Podcasts about theatrefront

The Red Sandcastle is a 50 seat storefront theatre, in which_ Anything is Possible!_ In May of 2011, Rosemary Doyle opened the Red Sandcastle Theatre, with the intent of giving theatre artists a canvas. The Red Sandcastle acts as an Artistic Hub to rent for creators in theatre, dance, visual art, and music. 2021 marks the 10th anniversary of Red Sandcastle, and brings a new look and new management: long time renter with Red Sandcastle, Eldritch Theatre‘s production and artistic team, Eric Woolfe and Adrianna Prosser, join the Red Sandcastle team as Managing Director and General Manager and will act as Caretakers of the Castle. Adrianna Prosser Adrianna is a Theatre Erindale + Sheridan College Alumnus and award winning storyteller. She joined Eldritch Theatre as their Marketing Monster and Artistic Producer in 2016, marketing and producing Dora award winning shows such as The Harrowing of Brimstone McReedy and Space Opera Zero! _as well as adding new programming such as children and adult Dungeons and Dragons camps _Sword and Sorcery School, and online digital theatrical experiences during the COVID-19 theatre blackout. Adding a new layer of support for artists at Red Sandcastle Theatre, with her digital marketing expertise; Adrianna has been teaching digital marketing storytelling at Centennial College since 2017 to both their Arts Management and the Museum Management program, and has been a guest lecturer for Humber College. As well as leading Eldritch Theatre's marketing, Prosser has led digital marketing for the City of Toronto's museums, Festival Players, Groundling Theatre, Theatrefront, GhostLight, and many more. Eric Woolfe Eric is an actor, playwright, puppeteer and magician, and the Artistic Director and founder of Eldritch Theatre which has been horrifying audiences since 1999 using puppetry, live actors, and parlour magic. His work for Eldritch Theatre includes Dora award winning and nominated works such as Space Opera Zero!, The Harrowing of Brimstone McReedy, Frankenstein's Boy, Madhouse Variations, _and _The Babysitter.  He is resident Dark Arts Professor at Eldritch Theatre's Sword and Sorcery School, where he is head Dungeon Master and writer of Dungeon and Dragon adventures for the young and young at heart. Some of his other theatre credits include Old Man and the River (Theatre Direct), The Comedy of Errors (Humber River Shakespeare), The Glass Menagerie, Ghosts (Touchmark Theatre) Rocket & the Queen of Dreams, (Roseneath Theatre). Little Shop of Horrors (Canstage), and Timon in Disney's The Lion King. Rosemary Doyle Rosemary founded the Red Sandcastle Theatre in 2011, after being in theatre for 80% of her life and counting. Currently she is the Artistic Director of Theatre Kingston in Kingston, Ontario her home-town.  Notable roles created by Rosemary include, Jane in My Mother's Lesbian Jewish Wiccan Wedding, (Fringe, Mirvish), and A.L.P. for Finnegans Wake (Grand Theatre, Tarragon). Doyle has won seven 24 hour playwriting contests. This love of instant creation inspired her to create the Thousand Monkeys Playwriting Festival  and her Play in a Week Camp that creates a play from nothing to full production in 5 days. Because of her love and talent for creation, she has been referred to as the “patron saint of indie theatre” a nickname she works hard to live up to, even in the government funded theatre world she is navigating now. Rosemary actively acts, directs, builds and designs sets and costumes and, of course, writes plays. We call her our Red Queen Emeritus. redsandcastletheatre.com Instagram: @redsandcastletheatre Facebook: https://www.facebook.com/RedSandcastle Support Stageworthy Tip Jar: https://tips.pinecast.com/jar/stageworthy Merch: https://shop.stageworthyproductions.com/

