From the Bottom of the Record Box

New Year 2022 is fast approaching and our traditional "best of" playlist is back — bigger, noisier, faster, more. Dive right in. That's the end of Season IV folks. Join us in April 2022 for more musical meanderings with Richard, Tobin and Jamie.

Christmas 2021 is officially upon us. And we are in a better place than this time last year, so let's party god damn it! like it's 1999. On today's Christmas 2021 Special please do join us for the best in alternative festive music and some idle chat. No big Christmas hits here, clear off Cliff Richard as we welcome artists as diverse as Christopher Lee, Asmodeus, Aloe Blacc, John Fahey and Sabaton amongst others. And to boot we are joined by may friends of the show all wishing you a very Merry Christmas. We hear from Ben (Wolf City), The Black Armadillos, Wesley Bennett and Jacob Campbell plus many other friends and collaborators. So turn off that radio and tune in to From The Bottom Of The Record Box for a Christmas 2021 music playlist like no other. You'll also learn Jamie's secret formula for the best mince pie ever, our favourite Christmas tipple plus there's a quiz question or two.

Psykidelic Oven Mit return to the show with their new EP which is released on gorgeous transparent red vinyl and CD - yes, we have both! We have played Psykidelic Oven Mit before on the show — way back in February 2020. We played and discussed Staring Into The Sun from their debut LP Ghost Machine. Richard was lucky enough to be have given the pre-release CD of that LP (which he has since passed on to Ben from Wolf City). Whilst at an in-store event at X-records (Janus Stark) Richard stumbled across Ghost Machine on Vinyl. So yes, it was added to his collection. He was delighted to find it on coloured vinyl. Further to that Frank and the boys from Psykidelic Oven Mit — ever generous — furnished us with their new EP on vinyl and CD, plus a copy of Ghost Machine on cassette. Add to that various bumper stickers and fridge magnets and you get the picture. Spooky Action At A Distance (their new EP) is a collection of rough mixes and demos recorded mainly through the COVID lockdowns of 2020. Well, the first three of four tracks are anyhow. Room With A View is the final of four tracks on the EP and is a demo from early 2019. It all comes beautifully presented in a full colour jacket featuring artwork by Rick Tyner. To cap it all, the record has been mastered by Greg Reierson (The Cure, Micky Dolenz, Grant Hart).

Tochiro is a project by a dude from Pennsylvania who felt sad and is still sad but at least he doesn't drink anymore. Furthermore, his debut 5 track EP The Age of Rock 'n' Roll Death has landed. It is limited to a run of 50 cassettes and you can buy your copy here. The cassette release of the EP also comes with an exclusive commentary about the recording. Jacob Campbell (guitars, vox, bass) and Danielle J Gallardo (drums) make up this band with an uncompromising and difficult to pin down sound.

Ethereal, Swedish-born multi instrumentalist joins us this week with her hauntingly beautiful ballad Black Mist. Ethereal has since formed an alliance and now records and gigs under the name Ethereal & The Elevated. During the UK's second lockdown Ethereal continued mainly as a solo project again although decided to keep the name & The Elevated as well for guest appearances and collaborations. Then in April 2021 a Mancunian gentleman by the name of Ant O'Donnell was seeking a female vocalist for the song that would later become Mesmerize me and the rest is history. Ethereal is very proud to share the work that they have done together with absolutely no funding and only their own experience and knowledge in music production and their mutual love for trip hop.

Wesley Bennett joins us on today's show with a live performance from Saint Peter's Church together with pianist and cellist. It's a stunning performance, full of emotion and truth with a smattering of heartbreak. Having spoken to Wesley he mentioned that he was actually quite nervous about performing some of these songs because of that raw emotion. His fear was that an audience wasn't yet ready to be exposed to something laid so excrutiatingly bare. Without doubt though, it was clearly a massive success. And as Richard points out… "Wesley has grown up."

The Zipheads hailing from Jamie's home town of St Albans provide us with the rarest of beats - a cover that is way better than the original. Their take on a musical staple is both energetic and raucous without losing the sentiment of the original. In fact, in a post Dickensian world the sentiment carries even more weight. We've got two belters from The Zipheads and lots more information and links so please read on. It's a wonderful return to form from show favourites, Philadelphia's very own Godcaster. There's a new album in the wings which leaves Richard evidently salivating. Jamie's on board too. And, when paired with West Yorkshire three piece The Lodger and their kitchen sink classic Bewildered even Tobin is convinced. Speaking of whom, he unwittingly sparks a vox-off between Brent Cowles and The James Hunter Six. Looks like Brent is edging into first place. And then there's The Bins. What a fantastic and original concept this is. Tobin will tell you more, and there's talk of a bookend in the next few weeks from The Bins. So until next week, when we'll welcome the return of Wesley Bennett and Jack Hubbell, dive right in and enjoy.

Thai Elephant Orchestra provide you with a listening experience quite different from anything we've ever played on the show before. You can learn more about this engaging project later on in these show notes. Richard has gone down the vinyl rabbit hole again and snapped up their only vinyl release on RSD2. That should tell you how good these "boys" are. Do we have a gender breakdown on the band? Interesting question. The bad news is, however, that you're going to have to listen to Richard railing on The Puppini Sisters before you get there. Jive, swing-based covers just aren't his thing it would seem. Cue a bulging email inbox full of complaints about him. There is hope though. Jamie brings the beyond excellent Wet Leg to the show as well as Black Pistol Fire. There's also Tobin's Bahamas and authentic glam rock from Sheffield-based The Voltz. It's frothy man (thanks Richie!).

The Black Armadillos are a rock duo from Genoa, Italy. The band was formed in 2019 by vocalist/guitarist Santo Castagnaro and drummer Maurizio Nuzzi. With sounds heaped in fuzz and reverb it's reminiscent of garage rock revival bands like The Black Keys and The White Stripes. Secondly, there are bigger influences at work here like Jimi Hendrix and Led Zeppelin. The Black Armadillos have released a self-titled 8 track LP to wax and here at Record Box HQ we are very much looking forward to it landing in our crates. The lyrics are written in English (the language of rock 'n' roll if Wolf City is to be believed) and are predominantly about everyday life, dreamlike experiences, love, money etc. The sound is strong and highly processed to compensate for the lack of bass player.

