Podcasts about Studio One

EARLY WARM JUGGLING@REGGAEBOYZSOUND

PreSonus Studio One 7.2: A Deep Dive ReviewThe provided text offers an in-depth review of PreSonus Studio One 7.2, highlighting its strengths as a fast, flexible, and professional Digital Audio Workstation (DAW) suitable for various music production roles. It traces the DAW's history, emphasizing its modern, clean-slate design compared to older software and how it evolved into an all-in-one solution for recording, mixing, mastering, and live performance. The review details new features in version 7.2, such as the Sub Zero Bass instrument, Nashville Number System, and improved recording and editing tools, while also discussing the practical applications of its AI-powered stem separation. Finally, it explores the significance of Fender's acquisition of PreSonus, suggesting potential future integrations and guitar-centric workflows, and concludes that Studio One 7.2 is a robust, time-saving tool for contemporary musicians and engineers. http://www.makingascene.org

Vicky Chow is a celebrated Hong Kong-Canadian-American pianist. She plays contemporary classical music, which is quite different from traditional classical. She is the pianist for the Bang On A Can All Stars, a terrific ensemble. The New York Times has described her playing as “brilliant”. She has collaborated and worked with artists like Meredith Monk, Philip Glass, John Zorn, Bill T. Jones and Arnie Zane Dance Company, BBC Orchestra and LA Philharmonic. She has toured in over 40 countries and performed at venues like Carnegie Hall, Disney Concert Hall and the Hong Kong Arts Centre. She has released over 25 solo and chamber music albums. My featured song is “Studio One”, from the album Play by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH VICKY:www.vickychow.com____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Live from Studio One with Melanie Martin

Studio One got a shake-up today

In this episode, I chat to Michelle who owns Studio One Yoga UK, all about what yoga is, how it can benefit the body and mind and the different types that there are. I also describe yoga poses and positions and talk about the funny names I have been told along the way. Michelle also talks about baby yoga and pregnancy yoga too. You can find more information out here:www.studiooneyoga.co.uk

What happens when you combine a love of design with a mind for business? For Ajaz Ahmed, it meant building one of the world’s most successful creative companies from scratch before starting all over again. Ajaz is the visionary founder of AKQA, the global digital agency that he grew to 5,000 staff across 30 countries. After three decades at the helm, he stepped down and launched Studio One, an agile new venture built for the AI age, where creativity is unleashed and hierarchy stripped back. Born in the Thames Valley and inspired by architecture from an early age, Ajaz began working at a software company as a teenager, driven by obsession with design and a fascination with business. His story is one of ambition, humility and reinvention. Listen in as Vince and Ajaz unpack the role of AI in creativity, the myth of scaling and mediocrity, and why having taste still matters more than ever. See omnystudio.com/listener for privacy information.

