Podcasts about Montreux Jazz Festival

Aujourdʹhui sur le plateau de Vertigo Anne Laure Gannac reçoit : Stéphanie-Aloysia Moretti, curatrice au Montreux Jazz Festival, en charge de la programmation de la LakeHouse. Anoush Abrar, photographe attitré des stars du Festival. Frédéric Jaccaud, directeur de La Maison dʹAilleurs à Yverdon qui présente " Les Vinyles D'ailleurs " et propose une sélection de musique tirées du rock progressif des années 1970.

(00:00:49) Sie geht in Gedichten, Theatersücken, Essays und Romanen den Verheerungen der Deutschen Geschichte nach. (00:02:09) Sommerserie Höhenfieber: Reisepionierin Ella Maillart fand im Walliser Dorf Chandolin ihren Ruhepol. (00:07:13) Legendäres Konzert am Genfersee: Soul-Queen Diana Ross tritt am Montreux Jazz Festival auf. (00:11:00) 30 Jahre Amazon: Welche Folgen hat der Onlinehandels-Riese für den Buchhandel? (00:15:25) Ärger wegen «Conni»-Memes: Das Vorgehen des Carlsen Verlags wegen möglicher Menschenverachtung und Pornografie. (00:20:54) Garagen als Ostdeutsches Kulturgut: Zu erleben in der aktuellen Kulturhauptstadt Europas, in Chemnitz.

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Aujourdʹhui, à lʹinstar du MJF, Vertigo réunit les générations musicales en invitant deux jeunes artistes : le saxophoniste à succès Ferdi et le tout jeune groupe Anima de la neuchâteloise Chiara Ophélie. Et 2 encyclopédies de la musique du 20è siècle : lʹingénieur du son emblématique de la musique en France depuis les années yéyés Dominique Blanc-Francard et son frère le journaliste musical, producteur télévisuel et auteur Patrice Blanc-Francard. Conférence " Frères de son " aujourdʹhui à 19h00 à la bibliothèque En concert : Ferdi : demain mercredi 16 juillet, à la Scène Spotlight Stage à 20h30 Anima : ce soir au Funky Claude's bar à 19h30

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Trump kündigt Lieferung von Patriot-Raketen an die Ukraine an, Trumps Zollankündigung versetzt Europa in Aufruhr, fröhliche Frauen-Fussball-EM 2025, FKA twigs am Montreux Jazz Festival

Durant trois jours Vertigo pose ses quartiers au Montreux Jazz Festival. Aujourdʹhui en ce 14 juillet, spéciale Aux armes etc : en compagnie de Sébastien Merlet, commissaire scientifique de la Maison Gainsbourg, retour sur les origines et les conséquences de cette version reggae de lʹhymne national français. Et lʹépoque Gainsbourg cʹest aussi lʹépoque Ardisson : hommage sera rendu à lʹanimateur producteur de télévision décédé ce jour. Mais le MJF offre également lʹoccasion de découvrir une toute nouvelle génération dʹartistes : la genevoise Maé sera lʹinvitée de Vertigo en première partie dʹémission. Ecouter : Sébastien Merlet de la Maison Gainsbourg, conférence-mix dès 21h à la Bibliothèque. Maé en concert sur la Terrasse Nestlé à 19h45.

L'aventureuse chanteuse et danseuse s'est produite pour la première fois en Suisse sur la scène du Lac du Montreux Jazz Festival dimanche. L'Anglaise a démontré son sens de la mise en scène sophistiquée, des chorégraphies modernes, mais peu hélas de son chant dans un show reposant sur une bande-son préenregistrée. Une chronique dʹOlivier Horner

Pippa speaks to the CEO of the Franschhoek Wine Valley Ruth McCourt about Franschhoek hosting the prestigious Montreux Jazz Festival in March 2026. Lunch with Pippa Hudson is CapeTalk’s mid-afternoon show. This 2-hour respite from hard news encourages the audience to take the time to explore, taste, read and reflect. The show - presented by former journalist, baker and water sports enthusiast Pippa Hudson - is unashamedly lifestyle driven. Popular features include a daily profile interview #OnTheCouch at 1:10pm. Consumer issues are in the spotlight every Wednesday while the team also unpacks all things related to health, wealth & the environment. Thank you for listening to a podcast from Lunch with Pippa Hudson Listen live on Primedia+ weekdays between 13:00 and 15:00 (SA Time) to Lunch with Pippa Hudson broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/MdSlWEs or find all the catch-up podcasts here https://buff.ly/fDJWe69 Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk/ CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

(00:33) US-TV-Prediger Jimmy Swaggert prägte das Genre der «Tele-Evangelisten» und gilt als Begründer der «christlichen Popmusik-Industrie. Er ist im Alter von 90 Jahren gestorben. Weitere Themen: (05:56) Montreux Jazz Festival 2025 startet mit Chaka Khan und vielfältigem Line-up. (08:53) «Void Vortex»: Ausstellung zum Nichts im Kunstmuseum St. Gallen bietet mehr als nichts. (13:31) «Nothing could have prepared us – Everything could have prepared us»: Wolfgang Tillmans Ausstellung im Centre Pompidou Paris vor grosser Renovierung. (18:04) SRF-Wissenschaftsmagazin beleuchtet in letzter Sommerserie das Thema «Ende» – von Naturkatastrophen bis zum Steissbein.

Stéphanie Jovanovic, programmatrice musicale, fête le grand retour dʹun groupe britannique des années 90. Pulp sort un nouvel album après 24 ans dʹabsence, quʹil présentera le 14 juillet au Montreux Jazz Festival.

