, Sherman, Warhol, and more. The two hosts each go without physical release for longer than usual and expound on the joys of refraining. Brian then experiences a moment of undeniable divine intervention, and Judson starts his new job. They enjoy a pocket-sized Hookup of the Week about the joys of being Daddy to a pocket-sized partner. Brian spends three nights at the theater seeing Ragtime, Dylan Mulvaney's solo show, The Least Problematic Woman in the World, and, of course, Brandon Kyle Goodman's Heaux Church off-Broadway at Ars Nova—where he was joined by Judson and several Dads and Daddies listeners. Brian then makes a proposal to any theater producers listening to bring this year's queer theater standouts to more audiences. Writer, actor, host, and sexual/mental wellness advocate Brandon Kyle Goodman then sits down with Brian to discuss how writing on Netflix's hit animated series Big Mouth put them on their mission to deshame sex by talking about it. They also cover Brandon's journey with their husband from monogamy to polyamory, how dating other people has benefited their primary relationship, being an educator of oral pleasure, how to make kindness cool within the queer community, and all about the past, present, and future of Heaux Church. The episode concludes with Brandon helping address a Go Ask Your Dad question from a listener frustrated by how their partner prioritizes a dom hookup over their relationship, and finally, with some words of guidance from Brandon on coming together during these difficult times. Brandon Kyle Goodman on the Web: https://www.brandonkylegoodman.com/ Heaux Church at Ars Nova: https://arsnovanyc.com/events/heaux/ Downtown/Uptown - New York in the Eighties at Levy Gorvy Dayan gallery: https://www.levygorvydayan.com/exhibitions/downtown-uptown Email your Hookup of the Week and Go Ask Your Dad submissions to dadsanddaddies@gmail.com Dads and Daddies on the Web: https://www.dadsanddaddies.com/ Dads and Daddies on Instagram: https://www.instagram.com/dadsanddaddiespod Dads and Daddies on TikTok: https://www.tiktok.com/@dadsanddaddiespod Dads and Daddies on Bluesky: https://bsky.app/profile/dadsanddaddiespod.bsky.social Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Walla P toasts us with satin grooves and fine hiphop digs from Bes Kept & Teddy Bryant, Fernando Girao, J Scienide, Pro-V and Basement Khemists. Plus rapturous rhymes from Brother Ali, big Basquiat energy from LL and soul-searching jazz with Archie Whitewater and RAMP. View the full playlist for this show at https://www.wefunkradio.com/show/1267 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/

Kenny and Mark bust out the spray cans to celebrate the wrapping up of their conversations about the Rebel Heart album. Topics include Basquiat, the legality of graffiti, backup vocals, misleading choirs, Lizzo, Keith Haring's POP! Shop, Brad Gooch, Martin Burgoyne, downtown realities, the Smithsonian, The History of Sound and folk songs, Michelle Shocked, and a wrap-up discussion of the album. Plus, Kenny finds a gift card, Mark takes some advice from Judge Judy, and some lost diaries are uncovered.

On today's episode of Turtle Time - "Basquiat's Godmother" - we start by discussing Hilaria Baldwin's performance on Dancing with the Stars, Taylor Swift's potential lyrical feud with Charlie XCX, and the ongoing rivalry between Cardi B and Nicki Minaj. (00:00 - 14:15)We then discuss this week's episode of The Real Housewives of Orange County (season 19, episode 12) - "Let Them Make Cake". (14:15)And finally, we recap the first part of the Real Housewives of Miami season 7 reunion - "What Happened in the Hamptons". (1:00:00)If you enjoyed this episode and need more Turtle Time in your life, join the ⁠Turtle Time Patreon⁠ and become a Villa Rosa VIP to hear exclusive bonus content! We're recapping the Vanderpump Rules series from the beginning each week.And if you need even more Turtle Time in your life, follow us on ⁠⁠TikTok⁠⁠ or ⁠⁠Instagram⁠⁠. And please, if you want to watch some of the fun things we do, subscribe on YouTube. Hosted on Acast. See acast.com/privacy for more information.

