Podcast appearances and mentions of Quincy Jones

Play Episode Listen Later Jan 7, 2025 87:44

In deze aflevering kijkt DJ St. Paul terug op het jaar 2024 door de ogen en oren van de Boutique. Met muziek van o.a. Lola Young, Quincy Jones & Doechii. Benieuwd naar de tracklist en shownotes? Check ze via: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tivolivredenburg.nl/studio/podcast/st-pauls-boutique⁠ Meer podcasts van TivoliVredenburg ontdekken? Ga naar ⁠tivolivredenburg.nl/podcast

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#206: Lola Young, Advance Base, Quincy Jones, Doechii & meer

ESO Network – The ESO Network

Play Episode Listen Later Jan 7, 2025 87:44

young ga meer boutique quincy jones benieuwd doechii tivolivredenburg advance base

Flopcast 661: Memorial Show Part 2 – Hi, Bob

Play Episode Listen Later Jan 6, 2025 68:49

Flopcast episode 661! We’re wrapping up our annual two-part memorial show, covering people we lost in the second half of 2024 from TV (Linda Lavin, John Amos, Bob Newhart), movies (Teri Garr, Shelley Duvall, James Earl Jones), music (Quincy Jones, John Mayall, Kris Kristofferson), and more. (Richard Simmons, Dr. Ruth, Famous Amos, the “You’ve got […] The post Flopcast 661: Memorial Show Part 2 – Hi, Bob appeared first on The ESO Network.

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01-03-25 Quincy Jones Disc II - Jazz After Dinner

Classical 95.9-FM WCRI

Play Episode Listen Later Jan 6, 2025 49:52

This week Joe is featuring Composer, Arranger and Producer Quincy Jones from a 2022 Acrobat Music Compilation recording titled “Quincy Jones and His Orchestra; The Early Years.” DISC II.

jazz dinner disc composer quincy jones early years arranger his orchestra

Discussing storytelling with singer-songwriter Avery Hill

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Play Episode Listen Later Jan 6, 2025 17:32

Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.In this episode, I chat with singer-songwriter Avery Hill about her latest album: The One Who Remembers. The art of storytelling is important to Avery and that comes across in her music.Thanks to Avery for giving me permission to play extracts from her The One Who Remembers alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead my reviews of albums, gigs and books as well as a little personal stuff on my blogFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

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Flopcast 661: Memorial Show Part 2 - Hi, Bob

The Flopcast

Play Episode Listen Later Jan 5, 2025 68:50

We're wrapping up our annual two-part memorial show, covering people we lost in the second half of 2024 from TV (Linda Lavin, John Amos, Bob Newhart), movies (Teri Garr, Shelley Duvall, James Earl Jones), music (Quincy Jones, John Mayall, Kris Kristofferson), and more. (Richard Simmons, Dr. Ruth, Famous Amos, the "You've got mail!" guy... our list has a lot of range.) The egg nog is flowing freely here at Chickentown Studios. Select a huge festive beverage for yourself and join us. And our regular links... The Flopcast website! The ESO Network! The Flopcast on Facebook! The Flopcast on Instagram! The Flopcast on Bluesky! The Flopcast on Mastadon! Please rate and review The Flopcast on Apple Podcasts! Email: info@flopcast.net Our music is by The Sponge Awareness Foundation! This week's promo: Cosmic Pizza!

E047 Brian McDonald on the Art & Craft of Storytelling (Part 2)