Snowglobe give us cause to question whether you need to be writing and performing garage rock to make it in Memphis. And the answer would appear to be "no". We spin five tracks in all in today's show from their 2 albums. Our Land Brains was Snowglobe's debut LP released on Nine Mile Records and is beautifully produced and features a completely blank side D. Followed up by the brilliant Doing The Distance which was never pressed to vinyl. Until now that is. Black and Wyatt Records of Memphis, Tennessee have now released this excellent LP on wax. Both Snowglobe albums are interspersed with dainty little musical diversions that far from being filler, are sweet moments in themselves. Horns, glockenspiels, keys and the usual guitar suspects weave a tender web of uplifting music. There is certainly a little of the Elephant 6 Collective to be heard on both recordings. However, we find Snowglobe's music to be less avant grade than their stablemates. Notable tracks include Adrenalin Mother, Baby and Medium. It is a refreshing sound that comes from these releases and a welcome change to most of the mass produced and manufactured sound that gets fed to the masses. We only hope that Snowglobe attract the interest and recognition they richly deserve, and of course we want another LP!

Los Psychosis manage to cut their debut LP to wax amid a system that is groaning under the strain of unprecedented global demand. And we've managed to grab a test pressing! Wow, what a record this is. Authentic, dripping with fiery Latin fusion and more than a nod to music from a bygone era. Gone are the overtly familiar tones of a sloppy double bass and a welcome heralding of accordion and lap steel. Certainly very different from the psychobilly movement in the UK back in the 1980s this is, however, certainly a noticeable stable mate. There is certainly an imminent line up change in the band looming, but this debut LP from this bunch of Memphis rockers will long remain a favourite here at Record Box HQ. Secondly, Tobin scoops a chat with friend of the show Abril Gabriele. Since we last featured her on the show much has changed for Abril. Her angelic voice though remains just as mesmerising as ever, and we find out just what she's been up too. Jamie brings the excellent IKOQWE along with a cover shot of a much revered Bowie classic. Furthermore we have Test Card Girl's new release, a poignant and tender serenade to her father. It's a glimpse of what is to come on her much anticipated EP. And to top off an already excellent playlist this week, the mighty W.H. Lung return with a new album. We spin the pre-release single on the show and it's a banger.

Birthday Ass were formed as an improvisational outfit with no clear idea about the sound of the band. It's freeform we guess. Richard loves Birthday Ass. Jamie is confused by Birthday Ass, he thinks he loves it but it makes his brain hurt and makes it difficult for him to speak properly. Tobin definitely does not like Birthday Ass, he tried it, he was at first open to the idea but eventually he decided he didn't want anymore Birthday Ass. It's a shame really because it's a great thing. And we recommend Birthday Ass to everyone. Secondly, there is more this week. First up is Jamie's excellent glam rock bookend from Art d'Ecco and the "all so shouldn't work" mixed bag of instruments that is Indialucia. Stop Light Observations prompt some intense studio discussion and later Richard butts in with an impromptu spin of theirs. We also trade off Manchester against Liverpool with some class music from each of these great cities. Plus, there's news of Kelsey Bulkin and Made in Heights. Oh yeah, and there's Cassandra Jenkins.

Merry Christmas, fuzzy avant-garde folk infused strangeness from Japan are this week's focus and bring us delight in bucket loads. Merry Christmas bring a much needed antidote to the norm with their fun and enthusiastic songbook. Eschewing the music industry norms, their innocent but ultimately thought provoking music is a welcome break from tradition. Their debut LP The Night The Night Fell opens with glockenspiel and signature ballistic rhythm bursts before opening up to wonderfully simple melody. It's a sound both bold and gently simple and gives way to arresting synth bursts that will wake up the most disinterested of ears. The loose concept album follows a journey quite like no other. Despite the at times gawkish tunes Merry Christmas are not without music sentimentality. The tender First Lull offers a glimpse into the more introspective side of the band. With its vocal harmonies mirroring each other perfectly and playing out of the acoustic guitar and ever present glockenspiel, this track feels like a bridge in the album. It gives way to the more upbeat Magnets before the madness of Meredith Bites The Earth unfolds and arrests listeners. Merry Christmas offer a rare look at what is possible with a little vision and a desire to escape the all too constrictive bonds of chasing popularity and the comfort of conformity. This confident album is a treat despite its lo-fi credentials and should be in every audiophile's collection. Here at Record Box HQ we will certainly be watching the band's evolution with much interest.

JIM - we play a wistful, soft track off his 4 track EP this week. And with only 18 months of guitar playing under his belt! The sublime and delicate sound of the EP made choosing a track to play rather difficult. The titular opening track gives way throughout to gentle strings, woven around JIM's warm vocal tone. Both bowed and pizzicato the strings add dimension and tonal space to this comforting track. JIM picks up the tempo slightly on Phoenix and introduces slightly monastic sounding backing vocals for rich reward. Moving on through the EP we drop Whisper In The Wind into the show. It's a melancholic throw back to the days of Simon & Garfunkel and CSNY. Sounds of yesteryear brought bang up to date by JIM. The final track, You Know What To Say is more gentle acoustic noodling with the simple, very honest and light introduction of synth and choral voices. It's all very stylistic and fresh sounding and indicative of the early promise from this multi-talented musician. One to watch in the future for sure.

Surfer Gorilla, hailing from Colombia, are brought to the show this week by That Jamie leaning toward sounds from his ancestral home. The opening track by Surfer Gorilla features rap artiste Diggis, whom Richard likens to an accountant from North Yorkshire. Richard does apologise for this as it does sound rather disparaging. However, Surfer Gorilla are proving to be something of a hit with the FTBOTRB crew. Both tracks today come from the 2020 LP Dimos Vueltas en el Aire! (We Circled In The Air). The album is a fantastic mix of Latino sounding short tracks, the whole LP weighing in at only 21 minutes. That being said, it is a solid listen and will definitely transport you to distant shores. Surfer Gorilla really have created a fantastic body of work here. It's rapidly becoming our barbecue and garden party go to album. If only for the sun drenched vibes and foot tapping trappy drum beats. Stand out track for this Record Box Recommendation would have to be You Got That Bounce. All the tracks are short on this LP, but this one has such a '70s vibe and infectious groove, it really stands out. A track to start your party and get the cocktails flowing nicely. The whole record involves aspects of politics, life, the legalisation of drugs and nature, so a pretty eclectic mix. All the tracks on the album were written and recorded in Colombia's lockdown. Prepared for the worst, hoping for the best. If you want an honest proposal, made with the heart and a lot of love and the greatest vibes in the world, then give these two gorillas a listen.

