Podcasts about Basquiat

Valentina to join ‘Rocky Horror,’ ‘Bill & Ted’s’ getting musical adaptation, Legend’s Basquiat musical gets public premiere Every week, Matt Tamanini will bring you the biggest news from across the theatrical landscape and will prepare you for what’s ahead over the next seven days. Any and all feedback is appreciated:Matt read more

On the KMOJ Morning Show, Peyton Scott Russell joins Freddie Bell and Chantel Sings to discuss a community mural project made possible through a Minnesota State Arts Board grant that brought together North High School students, emerging artists, and local organizations. He shares how the project began with an artist residency focused on expressive portraiture, encouraging students to explore creativity and self-expression by studying influential artists such as Picasso, Basquiat, and Butler. The second phase paired North High students with members of Russell's advanced SPRAYFiNGER program, creating one-on-one mentorships that culminated in a collaborative public mural. Russell also highlights the many businesses, artists, and community partners whose support demonstrates how public art can inspire young people, strengthen neighborhoods, and bring communities together. He said that there will also be an official unveiling of the mural on Saturday, July 18th on the corner of Penn & Broadway.

whole episode only on patreon : www.patreon.com/dopeypodcast Dave and special guest are back for another gloriously ridiculous Dopey Tuesday. This week they celebrate Christmas in July with a twisted holiday song before diving into heroin poppies, opium tea, Bob Dylan rumors, Andy Warhol, Basquiat, and Dave's latest Hollywood masterpiece: Christmas at Katz's. They also kick off a conversation about the first-ever Dopey Short Recovery Film Festival before the paywall comes crashing down.   To hear Ray's full review of the film festival, the birth of "The Dopeys," listener emails, Zoe's voicemail, Elvis, and a whole lot more dumb shit, head over to Patreon and join the Dopey Nation Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ep. 411: Amy Taubin on Tribeca 2026 (Labrador: Autopsy of Silence, Jail Time Records, The Lorraine, Jean-Michel, Crocodile, They Fight, The Last Day), plus Romeria and I Love Boosters Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. As has become our wont, I had the total pleasure of talking over films from the 2026 Tribeca Festival and other recent viewing with the one and only Amy Taubin. She shares a few Tribeca highlights (a couple of which won prizes at Tribeca) and also spotlights a couple of theatrical releases. Titles discussed include Labrador: Autopsy of Silence (directed by Rodrigue Jean), Jail Time Records (Dione Roach and Steve Happi), The Lorraine (Sam Pollard), Basquiat doc Jean-Michel (Quinn Whitney Wilson and Viridiana Lieberman), Crocodile (Pietra Bretkelly and The Critics), They Fight (Sheldon Candis), The Last Day (Rachel Rose), plus Romería (Carla Simón) and I Love Boosters (Boots Riley). But it all starts with the Knicks. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

In this episode of The Truth In This Art, the guest is Jacob Ming-Trent!About Jacob Ming-Trent: Acclaimed performer, playwright, and one of American Theater's people to watch. A celebrated artist bringing his solo play, How Shakespeare Saved My Life, to Washington, DC's Folger Theater, and later to The Public Theater in New York with Red Bull producing.In our conversation, Ming-Trent walks through his journey from a rough childhood in an abusive home to moving to New York at seventeen—having been homeless the previous year and recently dropped out of high school. He recalls the pivotal moment Shakespeare entered his life: at six years old, his father, an English major, mentioned the Bard alongside Amiri Baraka. Years later, he accidentally walked into the wrong classroom and was asked to read a Shakespeare speech. "It felt like home to me," he says. "The words were big enough to give context to my emotions that were inside."He digs into the origins of How Shakespeare Saved My Life, a play that poured out of him unexpectedly while working on a different project. The solo show follows a kid with a tough childhood who discovers Shakespeare and tries to use it to navigate his world—sometimes it works, sometimes it fails. "It's a raucous ride, it's outrageous, it's funny, it's sad, and in the end we experience some black joy," Ming-Trent shares. We discuss his decision to leave theater at 35 after feeling treated like "an affirmative action hire," his pivot to television in LA, and how a call from director Saheem Ali brought him back to the stage to lead Shakespeare in the Park in Merry Wives—which ultimately led to writing this play. He reflects on the influence of figures like Biggie, Tupac, James Baldwin, and Basquiat—all artists trying to save their lives through their work. He also talks about audience interaction, the differences between performing in Berkeley and DC, and why vulnerability and fear are necessary parts of telling personal stories.Be sure to follow Jacob Ming-Trent and catch How Shakespeare Saved My Life, running until July 5th at Folger Theater (201 East Capitol Street SE, Washington, DC). Tickets start at $20. The play is also published by Bloomsbury Publishing. After DC, the show heads to The Public Theater in New York. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Em 1985, duas das figuras mais famosas da arte contemporânea apresentam uma exposição que prometia ser histórica. De um lado, Andy Warhol, o artista que ajudou a transformar a cultura de massa em arte. Do outro, Jean-Michel Basquiat, jovem pintor neo-expressionista que saía das ruas de Nova York para se tornar uma das vozes mais importantes de sua geração.O que parecia um encontro criativo entre dois artistas brilhantes rapidamente se transforma em polêmica. A crítica questiona as obras, ataca a parceria e passa a enxergar a relação entre eles através de questões que envolvem fama, mercado, poder e desigualdade racial.Neste episódio do Art Talks, acompanhamos o surgimento dessa amizade, o processo de criação das obras colaborativas e a recepção devastadora da exposição que marcou o início do afastamento entre os dois artistas.Mais do que uma história sobre arte, este episódio propõe uma reflexão sobre reconhecimento, pertencimento e sobre o preço que pode acompanhar uma ascensão meteórica ao sucesso.‘História da Arte sem tédio' é uma série do Art Talks que conta bastidores, conflitos e histórias reais por trás de grandes nomes da arte. É a História da Arte contada de forma acessível, envolvente e sem linguagem acadêmica — para ouvir no dia a dia, mesmo sem ser especialista.Roteiro, produção e locução: Thais de Albuquerque @thais.de.albuquerque

