Podcasts about every brilliant thing

Seth takes a closer look at Donald Trump demanding that other countries help him take control of the Strait of Hormuz because of the oil crisis sparked by his war in Iran.Then, Daniel Radcliffe reveals how he chooses what audience members to bring on stage during "Every Brilliant Thing" before sharing stories about his friend Tracy Morgan and his experience working on "The Fall and Rise of Reggie Dinkins." See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Reviews for Radcliffe’s ‘Every Brilliant Thing,’ Maya Rudolph to join ‘Oh, Mary!’, and ‘In the Heights’ to return to New York Every week, Matt Tamanini will bring you the biggest news from across the theatrical landscape and will prepare you for what’s ahead over the next seven days. Any and read more

Peter Filichia, James Marino, and Michael Portantiere talk about Every Brilliant Thing, Ulster American @ Irish Rep, Zack @ Mint Theater Company, The Amazing Sex Life of Rabbits @ SoHo Playhouse, Calf Scramble @ 59e59, Timeless: Ben Jones Sings 100 Years of the American Songbook @ The Laurie Beechman Theatre, read more

President Trump still hasn't told the American people why he's bombing Iran, the U.S. and Israel have sent mixed messages about whether the goal is regime change, and Secretary Hegseth boasted that the military will disregard customary rules of engagement during this campaign. Brett McGurk, CNN national security analyst and former Middle East advisor to four presidents, warns in this EXTENDED conversation that President Trump has entered into a war without communicating clear objectives and a clear plan on how to achieve them. Tony-winner Daniel Radcliffe explains that while his new Broadway show “Every Brilliant Thing” is technically a one-man-show, the high level of audience participation ensures that he's not acting alone every night. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In this episode of “Half Hour”, we take a closer look at the upcoming Spring 2026 Broadway season, highlighting new productions, high-profile revivals, and the casting announcements shaping the conversation. We discuss Daniel Radcliffe leading Every Brilliant Thing at the Hudson Theatre, Nathan Lane and Laurie Metcalf returning in Death of a Salesman at the Winter Garden, and the Broadway arrival of Beaches, A New Musical at the Majestic with Jessica Vosk and Kelli Barrett. The conversation also touches on titles including Dog Day Afternoon, Giant, Becky Shaw, Cats! The Jellicle Ball, The Fear of 13, The Rocky Horror Show, Titanique, Fallen Angels, The Lost Boys, Joe Turner's Come and Gone, The Balusters, Proof, and Schmigadoon, and how they collectively define this spring's landscape on Broadway. Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Share your thoughts on these productions in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these conversations, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Denver Gazette's senior arts writer on this year's True West Awards recognizing Colorado theatre artists. Introduction & Recent Shows (00:00-06:30) Alex and Toni welcome John Moore from the Denver Gazette to discuss the final year of his True West Awards. The hosts share their recent theater experiences, including Frozen at the Arvada Center, where they were impressed by the technical execution and performances from Anne Terze-Swarz and Jennasea Pearce. John mentions seeing Matt Zambrano in the BETC production of Every Brilliant Thing, Frozen, and his final visit to Rattlebrain's Santa's Big Red Sack after 23 years of watching it evolve.Holiday Productions & New Companies (06:30-25:00) Toni reviews Wonderbound's ambitious Holidays at the Hideaway Hotel set to Elvis Costello's Imperial Bedroom, praising its complex storytelling. He also discusses What If Theater's What the Dickens, an improvised take on A Christmas Carol that showed promise but suffered from performers not following improv fundamentals. The group discusses Ballet Ariel's unusual pairing of a condensed Nutcracker with Little Women. Season Announcements & Industry News (25:00-32:00) Two Cent Lion announces new leadership under Olivia Buntaine with a 2026 season featuring three productions focused on queer narratives and gender exploration. The hosts pause to honor Rob Reiner and his wife Michelle following their tragic deaths, reflecting on Reiner's theatrical roots and iconic films like The Princess Bride and A Few Good Men.True West Awards Discussion (32:00-50:00) John explains this is the final year of his 25-year tradition of the True West Awards—30 daily stories celebrating Colorado theatre achievements throughout December. He discusses the personal cost of the intensive writing project and his desire to spend more time with family. Key awards mentioned include recognizing Rattlebrain Theatre, Matt Zambrano's banner year, Phillips Sneed's retirement from the Arvada Center, DU tech students building professional sets, and emerging writers like Olivia Buntaine and Emy McGuire.Creative Couples & Standout Performers (50:00-57:00) John highlights the trend of married couples being cast as romantic partners in 2025, specifically Marco and Adriane Robinson appearing together in three major productions. He praises costume designer Nicole Harrison's prolific output of 18 designed shows with involvement in 60 total productions. The discussion emphasizes how directors are leveraging real-life chemistry to compensate for shortened rehearsal periods.Denver Actors Fund Update (57:00-1:00:00) John provides an update on the Denver Actors Fund, which has distributed $238,000 in 2025 alone (totaling $1.8 million since 2014) to help Colorado theatre artists with medical, dental, veterinary and mental health expenses. He announces new webinars in partnership with Connect for Health Colorado to help artists navigate healthcare subsidy changes. The fund has never turned anyone away and continues to operate entirely through volunteer efforts and community donations.OnStage Colorado Updates & Wrap-Up (1:00:00-1:05:30) Alex announces the upcoming third annual OnStage Colorado Awards (OSCAs) scheduled for January, noting they'll recognize excellence from approximately 165 reviewed productions this year. He shares plans to potentially transition OnStage Colorado to nonprofit status in 2026 to access grants and expand coverage. The hosts encourage theatres to submit events directly through their website form. They thank listeners for a successful 2025 featuring 45 podcasts, 165 reviews, and 50 newsletters, signing off until January.

About This Episode: This week on Stageworthy, host Phil Rickaby welcomes Fiona Sauder, co-founder and Artistic Director of Bad Hats Theatre. Known for their inventive, musical, family-friendly adaptations of classic literature, Bad Hats has become one of Toronto's most celebrated indie theatre companies. Fiona shares the origin story of the company, beginning with a serendipitous brewery production of Peter Pan and growing into a long-standing partnership with Soulpepper, as well as their upcoming production of Narnia. This episode explores: The origins and evolution of Bad Hats Theatre How Fiona approaches adapting iconic children's literature Theatre as a space of joy, presence, and shared imagination Fiona's artistic journey from Ottawa to George Brown to Soulpepper And much more! Guest:

Daniel Radcliffe on Broadway in ‘Every Brilliant Thing,’ Luke Evans to lead ‘Rocky Horror,’ Eva and Reeve get married Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | read more

U.K. Comedians Jonny Donahoe and Paddy Gervers come to Santa Barbara next week for four nights of 'humor and healing' to support local nonprofit "New Beginnings." Donahoe returns with his chart-topping hit "Every Brilliant Thing," and partners with Gervers for their new show, "Jonny and the Baptists." KCSB's Ginger Thomas has more.

Episode 102: Every Brilliant Thing by Duncan Macmillan and Jonny Donahoe Host: Douglas Schatz Guests: Duncan Macmillan              Jonny Donahoe Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Every Brilliant ThingWhen their mother attempts to take her own life, a seven-year old child decides to start a list; a list of “everything brilliant about the world. Everything worth living for.” A list for mum. This is the premise for Every Brilliant Thing, the hit one-person play created by playwright Duncan Macmillan and performer Jonny Donahoe. The play started life at Ludlow Fringe Festival in 2013, and in the decade or so since, it has been seen in over 70 countries around the world. As we record this episode Every Brilliant Thing has reached London's West End, with a rotating cast of five different performers appearing over its three-month run at the Soho Place theatre. The critic, Lyn Gardner, described Every Brilliant Thing as “one of the funniest plays you'll ever see about depression.” She is spot on – it is funny and poignant and finally life affirming.  I am very privileged to be joined in this episode by the show's two creators, Duncan Macmillan and Jonny Donahoe.   

INTERVIEW: Lara Macgregor & Tabitha Littlejohn on new play 'Every Brilliant Thing' by Zac Hoffman on Radio One 91FM Dunedin

The internationally acclaimed play EVERY BRILLIANT THING has finally arrived in the West Ens after more than a decade, and is playing a limited run from this summer at @sohoplace. The play, written by Duncan Macmillan with Jonny Donahoe, recounts the many fantastic experiences which make life worth living in the face of demoralising mental health, and is performed with extensive participation from the audience.Check out this full review to find out why Mickey-Jo adores this play which he first fell in love with last Summer at the Edinburgh Festival Fringe, and share your own experiences of it in the comments...• 00:00 | introduction02:59 | overview12:13 | audience inclusion20:32 | the themesAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Lynn & Carl are joined by Jeff Faulkner, leader of Mr. Blue Sky - the Electric Light Orchestra tribute band before their show at Chesterfield Amphitheater on August 1st. Next, MaryBeth Scherr Babcock from Actors' Attic to talk about her one-woman show, Every Brilliant Thing opening July 25th at The Villiage Actors' Theatre in Dupo, IL. Plus Lynn & Carl saw Evita & Lynn watched Oh, Hi.

Perchance Theater is producing “Every Brilliant Thing” - a one man show that touches on issues of mental health. Today, our guests talk about the link between art and mental health especially as a way to start and encourage those difficult conversations.

Rhett sits down to interview the star of Riverside Theatre's Every Brilliant Thing-- a poignant tale based on a true story, playing through April 13th. 

In the first hour of "Connections with Evan Dawson" on 3/13/24, we preview Blackfriars Theatre's new performance, "Every Brilliant Thing," and discuss the play's approach to the subject of suicide.

Theater on the Verge is a new independent theater company based in Spokane, Washington that believes theater should be a visceral, personal experience—one that ignites conversation, inspires connection, and leaves a lasting impact. (To quote a favorite show, we'd rather be “nine people's favorite thing than a hundred people's ninth-favorite thing.”) Co-founders Troy Nickerson and Chris Jensen talk to us about what inspired them to start a new theater company and how they chose their first show. Their first performance "Every Brilliant Thing" runs February 27 - March 15 at the Hamilton Studio in Spokane. This one man show, starring Doug Dawson, is heart-wrenching, hilarious…one of the funniest plays you'll ever see about depression—and possibly one of the funniest plays you'll ever see, full stop. For information about show times and to purchase tickets, visit theaterontheverge.com. If you are experiencing suicidal thoughts, or know of someone who is, call 988 to get the help and support you need. It's free. It's confidential. And connects you with a trained crisis counselor.

Troy Nickerson and Doug Dawson join host Henry McNulty in the studio for a conversation about Every Brilliant Thing, the first show from Theater On the Verge.

A look at the hits and misses of this year's Henry Award nods and a conversation with Jenna Pastuszek and the songs of Judy Garland In this episode of the OnStage Colorad Podcast, hosts Alex Miller and Toni Tresca dish on the Henry Award nominations. The annual theatre awards from the Colorado Theatre Guild came out last week, and as usual there's plenty to talk about. Who didn't get a nomination? Who got too many? Who got some well-deserved recognition?   We also run down this week's Colorado Headliners — our Top 10 list of shows to watch out for in the coming weeks. This batch of Headliners includes:   Crow's Fest summer theatre festival , Upstart Crow at the Boulder Dairy Center Shakespeare's Two Gents from ENT Center, various locations around Colorado Springs, Pueblo Millibo Ice Cream Theatre, Colorado Springs What If Theatre - Improve (A)nd (F)un in Lakewood Othello 2024, Firehouse, John Hand Theater - Denver The Pirates of Penzance at Central City Opera Greater Tuna, Bailey Theatre in Bailey Good Night Denver at Dude, IDK Studios in Denver. Every Brilliant Thing at Little Theatre of the Rockies in Greeley The Merry Wives of Windsor at the Colorado Shakespeare Festival in Boulder. Later in the podcast, Alex interviews Jenna Pastuszek, who brings her Judy Garland show Get Happy! to Denver's Four Mile Historic Park June 26.