Look Mum No Computer completely rewrites the analogue modular synth rulebook with homemade modules and music, so bloody British. Making a big noise on the show this week, Look Mum No Computer proves to be a massive hit with the FTBOTRB crew. We've got two songs from them and lots of discussion about our thoughts and feelings of this unique act. Look Mum No Computer has also opened a museum showcasing some of his many creations. It is without doubt on our list of must visits when post-pandemic UK reopens. Richard returns with songwriting phenomenon Nick Noone and his prophetic and reflective song Don't Let The Papers Get You Down. Nashville musician Nick Noone has a massive back catalogue of original songwriting to his credit and it is clearly just a matter of time until he starts making big waves. Jamie brings reggae to the show. Enough said. However, he also brings the fantastic Liverpool outfit The Marigolds and their genuine punk sound to our ears. However, the real gem in this show is brought to you by Tobin. It's a contemporary take on a classic, traditional Pakistani song. It's given a deft, artful and thoroughly beautiful reworking by Arooj Aftab. So settle down in your happy place, maybe grab a beer, and join the boys for an hour of music and conversation.

Senyawa serve up a vision of hell today in a track so divisive Tobin actually leaves the studio, declaring "The End" of the show. The song is 9 minutes of utter brilliance but not appreciated by everyone it seems. In their rich 11 year history Senyawa have managed to blend traditional Indonesian sounds with punk and avant-garde. Senyawa have done this brilliantly despite Tobin's scathing attitude toward Alkisah - today's featured track. Earlier this year the band collaborated with 44 independent labels across the globe on the release of Alkisah. The labels were able to create their own artwork for the LP along with remix and master the tracks to appeal to local tastes. Quite a revolutionary thing in the music industry. Disco reappears on the menu too today. Tobin has resisted his primal urges for too long and has finally given way. Therefore, we bring in two disco classics from Rare Pleasure thirty years apart. Old favourites Sault provide a 90s themed club classic and Jamie mixes things up last minute with Declan O'Rourke. Join us for this week's Music Discovery, let's dive straight in.

Biosynth, self-described French synth geek, beings us closer to France with a poetic look at the city and people of Nantes. Originally scheduled to open the show, the track Nantes immediately came under fire. Tobin thought it too much for our listeners as an opener. Of course Richard disagrees and it leaves the team on the edge of war. What we do now know , however, is that this track is an official FTBOTRB banger. You can find out a little more about Biosynth later in the show notes. Secondly, Ben from Wolf City and friend of the show tries to unlock the secret of Nantes below. Tobin is far more dependable this week and choses to stay firmly on tried and tested ground. His love affair for Harmony Byrne continues as he spins her latest track. He drops in Yves Jarvis' new LP too and urges us to delve deeper. Oh, and Jamie brings us something awful from London. Alas, if you've ever visited London you'll easily understand why this song is so awful.

Bayboards are our focus this week and our Jamie gets to chat to the up and coming Manchester home grown talent on today's show. Firstly, Bayboards give us two excellent tracks and a chat. Secondly, Richard is off the foreign shores with his first track of the show from Dr Jazz Dixieland Band. You can find out more about this fully acoustic jazz set up on the show and in the accompanying show notes below. It is a fascinating story. Furthermore, Tobin is off to Somalia for an 80's dance floor shredder of epic proportions. Coming up later in the show we've also got Double Trouble with Romero followed by Jack Oblivian and The Sheiks. Richard is clearly indulging his love of the Memphis music scene again and he shows no signs of slowing down. We've heard rumour there is more from Memphis coming up in Season III. As a result of Richard's love of the avant grade he'll also be introducing us to Volleyball, a new psychedelic collective born out of Pandemic Britain.

Noah C Lekas steamrolls the sky this week as we spin his latest vinyl release live in the studio. It's another cracker from Blind Owl Records. You can grab your copy right here. This fantastic new production draws on Noah C Lekas' book Saturday Night Sage. Noah reads excerpts from the book to some wicked music provided by other acts from the Blind Owl stable. On this record you'll get to hear music from Howlin' Rain and Mrs Henry amongst others. It's a brilliant collaboration and of course comes fully recommended from Record Box.

Savannah Pope's new single finally walks amongst us and becomes our focus on this week's show. It's Season III of the Music Discovery podcast. The record marks a change in the wind for Savannah, slightly spooky, gothic and subdued. However, you may be forgiven to think that the Savannah we know and love is gone forever. Spiralling out of control alone in the cosmos - much like her "Creature" video. You'd be wrong. Rock goddess and visually stunning Savannah once again finishes in a spine tingling climax. No secret then that we once again see her artistic skills with the now-to-be-expected mind blowing video. Although this season kicking off show looks at much more than Savannah Pope's new single. We have Wesley Bennett's latest release too. A tender collection of 5 introspective and intimate musings, it's what we've come to expect from him. Wesley is such an inspirational and exciting song writer who deserves a much wider audience. His first EP - Middle Man - was a fantastic listen.

Join us for our take on the best music we played during 2020.

Christmas Music on the show can mean only one thing, it's the end of another season of music celebration and review. We serve up another festive smorgasbord of musical crackers with all the trimmings. Join Tobin, Jamie and Richard to celebrate "Good Riddance" to an Annus Horribilis. It's been a year of unprecedented changes not only in the world of music, but in the world as a whole. Christmas Music with a difference from the 3 boys this week. It also marks the end of Season II of the show so it is with a heavy heart that we bid you farewell as we head into our recess. Alas, the lads will be back, bigger, stronger, more opinionated and combative than ever for Season III on April 10th. So, get involved in the meantime by contacting us here. We'd love to hear from you whether you are a listener or a musician.