Agile Innovation Leaders

Play Episode Listen Later Jan 5, 2025 31:02

Bio Brian McDonald, an award-winning author, filmmaker, graphic novelist, and podcaster, is a sought-after instructor and consultant. He has taught his story seminar and consulted for various companies, including Pixar, Microsoft, and Cirque du Soleil. Interview Highlights 01:30 The Story Spine 04:00 Proposal, argument, conclusion 07:40 Video games – noodles are not cake 11:30 Armature 16:25 Stories in speeches 21:25 Finding your armature 23:00 Tools and weapons go together 25:30 The first act 27:00 Angels 28:00 Brian's memoir 28:45 Paying attention Connect · Brian McDonald (writeinvisibleink.com) · @BeeMacDee1950 on X · @beemacdee on Instagram · Brian McDonald on LinkedIn Books and references · Land of the Dead: Lessons from the Underworld on Storytelling and Living, Brian McDonald · Invisible Ink: Building Stories from the Inside Out, Brian McDonald · The Golden Theme: How to Make Your Writing Appeal to the Highest Common Denominator, Brian McDonald · Old Souls, Brian McDonald · Ink Spots: Collected Writings on Story Structure, Filmmaking and Craftmanship, Brian McDonald · Brian's podcast 'You are a Storyteller' Episode Transcript Ula Ojiaku Hello and welcome to the Agile Innovation Leaders podcast. I'm Ula Ojiaku. On this podcast I speak with world-class leaders and doers about themselves and a variety of topics spanning Agile, Lean Innovation, Business, Leadership and much more – with actionable takeaways for you the listener. Welcome back to the Agile Innovation Leaders podcast, this is Part 2 of my conversation with Brian McDonald. In Part 1 we discussed defining a story, why we tell stories, among other things, and in this second part, Brian shares more of his insights around the storytelling formula, Brian's upcoming memoir, and building a story's armature. It's been such an honour to speak with Brian and I hope you find Part 2 of our conversation as insightful as I have. Everyone is a storyteller, everyone has a story to tell, and we knowing how to structure it is key to making it impactful and helping people to get information that heals, that helps them survive, that helps them navigate the conflicts of this world. So, you, in your book, Invisible Ink, you gave us a storytelling formula, do you mind sharing that with us? Brian McDonald So the story spine are seven steps that you need to create a story. So they use it at Pixar, I've worked with them quite a bit so we speak similar language, but they use this too, and I think we basically learned it from the same source. So, they are once upon a time, and every day, until one day, and because of this, and because of this, until finally, and ever since that day. So they are once upon a time, and every day, until one day, and because of this, and because of this, until finally, and ever since that day. And you set up the status quo, this is what happened, this is who this person is, this is what they want, whatever it is, and then something changes. Now you're into the ‘until one day', and the second act, now that would be the first act, the second act would be the body of the story. It's really what people say the story is about, so that's the longest part. That's why it's sort of split in two in a way because of this and because of this. There are some people who will add more because of this, but I don't, and some people don't like that I'm so rigid about it, but what I find is that the hardest thing I teach people is how to simplify. That's the hardest thing. So, adding more details is easy, simplifying is hard, right, and so that's why I stick with the seven and the because of this and because of this. And then, until finally, now you're into the third act, and ever since that day, because the third act is all about the conclusion or the resolution, but the conclusion, but the way I like to think about the three acts is this, and I had been thinking about it this way, and this is something that I don't know where Hitchcock got it, but Alfred Hitchcock talked about it, but I've never heard it anywhere else. So it's proposal, argument, conclusion. That's the way stories work, and those are the three acts. Proposal, argument, conclusion. Now, it's the way people talk. That's why it works. So the proposal is, let's say, I say Saturday I went to the best party I've ever been to in my life. That's my proposal. Everybody knows what comes next. My proof, this happened, that happened, this star was there, this blah blah blah, whatever it is, whatever my argument is, that this is the best party in the world, right? And then the conclusion, often stories are circular, so you'll come back around to the beginning again. So, that's the best party I've ever been to, then I talk about it, and then I say, oh, what a great party, oh, that was the best party I've ever been to, whatever it is, it's the way we speak, that's why it works in stories, because it's natural. It's the way a legal argument is constructed. Your honour, my client is innocent. Then the trial, which is all proof, and then the conclusion as you can see, my client is innocent, that's the conclusion of that argument, but the resolution is, do they go to jail or not? And that may or may not matter to your story, depending on the story you're telling. So therapists say, well, we tell ourselves the story that I'm not good enough, we tell ourselves the story that I'm not attractive enough or whatever it is, and that's not a story, that's a conclusion that you have derived from stories, it's not a story, that's a conclusion. The conclusion is I'm not worthy, I'm not smart, whatever it is, but there are stories that made you think that or feel that, that's where the stories are, and so the problem is if you have different definitions for stories, I found this when I'm collaborating, if I'm working for a studio or a video game company or something, if we have a different definition for story, then we are miscommunicating from the very beginning of the conversation. So they maybe will say, well, we should do this, and I say, well, that doesn't fit the story, well, I think it does, oh, well, we're not talking about the same thing. So the thing is, people can take my definition or leave it, that doesn't matter to me, but they ought to have a definition, and it ought to get results consistently, and then you can make sure everybody's on the same page. Ula Ojiaku What I'm hearing you say is it's important to take time to define the terms being used because that makes things easier when you're collaborating with people. So how do you then approach it? Brian McDonald It depends. Sometimes I come in and my job is to lecture, and that is to give them that shared definition and understanding of story. So sometimes that's my job. If I come in on a specific project to help on a specific project, that's usually because either they've heard me lecture before, or they've read my books and we already have a shared definition. So that's usually how it works, most of the time. Ula Ojiaku What would you advise when you're getting into a new collaboration with people, would you say, take the time to define the terms and what exactly generally would you say? Brian McDonald Yeah, if we're talking specifically about story, I think I would give them the definition. I would probably let them struggle with the definition of story first, because I think that's an important part of the process, because people have to know they were given something, because it sounds obvious when you say it. So we will fool ourselves and think, oh, I knew that, so the struggle is really important, so I would let them struggle, make sure they understood that they got something, oh, now I have a definition, and sometimes just having a definition elevates what you're able to do. Just having the definition. So, then I would break down story, I would break down armature, which I haven't done yet I don't believe in the concept of interactive stories, I think that's a misnomer, because once you interact with the story, it becomes a game. I don't think they can occupy the same space. Now, the word story comes from the word history, where it comes from, comes from the word history. A story has happened. So for instance, if you and I were somewhere and we had some crazy adventure, as it's happening, it is not a story. It's only a story when we're done and we tell people about it. A video game is happening in the moment, the same way as any other experience. It's an experience, but it's not a story till it's done, and you're telling people that, and so I just don't think they occupy the same space. Now they have a lot of the same ingredients, and that's what fools people. So for instance, it's sort of like, I would say you can use eggs and flour to make noodles or cake, but noodles are not cake, and so because you can have characters and settings and scenes and a lot of the same ingredients as a story, I think people think they're the same thing, but they are not, and that's what's interesting to me is that video game people desperately want their thing to be story, and I don't know why. It's like, no, you have your own thing. They have scenarios. In the old silent movie days, they didn't have screenplays, they didn't write screenplays. So, Buster Keaton would say, get me a fire truck and I'll make a movie, and he would then make it up, Chaplin did the same thing, he would make it up, they didn't write them down. Sometimes Chaplin would shoot and then say, okay, everybody has a week off while I figure out what happens next. He didn't know, so the reason they started writing screenplays, one of them was to budget. Well, what do you want? I'm going to need a truck, I'm going to need this, I'm going to need that. Okay. So they knew how much it was going to cost to make it, that's one of the reasons they started doing it. So you'll see on old silent movies scenario by, so it would be like, what if a guy robs a bank and this happens so that's the scenario. Video games have a scenario, and anything can happen in that scenario because the player has some agency, and that's like being in real life. Being in real life is not a story, it's just not, it's a story later, but I think that when we are experiencing a story, it feels like the present, and so I think it's confusing, and people will argue with me and they'll say, but have you played this video game or that video game or this one? And I'm like, you're not actually arguing. There's a little bit of story, and that stops and then there's gameplay, they don't occupy the same space, they're just close to each other. You have to switch from one to the other, I just don't believe they can occupy the same space, and I think technology has fooled us to thinking that that's the case, because you don't need technology. If there is such a thing as interactive stories, you could do that without technology. Choose your own adventure books were that, so you don't need it. Everybody remembers them, but how many people ever tell the story of a choose your own adventure book? You ever heard anybody say that? No one does, because it wasn't really a story, it was a game. There's nothing wrong with it being a game, I think that's totally fine, but I don't study games, I work with game people. There are people that study games and that's their whole thing. I get that, and there's game theory, and there's a bunch of stuff I don't know, but they seldom study story, and I do know that. So when they say, well, this game has a story, I'm telling you, it doesn't, because that's my field of study. And then an armature. So, I used to work in creature shops in Los Angeles. So I moved to LA in the mid 80s, and my roommate was a special effects makeup artist. And so my first jobs in LA were working in creature shops because he could get me these jobs, and this is before CGI and computers and stuff, so things had to be built. My roommate was working on the movie Predator when I moved there, I remember, it was called Hunter, I still have the script, it was called Hunter at the time, and so they were doing some reshoots. They had gone on location and shot the movie without having a design for the creature. So they came back and they were doing some shoots in studio and stuff with this creature, I remember that vividly. Anyway, but they had to build these things, and so I would work on these movies, I worked on a zombie movie and a movie called Night of the Creeps and all, but you had to make things, and I would watch these sculptors, amazing sculptors, sculpt these little mock cats of whatever the creature was, and they were, I'd never seen in real life, somebody really able to sculpt something that was so amazing, and I was 21 years old, it was amazing to see, and they would make though this wireframe skeleton before they sculpted the clay, and I asked why, I didn't know, and they said, well, we have to make a skeleton, an armature. In fact, the wire is called armature wire. We have to make this armature because clay can't support its own weight, and so after a little while, could be a day or two days or sometimes a few hours, it'll collapse upon itself. So you need to make this skeleton, and I thought, oh, that's really interesting. It's something I'd never thought about, and then when I thought about it in terms of story, I realised that a story has an armature. It holds everything up. Everything is built around this armature. It ends up being one of the most important parts, like with the clay, but it's not anything anybody notices, except when it is in there, it's the thing that makes it work, it's the thing that makes it stable, and the armature for a story is your point. What are you trying to say? What's the survival information you're trying to convey? So, some people would call it a theme, it's a mushy word, people don't quite know what it means. So I usually start with armature, then I use theme interchangeably, but I start with armature because it's a visual idea that people can sort of wrap their brain around, where theme is, I think, almost too intellectual. And the way I like to think of it is this, that a story doesn't have a theme. This is what you always, you hear this, stories have a theme, this story has to have a theme. Stories don't have a theme, stories are a theme, stories are a manifestation of the theme. If you are telling the story of King Midas and you're saying some things are more important than gold, then the story is a manifestation of the illustration of that theme. Ula Ojiaku So if a story is a manifestation of a theme and an armature is your point you're trying to make, so what is a theme then? Brian McDonald Well, theme and armature are the same. It's just that theme takes a long time for people to wrap their brains around, it's too intellectual. I think a lot of terms for storytelling and writing and all of that were made up by people who weren't practitioners, but observers, and so their words are often not very helpful. So it's like, well, theme's not a helpful word. I struggled with the idea of theme for a long time, even though I knew what a theme was, I was lucky because of the things that influenced me would always have a strong theme, and so I knew instinctually how to do it. It was a while before I understood what I was doing, and the word theme completely confused me because it was something I thought I had to put in my story, I had to fit it in there, but it's not that way. Ula Ojiaku So if I said a theme is the point you're trying to make, or a theme is the message you're trying to pass across would that be wrong? Brian McDonald You know, the interesting thing about having a point, is that when we talk, we have no problem with the concept, and in fact, when somebody's talking to you, and it's clear they don't have a point, you lose interest fast, you also don't know what to listen for. So one of the things that often comes up is people will talk about I think mood, for instance, is a trick of literature. So, because you can paint pretty pictures with words and you can do these things, I think that's a trick and has nothing to do with storytelling. It's almost a special thing, and so sometimes people will say, well, what about mood, because you're so into story, what about mood? I go, well, here's the thing, nobody talks in real life about mood. So if I say to you, hey Ula, I have something to tell you, a clear blue sky, seagulls in the distance, the sun beating down on me, salt air coming off the ocean. Okay, I'll see you later. You'd be like, I didn't tell you anything, but if I just add one sentence, if I say my trip to Mexico was amazing, clear blue sky, now you know why you're listening. That changes everything. Armature does the same thing. If you know why you're telling the story, it will all fall together in a different way, and people know they're in good hands, they feel it, they won't know why, but they'll understand why they're listening. Ula Ojiaku People in other disciplines have to give presentations and already is an established case that storytelling helps with engaging people, and when you know the point you're trying to pass across, it's a great starting point to know what message you're trying to pass across to the audience. What advice would you give to leaders? What can they bear in mind to about weaving in stories so that it's engaging without losing the message? Brian McDonald I've helped people write speeches and I've had to give speeches on different things that were not necessarily story related. And in fact, when I was at the creative agency I was at, we would often be asked to help people write speeches, and all the writers would follow basically the rules that I laid down about how that should happen, and we could do it really quickly and the CEOs were always amazed at how quickly we could do it, but they usually have a story, they just don't recognise it. Most people don't recognise the stories that they have to tell because they take them for granted, and so often we would pull that out of them and say, that's your thing, but I once heard an interview, this is pre-pandemic. So pre-pandemic, there