Podcasts about cultural politics

This episode explores the role of protection magic as a historically grounded response to war, oppression, and systemic violence across diverse cultural and temporal contexts.Drawing on peer-reviewed academic sources, it examines how magical practices—rituals, talismans, verbal formulae, and spirit invocations—have been used as forms of spiritual defence and political resistance. From Mesopotamian anti-witchcraft rites and Greco-Roman defensive curses to medieval Christian amulets, Renaissance grimoires, and the Magical Battle of Britain, the lecture situates protection magic within broader religious, social, and cosmological frameworks.Special attention is given to non-Western and postcolonial contexts, including the ritual technologies of Haitian Vodou during the revolution, Obeah in the British Caribbean, Yoruba warrior rites, and Andean protective ceremonies. The discussion also considers contemporary expressions of magical protection, including digital activist magic, Chaos Magic, and the esoteric disciplines of Damien Echols under carceral conditions.CONNECT & SUPPORT

Jean Mills, Associate Professor and chairperson in the English Dept. at John Jay College, and Ria Banerjee, Professor of English and Honors Program Coordinator at Guttman Community College and the Graduate Center, discuss Dr. Banerjee's book Drafty Houses in Forster, Eliot, and Woolf: Spatiality and Cultural Politics and related topics. Visit IndoorVoicesPodcast.com for more.