Jackson and Jacob discuss a community-oriented, experiential one-person show: Duncan Macmillan's Every Brilliant Thing. Listen in! ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Our theme song is “Upbeat Soda Pop” by Purple Planet Music. Credit as follows: Music: http://www.purple-planet.com ------------------------------ Thanks so much for listening! We'll see you next week. ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Thanks so much for listening! We'll see you next week.

What skills do you think are most crucial for an actor to learn beyond their performance craft?  Jennifer Dean shares the challenges of learning the entire business of acting, including marketing and production. How do you balance the emotional impact of deeply engaging with a role while maintaining a clear line between your character and personal reality? Today Alicia Araujo-Elatassi from the Senora Vibes Podcast and I sit down with Jennifer Dean, the managing director of Fourth Wall Theatre in Houston. Jennifer shares her journey of motherhood and her profound love for the arts, discussing the transformative role that personal experiences have played in shaping her career in the art of storytelling. Get ready to explore the intricate world of acting as Jennifer enlightens us on the realities of the business, including the significance of mastering marketing, production, and the subtle nuances of film and stage performances. She opens up about the delicate balance between her passions and her dedication to family, revealing how becoming a mother and dealing with aging parents have deepened her emotional range as an actress. We talk the importance and creativity of date nights, sharing how even activities like CrossFit and improv can strengthen a marriage. Discover cool restaurants and enriching art activities that can add spice to your dates. Moreover, for theater enthusiasts and aspiring actors, Jennifer brings an inside look at selecting and casting shows, the art of memorization through muscle memory, and the thrill of live theater. Peek behind the curtain as we discuss the emotional pull of their current production, "The Father,” and the theater's commitment to not just entertain, but to also impact society through art. Don't miss Jennifer's personal anecdotes on navigating the vulnerable world of acting, from handling love interests on stage to the complex dynamics of off-stage relationships. So, get comfy, tune in, and let's revel in the rich tapestry of stories, experiences, and expert advice on today's episode of Better Call Daddy. Jennifer Dean has been part of the Houston theatre community for over 20 years. After graduating from Baylor University with a BFA in theater performance, Jennifer moved to Houston in the summer of 2000 to be an intern with A.D. Players National Touring Unit. Only planning to stay in Houston for a year, Jennifer met her husband, Kevin, and happily 20+ years later Houston is home. Over the years, Jennifer has appeared in shows at A.D. Players, Stages Repertory Theatre, Main Street Theater, Classical Theater Company and 4th Wall Theatre Company. Her most recent role was Kari in The Pavilion at 4th Wall and one that she will treasure.  In the last 10 years, directing has become more of a passion. Among some of her directing favorites are 12 Angry Men, Leaving Iowa, Every Brilliant Thing and Tuesdays with Morrie at A.D. Players and The God Game, Who's Afraid of Virginia Woolf and The Realistic Joneses at 4th Wall Theatre, for which she won the Houston Press Best Director award in 2019. Over the years she had also served as marketing director, box office manager, development assistant, intern director and spent thirteen years on staff at her church working as communications director, worship service producer and executive assistant. Her absolute favorite roles are as wife to Kevin Dean and mother to their daughter, Livey. She joined 4th Wall Theatre Company as Managing Director in January of 2023. Come see a show at 4th Wall Theatre https://www.4thwalltheatreco.com/ https://www.instagram.com/4thwallhouston/   Connect with Alicia https://www.instagram.com/senoravibespodcast/ https://linktr.ee/Vibesbyalicia   If you liked this podcast check out the other episode with Alicia and I sharing lessons learned about podcasting https://bettercalldaddy.podbean.com/e/328-alicia-araujo-elatassi/   Connect with Reena bettercalldaddy.com linkedin.com/in/reenafriedmanwatts twitter.com/reenareena instagram.com/reenafriedmanwatts instagram.com/bettercalldaddypodcast Me and my dad would love to hear from you, Drop us a review, reviews help more people find the show, and let us know what you like and what you'd like us to change, Please share the show with one friend who you think would be helped by the show  ratethispodcast.com/bettercalldaddy podchaser.com/bettercalldaddy   Castmagic is the AI tool I use for show notes and podcast title ideas, it has helped save me tons of time. I talked about it in this episode.  Please use my affiliate link if you sign up. https://get.castmagic.io/bettercalldaddy  

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues  ​ Bookwaves Alice McDermott, whose latest novel is “Absolution,” in conversation with host Richard Wolinsky, recorded December 12, 2023 via zencastr. Alice McDermott is the author of eight other novels, including Charming Billy, which won the National Book Award in 1998, That Night, which was a National Book Award finalist, and was twice a Pulitzer Prize finalist. She is also author of one non-fiction work, “What About the Baby?” “Absolution” concerns the young wife of a Naval officer in Saigon in the spring and summer of 1963, who years later looks back on that time, from the vantage point of old age. The book has been popping up on several best of the year lists. Complete Interview     Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  Event calendar and links to previous events. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  See website for past streams. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  A Christmas Carol, December 6 -24, Toni Rembe Theater. Aurora Theatre  Manahatta by Mary Kathryn Nagle, February 9 – March 10. Streaming:  March 5-10. Awesome Theatre Company. See website for upcoming productions. Berkeley Rep Harry Clarke by David Cale, featuring Billy Crudup, Roda Theatre, November 15 – December 23, 2023. Just For Us, written and performed by Alex Edelman, January 9 – 24, Peet's Theatre. Berkeley Shakespeare Company. See website for upcoming productions. Boxcar Theatre. See website for upcoming shows. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: See website for assorted upcoming events in 2024. Disney's The Lion King, November 22 – December 30, Orpheum. Broadway San Jose:  Chicago, February 23-25. Mean Girls, March 19-24. California Shakespeare Theatre (Cal Shakes). See website for events. Center Rep: A Christmas Carol, December 7 – 21. Every Brilliant Thing by Duncan Macmillan with Jonny Donahoe, directed by Jeffrey Lo. January 6-28. Central Works  Boss McGreedy written and directed by Gary Graves, March 2-13. Cinnabar Theatre. The Last Five Years, January 5-21, 2024, Club Fugazi. Dear San Francisco. Open-ended run. Contra Costa Civic Theatre Upcoming season to be announced. Curran Theater: See website for upcoming live events. Single night events in 2024 include Fran Lebowitz, Laurie Anderson, William H. Macy, John Cusack, Joe Jackson. Custom Made Theatre. In hibernation. Cutting Ball Theatre. You Did It by Payson Whitwell. Postponed to early January. 42nd Street Moon. Falsettos, February 29 – March 17, 2024. Golden Thread  Upcoming season to be announced. Lorraine Hansberry Theatre. Upcoming productions to be announced. Magic Theatre. Miriam and Esther go to the Diamond District by Andrea Gordon, Rainbow Zebra Productions, January 18-28, 2024. Marin Theatre Company Torch Song by Harvey Fierstein, May 9 – June 2, 2024. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  Ruthless, December 1 – January 7. Oakland Theater Project.  Cost of Living by Martyna Majek, March 1-24, 2024. Pear Theater. For Peter Pan on Her 70th Birthday by Sarah Ruhl. February 9 – March 3, 2024. Presidio Theatre. See website for schedule of events and performances. Ray of Light: Everybody's Talking About Jamie, June 1 – 23, 2024. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse. Guys and Dolls,  November 16 – January 13. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company: People Where They Are by Antony Clarvoe. January 31 – February 25, 2024.. Shotgun Players.  Hedwig and the Angry Inch. October 28 – December 30. South Bay Musical Theatre: A Little Night Music, January 27 – February 17, 2024. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  Billy, written and directed by John Fisher, February 1-18, 2024. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. The 25th Annual Putnam County Spelling Bee, November 29 – December 24,  Lucie Stern Theatre, Palo Alto. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org The post Bookwaves/Artwaves – December 21, 2023: Alice McDermott appeared first on KPFA.

1.Tears Xmas Market 2.Final night of ‘Every Brilliant Thing' 17 Nov- 2 Dec Theatre on the Bay's Lamta One Studio 3. "VOX 2023: A Musical Yearbook" at Christ Church Constantia on Sunday 3rd December at 3pmSee omnystudio.com/listener for privacy information.

Daniel K. Isaac (Billions) brings his charisma and delicious deep voice to Gay Ass Podcast right after performing a five show weekend(!) of EVERY BRILLIANT THING at the Geffen Playhouse. In addition to discussing this solo(!) show, we get into:-his sexual awakening at church-Mx. Google-how Daniel met his current boyfriend while dating someone else-high school musicalsplus we ask, "are lesbians better?"**********************************************************************Buy your NY Comedy Fest GAY ASS LIVE SHOW tickets HERE! Follow Daniel on Instagram (@danielkisaac) and get tickets to EVERY BRILLIANT THING at The Geffen here: https://tickets.geffenplayhouse.org/Follow Eric on IG (@ericwillz), Tiktok (@ericwillzTT) and Gay Ass Podcast on Instagram (@gayasspodcast)!For Eric's recent bonus ep about getting too high at the spa, subscribe here for only $5: patreon.com/gayasspodcastSupport this show http://supporter.acast.com/thats-a-gay-ass-podcast. Hosted on Acast. See acast.com/privacy for more information.

Every Brilliant Thing @ Geffen Playhouse - 7.5 out of 10! Above Average! 09.06 – 10.15.2023 www.latheatrebites.com

On this episode, Matt Tamanini is in conversation with the star of stage and screen, John O’Hurley. From becoming one of the most recognizable voices in the country as J. Peterman on “Seinfeld” to being the runner-up in the inaugural season of “Dancing with the Stars” to voicing King Neptune read more The post Special Episode: John O’Hurley on the Pain and Humor of ‘Every Brilliant Thing’ appeared first on BroadwayRadio.

Slán Irish Voice Two weeks ago Niall O'Dowd, founder of the Irish American newspaper The Irish Voice announced that it was to close after 36 years. The New York based Irish Voice and the Irish Echo were the principle sources of news for decades of Irish Americans and new Irish immigrants moving to the USA. Now the Irish Voice is gone. But a far sighted Niall O'Dowd realised some years ago the direction of travel for newspapers competing against the huge growth in online media services and founded the online Irish Central. Today IrishCentral.com gets over two million visitors monthly.Every Brilliant ThingListening, as I usually do on Sunday mornings, to Sunday with Miriam on RTE Radio  after Sunday Miscellany I really enjoyed Altan's tunes and Mairéad Ní Mhaonaigh's craic. I was also very taken by the preview of Every Brilliant Thing which is being staged at The Galway Arts Festival.Theatre Director Andrew Flynn gave us an insight into this play by Duncan Macmillan. Essentially this is about a young man who starts, at the age of seven, to compile a list of those things which make his life worth living. This is while he is battling with the challenges of the different stages of his life, including his mother's attempt at suicide. War Crimes in JeninThe Israeli Government's assault on Jenin, the Palestinian refugee camp, in the occupied west Bank left 12 people dead and scores more injured. Using bombs, Apache helicopters, drones, bulldozers and hundreds of troops Israel's apartheid regime imposed a reign of terror on the 14,000 people who live in Jenin. More than 3,000 civilians were displaced from their homes.