Basel weitet die Solarpflicht weiter aus, Marion Ammann unterstützt Whistleblower Adam Quadroni, Montreux Jazz Festival zum letzten Mal mit Seebühne

Die 1983 in Bern geborene Künstlerin Sophie Hunger wuchs am Fuße des Gurtens auf, dem Hausberg ihrer Geburtsstadt. Aber nicht nur dort, es ging viel hin und her in ihrer Kindheit und Jugend, London, Bonn, später Teheran und zwischendurch eben die Schweiz. Mit 10 spielte sie auf dem Klavier ihre ersten eigenen Songs, Musik wird jetzt zur festen Begleiterin. Nach der Matura macht sich Sophie auf die Suche, studiert mal dies, mal das, bricht immer wieder ab, singt in verschiedenen Bands und arbeitet in der Gastronomie, bis sie 2006 im Eigenvertrieb ihre erste CD veröffentlicht. Endlich kommt dieser Schub und diese lang ersehnte Bestätigung, zukünftig als Musikerin leben zu wollen und auch zu können. Wenig später performt sie als Vorband des höchst erfolgreichen Stephan Eicher im Pariser Bataclan und tritt beim Montreux Jazz Festival auf. Seitdem gilt die zweifache Mutter, Sängerin, Songwriterin, Filmkomponistin und nun auch Romanautorin Sophie Hunger als eine der innovativsten und außergewöhnlichsten Künstlerinnen Europas. Playlist: Nina Simone (live at Carnegie Hall 1964) - Go Limp The Carpenters - Love is surrender Daniel Barenboim & Israel Philharmonic Orchestra Cello: Jaqueline du Pré Piano: Gerald Moore - Kol Nidrei Op. 47 von Max Bruch Joe Strummer/The Clash - Julie’s been working for the drug squad Sophie Hunger - Halluzinationen Lhasa de Sela - Con toda palabra Barad - Sheykh Shangar Jacob Alon - Don’t fall asleep Diese Podcast-Episode steht unter der Creative Commons Lizenz CC BY-NC-ND 4.0.

În fiecare vară, Timișoara devine un centru al jazzului contemporan, un loc în care sunetele inovatoare, artiștii de renume și publicul pasionat creează împreună o experiență muzicală unică. JAZZx, ajuns la a 13-a ediție, continuă să inoveze oferind un program divers care celebrează bogăția stilistică și talentul artiștilor români și internaționali. Discutam despre acest eveniment cu Andreea Iager Tako (Centrul Cultural Plai) si Krisztina Kalapati (responsabil comunicare JAZZx Festival TM). După ce primele nume anunțate – Jacob Banks, The Philharmonik, New Fossils și Zaharenco –  festivalul își continuă dezvăluirea lineup-ului cu artiști excepționali, care vor transforma cele trei zile de festival într-un eveniment memorabil. Béla Fleck, Edmar Castañeda & Antonio Sánchez Trio One Sheet Câștigător a 18 premii Grammy (42 de nominalizari / Grammy 2025 pentru “Best Arrangement, Instrumental or A Capella”), Béla Fleck a redefinit banjo-ul, transformându-l dintr-un instrument tradițional într-un vector al inovației muzicale. De la bluegrass la jazz și colaborări cu artiști legendari precum Chick Corea, Fleck surprinde mereu prin explorările sale sonore. La JAZZx 2025, alături de Edmar Castaneda – un virtuoz al harpei din Columbia, cunoscut pentru colaborările cu Hiromi, Paquito D'Rivera și Gregoire Maret – și Antonio Sanchez – toboșar de 5 ori premiat cu Grammy, celebru pentru colaborările cu Pat Metheny și coloana sonoră a filmului Birdman – vine să creeze un dialog muzical captivant, plin de ritmuri surprinzătoare, armonii sofisticate și o energie aparte.    Meshell Ndegeocello Este o artistă de excepție, recunoscută pentru talentul său de a îmbina diverse influențe muzicale diverse, de la funk și soul la jazz, hip hop, reggae și rock. De-a lungul unei cariere de peste 30 de ani, a redefinit așteptările. Câștigătoarea premiulul Grammy din acest an la categoria “Best Alternative Jazz Album” și având în palmares alte 2 premii și 13 nominalizari, Meshell a colaborat de-a lungul carierei cu artiști de renume precum Rolling Stones, Madonna, Alanis Morissette și mulți alții. Pentru ea, fiecare spectacol este o oportunitate de conexiune, considerând muzica un liant între oameni – un principiu care se regăsește perfect în spiritul JAZZx: We Jazz Together.   Adi Oasis Originară din Caraibe și stabilită în Brooklyn, Adi Oasis este o artistă și producătoare de soul-funk-R&B, recunoscută pentru vocea sa inconfundabilă. Cel mai recent album al său, „Lotus Glow”, este cea mai personală și curajoasă creație a ei de până acum, îmbinând teme politice și sociale cu o estetică sonoră captivantă. Din 2018, de când și-a început cariera solo, a cucerit publicul și critica de specialitate, fiind apreciată de Vogue, Elle, Rolling Stone și Wonderland. A avut un impact puternic pe scena live, impresionând cu prestații energice și colaborări cu artiști precum Lenny Kravitz, Masego, Anderson .Paak, Thundercat și Yasiin Bey. A urcat pe scenele unor festivaluri prestigioase, inclusiv Newport Jazz Fest, Montreux Jazz Festival, Love Supreme, Afropunk și Cross the Tracks, iar acum aduce acest mix efervescent de stiluri la JAZZx 2025, promițând un show electrizant.   IOANAx Soultrain Un proiect custom dezvoltat de Subcarpați pentru JAZZx, după SUBJazz (Subcarpați x JazzyBit), subliniind caracterul unic al festivalului. Aduce un suflu nou folclorului românesc, îmbrăcându-l în libertatea jazz-ului. Vocea Ioanei Milculescu devine puntea dintre tradiție și modernitate, transformând fiecare piesă într-o călătorie sonoră intensă și autentică.  Alături de Max K., Mușat, Marcelle Poaty-Souami, Daniel Rădulescu, Radu Pieloiu, Mircea Ardeleanu Jr. și muzicienii din universul Subcarpați, melodiile Ioanei sunt reorchestrate și reinterpretate, dând folclorului o nouă viață. Acest proiect redescoperă̆ rădăcinile muzicale printr-un limbaj contemporan, creând o experiență̆ captivantă, plină de nuanțe și emoție.   Amphitrio Este un proiect de jazz contemporan iniţiat în 2020, având în componenţă pe pianistul și compozitorul Andrei Petrache, basistul Mike Alex și percuţionistul Philip Goron, instrumentiști cu o fundaţie solidă în muzica clasică și alternativă. Povestea din spatele acestui trio vorbește despre prietenie, despre plăcerea de a cânta și de a improviza.  Repertoriul Amphitrio conţine piese originale scrise de Andrei Petrache într-o zonă a jazz-ului modern, cu influenţe din jazz-ul nordic contemporan și culori balcanic-orientale, dar și amprente din heavy rock și muzică electronică.   JAZZx se va desfăşura la Timişoara, în Piața Libertății, în perioada 4 - 6 iulie 2025, iar accesul este gratuit.