Ryo Kawasaki is a jazz fusion guitarist, composer and band leader from Tokyo, Japan. Kawasaki is best known as one of the first musicians to develop and popularise the fusion genre. Secondly he helped to develop the guitar synthesizer in collaboration with Roland Corporation and Korg. His album Ryo Kawasaki & the Golden Dragon Live was one of the first all digital recordings. An extremely warm reception greeted NuNorthern Soul's debut EP of Ryo Kawasaki music. The label's Phat Phil Cooper has decided upon a follow up. Ryo Kawasaki made over 25 albums in his almost five decade long career. There's plenty of Ryo Kawasaki's music to choose from. Once again, Phil Cooper has chosen to concentrate on Kawasaki's mid 1970s to early 1980s period. It is a time which saw the guitarist living in New York. Surrounded at the time by and often playing alongside some of the finest jazz players of the era. Therefore, it was a time of much experiment with jazz music and few things propel Ryo Kawasaki more than experimentation. His mid 1970s period saw him explore what was to become known as jazz fusion music. A sometimes heavy-sounding variation, wild with revolutionary, new electronic sounds and steeped in funk and rock influences. From that period Kawasaki lead several album projects and the band Golden Dragon. On these recordings Ryo Kawasaki's famous, personally modified guitar synthesizer really comes to the fore.

Nick Cave, a strange choice for the show, and one that by merit should never be on here, such is his greatness. But actually, that is why he ends up here, it's a paradox, and we're pretty sure Nick would love a paradox. If you have the patience dear listener, then bear with Richard's monologue about his love and admiration for Nick Cave as he introduces one of Nick Cave's best performances. All recorded and released under extenuating circumstances. Alas, we have more than Nick Cave today as we enjoy a beautiful bookend from Tobin with Sister Sparrow. It shows how Richard's mental hard drive is becoming beyond capacity. We also have one man and a guitar, surprisingly from Tobin this week and some old, old jazz from Richard. "That Jamie" joins us with his would-be-wife Elin Hall (oh God you are so lucky Elin) with moon music. It's actually from Iceland, despite Richard's belligerence.

Heather Trost, with her delightful new album Petrichor, is giving us two brilliant tracks this week as we showcase her talent. Quite coincidentally, it's a double edged sword victory for Heather Trost. We say that in so much that not only is the music quite sublime, but the artwork is to die for. Join us to explore her past as we explain about how speaking language transfers over to music so readily. Stick around for the closing track from Heather Trost. At nine minutes long and you may well get lost in it. It's an all female play from Richard this week as he gets to grip with an up and coming talent from Liverpool. Helen Maw has definitely caught the ear of Richard. An acoustic track from her brilliantly exemplifying her immense talent. And there is money changing hands this week. Rilo Kiley make a welcome return to the show and in doing so remind us of the great vocal talent that is Jenny Lewis. Which reflects really well with Death Valley Girls who fail to hit the spot with Richard. However, going back to money exchanging hands… Tobin's Japanese entry in the show proves infuriating enough to induce Richard to part with cash. Superseded by both Tobin's and Jamie's quite correct predictions of Richard's reaction. Bomb the Bass? Really? Yes. Is it a lead balloon or a transcendental ascension? You'll have to listen and of course make your own decision.

Jennifer Propeller, 3 tracks deep and a further EP in the wings. They are the self-styled dreamy end of indie-alternative melancholia. And they are a unanimous success here. It's the combination of dreamy guitars and Dalena's voice that really make Jennifer Propeller stand out. Luckily for us, we've also managed to have a sneak preview of some of their upcoming work. We can't share that with you, our listeners, just yet, so please be patient. However, the moment that JP are ready to allow release we shall be amongst the first to broadcast this excellent new material. Secondly, we have unreleased music from an unsigned and untitled band. Who'd have thought it? Two chaps in the gestation period of their new band have submitted some tunes. We've listened through the lot and offer our opinion on what we consider to be the best. You'd think that these two alone, nestled in the middle of Tobin's box-ticking bookend, would be more than enough. No. We are heading quickly into the final trimester of Season II and so we are cramming. Jamie excels this week, surpassing even his own high standards. Ida Mae are Jamie's choice which sets the scene for our Listener Recommendation this week. Julian has been in touch and we get him on the line to introduce his choice. Think you can do better? OK, we're all ears - get in touch.

Godcaster, cult-like psych-rockers and firm devotees of Judson Kolk, spill out their nightmarish vision onto the unsuspecting masses. Unsurprisingly pressed to red vinyl (what else) Godcaster's debut LP has landed. Or should that be surfaced? It's likely been spawned in the fires of an underworld populated with dog-girls, doppelgängers and pious iguanas. Spewed forth in a heinous incongruence of terrestrial vomit. If this all sounds a little far fetched then join in on Judson Kolk's cult trip and you'll soon be seeing religious effigies everywhere. Along with Long Haired Locusts. It's a nightmarish journey, spikey, narcotic music from a dimension of fear. Don't let that description put you off. This is essential listening from Philadelphia's most original band. Godcaster have a knack of putting you at ease with their surreal world. In fact, they make you feel like you want to be part of it. If you're as lucky as Richard then you may have scooped up a copy of the booklet. It's artwork by Godcaster's front man and limited to 50 copies. This has all the makings of an enviable object of desirability in years to come. Get on board.

Tapeworms, bedroom shoegaze fused with J-pop and video games bring us a new release on Howlin' Banana Records. Straight out of France. After releasing a couple of home-recorded EPs to a modicum of critical acclaim, Tapeworms are back with debut LP. This new offering certainly extends their range of influences. We play their eponymously titled single on the show today. Typographical errors, mythical drugs and the mastermind behind some of Elvis' best known songs. That's Tobin's contribution this week. TTRRUUCES are not only every spell-checker's worst nightmare, they are also our bookend artiste this week. Plenty of noise to twist your ears around here. Plus the Bob Ross of rock 'n' roll drops in. Along with Tapeworms, Richard brings us new music from Leeds in the North of England. Nope, it's not Silverlode again, instead it's three piece People Soup with their current track Rosemary. And after all that, we've got two back to back anger management tracks. Both heavy contenders for belligerent track of the month award.

