Podcast appearances and mentions of deborah whaley

Today's guest is Ramzi Fawaz, the Romnes Professor of English at the University of Wisconsin-Madison. Published by NYU Press in 2016, The New Mutants: Superheroes and the Radical Imagination of American Comics is his first book. In 2022, Ramzi published Queer Forms, for which he was interviewed by Lilly Goren for the New Books in Political Science channel. He is also the co-editor of Keywords for Comics Studies, with Deborah Whaley and Shelley Streeby, both with NYU Press. Ramzi's recently published articles include “Legions of Superheroes: Diversity, Multiplicity, and Collective Action Against Genocide in the Superhero Comic Book,” in Social Text; and wrote the introduction to “Queer About Comics,” a special issue of American Literature, with Darieck Scott. A bit about the book:  n 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes. In The New Mutants: Superheroes and the Radical Imagination of American Comics (NYU Press, 2016), Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies--including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants--alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States. John Yargo is Visiting Assistant Professor of Environmental Humanities at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today's guest is Ramzi Fawaz, the Romnes Professor of English at the University of Wisconsin-Madison. Published by NYU Press in 2016, The New Mutants: Superheroes and the Radical Imagination of American Comics is his first book. In 2022, Ramzi published Queer Forms, for which he was interviewed by Lilly Goren for the New Books in Political Science channel. He is also the co-editor of Keywords for Comics Studies, with Deborah Whaley and Shelley Streeby, both with NYU Press. Ramzi's recently published articles include “Legions of Superheroes: Diversity, Multiplicity, and Collective Action Against Genocide in the Superhero Comic Book,” in Social Text; and wrote the introduction to “Queer About Comics,” a special issue of American Literature, with Darieck Scott. A bit about the book:  n 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes. In The New Mutants: Superheroes and the Radical Imagination of American Comics (NYU Press, 2016), Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies--including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants--alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States. John Yargo is Visiting Assistant Professor of Environmental Humanities at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today's guest is Ramzi Fawaz, the Romnes Professor of English at the University of Wisconsin-Madison. Published by NYU Press in 2016, The New Mutants: Superheroes and the Radical Imagination of American Comics is his first book. In 2022, Ramzi published Queer Forms, for which he was interviewed by Lilly Goren for the New Books in Political Science channel. He is also the co-editor of Keywords for Comics Studies, with Deborah Whaley and Shelley Streeby, both with NYU Press. Ramzi's recently published articles include “Legions of Superheroes: Diversity, Multiplicity, and Collective Action Against Genocide in the Superhero Comic Book,” in Social Text; and wrote the introduction to “Queer About Comics,” a special issue of American Literature, with Darieck Scott. A bit about the book:  n 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes. In The New Mutants: Superheroes and the Radical Imagination of American Comics (NYU Press, 2016), Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies--including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants--alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States. John Yargo is Visiting Assistant Professor of Environmental Humanities at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today's guest is Ramzi Fawaz, the Romnes Professor of English at the University of Wisconsin-Madison. Published by NYU Press in 2016, The New Mutants: Superheroes and the Radical Imagination of American Comics is his first book. In 2022, Ramzi published Queer Forms, for which he was interviewed by Lilly Goren for the New Books in Political Science channel. He is also the co-editor of Keywords for Comics Studies, with Deborah Whaley and Shelley Streeby, both with NYU Press. Ramzi's recently published articles include “Legions of Superheroes: Diversity, Multiplicity, and Collective Action Against Genocide in the Superhero Comic Book,” in Social Text; and wrote the introduction to “Queer About Comics,” a special issue of American Literature, with Darieck Scott. A bit about the book:  n 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes. In The New Mutants: Superheroes and the Radical Imagination of American Comics (NYU Press, 2016), Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies--including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants--alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States. John Yargo is Visiting Assistant Professor of Environmental Humanities at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Today's guest is Ramzi Fawaz, the Romnes Professor of English at the University of Wisconsin-Madison. Published by NYU Press in 2016, The New Mutants: Superheroes and the Radical Imagination of American Comics is his first book. In 2022, Ramzi