Lunes de novedades: escuchamos nuevas canciones de Miles Kane, Muse, The Black Keys, Jehnny Beth, Yungblud y Dinosaur Pile-Up, y recordamos el lore de los discos de Twenty One Pilots.Playlist:MUSE - UnravellingBRING ME THE HORIZON - MantraHOUSE OF PROTECTION - I Need More Than ThisLINKIN PARK - Up From the BottomMILES KANE - Never Taking Me AliveMILES KANE - Love Is CruelTHE BLACK KEYS - Man On A MissionJACK WHITE - Archbishop Harold HolmesYUNGBLUD - FireDINOSAUR PILE-UP - Sick Of Being DownTHE BLUE STONES - New ImmigrantJEHNY BETH - Broken RibSAVAGES - EvilWET LEG - Catch these fistsLCD SOUNDSYSTEM - Dancer (feat. LCD Soundsystem)TWENTY ONE PILOTS - RideTWENTY ONE PILOTS - JumpsuitTWENTY ONE PILOTS - Shy AwayTWENTY ONE PILOTS - OvercompensateTWENTY ONE PILOTS - The ContractYOUNG FATHERS - LowlyIGGY POP - Lust for Life (Live at Montreux Jazz Festival 2023)LADY BANANA - Tashirojima (feat. Marina Iñesta)TUNDE ADEBIMPE - MagneticTV ON THE RADIO - DLZJANE'S ADDICTION - Irresistible ForceTHE AMAZONS - Pitch BlackBIFFY CLYRO - A Little LoveEscuchar audio

Rémi Bruggmann présente la programmation gratuite du Montreux Jazz Festival 2025. The post Montreux Jazz: focus sur la scène gratuite first appeared on Radio Vostok.

Rémi Bruggmann présente la programmation gratuite du Montreux Jazz Festival 2025. The post Montreux Jazz: focus sur la scène gratuite first appeared on Radio Vostok.

Les classiques du jour : - Beach Boys "Good Vibrations" - L7 "Pretend We're Dead" Les nouveautés du jour : - Teddy Swims "God Went Crazy" - Zak Abel & Rhys Lewis "Brother To Me" - Bush "The Land of Milk and Honey" Le journal de la musique : - Brian Wilson des Beach Boys est décédé - Linkin Park collabore avec Haribo pour ses concerts - Dorothée annonce son retour sur scène en 2026 La cover : Machine Gun Kelly feat. Julia Wolf reprend "Iris" des Goo Goo Dolls Le live du jour : Iggy Pop "The Passenger" (Live at Montreux Jazz Festival 2023) Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Activamos esta sesión de Viernes Eléctrico con el nuevo cañonazo de Pendulum, 'Save The Cat', adelanto del próximo y esperado disco de la banda australiano de drum and bass y rock electrónico. Y también en este Turbo 3: temones de Joye Valence & Brae, Liars, Northeast Party House (versionando a Yeah Yeah Yeahs), Chromeo, Paradise Phantoms, Cory Wong junto a Dirty Loops, Dua Lipa, Silk City, Jamiroquai (remezclados por Dimitri From Paris), Yard Act, Denzel Curry (versionando a Rage Against The Machine) o Iggy Pop, entre otros.Playlist:PENDULUM - Save The CatJOEY VALENCE & BRAE - StartafightTHE PRODIGY - OmenLOS INVADERS - I Wish I Was In Your HeadLIARS - Mr Your On Fire MrBLOC PARTY - Banquet (Phones Disco Remix)YARD ACT - The Trench Coat MuseumWOLFMOTHER - Woman (MSTRKRFT Remix)NORTHEAST PARTY HOUSE - Heads Will Roll (triple j Like A Version)YEAH YEAH YEAHS - ZeroCHROMEO - Fancy FootworkPARADISE AVALANCHE - Pink AvalancheCORY WONG & DIRTY LOOPS - TurboL'IMPÉRATRICE - Séquences (Parcels Remix)PARCELS - Lightenup (Alex Metric Remix)SILK CITY - Electricity (feat. Dua Lipa)DUA LIPA - Illusion JAMIROQUAI - Canned Heat (Dimitri From Paris Remix)DENZEL CURRY - Bulls on Parade (triple j Like A Version)RAGE AGAINST THE MACHINE - Down On The StreetIGGY POP - Lust for Life (Live at Montreux Jazz Festival 2023)MUSE - Knights of Cydonia (Live from Wembley Stadium)MOTHER MOTHER - Hayloft IISUPERGRASS - AlrightEscuchar audio