Silverlode, a folksome indie rock’n’ roll band from Leeds, Yorkshire, England. There is quite a lot to go at from Silverlode, and a great starting point would be their Bandcamp page. To be fair to their music, not all of it sounds like what we are playing here on the show today. Nonetheless, Silverlode make an excellent listen. Particularly the material they have managed to get recording during lockdown. It's worth noting that a new EP from Silverlode is in the wings - Ullswater. What you get is a 5-track EP with one track of spoken word as a finale. At times an oppressive hark back to the 90's and you can feel its weight as you listen on. Pendulous clouds, biting winds and the grim vision of children lost to heavy weather. Vocals that bear down on you, aggressive probing guitar riffs, it's a wonder the Lake District is so popular. It's released in a week's time, but you can get a pre-listen here. "That Jamie" makes an early appearance today on the show, and with universal acclaim! Ordinary Elephant are Jamie's choice this week as he returns to familiar ground with some contemporary outlaw folk. Or is it Americana? Whatever pigeon hole you wish to stick husband and wife band Ordinary Elephant in, they're excellent. Nothing short of it in fact. Tobin gets a telling off from all the way over in Brazil. Apparently despite his love of South American beats, he's slightly missed the point previously. Well, according to one sharp eared listener anyhow. And so he brings the dark, ominous and downright terrifying Totonho to the show. Forget sun drenched feel good vibes, this track is from a completely different stable. Tobin attempts to repair the damage by bringing for sample-masters The Allergies. And the answer is "No" before you ask. Ritchie Blackmore has nothing to do with it. Rounding off the show Richard has Ramp Local roster-buster Giant Claw back to back with Kellindo's guitar wizardry. So, you're all up to speed, all that remains is to dive right in.

Savannah Pope - Freeway, it's her new single release and could it signal a new LP from her in the making. After Atlantis it would make sense. This single release is a further nod to her past, and a glimmer of hope that new work is coming. It follows fairly standard Savannah Pope conventions by now, there's the high octane guitars, booming percussion and of course the inter-stellar vocals of the rock goddess herself. However, it's slightly more introspective than her previous titles, almost lending a certain authenticity to it. Whichever way you look at it it's certainly just another stopgap on Savannah's obvious rise to stardom. Richard heads back to his beloved France and dishes up a Howlin' Banana sandwich. Or should that be a baguette? He brings in two French bangers by Fontanarosa and Volage respectively. In fact, Tobin is a fan. True to form Tobin dons his socialist donkey jacket with DEADLETTER and their grim social commentary. Bookending with Courtney Marie Andrews, Tobin lends a personal and intimate theme to today's show. And that's it! Oh no it's not, sorry, "That Jamie" drags Brandt Brauer Frick in.

Test Card Girl was a teenager in the 90's in Manchester and what a time that was to be alive. She soaked up a lot of the sounds of the time and you can hear that in her eclectic and brave music. From subtle folk sounding acoustic noodling to some comedy Casio synth musings, all accompanied by Catherine's beautiful voice, it's a confident start to her musical career. Already on cassette and published widely on streaming platforms there is an exciting possibility that we may see Test Card Girl on vinyl before too long. But before then, we've got two tracks from her, one of which is her current single. Tobin brings quality rather than quantity today with two unusually musical tracks from him. Gone is the electronica and breathy vocals and in come the guitars and other real instruments. A refreshing change! "That Jamie" returns with quite possibly his best recommendation to date and Richard drops the needle on Lake Street Dive's new single release. And speaking as we did earlier of cassettes, we have the dreamy vocals of The Suncharms with their latest release. A split tape with The Mirrorlakes, order it here if you've got deep pockets.

Web bring Intimidation and Shame to the studio this week, along with a truckload of division. Richard is a fan, Tobin is still trying to work out whether he is or not. Read on, and indeed listen on, for more about Web and their dark and oppressive masterpiece that is Intimidation and Shame. It actually transpires that this is in fact Part I, as Part II to Intimidation and Shame from Web is already now released. Along with Web, this week Tobin brings the quaintly title Tugboat Captain to the show and the kitchen sink drama that is Day To Day. That Jamie joins us and actually sticks around a little longer than usual. It comes with a caveat however. Jamie rambles on about the dullest subject on earth - video games. Yawn. We also bring Wesley Bennett back to the show, introduce Abigail Ory and Late of the Pier are our backend artiste. But, forget all that, the highlight of the show is Tobin attempting to perfect a Mancunian accent. Something which would undoubtedly get him into trouble in Salford. Big trouble. Sounds like a film title - "Big Trouble in Little Manchester"!

Hello there! Jack Hubbel makes a return to form and a return to the show with his latest Telyscopes release. Well, we say latest, it's not even released yet so you are getting an exclusive pre-release listen. No charge. It's what we do. Also, on a general note, it's great to be back. After a 12 week hiatus we are poised to deliver music that begs to be listened to. And, as a sage friend of the show said to us only today, "the best music ever produced you'll never hear". Sage indeed. So let's kick off the season with Jack Hubbel, Glaswegian punk, Brazilian electronica and Jamie with his crazy Japanese post punk surf rock. Yep, buckle up, we're on it this season.

Welcome to the finale of Season I of From the Bottom of the Record Box - The Music Discovery Podcast, with over 100 minutes of music and conversation. We've lined up an impressive triple bookend this week featuring Wolf City, Tenci and The Comet is Coming. Later on "That Jamie" joins us for the party as we sign off Season I in style. We also say a few "hellos" and "thank you's" to a host of musical glitterati. We'll be playing our favourite listener suggestion of Season I and once again Tobin utters his favourite two words … Harmony Byrne. Season II begins on October 10th where we'll have new features, more excellent music, more collaborations and a multitude of other exciting "stuff". It's what makes FTBOTRB your favourite go-to Music Discovery Podcast. So, we're all ears. Why not get in touch if you are a budding musician and you want to reach a global audience?

Sammy Brue has managed to pen another belter with Crash Test Kid and we've got a track on the show. Turn it up, it's no acoustic meander. The red/yellow splatter vinyl signed by the man himself is on the way to Record Box HQ. They're all gone now but you've still got time to grab the black vinyl release. Also coming from the US this week is Reigning Sounds' classic LP Home For Orphans. Again, we think you've missed the gorgeous blue vinyl release but you can still grab a black vinyl copy from Goner Records in Memphis. "That Jamie" returns this week with his now hotly anticipated Track Of The Month - he's plundering the wealth of French Pop tracks this month. Richard runs this track by a real life proper Frenchman! What then transpires leaves Jamie with his tail between his legs. Poor Jamie. However, Jamie returns next week as we close off Season I in style. And there is a Spoiler Alert - next week Jamie delivers two absolute bangers. Romero bring us this week's bookend slot in fine post-punk style. It's Tobin's bookend and the suggestion that there is a possible point-scoring scenario sends him into something of a spin. The ever-competitive Tobin showing that he constantly lives by his own catchphrase "if there's a chance to win, I'm in!"

