Podcast appearances and mentions of Elliott Sharp

Elliott Sharp is a composer and multi-instrumentalist active in New York City's avant-garde music scene since the late 1970s. With over 85 recordings across genres such as contemporary classical, jazz, noise, and electronic music, he incorporates elements like algorithms, Fibonacci sequences, and literary themes in his experimental compositions. In the 1980s, he developed the Virtual Stance project, utilizing personal computers in live performance. Elliott plays guitar, saxophone, and bass clarinet, and leads ensembles including Terraplane, Orchestra Carbon, and SysOrk.

Salty Dog's SEASONS Podcast, December 2024 The best of the SEASONS to you tone hounds! This time we take out another year with some mighty fine cuts for your holiday listening season. Cuts from Rick Vito, The Sharp, 63 Deluxe, Rag N Bone Man, Allman Brothers Band, Zechariah Lloyd, The Brother Brothers, Samantha Fish N Jesse Dayton, Vanilla Fudge, Black Sorrows, Geoff Achison, The Tex Pistols, Beretta Sullivan, Royal Belgian Conspiracy, Malcolmn Holcombe, Jeff Lang N Liz Stringer, Elliot Sharp's Terraplane, Paulie Bignell, The Blow Out, Ronnie Earl, Piper N The Hard Times, Reverend Payton's Big Damn Band, Kathleen Halloran. ARTIST / TRACK / ALBUM ** Australia 1. Rick Vito / It's Two AM / Cadillac Man 2. ** The Sharp / Totally Yeah / Sonic Tripod 3. ** 63 Deluxe / Sunshine / 63 Deluxe 4. Rag N Bone Man / Fireflies / Life By Misadventure 5. Allman Brothers Band / Stand Back / Eat A Peach 6. Zechariah Lloyd / Down To The River / Heart In A Notebook 7. The Brother Brothers / Banjo Song / Some People I Know 8. Samantha Fish N Jesse Dayton / Settle For Less / Death Wish Blues 9. Vanilla Fudge / You Keep Me Hanging On / Vanilla Fudge 10. ** The Black Sorrows / Wait And See / The Way We Do Business 11. ** Geoff Achison / Delta Dave / Don't Play Guitar Boy 12. The Tex Pistols Band / Can't Find My Way Home / Fully Loaded 13. ** Beretta Sullivan / Madeline / The Loft Recordings 14. ** The Royal Belgian Conspiracy / Under Trembling Skies / Under Trembling Skies 15. Malcolm Holcombe / Papermill Man / Another Black Hole 16. ** Jeff Lang N Liz Stringer / The Other Side of Life / More Life 17. Elliott Sharp's Terraplane / Twenty Dollar Bill / Twenty Dollar Bill 18. ** Paulie Bignell N The Thornbury Two / Gonna Get You / Express Elevator 19. ** The Blow Out / Turn On You / Version of You 20. Ronnie Earl / Double Trouble / Now My Soul 21. Piper N The Hard Times / Heart for Sale / Revelation 22. The Reverend Payton's Big Damn Band / Ways And Means / Ways And Means 23. ** Kathleen Halloran / Free With Me / Single release

Drummer Sim Cain played with the  Rollins Band from 1987 until 1997. Before joining Rollins Band, Sim played in the instrumental trio Gone, alongside future Rollins Band bassist Andrew Weiss and Black Flag guitarist Greg Ginn.  He has also recorded with artists like David Poe, Marc Ribot, David Shea, and played in Elliott Sharp's Terraplane group. Cain appeared on Ween's 2004 album Quebec and performed with blues legend Hubert Sumlin in the early 2000s.

El sonido del compositor, saxofonista e improvisador neoyorquino se expande en mil direcciones, y comprende desde el jazz heterodoxo y de influjo improvisatorio hasta el punk y el funk. Él es el motor del jazz moderno, experimentador incansable en la reinvención constante de su propia obra._____Has escuchadoCobra (1987). Guy Klucevsek, acordeón; Arto Lindsay, guitarra eléctrica; Elliott Sharp, guitarra; Zeena Parkins, arpa [et al.]. hat ARTFilmworks XIII: 2002 Volume Three. Invitation to a Suicide Moon Moods (2002). Marc Ribot, guitarra; Rob Burger, acordeón; Erik Friedlander, violonchelo; Trevor Dunn, bajo; Kenny Wollesen, vibráfono, marimba y batería. Tzadik (2002)IAO: Music in Sacred Light. Invocation. Beth Anne Hatton, Bill Laswell, Cyro Baptista, Greg Cohen, Jamie Saft, Jennifer Charles, Jim Pugliese, Mike Patton, Rebecca Moore. Tzadik (2002)New Traditions in East Asian Bar Bands. Hu Die (1986). Zhang Jinglin, narración en chino; Bill Frisell y Fred Frith, guitarras eléctricas. Tzadik (1997)Once Upon a Time in the West (The Big Gundown: John Zorn Plays the Music of Ennio Morricone) (1985). Melvin Gibbs, bajo eléctrico; Jody Harris y Robert Quine, guitarras eléctricas; Orvin Aquart, armónica. Tzadik (2000)_____Selección bibliográficaALARCIA, Óscar, Universo John Zorn. Libritos Jenkins, 2020BRACKETT, John Lowell, John Zorn: Tradition and Transgression. Indiana University Press, 2008—, “Some Notes on John Zorn's Cobra”. American Music, vol. 28, n.º 1 (2010), pp. 44-75*DRURY, Stephen, “A View from the Piano Bench or Playing John Zorn's Carny for Fun and Profit”. Perspectives of New Music, vol. 32, n.º 1 (1994), pp. 194-201*FÉRON, François-Xavier, Tzadik: L'esthétique discographique selon John Zorn. Les Presses de l'Université de Montréal, 2015GOLDBERG, Michael, “John Zorn”. BOMB, n.º 80 (2002), pp. 32-37*MARTÍN GONZÁLEZ, Pablo, “No disparen sobre el pianista: influencias de la novela y el cine negro en el jazz de John Zorn”. En: La expansión del género negro. Editado por Àlex Martín Escribè y Javier Sánchez Zapatero. Andavira, 2020TROYANO, Ela, “John Zorn's Theatre of Musical Optics”. The Drama Review: TDR, vol. 23, n.º 4 (1979), pp. 37-44*WINDLEBURN, Maurice, John Zorn's File Card Works: Hypertextual Intermediality in Composition and Analysis. Routledge, 2024 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

As if the return of Goran Kajfes' Tropiques and of Elliott Sharp's Terraplane were not enough to make you want to play this episode of Mondo Jazz, its playlist features also two fascinating releases by Idit Shner, Michelangelo Scandroglio and the excellent debut album by Nicola Caminiti. Detailed playlist at https://spinitron.com/RFB/pl/19033914/Mondo-Jazz (from "For Now" to "Twenty Dollar Bill"). Happy listening!