were a lot of people, who were against vaccines, even then, and I heard this doctor talking on the radio and the doctor said, because people were afraid, they were like, well, wait, if my kid gets the vaccines, gets immunised, this leads to autism, that's what they thought, and the doctors were like, all the research from all around the world does not bear that out, that's not true. So, and they kept trying to provide data that showed that this wasn't true, and I remember listening to this going, they're not going to win with data because we're not wired for data. The reason those people believe what they believe is because they have a story. I knew somebody this happened to, I heard of a person this happened to. You can only win with another story, you're not going to win with data. So the thing is, you find a story, a human story about whatever you're talking about, because there is one, and when you find it, that's what people will latch on to. We're not wired for all that other stuff, we're not wired for charts and graphs, and that's not the way it works. We're wired for stories and we want to know, hey, how is what you're telling me going to help me, that's what we want to know, and so there is a story there, there always is, they just have to find it. How does this thing connect with me? Steve Jobs was good at this, and I've worked with tech companies making pieces for them, and if they have a product, they often want to give you the stats, like it does it's this, and it does this and it does this and it has this many whatever, but do you remember there was a commercial, at least here I don't know if it was everywhere, but there was a commercial for facetime, and when it first came out, there was a commercial for it and the commercial was just people on the computers, or on their phones, connecting with other people. So there was a guy who obviously was stationed somewhere, a military guy, and he sees his wife and their new baby over the thing, somebody seeing a graduation, I think is one of them, all these things that connected people. Now you got, I've got to have, that because you're giving me emotional information. I don't know anything about technology, so you're not going to impress me with technology, you're going to impress me with how is this going to impact my life for the better. So they told you those little stories, those little vignettes, and it was a powerful commercial. So an armature should be a sentence, so it should be something you can prove or disprove through the story. It has to be a sentence. So a lot of times people go, well, revenge, that's my theme, that's my armature. It's like, it can't be. Revenge is sweet, can be. Revenge harms the avenger, could be. It can't be friendship, friendships are sometimes complicated, friendships are necessary, something like that. So companies can have armatures, they're often looking for their armature. What's interesting is that Nike's armature is if you have a body, you're an athlete, and when you have a strong armature, it tells you what to do. So, if you have a body, you're an athlete, which they sort of contextualised as ‘just do it', but the armature is, so they did an ad with an overweight kid jogging. It's just one shot of him jogging and having a very hard time doing it, but doing it, and that's better than having a star. A lot of times clients used to come to us with the agency and go, we got this star and this song. It's like, yeah, but what are you saying, because it won't matter. That was a very powerful ad, that kid just jogging and just doing it, and you were like, it was more impressive than the most impressive athlete, you had empathy for him, you had admiration. It was amazing, it's an amazing ad, and it's simple, it doesn't cost a lot of money. It doesn't have any special effects. It doesn't have any big stars. What was interesting is that Nike changed ‘just do it' for a while to ‘be like Mike', to be like Michael Jordan, be like Mike. Well, guess what? You can't be like Mike. If you have a body, you're an athlete. I can do that, but I can't be like Mike, so they went back. They had to go back, that went away. If you have a strong armature, it's amazing, what it does is sticking to your armature has a way of making your stuff resonate and be honest in a very specific way and feel polished, and so if somebody is giving a talk and they know their armature. I gave a talk, at the EG conference. I was flattered to be asked because James Cameron had spoken there, Quincy Jones had spoken there, they asked me to be there and they said, well, what do you want to talk about, and I said, well I'm a story person, I want to talk about story. They seemed bored by the whole idea of me talking about story and they said, well, what are you working on? Well, I had just started working on a memoir that's not out yet, but I had just started working on this memoir, and they go, tell us about that, and it was a memoir about my brother's murder, and they said, well we want you to tell us about that, what you're going to talk about in your memoir. So I thought, okay, I didn't want to talk about it really, but I didn't want to pass up this opportunity. It was a high profile talk, there were going to be high profile people in the audience, it was an honour to be asked to do it, so I did it. So when I prepare for a speech, or a lecture or anything, the first thing I do is I try to get into that venue as early as possible when there's no one there, and I walk on and off the stage, over and over again, because one of the things that throws you as a speaker sometimes is not knowing how to get on and off the stage. You might trip, so I just do it a bunch of times so I know how many steps. Then I sit on the stage, I just sit there, because I want it to become my living room, so I just sit there, it could be 20 minutes, just taking it all in. I ask them to turn the lights on the way the lights are going to be on during the talk, because sometimes it throws you when you're like, oh, I can't see anybody, or I can see the first two rows, I'm getting rid of all of those things. Then I go into the audience and I sit in different sections. What can these people see? What can these people see? What can these people see? I do all. So that's the way I prepare, and then I do all the tech stuff. Well, the EG conference didn't really let me do that. I got to go on stage for a couple of minutes, but I really didn't get to spend much time up there. I had my PowerPoint. So I had some slides and I had notes, and they said, okay, this is what time you're going up. I go, I've got to know if this is working, my slides and my notes and they didn't let me do it on stage, we did it backstage and I go, it's going to look like this. Fine, I get out there, the monitor on the stage is different, and I don't have my notes. I don't have my notes. I had seen people at this conference when something went wrong, they would stop their talk, they would go talk to a tech person. It took the air out of the room, it sucked the air out of them. So I was like, I'm not doing that, I'm up here without a net now, I'm just going to do this. Here's what saved me. I knew my proposal and I knew my conclusion, which were the same. All I had to do was prove that proposal. So as I'm up there, I had prepared some things, but I'm essentially making things up, that I know will do the job because I know the armature. Now this is not to brag, this is about how well the technique works. I got an immediate standing ovation. Some of those people, they know what they're looking at, some of those people are pretty big deal people, and so they came up, I'm friends with some of them now, like we've got to hang out, I've got to pick your brain, and I was sort of the celebrity of that thing, and there were people who went to the EG conference every year, and I heard from people that it was either the best speech they'd heard, or in the top five speeches they'd heard at that conference, and some serious people had spoken at that conference before. So, but that was just the technique, it's nothing special about me, I just knew the technique, and everybody can learn it, and when I've taught it to people like a guy I used to work with, Jesse Bryan at the Belief Agency, we helped the CEO write a speech, and he's a shy guy, but we found his armature and we said, this is your armature, this is what you have to do this about, and he did it, and we heard back from people who worked with him. It's the best speech he's ever given, he was comfortable, he knew what he was saying, he knew what he was doing up there and he believed what he was saying, because that's key. It's key to believe what you're saying. So it doesn't matter whether you're writing a story or whatever, it always helps. For instance, a lot of times people will write an email to somebody and in the email, there's like 10 or 15 things to pay attention to, and then when that happens, a lot of things don't get addressed. So if your armature is your subject, and everything is dealing with that, and then if you have more to say, that's another email. This one's just about this, now, all of a sudden, I've told people that, and I know other people I've worked with who've told people that, and all of a sudden, people are responding to their emails differently, things are getting addressed that weren't getting addressed, because they started with their armature. Because there's too much to pay attention to. Is this for me? Is this for somebody else, especially if it's a group email, who's this for? Am I supposed to do this? But if it's one thing, hey, Brian, take care of this thing. Oh, okay. One thing about point, which is interesting. So I've been teaching this a long time now and I don't usually get new questions, but one day somebody had a question I'd never heard before. So I'm talking about having point, and somebody says, what's a point? And I thought it was pretty self explanatory, but I try to honour the question, and so I answered and I talked about armature, talked about having a point, knowing what you want to say and all of that, and anyway, he got it, but afterwards, I went, what is a point? I have to actually know that. So I looked it up, a point, the definition of a point, one of the definitions is the tapered sharp end of a tool or a weapon, and I'm like, that's exactly what a point is in a story, because you can weaponise. As a matter of fact, I actually don't believe that you can make a tool without also making a weapon. I think that they always go together. When we harness fire, that's a tool, but it's also a weapon. A hammer is a tool that can also be a weapon. Writing is a tool that can also be a weapon. Storytelling is a tool that can also be a weapon. I don't think you can make one without the other. It's just what you decide to do with it. Ula Ojiaku It's like different sides of the same coin, really. Brian McDonald Yeah, the tapered sharp end of a tool or weapon, and that's what a point is. Ula Ojiaku So what led to your updating of the Invisible Ink? Could you tell us a bit about that, please? Brian McDonald Well, it took me six years to get the book published. I wrote it and it took forever to get published, it took a long time. And so, I learned more, and when the book was finally going to get published, I thought, well, I know more now than I did then, when I wrote this book. Do I amend the book? Or do I put it out the way it is? Well, I had been teaching, and that book was essentially what I had been teaching, and I knew it worked for people, and I knew it resonated with people, so I went, well, you know, this is fine. I'll just put this one out and then later I'll know enough new stuff that I can put that in the book, and so that's what I did. I started teaching things that weren't in the book, and there were enough of them that I thought, okay, this is enough new stuff that I can justify a new book, and also I changed some of the language a little bit, there was some gender stuff in Invisible Ink that, as the years went on, rubbed people the wrong way, and I understand that, and so I'm like, let me adjust that. It took me a while to figure out how to adjust it, but once I figured that out, because I wanted to be honest about the things I was observing, but the world moved on and I didn't want to be stuck. Now in another 10 or 20 years, there might be stuff in the book that people go, I can't believe you wrote that, but there's nothing I can do about that, but as long as I'm around to make changes, I'll make those changes. So that was a less of it than really I had more to say and I found ways of being more clear and over the years I've gotten questions, like people didn't know how to build a story using an armature, so I started teaching that more and so that's in the book, and also I talk about first acts more because I think the first act is so important and it's actually getting lost, particularly in Hollywood. I was told by an agent I had not to write a first act, because they want to get right to the action, but the first act in a story, there's a lot of work it's doing, and one of the things it does is it creates a connection between the audience and the protagonist. So the difference is this. If I say there was a terrible car wreck yesterday. Oh, that sounds terrible. Was anybody hurt? Yeah, your best friend was in a terrible car wreck. Ula Ojiaku That changes everything. Brian McDonald Everything. That's what the first act does. Oh, I know this person this is happening to. You eliminate that, you get all the spectacle and all that other stuff, but you don't care. That first act makes people care. So I focused on that a lot, and I talk about how to build a story from that armature, how that helps your first act, and how to build the rest of the story using that armature. So that's why I've changed the subtitle to Building Stories from the Inside Out, because that's more the focus of this book Land of the Dead is my favourite of my books right now, because most of what I teach, in some way or another, used to be taught, a lot of it was common knowledge up till about the 1920s. So all I've done is do a lot of studying and reading and all of that. The Land of the Dead has things in it that I haven't read other places, and I feel like it's my contribution, in a different way, to storytelling. I think I've added some vocabulary to storytelling, broadly speaking and there's one thing in particular in that book, angel characters, I talk about angels, not in a religious sense, but in a story sense and how they operate in stories, and I don't know if anybody's ever talked about it. They may talk about it somewhere, but they don't talk about anything I've read about story, and there's some other things too in The Land of the Dead I think I've added to the vocabulary, so I feel proud of that. I feel like I put my handprint on the cave wall with that book. We'll see, I don't know, people like what they like, I like that book, and The Golden Theme I liked too, but those two, I think those two for me, they're actually in a way, opposite books in a way, that one is about the underworld and the information and the lessons we get from the underworld, but they're both, I think, positive. Some of the reviews with Land of the Dead talk about how it's strangely positive, given what it's about, and I'm proud of that. There's just a lot of things, I'm very proud of that book, and the memoir, which will be out who knows when, it takes a long time, it's graphic, so it's being drawn and that takes a long time, so hopefully it'll be out in another year or so. Ula Ojiaku Looking forward to that. So where can the audience find you if they want to reach out to you? Brian McDonald Well, they can go to my website, writeinvisibleink.com They can do that. They can follow me on Instagram, which is @beemacdee Those are the places where people usually find me and they can write me from the website, and my classes are offered there. So I teach zoom classes. Ula Ojiaku Do you have any final words for the audience? Brian McDonald I would say, to pay attention to the stories around you, pay attention when people talk, if you learn how to do that, you will learn everything you want to know about storytelling, because it's in the natural world. So you'll learn when you're bored, why you're bored, when you're engaged, why you're engaged, and it's hard for people at first, but if they can learn, I say, observe stories in their natural habitat. So, the problem is when people are in a conversation, they're in a conversation and it's hard to observe and be in a conversation, but if you practice it, you can do it, and it's really interesting to hear somebody talk and they'll talk in three acts, they'll have a proposal, they'll have an argument, they'll have a conclusion and you'll hear it, and the reason I think that's important is because until you teach it to yourself, you will think, oh, what did Brian say, or I think Brian's wrong about this, or this is his take. When you observe it yourself, you're teaching it to yourself. You don't have to listen to me at all, teach it to yourself. It'll prove itself to you, and then that comes from a different place when you start using it. You're not following my rules and quotes, and so I think that's really important that people have ownership over it and that they know that it's theirs, and they're not painting by numbers. Ula Ojiaku Thank you, Brian. Pay attention to the stories around you. This has been an amazing conversation and my heart is full, and I want to say thank you so much for the generosity with which you've shared your wisdom, your experience, your knowledge. Thank you. Brian McDonald Thank you. Thanks for having me. Ula Ojiaku My pleasure. That's all we have for now. Thanks for listening. If you liked this show, do subscribe at www.agileinnovationleaders.com or your favourite podcast provider. Also share with friends and do leave a review on iTunes. This would help others find this show. I'd also love to hear from you, so please drop me an email at ula@agileinnovationleaders.com Take care and God bless!

