Podcasts about Basquiat

In Episode 297 of Where Brains Meet Beauty, founder and CEO of Glamazon Beauty Cosmetics Kim Baker and content creator and Your Glow Guide author Felicia Walker sit down to talk about building careers that did not exist when they were kids.Kim's path starts at 13 as a model with Elite, crossing paths with legends like Andy Warhol and Basquiat, then being pulled out of the industry for her own safety. She later returns, co-pioneers plus-size modeling and eventually pivots into makeup artistry after years of struggling to find foundation that matched her skin. Mixing shades behind the counter at brands like Prescriptives and Bobbi Brown became an education in undertones and inclusivity that now powers Glamazon Beauty. Today, she is part artist, part founder, part motivator, writing handwritten notes to customers and using public speaking to help women feel “beautifully empowered.”Felicia's journey began in a different place: HR executive by day, beauty obsessive by night. She launched a blog simply to pour out everything living in her head about skincare, ingredients and routines. That curiosity turned her into an early “digital beauty space architect,” breaking down formulas and skin types long before ingredient education was mainstream. Blogging opened doors to editorial, product development and now authorship. Her focus has evolved into helping people truly understand their skin and spotlighting 50+ skincare and longevity, a demographic she rarely saw represented.Together, Kim and Felicia talk about listening to the “whisper” of a calling, balancing data with gut, handling comments with grace (and a bit of edge when needed), and using influence to educate rather than just sell. One builds confidence with a foundation stick, the other with a framework for skincare, but both are expanding what it means to have a career in beauty on their own terms. Check out more from Kim at glamazonbeauty.com & Felicia's book Your Glow Guide.

“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastImages courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.

“All of the great artists are there for a reason: because they rebelled in some way. They created a visual vocabulary that felt fresh and new, which excited people. So, the great artists are not built on sort of anthills of sand. They're built on things of substance and of meaning. Though this is not a sufficient condition to become an icon, it's a necessary but not sufficient condition. I think you have to have an interesting and vivid personality or personal narrative that makes you interesting for people to talk about and want to learn about. I think you also have to have a support network of galleries, curators, and collectors who are excited about your work and want to push it forward, not wanting it to be forgotten. Basquiat's visual vocabulary is distinctive and stands out relative to what was being done in the 1980s. That's the sort of strong hill on which his reputation is built. Basquiat benefited from being the first black artist of note who got pushed forward. As in many things, the first benefits.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“All of the great artists are there for a reason: because they rebelled in some way. They created a visual vocabulary that felt fresh and new, which excited people. So, the great artists are not built on sort of anthills of sand. They're built on things of substance and of meaning. Though this is not a sufficient condition to become an icon, it's a necessary but not sufficient condition. I think you have to have an interesting and vivid personality or personal narrative that makes you interesting for people to talk about and want to learn about. I think you also have to have a support network of galleries, curators, and collectors who are excited about your work and want to push it forward, not wanting it to be forgotten. Basquiat's visual vocabulary is distinctive and stands out relative to what was being done in the 1980s. That's the sort of strong hill on which his reputation is built. Basquiat benefited from being the first black artist of note who got pushed forward. As in many things, the first benefits.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastImages courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.

“All of the great artists are there for a reason: because they rebelled in some way. They created a visual vocabulary that felt fresh and new, which excited people. So, the great artists are not built on sort of anthills of sand. They're built on things of substance and of meaning. Though this is not a sufficient condition to become an icon, it's a necessary but not sufficient condition. I think you have to have an interesting and vivid personality or personal narrative that makes you interesting for people to talk about and want to learn about. I think you also have to have a support network of galleries, curators, and collectors who are excited about your work and want to push it forward, not wanting it to be forgotten. Basquiat's visual vocabulary is distinctive and stands out relative to what was being done in the 1980s. That's the sort of strong hill on which his reputation is built. Basquiat benefited from being the first black artist of note who got pushed forward. As in many things, the first benefits.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastImages courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.

“All of the great artists are there for a reason: because they rebelled in some way. They created a visual vocabulary that felt fresh and new, which excited people. So, the great artists are not built on sort of anthills of sand. They're built on things of substance and of meaning. Though this is not a sufficient condition to become an icon, it's a necessary but not sufficient condition. I think you have to have an interesting and vivid personality or personal narrative that makes you interesting for people to talk about and want to learn about. I think you also have to have a support network of galleries, curators, and collectors who are excited about your work and want to push it forward, not wanting it to be forgotten. Basquiat's visual vocabulary is distinctive and stands out relative to what was being done in the 1980s. That's the sort of strong hill on which his reputation is built. Basquiat benefited from being the first black artist of note who got pushed forward. As in many things, the first benefits.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastImages courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.

“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastImages courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.