Show #1044 Spring Swing 01. Bastards Of Soul - It's Gonna Be Alright (3:07) (Give It Right Back, Skylark Soul Co., 2024) 02. Anthony Geraci - Judge Oh Judge (5:43) (Tears In My Eyes, Blue Heart Records, 2024) 03. Otis Grand - Waiting for the Hard Times to Go (7:45) (Nothing Else Matters..., Sequel Records, 1994) 04. Jennifer Lyn & the Groove Revival - Going Round In Circles (3:45) (Live From The Northern Plains, J&R Collective, 2024) 05. Blind Lemon Pledge - Cora Lee (3:08) (Oh So Good, Ofeh Records, 2024) 06. Elliott Sharp's Terraplane - Twenty Dollar Bill (4:59) (Single, Delmark Records, 2024) 07. John Primer & Bob Corritore - Feel Like Going Home (6:48) (Crawlin' Kingsnake, SWMAF/VizzTone Records, 2024) 08. Sue Foley - Mal Hombre (4:28) (One Guitar Woman, Stony Plain Records, 2024) 09. Stephen Foster & Howler - Leland (4:58) (Southern, self-release, 2022) 10. Krissy Matthews - Queen (3:53) (Krissy Matthews & Friends, Ruf Records, 2024) 11. Ted Russell Kamp - Hanging On Blues (4:28) (California Son, KZZ Records, 2024) 12. Rick Vito - Sliding Into Blue (3:46) (Cadillac Man, Blue Heart Records, 2024) 13. Bart Bryant - Past The Pain (3:48) (Backstage II, Horizon Music Group, 2024) 14. Rï Wolf & the Prairie Hawks - Sinner (3:31) (Rï Wolf & the Prairie Hawks, self-release, 2024) 15. Cinelli Brothers - Ain't Blue But I Sigh (5:25) (Almost Exactly, Coast To Coast, 2024) 16. Rick Estrin & The Nightcats - Time For Me To Go (4:29) (The Hits Keep Coming, Alligator Records, 2024) 17. Nick Gravenites with Pete Sears - Blues Back Off Of Me (4:53) (Rogue Blues, MC Records, 2024) 18. Paul Butterfield Blues Band - Born In Chicago (3:06) (Paul Butterfield Blues Band, Elektra Records, 1965) 19. Michael Bloomfield - Carmelita Skiffle (5:16) (Live At Bill Graham's Fillmore West, Columbia Records, 1969) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Literarische Abrechnung · Schon die Konstellation Elfriede Jelinek / Donald Trump verspricht einen Schaukampf: auf der einen Seite die Literaturnobelpreisträgerin, die in ihren Werken die Inszenierungen politischer Macht und Verbrechen offenlegt, auf der anderen Seite ein skrupellos agierender Milliardär und Skandalproduzent aus den USA, der in einer jähen Wendung jene politische Rolle übernimmt, die ihn zum mächtigsten Mann der Welt werden lässt. | Mit Thomas Albus, Peter Brombacher, Katja Bürkle, Helga Fellerer, Christian Gaul, Mechthild Großmann, Johannes Herrschmann, Christoph Jablonka, Johannes Silberschneider, Kathrin von Steinburg, Sebastian Weber, David Zimmerschied sowie Elfriede Jelinek | Musik: Sven-Ĺke Johansson, Elliott Sharp, Chor des Bayerischen Rundfunks und Akademie für Alte Musik Berlin. Leitung: Howard Arman | Regie: Karl Bruckmaier | BR 2017

Johnny Copeland (Pedal To The Metal); The Billy Gibson Band (Mississippi); Mitch Grainger (Mississippi); Blueganu (Ain't Got Much Time Left); Marcel Smith (Turn Back The Hands Of Time); Doug Duffey And Badd (Trapped In The Blues); Sippie Wallace (Parlor Social De Luxe); Leola Manning (The Arcade Building Moan); The Della Grants (Truth Don't Cost A Penny); Joanne Shaw Taylor (The Dirty Truth); Papa George Lightfoot (My Woman Is Tired Of Me Lyin'); Alabama Jr. Pettis And The Teardrops (Poor Man Blues); Elliott Sharp's Terraplane (How Can A Poor Man Stand Such Times And Live?); Michael Burks (Thank God For Fools); Grady Champion (Leave Here Running). 

On today's episode, I talk to musician and composer Zeena Parkins. Originally from Detroit, Michigan, Zeena is a pioneer of contemporary harp practices and has essentially "reinvented the harp". Since moving to New York in 1984, Zeena has collaborated with countless musical  luminaries like John Zorn, Ikue Mori, Elliott Sharp and Bjork, recorded over a dozen fantastic albums and collected more accolades than you could count in a week, including a Guggenheim Fellowship. For 13 years, Zeena held the prestigious Darius Milhaud Chair in Composition at Mills College, and at the end of June, her latest album of compositions LACE will be released on Chaikin Records! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here!  