Apply to Join Churchfront Premium Apply to Join Churchfront Pro Free Worship and Production Toolkit Shop Our Online Courses Join us at the Churchfront Conference Follow Churchfront on Instagram or TikTok: @churchfront Follow on Twitter: @realchurchfront Gear we use to make videos at Churchfront Musicbed SyncID: MB01VWQ69XRQNSN   Podcast Episode Notes: Choosing Church Broadcast Audio Systems Episode Overview Discussion about switching from Logic Pro to other broadcast audio solutions including Waves LV1, Studio One, and Pro Tools for church live streaming applications. Key Participants Jake Gosselin - Host/Audio Expert Matt Woltjer - Audio Engineer/Consultant Main Topics Covered Current Industry Setup Most professionals using matrix mix from LV1 systems for broadcast Common approach: dedicated matrix send from main front-of-house mix Requires ongoing attention to maintain quality Logic Pro Issues Identified Primary Problem: Time Drift Logic Pro gradually falls behind video stream Can drift up to 2+ seconds behind actual video Creates major sync issues for live streaming Problem appears unique to Logic Pro Design Limitations Logic Pro optimized for studio recording, not live applications Apple's development priorities focus on studio use Pricing model ($200 for 18+ years) indicates different revenue focus Alternative DAW Options Ableton Live & Pro Tools No reported time drift issues Better suited for live applications More reliable for broadcast mixing Waves LV1 System Purpose-built for live mixing Hardware controller integration Superior plugin processing Most expensive but most reliable option System Integration Challenges Hardware Requirements Allen & Heath SQ: Requires Waves interface cards Dante Systems: Need Dante Wave Sound Bridge (~$3,000) LV1 Options: Classic (most expensive, full features) One C Compact (budget option, limited processing) Proton Duo (insufficient for full mix) Critical Decision Factors Budget Considerations LV1 systems: $10,000+ for complete setup Additional hardware costs often overlooked Integration complexity increases total cost Staffing Reality Check Many churches: 1-2 experienced engineers, 2-3 learning operators Common mistake: Experienced on FOH, beginners on broadcast Results in expensive equipment producing poor mixes Fundamental Issues First Acoustic treatment more impactful than equipment upgrades Proper PA tuning essential before broadcast considerations Secondary console improves mix quality only 2-5% Room acoustics can transform entire sound Professional Recommendations When to Choose Matrix Mix: Small to midsize churches Limited experienced staff Budget constraints Desire for consistency and reliability When to Consider LV1: Dedicated broadcast mixing staff Sufficient budget for complete system Acoustics and PA already optimized Need for advanced plugin processing Questions to Ask Before Upgrading: What specific problems are you solving? Do you have dedicated, experienced broadcast staff? Are fundamental acoustic/PA issues addressed? What's your complete system budget? How complex is your current audio routing? Real-World Case Study Recent consultation example: Church requesting lighting upgrades without understanding lighting theory Eight BLX wireless systems failing across multiple rooms Recommended: Learn fundamentals before spending money Upgrade to antenna-capable systems for multi-room use Key Takeaways Equipment Isn't Always the Answer Master current equipment before upgrading Address fundamental issues (acoustics, tuning) first Proper operation often more important than specific hardware Context is Critical Every church situation is unique Professional consultation recommended Holistic system assessment necessary Strategic upgrade planning prevents expensive mistakes Success Factors Experienced operation Proper implementation Fundamental acoustic treatment Realistic budget and expectations Action Items for Listeners Assess current system holistically before planning upgrades Prioritize acoustic treatment and PA tuning Evaluate staff experience and availability Consider professional consultation for complex decisions Focus on mastering current equipment capabilities Resources Mentioned Church Front premium membership for professional consultation Professional coaching calls available Community recommendations for Studio One and Pro Tools Next Steps for Churches Evaluate specific broadcast mixing challenges Consider matrix mix optimization before new systems Plan strategic upgrade path with professional guidance Address fundamental issues before equipment purchases Episode Duration: ~10 minutes Topic: Church Audio Technology Audience: Church technical teams, audio engineers, ministry leaders

Heidi and Josh from The Spills joined us in studio to perform a special live acoustic version of "Waking Up (Is Easy)", the contest-winning jingle celebrating 100 years of Triple M. A big milestone, with even bigger vibes

Chris Edwards joined us for LFS1 representing his new band Wheelhouse Deluxe! He claimed that he was still waking up but after that charged cover of Holy Grail by Hunters & Collectors, we’re all wide awake now! Flaming KnightsSee omnystudio.com/listener for privacy information.

Ayden and Cookie from The Rusty Pickups lit up Live from Studio One with an electric performance ⚡

For AKQA founder and former chief executive Ajaz Ahmed, leadership is about one thing: being a decent human being.On the latest episode of Campaign Chemistry, Ahmed opens up about his WPP departure, the cultural cost of bureaucracy in holding companies and why this is a “golden era” for independent agencies. He shares more details around his latest venture, Studio.One, and how he's leaning on his lived experience and career lessons to build for what's next. Ahmed also weighs in on the current Cannes Lions scandals surrounding fabricated award-winning campaigns and it reflects a bigger misalignment in the ad agency world.The sound bite“Incentives within holding company structures often prioritize awards over client ROI or satisfaction — and that misalignment drives the wrong behaviors.”The takeawaysIndie agencies are having a moment.AKQA was built for the internet era — Studio.One is built for the AI era.Clients want people, not processes weighed down by bureaucracy.The algorithm is not a replacement for the human spirit.Holding companies are losing their spark and that's why talent is flocking to independents.Business incentives that prioritize trophies over ROI and client trust encourage the wrong behaviors.Leadership is about being a decent human being.Legacy isn't about scale — it's about impact and the culture you create. AI Deciphered is back—live in New York City this November 13th.Join leaders from brands, agencies, and platforms for a future-focused conversation on how AI is transforming media, marketing, and the retail experience. Ready to future-proof your strategy? Secure your spot now at aidecipheredsummit.com. Use code POD at check out for $100 your ticket! campaignlive.com What we know about advertising, you should know about advertising. Start your 1-month FREE trial to Campaign US.

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Studio Vibes + Coastal inspo = magic! Evan Ayer joined us Live from studio one to perform his brand new orginal ‘Bremer street’ - inspired by Bremer Beach in WA . Catch the full performance and our chat via the link, trust us, your ears will thankyou All possible because of Flaming KnightsSee omnystudio.com/listener for privacy information.

From the farm to the studio!