Dullards bring a healthy amount of self-written, self-produced glam power pop to Richard's final solo bookend of Season I. George and Roger deliver funny, toe-tapping vibes with their insightful and inspiring Dullards. We play the double A-side single today and discuss the wider merits of this fantastic musical collaboration. What a way to kick off the show as we rapidly approach the end of Season I of From the Bottom of the Record Box. And Dullards are a perfect example of why we champion here at Record Box HQ as we help spread the word to the world. And talking of aspiring artists, we welcome Wesley Bennett to the show as we play a track off of his new 4-track EP - Middle Man. Wesley was kind enough to tell us a few words about himself so read on to find out a little more about this talent young man. Alternatively, you can find him on Bandcamp where you can purchase this essential new EP. Tobin brings back W.H. Lung and their latest single release. Does it show as much promise as their debut LP Incidental Music did last year? The lads certainly think so. And Caamp are back and Björk is back, proving that Tobin has indeed practically run out of steam. Does he listen to anyone else these days? Well, yes, he does, because he's also playing Water Liars in today's show. They prove to be a big hit with Richard. Join us next week as "That Jamie" returns for a 2 show run as we head rapidly toward the close of Season I - great listens coming very soon indeed.

Welcome to the show where we say "Hello" to Booty and The Beard and their latest release Strange Little Rocks. It's a cautionary tale of festival life. A tale of boy meets girl. Moreover a brilliant song, brilliantly crafted, from two brilliant musicians. Yeah, we think it's brilliant! And what's more, we want to share it with you, our listeners around the world. And it comes at a fitting moment as we rapidly approach the end of Season I of From the Bottom of the Record Box. With that said, we have so much more to pack in before the season ends. Next week Richard bookends with rising new talent which answers the question we've all been asking. What happened to all the experimental melodic glam rock power pop bands? Tobin brings us One Man and a Guitar and proves he's still wrapped up with CAAMP. But more about this week… Firstly, Tobin's bookend does little to inspire further trophy grabbing where bookend artistes are concerned. He brings Nathaniel Rateliff's new solo release to the fore and sparks furore in the camp. New Music, always a treat from Tobin yields the sexy, serious and delightfully produced tones of Sharada Shashidar. Losing himself for a moment, he wonders whether Richard's contemporary Japanese track is one of his own. Secondly, this Japanese artist spurns a bit of infighting as both Tobin and Richard scrap it out to obtain the rarest vinyl pressing of said record. Let's dive straight in and give these two idiots a listen.

Welcome to this week's show where Richard brings us The Midnight Pine and their keys heavy intro masterpiece Enough. Tobin thinks he's heard this before, alas, only a dream. We uncover some unlikely connections with other San Diego favourites Creature and the Woods. We play and listen to the sonorous vocal delivery of Shelbi Bennett. However, Enough of The Midnight Pine! Richard has the bookend this week and brings us the sadly now disbanded Broken Dog. Playing to Tobin's naturally critical streak, Broken Dog's ethereal and slightly breathy vocals prompt him to take Richard to task. It's a brilliant two-song set from Martine Roberts and Clive Painter in their previous guise of Broken Dog. More sabre-rattling to come as Richard is perplexed by Moscow Apartment's outdated website gallery. No up to date photos? Only photos of the duet as teens? The clouds thereon parted and Richard's epiphany unfurled before his very eyes. Not one to steal Tobin's thunder he gallantly steps aside so that Tobin can reveal all. It's New Music and it's straight out of Canada this week. Unexpectedly popular Blithe Field also make a deep impression on Richard much to Tobin's surprise. He tries to score a hat-trick with Audiodope and Absence of Gravity - does he pull it off? As always, it's all about the music on From the Bottom of the Record Box. However, Tobin delivers some important news this week about the future of the show. And exciting news it is indeed. It seems that Tobin, Richard and Jamie are only just beginning the rise of FTBOTRB. There are bigger, better things coming signalling a very bright future ahead. And as we stated it's always about the music here, but perhaps the biggest news on today's show is that Harmony Byrne's debut LP has finally dropped. We spin yet another track from off of it. Destined to become a riotous success, we get to know Harmony before she is untouchable. So, that's it, listen on for the usual combative conversation and great music.

Any Sunday Morning, Paris-based musician Sébastien, brings his simple, well-travelled music to today's show. Richard has been listening with glee to the LP White Rainbow and picks his favourite tune off of it as we explore Any Sunday Morning. More on this French musician later. Tobin has the bookend this week and brings back I Am Kloot with two excellent tracks. Sandwiched in amongst the show as well this week is "That Jamie" and his track of the month. Jamie describes the track as "divisive" - listen the boys arguing it out. Two out of three ain't bad Jamie! As I Am Kloot return to the show, so does the latest from Huw Costin aka Torn Sail. Following on the heels of his latest NuNorthern Soul release this reworking of A Beautiful Life is esoteric, subtle and dripping with the gloriously fluid vibes we've come to expect. Torn Sail are rapidly becoming a favourite here at Record Box HQ. They are an official FTBOTRB Recommendation and are essential listening. And staying in Nottinghamshire, UK, we bring Lawrence County to the show. Americana from deep in the UK. Who'd have thought it? Finishing off the show this week we have Tobin's New Music Shot and his field recordings masterpiece from Eluvium. Quite why Tobin likens Dead Pony – his New Music candidate – to Eurovision failures is anyone's guess, but he apologises, before he gets lynched by the band. His temptation from Eluvium, and the promise of a seven disc set sends Richard into interstellar overdrive. Bats? Who would have thought they make such good music???