The present day podcasters who refuse to die, with special guest Dave Soldier. . . . . YOU DON'T KNOW MOJACK is a podcast dedicated to exploring the entire SST catalogue, in order, from start to finish. During the podcast we will discuss all the releases that are part of our core DNA, as well as many lesser-known releases that deserve a second chance, or releases that we are discovering for the very first time (we actually don't know Mojack!). First and foremost we are fans, and acknowledge that we are not perfect and don't know everything – sometimes the discussion is more about a time, place, feeling, personal experience or random tangents, and less about the facts (but we will try to get to the facts too). Facebook: www.facebook.com/mojackpod/ Twitter: @mojackpod Instagram: www.instagram.com/mojackpod/ Blog: www.mojackpod.com/ Tumblr: www.tumblr.com/blog/mojackpod Theme Song: Shockflesh

SAN ONOFRE-Tim Hodgkinson interviú Timoteo, who is GOD? SAN ONOFRE nos zampamos a dios por las patas. Eno is One, God is Dog, Dagmar is one hell of a Henry Cow y Tim Hodgkinson, la alegría del barrio onofrita ahora. Si el infinito tiende hacia Elliott Sharp, ¿dónde pondremos a Tim Hodgkinson? No sé, dog, mas gimme that old Tim relijun, ´s good enuff for me. Ansí que hiciste algún trabajito con el Pau, ¿eh, Timoteo? Ya vemos que no te codeas con el primero que pasa. Sí, no como el dulcérrimo Mike Watt, que se hizo inseparable de D. Boon, después de que éste aterrizara casi encima de él desde una pinche empalizada de San Pedro (Pidrou). Tim Hodgkinson, the stuff onofrite dreams are made of. La pasaremos cancihe sonsacando al estajanovista geniecillo de La Pérfida Albión. Y digo yo, hermana onofrita, ¿toda esta gente a la que importunamos telephónicamente, de dónde sacan tiempo para crear tantas salvajadas? And the shit goes on... Frown, damn you, SAN ONOFRE hates yer guts! Y a mí, que el apellido de este payo me suena a nombre de ginebra.... En fin, hacía tiempo que no nos reíamos tanto. Oh, GOD! Thanks a mill, Tim, my main man. SAN ONOFRE-mEcOniO + Una Peseta. Sábado 3 diciembre 2022; 20:00 h. Arcadia, Guadalajara. 10 evros

David Soldier has achieved a rare distinction — not only is he an accomplished Columbia University neuroscientist with over 200 papers and publications, several research grants and numerous prestigious awards to his credit, he is an equally successful and prolific musician in almost every genre of music. His musical undertakings include his work with the Soldier String Quartet (since 1984), a punk chamber group which has recorded with Guided by Voices, Rick Ocasek (Frontman for The Cars), Elliott Sharp, Leroy Jenkins and frequent collaborator John Cale (Velvet Underground); The Kropotkins, comprising Lori Velvette, Velvet Underground Drummer Moe Tucker, Charles Burnham (James Blood Ulmer's Odyssey Band) and Jonathan Kane, the latter with whom David formed the versatile duo, Soldier Kane. Other prolific legends with whom David has collaborated include Bo Diddley, Pete Seeger, Richard Hell and Sonic Youth's Lee Ranaldo. He wrote two chamber operas with Kurt Vonnegut (The Soldier's Story and Ice-9 Ballads), with Vonnegut playing multiple characters in the works. Films David has arranged or scored include I Shot Andy Warhol (Jared Harris); Andy Warhol's Eat and Kiss; and Basquiat, directed by Julian Schnabel and starring Jeffrey Wright and Benicio del Toro. From an experimental side, he has collaborated with conceptual Russian artists Komar & Melamid; and formed the Thai Elephant Orchestra, a musical ensemble consisting of 14 elephants, which he assembled, coordinated and composed. In our conversation, we discuss David's unique discovery of music in Southern Illinois; working with the giants of music; creating music which transcends genre; the origins of rock and roll; and the power of simplicity in hip hop.Opening Credits: Independent Music Licensing Collective (IMLC) - New Lands; Closing Credits: Jack Adkins - Little Stinky

SAN ONOFRE-Elliott Sharp interviú Short sharp shock with E# En la SAN ONOFRE ponemos patas arriba el Downtown de La Manzana Podrida. Por todo lo alto estrenamos la nuestra vigesimoquinta temporada onofrita. Sí, el infinito tiende hacia Elliott Sharp, pero Elliott Sharp corre mucho más deprisa. Aunque no tanto como para escapar a los ávidos radares onofritas. Cierto, descalzamos las ubicuas sandalias de Elliott Sharp. No importa en qué fregao musical medianamente interesante meta uno el naso, tópase con el bueno de Elliott: Minutemen, The Master Musicians of Jajouka, La Familia Mingus... Todo es música: las matemáticas, la geometría, la filosofía, el caos. Keep ´em comin´, please, Elliott! https://libritosjenkins.bigcartel.com/product/angloentrevistas-traducidas-de-san-onofre ¡Últimas copias!

Rhyming words and mashed up names take center stage this week as Tim, Jeff, and Eleanor compete for the last spot in the Chronic Town Division finals! Round one looks at theoretical spinoff/prequels in the vein of "Better Call Saul," while round two explores possible collaborations between actors and musicians with complimentary names. All that, plus a lightning round to determine this week's champ! NOTES ⚠️ Inline notes below may be truncated due to podcast feed character limits. Full notes are always on the episode page.

Maniscalco/Bigoni/Solborg - Simple Melody Lars Hollmer With Looping Home Orchestra - Through Glass Colin Stetson, Elliott Sharp, Billy Martin, Payton MacDonald.- Antares Tunde Adebimpe - Off You Drikka x Kelow Latesha - Damn Kanye West - Hot Shit (feat. Cardi B & Lil Durk) Dorian Electra - Happy (feat. 645AR) Playboi Carti - Check Please (A Tribute To Hugh Hefner) Makaveligodd - Goosebumps! (prod. Toxicgodd) Playboi Carti - Molly (No Stylist) Playboi Carti - Red Bandana Santana (Shake N' Bake) Silver Linings - 34th Floor Tom Manzarek - Amor Riddim Earthnut - Estrella Breath Deep Forest Midknight MooN/Young Gho$t/Kells - Live & Direct (Kells Mix) Parallels - Other Xander - Come Again Men At Work - Down Under (Luude Remix) Blackstar - Kunte Kinte (Original Dubplate) Abacush - Back Attack Culture Club - Karma Chameleon SICKICK - Top Gun HomeSick - Burnout 2099 HomeSick - Afronta! ECHT! - MSMSMSM Tygapaw - Soon Come Recordings of birds in Corsica

