Podcast appearances and mentions of Quincy Jones

Grammy-nominated singer, songwriter, pianist, and actress Sheléa is back to preview her tribute to her mentor, Quincy Jones, at Disney Hall in Los Angeles this weekend as part of The Inner City Youth Orchestra's Season Finale Concert.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

Hip-hop LEGENDS collide in this unforgettable interview from Tribeca Festival 2025!

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it's a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn't just entertainment—it was an awakening. POC didn't just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube's film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC's influence has been so profound that they've been studied in academic works, including:

Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.Drummer and composer Ofri Nehemya joins me for an interesting chat around his solo debut album - Time Traveler, out now on Adhyaropa Records.Thanks to Ofri for allowing me to use tracks from Time Traveler alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Vous aimez la musique ? Vous l'adorerez davantage encore en nous écoutant toute cette semaine dans notre émission ! Nous vous dirons tous sur la présence de notre camarade Barnabé Mons dans toute récente (et très complète ! ) Encyclopédie du Rock en France et nous recevons pour la 4ème fois la chanteuse américaine Robyn Bennett pour la parution de son dernier EP au titre évocateur : « Love »… Après « Move et « Feel, ce 3ème opus d'un triptyque né durant les confinement vous invite à à prendre votre vie en main et à en profiter à fond, sur fond…d'une pop soul et jazzy toujours aussi efficace. Avec en prime des balades profondes et quelques surprises instrumentales glissées ici et là ! Ecoutez la tornade groovy Robyn dans notre émission… Avant de l'applaudir tout l'été sur les scènes de France et d'ailleurs ! Nous vous inviterons à vous « secouer les plules avec une double dose de Ray Charles : un trio magique signé du regretté Quincy Jones lais aussi, en guise de Videokitsch, « Shake a tail feather » ! C'est un titre incontournable et indémodable depuis que le film « les Blues Brothers » l'a fait revisiter grâce à l'une de ces scènes mythique ! Ray Charles tient une boutique de disque. Il se met à jouer au piano pour montrer la qualité de celui ci. Au premières notes, on a envie de faire secouer nos plumes et nos derrières et de se déhancher, danser comme tous les danseurs sur cette séquence ! Cette chanson sort pour la 1ère fois en 1963, enregistrée par le groupe The Fives Du Tones. Ce clip et cette scène sont incroyables et vont inspirer également le film Hairspray en 1988 et Chicken Little en 2005. Pour vous réchauffer… secouez-vous donc tout en nous écoutant toute cette semaine dans Kitsch et Net !

Today's program features tuneage from The Who, Dawes, Counting Crows, Stones, Steely Dan, John Prine, Quincy Jones, Michael Franks, Cracker, Allman Brothers, Wallflowers, Derek & The Dominos, Jimi Hendrix Experience, Tom Petty, Rembrandts, John Waite, Jeff Golub, The Kinks, John Lennon and Gary Calamar.

**Dave Francis & The Jazz Funk & Soul Show Replay On traxfm.org. This Week Dave Gave Us Boogie/ 70's & 80's/ Jazz Funk Grooves From Coffee, Freeez, Light Of The World, Al Jarreau, Locksmith, Tina Charles, Shalamar, Heatwave, Direct Drive, Quincy Jones, Maxine Singleston & More. #originalpirates #soulmusic #funk #disco #boogie #70smusic #80smusic #jazzfunk Dave Francis & The Jazz Funk & Soul Show Replay On traxfm.org Every Sunday From 5PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

This episode goes into Quincey Jones daughter Kikski-Jones getting engaged to billionaire heir Will Peltz, we also go into Debarge confirms Janet Jackson had a secret baby. We also go into CJ Wallace Accused of Facilitating Alleged Diddy Assault. Hosted by your Pastor Michael Smith and co-hosted by your Brotha Lamick IsraelIf you would like tune in and join Brotha Lamick Young Disciples Discord the link is https://discord.gg/SVQygUP2 If you would like to sign up for the Monthly newsletter/ have a special request/report you would like done email Brotha Lamick Israel at Lamick19@outlook.com

Local doctor has been indicted in the antisemitic comments made at Congressman Max Miller during road rage incident. The rate of depressed people is higher because medical facilities are asking more questions. Quincy Jones. Did Gia enjoy the Tyler the Creator show? Duji did not understand Hamilton.

Rover almost killed himself at work. Holding your cellphone in your left hand. Woman receives hundreds of Amazon packages she did not order. Duji thinks she has celiac disease and doesn't know what Non-GMO means. Golfers in Canada got into a physical fight on the course. When was the last time Charlie was in a fight? Local doctor has been indicted in the antisemitic comments made at Congressman Max Miller during road rage incident. The rate of depressed people is higher because medical facilities are asking more questions. Quincy Jones. Did Gia enjoy the Tyler the Creator show? Duji did not understand Hamilton. Krystle plays cozy style games. Rover got a new car and Duji is not happy.See omnystudio.com/listener for privacy information.