Ahead of the staging of Every Brilliant Thing at the Galway Arts Festival, we hear from theatre director Andrew Flynn on why he wants us all to compile a list of Every Brilliant Thing in our lives If you want to get involved and submit all the brilliant things in your life, email everybrilliantthinggalway@gmail.com

10am-11am Cllr Mike Cubbard on Scaremongering on Vacant Buildings "Emmanuel" Speaks to Keith about the struggle to get a secondary school place for his son Senator Sean Kyne says that the current system is not fit for purpose Dave O'Connell on the City Tribune Headlines Andrew Flynn on the show he is directing for Galway Arts Festival, called Every Brilliant Thing. It stars the brilliant Galway Actor, Clare Barrett.   

Episode 7: Solo shows and using the theatre This week we discuss solo shows, and Mike takes us through three exercises to help you think about your play. - Send us your updates and questions: info@oldfirestation.org.uk The Stage: “I have a confession: I hate solo shows – except when I don't.” - https://www.thestage.co.uk/opinion/i-have-a-confession-i-hate-solo-shows-except-when-i-dont-david-benedict-i-found-my-horn-re-member-me Support the Old Fire Station: https://oldfirestation.org.uk/support-us/ Transcript available here: https://oldfirestation.org.uk/our-work/how-to-write-a-play/ Alex's top 5 recommended solo shows that you can buy: Salt by Selina Thompson: https://blackwells.co.uk/bookshop/product/9780571352265?gC=5a105e8b Every Brilliant Thing by Duncan Macmillan with Jonny Donahoe: https://blackwells.co.uk/bookshop/product/Every-Brilliant-Thing-by-Duncan-Macmillan/9781350282087 Class by Scottee: https://blackwells.co.uk/bookshop/product/Class-by-Scottee/9781913630010 We Were Promised Honey! by Sam Ward: https://blackwells.co.uk/bookshop/product/We-Were-Promised-Honey-by-Sam-Ward/9781350381353 Joseph Morpurgo: Hammerhead: https://www.amazon.co.uk/Joseph-Morpurgo-Hammerhead-NextUp/dp/B07ZWZ4G1C Hosted on Acast. See acast.com/privacy for more information.

Erik Whien is regisseur. Whien is huisregisseur van het Nationale Theater waar hij onder meer Sea Wall, Krapp's Laatste Band en Every Brilliant Thing regisseerde. Als acteur was Whien te zien in onder andere voorstellingen van Oostpool, Het Zuidelijk Toneel en Orkater. Zijn regie bestaat uit een gezamenlijk proces waar de spelers veel ruimte krijgen. Whien regisseert een nieuw stuk bij het Nationale Theater van Samuel Beckett, Happy Days. Femke van der Laan gaat met Erik Whien in gesprek.

[00:00] Intro[01:44] Thought for the Day[02:28] Interview with Will BonfiglioWhat do you do when you are six years old and your mother is in the hospital for attempting suicide? You start a list of everything that is beautiful and fills you with wonder about the world. And then you leave it on your mother's pillow for her to read. That is the story that sets Every Brilliant Thing into motion, the next play in the New Jewish Theatre's 2023 season.Will Bonfiglio is the director of COCAbiz and an accomplished St. Louis actor, having received three St. Louis Theatre Circle Awards. Every Brilliant Thing will perform at the J's Wool Studio Theatre (2 Millstone Campus Drive, St. Louis) from March 16-April 2. Tickets are available by phone at 314-442-3283 or online at newjewishtheatre.org.[22:16] Word of the Day[25:07] More about Saint Louis In Tune[29:56] More about Every Brilliant Thing, Depression, Bullying, and Social Media[41:14] Baseball and the Length of a Game[48:29] FunnyThis is Season 6! For more episodes, go to stlintune.com#njt #everybrilliantthing #depression #bullying

Lynn & Carl speak with Elle Schwetye & Will Bonfiglio from the New Jewish Theatre's Every Brilliant Thing. Then new releases Scream 6 and Operation Fortune: Ruse de Guerre. Plus a look at Sunday's Academy Awards.

Bram Suijker is acteur. In de nieuwe voorstelling Every Brilliant Thing brengt hij een ode aan het leven. Het stuk, geschreven door Duncan Macmillan, is een wereldwijd succes en is nu te zien in Nederland. Suijker won in 2022 de Louis d'or voor beste mannelijke hoofdrol voor zijn rol in Trojan Wars. Verder was hij op televisie te zien in Van God Los. Let op: in deze podcastaflevering komen onderwerpen als depressie en zelfdoding aan bod. Wil je hier zelf over praten, neem dan contact op met 113 zelfmoordpreventie. Femke van der Laan gaat met Bram Suijker in gesprek.

Friday, November 11th at 3pm ARTS – Live & Local! Carol Newman & guests:   Director Edward James & Actor Terri L. Baier with “Every Brilliant Thing” at KALA in Astoria.   Dave Drury on guitar & Shelley Loring Barker on flute (+ Luke Ydstie on bass) in concert at the Charlene Larsen Center for...

How do we find fun in the midst of an 80 hour work week? At the end of the day, are we truly fulfilled? From Ernest Holmes to tithing, the law of circulation to a crazy game of Truth or Dare, Chad, Skip & Faith laugh their way to practical a ha's to apply to our everyday spiritual walk. Featuring “Shine On” by Harold Payne & Faith Rivera Shine On https://www.empowerma.com/product/shine-on/ by Harold Payne https://haroldpaynemusic.com/  Circle by Faith Rivera, Nitanee Paris, Sebastian Hughes https://www.empowerma.com/product/circle/  Connect with the Voices of Unity crew on Facebook and Instagram  Rev Skip Jennings www.skipjennings.com   www.theawakeshop.org FB & IG @revskipjennings Center for Spiritual Living, Fort Lauderdale Connect with Chad Bradford www.chad-bradford.com FB @chadbradford12 IG @chadbradfordone Watch Chad in Every Brilliant Thing at The Rep https://www.therep.org/every-brilliant-thing/ Connect with Faith Rivera www.faithrivera.com FB & IG @faithriveramusic YouTube @faithrivera Learn more about your ad choices. Visit megaphone.fm/adchoices

TMI talk from wanting babies to resisting babies, spiritual seeking to divine discontentment, the call of both that inner space and the edge where expansion happens. Plus on-the-street chat with Rev. Melinda Wood-Allen & conscious rap artist, Kim Belew at this year's emPower Music Festival. The episode ends with a holy heated debate between our resident Rev and resident Unicorn - tune in to see where your heart lands! Featuring beautiful music by Marcy Baruch. This Inner Space by Marcy Baruch Circle by Faith Rivera, Nitanee Paris, Sebastian Hughes Voices of Unity on Mind Body Spirit.fm find the crew on Facebook and Instagram Find Marcy Baruch on Facebook Rev. Melinda Wood-Allen Kim Belew Connect with Rev. Skip Jennings The Awake Shop and Center for Spiritual Living Ft. Lauderdale, FL Chad Bradford on Facebook @chadbradford12 and Instagram @chadbradfordone Watch Chad in Every Brilliant Thing at The Rep Faith Rivera on Facebook and Instagram @faithriveramusic and YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices

How do you push the restart button in the midst of a hurricane? Voices of Unity lifts up our Floridian family as they face challenging times after Hurricane Ian. From meditative arts to plant medicine, lessons from Yeshua to metaphysical time travel, man-tears to laughathon therapy, they explore all angles to bring peace, healing, love even in the middle of a storm. Featuring another epic song by Daniel Nahmod, Everything New. Everything New by Daniel Nahmod Circle by Faith Rivera, Nitanee Paris, Sebastian Hughes Join the Voices of Unity community on Facebook Instagram Daniel Nahmod Oct. 16th REAL CD release Connect with Rev. Skip Jennings and The Awake Shop Center for Spiritual Living Fort Lauderdale, FL Chad Bradford Facebook @chadbradford12 and Instagram @chadbradfordone Watch Chad in Every Brilliant Thing at The Rep Connect with Faith Rivera Facebook and Instagram @faithriveramusic and on YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices

This 13th episode of Biographical Bytes from Bala is for mid-October 2022 - and a little early on purpose.  Who doesn't love ice cream?  Philadelphia has made huge contributions to the history of this delectable warm weather treat.  If you're from the area, you grew up with Bassetts and Breyers; maybe you got some nonpareils or sprinkles on your soft serve; or you looked forward to going into a center city drug store so you could sit at the counter and have an ice cream float.  All of these have a Quaker City connection – I will talk about them and more today on Biographical Bytes from Bala: Laurel Hill West Stories – Every Brilliant Thing: Ice Cream and Laurel Hill

It's an episode filled with Soapbox moments from “live” interviews at the 17th annual emPower Music Festival with Rev. Jacquie Fernandez & Rev. Jeniffer Hutchins, an epic song by Daniel Nahmod “If the Race is Over” plus stories of spiritual practices put to the test. Between laughing fits, Skip, Chad & Faith talk sacred surrender, joy as our purpose, the gift of the ego and what to do when you bomb big time. Yes, you have to fasten your spiritual seatbelt for this one boo! MUSIC:   Circle by Faith Rivera, Nitanee Paris, Sebastian Hughes If the Race is Over by Daniel Nahmod Rev Skip Jennings The Awake Shop Facebook and Instagram @revskipjennings Center for Spiritual Living, Fort Lauderdale Chad Bradford Facebook Instagram @chadbradfordone Watch Chad in Every Brilliant Thing at The Rep Faith Rivera Facebook and Instagram @faithriveramusic YouTube Faith Rivera Music Learn more about your ad choices. Visit megaphone.fm/adchoices

On June 17 join Genevieve Randall, Shannon Claire and guests for lively conversations about: comedian Patton Oswalt's performance; Mary Pipher's new book; Lincoln Community Playhouse's “Every Brilliant Thing;" Theatre West's season in Scottsbluff; Lewis and Clark Scenic Byway's Scavenger Puzzle Hunt; and Star City Pride and Lincoln Arts Festival. Also, poetry read by Matt Mason and a look at “Nelson Mandela: The Official Exhibition” at Durham Museum.

Listen to Laura Ekstrand's take on things and you'll hear from a classmate who has built a creative community. She was co-founder of Dreamcatcher Reparatory Theater (now, Vivid Stage) with Janet Sales in 1994. She has her own podcast, Local with Laura Ekstrand, and an impressive body of work, which you can read about on her website: https://www.lauraekstrand.com/ She has appeared at Dreamcatcher in Be Here Now, The Lucky Ones, What Stays; Sister Play; Rapture, Blister Burn; Motherhood Out Loud, and Shakespeare in Vegas, among many others, and is a member of The Flip Side improv comedy troupe. New Jersey Theatre: Bickford Theatre, Passage Theater, 12 Miles West, The Theater Project, Luna Stage, and the Pushcart Players. New York Theatre: Naked Angels, Ensemble Studio Theatre, and New Georges. Film: Fat Ass Zombies; Split Ends, High Art and I Shot Andy Warhol. Television: Hack, Sex And The City, Law & Order, and The Guiding Light. As a director: Dead and Buried, Every Brilliant Thing, The How and the Why, Things Being What They Are, Next Fall, Distracted, The Pursuit Of Happiness, Melancholy Play, Pride's Crossing, Full Bloom and many others. Podcast directing: The Weirdness and Young Ben Franklin for Gen Z Media. As a playwright: What Stays (with Jason Szamreta), Whatever Will Be, The Neighborhood (Book and Lyrics; Music by Joe Zawila), Brink of Life (Book; Lyrics by Steve Harper; Music by Oliver Lake) and Astonishment, How to be Old: A Beginner's Guide, and At Ninety-Three (Adaptations). Laura is a private monologue and public speaking coach and holds a BA from Yale University and an MFA from Sarah Lawrence College. Laura is a member of AEA, SAG-AFTRA and the Dramatists Guild.