This weeks show starts off in a classic style with music from Peter Tosh, Don Carlos, Keith & Tex, Barry Brown, Kenny Knotts, Steel Pulse, Pablo Moses, Steve Boswell, The Gladiators, More Relation, Max Romeo, The Mighty Diamonds, Cornell Campbell, Prince Jazzbo, Jackie Mittoo, Leroy Smart, Prince Fatty, Wayne Jarrett, Jah Stitch, King Tubby, The Wailers, Richard McDonald, Dennis Brown, Everton Blender, Bitty McLean, and Burning Spear. New Music this week comes from Perfect Giddimani, Clinton Fearon, Clive Matthews, Neto Yuth, ZIkki with Bost & Bim, Lion Fiyah, Dre Island, Soulfiya, Jelliss, Ras Kuku and the Dub Wizards, The Georgetown Orbits, Pachyman, The Breadwinners, Sista Livity, Yeza, Sailor Jane, Skarra Mucci & Manudigital, and Mellow Mood. Also this week we take a trip to Studio One featuring music from Freddie McKay, Jackie Bernard, and Johnny Osbourne with Earl 16 & Jennifer Lara. We also ride the Kuff ridden from King Jammy featuring Leroy Gibbons, Admiral Bailey, and Tiger.  Enjoy! Peter Tosh - Coming In Hot - Wanted Dread & Alive - Rolling Stones Records Don Carlos - Mr. Sun - Niney The Observer Roots With Quality - VP Records Barry Brown - Own Feet - Roots Youths 12” Keith & Tex - On The Streets - Gun Life - Liquidator Music Kenny Knotts & Roberto Sanchez - Love & Glory/Jah Children Dub - Pirates Choice 12” Addis Pablo - In My Father's House - In My Father's House - Jah Solid Rock  Steel Pulse - Steppin' Out - Rastanthology - Wise Man Doctrine Pablo Moses - Reggae Warrior - The Revolutionary Years 1975-1983 - Grounded Music Steve Boswell & Jah Berry - Cool Rastaman Cool - Children Of Jah: The Chantells & Friends 1977-1979 Blood & Fire More Relation - Cartoon Actor - Freedom - More Realtion The Gladiators - Stick A Bush - Dreadlocks The Time Is Now - Virgin/Frontline Max Romeo & The Upsetters - Stealin' - War Ina Babylon - 4 Men With Beards The Mighty Diamonds - Natural Natty - Right Time: I Need A Roof - Channel One Cornel Campbell - Mash You Down - I Man A The Stal-A-Watt - VP Records Prince Jazzbo - School - Studio One Classics - Soul Jazz Records Jackie Mitoo - Freak Out - Downbeat The Ruler: Killer Instrumentals From Studio One - Heartbeat Records Leroy Smart - No Love - Dread Hot In Africa - Makasound Prince Fatty - No Dub In Their Heart - Prince Fatty Meets The Gorgon In Dub - VP Records Wayne Jarrett - Satta Dread - King Tubby's In Fine Style - Trojan Records Jah Stitch - Conference At Waterhouse - Micron Music Presents: Every Mouth Must Be Fed - Pressure Sounds King Tubby - Satta Version - King Tubby's In Fine Style - Trojan Records Bob Marley & The Wailers - Put It On - African Herbsman - Trojan Records Richard McDonald - Do Your Thing - Boat To Progress: The Original Pantomine Vocal Collection 1970-74 - Greensleeves Freddie McKay - Drunken Sailor/Drunken Sailor Version - Picture On The Wall Deluxe Edition - Studio One Jackie Bernard - Torture & Flames - Studio First: From The Vaults Vol. 2 - Studio One Johnny, Earl & Jenny - Dub Street - The #1 Sound: From The Vaults Vol. 1 - Studio One Im & The Invaders - The Great Wall - Studio First: From The Vaults Vol. 2 - Studio One Dennis Brown - Africa We Want To Go - Slow Down - Greensleeves Dennis Brown feat. DYCR & Triston Palma - Back To Africa - King Jammy Presents: Dennis Brown Tracks Of Life - VP Records Everton Blender - My Father's Home - Lift Up Your Head - Heartbeat Records Bitty McLean w/ Sly & Robbie - My Call - Love Restart - Taxi/Tabou1 Dubmones feat. Earl 16 & Oku Onuara - I Believe In Miracles /I Believe In Miracles (Dub Cut) - Echo Beach Luciano - Great Controversy - Great Controversy - Jet Star Burning Spear - Stick To The Plan - Jah Is Real - Burning Music  Israel Vibration - Reggae Music Never Dies - Reggae Music Never Dies - Riddim Agency Perfect Giddimani - Ethiopian Sunshine - Sibusiso - Giddimani Music Nadia McAnuff & The Ligerians - So Jah Seh - Shelter From The Storm - SoulNurse Records Clinton Fearon - Can't Stop Us - Jah Is Love - Baco Music/Boogie Brown Productions Clive Matthews Meets Lone Ark - Going Home - Going Home - A-Lone Productions/Evidence Music Neto Yuth feat. Little Lion Sound - Most High Love - Angels Of Light - Heartical Youth Records/Evidence Music Zikki w/ Bost & Bim - Love And Wars - Angaza - The Bombist Lion Fiyah - Defeat The Devil - Judgement Council & Drumwise Dre Island - Cold World -  Pon Di Island Riddim - Bebble Rock Music Soulfiya & Yungg Trip - Box Down Babylon - No Worries Riddim - More Badder Media Sugar Minott - Dreadlocks Chalice - Ghetto Child - VP Records Jelliss - Medication - Conquering Lion Records Ras Kuku Meets Dub Wizards Band - Cruzar Fronteras /Fronteras Dub - Time To Roots Records Dennis Brown & Augustus Pablo - Spirit Of Umoja/Spirit Of Umoja Dub - Emmanuel Music  The Georgetown Orbits - Downtown Strut - Constellations - Orion Anderson Pachyman - Another Place - Another Place - ATO Records The Breadwinners - Take Cover - Hi Dynamic Instrumental & Dub - Breadwinners Records The Breadwinners - Natural  - Hi Dynamic Instrumental & Dub - Breadwinners Records Ras Ibuna & The Village Bunch - Diverse Doctrine/Diverse Doctrine Version - More Pressure Vol. 1: Straight To The Head - Pressure Sounds Joseph Lalibela Meets Vibronics & Mafia & Fluxy  Band - Upfull/Upfull Dub - Ancient Breeze - Scoops Records Sista Livity & Good Over Evil - Power Of The Rasta/Power Of Dub - Good Over Evil Vibronics featt. Sis I leen - Peaceful Warriors - Vibronics & Cross Club Present Woman On A Mission - Scoops Records Vibronics feat. Koko Vega - Lion Knight - Woman On A Mission 2 - Scoops Records Don Carlos - I Love Jah (Stepwizer Reemix) - Stepwizer Music Aza Lineage - Rule The Sound - VP Records Sailor Jane - Legends - Leroy Sibbles Presents: Vibes Man Riddim - Tad's Records Yeza & RoryStonelove - Road Runner - Black Dub Music Skarra Mucci & Manudigital - Ragga Blasta - X-Ray Production Mellow Mood feat. Anthony B & Dub Inc. - Home Or Abroad - 7 - La Tempesta Dub Sugar Minott & Bounty Killer - Give The People What They Want - Hits 38 Production/Jammy's Leroy Gibbons - Magic Moment - King Jammy's Selectors Choice Vol. 3- VP Records Admiral Bailey - Jump Up - King Jammy's Selectors Choice Vol. 3- VP Records Tiger - Bam Bam - King Jammy's Selectors Choice Vol. 3- VP Records