Local doctor has been indicted in the antisemitic comments made at Congressman Max Miller during road rage incident. The rate of depressed people is higher because medical facilities are asking more questions. Quincy Jones. Did Gia enjoy the Tyler the Creator show? Duji did not understand Hamilton.See omnystudio.com/listener for privacy information.

Rover almost killed himself at work. Holding your cellphone in your left hand. Woman receives hundreds of Amazon packages she did not order. Duji thinks she has celiac disease and doesn't know what Non-GMO means. Golfers in Canada got into a physical fight on the course. When was the last time Charlie was in a fight? Local doctor has been indicted in the antisemitic comments made at Congressman Max Miller during road rage incident. The rate of depressed people is higher because medical facilities are asking more questions. Quincy Jones. Did Gia enjoy the Tyler the Creator show? Duji did not understand Hamilton. Krystle plays cozy style games. Rover got a new car and Duji is not happy.

SEASON 2 - EPISODE 149 - A LOOK AT TWO INSPIRATIONAL FILMS - with Joe Walker - Part 1 In this episode of the Team Deakins Podcast, editor Joe Walker (Season 1, Episode 35) returns for the first half of a two-part discussion about the filmmaking behind two of our favourite films: Richard Brooks' IN COLD BLOOD and Jean-Pierre Melville's ARMY OF SHADOWS. The films may contrast in their expression of cinematic storytelling with each other and with films made today, but we find, over the course of these two episodes, that both films share and build on the fundamental elements of what makes a movie, a movie. This episode focuses on IN COLD BLOOD, and we discuss how the film frequently subverts expectations through its structure, cinematography, and editing. Joe also breaks down composer Quincy Jones' evocative score, and he reveals how the film radically flew in the face of a soon-to-be-abandoned Hays Code. Additionally, we look at the innovations in filmmaking technologies and techniques from cinema's youth to the 1960s, and Joe presents his theory of the 30-year-cycle of evolution in the film industry. Plus, we take a moment to consider the links between Soviet propaganda's understanding of montage and the modern analytics and algorithms that manipulate how images are presented on the internet today.  - Recommended Viewing: IN COLD BLOOD (1967), ARMY OF SHADOWS (1969) - This episode is sponsored by Aputure & Barco

In today's episode, I interview Steven Ray, a legendary figure in the music and entertainment industry. His expansive career began as a roadie for Sammy Davis Jr. and George Rhodes, and as a production assistant to Quincy Jones. Steven's early work includes contributing to groundbreaking projects such as Michael Jackson's Thriller, We Are the World, The Color Purple, and productions by Frank Sinatra and James Ingram.“Music is frequency. And frequency is healing. When you're in the presence of someone channeling that, it's almost like being in a temple.” - Steven Ray He later became a Senior Executive at Capitol Records and played a pivotal role at Windswept Pacific, where he signed and collaborated with major artists like Mariah Carey, Usher, TLC, Destiny's Child, and Beyoncé, contributing to over 150 million units sold. Steven's creative vision and industry expertise extend beyond music, as the founder of Red River Pictures, producing projects like Broadway's Ghost and the upcoming films Little Rootie Tootie and Son of the South (now streaming).In 2023, Steven co-hosted the Stories in the Room podcast on Thriller and appeared in the documentaries Thriller 40 and The Greatest Night in Pop. Known for his deep relationships and industry savvy, Steven is a sought-after advisor and a visionary in entertainment.We dive into the transformative power of music, spiritual transmission through sound, and the lessons Steven has learned from working with some of the greatest artists of all time, including Michael Jackson.In this episode, we discuss:- The spiritual power of music and how it can transcend the performer- Memorable moments with Michael Jackson and behind-the-scenes magic- The healing role of sound and vibration- The intersection of fame and spiritual awakening- What makes a piece of music timeless and sacred- Insights into intuition in the creative process- How music contributes to cultural transformation in today's worldSteven also shares his advice for the next generation of artists, the importance of studying music, and his thoughts on the evolution of the music industry in this era of social media and mass influence.Don't miss this enlightening conversation with a true industry legend. Tune in to Gateways to Awakening, where we host transformative discussions on wellness, creativity, and spirituality.Learn more about Steven Ray and his work at Stories in the Room, Instagram: @Mr.StevenRay *If you are an aligned wellness brand and would like to advertise your product on this show, please reach out at @therealyasmeentIf this conversation speaks to you, we'd love to hear from you — tag us @Gateways_To_Awakening on Instagram and Facebook to share your reflections. Your reviews on Apple Podcasts mean the world and help others find the show.To stay connected, you can follow my writing on Substack at substack.com/@therealyasmeent, join me on IG @TheRealYasmeenT, or sign up for my newsletter at InnerKnowingSchool.com.

Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.For this latest episode, I am joined by pianist Mark Gordon, who runs the Scarborough Jazz Festival.Not only is the 2025 Festival running from 26-28 September, but there's also a Live Compilation CD available with recordings from 2024. Thanks to Mark for allowing me to use tracks from that CD alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Stagione XI - ep 2 - Quincy Jones

In the '70s, Joni Mitchell looked to jazz to inform her creative style. She would collaborate with many of the genre's leaders, but as we'll discover, jazz also was key in her formation right from the start.This episode was presented by bass player and ABC Jazz host, Eric Ajaye, and written and produced by ABC Jazz producer Henry Rasmussen. It was created by ABC Jazz and originally broadcast on 5 Mar 2024. Find out more information on Joni Mitchell, here.  ABC Jazz features a Jazz Legend each month on the radio, with historic moments, significant albums and a full-length feature to immerse into the important history of this music and culture.  Hear more Jazz Legends episodes here, including significant artists such as Ella Fitzgerald, Quincy Jones, Joni Mitchell, Keith Jarret, Mary Lou Williams and Herbie Hancock.

Michael Jackson. Quincy Jones. Nine tracks. No filler.The McGuigan Brothers breakdown the biggest pop album ever made - track by track. From Billie Jean's haunted groove to Eddie Van Halen's guitar fireworks, from the Toto-driven rhythm section to a crooning Beatle, we dig into the songs, the legacy, and the vision that changed music forever.Is Thriller perfect or just untouchable? All the categories. All the takes. Three brothers. One moonwalk into pop history.

Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.I've just returned from Love Supreme 2025 and I had the delight of interviewing Fergus Quill, Pete Roth and Mike Pratt as well as Daniel Casimir.I'll let them do the talking, but you can find out about their music as well as hear discussion of Ferg's Imaginary Big Band (read my review of them at Ronnie's here) Dan Coulthurst, Nico Widdowson (who I also heard perform at Watford Jazz Junction), Binker Golding and Camilla George.The track you can hear at the start and end of this episode is the Harmonious World theme tune, composed and performed by pianist Joe English.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Listen to the final episode in our three-part series exploring the music of Reunald Jones, a legendary Indiana trumpet player with deep connections to the Avenue scene. During his remarkable career, Jones performed with the biggest stars in American music. Hear music featuring Jones' work with Duke Ellington, Sonny Rollins, Dinah Washington, Quincy Jones, Nat King Cole and more.

durée : 01:59:37 - Les années Quincy Jones (2/2) : cinéma & soul - par : Thierry Jousse - Deuxième épisode de notre grande traversée dans l'œuvre multiple de Quincy Jones qui nous mènera des années 1960 aux années 2010. Au programme, soul, funk, disco, hip hop, sans oublier Michael Jackson… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:59:18 - Retour de plage du jeudi 03 juillet 2025 - par : Thierry Jousse - Retour sur la trajectoire d'un musicien aux mille vies, Quincy Jones. Aujourd'hui, nous plongeons dans ses années 1950-60, très jazz, entre Chicago, Paris et New York. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

What does the American Dream sound like? In this special Fourth of July episode of Fritanga, host Antonio Tijerino sits down with one of the composers of that dream: Emilio Estefan. Long before he became a 19-time Grammy-winning producer, a Presidential Medal of Freedom recipient, and one of the most influential Latino cultural architects of our time, Emilio was an 11-year-old Cuban boy arriving in Miami with an accordion, no money, and a belief in something bigger. A belief in this country. In music. In himself.From creating the “Miami Sound” to launching the global careers of artists like Shakira, Ricky Martin, and Gloria Estefan, Emilio's story is one of hustle, heart, and the rhythm of possibility.In this episode, Antonio and Emilio dive into:Emilio's journey from Cuba to the global stageHow immigrant resilience redefined American musicWorking with legends—and fighting for Celia Cruz's comebackFatherhood and creative legacy with his daughter Emily EstefanNew projects including Raíces, Gloria Estefan's first Spanish album in nearly 20 yearsBASURA, the new Broadway-bound musical co-created by Emily and Gloria EstefanThis isn't just an interview—it's a love letter to culture, legacy, and what it means to build something lasting from nothing.WATCH: Click here to watch this and other episodes on YouTube. FOLLOW: Follow us on Insta @FritangaPodcastCONNECT: For questions or guest recommendations, email us at Fritanga@HispanicHeritage.orgFeatured Resources & Mentions:

In this episode, I sat down with my good friend and life coach to the stars, Tim Storey, to dive deep into the concept of The Miracle Mentality — the mindset shift that separates ordinary people from extraordinary entrepreneurs. We talked about what it really means to think big, create uncommon plans, and build the kind of resilience it takes to win in business and life. Tim shared powerful stories from working with legends like Magic Johnson, Oprah, and Robert Downey Jr., and we broke down how success isn't about talent — it's about your mindset, your partnerships, and your ability to persist through resistance. If you've ever felt called to something greater, this conversation will remind you that you're not meant to be regular — you're meant to think, act, and live at an extraordinary level. -- About Tim Storey: Tim Storey is an acclaimed author, speaker, and life coach to the stars. Known for inspiring people from all walks of life — from entrepreneurs to celebrities, athletes, and world leaders — Tim has helped guide thousands toward discovering their purpose and creating a miraculous life. He is the author of the best-selling book “The Miracle Mentality” and the founder of the World Shaker Society, a powerful community for high-level personal and professional growth. Tim has worked with icons like Oprah Winfrey, Magic Johnson, Robert Downey Jr., and Quincy Jones. With appearances on Oprah's Super Soul Sunday and major stages worldwide, Tim's wisdom on mindset, resilience, and success has impacted millions. --

Listen to the second episode in our three-part series exploring the music of Reunald Jones, a legendary Indiana trumpet player with deep connections to the Avenue scene.  During his remarkable career, Jones performed with the biggest stars in American music, including Duke Ellington, Ella Fitzgerald, Sonny Rollins, Dinah Washington, Quincy Jones, and Nat King Cole. But he's best known for his work with Count Basie. Jones was a member of the Count Basie band from 1952, to 1957. During that time, he led the band's trumpet section, and he became known for playing the trumpet with one hand.  Jones was a member of Basie's orchestra during a high point with the band. During the years Jones played with Basie, the band played their first dates in Europe and recorded classic albums like “Live at Newport”, “April in Paris”, and “Basie in London”. Listen to this program for music featuring Reunald Jones' recordings with Count Basie.

Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.For this episode, you can hear my conversation with David Handler, who is a composer, violinist and club owner in New York City. His debut album - Life Like Violence - is out now on Cantaloupe Music. It's a fascinating collection of acoustic and electronic music that, as we discuss, is not for background listening.Thanks to David for allowing me to share clips from Life Like Violence alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Listen to the first episode in our three-part series exploring the music of Reunald Jones, an important jazz trumpet player with deep connections to the Avenue neighborhood. During his legendary career, Jones performed with the biggest stars in American music, including Duke Ellington, Count Basie, Ella Fitzgerald, Sonny Rollins, Dinah Washington, Quincy Jones, Nat King Cole and many others.  Jones was born in Indianapolis in 1922. Music was part of his family legacy, his father John Wesley Jones was a musician, and his cousin Roy Eldridge, was a famous jazz trumpet star. Jones' family had strong ties to the Avenue neighborhood. During the early 1900s, his father was a choral director for the Bethe A.M.E. church and a bandleader, for the Senate Avenue YMCA. In the 1930s, his sister, Louise Fields, was an editor for the Indianapolis Recorder.  After spending the first decade of his life in Indianapolis, Jones moved with his family to Muncie, Indiana. By age 15, Jones was playing trumpet in a local Muncie band that included Doc Wheeler on trombone. Wheeler became a star on the Avenue scene during the 1930s. In the early 1940s, Jones and Wheeler reunited for a series of recordings with Bluebird Records.  By age 20, Jones left Muncie to pursue a life in music. He performed with a variety of regional territory bands, including Speed Webb's Hoosier Melody Lads, where he had the chance to play with his cousin Roy Eldridge. By the mid 1930s, Jones was in New York, where he began his recording career.  Join us this week to hear Jones' early recordings with Mezz Mezzrow, Lil Hardin, Don Redman, Jimmie Lunceford and more.

My guest... Award winner International seasoned performer/vocalist Berklee Conservatory School of Music,  own Alumni with honors, Grammy Voting member, flourishing multi talented pianist,and guitarist ,Whitney Marchelle Jackson has performed at prominent concert events for the World Cup , Dubai Hotel, United Nations, Apollo, New York Blue Note, Parkers Thompson Hotel, Berklee School of Music,  on Campus (standing ovation), Pier 84, Rutgers University, Numerous venues and festivals in Japan, Hawaii ,Canada, and USA. Music in Jazz, American, Songbook, blues,latin and some pop standards. Whitney Marchell Jackson had a credited acting and pianist role where they won the Best Feature Film at the QueerX Film Festival 2022 for Poets are the Last Destroyers. She worked with Dee Dee Bridgwater (duet)Art Deco Festival, Quincy Jones, Wayne Newton,Herbie Hancock, Opened For KISS, Bill Withers, Donny Hathoway, and has recorded three albums. Recently,on Channel 13 with an interview and performance . Receives international radio air play for her last three albums. Marchell Plays piano and guitar ASCAP songwriter. Teaches where students have been on movie Harriet, Tina Turner Boradway show, And received 100 plays on the radio. Whitney also is now taking the vocal performace undergraduate program at berklee. JazzTimes magazine quotes Whitney as a "Formidable singer with a scorched soulful Jazz sound."  She always has a great audience attendance,reviews and helps promote her gigs on radio and social media. A marvelously funny, wonderful episode.Produced, directed, edited and hosted by Stephen E Davis 

#DojaCat's fan moment goes WRONG! Plus, #JermaineDupri reveals the realest advice #QuincyJones ever gave him!