Persistance d'un chômage massif et paupérisation de franges croissantes de la population, multiplication des travailleurs pauvres, et déclin du salariat, remise en cause de la « valeur travail », et fin des carrières linéaires, essor des « bullshit jobs » et ubérisation des emplois, apoplexie d'un système social devenu aussi illisible qu'inéquitable et maintenant crainte de la disparition de nombreux emplois par le recours à l'IA… Pour remédier aux tensions et contradictions d'un système économique et social à bout de souffle, certains auteurs mettent en avant la solution que constituerait, selon eux, l'instauration d'un « revenu universel ». Mais force est de constater que cette solution est, elle-même, lourde de contradictions et d'interrogations. Au-delà de la question triviale mais essentielle de son financement, impossible à évacuer dans des économies européennes déjà très endettées, le revenu universel pose aussi d'innombrables questions philosophiques, politiques et même civilisationnelles. Est-il l'expression d'une utopie égalitariste et collectiviste ou, au contraire, la ruse d'une flexibilisation totale du marché du travail ? Constitue-t-il un nouveau pacte social ou le vecteur d'une radicalisation de l'individualisme contemporain. Représente-t-il une forme renouvelée de solidarité entre membres de la communauté nationale ou un nouveau ferment de son archipélisation ? Permet-il d'en finir avec un assistanat humiliant pour les plus pauvres ou, à l'inverse, en est-il la généralisation à toute la population ? Et malgré ses promesses d'émancipation des individus ne risque-t-il pas de devenir un nouvel instrument de contrôle social et de sujétion à l'État ? Et enfin : le revenu universel peut-il être, pour les peuples européens, l'utopie mobilisatrice qu'espèrent certains de ses promoteurs ou est-il plutôt le symptôme d'une fatigue collective conduisant certains à préférer l'allocation à la création, la consommation à la production ? Ce sont à ces questions et à quelques autres que répondront les participants à cette table ronde. ‣ Xavier Van Lierde est journaliste et consultant en communication. Il s'intéresse particulièrement aux mutations affectant le travail, l'entreprise et leurs places dans la société. ‣ Thierry Baudet est un homme politique, écrivain et orateur néerlandais. Fondateur en 2014 du Forum pour la Démocratie, un groupe de réflexion et parti politique, il en est le chef de groupe parlementaire depuis 2017. Il est également l'auteur de plusieurs ouvrages. ‣ Philippe d'Arvisenet, Docteur d'État en économie, a été chercheur au Polytechnicum de Lille et chargé de mission au Commissariat au Plan. Ancien directeur de la recherche d'une banque internationale et auteur d'une dizaine d'ouvrages, il enseigne à Paris II, et diverses universités en France et à l'étranger. Il est également consultant économique auprès d'un think tank. ‣ Marc de Basquiat est consultant, formateur, essayiste et conférencier. Il préside le think tank AIRE, spécialisé dans l'étude du système socio-fiscal français. Il est diplômé de Centrale-Supélec, d'ESCP Europe et docteur en économie de l'université d'Aix-Marseille. Son dernier ouvrage : L'ingénieur du revenu universel, aux éditions de L'Observatoire.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

So hab' ich mir das vorgestellt. Redaktionsplan hin oder her. Da trifft mich etwas mitten ins Herz und ich muss darüber sprechen. Als mir vor knapp zwei Wochen eine angenehme Stimme über eine neue Kollaboration zweier mir bekannter Künstler im Stile von Warhol und Basquiat erzählt hat, wusste ich was zu tun ist. Das Gespräch mit Michael Ornater und Clemens Wolf hat viele meiner Fragen beantworten können. Nicht nur über die KI und ihren Einsatz in meinem Betätigungsfeld, sondern auch über Glaube, Vertrauen, Freundschaft und junge Liebe. Seid Ohr jetzt neugierig geworden? Dann hört Euch doch gleich erstmal das Gespräch an. Und dann setzt Euch in den Zug und reist nach Neulengbach, denn dort hat sich Ursula Fischer auf dieses "Experiment" eingelassen. In der Galerie am Lieglweg zeigt sie Arbeiten der beiden! Viel Spaß beim hören und schauen und bitte lasst mich wissen, ob Ihr Euch vor der KI fürchtet... https://www.galerieamlieglweg.at Kontakt: redaktion@gieseundschweiger.at; Website: https://www.gieseundschweiger.at/ ; Redaktion: Fabienne Lubczyk, Lara Bandion; Musik: Matthias Jakisic; Sprecherin: Sarah Scherer; Grafische Gestaltung: Studio Riebenbauer

Let me talk about how I learned about Basquiat.

Basquiat painted a premonition of Nipsey Hussle in 1982. Basquiat summoned the spirit of Ermias three years before Ermias was born in 1985.

"I fall in love with places" - Cy TwomblyWhile still reflecting on the life of Cy Twombly, I muse over a few artists that have been influenced by Italy (and my artistic process). There is just something about the visual beauty and the history of Italy that seems to impact many artists, writers and creatives. I go further into thoughts on the art of Cy Twombly and Robert Rauschenberg throwing his art into the Arno River in Florence after a disparaging critic's comment, and how artists move forward regardless of popularity or understanding. Generally the people catch up later. For some like Julian Schnabel they hit their stride early.  Schnabel said, Italy had a “massive impression” on him.  He lived in Milan earlier in his career creating work influenced by place and the landscape. A visit to the Scrovegni Chapel in Padua had such an impact on his psyche he changed the way he painted. You can see this shift in his documentary in Julian Schnabel: A Private Portrait. He later purchased land in New York City and turned it into a Venetian Palazzo. Palazzo Chupi is bright pink building and an ambitious manifestation of his own artistic temperament. The visual beauty of Venice influences many of us in varying ways.  I go on a personal journey on this episode contemplating the life of the artists and my own. Later in the share I muse over the life and inspirations of Cy Twombly, Julian Schnabel, Basquiat and Picasso. "blurring, blotching, writing and inscribing were purposely obscured by superimposing" - Thierry Greub on Twombly's painting processPentimento .... "Pentimento: a visible trace of earlier painting beneath a layer or layers of paint on a canvas". "The word pentimento is derived from the Italian 'pentirsi', which means to repent or change your mind. Pentimento is a change made by the artist during the process of painting. These changes are usually hidden beneath a subsequent paint layer".Musical Scores by Richard JohnstonShownotes at MichelleJohnston.lifeA Writer in Italy InstagramSubstack - At My TableMichelle's Books© 2025  A Writer In Italy - travel, books, art and lifeMusic Composed by Richard Johnston © 2025Support the show

Hoy me acompaña Pedro Oliveira da Costa, General Manager del MOCO Museum Barcelona, para hablar de su modelo de museo y su misión de acercar el arte al gran público. Hablamos sobre cómo surgió el proyecto y por qué eligieron Barcelona como una de sus sedes. También comentamos cómo se consigue el equilibrio entre ser un destino visualmente atractivo y ofrecer una visita con contenido y rigor así como la relación del museo con los artistas locales y el rol que tiene un general manager en todo ello.Recorremos la colección que reúne nombres como Basquiat, Banksy, Yayoi Kusama, KAWS, Warhol o Haring, y debatimos sobre la idea de ser museo de arte accesible que busca conectar con las nuevas generaciones.MOCO Museum se inauguró en el Palau Cervelló del Born en Barcelona en 2021. Recibe al año más de medio millón de visitantes y junto con sus sedes en Amsterdam y Londres se ha convertido en un fenómeno en redes sociales.

