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Happy New Year from One True Podcast! We look forward to a rich, exciting 2026 by looking back to 1926.In our first show of the year, we ask an esteemed guest to take us back exactly one hundred years to see what was happening in Hemingway's life, work, and world. So, to guide us through Hemingway's 1926 -- his travels, his relationships, his publishing, and his writing – we welcome the great Hemingway scholar Ross K. Tangedal. For Hemingway, 1926 was a colossally important year that saw his transition from Hadley to his second wife, Pauline; the transition from Boni & Liveright to Scribner's; and the publication of The Torrents of Spring and The Sun Also Rises, both crucially important for different reasons. Tangedal guides us through this remarkable year in Hemingway's life and his writing. We have previously begun calendar years with flashback episodes featuring: Mary Dearborn on 1922; James M. Hutchisson on 1923; Verna Kale on 1924; and J. Gerald Kennedy on 1925. We encourage you to check out those past shows to get up to date!
Send us a textThis episode is the first of three episodes that centers on the biggest star in all of American Literature, the great Ernest Hemingway. Ernest Hemingway's writing tips center on a minimalist style, a disciplined work ethic, and his famous "Iceberg Theory" (or theory of omission), which suggests that the deeper meaning of a story should be implied rather than explicitly stated. Here are his core writing tips and advice:Style and TechniqueBe brief and use simple language: Employ short sentences and paragraphs to create a direct, clear, and impactful prose style. Avoid flowery or ornamental language, adverbs, and adjectives wherever possible.Write one true sentence: When experiencing writer's block or starting a new piece, focus on writing one simple, honest, and factual sentence you know to be true. This can provide the anchor to build the rest of the story.Show, don't tell: Instead of describing emotions or themes directly, present the specific actions, dialogue, and details that allow the reader to infer the underlying meaning and emotion for themselves.Master the "Iceberg Theory": The visible part of your story (the words on the page) should only be a fraction of the whole. The majority of the meaning, informed by the writer's deep knowledge of the subject and character motivations, should reside as subtext beneath the surface.Use vigorous English and strong verbs: Employ active voice and precise, powerful verbs to drive the narrative and avoid passive constructions or weak language. Process and DisciplineEstablish a consistent routine: Hemingway was highly disciplined, waking early (often between 5:30 and 6 a.m.) to write in a quiet, distraction-free environment for several hours each morning.Stop while you're still "going good": To avoid writer's block, always stop writing for the day when you still know what will happen next. This leaves something in the "well" for the next morning, making it easier to start again.Edit ruthlessly: Expect the first draft to be poor and embrace the revision process. Hemingway famously rewrote the ending of A Farewell to Arms 47 times, believing that all good writing requires meticulous editing and rewriting.Read widely and compete with the "dead greats": A writer should read everything to understand what has been done and set a high standard for their own work by competing with established masters.Live first, write later: Draw heavily on personal experience, observation, and research. The authenticity in his writing came from truly knowing his subjects (hunting, fishing, war, love) and filtering them through an intimate viewpoint. By adhering to these principles, Hemingway aimed to create prose that was honest, authentic, and emotionally resonant, allowing the reader to experience the story as if it happened to them personally. Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!
Carla Kaplan is the author of Troublemaker: The Fierce, Unruly Life of Jessica Mitford (Harper Books). Kaplan is an award-winning professor and writer who holds the Stanton W. and Elisabeth K. Davis Distinguished Professorship in American Literature at Northeastern University. She has published seven books, including Zora Neale Hurston: A Life in Letters and Miss Anne in Harlem: The White Women of the Black Renaissance, both New York Times Notable Books. A recipient of Guggenheim and National Endowment for the Humanities “Public Scholar” fellowships, Kaplan has been a fellow in residence at the Cullman Center for Scholars and Writers, the Schomburg Center for Research in Black Culture, and the W. E. B. Du Bois Research Institute; is a fellow of the Society of American Historians; and serves on the board of Biographers International. She divides her time between Boston and Cape Cod. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. This episode is sponsored by Ulysses. Go to ulys.app/writeabook to download Ulysses, and use the code OTHERPPL at checkout to get 25% off the first year of your yearly subscription." Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Thank you for making 2025 such a special year for One True Podcast! Together, we devoted shows to the centenary of In Our Time, to our One True Book Club discussion of W.H. Hudson's The Purple Land, to the 100th anniversary of The Great Gatsby, and to so much more. We're so grateful to all of our amazing guests for enriching and enlivening our program, and to all of our listeners for their loyalty.As our gift back to you, we close 2025 in our favorite of ways: we welcome Suzanne del Gizzo onto the show to discuss a season-appropriate piece of Hemingway's work. This year, we discuss “Christmas in Paris,” Hemingway's poignant, melancholy sketch describing a young couple away from home for the holidays.Before we welcome in Suzanne, old friend Mackenzie Astin narrates Hemingway's “Christmas in Paris” to put us in the spirit. Make sure you keep listening after the episode to be treated to a rendition of “Noël à Paris,” performed by Bill Hemminger (piano) and Melody Winfrey (vocals).Wishing you all happiness over the holidays, and we'll see you on the other side.
Arlene Keizer, an Afro-Caribbean American poet and scholar, writes about the literature, lived experience, theory, and visual culture of the African Diaspora. The recipient of an Academy of American Poets Prize, she later earned an MA in English and Creative Writing (Poetry) at Stanford University and a PhD at the University of California, Berkeley. She is the author of Black Subjects: Identity Formation in the Contemporary Narrative of Slavery (Cornell UP), and her poems and articles have appeared in African American Review, American Literature, The Kenyon Review, Obsidian: Literature and Arts in the African Diaspora, PMLA, Poem-a-Day, TriQuarterly, and other venues. Fraternal Light: On Painting While Black, her collection of poems about the African American painter Beauford Delaney, won the 2022 Stan and Tom Wick Poetry Prize and was published in 2023 by the Kent State University Press. She is a professor at Pratt Institute in Brooklyn, NY.Links:Arlene Keizer Arlene Keizer's page at Pratt Institute Interview with Arlene Keizer at Speaking of Marvels “Canopy” in Poem-A-Day Fraternal Light: On Painting While Black at Kent State University Press Beauford Delaney Bio and artwork at Knoxville Museum of Art Bio and Artwork at the Smithsonian Bio and artwork at Studio Museum in Harlem Artwork at Michael Rosenfeld Gallery “Beauford Delaney in Knoxville” at Knoxville History Project Mentioned in this episode:KnoxCountyLibrary.orgThank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org.Rate & review on Podchaser
Send us a textIn this episode we look back at the man who can lay claim to having written the longest sentence in American Literature. He also wrote the story, "A Rose For Emily" which is a play that our host, Randal Wallace, once played the part of Homer Barron, the unfortunate beau of Ms. Emily, who they would later find dead in her bed years after he disappeared. William Faulkner offered extensive advice on writing during his time as a writer-in-residence at the University of Virginia and in various interviews. His tips emphasize passion, discipline, and a ruthless dedication to craft over commercial success or style. Core PhilosophyBe writing, not "a writer": The act of writing is about movement and activity; adopting the static label of "a writer" can lead to stagnation.Write for pleasure, not money: Relying on writing for income or external approval can compromise artistic integrity. Keep your writing amateur in spirit and get another job to pay the bills.Embrace failure as growth: You will never achieve absolute perfection, and that is a healthy condition. The goal is a "splendid failure" that drives you to improve with each new work, always striving to be better than your past self.Be ruthless for your art: The writer's only responsibility is to their art. Everything else—honor, pride, security—goes by the board to get the book written. Craft and TechniqueFocus on core human conflicts: Faulkner believed that enduring stories focus on "the problems of the human heart in conflict with itself," such as love, honor, pity, and sacrifice.Prioritize character: According to Faulkner, if you understand your characters, they will drive the narrative, and the writer's job is to record their actions and words.Don't overthink style: Style should serve the story and is not a goal in itself. There are no mechanical rules for writing.Use dialect sparingly: A few touches of recognizable dialect are better than extensive use, which can confuse readers. Process and HabitsRead extensively: Faulkner advised reading all kinds of literature, good and bad, to learn from other writers.Stop while you're inspired: To maintain momentum, stop writing for the day when you're in a good flow and know what you'll write next.Make time for writing: Faulkner contended that anyone claiming they lack time to write is mistaken; even ten minutes can be used, and ideas should be written down immediately.Combine experience, observation, and imagination: These elements are crucial for a writer, and they can compensate for each other's absence. Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!