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: George Ajjan from The AjjancyMichael Jackson “Billie Jean” from the 1983 album "Thriller" released on Epic. Written by Michael Jackson and produced by Quincy Jones and Michael Jackson.Personel:Michael Jackson – lead and backing vocals; Yamaha CS-80 synthesizer; songwriting; vocal, rhythm, synthesizer and string arrangementsMichael Boddicker – E-mu EmulatorLeon "Ndugu" Chancler – drumsLouis Johnson – bass guitarGreg Phillinganes – Rhodes piano, synthesizerTom Scott – lyriconGreg Smith – synthesizerDavid Williams – guitarBill Wolfer – synthesizer, synthesizer programmingJerry Hey – string arrangementJeremy Lubbock – string conductingBruce Swedien – mixing, engineerCover:Performed by The AjjancyIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Writer Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Eddie Van HalenMichael Jackson "Beat It"

Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.The sun was shining and children were playing as I interviewed vocalist Becca Wilkins in London's Finsbury Park just a few days before the launch of her album Reverie. It was a delight to bump into Becca (and her drummer Billy Pod, who I interviewed in 2022) last night at the Barbican, and we followed up this live chat about her album and all things musical and creative.Thanks to Becca for allowing me to share clips from Reverie alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead my reviews of albums, gigs and books as well as a little personal stuff on my blogFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

MILES DAVIS QUARTET “BLUE HAZE” New York, March 15, 1954Four, Old devil moon, Blue hazeMiles Davis (tp) Horace Silver (p) Percy Heath (b) Art Blakey (d) TED ROSENTHAL TRIO “RHAPSODY IN GERSHWIN” Paramus, NJ, July 16 & 17, 2013Rhapsody in blue, Let's call the whole thing offTed Rosenthal (p) Martin Wind (b) Tim Horner (d) QUINCY JONES BIG BAND “LIVE IN PARIS” March 5, 7 & 9, 1960Doodlin', Birth of a bandBenny Bailey, Clark Terry, Lennie Johnson, Floyd Standifer (tp) Melba Liston, Jimmy Cleveland, Quentin Jackson, Ake Persson (tb) Julius Watkins (fhr) Phil Woods, Porter Kilbert (as) Budd Johnson, Jerome Richardson (ts) Sahib Shihab (bar) Patti Bown (p) Les Spann (g,fl) Buddy Catlett (b) Joe Harris (d) Quincy Jones (dir,arr) Continue reading Puro Jazz 12 de junio, 2025 at PuroJazz.

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: George Ajjan from The AjjancyMichael Jackson “Billie Jean” from the 1983 album "Thriller" released on Epic. Written by Michael Jackson and produced by Quincy Jones and Michael Jackson.Personel:Michael Jackson – lead and backing vocals; Yamaha CS-80 synthesizer; songwriting; vocal, rhythm, synthesizer and string arrangementsMichael Boddicker – E-mu EmulatorLeon "Ndugu" Chancler – drumsLouis Johnson – bass guitarGreg Phillinganes – Rhodes piano, synthesizerTom Scott – lyriconGreg Smith – synthesizerDavid Williams – guitarBill Wolfer – synthesizer, synthesizer programmingJerry Hey – string arrangementJeremy Lubbock – string conductingBruce Swedien – mixing, engineerCover:Performed by The AjjancyIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Writer Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Fruit BatsPinbackHulk HoganMetallicaJason NewstadCaptain Lou AlbinoCyndi LauperEddie Murphy “Party All the Time”The BeatlesMadonna “Like a Prayer”The Moody BluesEric ClaptonMaury PovichMichael Jackson “Off the Wall”Chris LichtToto “Beat It”Steve LukatherEddie Van HalenMichael Jackson “Beat It”Michael Jackson “Wanna Be Startin' Somethin”Jackson 5Michael Jackson w/ Paul McCartney “The Girl is Mine”Michael Jackson “Thriller”Michael Jackson “PYT”Guns n Roses “Sweet Child of Mine”Billie Jean KingCobra KaiEuryhtmics “Sweet Dreams”Rockwell “Somebody's Watching Me”Toto “Rosanna”Michael Jackson “Human Nature”George Clinton “Atomic Dog”Hall and Oates “I Can't Go For That (No Can Do”John and Vangelis “State of Independence”Yes “Roundabout”Jon AndersonQuincey Jones “We Are the World”White Stripes “Seven Nation Army”The Civil WarsChris CornellWeezer

