Podcast appearances and mentions of Lee Ranaldo

A fairly laid back show this week with Pop, RnB, Country, Indie, Folk, Fiddle, Traditional and more from musicians of the Cree, Ojibwe, Lakota, Métis, Seminole, Mi'kmaq Nations. Brought to you by Tunes From Turtle Island and Pantheon Podcasts. If you like the music you hear, go out and buy some of it. :) All these artists need your support. Tracks on this week's show are: Ethan Lyric - I Love You More Marx Cassity - Somewhere Melody McArthur - Fires All Over Town Frank Waln - Star Dust G. R. Gritt & Rosina Kazi - Prism Wyatt C. Lewis - Bobtail Road Thea May - The Fade Out Teagan Littlechief - Shangri La Keith Secola & Susan Odella - The Wolf Nick The Native - Lost In The Fire Morgan Toney - Dreamcatcher Jarrid Lee - I dont Back Down Alexis Lynn - Ghosts Hotel Mira - King Of The World Berk Jodoin - Aces & 8's Medicine Singers & Lee Ranaldo & Yonatan Gat - Honor Song All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info on the show here.

Para la última sesión del mes echamos a la marmita un puñado de novedades favoritas estrenadas a lo largo de septiembre. Playlist; (sintonía) SUPERTUBOS “Magnetika” (The fourth drive) MAMBO JAMBO ARKESTRA “El grito” (El gran ciclón) BARRENCE WHITFIELD and THE SAVAGES “Killing time” (Glory) MARCEL BONTEMPI “Eighteen” (EP) PIKE CAVALERO “But I didn’t” (single) HAIRY NIPPLES “Basement tapes” (Gaslighting) THE HANGMEN “Bajoy moon” (Stories to tell) LES RENCARDS “Le risque de ta vie” (ST) THE HIVES “Rigor mortis radio” (The death of Randy Fitzsimmons) MARTIN SAVAGE and THE JIGGERZ “Boomerang” (single) CYANIDE PILLS “Day after day” (Soundtrack for a new Cold War) THE PRIZE “First sight” (single) KID GULLIVER “All because of you” (single) MUJERES “Diciendo que me quieres” (Desde flores y entrañas) ADIOS AMORES “Humo negro” THE JANCEE PORNICK CASINO “Demolición” (Demolición) TELEKRIMEN “Himno a la banda” (single) LEE RANALDO, PASCAL COMELADE y RAMON PRATS “What goes on” (Velvet serenade, 2023) Escuchar audio

Echamos un buen puñado de novedades a la marmita y aderezamos con una sorprendente “Versión y original” o con la última entrega del NY Hed Studio de manhattan en donde Rocío nos habla del proceso de grabación de los Messer Chups. Para arrancar el viaje hay un disco destacado, la última entrega de los suecos The Hives. (Foto del podcast por Ebru Yidiz; The Hives) Playlist; THE HIVES “Rigor mortis radio” (The death of Randy Fitzsimmons, 2023) THE HIVES “Trapdoor solution” (The death of Randy Fitzsimmons, 2023) THE HIVES “Crash into the weekend” (The death of Randy Fitzsimmons, 2023) HAIRY NIPPLES “Closer to you” (Gaslighting, 2023) THE LEGENDARY TIGERMAN feat RAY and SEAN RILEY “Bright lights, big city” (Zeitgeist, 2023) TELEKRIMEN “Himno a la banda” (El circo del brujo, 2023) Versión y original; EDDIE MEDUZA “Reaktorn läck i Barsebäck” (1980) PASCAL COMELADE “Choni bi gutt” (Le non-sens du rythme, 2022) LEE RANALDO, PASCAL COMELADE Y RAMON PRATS “Lou’s blues” (Velvet Serenade, 2023) NY HED Studio presenta; MESSER CHUPS “Tell the girls I’m back in town” (inédito) ZACK KEIM “Better days” (single, 2023) MASTER PLAN “You’re mine” (Grand cru, 2023) THE DICTATORS “Thank you and have a nice day” (single, 2023) Escuchar audio

City Lights LIVE and Duke University Press celebrate the publication of “The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront” by Cisco Bradley, published by Duke University Press. In “The Williamsburg Avant-Garde” Cisco Bradley documents the rise and fall of the underground music and art scene in the Williamsburg neighborhood of Brooklyn between the late 1980s and the early 2010s. Drawing on interviews, archival collections, musical recordings, videos, photos, and other ephemera, Bradley explores the scene's social, cultural, and economic dynamics. Bradley not only documents some of the most vital music of the late twentieth and early twenty-first centuries; he helps readers better understand the formation, vibrancy, and life span of experimental music and art scenes everywhere. Cisco Bradley is Associate Professor of History at the Pratt Institute and author of “Universal Tonality: The Life and Music of William Parker,” also published by Duke University Press. Lee Ranaldo is a Grammy nominated musician, composer, visual artist, writer, and producer. He is a founding member of Sonic Youth and continues to work on numerous solo projects. His artwork and videos have been on view in galleries and museums across the globe. He is the author of the books “Some Writings on Music and Musicians,” “Against Refusing,” and “How Not To Get Played On The Radio." He makes his home in New York State. You can purchase copies of “The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront” at https://citylights.com/williamsburg-avant-garde-experimental/ This event is made possible with the support of the City Lights Foundation. To learn more visit: https://citylights.com/foundation/

Lee Ranaldo, Pascal Comelade y Ramón Prats son los responsables de “Velvt Serenade” (Staubgold Records), una emocional y minimalista ensoñación del cancionero de The Velvet Underground. Suenan The Routes versionando a Buzzcocks, Incredible Tigerman rindiendo tributo a Suicide, el debut de Vanity Mirror o a los británicos Green Seagull (ambos confirmados para el festival león es Acción) o la última exhumación del sello You Are The Cosmos rescatando el único álbum lanzado en 1969 por los londinenses Ora. Playlist; (sintonía) VELVET SERENADE “What goes on” VELVET SERENADE “All tomorrow’s parties” VELVET SERENADE “I’m waiting for the man” PASCAL COMELADE “Brand new Cadillac” (Danses Et Chants De Syldavie, 1994) PASCAL COMELADE “Honky tonk woman” (Danses Et Chants De Syldavie, 1994) THE INCREDIBLE TIGERMAN “Ghost rider” (adelanto de su nuevo disco “Zeitgeist”) THE ROUTES “Fast cars” (Reverberation addict, 2023) SUPERTUBOS “Experiment in terror” (The fourth drive, 2023) Versión y original; HENRY MANCINI “Experiment in terror” (1962) VANITY MIRROR “Dandelion wish” (Puff, 2023) GREEN SEAGULL “I used to dream in black and white” (Scarlet fever, 2018) ORA “Seashore” (Ora, 1969, reed 2023) THE OSTRICHES “Lady Godiva’s operation” (White Light White heat, 2023) Escuchar audio