Alfredo Muccino: Memories & DreamsAlfredo Muccino: Memories & DreamsAlfredo Muccino was born in Bogotá, Colombia, and raised as an Italian. His father's engineering career took the family across the world. His father was a painter, and Muccino would imitate his work. His artistry has been influenced by Picasso, Matisse, and Basquiat, as well as the art and architecture of Rome, where he grew up. As Muccino recalled, “A lot of it also comes from growing up in Rome as a kid, riding my bicycle around, drawing the statues of Bernini and the churches of Michelangelo.”In 2025, Muccino is returning to his roots with a solo exhibition, "MEMORIES & DREAMS," which showcases his meditations on life, mortality, and the death of dreams. At the heart of this series is the idea that dreams can change over time. He hopes to explore the disparity between memory and reality, turning his personal reflection into a shared experience.Follow Alfredo on Instagram at alfredo.muccino and on his website, solidbranding.com Check out the upcoming Morgann Trumbull Projects' exhibitions at morganntrumbull.com #MEMORIESandDREAMS #AlfredoMuccino #ContemporaryArt #SanJoseArt #SoFADistrict #ArtExhibition #CreativeDirector #LiquidAgency #SolidBranding #ReturnToRoots #FineArt #LifeMortalityDreams #InstaArt #SupportArtists

Judson and his husband celebrate their 10th wedding anniversary in Eureka Springs, Arkansas, while Brian and his family discover a free gallery show featuring original works by Basquiat, Haring, Koons, Mapplethorpe, Sherman, Warhol, and more. The two hosts each go without physical release for longer than usual and expound on the joys of refraining. Brian then experiences a moment of undeniable divine intervention, and Judson starts his new job. They enjoy a pocket-sized Hookup of the Week about the joys of being Daddy to a pocket-sized partner. Brian spends three nights at the theater seeing Ragtime, Dylan Mulvaney's solo show, The Least Problematic Woman in the World, and, of course, Brandon Kyle Goodman's Heaux Church off-Broadway at Ars Nova—where he was joined by Judson and several Dads and Daddies listeners. Brian then makes a proposal to any theater producers listening to bring this year's queer theater standouts to more audiences. Writer, actor, host, and sexual/mental wellness advocate Brandon Kyle Goodman then sits down with Brian to discuss how writing on Netflix's hit animated series Big Mouth put them on their mission to deshame sex by talking about it. They also cover Brandon's journey with their husband from monogamy to polyamory, how dating other people has benefited their primary relationship, being an educator of oral pleasure, how to make kindness cool within the queer community, and all about the past, present, and future of Heaux Church. The episode concludes with Brandon helping address a Go Ask Your Dad question from a listener frustrated by how their partner prioritizes a dom hookup over their relationship, and finally, with some words of guidance from Brandon on coming together during these difficult times. Brandon Kyle Goodman on the Web: https://www.brandonkylegoodman.com/ Heaux Church at Ars Nova: https://arsnovanyc.com/events/heaux/ Downtown/Uptown - New York in the Eighties at Levy Gorvy Dayan gallery: https://www.levygorvydayan.com/exhibitions/downtown-uptown Email your Hookup of the Week and Go Ask Your Dad submissions to dadsanddaddies@gmail.com Dads and Daddies on the Web: https://www.dadsanddaddies.com/ Dads and Daddies on Instagram: https://www.instagram.com/dadsanddaddiespod Dads and Daddies on TikTok: https://www.tiktok.com/@dadsanddaddiespod Dads and Daddies on Bluesky: https://bsky.app/profile/dadsanddaddiespod.bsky.social Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Avui, al "Loft", descobrim tots els detalls del robatori del segle al Louvre i repassem els robatoris m

Walla P toasts us with satin grooves and fine hiphop digs from Bes Kept & Teddy Bryant, Fernando Girao, J Scienide, Pro-V and Basement Khemists. Plus rapturous rhymes from Brother Ali, big Basquiat energy from LL and soul-searching jazz with Archie Whitewater and RAMP. View the full playlist for this show at https://www.wefunkradio.com/show/1267 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/