We do have our favorite but surely wouldn't mind if Thomas Pynchon won the Nobel Prize too . . . and in Episode 32 we finish off 2025 by considering Shadow Ticket, the noir detective take on the 1930s by a writer who was surely a key influence on the early DeLillo (we read from an unpublished DeLillo letter summarizing that relationship) but who also seems to have been reading works like Running Dog over the years (or so we imagine in unpacking Shadow Ticket scenes invoking Chaplin and a “German Political Celebrity” named Hitler). We try to understand how Pynchon's latest examination of historical and potential fascism works in its 1932 setting, ranging from Milwaukee to Hungary, where reluctant protagonist and “sentimental ape” and “sap” Hicks McTaggart keeps adding on to his P.I. “tickets” in a strange search for a Wisconsin heiress and her Jewish musician lover but also what might ultimately be justice (a far from simple thing). Shadow Ticket is loads of serious fun, where Pynchon manages to examine the direst of turning points amidst scenes of bowling alley and motorcycle lore, dairy strikes, Prohibition's black markets, dance hall and speakeasy glamour, and something called “Radio-Cheez.” Bela Lugosi, vampires, a beautiful pig in a sidecar, and some of the most tasteless lamps in the world also play a role. The real content here for Hicks, though, is the prospect of spiritual and other forms of peace in a world where weapons from clubs to guns and submarines operate according to mysterious laws of “apport” and “asport,” occult material that interweaves with Hicks's strike-breaking past and raises connections to Gravity's Rainbow. Is Hicks's fellow orphan and young protégé Skeet Wheeler the father of Vineland's Zoyd, headed out to California as the novel ends? What's the meaning of Hicks failing to return to his home country, and what does cheese gangster Bruno Airmont's submarine fate have to do with Bleeding Edge? Are Hungary's shifting borders a new kind of “Zone”? What's going on in the novel's many Statue of Liberty references and its anachronistic allusions to a “Face Tube” for flirtation in bars? And how does this always funny writer, now in his late eighties, keep coming up with all these absurd songs (we sing some) and hilarious mock-movies like the one featuring “Squeezita Thickly” swimming in soup pots (Shirley Temple, is that you?)? Teasing out many connections to Gravity's Rainbow, Against the Day, and Vineland, this episode makes reference to just about all of Pynchon's other works, including even V. and his earliest short stories. At the same time, you need come to it with nothing but an interest in Pynchon's life and work. We doubt that we get every reference to history or previous Pynchon right or mount interpretations we won't later want to revise, but on this brand-new and captivating late work from a masterful author, we hope in nearly three hours of deep conversation and laughter that we've made a good start on the many critical readings to come. A partial list of references and quotations that we mention or paraphrase in this episode . . . On “prefascist twilight”: “And other grandfolks could be heard arguing the perennial question of whether the United States still lingered in a prefascist twilight, or whether that darkness had fallen long stupefied years ago, and the light they thought they saw was coming only from millions of Tubes all showing the same bright-colored shadows. One by one, as other voices joined in, the names began, some shouted, some accompanied by spit, the old reliable names good for hours of contention, stomach distress, and insomnia – Hitler, Roosevelt, Kennedy, Nixon, Hoover, Mafia, CIA, Reagan, Kissinger, that collection of names and their tragic interweaving that stood not constellated above in any nightwide remoteness of light, but below, diminished to the last unfaceable American secret, to be pressed, each time deeper, again and again beneath the meanest of random soles, one blackly fermenting leaf on the forest floor that nobody wanted to turn over, because of all that lived, virulent, waiting, just beneath.” (Pynchon, Vineland (1990)) On “second sheep”: “Our common nightmare The Bomb is in there too. It was bad enough in '59 and is much worse now, as the level of danger has continued to grow. There was never anything subliminal about it, then or now. Except for that succession of the criminally insane who have enjoyed power since 1945, including the power to do something about it, most of the rest of us poor sheep have always been stuck with simple, standard fear. I think we all have tried to deal with this slow escalation of our helplessness and terror in the few ways open to us, from not thinking about it to going crazy from it. Somewhere on this spectrum of impotence is writing fiction about it.” (Pynchon, “Introduction,” Slow Learner (1984)) The “Sloth essay paragraph” mentioned midway through: “In this century we have come to think of Sloth as primarily political, a failure of public will allowing the introduction of evil policies and the rise of evil regimes, the worldwide fascist ascendancy of the 1920's and 30's being perhaps Sloth's finest hour, though the Vietnam era and the Reagan-Bush years are not far behind. Fiction and nonfiction alike are full of characters who fail to do what they should because of the effort involved. How can we not recognize our world? Occasions for choosing good present themselves in public and private for us every day, and we pass them by. Acedia is the vernacular of everyday moral life.” (Pynchon, “Nearer, My Couch, To Thee” (1993)) Don DeLillo Papers, Harry Ransom Center, University of Texas-Austin The Motherland Calls statue, Volgograd: https://en.wikipedia.org/wiki/The_Motherland_Calls Pareidolia defined: https://en.wikipedia.org/wiki/Pareidolia
Send us a textThese three writers all wrote just one novel of renown but they were gargantuan titles. We celebrate their impact on American Literature in this episode. Harper Lee offered several writing tips centered on persistence, humility, and the importance of craft over reward. She emphasized a love for language and a dedication to writing for oneself. Key Writing Tips from Harper LeeDevelop a thick hide Write for yourself A writer worth their salt writes to please an audience of one: themselves. Writing is a self-exploratory process, an exorcism of "divine discontent," not a pursuit for external validation or monetary gain.Be a steady, slow worker Embrace the revision process Master the English sentence Write what you know and use vivid imagery Nurture the creative spirit Fundamentally, Lee's advice was to focus on the integrity of the work and the process itself, hoping for the best but expecting nothing in return.J.D. Salinger's writing approach prioritized authenticity, a distinctive narrative voice, and emotional depth achieved through minimalist prose and realistic dialogue. His tips for writers can be distilled into the following principles: Write for yourself, first and foremostPrioritize a strong, authentic voiceEmbrace minimalism and precisionKnow your characters inside and outUse naturalistic dialogueWork with focus and disciplineRead extensivelyMargaret Mitchell's writing tips and style emphasize thorough research, relentless rewriting, and a simple, direct prose. She prioritized her creative work and was known for working methodically on a single project at a time. Key Writing TipsPrioritize writing above all elseEmbrace rewriting: She famously said, "I do not write with ease, nor am I ever pleased with anything I write. And so I rewrite". She emphasized that "Pulitzer-type writing... comes in the rewriting".Research thoroughlyWrite with simplicity and clarityFocus on the story and what mattersPlan meticulously but be flexibleWork with discipline and enduranceAvoid digressionsWork on one project at a timePersonal Habits and Style"Show, Don't Tell" (selectively)Character and dialogue-drivenGumption is keyAnswer fan mail Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!
One True Podcast would never let 2025 end without one more episode celebrating the centenary of In Our Time, so today we discuss a classic short story from that collection: “The Doctor and the Doctor's Wife.”Scholar (and podcaster) Scott Yarbrough visits us from Charleston to lead us through the many elements of this great story: Dr. Adams's quarrel with Dick Boulton, the doctor's icy relationship with his wife, and finally his moment of connection with his son. Along the way, we touch on the ethics of log stealing, the implications of Christian Scientism, Hemingway's captivating early prose style, Nick's role in the narrative, and whether or not this story qualifies as one of Hemingway's “greatest hits.”Join us for a trip into the Michigan woods and a guided tour through “The Doctor and the Doctor's Wife.” We know where there's black squirrels!