Step into the interzone, with Ryan, Brant and Bobby Previte! . . . YOU DON'T KNOW MOJACK is a podcast dedicated to exploring the entire SST catalogue, in order, from start to finish. During the podcast we will discuss all the releases that are part of our core DNA, as well as many lesser-known releases that deserve a second chance, or releases that we are discovering for the very first time (we actually don't know Mojack!). First and foremost we are fans, and acknowledge that we are not perfect and don't know everything – sometimes the discussion is more about a time, place, feeling, personal experience or random tangents, and less about the facts (but we will try to get to the facts too). Facebook: www.facebook.com/mojackpod/ Twitter: @mojackpod Instagram: www.instagram.com/mojackpod/ Blog: www.mojackpod.com/ Tumblr: www.tumblr.com/blog/mojackpod Theme Song: Shockflesh

Freie Improvisation, House, Lärm, Country, Techno ? alles da, hier, auf dem Dach der Welt. Unterschiedlichste Musiker aus verschiedenen Generationen teilen ein originäres Interesse an der Arbeit Alexander Kluges, dessen sechs Jahrzehnte währende Präsenz in Literatur, Fernsehen und Film ihre Spuren hinterlassen hat. // Mitwirkende und Realisation: Sven-Åke Johansson, Alexander Kluge, Michaela Melián, Greie Gut Fraktion, Peter Brötzmann & Otomo Yoshihide, David Grubbs, Maja S. K. Ratkje & POING, Zwanie Jonson & Maurice Summen, Sophie Rois, alva noto, Elliott Sharp, Andrea Neumann und Helge Schneider / BR/intermedium rec. 2012 // Mehr Hörspiele unter www.hörspielpool.de

Hacking and Axing w/ Ryan, Brant and Charles K. Noyes! . . . YOU DON'T KNOW MOJACK is a podcast dedicated to exploring the entire SST catalogue, in order, from start to finish. During the podcast we will discuss all the releases that are part of our core DNA, as well as many lesser-known releases that deserve a second chance, or releases that we are discovering for the very first time (we actually don't know Mojack!). First and foremost we are fans, and acknowledge that we are not perfect and don't know everything – sometimes the discussion is more about a time, place, feeling, personal experience or random tangents, and less about the facts (but we will try to get to the facts too). Facebook: www.facebook.com/mojackpod/ Twitter: @mojackpod Instagram: www.instagram.com/mojackpod/ Blog: www.mojackpod.com/ Tumblr: www.tumblr.com/blog/mojackpod Theme Song: Shockflesh

How aware of you of the sounds around you? There is so much to hear and David Rothenberg is the one to join them in the orchestra. We talked about devotion to exploration, not being mainstream and so much more!   Musician and philosopher David Rothenberg wrote Why Birds Sing, Bug Music, Survival of the Beautiful and many other books, published in at least eleven languages.   He has more than thirty recordings out, including One Dark Night I Left My Silent House which came out on ECM, and most recently In the Wake of Memories and They Say Humans Exist. He has performed or recorded with Pauline Oliveros, Peter Gabriel, Ray Phiri, Suzanne Vega, Scanner, Elliott Sharp, Iva Bittová, and the Karnataka College of Percussion. Nightingales in Berlin is his latest book, CD, and film. Rothenberg is Distinguished Professor at the New Jersey Institute of Technology.   To connect with David go to:  http://www.davidrothenberg.net/ You can just google him and so much will come up!   This podcast is all about inspiring , connecting and sharing stories Please like, follow and share so we can hear each other and expand the definition of creativity to make it all inclusive!   There are a bunch of exciting things going on at I Am Creative to check out:  1) Coloring kits for families @ The Ronald McDonald House In Camden, NJ: Kit for you and a kit for them: https://www.iamcreativephilly.net/product-page/sharing-is-caring-coloring-book-for-you-coloring-book-for-a-family-in-need   2) Calling all that have wanted to be part of a multi author book that will go to #1 on Amazon . Yes you can be part of this process! The topic is creativity, of course.  Reach out if it resonates and check out: https://www.iamcreativephilly.net/express-yourself-publishing-house   Creatively Yours,  Hollis

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On today's episode I talk to drummer and composer Bobby Previte. Originally from Niagara Falls, New York, Bobby was one of the seminal figures of the 1980s New York ‘Downtown’ scene that included John Zorn, Wayne Horvitz, and Elliott Sharp, and his original compositions have been recorded and released on labels like Sony, Elektra, Tzadik. He's also led a plethora of diverse ensembles from behind his drums and has collaborated with many of the leading lights in and beyond the world of music, including master composer John Adams, iconic singer Tom Waits, pantheon filmmaker Robert Altman, and most recently, rock legend Iggy Pop. He's also the recipient of the 2015 Greenfield Prize for music and was a Guggenheim Foundation Fellow in 2012, and his latest albums are a series of live recordings called Groundtruther, which you can get on his Bandcamp site now! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter.

The composer/multi-instrumentalist whose output ranges from noise to blues and from electronic to orchestral works discusses improvisations and compositions recorded at Roulette between 1987-2018, illustrated with projects featuring CK Noyes, Orchestra Carbon, SysOrk, The Veni Academy, and solo flights including The Velocity of Hue.

Elliott Sharp: Counting Fingers The guitarist/multi-instrumentalist whose output ranges from noise to blues and from electronic to orchestral works discusses improvisations and compositions recorded at Roulette between 1987-2018, illustrated with projects featuring CK Noyes, Orchestra Carbon, SysOrk, The Veni Academy, and solo flights including The Velocity of Hue https://roulette.org/

Stile Libero: Culture in Movimento: Francesco Bettini, Jazz Club Ferrara, George A. Romero, I morti viventi, La nave di Teseo, Benjamin Moussay, John Scofield, Steve Swallow, Vox Clamantis, Burt Bacharach, Dave Douglas, Uri Caine, Elliott Sharp, Snarky Puppy, Shayna Steele

Stile Libero: Culture in Movimento: Francesco Bettini, Jazz Club Ferrara, George A. Romero, I morti viventi, La nave di Teseo, Benjamin Moussay, John Scofield, Steve Swallow, Vox Clamantis, Burt Bacharach, Dave Douglas, Uri Caine, Elliott Sharp, Snarky Puppy, Shayna Steele