Investir dans l'art n'est plus réservé à une élite de collectionneurs ! Avec Matis, Arnaud Dubois veut démocratiser cette classe d'actifs unique (rare, tangible, et historiquement résiliente) en permettant d'investir dans des œuvres d'art iconiques dès 20 000 euros.   Cofondateur et directeur des investissements de Matis (société agréée par l'AMF), Arnaud conjugue trois expertises : l'histoire de l'art, la connaissance des marchés et la gestion de patrimoine. Ensemble, elles lui permettent d'allier exigence artistique et rigueur financière dans une approche innovante : le co-investissement dans l'art.  Dans cet épisode, il nous partage :  Pourquoi le marché de l'art, malgré son opacité, reste l'un des plus stables et des plus internationaux au monde. L'offre d'investissement de Matis et le profil de leurs investisseurs. Comment Matis permet à des investisseurs d'accéder à des chefs-d'œuvre de Warhol, Basquiat ou Niki de Saint Phalle, sans mobiliser des millions. Ses secrets d'un bon “deal” dans l'art : acheter au bon prix, comprendre la valeur artistique avant la valeur financière.   Si vous vous interrogez sur la place des œuvres d'art dans votre stratégie patrimoniale, cet épisode est pour vous !  ----------------------- Ressources complémentaires :  Investir dans l'art : marchés, stratégies, fiscalité… https://sapians.com/blog/investir-art  Investir en club-deal : définition, mode d'emploi et cas pratiques https://sapians.com/blog/club-deal  Investir en club deal : avantages et inconvénients https://sapians.com/blog/club-deal-avantages-inconvenients  Réaliser un audit patrimonial : pourquoi ? Comment ? https://sapians.com/blog/audit-patrimonial  Investir son héritage : les meilleurs placements pour 1 million d'euros https://sapians.com/blog/investir-1-million-deuros-heritage  ----------------------- Savez-vous vraiment comment fonctionne un société de gestion ? Un fonds d'investissement ? Ce qu'il se passe au-delà des chiffres et des due diligences ? Dans "Focus Fonds", nous explorons ce qu'il se trouve de manière très concrète derrière les investissements des fonds et de leurs investisseurs. ----------------------- Attention : Les performances passées ne préjugent pas des performances futures et investir comporte des risques de perte partielle ou totale en capital. Le contenu relatif à Matis est partagé à titre purement informatif. Cette société n'a pas été sélectionnée par Sapians et n'a pas fait l'objet d'une due diligence approfondie. Les informations présentées ne constituent ni une recommandation, ni une incitation à l'investissement. Toute décision doit être adaptée à votre situation. Si vous souhaitez bénéficier de conseils personnalisés, veuillez créer votre compte ou prendre rendez-vous avec un conseiller Sapians. SAPIANS - RCS n°919 330 969 - ORIAS n°23003561 en qualité de CIF et COA. Activité de démarchage bancaire et financier.

Kenny and Mark bust out the spray cans to celebrate the wrapping up of their conversations about the Rebel Heart album. Topics include Basquiat, the legality of graffiti, backup vocals, misleading choirs, Lizzo, Keith Haring's POP! Shop, Brad Gooch, Martin Burgoyne, downtown realities, the Smithsonian, The History of Sound and folk songs, Michelle Shocked, and a wrap-up discussion of the album. Plus, Kenny finds a gift card, Mark takes some advice from Judge Judy, and some lost diaries are uncovered.

In the creative economy, it is more profitable to be a dead creator than a living working writer. Or that is the lesson learned from the lawsuit the Michael Crichton estate filed against The Pitt. Crichton, who earned a quarter of a billion dollars for his contribution to the NBC show ER -- his contribution being a film script that was later adapted by someone else into a network pilot -- while the actual writers, actors, and crew made considerably less. Jessa and Nico talk about the writers who filed suit against AI, why Basquiat is in his most prolific era yet (37 years after his death), and the curse of the Frida Kahlo Barbie doll. Shownotes and references: http://theculturewedeserve.substack.com

On today's episode of Turtle Time - "Basquiat's Godmother" - we start by discussing Hilaria Baldwin's performance on Dancing with the Stars, Taylor Swift's potential lyrical feud with Charlie XCX, and the ongoing rivalry between Cardi B and Nicki Minaj. (00:00 - 14:15)We then discuss this week's episode of The Real Housewives of Orange County (season 19, episode 12) - "Let Them Make Cake". (14:15)And finally, we recap the first part of the Real Housewives of Miami season 7 reunion - "What Happened in the Hamptons". (1:00:00)If you enjoyed this episode and need more Turtle Time in your life, join the ⁠Turtle Time Patreon⁠ and become a Villa Rosa VIP to hear exclusive bonus content! We're recapping the Vanderpump Rules series from the beginning each week.And if you need even more Turtle Time in your life, follow us on ⁠⁠TikTok⁠⁠ or ⁠⁠Instagram⁠⁠. And please, if you want to watch some of the fun things we do, subscribe on YouTube. Hosted on Acast. See acast.com/privacy for more information.

In this Money Talks: Felix Salmon is joined by Doug Woodham, author of the upcoming biography Jean-­Michel Basquiat: The Making of an Icon, to discuss Basquiat's path to becoming a darling of the art market. They discuss the idiosyncrasies of the art market and  why Basquiat – the “Jimi Hendrix” of the art world – was initially undervalued but later became part of the modern day art canon.  Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Money Talks: Felix Salmon is joined by Doug Woodham, author of the upcoming biography Jean-­Michel Basquiat: The Making of an Icon, to discuss Basquiat's path to becoming a darling of the art market. They discuss the idiosyncrasies of the art market and  why Basquiat – the “Jimi Hendrix” of the art world – was initially undervalued but later became part of the modern day art canon.  Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Money Talks: Felix Salmon is joined by Doug Woodham, author of the upcoming biography Jean-­Michel Basquiat: The Making of an Icon, to discuss Basquiat's path to becoming a darling of the art market. They discuss the idiosyncrasies of the art market and  why Basquiat – the “Jimi Hendrix” of the art world – was initially undervalued but later became part of the modern day art canon.  Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Money Talks: Felix Salmon is joined by Doug Woodham, author of the upcoming biography Jean-­Michel Basquiat: The Making of an Icon, to discuss Basquiat's path to becoming a darling of the art market. They discuss the idiosyncrasies of the art market and  why Basquiat – the “Jimi Hendrix” of the art world – was initially undervalued but later became part of the modern day art canon.  Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jean-Michel Basquiat is one of the most important artists of the 20th century and one of the top-selling artists in today's market, but his career and market trajectory weren't nearly as smooth as they might seem today. In this week's episode of the ArtTactic Podcast, host Adam Green speaks with Doug Woodham, author of Jean-Michel Basquiat: The Making of an Icon (out October 14, available now for pre-order). They discuss Basquiat's rise, the dramatic collapse of his market in the 1990s, and the extraordinary comeback that followed, including the crucial role played by a small group of influential collectors. Doug also shares insights on how curators reframed Basquiat's legacy, the unique way his estate has been managed, the impact of the auction houses, and the most misunderstood aspects of Basquiat's life, art, and market.

