Podcast appearances and mentions of Julian Schnabel

To close their 5th season dedicated to artists and films about their lives, Gaby and Andreina discuss the 2018 film Van Gogh: At Eternity's Gate.Directed by Julien Schnabel and starring Willem Dafoe as Vincent Van Gogh, the movie is a visually arresting and moving depiction of the painter's last years. In their discussion, Gaby and Andreina discuss the representation of the artist's imagination and subjectivity in film, Julien Schnabel's rich directorial approach, and their connection to Van Gogh and his art.***Spoiler alert! While reviewing this film, we go through key scenes and may reveal the ending, so be warned of spoilers!***Links and sources:Interview with director Julian Schnabel at the TIFF 2018Interview with Willem DafoeInterview with Oscar IsaacJohn Berger, The Sense of SightSelf-Portrait with Bandaged Ear, Vincent van GoghVan Gogh Museum

To close their 5th season dedicated to artists and films about their lives, Gaby and Andreina discuss the 2018 film Van Gogh: At Eternity's Gate.Directed by Julien Schnabel and starring Willem Dafoe as Vincent Van Gogh, the movie is a visually arresting and moving depiction of the painter's last years. In their discussion, Gaby and Andreina discuss the representation of the artist's imagination and subjectivity in film, Julien Schnabel's rich directorial approach, and their connection to Van Gogh and his art.***Spoiler alert! While reviewing this film, we go through key scenes and may reveal the ending, so be warned of spoilers!***Links and sources:Interview with director Julian Schnabel at the TIFF 2018Interview with Willem DafoeInterview with Oscar IsaacJohn Berger, The Sense of SightSelf-Portrait with Bandaged Ear, Vincent van GoghVan Gogh Museum

Mandolyn Wilson Rosen is back on the podcast! This time, instead of a book we are talking about an artist documentary. The film is called "Lifeline: Clyfford Still" 2019 directed by Dennis Scholl. It's a juicy art bio tell-all with a crusty curmudgeon as its talented but embittered subject. Come along with us as we enter a turbulently Still world. Find the film on Amazon ($2.99 SD) or for free on KanopyFind Mandolyn online at: https://mandolynwilsonrosen.com and on IG at @mandolyn_rosenLinks to the writings we mentioned:Clyfford Still's "An Open Letter to an Art Critic" on Artforumhttps://www.artforum.com/features/an-open-letter-to-an-art-critic-212151/David Levi Strauss for Brooklyn Rail "From Metaphysics to Invective"https://brooklynrail.org/2012/05/art/from-metaphysics-to-invective-art-criticism-as-if-it-still-matters/Seph Rodney for Hyperallergic "Hoping is Not Enough"https://hyperallergic.com/983414/hoping-is-not-enough/Artists mentioned: Matthew Barney, Jackson Pollock, Mark Rothko, Barnett Newman, Lois Dodd, Julian Schnabel, Mark Bradford, Julie Mehretu, Frank Stella, Ellsworth Kelly, Michelle GrabnerWriters mentioned: Seph Rodney, Paul Valéry, John Ruskin, Guillaume Apollinaire, John Ruskin, David Levi Strauss, Dore Ashton, Jerry Saltz, Ken Johnson, Clement Greenberg, Emily Dickinson's "'Hope' is the thing with feathers" Thank you, Mandy! Thank you, Listeners!Visit RuthAnn, a new artist-run gallery in Catskill, NY at @ruthanngallery and ruthanngallery.comAll music by Soundstripe----------------------------Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pep Talks website: ⁠⁠⁠⁠⁠⁠peptalksforartists.com⁠⁠⁠⁠⁠⁠Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amy's website: ⁠⁠⁠⁠⁠⁠amytalluto.com⁠⁠⁠⁠⁠⁠Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated!

In this episode, Marina Granger speaks with Emily McElwreath, a powerhouse in the art world with over 18 years of experience as an adviser, independent curator, art educator, and host of The Art Career Podcast (listen here: https://podcasts.apple.com/us/podcast/the-art-career/id1618996536) . She has worked on major exhibitions with artists such as Andy Warhol, Julian Schnabel, and Nate Lowman at The Brant Foundation. She has lectured at prestigious institutions such as The Whitney and The Metropolitan Museum of Art. We dive into: ✨ Emily McElwreath's inspiring career path and how she became one of the most sought-after voices in the art world. ✨ The power of manifestation and mindset for building a thriving artistic career. ✨ How artists can navigate the art world and how to approach working with galleries. ✨ Practical tools for artists to grow their confidence and navigate the art world effectively. ✨ Insights into her upcoming guide, Navigating the Art World: A Practical Guide for Artists, which includes a comprehensive list of grants, residencies, and resources every artist needs. Emily McElwreath bridges the gap between artists, collectors, and the broader art community, offering invaluable advice and perspective for artists at all stages of their careers. Resources Mentioned in the Episode:

Editor -Juliette Welfling EMILIA PÉREZ editor Juliette Welfling took on the job of editing her first musical without knowing the rigor and precision that would be required for the job.  For better or worse, neither did writer/director Jacques Audiard, himself new to the world of making a musical.  It turns out, experience might be overrated, as the Netflix Oscar-hopeful has won over critics since its premiere at the 2024 Cannes Film Festival. Written and directed by Jacques Audiard, EMILIA PÉREZ is based on Audiard's opera libretto of the same name.  Audiard's opera was loosely adapted from Boris Razon's 2018 novel, Écoute.  The film stars Zoe Saldaña, Selena Gomez, Adriana Paz and Karla Sofía Gascón in the title role.  EMILIA PÉREZ tells the story of a feared cartel leader who enlists a lawyer to help her disappear and achieve her dream of transitioning into a woman. Its original songs were contributed by French singer Camille, while its original score was provided by her partner and collaborator, Clément Ducol. Juliette Welfling Juliette Welfling began her career at age eighteen as an intern on Jean-Charles Tachella's Cousin cousine. She later befriended Jacques Audiard while both were working as assistant editors, and she earned her first editor credit on his directorial debut See How They Fall. Welfling has received César nominations for each of Audiard's eight films, winning four times: for See How They Fall, The Beat That My Heart Skipped, A Prophet, and Rust and Bone. She received an additional César nomination for Asghar Farhadi's The Past, as well as a César win and Oscar nomination for Julian Schnabel's The Diving Bell and the Butterfly. Welfling has also collaborated with other directors including Michel Gondry (The Science of Sleep) and Gary Ross (The Hunger Games, Ocean's Eight). Editing EMILIA PÉREZ In our discussion with EMILIA PÉREZ editor Juliette Welfling, we talk about: Knowing the rules, when you don't want to know them, so you can apply them without knowing Not being a prisoner of precision Managing the menace within Fixing problems within the cutting room by finding inspiration outside of it Respect for fromage The Credits Visit ExtremeMusic for all your production audio needs Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

