DJ Azuhl Mixes

A Side Breaks Vol. 6 is a raw, high-energy break collection built for cyphers, battles, and serious heads. Rooted in 90s boom bap grit and powered by ancestral, tribal rhythm, this volume delivers hard-hitting drums, deep percussion, and tension-building loops designed to control the floor. Expect 8-bar break-focused structures, subtle variations that keep dancers locked in, and dominant accent hits made for call-outs, freezes, and final-round moments. The sound leans heavy on primal drum conversation, hypnotic low end, and stripped-back arrangements—no filler, just pure rhythmic pressure. Made for breakdancers, DJs, producers, and battle selectors, A Side Breaks Vol. 6 is about momentum, stamina, and presence. Underground. Functional. Built to move bodies. Download here - https://azuhl.bandcamp.com Download here - https://azuhl.bandcamp.com

#replay #onair #club bangers #hip hop #funk #reggea #mashups #livemix #djmix #rap #dancehall

Every Sunday at 5 PM C.A.T, join me LIVE on Mixcloud for your weekly dose of good vibes, handpicked funk, soul-soothing jazz, rare grooves, and the freshest Hip Hop.

Every Sunday at 5 PM C.A.T, join me LIVE on Mixcloud for your weekly dose of good vibes, handpicked funk, soul-soothing jazz, rare grooves, and the freshest Hip Hop.

This mix is part of my long-running SA Hip Hop Mix series, originally featured on The Ready D Show on Good Hope FM—a show I was proud to be part of for 10 years, where I had a dedicated slot to showcase the depth of South African rap. The mission behind this series has always been simple: celebrate the incredible diversity of our hip hop scene—the sounds, styles, and languages that make SA rap so unique. This isn't just a DJ mix—it's a tribute to the culture, the voices, and the ever-evolving sound of South African hip hop.

Every Sunday at 5 PM C.A.T, join me LIVE on Mixcloud for your weekly dose of good vibes, handpicked funk, soul-soothing jazz, rare grooves, and the freshest Hip Hop.

This is the HOUR version of the weekly Recharge Sundaze livestream. Every Sunday at 5 PM C.A.T, join me LIVE on Mixcloud for your weekly dose of good vibes, handpicked funk, soul-soothing jazz, rare grooves, and the freshest Hip Hop.

Every Sunday at 5 PM C.A.T, join me LIVE on Mixcloud for your weekly dose of good vibes, handpicked funk, soul-soothing jazz, rare grooves, and the freshest Hip Hop.

Every Sunday at 5 PM C.A.T, join me LIVE on Mixcloud for your weekly dose of good vibes, handpicked funk, soul-soothing jazz, rare grooves, and the freshest Hip Hop.

“Some nuggets — perfect for vibing out, studying, or getting chores done. Think of this as a compilation rather than a mix. I literally just hit record while moving around the studio with AutoMix on. The final drop for 2025, made for the lo-fi lovers, lightly sprinkled with a bit of holiday cheer.” #replay #onair #club bangers #hip hop #funk #reggea #mashups #livemix #djmix #rap #dancehall

During my 10-year mix slot on Good Hope FM via The Ready D Show, where I served up South African Hip Hop mixes, I also had the opportunity to do regular live guest mixes on The Nigel Pierce Show — namely Kinky Afro and King of Clubs. Those slots allowed me to step outside of Hip Hop and explore more commercial sounds, showcasing the broader vibes I was into at the time (which still rings true today) on a major commercial radio station. Nigel Pierce's return this year on Heart FM is a reminder of his signature hosting skills — a true South African legend and pioneer. I'm forever grateful for the platform and trust he extended to me during his time at Good Hope FM. Fast-forward to 2025, and those same energy shifts and dancefloor sensibilities now live on through my latest weekly mix slot on Future Club Radio — an international online platform where I'm serving everything from EDM to commercial dance music.

This mix is part of my long-running SA Hip Hop Mix series, originally featured on The Ready D Show on Good Hope FM—a show I was proud to be part of for 10 years, where I had a dedicated slot to showcase the depth of South African rap. The mission behind this series has always been simple: celebrate the incredible diversity of our hip hop scene—the sounds, styles, and languages that make SA rap so unique. This isn't just a DJ mix—it's a tribute to the culture, the voices, and the ever-evolving sound of South African hip hop. Music by Reason, Jits Vinger, DJ Switch, Jaak (RIP), Brasse Vannie Kaap, Blaklez, Tuks & more

A Hip Hop Mix #187 holds a special place in my journey as a DJ. This mix is part of my long-running SA Hip Hop Mix series, originally featured on The Ready D Show on Good Hope FM—a show I was proud to be part of for 10 years, where I had a dedicated slot to showcase the depth of South African rap. The mission behind this series has always been simple: celebrate the incredible diversity of our hip hop scene—the sounds, styles, and languages that make SA rap so unique. Mix #185 brings that vision to life, featuringMusic by JBux, Khuli Chana, Isaac Mutant, Zubz, Pioneer Unit, Jits Vinge, Godessa, Bliksemtraal, Hueman, Groundworks, Hishaam, Hemelbesem, Optical Illusion, Terror Mc, Prophets of Da City & more…, while embracing the full spectrum of our 11 official languages. This isn't just a DJ mix—it's a tribute to the culture, the voices, and the ever-evolving sound of South African hip hop. Music by Early B, Dope St.Jude, Andy Mkosi, Rashid Kamalie, Jaak (RIP), Uno July & more.

Every Sunday at 5 PM C.A.T, join me LIVE on Mixcloud for your weekly dose of good vibes, handpicked funk, soul-soothing jazz, rare grooves, and the freshest Hip Hop.