How do you find your creative voice when the world tries to quiet it? In this powerful episode, I sit down with artist Diana Hendrix, who shares her journey from Chicago's foster care system to carving a vibrant creative career. Diana reveals how to use your work to reshape a challenging world into something beautiful. We explore her path through a detour into law and how an unexpected health diagnosis ultimately forced a profound return to her artistic roots. This is an intimate story about resourcefulness, the power of encouragement, and how the most challenging course corrections can lead us directly to who we were always meant to be.   Chapters 00:00 - Introduction to Diana's Journey  01:51 - Art as a First Language in the Foster Care System 04:49 - A Mother's Encouragement and How it Shaped an Artist 06:51 - Discovering Basquiat, Alma Thomas, and an Artistic Lineage 11:21 - The Pressure to "Course Correct" to a Traditional Career 13:43 - The Unapologetic Joy of the "Don't Care Bears" 18:19 - Fueling the Next Generation of Artists   Connect with Diana:   Follow Diana on Instagram: https://www.instagram.com/bumbblebeedesigns/   Support the Show Website: https://www.martineseverin.com/ Follow on Instagram: https://www.instagram.com/martine.severin/ | https://www.instagram.com/thisishowwecreate_ Subscribe to the Newsletter: https://www.martineseverin.substack.com/ This is How We Create is produced by Martine Severin. This episode was edited by Daniel Espinosa. Subscribe wherever you get your podcasts Leave a review Follow us on social media Share with fellow creatives  

Topics covered in this podcast include, 190, Japan, Nipsey, Basquiat, and the Manhattan Project. It is recommended that you watch the YouTube video entitled the same as the podcast -- Japan on My Mind --in order to get a true sense of the creative process that led to the recording of this evening's podcast. This was recorded on September 11 - 12 between 12 midnight and 1am.

Thomas Schlesser is a French Art Historian whose new novel, Mona's Eyes is a brilliant way of exploring the great museums of Paris.  When Mona, his title character, is in danger of losing her sight, her grandfather, Henri, decides to show her one work of art a week for a year in the hopes that she can absorb all the beauty of the world before she goes blind. It is not just the touching story of a wonderful French girl and her grandfather visiting art, but also an amazing course in Art History.  From Botticelli to Basquiat, Thomas will tell you the history and stories behind some of the world's greatest.  Join us as we talk to him about these fifty two works, his unforgettable characters and why it took him ten years to write. Find books mentioned on The Book Case: https://www.goodmorningamerica.com/shop/story/book-case-podcast-reading-list-118433302 Books mentioned on this week's episode: Mona's Eyes by Thomas SchlesserLuminous Loves by Thomas Schlesser Learn more about your ad choices. Visit podcastchoices.com/adchoices

Our summer break continues as we knock out our housekeeping and get things ready for a busy fall. And before we get back to all new episodes we've got another great look back at a favorite with the great actor Jeffrey Wright. He digs into his role on WestWorld, his time in Hollywood and the roles he loves to take on, and he shares the story of Nearest Green and what has become not only an inspiration but is also a very successful enterprise. From Episode 55 - April 16, 2020: From Angels in America to Basquiat to Syriana to Casino Royale to The Hunger Games to Boardwalk Empire to Classical Baby to Westworld. Jeffrey Wright (@JFreeWright) has played Martin Luther King Jr. and Colin Powell. He's played artists and scientists. And he's everyone's favorite Host, Bernard Lowe. He's won a Golden Globe, an Emmy, a Tony. And he's a driven supporter of causes ranging from veterans with mental health injuries to miners in Sierra Leone.  It's a look back at one of the greats. At a time when none of us were at our best, he showed us what it means to be the best. And a look at why he's one of our favorites to ever appear on the show. -WATCH video of Paul and Jeffrey's conversation. -Learn more about Independent Veterans of America and all of the IVA candidates.  -Join the movement. Hook into our exclusive Patreon community of Independent Americans. Get extra content, connect with guests, meet other Independent Americans, attend events, get merch discounts, and support this show that speaks truth to power.  -Check the hashtag #LookForTheHelpers. And share yours.  -Find us on social media or www.IndependentAmericans.us. And get cool IA and Righteous hats, t-shirts and other merch.  -Check out other Righteous podcasts like The Firefighters Podcast with Rob Serra, Uncle Montel - The OG of Weed and B Dorm.  Independent Americans is powered by veteran-owned and led Righteous Media. Spotify: https://open.spotify.com/show/0F1lzdRbTB0XYen8kyEqXe Apple Podcasts: https://podcasts.apple.com/us/podcast/independent-americans-with-paul-rieckhoff/id1457899667 Amazon Podcasts: https://music.amazon.com/podcasts/49a684c3-68e1-4a85-8d93-d95027a8ec64/independent-americans-with-paul-rieckhoff Ways to watch: YouTube: https://www.youtube.com/@independentamericans Instagram: https://www.instagram.com/IndependentAmericansUS/ X/Twitter: https://x.com/indy_americans BlueSky: https://bsky.app/profile/indyamericans.bsky.social Facebook: https://www.facebook.com/IndependentAmericansUS/ Ways to listen:Social channels: Learn more about your ad choices. Visit megaphone.fm/adchoices

