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2 episodes with Lee Ranaldo
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www.brianturnershow.com, www.eastvillageradio.comFROST GIANT - Going Back To Country - Heavy Encounter (Elefantplatte, 2003)COMUS - Song To Comus (Live 2008) - East of Sweden (Dirter, 2011)DEATH SS - Murder Angel - The Story of Death SS 1977-84 (Minotauro, 1987)BEAVIS AND BUTTHEAD CRITIQUE LIVE'S I ALONEULTIMATE DISASTER - What Right? - For Progress.... (Grave Mistake, 2025)MANWICH - Valley of the Giants - V/A: We Were Living In Cincinnati Vol 2 1982-88 (Hozac, 2025)THE EX - In The Rain - If Your Mirror Breaks (The Ex, 2025)MOSKITO - Mashonisa - Idolar (2001, re: Awesome Tapes From Africa, 2025)A TRIBE CALLED QUEST - Show Business - The Low End Theory (Jive, 1991)HARVEY MATUSOW'S JEW'S HARP BAND - War Between Fats and Thins - War Between Fats and Thins (Head, 1969)LA BREA PULPIT - Bluntdestroyer - Anandamide Aberration (Liquid Library, 2025)PANCRACE - La Papotier - Papotier (Penultimate Press, 2025)NADAGEN - Staccato - Nadagen (Futura Resistenza, 2024)KLINGONS - Dr. Jekkyl & Mr. Hyde - 7" (Kang, 1980)COUNTER INTUITS - Anarchy On Yr Face - V/A: Volcanic Tongue - A Time-Travelling Evangelist's Guide to Late 20th Century Underground Music (Disciples, 2025)RON HOUSE - Restraining Order - Obsessed (2002, re: Siltbreeze, 2025)CLOTHING - Alucinidad - La Muerte En Realidad no Existe (Tin Angel, 2025)CHINGIZ KAM - Part Three - Tuvan Shamanism Anxiety Killer (BC, 2025)JON BLUM QUARTET WITH MARSHALL ALLEN - Levitation - Deep Space (Astral Spirits, 2024)CHRISTINE 23 ONNA - New Dawn In Mexico - Space Age Pad Psychedelic Music (Insignificant, 1996)J.T. - God Is Red - Meshes In the Afternoon (Twisted Village, 1992)OVER-GAIN OPTIMAL DEATH - Oversleep - Die Underground (Riot Season, 2025)LEE RANALDO & MICHAEL VALLERA - Early New York Silver II - Early New York Silver (Amish, 2025)
"House Of Steam" Putting it simply the L.A.-born Nels Cline's resume' is so deep, to quote Mark Eitzel, it "would make the ocean proud." The guitarist and composer is one of the most respected names in the business and though he's perhaps best known these days for being the guitarist of Wilco, let's not single story Mr. Cline, because his body of work is varied and extensive. Aside from his early jazz work with his twin brother Alex, he's played with everyone from the Geraldine Fibbers to Mike Watt to Thurston Moore. But that doesn't even scratch the surface. Cline has played on close to 200 albums in jazz, pop, rock, country, and experimental music. Let me give you a few of those 200 to play with: Yoko Ono, Henry Kaiser, Firehose, Wayne Kramer, Rickie Lee Jones, John Zorn, Ramblin' Jack Elliot, Neil Finn, Lee Ranaldo and Chris Stamey. And belive me when I tell you that's a heavily expurgated list. Over the years Cline has been in bands with his pal Mike Watt Floored By Four, band with his wife Yuka Honda of Cibo Matto and he's had the Nels Cline Singers, the Nels Cline Trio, and the Nels Cline 4. Now comes The Consentrik Quartet, which is Cline along with saxophonist Ingrid Laubrock, bassist Chirs Lightcap and drummer Tom Rainey. Improvisational, experimental and downright wonderful, the band's debut album is a profound blend of rich cycle grooves, unexpected rhythmic excursions, and subtle meter innovations. It's marvelous work. Filled with delicate percussive brushes, virtuoso sax fills, prowling bass lines idiosyncratic sax melodies and Cline's nimble guitar lines moving through each composition with dextrous finesse, it's hard to think of a richer listening experience in recent memory. It's hard to think of a nicer guy as well--Nels is a lovely fellow and now you get to meet him. www.nelscline.com (http://www.nelscline.com) www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers The Podcast IG & Bluesky: @emberspodcast Email: editor@stereoembersmagazine.com
En esta entrega hemos escuchado la música de The Smile; The Prog Collective; Tomahawk; Iron Butterfly; Lee Ranaldo and The Dust; Hatfield and The North.
