Podcasts about American literature

Mea Culpa welcomes Victor Shi, the youngest elected Delegate for Joe Biden in 2020, he is a former White House Intern and the co-host of the iGen Politics Podcast with the distinguished Jill Wine-Banks. Shi is also a writer, speaker, organizer, activist, and a junior at UCLA, where he is majoring in American Literature and Culture. Shi is currently a communications intern at Precision Strategies and his on-air commentary and interviews have been seen on MSNBC, CNN, NBC, PBS Newshour, ABC, the Daily Herald, and the Chicago Tribune. His op-eds have been published in Newsweek, The Boston Globe, The Chicago Tribune, CNN, USA Today, The Hill, and International Business Times. Michael and Victor talk about the current state of politics and what needs to be done to get the attention of young voters.

In our second episode devoted to the centenary of The Sun Also Rises, we turn our focus to the beloved Count Mippipopolous. He's an epicurean and an entrepreneur; he's battle-tested, arrow-wounded, champagne-enjoying, no-dancing, business-tripping, generous-tipping... and he's always in love. We discuss his role in the novel, his relationship with Brett and Jake, Hemingway's original plan for him in the manuscript, and how he emerges as such a resonant figure.Make sure to listen for a snippet of Leonard Nimoy as the Count in the polarizing 1984 mini-series, where he says things that he doesn't say in the novel. As always, we enjoy the legendary actor William Hurt reading a pivotal scene involving the Count, courtesy of our friends at Simon & Schuster Audio.If you're quite one of us, you will love this exploration of Hemingway's great novel and this indelible, magnificently alive secondary character.Audio excerpt courtesy of Simon & Schuster Audio from The Sun Also Rises by Ernest Hemingway, read by William Hurt. Copyright © 1926 by Charles Scribner's Sons. Used with permission of Simon & Schuster, Inc. 

In this episode of “Why I Teach,” Dr. Kimberly D. McCorkle, Provost and Senior Vice President for Academic Affairs at East Tennessee State University (ETSU), sits down with Dr. Kevin E. O'Donnell, Professor of English and recipient of the 2024 Stephen L. Fisher Award for Excellence in Teaching from the Appalachian Studies Association. With more than 30 years of experience teaching literature, composition, and environmental writing, Dr. O'Donnell shares insights on storytelling, writing pedagogy, the impact of technology in the classroom, and the power of honesty in writing. He also discusses teaching The Anthropocene Reviewed by John Green, Appalachian literature such as Serena by Ron Rash, and his upcoming book, The Woodlands of the Mind: Rambles Through Campus Forests. Find out more: ETSU Common Read: https://www.etsu.edu/provost/common-read.php ETSU Festival of Ideas: https://www.etsu.edu/festival/ ETSU College of Arts and Sciences: https://www.etsu.edu/cas/ Podcast Transcript:  [Music] Dr. Kevin O'Donnell I love John Green's writing for one thing. It's really accessible. His voice draws you in. He starts with these quirky topics. He'll be writing about Super Mario Kart. Within a few pages, he's talking about community and luck versus skill, and these bigger issues. Dr. Kimerly D. McCorkle Hi, I'm Kimberly McCorkle, Provost and Senior Vice President for Academic Affairs at East Tennessee State University. From the moment I arrived on this campus, I have been inspired by our faculty, their passion for what they do, their belief in the power of higher education, and the way they are transforming the lives of their students. This podcast is dedicated to them: Our incredible faculty at ETSU. Hear their stories as they tell us why I teach. In this episode, we will sit down with Dr. Kevin E. O'Donnell, Professor of English and recipient of the 2024 Stephen L. Fisher Award for Excellence in Teaching from the Appalachian Studies Association. A native of Northeast Ohio, Dr. O'Donnell earned his Ph.D. from the University of Wisconsin, Milwaukee and has taught at ETSU for more than 30 years. His courses include Advanced Composition, American Literature, Literary Nonfiction, and Environmental Writing. He's the author of numerous publications, including Seekers of Scenery: Travel Writing from Southern Appalachia, co-authored with Helen Hollingsworth. This year, he looks forward to the release of a new book, co-written with his ETSU colleague, Dr. Scott Honeycutt, titled The Woodlands of the Mind: Rambles Through Campus Forests. Enjoy the show. Dr. O'Donnell, welcome to the show. I start my podcast with the same question for every guest. Take me back to your first day as a faculty member at ETSU, and looking back on that day, what is one piece of advice that you would have given yourself? Dr. Kevin O'Donnell Well, it's a great question. I have to think back and see if I can remember 30 years. It's half a lifetime ago, you know. But if I could give myself advice, I would say, young Kevin, trust the process. With writing, it's so challenging. You get papers from the students, especially in the first-year classes on the first day. And they've got all kinds of issues, and the first thing you see are the problems when you read them, and you want to fix everything. But just trust the process. You know, if they've got 15 weeks, if they get four or five good writing experiences, including revision and feedback, and over the course of 15 weeks, you can do a lot. Yeah. Thank you. Reflecting on your 30-plus years in the classroom here, how has your approach to teaching literature and composition changed over the years? Dr. Kevin O'Donnell Yeah, that's kind of a related question. I don't think my philosophy has changed, but a lot of the technology has changed. I mean, I kind of developed the belief in grad school that you learn to write by having an audience, writing for audiences. But 30 years ago, typically, students would print one copy, and if you were lucky, you could circulate it, do some group work and stuff, but you couldn't publish it. And then with the development of the internet, making easier access to the internet available, I started publishing my students' work on the web, and then they started publishing their own, and you get it out in front of an audience a lot more. And that's great for writing pedagogy. And then multimedia, doing this kind of stuff, like the Whisper Room over in... We were talking about that earlier over in the Innovation Commons. Yeah. I've had my students doing that, so that's part of writing now, I think, is multimedia. You can't just think of it as words on a page. Typically, anything, it's words on a screen, and then the spoken word component, recording. So that's changed how I teach a lot. I'll have my students do an audio piece and then post it on YouTube, say. That's what they did last semester. They must enjoy that. Dr. Kevin O'Donnell The response to it was great. Dr. Kimerly D. McCorkle   How do you see the connection between storytelling and how we understand our environment, culture, and region? Dr. Kevin O'Donnell Yeah, storytelling, I mean, it's... You could argue that all understanding is narrative. Like, people understand things in terms of people in places doing things, which is character-setting-plot, you know? So with the Environmental Studies minor, there's a required course that's environmental writing. We get students who are being trained in science, like biologists, who take that minor, and they come in and read some environmental literature, and you've got these science writers using narrative to make sense of the science. So I think it's a crucial component. Dr. Kimerly D. McCorkle Which literary work or author has been especially rewarding for you to teach over the years, and why? Dr. Kevin O'Donnell Yeah, I love that question. There's been a lot of them. I'm teaching a book this semester, a 2008 novel by Ron Rash called Serena, which is a super well-written, super fun novel, but it takes place in Haywood County, North Carolina, in the 1920s when the Smokies were being logged. So it's set against the backdrop of this huge natural resource extraction story that shaped Appalachia, the logging of the great Appalachian forest. But it's also really dramatic. It's got these tightly written chapters. There's some great villains and some shocking murders, and it's a great book. And Ron Rash is coming to our literary festival in April. Dr. Kimerly D. McCorkle Fantastic. Dr. Kevin O'Donnell So students are reading that novel, and I've taught that four or five times over the years, and it's a great, great book for an environmental writing class. Dr. Kimerly D. McCorkle Is he a regional author? Dr. Kevin O'Donnell He's at Western Carolina. He's down in Cullowhee. He's probably about ready to retire, but he grew up in upstate South Carolina. And yeah, he's a great writer. Dr. Kimerly D. McCorkle It must be great for students to connect to a book that's about the region. Dr. Kevin O'Donnell Yeah, and a lot of students didn't know the story that it tells, and people know the area, recognize places where scenes take place. Yeah, so it's great. That's a good one. Dr. Kimerly D. McCorkle Earlier this year, you presented an outstanding lecture to kick off this year's Common Read, The Anthropocene Reviewed by John Green. What about that book resonated with you, and why do you think it was a good fit for ETSU's campus community? Dr. Kevin O'Donnell Yeah, I think it was a great fit, or it seems to be getting a good response from students. And part of it, for 15 years or more, I was a fan of the Vlogbrothers. They do their YouTube science stuff. And the format is, it's basically the essay format. You've got two, 3,000 words. I love John Green's writing, for one thing. It's really accessible. His voice draws you in. And he starts with these quirky topics. Like he'll be writing about Super Mario Kart. And within a few pages, he's talking about community and luck versus skill and these bigger issues. And so I like that they're inviting, these essays are inviting and they draw you in. They're really accessible. You can read one in 15 minutes. And the five-star review format is kind of fun. Like that, my students want to write those. You give that as a writing assignment. Here's an essay, you're going to make it ostensibly a review of something. That you're going to give five stars. So your job is to evaluate. Students like it. So I think it was a good choice. I'm excited about him. Dr. Kimerly D. McCorkle That's great, yeah. I know, as you said, a lot of students are excited. They've connected to his work for a long time. Students who've said he taught them what they know about history, for instance. As you know, we are excited to be able to welcome John Green to campus in just a few days to speak at the ETSU Festival of Ideas. From your experience, how does engaging with an author and hearing them talk about their work deepen students' connections to a text compared to just reading it in a classroom? Dr. Kevin O'Donnell Yeah, I think it's a big deal. It can change your relationship to the text. It sure humanizes it, you know? One thing about reading, even if you're reading for a class, reading seems like a really solitary activity. You go to your quiet space and you're sitting by yourself. But then these students are going to come together and see hundreds of other people who have also connected with the same text and see the author. It just makes it very visceral, the sense of how social reading is, even though it feels solitary in some ways it is, but it's a deeply social act. And I think one of the things I'm excited about is it's fun seeing other people who are excited about writing that you're excited about. Dr. Kimerly D. McCorkle Right, yeah. Feels like you're in a community of readers when you watch an author talk about their work. Dr. Kevin O'Donnell Right. Yeah, yeah. Dr. Kimerly D. McCorkle As I mentioned in the introduction, you have a book coming out this year. Will you please share a preview of The Woodlands of the Mind and a bit about what inspired you and Dr. Honeycutt to write the book? Dr. Kevin O'Donnell Yeah, thanks for asking about that. So it was really inspired by the ETSU campus. We've got, well, you know about University Woods south of the railroad bypass there. We've got 30 acres of, couple dozen at least ancient oak trees up there. And it's a really special place. And Scott Honeycutt and I, for years we'd been taking our students over there to do classrooms and to do awareness stuff and to do walks. And back in 2018, I think it was before COVID, we wrote a small grant and brought an author to class, author to campus rather, Joan Maloof, who is a biologist from Maryland who's also written some very good books, including one that Scott and I are fans of called "Among the Ancients" where she goes around and visits different old, remnant old growth forests and writes about them, but also writes about regional history and natural history. So we brought her to campus. It turns out she's the founding director of the Old-Growth Forest Network. And long story short, she came to campus, did a public nature walk with people over in the woods and then did a talk in the evening at the old East Tennessee Room and generated a lot of excitement, which led to us forming an ad-hoc committee to see if we can get the University Woods to be part of the Old-Growth Forest Network. As a community forest, Dr. Noland, our awesome president, was very supportive of this. So long story short, later that spring, Joan came back on her own dime for a dedication ceremony we did where Dr. Noland spoke and read a little poem on some other people, and we designated it as a community forest. So that experience, Scott and I to look around and it turns out a lot of universities have often old-growth remnants, which are rare attached to their property, partly because of the history of universities and land use, especially in the East. So we started learning about these places. So we thought, well, no one's written about this. So we've selected 15 places from Rome up to Maine, some small colleges, some bigger schools, like Virginia Tech and Penn State. And we split them up and we went around and wrote, kind of inspired by Joan Maloof, these travel essays with history, natural history, and we package them together and sent our proposal to the University of Georgia Press, and the editor called us back the next day and said she wanted to publish it. Dr. Kimerly D. McCorkle Congratulations. Dr. Kevin O'Donnell Yeah, thanks. Dr. Kimerly D. McCorkle Look forward to reading it. Dr. Kevin O'Donnell Awesome. Dr. Kimerly D. McCorkle What books do you have on your to-read pile and do you have any favorite books or authors that you'd recommend for consideration for future common reads at ETSU? Dr. Kevin O'Donnell Right. Yeah, my to-read pile is pretty big and half of them I never get to. I own a lot of books I've never read. I'm glad to hear that it makes me feel less guilty. But something about owning them, I hope that maybe I'll soak up. I don't know. And even better if you put them on your bedside table to look at you, yes, yeah. Dr. Kevin O'Donnell Yes, one I was thinking about that I read recently is Beth Macy who is, she wrote a book called Dopesick that the Hulu miniseries starring Michael Keaton was based on, was pretty much directly from that book. And it's a great book. But more recently in the fall, she came out with a book called Paper Girl. It's sort of a memoir she tells about growing up underprivileged in rural Ohio and then goes back there now and finds a version of herself and to look at how kids don't have the same opportunities, basically, young people. And in the process she's also talking about being a journalist and how people respond or don't respond to journalism and conspiracy theorizing has sort of moved into the vacuum where journalism has moved out of and which sounds all serious, but it's a fun book and it got a lot of attention in the fall. That one, she lives down at Roanoke. Dr. Kimerly D. McCorkle Interesting. Dr. Kevin O'Donnell We should get her up here. That would be a good one. But my dream author would be Elizabeth Kolbert. She's a New Yorker magazine writer who probably about 10 years ago she published a book called The Sixth Extinction which won the Pulitzer Prize for general nonfiction which is an amazing book. It's about the planet that is currently undergoing a major extinction event, which is a grim topic. But she writes these essays where she goes around and talks to people and they're really engaging. She's the best science writer I know and she's a best seller. I think there'd be enthusiasm about her. She's got a new book, which is a collection of her New Yorker essays. So Elizabeth Kolbert--I don't know if we could get her. I don't know if she does campus visits but she'd be a good get. Dr. Kimerly D. McCorkle Great suggestions. Dr. Kevin O'Donnell Yeah. Dr. Kimerly D. McCorkle Finally, what impact do you hope you've made on your students? Dr. Kevin O'Donnell Gosh, that's a big one. Been thinking about that a lot now that I'm 30 years into this. I would hope when my students leave my class they understand that good writing is about honesty. Because I think students come in and when they're supposed to do academic writing they feel like they need to adopt this persona that's the voice of authority. And they don't feel confident in that authority. So they put on a role. And that, as much as anything, leads to tangled sentences and unclear writing. But if you can be honest about your relationship to your material and your audience, and in a simple way, not like deep profound, doesn't have to be deep profound honesty, but that's honesty is what good writing is about. That's, I would hope students would leave my class with that understanding. Dr. Kimerly D. McCorkle Dr. O'Donnell, it's been a pleasure speaking with you. Thank you for your thoughtful reflections on teaching, literature, and the Common Read experience. Thank you for the way you engage your students with literature. I'm looking forward to adding your new book to my reading list this year. Thanks for listening to "Why I Teach." For more information about Dr. O'Donnell, the College of Arts and Sciences, or this podcast series, visit the ETSU Provost website at etsu.edu slash Provost. You can follow me on social media at ETSU Provost. And if you enjoyed this episode, please take a moment to like and subscribe to "Why I Teach" wherever you listen to podcasts. (soft music)  