Hometown Radio 03/17/22 4p: Kevin Harris from SLO Rep and Michael Kaplan from Transitions Mental Health discuss Kevin's one-man show "Every Brilliant Thing"

Intro: Should we take offense that it's Women's History month? (history has not exactly honored women.) Gina had a rough re-entry from vacation, the Disney enchantment, the expense of having kids, the pleasures of one on one time, Junipero Serra was also a monster, Whitey Bulger, networking. Let Me Run This By You: Is Drag Race sexist?, Sasha Velour,  Interview: We talk to Rebecca Spence about Hendrix College, Phantom of the Opera with Linda Eder, Ricky Schroeder and Silver Spoons, Erin Gray, taking the Christmas pageant quite seriously, Syler Thomas, being the preacher's daughter, playing Adelaide in Guys and Dolls and the Stage Manager in Our Town, Tisch, Zelda Fichandler, Mary Beth Fisher, Carmen Roman, Deanna Dunagan, Ora Jones, Amy Morton, Steppenwolf, Goodman Theatre, Every Brilliant Thing, Cyrano at Milwaukee Rep, beauty privilege, aging as an actress, Linda Evangelista, how Rebecca sees herself in terms of the cultural shift in American theatre, the accessibility benefit of digital theatre.FULL TRANSCRIPT (unedited):2 (10s):And I'm Gina Pulice. We went to theater school1 (12s):Together. We survived it, but we didn't quite understand.2 (15s):And it's 20 years later, we're digging deep talking to our guests about their experiences and trying to make sense of it all.1 (22s):And you will too. Are we famous yet? February one, one month behind my friend one month by,2 (37s):Well, it's March 1st happy women's history month.1 (41s):I didn't even know that's how bad of a woman I am.2 (45s):Oh, well I was just thinking like, should we take offense that it's, you know, black history and women's history, like it's all in the past, you know, like why with both of those groups of people, we don't really want to be in the past.1 (1m 2s):Oh. And in fact there is a t-shirt that says that people love that. I have the same thought that says the future. Wait, the future of film is female. And I'm like, what about the present of film?2 (1m 17s):Right, right. Write1 (1m 19s):About like, I don't have a lot of time. I'm 46. Like what are you talking about the future? I mean, I can't be talking about the future. So I, I think the more we can get things in the present, the better off we are,2 (1m 33s):The better off we are now you're back. I'm back. I'm back. I'm back. I'm back. I did not want to come back. I did not leave my vacation. I did not wanna leave 80 degree weather and no responsibilities and fun all day. And it was our, a free entry1 (1m 53s):Monday, really? For everybody, just2 (1m 55s):You or well, for everybody. But for my part, it was getting in on a very late plane, not getting home till one 30 in the morning. It's two inches of ice on my driveway. So I'm like doing slapstick, trying to get my luggage to my door. My daughter's asleep. Oh my, I took the wrong key. I didn't have the right. I didn't have my house key. I don't know what the key is that I took. And so luckily, I mean, I guess I, nobody knows my address, but luckily we have a door that we often leave unlocked and it was unlocked.2 (2m 45s):So we got in and I got my daughter upstairs and I said, just go to sleep. I'll take care of everything. And she was like, yeah, of course, of course. I'm like, I'm not taking care of anything right now. So I remembered that we had some snow melt. I smelled, I go get it. And of course, when I walked into this door, that's usually unlocked. I immediately locked it saying like, we really shouldn't be leaving this open all the time. Oh my God. I know what's coming. I think, keep going, keep going though. And then I get my little ice smell and I go to the back and I closed the door because it's 20 degrees. And I don't want to let all the more mare out. And I happily salt my steps and get the luggage and bring it back up.2 (3m 30s):And the door was locked because the door was locked and I still don't have a key. And that my daughter is fast asleep. And not only is she slowly, I've already turned on the white noise machine. So if I ring the doorbell, if I had any chance of her hearing me, which it's pretty scant. And in any case, because she's a heavy sleeper, I've now masked the sound and it's cold, it's cold. And you, I immediately would be like, I have to eat this ice melt. That's not sane. That did not occur to me. Here's what occurred to me. I'm wearing leggings a t-shirt and a thin sweatshirt because I was just in 80 degree weather and sneakers.2 (4m 12s):I have no hat. I have no code. I have no gloves. I don't even have a key to the car. That's in the driveway because it's my husband's car. And why would I have a key to that? And we do have a garage code that has been broken for like a year. So I guess I should fix that for next time. I'm in this situation. Yeah. And I just tried ringing the doorbell and I tried yelling her name, you know, from down to like I'm in Romeo and Juliet, just yelling up to her window to the family in Utah. They weren't back. Oh my God.2 (4m 55s):I'm like, what the hell am I going to do? Walk to my neighbors at two in the morning and, and do what use, oh, and I didn't mind my phone was inside of, oh my God. Even if I had my phone, what am I going to do? Call my daughter. She doesn't have a cellphone. So I was in a real quandary. I was, I was in a pickle. So here's what I'd come to. I'm going to throw a heavy Boulder through our glass door so that I could get in. And then I'm going to tape it up with cardboard because I must get inside of my house. And then I remembered that another security breach we have is that our window in our dining room that goes directly onto our porch is never locked and very easy to climb through.2 (5m 43s):So that's what I did. And I didn't get to sleep until 3:00 AM. And that's just, that was just like, that was just, of course that was my reentry. Like there could have been no other reentry because ending your vacation sucks, sucks,1 (5m 60s):Bad. It2 (6m 0s):Really sucks. The greatest period of time is like the two weeks before your vacation, when you're getting psyched and then your vacation. And then for me, about two days before it's over, I'm like, oh God, I have to go.1 (6m 12s):I, I, I mean, you know, we're, I am really bad at transitions. Like I remember as an actor being told that to like, and I remember thinking that, and I remember thinking that's perfect. Like that, that makes perfect sense. I'm not shocked. And it makes perfect sense. I, there were no transitions in my childhood. It was like, you're being thrown here and then you're being thrown it. And so this all makes sense. And also it to be fair, your vacation did look fucking brilliant.2 (6m 43s):Like my vacation was like a1 (6m 46s):Dream.2 (6m 47s):It was like a dream come true. Honestly, like I kept being like, why is this so amazing? And I, I do. I do think, I, I think I understand now why Disney has the stranglehold on everybody's wallets that it does. It's because for many people, it is a place where your childhood is openly defended and encouraged and people don't get that. You know, and most people don't get that in other realms of their life. And you know, there's a lot of adult, only groups of people at Disney.2 (7m 28s):Like I even read a review of our hotel that was complaining about the number of children there. It's a, it's a, it's a, it's called the all star movies. It's like the it's 101 Dalmatian themed and toy story and Fantasia. And I'm thinking, wow, this couple went here thinking, oh,1 (7m 50s):People visionary tear like they without no, no, no. There are. Yeah, no, you're right on eighties. I think you've really, really hit the nail on the head. When you said that it's people's childhood encouraged, like, are you kidding me? Like senior pictures. I was like, oh, I'm going there. And I don't care if I go alone. Like, I don't give a fuck. You're going to see me alone. Wandering through Disneyland. Happy as a fucking clam.2 (8m 19s):Do you like rollercoasters? No. Oh, you don't like roller coasters. I was going to say, well, let's go together because I didn't get to ride one single roller coaster.1 (8m 25s):I will go with you. I would go if I trusted the person, I'm always just like, because I'm so neurotic. I'm like, do I want to die with this person? If I'm with some weird, like, you know, whatever. No I would go with you.2 (8m 40s):Well, let me tell you that. I don't know when the last time you went to like a six flags was, but the difference between your run of the mill amusement park and Disney is like the difference between coach on spirit, airline and first class Emirates. Yeah, exactly. It's just, they really, they really curate the experience for you. And I'm so fascinated by all of the work that has gone into just that, like all of the work that has gone into, and we, we had a classmate at the theater school who worked at Disney before she went to theater school and I'm drawing a blank on her name, blonde blonde hair.2 (9m 23s):And she told us about some of the rules. They have rules about how long your fingernails could be. And they had rules about your earrings and they had rules. I think some of those rules have changed because I'm pretty sure you didn't used to be able to show tattoos. I think you couldn't have dreadlocks before. Like it was a whole thing. It was a whole thing. So, so they've put a lot of effort into preserving the magic, right? Like you can't, there's this underground tunnel system. So you don't see the characters in there. Cause my daughter kept saying, oh, it was so sweet. She said, there's this hotel that's right near the park. And she said, why didn't we stay at that hotel? And I said, because it's like $3,000 a night. And she said, oh, I bet that's where the princess is live.2 (10m 7s):And I said, yeah, maybe. And I, and it was, as you recall, we went through this whole Santa's Easter bunny thing and she's she's hip to that. So I didn't challenge her assumption, but a couple of days later she did. And she said, well, they're not really princesses. They're really people who put on princess dresses. So they probably don't live here. I said, yeah, they probably don't. She said, where do I live? And I said, in an apartment, and I just saw the look on her face, like imagining, you know, Ariel living in her studio in like Florida. Right. And I live in Orlando having gone to theater school and then like, what am I doing? But you know what she's doing? She's fucking making dreams come fucking true is what she's done is like, honestly, it's the Lauren's work.2 (10m 53s):I felt like because they have these opportunities for you to meet the princesses, you know? And these people know their characters so well to the point that I can never hear Cinderella, she talks so quietly. I can never hear what she's saying. The, the girl, the woman who plays Rapunzel, that character talked a million miles an hour, she talks a million miles an hour. They read and they just know the ins and outs of their movies, such that they're constantly referencing. Like when, when we met Jasmine, she said, have you seen my monkey?2 (11m 35s):A pu I mean, and Clarissa was like, no, is she around here? Like, we'll, we'll go look for him. They really draw you in to the world. Do they are master storytellers? That's what they are Disney is. And these people, their whole,1 (11m 54s):I know people that go on Disney cruises that are like, I would live on this boat if I could.2 (12m 2s):Yeah, man. It's so enticing. It, it really is. And I, and I found myself being like, okay, this is like a museum product. It's a vacation. Like, but I think it made it harder to leave Mo a lot of times I have to say, especially since having kids, no offense to my kids. A lot of times when I come back from vacations, I'm like so relieved for it to be over because I've had to do so much work. I mean, traveling with one kid, who's pretty, self-sufficient was very easy to put a whole new spin on a family vacation.1 (12m 38s):It's my new thing, which is one-on-one time. So what I noticed in your pictures and social media was that when it's one-on-one time and I just had my niece here, right? Yes. I want to hear all about that. One-on-one time is so much different than family time. And I never had one-on-one time with either of my parents. Not that I really wanted it, but like, it was always trying to force groups or other families with our family. And I think one-on-one time people don't like to do because it's so intimate. And I, and I get that. But I also think when I saw your pictures, what I noticed was a genuine happiness and a knot in your face and your daughter's face, but also like a fun, it looked like fun.1 (13m 27s):And a lot of times when you see family fucking pictures, everyone looks miserable, miserable, miserable, miserable, miserable, and it's no one's fault, but that is the jam. It is miserable to be in a group.2 (13m 37s):It is miserable. And actually, as we were walking around, she kept saying, why is that? Dad's screaming at his kid? Like there was a moment where somebody was, I didn't observe it, but there was a baby crying. And how she reported it to me was that this mother told the baby to stop crying. And I said, well, you know, we're not having that experience because you're not a baby. And because we're not all together, but we've had a lot of experiences like that. You know, I'm glad that you don't necessarily think, look at that and say, oh, that's just like our family. But that is just like our family when we're all together,1 (14m 17s):It's a dynamic. So this is my whole, my whole like new way of seeing things. Not new way. But like w what helps me get through situation is like, oh, this is a dynamic problem. It is, it is a energetic, interpersonal problem. It's not one, one person's fault. But like, I now will never, I said to my niece, like, I only want to do one on one time with, with each of you. Great2 (14m 45s):Idea. Great idea. So how did that whole thing1 (14m 47s):Come to be? So I really wanted to, so each I have taken my nephew and my niece, the oldest one on solo trips, right. To two different places. But the youngest has never been, and then the pandemic hit. And so I was like, wait a second. This isn't fair. Not that life is fair, but I like to keep things kind of like, I don't want her being like, what the hell? I'm the youngest? Cause I was the youngest. I get it. So I was like, all right, I want a lease to come out here. But by herself, without my sister, without the kids, without George, like, no, no, no, no, no. Also our place is so small. Only one person could fit in it. Right. So a small person.1 (15m 28s):And so I said to my sister for her 13th birthday, which was Sunday, I want to fly Elise out. And so that's what I did. And she, she had president's day, right? So she, she missed one day of school because me and Mr. Davis school to do something with my sister and at least came and we had a blast one-on-one man, I'm all about trying to help the dynamic, not be unmanageable for myself and for others, but I'm really thinking about myself. Like2 (15m 60s):Probably so appreciated the attention she got. Right. Because I'm sure there's not much opportunity for her to get individual attention.1 (16m 8s):It's not practical. It just doesn't happen. There's so much going on. And you know, and, and so we had a blast. Now look, one thing that I was telling my therapist yesterday, I was like, oh, this is what I realized about children. They're fucking a lot of energy, even one brilliant child, right. That is, is just being a child. That's turning 13, no problems. Still, a lot of energy goes out cause she's, you know, and they're fucking expensive. So I don't care. I mean, I don't, I know nothing about, I know 100th of what the costs would be, but I'm like, oh my God.1 (16m 48s):And we weren't even doing crazy shit. We were so like, for people to say like, oh, a family of four or five can live on 50,000, $50,000. I'm like, are you, I spent like $50,000 in three days that I don't have, what are you talking about?2 (17m 3s):This is why, I mean, I have avoided saying miss in the past, but this is why we make so much money and have nothing. I mean, we have our house, we have a house, we own a house and we own