Podcast appearances and mentions of Quincy Jones

In another topic-focused GGACP mini-episode, Gilbert and Frank share their love of unheralded films, underrated TV shows, underappreciated pop songs and often unknown performers, discussing, dissecting and (occasionally) defending their handpicked guilty pleasures and buried treasures. This week: Bad biopics! Neil Simon reboots “Bogart”! Lee Marvin bests Rod Steiger! And Mike Myers borrows from Quincy Jones! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a free preview of a paid episode. To hear more, visit smokeempodcast.substack.comDavid Marchese has spent the past decade interviewing famous people, from Quincy Jones to Nicolas Cage. He is co-host of “The Interview,” the New York Times Q&A series, and before that, he interviewed bold-faced names for Vulture and NYT Magazine. But he doesn't see his job as “interviewing celebrities” — at least, that's what he says after his old pal Sarah introduces him as such. It's true that Marchese interviews all sorts of people, from author Michael Pollan to happiness expert Laurie Santos. But fame — and its excesses, contradictions, and illusions — is the backdrop for many of his best-known conversations, and it's the launchpad here for a chat about collective experiences, how to ask better questions, how journalism has changed since the days of Playboy, and why discomfort might be a key ingredient to a great interview. NOTE: This is an audio-only episode! Also discussed …As well as:* Sarah sees an advantage to David being “deeply Canadian” * “Celebrity is the coin of the realm.” Or is it?* Nicolas Cage … inspired by Gumby?* Jim Jarmusch did not do interviews that lasted less than an hour* Editor burnout is real* Adam Moss, genius* Friend o' the pod David Rensin and his dozens of Playboy interviews* Age is an undervalued asset in celebrity interviews* Denzel Washington, Nicole Kidman, Edward Norton, Anthony Hopkins* Interviewing as surgery and when to put down the knife* Sarah is still waiting on that mixed tape David promised in 2008Plus: David quotes Ezra Pound, Joyce Carol Oates and Elmore Leonard, what Clive James got right about Americans and fame, and much more!After the paywall: “Which celebrity interview was the most uncomfortable?”We're trying to ask better questions. Like: Will you become a paid subscriber?

One of the most famous names in watch circles, Octavio Garcia is today the Creative Director for Gerald Charles. Previously, the American-born designer was Creative Director for Audemars Piguet during the all-important brand-building period from 2002-2015. Responsible for some of the most ground-breaking and sought after Royal Oak Offshore designs, including the famed series inspired by Formula 1 drivers such as Juan Pablo Montoya and Rubens Barichello as well as expanding the Millenary collection with extraordinary creations such as the Pianoforte, inspired by and paying homage to Quincy Jones.  Join us as we take a deep dive and discuss the extraordinary career of the Chicago-born designer. From the earlier days working with Jean-Claude Biver to the most logical step in creating his own brand, Gorilla Watches. Finally to today, and possibly the most natural progression, taking on design responsibilities for the brand created by the Maestro himself, Gérald Charles Genta, the designer who gave the world the Royal Oak for Audemars Piguet and the Nautilus for Patek Philippe as well as the Ingenieur for IWC and countless other enduring designs. Today the "Maestro" case design, penned by the late designer himself in the early 2000's, is like a gift to the talented Octavio Garcia. The unique and charismatic case provides a inviting challenge for creative design. Listen in as we discuss the latest creation unveiled at Watches and Wonders, a world first Perpetual Calendar with asymetrical movement, which perfectly compliments the unique shape of the Maestro case for an ideally balanced design. Listen in as we learn about the intricacies of the design's layout and the truly unique approach to the movement layout itself.  This unique episode provides a wonderful window into the creative approach and inspiration that drives Octavio Garcia as he continues to pen the incredible designs that will delight and provide timeless watches for today and generations in the future.  Thank you, as always, for downloading and listening to Keeping Time Podcast. The ultimate compliment is if you would share Keeping Time with your friends and, of course, if you could take a moment to post a favorable review on your chosen podcast platform. Please reach out with any comments or suggestions for future directly at keepingtime@osterjewelers.com. Visit the Keeping Time Podccast blog page for corresponding photos  and the complete podcast listing.

Coming up tonight: Doris Day, Herbie Mann, Ella Fitzgerald, Art Pepper, Miles Davis and Quincy Jones, Billy Taylor & Gerry Mulligan, the Harold Mabern Trio, and Geri Allen.

Coming up tonight: Doris Day, Herbie Mann, Ella Fitzgerald, Art Pepper, Miles Davis and Quincy Jones, Billy Taylor & Gerry Mulligan, the Harold Mabern Trio, and Geri Allen.

Listener suggestions are rated on the Yachtski Scale, with songs by Quincy Jones, Frank Stallone & Cynthia Rhodes, and Yasuko Agawa.

(Rec: 3/12/24) Musings on Jacko, the death of JFK, a costumed cat, small man anger, dissing The Beatles, and Brando's libido. Join the Iron Filings Society: https://www.patreon.com/topflighttimemachine and on Apple Podcast Subscriptions. Get a 7-day full access free trial and pay for 10 months up front for the price of 12 if you like a bargain. Hosted on Acast. See acast.com/privacy for more information.

ATTT has been beyond honored to have had the immortal Fuzzbee Morse as a special guest on 9 of our episodes, and Top Ten Fuzzbee All-Stars is the best possible send off for the man who has everything. Fuzzbee is truly the Zelig of rock n roll, but with as much talent as the luminaries he has chummed around with over the decades. Fuzzbee's got this whole top ten list to himself, and his All-Stars are some true heavy hitters - some of the greatest to ever do it. Picks 5-1 are revealed here in Part 2.If you missed the fun we had in Part 1, go back!https://podcasts.apple.com/us/podcast/episode-723-top-ten-fuzzbee-all-stars-part-1-w-fuzzbee-morse/id573735994?i=1000770565677Please be enjoying the official Top Ten Fuzzbee All-Stars Playlist, featuring all songs heard in parts 1 & 2:https://open.spotify.com/playlist/1a1nl8jMDh4MT9lMmERSzZ?si=abe2d81b11b74f74For more Fuzzbee, consult your local https://www.fuzzbee.com/We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. Emergency Pod 28 is out now, June 1st, featuring the Queen Of Emergency Pod, the great Shannon Hurley! Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting about music over on the ATTT Facebook Group. Join us and start a conversation about music! https://www.facebook.com/groups/940749894391295The official ATTT1000 In Reverse playlist is here, featuring our list of the 1,000 Greatest Songs We've Ever Heard, presented in reverse order - from 1 - 1,000. Follow along here:https://open.spotify.com/playlist/6dlj1XfYJdciz6GIORYWkM?si=74d675e86ba342f8

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.I'm joined for this episode by saxophonist, clarinettist and composer Jeff Lederer to discuss his latest album - There's a Yearnin' - this intensely interesting album is a historic first recording of long-buried works by Eric Dolphy, Ornette Coleman and Oliver Nelson.Thanks to Jeff for allowing me to play extracts from There's a Yearnin' alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Harvey Levin and Mark Geragos discuss Netflix's new documentary “The Verdict,” with Geragos reflecting on his experience representing Michael Jackson during the trial, while Harvey shares a never-before-told story about Quincy Jones, Bubbles the chimp, and an unusual overnight stay at Neverland Ranch. Hosts: Harvey Levin, Mark Geragos Learn more about your ad choices. Visit podcastchoices.com/adchoices