Rob Gentry, David Gilmour / Quincy Jones / Giorgio Moroder

The Keyboard Chronicles

Play Episode Listen Later Jan 3, 2025 Transcription Available

Rob Gentry is a keyboardist, producer, and multi-instrumentalist with over 20 years of experience. He has performed at iconic venues such as the Sydney Opera House, the Royal Albert Hall, and the Hollywood Bowl, collaborating with musical legends like Quincy Jones, Pete Tong, Giorgio Moroder, and Damian Lazarus. We chat to Rob on his career... The post Rob Gentry, David Gilmour / Quincy Jones / Giorgio Moroder appeared first on The Keyboard Chronicles.

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285: Jacob Collier's First Interview

The Third Story Podcast with Leo Sidran

Play Episode Listen Later Jan 2, 2025 98:49

In 2013, after having posted a series of videos recorded in his family home in North London of himself singing a cappella arrangements of classic - yet sometimes obscure - songs on YouTube, a critical mass began to form around Jacob Collier. His videos of Stevie Wonder's “Isn't She Lovely” and “Don't You Worry Bout A Thing” were passed around by musicians and music enthusiasts and by 2014 he was being managed by Quincy Jones and traveling around the world. He was one of the first career artists to emerge on YouTube. Jacob's journey since then has been nothing short of extraordinary. Today, at 30 years old, with six Grammys, millions of fans, and collaborations ranging from Herbie Hancock to Chris Martin, his influence spans generations. His Djesse project—four albums in six years, exploring 50 songs and countless collaborations —represents not just his creativity but his ability to bring others into his world. From arenas to intimate collaborations, Jacob Collier is now a fact of musical life. Yet, he remains tied to his roots: the small room in his mother's house where it all began. His first album, In My Room, was both a tribute to that space and a manifesto for his artistic philosophy. Before his star had really begun to rise, I met with Collier in late 2014. He invited me to his family home in North London, where his mother greeted me with tea and cookies while he returned from university. When we finally sat down in his music room to talk, his brilliance was immediately apparent. He spoke about sound with sensitivity and clarity, blending perfect pitch, synesthesia, and a boundless curiosity. He was still a kid, but one with an expansive vision. That conversation remains a revelation. It captured a young artist at the cusp of greatness. It is also the first interview of its kind that exists with the extraordinary artist . Ten years after that first interview, I'm reminded why I started this podcast: to capture history as it's being made. Jacob Collier's story is one of boundless curiosity and connection—a message in a bottle that changed the tide. Get 45% off the Magic Mind bundle with with my link: https://www.magicmind.com/LEOJAN www.third-story.comwww.leosidran.substack.com

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The fate of the nation; Election 2024

Made To Motivate: A PopCulture PodCast

Play Episode Listen Later Jan 2, 2025 111:32

Share your thoughts on the episode! Send us a text!Welcome back to Made To Motivate Podcast!! You're tuning in to the highest rated, most listened to podcast to ever grace the airwaves! And you're a better person for listening to us! This is Season 11 Episode 5!