The thrilling conclusion of our visit to the record-breaking Watkins Glen Summer Jam, featuring John Belushi crashing the backstage, a super jam onstage, a teen-run pirate radio station, & the birth of a new generation of Dead Heads.GUESTS: Sam Cutler, Donna Jean Godchaux-MacKay, Bunky Odom, Chuck Leavell, Jim Koplik, Buddy Thornton, Sepp Donahower, Lee Ranaldo, Steve Silberman, Rebecca Adams, Gary Lambert, John Ramsey, Tim Meehan, Michael Simmons, Dan Henklein, Erik Nelson, Bob Student, Jim Cooper, Harvey Lubar, Todd Ellenberg, Ihor Slabicky, Jay Kerley, Brian Schiff, Eric Alden, David Lemieux, Alan PaulSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Watkins Glen Summer Jam ‘73, Part 1Musicians, organizers, & fans tell the epic story of how the Watkins Glen Summer Jam started as a giant rock show & turned into history when more than a half-million came to see the Grateful Dead, the Allman Brothers, & The Band.GUESTS: Sam Cutler, Donna Jean Godchaux-MacKay, Bunky Odom, Chuck Leavell, Jim Koplik, Buddy Thornton, Susan Wickersham, Janet Furman, Sepp Donahower, Lee Ranaldo, Steve Silberman, John Ramsey, Tim Meehan, Michael Simmons, Dan Henklein, Erik Nelson, Bob Student, Jim Cooper, Todd Ellenberg, Ihor Slabicky, Jay Kerley, Joe Gauthier, Eric Alden, David Lemieux, Alan PaulSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dopo una settimana di assenza, questa sera torna Awella Mixtape Mixed Edition. Tra i brani in scaletta, il singolo dei Dexys (furono Midnight Runners), in attesa del disco pronto per fine Luglio, Lee Ranaldo, Pascal Comelade e Ramon Prats che omaggiano i Velvet Underground, il nuovo album dei Penguin Cafe di Arthur Jeffes, Ben Chasny e Rick Tomlinson a quattro mani con un assaggio dall'album in uscita tra pochi giorni, le ristampe di School's Out di/degli Alice Cooper, Below The Waves della leggiadra Heidi Berry e tanto altro ancora!

Daniel Monkman discusses the new Zoon album, Bekka Ma'iingan, climate change and The Nature of Things, the hardships of touring and why Europe gets it right, grieving and mental health, collaborating with Owen Pallett and Sonic Youth's Lee Ranaldo, what “two-spirit” means and their recent non-binary status, forthcoming works by Ombiigizi and Zoon, other future plans, and much more. Supported by you on Patreon, Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

I've spoken to tonnes of my favourite songwriters since this podcast came to life almost two years ago. There was Bob Mould on episode 32. Jon Spencer on episode 49. Lee Ranaldo on episode 20. But there's really very few songwriters whose music has mattered to me during the course of my life quite like the many songs written by David Gedge, the sole constant in The Wedding Present for almost forty years now.  This is an episode I'm really grateful I got to add to the ever growing podography and while the majority of the following conversation concerns the group's coming 24 Songs album - a collection of all the tracks from 2022's 7” single a month series due on May 19th - we squeeze a lot more into our thirty minutes or so together; the recruitment of Sleeper guitarist Jon Stewart into the Wedding Present ranks, the confirmation that David does indeed request a dog on the Wedding Present rider, comic books, the brilliance of Brighton... All sorts of stuff. Enjoy! Watch this episode here: https://www.youtube.com/watch?v=5ZjMj6iBQAs&t=836s Twitter - @jamesjammcmahon Substack - https://spoook.substack.com YouTube - www.youtube.com/channel/UC8Vf_1E1Sza2GUyFNn2zFMA Reddit - https://www.reddit.com/r/jamesmcmahonmusicpod/