Mathieu Jaton is the CEO and artistic director of the Montreux Jazz Festival, carrying forward the legacy of one of the world's most revered music festivals.Since stepping into this role in 2013, Mathieu has been on a mission to build upon the vision of the festival's legendary founder, Claude Nobs who founded the event series in 1967.The Montreux Jazz Festival takes place for two weeks every summer in Switzerland, on the shores of Lake Geneva. In its 50 years history, Montreux has hosted iconic performances by artists including Nina Simone, Miles Davis, Aretha Franklin, Marvin Gaye, Prince, Leonard Cohen, David Bowie, Elton John and Stevie Wonder.Under Mathieu's leadership, Montreux has continued to evolve. He launched Montreux Jazz Digital, an ambitious project to make iconic festival performances accessible worldwide. He has also established the Montreux Jazz Artists Foundation, a platform that supports emerging talent, offering young artists the same legendary stage that shaped so many careers. And expanding beyond Montreux, Mathieu has also brought the festival's spirit to global audiences, launching events in cities like Tokyo and São Paulo.His work has turned Montreux into a global cultural phenomenon, bridging audiences and artists around the world with the magic that defines this unique festival.---CHAPTERS(00:00) Introduction: Mathieu Jaton(01:41) DNA of Montreux Jazz Festival(03:58) Origins of Music Passion(15:53) Making People Happy(18:35) Claude Nobs(31:00) A Lesson in Hospitality(40:08) Starting at Montreux Film Festival(57:23) The End of an Era(01:17:25) The Future of the Festival---RESOURCES & LINKSMontreux Jazz Festival Website - www.mjaf.chClaude Nobs - wikipedia.org/wiki/Claude_NobsMathieu Jaton - www.mjaf.ch/en/artist/mathieu-jaton

Il covidcore, spiegato bene. I nostri dischi della settimana sono quelli di Julien Baker & Torres, Tunde Adebimpe e Beirut. Nuovi singoli per caroline, Matmos e Lana Del Rey. Il tour dei cani, i primi nomi del Medimex a Taranto e la line-up del Montreux Jazz Festival.

Episode 70: Emilio Estefan. The global latin music scene was shaped by this incredible, visionary, and kind man. Born in Cuba and immigrating to the U.S. with a dream, Emilio Estefan built an empire alongside his wife, Gloria Estefan. From founding Miami Sound Machine and bringing Latin music to the mainstream charts to serving as President of Sony Music, where he helped launch the careers of Shakira, Jennifer Lopez, and Ricky Martin—his impact on Latin music and the city of Miami is undeniable. We sat down with Emilio backstage at the Montreux Jazz Festival in Miami, where he is now an investor. Though our time was limited to a fast-paced 10 minutes, this conversation is packed with insight from a true legend. We hope you enjoy our conversation with the one and only, Emilio Estefan! ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. (0:58) MONTREUX JAZZ MIAMI (1:19) THE MIAMI SCENE (1:54) MAKING LATIN MUSIC GLOBAL (2:27) MIAMI SOUND MACHINE (3:10) "CONGA" GLORIA ESTEFAN, BECOMING CEO OF SONY (4:49) THE IMPORTANCE OF UNITY (5:20) MONTREUX JAZZ MIAMI, QUINCY JONES (6:08) ADVICE FOR INTERNATIONAL ARTISTS TO BECOME GLOBAL, GLORIA'S NEW ALBUM (7:09) HOW TO BALANCE CREATIVE VS. ENTREPRENEURIAL, QUINCY JONES Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated!   Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Emilio: https://www.instagram.com/emilioestefanjr/ Montreux Jazz Festival Miami: https://www.instagram.com/montreuxjazzfestivalmiami/ https://www.montreuxjazzfestivalmiami.com/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano

Episode 69: The Pocket Queen. Taylor Gordon, aka The Pocket Queen has become one of the most followed drummers on social media. And for good reason—her groove is deep, her performance is engaging, and she's built a strong brand that goes beyond just drumming. We sat down backstage at the Montreux Jazz Festival in Miami, where she was playing with Willow Smith, and got into all of it—how she came up with The Pocket Queen name, how she first went viral and continued her social media growth, how she landed the Willow Smith gig, and how she's running her career as both an artist and a business. We also talked about her journey from Berklee student to full-time pro, the challenges of balancing creativity and entrepreneurship, and what she's learned along the way. So here it is! I hope you enjoy my conversation with The Pocket Queen. ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. (00:00) INTRO (01:21) PLAYING WITH WILLOW SMITH (01:50) RECORDING BASS ON "FALSE SELF" ON "EMPATHOGEN" (02:39) HOW "POCKET QUEEN" WAS CREATED (05:03) CREATING VIDEOS, INTROVERSION, BUILDING A BRAND (07:39) VIRAL "777-9311" CLIP, SOCIAL MEDIA (11:59) COVERS, CHALLENGING YOURSELF, GROWING SOCIAL MEDIA (14:43) PQ CHALLENGE, MAKING BEATS (15:21) REACTION TO SOCIAL MEDIA GROWTH (20:08) PQ'S CAREER NOW, TOURING, PERSONAL PROJECTS (20:59) MANAGING ENTREPRENEURIAL CAREER (22:53) WHAT'S MOST IMPORTANT TO POCKET QUEEN? (26:27) STRATEGY, RELEASING MUSIC, TIMING (30:12) WHAT INSPIRES POCKET QUEEN TO DRUM RIGHT NOW (31:45) TINY DESK WITH WILLOW SMITH, MOHINI DEY (32:54) WILLOW SMITH IS A NO CLICK SHOW (33:31) WILLOW SMITH (35:08) WHAT'S NEXT? Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated!   Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Pocket Queen: https://www.instagram.com/thepocketqueen/ Montreux Jazz Festival Miami: https://www.instagram.com/montreuxjazzfestivalmiami/ https://www.montreuxjazzfestivalmiami.com/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano

Episode 68: Mohini Dey. Today, we've got the incredible Mohini Dey on the pod! We're coming to you from backstage at the Montreux Jazz Festival in Miami, where she just played an amazing set with Willow. Mohini is absolutely one of the greatest bassists in the game right now. She came up in India, built a huge name for herself, and is now living in the U.S., touring the world. We get into her journey, her artist career, her inspiring drive, and something I had no idea about—her entrepreneurial work, which she keeps super low-key (and honestly, that just makes me respect her even more). We also talk playing with Willow, their viral Tiny Desk performance, life on tour, and more. Hope you dig this convo with my friend Mohini Dey. Let's go! ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. (00:00) INTRO (03:39) CAREER GROWTH (06:32) WILLOW SMITH (14:54) TINY DESK, WILLOW SMITH'S BAND (15:42) SOLO CAREER (23:11) FAMILY UPBRINGING, DEDICATION, HAPPINESS (30:58) THE MUSIC SCENE IN INDIA, A. R. RAHMAN (36:51) LESSONS FROM PLAYING WITH OTHER LEGENDARY MUSICIANS (39:34) ENTREPRENEURSHIP Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated!   Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Mohini: https://www.instagram.com/dey_bass/ Montreux Jazz Festival Miami: https://www.instagram.com/montreuxjazzfestivalmiami/ https://www.montreuxjazzfestivalmiami.com/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano

Send me a Text MessageWhat if music could heal your soul? What if a simple breathing technique could bring you deep peace? In this episode of Grief 2 Growth, I sit down with the incredible Akikazu Nakamura, a world-renowned shakuhachi (Japanese bamboo flute) master. Aki's journey is remarkable—he left the structured world of quantum chemistry to embrace the boundless power of music, meditation, and the ancient Japanese breathing technique, Missoku.What You'll Learn in This Episode:✔️ What is the shakuhachi? The ancient Japanese bamboo flute that transforms sound into meditation✔️ Missoku breathing explained – An ancient Japanese technique for calm, focus, and mindfulness✔️ How music connects us to something greater – Beyond entertainment, it's a spiritual tool✔️ The transition from science to music – How Aki followed his passion from chemistry to sound✔️ How Missoku enhances meditation & stress relief – And how you can apply it to your lifeAki has performed at Lincoln Center and the Montreux Jazz Festival, pioneering new methods of circular breathing and blending tradition with innovation. His music and breathwork offer a unique way to find stillness and healing in a chaotic world.About Akikazu Nakamura:

El 6 de julio de 2023, Iggy Pop regresó por tercera vez al Festival de Jazz de Montreux. Actuó en el Auditorio Stravinski respaldado por una banda de siete músicos y el concierto fue grabado y filmado por el equipo del Festival siendo ahora editado por la disquera alemana Ear Music. Iggy Pop ya había cumplido los 75 años, lo que no le impidió seguir demostrando como se domina un escenario y lo que es tener una actitud absolutamente magnética. Una musculosa actuación en donde, salvo por dos canciones de su último álbum, apostó exclusivamente por su legado con los Stooges y sus tres primeros discos en solitario.Playlist (todas las canciones del álbum “Live at Montreux Jazz Festival 2023”);IGGY POP “TV Eye”IGGY POP “Modern day ripoff”IGGY POP “Raw power”IGGY POP “Gimme danger”IGGY POP “Lust for life”IGGY POP “Endless sea”IGGY POP “Sick on you”IGGY POP “Search and destroy”IGGY POP “Nightclubbing”IGGY POP “Down on the street”IGGY POP “Loose”IGGY POP “Frenzy”Escuchar audio

On sonic gratitude, developing our deeper gifts, the peril of expectation, the potency of the present, and the beauty of self-acceptance. (0:00) - Musical Journey and Transformative Work (5:12) - Early Career Challenges and Breakthroughs (12:25) - Personal Transitions and Professional Growth (14:57) - The Power of Gratitude and Creative Process (15:38) - The Role of Meditation and Yoga in Creative Work (19:35) - The Impact of Friendship and Support (19:57) - Arlie's Musical Projects and Future Aspirations (20:21) - The Influence of Elena's Writing on Arlie's Music (20:42)- The Importance of Self-Acceptance and Present Moment Awareness Arli Liberman is an award-winning screen composer, producer and guitarist who creates vibrant, immersive music for film, TV, multimedia and live experiences. With an unwavering dedication to his craft, Arli's approach to music serves as a transformative force that resonates both on and off the screen. As a screen composer, Arli has worked on a wide range of films, including Sam Kelly's gang movie 'Savage', winning the 2021 APRA Best Original Music in a Feature Film Award. In 2024, he collaborated with Tiki Taane to create the score to the historical drama in Te Reo Māori 'Ka Whawhai Tonu - Struggle Without End' directed by Mike Jonathan, with the theme song 'Hold On To The Dream' featuring Louis Baker, released as a single. Arli composed the original score for NZ film 'The Mountain' (2024), with music by Troy Kingi, directed by Rachel House and produced by Piki Films and Sandy Lane Productions. In 2023, he scored 'Stylebender' a documentary directed by Zoë McIntosh about Nigerian - New Zealand mixed martial artist Israel Adesanya, which was premiered at Tribeca Film Festival. His signature sound can be heard on the 36th America's Cup theme, the opening titles of the FIFA Women's World Cup, The All Blacks Experience at SkyCity, and in the Auckland Art Gallery's filmic exhibition Te Mata. As a solo artist, Arli is also prolific, with his fifth solo album coming out on Bigpop Records, in addition to creating a new collaborative album with renowned composer Rhian Sheehan due out in 2024. Arli's production work on Ngatapa Black's album 'I Muri Ahiahi' earned a nomination for Māori Album of the Year at the Aotearoa Music Awards, and he has performed at MoMA New York and the Montreux Jazz Festival, among other international festivals. Originally from Israel, Arli was a member of the groundbreaking White Flag Project, a pioneering crossover band uniting Palestinian and Israeli musicians. Under the mentorship of platinum-selling English record producer Mark Smulian, he was urged to 'find the back door of the electric guitar sound', which marked the beginning of Arli's journey in developing his sonic identity. In 2009, Arli moved to Aotearoa New Zealand, where he continued to develop his innovative approach to music and began exploring the synergy between composition and visual storytelling.