«Kulturplatz» vermittelt seit 20 Jahren Kultur und hilft gesellschaftliche Debatten zu verstehen. Mit Beat Schlatter und Sina spricht Eva Wannenmacher über die Kraft des Fernsehens. Zeigt Highlights und wirft einen Blick nach vorn: Wie wird der «Kulturplatz» der Zukunft aussehen. Ein rasanter Blick zurück Am Anfang war das weisse Studio, aus dem der «Kulturplatz» moderiert wurde. Zwischendurch kam Late-Night-Pabst Harald Schmidt für eine Mutterschaftsvertretung. Irgendwann ging die Sendung raus, in die Museen und Kulturorte der Schweiz. Eva Wannenmacher moderierte da auch schon mal hoch zu Ross. In 20 Jahren hat sich der «Kulturplatz» stets als Vermittler zwischen Kunst und Kultur verstanden. Nationale Kulturhelden wie Beat Schlatter, Sina oder Mike Müller waren zu Gast. Aber auch internationale Stars wie Tilda Swinton, Julian Schnabel, Jeff Walls oder Marina Abramovic. Talente wie Sophie Hunger, Faber und Hazel Brugger fanden hier zum ersten Mal mediale Aufmerksamkeit. Immer wieder lenkte die Sendung den Blick auf gesellschaftliche Debatten. Zum Jubiläum trifft Eva Wannenmacher heute im Zürcher Museum für Gestaltung Beat Schlatter und Sina und feiert mit ihnen Kultur, «Kulturplatz» und elektronischen Medien. Bewegte Momente der Mediengeschichte bei SRF In dieser Woche feiert SRF das 100-jährige Bestehen der elektronischen Medien in der Deutschschweiz. Vor 73 Jahren flimmerte das erste TV-Programm durch die Schweizer Stuben. Und auch der erste «Eurovision Song Contest» fand im Schweizer Fernsehen und in der Schweiz statt. Das Schätzchen der Schweizer Fernsehunterhaltung wurde Heidi Abel. Und die Alltagsromantik der TV-Serien «Motel» und «Fascht e Familie» sorgten früh für Identitätsgefühl. In den 1980er-Jahren sorgten die ersten Walkmans für «Aha-Erlebnisse», soviel Musik aus einem so kleinen Gerät. Momente, die im Fernsehen festgehalten und zu ikonischen Momenten wurden. «Kulturplatz» wirft einen Blick auf die Höhepunkte und kuriosen Augenblicke, die das SRF-Archiv zu einem kulturellen Fundus gemacht haben. «Kulturplatz» der Zukunft Wenn «Kulturplatz»-Moderator Nino Gadient in 20 Jahren die Sendung moderiert, können die Zuschauenden mit ihm virtuell im Studio sitzen und auf «Stopp» drücken, wenn mal eben schnell das Popcorn aus geht. Utopie oder realistisches Szenario? Tatsache ist, seit der «Kulturplatz» 2004 Premiere feierte, ist technologisch viel geschehen. Und in 20 Jahren wird noch viel mehr passieren. Wie könnte also ein «Kulturplatz» der Zukunft aussehen? VR-Brillen versprechen die totale Immersion, dank der KI kann jeder Nutzer sein eigenes Programm quasi für ihn ganz persönlich generieren lassen. Doch sind solche Szenarien, nur weil sie technologisch möglich sind, auch realistisch? Ein Zukunfts-«Kulturplatz».

Cette semaine, je rencontre Suzanne SYZ, créatrice de bijoux uniques. Suzanne est fascinée par l'intensité et la fragilité de l'unique. Sans doute parce qu'il a le goût de l'instant présent. Tout a commencé comme ça : elle ne trouvait pas sur le marché, les bijoux qui lui plaisaient, qui soient précieux sans être guindées, élégants sans être conventionnels, pétillants sans être inconfortables. Alors, avec la collaboration d'un atelier genevois, elle s'est mise à concevoir les siens. Sa vie dans le New York des années 80, à côtoyer Andy Warhol, Jean-Michel Basquiat, Jeff Koons ou Julian Schnabel n'est sans doute pas étrangère à cette audace de créatrice. Mais au-delà du plaisir de créer des bijoux uniques, comment expliquer leur influence sur les personnes qui les portent ? Suzanne répond que le bijou est justement fait pour cela, pour faire vibrer ce qu'il y a d'unique, de joyeux et de beau chez celles et ceux qui les portent. Un beau bijou brille, mais il fait avant tout briller la personne qui le porte. On pourrait ajouter qu'inversement, c'est à la personne qui le porte d'apporter de l'éclat a un bijou qui n'en a pas. Comment créer de l'unique sans se répéter ? C'est la question de la semaine.

This week on Remainders we watch the 1996 biopic Basquiat, a glimpse into the short life of postmodernist and art-world icon Jean-Michel Basquiat. Directed by Julian Schnabel and starring a young Jeffrey Wright, Basquiat follows his rise to fame in 1980s New York City and the hotbed of creativity crossing paths with Andy Warhol and others. Containing one of the most notable and talented casts of any film from the decade, Basquiat is a portrait of an artist made from an artist – an ode to the act of creativity itself.Other topics include the Academy Awards, Godzilla winning its first Oscar, Oppenheimer, Ennio Morricone at the Music Box, social media and art, and what makes a good biopic.Songs of the WeekRaining In My Heart by Buddy Holly & the CricketsSeries of Dreams by Bob DylanRemainders Podcast Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

The author Ishmael Reed is known as a major force in literature and has been called one of the key thinkers of multiculturalism. Born in 1938, Reed arrived with a bang in 1972 with Mumbo Jumbo, a vibrant, hard-to-describe novel that blends real historical events with outrageous fantasy, about a plague of dancing that breaks out, spread by Black artists and musicians, and a shadowy international conspiracy to contain its disruptive power. Reed's storied career has included novels, essays, and polemics, as well as plays. And he has recently come out with a work for the stage that looks at how we tell the story of another giant of the late 20th century: Jean-Michel Basquiat. Basquiat is today among the most widely known painters, and his life story is almost as famous as his art itself. He burst into the spotlight in the early ‘80s, first as a savvy street artist and then with his vibrant style of painting. By 1985, he was on the cover of the New York Times Magazine, the symbol of the 1980s art boom. By the end of the decade, he was dead of an overdose of heroin, at the age of 27. Reed's play, titled The Slave Who Loved Caviar, is sharply critical of how Basquiat's story gets told as one of self-destruction instead of exploitation. It homes in on Basquiat's famous relationship with the edler Andy Warhol, which has been told and retold, in the painter Julian Schnabel's famous 1996 film Basquiat, as well as more recently Anthony McCarten's Broadway play, The Collaboration, soon to be a film, and in many other places. Like Mumbo Jumbo, The Slave Who Loved Caviar tackles the serious subject of how Black culture is treated in society, in a fantastic way. It features police investigators literarily reviewing the evidence that the white art world failed Basquiat. But it also has a Vampire aristocrat character, depicted as a present-day, Andy Warhol-like figure out to collaborate with a young Black artist, who goes by the name Young Blood. The play was performed in 2021 and 2022 at the Theater for the New City. It has just been published in a text by Archway Editions, with a forward and afterward where Reed responds to some of the criticism his take on Basquiat's story stirred up then. This week on the podcast, Reed joins Artnet's chief art critic Ben Davis to discuss his work.

The author Ishmael Reed is known as a major force in literature and has been called one of the key thinkers of multiculturalism. Born in 1938, Reed arrived with a bang in 1972 with Mumbo Jumbo, a vibrant, hard-to-describe novel that blends real historical events with outrageous fantasy, about a plague of dancing that breaks out, spread by Black artists and musicians, and a shadowy international conspiracy to contain its disruptive power. Reed's storied career has included novels, essays, and polemics, as well as plays. And he has recently come out with a work for the stage that looks at how we tell the story of another giant of the late 20th century: Jean-Michel Basquiat. Basquiat is today among the most widely known painters, and his life story is almost as famous as his art itself. He burst into the spotlight in the early ‘80s, first as a savvy street artist and then with his vibrant style of painting. By 1985, he was on the cover of the New York Times Magazine, the symbol of the 1980s art boom. By the end of the decade, he was dead of an overdose of heroin, at the age of 27. Reed's play, titled The Slave Who Loved Caviar, is sharply critical of how Basquiat's story gets told as one of self-destruction instead of exploitation. It homes in on Basquiat's famous relationship with the edler Andy Warhol, which has been told and retold, in the painter Julian Schnabel's famous 1996 film Basquiat, as well as more recently Anthony McCarten's Broadway play, The Collaboration, soon to be a film, and in many other places. Like Mumbo Jumbo, The Slave Who Loved Caviar tackles the serious subject of how Black culture is treated in society, in a fantastic way. It features police investigators literarily reviewing the evidence that the white art world failed Basquiat. But it also has a Vampire aristocrat character, depicted as a present-day, Andy Warhol-like figure out to collaborate with a young Black artist, who goes by the name Young Blood. The play was performed in 2021 and 2022 at the Theater for the New City. It has just been published in a text by Archway Editions, with a forward and afterward where Reed responds to some of the criticism his take on Basquiat's story stirred up then. This week on the podcast, Reed joins Artnet's chief art critic Ben Davis to discuss his work.

Tim von "Ein Hauch von Film" stellte mich vor eine echte Herausforderung. Wir kannten uns noch gar nicht, ich wollte eine junge Stimme im Cast haben und er wirft mit einem vollkommen in Vergessenheit geratenen Indy-Bio-Pic der frühen "Miramax-Ära" um sich. Da muss ich ihn doch erstmal fragen, was für eine Typ Mensch er ist....