“Expect More Bulldozings”, the Princeton historian Matthew Karp predicts in this month's Harpers magazine about MAGA America. In his analysis of the Democrats' loss to Trump, Karp argues that the supposedly progressive party has become disconnected from working-class voters partially because it represents what he calls "the nerve center of American capitalism." He suggests that for all Democrats' strong cultural liberalism and institutional power, the party has failed to deliver meaningful economic reforms. The party's leadership, particularly Kamala Harris, he says, appeared out of touch with reality in the last election, celebrating the economic and poltical status quo in an America where the voters clearly wanted structural change. Karp advocates for a new left-wing populism that combines innovative economic programs with nationalism, similar to successful left-wing leaders like Obrador in Mexico and Lulu in Brazil and American indepedents like the Nebraskan Dan Osborne. Here are the 5 KEEN ON takeaways in our conversation with Karp:* The Democratic Party has become the party at the "nerve center of American capitalism," representing cultural, institutional, and economic power centers while losing its historic connection to working-class voters. Despite this reality, Democrats are unwilling or unable to acknowledge this transformation.* Kamala Harris's campaign was symptomatic of broader Democratic Party issues - celebrating the status quo while failing to offer meaningful change. The party's focus on telling voters "you never had it so good" ignored how many Americans actually felt about what they saw as their troubling economic situation.* Working-class voters didn't necessarily embrace Trump's agenda but rejected Democrats' complacency and disconnection from reality. The Democrats' vulnerability at the ballot box stands in stark contrast to their dominance of cultural institutions, academia, and the national security state.* The path forward for Democrats could look like Dan Osborne's campaign in Nebraska - a populist approach that directly challenges economic elites across party lines while advocating for universal programs rather than targeted reforms or purely cultural politics.* The solution isn't simply returning to New Deal-style politics or embracing technological fixes, but rather developing a new nationalist-leftist synthesis that combines universal social programs with pro-family, pro-worker policies while accepting the reality of the nation-state as the container for political change.Bulldozing America: The Full TranscriptANDREW KEEN: If there's a word or metaphor we can use to describe Trumpian America, it might be "bulldoze." Trump is bulldozing everything and everyone, or at least trying to. Lots of people warned us about this, perhaps nobody more than my guest today. Matthew Karp teaches at Princeton and had an interesting piece in the January issue of Harper's. Matthew, is bulldozing the right word? Is that our word of the month, of the year?MATTHEW KARP: It does seem like it. This column is more about the Democrats' electoral fortunes than Trump's war on the administrative state, but it seems to apply in a number of contexts.KEEN: When did you write it?KARP: The lead times for these Harper's pieces are really far in advance. They have a very trim kind of working order. I wrote this almost right in the wake of the election in November, and then some of the edits stretched on into December. It's still a review of the dynamics that brought Trump into office and an assessment of the various interpretations that have been proffered by different groups for why Trump won and why the Democrats lost.KEEN: You begin with an interesting half-joke: given Trump's victory, maybe we should use the classic Brechtian proposal to dissolve the people and elect another. You say there are some writers like Jill Filipovic, who has been on this show, and Rebecca Solnit, who everybody knows. There's a lot of hand-wringing, soul-searching on the left these days, isn't there?KARP: That's what defeat does to you. The impulse to essentially blame the people, not the politicians—there was a lot of that talk alongside insistences that Kamala Harris ran a "flawless" campaign. That was a prime adjective: flawless. This has been a feature of Democratic Party politics for a while. It certainly appeared in 2016, and while I don't think it's actually the majority view this time around, that faction was out there again.The Democratic Party's TransformationKEEN: It's an interesting word, "flawless." I've argued many times, both on the show and privately, that she ran—I'm not sure if even the word "ran" is the right word—what was essentially a deeply flawed campaign. You seem to agree, although you might suggest there are some structural elements. What's your analysis three months after the defeat, as the dust has settled?KARP: It doesn't feel like the dust has settled. I'm writing my piece now about these early days of the Trump administration, and it feels like a dust cloud—we can barely see because the headlines constantly cloud our vision. But looking back on the election, there are several things to say. The essential, broader trend, which I think is larger than Harris's particular moves as a candidate or her qualities and deficits, has to do with the Democratic Party as a national entity—I don't like the word "brand," though we all have to speak as if we're marketers now.Since Obama in particular, and this is an even longer-running trend, the Democratic Party's fortunes have really nosedived with voters making less money, getting less education, voters in working-class and lower-middle-class positions—measured any way you slice it sociologically. This is not only a historic reversal from what was once the party of Roosevelt, which Joe Biden tried to resurrect with that giant FDR poster behind him in the White House, but it represents a fundamental shift in American politics.Political scientists talk about class dealignment, the way in which, for a long time, there essentially was no class alignment between the parties. These days, if anything, there's probably a stronger case for the Republicans to be more of a working-class party just from their coalition, although I think that's overstated too. From the Democratic perspective, what's striking is the trend—the slipping away, the outmigration of all these voters away from the Democrats, especially in national elections, in presidential elections.The Party of CapitalKEEN: You put it nicely in your piece—I'm quoting you—"The fault is not in the Democrats' campaigns, it's in themselves." And then you write, and I think this is the really important sentence: "This is a party that represents the nerve center of American capitalism, ideological production and imperial power." Some people might suggest, well, what's wrong with that? America should be proud of its capitalism, its imperial power, its ideological production. But what's so surreal, so jarring about all this is that Democrats don't acknowledge that. You can see it in Harris, in her husband, in San Francisco and in Park Slope, Brooklyn, where you live. You can see it in Princeton, in Manhattan. It's so self-evident. And yet no one is willing to actually acknowledge this.KARP: It's interesting to think about it that way because I wonder if a more candid piece of self-recognition would benefit the party. I think some of it is there's a deep-seated need, going back to that tradition of FDR and especially on the part of the left wing of the party—anyone who's even halfway progressive—to feel like this is the party of the little guy against the big guy, the party of marginalized people, the party of justice for all, not just for the powerful.That felt need transcends the statistics tallied up in voting returns. For the media and institutional complex of the Democratic Party, which includes many politicians, that reality will still be a reality even if the facts on the ground have changed. Some of it is, I think, a genuine refusal to see what's in front of you—it's not hypocritical because that implies willful misleading, whereas I think it's a deeper ideological thing for many people.The Status Quo PartyKEEN: Is it just cyclical? The FDR cycle, Great Society, New Deal, LBJ—all of that has come to an end, and the ideology hasn't caught up with it? Democrats still see themselves as radical, but they're actually deeply conservative. I've had so many conversations with people who think of themselves as progressives and say to me, "I used to think I'm a progressive, but in the context of Trump or some other populist, I now realize I'm a conservative." None of them recognize the broader historical meaning. The irony is that they actually are conservative—they're for the status quo. That was clear in the last election. Harris, for better or worse, celebrated the old America, and Trump had a vision of a new America, for better or worse. Yet no one was really willing to acknowledge this.KARP: Yes, institutionally and socially, the Democrats have become the party of the status quo. People on the left constantly lambaste Democrats for lacking a bold reform agenda, but that's sort of not the point. Some people will say Joe Biden was the most progressive president since FDR because he spent a lot of money on infrastructure programs. But my view is that enhanced government spending, which did increase the federal budget as a share of GDP to significant levels, nevertheless didn't result in a single reform program you can identify and attach to Biden's name.Unlike all these progressive Democratic presidents past—even Obama had Obamacare—it's not really clear what Biden's legacy is other than essentially increasing the budget. None of those programs, none of that spending, improved his political popularity because that money was so diffuse, or in other cases so targeted that it went to build this one chip plant in one town in Ohio. If you didn't happen to be in that county, it made no difference to you. There wasn't anything like healthcare reform, structural family leave reform, or childcare reform—something that somebody could say, "This president actually changed the way my life operates for the better."Cultural Politics and ClassKEEN: Let's talk about cultural politics. Thomas Frank has sometimes been accused, if not of racism, certainly of being a kind of conservative populist, even if he sees himself from the left. Is one of the reasons why the Democratic Party has lost the support of much of the American working class attributable to cultural politics, to the new left victory in the '60s and its control of the Democratic agenda, which is really manifested in many ways by somebody like Kamala Harris—a wealthy lawyer running as a member of the diverse underclass?KARP: Look, I don't want to say the Democrats lost because of "woke." I think there were larger issues in play, and the principal one is this economic question. But you can't actually separate those issues. What people have intuited is that the Democrats have become a party that has retained, if anything advanced, this cultural liberalism coming out of the new left. As recently as 2020, there was a very new left-like insurgency of street protests focused on police brutality and structural racism.I don't actually think Americans are broadly hostile to civil rights equality and, in substance, a lot of the Democratic positions on those issues. But when you essentially hollow out your party's historic core connection to the working class and to economic reform, and in a hundred different ways from Clinton to Obama to Biden take so much off the table in terms of working-class politics, then it's no wonder that a lot of people come to think these minority populations are essentially the clients of very powerful patrons.Paths ForwardKEEN: You note in a tweet that the Democrats are what you call "politically pathetic." In your piece, you write about Dan Osborne, an independent union steamfitter who ran for Senate in Nebraska. Are guys like Osborne the fix here? The solution? A new way of thinking about America, perhaps learning from right-wing populism—a new populism of the left?KARP: Absolutely. I don't think they're a silver bullet. There are a lot of institutional and social obstacles to reconstituting some kind of 19th-century style or mid-twentieth century style working-class project, whether it's organizing labor unions or mass parties of the left. That being said, the Osborne campaign absolutely represents an electoral road forward for people who want real change.He wildly outperformed not just Kamala Harris but the other Democrat running for Senate. His margins were highest precisely in the places where Democrats have struggled the most. In the wealthy suburban districts around Omaha where Harris actually won, Osborne more or less held serve. But where he really ran up the score was further out in rural areas and among workers. I would bet a lot of money that he way overperformed with voters with lower education levels and lower incomes.Looking to the FutureKEEN: Finally, is there an opportunity in a structural sense? You're still presenting the old America, a federal state. But the Trump people, for better or worse, are cutting this. They're attacking it on lots of levels. Are there really radical ideas, maybe not traditional left-wing ideas or even progressive ideas, certainly associated with technology—you talked about universal basic income, decentralization, even what we call Web3—which might revitalize progressives in the 21st century, or is that simply unrealistic?KARP: We've got to keep our eyes open. My little faction of the sort of dissident left is often accused of being overly nostalgic by opponents on the left. I take the criticism that the vision I've laid out risks being nostalgic, towards the middle decades of the 20th century when union density was higher, industrial America was stronger, and you had healthy families and good jobs.I'm very leery of technological quick fixes. I don't think the blockchain is going to resurrect socialism. I do think there is a political opportunity that would represent a more conscious break with the liberal leftism that has been in the water of the Democratic Party and the progressive left since 1968. We need to move away from this sort of championship of small groups and towards a more universal, family-centered, country-centered approach.I think the current is flowing towards the nation-state and not towards the globe. So I'm okay with tariff politics, with the celebration of the national, and to some extent with this impulse to get control of the border. That doesn't mean mass deportations, but it does mean having some actual understanding of who is coming into the country and some orderly procedure. Every other country in the world, including those lefty social democracies, has that.The successful left-wing leaders have all been nationalists of one kind or another. Look at AMLO in Mexico or Lula in Brazil. There are welfare policies that are super popular that can be branded not as some airy-fairy Nordic social democracy thing, but as a pro-family, pro-worker, pro-American sensibility that you can easily connect to traditional values and patriotic sentiment. It's the easiest thing in the world, at least ideologically, to imagine that formulation. What it would run afoul of is a lot of entrenched institutional connections within the Democratic Party and broadly on the left, within the NGO world, academia, and the media class, who are attached to the current structure of things.Matthew Karp is a historian of the U.S. Civil War era and its relationship to the nineteenth-century world. He received his Ph.D. in History from the University of Pennsylvania in 2011 and joined the Princeton faculty in 2013. His first book, This Vast Southern Empire: Slaveholders at the Helm of American Foreign Policy(Link is external) (Harvard, 2016) explores the ways that slavery shaped U.S. foreign relations before the Civil War. In the larger transatlantic struggle over the future of bondage, American slaveholders saw the United States as slavery's great champion, and harnessed the full power of the growing American state to defend it both at home and abroad. This Vast Southern Empire received the John H. Dunning Prize from the American Historical Association, the James Broussard Prize from the Society for Historians of the Early American Republic, and the Stuart L. Bernath Prize from the Society for Historians of American Foreign Relations. Karp is now at work on two books, both under contract with Farrar, Straus, & Giroux. The first, Millions of Abolitionists: The Republican Party and the Political War on Slavery, considers the emergence of American antislavery mass politics. At the midpoint of the nineteenth century, the United States was the largest and wealthiest slave society in modern history, ruled by a powerful slaveholding class and its allies. Yet just ten years later, a new antislavery party had forged a political majority in the North and won state power in a national election, setting the stage for disunion, civil war, and the destruction of chattel slavery itself. Millions of Abolitionists examines the rise of the Republican Party from 1854 to 1861 as a political revolution without precedent or sequel in the history of the United States. The second book, a meditation on the politics of U.S. history, explores the ways that narratives of the American experience both serve and shape different ideological ends — in the nineteenth century, the twentieth century, and today.Named as one of the "100 most unconnected men" by GQ magazine, Andrew Keen is amongst the world's least known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four poorly reviewed books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two badly behaved children. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

In this episode of The afikra Podcast, host Mikey Muhanna chats with Dr Taous Dahmani, a London-based art historian, writer, and curator. She discusses her career, her ties to Tunis, and curating the exhibitions Unstable Point and Assembly at Jaou Tunis. She explores the socio-political themes in these works, the challenges of political expression in art, and fostering dialogue among artists from Africa and Southwest Asia, reflecting on their impact amid global issues.00:00 Introduction 02:01 Connection to Tunis and Curatorial Challenges04:02 Unstable Point Exhibition06:40 Curatorial Process and Artist Selection20:35 Political Context and Art27:21 Emotional and Political Dimensions of Art35:16 Featured Artists at Jaou Tunis and Their Work48:31 Upcoming Projects and Final ThoughtsDr Taous R. Dahmani is a historian of photography, researcher, and writer, who divides her time between London and Marseille. Her PhD focused on the intersection of political actions and photographic practices. She is also editor and content advisor at The Eyes, a trustee of the Photo Oxford Festival, and is on the editorial board of MAI: Visual Culture and Feminism.Connect with Taous