Live theatre is one of the oldest art forms, but rather than fade away in the face of easy social media and instant entertainment, it is experiencing a resurgence. What is it about live drama that keeps filling theatres around the world? How are theatre directors keeping the form relevant, accessible and engaging? What are the cultural touchstones of the stage, and what makes it so much fun? Ben is in Edmonton to chat with Daryl Cloran, Artistic Director of the renowned Citadel Theatre. About the Guest Daryl began his tenure with the Citadel in September 2016. He came to Edmonton from his role as Artistic Director of Western Canada Theatre (WCT) in Kamloops, B.C. Past chairman of the Citadel Board of Directors, Sheila Witwicky, has said of Daryl that “he has the special combination of vision, skill, experience and artistry that running a theatre centre like ours requires.” Originally from Ontario, Daryl was at the artistic helm of WCT for six years and, in addition, is a nationally recognized director of productions across the country, including at the Arts Club, Theatre Calgary, National Arts Centre, Shaw Festival, Canadian Stage and Neptune Theatre. He was the Artistic Director of Theatrefront, Toronto, known for its unique international theatre collaborations in countries such as South Africa and Bosnia-Herzegovina, which played across Canada and internationally to much acclaim. He’s also the co-creator and director of DRUM! a musical celebration of the founding cultures of the Maritimes which features a large cast of dancers and musicians from Celtic, Acadian, African-Canadian, and First Nations origin. Daryl is thrilled to be spending the next chapter of his career in a theatre town like Edmonton. “My passion as a theatre-maker and Artistic Director is community. It will be my job as Artistic Director of the Citadel Theatre to become a contributing part of Edmonton’s artistic community and to provide opportunities to local artists and train emerging artists from the region and across the country,” he says. “I believe the Citadel must maintain a high profile leadership role within Edmonton and continue to figure prominently as part of the national theatre scene. As Artistic Director, I will pursue partnerships and opportunities to showcase the Citadel’s work on national stages. I believe a theatre with the profile of the Citadel should be known nationally for its work, and while the Edmonton community will always be our primary audience, audiences across North America should see our fabulous productions.” Growing audiences is a particular focus of Daryl’s. He’s keenly interested in having young people experience the magic of theatre, as well as in the importance of multi-cultural voices on Edmonton’s stages. WCT is a national leader in the creation of First Nations theatre work and the support of First Nations artists. Children of God, a musical co-developed at WCT about the residential school experience in Canada, premiered at the National Arts Centre in June 2017, and will appear on the Shoctor stage at the Citadel March 3 to 24, 2018. Daryl also has a great interest in theatrical experimentation. At WCT, he created the annual High-Wire Festival, which challenged the relationship between artist and audience by exploring different theatre formats (micro-performance, immersive performance, interactive productions). Daryl intends to bring this desire for experimentation and attracting non-traditional audiences to the Citadel. “I value theatre that asks questions important to its community; I value creative risks,” he says. “The Citadel is an incredible theatre company with a history of innovation, high production values and important contributions to the Canadian theatre landscape. I want to build on this success, honour its traditions and also take appropriate risks to lead the Citadel into the next phase of its artistic growth. My wife and I and our two young sons are excited to be calling Edmonton home.” Learn more about Daryl or follow him on Twitter (@DarylCloran). Mentioned in this Episode Western Canada Theatre, a company based in Kamloops, BC Poetics, an ancient work on aesthetics by Aristotle Theatrefront, a theatre company based in Toronto and originally founded by Daryl Cloran Theatre Yes, a theatre company based in Edmonton Highwire Series, a new theatre program produced by the Citadel Theatre in Edmonton Fight Night, a play that was produced at the Citadel Theatre in October 2019 Late Fragment, an interactive film co-written and co-directed by Daryl Cloran Black Mirror: Bandersnatch, an interactive Netflix program Rashomon, a classic 1950 Japanese film directed by Akira Kurosawa Mump and Smoot, a renowned Canadian performance clown duo Prison Dancer, an upcoming Citadel Theatre project inspired by this video The Quote of the Week "I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being." - Oscar Wilde (1854-1900)