We'll be back with more Magic in the United States this Spring, but in the meantime, enjoy this excerpt from the latest episode of The Kitchen Sisters Present: Lou Reed's Tai Chi “Lou Reed, musician, rock icon, poet, leader of the legendary Velvet Underground, was obsessed with tai chi — the practice, the community, the health and spiritual benefits. Lou had been writing a book about this ancient martial art that was unfinished when he died in 2013. Lou's wife, the artist and musician Laurie Anderson, looked at Lou's unfinished work and decided the book needed to be completed, that there was something important to be shared in Lou's long, life-altering journey with tai chi. She turned to three of Lou's friends to help her with the project. By the time the book, The Art of the Straight Line: My Tai Chi by Lou Reed, hit the stands in the spring of 2023, they had spoken with nearly 100 people and created a riveting portrait of Lou's spiritual, medical and musical life, beckoning readers to enter the world of tai chi. The Kitchen Sisters read the book and we kept thinking, these conversations must have been taped. We asked Laurie if there were recordings. There were. Dozens and dozens of them from rock stars, to tai chi masters, to doctors, to family…. We listened to the raw interviews, this remarkable trove of sound and story, and created a podcast that goes deep inside the making of this book. Voices heard in the story include Laurie Anderson, Iggy Pop, Julian Schnabel, Hal Willner, Anohni, Master Ren and many more, plus archival recordings of Lou Reed.”

Lou Reed, musician, rock icon, poet, leader of the legendary Velvet Underground, was obsessed with tai chi — the practice, the community, the health and spiritual benefits. Lou had been writing a book about this ancient martial art that was unfinished when he died in 2013. Lou's wife, the artist and musician Laurie Anderson, looked at Lou's unfinished work and decided the book needed to be completed, that there was something important to be shared in Lou's long, life-altering journey with tai chi. She turned to three of Lou's friends to help her with the project. By the time the book, The Art of the Straight Line: My Tai Chi by Lou Reed, hit the stands in the spring of 2023, they had spoken with nearly 100 people and created a riveting portrait of Lou's spiritual, medical and musical life, beckoning readers to enter the world of tai chi. The Kitchen Sisters read the book and we kept thinking, these conversations must have been taped. We asked Laurie if there were recordings. There were. Dozens and dozens of them from rock stars, to tai chi masters, to doctors, to family…. We listened to the raw interviews, this remarkable trove of sound and story, and created a podcast that goes deep inside the making of this book. Voices heard in the story include Laurie Anderson, Iggy Pop, Julian Schnabel, Hal Willner, Anohni, Master Ren and many more, plus archival recordings of Lou Reed. The Kitchen Sisters Present: Lou Reed's Tai Chi. “Well, everybody does something, some people race cars, others collect stamps. I find tai chi to be philosophically, aesthetically, physically and spiritually fascinating.” — Lou Reed

What gave Taxi Driver its edge? What was Mary Poppins secret life? If filmmaking is all about “creating lies”, when does the lie become more real than the truth?Featured film discussions from screenings at Sag Harbor Cinema, following on our interview with April Gornik, community activist/organizer and artist. She is a director of Sag Harbor Cinema and was Campaign Chair for the restoration of the Cinema after a fire nearly destroyed it in 2016. Today the SHG screens a variety of contemporary and classic films, hosting events and public screenings in the presence of filmmakers and actors. You can hear our full interview with Gornik and other artists brought to the stages of Sag Harbor Cinema and The Church Arts & Creativity Center on The Creative Process podcast.Sag Harbor Cinema Arts Center is dedicated to presenting the past, present and future of the movies and to preserving and educating about films, filmmaking, and the film-going experience in its three state-of-the-art theaters and in the surrounding community. The Cinema engages its audiences and the community year-round through dialogue, discovery, and appreciation of the moving image – from blockbusters to student shorts and everything in between. Revitalized and reimagined through unprecedented community efforts to rebuild the iconic Main Street structure after a fire nearly destroyed it in 2016, SHC continues a tradition of entertainment, education, and enrichment in the heart of Sag Harbor Village.https://sagharborcinema.org/www.aprilgornik.comwww.thechurchsagharbor.orgwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastAudio courtesy of Sag Harbor Cinema Arts Center.

What gave Taxi Driver its edge? What was Mary Poppins secret life? If filmmaking is all about “creating lies”, when does the lie become more real than the truth?Featured film discussions from screenings at Sag Harbor Cinema, following on our interview with April Gornik, community activist/organizer and artist. She is a director of Sag Harbor Cinema and was Campaign Chair for the restoration of the Cinema after a fire nearly destroyed it in 2016. Today the SHG screens a variety of contemporary and classic films, hosting events and public screenings in the presence of filmmakers and actors. You can hear our full interview with Gornik and other artists brought to the stages of Sag Harbor Cinema and The Church Arts & Creativity Center on The Creative Process podcast.Sag Harbor Cinema Arts Center is dedicated to presenting the past, present and future of the movies and to preserving and educating about films, filmmaking, and the film-going experience in its three state-of-the-art theaters and in the surrounding community. The Cinema engages its audiences and the community year-round through dialogue, discovery, and appreciation of the moving image – from blockbusters to student shorts and everything in between. Revitalized and reimagined through unprecedented community efforts to rebuild the iconic Main Street structure after a fire nearly destroyed it in 2016, SHC continues a tradition of entertainment, education, and enrichment in the heart of Sag Harbor Village.https://sagharborcinema.org/www.aprilgornik.comwww.thechurchsagharbor.orgwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastAudio courtesy of Sag Harbor Cinema Arts Center.

What gave Taxi Driver its edge? What was Mary Poppins secret life? If filmmaking is all about “creating lies”, when does the lie become more real than the truth?Featured film discussions from screenings at Sag Harbor Cinema, following on our interview with April Gornik, community activist/organizer and artist. She is a director of Sag Harbor Cinema and was Campaign Chair for the restoration of the Cinema after a fire nearly destroyed it in 2016. Today the SHG screens a variety of contemporary and classic films, hosting events and public screenings in the presence of filmmakers and actors. You can hear our full interview with Gornik and other artists brought to the stages of Sag Harbor Cinema and The Church Arts & Creativity Center on The Creative Process podcast.Sag Harbor Cinema Arts Center is dedicated to presenting the past, present and future of the movies and to preserving and educating about films, filmmaking, and the film-going experience in its three state-of-the-art theaters and in the surrounding community. The Cinema engages its audiences and the community year-round through dialogue, discovery, and appreciation of the moving image – from blockbusters to student shorts and everything in between. Revitalized and reimagined through unprecedented community efforts to rebuild the iconic Main Street structure after a fire nearly destroyed it in 2016, SHC continues a tradition of entertainment, education, and enrichment in the heart of Sag Harbor Village.https://sagharborcinema.org/www.aprilgornik.comwww.thechurchsagharbor.orgwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastAudio courtesy of Sag Harbor Cinema Arts Center.

Arielle dropped out of school aged 15 to sail across the Atlantic in a vintage boat - an unpopular decision with the grownups in her life and also the dawn of an incredible creative career as a multimedia artist and filmmaker that has seen her exhibit alongside the likes of Nan Goldin, Wolfgang Tillmans and collaborate with rock royalty. We caught up with the polymath in a rare still moment at her home in Venice, California where she was nursing a broken shoulder (rather than surfing, kayaking, taking photos, painting or making music videos) to pull ten cards from The Creative Blood Experience deck.In the episode Arielle references Julian Schnabel's outdoor studio  which you can see in this film by Nowness, one of her favourite photographers Bill Henson who she connected with on his socials and the Language Transfer App she's using to learn Italian at speed.And take a leaf out of Arielle's playbook and connect with her on Insta.After you've listened (or even whilst!) take a closer look at her Archipelago series, the first ever show at LA's renowned fashion and art space, Just One Eye.This episode was created in partnership with the brilliant humans here Creative Blood and Scenery Studios. Say hello @creativebloodagency Music by Ben Tarrant-BrownProducer Lina PrestwoodMixed by Rob Martland

Joe & Adam reconnect with the stunning 2007 flick, The Diving Bell and the Butterfly, directed by Julian Schnabel. They thought they'd seen it, but only their younger selves had really. They're older now, and the rewatch hits harder than they could have imagined - particularly when it comes to ‘dad' chat.