BANG BANG BANG - Sports Team WHAT'S LEFT OF ME - Neal Francis BUCKEYE - Friends in Real Life NEON SIGNS - The Weather Station VOLUME CONTROL - Swervedriver DARK SIDE - Hundredth HOPPER'S ON TOP - Waterboys MAN MADE OF MEAT - Viagra Boys A STONE ONLY ROLLS DOWNHILL - OK Go HEADS OR TAILS - Cast of Thousands KEEP ME SATISFIED - Jungle  IT'S A MIRROR - Perfume Genius DAWN - Vulfmon, Jacob Jeffries & Harrison Whitford KILL - Star 99 RADIO SONG - Rose City Band SOM SOM MAGNIFICO - Das Koolies NOBODY LOVES YOU MORE - Kim Deal NARCISSIST - The Tubs WHO LAUGHS LAST - Lord Huron, Kristen Stewart FUTURE ENEMIES - Yola BOLOGNA - Destroyer, Fiver CALLING THE BAD ONES HOME - The Mayflies USA LEFT LOOK LIKE FRAZIER - The Delines KERMIT AND GYRO - Danishevskaya SANCTUARY - Tamino, Mitski  FIVE FOOT ONE Live at the Montreux Jazz Festival 2023 - Iggy Pop    

Episode Summary:In this episode of Backstage Bay Area, host Steven Roby interviews award-winning singer-songwriter Kat Edmonson. Known for her enchanting blend of jazz, pop, and vintage charm, Kat shares the deeply personal stories behind her music, including her latest single, “Keep Movin',” inspired by her late mother. From her Houston roots to standout performances at Carnegie Hall and the Montreux Jazz Festival, Kat's career is a fascinating journey of artistic exploration and heartfelt connection. We dive into her songwriting process, the inspiration behind her hits like “Lucky,” and what fans can expect from her upcoming shows at Blue Note Napa. Kat also reflects on her collaborations with legends like Willie Nelson and Lyle Lovett, and how these experiences have shaped her artistry. What to Expect: Kat Edmonson discusses the emotional inspiration behind “Keep Movin'” and her songwriting process. Insights into her early influences and how they shaped her distinctive sound. The backstory of her hit song “Lucky” and its unexpected journey into global recognition. Reflections on career highlights, including performing at Carnegie Hall and appearing in Café Society. A sneak peek at her upcoming performances at Blue Note Napa and what fans can look forward to. Featured Songs: “What Else Can I Do” “Keep Movin'” “Lucky” Show Info: Event: Kat Edmonson at Blue Note Napa Date: Sunday, February 2, 2025 Showtimes: 2 p.m. and 6:30 p.m. Doors Open: 12:30 p.m. and 5 p.m. Tickets: Available now at Blue Note Napa. Where to Find Kat Edmonson: Music available on all major streaming platforms. Tour dates and updates: Kat Edmonson Official Website. Hashtags:#KatEdmonson #BackstageBayArea #BlueNoteNapa #KeepMovin #JazzMusic #SingerSongwriter #LiveMusic #MusicPodcast Photo credit: Glynis Carpenter

Episode 160 - Its an absolute honour to welcome to the podcast, Lead Vocalist of the Switzerland Electro Pop band Stevans, Yvan Franel. I was lucky enough to meet the band and see their live performance in Shanghai. Stevans have just finished a 2 week tour of China and including the Montreux Jazz Festival. The podcast was recorded the day after the release of the new single "You," which you heard at the start of the podcast, we also heard "P.L.A.Y.I.N.G". Stevans released their first E.P in 2005 and have released 4 album to date. The band have toured around the world and supported Coldplay, Deep Purple and Snow Patrol. Stevans- Yvan Franel- (vocals, piano, guitar), Yann Secrest (Guitar, backing vocals). Instagram @stevansoffical @yvan_franel https://tellcraigyourstory.podbean.com https://www.linktr.ee/tellcraigyourstory @tellcraigyourstory #stevans #stevansband #yvanfranel #tellcraigyourstory #playing #you #shanghaichina #genevaswitzerland #coldplay #thekillers #deeppurple #yannsecrest #zeelapord #electropop #popband #lefthandedguitar  

Dennis Bullock known as Saxybullock on Stage studied in Music School in New York, International Soul Singer and Saxophonist, Born in Philadelphia in America An RnB Soul Singer, a great Jazz Funk Saxophone Player, and Gospel Singer.He has done many TV shows around the world and performed in the famous Montreux Jazz Festival in Switzerland for many years. Also he has worked with many Great Stars, like the late Prince, Princes sister Tyka Nelson, with the late James Brown, Maceo Parker, The Stylistics, Billy Paul, Kool & The Gang, David Sandborn, Markus Miller, Connie Harvey, background singer for Teddy Pendergrass, Joe Sample, George Duke and Quincy Jones. He also performed with some of the horn section of Michael Jackson, Alan Prater and Westly Phillips.Please enjoy my conversation with Dennis Bullock.Become a supporter of this podcast: https://www.spreaker.com/podcast/next-level-soul-podcast-with-alex-ferrari--4858435/support.