We debate whether or not M3GAN 2.0 is an upgrade plus we also discuss Basquiat, Karate Kid: Legends and Alien: Earth and Reed tries to understand the appeal of Debbie Does Dallas. 0:00 - Intro 21:55 - Review: M3GAN 2.0 1:02:00 - Other Stuff We Watched: Debbie Does Dallas, Alien: Earth, Basquiat, Karate Kid: Legends, Materialists, The Life of Chuck, Devo, Star Trek: Strange New Worlds 1:59:05 - This Week on DVD, Blu-ray and VOD 2:06:10 - Outro 2:12:30 - Spoiler Discussion: M3GAN 2.0

Ian and Jeff travel back to the vibrant art scene of early-80s New York City with a look at two related but very different films, Make Me Famous and Basquiat!The former is Brian Vincent's 2021 documentary about obscure expressionist portraitist Edward Brezinski, who lived in a crumbling 3rd Street slum; he spent his days painting and his nights hitting up gallery openings trying to drum up interest in his work (as well as scrounging for food and drink). He orbited the likes of Keith Haring and Jean-Michel Basquiat, but never caught on to the "It" factor that carried many of his contemporaries to super-stardom and wealth.Julian Schnabel's 1996 drama, Basquiat, stars Jeffrey Wright as the titular, troubled painter of graffiti and challenging art pieces. The disjointed film chronicles his ascent to fame as a protege of Andy Warhol (David Bowie), and his descent into a drug-fueled early demise at the age of 27.As alums of Chicago's American Academy of Art, your enthusiastic hosts dive right into what makes both films essential viewing--despite flaws both minor and nigh insurmountable. Ian and Jeff talk about their affinity for films about artists; the thematic threads that weave through two works that differ in form but unite in defining a vivid time, place, and people; and lament the commoditization of creativity presaged in both Basquiat and Brezinski's stories.Support Kicking the Seat on Patreon, subscribe to us on YouTube, and follow us at:XLetterboxdInstagramFacebookBlueSkyShow LinksWatch the Make Me Famous (2021) trailer.Watch the Basquiat (1996) trailer.Follow all things Make Me Famous at the film's official website.Order the new 4K UHD of Basquiat from The Criterion Collection.And read Roger Durling's essay about the controversial restoration here.Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.

SummaryIn this episode, Kurt and Jamie discuss a variety of topics ranging from personal updates, golfing, and university experiences to the challenges of live streaming and technical difficulties. They delve into coffee preferences and the significance of art, particularly in the context of activism. The conversation highlights the importance of using art as a tool for social commentary and encourages listeners to find their voice through creative expression.TakeawaysKurt shares his recent family vacation and its impact on the podcast schedule.Jamie and Kurt discuss their shared interest in golf and potential future outings.The conversation touches on university experiences and the variety of classes taken.Kurt shares updates on local sports teams, particularly the Flint Bucks.Technical difficulties during the live stream lead to humorous exchanges between Kurt and Jamie.Coffee preferences are discussed, with Jamie sharing his thoughts on a specific blend.The importance of art and sketching is emphasized, particularly in relation to activism.Jamie discusses a recent sketch inspired by Banksy and Basquiat, highlighting its themes.Kurt encourages the use of art as a means of social commentary and activism.The episode concludes with reflections on the power of art and the importance of finding one's voice.Sound bites"I hope so. I would hope so.""I caught the bug.""It's a leap of faith."Chapters00:00 Introduction and Personal Updates02:08 Golfing and Personal Interests04:18 University Experiences and Classes06:22 Sports Talk: Flint Bucks and MLS08:29 Technical Difficulties and Streaming Challenges09:48 Coffee Talk and Closing Remarks13:50 Birds of a Feather: A Lighthearted Debate19:54 Sketching the Scene: Artistic Exploration36:13 Art as Activism: The Power of ExpressionSend Feedback :) Support the showBuy some Coffee! Support the Show!https://ko-fi.com/coffeesketchpodcast/shop Our Links Follow Jamie on Instagram - https://www.instagram.com/falloutstudio/ Follow Kurt on Instagram - https://www.instagram.com/kurtneiswender/ Kurt's Practice - https://www.instagram.com/urbancolabarchitecture/ Coffee Sketch on Twitter - https://twitter.com/coffeesketch Jamie on Twitter - https://twitter.com/falloutstudio Kurt on Twitter - https://twitter.com/kurtneiswender

Oh boy fuckbuddies, this one is a sausagefest! Two queer femmes walk into a Pittsburgh greasy spoon… and immediately find themselves in the middle of a flirtatious restaurant encounter, the halls of a haunted hot dog king, and the Warhol Museum's most wonderfully weird exhibits. Roll through the Hot Dog Country of Jersey with Jen + Lillian, waxing rhapsodic over being clocked as femmes, retro butch cruising, and Pittsburgh potties. Plus: cutting class to get YOCCO'D, ditz camp, and the tale of the Worst Lobster Ever Painted by Warhol and Basquiat.It's equal parts queer joy, hot dog rapture, and forever-weird Pennsylvania (served with a side of mustard relish).