Happy Pride! Drusilla and Josh discuss the 1994 hit film Interview with the Vampire. From wiki: “Interview with the Vampire is a 1994 American horror film directed by Neil Jordan and written by Anne Rice, based on her 1976 novel of the same name, and starring Tom Cruise and Brad Pitt. It focuses on Lestat (Cruise) and Louis (Pitt), beginning with Louis' transformation into a vampire by Lestat in 1791. The film chronicles their time together, and their turning of young Claudia (Kirsten Dunst) into a vampire. The narrative is framed by a modern-day interview, in which Louis tells his story to a San Francisco reporter (Christian Slater). The supporting cast features Antonio Banderas and Stephen Rea.”Also discussed: LA fires, Adam Carter Rehmeier and his career, Carolina Caroline, Dinner in America, I Shot Andy Warhol, Basquiat, the career of Mary Harron,  David Geffen's boyfriends, and more!NEXT WEEK: The Wild Boys (2017)Bloodhaus: https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

One song can pull you back to a room you haven't seen in 30 years, and that same song can push you into the studio with a totally different kind of courage. Nathan Terborg and Ty Nathan Clark go all-in on the music that formed their taste and still shapes their creative process, from early mixtapes and older-sibling tape raids to the ritual of Tower Records, used CD bins, and the album art that taught us as much as any design class.We trade stories about the records that became emotional landmarks, the soundtracks that acted like secret portals to new bands, and the way certain albums become permanent studio companions. Ty shares how the Basquiat film soundtrack helped reroute his path as an artist, and we dig into the very real chain reaction of influence, like Jeff Buckley inspiring Thom Yorke's approach on Radiohead's work. Along the way we hit The Crow soundtrack, OK Computer awe, deep-cut favorites, and a few “no shame” listens that still surprise people.Then we bring it back to craft: how to build a studio playlist with intention, how to match music to the energy you need, and why silence can be the most powerful tool when you're trying to hear what the work is asking for. If you've ever wondered how music and creativity connect at a practical level, this one is a blueprint you can actually use.If it resonates, subscribe to Just Make Art Podcast, share it with an artist friend, and leave a review so more people can find it. What album changes the way you make work?Send us a message - we would love to hear from you! Make sure to follow us on Instagram here:@justmakeartpodcast   @tynathanclark   @nathanterborgWatch the Video Episode on Youtube or Spotify,https://www.youtube.com/@JustMakeArtPodcast

Cette Semaine LTDJ reçoit Kaine BasquiatÀ chaque épisode Dj Crowd et Jay Seven reçoivent des invités pour le temps d'un jujube! Suivez les émissions pour les conversations les plus comiques, informatives et absurdes du Québec!Salutations aux commanditaires:Le Kampus, Malefycia, Rollin Loud Oka, Dirty Devil VodkaInfographie par : Dj Crowd pour Muliani GfxMusique par : @BeatsbyGallo pour MajorWayStudio : KampusSuivez-nous sur les médias sociauxPour écouter l'after-Show :https://www.patreon.com/letempsdunjujubeDj Crowd :https://www.instagram.com/djcrowd/https://www.facebook.com/worldfamousdjcrowdTiktok, Snapchat, Twitter : Dj CrowdJaySeven :https://www.instagram.com/j7official/LTDJ : https://www.instagram.com/letempsdunjujube/https://www.facebook.com/letempsdunjujube/Merci !!!!!!!Support the show Suivez-nous sur les médias sociauxPour écouter l'after-Show :https://www.patreon.com/letempsdunjujubeDj Crowd :https://www.instagram.com/djcrowd/https://www.facebook.com/worldfamousdjcrowdTiktok, Snapchat, Twitter : Dj CrowdJaySeven :https://www.instagram.com/j7official/LTDJ : https://www.instagram.com/letempsdunjujube/https://www.facebook.com/letempsdunjujube/Merci !!!!!!! 