We were supposed to talk about Deacon King Kong. We did not.    When Jen sat down with Pulitzer Prize-winning novelist James McBride to discuss the Jen Hatmaker Book Club's May selection, the conversation took a hard left turn into something far richer — a wide-ranging tour through one of the most remarkable lives in American letters.    James opens up about a scrappy and troubled adolescence in Brooklyn, getting straightened out in the heat of the Louisville, Kentucky summers, and the music that quite literally saved him. He reminisces about touring Europe as a young musician and playing saxophone alongside Stevie Ray Vaughan at Antone's in Austin, traveling with Michael Jackson on the Victory Tour as a young journalist, surviving the Boston Globe's newsroom in the 1980s, writing songs for Anita Baker and Grover Washington, working with Quincy Jones, and getting dressed down by Harry Belafonte in a writers' room. Along the way, he reflects on race, art, faith, forgiveness, music, storytelling, old cars, and why the best writers are simply the people paying closest attention. He also shares what gives him hope about America right now — and it might surprise you.   Of course, we touch on Deacon King Kong—its unforgettable characters, humor, and heart—but this conversation became something even bigger: a portrait of the life experiences that shaped the storyteller behind the book.   Come for the book club discussion. Stay for one of the most fascinating conversations Jen has had in a long time.   Oh, and Deacon King Kong is a masterpiece. You should absolutely read it.    Thought-provoking Quotes:   Resources Mentioned in This Episode:   Guest's Links: Website - https://www.jamesmcbride.com/ Instagram - https://www.instagram.com/jamesmcbrideauthor/ Facebook - https://www.facebook.com/JamesMcBrideAuthor/   Connect with Jen!Jen's Website - https://jenhatmaker.com/ Jen's Instagram - https://instagram.com/jenhatmakerJen's Twitter - https://twitter.com/jenHatmaker/ Jen's Facebook - https://facebook.com/jenhatmakerJen's YouTube - https://www.youtube.com/user/JenHatmaker   The For the Love Podcast is presented by Audacy. ★ “I didn't grow up wanting to be a writer. We were just concerned about eating.” – James McBride★ “Years and years of playing $50, $75, $100 gigs prepares you for a life of good struggle.” – James McBride★ “People are trying to do their best. Just because you don't agree with them, it doesn't mean they're not trying to do their best.” – James McBride★ “We have work to do and I'm proud of those of us who are doing it. And for those of us who are not, maybe their children will come to it or maybe they won't. The struggle is a beautiful thing.” – James McBride➢ Miracle at St. Anna (Spike Lee movie) - https://www.jamesmcbride.com/miracle-at-st-anna/➢ The Good Lord Bird: A Novel by James McBride - https://amzn.to/4eJBPDc➢ The Heaven & Earth Grocery Store: A Novel by James McBride - https://amzn.to/4d74l0a➢ Deacon King Kong: A Novel by James McBride - https://amzn.to/4uLm4QP➢ The Color of Water: A Black Man's Tribute to His White Mother by James McBride - https://amzn.to/4tv1nYc ➢ Parting the Waters: America in the King Years 1954-63 by Taylor Branch - https://amzn.to/49Nt3Av➢ Jen Hatmaker Book Club - https://shop.jenhatmaker.com/collections/book-club?srsltid=AfmBOopIz2aHN5knpp-Y-iOHWJBAWnpj_HQTJ-kU2uedz33q6e3xyjrb To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Is Michael a great biopic, or does it work because Michael Jackson's music is simply impossible to resist?We review the new Michael Jackson biopic, discussing Jaafar Jackson's performance, the film's massive audience response, Michael's legacy, the controversy around his life, and the major moments the movie glosses over.Plus, we end with a Michael Jackson song battle — from Thriller and Billie Jean to Beat It, Smooth Criminal, They Don't Care About Us and more.Watch on YouTube: https://youtu.be/V0bjX1WgtxU⏱️ TIMESTAMPS0:34 Welcome to Cognitive Recalibration0:48 Introducing Michael and why this episode needed a discussion1:11 Box-office success and the scale of Michael Jackson fandom2:34 Music biopics, Bohemian Rhapsody, and billion-dollar potential3:35 Audience demographics and Gen Z discovering Michael Jackson5:57 Critics vs audiences: why the scores are so different7:00 Family involvement, controversy, and what the movie avoids8:36 Release delays, sequel plans, and the film's long box-office legs10:05 Michael Jackson trivia, the moonwalk, and cultural mythology10:29 Initial thoughts: enjoyable experience, flawed movie12:37 Emotional connection to Michael's music and why it still resonates13:49 The ending problem and why the movie feels like Part One14:45 Word of mouth, social media reactions, and renewed popularity16:47 Box-office competition and why Michael has longer legs17:11 Jaafar Jackson, the child actor, and Colman Domingo's performances18:56 Spoiler discussion begins: Joe Jackson and Michael's insecurities20:50 The media, Michael's changing appearance, and vitiligo22:49 The movie's biggest flaw: not enough focus on musical genius23:38 Missing the evolution of Michael's voice, style, and creative identity24:43 Quincy Jones, Off the Wall, Thriller, Bad, and missed opportunities27:08 Thriller, Bad, music videos, and Michael as a short-film pioneer28:46 Why the movie still works as an experience despite its flaws30:00 Michael as an underdog and Joe Jackson's intimidating presence31:51 Childhood trauma, loneliness, Bubbles, and the toy store scene32:28 The Pepsi commercial, pain medication, and the start of his decline33:39 Why the second movie will be harder to make34:21 Michael's estate, masters, streaming money, and artist ownership36:55 Relationships, children, siblings, and the drama the film skips38:48 Michael's legacy living through the music39:10 Why the sequel should explore albums, tours, and fame more deeply40:27 Was Michael Jackson more famous than Taylor Swift?41:34 Final thoughts on performances and the film overall42:03 Michael Jackson song battle begins: Thriller vs everything43:20 Billie Jean takes the crown44:49 Human Nature, Stranger in Moscow, and underrated favourites46:12 Dirty Diana, PYT, Black or White, and Michael's deep discography47:02 Favourite Michael Jackson songs and streaming numbers48:30 Michael's voice, vocal style, and why his songs are hard to sing49:42 Paul McCartney, Beatles rights, and Michael's music portfolio51:22 Neverland and the stories still left for the sequel52:15 Closing thoughts on Michael and who should watch it53:39 Podcast movie draft talk: Michael, Moana, Minions, and Dune54:53 Quick thoughts on Mandalorian & Grogu and upcoming episodes55:27 Final sign-offIf you want to support this podcast so we can keep producing our content for free consider the following options:Buy us a Coffee: https://www.buymeacoffee.com/CRecalibrationIf you wish to contact us to ask a question or give us some feedback, please do so via the channels below:Facebook Page: Cognitive RecalibrationInstagram: cognitiverecalibrationTwitter: @CRecalibrationTikTok: @cogrecal#MichaelMovie #MichaelJackson #MichaelJacksonBiopic #MichaelReview #KingOfPop #JaafarJacksonSupport this show http://supporter.acast.com/cognitiverecalibration. Hosted on Acast. See acast.com/privacy for more information.