Send us a textThis episode looks at three giants of American Literature who all wrote about the struggles of forgotten America. One of them, Mark Twain, is considered the Father of American Literature. John Steinbeck is known for sharing six practical writing tips in a letter to a friend in 1962. These rules prioritize flow, discipline, and authenticity over immediate perfection: Focus on the daily work: Write one page each day instead of thinking about the entire length.Write the first draft rapidly and freely: Avoid correcting or rewriting until the entire draft is complete to maintain flow and rhythm.Imagine a single, specific reader: Address your writing to one person you know or imagine, rather than a general audience.Bypass difficult scenes: Skip troublesome sections and return to them later; they may not fit the overall work.Be willing to cut favorites: Be cautious of scenes you are overly fond of, as they may be "out of drawing" or not fit the overall piece.Read dialogue aloud: Speak dialogue out as you write it to make it sound like natural speech. Steinbeck also highlighted the importance of discipline and persistence. He viewed writing as a "clumsy attempt to find symbols for the wordlessness". Thomas Wolfe, the novelist (1900–1938), is primarily known for his voluminous, autobiographical fiction. His editor, Maxwell Perkins, heavily shaped his sprawling manuscripts into publishable novels like Look Homeward, Angel. The "writing tips" associated with Thomas Wolfe often relate to his personal habits and the nature of his expansive, autobiographical style. Here are the key takeaways regarding Thomas Wolfe's approach to writing:Write everything, use everything. Embrace the "flood" of language.Trust your instincts over convention. Establish a consistent routineWriting is life. Wolfe's legacy is one of a "splendid failure" in terms of self-editing and structure, but a master of language, description, and the power of memory in autobiographical fiction. Mark Twain, the Father of American Literature: Mark Twain's writing tips emphasize clarity, simplicity, and revision, encouraging writers to prioritize the reader's experience above all else. His advice often uses humor and sharp wit to make memorable points about avoiding common writing pitfalls. Here are key writing tips attributed to Mark Twain: .Use plain, simple language"Kill" adjectives (most of them)"Use the right word, not its second cousin"Show, don't tellRewrite and revise: Writing is an iterative process.Start writing after you finishEnsure dialogue sounds humanMake all episodes and characters necessary.Avoid clichés and "stage directions" in dialogue:Write without pay (initially): He advised aspiring writers to "write without pay until somebody offers pay. If nobody offers within three years, the candidate may look upon this circumstance with the most implicit confidence as the sign that sawing wood is what he was intended for". Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!
In this episode of the Project Narrative Podcast, Jim Phelan and Jan Alber discuss “Jealous Husband Returns in Form of Parrot” by Robert Olen Butler, first published in The New Yorker in 1995, and then included in Robert Olen Butler’s 1997 volume entitled Tabloid Dreams: A Collection. Jan Alber is a Professor in the Department of English and American Literature and Culture at the University of Giessen in Germany. Alber has done pioneering work in the study of unnatural narratives and unnatural narratology, with his 2016 book, Unnatural Narrative: Impossible Worlds in Fiction and Drama, a major contribution to that subfield of narrative studies. Alber has also done important work on empirical approaches to narrative, on postmodern and post-postmodern narrative, on narrative ethics, on the relations of narrative theoretical approaches to each other, and on many other subjects. A past president of the International Society for the Study of Narrative, Alber has shown himself to be an excellent collaborator and interlocutor with other scholars, both in his published work and in his interactions at conferences. For example, during the COVID-19 pandemic, Alber worked with Jessica Jumpertz and Deborah de Muijnck to organize over Zoom a series of lectures about narrative and the pandemic. Alber, Jumpertz, and de Muijnck then co-edited the essays in a volume called Pandemic Storytelling, which appeared earlier this year.
In this podcast is an interview with Dr. Carla Kaplan, author of the biography "Troublemaker: The Life and Times of Jessica Mitford." The conversation centers on the extraordinary life of Jessica "Decca" Mitford, one of the famous (and famously eccentric) Mitford sisters. Jessica "Decca" Mitford was an aristocratic British rebel who became a formidable American left-wing activist and muckraking journalist. Born into the famously eccentric Mitford family—where her sisters included a Nazi sympathizer and a fascist—Decca rejected her life of privilege to join the Communist Party in the United States. As the author explains, Decca was a "biographer's gift": fiercely principled, incredibly hard-working, and gifted with a brilliant sense of humor that she used as a powerful tool for activism. Her training in the Communist Party, particularly on the West Coast, taught her to listen to marginalized communities, shaping her into a highly effective and empathetic ally in the civil rights movement. Dr. Carla Kaplan is a distinguished scholar in American literature, women's writing, African American literature, and feminist theory. She holds the Davis Distinguished Professorship in American Literature at Northeastern University and founded the Humanities Center to encourage diversity and interdisciplinary dialogue. Her academic career includes roles at Yale University, the University of Southern California, Wellesley College, and the University of Illinois. Dr. Kaplan also teaches writing through various arts councils and writers' centers. She earned a Ph.D. in English from Northwestern University. Get the Book: https://www.harpercollins.com/products/troublemaker-carla-kaplan Dr. Kaplan's Homepage: https://carlakaplan.com/ Greg's Blog: http://zzs-blg.blogspot.com/ Pat's Substack: https://patcummings.substack.com/about JessicaMitford#Troublemakerbiography#CarlaKaplaninterview#Mitfordsisters#DeccaMitford#AmericanWayofDeath#CommunistPartyUSA#muckrakingjournalism#leftwingactivism#biographypodcast#Britisharistocracy#fascistMitfordsisters#DianaMitford#UnityMitford#civilrightsmovement#investigativejournalism#funeralindustryexpose#famouswritersschool#historicalbiography#PatCummings#GregGodels#ZZBlog#ComingFromLeftField#ComingFromLeftFieldPodcast#zzblog#mltoday
This episode, Clare and Hannah talk about Flannery O'Connor's first novel, "Wise Blood." O'Connor's stories are rich with symbolism, from a beat-up jalopy of a car to a stolen gorilla suit, and from a preacher's blindness to a shrunken mummified body in a museum. It's a darkly comic and often grotesque ride.We'd love to hear your thoughts! Click here to send us a text message!Support the showWe provide links and other resources to help you find and enjoy the things we talked about on this episode! Note that some of these may include “affiliate” links to books and other products. When you click through and purchase, the price of the item is the same for you. In fact, most of the time you'll get a discount! But the company gives us a little somethin' somethin' to say “thanks” for sending you their way! This helps you enjoy the website and the podcast EVEN MORE by eliminating intrusive advertisements. Thanks for clicking! Theme music: “Splanchnics Riff” composed and performed by Clare T. Walker Clare is an independent author who would love it if you checked out her books! If you like exciting thrillers featuring an “everyman” hero who rises to his or her full potential in the face of peril—-you might enjoy The Keys of Death. It's a veterinary medical thriller about a small-town animal doctor who gets tangled up in a whistle-blowing scheme against a big biotech company. Or, if you prefer shorter fiction, try Startling Figures, a collection of three paranormal urban fantasy stories.
Send us a textJoin us starting November 25, 2025 for a Christmas Holidays Special 16th Season as we venture into new territory. Over the end of November and through out December we will spend 16 episodes looking at the Great American Authors, From F. Scott Fitzgerald to Stephen King and all points in between. We hope you will join us as we take a little break from American Political History and take a deep dive into American Literature, its history, and learn some writing tips from some of the greatest authors our country has ever produced. This sixteen episode season will feature F. Scott Fitzgerald, Edgar Allan Poe, Dr. Suess, John Steinbeck, Thomas Wolfe, Mark Twain, Toni Morrison, Maya Angelou, Harper Lee, J. D. Salinger, Margaret Mitchell, Nathaniel Hawthorne, Herman Melville, William Faulkner, Ian Fleming, J. K Rowling, Pat Conroy, Gene Hackman, Kurt Vonnegut, Walter Mosley, Lee Child, Stephen King, John Grisham, Joyce Carol Oats, Sinclair Lewis, Tennessee Williams, Ernest Hemingway, Jimmy Carter, Marilyn Quayle, Newt Gingrich, Bill Clinton, James Patterson, and the announcement about our hosts own three books, a history companion book to this podcast, and two novels by Randal Wallace. We hope you will join us starting November 25 for The Great American Authors Special Season and Bob Dole will return in "Bob Dole The Life That Brought Him There" in January, 2026. Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!
The prominent Faulkner scholar Ahmed Honeini first joined us in 2024 to discuss the rivalry and intertextuality between Ernest Hemingway and William Faulkner.Clearly, in a topic so vast, devoted to the two leading titans of 20th-century American literature, one puny, inexhaustible episode was not enough. So, Ahmed Honeini agreed to come back onto One True Podcast to continue our pursuit of Hemingway and his contemporaries. We discuss Faulkner's great works, how his concept of mortality compares with Hemingway's, the inadequacy of language, Hemingway's iceberg theory, and Ahmed's favorite moment in all of Faulkner.Join us for this wonderful conversation with the Founder of the Faulkner Studies in the UK Research Network!