What makes films memorable and meaningful? Great cinematographers are not only translators of a director's vision but are involved in a dance between director and actor. When combined with personal techniques like handheld, the camera itself can become a character, bringing us back in time and behind the eyes of well-known figures like Van Gogh and Stephen Hawking, which is what Benoît Delhomme did in the films At Eternity's Gate and The Theory of Everything.Benoît Delhomme studied cinematography at the École nationale supérieure Louis-Lumière and went on to make his breakthrough as a director of photography for the movie The Scent of Green Papaya directed by Tran Anh Hung. The film went on to win the Caméra d'Or Award at the Cannes Film Festival and was nominated for an Academy Award. Benoît has established himself as an international cinematographer and has worked with creatives such as Al Pacino, Julian Schnabel, and James Marsh. Over the years, Benoît Delhomme has worked on a wide array of films where his focus has been to tell a strong story through the visual. This focus has shined not only through his work as a cinematographer, but also his work as a painter."I certainly like a handheld camera, It's a bit like playing a saxophone. It's like the pace of walking or how I stop or I decide to go closer to the actor or to take more distance is so free. No one is telling me to go one step forward or one step back. I have to decide on the spot. So there certainly a freedom like a painter with a brush. It's nice because you have even the vibrations, your rhythms, the actor's rhythms. It's this dance."www.benoitdelhomme.comwww.benoitdelhommestudio.comwww.instagram.com/benoitdelhommewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What makes films memorable and meaningful? Great cinematographers are not only translators of a director's vision but are involved in a dance between director and actor. When combined with personal techniques like handheld, the camera itself can become a character, bringing us back in time and behind the eyes of well-known figures like Van Gogh and Stephen Hawking, which is what Benoît Delhomme did in the films At Eternity's Gate and The Theory of Everything.Benoît Delhomme studied cinematography at the École nationale supérieure Louis-Lumière and went on to make his breakthrough as a director of photography for the movie The Scent of Green Papaya directed by Tran Anh Hung. The film went on to win the Caméra d'Or Award at the Cannes Film Festival and was nominated for an Academy Award. Benoît has established himself as an international cinematographer and has worked with creatives such as Al Pacino, Julian Schnabel, and James Marsh. Over the years, Benoît Delhomme has worked on a wide array of films where his focus has been to tell a strong story through the visual. This focus has shined not only through his work as a cinematographer, but also his work as a painter."If you want to do your art well, you need to have some pleasure. If talking is not a pleasure, it's horrible. And when filming on a set is a bad experience, it's one of the worst things in life. As a cinematographer, if you can't make what you do personal to you, there is no soul. You need to make it personal.I don't know if Julian Schnabel trusted me, and I had to prove myself. For example, he had another guy in mind. And for many weeks, he said to me, 'Maybe we should keep two cinematographers?' And one evening he said, 'I'm going to paint in my outdoor studio tonight if you want to come.' And, I went to see him painting and brought a small digital camera. And he had music on and was doing this incredible painting. I was kind of fascinated to be there. We didn't talk. He knew I was filming him. He didn't say anything. So I spent part of the night cutting my small documentary. And in the morning at breakfast, I put my computer on the breakfast table and showed it to him, and he was so focused and very moved by what he saw. And he said, 'Okay, you captured what I was doing. You've got the film.'"www.benoitdelhomme.comwww.benoitdelhommestudio.comwww.instagram.com/benoitdelhommewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What makes films memorable and meaningful? Great cinematographers are not only translators of a director's vision but are involved in a dance between director and actor. When combined with personal techniques like handheld, the camera itself can become a character, bringing us back in time and behind the eyes of well-known figures like Van Gogh and Stephen Hawking, which is what Benoît Delhomme did in the films At Eternity's Gate and The Theory of Everything.Benoît Delhomme studied cinematography at the École nationale supérieure Louis-Lumière and went on to make his breakthrough as a director of photography for the movie The Scent of Green Papaya directed by Tran Anh Hung. The film went on to win the Caméra d'Or Award at the Cannes Film Festival and was nominated for an Academy Award. Benoît has established himself as an international cinematographer and has worked with creatives such as Al Pacino, Julian Schnabel, and James Marsh. Over the years, Benoît Delhomme has worked on a wide array of films where his focus has been to tell a strong story through the visual. This focus has shined not only through his work as a cinematographer, but also his work as a painter."If you want to do your art well, you need to have some pleasure. If talking is not a pleasure, it's horrible. And when filming on a set is a bad experience, it's one of the worst things in life. As a cinematographer, if you can't make what you do personal to you, there is no soul. You need to make it personal.I don't know if Julian Schnabel trusted me, and I had to prove myself. For example, he had another guy in mind. And for many weeks, he said to me, 'Maybe we should keep two cinematographers?' And one evening he said, 'I'm going to paint in my outdoor studio tonight if you want to come.' And, I went to see him painting and brought a small digital camera. And he had music on and was doing this incredible painting. I was kind of fascinated to be there. We didn't talk. He knew I was filming him. He didn't say anything. So I spent part of the night cutting my small documentary. And in the morning at breakfast, I put my computer on the breakfast table and showed it to him, and he was so focused and very moved by what he saw. And he said, 'Okay, you captured what I was doing. You've got the film.'"www.benoitdelhomme.comwww.benoitdelhommestudio.comwww.instagram.com/benoitdelhommewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What makes films memorable and meaningful? Great cinematographers are not only translators of a director's vision but are involved in a dance between director and actor. When combined with personal techniques like handheld, the camera itself can become a character, bringing us back in time and behind the eyes of well-known figures like Van Gogh and Stephen Hawking, which is what Benoît Delhomme did in the films At Eternity's Gate and The Theory of Everything.Benoît Delhomme studied cinematography at the École nationale supérieure Louis-Lumière and went on to make his breakthrough as a director of photography for the movie The Scent of Green Papaya directed by Tran Anh Hung. The film went on to win the Caméra d'Or Award at the Cannes Film Festival and was nominated for an Academy Award. Benoît has established himself as an international cinematographer and has worked with creatives such as Al Pacino, Julian Schnabel, and James Marsh. Over the years, Benoît Delhomme has worked on a wide array of films where his focus has been to tell a strong story through the visual. This focus has shined not only through his work as a cinematographer, but also his work as a painter."I certainly like a handheld camera, It's a bit like playing a saxophone. It's like the pace of walking or how I stop or I decide to go closer to the actor or to take more distance is so free. No one is telling me to go one step forward or one step back. I have to decide on the spot. So there certainly a freedom like a painter with a brush. It's nice because you have even the vibrations, your rhythms, the actor's rhythms. It's this dance."www.benoitdelhomme.comwww.benoitdelhommestudio.comwww.instagram.com/benoitdelhommewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