Nancy Cunard war eine Stil-Ikone und Kämpferin gegen Rassismus. In den 1930er-Jahren veröffentlichte sie die Anthologie 'Negro‘ mit Texten von Autor*innen der sogenannten "Harlem Renaissance". Karl Bruckmaier hat nun die erste deutsche Ausgabe publiziert und mit Songs von Elliott Sharp als Hörspiel realisiert. // Mit Textausschnitten von Gladis Berry Robinson, Bob Scanlon, William Carlos Williams, Countee Cullen, Henry Crowder, John L. Spivak, T. Thomas Gordon Fletcher, William Pickens, Lawrence Gellert, Langston Hughes, Robert Goffin, Nancy Cunard, Zora Neal Hurston, George Antheil, Sterling Brown / Musik: Elliott Sharp. Regie: Karl Bruckmaier. BR 2020 // Aktuelle Hörspiel-Empfehlungen per Mail: www.hörspielpool.de/newsletter

A collection of pieces reflecting my mood as we near the end of Summer 2020, the summer of Covid-19, and the eve of a potentially apocalyptic American election. The electrified mbira ensemble Konono N°1 from Congo Republic plays music that is simultaneously joyous and furious, danceable but stimulating cornersof the mind that reflect on history and colonialism, folk culture and electrified popular music. With a wave of recent lynchings of African-Americans by uniformed police in the USA, forces that often see themelves as occupying armies, I'm reminded ofthis poignant blues by the legendary Blind Lemon Jefferson. While the singer laments that he will be executed for “doing something wrong”, one can't help imagine that we are witness to a much more primitive form of justice, that of the lynch mob. Some of my favorite guitar music of all time is vọng cổ music from Vietnam, performed on electric guitars with deeply scalloped fretboards and-built-in electronic effects. This music is deep blues, transnational and cosmic. With the Linda Music track from what was the Central African Republic, we hear amusic now vanished, played by people extinguished in the civil war between the Hutu and Tutsi tribes. Tragic, beautiful music. At this point, I humbly add my own composition Storm of the Eye performed by thefantastic virtuosi Hilary Hahn on violin and Cory Smythe on piano. Commissioned in 2009 by Hilary for her album In 27 Pieces, the piece makes great demands on the players both in use of extended techniques and in summoning a feeling for the times. This program closesout with an excerpt from Quatermass by the great Tod Dockstader, a visionary pioneer of music concrete and electro acoustic music. He worked outside of the academy and therefore never received the recognition due him. His music was visceral and powerful, perfect for this moment. Konono N°1 “Kule Kule” Blind Lemon Jefferson “Hangman's Blues” NS Vanhai “Doc Tau Guitar” (radiorecording) Banda Polyphony “Linda Music 1” Hilary Hahn & Cory Smythe “Storm of the Eye” Tod Dockstader “Quatermass - I. Song and Lament” --- Send in a voice message: https://anchor.fm/soundwavemix/message

Les Tympans de Magellan, c'est un podcast mensuel qui fait voyager vos oreilles. Chaque mois, un nouveau pays mis à l'honneur à travers une liste de morceaux soigneusement choisis. Le pays du mois : Pour ce vingt-quatrième épisode, retour en Afrique avec le choix de Wazoo, qui emmène vos oreilles au Maroc ! On vous recommande Moroccan Tape Stash, tenu par Tim Abdellah. Tracklist : نوجوانان بیدار (Naujawanan Baidar) - "Streets of Marrakesh: Field Recordings From Morocco" (extrait) Maleem Mahmoud Ghania with Pharoah Sanders - "Moussa Berkiyo/Koubaliy Beriah La' Foh" ﺍﻟﻌﺮﺑﺎﻭﻱﻋﺒﺪﺍﻟﻌﺰﻳﺰ(Abdelaziz Stati) - "Hebb Shaâbi" Azzddine with Bill Laswell - "Goa Rozali" Argan - "Azerf" Abdellah M. Hassak - "Carnival in Casbah" (extrait) Troupe Majidi - "Essiniya" Aisha Kandisha's Jarring Effects - "Nbrik Dub" Group Doueh - "Wazan Fagu Doueh" Bachir Attar & Elliott Sharp - "Arraks Tehta'l Kamar" Cheba Maria - "Mabrouk el Henna" Saib - "Sakura Trees" Cheikh Mohamed Riffi - "Sidi M'bark" Majid Bekkas, Goran Kajfeš, Jesper Nordenström & Stefan Pasborg - "MSQ" Klun Kaighenni 3la l-Bukimun - "Ghina' Pokemon / Eddawrat l-Pokemon" Inconnu, enregistré par Paul Bowles - "Early Morning Calls to Prayer – El Fjer (Tangier)" Envoyez vos morceaux Vous avez jusqu'au 13 septembre 2020 23:59 pour envoyer un titre marocain accompagné de votre commentaire à wazoo@xsilence.net. Nous sélectionnerons certains des morceaux reçus pour les diffuser et lirons le commentaire associé. • Générique de début : Depeche Mode - "World in My Eyes"• Générique de fin : Wyatt / Atzmon / Stephen - "What a Wonderful World" Retrouver le podcast : XSilence | Facebook | Twitter | Apple Podcasts | Podcloud

Part two of our interview with E#! YOU DON’T KNOW MOJACK is a podcast dedicated to exploring the entire SST catalogue, in order, from start to finish. During the podcast we will discuss all the releases that are part of our core DNA, as well as many lesser-known releases that deserve a second chance, or releases that we are discovering for the very first time (we actually don’t know Mojack!). First and foremost we are fans, and acknowledge that we are not perfect and don’t know everything – sometimes the discussion is more about a time, place, feeling, personal experience or random tangents, and less about the facts (but we will try to get to the facts too). Facebook: www.facebook.com/mojackpod/ Twitter: @mojackpod Instagram: www.instagram.com/mojackpod/ Blog: www.mojackpod.com/ Tumblr: www.tumblr.com/blog/mojackpod Theme Song: Shockflesh

Welcome to the Land of the Yahoos with special guest E#! YOU DON’T KNOW MOJACK is a podcast dedicated to exploring the entire SST catalogue, in order, from start to finish. During the podcast we will discuss all the releases that are part of our core DNA, as well as many lesser-known releases that deserve a second chance, or releases that we are discovering for the very first time (we actually don’t know Mojack!). First and foremost we are fans, and acknowledge that we are not perfect and don’t know everything – sometimes the discussion is more about a time, place, feeling, personal experience or random tangents, and less about the facts (but we will try to get to the facts too). Facebook: www.facebook.com/mojackpod/ Twitter: @mojackpod Instagram: www.instagram.com/mojackpod/ Blog: www.mojackpod.com/ Tumblr: www.tumblr.com/blog/mojackpod Theme Song: Shockflesh