published Queer Forms, for which he was interviewed by Lilly Goren for the New Books in Political Science channel. He is also the co-editor of Keywords for Comics Studies, with Deborah Whaley and Shelley Streeby, both with NYU Press. Ramzi's recently published articles include “Legions of Superheroes: Diversity, Multiplicity, and Collective Action Against Genocide in the Superhero Comic Book,” in Social Text; and wrote the introduction to “Queer About Comics,” a special issue of American Literature, with Darieck Scott. A bit about the book:  n 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes. In The New Mutants: Superheroes and the Radical Imagination of American Comics (NYU Press, 2016), Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies--including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants--alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States. John Yargo is Visiting Assistant Professor of Environmental Humanities at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Today's guest is Ramzi Fawaz, the Romnes Professor of English at the University of Wisconsin-Madison. Published by NYU Press in 2016, The New Mutants: Superheroes and the Radical Imagination of American Comics is his first book. In 2022, Ramzi published Queer Forms, for which he was interviewed by Lilly Goren for the New Books in Political Science channel. He is also the co-editor of Keywords for Comics Studies, with Deborah Whaley and Shelley Streeby, both with NYU Press. Ramzi's recently published articles include “Legions of Superheroes: Diversity, Multiplicity, and Collective Action Against Genocide in the Superhero Comic Book,” in Social Text; and wrote the introduction to “Queer About Comics,” a special issue of American Literature, with Darieck Scott. A bit about the book:  n 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes. In The New Mutants: Superheroes and the Radical Imagination of American Comics (NYU Press, 2016), Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies--including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants--alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States. John Yargo is Visiting Assistant Professor of Environmental Humanities at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Today's guest is Ramzi Fawaz, the Romnes Professor of English at the University of Wisconsin-Madison. Published by NYU Press in 2016, The New Mutants: Superheroes and the Radical Imagination of American Comics is his first book. In 2022, Ramzi published Queer Forms, for which he was interviewed by Lilly Goren for the New Books in Political Science channel. He is also the co-editor of Keywords for Comics Studies, with Deborah Whaley and Shelley Streeby, both with NYU Press. Ramzi's recently published articles include “Legions of Superheroes: Diversity, Multiplicity, and Collective Action Against Genocide in the Superhero Comic Book,” in Social Text; and wrote the introduction to “Queer About Comics,” a special issue of American Literature, with Darieck Scott. A bit about the book:  n 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes. In The New Mutants: Superheroes and the Radical Imagination of American Comics (NYU Press, 2016), Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies--including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants--alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States. John Yargo is Visiting Assistant Professor of Environmental Humanities at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Today's guest is Ramzi Fawaz, the Romnes Professor of English at the University of Wisconsin-Madison. Published by NYU Press in 2016, The New Mutants: Superheroes and the Radical Imagination of American Comics is his first book. In 2022, Ramzi published Queer Forms, for which he was interviewed by Lilly Goren for the New Books in Political Science channel. He is also the co-editor of Keywords for Comics Studies, with Deborah Whaley and Shelley Streeby, both with NYU Press. Ramzi's recently published articles include “Legions of Superheroes: Diversity, Multiplicity, and Collective Action Against Genocide in the Superhero Comic Book,” in Social Text; and wrote the introduction to “Queer About Comics,” a special issue of American Literature, with Darieck Scott. A bit about the book:  n 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes. In The New Mutants: Superheroes and the Radical Imagination of American Comics (NYU Press, 2016), Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies--including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants--alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States. John Yargo is Visiting Assistant Professor of Environmental Humanities at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Inspired by the growing popularity of comic book dialogue, literature, and academia, Angelique interviews professor and comic book historian Deborah Elizabeth Whaley. Whaley is the author of Black Women in Sequence: Re-inking Comics, Graphic Novels, and Anime, a deep dive into the history (or lack thereof) of Black women’s representation in sequential art. They talk about the importance of scholarship in comics, little-known Black female artists and heroes, and how consumers of color create meaning when engaging with art.  