Bass Archaeology – Episode 17 Synopsis Episode 17 digs deep into the lineage of groove, connecting the raw, live energy of band-driven funk and soul through to hip-hop sampling culture, jazz, house, and modern bass led production. We open with the Bass Arch Grunge Band – “48 Years”, a stripped-back, live-rooted performance intro. From there, the episode moves into the golden age of soulful songwriting and session excellence. Lenny Kravitz – “It Ain't Over 'Til It's Over” delivers a masterclass in retro-funk construction, followed by Marvin Gaye – “Got to Give It Up”, where the infamous bassline and percussion groove capture the essence of late-night dancefloor improvisation and the birth of modern groove culture. The funk intensifies with The Gap Band – “Burn Rubber”, a synth-driven early-80s electro-funk statement, before sliding into the smoother, minimal perfection of “Outstanding”, where space becomes the instrument and the bassline does more with less than almost any record of its era. The journey shifts into 90s pop-funk and dance crossover energy with Michael Jackson – “Don't Stop 'Til You Get Enough”, a track that bridges disco and modern pop with one of the most influential basslines in recorded music. From classic to contemporary, Cody Currie ft. MiK – “Cash” brings the jazz-house revival into focus, echoing vintage disco without directly sampling it, showing how modern producers are now playing the past rather than lifting it. The episode then moves into the DNA of hip-hop sampling culture with De La Soul – “Ring Ring Ring”, where layered funk and R&B records are rebuilt into something entirely new, followed by Naughty by Nature – “Hip Hop Hooray”, where soulful bass textures underpin one of hip-hop's most enduring crowd anthems. We return to pure musicianship with George Benson – “Give Me the Night”, a Quincy Jones-produced masterpiece where Louis Johnson's bass anchors a flawless fusion of jazz, disco and R&B sophistication. Closing the main journey, Ella Candeu – “Just Pretty” brings a modern banging bassline 303 palette, before the episode locks into the underground with Bass Arch DNB – “Rootsline Roll”, a breakbeat-driven finale that connects funk heritage to modern drum & bass pressure. Episode 17 is ultimately a study in continuity: how basslines evolve but never disappear. From live funk bands to synth-funk pioneers, from hip-hop sample collage to jazz-house reinterpretation, the low end remains the thread that ties every era together—always moving, always shaping the dancefloor.

On this episode of Lyrics of Their Life, we delve deep into the story behind one of the darkest but greatest pop tracks of all time: Michael Jackson's "Billie Jean."Come with me behind the scenes of a grueling recording process that saw Quincy Jones and Michael clash over creative differences. We'll revisit the literal trial by fire when Michael's car almost went up in flames as he was entirely obsessed with the infectious beat of Billie Jean running through his head and the schoolyard fashion trend that Michael sparked with his iconic Billie Jean outfit.We also take a look at the iconic moments that defined this era: The Motown 25 Debut: The night the world first witnessed the Moonwalk. Breaking the Barrier: How "Billie Jean" shattered the MTV colour barrier forever. The Paranoid Anthem: The true inspiration behind the mystery. The Real Life "Billie Jean" The stalkers known as "Billie Jeans" who prayed on Michael both before and after the tracks success including the notorious Lavon Powlis who would haunt Michael for the remainder of his career.

Old friend of the podcast Lloyd Bradley wrote Bass Culture, the defining account of reggae, and he's now turned his attention to funk, from its deepest roots and via the jazz, arts, TV, radio and pop culture that flavoured it. The main 10-year focus of ‘Funk Has Its Own Reward' is from James Brown's ‘Say It Loud - I'm Black and I'm Proud' to Michael Jackson's ‘Off The Wall' but free your mind and all this will follow! … … the importance of radio being “colourblind” … Cab Calloway's Jive Dictionary and the impact of DJs Martha Jean ‘the Queen' Steinberg and Daddy-O Daylie … how James Brown floor-tested his records and saved a fortune making them … funk's deep roots in America's marching bands … why jazz is funk's closest relative and what it stole from white rock … how the Family Stone's Larry Graham made bass the place … how solo singers gave way to the ‘funk gangs' … how Richard Pryor gave mainstream America a window on a whole new world. … the influence of Soul Train and Sesame Street (19-year-old Nile Rodgers on guitar!) in bringing funk to the masses … George Clinton – “I can't dance, can't play, people tell me I can't sing … but without me none of this would have happened!” … plus the Chambers Brothers, Herbie Hancock, Funkadelic, Bootsy, Quincy Jones, Parliament and the greatest funk record ever made. Order copies of ‘Funk Is Its Own Reward' here: https://www.hachette.co.uk/titles/lloyd-bradley-2/funk-is-its-own-reward/9781472123411/Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Old friend of the podcast Lloyd Bradley wrote Bass Culture, the defining account of reggae, and he's now turned his attention to funk, from its deepest roots and via the jazz, arts, TV, radio and pop culture that flavoured it. The main 10-year focus of ‘Funk Has Its Own Reward' is from James Brown's ‘Say It Loud - I'm Black and I'm Proud' to Michael Jackson's ‘Off The Wall' but free your mind and all this will follow! … … the importance of radio being “colourblind” … Cab Calloway's Jive Dictionary and the impact of DJs Martha Jean ‘the Queen' Steinberg and Daddy-O Daylie … how James Brown floor-tested his records and saved a fortune making them … funk's deep roots in America's marching bands … why jazz is funk's closest relative and what it stole from white rock … how the Family Stone's Larry Graham made bass the place … how solo singers gave way to the ‘funk gangs' … how Richard Pryor gave mainstream America a window on a whole new world. … the influence of Soul Train and Sesame Street (19-year-old Nile Rodgers on guitar!) in bringing funk to the masses … George Clinton – “I can't dance, can't play, people tell me I can't sing … but without me none of this would have happened!” … plus the Chambers Brothers, Herbie Hancock, Funkadelic, Bootsy, Quincy Jones, Parliament and the greatest funk record ever made. Order copies of ‘Funk Is Its Own Reward' here: https://www.hachette.co.uk/titles/lloyd-bradley-2/funk-is-its-own-reward/9781472123411/Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Old friend of the podcast Lloyd Bradley wrote Bass Culture, the defining account of reggae, and he's now turned his attention to funk, from its deepest roots and via the jazz, arts, TV, radio and pop culture that flavoured it. The main 10-year focus of ‘Funk Has Its Own Reward' is from James Brown's ‘Say It Loud - I'm Black and I'm Proud' to Michael Jackson's ‘Off The Wall' but free your mind and all this will follow! … … the importance of radio being “colourblind” … Cab Calloway's Jive Dictionary and the impact of DJs Martha Jean ‘the Queen' Steinberg and Daddy-O Daylie … how James Brown floor-tested his records and saved a fortune making them … funk's deep roots in America's marching bands … why jazz is funk's closest relative and what it stole from white rock … how the Family Stone's Larry Graham made bass the place … how solo singers gave way to the ‘funk gangs' … how Richard Pryor gave mainstream America a window on a whole new world. … the influence of Soul Train and Sesame Street (19-year-old Nile Rodgers on guitar!) in bringing funk to the masses … George Clinton – “I can't dance, can't play, people tell me I can't sing … but without me none of this would have happened!” … plus the Chambers Brothers, Herbie Hancock, Funkadelic, Bootsy, Quincy Jones, Parliament and the greatest funk record ever made. Order copies of ‘Funk Is Its Own Reward' here: https://www.hachette.co.uk/titles/lloyd-bradley-2/funk-is-its-own-reward/9781472123411/Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.This episode celebrates Harmonious World's sixth anniversary with award-winning violinist Ariana Kim, who has a brilliant album out. uncommon thread: Exploring improvisation from Mozart to Macedonia came out just a few days after our conversation. Ariana's work takes us from Western classical music and Americana, including world premiere recordings of compositions by Shane Shanahan. Thanks to Ariana for allowing me to play extracts from uncommon thread alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Craig Pady Show IntroHenry Mancini, Quincy Jones, John Williams, Herbie Hancock, Arturo Sandoval Peter GunnJoe Williams Just the Way You AreCraig Pady Talk TimeAtlantis Jazz Ensemble Spirits UnseenBill King, Mark Kelso, Collin Barrett, William Sperandei There It is!Craig Pady Talk TimeHéctor Lavoe AléjateQuincy Jones Tell Me A Bedtime StoryCraig Pady TalkTimeNu Genea A Voce 'E NapuleMiles Davis PortiaSteely Dan