How have attitudes to punishment changed over time, and what ideas about the rationale for punishment are circulating today? In Radio 4's roundtable discussion programme, Matthew Sweet and guests explore the criminal justice system through history.With:Stephanie Brown, Lecturer in Criminology at the University of Hull and BBC / AHRC New Generation Thinker on the scheme which puts research on radioScout Tzofiya Bolton, poet and broadcaster who presents on National Prison Radio, and for Radio 4 the Illuminated episode called The Ballad of Scout and the Alcohol Tag. Her poetry collection is called The Mad Art of Doing TimeJoanna Hardy-Susskind, criminal barrister and presenter for Radio 4 of a series called You Do Not Have To Say AnythingStephen Shapiro, Professor of American Literature at the University of WarwickJonathan Sumption, former Supreme Court judge and now Moral Maze panellist for BBC Radio 4 and author of a five-volume account of The Hundred Years WarProducer: Eliane Glaser

Toni Morrison's work undeniably reshaped American literature, and her influence extended well beyond her novels like Beloved or The Bluest Eye. Morrison confronted slavery, identity, trauma - as well as beauty - as she centered Black experiences. Morrison changed not only what stories were told, but how they were told.rnrnHarvard professor and award-winning author Namwali Serpell's latest book On Morrison, argues that Morrison's literary skill often gets overshadowed by her public image as a Black female writer. On Morrison takes readers through her canon of literature, and focuses on the artistry and technique, demonstrating "how to read Morrison with the seriousness that she deserves."rnrnNamwali Serpell was born in Lusaka and lives in New York. She is the author of multiple award-winning books, and her debut novel, The Old Drift, won an Anisfield-Wolf Book Award, the Arthur C. Clarke Award for Science Fiction, and the Los Angeles Times's Art Seidenbaum Award for First Fiction.rnrnFor an entire year, starting on Toni Morrison's birthday, the influential Nobel Prize-winning Ohioan will be the focus of literary and historic events in the Buckeye State. Join us - in partnership with Literary Cleveland - as Kourtney Morrow with the Anisfield-Wolf Book Awards sits down in conversation with On Morrison author Namwali Serpell.

My guest today is Carla Kaplan, the author of Troublemaker: The Fierce, Unruly Life of Jessica Mitford (Harper, 2025). In Troublemaker, Kaplan tells the wild and unlikely story of Jessica Mitford, fifth of the six famous Mitford Girls, a British aristocrat-turned-American Communist, famous for exposés like The American Way of Death. This biography brings her astonishing self-transformation to life with a riveting, often hilarious account of trading wealth and status for a life of radical activism. Jessica Mitford, always known as Decca, was brought up by an eccentric English family to marry well and reproduce her wealth and privilege, not to advocate for the rights of others. Decca ran away to America to forge a rebel's life. As this richly researched book details, Decca broke the Mitford mold. Instead of settling for life as a professional Beauty, she fought fascism in the Spanish Civil War, became an American Communist and pioneered witty, hugely popular journalism, including her 1963 blockbuster The American Way of Death. Decca dedicated her life to social justice and proved herself an immensely effective ally, but she also injected laughter into all her political work, annoying some activists with her relentless antics but encouraging many others to find joy in the struggle. Mining extensive, untapped sources, and with nearly fifty new interviews, Kaplan's passionate biography beautifully illuminates how Decca's hard-won and self-taught social empathy offers a powerful example of female freedom, the dramatic, novelistic story of an extraordinary woman of her time who is remarkably relevant and resonant today. Carla Kaplan is an award-winning professor and writer who holds the Stanton W. and Elisabeth K. Davis Distinguished Professorship in American Literature at Northeastern University. She has published seven books, including Zora Neale Hurston: A Life in Letters and Miss Anne in Harlem: The White Women of the Black Renaissance, both New York Times Notable Books. A recipient of Guggenheim and National Endowment for the Humanities “Public Scholar” fellowships, Kaplan has been a fellow in residence at the Cullman Center for Scholars and Writers, the Schomburg Center for Research in Black Culture, and the W. E. B. Du Bois Research Institute; is a fellow of the Society of American Historians; and serves on the board of Biographers International. She divides her time between Boston and Cape Cod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

My guest today is Carla Kaplan, the author of Troublemaker: The Fierce, Unruly Life of Jessica Mitford (Harper, 2025). In Troublemaker, Kaplan tells the wild and unlikely story of Jessica Mitford, fifth of the six famous Mitford Girls, a British aristocrat-turned-American Communist, famous for exposés like The American Way of Death. This biography brings her astonishing self-transformation to life with a riveting, often hilarious account of trading wealth and status for a life of radical activism. Jessica Mitford, always known as Decca, was brought up by an eccentric English family to marry well and reproduce her wealth and privilege, not to advocate for the rights of others. Decca ran away to America to forge a rebel's life. As this richly researched book details, Decca broke the Mitford mold. Instead of settling for life as a professional Beauty, she fought fascism in the Spanish Civil War, became an American Communist and pioneered witty, hugely popular journalism, including her 1963 blockbuster The American Way of Death. Decca dedicated her life to social justice and proved herself an immensely effective ally, but she also injected laughter into all her political work, annoying some activists with her relentless antics but encouraging many others to find joy in the struggle. Mining extensive, untapped sources, and with nearly fifty new interviews, Kaplan's passionate biography beautifully illuminates how Decca's hard-won and self-taught social empathy offers a powerful example of female freedom, the dramatic, novelistic story of an extraordinary woman of her time who is remarkably relevant and resonant today. Carla Kaplan is an award-winning professor and writer who holds the Stanton W. and Elisabeth K. Davis Distinguished Professorship in American Literature at Northeastern University. She has published seven books, including Zora Neale Hurston: A Life in Letters and Miss Anne in Harlem: The White Women of the Black Renaissance, both New York Times Notable Books. A recipient of Guggenheim and National Endowment for the Humanities “Public Scholar” fellowships, Kaplan has been a fellow in residence at the Cullman Center for Scholars and Writers, the Schomburg Center for Research in Black Culture, and the W. E. B. Du Bois Research Institute; is a fellow of the Society of American Historians; and serves on the board of Biographers International. She divides her time between Boston and Cape Cod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