cars. Yeah. But we have nothing else. We have nothing else. We have no savings. We have nothing else because 100% of our money goes to this very expensive thing we've chosen to do, which is1 (17m 28s):Yeah. And, and I have so much, I'm like, oh my God. Just even light. Yeah. Just life. Just not even buying. I mean, we didn't go crazy. We didn't go to Beverly Hills. We're not like living. Okay. So we went to, she got in really late Friday night and we went to, then we slept in a little bit. And then we went to the beach, went to my favorite beach, which is a unibrow beach who I found out was a terrible ruler that killed a lot of indigenous people, which is sad. But anyway, yeah. Paradise, Sarah that bad, bad, bad, bad, bad, man. I thought he was a Franciscan monk. I don't know my okay. I don't know.1 (18m 9s):Anyway. So it was like, oh, you know, he killed a bunch of indigenous people. I'm like, oh, that's great. Anyway. So we went to that beach in long beach, my favorite beach. Cause it's super chill. It's not a scene. It's not like Malibu. It's not like it's like down home. I love long beach. Right. And I also have an affinity to long beach because my ex lived there who passed away. So I like long beach, a lot. I have like special memories of that. And so we did that. We went, we ate like I now, because we moved to the pandemic. I had no reference for good food in my, in my neighborhood, in Pasadena, in LA none. So I was like, all right, we're gonna use this as an opportunity to explore dude, look, it has no, it doesn't hold a candle to Chicago.1 (18m 55s):Cause that's just how, you know, Chicago. I always tell people like Chicago is the best food and you'll die of a heart attack, but like, you'll eat the best food. We found great restaurants that we ate at. We, so we did a lot of eating. We did a lot of walking, walking around. We did some walks, some hikes. She obsessed with my dog Doris. And she was really, really good with her. Like trained her. Like she's really, she and her brother are both really into training dogs. So she did a lot of training with Torres, which I kept up zero. And then I just, I just don't care. And then I just don't, that's the truth. And we just really spent time together talking about life and about, you know, her, her life as a 13 year old and teenage stuff.1 (19m 42s):And, but it was, it was only, it was like she got in Friday night, she was here Saturday, all day, Sunday, all day, Monday, all day. She left Tuesday afternoon. I was so exhausted. I was like, I don't know. I have. So again, I have so much respect for her parents and people who are engaged with their kids. That's what I'll say. Like people who actually are trying to fucking be engaged. It's it's insane. I don't know how anyone has time to do anything else. Let me run this by, You know, I go into my little phases with the content I'm consuming and right now I'm really deep into con reconsider.1 (20m 31s):This is an old love that I kind of got away from drag race. Oh, right. Yeah. And I never had this thought before and I'm not, I don't have a judgment about it really either way. It's truly just a curiosity.2 (20m 47s):Curious to know what your thoughts are. Did you ever watch1 (20m 49s):That show? So I watched it a long time ago when it first came out. Did they remounted like, is there's different incarnations?2 (20m 57s):Yeah. They're on like season 13 or something like that. Yeah.1 (21m 0s):I watched it at the beginning when I also got into project runway and I got into America's next top model and all that stuff. Yeah. I, I, it wasn't my thing. It just didn't, it didn't compel me. Like I wanted it to love it and I, it's not, what is it about me? It is that, or the show. It's not my type of reality show in that. I just don't care enough. It's you know, about fat, like the fashion, the fashion. I, I'm more interested in the psychological component and at least at the beginning, it wasn't a huge part of the show.2 (21m 45s):Yeah. Well, for me it is the clue. Remember on star search when they used to have acting that acting component and it was so boring to watch, you know, because it's just not the same as singing and dancing. Right. Even I, as a little kid was like, this is boring. I didn't want to watch the acting part of star search. So we don't have an acting reality competition show. Drag race is the closest thing we have to because drag is theater, you know, it's creating character it's it's and, and there, the art has elevated to such a degree that the people who are really killing it are doing things that you would not imagine are drag and they're not wearing breastplates and they're not, they're just there.2 (22m 37s):And it's part of this whole concept of gender fluidity, which I'm really interested in. But my, my question is, is it inherently sexist that these men are doing female impersonations, right? Because, and a big part of it is the humor. And I just had this mode of being like, wait, is the fundamental conceit here that we're laughing at men being women, because why would you be a woman when you can be a man? I just, yeah, it may not be. And, and many, many drag artists may be feminists may consider themselves feminist.2 (23m 22s):I think RuPaul is not necessarily a feminist and he's not, he's not necessarily anti-racist. I mean, I think he's problematic in his own way, but it just occurred to me like, what am I laughing at this idea about just being a woman? Are we, are we trivializing? And we're making it frivolous.1 (23m 43s):It's so interesting. Like, I mean, think that it goes, what comes to mind is also like, how do the artists identify? Like, do they identify as, as, as non, you know, non-conforming or, or, or, or how, how did they feel?2 (23m 60s):Right. That's been an interesting evolution in the show actually from the first season. I think they they've had, they had at least one person who through the course of doing, it said, actually, I'm not, I don't really want to do drag. I want to be a woman. I am a woman. There's, there's been that. And I haven't really followed it closely, but there has been some controversy about like, well, if you have a woman, a trans woman on the show, then is it still drag? Right. So there's all these questions. I don't really know where that debate sits at the present moment, but I do know that very many people who consider themselves drag artists don't consider themselves men in any way.1 (24m 43s):So it's like, right. I, so that, that then leads me to be super curious about yes, like can cat it become one. It reminded me of Shakespeare when she experienced time pretending to be women. And it was always, you know, women weren't allowed to be actors or whatever, and they, and they also like, you know, they would make fun in a higher sort of, even a intellectual way. They were making fun of the, the weaker sex, whatever. So, yes, I think there's a part of it that we're just laughing at the horror show that is being a woman. And then the other thing that I was thinking about was I think you're onto something when, if we can transform it from being about that, to being about elevating art too.1 (25m 29s):Like when you said things that you wouldn't that piques my interest, wouldn't consider quote, drag. That is like, where I think we're headed in theater, right?2 (25m 38s):Like, oh yes, we must be. I mean, if we are to survive, we must be headed in that way.1 (25m 44s):Can you give me an example of like what, what you wouldn't consider drag that is like,2 (25m 50s):I got there's this drag artists named Sasha Valore and sh I'm right now, I'm on season. I forget if it's eight or nine, it might be nine. And she Sasha the lore does L well, first of all, and I think he identifies as a man. He does his art is political and intellectual. And he's one of these people who doesn't wear fake breasts. He does, he, what he does is he covers his nipples with pastries and, and, but builds the most beautiful garments around a look around an idea blend.2 (26m 31s):And, and it's rough. What I love is when it's referencing so many different things, when he explains his outfit later, he's like, well, this is a reference to Marlena Dietrich. And this is, this is a reference to, you know, the, how the gay culture in Russia exists because it's, you know, it's illegal to dress in drag there and, and homosexuality is not outright illegal, but it's, you know, obviously not a way that you want to go around presenting yourself. It's just this elevated conversation. I mean, the first time I ever saw actual drag was in Las Vegas at a show, I was a teenager and I couldn't believe I'd never seen it before.2 (27m 15s):I couldn't believe how much this man looked like a woman. And that's what the drag was. It was all about pretty much straight forward, like glamor looking as feminine as possible. And it has just come a long way since then. And now it's about, it's really just about embodying characters.1 (27m 34s):So yeah, you love storytelling. So this is what I'm getting at from the Disney thing. And from this is that you love detailed nuance, researched and referenced storytelling. Totally. That is your jam. So2 (27m 51s):It was my mind when, when all of these disparate things can come together into one cohesive piece of art. That's what I like in plays. That's what I like in books. That's what I like him.1 (28m 1s):So that's really interesting to know. Like, I think also like, yeah, for me, what I like is yes, super detailed, specific thought out things like I remember my favorite thing as a kid was pop-up books that had teeny little hidden parts that you wouldn't expect to have a tab that have it. That was my fucking jam. I was like, that is what I like about television is when there's callbacks or references or little Easter eggs, or like where you're like, oh my God, oh my God. Oh my God. Did you notice that the, you know, like I get into that because it means ultimately that people fucking care what they're doing.1 (28m 45s):Yeah,2 (28m 46s):Yeah, yeah. Oh, yes. That's what really gets you. That people care Today on the podcast we are talking to Rebecca, Rebecca is an actor. And if you live in Chicago and see theater, there's a very good chance that you've seen her on more than one occasion in more than one brilliant star Trek. She also does film and television. She's got actually a television series, 61st street. She's in Candyman, that's out in theaters right now.2 (29m 26s):She was in one of my favorite shows, easy, which featured a lot of great Chicago actors. We didn't really talk about any of that. We talked about her as dying love for Chicago theater and her absolute respect for the actors that make it happen. So please enjoy our with Rebecca Spence3 (29m 52s):Podcast or a voiceover.2 (29m 55s):What's the matter with you? Why don't you get with it podcast or be a professional podcast? It's so easy. Honestly, you just break right into the market. You get tons of downloads. And3 (30m 9s):This is what I hear. It's amazing that I haven't jumped on this bandwagon yet. I don't know.2 (30m 14s):I will say the number, the apex of active podcasts or podcasts that were downloadable in the pandemic was 2 million up from 750,000 before the pandemic.3 (30m 29s):I absolutely2 (30m 30s):Believe it's trending back down because I think people realize like it's kind of a lot of work to maintain something every week. So, you know, we're just hoping to get back into that sweet spot. Maybe even less people will do it and we'll get down to like half a million. So then we'll really have a chance. Anyway, congratulations, Rebecca Spence, you survived theater school. Wait, wait. You're, you're looking, you're looking like you don't agree with me.3 (30m 59s):I, I I'd like to reframe it a little bit. I, I survived a theater major. I did not survive the grad school audition process. I Did not into the theater school.2 (31m 18s):We've often said we should call it. We should really call this. I survived my desire to be famous, whether you became famous or not, you know, like you have to contend with your, with your desire for us,1 (31m 29s):Never went to grad school for you went to undergrad and you got a theater major, and then you, and then you went to you, you auditioned for grad schools and didn't get it. What, how could Rebecca Spence that fucking get into grad school? Are you kidding me?3 (31m 43s):No. What I was doing, I didn't have a clue what I was doing. So I, but I can say that my audition process for grad school is what brought me to Chicago and, and made me fall in love with Chicago. And ultimately helps me choose Chicago as a home base, which is where I've had my education. I, my entire education in theater has been through observing and watching people very, very, very good at what they do. And2 (32m 15s):Just observing or asking people. I mean, you said you didn't know what you were doing when you were auditioning, but3 (32m 21s):Yeah, I went to my, I had, I don't know anything to compare it to. I think I had a great theater experience in, at my tiny little school. We had a three professor department and they were wonderful. I, I looked at some conservatories for undergrad and I just wasn't entirely sure if that was what I wanted to do. Cause I didn't know anything about professional theater, not a thing I grew up in, in, in Texas. I had, I think I saw maybe one professional production.3 (33m 2s):I had a friend whose parents were into musicals and they gifted me with an evening to go see Phantom of the opera with Linda ETR of all people. So I'm like, if you're going to get an experience seeing it, that was great. But I knew I wasn't a musical person. I didn't have that kind of gift. And I didn't know what, like I never had seen regional theater. I had never gone to1 (33m 29s):Like a play3 (33m 30s):Play. No, I think my parents took me to a community college production of glass, menagerie,1 (33m 39s):Light fodder for a child have to say like, what is coming forward for me when you're talking about, you're not the first person to say like a musical with the first introduction to any kind of acting and they get a bad rap, sometimes musicals, but they're a gateway for so many kiddos. It's like magic. I'm like obsessed with musicals now.3 (34m 7s):Yeah. I I'm the youngest of three girls by a large margin. My sisters are nine and 11 years older than I am. And so they would put on plays and then stick me in them. So I was kind of dressed up a lot and they'd be like, go say this. And I would do that. And I've got1 (34m 27s):Actors now. What's that? Are3 (34m 29s):They actors now? Okay. No, not at all. No. We just had very active imaginations. And so I, but I loved it. I, I always wanted to be, I had a very active imagination and, and wanted to, I knew I wanted to act like I, I want it to be on silver spoons. Oh,1 (34m 50s):Well, here we are facing. I always, I always thought that the line was here. We are faced to face a Comella silver spoons. Somehow someone informed me that Kamala, wasn't a real word. You guys. And so I was like, wait, what do you, they were like, what did you just say? They're like, say it again. And they were like, you know, that's not the line, but anyway, you want it to be in silver. Did you want to be on like, Ricky's like sister or anything? Like you just wanted to be in that world?3 (35m 26s):Oh no. I had a whole, I had a whole plot line. Oh yeah, no. I was also going to be adopted into the family. Oh yeah. They were, I, I was also going to be adopted into the family, but then of course we were going to become love interest. Of course it's very twisted. I was, I was quite convinced. I, you know, Aaron Gray was going to be my mother. Oh. I also loved buck Rogers. So it was a big club look, Roger. So I kind of followed Erin gray. I thought she was quite possibly the most glamorous woman I'd ever seen. And that's not true.3 (36m 6s):Doris Day was, but I wanted to be parented by1 (36m 13s):Yes. I mean, that's like me and like my modern day telling Brian Cox, I wanted him to be my new father. Right. And that didn't, he was like, people have told me that before. It was actually, it's a real thing. So like, okay, so you, you want it to be that. And then how did that translate Rebecca into like actually studying it? Because like, how did you know? It was a thing3 (36m 37s):I started