P183 - Resist Cancel Your Hopes | Penfriend : Exotic Monsters Dark Matters | Fold : We Do Not Forget Take It All Back | Fold : We Do Not Forget Master Debater | B of Briz : An Encyclopedia of Patriarchy (incomplete) Watch'awt | Bambu : If You See Someone Stealing Food... No, You Didn't. Steal For A Meal | Bambu : If You See Someone Stealing Food... No, You Didn't. Break The Cycle | The Green Wheel : Break The Cycle Reservations | Bad Alaskan : Red & Black Red & Black | Bad Alaskan : Red & Black Take Me Back To Palestine | Zeinab Shaath : The Urgent Call of Palestine Resist | Zeinab Shaath : The Urgent Call of Palestine Surrender Your Gender | Laura Jane Grace (feat. Lee Ranaldo, Jayne County, Kathi Wilcox, Jay Dee Daugherty, Am Taylor) - : TRAИƧA Wolf Like Me | Bartees Strange + Anjimile + Kara Jackson - : TRAИƧA ROSE FROM CONCRETE | Shay Mula : Rose from Concrete GIFTED AGAIN | Shay Mula : Rose from Concrete Destroy Property | Virtual Bird : Trans AF | Eraser : No Occupation: Another Benefit for Mutual Aid in Gaza Denouncing the violence of the oppressed and colonized is not just immoral, but racist | A Culture of Killing : No Occupation: Another Benefit for Mutual Aid in Gaza https://bandcamp.com/Polyrical Gaza Soup Kitchen gazasoupkitchen.org buy esims for Gazans gazaesims.com Palestinian Children's Relief Fund pcrf.net ANERA anera.org Palestine Red Crescent Society www.palestinercs.org/en MSF/Doctors Without Borders doctorswithoutborders.org Palestine Legal palestinelegal.org 1for3 www.1for3.org HEAL Palestine www.healpalestine.org Polyrical.com
Extrait : « … En 1977, alors âgé de 19 ans, Thurston Moore quitte son Connecticut natal pour New York, avec de la musique punk dans les oreilles et un rêve : jouer avec Sid Vicious, l'iconique crétin punk, accessoirement bassiste des Sex Pistols, au rictus aussi nul que Billy Idol. Mais Sid le vicieux avait d'autres plans, par exemple mourir très jeune, ce sera chose faite à à peine 22 ans, subséquemment c'est un Thurston Moore fort dépité qui se rabat sur Kim Gordon, qui deviendra plus tard sa femme, et Lee Ranaldo, avec lesquels il monte diverses formations, plus bruyantes les unes que les autres, jusqu'à trouver la formule magique : Sonic Youth … »Pour commenter les épisodes, tu peux le faire sur ton appli de podcasts habituelle, c'est toujours bon pour l'audience. Mais également sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde. Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Esta semana tenemos un programa tranquilo, con sonoridades esponjosas e introspectivas que nos ayudarán a llevar mejor este sofocante calor estival.Escucharemos lo nuevo de Pulse Mandala & Distan Fires Burning, Pascal Comelada & Lee Ranaldo, Maud The Moth + Trajedesaliva, SPIME.IM, Blue Lake, Salenta & Topu. Además nos adentramos en el espacio expositivo “Imaginarios Sintéticos” que pudimos disfrutar a finales de julio y hablamos con uno de sus protagonistas, Lawrence Lek.Escuchar audio
The Grateful Deadcast welcomes back Donna Jean Godchaux-MacKay for the season finale, digs into “Ship of Fools,” and visits the set for the Grateful Dead Movie, aka the Dead's five “retirement” shows at Winterland in 1974, with heads who attended.Guests: Donna Jean Godchaux-MacKay, Ron Rakow, Ned Lagin, David Grisman, Elvis Costello, Steve Brown, Richie Pechner, Jerry Pompili, Jim Sullivan, John Perry, Gary Lambert, Geoff Gould, Joan Brown, Michael Parrish, Corry Arnold, Strider Brown, Jay Kerley, Rita Fiedler, Rene Tinner, Lee Ranaldo, Gregory Barette, Ron Long, David Lemieux, Brian Anderson, Shaugn O'Donnell, Brian KehewSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Nuestra portada la ocupamos con el nuevo y esperado álbum de los catalanes Ulls, estupendo proyecto de rock progresivo liderado por David Trillo y que esta semana pasada publicaron Cripta Nau. Desde Londres y desde Dinamarca volveremos a disfrutar con la experimentación psicodélica del London Odense Ensemble, a los que escucharemos en Jayjede Sessions, vol. 1, publicado en 2022. Nuestro primer clásico contemporáneo fue la Rollins Band, a los que escuchamos en Come In And Burn, de 1997. La primerada mirada al rock clásico vino de la mano de The Guess Who, de los que disfrutamos Rockin', publicado en 1972. De vuelta a nuestros días, escucharemos los nuevo de los suecos Stiu Nu Stiu, New Sun, que vio la luz en 2022. Otros clásicos contemporáneos son sin duda Sonic Youth, la banda de Kim Gordon, Stanton Moore y Lee Ranaldo, que hoy nos traen Goo, publicado en 1990. Y cerraremos con los británicos Steamhammer y su Speech, de 1972.
Send us a Text Message.Ahead of his performance at the New York Guitar Festival, now in its 25th year, producer, guitarist, and composer Yonatan Gat (Stone Tapes) sat down with the Host of WNYC's New Sounds, John Schaefer, joined by two artists who will also perform as a part of Night Two of the festival - Daryl Black Eagle Jamieson of the Eastern Medicine Singers and Gnawa master Maalem Hassan Benjaafar. Rounding out the Night Two lineup will be Lee Ranaldo (Sonic Youth), Mamady Kouyaté, and Laraaji, John Schaefer will host both nights - June 14 and 15, 2024 at Kaufman Music Center in Manhattan. Link to Night One - Marc Ribot & Leyla McCalla, Yasmin Williams, Neel Murgai & Kunal PrakashLink to Night Two - The Medicine Singers featuring Yonatan Gat and Lee Ranaldo, Maalem Hassan Benjaafar, Mamady Kouyaté, and LaraajiSupport the Show.Stay in touch with us! Join our newsletter
From “Loose Lucy,” the Deadcast jumps onto Dead tour in June ‘74, going under the hood of Phil Lesh's new quad bass, behind the scenes at the tie-dye information booth, a private lunch at the Bank of Boston, & on a Mars Hotel-soundtracked summer road trip with Sonic Youth's Lee Ranaldo.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
My guest on this episode is Daryl Black Eagle Jamieson from Eastern Medicine Singers. It's an honor and privilege to talk with him as we cover some of the differences in sounds of Native American music across North, South, East and West. We also cover how his group evolved into blending both traditional and experimental music, the true emotion behind what they create, and how the core of why they started this project is still paramount so many years later. The album they made with Yonathan Gat simply under the name Medicine Singers is a masterpiece! I absolutely recommend you give this a listen and pick it up to support them. It was definitely a lot of fun learning a bit about how this record was made here in RI and what went into during our conversation. Interlude song order: Eastern Medicine Singers live at the Prospect Terrace 80th Anniversary Celebration on June 18, 2019 "Sunrise (Rumble)" by Medicine Singers from their self-titled album "Honor Song" by Medicine Singers, Lee Ranaldo & Yonatan Gat (single) "Nannateeah" by Cu Dubg with Eastern Medicine Singers from their album Warpipe "Daybreak" by Medicine Singers from their self-titled album // Interview recorded April 25, 2024 at Black Eagle Productions // Intro music by Cedros // Hosted by James Toomey //
J Mascis discusses his new solo album, What Do We Do Now, recent live Dinosaur Jr. jams with friends like Lee Ranaldo, Kurt Vile, and Kim Deal, what we learned about “Divine Mascis” from the Breeders and J's recollection, Kurt Cobain inviting him to join Nirvana, expensive cities like Oslo, Norway, working with Ken Mauri and Matthew “Doc" Dunn, loving early work by the band Chicago, Van Morrison vs. Bob Dylan, band chemistry and case studies like Metallica and Ramones, how musical heroes other than Lou Reed never seem to understand him, Dino and solo show news, other future plans, and much more.Supported by you on Patreon, Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Related episodes/links:Ep. #826: Steve Albini and Fred ArmisenEp. #821: Kurt VileEp. #806: The BreedersEp. #747: Fucked UpEp. #673: Sonic YouthEp. #614: Lou BarlowEp. #577: Thurston MooreEp. #515: Matthew “Doc” DunnSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.