We meet legendary artist Julian Schnabel to explore more than 40 years of painting. Since his first solo exhibition in 1976, Schnabel has been on a quest to express the inexpressible. Best known for his multidisciplinary practice that extends beyond painting to include sculpture and film. His use of preexisting materials not traditionally used in art making, varied painting surfaces and modes of construction were pivotal in the reemergence of painting in the United States. Resisting the turn to traditional conventions of painting and sculpture that characterized the 1980s, he began his series of Plate Paintings, representational works with sculptural surfaces produced by layering shards of found pottery with thick applications of pigment. Throughout his career, he has sustained his use of found materials and chance-based processes, transforming the conventions of painting and opening the door for a new generation of young artists.The works on display in Schnabel's upcoming show were made in concert with the preparation of his seventh feature film, In the Hand of Dante, an adaptation of Nick Tosches's novel of the same name. For Schnabel, filmmaking and painting exist in a continuum in which subject matter crosses between mediums, assuming myriad forms. This relationship resonates throughout the exhibition, where indecipherable narratives emerge from a process of imagery central both to Schnabel's film and to the paintings on view.Celebrated for his vast and experimental practice that extends into the realms of sculpture and filmmaking, the artist has always been a painter first and foremost. Since 1978, when he created the first plate painting, The Patients and the Doctors—a work which abandoned traditional canvas in favor of a surface composed of broken plates—his use of unconventional, found materials has led to the invention of entirely new modes of painting. Dispensing with traditional distinctions between abstraction and figuration, Schnabel's plate paintings, and his works on velvet, reinvigorated interest in painting as a medium for contemporary art. Moreover, in the early years of his practice, Schnabel decided to make paintings that incorporated the history and materiality of the medium itself, embracing a singular approach to both form and subject.With these new velvet paintings, Schnabel considers the ways that the material appears as subject matter throughout the history of art—particularly in the works of Titian, Goya, and other Old Masters—and its symbolic weight in the history of humanity itself. But rather than creating illusionistic depictions of velvet, the artist uses the material for the surfaces of his works, inventing a new, contemporary kind of history painting in the process.Among Schnabel's recent velvet works in the exhibition is the ten-panel Buñuel Awake (for Jean-Claude Carrière) or Bouquet of Mistakes (2022), a large-scale composition that evokes the grandeur of retablos, architecturally scaled paintings that loom behind the altars of Renaissance and Baroque churches across southern Europe. Also included in this body of new works is Gesù Deriso. Jesus Mocked (2023), which refers directly to an enigmatic Renaissance fresco by the Dominican monk Fra Angelico in the famous monastery of San Marco in Florence.Julian's new exhibition 'Bouquet of Mistakes' is now open and runs until October 28th 2023.Visit: pacegallery.com/exhibitions/julian-schnabel-new-york/Follow @JulianSchnabel and visit his official website: www.julianschnabel.comSpecial thanks to @PaceGallery. Hosted on Acast. See acast.com/privacy for more information.

Emily McElwreath is equipped with over seventeen years of experience as an adviser, independent curator and art educator; she also boasts a background in sales. Thanks to her time as Director of Communications and Education at the Brant Foundation Art Study Center, Emily demonstrates the unique ability to understand the art world from both the point of view of the artist and the audience. This skill is continually perfected through extensive involvement in art education: throughout her career, Emily has organized multiple programs, lectures, and panels, featuring distinguished artists, on university campuses and leading NYC venues, in addition to lecturing herself at Sotheby's Education. Emily has worked on blockbuster exhibitions including Andy Warhol, Julian Schnabel and Nate Lowman at The Brant Foundation, as well as lecturing at top NYC museums including The Whitney and The Metropolitan Museum of Art. Most recently, Emily has curated multiple exhibitions with leading emerging artists and is now host and CEO of The Art Career Podcast. Building relationships with artists continues to be Emily's main focus, frequenting studio visits, connecting artists with collectors, and building partnerships within the art community. With an MA from Purchase College in Art History with a Concentration in Contemporary Art Criticism and an Art Business Certification from Christie's Education, Emily McElwreath possesses diverse, real-world experience and formal academic training.Eileen Myles on the Art Career Podcast---Support TBAS by becoming a patron!!!! - https://www.patreon.com/bestadviceshow---Call Zak with your advice @ 844-935-BEST---IG: @bestadviceshow & @muzacharyTWITTER: @muzacharybestadvice.show

Seit vier Jahrzehnten arbeitet Reiner Opoku in der Kunstszene, und irgendwie war er dabei immer zur richtigen Zeit am richtigen Ort: in den 80ern in Köln, seit den 90ern Berlin und ansonsten natürlich auch regelmäßig im Rest der Welt. Opoku ist internationaler Kunstmanager und -agent, zu seinen Kunden gehören unter anderem Julian Schnabel, Leiko Ikemura oder Erwin Wurm. Vor allem ist er das, was man heute einen Enabler nennt. Er vernetzt Künstler, Museen, Unternehmen und Stiftungen, kurz, er bringt Institutionen und Menschen zusammen, damit neue Kunst-Projekte möglich werden. Das ist aber nur eine seiner vielen Beschäftigungen. Und über all das erzählt er uns nun in Folge 69 von Die Sucht zu SEHEN, herzlich willkommen, lieber Reiner Opoku!

In this episode of Work From Your Happy Place, host Belinda Ellsworth speaks with entrepreneur and art collector Emily McElwreath. Emily shares her expertise in building a successful art career, emphasizing that every artist should view themselves as a business owner. She also discusses the importance of networking, asking for help, and maintaining connections with people in the industry. Emily and Belinda also touch on self-care, the power of referrals, and the crucial role of social media in growing an artist's fan base. Tune in to gain valuable insights into growing and maintaining a successful art career!Key Moments: [00:04:32] Entrepreneur helps collectors build art collections, mentors artists.[00:09:27] Art collecting requires expert guidance, passion.[00:11:42] Artists should be business owners. Self-care. Gallery representation.[00:15:55] "Artists need to think like entrepreneurs."[00:20:27] "Master craft, work ethic, network for success."[00:25:17] Referral power through human connection.[00:30:30] Freedom from schedule limitations equals invaluable independence.[00:37:06] Hone expertise first to become consultant eventually.About the Guest : Emily McElwreath is equipped with over seventeen years of experience as an adviser, independent art collector and art educator; she also boasts a background in sales. Thanks to her time as Director of Communications and Education at the Brant Foundation Art Study Center, Emily demonstrates the unique ability to understand the art world from both the point of view of the artist and the audience. This skill is continually perfected through extensive involvement in art education: throughout her career, Emily has organized multiple programs, lectures, and panels, featuring distinguished artists, on university campuses and leading NYC venues, in addition to lecturing herself at Sotheby's Education. Emily has worked on blockbuster exhibitions including Andy Warhol, Julian Schnabel and Nate Lowman at The Brant Foundation, as well as lecturing at top NYC museums including The Whitney and The Metropolitan Museum of Art. Most recently, Emily has curated multiple exhibitions with leading emerging artists and is now host and CEO of The Art Career Podcast. Building relationships with artists continues to be Emily's main focus, frequenting studio visits, connecting artists with collectors, and building partnerships within the art community.Instagram: https://www.instagram.com/emilymcelwreath_art/?hl=enAbout the Host -Belinda Ellsworth is a Speaker, Trainer, Best-Selling Author, and PodcasterShe has been a professional speaker, mover, and shaker for more than 25 years. Having built three successful companies, she has helped thousands of entrepreneurs make better decisions, create successful systems, and build business strategies using her "Four Pillars of Success" system.Belinda has always had a passion and zest for life with the skill for turning dreams into reality. How to Connect with Belinda:Facebook -https://www.facebook.com/workfromyourhappyplaceLinkedIn - https://www.linkedin.com/in/belindaellsworthInstagram -https://www.instagram.com/workfromyourhappyplace/Website - www.workfromyourhappyplace.comJoin Belinda's membership program and discover the art of creating and sharing amazing experiences with like-minded people, all from the comfort of your own home. You get to connect with others online, learn new skills and techniques, and grow your network without ever having to leave your computer screen. To know more, click on the link https://workfromyourhappyplace.com/vip/This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4939248/advertisement