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Quincy Jones, Mister Q : Hommage

Le jazz sur France Musique

Play Episode Listen Later Jan 2, 2025 59:57

durée : 00:59:57 - Quincy Jones, hommage - par : Nicolas Pommaret - Disparition de Quincy Jones le 03 novembre 2024. - réalisé par : Patrick Lérisset

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Episode #34 - Ira Nepus

The Trombone Corner

Play Episode Listen Later Jan 1, 2025 52:09

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark. Join hosts Noah and John as they interview Ira Nepus, jazz and commercial trombonist from Los Angeles. About Ira: Ira Nepus was born in Los Angeles, California and was raised on the jazz heritage of his father, one of the key founders of the Hot Club of France in Paris during the late Thirties and was featured in his first jazz concert at the age of 15. Ira gives equal importance to all styles of jazz, from traditional on up through contemporary. Ira currently performs with the Clayton-Hamilton Jazz Orchestra, which he has been an original member of for over thirty-eight years, privately teaches, and performs in all major recording studios throughout the Los Angeles area. He also plays and tours periodically with his own quartet and continues to record in that format. He currently is artistic director for the Gardens of the World's Summer Jazz Series in Thousand Oaks, sponsored by the Hogan Family Foundation celebrating over 10 years of concerts in the Park. He has performed/recorded with Paul McCartney, Elton John, Leon Russell, Big Bad Voodoo Daddy, Elvis Costello, BB King, (Grammy Winner) and/or also recorded with some of the following greats: Benny Carter, Woody Herman, Del Courtney, Quincy Jones, Gerald Wilson, Nelson Riddle, Lionel Hampton, Ray Charles, Sammy Davis Jr, Ella Fitzgerald, Peggy Lee, Aretha Franklin, Diana Krall, and Cab Calloway to name a few.

2024 in Pop Culture/Celebrity Deaths

Check Your Brain

Play Episode Listen Later Jan 1, 2025 86:02

A slew of famous celebrities bit the dust in 2024, including Toby Keith, Willie Mays, Jerry West, Bob Newhart, James Earl Jones, Pete Rose, Quincy Jones, Jimmy Carter, and...you guessed it...OJ Simpson. There were also some wild pop culture moments that occurred, from the Hawk Tuah girl's rise and fall to comedians being allowed to be funny again, and controversies over playing Beyonce's album on country radio and the Nickelodeon documentary on the abuse happening with producers on the network. Tony Mazur covers all of that and much more in this final episode of 2024 (and the first of 2025, if you're listening for free on Apple and Spotify). Be sure to subscribe to Tony's Patreon. $3 gets you just audio, $5 gets video AND audio, and $10 has all of the above, as well as bonus podcasts per week. Visit Patreon.com/TonyMazur. Tony is also on Rumble! Go find his video podcasts over there for free. Cover art for the Check Your Brain podcast is by Eric C. Fischer. If you need terrific graphic design work done, contact Eric at illstr8r@gmail.com.

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EP #338: Award-winning journalist Shawn Edwards KICKS OFF SEASON SIX

Jake's Take with Jacob Elyachar

Play Episode Listen Later Jan 1, 2025 26:50

The Jake's Take with Jacob Elyachar Podcast begins its sixth season!! I am honored to welcome Shawn Edwards, my friend, mentor, and award-winning journalist, as the season's first guest! Shawn is one of the United States' leading African American film critics. Known for his sharp insight and considerable knowledge of the business side of the movie industry, Edwards has quickly established himself as a respected and trusted critic. Since he began reviewing movies for FOX in 2000, he has been quoted on more than 300 movies. His reviews are on the “Screening Room,” which airs every Thursday, Friday, and Saturday on Fox 4 News or at fox4kc.com. The nationally recognized film critic is also a co-founder of the African American Film Critics Association and is the creator of iloveblackmovies.com. He has written and produced three documentaries about black film: “We Make Movies Too: The 100 Best Black Movies (Ever),” “No Joke: The 50 Best Black Movie Comedies (Ever),” and “Our Heroes: The 25 Best Black Movies (Ever).” He is currently working on his fourth documentary, “The Movies We Love: The 25 Most Romantic Black Movies (Ever),” which will premiere in the summer of 2010.Shawn Edwards also produced “A Celebration of Black Film, " a well-attended film event honoring blacks' historical contributions to cinema. Edwards is also the co-creator of the Kansas City Urban Film Festival, which showcases independent filmmaking by diverse filmmakers from around the world. Shawn began his journalism career as an editor/writer for “The Pitch” in Kansas City, Missouri. He also freelanced for “Vibe,” “The Source” and “XXL” national music magazines where he wrote feature stories about music and movies. He has won numerous journalism awards. In 2009, he was honored by the Los Angeles Press Club and their National Entertainment Journalism Awards as the best film critic on television, an award Edwards also received in 2008 along with his “Screening Room” partner Russ Simmons. Edwards was also recognized in the Best Feature for TV (“Chat with the Stars”) and Best Online Film Critic (iloveblackmovies.com) at this year's National Entertainment Journalism Awards.He is currently writing a book on the history of black film and producing television shows for Black Entertainment Television in conjunction with FGW Productions, which is based in Los Angeles, California.On this episode of The Jake's Take with Jacob Elyachar Podcast, Shawn Edwards spoke about celebrating 25 years at WDAF-TV FOX 4 News, interacting with the late Quincy Jones, and the Black Movie Hall of Fame's groundbreaking.Let's connect on social media! Visit my channels on:A) Facebook: https://www.facebook.com/JacobElyachar/B) Instagram: https://www.instagram.com/jacobelyachar/C) Threads: https://www.threads.net/@jacobelyacharD) TikTok: https://www.tiktok.com/@therealjacobelyacE) YouTube: https://www.youtube.com/@JacobElyacharBecome a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

Starting season 19 - and 2025 - in conversation with saxophonist and composer Emma Rawicz

Big Questions with Cal Fussman

Play Episode Listen Later Jan 1, 2025 20:57

Happy New Year! Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.This first episode of season 19 features a conversation with saxophonist and composer Emma Rawicz, who I saw twice at the end of 2024 - once with her own band at Kings Place and once at Ronnie Scott's with Laila Biali (who you can also hear on episode 246).It was great to chat with Emma about her experiences as a musician and also about her forthcoming projects, particularly a duo with pianist and composer Gwilym Simcock. More of that to come!Thanks to Emma for giving me permission to play extracts from her 2023 album Chroma alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead my reviews of albums, gigs and books as well as a little personal stuff on my blogFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

music conversations happy new year inspiration writer jazz journalists chat composer quincy jones saxophonists chroma ronnie scott kings place starting season laila biali gwilym simcock

Immortality & AI

Play Episode Listen Later Dec 31, 2024 14:23

Quincy Jones, Toby Keith, David Sanborn and others passed on in the last year – but their music lives on. Which makes Cal wonder if we all have a shot at immortality in the age of AI. Listen up, and get more out of your life.

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12-27-24 Quincy Jones - Jazz After Dinner

Classical 95.9-FM WCRI

Play Episode Listen Later Dec 30, 2024 49:02

This week Joe is featuring Composer, Arranger and Producer Quincy Jones from a 2022 Acrobat Music Compilation recording, titled “Quincy Jones and His Orchestra; The Early Years.”