My guest today is Carla Kaplan, the author of Troublemaker: The Fierce, Unruly Life of Jessica Mitford (Harper, 2025). In Troublemaker, Kaplan tells the wild and unlikely story of Jessica Mitford, fifth of the six famous Mitford Girls, a British aristocrat-turned-American Communist, famous for exposés like The American Way of Death. This biography brings her astonishing self-transformation to life with a riveting, often hilarious account of trading wealth and status for a life of radical activism. Jessica Mitford, always known as Decca, was brought up by an eccentric English family to marry well and reproduce her wealth and privilege, not to advocate for the rights of others. Decca ran away to America to forge a rebel's life. As this richly researched book details, Decca broke the Mitford mold. Instead of settling for life as a professional Beauty, she fought fascism in the Spanish Civil War, became an American Communist and pioneered witty, hugely popular journalism, including her 1963 blockbuster The American Way of Death. Decca dedicated her life to social justice and proved herself an immensely effective ally, but she also injected laughter into all her political work, annoying some activists with her relentless antics but encouraging many others to find joy in the struggle. Mining extensive, untapped sources, and with nearly fifty new interviews, Kaplan's passionate biography beautifully illuminates how Decca's hard-won and self-taught social empathy offers a powerful example of female freedom, the dramatic, novelistic story of an extraordinary woman of her time who is remarkably relevant and resonant today. Carla Kaplan is an award-winning professor and writer who holds the Stanton W. and Elisabeth K. Davis Distinguished Professorship in American Literature at Northeastern University. She has published seven books, including Zora Neale Hurston: A Life in Letters and Miss Anne in Harlem: The White Women of the Black Renaissance, both New York Times Notable Books. A recipient of Guggenheim and National Endowment for the Humanities “Public Scholar” fellowships, Kaplan has been a fellow in residence at the Cullman Center for Scholars and Writers, the Schomburg Center for Research in Black Culture, and the W. E. B. Du Bois Research Institute; is a fellow of the Society of American Historians; and serves on the board of Biographers International. She divides her time between Boston and Cape Cod. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are thrilled to welcome Susan Shillinglaw, the preeminent John Steinbeck scholar, to discuss one of Hemingway's contemporaries and fellow Nobel laureates. Although Hemingway and Steinbeck are not discussed comparatively as frequently as some of his other fellow literary titans, Prof. Shillinglaw talks about Steinbeck's life, career, and temperament in ways that will inspire us to remap the overlaps between these two men. We explore Steinbeck's fondness for “The Butterfly and the Tank,” Hemingway and Steinbeck's different paths during the 1930s, the way The Red Pony's Jody Tiflin functions as a Nick Adams-like character, and much more. Make sure to tune in to the very end of the episode! In honor of Steinbeck, our friend Michael Kim Roos treats us to a version of Woody Guthrie's “Tom Joad.” For more information about Mike's music, see: https://mikeroos.com. 

Sending a lock of hair to your lover has fallen a little out of fashion. Sending a lock of pubic hair to your ex-lover ... well, we aren't sure that was ever in fashion.This is just one of the things that Lady Caroline Lamb is alleged to have done when her heart was broken by Lord Byron.For this episode, Kate is joined by Professor Paul Douglass to discuss the affair between Byron and Lamb, how it ended, and whether Lamb has been unfairly treated in the telling of this story.Paul is Professor Emeritus of English and American Literature at San Jose State University, and the author and editor of ‘Lady Caroline Lamb: A Biography' and a selection of Lady Caroline Lamb's letters, ‘The Whole Disgraceful Truth'.This episode was edited by Hannah Feoderov. The producer was Sophie Gee. The senior producer was Freddy Chick.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  All music from Epidemic Sounds.Betwixt the Sheets: History of Sex, Scandal & Society is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.

“Here they come, marching into American sunlight.” In Episode 33, DDSWTNP follow Mao II from this opening line into a chilling view of a mass Moonie wedding at Yankee Stadium, and on into the story of reclusive novelist Bill Gray, whose work, maybe, has a chance of deprogramming the mind and language of Karen Janney, one of the participants in that wedding – but maybe not, given the totalizing dominance by images that this novel documents. Our conversation delves into the several rich dialogues Mao II is known for, especially that about (quoting Bill) the “curious knot that binds novelists and terrorists,” the differing attempts by writers and bomb-makers to “alter the inner life of the culture” and “make raids on human consciousness” that DeLillo juxtaposes in this novel, which follows the writer from his cloying “bunker” to London, Athens, and (almost) Lebanon, while also taking in scenes from Iran, China, and the homeless encampments of lower Manhattan. Throughout we discuss the many followers of and sequels to Mao and Maoism DeLillo analyzes, all the ways his characters foolishly seek, outside the values of deep reading and the novel, scenes of “total vision” and messianic “total being,” the “lightning-lit” language of information and the terrorist's mastery of “the language of being noticed.” We examine in detail as well the effects of Andy Warhol's work as DeLillo sees it; what it means that readers never learn much at all about the content of Bill's famous novels; the commonalities he has with Rushdie, Salinger, Pynchon, and DeLillo himself; and why terrorist go-between George Haddad loves word processors so much. We also have a lot to say about the ailing, injured body and spirit of Bill Gray, as well as the simplicity of spoons and what they might teach us about objects and art. Mao II is a book that, as we say in the episode, sums up much of the DeLillo that came before it, lays the groundwork for the masterpiece to come, and contains so many of what have come to seem over the years since 1991 (and over the run of our episodes) the foundational DeLillo ideas and questions, especially ones about politics, violence, and images. Hope you'll have a listen and, if moved, tell us what you think! Texts referred to in this episode: David Cowart, Don DeLillo: The Physics of Language. Athens: U. of Georgia P., 2002. “Mao II is a sort of rest-and-motion book, to invent a category.  The first half of the book could have been called ‘The Book,' Bill Gray talking about his book, piling up manuscript pages, living in a house that operates as a kind of filing cabinet for his work and all the other work it engenders. And the second half of the book could have been called ‘The World.'  Here, Bill escapes his book and enters the world. It turns out to be the world of political violence . . . I was nearly finished with the first half of the book before I realized how the second half ought to be shaped. I was writing blind . . .” –“Don DeLillo: The Art of Fiction CXXXV,” The Paris Review 128 (1993): 274-306. Interview by Adam Begley. “I called him Bill Gray just as a provisional name,” DeLillo says. “I used to say to friends, 'I want to change my name to Bill Gray and disappear.' I've been saying it for 10 years. But he began to fit himself into the name, and I decided to leave it.” –Vince Passaro, “Dangerous Don DeLillo,” New York Times Magazine, May 19, 1991 (https://www.nytimes.com/1991/05/19/magazine/dangerous-don-delillo.html) Mark Osteen, American Magic and Dread: Don DeLillo's Dialogue with Culture. Philadelphia: U. of Pennsylvania P., 2000. Sources of interlude clips from Warhol and Moon: https://www.youtube.com/watch?v=9vCKc7r8U8Ehttps://www.youtube.com/watch?v=GiCYKJc_VwI

Throughout the course of this year, we will celebrate the centenary of The Sun Also Rises by inviting guests on the show to talk about fascinating aspects of the book and its rich history. In this episode, we explore how the book was actually written—from a sloppy first draft to a modernist masterpiece. What will tracing this composition history tells us about the evolution of The Sun Also Rises and Hemingway's own development as a writer?To help us explore this topic, Carl Eby joins us once again! Eby is the former President of the Hemingway Society and has focused much of his research on Hemingway's posthumous work. He has joined us previously for episodes on Islands in the Stream and The Garden of Eden, and he also inaugurated our One True Sentence series with One True Sentence #1, a discussion of Hemingway's "Paris 1922" sketches.Thanks to the support of Simon & Schuster, this episode also includes an audio portion from William Hurt's narration of The Sun Also Rises. Audio excerpt courtesy of Simon & Schuster Audio from The Sun Also Rises by Ernest Hemingway, read by William Hurt. Copyright © 1926 by Charles Scribner's Sons. Used with permission of Simon & Schuster, Inc.

Today's episode celebrates a woman who refused to behave—and changed American culture because of it. My guest is Carla Kaplan, Davis Distinguished Professor of American Literature at Northeastern University and author of Troublemaker: The Fierce, Unruly Life of Jessica Mitford. In this rich and revelatory biography, Carla traces the extraordinary journey of Jessica Mitford—from British aristocrat to American radical, investigative journalist, and one of the most irreverent truth-tellers of the twentieth century. This is a conversation about dissent, wit, class, feminism, and what it means to live a life guided by conviction rather than convention.

ABOUT BOTTOM OF THE PYRAMIDYoung dancer Nia Sioux was only nine years old when she stepped into stardom as one of the original cast members of Lifetime's reality TV show Dance Moms. Nia learned new choreography week after week and competed against dancers from across the country as well as at her own studio. Perhaps her greatest obstacle was suffering through her dance teacher's ranking of the girls against each other in her infamous pyramid, where Nia spent the majority of her time on the bottom-all in front of an audience of millions.But there was much that viewers didn't see. How her experiences in the studio went far beyond what made it into the show. How she was ostracized for not fitting into an aesthetic that wasn't designed for girls like her. How her friendships and her mental health crumbled under the strain of the show. How she lost control of her story and her voice.But don't be fooled-this is a story about resilience. Nia is not looking for pity, sympathy, or validation as she reflects on her experiences. Instead, she is choosing to use her story as a celebration of triumph. Nia finally gets to tell her story in her own way and in her own words. In this captivating memoir, Nia reclaims both the spotlight and her narrative. In addition to going behind the scenes of the seven seasons of Dance Moms, she shows how she fought against the negative perceptions that dominated her tween and teen years and emerged as a confident young woman secure in her talents and her direction. Anyone who has ever felt misunderstood, overlooked, or stuck at the bottom of the pyramid will be inspired by Nia's story of overcoming. "Despite barriers and constant naysayers, assumptions and criticisms, only you know who you are inside and out," Nia says. "And you have the power to create your own narrative, your own level of success."Nia provides a unique perspective on:. Overcoming Adversity: From navigating the toxic environment of competitive dance and reality TV to her harrowing battle with Reflex Neurovascular Dystrophy (RND).. Confronting Racism & Body Shaming: Nia speaks candidly about being the only Black girl on the team, facing microaggressions, and the constant pressure that impacted her self-worth.. Inspiring a Generation: The book is a powerful message for young people, especially young Black girls, about knowing your value, protecting your peace, and pursuing your dreams unapologetically. ABOUT NIA SIOUXNia Sioux is a dancer, singer, and actress who has performed on the small screen and in live performances, proving to be one of today's most popular triple threats. Known for her breakout role as an original cast member in Lifetime's hit series Dance Moms, Nia has since starred as a series regular on The Bold and The Beautiful. She has appeared in several movies, including Imperfect High, and two of her own digital series, one of which she served as an executive producer for. She was featured in Variety's Power of Young Hollywood 2023 list. A graduate of UCLA with a degree American Literature and Culture, Nia continues to use her social media platforms to positively impact the lives of others. She highlights the accomplishments of inspiring others who have achieved extraordinary things in her Role Model Monday series. Nia is especially committed to encouraging voting, body positivity, and strengthening social justice.Get the book: https://a.co/d/c3ClzzVBecome a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.Subscribe now at YouTube.com/@RefocusedNetworkThank you for your time. 