In Episode 31 DDSWTNP get the chance to talk about DeLillo with his friend, colleague, and editor Gerald Howard, whose distinguished career in publishing at Viking Penguin, Norton, and Doubleday spanned nearly 50 years and was marked by his work not only on Libra but important books by David Foster Wallace, Paul Auster, and so many others. We hear Gerry recount first reading the DeLillo of Americana and “Total Loss Weekend” in the 1970s, seeing a book titled “Panasonic” (eventually, White Noise) arrive at Viking Penguin, and having an 800-page manuscript about the JFK assassination later hit his desk. So many great stories mark this episode, including DeLillo's funny “speech” upon receiving the National Book Award for White Noise, his reasons for seeking a new publisher after The Names, the legal reasoning behind the Author's Note at the end of the hardcover Libra, and what Gerry for personal reasons regards as one of the funniest of DeLillo's many funny passages: an editor's remarks to Bill Gray about the literary marketplace in Mao II. Gerry talks as well about Catholicism, DeLillo's massive influence on younger writers, and who, along with DeLillo, comprised his personal “trinity” of greatest authors. And at the end we wish a happy 89th birthday to Don DeLillo! With this interview episode, we also extend the biographical “Lives of DeLillo” series we began with our November 20 releases the past two years. Huge thanks to Gerry for sharing so many remarkable stories, insights, and readings. Be sure to pick up Gerald Howard's new book, The Insider: Malcolm Cowley and the Triumph of American Literature, available this month from Penguin Random House and discussed at the end of this episode. Finally, a note on production: when other technology failed us, we decided to record this interview as a phone call, with obviously a lower sound quality than our listeners are used to. Gerry was wonderfully patient and flexible through it all, and his voice comes through clearly, in a recording that, in its crackles, we'd like to think, captures some spirit of DeLilloan Ludditism. Image of Mao II woodcut in episode cover art is courtesy of Gerald Howard. List of works mentioned in this episode: A. Scott Berg, Max Perkins: Editor of Genius. New York: Dutton, 1978. Don DeLillo, “Total Loss Weekend,” Sports Illustrated, Nov. 27, 1972. https://web.archive.org/web/20110822080327/http://sportsillustrated.cnn.com/vault/article/magazine/MAG1086811/index.htm Gerald Howard, “Stockholm, Are You Listening? Why Don DeLillo Deserves the Nobel.” Bookforum, April/May 2020. https://www.bookforum.com/print/2701/why-don-delillo-deserves-the-nobel-23926 ---. “The Puck Stopped Here: Revisiting ‘Cleo Birdwell' and her National Hockey League Memoir.” Bookforum, December/January 2008. https://www.bookforum.com/print/1404/revisiting-cleo-birdwell-and-her-national-hockey-league-memoir-1406 ---. “The American Strangeness: An Interview with Don DeLillo.” Hungry Mind Review, 1997. https://web.archive.org/web/19990129081431/www.bookwire.com/hmr/hmrinterviews.article$2563 ---. “I Was Gordon Lish's Editor.” Slate, October 31, 2007. https://slate.com/news-and-politics/2007/10/editing-the-infamous-gordon-lish.html ---. The Insider: Malcolm Cowley and the Triump of American Literature. Penguin Random House, 2025. https://www.penguinrandomhouse.ca/books/561292/the-insider-by-gerald-howard/9780525522058 Listeners interested in Gerald Howard's huge impact on publishing in general might turn to the pages about his achievements in Dan Sinykin's Big Fiction: How Conglomeration Changed the Publishing Industry and American Literature (Columbia UP, 2023) and D.T. Max's Every Love Story is a Ghost Story: A Life of David Foster Wallace (Penguin, 2012). A correction: DeLillo's remark on “around-the-house-and-in-the-yard” fiction is from Robert R. Harris's “A Talk with Don DeLillo,” New York Times Book Review, Oct. 10, 1982.
Have You Ever Imagined: Dogosaurs by Robert L. Anderson An illustrated book of a combination of the head of a dog and the body of a dinosaur. Questions accompany the descriptions of the breed of the dog and the kind of dinosaur described to inspire children and adults to use their imaginations. Robert studied American Literature at Northern Virginia Community College. "Mr. Bob" drove school busses in northern Virginia and Southern Colorado for several years. His interactions with elementary school children were the source of "Have You Ever Imagined? Dogosaur". Mr. Bob is also very grateful for the wonderful parents of the children he transported who also were a part of "Dogosaurs".https://www.amazon.com/Have-You-Ever-Imagined-Dogosaurs/dp/B0FN24PQHQ/ref=tmm_pap_swatch_0https://rlandersonbooks.com/https://www.kingpagespress.com/http://www.bluefunkbroadcasting.com/root/twia/112025kpp1.mp3
Arlene Keizer, an Afro-Caribbean American poet and scholar, writes about the literature, lived experience, theory, and visual culture of the African Diaspora. The recipient of an Academy of American Poets Prize, she later earned an MA in English and Creative Writing (Poetry) at Stanford University and a PhD at the University of California, Berkeley. She is the author of Black Subjects: Identity Formation in the Contemporary Narrative of Slavery (Cornell UP), and her poems and articles have appeared in African American Review, American Literature, The Kenyon Review, Obsidian: Literature and Arts in the African Diaspora, PMLA, Poem-a-Day, TriQuarterly, and other venues. Fraternal Light: On Painting While Black, her collection of poems about the African American painter Beauford Delaney, won the 2022 Stan and Tom Wick Poetry Prize and was published in 2023 by the Kent State University Press. She is a professor at Pratt Institute in Brooklyn, NY.Links:Arlene Keizer Arlene Keizer's page at Pratt Institute Interview with Arlene Keizer at Speaking of Marvels “Canopy” in Poem-A-Day Fraternal Light: On Painting While Black at Kent State University Press Beauford Delaney Bio and artwork at Knoxville Museum of Art Bio and Artwork at the Smithsonian Bio and artwork at Studio Museum in Harlem Artwork at Michael Rosenfeld Gallery “Beauford Delaney in Knoxville” at Knoxville History Project Mentioned in this episode:KnoxCountyLibrary.orgThank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org.Rate & review on Podchaser
rWotD Episode 3116: The Lake Gun Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Friday, 14 November 2025, is The Lake Gun."The Lake Gun" is a satirical short story by James Fenimore Cooper first published in 1850. The short story was commissioned by George E. Wood for $100, and published in a miscellany titled The Parthenon. It was reprinted in Specimens of American Literature in New York in 1866. The short story satirizes political demagoguery, focused on William Henry Seward.The story was reprinted in 1932 by publisher William Farquhar Payson in a limited edition with illustrations.The title of the story comes from a mysterious loud exploding sound coming from Seneca Lake, called "The Lake Gun" by European American settlers to the area, and known today as the Seneca Guns. These sounds remain unexplained to this day, with no clear or agreed-upon cause.This recording reflects the Wikipedia text as of 00:50 UTC on Friday, 14 November 2025.For the full current version of the article, see The Lake Gun on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Kevin.