Read along with this podcast at: https://isee109.com/2026/05/16/all-colored-cast-basquiat-nipsey-and-the-well-they-shared/

So folks ask me to do more nonfiction on this podcast, and while I admit that it is a bit of a stretch to call today's book pure nonfiction, I at least think that it's closely aligned. It's not a biography, though. Consider it more of a personal memoir from 1962. In essence, it's the true story of Andy Warhol's extended family, written by one of his nephews. Sadly, James Warhola didn't continue to make much in the way of children's books (though he did make a sequel to this book called Uncle Andy's Cats). We discuss everything from David Bowie's depiction of Andy in the film Basquiat, to creepy ventriloquist dummies, to what you should do if roughly a dozen members of your extended family show up at your door (answer: put them to work). For the full Show Notes of this week's episode, please visit: https://afuse8production.slj.com/2026/05/11/fuse-8-n-kate-uncle-andys-by-james-warhola/

W tym odcinku Big Book Podcast Julia Rzemek i Bartosz Kamiński rozmawiają o dwóch biografiach poświęconych słynnym malarzom: „Basquiat. Życie i dziedzictwo legendy sztuki” Phoebe Hoban oraz „Monet” Jackie Wullschläger. Polecają również kilka innych książek, które na nowo odkrywają postaci ze świata sztuki.Dziękujemy osobom, które wspierają powstawanie tego podcastu w Patronite. I zapraszamy kolejne osoby do tego grona, bo wspieranie naszej fundacji wiąże się z różnymi małymi przyjemnościami. Sprawdź i wspieraj kulturę czytania!https://patronite.pl/bigbookcafeDziękujemy Miastu Stołecznemu Warszawa za wsparcie w Stałym Programie Kulturalnym, także dzięki niemu tworzymy dla Was serwisy informacyjne w formach audio, wideo i newsletterowej.

Welcome to episode #1034 of Thinking With Mitch Joel (formerly Six Pixels of Separation). At a time when the lines between culture, commerce and identity feel increasingly blurred, few people understand how value is actually constructed… and reconstructed… better than Douglas Woodham. A former President of the Americas at Christie's and a longtime advisor through his firm Art Fiduciary Advisors, Doug brings a rare dual lens to the conversation… equal parts economist and art obsessive. With a PhD in economics and decades spent inside the machinery of the global art market, he has seen firsthand how artists move from obscurity to icon status… and how markets, narratives and power structures shape that journey . His latest book, Jean-Michel Basquiat - The Making of an Icon, goes far beyond biography to examine how one artist's legacy was not just created… but carefully engineered. In this conversation, Doug explores the intersection of art and economics, unpacking how scarcity, status and human behavior drive the desire to collect… and why ownership has become increasingly performative in a social media age. He challenges the romantic notion that value is purely about the work itself, pointing instead to branding, cultural timing and strategic stewardship… particularly in Basquiat's posthumous rise. We also dig into the broader shifts reshaping the art world… from the declining cultural centrality of fine art to the rise of alternative collectibles, the failure of NFTs to gain traction in traditional markets, and the fragile economics behind fractional ownership models. What emerges is a sharper understanding that art is not just about beauty or expression… it is about markets, narratives and belief systems that determine what is worth owning… and why. Enjoy the conversation… Running time: 1:04:35. Hello from beautiful Montreal. Listen and subscribe over at Apple Podcasts. Listen and subscribe over at Spotify. Please visit and leave comments on the blog - Thinking With Mitch Joel. Feel free to connect to me directly on LinkedIn. Check out ThinkersOne. Here is my conversation with Douglas Woodham. Jean-Michel Basquiat - The Making of an Icon. Art Fiduciary Advisors. Art Collecting Today. Follow Doug on Instagram. Follow Doug on LinkedIn. Chapters: (00:00) - Introduction to Doug Woodham and His Expertise. (02:42) - The Life and Legacy of Jean-Michel Basquiat. (04:48) - Connecting Art and Economics. (08:45) - Human Behavior and the Desire for Collectibles. (12:10) - The Shift in Art Collecting Trends. (15:42) - NFTs and Their Impact on the Art Market. (20:29) - Artist Compensation and Ownership Rights. (24:28) - Cultural Relevance of Fine Art Today. (27:58) - The Psychology of Collecting and Scarcity. (32:37) - The Business of Scarcity in Consumer Brands. (35:15) - The Importance of Secondary Markets in Collectibles. (40:10) - The Evolution of Basquiat's Brand Posthumously. (54:51) - The Intersection of Art and Commercialization. (59:53) - Fractional Ownership in Art Investments.

Artificial Intelligence helped me produce this episode. You should know that the painting by Basquiat is a premonition of the life of Nipsey Hussle. Listen!