"La vie, ce n'est pas uniquement suivre des chemins balisés, c'est aller chercher la part de génie en chacun de nous." Alors qu'Ibrahim Maalouf vient d'annoncer un concert historique à l'Accor Arena en 2027 pour célébrer ses 20 ans de carrière, je vous propose de replonger dans une conversation rare et profondément humaine. Une conversation sur la musique, évidemment. Mais aussi sur les échecs, ses origines, les rencontres qui changent une vie et cette sensation de devoir inventer sa propre place quand aucun chemin ne semble vraiment tracé pour vous. Dans cet épisode de PAUSE, Ibrahim raconte sa découverte de la trompette, l'exigence de son père, son lien viscéral avec le Liban, sa manière de créer, de ressentir, de penser différemment. Et surtout, il parle d'un sujet dont on parle finalement très peu : cette idée que le travail ne suffit pas toujours. Qu'il faut aussi apprendre à penser autrement, provoquer les rencontres, suivre son intuition, croire en cette petite part unique qu'on a tous en nous. Avec en bonus : une belle question surprise de Matthieu Chedid autour de Quincy Jones et de leur relation. Une conversation sincère, sensible et inspirante avec un artiste qui n'a jamais essayé de rentrer dans les cases.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Send us Fan MailNarada speaks World-renowned, Grammy winning musician, John JR Robinson,  the drummer to the soundtrack of our lives. Having played on recordings that have sold well over 500 million copies and currently streamed well into the trillions, JR's grooves are featured on many legendary hits with artists Michael Jackson, Lady Gaga, Daft Punk, Madonna, Steve Winwood, Rufus & Chaka Khan, Lionel Richie, The Pointer Sisters, Quincy Jones, George Benson, Barbra Streisand and many more. When JR is not in the studio, he performs with his own groups and tours with various artists. JR's talents also extend into drumming masterclasses, motivational speaking and writing. JR's autobiography King of the Groove-The John JR Robinson Story is now available at amazon.com.Visit Narada at his website and socials and leave a comment, like and subscribe if you enjoyed the podcast!Website: https://www.naradamichaelwalden.com/allinpodcastInstagram: https://www.instagram.com/officialnaradaApple Music https://podcasts.apple.com/us/podcast/all-in-with-narada-michael-walden/id1470173526Spotify: https://open.spotify.com/show/5agWJLSreLNze8Sjxit4Na?si=928a8dd6316d4986

Tall Black Guy brings the Detroit soul. Benjamin Wright — the legendary arranger behind Off The Wall — shares raw memories of Michael Jackson, Quincy Jones, and why the new Michael movie moved him to tears. Music, legacy, and voting rights in 2026 collide in one fully loaded conversation.Also featuring DIZZIATIC NATION -PSYCHOTIC BUMP SCHOOL's AFTER-SCHOOL PROGRAM featuring Civil Rights Attorney JORA TRANG and Community Organizer ORAIU IMANI.Tall Black Guy: https://tallblackguyproductions.com/https://tallblackguy.bandcamp.com/album/expansionsBenjamin Wright: https://www.thehistorymakers.org/biography/benjamin-wright-41

Godfrey is joined by Dante Nero, Akeem Woods, and Vishnu Vaka live from the new WITZ Comedy Network studio to talk about the Michael Jackson biopic hitting $700 million, why no artist will ever touch Mike's reach, the MTV racism battle and Quincy Jones being left out of the film, white artists stealing from the blues and Led Zeppelin getting sued for plagiarism, the Kevin Hart roast feeling like a humiliation ritual for Sheryl Underwood, Tony Hinchcliffe being bad at comedy, the corny George Floyd joke, Chud the Builder getting pegged by a Black dominatrix, the 14th Amendment getting gutted, Quanell X telling a racist attorney to say it to his face, $90 steaks under Trump's economy, and a wild caller from South Carolina shouting out Paul Mooney and Dick Gregory. Legendary Comedian Godfrey is LIVE from New York, and joins some of his best friends in stand up comedy, Hip-Hop and Hollywood to talk current events, pop culture, race issues, movies, music, TV and Kung Fu. We got endless impressions, a white producer, random videos Godfrey found on the internet and so much more! We're not reinventing the wheel, we're just talking 'ish every week... with GODFREY on In Godfrey We Trust. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discover Lisa Einhorn-Gilder's incredible journey from sneaking into clubs at 15 to working alongside legends like Quincy Jones and becoming a powerhouse in music project coordination. Key Takeaways: - The importance of internships and networking in launching a music industry career. - Behind-the-scenes insights on managing tours and coordinating projects for top artists. - Valuable advice from industry veterans on pursuing your passion fearlessly. Learn more about your ad choices. Visit megaphone.fm/adchoices