Playlist Kevin Ayers – When Your Parents Go To Sleep Pearls Before Swine – Morning Song The Teardrop Explodes – Tiny Children Essra Mohawk – Spiral Krysztof Koneda – Rosemary's Baby Main Theme Dorothy Carter – Tree Of Life Alice Coltrane – Wisdom Eye The Peanuts – Epitaph Ghost Train Orchestra And Kronos Quartet – High On A Rocky Ledge (featuring Marisssa Nadler) Perez Prado & His Orchestra – San Remo Elsa Popping and Her Pixieland Band – Perles De Cristal MADMADMAD – Hot Disco R. Stevie Moore – Sit Down The Future Sound of London – The Galaxial Pharamaceutical The Shazam – Revolution 9 Bongwater – You Don't Love Me Yet Thinking Fellers Union Local 282 – Flames Up Yours Okra Playground – Ukkonen Cheb Hindi – A Moi La Liberte The Residents – The Electrocutioner Pascal Comelade, Lee Ranaldo, Ramon Prats – I'm Waiting For The Man Galen & Paul – Lonely Town
Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
SOLENOÏDE, émission de 'musiques imaginogènes' diffusée sur 30 radios dans le monde
Solénoïde (04.12.2023) - Cette semaine, Solénoïde vous entrainera dans une aventure sonore débordante d'hommages et de détournements. La 12e Cover Box vous plongera dans un blind-test de reprises récréatives et décalées. Attendez-vous à des relectures inspirées et parfois excentriques qui éveilleront votre mémoire musicale ! Cette émission débutera avec l'épopée psychédélique de Don et Francoiz, un duo marquant de la scène musicale francophone. Leur album "Cover Songs In Inferno" dévoile dix reprises soigneusement sélectionnées pour créer une toile musicale fascinante. Ce programme soulignera aussi la célébration du 25e anniversaire du label Staubgold avec l'album exceptionnel "Velvet Serenade", une collaboration inattendue entre Lee Ranaldo de Sonic Youth et Pascal Comelade. Ensemble, ils revisitent l'univers emblématique du Velvet Underground, créant une expérience sonore qui transcende le temps. Enfin, vous pourrez plonger dans le royaume enivrant du Dub avec "King Size Dub 23" d'Echo Beach, une compilation qui offre des versions captivantes de titres emblématiques. Alors, offrez-vous un mix éclectique de standards dézingués, détournements singuliers, et relectures bonifiées !
durée : 00:05:54 - Dans la playlist de France Inter - Le musicien et producteur barcelonais, connu pour son travail avec Rosalía, Lee Ranaldo ou Rodrigo Cuevas, est attendu à l'opéra de Rennes pour une création aux 45èmes Transmusicales. L'adaptation d'un album qui mêle madrigal, noise et ambient.
A fairly laid back show this week with Pop, RnB, Country, Indie, Folk, Fiddle, Traditional and more from musicians of the Cree, Ojibwe, Lakota, Métis, Seminole, Mi'kmaq Nations. Brought to you by Tunes From Turtle Island and Pantheon Podcasts. If you like the music you hear, go out and buy some of it. :) All these artists need your support. Tracks on this week's show are: Ethan Lyric - I Love You More Marx Cassity - Somewhere Melody McArthur - Fires All Over Town Frank Waln - Star Dust G. R. Gritt & Rosina Kazi - Prism Wyatt C. Lewis - Bobtail Road Thea May - The Fade Out Teagan Littlechief - Shangri La Keith Secola & Susan Odella - The Wolf Nick The Native - Lost In The Fire Morgan Toney - Dreamcatcher Jarrid Lee - I dont Back Down Alexis Lynn - Ghosts Hotel Mira - King Of The World Berk Jodoin - Aces & 8's Medicine Singers & Lee Ranaldo & Yonatan Gat - Honor Song All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info on the show here.