El trio de l'Eixample que es va fer fam

Episode 94 Electronic Drone Music   Playlist Yves Klein, “Monotone-Silence Symphony” written in 1947. I could not find any recorded versions of this piece, so I produced this realization of my own to capture the feel and nature of this drone work. Klein conceived this as performance art in which an orchestra would only play a single note, continuously, for 20 minutes followed by another 20 minutes of silence. I've examined the score and can see that Klein also intended that the same note could be played in different octaves. The playing would have been staged so that one group of musicians could overlap another, both for reasons of fatigue but also to allow smooth transitions for the wind instruments because players would need to take a breath. My version includes electronic instruments for multiple parts, each part playing the same note, often in different octaves. The introduction of instrumental groups was planned in stages, each overlapping the previous grouping, gradually shortening in duration as the piece goes on. La Monte Young and Marian Zazeela, “31 VII 69 10:26 - 10:49 PM” from 31 VII 69 10:26 - 10:49 PM / 23 VIII 64 2:50:45 - 3:11 AM The Volga Delta (1969 Edition X). Eponymous untitled album popularly known as "The Black Record" or "The Black Album" Mine is an original copy. The cover is black gloss print on matt black and very hard to read. Numbered edition limited to 2800 copies of which numbers 1-98 are dated and signed by the artists. This work “was recorded at the date and time indicated in the title, at Galerie Heiner Friedrich, München. The work “31 VII 69 10:26-10:49 PM” is a section of the longer work: Map Of 49's Dream The Two Systems Of Eleven Sets Of Galactic Intervals Ornamental Lightyears Tracery. Play this side at 33 1/3 rpm only.” Early work employing electronic drones. By the mid-sixties, Young and his partner Marian Zazeela were creating music for electronic drones as an extension of their group, The Theatre of Eternal Music. Using a Heathkit sine wave oscillator and later Moog modules as sources, they created drone pieces that employed “extended duration time signatures” and “long sustained tones, intervals, triads and chords to create the musical texture.” A reissue has now occurred on the label Super Viaduct. Tony Conrad, “Process Four of Fantastic Glissando” from Fantastic Glissando (2006 Table of The Elements). Dating from 1969, this recording contains various versions of the same sound piece, each processed slightly differently. “Process Four” accumulates the processed applied to the previous three processes. The first glissando recording was made using a sine wave oscillator processed through pump counter with a stereo-phase glissando. Recorded December 12, 1969, on a Revox reel-to-reel tape recorder set at 3¾ ips. Conrad was in LaMonte Young's circle of friends and performers and joined him on many productions of The Theatre of Eternal Music. Teresa Rampazzi , “Duodeno normale” and “Duodeno Patologico” from Musica Endoscopica (1972). Here we have two short electronic works from this remarkable women composer that emphasize the drone. The pulsing tones and textures were played manually using audio oscillators. Music produced by the N.P.S. (Nuove Proposte Sonore) group for the documentary entitled "Gastroscopia" (Gastroscopy) realized in 1972 by Prof. Domenico Oselladore, University of Padova, in collaboration with Istituto De Angeli s.p.a., Milan. This documentary was presented at the Scientific Film Festival, Policlinico Universitario di Padova, 1972. “Duodeno Normale” begins with a drone consisting of two continuous tones: a low-pitched buzz from a sawtooth wave accompanied by a pulsating higher-pitched tone. The drone is joined at the 11-second mark by a high-pitched ringing tone played on a third oscillator. This ringing tone is repeated every 5–8 seconds and sustained for two or more seconds each time. The irregular timing of the tone suggests that Rampazzi was manually playing it by turning the dial of an oscillators. The ringing tone is sustained for the duration of the piece, creating a three-part drone. The drones fade out, beginning with the lower buzzing tone. “Duodeno Patologico” uses a similar process. The Taj-Mahal Travelers, “The Taj-Mahal Travelers Between 6:20~6:46P.M.” from July 15, 1972 (1972 CBS/Sony). Released in Japan. Early album by the group founded by experimental electronic musician and violinist Takehisa Kosugi. Electronic Contrabass, Suntool, Harmonica, Performer Sheet Iron, Ryo Koike; Guitar Electronic Quiter, Percussion, Michihiro Kimura; Electronic Trumpet, Harmonica, Castanets, Seiji Nagai; Vibraphone, Santoor Suntool, Yukio Tsuchiya; Electronic Violin, Electronics, Radio Oscillators, Voice, Takehisa Kosugi; Vocals, Tokio Hasegawa. This album was recorded live at Sohgetsu Hall, Tokyo, Japan, July, 1972. Originally released using Sony's SQ quadraphonic system. Yoshi Wada, “Earth Horns with Electronic Drone”(1974) from Earth Horns with Electronic Drone (2009 EM Records). Recorded at Everson Museum of Art, Syracuse, New York, February 24, 1974. Electronics, Liz Phillips; Pipehorn Players, Barbara Stewart, Garrett List, Jim Burton, Yoshi Wada; Electronic equipment designed by, Liz Phillips, Yoshi Wada; Pipehorns constructed by, composed by, recorded by, Yoshi Wada. Combining four of Wada's self-made "pipehorns" (constructed of plumbing materials, over three meters in length), with an electronic drone tuned to the electrical current of the performance space, this is a lost masterpiece of early drone/minimalism. The performance filled the space with complex overtones generated by the ever-shifting interplay of the breathing horns and the constant electronic drone. Lou Reed, “Metal Machine Music” (1975 RCA). All music and electronics by Lou Reed. Inspired by LaMonte Young, this is what I would call a noise drone! Reed himself points to the influence of Young in his lean liner notes. "SPECIFICATIONS: No Synthesizers, No ARP, No Instruments?” Sony 1/2 track; Uher 1/4 track; Pioneer 1/4 track; 5 piggyback Marshall Tube Amps in series; Arbitor distortor (Jimi's); Marantz Preamps; Marantz Amps; Altec Voice of America Monitor Speakers; Sennheiser Headphones; Drone cognizance and harmonic possibilities vis a vis Lamont Young's Dream Music; Rock orientation, melodically disguised, i.e. drag; Avoidance of any type of atonality.; Electro-Voice high filter microphones; Fender Tremolo Unit; Sunn Tremolo Unit; Ring Modulator/Octave Relay Jump; Fender Dual Showman Bass Amp with Reverb Unit (Pre-Columbia) white. Eliane Radigue, “Triptypch” Part 2” (1978). (2009 Important Records). Electronic Instrumentation: ARP 2500 modular synthesizer and analog, multitrack tape composition. The piece uses real-time ARP programming, tape loops, and recorded acoustic sounds. This piece is characteristic of Radigue's fervent exploration of gradually changing layers of harmonically intersecting tones. It is the kind of drone work that can easily dip the listener into a pool of trance and is one of the composer's many works grounded by her dedication to Tibetan Buddhism. Note the overall slowly evolving changes formed by overlapping sustained tones presented without any clearly articulated beginnings and endings. John Cage, Gary Verkade, “Organ2/ASLSP” from The Works for Organ (2013 Mode). John Cage composed “Organ2/ASLSP” in 1987 for solo organ. This piece has been realized at a variety of lengths, from about 30 minutes, to 8 hours, and what is arguably the longest interpretation of music ever played, now 23 years into its projected run of 639-years being performed now in Halberstadt Cathedral, Germany where a special organ was created to perform the piece unattended until a chord change is called for. This work is not electronic, although the pipe organ may be thought of by some, including me, as the first synthesizer. Although I won't be playing this work except in the background of this introduction, I needed to mention it because of its significance in the canon of drone music. “This composition consists, like Cage's ASLSP, of 8 pieces. Unlike ASLSP, however, all pieces here should be played. Any of the 8 pieces may be repeated, and these repetitions may be played subsequent to any of the other pieces. The published score consists of a title page, brief instructions, and 4 leaves with music. Each page contains 2 pieces.” Phill Niblock, “Guitar, too, for four—The Massed Version” from G2,44+/x2 (2002 Moikai). 24-track mix of guitar samples from Rafael Toral, Robert Poss, Susan Stenger, David First. Guitarists adding 2 live parts each to the 24 track mix version: Kevin Drumm, Lee Ranaldo, Thurston Moore, Robert Poss, Alan Licht. Niblock's usually works with acoustic instruments, so this venture with electric guitar is somewhat unique in his body of work. He asks musicians to play parts that are first recorded and then reworked in the mixing and editing process, largely to eradicate pauses and silences so that the sounds can be blended without such interruptions. Pauline Oliveros and Reynols, "Half a Dove in New York, Half a Dove in Buenos Aires" (1999) (2022 Smalltown Supersound). Reynols is an Argentinian experimental band that began in 1993 as Burt Reynols Ensamble. Band member Alan Courtis wrote to me, saying, “First of all, thanks a lot for mentioning our Pauline Oliveros in the arms of Reynols collaboration in your book Electronic & Experimental Music. She was a great musician/composer and friend.” After which he pointed me to a “recent release of an old project we made with Pauline back in 1999.” This is it! Opening background music: Tony Conrad, Arnold Dreyblatt, Jim O'Rourke, “Side 1” from Tonic 19-01-2001 (2023 Black Truffle). Performers, Arnold Dreyblatt, Jim O'Rourke, Tony Conrad. Recorded January 19,2001 at Tonic, New York City. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