Jesus can easily be relegated in our minds to specific areas of our lives or in popular art. We see depictions of him in paintings, music, and films. But, Jesus is more real and more present to us than any artistic representation can reproduce. This blogcast explores “Jesus Alive: Encountering the Truth of Christ" from the Ad Infinitum blog, written by Brady Baylis and read by Jonathan Harrison.I think there is something special about a cover—about taking a song, a painting, or a movie and recreating it within the modern frame of mind. Aretha Franklin's bold and unapologetic “Respect” is a perfect example, as she interprets the song as a Black woman in the 1960's. As is Jimi Hendrix's “All Along the Watchtower,” in which he narrates the song with hauntingly beautiful guitar riffs. In visual art, Andy Warhol recreates the portrait of Mao Zedong with a messy array of bright colors—an unusual depiction of the dictator. Finally, modern movies, headlined by the Cohen Brothers' True Grit, give life to old characters and stories, recreating them for new audiences.However, even the Beatles, the most covered band of all time, cannot compete with the millions of interpretations of Jesus Christ. Thousands of artists have painted Christ crucified or the Madonna and Child. Everyone from Van Gogh, Basquiat, or da Vinci have painted Jesus Christ, each in their own manner. It can be mind-numbing to try to flip through them all, viewing each painting, alien to the others, and, oftentimes, to us. There are always two questions to ask when discussing art: “What is this artist trying to say?” and “What do we think he or she is trying to say?”These questions matter much more when investigating faith. In a special way, how artists of all disciplines—including sculptors, writers, or directors—interpret Jesus will affect us. Every Catholic, no doubt, thinks of Jesus through some piece of art or another, but Jesus is more than just a collection of paints, words, or images. Jesus is alive. It is tempting to trap Him in a Caravaggio, an El Greco, or even in the Passion of the Christ—to prevent Him from challenging us. Jesus as represented in art cannot call us out in our sins; He cannot tell us the hard truths we need to wrestle with. Even further, we should not trap Jesus in the Church or solely in the Mass. Yes, we are oftentimes challenged in specific ways during the Mass, especially when a priest gives a difficult homily. It can be easy, however, to selectively hear the priest, interpreting him and hearing only what we want to hear. We often want a sanitized Jesus, one that affirms us and makes us feel good. But while Jesus resides in the tabernacle and comes to meet us in every celebration of the Eucharist, He cannot be left there. Jesus wants to encounter us personally in order for us to help others encounter Him.Jesus always challenged His disciples to worship, act, and believe in accordance with truth. Jesus was not “sanitized” or acting in the “proper way” when He overturned the tables of the money changers; He was not “sanitized” when He described the narrow way; and He surely was not clean and tidy when He died on the Cross. Jesus defied our expectations. He was filled with passion for God's truth. While He is Beauty itself, Jesus often made His listeners look away as they were unable to embrace the unsavory truth that can be hard to swallow.I enjoy going to Washington's National Gallery of Art or New York's MET, but next time I see Christ there, I will be reminded that He is not trapped in the golden walls of the frame. Jesus is alive, living in the Eucharist and in others. While it is beautiful to witness Jesus in the arts, we must remember that Christ lives in the audience, the museum goers. While the beauty of the art itself is mesmerizing, Christ is alive in flesh, both on the altar and in people who remind us that, while beautiful, Christ's message is a challenge.  Author:Brady Baylis is alum of The Catholic University of America with a degree in history and secondary education. Resources:Listen to On Mission: Eucharistic Revival: Year of MissionEucharist podcastsRead the Ad Infinitum blogBlog posts about the Eucharist Follow us:The Catholic Apostolate CenterThe Center's podcast websiteInstagramFacebookApple PodcastsSpotify Fr. Frank Donio, S.A.C. also appears on the podcast, On Mission, which is produced by the Catholic Apostolate Center and you can also listen to his weekly Sunday Gospel reflections. Follow the Center on Facebook, Instagram, X (Twitter), and YouTube to remain up-to-date on the latest Center resources.

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Gather around fellow artists! It's time to find out if the 1996 film about a young artist who came and went before his time holds up or not. Let's find out if Basquiat (1996) starring Jeffrey Wright holds up or not! In addition Joe Lowry's back with his latest edition of Name That Character Actor movie trivia! As always the fellas offer their latest movie thoughts during quarantine viewing picks. Please sub our YouTube where you can watch all of our episodes instead of just listening. We post the video version of each episode over there every week. Also, you can give us a 5 star review on your podcast platform of choice. Do it right now! It takes 30 seconds. Thank you! If anything from this episode strikes you, email the show cinema9pod@gmail.com

Ángeles Caso conversa con la directora del Teatro Tribueñe, Irina Kouberskaya, una de las figuras fundamentales para entender la historia del teatro del último medio siglo en España. Le acompaña su hija, Catarina de Azcárate, la protagonista de su último montaje, La Gaviota de Chéjov. Más tarde, hablamos del debate que acogió el Museo del Prado entre Salman Rushdie y el conservador Alejandro Vergara sobre las obras del Bosco y las 'Pinturas negras'; y de Soy Asurbanipal, rey del mundo, rey de Asiria, una exposición que puede visitarse en el Caixaforum de Madrid. Por último, Guillermo Busutil se adentra en su Ventana del Nautilus en grandes figuras del arte urbano como Banksy y Basquiat.Escuchar audio