Para la última sesión del mes echamos a la marmita un puñado de novedades favoritas estrenadas a lo largo de septiembre. Playlist; (sintonía) SUPERTUBOS “Magnetika” (The fourth drive) MAMBO JAMBO ARKESTRA “El grito” (El gran ciclón) BARRENCE WHITFIELD and THE SAVAGES “Killing time” (Glory) MARCEL BONTEMPI “Eighteen” (EP) PIKE CAVALERO “But I didn’t” (single) HAIRY NIPPLES “Basement tapes” (Gaslighting) THE HANGMEN “Bajoy moon” (Stories to tell) LES RENCARDS “Le risque de ta vie” (ST) THE HIVES “Rigor mortis radio” (The death of Randy Fitzsimmons) MARTIN SAVAGE and THE JIGGERZ “Boomerang” (single) CYANIDE PILLS “Day after day” (Soundtrack for a new Cold War) THE PRIZE “First sight” (single) KID GULLIVER “All because of you” (single) MUJERES “Diciendo que me quieres” (Desde flores y entrañas) ADIOS AMORES “Humo negro” THE JANCEE PORNICK CASINO “Demolición” (Demolición) TELEKRIMEN “Himno a la banda” (single) LEE RANALDO, PASCAL COMELADE y RAMON PRATS “What goes on” (Velvet serenade, 2023) Escuchar audio
Echamos un buen puñado de novedades a la marmita y aderezamos con una sorprendente “Versión y original” o con la última entrega del NY Hed Studio de manhattan en donde Rocío nos habla del proceso de grabación de los Messer Chups. Para arrancar el viaje hay un disco destacado, la última entrega de los suecos The Hives. (Foto del podcast por Ebru Yidiz; The Hives) Playlist; THE HIVES “Rigor mortis radio” (The death of Randy Fitzsimmons, 2023) THE HIVES “Trapdoor solution” (The death of Randy Fitzsimmons, 2023) THE HIVES “Crash into the weekend” (The death of Randy Fitzsimmons, 2023) HAIRY NIPPLES “Closer to you” (Gaslighting, 2023) THE LEGENDARY TIGERMAN feat RAY and SEAN RILEY “Bright lights, big city” (Zeitgeist, 2023) TELEKRIMEN “Himno a la banda” (El circo del brujo, 2023) Versión y original; EDDIE MEDUZA “Reaktorn läck i Barsebäck” (1980) PASCAL COMELADE “Choni bi gutt” (Le non-sens du rythme, 2022) LEE RANALDO, PASCAL COMELADE Y RAMON PRATS “Lou’s blues” (Velvet Serenade, 2023) NY HED Studio presenta; MESSER CHUPS “Tell the girls I’m back in town” (inédito) ZACK KEIM “Better days” (single, 2023) MASTER PLAN “You’re mine” (Grand cru, 2023) THE DICTATORS “Thank you and have a nice day” (single, 2023) Escuchar audio
City Lights LIVE and Duke University Press celebrate the publication of “The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront” by Cisco Bradley, published by Duke University Press. In “The Williamsburg Avant-Garde” Cisco Bradley documents the rise and fall of the underground music and art scene in the Williamsburg neighborhood of Brooklyn between the late 1980s and the early 2010s. Drawing on interviews, archival collections, musical recordings, videos, photos, and other ephemera, Bradley explores the scene's social, cultural, and economic dynamics. Bradley not only documents some of the most vital music of the late twentieth and early twenty-first centuries; he helps readers better understand the formation, vibrancy, and life span of experimental music and art scenes everywhere. Cisco Bradley is Associate Professor of History at the Pratt Institute and author of “Universal Tonality: The Life and Music of William Parker,” also published by Duke University Press. Lee Ranaldo is a Grammy nominated musician, composer, visual artist, writer, and producer. He is a founding member of Sonic Youth and continues to work on numerous solo projects. His artwork and videos have been on view in galleries and museums across the globe. He is the author of the books “Some Writings on Music and Musicians,” “Against Refusing,” and “How Not To Get Played On The Radio." He makes his home in New York State. You can purchase copies of “The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront” at https://citylights.com/williamsburg-avant-garde-experimental/ This event is made possible with the support of the City Lights Foundation. To learn more visit: https://citylights.com/foundation/
Lee Ranaldo, Pascal Comelade y Ramón Prats son los responsables de “Velvt Serenade” (Staubgold Records), una emocional y minimalista ensoñación del cancionero de The Velvet Underground. Suenan The Routes versionando a Buzzcocks, Incredible Tigerman rindiendo tributo a Suicide, el debut de Vanity Mirror o a los británicos Green Seagull (ambos confirmados para el festival león es Acción) o la última exhumación del sello You Are The Cosmos rescatando el único álbum lanzado en 1969 por los londinenses Ora. Playlist; (sintonía) VELVET SERENADE “What goes on” VELVET SERENADE “All tomorrow’s parties” VELVET SERENADE “I’m waiting for the man” PASCAL COMELADE “Brand new Cadillac” (Danses Et Chants De Syldavie, 1994) PASCAL COMELADE “Honky tonk woman” (Danses Et Chants De Syldavie, 1994) THE INCREDIBLE TIGERMAN “Ghost rider” (adelanto de su nuevo disco “Zeitgeist”) THE ROUTES “Fast cars” (Reverberation addict, 2023) SUPERTUBOS “Experiment in terror” (The fourth drive, 2023) Versión y original; HENRY MANCINI “Experiment in terror” (1962) VANITY MIRROR “Dandelion wish” (Puff, 2023) GREEN SEAGULL “I used to dream in black and white” (Scarlet fever, 2018) ORA “Seashore” (Ora, 1969, reed 2023) THE OSTRICHES “Lady Godiva’s operation” (White Light White heat, 2023) Escuchar audio
The thrilling conclusion of our visit to the record-breaking Watkins Glen Summer Jam, featuring John Belushi crashing the backstage, a super jam onstage, a teen-run pirate radio station, & the birth of a new generation of Dead Heads.GUESTS: Sam Cutler, Donna Jean Godchaux-MacKay, Bunky Odom, Chuck Leavell, Jim Koplik, Buddy Thornton, Sepp Donahower, Lee Ranaldo, Steve Silberman, Rebecca Adams, Gary Lambert, John Ramsey, Tim Meehan, Michael Simmons, Dan Henklein, Erik Nelson, Bob Student, Jim Cooper, Harvey Lubar, Todd Ellenberg, Ihor Slabicky, Jay Kerley, Brian Schiff, Eric Alden, David Lemieux, Alan PaulSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Watkins Glen Summer Jam ‘73, Part 1Musicians, organizers, & fans tell the epic story of how the Watkins Glen Summer Jam started as a giant rock show & turned into history when more than a half-million came to see the Grateful Dead, the Allman Brothers, & The Band.GUESTS: Sam Cutler, Donna Jean Godchaux-MacKay, Bunky Odom, Chuck Leavell, Jim Koplik, Buddy Thornton, Susan Wickersham, Janet Furman, Sepp Donahower, Lee Ranaldo, Steve Silberman, John Ramsey, Tim Meehan, Michael Simmons, Dan Henklein, Erik Nelson, Bob Student, Jim Cooper, Todd Ellenberg, Ihor Slabicky, Jay Kerley, Joe Gauthier, Eric Alden, David Lemieux, Alan PaulSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Dopo una settimana di assenza, questa sera torna Awella Mixtape Mixed Edition. Tra i brani in scaletta, il singolo dei Dexys (furono Midnight Runners), in attesa del disco pronto per fine Luglio, Lee Ranaldo, Pascal Comelade e Ramon Prats che omaggiano i Velvet Underground, il nuovo album dei Penguin Cafe di Arthur Jeffes, Ben Chasny e Rick Tomlinson a quattro mani con un assaggio dall'album in uscita tra pochi giorni, le ristampe di School's Out di/degli Alice Cooper, Below The Waves della leggiadra Heidi Berry e tanto altro ancora!