Pete Weiss is a New England-based producer/engineer/mixer/musician. His unfussy, organic, "artist first" work has earned him a reputation as an outstanding producer who can adapt to many musical genres and is unafraid to ignore stylistic convention. Notable artists Weiss has worked with include Charlie Chesterman, Chris Brokaw, Peter Holsapple, Kustomized, Slim Cessna's Auto Club, Doug Yule, Moe Tucker, The Upper Crust, Aimee Mann, Lee Ranaldo, Bell X1, Willard Grant Conspiracy, Two Dollar Pistols, Bow Thayer & Levon Helm, Hayley Thompson-King and many others. In 1989 he co-founded Zippah Studio in Boston. In 2004, he built and opened Verdant Studio, an "open room" retreat-style studio with artist lodging in rural Vermont which he operated until late 2020, when he returned to Boston to concentrate on mixing and mastering at Jade Cow Music Post Production Services. When not in the studio, Weiss fronts the instrumental band The Weisstronauts and is a member of the experimental pop collective known as Sool.  Since 2017, he has collaborated with eclectic vocalist/songwriter Hayley Thompson-King.  He released a solo album in 1996 and three albums while fronting the subversive Pete Weiss & the Rock Band from 1995-2000. He has scored four independent films, "Methods" (1998), "Metal" (2001), "Bad Gravity" (with Sool 2006), and "The Arcadian Ideal" (2007). He is a Senior Contributor for Tape Op Magazine, writing reviews of audio equipment as well as conducting interviews with recording industry figures. Over the years he has served on many panels & workshops at Tape Op's and Potluck Audio's conferences. In the early 1990's Weiss authored two books on baseball, "Baseball's All Time Goats" and "Longshots!", both published by Adams Media. IN THIS EPISODE, YOU'LL LEARN ABOUT: Working with track limitations Owning a retreat-style studio Finding clients while working in the middle of nowhere Attended sessions vs unattended sessions Setting guidelines for clients Working in an open-concept studio The relationship between kick and bass guitar: how to get the low-end feeling balanced How to track bass guitar The keys to getting a great guitar tone Making time for experimentation during a session To learn more about Pete Weiss, visit: https://www.weissy.com/ To learn more tips on how to improve your mixes, visit https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

David Soldier has achieved a rare distinction — not only is he an accomplished Columbia University neuroscientist with over 200 papers and publications, several research grants and numerous prestigious awards to his credit, he is an equally successful and prolific musician in almost every genre of music. His musical undertakings include his work with the Soldier String Quartet (since 1984), a punk chamber group which has recorded with Guided by Voices, Rick Ocasek (Frontman for The Cars), Elliott Sharp, Leroy Jenkins and frequent collaborator John Cale (Velvet Underground); The Kropotkins, comprising Lori Velvette, Velvet Underground Drummer Moe Tucker, Charles Burnham (James Blood Ulmer's Odyssey Band) and Jonathan Kane, the latter with whom David formed the versatile duo, Soldier Kane. Other prolific legends with whom David has collaborated include Bo Diddley, Pete Seeger, Richard Hell and Sonic Youth's Lee Ranaldo. He wrote two chamber operas with Kurt Vonnegut (The Soldier's Story and Ice-9 Ballads), with Vonnegut playing multiple characters in the works. Films David has arranged or scored include I Shot Andy Warhol (Jared Harris); Andy Warhol's Eat and Kiss; and Basquiat, directed by Julian Schnabel and starring Jeffrey Wright and Benicio del Toro. From an experimental side, he has collaborated with conceptual Russian artists Komar & Melamid; and formed the Thai Elephant Orchestra, a musical ensemble consisting of 14 elephants, which he assembled, coordinated and composed. In our conversation, we discuss David's unique discovery of music in Southern Illinois; working with the giants of music; creating music which transcends genre; the origins of rock and roll; and the power of simplicity in hip hop.Opening Credits: Independent Music Licensing Collective (IMLC) - New Lands; Closing Credits: Jack Adkins - Little Stinky

Welcome to another episode of Aquarium Drunkard Transmissions. This week on the show, Daryl Black Eagle Jamieson and guitarist Yonatan Gat join us to discuss their collaborative work as Medicine Singers, which pairs the powwow drum and the voices of the Eastern Medicine Singers with Yonatan's electrified guitar and contributions from experimental composer Joe Rainey, Ikue Mori of DNA, Thor Harris of Swans, previous Transmissions guest Laraaji, and the late jamie branch. Tapped into a kind of frenzied energy, the album is an overpowering force, and it features a transcendent cover of Link Wray's immortal “Rumble.” Ahead of a performance September 24 at Pioneer Works with guests Lee Ranaldo, Laraaji, and Thor Harris, Jamieson and Gat join us to discuss their collaboration. A quick word: sorry about some of the audio in this one; there was an issue with a connection, but the conversation is more than worth it.  Thanks for checking out Transmissions. If you dig the show, please consider leaving a five star rating or a review—or just forwarding your favorite episodes to a friend. We're a part of the Talkhouse Podcast Network. Next week on the show: Medicine Singers.