Aislinn Hunter joins Andrew to talk about editing Best Canadian Poetry 2025. Four featured poets read their poems from the anthology. Andrew asks about the monumental task of editing BCP25 and poetry more generally. It's a fun one! -- Aislinn Hunter is an award-winning novelist and poet and the author of eight highly acclaimed books including the novels 'The Certainties' – a bestseller shortlisted for the Ethel Wilson Fiction Prize – and ‘The World Before Us' – a NYT Editor's Choice book, a Guardian and NPR Book the Year, and winner of the Ethel Wilson Fiction Prize. Her work has been adapted into music, dance, art, and film forms ¬– including a feature film based on her novel ‘Stay' which premiered at the Toronto International Film Festival. Hunter's three poetry collections (‘Into the Early Hours,' 'The Possible Past,' and ‘Linger, Still') have been shortlisted for the Pat Lowther Award, the Dorothy Livesay Poetry Prize, and the ReLit Prize, and have won the Gerald Lampert Award and the Fred Cogswell Award for Excellence in Poetry. Aislinn holds a BFA in Creative Writing and Art History, an MFA in Creative Writing, an MSC in Writing and Cultural Politics, and a PhD in English Literature. In 2018 she served as a Canadian War Artist working with Canadian and NATO forces at CFB Suffield. She teaches creative writing part-time and lives in Vancouver, BC on the unceded lands of the Musqueam, Squamish and Tsleil-Watuth peoples. In 2023 she was the Guest Editor of the Best Canadian Poetry anthology. -- Andrew French is a poet from North Vancouver, British Columbia. They have published three chapbooks, most recently Buoyhood (forthcoming with Alfred Gustav Press, 2025). Andrew holds a BA in English from Huron University College at Western University and an MA in English from UBC. They write poems, book reviews, and have hosted this very podcast since 2019.

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Huda Fakhreddine and Anthony Alessandrini about the unique manners in which literature can disclose the human significance of the historical and ongoing genocide in Palestine. Such revelation has to fight at least two things—the sheer brutality and inhumanity of this violence, and the active silencing of Palestinian voices by institutions that, ironically, profess to champion the humanities. Here, once again, we find a pernicious instantiation of the Palestine Exception. Despite these efforts to censor and silence, Huda and Tony delve deeply into the power of Palestinian poetry through translations and readings of some of the most remarkable literature in the world.Anthony Alessandrini teaches English at Kingsborough Community College in Brooklyn and Middle Eastern Studies at the CUNY Graduate Center, where he is also a member of the Committee on Globalization and Social Change. He is the author of Decolonize Multiculturalism and of Frantz Fanon and the Future of Cultural Politics; the editor of Frantz Fanon: Critical Perspectives; and the co-editor of “Resistance Everywhere”: The Gezi Protests and Dissident Visions of Turkey. He has also published a poetry chapbook, Children Imitating Cormorants. He is a Co-Editor of Jadaliyya, is on the Board of Directors of the Middle East Studies Association, is on the faculty of the Brooklyn Institute for Social Research, is a co-convener of the International Solidarity Action Research Network, serves as chair of his union's Academic Freedom Committee, and is a proud member of CUNY Faculty and Staff for Justice in Palestine. Huda J. Fakhreddine is a writer, translator, and Associate Professor of Arabic Literature at the University of Pennsylvania. She is the author of Metapoesis in the Arabic Tradition (Brill, 2015) and The Arabic Prose Poem: Poetic Theory and Practice (Edinburgh University Press, 2021), as well as the co-editor of The Routledge Handbook of Arabic Poetry (Routledge, 2023). Her creative writings include a work of creative nonfiction, Zaman Ṣaghīr Taḥt Shams Thāniya (A Brief Time Under a Different Sun), published by Dar al-Nahda, Beirut, in 2019, and a forthcoming collection Wa Min Thammata al-‘Ālam… (And Then, the World…), to be published by Manshurat Marfa', Beirut, in 2025. She serves as co-editor of Middle Eastern Literatures and as an editor for the Library of Arabic Literature.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Huda Fakhreddine and Anthony Alessandrini about the unique manners in which literature can disclose the human significance of the historical and ongoing genocide in Palestine. Such revelation has to fight at least two things—the sheer brutality and inhumanity of this violence, and the active silencing of Palestinian voices by institutions that, ironically, profess to champion the humanities. Here, once again, we find a pernicious instantiation of the Palestine Exception. Despite these efforts to censor and silence, Huda and Tony delve deeply into the power of Palestinian poetry through translations and readings of some of the most remarkable literature in the world.Anthony Alessandrini teaches English at Kingsborough Community College in Brooklyn and Middle Eastern Studies at the CUNY Graduate Center, where he is also a member of the Committee on Globalization and Social Change. He is the author of Decolonize Multiculturalism and of Frantz Fanon and the Future of Cultural Politics; the editor of Frantz Fanon: Critical Perspectives; and the co-editor of “Resistance Everywhere”: The Gezi Protests and Dissident Visions of Turkey. He has also published a poetry chapbook, Children Imitating Cormorants. He is a Co-Editor of Jadaliyya, is on the Board of Directors of the Middle East Studies Association, is on the faculty of the Brooklyn Institute for Social Research, is a co-convener of the International Solidarity Action Research Network, serves as chair of his union's Academic Freedom Committee, and is a proud member of CUNY Faculty and Staff for Justice in Palestine. Huda J. Fakhreddine is a writer, translator, and Associate Professor of Arabic Literature at the University of Pennsylvania. She is the author of Metapoesis in the Arabic Tradition (Brill, 2015) and The Arabic Prose Poem: Poetic Theory and Practice (Edinburgh University Press, 2021), as well as the co-editor of The Routledge Handbook of Arabic Poetry (Routledge, 2023). Her creative writings include a work of creative nonfiction, Zaman Ṣaghīr Taḥt Shams Thāniya (A Brief Time Under a Different Sun), published by Dar al-Nahda, Beirut, in 2019, and a forthcoming collection Wa Min Thammata al-‘Ālam… (And Then, the World…), to be published by Manshurat Marfa', Beirut, in 2025. She serves as co-editor of Middle Eastern Literatures and as an editor for the Library of Arabic Literature.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Huda Fakhreddine and Anthony Alessandrini about the unique manners in which literature can disclose the human significance of the historical and ongoing genocide in Palestine. Such revelation has to fight at least two things—the sheer brutality and inhumanity of this violence, and the active silencing of Palestinian voices by institutions that, ironically, profess to champion the humanities. Here, once again, we find a pernicious instantiation of the Palestine Exception. Despite these efforts to censor and silence, Huda and Tony delve deeply into the power of Palestinian poetry through translations and readings of some of the most remarkable literature in the world.Anthony Alessandrini teaches English at Kingsborough Community College in Brooklyn and Middle Eastern Studies at the CUNY Graduate Center, where he is also a member of the Committee on Globalization and Social Change. He is the author of Decolonize Multiculturalism and of Frantz Fanon and the Future of Cultural Politics; the editor of Frantz Fanon: Critical Perspectives; and the co-editor of “Resistance Everywhere”: The Gezi Protests and Dissident Visions of Turkey. He has also published a poetry chapbook, Children Imitating Cormorants. He is a Co-Editor of Jadaliyya, is on the Board of Directors of the Middle East Studies Association, is on the faculty of the Brooklyn Institute for Social Research, is a co-convener of the International Solidarity Action Research Network, serves as chair of his union's Academic Freedom Committee, and is a proud member of CUNY Faculty and Staff for Justice in Palestine. Huda J. Fakhreddine is a writer, translator, and Associate Professor of Arabic Literature at the University of Pennsylvania. She is the author of Metapoesis in the Arabic Tradition (Brill, 2015) and The Arabic Prose Poem: Poetic Theory and Practice (Edinburgh University Press, 2021), as well as the co-editor of The Routledge Handbook of Arabic Poetry (Routledge, 2023). Her creative writings include a work of creative nonfiction, Zaman Ṣaghīr Taḥt Shams Thāniya (A Brief Time Under a Different Sun), published by Dar al-Nahda, Beirut, in 2019, and a forthcoming collection Wa Min Thammata al-‘Ālam… (And Then, the World…), to be published by Manshurat Marfa', Beirut, in 2025. She serves as co-editor of Middle Eastern Literatures and as an editor for the Library of Arabic Literature.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