Daniel Monkman discusses the new Zoon album, Bekka Ma'iingan, climate change and The Nature of Things, the hardships of touring and why Europe gets it right, grieving and mental health, collaborating with Owen Pallett and Sonic Youth's Lee Ranaldo, what “two-spirit” means and their recent non-binary status, forthcoming works by Ombiigizi and Zoon, other future plans, and much more. Supported by you on Patreon, Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.
I've spoken to tonnes of my favourite songwriters since this podcast came to life almost two years ago. There was Bob Mould on episode 32. Jon Spencer on episode 49. Lee Ranaldo on episode 20. But there's really very few songwriters whose music has mattered to me during the course of my life quite like the many songs written by David Gedge, the sole constant in The Wedding Present for almost forty years now. This is an episode I'm really grateful I got to add to the ever growing podography and while the majority of the following conversation concerns the group's coming 24 Songs album - a collection of all the tracks from 2022's 7” single a month series due on May 19th - we squeeze a lot more into our thirty minutes or so together; the recruitment of Sleeper guitarist Jon Stewart into the Wedding Present ranks, the confirmation that David does indeed request a dog on the Wedding Present rider, comic books, the brilliance of Brighton... All sorts of stuff. Enjoy! Watch this episode here: https://www.youtube.com/watch?v=5ZjMj6iBQAs&t=836s Twitter - @jamesjammcmahon Substack - https://spoook.substack.com YouTube - www.youtube.com/channel/UC8Vf_1E1Sza2GUyFNn2zFMA Reddit - https://www.reddit.com/r/jamesmcmahonmusicpod/
Episode 94 Electronic Drone Music Playlist Yves Klein, “Monotone-Silence Symphony” written in 1947. I could not find any recorded versions of this piece, so I produced this realization of my own to capture the feel and nature of this drone work. Klein conceived this as performance art in which an orchestra would only play a single note, continuously, for 20 minutes followed by another 20 minutes of silence. I've examined the score and can see that Klein also intended that the same note could be played in different octaves. The playing would have been staged so that one group of musicians could overlap another, both for reasons of fatigue but also to allow smooth transitions for the wind instruments because players would need to take a breath. My version includes electronic instruments for multiple parts, each part playing the same note, often in different octaves. The introduction of instrumental groups was planned in stages, each overlapping the previous grouping, gradually shortening in duration as the piece goes on. La Monte Young and Marian Zazeela, “31 VII 69 10:26 - 10:49 PM” from 31 VII 69 10:26 - 10:49 PM / 23 VIII 64 2:50:45 - 3:11 AM The Volga Delta (1969 Edition X). Eponymous untitled album popularly known as "The Black Record" or "The Black Album" Mine is an original copy. The cover is black gloss print on matt black and very hard to read. Numbered edition limited to 2800 copies of which numbers 1-98 are dated and signed by the artists. This work “was recorded at the date and time indicated in the title, at Galerie Heiner Friedrich, München. The work “31 VII 69 10:26-10:49 PM” is a section of the longer work: Map Of 49's Dream The Two Systems Of Eleven Sets Of Galactic Intervals Ornamental Lightyears Tracery. Play this side at 33 1/3 rpm only.” Early work employing electronic drones. By the mid-sixties, Young and his partner Marian Zazeela were creating music for electronic drones as an extension of their group, The Theatre of Eternal Music. Using a Heathkit sine wave oscillator and later Moog modules as sources, they created drone pieces that employed “extended duration time signatures” and “long sustained tones, intervals, triads and chords to create the musical texture.” A reissue has now occurred on the label Super Viaduct. Tony Conrad, “Process Four of Fantastic Glissando” from Fantastic Glissando (2006 Table of The Elements). Dating from 1969, this recording contains various versions of the same sound piece, each processed slightly differently. “Process Four” accumulates the processed applied to the previous three processes. The first glissando recording was made using a sine wave oscillator processed through pump counter with a stereo-phase glissando. Recorded December 12, 1969, on a Revox reel-to-reel tape recorder set at 3¾ ips. Conrad was in LaMonte Young's circle of friends and performers and joined him on many productions of The Theatre of Eternal Music. Teresa Rampazzi , “Duodeno normale” and “Duodeno Patologico” from Musica Endoscopica (1972). Here we have two short electronic works from this remarkable women composer that emphasize the drone. The pulsing tones and textures were played manually using audio oscillators. Music produced by the N.P.S. (Nuove Proposte Sonore) group for the documentary entitled "Gastroscopia" (Gastroscopy) realized in 1972 by Prof. Domenico Oselladore, University of Padova, in collaboration with Istituto De Angeli s.p.a., Milan. This documentary was presented at the Scientific Film Festival, Policlinico Universitario di Padova, 1972. “Duodeno Normale” begins with a drone consisting of two continuous tones: a low-pitched buzz from a sawtooth wave accompanied by a pulsating higher-pitched tone. The drone is joined at the 11-second mark by a high-pitched ringing tone played on a third oscillator. This ringing tone is repeated every 5–8 seconds and sustained for two or more seconds each time. The irregular timing of the tone suggests that Rampazzi was manually playing it by turning the dial of an oscillators. The ringing tone is sustained for the duration of the piece, creating a three-part drone. The drones fade out, beginning with the lower buzzing tone. “Duodeno Patologico” uses a similar process. The