Diffusé auparavant de 9h 30 à 10 h dans Néo Géo, le worldmix change d'heure, mais pas de formule ! Pour cette première sélection de la saison, Bintou Simporé vous a préparé un panel des musiques qui lui ont tapé dans le creux de l'oreille cet été ! À retrouver : Derya Yıldırım & Grup Şimşek, Vieux Farka Touré avec Khruangbin, Al-Qasar, Bibi Tanga & the Selenites et Beyoncé ! Après avoir sorti une première édition de son projet appelé “DOST 1” (qui peut se traduire par “Ami”), le groupe allemand Derya Yıldırım & Grup Şimşek aux sonorités anatoliennes revient pour une deuxième salve amicale avec “DOST 2”. “Bal” est le titre qui annonce cet album à paraître le 11 novembre. Le chanteur et guitariste malien Vieux Vieux Farka Touré et le trio Texan aux sonorités thaïlandaises Khruangbin ont annoncé cet été avec le tire “Savanne” la naissance d'un nouveau projet. Appelé “Ali”, l'album est un hommage au célèbre Ali Farka Tourré, père de Vieux Farka Tourré, qui sortira le 23 septembre. Venant de France, de France, du Maroc, d'Algérie, d'Égypte et des États-Unis, Al-Qasar a été fondé en 2017 par le leader Thomas Attar Bellier . Sur ce nouvel album “Who are we ? “et le morceau Awal “, AL Kasar joue avec le guitariste Lee Ranaldo de Sonic Youth. Bibi Tanga revient avec Les Selenites pour un album “ The Same Tree“ (chez L'inlassable) en français, en anglais et en sango centrafricain, fidèle à la marque de fabrique du groupe : rock, afrofunk et textes engagés ( Sortie prévue le 16 septembre). Et ce worldmix se clotûre en beauté avec la sensation de l'été, “Renaissance”, septième album de Beyoncé. Sorti le 29 juillet, il a été une émission de numéro 1 au classement Billboard 200 . Vous danserez sur l'imparable “ Summer Renaissance “. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Sintonía: "Sauri" - Cece Giannotti "Being Tyler" - Lambchop; "Henri´s Boogie" - Henri Herbert; "The Devil Ain´t Lazy" - Pokey LaFarge; "Never Too Late" - Bocinegro; "As You Go Down" - Holly Golightly; "Black Rain" - The Mattson 2; "Te Ranch" - Tommy Emmanuel; "Brown Hair Woman" - Shawn Lee; "Leading Me Now" - The Tallest Man On Earth; "Sunrise" - Lambchop; "You Just May Be The One" - Lee Ranaldo; "Ode To Lou" - The Mattson 2; "Riverfest" - Nérija; "Hot Tears" - Leif Vollebekk; "Moth To The Flame" - Gorodisch; "Where The Rabbit Sleeps" - Sensorama Escuchar audio

Bienvenidisima queridísima fauna nocturna que sintoniza justo ahora #ALBoomDelAlbum en nuestro #RitualDeLoVIRTUAL de EclecTomeiroland Sedición #448 para conmemorar el 30 anviersario del álbum "Dirty" de la banda neoyorkina Sonic Youth. Reconocidos por las jovenes bandas emergentes como una gran influencia, todo un referente ético y musical, los neoyorquinos habían pasado de la pura experimentación musical, que nunca abandonaron del todo, a discos en los que las canciones tomaban forma más digerible para la mayoría. Ese era el marco y los precedentes con los que Kim Gordon, Thurston Moore, Steve Shelley y Lee Ranaldo se metieron al estudio para grabar esta importante obra en su trayectoria.

En este episodio nuestro equipo conversa sobre "Goo" de Sonic Youth y el impacto que tuvo para la banda en su discografía, sus atributos sonoros y de composición, la influencia de esta obra en la posterior explosión del grunge, entre otros temas.

This week on the show, we're joined by Chicago indie trio Horsegirl—Penelope Lowenstein, Nora Cheng and Gigi Reece. Their new album, Versions of Modern Performance, out now on Matador Records, echoes classic indie rock—think Sonic Youth (after all, Lee Ranaldo and Steve Shelley guest star on one song), Dinosaur Jr, The Clean, and The Breeders. But what really makes it such a compelling listen is the interplay between these three young people. Horsegirl does everything as a group, from answering emails to taking meetings, so naturally all three members join host Jason P. Woodbury to dig in, discussing high school, how the pandemic solidified their band, working at Electrical Audio with producer John Agnello, and trading off on a Bass VI instead of a standard four-string. We hope you enjoy this episode. If you do, please consider leaving us a rating and or review. It helps new folks find the show. Transmissions airs wherever you get podcasts each Wednesday. If you'd like to support the show, please consider a pledge to Aquarium Drunkard's Patreon. Transmissions is part of the Talkhouse podcast network.

Dedicamos el programa a la XIII edición del festival S(8), Mostra de Cinema Periférico de Coruña, repasando las diferentes secciones y hablamos con artistas como Carla Andrade, Concha Barquero y Alejandro Alvarado, Jorge Suárez Quiñones y los norteamericanos Lee Ranaldo y Leah Singer. Escuchar audio

Aspirant a

Pasó por el aire de Nuevos pero Rotos, Fred Riedel (@fredpaulriedel), el director del documental de Lee Ranaldo que regresa a BAFICI con una película sobre el artista Michael Anderson: No Compromise When It's Time To Die. No te pierdas Nuevos pero Rotos todos los miércoles de 19 a 21h por radiocolmena.com

Legendary Sonic Youth founding member Lee Ranaldo joins journalist and music addict Cat Woods to discuss Sonic Youth's most recent release "In/Out/In" (Three Lobed Records), his solo career, looking forward, gamelan music and the nature of creativity. 

Sonic Youth's Lee Ranaldo and Steve Shelley discuss the new rarities release, In/Out/In, the Beatles and Get Back, playing with Jim O'Rourke and then Mark Ibold, performing “100%” on Late Night with David Letterman, upcoming Sonic Youth projects and reissues, other future plans, and more! Supported by you on Patreon, Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Support this show http://supporter.acast.com/kreative-kontrol. See acast.com/privacy for privacy and opt-out information.

Though Sonic Youth ended a decade ago, the band's archives have continued to surprise. The latest from the SY vault is In/Out/In (Three Lobed Recordings), a collection of instrumentals recorded during the band's final era, including some with Jim O'Rourke and contributions from The Eternal bassist Mark Ibold. Ahead of the album's release, Lee Ranaldo and Steve Shelley of Sonic Youth join host Jason P. Woodbury to discuss The Simpsons, the band's Geffen years, stolen (and recovered) guitars, the science fiction of William Gibson and Philip K. Dick, and much more on this episode of Transmissions, Aquarium Drunkard's weekly podcast.