Jason Vieaux is a Grammy Winning Classical Guitar Superstar. He's been called “Elite”. He's performed as a soloist with over 100 orchestras and he plays with the Escher String Quartet. And he's the head of the guitar department at the Cleveland Institute Of Music. On top of this he's also a fan of Jazz Fusion, metal, rap and hip hop.My featured song is “Studio One” from my album Play by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH JASON:www.jasonvieaux.com________________________ROBERT'S RECENT SINGLES:“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

In this episode of Please Respect the Roses, Weldon reconnects with longtime friend and lyrical sparring partner Antonio Mcneil to reflect on their early days in music. From recording on sock-wrapped mics in makeshift bedrooms to learning the ropes of Studio One and developing their voices as artists, it's a raw and real look at growth, grit, and the grind.They unpack the lessons hidden in bad mic technique, creative chaos, and late-night bar sessions with the crew—and celebrate how far they've come from those backroom freestyles

The clock got away from us here at Studio One, so we were scrambling to get caught up, WE DID IT!!! Grammi shares what special days are in the week ahead. Sit back and enjoy us talking and goofing off with the week ahead!! Want to ask Grammi a question or get some advice? Write her at theoldmanspodcast@gmail.com and she'll write you back!! Grammi LOVES her Pod-People!!! Check out "Shonda's Return!" tomorrow on the "Monday Morning LIVE Show" at 7am pst / 10am est on Podbean!! Listen, Like and FOLLOW!!! Have a GREAT Week!!! Later Gators!!   *Get everything you need to start your own successful podcast on Podbean here: https://www.podbean.com/tomspodcastPBFree *Visit our webpage where you can catch up on Current / Past Episodes: www.theoldmanspodcast.com   *Contact us at: theoldmanspodcast@gmail.com     *TOMPodcast Music Shows: https://www.mixcloud.com/TOMPodcast/