Taj-Mahal Travelers, “The Taj-Mahal Travelers Between 6:20~6:46P.M.” from July 15, 1972 (1972 CBS/Sony). Released in Japan. Early album by the group founded by experimental electronic musician and violinist Takehisa Kosugi. Electronic Contrabass, Suntool, Harmonica, Performer Sheet Iron, Ryo Koike; Guitar Electronic Quiter, Percussion, Michihiro Kimura; Electronic Trumpet, Harmonica, Castanets, Seiji Nagai; Vibraphone, Santoor Suntool, Yukio Tsuchiya; Electronic Violin, Electronics, Radio Oscillators, Voice, Takehisa Kosugi; Vocals, Tokio Hasegawa. This album was recorded live at Sohgetsu Hall, Tokyo, Japan, July, 1972. Originally released using Sony's SQ quadraphonic system. Yoshi Wada, “Earth Horns with Electronic Drone”(1974) from Earth Horns with Electronic Drone (2009 EM Records). Recorded at Everson Museum of Art, Syracuse, New York, February 24, 1974. Electronics, Liz Phillips; Pipehorn Players, Barbara Stewart, Garrett List, Jim Burton, Yoshi Wada; Electronic equipment designed by, Liz Phillips, Yoshi Wada; Pipehorns constructed by, composed by, recorded by, Yoshi Wada. Combining four of Wada's self-made "pipehorns" (constructed of plumbing materials, over three meters in length), with an electronic drone tuned to the electrical current of the performance space, this is a lost masterpiece of early drone/minimalism. The performance filled the space with complex overtones generated by the ever-shifting interplay of the breathing horns and the constant electronic drone. Lou Reed, “Metal Machine Music” (1975 RCA). All music and electronics by Lou Reed. Inspired by LaMonte Young, this is what I would call a noise drone! Reed himself points to the influence of Young in his lean liner notes. "SPECIFICATIONS: No Synthesizers, No ARP, No Instruments?” Sony 1/2 track; Uher 1/4 track; Pioneer 1/4 track; 5 piggyback Marshall Tube Amps in series; Arbitor distortor (Jimi's); Marantz Preamps; Marantz Amps; Altec Voice of America Monitor Speakers; Sennheiser Headphones; Drone cognizance and harmonic possibilities vis a vis Lamont Young's Dream Music; Rock orientation, melodically disguised, i.e. drag; Avoidance of any type of atonality.; Electro-Voice high filter microphones; Fender Tremolo Unit; Sunn Tremolo Unit; Ring Modulator/Octave Relay Jump; Fender Dual Showman Bass Amp with Reverb Unit (Pre-Columbia) white. Eliane Radigue, “Triptypch” Part 2” (1978). (2009 Important Records). Electronic Instrumentation: ARP 2500 modular synthesizer and analog, multitrack tape composition. The piece uses real-time ARP programming, tape loops, and recorded acoustic sounds. This piece is characteristic of Radigue's fervent exploration of gradually changing layers of harmonically intersecting tones. It is the kind of drone work that can easily dip the listener into a pool of trance and is one of the composer's many works grounded by her dedication to Tibetan Buddhism. Note the overall slowly evolving changes formed by overlapping sustained tones presented without any clearly articulated beginnings and endings. John Cage, Gary Verkade, “Organ2/ASLSP” from The Works for Organ (2013 Mode). John Cage composed “Organ2/ASLSP” in 1987 for solo organ. This piece has been realized at a variety of lengths, from about 30 minutes, to 8 hours, and what is arguably the longest interpretation of music ever played, now 23 years into its projected run of 639-years being performed now in Halberstadt Cathedral, Germany where a special organ was created to perform the piece unattended until a chord change is called for. This work is not electronic, although the pipe organ may be thought of by some, including me, as the first synthesizer. Although I won't be playing this work except in the background of this introduction, I needed to mention it because of its significance in the canon of drone music. “This composition consists, like Cage's ASLSP, of 8 pieces. Unlike ASLSP, however, all pieces here should be played. Any of the 8 pieces may be repeated, and these repetitions may be played subsequent to any of the other pieces. The published score consists of a title page, brief instructions, and 4 leaves with music. Each page contains 2 pieces.” Phill Niblock, “Guitar, too, for four—The Massed Version” from G2,44+/x2 (2002 Moikai). 24-track mix of guitar samples from Rafael Toral, Robert Poss, Susan Stenger, David First. Guitarists adding 2 live parts each to the 24 track mix version: Kevin Drumm, Lee Ranaldo, Thurston Moore, Robert Poss, Alan Licht. Niblock's usually works with acoustic instruments, so this venture with electric guitar is somewhat unique in his body of work. He asks musicians to play parts that are first recorded and then reworked in the mixing and editing process, largely to eradicate pauses and silences so that the sounds can be blended without such interruptions. Pauline Oliveros and Reynols, "Half a Dove in New York, Half a Dove in Buenos Aires" (1999) (2022 Smalltown Supersound). Reynols is an Argentinian experimental band that began in 1993 as Burt Reynols Ensamble. Band member Alan Courtis wrote to me, saying, “First of all, thanks a lot for mentioning our Pauline Oliveros in the arms of Reynols collaboration in your book Electronic & Experimental Music. She was a great musician/composer and friend.” After which he pointed me to a “recent release of an old project we made with Pauline back in 1999.” This is it! Opening background music: Tony Conrad, Arnold Dreyblatt, Jim O'Rourke, “Side 1” from Tonic 19-01-2001 (2023 Black Truffle). Performers, Arnold Dreyblatt, Jim O'Rourke, Tony Conrad. Recorded January 19,2001 at Tonic, New York City. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.
Solo releases from the members of the band Sonic Youth. It's really just an excuse to rave about his love of Lee Ranaldo's hugely underated solo work. Added visuals on Apple devices thanks to Vizzy.fm Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.