Dans cet épisode on va vous parler de Sonic Youth ! En mélangeant le punk à l'avant-garde, Thurston Moore, Kim Gordon et Lee Ranaldo se sont bâtis une solide réputation dans l'underground américain dès le début des années 80s. Il faut dire que le style de Sonic Youth préfère au format pop la dissonance, les textures et une science du larsen, inspiré directement des Stooges et du Velvet Underground. Mais il faudra attendre Goo en 1990 — leur premier album signé sur une major — pour que la carrière du groupe décolle. Sonic Youth gagne en notoriété et accompagne, en plein âge d'or du clip sur MTV, les jeunes pousses du grunge grâce à des titres cultes comme "Kool Thing", "Disappearer" ou "Dirty Boots".  Sans jamais céder à la facilité, le groupe est devenu un monument du rock qui a influencé toute une génération d'artistes comme Nirvana, Beck, Mogwai ou Sigur Ros.  On vous raconte la story de la Jeunesse Sonique avec Olivia, Greg nous emmène au Sorcerer Sound Studio et Fanny vous raconte tout sur la pochette dessinée par Raymond Pettibon.  Crédits : Générique : Dr Alban "Sing Hallelujah". Titres écoutés dans l'émission : “Dirty Boots”, “Tunic (Song For Karen)”, “Mary-Christ”, “Kool Thing”, “Mote”, “.My Friend Goo”, “Disappearer”, “Mildred Pierce”, “Cinderella's Big Score”, “Scooter & Jinx”, “Titanium Expose”, “Teenage Riot”, “Kool thing (demo)”. Glenn Branca “Symphony No. 8 - Spiritual Anarchy”, Ciccone Youth “Into The Groove”.  Extraits : “Sonic Youth at the New Pilgrim Theatre in New York on September 18th 1981 (Youtube)”, “The Simpsons - Homerpalooza (1996)”(Youtube) Chaque mois dans Radio K7 on rembobine nos cassettes et vous raconte l'histoire d'un album qui a marqué les années 90s. Une émission animée par Emmanuel Minelle, Fanny Giniès, Olivia Godat et Grégoire Sauvage. Enregistrée chez Fanny Giniès. Identité graphique réalisée par Floating Studio. LAISSEZ UN MESSAGE APRÈS LE BIP ! Ne soyez pas timide on a envie de vous entendre ! Appelez-nous au 01 89 16 75 31 (nouveau numéro), pour suggérer un album, donner votre avis ou raconter une blague !  Sinon, retrouvez-nous sur les internets : Twitter : @RadioK7Podcast Instagram : @radio_k7 Facebook : @Radiok7podcast

Lee Ranaldo on his minimal, solo guitar record, In Virus Times, Sonic Youth's prolific output, Bob Dylan and Clinton Heylin, Alan Licht's assistance, the pandemic and U.S. politics, illustrating and etching, future plans, and more! Supported by you on Patreon, Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online. Support this show http://supporter.acast.com/kreative-kontrol. See acast.com/privacy for privacy and opt-out information.

Thurston Joseph Moore (born July 25, 1958) is an American musician best known as a member of Sonic Youth. He has also participated in many solo and group collaborations outside Sonic Youth, as well as running the Ecstatic Peace! record label. Thurston Moore's work with Sonic Youth rearranged the parameters of indie rock to an almost incalculable degree, merging experimental art rock tendencies with unconventional guitar tunings for a sound that would influence generations to come. Moore's abstract poetic lyrics and perpetually mysterious aura were core ingredients of Sonic Youth's 30-plus-year run, but also bled into countless side projects and less-frequent solo albums like 1994's sprawling and loose Psychic Hearts. After the group's breakup in 2011, Moore continued with his ambitions, ranging from projects like his band Chelsea Light Moving to noisy collaborations with Merzbow and John Zorn to solo albums like 2020's By the Fire that continued exploring the kind of moody, twisting art rock he'd become an icon of with Sonic Youth. Moore was ranked 34th in Rolling Stone's 2004 edition of the '100 Greatest Guitarists of All Time.' In May 2012, Spin published a staff-selected list of the top 100 rock guitarists, and ranked Moore and his Sonic Youth bandmate Lee Ranaldo together at number 1. Lineup: Tapper Zukie, Patti Smith, Teenage Jesus & The Jerks, MARS, Public Image Ltd., The Slits, The Raincoats, Captain Beefheart & His Magic Band, Alice Cooper, T. Rex, Archie Shepp, Billie Holiday, Teddy Wilson, Nirvana, Mudhoney, Dinosaur Jr., Jackson C. Frank, Bush Tetras, Germs, Boredoms, Lou Reed, The Beach Boys, David Bowie, Sparks, Siouxsie and the Banshees, The Damned, The Mentally Ill, Minor Threat, Black Flag, The Untouchables, Iron Cross, The Faith, Void, Negative Approach, Youth Brigade, S.O.A., Anne Briggs, The Fugs, Jimi Hendrix

Bit of a dream come true this – 40 minutes with Lee Ranaldo, guitarist in one of my absolute favourite bands, Sonic Youth. Sometimes I have to pinch myself, I really do. If you'd told me at 14 that one day I'd get to talk to a member of actual Sonic Youth about weird guitars, songwriting, Nirvana, Donald Trump, all sorts of stuff… well, I would probably ask, ‘who's Donald Trump?', but you get my point. Hey, remind me to tell you sometime about the time I helped Thurston Moore steal a sofa from the NME office and just how much trouble I got into for doing so. Now's not the time, but remind me...We also talk about Lee's newest release, In Virus Times, an instrumental acoustic piece that comprises four parts, written and performed by Lee in his flat during those strange COVID drenched days twelve months ago, when lockdown shut down the world. It's perhaps Lee at his most human – in his words, ‘least arch' – and there's something almost paranormal about the recording; like a fingerprint left on time itself. It's out November 12th on the great Mute Records. Don't sleep on that one.The James McMahon Music Podcast is a Spoook Media production. Spoook is also a record label, a promoter, a shop, a Substack - it's many things. Follow us on Instagram and Twitter. And please do Like, Review and Subscribe - it actually really helps people find our podcasts!

C'mon Tigre, Ofeliadorme, Alessandro Baris feat. Emma Nold, Alessandro Baris feat. Lee Ranaldo, Mark Guiliana, Radian, Lee Ranaldo Raul Refree, Big Sir, Anna Von Hausswolff, Sonic Youth

Par Christophe Manon accompagné de Thierry Müller (musique) Christophe Manon a publié une vingtaine de livres parmi lesquels : Extrêmes et lumineux (Verdier, 2015), Au nord du futur (Nous, 2016), Jours redoutables, avec des photographies de Frédéric D. Oberland (Les Inaperçus, 2017), Pâture de vent, (Verdier, 2019), Testament, d'après F. Villon, avec un CD (Dernier télégramme/Bisou/E23, 2020). Il se produit régulièrement dans le cadre de lectures publiques, parfois en collaboration avec des musiciens (Sing Sing, Arlt, Frédéric D. Oberland, Thierry Müller…). Thierry Müller est un compositeur multi-instrumentiste, dont les projets Ilitch et Ruth sont reconnus dans la scène indépendante et underground internationale. Depuis 1978, ses albums aux univers multiples et inclassables sont considérés comme « cultes » par des personnalités comme Tim Gane, Lee Ranaldo, Steven Stapleton ou Edward Ka-Spell. Il a collaboré sur des albums ou en live avec, entre autres, Valentina Fanigliulo (Mushy, Phantom Love), Nick Littlemore (Empire of The Sun, Pnau), Aaron Moore (Volcano the Bear…), Quentin Rollet, Jac Berrocal, NowCut… Dans le cadre de la Périphérie du 38e bis Marché de la Poésie. À lire et à écouter – Christophe Manon et Thierry Müller, Testament (d'après F. Villon), Dernier télégramme/Bisou/E23, 2020.