The Last Waltz, arguably the most iconic performance in the history of Rock 'n' Roll, recreated in all its glory by Mrs Henry. Forty one years later and Mrs Henry took to the stage at the Belly Up, Solana Beach, San Diego. Not alone, a plethora of friends were just about to join them. What happened next is likely an as epic and defining moment as the original. A task of immeasurable complexity, Mrs Henry pull it off with panache, soul and above all – passion. We play two tracks of the beautifully presented vinyl presentation in today's show, which will no doubt leave you craving more. We've played Mrs Henry on the show previously and Dan Cervantes himself spoke with us about The Last Waltz. You can hear what he had to say here. We also have another live performance on the show this week as coincidence. The expertly performed Coffee from Tobin's favourites Sylvan Esso. Speaking of Tobin, he also jostles for position for the "ridiculous band name" crown with Rolling Blackouts Coastal Fever. Waxing lyrical as he does, this is his latest instalment of his never-ending love affair with Australia and her music scene. Cue endless playing of Harmony Byrne's new LP. Tobin's New Music Shot this week expands on Richard's idea of new music that really is old music. He shines a light a new/re-release from the king of Sudanese Jazz, Sharhabil Ahmed. It is a riot of noise and a great introduction to Habibi Funk. Sticking with jazz in this week's show, Tobin also brings in a track from Chip Wickham. It's an odd and somewhat inappropriate title. Finishing off today's show is another live track pulled from The Last Waltz LP. This time featuring the quite beautiful and jealousy enduringly talented Tina White and Brittany Wallace.

Tyler Keith has a new LP floating around in the musical ether and we have managed to take a listen. And it's awesome, as is to be expected. Comes as it does from Memphis musician championing Black and Wyatt Records this new LP is something of a reminiscent revelation. One foot in the past and one foot in the future. Alongside The Toy Trucks it's up there with our favourite releases from this excellent Memphis label. Besides Tyler Keith, we have New Music from The Landing, news of Harmony Byrne's new LP and we go back to Philadelphia once again. Oh, and Tobin plays a Scottish bloke.

Sunglass Moustache have literally just released their groundbreaking debut LP. Complex yet simple listening at the same time. This band of, how can we put it, weirdos from Texas, supply the bookend this week. We say weirdos, but it is said with affection and respect for their music. It's music that goes wider than just aural appeal. It's art. Remember Alabaster Deplume? Yeah, well Peaches from Sunglass Moustache is a walk down a similar promenade. And with the accompanying short film, it's also a departure from that. Sounds like a riddle? Well that's because, ultimately, that's what Peaches from Sunglass Moustache is.

Roy Bulkin has resurfaced from his lost South African archive of the '70s. Back In My Buggy will have you reaching for your flares! It's a fun, sun soaked '70s carefree vibe from a bygone era. Capetown Sound are reviving Roy Bulkin's career here with plenty of his back catalogue. Richard is a fan, but Tobin is decidedly standoffish about this track. God rest Roy Bulkin, and let him posthumously rejoice in our appreciation. But that's not all this week, "that Jamie" returns with his always much anticipated Track Of The Month. And this week he's on more familiar shores for us English speakers. It's a curious idea, a band put together from already existing and successful musicians to celebrate the works of a poet. Robert Burns to be precise. It's about as far away as you can get from Roy Bulkin. However, it works, musical poetry is obviously "a thing". It's always a pleasure to have Jamie on the show, and this week he delivers up a banger. Lick The Tins provide us with a classic Elvis cover, with news of its nearly record breaking run at Number One. Unfortunately English rockers Fleetwood Mac managed to out do it, albeit at least a decade later. But it's not the only cover this week. And this gives Tobin opportunity to expand on his already unfortunate naming of featurettes. Following on from his absurd "songs from bands or others we may have listened to previously or not" whatever, comes "Richard is desperate to get The Velvet Underground on the show" feature. Never mind. It's a unique take on what is potentially their most famous song. It's such a worthy listen. Tobin is back with his obtuse feature with his much lauded and admired SAULT. With news of a missed vinyl shipment comes another track from Vanishing Twin. There is good news, however, said vinyl shipment has finally reached Tobin. He's calmed down a bit now. We hope you enjoy this week's show. By the way, there is some very big news coming on the show in the next few weeks so keep tuned.

He Sees Me is the latest single release with accompanying video from rock powerhouse Savannah Pope. Fans of Savannah Pope more or less know what to expect from her, however, this is something of a surprise. The veil has slipped somewhat and Savannah invites us to view her inner soul. Intimate, fragile, self-effacing and tragically artsy, He Sees Me is a wondrously personal work. Savannah Pope has delivered again. Here at Record Box HQ we can see little to stop this shimmering light from going stratospheric. And rightly so. In stark contrast to He Sees Me, we have Junior Brother providing the bookend material this week. Two excellent tracks from this rising Irish singer-songwriter from the shared EP with Powpig. Opening the show is the view ruined by swans that is The Back of Her. Another belter from Junior Brother closes today's show. Reminding Richard of many of his fondest acquaintances is the wonderful Full of Wine. Tobin introduces an unfathomably intricately headed new feature for the show - best tracks from other people we know and have heard from before, or something like that. Anyway - it's a ridiculous title but a great listen. This week it's CAAMP. We have the welcome return of Torn Sail this week, following on from the Joey Fitzgerald remix of Disconnected last week. This time it's an unmixed original from Nottingham-based Huw Costin - the man behind Torn Sail. Likewise as Savannah Pope, this Torn Sail track is quite intimate and personal. We have the welcome return of Harmony Byrne this week, a week that should have seen her debut LP drop. Her management team have shared this LP with us, however, we aren't allowed to pre-release any of the tracks off of it. More's the pity, because it's a solid and excellent production. The LP is delayed, and likely to drop in July at the earliest. The music industry clearly visibly shaken by the international COVID19 crisis. Still, it's always good to have something to look forward to…

Torn Sail have just released a new EP on friend of the show label NuNorthernSoul and it is a banger. Featuring two original tracks from Torn Sail and 3 remixes, it's essential listening. Phat Phil Cooper (founder of NuNorthernSoul) certainly has an ear for a great tune. Nothing shows this more than this Torn Sail release. And if this already has your interest, you can join Phat Phil every morning. Live every Monday through Friday 10am BST / 11am CET. Phil broadcasts live more bangers from his catalogue and beyond to get your mornings off to a chilled and relaxed start. We revisit this excellent EP from Nottingham musician Huw Costin (Torn Sail) next week. This week is a Colombian Special as That Jamie runs up with 4 Cabezas' band member Daniel. We learn more about this eclectic, funky, raucous jam band from South America. Jamie manages to drill down into the detail. Despite being locked down on top of a mountain and having a highly unreliable internet connection. Daniel introduces the rest of the band and gives us a brief history lesson on 4 Cabezas. We've also got two tracks from them, including their latest release.