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Interviewing Pete Chambers from the Coventry Music Museum

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Play Episode Listen Later Dec 30, 2024 19:26

Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.It is a real pleasure to end 2024 with this interview featuring Pete Chambers, journalist and curator of the impressive Coventry Music Museum. I'm a great believer in the need to both embrace the music that influences us and to celebrate emerging artists. Pete and I discuss both the historic place of Coventry in music but also the future: successful artists continue to come out of this part of the UK.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead my reviews of albums, gigs and books as well as a little personal stuff on my blogFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

In the Heat of the Night (1967) Revisit

Greatest Movie Of All-Time

Play Episode Listen Later Dec 29, 2024 60:00

Dana and Tom revisit In the Heat of the Night (1967): directed by Norman Jewison, written by Sterling Silliphant, score by Quincy Jones, starring Sidney Poitier, Rod Steiger, Warren Oates, and Lee Grant.Plot Summary: In the Heat of the Night (1967) is a taut, incisive drama that explores the collision of justice and racial prejudice in the Deep South. Sidney Poitier stars as Virgil Tibbs, a Philadelphia detective who reluctantly teams up with a bigoted small-town sheriff, played by Rod Steiger, to solve a murder in Sparta, Mississippi.Director Norman Jewison builds a gripping procedural around the tension between these two men, each forced to confront his own biases in the face of a shared goal. With its evocative cinematography, unforgettable moments of confrontation, and Quincy Jones' soulful score, In the Heat of the Night transcends the confines of a murder mystery. It is a film of deep moral resonance, one that holds a mirror to America's struggles with race, power, and reconciliation—while delivering a narrative as electrifying as it is humane.Chapters:00:00 Introduction and Welcome01:14 Cast and Recognition for In the Heat of the Night03:23 Relationship(s) to In the Heat of the Night07:21 What is In the Heat of the Night About?14:13 Plot Summary for In the Heat of the Night17:06 First Break17:55 Ask Dana Anything18:40 The Stanley Rubric - Legacy22:05 The Stanley Rubric - Impact/Significance25:07 The Stanley Rubric - Novelty34:07 Second Break34:17 In Memoriam35:20 The Stanley Rubric - Classicness41:49 The Stanley Rubric - Rewatchability44:23 The Stanley Rubric - Audience Score and Final Total46:12 Remaining Questions for In the Heat of the Night48:44 Where the List Stands at the End of Season 552:54 Remaining Thoughts for Season 558:32 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the original episode, go to: https://www.ronnyduncanstudios.com/post/in-the-heat-of-the-night-1967For more on the episode, go to: https://www.ronnyduncanstudios.com/post/in-the-heat-of-the-night-1967-revisitFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:In the Heat of the Night, race relations, Sidney Poitier, film analysis, classic films, podcast, movie review, Best Picture, 1967, cultural impactRonny Duncan Studios

OK Jazz Episode #172

OK Jazz Podcast

Play Episode Listen Later Dec 28, 2024 118:11

OK Jazz returns after a six month hiatus! Tribute to two giants that left us Quincy Jones and Papa Noel, new jazz from the UK, some modern soul, monster grooves the French Caribbean, some personal & music related updates and LOTS more!

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61. Alissia: Producer of The Year GRAMMY Nominee, Anderson .Paak, Prince, Bootsy Collins, Bass, Berklee

Go with Elmo Lovano

Play Episode Listen Later Dec 27, 2024 65:49

Alissia Benveniste, aka Alissia, quickly makes an unforgettable impression on people. Her bass playing first caught the attention of Prince, Quincy Jones, and Bootsy Collins, even though she had only been playing for a few years. While at Berklee College of Music, Alissia created a wave that has only grown bigger, with her bass videos going viral on YouTube and Instagram.Her tone, sound, style and talent captivate instantly.Now, Alissia is nominated for PRODUCER OF THE YEAR at this year's GRAMMYs, having spent the last handful of years writing and producing with Anderson .Paak (on nearly all of his projects), Kaytranada, Bruno Mars, Mary J. Blige, BJ The Chicago Kid, NxWorries, Rae Khalil, Bootsy Collins, and more. Alissia, is kind, down to earth, and a truly talent multi-instrumentalist, composer and producer. We dive deep with Alissia on how she got where she is today and what is next. Here's the conversation with our dear friend, Alissia!‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! Listen to the audio form of this podcast wherever you get your podcasts: https://rss.com/podcasts/gowithelmoFollow Alissia:https://www.instagram.com/alissia/Follow Go With Elmo:https://www.instagram.com/gowithelmo/Follow Elmo Lovano:https://Instagram.com/elmolovanohttps://Twitter.com/elmolovano#Alissia #Grammys #Producer

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Those we lost in 2024: Bob Newhart, Phil Donahue, Richard Lewis, Shannon Doherty, Quincy Jones, Ethel Kennedy, Willy Mays

WGN - The Dave Plier Podcast

Play Episode Listen Later Dec 27, 2024

UIC Adjunct Lecturer and historian Wally Podrazik joins WGN Radio's Dave Plier and Dave Schwan to look back at the notable figures we lost in 2024.

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Katharine McPhee and David Foster: Christmas Songs (Holiday Re-Release)

Literally! With Rob Lowe

Play Episode Listen Later Dec 26, 2024 43:52

It's a special holiday re-release of “Literally!” Katharine McPhee and David Foster join Rob Lowe to discuss their new album, “Christmas Songs,” Rob and David's decades of friendship, why Rob prefers classic Christmas songs, the surprising origins of the “St. Elmo's Fire” theme, the genius of Celine Dion, and the incredible story of how Rob and David managed to prank President Clinton, Barbra Streisand, and Quincy Jones. Note: This episode was recorded in November 2023. You can watch the full episode on YouTube at YouTube.com/@LiterallyWithRobLowe! Got a question for Rob? Call our voicemail at 323-570-4551. Your question could get featured on the show!

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Cloud Jazz 2657 | Artistas Fallecidos en 2024

Cloud Jazz Smooth Jazz

Play Episode Listen Later Dec 25, 2024 58:20

En esta edición especial de nuestro podcast recordamos a grandes artistas fallecidos durante el año 2024. Lo hacemos escuchando música de David Sanborn, Dean Brown, Marlena Shaw, Gary Grant, Angela Bofill, Jim Beard, Sergio Mendes, Kevin Toney, Russell Malone, Shaun Martin y Quincy Jones.

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"2024 Wrapped" Episode (Holiday Season; Trump Wins ; Lebron James; Glorilla; Kendrick Lamar; Future; Asics; Travis Hunter; )

We're All Set

Play Episode Listen Later Dec 24, 2024 54:25

Happy Holidays from We're All Set Pod. Rich and Uncle Free are dropping off a special holiday wrap up episode to hold you over when you need an escape from the Christmas cheer. To start, the fellas discuss their holiday plans, send RIPs to the legends (Quincy Jones, Clark Kent, to name a few) we lost and then they get right into the 2024 recap. On the sports tip, they discuss athlete of the year, worst choke job, and best storyline. Is it Ohtani, Caitlin Clark, or the Heisman winner Travis Hunter? On the music side of things, they give you song of the year, album of the year in mainstream and underground, as well as artist of the year. Kendrick has to be in the mix right? What about Future? Rich and Free also give you biggest music fall off as well. Ice Spice and Lil Durk gotta be in the mix. The fellas also drop best streamer, best asset class, best interview, and the craziest news story of 2024. Don't forget, Rich and Free also give the Drip of the Year in this episode's Drip Report as well as the most Elite Scumbag of 2024. We end how we always do giving you what We're All Set on going into 2025. Tap in, like and subscribe and get ready for an even better season in 2025.

ReWind: Quincy Jones - The Dude

I'd Buy That For A Dollar

Play Episode Listen Later Dec 24, 2024 51:48

For our first ReWind of the holiday break, we revisit our February 2022 episode on the one and only Quincy Jones, who passed away November 3 at the age of 91. Join us once again as we celebrate his incredible contributions to popular music. If you like us, please support us at patreon.com/idbuythatpodcast to get exclusive content (episodes on 45s!), or tell a friend about us. Broke and have no friends? Leave us a review, it helps more people find us. Thanks!