After 27 years, Melvyn Bragg has decided to step down from the In Our Time presenter's chair. With over a thousand episodes to choose from, he has selected just six that capture the huge range and depth of the subjects he and his experts have tackled. In this second of his choices, we hear Melvyn Bragg and his guests discuss one of his favourite poets.Their topic is Thomas Hardy (1840 -1928) and his commitment to poetry, which he prized far above his novels. In the 1890s, once he had earned enough from his fiction, Hardy stopped writing novels altogether and returned to the poetry he had largely put aside since his twenties. He hoped that he might be ranked one day alongside Shelley and Byron, worthy of inclusion in a collection such as Palgrave's Golden Treasury which had inspired him. Hardy kept writing poems for the rest of his life, in different styles and metres, and he explored genres from nature, to war, to epic. Among his best known are what he called his Poems of 1912 to 13, responding to his grief at the death of his first wife, Emma (1840 -1912), who he credited as the one who had made it possible for him to leave his work as an architect's clerk and to write the novels that made him famous.WithMark Ford Poet, and Professor of English and American Literature, University College London.Jane Thomas Emeritus Professor of English at the University of Hull and Senior Visiting Research Fellow at the University of LeedsAndTim Armstrong Professor of Modern English and American Literature at Royal Holloway, University of LondonProducer: Simon TillotsonSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world
Send us a textExploring the Life and Legacy of Charles W. ChesnuttGuest: Dr. Tess Chakkalakal Host: Kenyatta D. BerryIn this episode, Kenyatta D. Berry speaks with Dr. Tess Chakkalakal, a scholar of nineteenth-century African American and American literature, about her new book A Matter of Complexion: The Life and Fictions of Charles W. Chesnutt. Together, they explore Chesnutt's remarkable career as one of the earliest African American fiction writers to achieve mainstream publication, and how his work continues to challenge and illuminate issues of race, identity, and American history.Dr. Chakkalakal discusses Chesnutt's influential novel The Marrow of Tradition, along with his complex portrayals of slavery, marriage, and freedom. The conversation delves into the intersections of literature, politics, and cultural memory, highlighting the importance of reading across genres and time periods to better understand the American story.They also touch on Dr. Chakkalakal's broader research, the preservation of historic writers' homes, and the growing impact of book bans on literary education.Books and Authors MentionedHarriet Beecher Stowe, Uncle Tom's CabinPaul Laurence DunbarSutton E. Griggs, Imperium in ImperioCharles W. Chesnutt, The Marrow of TraditionJudy Blume, Are You There God? It's Me, MargaretVirgilHomerAlexandre DumasCiceroHenry JamesEdith WhartonMark TwainWilliam Dean Howells, A Modern InstanceBrock ClarkeDead Writers: A Podcast About Great American Writers and Where They LivedIdlewild, MichiganAbout the GuestDr. Tess Chakkalakal [pronounced “Chah-KAHL-ickle”] is the author of Novel Bondage: Slavery, Marriage, and Freedom in Nineteenth-Century America (University of Illinois Press, 2011), winner of the Robert K. Martin Prize for Best Book on American Literature. She is also co-editor of Jim Crow, Literature, and the Legacy of Sutton E. Griggs and Imperium in Imperio: A Critical Edition. Her newest book, A Matter of Complexion: The Life and Fictions of Charles W. Chesnutt, is available now from St. Martin's Press.Dr. Chakkalakal is co-host of the award-winning podcast Dead Writers and serves on the boards of the Harriet Beecher Stowe Center and the Maine Maritime Museum.Conversations with Kenyatta features Kenyatta D. Berry. Music for episodes 1-76 is "Good Vibe" by Ketsa, Music for episodes 77+ is “Rheme – Afrobeat x African Instrumental x Reggae Beat,” via Pixabay.Learn more about Kenyatta and her work at KenyattaBerry.com.You can also connect with her on social media:Instagram: @Kenyatta.BerryFacebook: facebook.com/KenyattaDBThanks for listening, we'll see you next time on Conversations with Kenyatta. We are dedicated to exploring and discussing various aspects of genealogy, history, culture, and social issues. We aim to shed light on untold stories and perspectives that enrich our understanding of the world. Disclaimer: All guest opinions expressed in Conversations with Kenyatta are their own and do not reflect the views of Kenyatta D. Berry. .
The Great Gatsby celebrates its 100th birthday this year, and you knew that One True Podcast couldn't let 2025 go by without joining the celebration. We mark the centenary of this great American novel by marking its importance in American literary history as well as the life and career of Ernest Hemingway.Fitzgerald scholar William Blazek visits us from his post at Liverpool Hope University to discuss the novel's legacy, its glorious language, and its ambiguous themes; Gatsby as a complex and misunderstood character; how Gatsby would have struck the young Hemingway; and so many other aspects of this magnificent work.Like Nick Carraway just remembering he is turning thirty, One True Podcast hopes it isn't too late to join the roaring celebration of Gatsby at 100!Thanks as always for supporting One True Podcast!
Steve Dowden is a Professor of German language and literature in the Department of German, Russian, and Asian Languages and Literatures. He graduated in 1984 from the University of California with a Ph.D in German literature. After a decade teaching at Yale and a year as a Humboldt Fellow at the University of Konstanz he joined the Brandeis faculty in 1994. Dowden has published on German literature, art, music, and intellectual history from the eighteenth to the twenty-first century. John Burt is the Paul Prosswimmer Professor of American Literature at Brandeis University and the author of the novel A MOMENT'S SURRENDER (Hollywood Books International, forthcoming), three volumes of poetry: THE WAY DOWN (Princeton University Press, 1988), WORK WITHOUT HOPE (Johns Hopkins University Press, 1996), and VICTORY (Turning Point Press, 2007). His non-fiction book LINCOLN'S TRAGIC PRAGMATISM (Harvard University Press, 2013) was positively reviewed on the front page of the NEW YORK TIMES BOOK REVIEW. He is the literary executor of the poet and novelist Robert Penn Warren, whose collected poems he edited.In this episode we discuss Thomas Mann's novel Doctor Faustus.--- Become part of the Hermitix community: Hermitix Twitter - https://twitter.com/Hermitixpodcast Support Hermitix: Patreon - https://www.patreon.com/hermitix Donations: - https://www.paypal.me/hermitixpod Hermitix Merchandise - http://teespring.com/stores/hermitix-2 Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLK Ethereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9B75a00D9E74
In the new book “The Insider: Malcolm Cowley and the Triumph of American Literature” editor and critic Gerald Howard brings this complex literary life into focus drawing on Cowley's letters, essays, and archival material. Howard reveals how one man's sensibility helped to find what we now consider American literature.
Michael Deagler, the 2025 PEN/Hemingway winner for Early Sobrieties, shares his one true sentence from To Have and Have Not.Join us for our favorite Hemingway parlor game as this excellent novelist chooses his favorite sentence from everything Hemingway ever wrote. We discuss writing about addiction and recovery, Hemingway's use of dialogue, the way The Sun Also Rises serves as a textbook guide for writing novels, and much more.Don't forget to submit your nomination for One True Book Club 2026! Submit your choice for a book that is not by Hemingway but is Hemingway-relevant to 1truepod@gmail.com.Thank you for your continued support of One True Podcast!
My guest today is University of Oregon professor and longtime activist, Sarah Wald. Sarah is the author of multiple books, and as you'll hear today, a profound thinker on a wide variety of issues concerning the conservation and environmental justice communities.This is one of my favorite conversations I've ever had on this show, in part because Sarah was so game to explore some really complicated points of tension within our movements. I definitely learned a lot, and was happy to have some of my beliefs and understandings challenged. The show email is coastrangeradio@gmail.com, please reach out anytime with guest ideas, feedback, your harshest criticisms, or if you're interested in helping make this show!Research Links/Show Notes:Referenced: Tradeoff Denialism: https://scholarship.law.columbia.edu/cgi/viewcontent.cgi?article=4885&context=faculty_scholarshipBill McKibben on tradeoffs and the promise of renewables: https://www.earthisland.org/journal/index.php/articles/entry/wind-and-solar-will-require-mining-but-not-as-much-as-fossil-fuels-bill-mckibben-sun-daySarah's Recommendations:The Anti-Creep Climate Initiative's zine, Against the Ecofascist Creep.Olivia Aguilar, A Latine Outdoor Experience: Remembering, Resisting, and Reimagining (2025)Carolyn Finney, Black Faces, White Spaces: Reimagining the Relationship of African Americans to the Great Outdoors (2014) Jessica Hernandez, Fresh Banana Leaves: Healing Indigenous Landscapes through Indigenous Science (2022)Tao Leigh Goffe, Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis (2025)Tiya Miles, Wild Girls: How the Outdoors Shaped the Women Who Challenged a Nation (2023)Alexander Menrisky, Everyday Ecofascism: Crisis and Consumption in American Literature (2025)Kyle Powys Whyte “Against Crisis Epistemology” in Handbook of Critical Indigenous Studies (2021)Kyle Powys White, “Our Ancestors' Dystopia Now: Indigenous Conservation and the Anthropocene” in the Routledge Companion to the Environmental Humanities (2017)https://www.instagram.com/coastrangeradio/
In the first major biography of Baldwin in more than a decade, James Baldwin: Living in Fire (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement. Bill V. Mullen is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
In the first major biography of Baldwin in more than a decade, James Baldwin: Living in Fire (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement. Bill V. Mullen is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In the first major biography of Baldwin in more than a decade, James Baldwin: Living in Fire (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement. Bill V. Mullen is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
In the first major biography of Baldwin in more than a decade, James Baldwin: Living in Fire (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement. Bill V. Mullen is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
In the first major biography of Baldwin in more than a decade, James Baldwin: Living in Fire (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement. Bill V. Mullen is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies
One True Podcast looks ahead to the last volume of Hemingway's letters! Although Hemingway's correspondence from 1957-1961 won't be officially published for another couple of decades, the co-editors of the last volume of the Hemingway letters – J. Gerald Kennedy and Michael Von Cannon – along with their advisory editor, Valerie Hemingway, share insights about their work that covers Hemingway's final days.We learn what was occupying Hemingway's mind, his most frequent correspondents, the writing that consumed him, and how this last volume might reveal some of the health and psychological issues that plagued his later years. Join these three co-editors for an exclusive conversation on the volume we will eventually read, and their candid impressions of Hemingway's last letters.