Let's rewind to 2003 — the final LIVE mix of the year on UCT Radio. From 2003 to 2008 I co-hosted G.H.E.T.T.O.P.I.M.P with DJ Eazy & Richard Bradstreet, a show rooted in Giving Healing Education Through Teaching One Principles Improving Mental Position. Myself, Eazy and Mr. Fat (R.I.P) of Brasse Vannie Kaap were brought in by Richard & Fat Cat to help spark conversations around Hip Hop, community and socio-economic issues. Out of this platform we formed HHESA (Hip Hop Education South Africa), formerly The Faculty of Hip Hop — an NGO that hosted countless events, interviewed SA Hip Hop artists, broke local music (90% SA was already our standard), collaborated internationally and ran meaningful school projects. This mix was the last for 2003 — strictly underground gems, with DJ Ready D going back-to-back Beat Bangaz style. All vinyl. All grit. All soul. Enjoy the crackles.

SA Hip Hop Mix #186 holds a special place in my journey as a DJ. This mix is part of my long-running SA Hip Hop Mix series, originally featured on The Ready D Show on Good Hope FM—a show I was proud to be part of for 10 years, where I had a dedicated slot to showcase the depth of South African rap. The mission behind this series has always been simple: celebrate the incredible diversity of our hip hop scene—the sounds, styles, and languages that make SA rap so unique. Mix #185 brings that vision to life, featuringMusic by JBux, Khuli Chana, Isaac Mutant, Zubz, Pioneer Unit, Jits Vinge, Godessa, Bliksemtraal, Hueman, Groundworks, Hishaam, Hemelbesem, Optical Illusion, Terror Mc, Prophets of Da City & more…, while embracing the full spectrum of our 11 official languages. This isn't just a DJ mix—it's a tribute to the culture, the voices, and the ever-evolving sound of South African hip hop.

#replay #onair #club bangers #hip hop #funk #reggea #mashups #livemix #djmix #rap #dancehall

Every Sunday at 5 PM C.A.T, join me LIVE on Mixcloud for your weekly dose of good vibes, handpicked funk, soul-soothing jazz, rare grooves, and the freshest Hip Hop.

Every Sunday at 5 PM C.A.T, join me LIVE on Mixcloud for your weekly dose of good vibes, handpicked funk, soul-soothing jazz, rare grooves, and the freshest Hip Hop.

Originally cut live in the mid-2000s using nothing but vinyl, Anti FM Device 1.3 is a raw, unfiltered salute to underground hip hop's golden spirit. Now fully remastered for 2025, this mix is built for the heads who fiend for gritty boom-bap, razor-sharp lyricism, and that anti-mainstream attitude that shaped a generation. Curated with heat via indie imprint Kurse Music Distribution, the mix packs heavyweight cuts from KRS-One, Mos Def, LMNO, Akrobatik, and more—every track hand-picked for its authenticity and underground fire. This one's strictly for the true-school believers—the diggers, the vinyl junkies, the anti-FM faithful. No fillers. No fluff. Just raw bars, dusty drums, and the unpolished crackle & skips of vinyl.

SA Hip Hop Mix #185 holds a special place in my journey as a DJ. This mix is part of my long-running SA Hip Hop Mix series, originally featured on The Ready D Show on Good Hope FM—a show I was proud to be part of for 10 years, where I had a dedicated slot to showcase the depth of South African rap. The mission behind this series has always been simple: celebrate the incredible diversity of our hip hop scene—the sounds, styles, and languages that make SA rap so unique. Mix #185 brings that vision to life, featuring Camo, Kid X, Emile YX, Zubz, Patty Monroe and more, while embracing the full spectrum of our 11 official languages. This isn't just a DJ mix—it's a tribute to the culture, the voices, and the ever-evolving sound of South African hip hop. You can also download this mix via my website.

Every Sunday at 5 PM C.A.T, join me LIVE on Mixcloud for your weekly dose of good vibes, handpicked funk, soul-soothing jazz, rare grooves, and the freshest Hip Hop.

Every Sunday at 5 PM C.A.T, join me LIVE on Mixcloud for your weekly dose of good vibes, handpicked funk, soul-soothing jazz, rare grooves, and the freshest Hip Hop.

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

#replay #onair #club bangers #hip hop #funk #reggea #mashups #livemix #djmix #rap #dancehall

Every Sunday at 5 PM C.A.T, join me LIVE on Mixcloud for your weekly dose of good vibes, handpicked funk, soul-soothing jazz, rare grooves, and the freshest Hip Hop.

Every Sunday at 5 PM C.A.T, join me LIVE on Mixcloud for your weekly dose of good vibes, handpicked funk, soul-soothing jazz, rare grooves, and the freshest Hip Hop.

Every Sunday at 5 PM C.A.T, join me LIVE on Mixcloud for your weekly dose of good vibes, handpicked funk, soul-soothing jazz, rare grooves, and the freshest Hip Hop.

Originally recorded in the mid-2000s using nothing but vinyl, Anti FM Device 1.6 is a raw, unfiltered tribute to underground hip hop's golden spirit. Now remastered for 2025, this mix is for the heads who crave gritty boombap beats, razor-sharp lyricism, and that anti-mainstream energy that defined a generation. Curated with heat supplied by indie imprint Kurse Music Distribution, this mix features heavyweights like Pharoahe Monch, KRS-One, Self Scientific, Blaq Poet, Jean Grae, and more—each track chosen for its authenticity and underground fire. This one's strictly for the lovers of true school hip hop—the diggers, the vinyl junkies, the anti-FM believers. No fillers, no fluff—just raw bars and dusty drums.