doing a lot of plays in church. I did a lot of church. Like I was married about 12 times. It feels like, and I remember taking, I remember my like little, my first like actual play. I remember, I think I had been four and I was married and I took it really seriously. And the little boy who was playing Joseph, who also happened to be named Joey was not taking it seriously. And he kept taking his little robe and throwing it over his head. And I remember being livid, absolutely livid. I just was, I was so disappointed because I really felt like I was giving off as many, like holy maternal vibes as I possibly could.3 (37m 26s):And he, he wasn't up to the task.1 (37m 28s):Did you find it, did he get fired or like, did he get recast recast?3 (37m 33s):I I, no. No, no. I mean, my memory is being up in front of the, I don't remember any group kind of rehearsal process. I just remember being up there and holding my little baby doll and feeling very pious Over. And Joey was like screwing with a shepherd.1 (37m 54s):That's fantastic. I am Joey, by the way, I would be the Joey. I'd be like doing dance moves and they'd be like this one, but here's the thing3 (38m 3s):Laughing. And that's why it was because people were laughing and they, you know, he was drawing attention and laughing. And I was like, I don't remember this being a comedy. This is a comment1 (38m 19s):Here's, what's interesting about that story for me is that you w I've never worked with you as an actor, but I know from being around you and seeing you work, that you are not enough, and this is not, well, I'll just say it like, you are like a consummate per actor. Like you, you take this shit seriously, which I adore, which I actually learned from people like that. But like, you are very kind and lovely, but you also are a fucking professional actor. And there is like, I know that sounds so obvious, but you know what I mean? Like there are people like Joey that fuck around at age four, which is fine. He's four. But like the fact that you didn't fuck around as Mary at age four, I think is actually an important thing in your, in your history because you take this shit seriously.1 (39m 7s):Also. You're like you work all the time, which is fantastic, which I don't think there's a coincidence there. That's all I'm saying. That's all. Yeah.3 (39m 19s):Thank you. I mean, I knew I wanted to do, I played a lot alone. I mean, I was alone all the time. So I was constantly like perfecting different personalities. I mean, because I moved as much as I did, we moved every two and a half to three years. I had like an opportunity to like, be put into different scenarios. And that was just like a playground for me to, to, well, first of all, it was survival. It was trying to figure out where am I? How do I fit in? How do I make friends? What what's like that group of people doing and how do I sort of evolve and adapt. So that they'll speak to me.1 (39m 57s):Did you move because of your family? Were you a military situation?3 (40m 2s):God's military? My, my father was an Episcopal priest, tiny segue. I listened to your podcasts and I'm the one that, that I just delighted and was listening to Siler. Thomas. I knew Siler Thomas from church camp. I had no idea Seiler Thomas. Wasn't cool. We, I grew up sort of adjacent to, to him. He's older than I am. So he was in a much like cooler hipper, older church crap. And, but we went to like all of the same, like regional functional things.3 (40m 47s):Cause my father was an Episcopal priest. And so he was very active in youth stuff. And so I went with him. That's how I know Seiler camp counselor. And I was a camper and I had no clue that he was a theater person. No, I can't2 (41m 5s):Wait to tell him. I can't wait to tell him3 (41m 7s):We reconnected sort of over Facebook, but I haven't seen him, but I listened to his entire podcast and I, I, I got really, I got really excited.2 (41m 15s):Yeah. Yeah. He's, he's fantastic. What I would have done if I had to move every couple of years is I would have pretended that I was British. When I came to a new school. Did you ever adopt new, like a really different3 (41m 31s):Personality? No, I couldn't. We were always sort of presented, like we were kind of presented as a family so that wouldn't have ever worked out for me. I did have a friend though in the sixth grade, my friend, Susan. And it was the first time we in, I was in Waco, Texas, and we went to all the sixth graders, went to one school for me, entire city were busted into a sixth grade center and we would rotate classes and she, and I would come up with like each class that we were in. We would have completely different personalities. We would like today where the really loud Rawkus girls and today were very shy and reserved, but today where the pranksters.3 (42m 17s):And1 (42m 18s):So you did go to theater school cause that's all we did. So there2 (42m 23s):Starting at four years old, you started your year to school3 (42m 25s):Training.2 (42m 28s):Yeah. So when you finally, when it was time for college, you were considering conservatories, but decided not to. How did you pick the school that you went to Hendrix?3 (42m 41s):I picked Hendricks because they had a theater program and my parents said that I had to be within a day's drive. And so they said, we can, you can go to school, but we have to be able to be able to drive to you within 12 hours, if anything happens. So I went 10 and a half hours away to two Hendricks college in Arkansas and had a pretty campus. And I, I knew, I, I knew I wanted to do theater. I had started doing more professional place, not professional, but, but really high quality plays in high school.3 (43m 21s):And I knew that I wanted to keep doing that. I really loved it. I just sort of disappeared into that. And that was, that was a safe way to build quick family, you know, do you found your people really fast? And I, I, that, that felt good to me. So I really enjoyed it. And2 (43m 41s):Were they known for having a great theater department?3 (43m 45s):No, but they built, so I did my freshman year, we moved in the middle of my eighth grade year and I had one freshman year in a, in a really small, small town in Southeast Texas or S yeah, it was near the coast and that didn't, that didn't go so well for me. And I ended up being sent to boarding school.1 (44m 13s):What did you do? Were you depressed?3 (44m 15s):Very poor choices and trying to, in trying to, to fit in, what is it,1 (44m 21s):Does that mean? What does that mean? Did you smoke cigarettes or like kill people? What happened like3 (44m 27s):In the middle? No, I, I had some substance stuff happened. I found the substances are pretty early in like, like an eighth grade. Yeah, yeah, yeah, no. I mean, we, we lived in the town that I lived in was known for grass farming and rodeo, and we didn't have anything to do. There was no, there was no movie theater. We didn't have a Walmart. We didn't have a skating rink there. It was,1 (44m 57s):It's like Footloose the toast.3 (44m 60s):So what we did is we went out to fields and drank like, that's true. That was what you did. So I, I, I wanted to do that. So I drank a lot and then I got caught a lot. And so my parents had a panic and sent me to boarding school in Austin, which they had a, really a growing theater department. And by the time I graduated, they had built this huge complex. So my senior year was the first year they sort of became an art school. So I kind of said goodbye. I mean, our first production was like, I remember they flew in some flats from Las Vegas.3 (45m 42s):I want to say we did guys and dolls, but we had like actual professional flats. And it was like my senior year. I was like, oh my God1 (45m 51s):Star, were you the star Rebecca? I was3 (45m 53s):Adelaide Adelaide. And then I got to be the stage manager in our town. So that was, but of course I, I didn't know what that meant. I wanted to be Emily,1 (46m 5s):Emily, of course. And then there were3 (46m 7s):Like stage manager and I was like, what? I'm stage managing the play? Like, I clearly hadn't read the whole play. I just read what I was like. I didn't know that that meant I had more to do. And it ended up being like a really, really meaningful, beautiful experience.2 (46m 24s):And just getting back to like the making. Cause I, I really love talking about making bad decisions. Would you say that you kind of did the, there is a trope of a preacher's daughter getting in to trouble? Is that what happened to you? Yeah, it was a rebellion against,3 (46m 43s):I mean, I, I just, you know, is there either the really, really good girl or the really, really bad girl and I, I, I didn't want to be the really, really,1 (46m 56s):Really hard position to be like, I can't imagine, like, even if your parents are like the nicest people there, again, there's a status thing that happens when there's someone in the community is touted as a certain thing. Like it's like royalty a little bit in America. Like we don't have, you know, so it's like you it's like, and then you're expected to behave a certain way. And as much as I had, like, I would say very little care and guidance in some ways I also didn't have a lot of pressure to be a certain way because we were all just like, there was no title. Like my parents didn't do anything. So it's, it's a tricky situation. But what I'm, what I'm also noticing is that the, the poor decision making and the drinking and they're getting caught actually was, it led to some really good fucking theater like that.1 (47m 46s):You went to Austin and you got to do like really good acting work. So it worked. I mean, you know, it wasn't a, it wasn't an all a bad thing. So you were like, yes,3 (47m 58s):I have learned more from my, my failures than I have ever learned from my successes. And I've had a lot of failures. I've had a lot of,1 (48m 8s):You know, something that I can speak to from being in like an insider in Chicago or formerly, and now in California, but being at a Chicago actor is like, everybody, I want to talk about the pressure in Chicago. So you are one of those people in Chicago that everyone's like, oh, Rebecca Spence books, everything. And I know it's not, I listen. I'm not saying it's true. This is what I'm saying. Let's get to the heart of the thing that I want to ask, which is from being on the I'm now on the outside looking in. Right. So what is it like? Cause that's always something that I heard and it has actually very little to do with you with other people's shit.1 (48m 48s):Right? It's not, I'm not saying you are doing anything, but what I'm asking as a woman and a performer, what is it like? And it's easy for me to do now because I'm in LA. So I don't give a, you know, like it's like, what does it feel like to have that kind of pressure of people, first of all, are you aware of it? That people are like Rebecca spins, books, everything. And then how does that affect you? And do you want to tell them to go fuck off? Or are you like, I work really hard.3 (49m 14s):Well, this, if this I'll take it two steps back, because this is a Testament to how much I, I love and admire Chicago theater. My understanding, I, I didn't get into theater school because I sabotage my auditions because I didn't know what kind of an actor I wanted to be. I actually, I choked. I freaked out because I thought that if you wanted to be an actor that meant that you wanted to be famous. And, and so I went to NYU, I came to Chicago to audition for theater school that I did the errata and auditioned for NYU Tisch.3 (49m 56s):And then I crashed the Harvard art. I didn't know you could crash. And somebody said you did. So I just got in line and I crashed the Harvard auditions. I made it to the final rounds of, of Tish. And I flew to New York and had a solid panic attack. I just, I didn't know anything about New York. I had, I came from tiny town in Texas. I had never been to Chicago. I had never been to New York. I didn't have a smartphone. I didn't know how to get around. I, I met Zelda. I met, you know, I did all the stuff. I was like, I can't afford this. I don't, I don't know what this is. I don't know what I'm doing. And I, I P I straight up chokes and, and really sabotage my own audition.3 (50m 40s):But I liked Chicago and my husband got a job here and we moved here and then somebody said, you know, I needed to find a job. I didn't even know. They were like, what about the Goodman theater? And I, I was like, I don't even know what that is. And I didn't know what, like actual regional theater was. And I ended up getting a job in development at, at the Goodman theater, because I was too scared to act. Cause I thought I don't actually know what I'm doing. I didn't know how to do like prepare a monologue very well. I had done that my senior year in college. Like we prepared one monologue. I didn't know like how to go through that whole process. But I started working at the Goodman. I started watching, I saw Chicago actors come on stage.3 (51m 24s):And it was people like Mary Beth Fisher, people like Carmen, Roman people like Deanna Dunnigan. Like people, people like Ora Jones. Like that was when I started hearing when they were like, oh, oh, oh my God. Or Jones is going to be on say, oh my God, Amy Morton. I'm like, who wait, who are these people who wait, who are these people? And like, people that I started hanging out like the theater crowd, when they started speaking about these people and their work ethic, I was like, that's what I want. I want to be a well-respected name in a medium sized town.3 (52m 5s):That's that to me is how I know I've made it. If people are like, oh, oh, we want to go see that show because I guarantee you, you're going to see someone who has put in the time, put in the effort, they're going to bring nuance. They're going to bring, you know, a craft to it. That was my goal. That's. And so when I hear that, there's part of me, that's like, I still don't know what I'm doing, but the little ego part in the back of my brain is like, it's what we've always wanted.1 (52m 38s):Yeah, no.3 (52m 39s):I wanted to be a respected actor in a town that who, whose work? I respect so much. I fucking love Chicago actors. And I love Chicago theater. I don't think there's any better theater in the country. I think that, that the work ethic and the quality of people that go in and do the work and bring, bring their hearts and their souls to it. That's all I've ever wanted to be a part of. So when you say, when you're like, oh, she works all the time. I'm like, I, I, I don't, I mean, I do work, but there's part of me. It's like, oh my God, maybe we're doing it. Maybe1 (53m 17s):I can tell you right now, Rebecca Spence, that you are doing the thing. Because when I saw you in, what was it? Every brilliant thing is that the, It was, it was beautiful. And when I saw it, I was like, oh yeah, this is why she, she books. She works all the time. It's all relative. Right. But that thing of she works all the time. But like, this is why it actually is because you're good at what you do. And you're also, like you said, you actually really care about the thing we were talking about. Caring, like Disney really cares how they take care of their parks. Like, that's a, that's a segue, but like, that's the, the point is that you, you, the care that you put into your, your art is very desirable, right?1 (54m 5s):Like people want to work with that. And I think in Chicago, there is this sense of, we're just sometimes we're just there to make it to the next place. But what it sounds like for you is like, this is your place3 (54m 18s):I'm here. Like this is, I have no desire to move to New York. I have no desire to move. I'm doing exactly what I always like. I'm doing more than I ever thought I ever hoped that I could do.2 (54m 33s):Like, wow.1 (54m 34s):I mean,3 (54m 35s):I ever thought that I hook could hope to do so. I am. I'm always really grateful because I,2 (54m 46s):Yeah, honestly, I, I really think that more people could stand to do that, to have as their goal. You know what, one of the things that has come out of this glut of information put out us all the time is this concept of like exceptionalism and that you only really hear reflected or, or echoed or amplified stories of people who are exceptional. People who make millions of dollars or