Black Midi introduce us math rock this week as we play a track from their current and only studio to date LP Schlagenheim. With its roots in prog and indie rock, math rock certainly has its early influences in King Crimson, Steve Reich et al. Black Midi use many of its characteristic staples in the track Western such as complex and atypical rhythmic structures, counterpoint and angular melodies. Black Midi also have something of a krautrock sound about them. Further to this, we learn that Tobin had the pleasure of seeing Black Midi perform live recently as they supported Brittany Howard. Lucky him. Kicking off the show is the fantastic cover of now legendary track Home Is Where The Hatred Is. Originally penned by the sage Gil Scott Heron way back in 1971, this cover by Esther Phillips was laid down the same year. Leaving this mortal coil at the tender age of 48, Esther Phillips' liver and kidneys finally gave up the ghost. Her life long battle with substance abuse, mainly heroin, finally caught up with her. Kids, drugs are bad. Don't do drugs! That's an official FTBOTRB order. Sadly Esther Phillips was laid to rest in an unmarked paupers grave in Compton, LA. Fortunately, one year after her death she was reinterred at Forest Lawns Memorial Park, Hollywood Hills, where a bronze statue marks her musical achievements.

Jack Hubbell joins us today all the way from Philadelphia USA as we learn about Telyscopes' new 5 track EP. Pander is due to drop next month and we play 2 tracks off of it. We catch up with Jack Hubbell to find out more about his creative process, influences and music that doesn't suck. We've had Telyscopes on the show before and Jack Hubbell now holds the title of the only artiste ever to have bookended the show more than once! And there is a reason why. Quite simply Jack Hubbell's brainchild Telyscopes is the most important music creator out there today. Well, in Richard's opinion anyhow. And here at Record Box HQ it's the only one that matters. However, Jack Hubbell isn't the only one to drop by today. Back by popular demand we have "That Jamie". Yes, it's that time again where Jamie presents his track of the month. The perennially difficult to pronounce Bassekou Kouyate takes us closer to God with his sublime ngoni playing. Jamie's knack of finding the best music out there is enviable. And it's the reason he joined us. Originally a listener Jamie is now a much treasured piece of furniture around here. If you think you've got what Jamie has, then get in touch and tell us all about it. You never know, you may end up presenting on the show too. Tobin brings us a New Music Shot par excellence. Glassio's newest track Nobody Stayed For The DJ airs on today's show and it's a banger. And, there's more. For only $1 per month you could have heard this track weeks ago when it was as fresh as a daisy. Become a Patron of the show now to get a jump on the hottest tracks as soon as they're released. Tobin rounds of the show today with Informer. Enough said.

Tom Greenhouse delights us with a prerelease from off of the much anticipated debut LP from The Cool Greenhouse, eponymously titled. Limited to only 150 copies initially, this has since been extended. A run of 300 with further promises of no extension on that. The transparent green vinyl ships with red OBI strip, envelope containing mystery seeds and printed insert. Yep, ours is on order so expect the vinyl to be spinning live on the show early June 2020. However, we've got more than just Tom Greenhouse this week. Tobin is bookending the show with the excellent Joy Kills Sorrow and his usual New Music Shot with Tessa Dixson. One of Richard's old playlists entitled Cowboy Music prompts a memory from Tobin about another classic gunfighter ballad. Marty Robbins sings of his love to the musings of a Mexican guitar and evokes a real image of times gone by. Tobin tells us more about Marty so listen on. We also have the classic reggae track Fisherman from The Congos and of course that unbelievable cover of Lady Gaga's Shallow. Performed Unplugged and Outdoors in Sweden by friends of the show JP Paulsen, Annsofi and Jerry Geraldi. It's another subtle reminder of the talent of this Scandinavian/American trio from Norway.

Turnstyles' debut LP on vinyl from Black and Wyatt Records is our focus of attention this week. We declare the show a Memphis Special. The surf-psych garage punk duo from Memphis pull the rug out from under our feet. They prove that after the death of The White Stripes that there is certainly still life in the guitar and drum duo outfit. In these days of international lockdown we are certainly looking at the intended launch party for this excellent debut LP being cancelled. We are fervent supporters of independent musicians here at Record Box HQ and would urge all our listeners to go preorder the vinyl here and help support these vibrant musicians and their label. Apart from the obvious connection to Memphis in this week's show we do have other music from Tobin, and the introduction of Brooke Bentham is a welcome surprise. Her unique vocal delivery belies her South Shields ancestry, however, she's destined for stardom were sure. Further to Brooke Bentham and friends of the show Fingers Like Saturn, Tobin features New Music from Khruangbin and Leon Bridges which fails to delight Richard despite its credentials as important and essential listening. What is Richard's problem with this track? Listen on to find out. Tobin manages to redress the balance with Bullion and the weird soundscape from Vanishing Twin. Apparently he's willing to share his vinyl with Richard, a sentiment that is most certainly not reciprocated.

Wolf City manage to break free from the European mainland despite the current lockdown status - and we are on board. A Parisian musician par excellence. Read on to learn more about this experimental, genre-busting musical outfit from the suburbs of Paris. We cherish our relationship with all our French brothers and sisters and Wolf City are a perfect example of this. We'll be firm friends forever now and very much relish hearing what Wolf City has to offer in the future. Tobin brings an amazing bookend artiste to the show this week in Ezra Furman. The next Justin Beiber? Hardly. Ezra shares his Lousy Connection with us as his opening gambit. It leaves us looking forward to the back of the show to hear more from him. Leaving show protocol behind Tobin plays Ezra Furman and The Golden Age of TV (New Music Shot) back to back. He scores pretty highly with Me, You and A Dog which leads nicely into an explosive set from Janus Stark and lead axeman Gizz Butt. Richard waxes lyrical about his recent intimate gig with Janus Stark as part of their tour to promote their latest LP. Presented on flame red vinyl and signed by all four members of the band, our copy is nestled nicely in the studio crates here at Record Box HQ. To see more from this amazing performance go sign up as a Patron of the show. You'll gain exclusive access to more FTBOTRB content and footage, plus your very own New Music mini-show once a week! Tobin passes of disco as something else, or tries to. Richard introduces us to the tragic and beautiful Vic Chesnutt. So, whilst we are globally on lock down and self-isolating take the time to catch up with the show and ready yourself for more of the same next week.