Morning all. Hope you're all having a good week. We hadn't realised the show hadn't been uploaded. We've been too busy with birthday planning, birthday celebrations and looking at 45s we don't need but need.Anyway, enough of the excuses. Here it is. It's standard fayre. High energy hour one. Low(er) energy hour two.Hopefully we'll be back on Sunday. We haven't really go a choice thanks to how the shows fall and that bl00dy chicken special in July that's rapidly approaching.As always, get in touch with requests, recommendations and guest mix inquiries!https://www.instagram.com/radionighttrain/https://bsky.app/profile/thenighttrain.co.ukDon't forget, we're also available for family functions, weddings, funerals, boat launches and more!SHOW NOTESX-O-Dus | Biography | LTM RecordingsA Parrot Dancing to Sean PaulThe show with a Studio One 45's mixWFMU: Monica: Playlist from December 11, 2011The Secret Handshake with Louise T on LWSTD.fmTRACKLISTINGEddie Kendricks - Girl You Need A Change of Mind / (Mr. K Edit)King Curtis - Night TrainRon B - Stitch By StitchGoat + MC Yallah - Nimerudi (Malcolm Catto Remix)Los Disco Duro - Cumbia SampuesanaQuantic - DialectOrkes Lokananta - Nganggo Teklek Nang KrikilanDJ Shadow - Dark Days (Main Theme)Link Wray - Raw-Hide Bob Landers - Cherokee Dance The Flying Hats - ForwardMighty Shadow - Dat Soca BoatShirley Caesar - Jesus Is Coming (UHT Edit)The Wiseguys - Nil By MouthX-O-Dus - See Them A ComePrince Far I - Psalm 1Ikebe Shakedown - No Answer Euphoria Dubs - The Sun Rising (Euphoria Dub Instrumental)Red Snapper - TolminkaClimber - Royal Blue (TNT Extended into Bed)Anita Carter - As The Sparrow GoesGolden Gate Jubilee Quartet - Golden Gate Gospel TrainPete 'Guitar' Lewis - Ooh MidnightHarrell Singers - There's A LandMark Pritchard & Thom Yorke - Bugging Out AgainAphex Twin - Xtal Slowdive - In Mind Reload Remix (The 147 Take)

Same Time, Same Station 05/25/2025 Everett Sloan Part 6. “Studio One” 05/06/1947 Ep02 Topaz. “The Ford Theater” 05/09/1948 ep32 Front Page. If you would like to request shows, please call (714) 449-1958 E-mail: Larry Gassman: LarryGassman1@gmail.com John Gassman: John1Gassman@gmail.com

Same Time, Same Station 05/25/2025 Everett Sloan Part 6. “Studio One” 05/06/1947 Ep02 Topaz. “The Ford Theater” 05/09/1948 ep32 Front Page. If you would like to request shows, please call (714) 449-1958 E-mail: Larry Gassman: LarryGassman1@gmail.com John Gassman: John1Gassman@gmail.com

This week we celebrate Dashiell Hammett, born this week in 1894. Our episode is Studio One's adaptation of his novel, The Glass Key. Find more on The Beginner's Guide to Pulp Fiction at https://brickpicklemedia.com/pulpguide/. Visit our online store at AThrillingPublication.com.