Mentre sta lavorando a That's The Way I Feel Now, il doppio Lp dedicato a Monk, Willner concepisce un terzo album-tributo, consacrato questa volta a Kurt Weill, il grande musicista tedesco collaboratore di Brecht, autore delle musiche dell'Opera da tre soldi, e che poi, in esilio dalla Germania nazista, aveva avuto una seconda vita artistica, non meno interessante, nel mondo della musica americana. Uscito nell'85, Lost in the Stars ha il suo punto di forza in un assortimento di nomi di prestigio veramente eccezionale, ma rimane al di sotto della creatività degli album dedicati a Rota e a Monk con riletture delle musiche di Weill mediamente non altrettanto originali. Fra i protagonisti dell'album ascoltiamo Sting (nella ballata di Mackie Messer), Bruce Fowler, Stan Ridgway, Henry Threadgill (con Lester Bowie), Richard Butler, Bob Dorough, John Zorn, Van Dyke Parks, Lou Reed (in September Song), Carla Bley (con Phil Woods in Lost in the Stars), Tom Waits, Elliott Sharp, Dagmar Krause, Charlie Haden (in Speak Low).

Mentre sta lavorando a That's The Way I Feel Now, il doppio Lp dedicato a Monk, Willner concepisce un terzo album-tributo, consacrato questa volta a Kurt Weill, il grande musicista tedesco collaboratore di Brecht, autore delle musiche dell'Opera da tre soldi, e che poi, in esilio dalla Germania nazista, aveva avuto una seconda vita artistica, non meno interessante, nel mondo della musica americana. Uscito nell'85, Lost in the Stars ha il suo punto di forza in un assortimento di nomi di prestigio veramente eccezionale, ma rimane al di sotto della creatività degli album dedicati a Rota e a Monk con riletture delle musiche di Weill mediamente non altrettanto originali. Fra i protagonisti dell'album ascoltiamo Sting (nella ballata di Mackie Messer), Bruce Fowler, Stan Ridgway, Henry Threadgill (con Lester Bowie), Richard Butler, Bob Dorough, John Zorn, Van Dyke Parks, Lou Reed (in September Song), Carla Bley (con Phil Woods in Lost in the Stars), Tom Waits, Elliott Sharp, Dagmar Krause, Charlie Haden (in Speak Low).

Mentre sta lavorando a That's The Way I Feel Now, il doppio Lp dedicato a Monk, Willner concepisce un terzo album-tributo, consacrato questa volta a Kurt Weill, il grande musicista tedesco collaboratore di Brecht, autore delle musiche dell'Opera da tre soldi, e che poi, in esilio dalla Germania nazista, aveva avuto una seconda vita artistica, non meno interessante, nel mondo della musica americana. Uscito nell'85, Lost in the Stars ha il suo punto di forza in un assortimento di nomi di prestigio veramente eccezionale, ma rimane al di sotto della creatività degli album dedicati a Rota e a Monk con riletture delle musiche di Weill mediamente non altrettanto originali. Fra i protagonisti dell'album ascoltiamo Sting (nella ballata di Mackie Messer), Bruce Fowler, Stan Ridgway, Henry Threadgill (con Lester Bowie), Richard Butler, Bob Dorough, John Zorn, Van Dyke Parks, Lou Reed (in September Song), Carla Bley (con Phil Woods in Lost in the Stars), Tom Waits, Elliott Sharp, Dagmar Krause, Charlie Haden (in Speak Low).

“The people that I connect with online come from all over the musical world, from contemporary composition, from blues, from free jazz, from rock music, from noise… To me it's just all music. I've never felt those barriers were hard and fast — they were imposed by someone else.” Elliott Sharp has been one of the key figures in the avant-garde and experimental scenes in New York City since the late 1970s. With close to 100 releases spanning jazz, noise, orchestral, no wave, contemporary classical, and electronic music, his career can really only be described as prolific. He studied with icons like Morton Feldman, Roswell Rudd, and Robert Moog. His compositions have been performed by renowned ensembles like the Kronos and FLUX quartets. He's released music for the alt rock SST label alongside bands like Sonic Youth and Hüsker Dü. He's collaborated with everyone from jazz legend Jack DeJohnette to Blondie's Debbie Harry to Wilco's Nels Cline to Nusrat Fateh Ali Khan, the Pakistani Qawwali singer regarded as having one of the most impressive voices ever recorded. We chatted about the halcyon '60s when people thought of all kinds of music as simply music, when genrification didn't really stratify how we think about what we hear. We also spoke of the evolution of community alongside the emergence of online platforms, and the importance of resonance when it comes to making music and finding others to make it with. And for budding experimental artists, Elliott offered some wisdom into how they can find their people and work toward making a living. Support Elliott Sharp: www.elliottsharp.com/ Music in this episode, used with permission from Elliott Sharp: The Boreal  (excerpt) -  performed by JACK Quartet Flexagons (excerpt) - performed by Elliott Sharp and Orchestra Carbon Port Bou: Words  (excerpt from opera) - performed by Nicholas Isherwood with Jenny Lin, William Schimmel, and Elliott Sharp Koinoinia - performed by Elliott Sharp on Koll 8-string guitarbass --- Send in a voice message: https://anchor.fm/greymatterfm/message

Am Abend, an dem Donald Trump zum Präsidenten der Vereinigten Staaten gewählt wurde, begann Elfriede Jelinek, ihr Stück "Am Königsweg" zu schreiben. Vor Trumps Amtseinführung hatte die Nobelpreisträgerin eine erste Fassung des Textes abgeschlossen. Der Bayerische Rundfunk realisierte seine Hörspielproduktion als deutsche Erstinszenierung. // Von Elfriede Jelinek / Mit Thomas Albus, Peter Brombacher, Katja Bürkle, Elfriede Jelinek u.a. / Musik: Sven-Åke Johansson, Elliott Sharp, Chor des Bayerischen Rundfunks und Akademie für Alte Musik Berlin. Leitung: Howard Arman / Regie: Karl Bruckmaier / BR 2017 // Aktuelle Hörspiel-Empfehlungen per Mail: www.hörspielpool.de/newsletter

(From June 2019) Elliott Sharp in conversation with David Rothenberg to celebrate the release of two new books: "Nightingales in Berlin: Searching for the Perfect Sound" by David Rothenberg, published by University of Chicago Press and "IrRational Music" by Elliott Sharp published by Terra Nova Books. David Rothenberg is the Series Editor of Terra Nova Books and is distinguished professor of philosophy and music at the New Jersey Institute of Technology. He is the author of many books investigating music in nature, including Why Birds Sing, Survival of the Beautiful, and Bug Music: How Insects Gave Us Rhythm and Noise. His writings have been translated into more than eleven languages and among his twenty one music CDs is One Dark Night I Left My Silent House, on ECM. Elliott Sharp is a composer and multi-instrumentalist. He was awarded the Berlin Prize in Music in 2015 and a Guggenheim Fellowship in 2014. His composition "Storm of the Eye" for violinist Hilary Hahn appeared on her Grammy-winning album In 27 Pieces.