Professor Deborah Whaley talks about her work on Race, Gender, Afrogoth, & Comics; discussion includes her book Black Women in Sequence, TV and film adaptations, Catwoman, The Butterfly, webcomics and transnational futurisms, curating of exhibits and creating of own art.

Trumpeter Terence Blanchard is a musical force, equally respected as a jazzman and as a composer and performer of music for film—including the full catalogue of Spike Lee Joints. The evening before his Hancher performance, Blanchard sat down with UI Professor Deborah Whaley to discuss his inspirations, the relationship between art and spirituality, how the acts of fighting for social justice and creating music are one and the same, and what a life in the arts has taught him about what art can and should do. Deborah Elizabeth Whaley is an artist, curator, and writer. She is currently Senior Scholar for Digital Arts and Humanities Research for the Digital Scholarship and Publishing Studio (DSPS) and Professor of American and African American Studies at the University of Iowa. To learn more about her work, visit https://www.deborahelizabethwhaley.com/.

Images for this episode will be at http://wp.me/p42KN3-ESt starting 7/25/2017 9am EST. On this week’s Comics Syllabus podcast, researcher, teacher, and podcaster Grace Gipson joins Paul to talk about “Black Panther: World of Wakanda” by Roxane Gay, Ta-Nehisi Coates, Alitha Martinez, and others, and “Moon Girl and Devil Dinosaur” by Amy Reeder, Brandon Montclare, Natacha Bustos, and others from Marvel Comics. We’re really excited to have Grace (on Twitter @GBreezy20) as a guest, and she talks about her comics origins, her research, and her podcasting on the #BlackComicsChat team. Then, Grace and Paul explore her approach to these portrayal of black female characters in current Marvel comics, and we dig into the significance of Lunella Lafayette (Moon Girl) and Ayo and Aneka, the protagonists of “World of Wakanda.” But first, in the opening “General Ed” segment, we’d happy to have “The Non-Fiction Section” with Michelle White, Multiversity contributor and lifeblood of the “Keep It Real” column that looks at reality-based comics and graphic novels. Michelle offers a wide-ranging list of three non-fiction comics recommendations for us, “Feynman” by Jim Ottaviani and Leland Myrick (First Second), “The Green River Killer” by Jeff Jensen and Jonathan Case (Dark Horse), and “The Influencing Machine” by Brooke Gladstone and Josh Neufeld (WW Norton). I’m Paul, and I’m inviting you to join us for another episode of The Comics Syllabus, a comics analysis podcast. Our mantra is, we read widely and we dig deep. Each week, we choose one work from a wide breadth of current and classic comics, including superhero fare, comics from independent publishers and small presses, global comics, newspaper strip archives, and various collected editions. We spend time digging deep into the work from various perspectives, sometimes in actual live conversation with others, sometimes with just me on a mic surrounded by a pile of comics studies and academic books. It’s like a comics seminar, where the only prerequisite is that you love comics. Download the podcast episode here. You can find the podcast on iTunes, Stitcher, or Soundcloud, or copy this RSS feed to your podcatcher: http://feeds.soundcloud.com/users/soundcloud:users:235183739/sounds.rss or find archives for this podcast (previously named “Study Comics with Paul”) here: http://studycomics.club/ A rating, review, or star on whatever podcast source would help make the world a slightly better place. (No, Really!) Follow Paul on Twitter: https://twitter.com/TwoPlai It’s the only place on earth he stays under 140 characters. Thanks for listening! MENTIONED IN THIS EPISODE: Grace Gipson on Twitter: http://twitter.com/gbreezy20 Black Comics Chat: http://twitter.com/blackcomicschat Michelle White’s Work on Multiversity: http://www.multiversitycomics.com/author/mwhite/ Oversight: I failed to mention in my conversation with Grace Gipson about black women superheroes my intellectual debt to Dr. Deborah Whaley for understanding topics we discuss, which you can check out here http://www.multiversitycomics.com/interviews/deborah-e-whaley-interview/ and in her book, "Black Women in Sequence" (U of Washington Press).

Deborah Whaley's new book Disciplining Women: Alpha Kappa Alpha, Black Counterpublics, and the Cultural Politics of Black Sororities (SUNY Press, 2010) may be the first full-length study of a Black Greek-Letter Organization (BGLO) written by a non-BGLO member. But that's not the only reason to read her book. Whaley takes an interdisciplinary approach to the study, which includes a personal rumination on her family's relation to BGLO's, interviews with sorority sisters, ethnographic participant observations, and literary and film analyses. Her foray into popular black culture is enriched by deep critical engagement with such texts as Spike Lee's canonical film “School Daze” and the recent cinematic representation of Black Greek life “Stomp the Yard.” Whaley takes her subject matter seriously, but not so much so that her book lacks wit and charm. Indeed, her prose is just as pleasant, inviting, and engaging as she is in the interview. Check it out. Learn more about your ad choices. Visit megaphone.fm/adchoices