If you've ever tuned into a classic rock radio station and felt the electric hum of Southern rock filling your soul, chances are you've brushed shoulders—musically speaking—with Rodney Justo. Best known as the original lead singer of the legendary Atlanta Rhythm Section, Rodney's voice is more than just a sonic signature of the American South—it's the soundtrack to a generation. But to understand the full breadth of his musical journey, you've got to go back to Tampa, Florida, where the boy who would become a Southern rock icon first discovered his voice.Rodney Justo was born with rhythm in his veins. His father was a musician, and Tampa in the '50s and early '60s had a burgeoning music scene.By the time he was a teenager, Rodney was performing professionally, fronting bands and making a name for himself as a gifted rock and soul singer. In the mid-60s, Rodney's voice caught the ear of Roy Orbison's backing band, The Candymen. Rodney joined as lead vocalist, and it wasn't long before they began carving out their own identity. Touring constantly, performing alongside major acts, The Candymen were crucial in shaping Rodney's future. In the early '70s, he and his bandmates decided it was time to forge their own path. The Atlanta Rhythm Section was born. More than just a band, ARS was a musical collective, fusing rock, jazz, R&B, and pop into a smooth, sophisticated Southern sound that defied categorization.Rodney Justo was the voice on their self-titled 72 debut album. His vocals were powerful and expressive helping to define the Atlanta Rhythm Section's unique tone.Rodney left the band shortly after that first album—citing creative differences and a desire to focus on family. He became an in-demand session vocalist and performer, lending his golden pipes to countless recording projects throughout the ‘70s and ‘80s. His ability to shift between genres—from blue-eyed soul to polished pop to hard-edged rock—made him a go-to voice in studios from Florida to L.A.In the mid-90s, Rodney Justo returned to the Atlanta Rhythm Section. He stepped back into the spotlight once again performing hits like "So Into You," "Imaginary Lover," and "Spooky" live on stage. Rodney Justo brought new energy to the ARS catalogue—even if he hadn't originally recorded those songs. He made them his own, connecting with audiences across generations. Rodney Justo is more than t a great rock vocalist. He's a storyteller. He's filled with anecdotes, punchlines, and the kind of behind-the-scenes music lore that makes you lean in and listen. He's got tales from the road with Roy Orbison, recording sessions with legends, and enough stories about Southern rock's golden era to fill a memoir.He brings humour, humility, and a deep love of the craft to every conversation. Today he tours with Atlanta Rhythm Section and his voice hasn't lost any of its magic. There's still that same smooth phrasing, that soul-deep delivery, and that sly smile you can hear even when he's singing through the speakers. He continues to be a beloved figure in Southern rock circles, a revered elder statesman of American music, and a performer who gives his all every single night.Rodney Justo may not be a household name in the same way as some of his peers, but among musicians, he's a legend. His influence runs deep—not just through Atlanta Rhythm Section, but through decades of rock, soul, and Southern music. Rodney's journey is one of persistence, evolution, and soulful resilience. From teenage gigs in Tampa dive bars to singing for thousands on tour with ARS, from the slick sessions of Studio One to today's digital world, Rodney Justo has remained a voice worth listening to—a true original in the ever-changing world of American rock music.You're going to LOVE his story.To find out more head to https://www.atlantarhythmsection.com/and contact me with any feedback, comments or queries.https://www.abreathoffreshair.com.au

Hold onto your Mickey ears, folks, because Marq and Beth are taking you on a thrill ride through the latest Disneyland Paris developments, World Premieres (yes, plural) questionable naming choices, and Beth's emotional breakdown over  some shocking attraction news (RIP, old friend).    Here's what to expect:    * Abu Dhabi has joined the chat: Disney's Big Royal Expansion.  There's a whole new world rising in the United Arab Emirates, a Disney Adventure made for and paid by actual Princes and, we assume, princesses. Somewhere in the world where they don't cry over spirit jersey prices. Beth and Marq debate: Is this Bob Iger's final genius move before handing over the keys to the Kingdom?   *Studio One's Grand Reopening: Now with More… Confusing Music? Back in our humble expansion park, Studio One has reopened—but now it's called « World Premiere » (because Disney loves a rebrand). Visitors are loving the glow-up, but the music playlist?  A bit baffling, not that we are hating on John Williams.  Is it Hollywood glam or an overly modern muddle? You decide.    * Hollywood Gardens: Great Vibes, Meh Menu  The atmosphere? Chef's kiss ! The food? The chef is not ready to kiss anybody quite yet. Beth and Marq discuss why this spot nails the aesthetic but fumbles the food variety. This place deserves more than fish burgers and star nuggets. But the dessert do look sweet!   * Disney's Naming Conventions: What's in a wor(l)d?  Park terminology. We've discussed this before, but why does Disney have  to reuse the same three words in every park name? Like, do you need a Premier Access to have a World Premiere Adventure? Send help !   *