One True Podcast is back with a look at another Hemingway short story, an under-discussed gem from Winner Take Nothing. One of the weirdest works in his career, “Homage to Switzerland” is a Modernist experiment that tells a similar story three times, each one set in a different Swiss train station. To walk us through this bizarre tale, we call on excellent Hemingway scholar and actual citizen of Switzerland, Boris Vejdovksy, professor at the University of Lausanne. Vejdovksy explains the story's structure, its setting, its Modernist qualities, the way the iceberg principle functions in the story, and even its “Swiss-ness.”Join us as we explore this fascinating triptych!

To celebrate Melvyn Bragg's 27 years presenting In Our Time, five well-known fans of the programme have chosen their favourite episodes. Comedian Frank Skinner has picked the episode on the life and work of the poet Emily Dickinson and recorded an introduction to it. (This introduction will be available on BBC Sounds and the In Our Time webpage shortly after the broadcast and will be longer than the version broadcast on Radio 4). Emily Dickinson was arguably the most startling and original poet in America in the C19th. According to Thomas Wentworth Higginson, her correspondent and mentor, writing 15 years after her death, "Few events in American literary history have been more curious than the sudden rise of Emily Dickinson into a posthumous fame only more accentuated by the utterly recluse character of her life and by her aversion to even a literary publicity." That was in 1891 and, as more of Dickinson's poems were published, and more of her remaining letters, the more the interest in her and appreciation of her grew. With her distinctive voice, her abundance, and her exploration of her private world, she is now seen by many as one of the great lyric poets. With Fiona Green Senior Lecturer in English at the University of Cambridge and a Fellow of Jesus College Linda Freedman Lecturer in English and American Literature at University College London and Paraic Finnerty Reader in English and American Literature at the University of Portsmouth Producer: Simon Tillotson. Reading list: Christopher Benfey, A Summer of Hummingbirds: Love, Art and Scandal in the Intersecting Worlds of Emily Dickinson, Mark Twain, Harriet Beecher Stowe, and Martin Johnson Heade (Penguin Books, 2009) Jed Deppman, Marianne Noble and Gary Lee Stonum (eds.), Emily Dickinson and Philosophy (Cambridge University Press, 2013) Judith Farr, The Gardens of Emily Dickinson (Harvard University Press, 2005) Judith Farr, The Passion of Emily Dickinson (Harvard University Press, 1992) Paraic Finnerty, Emily Dickinson's Shakespeare (University of Massachusetts Press, 2006) Ralph William Franklin (ed.), The Master Letters of Emily Dickinson (University Massachusetts Press, 1998) Ralph William Franklin (ed.), The Poems of Emily Dickinson: Variorum Edition (Harvard University Press, 1998) Linda Freedman, Emily Dickinson and the Religious Imagination (Cambridge University Press, 2011) Gudrun Grabher, Roland Hagenbüchle and Cristanne Miller (eds.), The Emily Dickinson Handbook (University of Massachusetts Press, 1998) Alfred Habegger, My Wars are Laid Away in Books: The Early Life of Emily Dickinson (Random House, 2001) Ellen Louise Hart and Martha Nell Smith (eds.), Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson (Paris Press, 1998) Virginia Jackson, Dickinson's Misery: A Theory of Lyric Reading (Princeton University Press, 2013) Thomas H. Johnson (ed.), Emily Dickinson: Selected Letters (first published 1958; Harvard University Press, 1986) Thomas H. Johnson (ed.), Poems of Emily Dickinson (first published 1951; Faber & Faber, 1976) Thomas Herbert Johnson and Theodora Ward (eds.), The Letters of Emily Dickinson (Belknap Press, 1958) Benjamin Lease, Emily Dickinson's Readings of Men and Books (Palgrave Macmillan, 1990) Mary Loeffelholz, The Value of Emily Dickinson (Cambridge University Press, 2016) James McIntosh, Nimble Believing: Dickinson and the Unknown (University of Michigan Press, 2000) Marietta Messmer, A Vice for Voices: Reading Emily Dickinson's Correspondence (University of Massachusetts Press, 2001) Cristanne Miller (ed.), Emily Dickinson's Poems: As She Preserved (Harvard University Press, 2016) Cristanne Miller, Reading in Time: Emily Dickinson in the Nineteenth Century (University of Massachusetts Press, 2012) Elizabeth Phillips, Emily Dickinson: Personae and Performance (Pennsylvania State University Press, 1988) Eliza Richards (ed.), Emily Dickinson in Context (Cambridge University Press, 2013) Richard B. Sewall, The Life of Emily Dickinson (first published 1974; Harvard University Press, 1998) Marta L. Werner, Emily Dickinson's Open Folios: Scenes of Reading, Surfaces of Writing (University of Michigan Press, 1996) Brenda Wineapple, White Heat: The Friendship of Emily Dickinson and Thomas Wentworth Higginson (Anchor Books, 2009) Shira Wolosky, Emily Dickinson: A Voice of War (Yale University Press, 1984) This episode was first broadcast in May 2017. Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the people, ideas, events and discoveries that have shaped our world In Our Time is a BBC Studios production

Gerald Howard is the author of The Insider: Malcolm Cowley and the Triumph of American Literature, available from Penguin Press. Howard retired in 2021 as executive editor and vice president of Doubleday Books. He received the 2009 Maxwell E. Perkins Award for Distinguished Achievement in the Field of Fiction and has worked over the years with authors such as Paul Auster, Don DeLillo, David Foster Wallace, Debby Applegate, Hanya Yanagihara, Pat Barker, Sean Wilentz, and Bill Bryson. Howard's essays and reviews have appeared in Bookforum, The New York Times Book Review, The American Scholar, London Review of Books, n+1, Slate, and other publications. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. This episode is sponsored by Ulysses. Go to ulys.app/writeabook to download Ulysses, and use the code OTHERPPL at checkout to get 25% off the first year of your yearly subscription. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Happy New Year from One True Podcast! We look forward to a rich, exciting 2026 by looking back to 1926.In our first show of the year, we ask an esteemed guest to take us back exactly one hundred years to see what was happening in Hemingway's life, work, and world. So, to guide us through Hemingway's 1926 -- his travels, his relationships, his publishing, and his writing – we welcome the great Hemingway scholar Ross K. Tangedal. For Hemingway, 1926 was a colossally important year that saw his transition from Hadley to his second wife, Pauline; the transition from Boni & Liveright to Scribner's; and the publication of The Torrents of Spring and The Sun Also Rises, both crucially important for different reasons. Tangedal guides us through this remarkable year in Hemingway's life and his writing. We have previously begun calendar years with flashback episodes featuring: Mary Dearborn on 1922; James M. Hutchisson on 1923; Verna Kale on 1924; and J. Gerald Kennedy on 1925. We encourage you to check out those past shows to get up to date!

Send us a textThis episode is the first of three episodes that centers on the biggest star in all of American Literature, the great Ernest Hemingway. Ernest Hemingway's writing tips center on a minimalist style, a disciplined work ethic, and his famous "Iceberg Theory" (or theory of omission), which suggests that the deeper meaning of a story should be implied rather than explicitly stated. Here are his core writing tips and advice:Style and TechniqueBe brief and use simple language: Employ short sentences and paragraphs to create a direct, clear, and impactful prose style. Avoid flowery or ornamental language, adverbs, and adjectives wherever possible.Write one true sentence: When experiencing writer's block or starting a new piece, focus on writing one simple, honest, and factual sentence you know to be true. This can provide the anchor to build the rest of the story.Show, don't tell: Instead of describing emotions or themes directly, present the specific actions, dialogue, and details that allow the reader to infer the underlying meaning and emotion for themselves.Master the "Iceberg Theory": The visible part of your story (the words on the page) should only be a fraction of the whole. The majority of the meaning, informed by the writer's deep knowledge of the subject and character motivations, should reside as subtext beneath the surface.Use vigorous English and strong verbs: Employ active voice and precise, powerful verbs to drive the narrative and avoid passive constructions or weak language. Process and DisciplineEstablish a consistent routine: Hemingway was highly disciplined, waking early (often between 5:30 and 6 a.m.) to write in a quiet, distraction-free environment for several hours each morning.Stop while you're still "going good": To avoid writer's block, always stop writing for the day when you still know what will happen next. This leaves something in the "well" for the next morning, making it easier to start again.Edit ruthlessly: Expect the first draft to be poor and embrace the revision process. Hemingway famously rewrote the ending of A Farewell to Arms 47 times, believing that all good writing requires meticulous editing and rewriting.Read widely and compete with the "dead greats": A writer should read everything to understand what has been done and set a high standard for their own work by competing with established masters.Live first, write later: Draw heavily on personal experience, observation, and research. The authenticity in his writing came from truly knowing his subjects (hunting, fishing, war, love) and filtering them through an intimate viewpoint. By adhering to these principles, Hemingway aimed to create prose that was honest, authentic, and emotionally resonant, allowing the reader to experience the story as if it happened to them personally.  Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!

Carla Kaplan is the author of Troublemaker: The Fierce, Unruly Life of Jessica Mitford (Harper Books). Kaplan is an award-winning professor and writer who holds the Stanton W. and Elisabeth K. Davis Distinguished Professorship in American Literature at Northeastern University. She has published seven books, including Zora Neale Hurston: A Life in Letters and Miss Anne in Harlem: The White Women of the Black Renaissance, both New York Times Notable Books. A recipient of Guggenheim and National Endowment for the Humanities “Public Scholar” fellowships, Kaplan has been a fellow in residence at the Cullman Center for Scholars and Writers, the Schomburg Center for Research in Black Culture, and the W. E. B. Du Bois Research Institute; is a fellow of the Society of American Historians; and serves on the board of Biographers International. She divides her time between Boston and Cape Cod. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. This episode is sponsored by Ulysses. Go to ⁠⁠⁠ulys.app/writeabook⁠⁠⁠ to download Ulysses, and use the code OTHERPPL at checkout to get 25% off the first year of your yearly subscription." Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thank you for making 2025 such a special year for One True Podcast! Together, we devoted shows to the centenary of In Our Time, to our One True Book Club discussion of W.H. Hudson's The Purple Land, to the 100th anniversary of The Great Gatsby, and to so much more. We're so grateful to all of our amazing guests for enriching and enlivening our program, and to all of our listeners for their loyalty.As our gift back to you, we close 2025 in our favorite of ways: we welcome Suzanne del Gizzo onto the show to discuss a season-appropriate piece of Hemingway's work. This year, we discuss “Christmas in Paris,” Hemingway's poignant, melancholy sketch describing a young couple away from home for the holidays.Before we welcome in Suzanne, old friend Mackenzie Astin narrates Hemingway's “Christmas in Paris” to put us in the spirit. Make sure you keep listening after the episode to be treated to a rendition of “Noël à Paris,” performed by Bill Hemminger (piano) and Melody Winfrey (vocals).Wishing you all happiness over the holidays, and we'll see you on the other side.