Montreux Jazz Festival, Spotify Wrapped 2024, Loan Words, and more! モントルー ジャズフェスティバル、Spotifyまとめ2024、借用語など！ Join our Book Club! https://ko-fi.com/i/IK3K315PT27 Support on ko-fi: https://ko-fi.com/lazyfluency Main channel: https://www.youtube.com/channel/UC-8_djC5_aV4Mi3o3fuLPLA/featured Send us questions at: lazyfluency@gmail.com  

AKI NAKAMURA began his professional journey as a quantum chemist, having graduated from the Department of Applied Chemistry at Yokohama National University. However, it wasn't long until he turned to the shakuhachi for his future career. Aki studied under numerous shakuhachi masters, including Katsuya Yokohama. He then went on to study composition and jazz theory at Berklee College of Music, USA, graduating summa cum laude. He finished his tertiary studies at the New England Conservatory of Music as a scholarship student in the Master of Music Composition and the Third Stream program. His compositions are diverse and include orchestral music, choral music, chamber music, big band music, and traditional Japanese music. He has established a performance method that makes full use of overtones, multiphonics, the traditional Japanese breathing technique of ‘Missoku', and his own originally developed method of ```, which involves exhaling and inhaling at the same time. While staying true to the traditions of the Komusō monks, collecting, analysing, and performing their repertoire, he is also active as a performer of rock, jazz and classical music. He has performed in more than 150 cities in over 40 countries, at events and venues such as the Montreux Jazz Festival, Queen Elizabeth Hall (London), the Lincoln Center (New York), Blue Note (New York), the Kennedy Center (Washington DC), the Berlin Philharmonic Hall, the Polish National Opera, under the auspices of the Ministry of Foreign Affairs and the Japan Foundation. His numerous performances have been shared worldwide through over 40 broadcasting platforms. Book: “Breathing with Missoku:The Undiscvered Zen Secret ofJapanese Culture”  

Selección de novedades que arranca con el nuevo álbum de The Jackets, el trío suizo comandado por Jackie Torera que vuelve a subir de escalón con el disco “Intuittion”. Veteranos como Iggy Pop, Mekons o Peter Perrett encuentran su hueco junto a nuevas bandas como las canadienses Taxi Girls, los australianos Straight Arrows o el británico Jamie Perrett, o nombres ya plenamente consolidados como Jack White, Black Keys o Limiñanas.(Foto por Christa Minder; The Jackets)Playlist;THE JACKETS “Crossing streets” (Intuition)THE JACKETS “Gambling town” (Intuition)STRAIGHT ARROWS “Peakin” (Surface world)MYSTERY LIGHTS “I don’t want no, don’t need no” (Purgatory)TAXI GIRLS “Rainy”IGGY POP “Five foot one” (Live at Montreux Jazz Festival 2023)JACK WHITE “You got me searching”BLACK KEYS “Sin city” (Ohio players (Trophy edition))PETER PERRETT “Mixed up confucius” (The Cleansing)JAMIE PERRETT “Age of reason”THE LIMIÑANAS feat BOBBY GILLESPIE “Prisoner of beauty”SKEGSS “I think I can fly” (Pacific highway)MEKONS “You’re not singing anymore”EDITH FROST “Hold on” (In space)THE CUBICAL “Night falls” (Cut me like a hog)Escuchar audio

If you're dreaming of an unforgettable Swiss getaway, look no further than the Montreux Riviera.In this episode, I chat with Martina Fuhrer from Montreux Riviera Tourism to uncover what makes this Swiss gem so special. Nestled on the shores of Lake Geneva, Montreux is known for its stunning views, rich culture, and unique attractions. Martina gives her tips for what to do in Montreux, from visiting the medieval Chillon Castle and walking the colorful Lakeside Promenade, to finding hidden spots like the charming Montreux Old Town and Chaplin's World museum. We also dive into must-do experiences for music fans—like the Montreux Jazz Festival, Freddie Mercury tours and the story behind Deep Purple's “Smoke on the Water.”Plus, learn why the Montreux Riviera Card is a must for visitors, and get tips on the best places to stay and when to visit. Whether you're planning a summer getaway or a winter visit to experience the magical Montreux Christmas Market, this episode is full of ideas to help you plan an unforgettable trip.Safe travels,Carolyn

Tigran Hamasyan is considered one of the most remarkable and distinctive jazz-meets-rock pianists/composers of his generation. A piano virtuoso with groove power, Hamasyan seamlessly fuses potent jazz improvisation and progressive rock with the rich folkloric music of his native Armenia. Born in Gyumri, Armenia, in 1987, his musical journey began in his childhood home, where he was exposed to a diverse array of musical influences leading to him playing piano at the age of three, performing in festivals and competitions by the time he was eleven, and winning the Montreux Jazz Festival's piano competition in 2003. He released his debut album, World Passion, in 2004 at the age of seventeen. The following year, he won the prestigious Thelonious Monk International Jazz Piano Competition. Additional albums include New Era; Red Hail; A Fable, for which he was awarded a Victoires de la Musique (the equivalent of a Grammy Award in France); Shadow Theater; and Luys i Luso which featured the Yerevan State Chamber Choir focusing on Armenian sacred music stretching stylistically from the 5th century to the 20th century.   His Nonesuch debut, Mockroot (2015), won the Echo Jazz Award for International Piano Instrumentalist of the Year; subsequent records for the label include An Ancient Observer (2017) the companion EP, For Gymuri (2018), Revisiting the Film (2021) and most recently StandArt (2022). Hamasyan was awarded the Deutscher Jazzpreis international category in Piano/Keyboards in 2021. Hamasyan has released records on France's Plus Loins, Universal France, Nonesuch and ECM. Hamasyan's new conceptual album “The Bird of a Thousand Voices” was released in August 2024 on Naïve/Believe – his debut with the label. Tigran composed, scored, and arranged the much-anticipated project blending its traditional folk footprints with rock influences. The first single from the album “The Kingdom” can also be experienced as an interactive game at www.bird1000.com. The recently released double album is inspired by an ancient Armenian tale in which a hero travels into unseen realms to find and bring back a mythical bird – whose thousand different songs will awaken people again and bring harmony to the world. The transmedia music theater piece ‘The Bird of a Thousand Voices', an intriguing immersive light installation with shadow play, digitally programmed voices, live music, and an Armenian-English libretto, premiered at the Holland Festival in June 2024.   In addition to awards and critical acclaim, Hamasyan has built a dedicated following worldwide, as well as praise from Herbie Hancock, Brad Mehldau and the late Chick Corea. “With startling combinations of jazz, minimalist, electronic, folk and songwriterly elements…Hamasyan and his collaborators travel musical expanses marked with heavy grooves, ethereal voices, pristine piano playing and ancient melodies. You'll hear nothing else like this” (NPR)