Show NotesGuest: Chris Vance, CEO of Playground SessionsWebsite: playgroundsessions.comSocials:InstagramTikTokThreadsKey topics:Chris's journey from corporate to entrepreneurshipHow Playground Sessions revolutionizes music learningBuilding a global brand with strong retention ratesMarketing strategies: SEO, app store optimization, PR, and influencer collaborationsImportance of balance, personal growth, and lifelong learningThe evolving world of digital piano learning and gamificationChris's best advice: Stay focused, learn deeply, and lead with integrityConnect with Chris: LinkedInCheck out Playground Sessions: playgroundsessions.comKey Questions(00:59) How did you end up where you are today?(04:12)  Who is your ideal avatar nowadays?(05:31) So do schools utilize you guys as well?(06:24) Is it just piano or do you have other instruments, too?(06:35)  How do you get in front of your customers?(09:20) Do you do anything for referrals?(10:40) You mentioned a goal being expanding to other instruments like guitar Are there any other big goals that you have in the next year or two?(12:33) What do you feel is your number one roadblock from reaching that? Is it just customer retention or do you think it's more?(14:20) Can you talk to us a little bit about bootstrapping and scaling and some lessons that you've learned along the way?(17:14) How has it been for you to intersect, combine your music and the technology and your community all together?(19:30) Can you walk us through? I want to learn how to play. I have a keyboard, piano. I get your app, then what? How does it work?(22:36) What's the best advice that you have ever been given, that you've ever received?(25:47)  What's the best advice you have ever given?(30:35) Is there something that we haven't touched on yet that you did want to talk about?(31:42) How do you manage or balance your time?(33:37)  Where can we learn about you and what you do?Chris Vanceplaygroundsessions.comhttps://www.instagram.com/playgroundsessions/profilecard/?igsh=d3p1dGpjbWFla3Bphttps://www.tiktok.com/@playgroundsessions?_t=8qxYEpPo5nD&_r=1https://www.threads.net/@playgroundsessionsVirginia PurnellFunnel & Visibility SpecialistDistinct Digital Marketing(833) 762-5336virginia@distinctdigitalmarketing.comwww.distinctdigitalmarketing.comwww.distinctdigitalmarketing.co

Hang onto your slipcases because Blake Howard & Jen Johans of One Heat Minute Productions & Watch With Jen, will discuss the special CRITERION COLLECTION 4K release of IN THE HEAT OF THE NIGHT.IN THE HEAT OF THE NIGHTPassing through the backwoods town of Sparta, Mississippi, Philadelphia detective Virgil Tibbs (Sidney Poitier) becomes embroiled in a murder case. He forms an uneasy alliance with the bigoted police chief (Rod Steiger), who faces mounting pressure from Sparta's hostile citizens to catch the killer and run the African American interloper out of town. Director Norman Jewison splices incisive social commentary into this thrilling police procedural with the help of Haskell Wexler's vivid cinematography, Quincy Jones's eclectic score, and two indelible lead performances—a career-defining display of seething indignation and moral authority from Poitier and an Oscar-winning masterclass in Method acting from Steiger. Winner of five Academy Awards, including for Best Picture, In the Heat of the Night is one of the most enduring Hollywood films of the civil rights era.4K UHD + BLU-RAY SPECIAL EDITION FEATURES4K digital restoration, with uncompressed monaural soundtrackAlternate 5.1 surround DTS-HD Master Audio soundtrackOne 4K UHD disc of the film and one Blu-ray with the film and special featuresInterviews with director Norman Jewison and actor Lee GrantSegment from a 2006 American Film Institute interview with actor Sidney PoitierInterview with Aram Goudsouzian, author of Sidney Poitier: Man, Actor, IconAudio commentary featuring Jewison, Grant, actor Rod Steiger, and cinematographer Haskell WexlerTurning Up the Heat: Movie-Making in the '60s, a program about the production of the film and its legacy, featuring Jewison, Wexler, producer Walter Mirisch, and filmmakers John Singleton and Reginald HudlinQuincy Jones: Breaking New Sound, a program about Jones's innovative soundtrack, including the title song sung by Ray Charles, featuring interviews with Jones, lyricists Alan and Marilyn Bergman, and musician Herbie HancockTrailerEnglish subtitles for the deaf and hard of hearingPLUS: An essay by critic K. Austin CollinsCover by Sean PhillipsJen Johans3-time national award-winning writer & full-time walking movie encyclopedia Jen Johans of FilmIntuition.com delivers a steady stream of great movie recommendations, thoughtful career deep dives, & first-rate conversations with critics, authors, actors, journalists, filmmakers, and more on Watch With Jen.™️TWITTER: @FILMINTUITIONPATREON.COM/FILMINTUITIONWEBSITE: FILMINTUITION.COMSupport: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Before he became a global box office superstar, Will Smith was a debt-ridden rapper given a shot at acting by Quincy Jones—and the result was one of the most iconic sitcoms of the 1990s. In this episode, we unpack the unlikely origin story of The Fresh Prince of Bel-Air, from an impromptu audition at a house party to the creation of a cultural phenomenon that redefined what a Black-led sitcom could be. We take a look at the show's signature mix of humor and heart, exploring how the Banks family—Uncle Phil, Aunt Viv, Carlton, Hilary, Ashley, and Geoffrey—provided the perfect backdrop for Will's street-smart charm. But this wasn't just a fish-out-of-water comedy. The show cleverly tackled race, class, identity, and adolescence, offering both laughs and life lessons in equal measure. From Carlton's unforgettable dance moves to powerful storylines about absentee fathers and racial profiling, Fresh Prince blended silliness with substance in a way few shows managed. We revisit emotional highlights like “Papa's Got a Brand New Excuse,” and explore how James Avery's Uncle Phil became one of TV's most memorable father figures. We also dive into the real-life drama behind the scenes—including Janet Hubert's controversial departure as Aunt Viv—and discuss how the cast ultimately found reconciliation decades later. With insights into the show's impact, its long-running syndication success, and its bold 2022 reimagining Bel-Air, we explore why this series remains a cultural touchstone more than 30 years after its debut. Whether you watched it live on NBC or discovered it through streaming, The Fresh Prince of Bel-Air still has the power to make you laugh, cry, and sing along to that legendary theme tune. Join us as we look back at the show that took Will from West Philly to global fame—and changed the sitcom game forever. Talk2TheHand is an independent throwback podcast run by husband and wife, Jimmy and Beth. Obsessed with 90s nostalgia and 90s celebrities, we'll rewind the years and take you back to the greatest era of our lives.   New episodes bursting with nostalgia of the 90s released on Tuesdays. Please subscribe to our podcast and we'll keep you gooey in 1990s love. Find us on Twitter @talk2thehandpod or email us at jimmy@talk2thehand.co.uk or beth@talk2thehand.co.uk