Filmmaker Alexis Lloyd has made a distinctive impact on contemporary cinema with Group: The Schopenhauer Effect, currently in its theatrical run at The Quad Cinema in Greenwich Village, NYC. The film draws deeply from his upbringing immersed in psychiatry and psychoanalysis, blending that foundation with his passion for storytelling. Conceived as a prequel to his acclaimed, eponymous YouTube web series, the project offers a poignant exploration of the conflicts, epiphanies, and catharses that emerge within group therapy.Released five years after the first season, the film reunites much of the original cast while introducing a pivotal new character portrayed by Thomas Sadoski, reuniting Lloyd with one of his frequent collaborators. Sadoski plays a documentarian named Alexis, caught between artistic ambition and financial survival, who must earn the group's trust while seeking permission to use their sessions professionally—an inherently delicate and potentially disruptive undertaking.Lloyd's last feature, 30 Beats, is an ensemble exploration of sexual compulsivity and the longing for connection, featuring Sadoski alongside Lee Pace, Justin Kirk, Paz de la Huerta, and Jennifer Tilly. Earlier in his career, he directed several short films, including Indiscretion (2001) and Le 10ème Jour (2003).In addition to his work as a filmmaker, Lloyd had a prolific career as Managing Director at Pathé, where he oversaw distribution on a range of influential films, including Basquiat, Swingers, Pi, The Virgin Suicides, Memento, The Blair Witch Project, Bound, Austin Powers, The Fifth Element, and The Spanish Prisoner.In our conversation, we explore the origins of his interest in mental health storytelling, the response to his latest feature, the challenges of filming during COVID-19, and why casting a real psychoanalyst was essential to creating an authentic group dynamic.Opening Credits: Ketsa - Goes Red I CC BY 4.0; Pierce Murphy - Chania I CC BY 4.0. Closing Credits: Pierce Murphy - Baby, Write I CC BY 4.0.

From the alien drifter of The Man Who Fell to Earth to the unforgettable Goblin King of Labyrinth, David Bowie built one of the strangest and most fascinating film careers in pop history.In this episode, hosts Laura Gommans and Tom Ooms dive into David Bowie's acting career, exploring how the musician moved through cinema across four decades. They chat about what drew Bowie to the silver screen, why acting became one of his favourite side quests, and the performances that defined his screen presence.From playing Andy Warhol in Basquiat to a perfectly deadpan cameo in Zoolander, they discuss why directors kept casting Bowie, what made him so magnetically strange on camera, and which roles remain the most unforgettable—before tackling the impossible question: who could ever play Bowie in a biopic?Fill out our ⁠survey⁠ and win up to €100 worth of prizes.Get tickets to Sound And Vision: Remembering David Bowie @ LAB111Films Mentioned: The Man Who Fell to Earth (Nicolas Roeg, 1976) Christiane F. (Uli Edel, 1981) Merry Christmas Mr. Lawrence (Nagisa Oshima, 1983) The Hunger (Tony Scott, 1983) Labyrinth (Jim Henson, 1986) The Last Temptation of Christ (Martin Scorsese, 1988) Twin Peaks: Fire Walk With Me (David Lynch, 1992) Basquiat (Julian Schnabel, 1996) Zoolander (Ben Stiller, 2001)Moonage Daydream (Brett Morgen, 2022)

We talk about the Olympic gold and Trump glomming, Sal gets food poisoning, college drinking days, and how Basquiat's art affects us differently.

Basquiat (1996) - Review of one the best artist biopics EVER!

Kristi Lee, Dr. Rob Shumaker and guest Josh Arnold break down Oscar season, including best picture, best actor, best actress and best director debates. The conversation covers award show fatigue, movie reviewing culture, streaming versus theaters, and why the big-screen experience still matters. Films discussed include The Golden Compass, Marty Supreme, One Battle After Another, Hamnet, Sinners, Frankenstein, Zootopia 2, Blue Velvet, Basquiat, Blade Runner, Blade Runner 2049, The Godfather, The Wizard of Oz, Lost in Translation, Mamma Mia, Road House, Begonia and Perfect Days, along with reflections on IMAX, movie etiquette and seeing films with an audience.

In this episode, we sit down with Walker Antonio, a Virginia-based Filipino-American painter whose work blurs the boundaries between the real and surreal, the physical and psychological. Working primarily on a large scale, Walker's process moves from energetic chaos to deliberate refinement—a philosophy that extends to his remarkable career trajectory. Just 18 months after graduating from Wofford College with his BA in Studio Art and Art History, Walker has built an impressive professional practice. He shares his unconventional journey from receiving the 2023 Whetsell Family Fellowship to spending 10 months at a ski resort in Germany, and how he quickly gained representation with three galleries upon returning stateside. We dive into Walker's evolving artistic practice—from large-scale figurative works exploring themes of environment and identity to experimental 6x6-inch pieces that challenge his understanding of composition. He opens up about the pivot points in his career, including creating 34 pieces in 10 days during the Foundation House Artist Residency and showing alongside Picasso and Basquiat at the Palm Beach Modern Contemporary Art Fair. As the first visual artist selected for the Kenan-Lewis Fellowship at Woodberry Forest School, Walker offers candid insights on balancing teaching, pursuing his MA in Fine Arts from Falmouth University, and managing the business side of art. He emphasizes the power of authentic networking over social media growth, the many hats artists must wear (accountant, marketer, graphic designer), and why he's chosen to avoid commissions to protect his creative vision. With solo exhibitions at Stevenson & Co. (Charleston, SC) and the Rhodes Art Center (Gill, MA) in 2025, plus upcoming shows at Sheridan Studios (Macon, GA) in February 2026 and the Baker Gallery (Woodberry Forest, VA) in November 2026, Walker's career is rapidly expanding. His work has been published in American Art Collector and Suboart Magazine, with forthcoming publication in the Penn Journal of Arts and Sciences. Whether you're an emerging artist or simply curious about the art world, Walker's perspective on treating Instagram as a living portfolio, his strategic approach to artist residencies (including his upcoming 2026 Elf School of the Arts Residency), and his commitment to "just keep going" will inspire you to pursue your creative path with intention and authenticity. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