Elliott Sharp and David Rothenberg discuss their new books, IRRATIONAL MUSIC and NIGHTINGALES IN BERLIN, with sound artist Jem Finer, at Iklectik Arts, London, June 12th 2019.

Er spielt in Rockbands und in Jazzclubs, mit Beduinen und mit klassischen Orchestern: Elliott Sharp lässt sich in keine Schublade stecken. Seine Musik verbindet die Energie des Rock, die Freiheit des Jazz, die konstruktive Strenge der Klassik mit dem Mut der Avantgarde. Diese CD beim Label Mode porträtiert einen der spannendsten Komponisten der Gegenwart.

Mark Howell in conversation with Bernard Meisler. Mark Howell Musical archaeologist (and great guitar player) Mark Howell has played with everybody in the – what would you call it? – avant-progressive-jazz-rock scene – Bill Laswell, George Cartwright, Tom Cora, Anton Fier, John Zorn and Elliott Sharp, to name but a few. He was an original […] The post Episode 19 – Mark Howell appeared first on Sensitive Skin Magazine.

For decades jazz standards have provided improvisers with both a vehicle and a testing ground for their creativity. In some cases they have taken more liberties than others. This week we focus on not-so-standard renditions of jazz standards, from "Take Five" to "My Favorite Things", from "Mood Indigo" to "'Round Midnight"! Two hours of jazz played with boundless creativity and a good dose of humor. The playlist features Farmers Market; Uri Caine; Steve Houben - Jacques Pirotton - Stephan Pougin; Adam Benjamin; Django Bates; Rahsaan Roland Kirk; Hank Roberts; John Zorn - George Lewis - Bill Frisell; Roy Paci; Paul Motian; Manu Codjia - Geraldine Larent - Christopher Marguet; Steve Argüelles; Ran Blake; Björk; Orquestra Mahatma; Roy Nathanson & Anthony Coleman; Daniel Humair; Mostly Other People Do the Killing; Elliott Sharp; Cassandra Wilson; Joey Baron; Kashmere Stage Band. Detailed playlist at https://spinitron.com/radio/playlist.php?station=rfb&playlist=7986#here

a cura di Alessandro Achilli. Musiche di Richard Thompson & the Fairport Rhythm Section, Pentangle, Dagmar Krause, Elliott Sharp Carbon (prima parte)

a cura di Alessandro Achilli. Musiche di Richard Thompson & the Fairport Rhythm Section, Pentangle, Dagmar Krause, Elliott Sharp Carbon (prima parte)

Liner notes: Acrosyntactic, Post Traumatic System 2007 16:17. Live theremin interference noise performance at the Stone NYC, curated by Elliott Sharp. Live concert recording 8 bit mono. Sound is a carrier of information. - AJ Ptak

Episode 42: Musical Fluency-A conversation with Brian McWhorter Brian McWhorter is associate professor of music at the University of Oregon. Previously, he held positions at Manhattan School of Music, Louisiana State University, East Carolina University, and Princeton University. He earned the Bachelor of Music degree from the University of Oregon and the Master of Music degree from The Juilliard School. While living in New York City, McWhorter’s performing career gravitated toward contemporary classical and improvised music. He has worked with many of the United States’ best-known modern music ensembles including Third Angle, Sequitur, Ensemble Sospeso, counter(induction, Ne(x)tworks, Tilt Brass, Elliott Sharp’s Orchestra Carbon, Continuum and Meridian Arts Ensemble. Now, as co-artistic director of Beta Collide, a new music group whose debut album was described as one of the top classical albums of 2010 by the Willamette Week, he is engaged in some of the most diverse projects of his career. Hailed as a “terrific trumpeter” by The New York Times, McWhorter has been a featured soloist at the Festival of New Trumpet (New York City), Church of Beethoven (Albuquerque), Jornados de Creación Musica (Mexico City), and at Bargemusic (Brooklyn). He worked extensively with brass chamber groups including the Oregon Brass Quintet, Extension Ensemble, Manhattan Brass Quintet and the American Brass Quintet. As a member of the brass and percussion sextet Meridian Arts Ensemble from 2001-2010, McWhorter performed, commissioned and recorded some of the most demanding and progressive music ever written for brass. Meridian’s album Timbrando – a collection of Latin American contemporary works – was recently profiled on NPR’s All Things Considered. McWhorter was appointed principal trumpet of the Eugene Symphony by Giancarlo Guerrero for the 2008-2009 season. Additionally, he has performed as principal trumpet with the Portland Opera, Oregon Ballet Theatre Orchestra, Quartz Mountain Music Festival Orchestra, American Sinfonietta and Oregon Bach Festival Orchestra. He has also performed with the Metropolitan Opera Orchestra, the New Jersey Symphony Orchestra and many others.

 McWhorter’s discography spans many genres from contemporary chamber to orchestral, improvised music to pop and rock. He has worked with Dave Douglas, John Zorn, John Cale (The Velvet Underground), Natalie Merchant, Anne Heaton, Nini Camps, Hugh Blumenfeld, and The Sharp Things.