Not Dead. Just high on mushrooms… Recall of Gummies in Netherlands… Recall of Beef Stew in U.S… Mondelez sues Aldi… www.blazetv.com/jeffy Promo code: Jeffy… NFT goes down in worth... Email: ChewingTheFat@theblaze.com Top movies… and Wild Robot Shows / Mobland / Friends and Neighbors / Dept Q / Dead City / NBA finals… FBI investigating Covid coverup… Queensland destroying study data... Studying interspecies communication… Who Died Today: Loretta Swit 87 / Valerie Mahaffey 71 / Renee Victor 86... Either Sally or Loretta?... Quincy Jones house for sale… Isaacman out as NASA nominee… Parasite in millions of humans… Joke(s) of The Day… Learn more about your ad choices. Visit megaphone.fm/adchoices

This week I'm recommending four crime films from the 1970s and early 80s. Each one centers on a planned job, bank heists, robberies, break-ins, and none of them go smoothly. The tone across these films is lean, serious, and focused on the people involved more than the action. There's a lot of attention to detail, and they hold up well.Charley Varrick (1973) Directed by Don Siegel. Walter Matthau plays a bank robber who ends up in the crosshairs of something bigger than expected. Matthau had just done more comedic work at the time, so this role stood out. Joe Don Baker plays a contract killer hired to clean things up. Lalo Schifrin did the score, which is sharp and suits the pace. It was based on the novel The Looters by John Reese.The Anderson Tapes (1971)Directed by Sidney Lumet. Sean Connery is a thief planning to rob an entire apartment building. The film stands out for how it handles surveillance. Almost every major character is being watched by police, by private groups, by government agencies. This was Christopher Walken's first film. The music is by Quincy Jones, and it's more experimental than you'd expect.Thief (1981) Michael Mann's first feature film. James Caan plays a professional safecracker who wants to get out after one last job. Mann used real tools and brought in actual former thieves to advise on the technical side. The film has a cold, exact feel. The soundtrack is by Tangerine Dream. It's shot in Chicago and uses the city well without overdoing it.The Getaway (1972) Directed by Sam Peckinpah. Steve McQueen and Ali MacGraw star as a couple on the run after a robbery. The script was written by Walter Hill and based on a novel by Jim Thompson. The film was a big success when it came out and mixes action with slower moments of tension. McQueen did many of his own stunts. It's one of the more polished crime films of its time.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