A candid, no-holds-barred memoir in which Hollywood icon Mamie Van Doren busts myths, settles old scores, and unveils untold stories from a life lived at the glittering and gritty edges of the Golden Age.You Thought I Was Dead is Mamie Van Doren as you've never seen her: unguarded, unapologetic, and gloriously unfiltered.From a South Dakota farm to Hollywood soundstages, Mamie's life has been anything but ordinary. In this tell-all memoir, the platinum-blonde legend shatters the polished myths of Old Hollywood, sharing the wild, poignant, and often shocking truths behind the glamour. She takes you inside the studios, onto the sets, and behind closed doors with movie idols, music legends, and power brokers-from Clark Gable and Tony Curtis to Howard Hughes and Quincy Jones.With her trademark wit and candor, Mamie recounts friendships and feuds, headline-making romances, brushes with danger, and the fierce independence that kept her career and spirit alive long after the credits rolled. Alongside the dazzling stories are moments of raw honesty about the loneliness, loss, and resilience that shaped the woman behind the bombshell image.llustrated with original cartoons by acclaimed artist Stephen B. Whatley, You Thought I Was Dead is part memoir, part Hollywood history, and wholly Mamie-bold, sexy, defiant, and unforgettable.Whether you're a devotee of the Golden Age, a rock and roll nostalgist, or simply a lover of great, unvarnished storytelling, this is more than a memoir-it's a front-row seat to a life lived without a script.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.It was a real pleasure to speak to such an informed musician about her work - Ntjam Rosie is a Cameroonian-Dutch artist who really seems to have discovered her purpose and her sound. Her self-titled album is actually her ninth studio recording and it was fascinating to hear her thoughts on why now.Thanks to Rosie for allowing me to play extracts from her self-titled album alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Episode 105: Richard Bona is one of the most respected bass players, composers, vocalists, and bandleaders in modern music. Born in Cameroon and now celebrated around the world, Richard has worked with legends including Pat Metheny, Quincy Jones, Joe Zawinul, Harry Belafonte, Chick Corea, Herbie Hancock, Bobby McFerrin, Mike Stern, George Benson, and many more. From the Pat Metheny Group to the Zawinul Syndicate, Richard has helped shape the sound of jazz fusion, African music, world music, and modern bass playing for decades. Richard has also shared the stage and studio with some of the greatest drummers in the world including Antonio Sanchez, Vinnie Colaiuta, Dave Weckl, Steve Smith, Omar Hakim, Paco Séry, Dennis Chambers, Manu Katché, Simon Phillips, Terri Lyne Carrington, Mark Guiliana, Steve Gadd, and more. In this episode, Richard and Elmo talk about growing up in Cameroon, building his own instruments as a child, discovering Jaco Pastorius, moving to Germany, Paris, and New York, becoming Harry Belafonte's musical director, joining Joe Zawinul's Syndicate, winning a Grammy with Pat Metheny, rhythm, groove, African music, storytelling, singing while playing bass, improvisation, how to feel odd time signatures and polyrhythms, being managed by Quincy Jones, bass technique, composition, musical identity, and much more. Richard also shares stories from the road, lessons from the greatest musicians in the world, and his philosophy on music, culture, creativity, and humanity. We hope you enjoy our conversation with the great Richard Bona! Big thanks to our friends Ace Studio for supporting the show. Check them out! https://acestudio.ai/ Another huge thanks to our friends at DistroKid! DistroKid is the easiest and fastest way to get your music on over 150 platforms worldwide! Go to https://distrokid.com/vip/elmo to get 20% off your first year! Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. https://www.patreon.com/gowithelmo Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Richard: https://www.instagram.com/richardbonaofficial/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard https://www.instagram.com/jammcard/ jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Este nuevo monográfico de nuestro podcast está dedicado al vocalista El DeBarge. Hacemos un repaso sobre sus apariciones en álbumes de otros artistas: Fourplay, Eddie M, Lee Ritenour, Patti Austin, PJ Morton, Dionne Warwick, The Isley Brothers, Babyface, Lalah Hathaway y el legendario Quincy Jones.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

Jim Hill and Eric Hersey dive into the surprising Universal Pictures history behind Michael Jackson's breakout acting role in The Wiz, exploring how the 1978 musical helped launch one of the most important creative partnerships in pop culture history. Along the way, they also cover new Epic Universe character reveals, Halloween Horror Nights rumors, and what's next for Universal Orlando's evolving parks. NEWS • Universal officially unveils Captain Cacao, the oversized bear mascot coming to Celestial Park at Epic Universe • Rumors swirl around a possible Ozzy Osbourne-themed house for Halloween Horror Nights 35 • Po's Kung Fu Training Camp at DreamWorks Land temporarily closes for refurbishment through July • Listener theories continue about a possible Zelda-themed replacement for Mythos at Islands of Adventure • Universal fans debate whether Volcano Bay's retired “Spirit of the Volcano” effect could inspire a new home for Mystic Fountain FEATURE • The surprising story behind how Michael Jackson landed the role of the Scarecrow in Universal's 1978 film version of The Wiz • How The Wiz introduced Michael Jackson to legendary producer Quincy Jones during filming in New York City • Why Universal and Motown took a massive creative gamble adapting Broadway's urban retelling of The Wizard of Oz • Behind-the-scenes stories involving Diana Ross, Richard Pryor, Ray Bolger, and the original casting plans for the film • How Michael Jackson's performance in The Wiz helped pave the way for Off the Wall, Thriller, and Bad HOSTS • Jim Hill X/Twitter: @JimHillMedia Instagram: @JimHillMedia Website: jimhillmedia.com • Eric Hersey X/Twitter: @erichersey Instagram: @erichersey Website: strongmindedagency.com FOLLOW • Facebook: @JimHillMediaNews • YouTube: @jimhillmedia • TikTok: @jimhillmedia • Patreon: https://www.patreon.com/jimhillmedia/ SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR UnlockedMagic.com - Save up to 12% on Universal Orlando and Walt Disney World tickets, including Express Pass options, when you book through https://unlockedmagic.com/?utm_source=partner&utm_campaign=epicjhm If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. https://www.jimhillmedia.com/sponsor/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Co-host Adam Clayton Powell III shares his memories of entertainment industry legend Quincy Jones. Their friendship, which was constant, began during Adam's boyhood years in Paris and included his working stints at Quincy Jones Entertainment. 

Hosts Nate Wilcox and Ed Legge continue their discussion of Michaelangelo Matos' "Can't Slow Down: How 1984 Became Pop's Blockbuster Year" with a discussion of the composition and recording of "We Are The World." GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Buy the book and support the show.⁠ Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

(Rec: 12/11/24) Sub-zero podding, violins, genius discovery, a studio kicking, Jacko Sr's consideration, and younger girlfriends. Join the Iron Filings Society: https://www.patreon.com/topflighttimemachine and on Apple Podcast Subscriptions. Get a 7-day full access free trial and pay for 10 months up front for the price of 12 if you like a bargain. Hosted on Acast. See acast.com/privacy for more information.