Today on Speaking Out of Place I am honored to welcome Huda Fakhreddine and Anthony Alessandrini to talk about the unique manners in which literature can disclose the human significance of the historical and ongoing genocide in Palestine. Such revelation has to fight at least two things—the sheer brutality and inhumanity of this violence, and the active silencing of Palestinian voices by institutions that, ironically, profess to champion the humanities. Here, once again, we find a pernicious instantiation of the Palestine Exception.  Despite these efforts to censor and silence, Huda and Tony delve deeply into the power of Palestinian poetry, through  translations and readings of some of the most remarkable literature in the world. Anthony Alessandrini teaches English at Kingsborough Community College in Brooklyn and Middle Eastern Studies at the CUNY Graduate Center, where he is also a member of the Committee on Globalization and Social Change. He is the author of Decolonize Multiculturalism and of Frantz Fanon and the Future of Cultural Politics; the editor of Frantz Fanon: Critical Perspectives; and the co-editor of “Resistance Everywhere”: The Gezi Protests and Dissident Visions of Turkey. He has also published a poetry chapbook, Children Imitating Cormorants. He is a Co-Editor of Jadaliyya, is on the Board of Directors of the Middle East Studies Association, is on the faculty of the Brooklyn Institute for Social Research, is a co-convener of the International Solidarity Action Research Network, serves as chair of his union's Academic Freedom Committee, and is a proud member of CUNY Faculty and Staff for Justice in Palestine.   Huda J. Fakhreddine is a writer, translator, and Associate Professor of Arabic Literature at the University of Pennsylvania. She is the author of Metapoesis in the Arabic Tradition (Brill, 2015) and The Arabic Prose Poem: Poetic Theory and Practice (Edinburgh University Press, 2021), as well as the co-editor of The Routledge Handbook of Arabic Poetry (Routledge, 2023). Her creative writings include a work of creative nonfiction, Zaman Ṣaghīr Taḥt Shams Thāniya (A Brief Time Under a Different Sun), published by Dar al-Nahda, Beirut, in 2019, and a forthcoming collection Wa Min Thammata al-‘Ālam… (And Then, the World…), to be published by Manshurat Marfa', Beirut, in 2025. She serves as co-editor of Middle Eastern Literatures and as an editor for the Library of Arabic Literature. 

Khushi and Katharine discuss Nepal's community-based road-building initiatives, examining how these projects reveal the complex relationships between citizens, the state, and socio-economic systems. The conversation begins with a field memo from Katharine's recent research and offers an anthropological perspective on how local cultural values, political dynamics, historical context, and social meanings influence perceptions of corruption, governance, participation, and rule-breaking. Katharine Rankin is a Professor in the Department of Geography and Planning at the University of Toronto. She is the author of Cultural Politics of Markets: Economic Liberalization and Social Change in Nepal, among other influential works focused on the politics of planning and development, comparative market regulation, feminist and critical theory, neoliberal governance, and social polarization. Her recent article, Between Eating and Being Fed: Competing Ethics of Community-Based Road Building in Nepal, co-published with Shyam Kunwar, Lagan Rai, Elsie Lewison, and Sarah Shniederman, delves into the local ethical logics underpinning Nepal's community-driven road-building programs. The paper challenges conventional discourses of corruption by highlighting the contested legitimacy of rules and presenting competing visions of rural infrastructure, offering a more complex understanding of community engagement in development. If you liked the episode, hear more from us through our free newsletter services, PEI Substack: Of Policies and Politics ( ⁠⁠https://policyentre.substack.com/welcome⁠⁠ ), and click here ( ⁠⁠https://patreon.com/podsbypei⁠⁠ ) to support us on Patreon!!  

Hair Metal: The Soundtrack of Suburban Rebellion The term "hair metal" is often loaded with contradictory emotions. For some, it carries a pejorative tone, evoking images of overproduced, superficial music that prioritized style over substance. For others, it symbolizes a golden era of hedonism and carefree excess—a nostalgic portal to the cultural climate of the 1980s. Whether you're a Gen X'er reliving the glory years of 1981-1987 or a Gen Z'er discovering the era's flamboyant spectacle for the first time, hair metal offers an intriguing entry into a bygone cultural zeitgeist. Origins and Influences: A Hybrid of Excess Hair metal is best understood as an amalgamation of diverse influences: the shock rock theatrics of Alice Cooper and KISS, the virtuosic intensity of the New Wave of British Heavy Metal (NWOBHM), and the pop hooks reminiscent of 70s classic rock. The genre's genesis can be traced to Los Angeles in the late 1970s and early 1980s, amid the decline of hardcore punk and new wave. Unlike the disaffected rebellion of punk or the cerebral stylings of new wave, hair metal embraced a more commercial, hedonistic ethos that resonated with suburban youth. Key Players and Early Success Van Halen's meteoric rise in the late 70s, driven by Eddie Van Halen's guitar innovation and David Lee Roth's charismatic theatrics, laid much of the groundwork. Yet, it was Quiet Riot that first achieved mainstream success with 1983's Metal Health, the first metal album to reach #1 on the Billboard charts. Their cover of Slade's “Cum on Feel the Noize” exemplified the blend of hard rock bombast and pop sensibility that defined the genre. Simultaneously, Ozzy Osbourne's Blizzard of Ozz (1980) featuring Randy Rhoads, redefined what metal could be—dark and heavy, but also catchy and accessible. This formula of blending metal's aggression with pop hooks became the template for hair metal's commercial domination. The Cultural Politics of Hair Metal Unlike punk's overt challenge to conservative politics, hair metal offered rebellion as a commodified spectacle. It was less about collective resistance to authority and more about personal indulgence. The Reagan and Thatcher years saw the rise of neoliberal individualism, and hair metal became the soundtrack to this ethos: drugs, sex, and flashy excess. Bands like Mötley Crüe, with albums such as Shout at the Devil (1983), exemplified this aesthetic, blending occult imagery with glam decadence. However, by the late 80s, the genre began to cannibalize itself. Bands influenced by early hair metal—such as Poison—were producing sanitized versions of the form. By 1988, hair metal had become a bloated commercial enterprise. Simultaneously, the rise of bands like Guns N' Roses and Faster Pussycat, who rejected the cartoonish glam aesthetic, signaled a shift. Mötley Crüe's 1987 album Girls, Girls, Girls symbolized this transition—gone were the lace and makeup, replaced by leather and a grittier image. The Decline: From Cultural Dominance to Nostalgia The genre's decline was swift, for many hastened by the rise of grunge and alternative rock in the early 90s. While I don't discount the raw authenticity of bands like Nirvana, and how it  stood in stark contrast to the excesses of hair metal; By 1987 most of the “hair metal” songs were pop music with distorted guitars. Def Leppard's 1983 Pyromania was to be their “Thriller”. This was less an authentic genre, and more a media moniker, and everyone with a Marshall stack and hair spray wanted to use that moniker to get in the business.  By the early 90s, the genre was relegated to nostalgia tours and retro compilations, a relic of a pre-grunge world. Mötley Crüe playlist: https://open.spotify.com/playlist/2AYeS0yG88ymhk7Lrb09Kr...   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/          

Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond (Rowman and Littlefield, 2023) examines how fans worship film stars as deities. Focusing on temples dedicated to Bollywood (Hindi cinema) stars and the artifacts produced by Hindi and Tamil cinema fans, Shalini Kakar illustrates how the fan constructs their identity as a devotee and that of the star as a deity. Extending her research from India to the US, Kakar highlights the transnational dimensions of this phenomenon to demonstrate the degree to which devotional fan practices (fan-bhakti) and fan artifacts can help us rethink art, religion, and politics. With its interdisciplinary approach, this book addresses how fan-bhakti is performed in the global landscape, in the process augmenting new religious models and identities based on the idea of the “cinematic sacred.” For more information, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond (Rowman and Littlefield, 2023) examines how fans worship film stars as deities. Focusing on temples dedicated to Bollywood (Hindi cinema) stars and the artifacts produced by Hindi and Tamil cinema fans, Shalini Kakar illustrates how the fan constructs their identity as a devotee and that of the star as a deity. Extending her research from India to the US, Kakar highlights the transnational dimensions of this phenomenon to demonstrate the degree to which devotional fan practices (fan-bhakti) and fan artifacts can help us rethink art, religion, and politics. With its interdisciplinary approach, this book addresses how fan-bhakti is performed in the global landscape, in the process augmenting new religious models and identities based on the idea of the “cinematic sacred.” For more information, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond (Rowman and Littlefield, 2023) examines how fans worship film stars as deities. Focusing on temples dedicated to Bollywood (Hindi cinema) stars and the artifacts produced by Hindi and Tamil cinema fans, Shalini Kakar illustrates how the fan constructs their identity as a devotee and that of the star as a deity. Extending her research from India to the US, Kakar highlights the transnational dimensions of this phenomenon to demonstrate the degree to which devotional fan practices (fan-bhakti) and fan artifacts can help us rethink art, religion, and politics. With its interdisciplinary approach, this book addresses how fan-bhakti is performed in the global landscape, in the process augmenting new religious models and identities based on the idea of the “cinematic sacred.” For more information, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond (Rowman and Littlefield, 2023) examines how fans worship film stars as deities. Focusing on temples dedicated to Bollywood (Hindi cinema) stars and the artifacts produced by Hindi and Tamil cinema fans, Shalini Kakar illustrates how the fan constructs their identity as a devotee and that of the star as a deity. Extending her research from India to the US, Kakar highlights the transnational dimensions of this phenomenon to demonstrate the degree to which devotional fan practices (fan-bhakti) and fan artifacts can help us rethink art, religion, and politics. With its interdisciplinary approach, this book addresses how fan-bhakti is performed in the global landscape, in the process augmenting new religious models and identities based on the idea of the “cinematic sacred.” For more information, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond (Rowman and Littlefield, 2023) examines how fans worship film stars as deities. Focusing on temples dedicated to Bollywood (Hindi cinema) stars and the artifacts produced by Hindi and Tamil cinema fans, Shalini Kakar illustrates how the fan constructs their identity as a devotee and that of the star as a deity. Extending her research from India to the US, Kakar highlights the transnational dimensions of this phenomenon to demonstrate the degree to which devotional fan practices (fan-bhakti) and fan artifacts can help us rethink art, religion, and politics. With its interdisciplinary approach, this book addresses how fan-bhakti is performed in the global landscape, in the process augmenting new religious models and identities based on the idea of the “cinematic sacred.” For more information, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond (Rowman and Littlefield, 2023) examines how fans worship film stars as deities. Focusing on temples dedicated to Bollywood (Hindi cinema) stars and the artifacts produced by Hindi and Tamil cinema fans, Shalini Kakar illustrates how the fan constructs their identity as a devotee and that of the star as a deity. Extending her research from India to the US, Kakar highlights the transnational dimensions of this phenomenon to demonstrate the degree to which devotional fan practices (fan-bhakti) and fan artifacts can help us rethink art, religion, and politics. With its interdisciplinary approach, this book addresses how fan-bhakti is performed in the global landscape, in the process augmenting new religious models and identities based on the idea of the “cinematic sacred.” For more information, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond (Rowman and Littlefield, 2023) examines how fans worship film stars as deities. Focusing on temples dedicated to Bollywood (Hindi cinema) stars and the artifacts produced by Hindi and Tamil cinema fans, Shalini Kakar illustrates how the fan constructs their identity as a devotee and that of the star as a deity. Extending her research from India to the US, Kakar highlights the transnational dimensions of this phenomenon to demonstrate the degree to which devotional fan practices (fan-bhakti) and fan artifacts can help us rethink art, religion, and politics. With its interdisciplinary approach, this book addresses how fan-bhakti is performed in the global landscape, in the process augmenting new religious models and identities based on the idea of the “cinematic sacred.” For more information, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond (Rowman and Littlefield, 2023) examines how fans worship film stars as deities. Focusing on temples dedicated to Bollywood (Hindi cinema) stars and the artifacts produced by Hindi and Tamil cinema fans, Shalini Kakar illustrates how the fan constructs their identity as a devotee and that of the star as a deity. Extending her research from India to the US, Kakar highlights the transnational dimensions of this phenomenon to demonstrate the degree to which devotional fan practices (fan-bhakti) and fan artifacts can help us rethink art, religion, and politics. With its interdisciplinary approach, this book addresses how fan-bhakti is performed in the global landscape, in the process augmenting new religious models and identities based on the idea of the “cinematic sacred.” For more information, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond (Rowman and Littlefield, 2023) examines how fans worship film stars as deities. Focusing on temples dedicated to Bollywood (Hindi cinema) stars and the artifacts produced by Hindi and Tamil cinema fans, Shalini Kakar illustrates how the fan constructs their identity as a devotee and that of the star as a deity. Extending her research from India to the US, Kakar highlights the transnational dimensions of this phenomenon to demonstrate the degree to which devotional fan practices (fan-bhakti) and fan artifacts can help us rethink art, religion, and politics. With its interdisciplinary approach, this book addresses how fan-bhakti is performed in the global landscape, in the process augmenting new religious models and identities based on the idea of the “cinematic sacred.” For more information, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