Show #304 - Sven and JK bring you show 304, possibly the last recorded in Studio One at PodcastMKE in Milwaukee as Studio Two nears completion. Lots of action in the show notes. Have a gander! https://www.youtube.com/watch?v=_5z1NfhpAmg The Milwaukee Minute (or 5) What a weekend! Newski at Falcon Bowl Salford Lads Club at Mad Planet Riverwest 24 Registration and Documentary footage Oh no, I forgot to register! “Same” via JK Bye bye Drunk Uncle, you kept Stallica classy. “Choice wardrobe for sucha hearing” via JK PodcastMKE Studio, Portal and Site work.  Bye Bye boat! Riverwest 24 Registration Day - May 4th, 2025 Talkin' Schmack  New Ghost album - Skeleta Shannon RC Trucks and fatbiking Giro d'Italia Begins May 9th (Garrett's Birthday!) to June 1st on Max, apparently. New electric Wyatt called the MavHunt Hmmm, curious - https://deadline.com/2025/05/golden-globes-best-podcast-category-2026-1236387838/ Subscribe to the Fat-bike.com Newsletter and get stickers! - https://fat-bike.com/2025/04/free-sticker-packs-sign-up-for-our-free-fat-bike-com-newsletter-for-a-chance-to-win/ Cool but $30 https://velo-orange.com/products/blue-lugs-koma-lights https://www.youtube.com/watch?v=-zhVBOQpEEs See all Full Spectrum Cycling Podcast Episodes here - https://www.youtube.com/playlist?list=PLblXPI1hYVGbwjJjdv_eJGMubhqRU4vwd  Show Beer - New Glarus Brewing - Moon Man Pale Ale   Stuff for sale on Facebook Marketplace Call-in to 717-727-2453 and leave us a message about how cycling is making your life better! Shit Worth Doing June 14th - Fat Tire Tour of  Milwaukee - Theme Milwackyshack?? - https://www.fattiretour.com/milwaukee2025/  June 19th to 29th - Tour of America's Dairyland - Southeast Wisconsin - https://www.tourofamericasdairyland.com/ June 28th to July 2nd - USA Cycling Road National Championships - Southeast Wisconsin July 19th to 26th - RAGBRAI Ride across Iowa - https://ragbrai.com August 9th - Port Washington, WI - Full Moon Beach Ride August 22nd, 23rd and 24th - MADE! - Portland, Oregon, Zidell Yards - https://made.bike   September 15th - Chequamegon MTB Festival - Cable, WI - https://www.cheqmtb.com/ Bikes! Used Chumba Ursa Major Titanium Fatbike Frame - Sven's frame! Omnium Cargo Mini Max - Small - Copper - NEW! Omnium Cargo Electric Mini Max - Small - Galaxy Black Large Schlick Cycles APe for aggressive fatbiking - Purple. Possibly the last APe! Definitely the last Teesdale-built APe! Large Schlick Cycles 29+ Custom Build - Black Medium Schlick Cycles 29+ Custom Build - Orange Large Schlick Cycles Tatanka, Orange. Schlick Fatbikes A bunch of Schlick Growler (Zen Bicycle Fabrications AR 45) frames for custom builds. 29+ Schlick Cycles frames for custom builds Contact info@everydaycycles.com Call-in to 717-727-2453 and leave us a message about how cycling is making your life better!

In this episode the guys discuss the the ask the question Will BANDLAB Challenge FL Studio One Day? Is getting users to use your DAW when theyre young the most powerful way to ensure mass user growth? Are plugins in different countries in different languages? Is The LS 208 the new workforce mic of our generation? Is transitioning from recording engineer to mix engineer difficult? Lets find out.If you're a producer and want to get on Colossal, and sell more beats, register now at colossal.fm/producers - and it's free, no subscription costs!➡️https://colossal.fmhttps://www.instagram.com/colossal_apphttps://www.tiktok.com/@colossal.apphttps://www.youtube.com/@colossal-app➡️ Get Our Rosetta Plugins: https://cutt.ly/RwAEmuRF➡️ Our Site: https://www.helpmedevvon.com Please subscribe to our YouTube and rate our podcast it helps us a lot!➡️ https://linktr.ee/mystudionerdsFollow Ushttps://www.instagram.com/helpmedevvon➡️Join this channel to get access to perks:https://www.youtube.com/channel/UCGyDjbX9F9ARt_8sgv5kGDg/joinFollow The CastDevvon Terrellhttps://instagram.com/helpmedevvonLJhttps://instagram.com/prodbyljeanHere is L.Jean channel! https://youtube.com/@SweataWeathaCourtney Taylorhttps://instagram.com/officialcourtneytaylor#podcast #mixing #mastering

Dreaming of opening a second studio (or more)? You're not alone ... and you're not crazy.In this episode of Your Studio Podcast, Chantelle and Michelle pull back the curtain on what it really takes to expand your studio from one location to many - without everything falling apart in the process.You'll hear Chantelle's own journey from struggling solo to scaling to six locations with flow and ease (and an ambitious plan for 24!). Plus, the surprising truth about why the leap from one to two locations is the hardest of all, and how to know when it's truly go time.This is not just for the multi-location dreamers - it's also for anyone wanting to build a beautifully sustainable business that runs like clockwork, whether you're expanding, selling, or simply craving more ease.Inside, you'll learn:The real reason to expand (hint: it's not just about reach)What must be rock solid at Studio One before you even think about Studio TwoTwo key expansion strategies (and the one that builds momentum faster than you think)How to structure your team so you're not cloning yourself, and burning outThe surprising power of taking a 4-week holiday as your expansion test runBy the end of this episode, you'll feel clear, grounded and excited about what's possible - not overwhelmed by what's next.Because your dream studio doesn't have to stay a dream...and growth can feel GOOD.

In honor of reaching our 500th episodes, Rancho Mesa's Alyssa Burley and President Dave Garcia discuss the history of StudioOne™ and plans for the future growth of Rancho Mesa. Show Notes: ⁠Dave's Dugout Podcast⁠, ⁠Subscribe to Rancho Mesa's Newsletter⁠Hosts: ⁠Alyssa Burley⁠, ⁠Dave Garcia⁠⁠Editor: ⁠Megan Lockhart⁠Music: "Home" by JHS Pedals, “News Room News” by Spence© Copyright 2025. Rancho Mesa Insurance Services, Inc. All rights reserved. 