www.patreon.com/theconspiracypodcastBefore the moonwalk. Before the glove. Before Neverland, before the tabloids, before the world decided it knew exactly who Michael Jackson was — there was a kid in Gary, Indiana who wasn't allowed to touch his father's guitar.Most people know the legend. Few know the price.Michael Jackson didn't have a childhood. He had rehearsals. He had a belt across the chair and a father who saw dollar signs where other dads saw sons. By the time he was eight years old he was performing in nightclubs, watching the adult world at its worst, and being told that was normal. It wasn't normal. None of it was.And yet — out of all of that — came Thriller. The moonwalk. Four consecutive number one singles before he was twelve. A catalog worth billions. A chimp in a matching outfit eating dinner at the table.But also Neverland. Also the allegations. Also a death that still doesn't sit right.This week we start at the beginning — Gary, Indiana, Joe Jackson, the Apollo Theater, Motown, Quincy Jones, and the private world Michael built when he finally had enough money to build whatever he wanted. We get into the stuff most people don't know, the stuff that actually explains everything, and we set the table for what's coming in Part 2.And trust us — Part 2 gets dark.Timestamps:00:00 — Intro, Patreon shoutouts & gas prices somehow leading to Michael Jackson04:00 — Why we're covering MJ now & our bias going in (we love him, sue us)07:00 — Gary, Indiana: the two-bedroom house, 11 people, and Joe Jackson11:00 — Joe discovers the boys' talent & the rehearsals begin — belt on the chair13:00 — Michael describes the abuse & why the sight of his father made him physically ill15:00 — "Big Nose" — the nickname that quietly explains everything about his face16:00 — The Jackson 5 is born & Michael joins at six years old18:00 — Winning the Apollo, Gladys Knight, Berry Gordy & the Motown signing19:00 — Diana Ross "presents" them — the marketing ploy that worked perfectly20:00 — Four consecutive number ones straight out the gate, Jacksonmania hits22:00 — Growing up backstage in nightclubs — what Michael saw at age 7 and 823:00 — His Grammy speech: "My childhood was taken away from me"25:00 — Was it worth it? The guys debate childhood sacrifice vs. greatness32:00 — Michael meets Diana Ross at nine years old — "my mother, sister, and lover"34:00 — Leaving Motown, The Wiz disaster, and meeting Quincy Jones35:00 — Off the Wall, one Grammy, and a quiet promise to himself36:00 — Thriller drops — and why nobody actually knows how many copies it sold39:00 — The Motown 25 moonwalk: 47 million viewers and a call from Fred Astaire41:00 — Bad, five consecutive number ones, and the Beatles catalog for $47 million43:00 — Neverland Ranch: the train, the zoo, the carousel, and why he built it48:00 — Bubbles the chimp, matching outfits, and the loneliness hiding behind it all54:00 — The Godiva candy story & why he never stopped giving it away56:00 — Vitiligo confirmed: what the autopsy actually showed58:00 — The nose, the face, and erasing the thing his father ridiculed59:00 — What's coming in Part 2: the lawsuits, the acquittal, the death, and the dark stuff

If you weren't alive to know, or old enough to comprehend, how massively popular Michael Jackson was in the 80s, just picture the biggest music star today and times it by five, at least. This week's movie, “Michael”, tries to give you an idea about how big he was, but you really had to be there to know. This movie shines a bright light on the turbulent childhood the Jackson boys, particularly Michael, went through at the hands of their self-absorbed, tyrannical father, Joe Jackson. Joe created the Jackson 5, with Michael as the lead singer, and got them into the sights of Motown. That primarily got Michael made as the next megastar by Berry Gordy at Motown and Quincy Jones. Still in the background was Michael's familial struggle with his father trying to rule his life with an iron fist and knowing his grip is slipping. Michael fights to be his own man and achieve his own dreams all while being the biggest music star of all time. Is it worth going to see this biopic at the theater? Check out Movies Merica to find out! “Michael” stars Jaafar Jackson, Colman Domingo, Nia Long, Miles Teller, Juliano Valdi, Liv Symone, Laura Harrier, Larenz Tate, John Rabe, KeiLyn Durrel Jones, Kendrick Sampson, Michael Andrew Baker and Zach Kenney. Support the showFeel free to reach out to me via:@MoviesMerica on Twitter @moviesmerica on InstagramMovies Merica on Facebook

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.I first spoke to Todd Mosby in April 2021 and I was delighted to hear his latest album - American Heartland when it was released a few weeks ago.Thanks to Todd for allowing me to play extracts from American Heartland alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

My guest... Award winner International seasoned performer/vocalist Berklee Conservatory School of Music,  own Alumni with honors, Grammy Voting member, flourishing multi talented pianist,and guitarist ,Whitney Marchelle Jackson has performed at prominent concert events for the World Cup , Dubai Hotel, United Nations, Apollo, New York Blue Note, Parkers Thompson Hotel, Berklee School of Music,  on Campus (standing ovation), Pier 84, Rutgers University, Numerous venues and festivals in Japan, Hawaii ,Canada, and USA. Music in Jazz, American, Songbook, blues,latin and some pop standards. Whitney Marchell Jackson had a credited acting and pianist role where they won the Best Feature Film at the QueerX Film Festival 2022 for Poets are the Last Destroyers. She worked with Dee Dee Bridgwater (duet)Art Deco Festival, Quincy Jones, Wayne Newton,Herbie Hancock, Opened For KISS, Bill Withers, Donny Hathoway, and has recorded three albums. Recently,on Channel 13 with an interview and performance . Receives international radio air play for her last three albums. Marchell Plays piano and guitar ASCAP songwriter. Teaches where students have been on movie Harriet, Tina Turner Boradway show, And received 100 plays on the radio. Whitney also is now taking the vocal performace undergraduate program at berklee. JazzTimes magazine quotes Whitney as a "Formidable singer with a scorched soulful Jazz sound."  She always has a great audience attendance,reviews and helps promote her gigs on radio and social media. A marvelously funny, wonderful episode. Produced, directed, edited and hosted by Stephen E Davis   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Miss2Bees is back and glowing for a lively episode of Stay Busy. In What's Buzzin, we open with Druski being named the new host of the BET Awards and the rumor that this may be the last year of the show(03:35). Next, the hosts give their review of the first six episodes of Love Island: Beyond The Villa and Huda's controversies (09:20). They then get into Bryson Tiller's new single “It's Ok” (22:10), Chris Brown's single “Fallin” featuring Leon Thomas and where Breezy stands in the music landscape currently (28:00). In the Lunch Break, the crew discusses their recent trips to Belize and Las Vegas, how they have evolved as travelers, and dream destinations (38:07). Finally, in the Board Meeting, they do a career retrospective on Soulja Boy, discuss how he is still impacting music today, and answer the question of the day: Is Big Draco a legend? (57:10) Stay Busy with Armon Sadler https://www.instagram.com/staybusypod/ https://twitter.com/staybusypod https://www.tiktok.com/@staybusypod Armon https://www.instagram.com/armonsadler/ https://twitter.com/armonsadler Will Foster https://www.instagram.com/wxllxxm/ https://x.com/WxLLxxM Miss2Bees https://www.instagram.com/miss2bees/ https://x.com/miss2bees Learn more about your ad choices. Visit megaphone.fm/adchoices

A candid, no-holds-barred memoir in which Hollywood icon Mamie Van Doren busts myths, settles old scores, and unveils untold stories from a life lived at the glittering and gritty edges of the Golden Age.You Thought I Was Dead is Mamie Van Doren as you've never seen her: unguarded, unapologetic, and gloriously unfiltered.From a South Dakota farm to Hollywood soundstages, Mamie's life has been anything but ordinary. In this tell-all memoir, the platinum-blonde legend shatters the polished myths of Old Hollywood, sharing the wild, poignant, and often shocking truths behind the glamour. She takes you inside the studios, onto the sets, and behind closed doors with movie idols, music legends, and power brokers-from Clark Gable and Tony Curtis to Howard Hughes and Quincy Jones.With her trademark wit and candor, Mamie recounts friendships and feuds, headline-making romances, brushes with danger, and the fierce independence that kept her career and spirit alive long after the credits rolled. Alongside the dazzling stories are moments of raw honesty about the loneliness, loss, and resilience that shaped the woman behind the bombshell image.llustrated with original cartoons by acclaimed artist Stephen B. Whatley, You Thought I Was Dead is part memoir, part Hollywood history, and wholly Mamie-bold, sexy, defiant, and unforgettable.Whether you're a devotee of the Golden Age, a rock and roll nostalgist, or simply a lover of great, unvarnished storytelling, this is more than a memoir-it's a front-row seat to a life lived without a script.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

In episode 17 of the Record Shop, Keith discusses Duran Duran, Ringo Starr and Quincy Jones' opinion of him. Plus his love for Adam Ant and a new plan for the return of Mtv. Set to a retro Goth soundtrack. Dig it!