SUMMARYFrom medieval itineraries to modern livestreams, Christian pilgrimage is often, if not always experienced through an imaginative transposal from a physical reality to a spiritual truth. In this episode, hosts Lindsay Pereira and Ella Jando-Saul explore the concept of virtual pilgrimage through conversations with two guests: Michael Van Dussen, a professor in the Department of English at McGill University in Tiohtià:ke/Montreal, teaches us about the medieval experience of pilgrimage in the British Isles while Simon Coleman, a professor in the Department for the Study of Religion at the University of Toronto teaches us about the modern reconstruction of pilgrimage to Walsingham in Norfolk, England.Simon Coleman's latest book, Powers of Pilgrimage: Religion in a World of Movement, can be found here.*VOICE AND SOUND CREDITSInterviewees:Dr. Michael Van Dussen, Professor of English Literature, McGill University.Dr. Simon Coleman, Professor of Anthropology and Religion, University of Toronto.Theme music:“Ai Tal Domna”: composed by Berenguier de Palou, recorded by Zep Hurme ©2014. Licensed under Creative Commons BY-NC. Available at https://ccmixter.org/files/zep_hurme/38429Voice credits:Stephen Yeager, voice of the HostGhislaine Comeau, voice of the MillerAndre Furlani, voice of the Reeve, drunkard, beggar, and donation collectorSound credits:Magical Minstrelsy: Where Medieval Meets Modern Through Mimesis, Season 1 Episode 1: Virtual Pilgrimage uses sounds from Freesound. All sound samples that were used in this episode are licensed under CC0 1.0:Footsteps on dirt: https://freesound.org/people/lzmraul/sounds/389454/Birds: https://freesound.org/people/MATRIXXX_/sounds/519110/Water: https://freesound.org/people/BurghRecords/sounds/415151/Cows: https://freesound.org/people/Nontu_Lwazi00/sounds/541920/Sheep: https://freesound.org/people/rent55/sounds/709921/Horse on dirt: https://freesound.org/people/Ornery/sounds/233345/Horse with cart: https://freesound.org/people/bruno.auzet/sounds/538438/Footsteps on cobblestone: https://freesound.org/people/SpliceSound/sounds/260120/Medieval city: https://freesound.org/people/OGsoundFX/sounds/423119/Church bells: https://freesound.org/people/Audeption/sounds/425172/Coins: https://freesound.org/people/husky70/sounds/161315/Blacksmith: https://freesound.org/people/Emmaproductions/sounds/254371/Music: https://ccmixter.org/files/asteria/2615Church coins: https://freesound.org/people/scripsi/sounds/335191/Gregorian chant: https://commons.wikimedia.org/wiki/File:Ecce.lignum.Crucis.oggCrowd gasping: https://freesound.org/people/craigsmith/sounds/480774/Baby crying: https://freesound.org/people/the_yura/sounds/211527/Breath: https://freesound.org/people/launemax/sounds/274769/Heartbeat: https://freesound.org/people/newlocknew/sounds/612642/Works Cited and ConsultedAhmed, Sara. The Cultural Politics of Emotion. Routledge, 2015.Arsuaga, Ana Echevarría. “The shrine as mediator: England, castile, and the pilgrimage to Compostela.” England and Iberia in the Middle Ages, 12th–15th Century, 2007, pp. 47–65, https://doi.org/10.1057/9780230603103_4.Arvay, Susan M. “Private passions: The contemplation of suffering in medieval affective devotions.” (2008).Bailey, Anne E. “Reconsidering the Medieval Experience at the Shrine in High Medieval England.” Journal of Medieval History, vol. 47, no. 2, Mar. 2021, pp. 203–29. DOI.org (Crossref), https://doi.org/10.1080/03044181.2021.1895874.Beckstead, Zachary. “On the way: Pilgrimage and liminal experiences.” Experience on the Edge: Theorizing Liminality, 2021, pp. 85–105, https://doi.org/10.1007/978-3-030-83171-4_5.Beebe, Kathryne. Reading Mental Pilgrimage in Context: The Imaginary Pilgrims and Real Travels of Felix Fabri's “Die Sionpilger.” West Virginia University Press, 2009.Benjamin, Walter. “The work of art in the age of mechanical reproduction.” Modern Art and Modernism: A Critical Anthology, 2018, pp. 217–220, https://doi.org/10.4324/9780429498909-39Cassidy-Welch, Megan. “Pilgrimage and embodiment: Captives and the cult of saints in late medieval bavaria.” Parergon, vol. 20, no. 2, 2003, pp. 47–70, https://doi.org/10.1353/pgn.2003.0101.Coleman, Simon, and John Elsner. “Tradition as play: Pilgrimage to ‘England's Nazareth.'” History and Anthropology, vol. 15, no. 3, 2004, pp. 273–288, https://doi.org/10.1080/0275720042000257430.Coleman, Simon, Ellen Badone, and Sharon R. Roseman. “Pilgrimage to ‘England's Nazareth': Landscapes of Myth and Memory at Walsingham.” Intersecting Journeys: The Anthropology of Pilgrimage and Tourism, University of Illinois Press, Urbana, IL, 2004, pp. 52–67.Coleman, Simon, and Marion Bowman. “Religion in Cathedrals: Pilgrimage, Heritage, Adjacency, and the Politics of Replication in Northern Europe.” Religion, vol. 49, no. 1, Jan. 2019, pp. 1–23. Taylor and Francis+NEJM, https://doi.org/10.1080/0048721X.2018.1515341.Coleman, Simon, and John Elsner. “Pilgrimage to Walsingham and the Re-Invention of the Middle Ages.” Pilgrimage Explored, edited by J. (Jennie) Stopford, York Medieval Press, 1999. WorldCat Discovery Service, https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=16637.Díaz-Vera, Javier E. “Exploring the relationship between emotions, language and space: Construals of awe in medieval English language and pilgrimage experience.” Studia Neophilologica, vol. 88, no. 2, 2015, pp. 165–189, https://doi.org/10.1080/00393274.2015.1093918.Foster, Elisa A. “As You Came from the Holy Land: Medieval Pilgrimage to Walsingham and Its Crusader Contexts.” Crusading and Ideas of the Holy Land in Medieval Britain, edited by Kathryn Hurlock and Laura J. Whatley, Brepols, Turnhout, Belgium, 2022, pp. 91– 114.Gertsman, Elina, and Marian Bleeke. “The Eve Fragment from Autun and the Emotionalism of Pilgrimage.” Crying in the Middle Ages: Tears of History, Routledge, New York, NY, 2013, pp. 23–41.Grazia Di Stefano, Laura. “How to be a time traveller: Exploring Venice with a fifteenth-century pilgrimage guide.” Making the Medieval Relevant, 2019, pp. 171–190, https://doi.org/10.1515/9783110546316-008.Gregg, Melissa, and Gregory J. Seigworth. The Affect Theory Reader. Duke University Press, 2010.Hill, Joyce. “Rome in Ripon: St Wilfrid's Inspiration and Legacy.” History, vol. 105, no. 367, 2020, pp. 603–25. Wiley Online Library, https://doi.org/10.1111/1468-229X.13027.Hill‐Smith, Connie. “Cyberpilgrimage: The (virtual) reality of online pilgrimage experience.” Religion Compass, vol. 5, no. 6, 2011, pp. 236–246, https://doi.org/10.1111/j.1749-8171.2011.00277.x.Hundley, Catherine. “Pilgrims in the Parish: A Method and Two Herefordshire Case Studies.” Peregrinations: Journal of Medieval Art and Architecture, vol. 8, no. 3, Oct. 2022, pp. 40–87.Hurlock, Kathryn. “Virtual Pilgrimage.” Medieval Welsh Pilgrimage, C1100-1500, Palgrave Macmillan, New York, NY, 2018, pp. 145–174.Jenkins, John. “Replication or Rivalry? The ‘Becketization' of Pilgrimage in English Cathedrals.” Religion, vol. 49, no. 1, Jan. 2019, pp. 24–47. DOI.org (Crossref), https://doi.org/10.1080/0048721X.2018.1515327.Kempe, Margery, and Anthony Paul Bale. The Book of Margery Kempe. Oxford University Press, 2015.Kuefler, Mathew. The Making and Unmaking of a Saint: Hagiography and Memory in the Cult of Gerald d'Aurillac. University of Pennsylvania Press, 2014.Langland, William, and Schmidt A. V. C. Piers Plowman: A New Translation of the B-Text. Oxford University Press, 2009.Nickell, S. A. The Limits of Embodiment: The Implication of Written and Artistic Portrayals of Mary at the Foot of the Cross for Late Medieval Affective Spirituality, Graduate Theological Union, United States -- California, 2011. ProQuest, https://lib-ezproxy.concordia.ca/login?qurl=https%3A%2F%2Fwww.proquest.com%2Fdissertations-theses%2Flimits-embodiment-implication-written-artistic%2Fdocview%2F875240824%2Fse-2%3Faccountid%3D10246.Ousterhout, Robert. “‘Sweetly Refreshed in Imagination': Remembering Jerusalem in Words and Images.” Gesta, vol. 48, no. 2, Jan. 2009, pp. 153–68. www-journals-uchicago-edu.lib-ezproxy.concordia.ca (Atypon), https://doi.org/10.2307/29764905.Powell, Hilary. “Saints, Pilgrimage and Landscape in Early Medieval Kent, c. 800-1220.” Early Medieval Kent, 800-1220, Boydell Press, 2016, pp. 133–53.Sinnett-Smith, Jane. “Ætheldreda in the North: Tracing Northern Networks in the Liber Eliensis and the Vie de Seinte Audree.” Late Medieval Devotion to Saints from the North of England: New Directions, edited by Christiania Whitehead et al., Brepols, Turnhout, Belgium, 2022, pp. 285–303.Wynn, Mark. “God, pilgrimage, and acknowledgement of Place.” Religious Studies, vol. 43, no. 2, 2007, pp. 145–163, https://doi.org/10.1017/s0034412506008778.

What do philanthropist Jane Stanford, author Sir Arthur Conan Doyle, and First Lady Mary Todd Lincoln have in common? They all conducted séances. Spiritualism was popular in the Gilded Age, and Lily Dale, NY is the epicenter of the movement. From the voices that gave you Dig: A History Podcast comes Spiritualism's Place: Reformers, Seekers, and Seances in Lily Dale. One of the authors - Dr. Elizabeth Garner Masarik - joins the show to discuss their new book.Essential Reading:Averill Earls, Sarah Handley-Cousins, Marissa Rhodes, and Elizabeth Garner Masarik, Spiritualism's Place: Reformers, Seekers, and Seances in Lily Dale (2024).Recommended Reading:Robert S. Cox, Body and Soul: A Sympathetic History of American Spiritualism (2003).Molly McGarry, Ghosts of Futures Past: Spiritualism and the Cultural Politics of Nineteenth-Century America (2008).Bret E. Carroll, Spiritualism in Antebellum America (1997).Cathy Gutierrez, Plato's Ghost: Spiritualism in the American Renaissance (2009). Hosted on Acast. See acast.com/privacy for more information.