Arlene Keizer, an Afro-Caribbean American poet and scholar, writes about the literature, lived experience, theory, and visual culture of the African Diaspora. The recipient of an Academy of American Poets Prize, she later earned an MA in English and Creative Writing (Poetry) at Stanford University and a PhD at the University of California, Berkeley. She is the author of Black Subjects: Identity Formation in the Contemporary Narrative of Slavery (Cornell UP), and her poems and articles have appeared in African American Review, American Literature, The Kenyon Review, Obsidian: Literature and Arts in the African Diaspora, PMLA, Poem-a-Day, TriQuarterly, and other venues. Fraternal Light: On Painting While Black, her collection of poems about the African American painter Beauford Delaney, won the 2022 Stan and Tom Wick Poetry Prize and was published in 2023 by the Kent State University Press. She is a professor at Pratt Institute in Brooklyn, NY.Links:Arlene Keizer Arlene Keizer's page at Pratt Institute Interview with Arlene Keizer at Speaking of Marvels “Canopy” in Poem-A-Day Fraternal Light: On Painting While Black at Kent State University Press Beauford Delaney Bio and artwork at Knoxville Museum of Art Bio and Artwork at the Smithsonian Bio and artwork at Studio Museum in Harlem Artwork at Michael Rosenfeld Gallery “Beauford Delaney in Knoxville” at Knoxville History Project Mentioned in this episode:KnoxCountyLibrary.orgThank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org.Rate & review on Podchaser

Send us a textIn this episode we look back at the man who can lay claim to having written the longest sentence in American Literature. He also wrote the story, "A Rose For Emily" which is a play that our host, Randal Wallace,  once played the part of Homer Barron, the unfortunate beau of Ms. Emily, who they would later find dead in her bed years after he disappeared.  William Faulkner offered extensive advice on writing during his time as a writer-in-residence at the University of Virginia and in various interviews. His tips emphasize passion, discipline, and a ruthless dedication to craft over commercial success or style. Core PhilosophyBe writing, not "a writer": The act of writing is about movement and activity; adopting the static label of "a writer" can lead to stagnation.Write for pleasure, not money: Relying on writing for income or external approval can compromise artistic integrity. Keep your writing amateur in spirit and get another job to pay the bills.Embrace failure as growth: You will never achieve absolute perfection, and that is a healthy condition. The goal is a "splendid failure" that drives you to improve with each new work, always striving to be better than your past self.Be ruthless for your art: The writer's only responsibility is to their art. Everything else—honor, pride, security—goes by the board to get the book written. Craft and TechniqueFocus on core human conflicts: Faulkner believed that enduring stories focus on "the problems of the human heart in conflict with itself," such as love, honor, pity, and sacrifice.Prioritize character: According to Faulkner, if you understand your characters, they will drive the narrative, and the writer's job is to record their actions and words.Don't overthink style: Style should serve the story and is not a goal in itself. There are no mechanical rules for writing.Use dialect sparingly: A few touches of recognizable dialect are better than extensive use, which can confuse readers. Process and HabitsRead extensively: Faulkner advised reading all kinds of literature, good and bad, to learn from other writers.Stop while you're inspired: To maintain momentum, stop writing for the day when you're in a good flow and know what you'll write next.Make time for writing: Faulkner contended that anyone claiming they lack time to write is mistaken; even ten minutes can be used, and ideas should be written down immediately.Combine experience, observation, and imagination: These elements are crucial for a writer, and they can compensate for each other's absence.  Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!

We do have our favorite but surely wouldn't mind if Thomas Pynchon won the Nobel Prize too . . . and in Episode 32 we finish off 2025 by considering Shadow Ticket, the noir detective take on the 1930s by a writer who was surely a key influence on the early DeLillo (we read from an unpublished DeLillo letter summarizing that relationship) but who also seems to have been reading works like Running Dog over the years (or so we imagine in unpacking Shadow Ticket scenes invoking Chaplin and a “German Political Celebrity” named Hitler). We try to understand how Pynchon's latest examination of historical and potential fascism works in its 1932 setting, ranging from Milwaukee to Hungary, where reluctant protagonist and “sentimental ape” and “sap” Hicks McTaggart keeps adding on to his P.I. “tickets” in a strange search for a Wisconsin heiress and her Jewish musician lover but also what might ultimately be justice (a far from simple thing). Shadow Ticket is loads of serious fun, where Pynchon manages to examine the direst of turning points amidst scenes of bowling alley and motorcycle lore, dairy strikes, Prohibition's black markets, dance hall and speakeasy glamour, and something called “Radio-Cheez.” Bela Lugosi, vampires, a beautiful pig in a sidecar, and some of the most tasteless lamps in the world also play a role. The real content here for Hicks, though, is the prospect of spiritual and other forms of peace in a world where weapons from clubs to guns and submarines operate according to mysterious laws of “apport” and “asport,” occult material that interweaves with Hicks's strike-breaking past and raises connections to Gravity's Rainbow. Is Hicks's fellow orphan and young protégé Skeet Wheeler the father of Vineland's Zoyd, headed out to California as the novel ends? What's the meaning of Hicks failing to return to his home country, and what does cheese gangster Bruno Airmont's submarine fate have to do with Bleeding Edge? Are Hungary's shifting borders a new kind of “Zone”? What's going on in the novel's many Statue of Liberty references and its anachronistic allusions to a “Face Tube” for flirtation in bars? And how does this always funny writer, now in his late eighties, keep coming up with all these absurd songs (we sing some) and hilarious mock-movies like the one featuring “Squeezita Thickly” swimming in soup pots (Shirley Temple, is that you?)? Teasing out many connections to Gravity's Rainbow, Against the Day, and Vineland, this episode makes reference to just about all of Pynchon's other works, including even V. and his earliest short stories. At the same time, you need come to it with nothing but an interest in Pynchon's life and work. We doubt that we get every reference to history or previous Pynchon right or mount interpretations we won't later want to revise, but on this brand-new and captivating late work from a masterful author, we hope in nearly three hours of deep conversation and laughter that we've made a good start on the many critical readings to come. A partial list of references and quotations that we mention or paraphrase in this episode . . . On “prefascist twilight”: “And other grandfolks could be heard arguing the perennial question of whether the United States still lingered in a prefascist twilight, or whether that darkness had fallen long stupefied years ago, and the light they thought they saw was coming only from millions of Tubes all showing the same bright-colored shadows. One by one, as other voices joined in, the names began, some shouted, some accompanied by spit, the old reliable names good for hours of contention, stomach distress, and insomnia – Hitler, Roosevelt, Kennedy, Nixon, Hoover, Mafia, CIA, Reagan, Kissinger, that collection of names and their tragic interweaving that stood not constellated above in any nightwide remoteness of light, but below, diminished to the last unfaceable American secret, to be pressed, each time deeper, again and again beneath the meanest of random soles, one blackly fermenting leaf on the forest floor that nobody wanted to turn over, because of all that lived, virulent, waiting, just beneath.” (Pynchon, Vineland (1990)) On “second sheep”: “Our common nightmare The Bomb is in there too. It was bad enough in '59 and is much worse now, as the level of danger has continued to grow. There was never anything subliminal about it, then or now. Except for that succession of the criminally insane who have enjoyed power since 1945, including the power to do something about it, most of the rest of us poor sheep have always been stuck with simple, standard fear. I think we all have tried to deal with this slow escalation of our helplessness and terror in the few ways open to us, from not thinking about it to going crazy from it. Somewhere on this spectrum of impotence is writing fiction about it.” (Pynchon, “Introduction,” Slow Learner (1984)) The “Sloth essay paragraph” mentioned midway through: “In this century we have come to think of Sloth as primarily political, a failure of public will allowing the introduction of evil policies and the rise of evil regimes, the worldwide fascist ascendancy of the 1920's and 30's being perhaps Sloth's finest hour, though the Vietnam era and the Reagan-Bush years are not far behind. Fiction and nonfiction alike are full of characters who fail to do what they should because of the effort involved. How can we not recognize our world? Occasions for choosing good present themselves in public and private for us every day, and we pass them by. Acedia is the vernacular of everyday moral life.” (Pynchon, “Nearer, My Couch, To Thee” (1993)) Don DeLillo Papers, Harry Ransom Center, University of Texas-Austin The Motherland Calls statue, Volgograd: https://en.wikipedia.org/wiki/The_Motherland_Calls  Pareidolia defined: https://en.wikipedia.org/wiki/Pareidolia

Send us a textThese three writers all wrote just one novel of renown but they were gargantuan titles. We celebrate their impact on American Literature in this episode. Harper Lee offered several writing tips centered on persistence, humility, and the importance of craft over reward. She emphasized a love for language and a dedication to writing for oneself. Key Writing Tips from Harper LeeDevelop a thick hide Write for yourself A writer worth their salt writes to please an audience of one: themselves. Writing is a self-exploratory process, an exorcism of "divine discontent," not a pursuit for external validation or monetary gain.Be a steady, slow worker Embrace the revision process Master the English sentence Write what you know and use vivid imagery Nurture the creative spirit  Fundamentally, Lee's advice was to focus on the integrity of the work and the process itself, hoping for the best but expecting nothing in return.J.D. Salinger's writing approach prioritized authenticity, a distinctive narrative voice, and emotional depth achieved through minimalist prose and realistic dialogue. His tips for writers can be distilled into the following principles: Write for yourself, first and foremostPrioritize a strong, authentic voiceEmbrace minimalism and precisionKnow your characters inside and outUse naturalistic dialogueWork with focus and disciplineRead extensivelyMargaret Mitchell's writing tips and style emphasize thorough research, relentless rewriting, and a simple, direct prose. She prioritized her creative work and was known for working methodically on a single project at a time. Key Writing TipsPrioritize writing above all elseEmbrace rewriting: She famously said, "I do not write with ease, nor am I ever pleased with anything I write. And so I rewrite". She emphasized that "Pulitzer-type writing... comes in the rewriting".Research thoroughlyWrite with simplicity and clarityFocus on the story and what mattersPlan meticulously but be flexibleWork with discipline and enduranceAvoid digressionsWork on one project at a timePersonal Habits and Style"Show, Don't Tell" (selectively)Character and dialogue-drivenGumption is keyAnswer fan mail Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!

One True Podcast would never let 2025 end without one more episode celebrating the centenary of In Our Time, so today we discuss a classic short story from that collection: “The Doctor and the Doctor's Wife.”Scholar (and podcaster) Scott Yarbrough visits us from Charleston to lead us through the many elements of this great story: Dr. Adams's quarrel with Dick Boulton, the doctor's icy relationship with his wife, and finally his moment of connection with his son. Along the way, we touch on the ethics of log stealing, the implications of Christian Scientism, Hemingway's captivating early prose style, Nick's role in the narrative, and whether or not this story qualifies as one of Hemingway's “greatest hits.”Join us for a trip into the Michigan woods and a guided tour through “The Doctor and the Doctor's Wife.” We know where there's black squirrels!