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#206: Lola Young, Advance Base, Quincy Jones, Doechii & meer

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Play Episode Listen Later Dec 24, 2024 90:13

Deze week kijkt DJ St. Paul terug op het jaar 2024 door de ogen en oren van de Boutique. Met muziek van o.a. Lola Young, Quincy Jones & Doechii. Benieuwd naar de tracklist en shownotes? Check ze via: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tivolivredenburg.nl/studio/podcast/st-pauls-boutique

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Jose Valentino Ruiz, University of Florida – Timeless Lessons from Quincy Jones

The Academic Minute

Play Episode Listen Later Dec 24, 2024 2:30

Quincy Jones left a lot of music and knowledge behind, so what lessons can we learn? Jose Valentino Ruiz, affiliate professor of Arts, Migration, & Entrepreneurship at the University of Florida, has more. José Valentino Ruiz, Ph.D., D.Min., D.B.E., is an internationally renowned musician, producer, and educator blending music performance, industry leadership, and arts entrepreneurship. As […]

#206: Lola Young, Advance Base, Quincy Jones, Doechii & meer

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Play Episode Listen Later Dec 24, 2024 90:13

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407. R&B Music And A Father-Son Spirited Duo: Adam Emil And Henry Robertson

Better Call Daddy

Play Episode Listen Later Dec 23, 2024 59:49

"It's amazing to watch kids overcome... Give a young person a challenge and watch them rise to the challenge right front of your eyes." Henry Robertson Music is a universal language that connects generations, and today's episode of the Better Call Daddy Show is a testament to that truth. Join Reena Friedman Watts as she dives into a soulful conversation with the dynamic father-son duo, Adam Emil and Henry Robertson. From R&B rhythms to family harmonies, this episode explores the profound influence of music on personal and familial bonds. Adam Emil, an R&B artist with a new single "Enough," and his father, Henry Robertson, share their journey through music, family, and the lessons learned along the way. Discover how Adam's upbringing, filled with melodies and rhythms, shaped his path in the music industry. Listen as Henry recounts his own musical memories and the joy of watching his son flourish in a field they both love. The episode also touches on the challenges and triumphs of the music industry, as Adam discusses working with Grammy-winning producers and the evolution of music promotion in the digital age. From the magic of live performances to the camaraderie of a band, Adam and Henry offer insights into the art of collaboration and the importance of a supportive family in pursuing one's dreams. (00:00) Each week I interview a guest, share the stories with my dad (03:01) How many siblings do you have? I have an older sister and a younger brother (04:57) Adam says music has always been a part of his life (09:41) What would you tell people that have a love for music but are afraid of stage (14:34) Sports helped me with problem solving, right? It has to apply to music (17:03) You recently got to work with a Grammy winning producer, Fred Taylor Toxic (19:36) Have you taken your family or your parents on any of these tours (22:51) Which OG R&B song would you have liked to have made (25:50) What are the biggest changes in promoting yourself today compared to when you started (28:18) Can you talk about what happened when you were discovered on YouTube (31:42) Me and Usher rap. Me and John Legend talk. Me and Quincy Jones talked (33:20) Do you think that your relationship with God has contributed to your success (35:43) Do you feel like you have pushed your kids into music or have they expressed their own interests (37:27) If you put a talented producer behind them, it's gonna change the product (39:07) Have you played with your voice and totally changed things in production (41:45) Me and my business partner working on booking for next year (42:27) You've been touring for eight years now (43:36) There's free alcohol everywhere on tour and it's tempting. But you'll pay for it over time (46:19) Adam says he felt like his dad was a mentor to him (50:20) What about what it is he saw in you, the young preteen (59:14) Better Call Daddy is a weekly podcast featuring parenting advice from better dads Shout out SleevieG79 on IG for the intro! Connect with Adam Emil: - Website: adamemil.com - Instagram: @adamemil Connect with Reena Friedman Watts: - Website: bettercalldaddy.com - LinkedIn: Reena Friedman Watts - Twitter: @reenareena - Instagram: @Reena Friedman Watts - Instagram Podcast: @bettercalldaddypodcast Join us for this heartfelt episode that reminds us of the power of music, the strength of family bonds, and the courage to pursue one's dreams. Don't forget to like, subscribe, and share this episode with someone who loves music and the stories behind the songs.

BONUS Talkin' Quincy Jones (RIP) - GNX First Reactions - And De La Disappoints?

The Good Music Show

Play Episode Listen Later Dec 23, 2024 71:00

Hello all, I am writing this a few weeks after we recorded to say this is the last episode dropping this year. Do not despair, we will be coming out strong into the new year with our 3 album-run deep dive episodes that we promised in the preview. But I just want to thank everyone who gave us a chance in our first year. We appreciate everyone who told us were listening, you know who you are - please message us "potato salad" if you read this! More season 2 is to come with new episodes planned that we will preview soon.We usually try to keep it vague but time is weird, so you are allowed to know that this was recorded almost a month after the passing of Quincy Jones, and a week after the release of Kendrick Lamar's surprise album "GMX." Julius took time to mull over a playlist that pays tribute to Quincy Jones' artistry, and willingness to allow it to be remixed and sampled by rappers, which is just one of many things to celebrate about him. Links to the playlist of songs and the song they sample below!Then we give our early reactions to GNX - an album that received mixed reviews out of the gate. We address some of those reviews and give our own takes, and what you will hear is shocking: We love it!We cap it off by reacting to some rather disappointing news about De La Soul's cold reaction to the newly released cultural biography "High and Rising: A Book About De La Soul" by Marcus J. Moore. If you listen our "Fall" episode, you'll get more context on why we felt the need to react.Happy new year everyone! See you in... gulp... 2025!!!!Songs featured in the episode:Links to the Quincy Jones Playlist:Spotify - Apple Music - YoutubeSend us a text message!You can follow us here: Instagram Twitter Tiktok Send us a message, we'd love to hear from you! Email is thegmspod at gmailLeave us a rating and review if you want to!Thanks for listening!

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A live interview with Cat Bourne about her debut album 'Triquetra'

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Play Episode Listen Later Dec 23, 2024 18:19

Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.This conversation took place in the lobby of London's Kings Place concert hall and it was great to chat with Catriona Bourne about her jazz, classical and folk influences. Her debut album Triquetra came out in October and features her on harp, flute and voice, as well as writing, arranging and producing.Thanks to Cat for allowing me to play clips of a couple of her tracks alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead my reviews of albums, gigs and books as well as a little personal stuff on my blogFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

The BJE Presents: The 12 Days of Christmas (Day 8) The Immortal Quincy Jones pt. 4

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Play Episode Listen Later Dec 21, 2024 27:40

Give yourself a round of applause for making it this far! Join us for part 4 of The Immortal Quincy Jones on the Black Jackson Estate 12 Days of Christmas! Happy Holidays! ________________________________________ Want more 12 Days of Christmas from the Black Jackson Estate Podcast? Check out Day 3 from 2022 and 2021 where you listen to podcasts! Day 8 (2023): The Michael Jackson Video Vanguard Award Day 8 (2022): MJ and Sega Day 8 (2021): Look Again, Baby Seal & Other Christmas Tales Join the Black Jackson Estate Patreon! Start Your 7-Day Free Trial Today! patreon.com/theblackjacksonestate Donate to the Black Jackson Estate Podcast! www.paypal.me/blackjackestate cashapp: $blkjackestate Follow the Black Jackson Estate Podcast! Instagram: @blackjackestate Twitter: @blackjackestate Email the Black Jackson Estate Podcast! Do you love us/hate us? Do you have questions, comments, corrections and amplifications? Wanna send us fanfiction, memes and everything in between?We'd love to hear from you. Email us at: theblackjacksonestatepodcast@gmail.com

The BJE Presents: The 12 Days of Christmas (Day 7) The Immortal Quincy Jones pt. 3

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Play Episode Listen Later Dec 20, 2024 32:37

We are BARRELLING towards Christmas! I hope you've gotten all your holiday shopping done and bought a gift for yourself because you deserve it! Join us as we discuss Quincy Jones' work with Michael Jackson and the timeless albums they created together.