After the undercurrents is a new exhibition bringing together the work of two senior painters, Australian artist Gordon Bennett and Tāmaki-based Emily Karaka, opening tonight at Artspace Aotearoa.  Gordon Bennett was a Brisbane-based artist who is widely recognised as one of Australia's most significant and critically engaged contemporary practitioners. His practice moved between these different phases – from often more abstract forms, to his conscious appropriation of Basquiat to create these cross-cultural dialogues, to the work made under the name of ‘John Citizen' as a means to question identity and politics of categorisation in Australian art – seeking to map alternative histories and question the status quo through these various forms.  His work has been paired with Tāmaki-based painter Emily Karaka whose practice draws on the personal and political through these diverse art making traditions, vibrant colours, and historical narratives that guide her. Grounded in the cultural and political landscape of Aotearoa, her work articulates emotional intensity and her unique perspective, speaking to her long-standing advocacy for kaitiakitanga and mana motuhake.  In After the undercurrents, with both artists drawing on their respective narratives of place and indigenous worldviews, the pairing allows the viewer to contemplate Artspace Aotearoa's annual question for 2026: ‘Which history?' Sof had a kōrero with Kaitohu Director of Artspace Aotearoa, Ruth Buchanan, about the show and Gordon Bennett and Emily Karaka's respective practices.

Being laughed at or criticized or misunderstood is the price of leaving the herd and producing your magic.Aside from the mastery on the canvas and the genius of the brushstrokes, what makes a work of art by Jean Michel Basquiat worth hundreds of millions and this rough-edges piece worth so little is the signature at the bottom. Through his prowess, Basquiat made his name worth something. And then he protected his good name so that his greatness would stand the test of time. As all great masters do.I've created a powerful completely new online program called The Amazing Day Blueprint. It's a proven system to help you constantly make your days productive, healthy and happy in 2026. Here are the details.FOLLOW ROBIN SHARMA:InstagramFacebookXYouTube

Understanding the Iconic Personal Brand of Jean-Michel Basquiat with Doug Woodham. In this episode, Brandon sits down with Doug Woodham, author of 'Jean-Michel Basquiat: The Making of an Icon,' to delve into the fascinating life and lasting cultural impact of Jean-Michel Basquiat. From his early struggles as a homeless teenager to becoming one of the most valuable artists in history, Basquiat's journey is explored in depth. Woodham discusses the pivotal moments and relationships that shaped Basquiat's career, his bold and enigmatic art, and the strategic decisions that cemented his posthumous fame. 00:50 Introduction to Basquiat's Cultural Impact  04:06 The 2017 Sale and Its Global Impact 05:41 Licensing and Pop Culture Integration 10:48 Basquiat's Artistic Style and Influence 15:41 The Neo-Expressionism Movement 21:21 Early Struggles and Key Relationships 26:22 Navigating the Art World 32:43 Celebrity Endorsements and Market Resurgence This is the Brands On Brands Podcast with Brandon Birkmeyer www.brandsonbrands.com Don't forget to get your own personal branding scorecard at: https://www.brandsonbrands.com/scorecard CONNECT WITH ME Connect with me on social media: https://www.brandsonbrands.com/mylinks READ MY BOOK - FRONT & CENTER LEADERSHIP I launched a new book and author website. Check it out here. https://www.brandonbirkmeyer.com/fcl CHECK OUT MY COURSES Get tactical trainings and access to one-on-one coaching! https://www.brandsonbrands.com/courses SUBSCRIBE TO THE NEWSLETTER Get the latest news and trends on all things personal branding and the creator economy. https://www.brandsonbrands.com/newsletter

Download the work of art and listen to this podcast simultaneously.

durée : 00:49:18 - Affaires sensibles - par : Fabrice Drouelle, Franck COGNARD - Aujourd'hui dans Affaires sensibles, chevauchons la mort avec le peintre noir-américain Jean-Michel Basquiat. - réalisé par : Frédéric Milano Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Partendo da una sneaker iconica, la adidas Superstar, scopriamo come un dettaglio funzionale - quattordici buchi per passarci i lacci - finisce per diventare una dichiarazione politica.Per riuscirci andiamo nella New York del 1986: dalla metro che mescola mondi diversi a Keith Haring e Basquiat, dal Bronx in fiamme alla nascita dell'Hip Hop, fino alla notte in cui ventimila persone alzano le proprie adidas al cielo al Madison Square Garden.È la storia di come una scarpa da basket esce dal campo, perde i lacci e diventa simbolo culturale, bandiera di una comunità e inizio dell'industria streetwear moderna.