In this Money Talks: Felix Salmon is joined by Doug Woodham, author of the upcoming biography Jean-­Michel Basquiat: The Making of an Icon, to discuss Basquiat's path to becoming a darling of the art market. They discuss the idiosyncrasies of the art market and  why Basquiat – the “Jimi Hendrix” of the art world – was initially undervalued but later became part of the modern day art canon.  Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Money Talks: Felix Salmon is joined by Doug Woodham, author of the upcoming biography Jean-­Michel Basquiat: The Making of an Icon, to discuss Basquiat's path to becoming a darling of the art market. They discuss the idiosyncrasies of the art market and  why Basquiat – the “Jimi Hendrix” of the art world – was initially undervalued but later became part of the modern day art canon.  Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Money Talks: Felix Salmon is joined by Doug Woodham, author of the upcoming biography Jean-­Michel Basquiat: The Making of an Icon, to discuss Basquiat's path to becoming a darling of the art market. They discuss the idiosyncrasies of the art market and  why Basquiat – the “Jimi Hendrix” of the art world – was initially undervalued but later became part of the modern day art canon.  Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Schlesser is a French Art Historian whose new novel, Mona's Eyes is a brilliant way of exploring the great museums of Paris.  When Mona, his title character, is in danger of losing her sight, her grandfather, Henri, decides to show her one work of art a week for a year in the hopes that she can absorb all the beauty of the world before she goes blind. It is not just the touching story of a wonderful French girl and her grandfather visiting art, but also an amazing course in Art History.  From Botticelli to Basquiat, Thomas will tell you the history and stories behind some of the world's greatest.  Join us as we talk to him about these fifty two works, his unforgettable characters and why it took him ten years to write. Find books mentioned on The Book Case: https://www.goodmorningamerica.com/shop/story/book-case-podcast-reading-list-118433302 Books mentioned on this week's episode: Mona's Eyes by Thomas SchlesserLuminous Loves by Thomas Schlesser Learn more about your ad choices. Visit podcastchoices.com/adchoices