Jurek Stricker aus Lankwitz kam vor einigen Jahren als Lokalmatador zu radioeins, hat 2022 seine erste EP "Distant Shouts" veröffentlicht und war in der Zwischenzeit auf diversen Bühnen unterwegs und zum Beispiel beim Montreux Jazz Festival eingeladen. Am Freitag erscheint sein Debütalbum – und mit dem kommt er als Donkey Kid natürlich auch wieder bei radioeins vorbei! Im Interview mit Silke Super hat Donkey Kid vor einem Jahr etwa seinen unglaublichen Werdegang geschildert: Beim Konzert von International Music habe er seine selbstgebrannte Demo-CD einfach mal dem Schlagzeuger der Band in die Hand gedrückt – und so begann seine eigene Reise. Zudem hat er damals schon das Debütalbum angekündigt, für das er im vergangenen Jahr nach London aufgebrochen ist, um den Produzenten von King Krule, Dilip Harris, zu treffen. So ist innerhalb des letzten Jahres sein Album "Heavyweight Champion" (Veröffentlichung am 18.10.2024) fertig geworden. Inspiriert von eigentlich allem, was ihm unter die Nase kommt, und nicht festgelegt auf ein Genre, aber vor allem von Ikonen wie Joy Division, Talking Heads oder den Beatles beeinflusst, hat Donkey Kid insbesondere das Klavier geholfen, die Karriere als Musiker einzuschlagen. Seitdem er fünf Jahre alt ist hat er Unterricht und so stetig rausgefunden, dass Musik machen "sein Ding" sei. Während die erste EP mit Bilderbuch-Produzent Marco Kleebauer entstanden ist, hat donkey Kid das Album nach dem Kick-Off in London letztlich in Neukölln und dem Odenwald gemeinsam mit dem Produzenten Bleac fertiggestellt.

It is an honor and privilege to welcome singer-songwriter and performer Liv Warfield to The Jake's Take with Jacob Elyachar Podcast.  A former track star and gymnast, Peoria, Illinois-born Liv Warfield began building her legend in Portland, Oregon. Despite having no formal background in singing, she gained the respect of local superstars and became an icon in her own right. While she takes cues from musical influences like Nina Simone, Etta James, Mavis Staples, Sade, Tina Turner, and Mary J. Blige, Warfield has carved out a style all her own, which can best be described as “alternative soul with a lil bit of Rock ‘n' Roll.” In 2006, she self-released her debut album, Embrace Me. By 2009, she caught the eye of the one-and-only Prince and ultimately joined his group, the “New Power Generation.”  After touring for several years and soaking up as much knowledge as she could from the ultimate music mentor, Warfield made her big splash on the national scene in 2014, first as a featured artist for VH1's “You Oughta Know” campaign and then with the release of her major label debut album “The Unexpected,” which was executive produced by Prince. What followed were show-stopping performances on The Tonight Show Starring Jimmy Fallon, The Late Show with David Letterman, and The Arsenio Hall Show; a 2014 Soul Train Music Award and nominations for two others; a BET Best New Artist Award nomination; an interview with National Public Radio; and high-profile cosigns from Lionel Richie, Cyndi Lauper, and Nancy Wilson of HEART. That same year, Warfield's performance closing out Essence Fest was hailed as one of the most memorable after-shows at the New Orleans House of Blues. In 2015, the accolades grew, with Warfield and the NPG Hornz being named one of the top 10 bands to see at the Montreux Jazz Festival in Switzerland. It's no wonder she has left celebrities like Letterman declaring it's time to “cancel show business!”   In 2017, Warfield began the next phase of her ascension, collaborating with another of her childhood influences, the aforementioned Nancy Wilson, to create the band Roadcase Royale. Their lead single, “Get Loud,” was featured prominently in the 2017 Women's March, and they released their debut album, First Things First, later that year. If that weren't enough, their remake of HEART's “These Dreams” was featured in Molly's Game, which starred Idris Elba, Jessica Chastain, and Kevin Costner. Warfield recently recorded music for the Oscar-nominated HBO documentary Da Bronx. She also tipped her hat into the theater realm to rave reviews playing Madame ZinZanni in the Chicago version of Teatro ZinZanni.  This past summer, Liv Warfield auditioned for the NBC talent competition America's Got Talent: Season 19. Liv and her band performed an original song: “Stare,” that received a standing ovation from not only judges Howie Mandel, Heidi Klum, Sofia Vergara, and Simon Cowell but also a Golden Buzzer from the Got Talent creator.  During the AGT: Season 19 Quarterfinals, Liv and the band blew the audience away by performing “The Unexpected,” a song Prince wrote for her.  In this edition of The Jake's Take with Jacob Elyachar Podcast, Liv Warfield spoke about the lessons she learned from Prince, her time on AGT, and performing in Teatro ZinZanni. Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.