This is part 2 of a 2-part recapWith a trip to Seville looming, Marisol invites the ladies over for a preppy party on The Real Housewives of Miami. Will tensions ease? Will anyone fly on Stephanie's PJ? And will Basquiat get one last trip to paradise? You can watch this recap on video, listen to our Love Island bonus episodes, and participate in live episode threads at patreon.com/watchwhatcrappens. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is part 1 of a two-part recapWith a trip to Seville looming, Marisol invites the ladies over for a preppy party on The Real Housewives of Miami. Will tensions ease? Will anyone fly on Stephanie's PJ? And will Basquiat get one last trip to paradise? You can watch this recap on video, listen to our Love Island bonus episodes, and participate in live episode threads at patreon.com/watchwhatcrappens. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Exploring Creative Anchors and Pop Culture InfluenceIn this episode, Jamie and Kurt navigate through technical difficulties and dive into an intriguing discussion about drawing, design, and the impact of pop culture on creativity. They explore the themes of nationalism and identity through recent sketches, including a portrait of Frederick Douglass and Marvel characters. The conversation touches on the influence of comic books and graffiti art on their architectural practice and creative process, with nods to figures like Basquiat and Ryan Coogler. They also reflect on the importance of storytelling in architecture and share insights from Evelyn Lee and Janine Grossmann's podcast 'Practice Disrupted.'00:00 Introduction and Technical Difficulties00:39 Custom Baseball Hat and Patches02:45 Summer of Soccer and World Cup 202604:58 Dallas Stadium Renovations for World Cup12:20 Canada Day and Fireworks15:00 Dual Nationality and Citizenship Test17:27 Coffee Talk and Greater Goods Espresso18:52 Discussing Coffee Preferences20:08 Caddy Shack and Movie Quotes21:46 Analyzing Sketches and Themes23:44 Graffiti Art and Influences33:34 Marvel Characters and Nostalgia47:40 Storytelling in ArchitectureSend Feedback :) Support the showBuy some Coffee! Support the Show!https://ko-fi.com/coffeesketchpodcast/shop Our Links Follow Jamie on Instagram - https://www.instagram.com/falloutstudio/ Follow Kurt on Instagram - https://www.instagram.com/kurtneiswender/ Kurt's Practice - https://www.instagram.com/urbancolabarchitecture/ Coffee Sketch on Twitter - https://twitter.com/coffeesketch Jamie on Twitter - https://twitter.com/falloutstudio Kurt on Twitter - https://twitter.com/kurtneiswender

When we first aired this episode about red chip art a few months back, it captured a cultural and art market phenomenon hiding in plain sight. My colleague Annie Armstrong mapped out a world of Cybertrucks, crypto wallets, and Alec Monopoly openings—a bro-filled art scene where KAWS, MSCHF, and Daniel Arsham are the mainstays, and where spectacle often outpaces substance. Then Adrien Brody had an art show. This summer, at Eden Gallery in New York, the Oscar-winning actor unveiled his solo exhibition "Made in America," including a body of work that dives headfirst into the visual language of red-chip art. The show includes mixed-media paintings with portraits of Marilyn Monroe, and there are also Basquiat-inspired crowns, rats, and images of Mickey Mouse. There's even a participatory element that involves audience members sticking their used chewing gum on the gallery wall. Brody's maximalist, pop-culture salad seems tailor-made for virality, sure—but reactions in the art world have been quite mixed. Some see Brody's exhibition as a genuine creative endeavor; but others view it as a high-profile example of what happens when celebrity, commerce, and art collide in an already hype-driven market. Some don't mind the celebrity aspect but think it is just bad painting. Either way, what's certain is that Brody isn't just dabbling in this so-called red chip art world sphere—he's fully committed and he is now the new face of it— in all of its chrome-coated, algorithm-charmed aesthetic. In honor of the buzz surrounding "Made in America," we're re-airing our episode on red chip art. In it, I spoke to Annie about the phenomenon, exploring how social media, speculation, and celebrity culture are reshaping a corner of the art world that often defies traditional critical frameworks. Whether you see it as democratizing or dystopian, red chip art is impossible to ignore.

Brandon, James, Britnee, and Hanna discuss a grab bag of biopics about famous visual artists, starting with 1988's Camille Claudel, in which Isabelle Adjani plays the titular sculptor https://swampflix.com/ 00:00 Welcome 03:07 Linda (2025) 05:09 The Black Sea (2025) 08:58 Sinners (2025) 14:08 Popeye the Slayer Man (2025) 18:45 Dreamchild (1985) 22:27 The Story of Adele H (1975) 25:32 Camille Claudel (1988) 52:57 Pirosmani (1969) 1:03:28 Basquiat (1996) 1:18:48 Frida (2002)

Jean-Michel Basquiat's graffiti in Lower Manhattan was mistaken for a CIA operation. He was the toast of the New York art world while sleeping on floors in squalid apartments. He sold his first painting to Blondie's Debbie Harry for $200. Less than a year later, his paintings were going for more than $20,000. And decades later, the debate over what is and what is not a real Basquiat rages on. This episode contains themes that may be disturbing to some listeners, including a depiction of police brutality. This episode was originally published on April 25, 2024. Basquiat excelled at both visual art and music. What other musicians excelled in a second skill, art form, or sport? Tell Jake at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. To see the full list of contributors, see the show notes at ⁠⁠⁠⁠www.disgracelandpod.com⁠⁠⁠⁠. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠⁠⁠⁠GET THE NEWSLETTER⁠⁠⁠⁠ Follow Jake and DISGRACELAND: ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ ⁠⁠⁠⁠YouTube⁠⁠⁠⁠ ⁠⁠⁠⁠X⁠⁠⁠⁠ (formerly Twitter)  ⁠⁠⁠⁠Facebook Fan Group⁠⁠⁠⁠ ⁠⁠⁠⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

On August 12, 1988, Jean-Michel Basquiat—the visionary painter whose explosive talent redefined the possibilities of contemporary art—died of a heroin overdose in his New York City studio at the age of 27. Basquiat's meteoric rise from a graffiti tagger in the Lower East Side to a global art-world phenomenon was nothing short of revolutionary. Widely hailed as the greatest contemporary artist of his generation, Basquiat's canvases pulsed with urgency, intellect, and emotion—breaking down barriers of race, class, and tradition in the art establishment. His untimely death cemented his legend, leaving behind a body of work that continues to challenge, inspire, and command reverence, a lasting reminder of genius gone far too soon. Hosts: Jason Beckerman & Derek Kaufman Learn more about your ad choices. Visit podcastchoices.com/adchoices