Guest: Erin Hutchinson on her award-winning article, “Gathering the Nation in the Village: Intellectuals and the Cultural Politics of Nationality in the Late Soviet Period” in the January 2023 issue of the Russian Review. The post Soviet DIY Folk Museums appeared first on The Eurasian Knot.

Why do so many of us opt to go under the knife to change our appearance? Cosmetic surgery is having a boom, with injections as well as scalpels and offering cheaper and barely-regulated treatments. It can be dangerous as well as pricey, and often ineffective, so why do it? Is it down to a distorted perception of beauty, conditioned by social media and reality TV? Does it need more regulation, as well as a push to ease social pressures? Phil and Roger ask Ruth Holliday, Professor of Gender and Culture at Leeds University, and co-author of the book "Kitsch! Cultural Politics and Taste" Hosted on Acast. See acast.com/privacy for more information.

Stephanie Brown delves into the dangerous world of women laughing in this conversation with Maggie Hennefeld about her new book Death By Laughter: Female Hysteria and Early Cinema. Covering everything from 19th-century obituaries blaming giggle fits (rather than girdle fits) for women's deaths to the modern-day political power of a vice presidential cackle, we're certain this episode will entertain you … just short of killing you.

Eric Kaufmann is Professor of Politics at The University of Buckingham and Director of the Centre for Heterodox Social Science. He directs Buckingham's new MA in the Politics of Cultural Conflict and PhD in Cultural Politics as well as its open online course on Woke: the Origins, Dynamics and Implications of an Elite Ideology. He is the author of Taboo: How Making Race Sacred Produced a Cultural Revolution (Forum Press/Bombardier Books May 2024), Whiteshift: Immigration, Populism and the Future of White Majorities (Penguin 2018/ Abrams 2019), Shall the Religious Inherit the Earth (Profile Books 2010), The Rise and Fall of Anglo-America (Harvard 2004), and The Orange Order (Oxford, 2007) He is co-editor, among others, of Political Demography (Oxford 2012) and editor of Rethinking Ethnicity: Majority Groups and Dominant Minorities (Routledge 2004). In addition to 45 peer-reviewed articles, he has written for the New York Times, Wall Street Journal, Times of London, Newsweek, National Review, New Statesman, Financial Times, Unherd and other outlets. He is affiliated with the Manhattan Institute, Policy Exchange, the Center for the Study of Partisanship and Ideology, the Macdonald-Laurier Institute and the University of Austin. He can be found on X @epkaufm There is a supplementary document to go with this interview here https://paulawright.substack.com/p/vane-tempest-podcast-interview-with    -------------------------------------- Email the show with your thoughts, suggestions, guest ideas, or interview requests: thevanetempest@gmail.com or, DM our Exec-Producer Greg on Twitter (@GregZesq) IMPORTANT LINKS: VTPod on YouTube VTPod on Apple & Spotify Paula's Substack Paula's Twitter/X Paula's Instagram Paula's Academic Writings  

Bright on Buddhism - Episode 94 - How ought we understand sex in Buddhism? What is the meaning and significance of the doctrine prohibiting sexual indiscretion? How have understandings of this doctrine changed over time? Resources: Lang, Karen C. (June 2015). Mittal, Sushil (ed.). "When the Vindhya Mountains Float in the Ocean: Some Remarks on the Lust and Gluttony of Ascetics and Buddhist Monks". International Journal of Hindu Studies. 19 (1/2). Boston: Springer Verlag: 171–192. doi:10.1007/s11407-015-9176-z. eISSN 1574-9282. ISSN 1022-4556. JSTOR 24631797. S2CID 145662113.; Langenberg, Amy Paris (April 2018). "Buddhism and Sexuality". In Cozort, Daniel; Shields, James Mark (eds.). The Oxford Handbook of Buddhist Ethics. Oxford: Oxford University Press. doi:10.1093/oxfordhb/9780198746140.013.22. ISBN 9780198746140.; Langenberg, Amy Paris (September 2015). Denison, Brandi (ed.). "Sex and Sexuality in Buddhism: A Tetralemma". Religion Compass. 9 (9). New York: John Wiley & Sons: 277–286. doi:10.1111/rec3.12162. eISSN 1749-8171.; Powers, John (26 April 2021). "The Body of the Buddha: The Buddha's Sex Life". Oxford Research Encyclopedia of Religion. Oxford: Oxford University Press. doi:10.1093/acrefore/9780199340378.013.745. ISBN 9780199340378. Archived from the original on 16 May 2021. Retrieved 16 May 2021.; Porath, Or (January 2015). Porcu, Elisabetta (ed.). "The Cosmology of Male-Male Love in Medieval Japan: Nyakudō no kanjinchō and the Way of Youths". Journal of Religion in Japan. 4 (2–3). Leiden: Brill Publishers: 241–271. doi:10.1163/22118349-00402007. eISSN 2211-8349. ISSN 2211-8330.; Smith, Sharon E.; Munt, Sally R.; Kam-Tuck Yip, Andrew (2016). "Thinking Through the Cultural Politics of Race, Sexuality, and Gender in Western Buddhism". In Smith, Sharon E.; Munt, Sally R.; Kam-Tuck Yip, Andrew (eds.). Cosmopolitan Dharma: Race, Sexuality, and Gender in British Buddhism. Numen Book Series. Vol. 152. Leiden: Brill Publishers. pp. 1–48. doi:10.1163/9789004232808_002. ISBN 978-90-04-23279-2. ISSN 0169-8834; https://studybuddhism.com/en/tibetan-buddhism/path-to-enlightenment/karma-rebirth/buddhist-sexual-ethics-main-issues; https://studybuddhism.com/en/tibetan-buddhism/path-to-enlightenment/karma-rebirth/buddhist-western-views-on-sex; https://info-buddhism.com/Buddhism-Sexuality-Cabezon.html Do you have a question about Buddhism that you'd like us to discuss? Let us know by tweeting to us @BrightBuddhism, emailing us at Bright.On.Buddhism@gmail.com, or joining us on our discord server, Hidden Sangha ⁠⁠⁠⁠⁠https://discord.gg/tEwcVpu⁠⁠⁠⁠⁠! Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host

In this episode Scott talks with authors David Shields and Josh Rosenblatt about the cultural politics of the WNBA. Much has been made of the coverage of two of the WNBA's prominent stars: Caitlin Clark and Angel Reese. What are the racial and political implications of the coverage of these two athletes? What do they tell us about wider American culture as a whole in a tense election season? Special Guests: David Shields and Josh Rosenblatt.

Puerto Rico has had a huge impact on the world's music scene, in comparison to its size. And on this week's episode, host Aislyn Greene travels to the island to find out why. She explores bomba and plena, two of the earliest forms of music that emerged from Puerto Rico's African ancestors. Discovers jibaro music, or “hillbilly” music, though this style of music is incredibly complex and improvisational. Found the source of danza music, watched salsa musicians urge people to their feet, and met with reggaetón artists. And though we couldn't possibly capture all of the complexities of the island's music in one episode, we hope it does reveal what she found: a place that is singularly committed to art and music. As one of her guides, Nory, put it: “We are artisans, we are painters, we are all musicians. That's actually the identity of a Puerto Rican.” Meet this week's guests Margarita “Tata” Cepeda, owner of Puerto Rico Is Bomba, a dance and music school Maribel Martinez, guide at House of the Troubadour Luis Miranda “Pico de Oro” Melina Aguillar, owner of Isla Caribe Tours Norymar Maldonado, Isla Caribe tour guide Angelina Villapiano Luna, musician, dancer, and salsa teacher Petra Rivera Rideau, author of Remixing Reggaetón: The Cultural Politics of Race in Puerto Rico RaiNao, urbano musician  Herson Guerrero, professor, photographer, and musician  Resources Read the full transcript of the episode.  Listen to the playlist. Read Petra's Bad Bunny Syllabus Listen to the La Brega podcast. Explore club 58 at La Concha resort. Follow the podcast to ensure you don't miss an episode.  Subscribe to Afar's YouTube channel for a full video of the conversation.