Conversamos con el cronista catalán Ignacio Julià (fundador de las prestigiosas revistas Ruta66 y Rockdelux) sobre la historia, la intimidad y el tras bambalinas de Sonic Youth y cada uno de sus miembros: Kim Gordon, Thurston Moore, Lee Ranaldo. Libro editado en España en 2013, y actualizado por el propio autor para versión chilena, es el debut sudamericano de Ignacio Julià, autor de culto, y un fascinante recorrido por la vida y el legado de una de las agrupaciones fundamentales de la música contemporánea: Sonic Youth. Conduce: Humberto Fuentes

Lee Ranaldo / Jim Jarmusch / Marc Urselli / Balazs Pandi. Churning of the Ocean, 2021. Cuarteto Fuerte. Últimeit, 2021. Naruyoshi Kikuchi. Mobile Suit Gundam Thunderbolt 2 Original Soundtrack, 2021. Otomo Yoshihide. Live at Tusk Festival 2018, 2021.

RockerMike and Rob with special guest Deron discuss Sonic Youth. Sonic Youth was an American rock band based in New York City, formed in 1981. Founding members Thurston Moore (guitar, vocals), Kim Gordon (bass, vocals, guitar) and Lee Ranaldo (guitar, vocals) remained together for the entire history of the band, while Steve Shelley (drums) followed a series of short-term drummers in 1985, rounding out the core line-up. Jim O'Rourke (bass, keyboards, guitar) was also a member of the band from 1999 to 2005, and Mark Ibold (guitar, bass) was a member from 2006 to 2011. Sonic Youth emerged from the experimental no wave art and music scene in New York before evolving into a more conventional rock band and becoming a prominent member of the American noise rock scene. Sonic Youth have been praised for having "redefined what rock guitar could do"[1] using a wide variety of unorthodox guitar tunings while preparing guitars with objects like drum sticks and screwdrivers to alter the instruments' timbre. The band was a pivotal influence on the alternative and indie rock movements. http://www.sonicyouth.com/ https://mobile.twitter.com/thesonicyouth?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor https://www.facebook.com/sonicyouth?__cmr=1&refsrc=deprecated&_rdr https://www.npr.org/artists/15373040/sonic-youth Please follow us on Youtube,Facebook,Instagram,Twitter,Patreon and at www.gettinglumpedup.com https://linktr.ee/RobRossi Get your T-shirt at https://www.prowrestlingtees.com/gettinglumpedup And https://www.bonfire.com/store/getting-lumped-up/ https://app.hashtag.expert/?fpr=roberto-rossi80 https://dc2bfnt-peyeewd4slt50d2x1b.hop.clickbank.net https://8bcded2xph1jdsb8mqp8th3y0n.hop.clickbank.net/?cbpage=nb Subscribe to the channel and hit the like button --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/rob-rossi/support https://itunes.apple.com/us/podcast/getting-lumped-up-with-rob-rossi/id1448899708 https://open.spotify.com/show/00ZWLZaYqQlJji1QSoEz7a https://www.patreon.com/Gettinglumpedup #sonicyouth #sonicyouthshirt #sonicyouthtshirt #sonicyouthfans #music #musicians #musicianlife #musicproducer #musicvideo #musical --- Support this podcast: https://anchor.fm/rob-rossi/support

Lee Ranaldo / Jim Jarmusch / Marc Urselli / Balazs Pandi. Churning of the Ocean, 2021. Cuarteto Fuerte. Últimeit, 2021. Naruyoshi Kikuchi. Mobile Suit Gundam Thunderbolt 2 Original Soundtrack, 2021. Otomo Yoshihide. Live at Tusk Festival 2018, 2021.

Solénoïde (09.08.2021) - Offrez-vous une échappée vivifiante du côté de Liverpool avec Forest Swords, un génie fou de l'échantillonnage qui nous captivera avec son premier opus ‘Engravings' dans lequel instruments réels et sons virtuels s'imbriquent en toute fluidité. Dans les montagnes du Rif au Maroc, les Masters Musicians of Jajouka entourés de Lee Ranaldo, Bill Laswell, John Zorn, Marc Ribot,… revisiteront une musique ancestrale en la mêlant à de nouvelles sonorités sans rien perdre de la vitalité de ces traditions. Loin des sentiers musicaux balisés, nous nous rendrons dans un univers sonore où s'enchevêtrent les notes fugueuses d'un vibraphone, les lignes souples d'une contrebasse, les figures virevoltantes d'une batterie et la voix fantasque de Marjolaine Reymond. Et à Varsovie, nous croiserons les accordéonistes contemporains du Motion Trio et un obscur producteur de hip-hop nommé L.U.C. pour un pacte artistique hors norme mettant l'instrument à soufflet dans tous ses états.

After the birth of Sonic Youth 40 years ago, indie rock was the never the same again.

A cura di Fabio Barbieri. Offthesky, Keith Jarrett, Bob James and Nathan East, Trio Mediaeval and Arve Henriksen, Brian Eno, Tindersticks, Trygve Seim and Frode Haltli, Iiro Rantala, Galya Kolarova, Pat Metheny, Jason Vieaux and Los Angeles Guitar Quartet, Lee Ranaldo and Raul Refree, Aaron Parks, Gillian Welch and David Rawlings, Marconi Union.

A cura di Fabio Barbieri. Offthesky, Keith Jarrett, Bob James and Nathan East, Trio Mediaeval and Arve Henriksen, Brian Eno, Tindersticks, Trygve Seim and Frode Haltli, Iiro Rantala, Galya Kolarova, Pat Metheny, Jason Vieaux and Los Angeles Guitar Quartet, Lee Ranaldo and Raul Refree, Aaron Parks, Gillian Welch and David Rawlings, Marconi Union.