The format of this week's episode will be different than previous weeks.  In celebration of mental health awareness month, licensed social worker, Danny Hutnick, interviews Emily McElwreath about her mental health journey. As this is never a podcast that focuses on the journey Emily agreed to speak a little about hers. Emily McElwreath is equipped with over eighteen years of experience as an adviser, independent curator and art educator. Thanks to her time as Director of Communications and Education at the Brant Foundation Art Study Center, Emily demonstrates the unique ability to understand the art world from both the point of view of the artist and the audience. This skill is continually perfected through extensive involvement in art education: throughout her career, Emily has organized multiple programs, lectures, and panels, featuring distinguished artists, on university campuses and leading NYC venues, in addition to lecturing herself at Sotheby's Education. Emily has worked on blockbuster exhibitions including Andy Warhol, Julian Schnabel and Nate Lowman at The Brant Foundation, as well as lecturing at top NYC museums including The Whitney and The Metropolitan Museum of Art. Most recently, Emily has curated multiple exhibitions with leading emerging artists and is now host and CEO of The Art Career Podcast. Building relationships with artists continues to be Emily's main focus, frequenting studio visits, connecting artists with collectors, and building partnerships within the art community. With an MA from Purchase College in Art History with a Concentration in Contemporary Art Criticism and an Art Business Certification from Christie's Education, Emily McElwreath possesses diverse, real-world experience and formal academic training. Danny Hutnick is a NYS Licensed Master Social Worker providing Psychological Counseling Services to children in Early Intervention throughout Dutchess County. He is a NYC Department of Education Certified School Social Worker. He is also a Certified Supervisor in Field Instruction training graduate level students in clinical social work practice for University at Albany, Columbia University, Fordham University, and New York University. Danny has worked with various food justice programs within community based organizations, churches, and schools throughout New York State since 1990. He has a wide knowledge base and skill sets with community organizing, civic engagement, and clinical mental health services.  National Alliance of Mental Illness The National Infertility Association This episode is sponsored by BetterHelp. Visit ⁠⁠⁠⁠⁠⁠BetterHelp.com/TAC ⁠⁠⁠⁠⁠⁠today and get 10% off your first month. ⁠⁠⁠⁠⁠⁠theartcareer.com⁠⁠⁠⁠⁠⁠ Follow us: ⁠⁠⁠⁠⁠⁠@theartcareer⁠⁠⁠⁠⁠⁠ Podcast host: ⁠⁠⁠⁠⁠⁠@emilymcelwreath_art⁠⁠⁠⁠⁠⁠ Follow Danny: @dannyhutnick Music: Chase Johnson Editing: ⁠⁠⁠⁠@benjamin.galloway

This week, we're diving into an extraordinary narrative of mental freedom amidst physical paralysis. We analyze 'The Diving Bell and the Butterfly' (2007), directed by Julian Schnabel, focusing on its compelling storytelling, emotional depth, and the profound human resilience it showcases.

We try something a little different this week we are comparing two films about Vincent Van Gogh, Julian Schnabel's At Eternity's Gate (2018) and Vincente Minnelli's Lust for Life (1956)

April Showers Bring Van Gogh Flowers Month unleashes another storm as your hosts bring you an unusual selection for this "true crime pairing", AT ETERNITY'S GATE, an art house biopic of one of the world's greatest artists, whose works have been subjected to numerous allegations of fraud and instances of theft. Julian Schnabel might be a celebrated visual artist, but as a filmmaker, is he up to the task of capturing the soul of the late Vincent van Gogh? Christopher and Eric have strong opinions. And in comparing fact to fiction, Eric has questions and a lot to say about the bullet that ended Vincent's life — and where it might have come from.

Ryan and Dylan are joined by Ross Widener to talk about one of his favorite movies: At Eternity's Gate.

Talk It Out Radio host Nancy Kahn interviews Stephan Berwick on: Why and How Does the Chinese Art of Tai Chi Heal and Build Wellness? Nancy Kahn interviews the famed Chinese style marital arts teacher and researcher, Stephan Berwick about how Tai Chi healed and transformed the late rock music icon, Lou Reed in an exclusive discussion about his work bringing Reed's dream book on Tai Chi, “The Art of The Straight Line. My Tai Chi” to fruition (and just published by Harper Collings), with Reed's wife, artist Laurie Anderson”. Lou Reed was a musician, singer, songwriter, poet, and founding member of the legendary rock band the Velvet Underground. He collaborated with many artists, from Andy Warhol and John Cale to Robert Wilson and Metallica. Reed had a groundbreaking solo career that spanned five decades until his death in 2013. Reed was also an accomplished martial artist whose practice began in the 1980s. He studied with Chen Tai Chi pioneer Master Ren GuangYi. This book is a comprehensive collection of Reed's writings on Tai Chi. It includes conversations with Reed's fellow musicians, artists, friends, and Tai Chi practitioners, including Julian Schnabel, A. M. Homes, Hal Willner, Mingyur Rinpoche, Eddie Stern, Tony Visconti, and Iggy Pop. “The Art of the Straight Line. My Tai Chi” features Reed's unpublished writings on the technique, practice, and purpose of martial arts, as well as essays, observations, and riffs on meditation and life. Stephan Berwick is a martial arts instructor, performer, and researcher, specializing in Chen Tai Chi and Chinese swordsmanship. As an original student of Master Ren, Berwick conducted primary research at Tai Chi's birthplace in Henan, China over two decades ago. From that research, Berwick published the first English language profiles of the emerging Chen village masters, and other works on traditional martial arts. Before devoting himself to Chen Tai Chi, Stephan was one of the two first Americans – with Asia's top action star, Donnie Yen – to train in Xian, China under its national martial arts champion, Zhao Changjun and his coach, Bai Wenxiang. With Yen, Berwick went on to perform in Hong Kong action films under the tutelage of the director, Yuen Woping, as one of the few Western martial artists to star in Chinese action films. Years later, he met and befriended Lou Reed in 2003 at a national martial arts event with Master Ren. The post Why and How Does the Chinese Art of Tai Chi Heal and Build Wellness? appeared first on KPFA.

This week we're celebrating the festive season by talking to Christina Makris about fabulous places to eat out. Christina, an art and wine writer, a doctor of philosophy, an art collector, and a philanthropist, has scoured the world to find the best combination of art and food. She's traveled to 100 cities over six continents and come up with a list of 24 – all collated in a beautiful new illustrated book called ‘Aesthetic Dining, The Art Restaurant Around the World'. She's dedicated a section of the book to talking to artists, alongside Tim Marlow of The Design Museum, where you can read what artists like Ai Weiwei Anthony Gormley, Conrad Shawcross, Damien Hirst, Gary Hume, David Hockney, Maggi Hambling, Julian Schnabel, Michael Craig-Martin, Peter Blake and Tracey Emin think about food. We talk to Christina as she's about to have lunch at The Gunton Arms in Norfolk, owned by the art collector turned restaurateur Ivor Braka. She describes the art there and the glorious, enticing atmosphere, which guaranteed The Gunton Arms made it into the book. The London restaurants are Langans, The Ivy, Mr. Chow, Scott's, Hix, Sketch and the members' club Groucho, now owned by Hauser & Wirth. This is a riveting listen about the best combinations of art and food across the globe from Sydney and Cairo to Zurich and Tuscany and we discuss everything from Peter Langan's legacy in London to her favourite spots to eat from La Colombe d'Or in Saint-Paul de Vence in Provence to Kronenhalle in Zurich.

S2|E7 Emily McElwreath (Solo) Emily shares a little about her life, the women that lift her up, and the inspiration behind @theartcareer Emily McElwreath is equipped with over seventeen years of experience as an adviser, independent curator and art educator; she also boasts a background in sales. Thanks to her time as Director of Communications and Education at the Brant Foundation Art Study Center, Emily demonstrates the unique ability to understand the art world from both the point of view of the artist and the audience. This skill is continually perfected through extensive involvement in art education: throughout her career, Emily has organized multiple programs, lectures, and panels, featuring distinguished artists, on university campuses and leading NYC venues, in addition to lecturing herself at Sotheby's Education. Emily has worked on blockbuster exhibitions including Andy Warhol, Julian Schnabel and Nate Lowman at The Brant Foundation, as well as lecturing at top NYC museums including The Whitney and The Metropolitan Museum of Art. Most recently, Emily has curated multiple exhibitions with leading emerging artists and is now host and CEO of The Art Career Podcast. Building relationships with artists continues to be Emily's main focus, frequenting studio visits, connecting artists with collectors, and building partnerships within the art community. With an MA from Purchase College in Art History with a Concentration in Contemporary Art Criticism and an Art Business Certification from Christie's Education, Emily McElwreath possesses diverse, real-world experience and formal academic training. This episode is sponsored by BetterHelp. Visit BetterHelp.com/TAC today and get 10% off your first month. theartcareer.com Follow us: @theartcareer Podcast host: @emilymcelwreath_art Music: Chase Johnson Editing: Zach Worden