  

This live recording of theremin artist Anthony Ptak. Liner notes: Post Traumatic System [3:30] This computer/ theremin music work concentrates on difference frequencies as a carrier of information. We listen to the world as a system of associative indices. The acoustics are generated sine wave partials, synthetically generated interference phenomena. Sound is a virtual axis that occupies and transforms space. The heterophony of the score is navigation. The most anticipated 2008 performance at The Stone in East Village of New York City. Series curator Elliott Sharp. Recorded live in 8-bit mono March 25, 2008 at 10:00 p.m.. The Stone is at the corner of Avenue C and 2nd Street. Theremin antenna control of analog and digital oscillators, custom software. All sonic materials generated, performed, improvised and recorded by the composer. Thanks to Elliott Sharp. Dedicated to my late father. -A J Ptak

Mitwirkende und Realisation: Sven-Åke Johansson, Alexander Kluge, Michaela Melián, Greie Gut Fraktion, Peter Brötzmann & Otomo Yoshihide, David Grubbs, Maja S. K. Ratkje & POING, Zwanie Jonson & Maurice Summen, Sophie Rois, alva noto, Elliott Sharp, Andrea Neumann und Helge Schneider / BR/intermedium rec. 2012 / Länge: 62'02 //

Hilary Hahn - In 27 Pieces

An upright piano may not seem like the desired tool of a keyboard purist but Jenny Lin needed little rationalization for playing Igor Stravinsky’s Firebird Suite on the upright in the WQXR Café. Stravinsky himself was said to compose not at a concert grand, but "at a tacky-sounding and usually out-of-tune upright piano that has been muted and dampened with felt,” according to a onetime description by his wife, Vera Stravinsky. What’s more, Stravinsky’s teacher, Rimsky-Korsakov, advocated using uprights in orchestra works, arguing for their tinny, delicate sounds over thick, chordal opulence. The instrument may have also underscored the Russian folk sounds that characterize many of Stravinsky's early works. The Taiwan-born, New York-based Lin also plays Stravinsky on the big grands, something she has been doing a lot lately. Her newest album is a collection of a dozen of the composer's solo piano works, and while many of them aren’t so well known – perhaps lacking the surging passions or flamboyant calisthenics employed by other Russian composers – she believes they have much to admire and enjoy. "We really should know more about Stravinsky as a piano music composer because he composed a lot of the orchestra music on piano, and he was a very good pianist himself,” said Lin. Along with original solo piano pieces like the Sonata and the Serenade, there are some finger-twisting arrangements, notably Guido Agosti’s transcription of the Firebird Suite. Here Lin plays work’s the Danse infernale: Lin discovered Agosti’s Firebird transcription while studying in Italy as a teenager and that got her hooked on Stravinsky's work. “He's clever as a composer,” she noted. “He knows what gets an audience and can trigger the adrenaline.” While Lin’s concert repertoire includes the hefty concertos of Beethoven and Rachmaninoff, her discography tells of a more eclectic sensibility, spanning "InsomniMania," a collection of pieces inspired by nighttime dreams and anxieties, and "The Eleventh Finger,” devoted to complex modernists like Gyorgy Ligeti, Elliott Sharp and others. In the WQXR Café she also performed a selection from "Get Happy: Virtuoso Show Tunes for Piano.” The 2012 album featured arrangements of Broadway songs by such noted pianist-composers as André Previn, Stephen Hough, Marc-André Hamelin and Alexis Weissenberg. “One should not take these pieces very lightly,” said Lin. “I have to say, I thought that doing the Broadway arrangement project would easy because of the tunes but it was the hardest thing I’ve had to do, because every pianist just took the tune and went off with it.” Below is Lin’s performance of Gershwin’s Embraceable You, in an arrangement by the late Earl Wild: Video: Amy Pearl; Sound: Edward Haber; Text & Production: Brian Wise; Interview: Jeff Spurgeon

Organized by Lebanese artist Tarek Atoui, "Visiting Tarab" will incorporate elements of the world’s largest collection of Classical Arab music as interpreted by 16 musicians and sound artists ranging in expertise from hip hop to electronic and contemporary music. Atoui invited sixteen musicians and sound artists from different origins and practices to Beirut to explore the world’s largest and most extensive collection of Classical Arab music. The result of this research will be the performance in New York City and will feature the artist as well as Anti-Pop Consortium, Uriel Barthelemi, Jonathan Butcher, Mira Calix, DJ Spooky, Lukas Ligeti, Robert Lowe, Raz Mesinai, Zeena Parkins, Ikue Mori, Sara Parkins, Elliott Sharp, Zafer Tawil and Georges Ziadeh.

Playliste de Bruno Letort pour webSYNradio : Un voyage immobile sur les rives de l Hudson, avec Christian Marclay, Elliott Sharp, Rhys Chatham, Fred Frith, Zeena Parkins, Mark Feldman, DJ Spooky, Michael Gordon …

Edward DeGenaro is a fusion guitarist whose “Nude Guitars” sound—a unique mix of bebop and metal stylings mixed with a whole lot of the DeGenaro personality—has been compared to the works of Scott Henderson, Frank Gambale, and Steve Vai. DeGenaro's journey in music began in Germany, where he was born and raised. He studied cello at an early age, but quickly picked up the guitar as his instrument of choice for venting his artistic expression. After receiving a degree in Performance and Teaching from the German National Conservatory of Music in Nuremberg, he worked as a session player throughout Europe before relocating to Los Angeles, and, finally to Seattle, where he currently resides.DeGenaro performs at various venues, such as the NYC Fretless Guitar Festival and the NAMM show, and has worked (as a musician and/or recording engineer) with Elliott Sharp, Steve Kimock, Henry Kaiser, David Byron Band, Accept, Hammerhead, Alcatraz, David Rosenthal, and Roy Thomas Baker. He has also contributed to various feature films and television commercials, and recently finished recording all the audio samples for Jack Zucker's Sheets Of Sound, Vol. II. He is also working on his soon-to-be-released CD, Dog House.

November 1989, Pakistani Sufi Musician Nusrat Fateh Ali Khan and fellow musicians were in Montreal to perform a concert for Traquen' Art.   Elliot Sharp a central figure in the New York Avant-Garde and experimental music scene, was also in Montreal for a separate performance.   Bryan Zuraw, CKUT's Music Coordinator at the time, and CKUT Programmer, Julia Loktev (host of Curiouser and Curiousear) had the brilliant idea of having them perform live from our CKUT studios.  CKUT studios, at this time  were located in the basement of the Shatner Building of McGill University.  They had never met each other before and come from opposite musical worlds  - it's going to be great right?