EP. 71

The Chop It Up Podcast

Play Episode Listen Later Dec 20, 2024 56:13

Mr. Easy, also known as Ian Dyer, is a renowned Reggae and Dancehall artist with a career spanning over three decades. Ian's affinity for music began in his childhood, and he adopted the moniker "Mr. Easy" at the age of 16 in the late 1980s. By 1990, the versatile singer had won a Showtime Apollo competition and secured a record deal with Quincy Jones' Qwest Records, a subsidiary of Warner Bros./Quest. His debut album was released in 1992, marking the beginning of a prolific career that would yield an extensive catalog of hit music, significantly influencing the Dancehall genre's Golden Era of the 1990s and 2000s. Notably, Mr. Easy has released iconic anthems such as "Funny Man" (Joyride riddim) and "Man Ah Say a Who" (Rae Rae riddim). We are honored to have this superstar make his debut on our podcast. Recently, we had the opportunity to engage in a conversation with Mr. Easy, exploring the significance of dancehall music, the business of creating music, and its role in providing a voice for marginalized communities, addressing social injustices through lyrics. Listen to a poignant conversation on life, leadership, and leaving a lasting legacy beyond the dance floor. --- Support this podcast: https://podcasters.spotify.com/pod/show/karmisha-superville/support

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Episode 230: Reverence For Q

By The Time You Hear This Podcast

Play Episode Listen Later Dec 20, 2024 148:04

Greg and Ben discuss their Thailand trip, Drake's lawsuit, Jay-Z, Golden Globe nominees, greatest pop stars of the century, a Quincy Jones documentary and Earworms of the Week!Quincy Jones - The DudeDamone - Everybody Wants YouGood Terms - CoughK.E.F, Chrome Sparks, JIMMY EDGAR - GetawayThe Brothers Johnson - StompCheck out Ben's newest single “Fall Again” wherever you stream music!Follow us on Facebook: facebook.com/bythetimeuhearthisFollow us on TikTok: @bythetimeuhearthisFollow us on Instagram: @bythetimeuhearthis, @gplaysitcool, @benwattsstudios, @nbg.g.mediaEmail: bythetimeuhearthis@gmail.com Leave us a review and rating on your favorite platform!Search us on listennotes.com

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2024 R&B End of Year Wrap Up - Part Two | We Sound Crazy x Can We Talk R&B Podcast

Can We Talk RnB? Podcast

Play Episode Listen Later Dec 19, 2024 83:17

This special We Sound Crazy x Can We Talk R&B crossover episode is the ultimate 2024 R&B year-end recap and mashup you've been waiting for! Join the We Sound Crazy crew and Can We Talk R&B host, Ian Von, for Part Two as we celebrate the highs, the vibes, and the breakthroughs in R&B this year. From the hottest tracks to the most iconic moments in the culture, this power-packed episode dives deep into what made 2024 unforgettable for R&B lovers. Be sure to check out part two on the Can We Talk R&B YouTube channel and everywhere podcasts are heard. ✅ LISTEN, FOLLOW, AND RATE

Allison Jones (Award-Winning Casting Director)

Armchair Expert with Dax Shepard

Play Episode Listen Later Dec 18, 2024 106:35

Allison Jones (Freaks and Geeks, The Office, Veep) is an Emmy Award-winning casting director. Allison joins the Armchair Expert to discuss growing up an Irish twin in Massachusetts, her first casting job on Family Ties, and how her love of TV prompted her move to California. Allison and Dax talk about the cast of the Golden Girls actually only being in their 50s, how the highlight of her career was meeting Quincy Jones while casting The Fresh Prince of Bel Air, and why jumping a car over another car is less scary than doing standup comedy. Allison explains the number one mistake actors make in auditions, why McLovin is still the most difficult role she's ever cast, and how she stays hungry and dialed-in after over 41 years on the job.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We Are The World....Barely

Jackalope Tales

Play Episode Listen Later Dec 18, 2024 48:49

Send us a textWhat happens when the most famous musicians in the world come together to save humanity...and Bob Dylan almost chickens out? In this week's episode, Charles & Lisa dive into the chaotic recording of the 1985 charity anthem that almost didn't happen. You'll hear the tale of a mumbling legend paralyzed with stage fright, Lionel Ritchie trying to channel Gandhi while wrangling divas, and Quincy Jones transforming into a benevolent dictator. It's the feel-good disaster of the decade, told with just the right amount of snark. Don't miss We Are The World...Barely - the podcast episode that proves saving the planet is easy...if you can survive the egos!New podcast episodes every Wednesday! Be sure to subscribe, rate and comment!Be sure to buy our official Jackalope Tales merch! So many things available.https://jackalope-tales.printify.me/products Support the showBecome a J-Lope and follow us on social media. You can find us on Facebook, Instagram, Twitter, TikTok, and check out our YouTube page for more exclusive content!Produced by: Charles MooneyExecutive Producers: Charles Mooney and Lisa UmbargerOriginal Music by: Charles Mooney and Lisa UmbargerKazoo Solo by: Courtney Mooney

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Completely Conspicuous 647: Quality Pints

Completely Conspicuous

Play Episode Listen Later Dec 18, 2024 42:50

Part 1 of my conversation with guest Jay Breitling about our favorite music of 2024. Show notes: The 16th annual year in review First one was in 2009 Cybertrucks are dumb Self-driving cars are also dumb Taylor Swift just ended a monster tour Music is a dead-end business for most Spotify sucks Country music is huge Breitling: There are some good underground country artists A good year for Tracy Chapman Social media landscape is shifting Lots of big music deaths: Quincy Jones, Kris Kristofferson, Steve Albini, Paul Di'Anno, Greg Kihn, Karl Wallinger Getting out to some rock shows: Hallelujah the Hills, Nuggets tour, Gang of Four, Hoodoo Gurus, Sloan in Toronto Breitling's honorable mentions: The TV show The Bear, Bug Club's song "Quality Pints," Fontaines D.C.'s "Favourite," Tsunami box set, Spectres, Kal Marks Kumar's honorable mentions: Dale Crover, Buffalo Tom, Ekko Astral, Jack White, Ducks Ltd., Mary Timony, Los Campesinos To be continued Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

The Culture Corner: Remembering Quincy Jones

World Cafe Words and Music from WXPN

Play Episode Listen Later Dec 17, 2024 14:57

World Cafe's John Morrison revisits the late record producer and composer's impact in popular music.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

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Steve Perry Celebrates "The Season"

The Record Store Day Podcast with Paul Myers

Play Episode Listen Later Dec 17, 2024 51:59

As Christmas nears, we caught up with the legendary rock vocalist Steve Perry, a certified Rock & Roll Hall of Famer who first made his name as the former lead singer for Journey before going on to a successful solo career with era-defining '80s hits like "Oh Sherrie" and "Foolish Heart." The occasion for this chat is the release of Perry's Holiday themed album of sentimental standards, The Season 3 (his first for Dark Horse Records). Since Steve doesn't do many interviews, Paul seized the opportunity to ask Perry about singing for the late great Quincy Jones on "We Are The World," or the story behind Journey's "Don't Stop Believin'" ending up in the finale of HBO's The Sopranos. Paul even made sure to ask Steve to weigh in on the whole Yacht Rock discourse. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music. Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com) Sponsored by Dogfish Head Craft Brewery (dogfish.com), Tito's Handmade Vodka (titosvodka.com), RSDMRKT.com, and Furnace Record Pressing, the official vinyl pressing plant of Record Store Day. Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

Day 4: The Immortal Quincy Jones pt.2

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Play Episode Listen Later Dec 17, 2024 29:13

Join us as we continue our discussion of music and cultural icon Quincy Jones! Intro music: Mistletoe & Me by Isaac Hayes: Isaac Hayes - Mistletoe & Me (Enterprise Records 1969) Outro music:Ole Santa by Dinah Washington: Dinah Washington - Ole Santa (1959) _____________________________ Want more 12 Days of Christmas from the Black Jackson Estate Podcast? Check out Day 4 from 2023 2022 and 2021 where you listen to podcasts! Day 4 (2023): Rockin' Around the Christmas Tree: Best MJ Music Video Dance Breaks- Head 2 Head! Day 4 (2022): The Best and Worst of 1980s MJ-mania Merch (pt. 1) Day 4 (2021): We Are the World Join the Black Jackson Estate Patreon! patreon.com/theblackjacksonestate www.paypal.me/blackjackestate cashapp: $blkjackestate Follow the Black Jackson Estate Podcast! Instagram: @blackjackestate Twitter: @blackjackestate Email the Black Jackson Estate Podcast! Do you love us/hate us? Do you have questions, comments, corrections and amplifications? Wanna send us fanfiction, memes and everything in between? We'd love to hear from you. Email us at: theblackjacksonestatepodcast@gmail.com

The Black Jackson Estate Podcast Presents: The 12 Days of Christmas Day 3