Le 10 décembre 2025, veille de son concert parisien à la Maroquinerie, l'artiste franco- camerounais James BKS a offert à son public une version deluxe de son EP See us rise - and win. Accompagné de son invité, le peintre et digital artiste Fred Ebami, il répond aux questions de Claudy Siar, Yasmine Bakayoko et Stéphane Linon. En fin d'émission, les invités affrontent les chroniqueurs dans l'épreuve du Blind Test. James BKS est un artiste pluridisciplinaire, auteur-compositeur interprète, fils de Manu Dibango. Sa musique fusionne rythmes et chants d'Afrique de l'Ouest aux sonorités modernes telles que le hip-hop et l'afro-pop. See us rise est le troisième projet de l'artiste, co-produit par JoAtouch et mixé par Roark Bailey. Dans cet EP, l'artiste se révèle sans artifice. Playlist du 7 janvier : James BKS - Milli Vanity La chanson Milli Vanity fait référence au scandale qui a touché groupe Milli Vanilli à la fin des années 80. Dans Milli Vanity, James BKS raconte l'envers du décor du succès. James BKS - See us rise James BKS - Assia James BKS - Wettin U go choose La chaine YouTube de James BKS Fred Ebami, l'invité que James BKS a souhaité mettre en lumière : Artiste pop art franco-camerounais, Fred Ebami s'inscrit dans le digital et s'inspire de Basquiat ou encore d'Andy Warhol. Grâce à une technique artistique qui lui est propre - créer des visuels à partir de photos et de dessins retravaillés à l'ordinateur -, Fred Ebami fait le lien entre l'organique et le digital. Plus d'infos sur Fred Ebami Pour visionner les clips, cliquez sur les titres des chansons Retrouvez la playlist officielle de RFI Musique.

In Episode 297 of Where Brains Meet Beauty, founder and CEO of Glamazon Beauty Cosmetics Kim Baker and content creator and Your Glow Guide author Felicia Walker sit down to talk about building careers that did not exist when they were kids.Kim's path starts at 13 as a model with Elite, crossing paths with legends like Andy Warhol and Basquiat, then being pulled out of the industry for her own safety. She later returns, co-pioneers plus-size modeling and eventually pivots into makeup artistry after years of struggling to find foundation that matched her skin. Mixing shades behind the counter at brands like Prescriptives and Bobbi Brown became an education in undertones and inclusivity that now powers Glamazon Beauty. Today, she is part artist, part founder, part motivator, writing handwritten notes to customers and using public speaking to help women feel “beautifully empowered.”Felicia's journey began in a different place: HR executive by day, beauty obsessive by night. She launched a blog simply to pour out everything living in her head about skincare, ingredients and routines. That curiosity turned her into an early “digital beauty space architect,” breaking down formulas and skin types long before ingredient education was mainstream. Blogging opened doors to editorial, product development and now authorship. Her focus has evolved into helping people truly understand their skin and spotlighting 50+ skincare and longevity, a demographic she rarely saw represented.Together, Kim and Felicia talk about listening to the “whisper” of a calling, balancing data with gut, handling comments with grace (and a bit of edge when needed), and using influence to educate rather than just sell. One builds confidence with a foundation stick, the other with a framework for skincare, but both are expanding what it means to have a career in beauty on their own terms. Check out more from Kim at glamazonbeauty.com & Felicia's book Your Glow Guide.

“All of the great artists are there for a reason: because they rebelled in some way. They created a visual vocabulary that felt fresh and new, which excited people. So, the great artists are not built on sort of anthills of sand. They're built on things of substance and of meaning. Though this is not a sufficient condition to become an icon, it's a necessary but not sufficient condition. I think you have to have an interesting and vivid personality or personal narrative that makes you interesting for people to talk about and want to learn about. I think you also have to have a support network of galleries, curators, and collectors who are excited about your work and want to push it forward, not wanting it to be forgotten. Basquiat's visual vocabulary is distinctive and stands out relative to what was being done in the 1980s. That's the sort of strong hill on which his reputation is built. Basquiat benefited from being the first black artist of note who got pushed forward. As in many things, the first benefits.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastImages courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.

“All of the great artists are there for a reason: because they rebelled in some way. They created a visual vocabulary that felt fresh and new, which excited people. So, the great artists are not built on sort of anthills of sand. They're built on things of substance and of meaning. Though this is not a sufficient condition to become an icon, it's a necessary but not sufficient condition. I think you have to have an interesting and vivid personality or personal narrative that makes you interesting for people to talk about and want to learn about. I think you also have to have a support network of galleries, curators, and collectors who are excited about your work and want to push it forward, not wanting it to be forgotten. Basquiat's visual vocabulary is distinctive and stands out relative to what was being done in the 1980s. That's the sort of strong hill on which his reputation is built. Basquiat benefited from being the first black artist of note who got pushed forward. As in many things, the first benefits.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastImages courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.