Send us a textThis episode looks at three giants of American Literature who all wrote about the struggles of forgotten America. One of them, Mark Twain, is considered the Father of American Literature. John Steinbeck is known for sharing six practical writing tips in a letter to a friend in 1962. These rules prioritize flow, discipline, and authenticity over immediate perfection: Focus on the daily work: Write one page each day instead of thinking about the entire length.Write the first draft rapidly and freely: Avoid correcting or rewriting until the entire draft is complete to maintain flow and rhythm.Imagine a single, specific reader: Address your writing to one person you know or imagine, rather than a general audience.Bypass difficult scenes: Skip troublesome sections and return to them later; they may not fit the overall work.Be willing to cut favorites: Be cautious of scenes you are overly fond of, as they may be "out of drawing" or not fit the overall piece.Read dialogue aloud: Speak dialogue out as you write it to make it sound like natural speech. Steinbeck also highlighted the importance of discipline and persistence. He viewed writing as a "clumsy attempt to find symbols for the wordlessness". Thomas Wolfe, the novelist (1900–1938), is primarily known for his voluminous, autobiographical fiction. His editor, Maxwell Perkins, heavily shaped his sprawling manuscripts into publishable novels like Look Homeward, Angel. The "writing tips" associated with Thomas Wolfe often relate to his personal habits and the nature of his expansive, autobiographical style. Here are the key takeaways regarding Thomas Wolfe's approach to writing:Write everything, use everything. Embrace the "flood" of language.Trust your instincts over convention. Establish a consistent routineWriting is life. Wolfe's legacy is one of a "splendid failure" in terms of self-editing and structure, but a master of language, description, and the power of memory in autobiographical fiction. Mark Twain, the Father of American Literature: Mark Twain's writing tips emphasize clarity, simplicity, and revision, encouraging writers to prioritize the reader's experience above all else. His advice often uses humor and sharp wit to make memorable points about avoiding common writing pitfalls. Here are key writing tips attributed to Mark Twain: .Use plain, simple language"Kill" adjectives (most of them)"Use the right word, not its second cousin"Show, don't tellRewrite and revise: Writing is an iterative process.Start writing after you finishEnsure dialogue sounds humanMake all episodes and characters necessary.Avoid clichés and "stage directions" in dialogue:Write without pay (initially): He advised aspiring writers to "write without pay until somebody offers pay. If nobody offers within three years, the candidate may look upon this circumstance with the most implicit confidence as the sign that sawing wood is what he was intended for".  Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!

In this episode of the Project Narrative Podcast, Jim Phelan and Jan Alber discuss “Jealous Husband Returns in Form of Parrot” by Robert Olen Butler, first published in The New Yorker in 1995, and then included in Robert Olen Butler’s 1997 volume entitled Tabloid Dreams: A Collection. Jan Alber is a Professor in the Department of English and American Literature and Culture at the University of Giessen in Germany. Alber has done pioneering work in the study of unnatural narratives and unnatural narratology, with his 2016 book, Unnatural Narrative: Impossible Worlds in Fiction and Drama, a major contribution to that subfield of narrative studies. Alber has also done important work on empirical approaches to narrative, on postmodern and post-postmodern narrative, on narrative ethics, on the relations of narrative theoretical approaches to each other, and on many other subjects. A past president of the International Society for the Study of Narrative, Alber has shown himself to be an excellent collaborator and interlocutor with other scholars, both in his published work and in his interactions at conferences. For example, during the COVID-19 pandemic, Alber worked with Jessica Jumpertz and Deborah de Muijnck to organize over Zoom a series of lectures about narrative and the pandemic. Alber, Jumpertz, and de Muijnck then co-edited the essays in a volume called Pandemic Storytelling, which appeared earlier this year.

In this podcast is an interview with Dr. Carla Kaplan, author of the biography "Troublemaker: The Life and Times of Jessica Mitford." The conversation centers on the extraordinary life of Jessica "Decca" Mitford, one of the famous (and famously eccentric) Mitford sisters.   Jessica "Decca" Mitford was an aristocratic British rebel who became a formidable American left-wing activist and muckraking journalist. Born into the famously eccentric Mitford family—where her sisters included a Nazi sympathizer and a fascist—Decca rejected her life of privilege to join the Communist Party in the United States. As the author explains, Decca was a "biographer's gift": fiercely principled, incredibly hard-working, and gifted with a brilliant sense of humor that she used as a powerful tool for activism. Her training in the Communist Party, particularly on the West Coast, taught her to listen to marginalized communities, shaping her into a highly effective and empathetic ally in the civil rights movement.   Dr. Carla Kaplan is a distinguished scholar in American literature, women's writing, African American literature, and feminist theory. She holds the Davis Distinguished Professorship in American Literature at Northeastern University and founded the Humanities Center to encourage diversity and interdisciplinary dialogue. Her academic career includes roles at Yale University, the University of Southern California, Wellesley College, and the University of Illinois. Dr. Kaplan also teaches writing through various arts councils and writers' centers.  She earned a Ph.D. in English from Northwestern University.   Get the Book: https://www.harpercollins.com/products/troublemaker-carla-kaplan Dr. Kaplan's Homepage: https://carlakaplan.com/ Greg's Blog: http://zzs-blg.blogspot.com/ Pat's Substack: https://patcummings.substack.com/about   JessicaMitford#Troublemakerbiography#CarlaKaplaninterview#Mitfordsisters#DeccaMitford#AmericanWayofDeath#CommunistPartyUSA#muckrakingjournalism#leftwingactivism#biographypodcast#Britisharistocracy#fascistMitfordsisters#DianaMitford#UnityMitford#civilrightsmovement#investigativejournalism#funeralindustryexpose#famouswritersschool#historicalbiography#PatCummings#GregGodels#ZZBlog#ComingFromLeftField#ComingFromLeftFieldPodcast#zzblog#mltoday

This episode, Clare and Hannah talk about Flannery O'Connor's first novel, "Wise Blood." O'Connor's stories are rich with symbolism, from a beat-up jalopy of a car to a stolen gorilla suit, and from a preacher's blindness to a shrunken mummified body in a museum. It's a darkly comic and often grotesque ride.We'd love to hear your thoughts! Click here to send us a text message!Support the showWe provide links and other resources to help you find and enjoy the things we talked about on this episode! Note that some of these may include “affiliate” links to books and other products. When you click through and purchase, the price of the item is the same for you. In fact, most of the time you'll get a discount! But the company gives us a little somethin' somethin' to say “thanks” for sending you their way! This helps you enjoy the website and the podcast EVEN MORE by eliminating intrusive advertisements. Thanks for clicking! Theme music: “Splanchnics Riff” composed and performed by Clare T. Walker Clare is an independent author who would love it if you checked out her books! If you like exciting thrillers featuring an “everyman” hero who rises to his or her full potential in the face of peril—-you might enjoy The Keys of Death. It's a veterinary medical thriller about a small-town animal doctor who gets tangled up in a whistle-blowing scheme against a big biotech company. Or, if you prefer shorter fiction, try Startling Figures, a collection of three paranormal urban fantasy stories.

Send us a textJoin us starting November 25, 2025 for a Christmas Holidays Special 16th Season as we venture into new territory. Over the end of November and through out December we will spend 16 episodes looking at the Great American Authors, From F. Scott Fitzgerald to Stephen King and all points in between. We hope you will join us as we take a little break from American Political History and take a deep dive into American Literature, its history, and learn some writing tips from some of the greatest authors our country has ever produced. This sixteen episode season will feature F. Scott Fitzgerald, Edgar Allan Poe, Dr. Suess, John Steinbeck, Thomas Wolfe, Mark Twain, Toni Morrison, Maya Angelou, Harper Lee, J. D. Salinger, Margaret Mitchell, Nathaniel Hawthorne, Herman Melville, William Faulkner, Ian Fleming, J. K Rowling, Pat Conroy, Gene Hackman, Kurt Vonnegut, Walter Mosley, Lee Child, Stephen King, John Grisham, Joyce Carol Oats, Sinclair Lewis, Tennessee Williams, Ernest Hemingway, Jimmy Carter, Marilyn Quayle,  Newt Gingrich, Bill Clinton, James Patterson, and the announcement about our hosts own three books, a history companion book to this podcast, and two novels by Randal Wallace. We hope you will join us starting November 25 for The Great American Authors Special Season and Bob Dole will return in "Bob Dole The Life That Brought Him There" in January, 2026. Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!

The prominent Faulkner scholar Ahmed Honeini first joined us in 2024 to discuss the rivalry and intertextuality between Ernest Hemingway and William Faulkner.Clearly, in a topic so vast, devoted to the two leading titans of 20th-century American literature, one puny, inexhaustible episode was not enough. So, Ahmed Honeini agreed to come back onto One True Podcast to continue our pursuit of Hemingway and his contemporaries. We discuss Faulkner's great works, how his concept of mortality compares with Hemingway's, the inadequacy of language, Hemingway's iceberg theory, and Ahmed's favorite moment in all of Faulkner.Join us for this wonderful conversation with the Founder of the Faulkner Studies in the UK Research Network! 

In Episode 31 DDSWTNP get the chance to talk about DeLillo with his friend, colleague, and editor Gerald Howard, whose distinguished career in publishing at Viking Penguin, Norton, and Doubleday spanned nearly 50 years and was marked by his work not only on Libra but important books by David Foster Wallace, Paul Auster, and so many others. We hear Gerry recount first reading the DeLillo of Americana and “Total Loss Weekend” in the 1970s, seeing a book titled “Panasonic” (eventually, White Noise) arrive at Viking Penguin, and having an 800-page manuscript about the JFK assassination later hit his desk. So many great stories mark this episode, including DeLillo's funny “speech” upon receiving the National Book Award for White Noise, his reasons for seeking a new publisher after The Names, the legal reasoning behind the Author's Note at the end of the hardcover Libra, and what Gerry for personal reasons regards as one of the funniest of DeLillo's many funny passages: an editor's remarks to Bill Gray about the literary marketplace in Mao II. Gerry talks as well about Catholicism, DeLillo's massive influence on younger writers, and who, along with DeLillo, comprised his personal “trinity” of greatest authors. And at the end we wish a happy 89th birthday to Don DeLillo! With this interview episode, we also extend the biographical “Lives of DeLillo” series we began with our November 20 releases the past two years. Huge thanks to Gerry for sharing so many remarkable stories, insights, and readings. Be sure to pick up Gerald Howard's new book, The Insider: Malcolm Cowley and the Triumph of American Literature, available this month from Penguin Random House and discussed at the end of this episode. Finally, a note on production: when other technology failed us, we decided to record this interview as a phone call, with obviously a lower sound quality than our listeners are used to. Gerry was wonderfully patient and flexible through it all, and his voice comes through clearly, in a recording that, in its crackles, we'd like to think, captures some spirit of DeLilloan Ludditism.  Image of Mao II woodcut in episode cover art is courtesy of Gerald Howard. List of works mentioned in this episode: A. Scott Berg, Max Perkins: Editor of Genius. New York: Dutton, 1978. Don DeLillo, “Total Loss Weekend,” Sports Illustrated, Nov. 27, 1972. https://web.archive.org/web/20110822080327/http://sportsillustrated.cnn.com/vault/article/magazine/MAG1086811/index.htm Gerald Howard, “Stockholm, Are You Listening? Why Don DeLillo Deserves the Nobel.” Bookforum, April/May 2020. https://www.bookforum.com/print/2701/why-don-delillo-deserves-the-nobel-23926 ---. “The Puck Stopped Here: Revisiting ‘Cleo Birdwell' and her National Hockey League Memoir.” Bookforum, December/January 2008. https://www.bookforum.com/print/1404/revisiting-cleo-birdwell-and-her-national-hockey-league-memoir-1406 ---. “The American Strangeness: An Interview with Don DeLillo.” Hungry Mind Review, 1997. https://web.archive.org/web/19990129081431/www.bookwire.com/hmr/hmrinterviews.article$2563 ---. “I Was Gordon Lish's Editor.” Slate, October 31, 2007. https://slate.com/news-and-politics/2007/10/editing-the-infamous-gordon-lish.html ---. The Insider: Malcolm Cowley and the Triump of American Literature. Penguin Random House, 2025. https://www.penguinrandomhouse.ca/books/561292/the-insider-by-gerald-howard/9780525522058 Listeners interested in Gerald Howard's huge impact on publishing in general might turn to the pages about his achievements in Dan Sinykin's Big Fiction: How Conglomeration Changed the Publishing Industry and American Literature (Columbia UP, 2023) and D.T. Max's Every Love Story is a Ghost Story: A Life of David Foster Wallace (Penguin, 2012). A correction: DeLillo's remark on “around-the-house-and-in-the-yard” fiction is from Robert R. Harris's “A Talk with Don DeLillo,” New York Times Book Review, Oct. 10, 1982.