people who, whatever graduate Harvard when they're 10 years old. And it, one of the casualties of it is that I think people who are forming their identities don't necessarily get enough examples of people who are achieving anything in the middle, you know, any kind of other success.2 (55m 36s):And, and we know how much these extreme successes lead to like tragedy. In a lot of cases, we'd be doing ourselves a favor. If we could put more stories of like, I aimed for this thing, that is not the, you know, the outer limit, but is, you know, difficult to do, but was obtainable for me. I think that would be,1 (55m 57s):I think it's so good. And I think that the, the also the, the irony or whatever it is is that now you, you, in terms of, in terms of film and television, you do book that work too, but it's not because your it's like you, that was your goal. And, and all this theater stuff is just sort of there it's like that work comes because of the, what you have done build the platform. And I think Gina, what you're speaking about is nobody's building the fucking platform on which to stand. So it's like all of a sudden, they're just catapulted on this platform at the top of the sky, and there's nowhere to go, but fall. Right. So you've done the work to build the platform, Rebecca.1 (56m 40s):And I think that that's, that's rare that doesn't happen. And I think that's fricking amazing because you have something to stand on. You're not like floating in LA like on a pedestal about,3 (56m 53s):I wouldn't do well in LA. I don't think I, I don't think I would do well there. I could maybe hang out in New York, but I don't think LA would, I liked LA. I went out there for just a brief moment just to see what it felt like. And people are like, oh, you're going to love it, or you're going to hate it. And I didn't feel either way. I, I liked it. I mean, I, I, wasn't responsible for living there and getting rent, paying rent. I was staying in a friend's pool house. And so I had a place to live for a month and I had one audition. So I hiked, it did a lot of hiking, which was great. And I found little pockets there, but I've thought, I don't think I could live in a town that is just constantly cycling around one industry.3 (57m 41s):And that was kind of how I've always operated. I didn't want to go to a conservatory because I was like, there's way more to me than just acting like, I, I love, I, I like, I love what I do it's but it's not the only thing that drives me. Like I like theater and acting is, is the thing that I love most, most of all, but I really there, I love Chicago, so there's so much more to do than just2 (58m 10s):So true. So I keep thinking about a little Rebecca and little Joey, we've heard a lot of stories about people who, when they were in college, feeling resentful about P other people who they felt like didn't take it seriously enough people, you know, like a common thing is a person who had to work really hard to get a full ride because they couldn't have afforded it to go to college otherwise. And then to be there with people who are partying instead of, you know, spending a hundred percent of their time dedicated to what they're doing. Does that come up for you now working on something now, do you encounter people who you feel maybe aren't fully appreciating the opportunity they're being given or, or at this level now, are you mostly with people who take it very seriously to,3 (59m 3s):Yeah, I haven't had that. And I mean, most of the people that I work with are really just so excited to be in the room. I mean, I, I, I th I can think of one instance when I was doing non-equity theater in a basement somewhere for, for, I was the only female in the entire, in the entire production, like cast, crew, everything. It was, it was me. And it was a bunch of guys that were kind of jerking around a little bit and it affected, it was like a really serious play.3 (59m 45s):And I remember one of them pulled up a pretty, I don't want to say dangerous, dangerous is too extreme of a term, but it was a play. It was days of wine and roses, which was, and you know, where I have to, the character ends up drink in some, but they, they changed the bottle and put actual alcohol in it onstage, and didn't tell me. And so I chugged and had like a thing of alcohol and I was like, and nobody would fess up to it. Like nobody who did, who did it? Y'all who did that? Just like tell me, and no one would, would, would fess up to it.3 (1h 0m 26s):And then I was like, this sucks. Yeah. That's actually, that's the only time I can think of when I was like, I'm, I'm putting my heart and soul into it for the most part. No, I've never, I thought, what about upset or like, is everyone you're working with really like, to joke around too. I mean, I, yeah, what I do on stage, I take very silly, but I love to play. I'm a prankster. I liked to, I I'm very silly. I like to be silly. I, I love people that are having a fantastic time. And when I know that it's not like messing up somebody else's process I'll jump right in.3 (1h 1m 7s):Cause I, I like it. So I haven't had any, what's a, what's a favorite project. Gosh, there've been, there've been a lot. I did a production of a three person Cyrano up at Milwaukee rep and it was the first time I'd ever left Chicago. And we did a three person version of, of Cyrano where we did made all of the sound effects ourselves.3 (1h 1m 49s):And so we switched characters and jumped and I had never done anything like that of like sort of it wasn't devised, but it, it, it was much more deconstructed than anything that I had ever been a part of. And it was, and we toured it. We toured it all around Wisconsin and into Minnesota and I'd, I'd never done it. I'd never done summer stock. I had never done anything like that. And we were this little Merry band of three, plus our manager in a, in a van driving all over making, you know, I was, we would do the sword fights and I would, I would use the foils and make all the sound effects and sheets.3 (1h 2m 30s):And I just thought that was, it was, it was a great time. I love it.1 (1h 2m 34s):Why did you love it? Like what, what you just love doing the like, cause it was the first time you did it or like what was the feeling that you were like, this is fucking awesome. Wow.3 (1h 2m 44s):Creative thing. And we surprise so many people because we made like the set was made out of ladders and like we would make the set and I love surprising the audience cause they would come in, they'd be like, what the, what is this? Like, are you like, oh God, we're gonna watch people like create out of boxes. See it, like, you're going to take me on one of these like craft paper theater projects and what am I getting myself into? And with just like a little thing of twinkle lights and we, and I was working with these two phenomenal actors, Reese, Madigan, and Ted Daisy, who work at Milwaukee rep all the time out and, and Oregon Shakespeare.3 (1h 3m 25s):And they do a lot of Oregon Shakespeare work. And we just played, we played in, played in, played in plate. It was, it was playing. And yet then we would have these like gut punch moments and it, I had just never done anything like that. I had always been put in sort of very traditional roles and nobody usually allowed me to step outside of those boxes. And I, I did it and had such, such a good time doing it.1 (1h 3m 53s):That leads me to my question about beauty. Okay. So I'm obsessed with this idea of beauty as, as a, as it relates to how people that are, are how we relate to our own beauty or feeling lack thereof or so, you know, you, I would say for me, you like a stunning, stunning woman. And, and I would like to know what is your relationship like? I mean, it's a very, it's a very intense question, but I am obsessed with it. What is your relationship like to your own idea of your beauty? Because people, because what you said, really trait triggered something in me of like people usually put me in these traditional roles, which to me means like beautiful wife, a beautiful mother, a girlfriend, a blah.1 (1h 4m 46s):And as you age, like talk all about that because people will say like Rebecca Spence is gorgeous and I agree and I want to know what is it like? And I guess it's sort of hard if you're the fish in the water, but like tell me, what's your relationship like to the way your own looks?3 (1h 5m 2s):Sure. You know, I, I, I fully acknowledged that I've had duty privilege. Like I've fully acknowledged that that has been a part of my progress. And you know, it has been something that has put me in roles. Like I was never the ingenue ever. I was never the Juliet. I was always the lady capital. I was always, cause I had always had a lower register and I always looked mature. I had a very classic features. And so I was always like lady Croom, lady Capulets.3 (1h 5m 43s):I was always like the bitter aunt. And it's kind of, I was Jean Brody, you know, like I got to, to have these sort of larger power play or things, which I always wanted. I wanted to play more powerful than I wanted to play pretty because I knew that I was always viewed as such. And you know, it's, I know that I've been allowed into a lot of rooms because of how I look. I think maybe that's why my drive is so strong because I want to back it up.3 (1h 6m 24s):Like I don't, it's very important to me that I bring work ethic and integrity and talent to, to, to that so that as I age and as I grow and as this goes away or transforms and evolves that I'm leaning more on, on, on the thing behind it. And, and aging as, as someone who is it's real, like it's, it's a real ego check when you were always called in for the beautiful wife and now you're starting to be called in for, you know, other roles.3 (1h 7m 11s):And, and this isn't a it's I know how it sounds like I always like know and feel1 (1h 7m 18s):No, no, no, no. Here's the thing. You're the one, you're the first person that we've talked to that we've said like, Hey, like I remember we interviewed someone and Gina brought this up to someone and was like, you're very beautiful. Like, what's it like to, and the person could not acknowledge that they, because they were, I think, I don't know what was going on. I assume they were afraid to sound vain, but here's the thing. It doesn't sound any kind of way. What sounds, what it sounds is like, you're trying to make sense of the way the world sees you, which actually isn't about you either. It's like, and yet acknowledge the privilege.1 (1h 8m 0s):So you're the first woman that we've talked to that has said, yeah, like I acknowledged like this got me into rooms, but I want to back it up instead of pretending that it doesn't exist. Right. Because,3 (1h 8m 12s):Because for anybody to lie, I, you know, I remember being, I remember being in a room and I was like, I was like, you're beautiful. And she was like, oh, I just am fat. And I'm like, come on. You know, I was like, come on, don't do it. Like it doesn't, it's, it's, it's so insulting to people that, that, that, that, like, let's be the thing I've tried to do is truly be objective about my work and, and who I like to. So you have to be objective about, like, I know what I look like. I know what I bring in, so what else do I add to it?3 (1h 8m 52s):And I it's something that I will never forget because, and after that, I know when we were very young, who is doing really, really well right now, and she is, you know, a self identified fat actress and like that, that is how she works in the world. And it's, she's, she's just phenomenal. But she was the daughter of a, of a beauty queen. Like her mother was a beautiful, beautiful woman. And she was like having to grow up with, you know, under, under someone that was beautiful. She's like I had to watch watching her age was one of the most painful things I could have ever witnessed because she was so used to being the most beautiful woman in the world, in the room.3 (1h 9m 42s):Like that was her identity was she didn't have to do too much else because she was the most beautiful woman in the room. And when she aged and those things started to fade it, she had sort of lost her identity. And that, that conversation has stuck with me for forever. I was like, don't ever be the person that, that your exterior is the only thing you have.2 (1h 10m 4s):Yeah. Well, I mean, I think it's awesome. I think it's fantastic that you acknowledge your beauty privilege, but I also acknowledge that there is a prison aspect to it too, or certainly when one is young, you know, where you can only be considered, you know, for a certain type of role, it can be just as limiting. And then if you go to that,3 (1h 10m 28s):Because of it, I mean, I I've been told, I lost I've lost roles where something is really, really, really excited about. And they were like, you're too, you are too classically attractive to be relatable. And I was like,2 (1h 10m 45s):Yeah,3 (1h 10m 46s):Being relatable is my jam. Right, right. What I worked so hard to do, I wouldn't be relatable. And I'm, you won't allow me out of that. And then of course, you know, I've got to sit back and I'm like, look, people have to face this kind of feedback on a completely dip. So, you know, I was like, then I mean that it sucked. And I, and I grieved that. I was like, but, but this is this industry that, and other people face that in tote for D for a myriad of different other reasons, they are told based off of how they look that they aren't right for the role. And I, I always knew that, but I was like, God, that sucks.1 (1h 11m 26s):And I'm thinking of like, yeah. And, and,3 (1h 11m 31s):And know it. And you don't want to tell anybody about it because no one, no one's going to be like, oh, that's horrible.1 (1h 11m 37s):Right. Right. I mean, it's this thing of you don't of course you don't want to, but I'm also just aware of like, like, I was obsessed with this whole story of Linda Evangelista who got face surgery, and then she finally showed her face and she looks fucking fine to me. Like, it's not about that. It's not about her face. It was about, it was no, no. I mean, literally it she's. I read the whole thing too. She, she calls herself deformed. She has like some fat that comes up over her bra3 (1h 12m 13s):Solidified. It's hard. Like, oh, that's true. Yeah. It's painful and hard. And,1 (1h 12m 20s):But the thing is like the, it is for me, what, what it brought forward was like from the outside, right outside, looking at Linda Evangelista, she's still one of the most beautiful people I've ever seen with her without her deformity. But it doesn't matter because she is not her identity was this model. Right. Which probably screwed her for life and also offered her privileges beyond my wildest dreams. Both are true. So I guess what it brings forward is like, everything about this journey is a combo fucking platter. You kinda have the privilege of beauty without also being in a prison.1 (1h 13m 1s):You cannot have the privilege of, you know, like for me, I kind of have the compassion that I have for humans. If I had not gone through what I had gone through as a child, especially an overweight child, like gum, it comes together. And I think we're so used to seeing people as, oh, that's Rebecca Spence. This is what she does. And this is how her life, it's not that way. And I think that's one of my life goals is to just show people through my writing and my work. Like this is a fucking combo platter. People like you don't get one way, like Linda Evangelista said, she feels like the most ugly person. And she acknowledged that she was a model and made millions of dollars doing it.1 (1h 13m 42s):So like, it's both, you're both, you're both things I give you permission. I give everyone permission to have both the prison and the privilege. I know it's not my job to do, but that's what I would wish on the world if I was running shit, which I'm not. So there we go. But anyway, that's my rant about you. I just really am focused on like asking women, especially like, what is it like, you know, especially as we get older to like change and it's a real3 (1h 14m 10s):Ego knock, I'm, you know, I'm not going to lie. I, I filmed something recently and I, my son went on, said, took a picture of the monitor and gave it to me. I was like, you know, I was like, oh shit. Okay.