One True Podcast examines the most important male friendship of the last fifteen years of Hemingway's life, his extraordinary relationship with Major General “Buck” Lanham, whom he met when he was an embedded journalist with the 22nd Infantry Regiment during World War II. Greer Rising – Buck was his father's godfather – and Eileen Martin join us to talk about Buck's background, his military history, his literary aspirations, and of course his intimate relationship with Hemingway. They discuss the Hemingway-Lanham interactions, encounters, and correspondence to demonstrate the intensity of the relationship and just how consequential it was.Join us as we learn more about the inspiration behind Colonel Cantwell in Across the River and into the Trees, the man whom Hemingway called “the finest and bravest and most intelligent and able regimental commander I have ever known.”Thank you for supporting One True Podcast!
Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression. Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression. Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression. Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression. Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
One True Podcast explores one of the most influential friends in Hemingway's life: Eric “Chink” Dorman-Smith. Although Chink has been mentioned several times during past episodes, we finally devote an entire episode to this fascinating figure and his profound influence on Hemingway. For this discussion, we welcome Lavinia Greacen, the author of Chink: A Biography and, most recently, Military Maverick: Selected Letters and War Writing of “Chink” Dorman-Smith. We discuss Chink's Irish background, his formidable military career, how he became Ernest and Hadley's vacation companion, how his voice appears in Hemingway's early war sketches, how he inspired the late novel Across the River and into the Trees, and much more. As a special gift to our listeners, we end the episode with some rare archival audio of Chink Dorman-Smith himself. We bet you will never read Chapter III of In Our Time the same way ever again.
Maria Amparo Ruiz de Burton is known as one of the earliest Mexican-American authors published in English, and her life story is tied closely to the Mexican-American war and the establishment of California as a state. Research: Amero, Richard W. “The Mexican-American War in Baja California.” The Journal of San Diego History. Winter 1984, Volume 30, Number 1. https://sandiegohistory.org/journal/1984/january/war/ Annenberg Learner. “Maria Amparo Ruiz de Burton (c. 1832-1895).” https://www.learner.org/series/american-passages-a-literary-survey/masculine-heroes/maria-amparo-ruiz-de-burton-c-1832-1895/ Brink, Jean R. “María Amparo Ruiz de Burton.” EBSCO Knowledge Advantage. 2023. https://www.ebsco.com/research-starters/history/maria-amparo-ruiz-de-burton Contreras, Alicia . "María Amparo Ruiz de Burton". In Oxford Bibliographies in American Literature. 3 Sep. 2025. https://www.oxfordbibliographies.com/view/document/obo-9780199827251/obo-9780199827251-0191.xml. Contreras, Alicia. "'I'll publish your cowardice all over California': Maria Amparo Ruiz de Burton's the squatter and the don in the age of Howells." American Literary Realism, vol. 49, no. 3, spring 2017, pp. 210+. Gale Academic OneFile, link.gale.com/apps/doc/A491311790/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=97ad48d9. Accessed 28 Aug. 2025. Crawford, Kathleen. “María Amparo Ruiz Burton.” The Journal of San Diego History. Summer 1984, Volume 30, Number 3. https://sandiegohistory.org/journal/1984/july/burton/ Diaz, Ella Maria. "Maria Amparo Ruiz de Burton: Critical and Pedagogical Perspectives." Legacy: A Journal of American Women Writers, vol. 22, no. 2, June 2005, pp. 202+. Gale OneFile: Business, link.gale.com/apps/doc/A141999447/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=1c4826f6. Accessed 28 Aug. 2025. Dietrich, Lucas. “A Sensational Job: Maria Amparo Ruiz de Burton, J.B. Lippincott Co., and Commission Printing.” Bibliographical Society of America. Via YouTube. 4/19/2019. https://www.youtube.com/watch?v=Fb6sfXdUyR8 Hedrick, Joan D. "Who Would Have Thought It?" The Women's Review of Books, vol. 13, no. 7, Apr. 1996, p. 6. Gale OneFile: Business, link.gale.com/apps/doc/A19140252/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=c31ab587. Accessed 28 Aug. 2025. Meylor, Megan. “California Nerves.” Texas Studies in Literature and Language, FALL 2020, Vol. 62, No. https://www.jstor.org/stable/10.2307/27117136 Quarstein, John V. “Worden and the Californios.” U.S. Naval Institute. October 2023. https://www.usni.org/magazines/naval-history-magazine/2023/october/worden-and-californios Raab, Josef. “The Imagined Inter-American Community of María Amparo Ruiz de Burton.” Amerikastudien / American Studies, 2008, Vol. 53, No. 1. Via JSTOR. https://www.jstor.org/stable/41158358 Sánchez, Rosaura and Beatriz Pita, editors. “Conflicts of Interest: The Letters of María Amparo Ruiz de Burton.” Arte Publico Press. University of Houston. 2001. Spitzzeri, Paul R. “Article Ten of the Treaty of Guadalupe Hidalgo, 1848.” Homestead Museum Blog. 5/31/2019. https://homesteadmuseum.blog/2019/05/31/article-ten-of-the-treaty-of-guadalupe-hidalgo-1848/ “María Amparo Ruiz, a woman of that century.” Issue 30. 3/8/2017. https://tendenciaelartedeviajar.com/en/2017/03/history/maria-amparo-ruiz-a-woman-of-that-century/ University of Texas Press. “María Amparo Ruiz de Burton and the Conquered Californios: An Interview With Meagan Meylor.” 11/15/2021. https://utpress.utexas.edu/blog/2021/11/15/maria-amparo-ruiz-de-burton-and-the-conquered-californios-an-interview-with-meagan-meylor/ Women & The American Story. “Life Story: María Ruiz de Burton (1832–1895).” The New York Historical Society. https://wams.nyhistory.org/industry-and-empire/expansion-and-empire/maria-ruiz-de-burton/ See omnystudio.com/listener for privacy information.
At One True Podcast we were sad to hear of the death of Patrick Hemingway, the middle son of Ernest, who died on September 2, 2025. Patrick Hemingway (1928-2025) lived a life that was truly Hemingwayesque: traveling like his father, living much of his life in Africa, hunting and fishing, and determined to maintain the legacy of his father's literary work. We invited Sandra Spanier, General Editor of the Hemingway Letters Project, to share her memories of Patrick, including his contributions to the Letters Project, her visits with him, and a poignant interview with Patrick that was conducted just a few months ago. Our episode closes with a soundbite from that June 2025 interview.We hope you enjoy this immediate reaction to the sad news of Patrick's passing.
In Episode 29, DDSWTNP go to space to get a good look at the earth in a time of war, turning to one of DeLillo's greatest short stories, “Human Moments in World War III,” first published in July 1983. We examine this tale of two future astronauts who have become soldiers for its strategic engagement with the tropes of science fiction, its eerie portrayals of the so-called “Overview Effect” available from a spacecraft window, and its compression and renewal of motifs from Americana, End Zone, and Ratner's Star. Nostalgia, patriotism, history, the soldier's mindset in following inhuman commands, and even the role of poetry and voice – all these come to be recast in DeLillo's shrewd take on an era of “Star Wars” defense initiatives, a Cold War giving way to hot wars, and very tricky ways out of Mutually Assured Destruction. Along the way we read the 1980s thoughts of an expert on lasers in space, consider what it means to have an alien perspective on one's earthly home and diurnal rhythms, and speculate on connections between “Human Moments” and White Noise still to come. Texts referred to and discussed in this episode: Don DeLillo. “Human Moments in World War III.” Published in Esquire (July 1983) and reprinted in The Angel Esmeralda (2011). Philip M. Boffey. “Laser Weapons: Renewed Focus Raises Fears and Doubts.” New York Times, 9 March 1982. https://www.nytimes.com/1982/03/09/science/laser-weapons-renewed-focus-raises-fears-and.html Summary of the Overview Effect: https://en.wikipedia.org/wiki/Overview_effect The first scene of War Games (1983): https://www.youtube.com/watch?v=s6aCpS0-yls Our intro's clip of DeLillo reading from “Human Moments in World War III” comes from this October 2012 event at the New York Public Library: https://www.nypl.org/audiovideo/angel-esmeralda-don-delillo-conversation-jonathan-franzen The interlude sound effect is from Burns and Allen, featuring Ray Noble, “Rah Rah in Omaha” (1940).