Tim Storey grew up in a cramped apartment in Compton, where he faced early trauma after losing both his father and sister in quick succession. Despite the odds, he anchored his life in resilience, positivity, and faith. He overcame personal and systemic struggles and rose to become one of the world's most sought-after life coaches. Tim now guides celebrities, entrepreneurs, and everyday dreamers toward personal breakthroughs using his signature approach - the Miracle Mentality. In this episode, Tim shares how to break free from messy, mundane, or mad living and embrace miraculous thinking through mindset, discipline, and self-improvement. In this episode, Hala and Tim will discuss: (00:00) Introduction (01:21) Tim Story's Journey to Humanitarianism (04:50) The Law of the Harvest (07:19) The Miracle Mindset (11:29) Living in the Moment (17:59) Dealing with Life Interruptions (20:10) Harnessing the Power of Imagination (20:49) Overcoming Setbacks: A Step-by-Step Guide (21:23) Partnering with Power and Principles (22:00) The Importance of Moving Forward (22:46) Helping Regular People: Memorable Stories (29:09) The Secret to a Happy and Peaceful Life (30:46) Staying Cool Amidst Drama (34:32) The Miracle Mentality: Rediscovering Your Inner Child (36:39) Profiting in Life: Cooperating with Destiny Tim Storey is an acclaimed life coach, motivational speaker, and humanitarian known as the "Comeback Coach." He has worked with global icons - from Oprah Winfrey and Quincy Jones to Robert Downey Jr., guiding them through comebacks, reinvention, and mental healing. Having spoken in over 75 countries, Tim inspires people of all backgrounds to embrace the power of faith, mindset, and personal development. His signature philosophy, The Miracle Mentality, is both a bestselling book and a global movement helping entrepreneurs rise above their everyday limitations and live with extraordinary intention. Sponsored By: Indeed - Get a $75 sponsored job credit at ⁠indeed.com/profitingIndeed⁠  Shopify - Sign up for a one-dollar-per-month trial period at ⁠youngandprofiting.co/shopify⁠  Mercury - Streamline your banking and finances in one place. Learn more at ⁠mercury.com/profiting⁠  LinkedIn Marketing Solutions - Get a $100 credit on your next campaign at ⁠linkedin.com/profiting⁠   Bilt - Start paying rent through Bilt and take advantage of your Neighborhood Benefits™ by going to ⁠joinbilt.com/PROFITING⁠.  Airbnb - Find yourself a co-host at ⁠airbnb.com/host⁠  Resources Mentioned: Tim's Book, The Miracle Mentality: https://www.amazon.com/Miracle-Mentality-Source-Magical-Transformation/dp/0785236724 Tim Storey's Website: https://www.timstorey.com Active Deals - youngandprofiting.com/deals       Key YAP Links Reviews - ratethispodcast.com/yap  Youtube - youtube.com/c/YoungandProfiting  LinkedIn - linkedin.com/in/htaha/  Instagram - instagram.com/yapwithhala/  Social + Podcast Services - yapmedia.com   Transcripts - youngandprofiting.com/episodes-new  Entrepreneurship, entrepreneurship podcast, Business, Business podcast, Self Improvement, Personal development, Starting a business, Strategy, Investing, Sales, Selling, Psychology, Productivity, Entrepreneurs, AI, Artificial Intelligence, Technology, Marketing, Negotiation, Money, Finance, Side hustle, Startup, Career, Leadership, Mindset, Health, Growth mindset, Habits, Positivity, Human Nature, Human Psychology, Critical Thinking, Robert Greene, Chris Voss, Robert Cialdini 

Today on the podcast, I have the absolute honor of welcoming GRAMMY®-nominated singer, songwriter, pianist, producer, and actress Sheléa. Fresh off a national tour as Stevie Wonder's “Special Guest” and the premiere of her powerful PBS special Aretha! (airing tomorrow night), Sheléa is a powerhouse of talent and grace. Mentored by the legendary Quincy Jones and praised by icons like Stevie Wonder, David Foster, and Missy Elliott, her voice has lit up stages from the White House to Royal Albert Hall. With stunning range, heartfelt emotion, and unmatched artistry, Sheléa is a musical force you need to hear. Join me as we dive into her incredible journey, her influences, and what's next for one of today's most inspiring artists. Sheléa is truly Someone You Should Know!Click here to buy Rik Anthony a cold one.Show Links:Click here to go to Sheléa's WebsiteClick here to go to Sheléa's FacebookClick here to go to Sheléa's InstagramClick here to go to Sheléa's TikTokClick here to learn more about the PBS special, “Aretha! With Sheléa and The Pacific Symphony. All music used with permission from the artistSomeone You Should Know 2025 // CatGotYourTongueStudios 2025Feedback: Send us a text.How to Contact Us:Official Website: https://Someoneyoushouldknowpodcast.comGmail: Someoneyoushouldknowpodcast@gmail.comTwitter: @RIKANTHONY1Facebook: https://www.facebook.com/rikanthonyInstagram: https://www.instagram.com/someoneyoushouldknowpodcast/LinkedIn: https://www.linkedin.com/in/rik-anthony2019/TikTok: @SomeoneYouShouldKnow2023YouTube: https://www.youtube.com/@someoneyoushouldknowpodcastThank you for listening!Theme music "Welcome to the Show" by Kevin MacLeod was used per the standard license agreement.