Arlene Keizer, an Afro-Caribbean American poet and scholar, writes about the literature, lived experience, theory, and visual culture of the African Diaspora. The recipient of an Academy of American Poets Prize, she later earned an MA in English and Creative Writing (Poetry) at Stanford University and a PhD at the University of California, Berkeley. She is the author of Black Subjects: Identity Formation in the Contemporary Narrative of Slavery (Cornell UP), and her poems and articles have appeared in African American Review, American Literature, The Kenyon Review, Obsidian: Literature and Arts in the African Diaspora, PMLA, Poem-a-Day, TriQuarterly, and other venues. Fraternal Light: On Painting While Black, her collection of poems about the African American painter Beauford Delaney, won the 2022 Stan and Tom Wick Poetry Prize and was published in 2023 by the Kent State University Press. She is a professor at Pratt Institute in Brooklyn, NY.Links:Arlene Keizer Arlene Keizer's page at Pratt Institute Interview with Arlene Keizer at Speaking of Marvels “Canopy” in Poem-A-Day Fraternal Light: On Painting While Black at Kent State University Press Beauford Delaney Bio and artwork at Knoxville Museum of Art Bio and Artwork at the Smithsonian Bio and artwork at Studio Museum in Harlem Artwork at Michael Rosenfeld Gallery “Beauford Delaney in Knoxville” at Knoxville History Project Mentioned in this episode:KnoxCountyLibrary.orgThank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org.Rate & review on Podchaser

After 27 years, Melvyn Bragg has decided to step down from the In Our Time presenter's chair. With over a thousand episodes to choose from, he has selected just six that capture the huge range and depth of the subjects he and his experts have tackled. In this second of his choices, we hear Melvyn Bragg and his guests discuss one of his favourite poets.Their topic is Thomas Hardy (1840 -1928) and his commitment to poetry, which he prized far above his novels. In the 1890s, once he had earned enough from his fiction, Hardy stopped writing novels altogether and returned to the poetry he had largely put aside since his twenties. He hoped that he might be ranked one day alongside Shelley and Byron, worthy of inclusion in a collection such as Palgrave's Golden Treasury which had inspired him. Hardy kept writing poems for the rest of his life, in different styles and metres, and he explored genres from nature, to war, to epic. Among his best known are what he called his Poems of 1912 to 13, responding to his grief at the death of his first wife, Emma (1840 -1912), who he credited as the one who had made it possible for him to leave his work as an architect's clerk and to write the novels that made him famous.WithMark Ford Poet, and Professor of English and American Literature, University College London.Jane Thomas Emeritus Professor of English at the University of Hull and Senior Visiting Research Fellow at the University of LeedsAndTim Armstrong Professor of Modern English and American Literature at Royal Holloway, University of LondonProducer: Simon TillotsonSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world

Send us a textExploring the Life and Legacy of Charles W. ChesnuttGuest: Dr. Tess Chakkalakal Host: Kenyatta D. BerryIn this episode, Kenyatta D. Berry speaks with Dr. Tess Chakkalakal, a scholar of nineteenth-century African American and American literature, about her new book A Matter of Complexion: The Life and Fictions of Charles W. Chesnutt. Together, they explore Chesnutt's remarkable career as one of the earliest African American fiction writers to achieve mainstream publication, and how his work continues to challenge and illuminate issues of race, identity, and American history.Dr. Chakkalakal discusses Chesnutt's influential novel The Marrow of Tradition, along with his complex portrayals of slavery, marriage, and freedom. The conversation delves into the intersections of literature, politics, and cultural memory, highlighting the importance of reading across genres and time periods to better understand the American story.They also touch on Dr. Chakkalakal's broader research, the preservation of historic writers' homes, and the growing impact of book bans on literary education.Books and Authors MentionedHarriet Beecher Stowe, Uncle Tom's CabinPaul Laurence DunbarSutton E. Griggs, Imperium in ImperioCharles W. Chesnutt, The Marrow of TraditionJudy Blume, Are You There God? It's Me, MargaretVirgilHomerAlexandre DumasCiceroHenry JamesEdith WhartonMark TwainWilliam Dean Howells, A Modern InstanceBrock ClarkeDead Writers: A Podcast About Great American Writers and Where They LivedIdlewild, MichiganAbout the GuestDr. Tess Chakkalakal [pronounced “Chah-KAHL-ickle”] is the author of Novel Bondage: Slavery, Marriage, and Freedom in Nineteenth-Century America (University of Illinois Press, 2011), winner of the Robert K. Martin Prize for Best Book on American Literature. She is also co-editor of Jim Crow, Literature, and the Legacy of Sutton E. Griggs and Imperium in Imperio: A Critical Edition. Her newest book, A Matter of Complexion: The Life and Fictions of Charles W. Chesnutt, is available now from St. Martin's Press.Dr. Chakkalakal is co-host of the award-winning podcast Dead Writers and serves on the boards of the Harriet Beecher Stowe Center and the Maine Maritime Museum.Conversations with Kenyatta features Kenyatta D. Berry. Music for episodes 1-76 is "Good Vibe" by Ketsa, Music for episodes 77+ is “Rheme – Afrobeat x African Instrumental x Reggae Beat,” via Pixabay.Learn more about Kenyatta and her work at KenyattaBerry.com.You can also connect with her on social media:Instagram: @Kenyatta.BerryFacebook: facebook.com/KenyattaDBThanks for listening, we'll see you next time on Conversations with Kenyatta. We are dedicated to exploring and discussing various aspects of genealogy, history, culture, and social issues. We aim to shed light on untold stories and perspectives that enrich our understanding of the world. Disclaimer: All guest opinions expressed in Conversations with Kenyatta are their own and do not reflect the views of Kenyatta D. Berry. .

The Great Gatsby celebrates its 100th birthday this year, and you knew that One True Podcast couldn't let 2025 go by without joining the celebration. We mark the centenary of this great American novel by marking its importance in American literary history as well as the life and career of Ernest Hemingway.Fitzgerald scholar William Blazek visits us from his post at Liverpool Hope University to discuss the novel's legacy, its glorious language, and its ambiguous themes; Gatsby as a complex and misunderstood character; how Gatsby would have struck the young Hemingway; and so many other aspects of this magnificent work.Like Nick Carraway just remembering he is turning thirty, One True Podcast hopes it isn't too late to join the roaring celebration of Gatsby at 100!Thanks as always for supporting One True Podcast!

Steve Dowden is a Professor of German language and literature in the Department of German, Russian, and Asian Languages and Literatures. He graduated in 1984 from the University of California with a Ph.D in German literature. After a decade teaching at Yale and a year as a Humboldt Fellow at the University of Konstanz he joined the Brandeis faculty in 1994. Dowden has published on German literature, art, music, and intellectual history from the eighteenth to the twenty-first century. John Burt is the Paul Prosswimmer Professor of American Literature at Brandeis University and the author of the novel A MOMENT'S SURRENDER (Hollywood Books International, forthcoming), three volumes of poetry: THE WAY DOWN (Princeton University Press, 1988), WORK WITHOUT HOPE (Johns Hopkins University Press, 1996), and VICTORY (Turning Point Press, 2007). His non-fiction book LINCOLN'S TRAGIC PRAGMATISM (Harvard University Press, 2013) was positively reviewed on the front page of the NEW YORK TIMES BOOK REVIEW. He is the literary executor of the poet and novelist Robert Penn Warren, whose collected poems he edited.In this episode we discuss Thomas Mann's novel Doctor Faustus.--- Become part of the Hermitix community: Hermitix Twitter - ⁠⁠⁠https://twitter.com/Hermitixpodcast⁠⁠⁠ Support Hermitix: Patreon - ⁠⁠⁠https://www.patreon.com/hermitix⁠⁠⁠ Donations: - ⁠⁠⁠https://www.paypal.me/hermitixpod⁠⁠⁠ Hermitix Merchandise - ⁠⁠⁠http://teespring.com/stores/hermitix-2⁠⁠⁠ Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLK Ethereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9B75a00D9E74

In the new book “The Insider: Malcolm Cowley and the Triumph of American Literature” editor and critic Gerald Howard brings this complex literary life into focus drawing on Cowley's letters, essays, and archival material. Howard reveals how one man's sensibility helped to find what we now consider American literature.

Michael Deagler, the 2025 PEN/Hemingway winner for Early Sobrieties, shares his one true sentence from To Have and Have Not.Join us for our favorite Hemingway parlor game as this excellent novelist chooses his favorite sentence from everything Hemingway ever wrote. We discuss writing about addiction and recovery, Hemingway's use of dialogue, the way The Sun Also Rises serves as a textbook guide for writing novels, and much more.Don't forget to submit your nomination for One True Book Club 2026! Submit your choice for a book that is not by Hemingway but is Hemingway-relevant to 1truepod@gmail.com.Thank you for your continued support of One True Podcast!