“All of the great artists are there for a reason: because they rebelled in some way. They created a visual vocabulary that felt fresh and new, which excited people. So, the great artists are not built on sort of anthills of sand. They're built on things of substance and of meaning. Though this is not a sufficient condition to become an icon, it's a necessary but not sufficient condition. I think you have to have an interesting and vivid personality or personal narrative that makes you interesting for people to talk about and want to learn about. I think you also have to have a support network of galleries, curators, and collectors who are excited about your work and want to push it forward, not wanting it to be forgotten. Basquiat's visual vocabulary is distinctive and stands out relative to what was being done in the 1980s. That's the sort of strong hill on which his reputation is built. Basquiat benefited from being the first black artist of note who got pushed forward. As in many things, the first benefits.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastImages courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.

“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastImages courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.

“All of the great artists are there for a reason: because they rebelled in some way. They created a visual vocabulary that felt fresh and new, which excited people. So, the great artists are not built on sort of anthills of sand. They're built on things of substance and of meaning. Though this is not a sufficient condition to become an icon, it's a necessary but not sufficient condition. I think you have to have an interesting and vivid personality or personal narrative that makes you interesting for people to talk about and want to learn about. I think you also have to have a support network of galleries, curators, and collectors who are excited about your work and want to push it forward, not wanting it to be forgotten. Basquiat's visual vocabulary is distinctive and stands out relative to what was being done in the 1980s. That's the sort of strong hill on which his reputation is built. Basquiat benefited from being the first black artist of note who got pushed forward. As in many things, the first benefits.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastImages courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.

Walla P toasts us with satin grooves and fine hiphop digs from Bes Kept & Teddy Bryant, Fernando Girao, J Scienide, Pro-V and Basement Khemists. Plus rapturous rhymes from Brother Ali, big Basquiat energy from LL and soul-searching jazz with Archie Whitewater and RAMP. View the full playlist for this show at https://www.wefunkradio.com/show/1267 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/

Kenny and Mark bust out the spray cans to celebrate the wrapping up of their conversations about the Rebel Heart album. Topics include Basquiat, the legality of graffiti, backup vocals, misleading choirs, Lizzo, Keith Haring's POP! Shop, Brad Gooch, Martin Burgoyne, downtown realities, the Smithsonian, The History of Sound and folk songs, Michelle Shocked, and a wrap-up discussion of the album. Plus, Kenny finds a gift card, Mark takes some advice from Judge Judy, and some lost diaries are uncovered.

On today's episode of Turtle Time - "Basquiat's Godmother" - we start by discussing Hilaria Baldwin's performance on Dancing with the Stars, Taylor Swift's potential lyrical feud with Charlie XCX, and the ongoing rivalry between Cardi B and Nicki Minaj. (00:00 - 14:15)We then discuss this week's episode of The Real Housewives of Orange County (season 19, episode 12) - "Let Them Make Cake". (14:15)And finally, we recap the first part of the Real Housewives of Miami season 7 reunion - "What Happened in the Hamptons". (1:00:00)If you enjoyed this episode and need more Turtle Time in your life, join the ⁠Turtle Time Patreon⁠ and become a Villa Rosa VIP to hear exclusive bonus content! We're recapping the Vanderpump Rules series from the beginning each week.And if you need even more Turtle Time in your life, follow us on ⁠⁠TikTok⁠⁠ or ⁠⁠Instagram⁠⁠. And please, if you want to watch some of the fun things we do, subscribe on YouTube. Hosted on Acast. See acast.com/privacy for more information.

In this Money Talks: Felix Salmon is joined by Doug Woodham, author of the upcoming biography Jean-­Michel Basquiat: The Making of an Icon, to discuss Basquiat's path to becoming a darling of the art market. They discuss the idiosyncrasies of the art market and  why Basquiat – the “Jimi Hendrix” of the art world – was initially undervalued but later became part of the modern day art canon.  Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Money Talks: Felix Salmon is joined by Doug Woodham, author of the upcoming biography Jean-­Michel Basquiat: The Making of an Icon, to discuss Basquiat's path to becoming a darling of the art market. They discuss the idiosyncrasies of the art market and  why Basquiat – the “Jimi Hendrix” of the art world – was initially undervalued but later became part of the modern day art canon.  Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Money Talks: Felix Salmon is joined by Doug Woodham, author of the upcoming biography Jean-­Michel Basquiat: The Making of an Icon, to discuss Basquiat's path to becoming a darling of the art market. They discuss the idiosyncrasies of the art market and  why Basquiat – the “Jimi Hendrix” of the art world – was initially undervalued but later became part of the modern day art canon.  Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is part 1 of a two-part recapWith a trip to Seville looming, Marisol invites the ladies over for a preppy party on The Real Housewives of Miami. Will tensions ease? Will anyone fly on Stephanie's PJ? And will Basquiat get one last trip to paradise? You can watch this recap on video, listen to our Love Island bonus episodes, and participate in live episode threads at patreon.com/watchwhatcrappens. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is part 2 of a 2-part recapWith a trip to Seville looming, Marisol invites the ladies over for a preppy party on The Real Housewives of Miami. Will tensions ease? Will anyone fly on Stephanie's PJ? And will Basquiat get one last trip to paradise? You can watch this recap on video, listen to our Love Island bonus episodes, and participate in live episode threads at patreon.com/watchwhatcrappens. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.