One True Podcast continues our celebration of the centenary of Hemingway's In Our Time by examining a classic Nick Adams story: "The End of Something."We welcome Lisa Tyler to discuss the story, its setting, cast of characters, and curiously inexact title. We examine how the story serves as a prequel to "The Three-Day Blow," (while also pointing out many differences between the two texts), discuss the emotional and psychological damage suggested by Nick's line "everything was gone to hell inside of me," and figure out Bill's role in this break-up tale. Lisa Tyler, esteemed Hemingway scholar and editor of Wharton Hemingway, and the Advent of Modernism, makes the convincing claim that Marjorie emerges from this story as one of the most remarkable female characters in Hemingway's entire canon.Join us for this discussion of a Hemingway classic!
“As I was reading Hooks and Freire, a colleague recommended Adrian Rich's essay "Teaching Language in Open Admissions." It was in that essay that I first read about her experiences teaching at CUNY during open admissions, learning that she taught alongside June Jordan, Audre Lorde, and Toni Cade Bambara. Eventually, that essay led me to their archival teaching materials. I was really excited because I found in those materials concrete teaching methods, things they were doing in their own classrooms that I then started trying in my classrooms as well. I also really liked their educational philosophies, thinking about what it means for college to be free and the fact that they were teaching during this revolutionary era. What would that look like today? What would it mean? What could free college bring to our society? What does free college make possible? All of those things coming together led me to the project.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu talks with Danica Savonick about her marvelous book entitled Open Admissions: The Poetics and Pedagogy of Toni Cade Bambara, June Jordan, Audre Lorde, and Adrienne Rich in the Era of Free College. This is a riveting and deeply inspiring story of how each of these luminaries in the fields of literature and feminism found their way into the City University of New York in the 1960s, when community activists had forced open what was called the Harvard for the proletariat to admit new classes of Black, brown, and other people of color. Savonick shows through copious archival research how Bambara, Jordan, Lorde, and Rich each came to find radical teaching methods in collaboration with these new students, and how their experiences with this new pedagogy affected their creative and other writing in profound and lasting ways. This is a critical history we can and must learn from today, when federal and state governments have added to the damage and violence done by the neoliberal university. We find exactly the tools and models we need to create spaces for education for liberation both within, but also outside, the Academy.Danica Savonick is an Associate Professor of English at SUNY Cortland. Her current project focuses on the radical writers and artists who taught at the experimental Livingston College (part of Rutgers University) in the 1970s. Her research has appeared in MELUS, American Literature, Modern Fiction Studies, Radical Teacher, Keywords for Digital Pedagogy in the Humanities, Public Books, and The Chronicle of Higher Ed.https://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place
“As I was reading Hooks and Freire, a colleague recommended Adrian Rich's essay "Teaching Language in Open Admissions." It was in that essay that I first read about her experiences teaching at CUNY during open admissions, learning that she taught alongside June Jordan, Audre Lorde, and Toni Cade Bambara. Eventually, that essay led me to their archival teaching materials. I was really excited because I found in those materials concrete teaching methods, things they were doing in their own classrooms that I then started trying in my classrooms as well. I also really liked their educational philosophies, thinking about what it means for college to be free and the fact that they were teaching during this revolutionary era. What would that look like today? What would it mean? What could free college bring to our society? What does free college make possible? All of those things coming together led me to the project.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu talks with Danica Savonick about her marvelous book entitled Open Admissions: The Poetics and Pedagogy of Toni Cade Bambara, June Jordan, Audre Lorde, and Adrienne Rich in the Era of Free College. This is a riveting and deeply inspiring story of how each of these luminaries in the fields of literature and feminism found their way into the City University of New York in the 1960s, when community activists had forced open what was called the Harvard for the proletariat to admit new classes of Black, brown, and other people of color. Savonick shows through copious archival research how Bambara, Jordan, Lorde, and Rich each came to find radical teaching methods in collaboration with these new students, and how their experiences with this new pedagogy affected their creative and other writing in profound and lasting ways. This is a critical history we can and must learn from today, when federal and state governments have added to the damage and violence done by the neoliberal university. We find exactly the tools and models we need to create spaces for education for liberation both within, but also outside, the Academy.Danica Savonick is an Associate Professor of English at SUNY Cortland. Her current project focuses on the radical writers and artists who taught at the experimental Livingston College (part of Rutgers University) in the 1970s. Her research has appeared in MELUS, American Literature, Modern Fiction Studies, Radical Teacher, Keywords for Digital Pedagogy in the Humanities, Public Books, and The Chronicle of Higher Ed.https://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place
“As I was reading Hooks and Freire, a colleague recommended Adrian Rich's essay "Teaching Language in Open Admissions." It was in that essay that I first read about her experiences teaching at CUNY during open admissions, learning that she taught alongside June Jordan, Audre Lorde, and Toni Cade Bambara. Eventually, that essay led me to their archival teaching materials. I was really excited because I found in those materials concrete teaching methods, things they were doing in their own classrooms that I then started trying in my classrooms as well. I also really liked their educational philosophies, thinking about what it means for college to be free and the fact that they were teaching during this revolutionary era. What would that look like today? What would it mean? What could free college bring to our society? What does free college make possible? All of those things coming together led me to the project.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu talks with Danica Savonick about her marvelous book entitled Open Admissions: The Poetics and Pedagogy of Toni Cade Bambara, June Jordan, Audre Lorde, and Adrienne Rich in the Era of Free College. This is a riveting and deeply inspiring story of how each of these luminaries in the fields of literature and feminism found their way into the City University of New York in the 1960s, when community activists had forced open what was called the Harvard for the proletariat to admit new classes of Black, brown, and other people of color. Savonick shows through copious archival research how Bambara, Jordan, Lorde, and Rich each came to find radical teaching methods in collaboration with these new students, and how their experiences with this new pedagogy affected their creative and other writing in profound and lasting ways. This is a critical history we can and must learn from today, when federal and state governments have added to the damage and violence done by the neoliberal university. We find exactly the tools and models we need to create spaces for education for liberation both within, but also outside, the Academy.Danica Savonick is an Associate Professor of English at SUNY Cortland. Her current project focuses on the radical writers and artists who taught at the experimental Livingston College (part of Rutgers University) in the 1970s. Her research has appeared in MELUS, American Literature, Modern Fiction Studies, Radical Teacher, Keywords for Digital Pedagogy in the Humanities, Public Books, and The Chronicle of Higher Ed.https://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place
Today it's my honor to speak with Danica Savonick about her marvelous book entitled Open Admissions: The Poetics and Pedagogy of Toni Cade Bambara, June Jordan, Audre Lorde, and Adrienne Rich in the Era of Free College. This is a riveting and deeply inspiring story of how each of these luminaries in the fields of literature and feminism found their way into the City University of New York in the 1960s, when community activists had forced open what was called the Harvard for the proletariat to admit new classes of Black, brown, and other people of color. Savonick shows through copious archival research how Bambara, Jordan, Lorde and Rich each came to find radical teaching methods in collaboration with these new students, and how their experiences with this new pedagogy affected their creative and other writing in profound and lasting manners. This is a critical history we can and must learn from today, when federal and state governments have added to the damage and violence done by the neoliberal university. We find exactly the tools and models we need to create spaces for education for liberation both within, but also outside, the Academy.Check out our blog, featuring these writers' teaching materials!Danica Savonick is an Associate Professor of English at SUNY Cortland and the author of Open Admissions: The Poetics and Pedagogy of Toni Cade Bambara, June Jordan, Audre Lorde, and Adrienne Rich in the Era of Free College (Duke University Press, 2024). Her current project focuses on the radical writers and artists who taught at the experimental Livingston College (part of Rutgers University) in the 1970s. Her research has appeared in MELUS, American Literature, Modern Fiction Studies, Radical Teacher, Keywords for Digital Pedagogy in the Humanities, Public Books, and The Chronicle of Higher Ed.