Aman Itomi makes big, bold and noticeable jewelry worn by celebrities and gracing the covers of magazines. His nickname in his community of makers is “The Basquiat of metal.”  But now Aman is bracing for uncertainty and scarcity as Trump's tariffs on metals go into effect — again. In this episode, Aman shares how he's preparing.Subscribe for more Homegoings videos: https://www.youtube.com/@Homegoings?sub_confirmation=1Follow us on Instagram: https://www.instagram.com/wearehomegoingsSign up for the Homegoings newsletter: https://www.homegoings.coWrite to us at: hey@homegoings.coMake a gift to continue elevating BIPOC storytelling: https://vermontpublic.org/donateTell your friends, your family or a stranger about the show!Homegoings is a production of Vermont Public: https://www.vermontpublic.org/

From Jan 2024. Dive into the provocative world of artistic "theft" as Ty and Nathan explore how creative innovation truly emerges from our influences. This conversation challenges the myth of pure originality, arguing instead that the greatest artists throughout history have been masterful collectors and transformers of ideas.Beginning with Japanese fashion designer Yohji Yamamoto's transformative quote—"Start copying what you love... at the end of the copy you will find yourself"—the duo examines how creative development flourishes through strategic borrowing. From Quentin Tarantino's open acknowledgment of film references to David Bowie's musical influences, the most distinctive voices often emerge from those who've absorbed the most diverse inspirations.They unpack wisdom from creative legends including Jim Jarmusch, Paul Schrader, and Jean-Luc Godard, who all emphasize that true originality lies not in where you take ideas from, but where you take them to. Art movements throughout history—from Impressionism to Abstract Expressionism—evolved through artists stealing ideas from each other while working side by side, proving that innovation rarely emerges in isolation.What distinguishes mere imitation from transformative theft? When does copying become finding your voice? The conversation offers practical advice for artists at every stage: diversify your influences, document what moves you and why, maintain an "omnivorous" approach to inspiration, and create systems to capture ideas when they strike. Ultimately, the episode makes a compelling case that the most authentic artistic expression comes not from avoiding influence, but from embracing it wholeheartedly.Follow us on Instagram @ty_nathan_clark and @nathanturborg to continue exploring how creative influences shape artistic development.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

In this insightful season finale, Eboné sits down with Lisane Basquiat, sister of the legendary artist Jean-Michel Basquiat, to explore the enduring impact of his work and legacy. Lisane shares her journey of managing her brother's estate alongside her sister, ensuring his artistic vision continues to inspire future generations. As an entrepreneur, Lisane opens up about navigating the business world while honoring her brother’s legacy. She reflects on how family, creativity, and resilience have shaped her path, offering a personal and profound look at the lessons learned and the pride of carrying forward the Basquiat name.This episode offers a rare and intimate glimpse into the world of one of art's most iconic families, closing out the season with a conversation about legacy, creativity, and the power of perseverance. Connect with Eboné: Buy Eboné A Gift: Shop Now Eboné PHG Storefront: Shop Now Read Eboné's Love Letters: www.theyalltheone.com Website: www.thephgpodcast.com Instagram: @theprofessionalhomegirl & @thephgpodcast TikTok & Twitter: @theprofessionalhomegirl Youtube: https://www.youtube.com/@theprofessionalhomegirl Email: hello@thephgpodcast.com Shop PHG: https://www.thephgpodcast.com/shopSee omnystudio.com/listener for privacy information.

In this episode of The Living Artist podcast, Preston revisits one of his favorite art movie biopics, "Basquiat". This time around, he gathered some new insights and perspectives from a rewatch at a different stage of life and in his art career. There is something in here for all artists. Enjoy and check out the movie if you haven't yet seen it, or need a refresher!For more information on Preston M. Smith and his artwork, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pmsartwork.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or follow him on Instagram at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/pmsartwork⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (social media everywhere @pmsartwork). You can also now subscribe to his YouTube channel at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/pmsartwork⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.If you would like to donate to the podcast to keep it going strong, you can do so here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pmsartwork.com/podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Living Artist makes the top of the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Audible Blog's List⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ of the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Best Art Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to listen to For Artists! Check it!Thrilled to announce that ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Artwork Archive⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ just included The Living Artist on their list of the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Best Art Podcasts of 2021⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Check it out.Excited that ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Agora Group International Fine Art⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ included The Living Artist on its list of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Best Art Podcasts To Listen To⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (coming in at #5).Huge thank you to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Feedspot⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for choosing The Living Artist for their list of the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Top 70 Art Podcasts You Must Follow in 2023⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. It is a huge honor to have made this amazing list (coming in at #8) with so many other wonderful podcasts. Big thank you to Feedspot! You can check out this list and more of Feedspot at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://blog.feedspot.com/art_podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Podcast theme music: "Music by Jason Shaw on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Audionautix.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"

Merriam-Webster's Word of the Day for February 12, 2025 is: hagiography • hag-ee-AH-gruh-fee • noun Hagiography is biography that idealizes or idolizes a person and their life. // The book gives a good idea of his virtues without resorting to hagiography. See the entry > Examples: "The sisters' show can sometimes feel like hagiography; there is little discussion of Basquiat's demons or the aspects of his home life that may have been difficult." — Robin Pogrebin, The New York Times, 9 Apr. 2022 Did you know? The second part of hagiography is familiar: the combining form -graphy, which comes from the Greek verb graphein, meaning "to write," is found in biography and calligraphy (among many others) too. Hagio-, however, is more unusual; it comes from a Greek word that meant "holy, sacred" in Ancient Greek and more recently "saintly," by way of the term Hagiographa, another name for the Ketuvim, the third part of the Jewish Scriptures. English's hagiography can refer to biography of actual saints, but it is more typically applied to biography that treats ordinary human subjects as if they were saints.