David Soldier has achieved a rare distinction — not only is he an accomplished Columbia University neuroscientist with over 200 papers and publications, several research grants and numerous prestigious awards to his credit, he is an equally successful and prolific musician in almost every genre of music. His musical undertakings include his work with the Soldier String Quartet (since 1984), a punk chamber group which has recorded with Guided by Voices, Rick Ocasek (Frontman for The Cars), Elliott Sharp, Leroy Jenkins and frequent collaborator John Cale (Velvet Underground); The Kropotkins, comprising Lori Velvette, Velvet Underground Drummer Moe Tucker, Charles Burnham (James Blood Ulmer's Odyssey Band) and Jonathan Kane, the latter with whom David formed the versatile duo, Soldier Kane. Other prolific legends with whom David has collaborated include Bo Diddley, Pete Seeger, Richard Hell and Sonic Youth's Lee Ranaldo. He wrote two chamber operas with Kurt Vonnegut (The Soldier's Story and Ice-9 Ballads), with Vonnegut playing multiple characters in the works. Films David has arranged or scored include I Shot Andy Warhol (Jared Harris); Andy Warhol's Eat and Kiss; and Basquiat, directed by Julian Schnabel and starring Jeffrey Wright and Benicio del Toro. From an experimental side, he has collaborated with conceptual Russian artists Komar & Melamid; and formed the Thai Elephant Orchestra, a musical ensemble consisting of 14 elephants, which he assembled, coordinated and composed. In our conversation, we discuss David's unique discovery of music in Southern Illinois; working with the giants of music; creating music which transcends genre; the origins of rock and roll; and the power of simplicity in hip hop.Opening Credits: Independent Music Licensing Collective (IMLC) - New Lands; Closing Credits: Jack Adkins - Little Stinky

In this French episode of the Gavin and Ruby Go To a Movie podcast, Gavin and Ruby take a trip to France (we wish) to go watch some French cinema! They explore Jean-Pierre Melville's influential Le Samourai, and Julian Schnabel's malickian biopic of Van Gogh's final years in At Eternity's Gate. The contrasting views of the world in these films make it hard for Gavin and Ruby to decipher the true meanings behind the movies. Will Gavin and Ruby be able to look past the diverse tones and give a concise look into these films? Listen to find out. We also talk about Don't Worry Darling. Le Samourai (Spoiler Free): 6:01 Le Samourai (Spoilers): 21:57 At Eternity's Gate: 31:10 Groovie News/Wrap-up: 58:02 Instagram: @gavinandrubypodcast Gavin's Letterboxd: Gavin_Lemon Ruby's Letterboxd: ruuubyv

Willam Dafoe speaks about Julian Schnabel's Van Gogh film. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/noah-becker4/support

Liz and Sarah sit down with podcast host, art agent, and gallerist Emily McElwreath. They talk about falling in love at a silent retreat, mental health, challenging authority figures, and how to use anger constructively. About Emily McElwreath Emily McElwreath is equipped with over seventeen years of experience as an adviser, independent curator and art educator; she also boasts a background in sales. Thanks to her time as Director of Communications and Education at the Brant Foundation Art Study Center, Emily demonstrates the unique ability to understand the art world from both the point of view of the artist and the audience. This skill is continually perfected through extensive involvement in art education: throughout her career, Emily has organized multiple programs, lectures, and panels, featuring distinguished artists, on university campuses and leading NYC venues, in addition to lecturing herself at Sotheby's Education. Emily has worked on blockbuster exhibitions including Andy Warhol, Julian Schnabel and Nate Lowman at The Brant Foundation, as well as lecturing at top NYC museums including The Whitney and The Metropolitan Museum of Art. Most recently, Emily has curated multiple exhibitions with leading emerging artists and is now co-director of Pegasus Prints Gallery in Williamsburg, Brooklyn. Show Notes: The Art Career Podcast with Emily McElwreath McElwreath Advisory Instagram Show Partners Tech For Campaigns Acorns App About The Side Woo Co-Hosts: Sarah Thibault & Elizabeth Bernstein Sound and copyediting are done by Sarah Thibault & Elizabeth Bernstein Intro and outro music by LewisP-Audio found on Audio Jungle The Side Woo is a podcast created through NINA ARNETTE, a media production company, metaphysical hub, and online retail store. To learn more about NINA ARNETTE go to ninaarnette.co. For questions, comments, press, or sponsorships you can email thesidewoo@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thesidewoopodcast/message Support this podcast: https://anchor.fm/thesidewoopodcast/support

Kania, who grew up in a small town outside of Milwaukee, says she was the black sheep of her family. A child of the 1980s punk/new wave scene, her influences were people like Andy Warhol, Julian Schnabel and Francesco Clemente. So it follows that her first aspiration was to be an artist. But a few semesters at the School of the Art Institute of Chicago convinced Kania she didn't have the talent to make it as a painter. Fortunately, she had a side job as a bookseller.“I can tell you, almost to the day, when I decided to go into publishing,” Kania says. She could, it turns out, get it down to the month—August 1992. That was when Donna Tartt's The Secret History came out. Kania was enthralled not only with the book but also with how it was marketed. “It was her. It was the story of her. It was Bennington. And it was the package.... When you're 21 and you're trying to figure out what your lot in life is, and you wake up and you're like, 'Oh shit, I can't paint,' you know, you panic. I decided I wanted to be a publisher. I didn't want to be anything else.”Although Kania admits she had only a vague idea of what a publisher actually did, she knew enough. She knew about Gary Fisketjon and was as enamored with writers—writers like Raymond Carver, Mark Lindquist and Jay McInerney—as she was with artists. So, with $1,200 and a one-way train ticket, Kania set out for Manhattan. “Bright lights, big city,” she quips. “You know, the whole bit.”Despite a bumpy start in the Big Apple—she was working for a computer programmer, sharing a studio with a drag queen—Kania got a lucky break when she met Michael Morrison at a friend's wedding. “I begged him for a job,” she recounts. “He hired me as his assistant in 1995, and I've been working with him ever since.”Kania's passion for her literary (and visual) idols has served her well professionally. She managed to turn Harper Perennial into a recognizable brand, in part by publishing the kind of literary fiction and nonfiction that turned her on to the business 16 years ago.And while some scoff at the notion that readers notice what's on a book's spine, Kania vehemently disagrees: “If people watch a television show because it's on HBO, if they see a movie because it's a Focus Features release, if they buy an album because it's on Sub Pop Records, then why doesn't the same go for books?” 

Kania, who grew up in a small town outside of Milwaukee, says she was the black sheep of her family. A child of the 1980s punk/new wave scene, her influences were people like Andy Warhol, Julian Schnabel and Francesco Clemente. So it follows that her first aspiration was to be an artist. But a few semesters at the School of the Art Institute of Chicago convinced Kania she didn't have the talent to make it as a painter. Fortunately, she had a side job as a bookseller.“I can tell you, almost to the day, when I decided to go into publishing,” Kania says. She could, it turns out, get it down to the month—August 1992. That was when Donna Tartt's The Secret History came out. Kania was enthralled not only with the book but also with how it was marketed. “It was her. It was the story of her. It was Bennington. And it was the package.... When you're 21 and you're trying to figure out what your lot in life is, and you wake up and you're like, 'Oh shit, I can't paint,' you know, you panic. I decided I wanted to be a publisher. I didn't want to be anything else.”Although Kania admits she had only a vague idea of what a publisher actually did, she knew enough. She knew about Gary Fisketjon and was as enamored with writers—writers like Raymond Carver, Mark Lindquist and Jay McInerney—as she was with artists. So, with $1,200 and a one-way train ticket, Kania set out for Manhattan. “Bright lights, big city,” she quips. “You know, the whole bit.”Despite a bumpy start in the Big Apple—she was working for a computer programmer, sharing a studio with a drag queen—Kania got a lucky break when she met Michael Morrison at a friend's wedding. “I begged him for a job,” she recounts. “He hired me as his assistant in 1995, and I've been working with him ever since.”Kania's passion for her literary (and visual) idols has served her well professionally. She managed to turn Harper Perennial into a recognizable brand, in part by publishing the kind of literary fiction and nonfiction that turned her on to the business 16 years ago.And while some scoff at the notion that readers notice what's on a book's spine, Kania vehemently disagrees: “If people watch a television show because it's on HBO, if they see a movie because it's a Focus Features release, if they buy an album because it's on Sub Pop Records, then why doesn't the same go for books?”  Hosted on Acast. See acast.com/privacy for more information.