My guest today is University of Oregon professor and longtime activist, Sarah Wald.  Sarah is the author of multiple books, and as you'll hear today, a profound thinker on a wide variety of issues concerning the conservation and environmental justice communities.This is one of my favorite conversations I've ever had on this show, in part because Sarah was so game to explore some really complicated points of tension within our movements. I definitely learned a lot, and was happy to have some of my beliefs and understandings challenged. The show email is coastrangeradio@gmail.com, please reach out anytime with guest ideas, feedback, your harshest criticisms, or if you're interested in helping make this show!Research Links/Show Notes:Referenced: Tradeoff Denialism: https://scholarship.law.columbia.edu/cgi/viewcontent.cgi?article=4885&context=faculty_scholarshipBill McKibben on tradeoffs and the promise of renewables: https://www.earthisland.org/journal/index.php/articles/entry/wind-and-solar-will-require-mining-but-not-as-much-as-fossil-fuels-bill-mckibben-sun-daySarah's Recommendations:The Anti-Creep Climate Initiative's zine, Against the Ecofascist Creep.Olivia Aguilar, A Latine Outdoor Experience: Remembering, Resisting, and Reimagining (2025)Carolyn Finney, Black Faces, White Spaces: Reimagining the Relationship of African Americans to the Great Outdoors (2014) Jessica Hernandez, Fresh Banana Leaves: Healing Indigenous Landscapes through Indigenous Science (2022)Tao Leigh Goffe, Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis (2025)Tiya Miles, Wild Girls: How the Outdoors Shaped the Women Who Challenged a Nation (2023)Alexander Menrisky, Everyday Ecofascism: Crisis and Consumption in American Literature (2025)Kyle Powys Whyte “Against Crisis Epistemology” in Handbook of Critical Indigenous Studies (2021)Kyle Powys White, “Our Ancestors' Dystopia Now: Indigenous Conservation and the Anthropocene” in the Routledge Companion to the Environmental Humanities (2017)https://www.instagram.com/coastrangeradio/

In the first major biography of Baldwin in more than a decade, James Baldwin: Living in Fire (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement. Bill V. Mullen is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the first major biography of Baldwin in more than a decade, James Baldwin: Living in Fire (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement. Bill V. Mullen is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the first major biography of Baldwin in more than a decade, James Baldwin: Living in Fire (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement. Bill V. Mullen is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the first major biography of Baldwin in more than a decade, James Baldwin: Living in Fire (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement. Bill V. Mullen is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

One True Podcast looks ahead to the last volume of Hemingway's letters! Although Hemingway's correspondence from 1957-1961 won't be officially published for another couple of decades, the co-editors of the last volume of the Hemingway letters – J. Gerald Kennedy and Michael Von Cannon – along with their advisory editor, Valerie Hemingway, share insights about their work that covers Hemingway's final days.We learn what was occupying Hemingway's mind, his most frequent correspondents, the writing that consumed him, and how this last volume might reveal some of the health and psychological issues that plagued his later years. Join these three co-editors for an exclusive conversation on the volume we will eventually read, and their candid impressions of Hemingway's last letters.

Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression.  Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Maria Amparo Ruiz de Burton is known as one of the earliest Mexican-American authors published in English, and her life story is tied closely to the Mexican-American war and the establishment of California as a state. Research: Amero, Richard W. “The Mexican-American War in Baja California.” The Journal of San Diego History. Winter 1984, Volume 30, Number 1. https://sandiegohistory.org/journal/1984/january/war/ Annenberg Learner. “Maria Amparo Ruiz de Burton (c. 1832-1895).” https://www.learner.org/series/american-passages-a-literary-survey/masculine-heroes/maria-amparo-ruiz-de-burton-c-1832-1895/ Brink, Jean R. “María Amparo Ruiz de Burton.” EBSCO Knowledge Advantage. 2023. https://www.ebsco.com/research-starters/history/maria-amparo-ruiz-de-burton Contreras, Alicia . "María Amparo Ruiz de Burton". In Oxford Bibliographies in American Literature. 3 Sep. 2025. https://www.oxfordbibliographies.com/view/document/obo-9780199827251/obo-9780199827251-0191.xml. Contreras, Alicia. "'I'll publish your cowardice all over California': Maria Amparo Ruiz de Burton's the squatter and the don in the age of Howells." American Literary Realism, vol. 49, no. 3, spring 2017, pp. 210+. Gale Academic OneFile, link.gale.com/apps/doc/A491311790/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=97ad48d9. Accessed 28 Aug. 2025. Crawford, Kathleen. “María Amparo Ruiz Burton.” The Journal of San Diego History. Summer 1984, Volume 30, Number 3. https://sandiegohistory.org/journal/1984/july/burton/ Diaz, Ella Maria. "Maria Amparo Ruiz de Burton: Critical and Pedagogical Perspectives." Legacy: A Journal of American Women Writers, vol. 22, no. 2, June 2005, pp. 202+. Gale OneFile: Business, link.gale.com/apps/doc/A141999447/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=1c4826f6. Accessed 28 Aug. 2025. Dietrich, Lucas. “A Sensational Job: Maria Amparo Ruiz de Burton, J.B. Lippincott Co., and Commission Printing.” Bibliographical Society of America. Via YouTube. 4/19/2019. https://www.youtube.com/watch?v=Fb6sfXdUyR8 Hedrick, Joan D. "Who Would Have Thought It?" The Women's Review of Books, vol. 13, no. 7, Apr. 1996, p. 6. Gale OneFile: Business, link.gale.com/apps/doc/A19140252/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=c31ab587. Accessed 28 Aug. 2025. Meylor, Megan. “California Nerves.” Texas Studies in Literature and Language, FALL 2020, Vol. 62, No. https://www.jstor.org/stable/10.2307/27117136 Quarstein, John V. “Worden and the Californios.” U.S. Naval Institute. October 2023. https://www.usni.org/magazines/naval-history-magazine/2023/october/worden-and-californios Raab, Josef. “The Imagined Inter-American Community of María Amparo Ruiz de Burton.” Amerikastudien / American Studies, 2008, Vol. 53, No. 1. Via JSTOR. https://www.jstor.org/stable/41158358 Sánchez, Rosaura and Beatriz Pita, editors. “Conflicts of Interest: The Letters of María Amparo Ruiz de Burton.” Arte Publico Press. University of Houston. 2001. Spitzzeri, Paul R. “Article Ten of the Treaty of Guadalupe Hidalgo, 1848.” Homestead Museum Blog. 5/31/2019. https://homesteadmuseum.blog/2019/05/31/article-ten-of-the-treaty-of-guadalupe-hidalgo-1848/ “María Amparo Ruiz, a woman of that century.” Issue 30. 3/8/2017. https://tendenciaelartedeviajar.com/en/2017/03/history/maria-amparo-ruiz-a-woman-of-that-century/ University of Texas Press. “María Amparo Ruiz de Burton and the Conquered Californios: An Interview With Meagan Meylor.” 11/15/2021. https://utpress.utexas.edu/blog/2021/11/15/maria-amparo-ruiz-de-burton-and-the-conquered-californios-an-interview-with-meagan-meylor/ Women & The American Story. “Life Story: María Ruiz de Burton (1832–1895).” The New York Historical Society. https://wams.nyhistory.org/industry-and-empire/expansion-and-empire/maria-ruiz-de-burton/ See omnystudio.com/listener for privacy information.

The Beauchamp-Sharpe tragedy of 1825, sometimes called the Kentucky tragedy, involves a politician, a young lawyer, and the lawyer’s wife. It unfolds as a story of sexual scandal and political intrigue that ultimately led to murder. Research: Beauchamp, Jereboam O. “The confession of Jereboam Beauchamp (written by himself) who was executed at Frankfort, Ky., for the murder of Col. Solomon P. Sharp, a member of the legislature, and late attorney-general of Ky. To which is added some poetical pieces written by Mrs. Ann Beauchamp, who voluntarily put a period to her existence on the day of the execution of her husband, and was buried in the same grave with him.” H.T. Goodsell. Kentucky. https://digital.library.cornell.edu/catalog/sat1109 “Beauchamp’s Trial.” The Frankfort Argus. May 10, 1826. https://www.newspapers.com/image/1040984938/?match=1&terms=beauchamp Bruce, Dickson D. “The Kentucky Tragedy: A Story of Conflict and Change in Antebellum America.” Louisiana State University Press. 2006. Coleman, J. Winston, Jr. “THE BEAUCHAMP - SHARP TRAGEDY: An Episode of Kentucky History During the Middle 1820's.” ROBERTS PRINTING COMPANY. Frankfurt, KY. 1950. Accessed online: https://babel.hathitrust.org/cgi/pt?id=inu.32000013353117&seq=9&format=plaintext Coleman, J. Winston. “The Beauchamp-Sharp tragedy; an episode of Kentucky history during the middle 1820's.” ROBERTS PRINTING COMPANY. FRANKFORT, KENTUCKY. 1950. Accessed online: https://babel.hathitrust.org/cgi/pt?id=inu.32000013353117&seq=9 Cooke, J.W. “THE LIFE AND DEATH OF COLONEL SOLOMON P. SHARP PART 1: UPRIGHTNESS AND INVENTIONS; SNARES AND NETS.” The Filson Club History Quarterly. Vol. 72, No. 1. January 1998. https://filsonhistorical.org/wp-content/uploads/publicationpdfs/72-1-3_The-Life-and-Death-of-Colonel-Solomon-P.-Sharp-part-1-Uprightness-and-Inventions-Snares-and-Net_Cooke-J.W..pdf “Horrible Assassination.” The Frankfort Argus. Nov. 9. 1825. https://www.newspapers.com/image/1044971148/?match=1&terms=solomon%20sharp Jillson, Willard Rouse. “THE BEAUCHAMP—SHARP TRAGEDY IN AMERICAN LITERATURE.” Register of Kentucky State Historical Society, vol. 36, no. 114, 1938, pp. 54–60. JSTOR, http://www.jstor.org/stable/23371707 Kimball, William J. “The ‘Kentucky Tragedy:’ Romance or Politics.” The Filson Club History Quarterly. Vol. 48. 1974. https://filsonhistorical.org/wp-content/uploads/publicationpdfs/48-1-3_The-Kentucky-Tragedy-Romance-of-Politics_Kimball-William-J..pdf “The Murderer od Col. Sharp.” Republican Banner. Nov. 28, 1825. https://www.newspapers.com/image/603858007/?match=1&terms=Jereboam%200.%20Beauchamp “The Mutilated Act.” Lexington Weekly Press. June 20, 1825. https://www.newspapers.com/image/1183393429/?match=1&terms=Jereboam%200.%20Beauchamp “Romantic 1825 Tragedy.” Kentucky Historical Society. https://history.ky.gov/markers/romantic-1825-tragedy Schoenbachler, Matthew G. “Murder and Madness: The Myth of the Kentucky Tragedy.” University Press of Kentucky. 2009. Gates, W. B. “William Gilmore Simms and the Kentucky Tragedy.” American Literature, vol. 32, no. 2, 1960, pp. 158–66. JSTOR, https://doi.org/10.2307/2922674 “To the Public.” Woodstock Observer and Windsor and Orange County Gazette. Aug, 29, 1826. https://www.newspapers.com/image/489194545/?match=1&terms=Jereboam%200.%20Beauchamp See omnystudio.com/listener for privacy information.