Megan Raposa IS Sioux Falls Simplified. Her no BS digital news source has over 2,200 subscribers. We talk about how & why she started plus talk about how Arts & Entertainment are part of the news. The Mighty Corson Arts Players have an added feature this season--two one-man shows next week. Nathan Sparks stars in Thom Pain (based on nothing) Friday the 28th and Ryan Howe stars in Every Brilliant Thing, Saturday the 29th. Brian Schipper directs both shows. We talk to all three. The Weekend Toast goes to one of our advertisers--for his community involvement. Honorable Mention goes to local winners in the Broadway World Sioux Falls Awards.

The Producing Artistic Director of NextStop Theatre Company Evan Hoffmann gives us all the details about their upcoming season in this "Embracing Arlington Arts Talks" podcast. Learn about his return to the stage after a 10-year acting hiatus in the first show of the season "Every Brilliant Thing," upcoming shows rounding out the season, safety protocols being followed by the theater, and how the chosen productions are perfect for this year. Also get the scoop on why the theater transitioned from the Elden Street Players to NextStop Theatre and what is behind that name.

Professor Tony Vezner, head of the Theater Department at Concordia University, talks about this fall's show, Every Brilliant Thing. This one-man play gets the conversation about suicide started using humor, an intimate venue, and audience participation to tell the story from the point of view of a child of a suicide survivor as he catalogs everything that someone would want to live for. AFSP will have an information table plus a post-show discussion after every event to keep the conversation going and end the stigma of mental health issues.   If you are in crisis or know someone who is...please call: Suicide Lifeline at 1-800- 273-8255 or text the word “help” to 741-741 http://afsp.org/get-help   Timestamps:   Making the discussion about mental health relatable through art How art contributes to your mental well-being Helping to start the conversation about mental health on campus The novel that brought mental health treatments to light in the Victorian era Respectfully and safely depicting a controversial story Tony and Shell share some of their "brilliant things"   Links:   Get your tickets to Every Brilliant Thing at https://www.simpletix.com/e/every-brilliant-thing-tickets-73036 Connect with Shell Pavlis: AFSP Volunteer, Advocate, Event Sponsor, Give Back Partner Realtor® Berkshire Hathaway HomeServices California Properties shellpavlis.afsp@gmail.com All Shell's Social: https://linktr.ee/shellseeshell

In which we discuss our favorite guitarists, most memorable concerts, and days vs. The Bad Day, the right time place for stubbornness, and the process for Every Brilliant Thing.

We talk to Teresa Herrera-Anthony about Every Brilliant Thing, an interactive play about mental health, and the role of theater as an intervention in talking about difficult topics such as suicide.