Our summer break continues as we knock out our housekeeping and get things ready for a busy fall. And before we get back to all new episodes we've got another great look back at a favorite with the great actor Jeffrey Wright. He digs into his role on WestWorld, his time in Hollywood and the roles he loves to take on, and he shares the story of Nearest Green and what has become not only an inspiration but is also a very successful enterprise. From Episode 55 - April 16, 2020: From Angels in America to Basquiat to Syriana to Casino Royale to The Hunger Games to Boardwalk Empire to Classical Baby to Westworld. Jeffrey Wright (@JFreeWright) has played Martin Luther King Jr. and Colin Powell. He's played artists and scientists. And he's everyone's favorite Host, Bernard Lowe. He's won a Golden Globe, an Emmy, a Tony. And he's a driven supporter of causes ranging from veterans with mental health injuries to miners in Sierra Leone.  It's a look back at one of the greats. At a time when none of us were at our best, he showed us what it means to be the best. And a look at why he's one of our favorites to ever appear on the show. -WATCH video of Paul and Jeffrey's conversation. -Learn more about Independent Veterans of America and all of the IVA candidates.  -Join the movement. Hook into our exclusive Patreon community of Independent Americans. Get extra content, connect with guests, meet other Independent Americans, attend events, get merch discounts, and support this show that speaks truth to power.  -Check the hashtag #LookForTheHelpers. And share yours.  -Find us on social media or www.IndependentAmericans.us. And get cool IA and Righteous hats, t-shirts and other merch.  -Check out other Righteous podcasts like The Firefighters Podcast with Rob Serra, Uncle Montel - The OG of Weed and B Dorm.  Independent Americans is powered by veteran-owned and led Righteous Media. Spotify: https://open.spotify.com/show/0F1lzdRbTB0XYen8kyEqXe Apple Podcasts: https://podcasts.apple.com/us/podcast/independent-americans-with-paul-rieckhoff/id1457899667 Amazon Podcasts: https://music.amazon.com/podcasts/49a684c3-68e1-4a85-8d93-d95027a8ec64/independent-americans-with-paul-rieckhoff Ways to watch: YouTube: https://www.youtube.com/@independentamericans Instagram: https://www.instagram.com/IndependentAmericansUS/ X/Twitter: https://x.com/indy_americans BlueSky: https://bsky.app/profile/indyamericans.bsky.social Facebook: https://www.facebook.com/IndependentAmericansUS/ Ways to listen:Social channels: Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Our summer break continues as we knock out our housekeeping and get things ready for a busy fall. And before we get back to all new episodes we've got another great look back at a favorite with the great actor Jeffrey Wright. He digs into his role on WestWorld, his time in Hollywood and the roles he loves to take on, and he shares the story of Nearest Green and what has become not only an inspiration but is also a very successful enterprise. From Episode 55 - April 16, 2020: From Angels in America to Basquiat to Syriana to Casino Royale to The Hunger Games to Boardwalk Empire to Classical Baby to Westworld. Jeffrey Wright (@JFreeWright) has played Martin Luther King Jr. and Colin Powell. He's played artists and scientists. And he's everyone's favorite Host, Bernard Lowe. He's won a Golden Globe, an Emmy, a Tony. And he's a driven supporter of causes ranging from veterans with mental health injuries to miners in Sierra Leone.  It's a look back at one of the greats. At a time when none of us were at our best, he showed us what it means to be the best. And a look at why he's one of our favorites to ever appear on the show. -WATCH video of Paul and Jeffrey's conversation. -Learn more about Independent Veterans of America and all of the IVA candidates.  -Join the movement. Hook into our exclusive Patreon community of Independent Americans. Get extra content, connect with guests, meet other Independent Americans, attend events, get merch discounts, and support this show that speaks truth to power.  -Check the hashtag #LookForTheHelpers. And share yours.  -Find us on social media or www.IndependentAmericans.us. And get cool IA and Righteous hats, t-shirts and other merch.  -Check out other Righteous podcasts like The Firefighters Podcast with Rob Serra, Uncle Montel - The OG of Weed and B Dorm.  Independent Americans is powered by veteran-owned and led Righteous Media. Spotify: https://open.spotify.com/show/0F1lzdRbTB0XYen8kyEqXe Apple Podcasts: https://podcasts.apple.com/us/podcast/independent-americans-with-paul-rieckhoff/id1457899667 Amazon Podcasts: https://music.amazon.com/podcasts/49a684c3-68e1-4a85-8d93-d95027a8ec64/independent-americans-with-paul-rieckhoff Ways to watch: YouTube: https://www.youtube.com/@independentamericans Instagram: https://www.instagram.com/IndependentAmericansUS/ X/Twitter: https://x.com/indy_americans BlueSky: https://bsky.app/profile/indyamericans.bsky.social Facebook: https://www.facebook.com/IndependentAmericansUS/ Ways to listen:Social channels: Learn more about your ad choices. Visit megaphone.fm/adchoices

This is part 1 of a two-part recapWith a trip to Seville looming, Marisol invites the ladies over for a preppy party on The Real Housewives of Miami. Will tensions ease? Will anyone fly on Stephanie's PJ? And will Basquiat get one last trip to paradise? You can watch this recap on video, listen to our Love Island bonus episodes, and participate in live episode threads at patreon.com/watchwhatcrappens. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is part 2 of a 2-part recapWith a trip to Seville looming, Marisol invites the ladies over for a preppy party on The Real Housewives of Miami. Will tensions ease? Will anyone fly on Stephanie's PJ? And will Basquiat get one last trip to paradise? You can watch this recap on video, listen to our Love Island bonus episodes, and participate in live episode threads at patreon.com/watchwhatcrappens. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.