Oscar fail month wraps with one burning question - is it easier to portray a modern famous person or one that has been dead for 130 years?  Malek won for his Freddy Mercury , but mostly for his concert scenes. The film was more of a medley (meh-dley). Meanwhile,  in "At Eternity's Gate", Dafoe submerged himself into one of the world's greatest artists on the edge of insanity.Next, scam movies with David Mamet's "House of Games" (1987) and "Boiler Room" (2000).Thanks for listening!Did we get something wrong? Have your own recommendations? Contact the show: 24theroadshow@gmail.comFacebook: https://www.facebook.com/24theRoadShow

So how long does it take to get famous??? Four years?? Six to get rich??? For this episode, Heyd and Erin discuss TWO films: Julian Schnabel's biographical movie Basquiat and a documentary about our guest artist, The Secret Life of Lance Letscher. This double-feature episode explores representations of artists, including stereotypes, insecurities and the tortured genius with discussions centered around notions of celebrity, consumerism, and racism in the art world. Join us as we attempt to get at the heart of a movie about a painter made by a painter with a collage artist from Texas. Tangents include: artist stereotypes, insecurities, Vincent van Gogh, Basquiat purses, art world horror movies, Nancy Whitenack, NFTs, 3D movies For more information about Lances's studio practice, check out his website www.lanceletscher.com and facebook Lance Letscher Follow us on Instagram @artists.talk.movies --- Support this podcast: https://anchor.fm/erin-stafford/support

Daniel Kehlmann ist Schriftsteller und Kunstkenner. Der in Berlin und New York lebende Autor von erfolgreichen Bestsellern wie "Die Vermessung der Welt" oder "Ich und Kaminski" spricht mit Lisa Zeitz über Künstlerpersönlichkeiten aus seinen Romanen, seine besondere Freundschaft zum Künstler Julian Schnabel und über die Moral von Kunstfälschungen. Der "WELTKUNST-Podcast - Was macht die Kunst?" wird in Partnerschaft mit Christie's produziert.

Episode 42 of The Blank Canvas Podcast with Hugh Stewart. Hugh Stewart is an acclaimed portrait photographer, probably the closest thing downunder to Annie Liebovitz. Grew up on a diary farm in New Zealand. Left For Europe straight out of school and was living in a notorious London squat in the early 80s when he first picked up a camera and started taking portraits of his friends. Hugh’s a down to earth and unassuming guy, however his intimate portraits have lead to an incredible body of iconic images with a roll call of the biggest names in arts and culture; Johnny Cash, Michael Caine, Jude Law, Nicole Kidman, Paul Newman, Ed Harris, Kenneth Branagh, George Clooney, Matt Damon, Tom Hanks, Catherine Deneuve, Clint Eastwood, Naomi Watts, Julian Schnabel, Rod Stewart, Ian Mckellen, Leonardo Dicaprio, Cate Blanchett, Geoffrey Rush, Robert Redford, Emma Thompson and Five Australian Prime Ministers. He’s shot for mags like Vanity Fair, Rolling Stone, The Face, I-D, British, French and American Vogue. Commercial Clients; Australian Tourism, HBO, Netflix, Warner Bros and Chanel No.5 Hugh is a long time collaborator with Baz Luhrman; Romeo & Juliet, Moulin Rouge and his forthcoming film About Elvis. Currently based in Sydney, Hugh’s creative output hasn’t waned, his lockdown video call portraits have connected broadly across the globe, with more than 300 thus far. Hugh shares some great stories, which bring home the fact that there’s no rule book when it comes to creativity and often the barriers bring out the best you in you. Just keep creating. hughstewart.com https://hallslane.com.au/ W: https://theblankcanvaspodcast.com.au/ IG: https://www.instagram.com/leerogers12/ SOCIALS Insta: @theblankcanvaspodcast FB - The Blank Canvas Podcast Twitter: @blankcanvaspod THE BLANK CANVAS TEAM Produced by Lee Rogers & Rien MacDonald. Audio support by Jason Murphy/GASinc Music by Rodrigo Enrique Bustos.See omnystudio.com/listener for privacy information.

Veteran film producer Jon Kilik talks about the tradecraft of making movies and his collaboration with directors such as Spike Lee, Jim Jarmusch, Julian Schnabel, and Alejandro Iñárritu. He also discusses his experiences producing "The Hunger Games," as well as some of his favorite films, including “On the Waterfront” and “A Hard Day's Night.” http://www.thefilmosophers.com​​ [Theme music performed by Scarlet Newman-Thomas, courtesy of The Teenage Diplomat] © The Filmosophers 2021

The Gang gets together to talk about 2018's Julian Schnabel's masterpiece. Starring William Dafoe and Oscar Isaac.

Herbie Fletcher has had a profound impact on the landscape of surf culture. In addition to pioneering the surfboard traction pad, his family has been at the forefront of tow-in surfing, aerial maneuvers, and big wave riding. You might have seen him on the North Shore hanging out with a man in purple pajamas - that's his close friend and collaborator Julian Schnabel. From the imposing white walls of Chelsea art galleries, to the Pipe House on the North Shore, Herbie Fletcher has left his mark. This week, Herbie drops in to discuss how somebody so influential in the sport of surfing has also been able to have a successful career in the exclusive world of fine art.

The fashion stylist and Instagram star sits down with host Danielle Radojcin to talk about working for over two decades with legendary Italian Vogue editor Franca Sozzani, his unusual upbringing, and styling celebrities like Julian Schnabel and Bob Evans.

Van Gogh expert, Martin Bailey, joins us on the show this week to enlighten us on all things Vincent as we review the Willem Dafoe starring biopic, At Eternity's Gate, and we revisit to a childhood favourite with Tim Burton's Dumbo.First up we discuss Julian Schnabel's Vincent van Gogh biopic, At Eternity's Gate. Shot with a painter's eye, Schnabel once again shows his talent for working with complex biography and the lives of artists as in The Diving Bell and the Butterfly and Basquiat. And, earning him an Oscar nomination, Willem Dafoe is mesmerising as Vincent van Gogh.We talk to journalist and van Gogh expert, Martin Bailey, who teaches us the correct pronunciation of “Gogh”, debunks some van Gogh conspiracy theories, and reminds us just how significant and relevance Vincent's work was and remains today.Next we discuss the nostalgic delights of Tim Burton's reimagined Disney classic, Dumbo. You may think you already know all there is to know about that flying elephant, but Burton's film is an altogether different adventure. Holt Farrier (Colin Farrell) is hired by Max Medici (Danny DeVito) to work in his circus, charged with tending to the newborn elephant with outsize ears. Holt's children are the first to discover that Dumbo can take to the air, but will he be able to escape the cynical clutches of V.A. Vandemere (Michael Keaton)?Discussing the films are podcast regulars Jake Cunningham, Sam Howlett, Ella Kemp and Steven Ryder.Follow the team on Social Media:@jakehcunningham - Jake@efe_kemp - Ella@SamHowlett_1 - Sam@irma_pep - StevenProduced by Jake CunninghamEdited by Mark Towers Hosted on Acast. See acast.com/privacy for more information.

Politics and Big Band music :British musician Matthew Herbert has created The State Between Us, a new album made in reaction to the progress of Brexit. It's a work which includes original composition, choral elements and recorded sounds which reflect the triggering of Article 50; there's someone walking the Irish border, someone eating fish and chips and even someone flying a WWII bomber. Matthew Herbert discusses his intentions for the work, recording in Europe, and why he changed the name from The Brexit Big Band to The Great Britain and Gibraltar European Union Membership Referendum Big Band. The album is released on Friday 29th March – Brexit Day - and there are two performances that same day at London's Royal Court Theatre.A new exhibition at Tate Britain brings together the largest group of Van Gogh paintings shown in the UK for nearly a decade. Van Gogh and Britain charts Vincent's years in London between 1873 and 1876 as a young art dealer before he tookup painting. Head curator Carol Jacobi and specialist Martin Bailey discuss the influence of Britain on Van Gogh's art, and his art on British artists in subsequent years.This week also sees the opening of a new film about Van Gogh directed by Julian Schnabel. At Eternity's Gate features Willem Dafoe as the artist in his later – and most productive – years working in the South of France. The director describes his artistic vision for the film.The singer Scott Walker has died. We speak to prize-winning author and Scott Walker fan Eimear McBride - who wrote the introduction to a book of his lyrics - about his extraordinary varied careerPresenter: Kirsty Lang Producer: Oliver Jones