YHI + McBride = Ray Charles?! Christian McBride - bassist, Grammy winner and one of the greatest musical minds working today - joins Adam and Peter on You'll Hear It to share his desert island album.If you know Christian, you know that his musical hero is James Brown. But Christian isn't bringing a James Brown pick. Instead, he's bringing one from his hero's hero ... Ray Charles.This album was a risky move for Charles - unlike anything else he'd released at that time. At the peak of his power, he set aside the qualities that made him famous: his voice and his piano.This one's a deep cut. But once you listen, you'll never hear Ray Charles the same way again.Chapters Legend:

While the film will undoubtedly serve fans and pay tribute to the man, the film does a disservice to him as an artist.  FIND US ON LETTERBOXD SHOP THE SHOW: TEE PUBLIC FOLLOW THE SHOW: INSTAGRAM EMAIL THE SHOW: abreathoffreshmovie@gmail.com  

Pianist, composer, and arranger John Beasley joins host Steve Roby for an in-depth discussion about his extraordinary career, his new album Invisible Piano, and an upcoming all-star Miles Davis centennial tribute concert in San Francisco. Beasley explores his musical roots — from a household full of musicians to early influences like The Beatles, Thad Jones/Mel Lewis, and Quincy Jones — and reflects on his journey through jazz, film, television, and large ensemble composition.  He talks about how a trip to a Stuttgart art gallery, and the surrealist paintings of Max Ernst inspired the creative process behind Invisible Piano, recorded with Germany's SWR Big Band. The album includes five original compositions and two new arrangements, such as a deeply personal rendition of James Taylor's "Fire and Rain." John also previews ‘Unlimited Miles: Miles Davis at 100,' an all-star jazz centennial celebration at the Presidio Theater in San Francisco on May 14, featuring Kurt Rosenwinkel, Mark Turner, Sean Jones, Terry Gully, and Ben Williams. Music featured in this episode:“Fire and Rain” — arranged and performed by John Beasley (from Invisible Piano)“Invisible Piano” (title track) — John Beasley with the SWR Big Band (from Invisible Piano) Music provided by John Beasley and used with his permission. Links:John Beasley: johnbeasleymusic.comTickets for Unlimited Miles at the Presidio Theater (May 14th): presidiotheatre.org/showsBackstage Bay Area: backstagebayarea.com 

Join LaTangela as she chats with Stephanie Spruill, Vocal and Dialect Coach of Lionsgate/Universal Pictures biopic MICHAEL. Legendary Grammy Award-winning vocal coach, singer, author and producer brings decades of experience to the big screen as the vocal coach behind the voices of Lionsgate/Universal Pictures biopic MICHAEL. Spruill's role was pivotal, coaching the film's cast to authentically capture the vocal tone, phrasing, and performance style that defined Michael Jackson's global legacy. Her expertise helped shape performances that honor not just the music but the emotional and artistic depth of one of the greatest entertainers of all time. The film features an all-star cast. Spruill is one of the most recorded background vocalists in music history, contributing to thousands of albums and performing before global dignitaries including the Emperor of Japan, the Queen of England, and the King of Spain. Her unmatched career includes collaborations and tours with icons such as Whitney Houston, Aretha Franklin, John Legend, Mary J. Blige, Tina Turner, Julio Iglesias, Donald Byrd, Glen Campbell, Donna Summer, Barbra Streisand, Elton John, Quincy Jones, Ricky Martin, David Bowie and more - along with performing and recording with Michael Jackson himself. Beyond performance, Spruill has dedicated her life to developing the next generation of artists through being the founder of Spruill House Music, Inc., School of Voice & Arts Development, and as the author of "17 Points to Longevity in Show Business." Watch full episode HERE Chime in: www.LaTangela.com RADIO - WEMX- Baton Rouge, La. Mon-Fri 10a.m.-3p.m.CST KTCX - Beaumont, Tx. Mon-Fri 3-8 CST KMEZ - New Orleans, La. Mon-Fri 7p.m. - mid WEMX Sundays 6a.m. KSMB Sundays 6a.m .WWO - YouTube - #LaTangelaFay Podcast - ALL digital platforms - #iTunes #Spotify #WEMX www.LaTangela.com www.TanTune.com Special Thank You - Gordon McKernan Injury Attorney - Official Partner #GordonGives #TanCares #225BulletinBoard TanTune #POOF POWER OVER OBSTACLES FOREVER GT Legacy Auto The Fiery Crab Reliable Auto Paint & Body Hair Queen Beauty Super CenterSee omnystudio.com/listener for privacy information.

TVC 734.1: Part 2 of a conversation that began last week with music journalist A. Scott Galloway about the life and legacy of producer, composer, arranger, and musician Quincy Jones. Scott not only interviewed Jones at the time of the release of Jones' album Q's Jook Joint, but also wrote the liner notes for three other Jones music releases (including The Reel Quincy Jones, a compilation of scores from Jones' early years as a composer for film and television), plus he crossed paths with Q on many other occasions during the last thirty years of Jones' life. Quincy Jones passed away on Nov. 3, 2024. Topics this segment include how Jones, Burt Bacharach, and Charles Fox were among the many composers who studied music in France under legendary teacher and conductor Nadia Boulanger; what made Jones a "people groover"; and the full-circle moment when Scott was able to introduce his father to Q, many years after Scott's dad had introduced the music of Jones to him.

INTRO:I'm Hank, longtime podcaster, filmmaker, and YouTuber, and this is my review of the biopic Michael. This is a spoiler-filled review of the movie so you've been warned.NOT SCARED MOVIE: https://notscaredmovie.comYOUTUBE: https://www.youtube.com/@TPENetworkNewsFACEBOOK PAGE: https://www.facebook.com/61574246856178/X.COM: https://x.com/tpenetworkBUDGET:200 million dollars.217 million dollars after the first weekend.will need to make 500 million to break even.SETTINGS:We start in the 60's and end in the 80's. The representation of the times were the most accurate recreations I've seen to date. I was alive in the 70's and grew up in the 80's so I'm telling you what I know, not what I've heard.CHARACTERS:Jaafar Jackson - MichaelJuliano Valdi - Young MichaelColman Domingo - Joseph JacksonNia Long - Katherine JacksonKendrick Sampson - Quincy Jones (Flash & Supernatural TV series)Larenz Tate - Berry Gordy (he played Quincy Jones in the Ray movie)HITS:The movie is a literal soundtrack of all banger hits!The acting is phenomenal.The directing is the best I've seen in the past twenty years.The set dressing and aesthetics are impeccable.MISSES:The CG animals are a miss.I wanted more of the Motown vs Epic stuff (Jermaine stayed at Motown after marrying Berry Gordy's daughter Hazel).No Rebbie, Randy, or Janet Jackson.CHECK OUT MY NEW SHOW CALLED: Low-Budget Movie ReviewsLINK: https://feeds.captivate.fm/low-budget-movie-reviews/MOVIE SCORE: 9/10DIRECTION: A+ Antoine FuquaWRITING: A John LoganCINEMATOGRAPHY: A+POST PRODUCTION (score/sfx/edit/color grade) A+REWATCHABILITY: A1 Awful content = Fails on every single level.2-4 Poor = Terrible on almost every front.5 Mediocre = Some of the content is worthwhile but mostly broken.6 Average = Okay writing, acting, storytelling and execution.7 Good = Solid writing, acting, storytelling and execution.8 Great = Great writing, acting, storytelling and execution.9 Almost Perfect = Very minor nitpicks but otherwise excellent.10 Perfect = A masterpiece! No writing, acting or storytelling flaws. Would hold up against all time classics (e.g. M.A.S.H., Lost, Game of Thrones etc).