Michael Clune is the author of the debut novel Pan, available from Penguin Press. It is the official August 2025 pick of the Otherppl Book Club. Clune is the critically acclaimed author of the memoirs Gamelife and White Out: The Secret Life of Heroin. His academic books include A Defense of Judgment, Writing Against Time, and American Literature and the Free Market. Clune's work has appeared in venues ranging from Harper's Magazine, Salon, and Granta to Behavioral and Brain Sciences, PMLA, and The Chronicle of Higher Education. His work has been recognized by fellowships and awards from the John Simon Guggenheim Memorial Foundation, the Mellon Foundation, the Baker-Nord Center for the Humanities, and others. He is currently a professor at the Salmon P. Chase Center for Civics, Culture, and Society at the Ohio State University and lives in Chagrin Falls, Ohio. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Beauchamp-Sharpe tragedy of 1825, sometimes called the Kentucky tragedy, involves a politician, a young lawyer, and the lawyer’s wife. It unfolds as a story of sexual scandal and political intrigue that ultimately led to murder. Research: Beauchamp, Jereboam O. “The confession of Jereboam Beauchamp (written by himself) who was executed at Frankfort, Ky., for the murder of Col. Solomon P. Sharp, a member of the legislature, and late attorney-general of Ky. To which is added some poetical pieces written by Mrs. Ann Beauchamp, who voluntarily put a period to her existence on the day of the execution of her husband, and was buried in the same grave with him.” H.T. Goodsell. Kentucky. https://digital.library.cornell.edu/catalog/sat1109 “Beauchamp’s Trial.” The Frankfort Argus. May 10, 1826. https://www.newspapers.com/image/1040984938/?match=1&terms=beauchamp Bruce, Dickson D. “The Kentucky Tragedy: A Story of Conflict and Change in Antebellum America.” Louisiana State University Press. 2006. Coleman, J. Winston, Jr. “THE BEAUCHAMP - SHARP TRAGEDY: An Episode of Kentucky History During the Middle 1820's.” ROBERTS PRINTING COMPANY. Frankfurt, KY. 1950. Accessed online: https://babel.hathitrust.org/cgi/pt?id=inu.32000013353117&seq=9&format=plaintext Coleman, J. Winston. “The Beauchamp-Sharp tragedy; an episode of Kentucky history during the middle 1820's.” ROBERTS PRINTING COMPANY. FRANKFORT, KENTUCKY. 1950. Accessed online: https://babel.hathitrust.org/cgi/pt?id=inu.32000013353117&seq=9 Cooke, J.W. “THE LIFE AND DEATH OF COLONEL SOLOMON P. SHARP PART 1: UPRIGHTNESS AND INVENTIONS; SNARES AND NETS.” The Filson Club History Quarterly. Vol. 72, No. 1. January 1998. https://filsonhistorical.org/wp-content/uploads/publicationpdfs/72-1-3_The-Life-and-Death-of-Colonel-Solomon-P.-Sharp-part-1-Uprightness-and-Inventions-Snares-and-Net_Cooke-J.W..pdf “Horrible Assassination.” The Frankfort Argus. Nov. 9. 1825. https://www.newspapers.com/image/1044971148/?match=1&terms=solomon%20sharp Jillson, Willard Rouse. “THE BEAUCHAMP—SHARP TRAGEDY IN AMERICAN LITERATURE.” Register of Kentucky State Historical Society, vol. 36, no. 114, 1938, pp. 54–60. JSTOR, http://www.jstor.org/stable/23371707 Kimball, William J. “The ‘Kentucky Tragedy:’ Romance or Politics.” The Filson Club History Quarterly. Vol. 48. 1974. https://filsonhistorical.org/wp-content/uploads/publicationpdfs/48-1-3_The-Kentucky-Tragedy-Romance-of-Politics_Kimball-William-J..pdf “The Murderer od Col. Sharp.” Republican Banner. Nov. 28, 1825. https://www.newspapers.com/image/603858007/?match=1&terms=Jereboam%200.%20Beauchamp “The Mutilated Act.” Lexington Weekly Press. June 20, 1825. https://www.newspapers.com/image/1183393429/?match=1&terms=Jereboam%200.%20Beauchamp “Romantic 1825 Tragedy.” Kentucky Historical Society. https://history.ky.gov/markers/romantic-1825-tragedy Schoenbachler, Matthew G. “Murder and Madness: The Myth of the Kentucky Tragedy.” University Press of Kentucky. 2009. Gates, W. B. “William Gilmore Simms and the Kentucky Tragedy.” American Literature, vol. 32, no. 2, 1960, pp. 158–66. JSTOR, https://doi.org/10.2307/2922674 “To the Public.” Woodstock Observer and Windsor and Orange County Gazette. Aug, 29, 1826. https://www.newspapers.com/image/489194545/?match=1&terms=Jereboam%200.%20Beauchamp See omnystudio.com/listener for privacy information.
In 1710, the British Parliament passed a piece of legislation entitled An Act for the Encouragement of Learning. It became known as the Statute of Anne, and it was the world's first copyright law. Copyright protects and regulates a piece of work - whether that's a book, a painting, a piece of music or a software programme. It emerged as a way of balancing the interests of authors, artists, publishers, and the public in the context of evolving technologies and the rise of mechanical reproduction. Writers and artists such as Alexander Pope, William Hogarth and Charles Dickens became involved in heated debates about ownership and originality that continue to this day - especially with the emergence of artificial intelligence. With:Lionel Bently, Herchel Smith Professor of Intellectual Property Law at the University of CambridgeWill Slauter, Professor of History at Sorbonne University, ParisKatie McGettigan, Senior Lecturer in American Literature at Royal Holloway, University of London. Producer: Eliane GlaserReading list:Isabella Alexander, Copyright Law and the Public Interest in the Nineteenth Century (Hart Publishing, 2010)Isabella Alexander and H. Tomás Gómez-Arostegui (eds), Research Handbook on the History of Copyright Law (Edward Elgar Publishing, 2016)David Bellos and Alexandre Montagu, Who Owns this Sentence? A History of Copyrights and Wrongs (Mountain Leopard Press, 2024)Oren Bracha, Owning Ideas: The Intellectual Origins of American Intellectual Property, 1790-1909 (Cambridge University Press, 2016)Elena Cooper, Art and Modern Copyright: The Contested Image (Cambridge University Press, 2018)Ronan Deazley, On the Origin of the Right to Copy: Charting the Movement of Copyright Law in Eighteenth Century Britain, 1695–1775 (Hart Publishing, 2004)Ronan Deazley, Rethinking Copyright: History, Theory, Language (Edward Elgar Publishing, 2006)Ronan Deazley, Martin Kretschmer and Lionel Bently (eds.), Privilege and Property: Essays on the History of Copyright (Open Book Publishers, 2010)Marie-Stéphanie Delamaire and Will Slauter (eds.), Circulation and Control: Artistic Culture and Intellectual Property in the Nineteenth Century (Open Book Publishers, 2021) Melissa Homestead, American Women Authors and Literary Property, 1822-1869 (Cambridge University Press, 2005)Adrian Johns, Piracy: The Intellectual Property Wars from Gutenberg to Gates (University of Chicago Press, 2009)Meredith L. McGill, American Literature and the Culture of Reprinting, 1834-1853 (University of Pennsylvania Press, 2002)Mark Rose, Authors and Owners: The Invention of Copyright (Harvard University Press, 1993)Mark Rose, Authors in Court: Scenes from the Theater of Copyright (Harvard University Press, 2018)Catherine Seville, Internationalisation of Copyright: Books, Buccaneers and the Black Flag in the Nineteenth Century (Cambridge University Press, 2006)Brad Sherman and Lionel Bently, The Making of Modern Intellectual Property Law (Cambridge University Press, 1999)Will Slauter, Who Owns the News? A History of Copyright (Stanford University Press, 2019)Robert Spoo, Without Copyrights: Piracy, Publishing and the Public Domain (Oxford University Press, 2013)In Our Time is a BBC Studios Audio production
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