Deborah Whaley’s new book Disciplining Women: Alpha Kappa Alpha, Black Counterpublics, and the Cultural Politics of Black Sororities (SUNY Press, 2010) may be the first full-length study of a Black Greek-Letter Organization (BGLO) written by a non-BGLO member. But that’s not the only reason to read her book. Whaley takes an interdisciplinary approach to the study, which includes a personal rumination on her family’s relation to BGLO’s, interviews with sorority sisters, ethnographic participant observations, and literary and film analyses. Her foray into popular black culture is enriched by deep critical engagement with such texts as Spike Lee’s canonical film “School Daze” and the recent cinematic representation of Black Greek life “Stomp the Yard.” Whaley takes her subject matter seriously, but not so much so that her book lacks wit and charm. Indeed, her prose is just as pleasant, inviting, and engaging as she is in the interview. Check it out. Learn more about your ad choices. Visit megaphone.fm/adchoices

Deborah Whaley's new book Disciplining Women: Alpha Kappa Alpha, Black Counterpublics, and the Cultural Politics of Black Sororities (SUNY Press, 2010) may be the first full-length study of a Black Greek-Letter Organization (BGLO) written by a non-BGLO member. But that's not the only reason to read her book. Whaley takes an interdisciplinary approach to the study, which includes a personal rumination on her family's relation to BGLO's, interviews with sorority sisters, ethnographic participant observations, and literary and film analyses. Her foray into popular black culture is enriched by deep critical engagement with such texts as Spike Lee's canonical film “School Daze” and the recent cinematic representation of Black Greek life “Stomp the Yard.” Whaley takes her subject matter seriously, but not so much so that her book lacks wit and charm. Indeed, her prose is just as pleasant, inviting, and engaging as she is in the interview. Check it out. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Deborah Whaley’s new book Disciplining Women: Alpha Kappa Alpha, Black Counterpublics, and the Cultural Politics of Black Sororities (SUNY Press, 2010) may be the first full-length study of a Black Greek-Letter Organization (BGLO) written by a non-BGLO member. But that’s not the only reason to read her book. Whaley takes an interdisciplinary approach to the study, which includes a personal rumination on her family’s relation to BGLO’s, interviews with sorority sisters, ethnographic participant observations, and literary and film analyses. Her foray into popular black culture is enriched by deep critical engagement with such texts as Spike Lee’s canonical film “School Daze” and the recent cinematic representation of Black Greek life “Stomp the Yard.” Whaley takes her subject matter seriously, but not so much so that her book lacks wit and charm. Indeed, her prose is just as pleasant, inviting, and engaging as she is in the interview. Check it out. Learn more about your ad choices. Visit megaphone.fm/adchoices

Deborah Whaley’s new book Disciplining Women: Alpha Kappa Alpha, Black Counterpublics, and the Cultural Politics of Black Sororities (SUNY Press, 2010) may be the first full-length study of a Black Greek-Letter Organization (BGLO) written by a non-BGLO member. But that’s not the only reason to read her book. Whaley takes an interdisciplinary approach to the study, which includes a personal rumination on her family’s relation to BGLO’s, interviews with sorority sisters, ethnographic participant observations, and literary and film analyses. Her foray into popular black culture is enriched by deep critical engagement with such texts as Spike Lee’s canonical film “School Daze” and the recent cinematic representation of Black Greek life “Stomp the Yard.” Whaley takes her subject matter seriously, but not so much so that her book lacks wit and charm. Indeed, her prose is just as pleasant, inviting, and engaging as she is in the interview. Check it out. Learn more about your ad choices. Visit megaphone.fm/adchoices

Deborah Whaley’s new book Disciplining Women: Alpha Kappa Alpha, Black Counterpublics, and the Cultural Politics of Black Sororities (SUNY Press, 2010) may be the first full-length study of a Black Greek-Letter Organization (BGLO) written by a non-BGLO member. But that’s not the only reason to read her book. Whaley takes an interdisciplinary approach to the study, which includes a personal rumination on her family’s relation to BGLO’s, interviews with sorority sisters, ethnographic participant observations, and literary and film analyses. Her foray into popular black culture is enriched by deep critical engagement with such texts as Spike Lee’s canonical film “School Daze” and the recent cinematic representation of Black Greek life “Stomp the Yard.” Whaley takes her subject matter seriously, but not so much so that her book lacks wit and charm. Indeed, her prose is just as pleasant, inviting, and engaging as she is in the interview. Check it out. Learn more about your ad choices. Visit megaphone.fm/adchoices