‘Michael' Review, ‘Iceman' Preview, and Kendrick Sampson on Quincy Jones and Black Creativity Van and Rachel give a review of the Michael Jackson biopic before digging into theories about Drake's upcoming album. Plus, they give a recap of the California gubernatorial debate before actor Kendrick Sampson joins to give insight on his portrayal of Quincy Jones in the film ‘Michael.' (0:00) Intro (8:08) ‘Michael' review (33:06) ‘Iceman' preview (48:22) California gubernatorial debate (1:02:59) Kendrick Sampson joins the show Hosts: Van Lathan and Rachel Lindsay Guest: Kendrick Sampson Producers: Donnie Beacham Jr. and Jade Whaley Social Producer: Bernard Moore Video Supervision: Chris Thomas and Jacob Cornett Learn more about your ad choices. Visit podcastchoices.com/adchoices

We bring you some quick interviews with filmmakers at the historic Enzian Theater for the Florida Film Festival. We chat about their films and then ask them to choose: Cruise or Hanks?​David Anthony Ngo (Never Get Busted!): Fresh off a Sundance premiere, David discusses his "Tiger King in the war on drugs" documentary, executive produced by the team behind Searching for Sugar Man.​Matthew Serrano (Xolo): The LA-based filmmaker and Defunctland collaborator talks about the challenges of directing a senior rescue dog in a narrative involving the Aztec god of death.​Maggie Brill (All at Once): A deep dive into New York filmmaking, navigating surprise concerts in Central Park, and the importance of queer coming-of-age representation.​Khoa Ha & Victor Velle (Y Vân: The Lost Sounds of Saigon): The search for the lost legacy of the "Quincy Jones of Saigon" and the journey of rediscovering a family musical heritage across two continents.​We talk to Lena Greene (Tuna Tartare) about Broadway-singing trash, Sasha Shin (Juicy and Sweet) on being "haunted by apples," and Shengwei Zhou (Perfect City: The Mushroom) on using stop-motion to process grief. ​ Plus, Eddie Mauldin (Dreams) and Ryan McCown (Crab Diane) discuss everything from "nontraditional" mental health to cosmic crustacean colonies.​Kim Blanck (Gloria): The Tribeca alum shares the "pre-pro panic" of filming on her own block and working with Gilmore Girls' Emily Kuroda.​Jorma Taccone joins us to discuss his new film Over Your Dead Body (hitting theaters April 24th!).

TVC 733.4: Music journalist A. Scott Galloway joins Ed for a special appreciation of the life and legacy of Grammy Award-winning, Emmy Award-winning, and Tony Award-winning producer, composer, arranger, musician, and Renaissance man Quincy Jones. Scott interviewed Jones at least once (at the time of the release of Jones' album Q's Jook Joint). He also wrote the liner notes for three other Jones music releases (including The Reel Quincy Jones, a compilation of scores from Jones' early years as a composer for film and television), plus he crossed paths with him on many other occasions during the last thirty years of Jones' life. Quincy Jones passed away on Nov. 3, 2024. Topics this segment include how much the music of Quincy Jones has always meant to Scott on a personal level; Jones' facility for bringing people together; why Jones was the "Zelig" of music, in that he always seemed to be in the right place at the right time; and why Jones always looked for a "sound hook," especially when he composed for movies and television.

TVC 733.5: Music journalist A. Scott Galloway talks to Ed about the collaboration between Quincy Jones and Oliver Nelson on the film score for The Pawnbroker, the first film for which Jones composed music (the conversation particularly focuses on the piece "Rack 'em Up");  the circumstances that led Jones to produce Off the Wall and Thriller for Michael Jackson; and how Jones developed his eclectic tastes in music.

Charlie Puth joins Switched On Pop in Studio A at Power Station at Berklee NYC, live before a room of current students, ten days after performing the national anthem at Super Bowl 60 and weeks before releasing his fourth album, Whatever's Clever. The conversation is grounded in one question: how do you absorb the music you love and turn it into something that actually sounds like you? Puth traces his national anthem arrangement through a lineage running from Jose Feliciano's 1968 World Series performance to Marvin Gaye's 808-driven 1983 All-Star Game version to Whitney Houston's 1991 Super Bowl rendition. The through-line: citation is letting your influences dissolve into your hands until they become unrecognizable. That principle runs throughout the new record, from the Quincy Jones guitar tone on "Cry" to the Chick Corea quotation buried in "Boy" that Puth didn't realize was there until after writing it. Songs Discussed Bruce Springsteen – "Born in the USA" Madonna – "Like a Virgin" David Bowie – "Let's Dance" Charlie Puth ft. Wiz Khalifa – "See You Again" Charlie Puth – "We Don't Talk Anymore" Charlie Puth – "Attention" Charlie Puth – "Light Switch" Whitney Houston – "The Star-Spangled Banner" Babyface – "Whip Appeal" Jose Feliciano – "The Star-Spangled Banner" Jimi Hendrix – "The Star-Spangled Banner" Marvin Gaye – "The Star-Spangled Banner" Marvin Gaye – "Sexual Healing" Soulja Boy – "Crank That (Soulja Boy)" DeBarge – "Who's Holding Donna Now" Charlie Puth ft. Jeff Goldblum – "Until It Happens to You" Charlie Puth – "Changes" Charlie Puth – "Cry" Kenny G – "Lullaby" SOPHIE – "It's Okay to Cry" Michael Jackson – "Human Nature" Johnny Hates Jazz – "Shattered Dreams" Madonna – "Into the Groove" Joshua Redman – "St. Thomas" Charlie Puth – "Boy" Chick Corea – "Spain" Charlie Puth – "How Long (Has This Been Going On)" Bell Biv DeVoe – "Poison" Elton John – "Don't Let the Sun Go Down on Me" Prince – "When Doves Cry" Schoolly D – "PSK What Does It Mean" Rick Astley – "Never Gonna Give You Up" Charlie Puth – "Beat Yourself Up" Britney Spears – "Lucky" George Benson – "Give Me the Night" No Doubt – "Hella Good" Michael Jackson – "Beat It" Michael Jackson – "Billie Jean" Charlie Puth – "Washed Up" Charlie Puth – "I Used to Be Cringe" Richard Smallwood – "Center of My Joy" Richard Smallwood – "Total Praise" Learn more about your ad choices. Visit podcastchoices.com/adchoices