Pete Weiss is a New England-based producer/engineer/mixer/musician. His unfussy, organic, "artist first" work has earned him a reputation as an outstanding producer who can adapt to many musical genres and is unafraid to ignore stylistic convention. Notable artists Weiss has worked with include Charlie Chesterman, Chris Brokaw, Peter Holsapple, Kustomized, Slim Cessna's Auto Club, Doug Yule, Moe Tucker, The Upper Crust, Aimee Mann, Lee Ranaldo, Bell X1, Willard Grant Conspiracy, Two Dollar Pistols, Bow Thayer & Levon Helm, Hayley Thompson-King and many others. In 1989 he co-founded Zippah Studio in Boston. In 2004, he built and opened Verdant Studio, an "open room" retreat-style studio with artist lodging in rural Vermont which he operated until late 2020, when he returned to Boston to concentrate on mixing and mastering at Jade Cow Music Post Production Services. When not in the studio, Weiss fronts the instrumental band The Weisstronauts and is a member of the experimental pop collective known as Sool. Since 2017, he has collaborated with eclectic vocalist/songwriter Hayley Thompson-King. He released a solo album in 1996 and three albums while fronting the subversive Pete Weiss & the Rock Band from 1995-2000. He has scored four independent films, "Methods" (1998), "Metal" (2001), "Bad Gravity" (with Sool 2006), and "The Arcadian Ideal" (2007). He is a Senior Contributor for Tape Op Magazine, writing reviews of audio equipment as well as conducting interviews with recording industry figures. Over the years he has served on many panels & workshops at Tape Op's and Potluck Audio's conferences. In the early 1990's Weiss authored two books on baseball, "Baseball's All Time Goats" and "Longshots!", both published by Adams Media. IN THIS EPISODE, YOU'LL LEARN ABOUT: Working with track limitations Owning a retreat-style studio Finding clients while working in the middle of nowhere Attended sessions vs unattended sessions Setting guidelines for clients Working in an open-concept studio The relationship between kick and bass guitar: how to get the low-end feeling balanced How to track bass guitar The keys to getting a great guitar tone Making time for experimentation during a session To learn more about Pete Weiss, visit: https://www.weissy.com/ To learn more tips on how to improve your mixes, visit https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!
David Soldier has achieved a rare distinction — not only is he an accomplished Columbia University neuroscientist with over 200 papers and publications, several research grants and numerous prestigious awards to his credit, he is an equally successful and prolific musician in almost every genre of music. His musical undertakings include his work with the Soldier String Quartet (since 1984), a punk chamber group which has recorded with Guided by Voices, Rick Ocasek (Frontman for The Cars), Elliott Sharp, Leroy Jenkins and frequent collaborator John Cale (Velvet Underground); The Kropotkins, comprising Lori Velvette, Velvet Underground Drummer Moe Tucker, Charles Burnham (James Blood Ulmer's Odyssey Band) and Jonathan Kane, the latter with whom David formed the versatile duo, Soldier Kane. Other prolific legends with whom David has collaborated include Bo Diddley, Pete Seeger, Richard Hell and Sonic Youth's Lee Ranaldo. He wrote two chamber operas with Kurt Vonnegut (The Soldier's Story and Ice-9 Ballads), with Vonnegut playing multiple characters in the works. Films David has arranged or scored include I Shot Andy Warhol (Jared Harris); Andy Warhol's Eat and Kiss; and Basquiat, directed by Julian Schnabel and starring Jeffrey Wright and Benicio del Toro. From an experimental side, he has collaborated with conceptual Russian artists Komar & Melamid; and formed the Thai Elephant Orchestra, a musical ensemble consisting of 14 elephants, which he assembled, coordinated and composed. In our conversation, we discuss David's unique discovery of music in Southern Illinois; working with the giants of music; creating music which transcends genre; the origins of rock and roll; and the power of simplicity in hip hop.Opening Credits: Independent Music Licensing Collective (IMLC) - New Lands; Closing Credits: Jack Adkins - Little Stinky
Welcome to another episode of Aquarium Drunkard Transmissions. This week on the show, Daryl Black Eagle Jamieson and guitarist Yonatan Gat join us to discuss their collaborative work as Medicine Singers, which pairs the powwow drum and the voices of the Eastern Medicine Singers with Yonatan's electrified guitar and contributions from experimental composer Joe Rainey, Ikue Mori of DNA, Thor Harris of Swans, previous Transmissions guest Laraaji, and the late jamie branch. Tapped into a kind of frenzied energy, the album is an overpowering force, and it features a transcendent cover of Link Wray's immortal “Rumble.” Ahead of a performance September 24 at Pioneer Works with guests Lee Ranaldo, Laraaji, and Thor Harris, Jamieson and Gat join us to discuss their collaboration. A quick word: sorry about some of the audio in this one; there was an issue with a connection, but the conversation is more than worth it. Thanks for checking out Transmissions. If you dig the show, please consider leaving a five star rating or a review—or just forwarding your favorite episodes to a friend. We're a part of the Talkhouse Podcast Network. Next week on the show: Medicine Singers.
Bienvenidisima queridísima fauna nocturna que sintoniza justo ahora #ALBoomDelAlbum en nuestro #RitualDeLoVIRTUAL de EclecTomeiroland Sedición #448 para conmemorar el 30 anviersario del álbum "Dirty" de la banda neoyorkina Sonic Youth. Reconocidos por las jovenes bandas emergentes como una gran influencia, todo un referente ético y musical, los neoyorquinos habían pasado de la pura experimentación musical, que nunca abandonaron del todo, a discos en los que las canciones tomaban forma más digerible para la mayoría. Ese era el marco y los precedentes con los que Kim Gordon, Thurston Moore, Steve Shelley y Lee Ranaldo se metieron al estudio para grabar esta importante obra en su trayectoria.
En este episodio nuestro equipo conversa sobre "Goo" de Sonic Youth y el impacto que tuvo para la banda en su discografía, sus atributos sonoros y de composición, la influencia de esta obra en la posterior explosión del grunge, entre otros temas.