Dylan is an award-winning actor, director, playwright and a founding member of Toronto's Theatrefront. He has performed with The Stratford And Shaw Festivals, Mirvish Productions and in London’s West End. Dylan considers Theatrefront his creative home, and is deeply committed to our roots in the independent theatre community. For Theatrefront Dylan has appeared in eight productions, including fforward, Mojo and Tribes. He also co-wrote and acted in Return, which received a Dora Nomination for Best New Play. Recently Dylan directed acclaimed productions of Space Opera Zero and The Harrowing OF Brimstone McReedy for Toronto’s Eldritch Theatre. He is also the director of Festival Player's of Prince Edward County's Every Brilliant Thing.Twitter:@dylantrowbridgeInstagram:dylantrowbridgeyyzEvery Brilliant Thing is a one-of-a-kind, interactive theatrical event, starring renowned actor and comedian, Gavin Crawford, that engages its audience in thrilling and original ways. At once profoundly funny and deeply moving, Every Brilliant Thing chronicles a young person’s quest to unearth every magnificent thing about being alive. “Heart-wrenching, hilarious…one of the funniest plays you’ll ever see, full stop” -The Guardian.www.festivalplayers.caTwitter:@FestivalPlayersInstagram:festivalplayersFacebook:https://www.facebook.com/FestivalPlayersTickets:https://festivalplayers.ca/events/every-brilliant-thing/

Daniela Vlaskalic is an award-winning Canadian actor, writer and producer who has worked extensively across Canada including appearing in Theatrefront’s critically-acclaimed production of The Orange Dot by Sean Dixon, last year. Daniela hosts a comedic travel podcast called Every Place is the Same, produced by Drumcast Productions and available on iTunes.MulesMULES is a scathing exploration of the desperation that emerges when people find themselves trapped and powerless with no clear way out.Best friends in high school, Cindy and Crystal haven’t see each other in ten years. They reunite through social media, only to find they are both miserable and desperate to move up in the world. Holed up in the airport arrivals washroom, Crystal with a belly full of cocaine from Colombia and Cindy fearful of her violent boyfriend, the action unfolds in one single night, but changes their lives forever.A dark comedy about poverty, friendship … and drug smuggling, MULES is a tragic journey for the two women, as well as the airport janitor, who discovers them mid-plan only to escalate the crisis.Theatrefront: Twitter: @theatrefront Instagram: theatrefrontyyz Facebook: https://www.facebook.com/theatrefrontyyz/ Tickets: https://www.crowstheatre.com/whats-on/view-all/mules

In this week’s episode, I sit down with Daryl Cloran. Daryl Cloran was a founding member and the Artistic Director of Theatrefront, the Artistic Director of Western Canada Theatre, and is now the Artistic Director of the Citadel in Edmonton. In our conversation today we discuss how he was introduced to theatre growing up in Sarnia, his time at Queen's University in Kingston and what he learned from his education, as well as his experiences creating and running his theatre company Theatrefront. We also discuss his experiences as Artistic Director at Western Canada Theatre and the importance of finding the balance between giving the audience what they expect and pushing their boundaries with new and exciting work, how he became the Artistic Director of the Citadel and what he has learned from some of his experiences in Edmonton, as well as where he sees theatre in Canada headed in the future.

In this week’s episode, I sit down with Daryl Cloran. Daryl Cloran was a founding member and the Artistic Director of Theatrefront, the Artistic Director of Western Canada Theatre, and is now the Artistic Director of the Citadel in Edmonton. In our conversation today we discuss how he was introduced to theatre growing up in Sarnia, his time at Queen's University in Kingston and what he learned from his education, as well as his experiences creating and running his theatre company Theatrefront. We also discuss his experiences as Artistic Director at Western Canada Theatre and the importance of finding the balance between giving the audience what they expect and pushing their boundaries with new and exciting work, how he became the Artistic Director of the Citadel and what he has learned from some of his experiences in Edmonton, as well as where he sees theatre in Canada headed in the future.