Send us a textIn this episode the hosts are joined by singer songwriter Dalona to discuss her latest EP, Love and Delusion. Dalona answers questions such as how she went about choosing an engineer, her process in approving a mix, how she defines success, and more. There is now a mailing list. We will be using this mailing list to share updates, giveaways, product discounts and more. You can sign up for the mailing list at http://eepurl.com/hzwW4fAs usual this episode will be posted in theFacebook Group for discussion, Faders Up Podcast.Follow the hosts, guest, and podcast on Instagram- FadersUpPodcast- AudioCzar901- ItspronouncedOshayGuest- Dalona

McKinley driver education coordinator Leilani Okuda discusses the perils of distracted driving; Author and DJ Morgan Nixon documents the history of the Jamaican reggae music label Studio One

Host Sean Lennon talked to NWA Pro Wrestler AJ Cazana on PWE. He's on half of the NWA United States Tag Team Champions with his brother KC Cazana as The Country Gentlemen.  they will be coming to Highland Park NWA Chicago at Studio One to face "Da Soul Touchas" Marshe Rockett and Acid Jazz this Friday. AJ talked aabout Pro Wrestling and how has it changed his life for the better,  how working Television is different than Independent shows, His Father's Promotion JCP a NWA SouthEast Territory out of Tenessee and how much he has learned from being in NWA, his upcoming match with "Da Soul Touchas" and what started between him and his brother with them last October, His father Joe Cazana influence on his career, the loudest reaction he's had to either his entrance or moves,  Who else does he look up to in Pro Wrestling and why, stories of coming up in the business with "Thrillbilly" Silas Young, Kenzie and Kylie Paige, Does he have any advice for someone starting in Pro wrestling, plus more!Watch NWA POWERRR every Tuesday on @NWA  on "X" Social Media PlatformFollow AJ Cazana on IG - @AJCazanaNWA Southeast - Joe Cazana Promotions — National Wrestling Alliance®For the Official PWE Shirt shop at -Fightlete/ PWE PWE Report Shirt (prowrestlingtees.com)For Exclusive Pro Wrestling Articles and Updated Results for WWE, NXT, AEW, and Impact WrestlingLike the Facebook Page- / pwepodcast And Support your favorite Independent Wrestlers by buying Shirts and More at https://www.prowrestlingtees.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/pro-wrestling-enforcer-podcast--3307124/support.

Twenty-year veteran net lease investment advisor Nancy Miller, CCIM joins show host Michael Bull CCIM in Studio One to share an update on the STNL market. Discussions include cap rates, financing, transaction volume, hot properties and tips for developers, buyers and sellers in 2025. Bull Realty - Customized Asset & Occupancy Solutions: https://www.bullrealty.com/ Commercial Agent Success Strategies - The ultimate commercial broker training resource: https://www.commercialagentsuccess.com/ Watch the video versions of our show on YouTube! https://www.youtube.com/c/Commercialrealestateshow Follow us at: @BullRealty https://twitter.com/bullrealty @CRE_show https://twitter.com/CRE_show

The boys from Alamance hang out with Tami Kress, executive director of Studio One. Tami shares the inspiring story behind Studio One, a creative hub empowering young artists and performers in North Carolina. From its grassroots beginnings to its impact on local youth, she discusses the power of the arts in shaping communities, fostering self-expression, and building confidence. The trio also dive into the challenges arts organizations face today and why investing in creative spaces is essential for a thriving and vibrant society. Tune in for an engaging conversation on the role of the arts in education, community-building, and the fight to keep creative opportunities accessible to all.

As always, Andy brings you two hours of his personally selected eclectic mix including a track that was released 89 years ago! We pay tribute to Tommy Hunt who passed away this week and Doris Troy who left us 11 years ago to the day. The three Northern Soul Stonkers are numbers 21, 20 and 19 on the Northern Soul Top 500 and there's also a couple of tracks recorded at Kingston's Studio One in Jamaica.For more info and tracklisting, visit :https://thefaceradio.com/groovy-soulTune into new broadcasts of Groovy Soul, LIVE, Sundays 12 - 2 PM EST / 5 - 7 PM GMT.https://thefaceradio.com/archives/groovy-soul//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Oto and Jaycee had a kōrero with Marc Conaco, a Filipino artist based in Tāmaki Makaurau, about his recent exhibition at Studio One called "Ang Sininang Bulawan - The Golden Dress" and the role of the Babaylan in pre-colonial Filipino society. Jaycee and Marc also talked about their shared experiences as Filipino creatives balancing familial expectations with their artistic pursuits.

IPR's Studio One hosts have been making their playlists and checking them twice.