This week on the show, we're joined by Chicago indie trio Horsegirl—Penelope Lowenstein, Nora Cheng and Gigi Reece. Their new album, Versions of Modern Performance, out now on Matador Records, echoes classic indie rock—think Sonic Youth (after all, Lee Ranaldo and Steve Shelley guest star on one song), Dinosaur Jr, The Clean, and The Breeders. But what really makes it such a compelling listen is the interplay between these three young people. Horsegirl does everything as a group, from answering emails to taking meetings, so naturally all three members join host Jason P. Woodbury to dig in, discussing high school, how the pandemic solidified their band, working at Electrical Audio with producer John Agnello, and trading off on a Bass VI instead of a standard four-string. We hope you enjoy this episode. If you do, please consider leaving us a rating and or review. It helps new folks find the show. Transmissions airs wherever you get podcasts each Wednesday. If you'd like to support the show, please consider a pledge to Aquarium Drunkard's Patreon. Transmissions is part of the Talkhouse podcast network.
Sonic Youth's Lee Ranaldo and Steve Shelley discuss the new rarities release, In/Out/In, the Beatles and Get Back, playing with Jim O'Rourke and then Mark Ibold, performing “100%” on Late Night with David Letterman, upcoming Sonic Youth projects and reissues, other future plans, and more! Supported by you on Patreon, Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Support this show http://supporter.acast.com/kreative-kontrol. See acast.com/privacy for privacy and opt-out information.
Though Sonic Youth ended a decade ago, the band's archives have continued to surprise. The latest from the SY vault is In/Out/In (Three Lobed Recordings), a collection of instrumentals recorded during the band's final era, including some with Jim O'Rourke and contributions from The Eternal bassist Mark Ibold. Ahead of the album's release, Lee Ranaldo and Steve Shelley of Sonic Youth join host Jason P. Woodbury to discuss The Simpsons, the band's Geffen years, stolen (and recovered) guitars, the science fiction of William Gibson and Philip K. Dick, and much more on this episode of Transmissions, Aquarium Drunkard's weekly podcast.
Bit of a dream come true this – 40 minutes with Lee Ranaldo, guitarist in one of my absolute favourite bands, Sonic Youth. Sometimes I have to pinch myself, I really do. If you'd told me at 14 that one day I'd get to talk to a member of actual Sonic Youth about weird guitars, songwriting, Nirvana, Donald Trump, all sorts of stuff… well, I would probably ask, ‘who's Donald Trump?', but you get my point. Hey, remind me to tell you sometime about the time I helped Thurston Moore steal a sofa from the NME office and just how much trouble I got into for doing so. Now's not the time, but remind me...We also talk about Lee's newest release, In Virus Times, an instrumental acoustic piece that comprises four parts, written and performed by Lee in his flat during those strange COVID drenched days twelve months ago, when lockdown shut down the world. It's perhaps Lee at his most human – in his words, ‘least arch' – and there's something almost paranormal about the recording; like a fingerprint left on time itself. It's out November 12th on the great Mute Records. Don't sleep on that one.The James McMahon Music Podcast is a Spoook Media production. Spoook is also a record label, a promoter, a shop, a Substack - it's many things. Follow us on Instagram and Twitter. And please do Like, Review and Subscribe - it actually really helps people find our podcasts!
Lee Ranaldo / Jim Jarmusch / Marc Urselli / Balazs Pandi. Churning of the Ocean, 2021. Cuarteto Fuerte. Últimeit, 2021. Naruyoshi Kikuchi. Mobile Suit Gundam Thunderbolt 2 Original Soundtrack, 2021. Otomo Yoshihide. Live at Tusk Festival 2018, 2021.
Lee Ranaldo / Jim Jarmusch / Marc Urselli / Balazs Pandi. Churning of the Ocean, 2021. Cuarteto Fuerte. Últimeit, 2021. Naruyoshi Kikuchi. Mobile Suit Gundam Thunderbolt 2 Original Soundtrack, 2021. Otomo Yoshihide. Live at Tusk Festival 2018, 2021.
Tim Foljahn has had a very interesting career. He's worked with Steve Shelly, Lee Ranaldo, and Thurston Moore of Sonic Youth. He's toured extensively with Jad Phair, Half Japanese, Cat Power; Thurston Moore, Townes Van Zandt, and others. He's been in a TV band called Side Boob on Orange Is The New Black. He's pursuing a Master's degree in psychoanalysis. AND...he has a new album coming out. It's called I Dreamed A Dream and it'll throw some of the coolest curveballs at you. Check it out on Cart/Horse records. Preorder it on their site or at timfoljahn.com. He's on social media @twodollarguitar. Follow us @PerformanceAnx. Rate & review! Buy us coffee at ko-fi.com/performanceanxiety. Merch is at performanceanx.threadless.com. Let's jump right into this episode with Tim Foljahn on Performance Anxiety, part of the Pantheon Podcast Network.
Tim Foljahn has had a very interesting career. He's worked with Steve Shelly, Lee Ranaldo, and Thurston Moore of Sonic Youth. He's toured extensively with Jad Phair, Half Japanese, Cat Power; Thurston Moore, Townes Van Zandt, and others. He's been in a TV band called Side Boob on Orange Is The New Black. He's pursuing a Master's degree in psychoanalysis. AND...he has a new album coming out. It's called I Dreamed A Dream and it'll throw some of the coolest curveballs at you. Check it out on Cart/Horse records. Preorder it on their site or at timfoljahn.com. He's on social media @twodollarguitar. Follow us @PerformanceAnx. Rate & review! Buy us coffee at ko-fi.com/performanceanxiety. Merch is at performanceanx.threadless.com. Let's jump right into this episode with Tim Foljahn on Performance Anxiety, part of the Pantheon Podcast Network.
Lee Ranaldo is the mystic groove in Sonic Youth; the George Harrison of the groundbreaking New York band whose creativity has found a spotlight and a focus with the breakup of the 'alpha' group. In this interview, the Sonic Youth guitarist tells John Robb how the broken and hellish streets of New York in the early Eighties helped create the band's groundbreaking sound. Swears.
Guitarist Alan Licht has been active across a broad range of activity in the wold of experimental music since the late 80s. Born and raised in Jersey, based in Brooklyn, Alan has been playing guitar since he was a teenager. He's worked closely with Loren Connors, Lee Ranaldo, Jim O'Rourke and many others. He's a published author and for many years was the booker for the legendary NYC club Tonic. Alan has stayed very busy over the years and has a perspective all his own, with a lot of stories to tell.
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