Nuevo disco de la banda de Rivers Cuomo el mes que viene que se llamará "Van Weezer" y que bebe de fuente de inspiración noventera. El avance más flamante se junta a "Hero", "Beginning of the end" o "End of the game" que ya han sido presentados. Es una de las noticias del día/novedades internacionales junto a otra pieza más de lo que ya es todo un disco entero publicado por Dinosaur Jr ("Sweep it into space" o esa entrega 34 años después de los australianos The Scientists capitaneados por Kim Salmon. También vuelve a probar suerte en solitario (ya es su segundo trabajo) Dave Keuning de The Killers. Asimismo, hay un disco flamante de Tom Jones (que ya es el 42º con cortes de Dylan, Cat Stevens o Tony Joe White entre otros) y de John Grant que se ha puesto en manos de Cate Le Bon en la producción. Por fin aquel componente de L'Altra, Alessandro Baris, muestra otro tema tras haber contado antes con Lee Ranaldo. Homenaje a la figura del cantante de la banda escocesa Bay City Rollers (les llegaron a comparar con los Beatles en su época más triunfal) Les McKeown que contaba 65 años. Novedad de aquí es la referencia al cine de Cristopher Nolan ("me quedé atrapada tras ver "Tenet" dice Miryam) y el deseo de meterse en una máquina e invertir el tiempo del adelanto del primer EP de Feroe. Otras novedades de aquí son la proclama de amar sin miedo de Chloé Bird, la entrega de Sons of Med cantando en castellano; un nuevo tema de Maidon y el recuerdo de la reedición de ese fetiche maxi de La Buena Vida que sale en breve. El punto final lo pusieron Kiss ahora que ya hay vía libre por parte de Gene Simmons y Paul Stanley para el biopic para Netflix "Shout it out loud". Escuchar audio

Tim Foljahn has had a very interesting career. He's worked with Steve Shelly, Lee Ranaldo, and Thurston Moore of Sonic Youth. He's toured extensively with Jad Phair, Half Japanese, Cat Power; Thurston Moore, Townes Van Zandt, and others. He's been in a TV band called Side Boob on Orange Is The New Black. He's pursuing a Master's degree in psychoanalysis. AND...he has a new album coming out. It's called I Dreamed A Dream and it'll throw some of the coolest curveballs at you. Check it out on Cart/Horse records. Preorder it on their site or at timfoljahn.com. He's on social media @twodollarguitar. Follow us @PerformanceAnx. Rate & review! Buy us coffee at ko-fi.com/performanceanxiety. Merch is at performanceanx.threadless.com. Let's jump right into this episode with Tim Foljahn on Performance Anxiety, part of the Pantheon Podcast Network.

Tim Foljahn has had a very interesting career. He’s worked with Steve Shelly, Lee Ranaldo, and Thurston Moore of Sonic Youth. He’s toured extensively with Jad Phair, Half Japanese, Cat Power; Thurston Moore, Townes Van Zandt, and others. He’s been in a TV band called Side Boob on Orange Is The New Black. He’s pursuing a Master’s degree in psychoanalysis. AND...he has a new album coming out. It’s called I Dreamed A Dream and it’ll throw some of the coolest curveballs at you. Check it out on Cart/Horse records. Preorder it on their site or at timfoljahn.com. He’s on social media @twodollarguitar. Follow us @PerformanceAnx. Rate & review! Buy us coffee at ko-fi.com/performanceanxiety. Merch is at performanceanx.threadless.com. Let’s jump right into this episode with Tim Foljahn on Performance Anxiety, part of the Pantheon Podcast Network.

Tim Foljahn has had a very interesting career. He's worked with Steve Shelly, Lee Ranaldo, and Thurston Moore of Sonic Youth. He's toured extensively with Jad Phair, Half Japanese, Cat Power; Thurston Moore, Townes Van Zandt, and others. He's been in a TV band called Side Boob on Orange Is The New Black. He's pursuing a Master's degree in psychoanalysis. AND...he has a new album coming out. It's called I Dreamed A Dream and it'll throw some of the coolest curveballs at you. Check it out on Cart/Horse records. Preorder it on their site or at timfoljahn.com. He's on social media @twodollarguitar. Follow us @PerformanceAnx. Rate & review! Buy us coffee at ko-fi.com/performanceanxiety. Merch is at performanceanx.threadless.com. Let's jump right into this episode with Tim Foljahn on Performance Anxiety, part of the Pantheon Podcast Network.

Tim Foljahn has had a very interesting career. He’s worked with Steve Shelly, Lee Ranaldo, and Thurston Moore of Sonic Youth. He’s toured extensively with Jad Phair, Half Japanese, Cat Power; Thurston Moore, Townes Van Zandt, and others. He’s been in a TV band called Side Boob on Orange Is The New Black. He’s pursuing a Master’s degree in psychoanalysis. AND...he has a new album coming out. It’s called I Dreamed A Dream and it’ll throw some of the coolest curveballs at you. Check it out on Cart/Horse records. Preorder it on their site or at timfoljahn.com. He’s on social media @twodollarguitar. Follow us @PerformanceAnx. Rate & review! Buy us coffee at ko-fi.com/performanceanxiety. Merch is at performanceanx.threadless.com. Let’s jump right into this episode with Tim Foljahn on Performance Anxiety, part of the Pantheon Podcast Network.

THE WIND OF WILDERNESS #2 w/ Hualun 1 坂本龙一 (さかもと りゅういち) - A Rain Song 2 Atlas Sound - Wire Brush Stomp 3 江俊典 - 剑南路的美丽与哀愁 4 Kelly Lee Owens - L.I.N.E 5 White+ - Silver 6 Gong Gong Gong（工工工） - 邊界的邊界 7 Bob Wijnen - If It's Magic 8 FM Einheit (Einstürzende Neubauten),Lee Ranaldo,Sonic Youth,Andreas Ammer - Alpine Traum 9 Penguin Cafe + Cornelius - Solaris (Cornelius Remix) 10 Harold Budd,Andy Partridge - Through The Hill 11 Teebs - Mirror Memory 12 La! Neu? - Arms Control Blues 13 Flying Lotus - FF4 14 Hualun（花伦）- One Night in Hong Kong 15 Boris - Ghost of Romance 16 藤原浩 (藤原ヒロシ) -かすかなしるし (molmol DUB MIX) 17 Jah Wobble East 18 Fennesz Codeine 19 Hualun（花伦）- Warning

In questo episodio la playlist delle migliori uscite discografiche del panorama alternative del 2021, in diretta con Maurizio Mottola e Maurizio Chiatante, al microfono e alla regia. Ospite dell'episodio, Alessandro Baris che presenta il nuovo ep "Sintesi" da cui la traccia in anteprima "Last Letter To Jayne" (feat. Lee Ranaldo).Radio Sircus, il nuovo programma nel palinsesto di RKO www.rkonair.com in diretta da Taranto ogni sabato alle 17:00.

A cura di Fabio Barbieri. Houston Person and Ron Carter, Charlie Haden and Brad Mehldau, Stephan Micus, Sixteen and Harry Christophers, Fly, Bonnie Prince Billy, Bryce Dessner and Eighth Blackbird, Lee Ranaldo and Raul Refree, Sequentia, Alexandre Tharaud, Billy Hart Quartet, Lo' Jo, Sufjan Stevens.