This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.” Works discussed include Richard Wright's Native Son and music by Huddie Ledbetter (Lead Belly), Fishbone, and Lena Horne. Additional music by Graeme Gibson and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.” Works discussed include Richard Wright's Native Son and music by Huddie Ledbetter (Lead Belly), Fishbone, and Lena Horne. Additional music by Graeme Gibson and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.” Works discussed include Richard Wright's Native Son and music by Huddie Ledbetter (Lead Belly), Fishbone, and Lena Horne. Additional music by Graeme Gibson and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.” Works discussed include Richard Wright's Native Son and music by Huddie Ledbetter (Lead Belly), Fishbone, and Lena Horne. Additional music by Graeme Gibson and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.” Works discussed include Richard Wright's Native Son and music by Huddie Ledbetter (Lead Belly), Fishbone, and Lena Horne. Additional music by Graeme Gibson and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.” Works discussed include Richard Wright's Native Son and music by Huddie Ledbetter (Lead Belly), Fishbone, and Lena Horne. Additional music by Graeme Gibson and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.” Works discussed include Richard Wright's Native Son and music by Huddie Ledbetter (Lead Belly), Fishbone, and Lena Horne. Additional music by Graeme Gibson and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.” Works discussed include Richard Wright's Native Son and music by Huddie Ledbetter (Lead Belly), Fishbone, and Lena Horne. Additional music by Graeme Gibson and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Join the dialogue - text your questions, insights, and feedback to The Dignity Lab podcast.In this episode, Dr. Jennifer Griggs and producer Vanessa Aron explore the ways we respond when our dignity is violated and how we can reclaim it. They discuss the physical, emotional, and behavioral reactions to dignity violations, emphasizing the importance of recognizing and naming these responses. Jennifer introduces the concepts of Mouse, Monster, and Island to describe different coping mechanisms.Vanessa and Jennifer reflect on their own experiences and stress the significance of compassionate companionship in overcoming shame and isolation. They also highlight the role of resistance in both small daily actions and larger acts of standing up for oneself and others.The conversation touches on restorative practices and the importance of transforming grievance stories into empowering narratives. Jennifer and Vanessa discuss the power of joy, wonder, and gratitude in the healing process, setting the stage for deeper explorations into advocacy, accountability, and reclamation of dignity in the upcoming season.Episode ResourcesForgive for Good by Dr. Fred LuskinYearning: Race, Gender and Cultural Politics by Bell HooksDignity by Donna HicksTakeaways:Understanding the physical and emotional responses to dignity violations.Recognizing and naming emotions to facilitate healing.The role of compassionate companionship in overcoming shame.The importance of resisting negative reactions and fostering positive change.Transforming grievance stories into empowering narratives.The significance of joy, wonder, and gratitude in reclaiming dignity.Exploring what it means to live and lead with dignity at work, in our families, in our communities, and in the world. What is dignity? How can we honor the dignity of others? And how can we repair and reclaim our dignity after harm? Tune in to hear stories about violations of dignity and ways in which we heal, forgive, and make choices about how we show up in a chaotic and fractured world. Hosted by physician and coach Jennifer Griggs.For more information on the podcast, please visit www.thedignitylab.com.For more information on podcast host Dr. Jennifer Griggs, please visit https://jennifergriggs.com/.For additional free resources, including the periodic table of dignity elements, please visit https://jennifergriggs.com/resources/.The Dignity Lab is an affiliate of Bookshop.org and will receive 10% of the purchase price when you click through and make a purchase. This supports our production and hosting costs. Bookshop.org doesn't earn money off bookstore sales, all profits go to independent bookstores. We encourage our listeners to purchase books through Bookshop.org for this reason.

Video version at: https://youtu.be/I_kDph02QcI?si=Z2jXDMPwrm3XQi0h. Stephen Wittek speaks at Aoyama Gakuin University, Tokyo, on his book, 'The Cultural Politics of Conversion in Early Modern England' on Tuesday, June 6th, 2023. Wittek's work lies at the intersection between early modern drama, cultural studies, and digital humanities. His most recent book is a close examination of Shakespeare's engagement with the flurry of controversy and activity surrounding the concept of conversion in post-Reformation England. He is also the author of 'The MediaPlayers: Shakespeare, Middleton, Jonson, and the Idea of News' and co-editor of two collections: 'Performing Conversion: Cities, Theatre and Early Modern Transformations' and 'Shakespeare and Virtual Reality'.

How can culture be authentic in the modern world? In The Poet's Song: Folk and its Cultural Politics in South Asia (Rouitledge, 2023), Dr Priyanka Basu, a Lecturer in Performing Arts at Kings College London, explores the history and practice of the folk performance Kobigaan. The book draws on rich archival and historical analysis, as well as fieldwork in West Bengal and Bangladesh, to tell the story of how Kobigaan has evolved over time, how it has been preserved, how it has changed media and changed practice, and how the struggles over to whom Kobigaan belongs play out today. A fascinating and engaging text, the book will be of interest to scholars across the humanities, as well as for anyone interested in arts and culture! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How can culture be authentic in the modern world? In The Poet's Song: Folk and its Cultural Politics in South Asia (Rouitledge, 2023), Dr Priyanka Basu, a Lecturer in Performing Arts at Kings College London, explores the history and practice of the folk performance Kobigaan. The book draws on rich archival and historical analysis, as well as fieldwork in West Bengal and Bangladesh, to tell the story of how Kobigaan has evolved over time, how it has been preserved, how it has changed media and changed practice, and how the struggles over to whom Kobigaan belongs play out today. A fascinating and engaging text, the book will be of interest to scholars across the humanities, as well as for anyone interested in arts and culture! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How can culture be authentic in the modern world? In The Poet's Song: Folk and its Cultural Politics in South Asia (Rouitledge, 2023), Dr Priyanka Basu, a Lecturer in Performing Arts at Kings College London, explores the history and practice of the folk performance Kobigaan. The book draws on rich archival and historical analysis, as well as fieldwork in West Bengal and Bangladesh, to tell the story of how Kobigaan has evolved over time, how it has been preserved, how it has changed media and changed practice, and how the struggles over to whom Kobigaan belongs play out today. A fascinating and engaging text, the book will be of interest to scholars across the humanities, as well as for anyone interested in arts and culture! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

How can culture be authentic in the modern world? In The Poet's Song: Folk and its Cultural Politics in South Asia (Rouitledge, 2023), Dr Priyanka Basu, a Lecturer in Performing Arts at Kings College London, explores the history and practice of the folk performance Kobigaan. The book draws on rich archival and historical analysis, as well as fieldwork in West Bengal and Bangladesh, to tell the story of how Kobigaan has evolved over time, how it has been preserved, how it has changed media and changed practice, and how the struggles over to whom Kobigaan belongs play out today. A fascinating and engaging text, the book will be of interest to scholars across the humanities, as well as for anyone interested in arts and culture! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

How can culture be authentic in the modern world? In The Poet's Song: Folk and its Cultural Politics in South Asia (Rouitledge, 2023), Dr Priyanka Basu, a Lecturer in Performing Arts at Kings College London, explores the history and practice of the folk performance Kobigaan. The book draws on rich archival and historical analysis, as well as fieldwork in West Bengal and Bangladesh, to tell the story of how Kobigaan has evolved over time, how it has been preserved, how it has changed media and changed practice, and how the struggles over to whom Kobigaan belongs play out today. A fascinating and engaging text, the book will be of interest to scholars across the humanities, as well as for anyone interested in arts and culture! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

How can culture be authentic in the modern world? In The Poet's Song: Folk and its Cultural Politics in South Asia (Rouitledge, 2023), Dr Priyanka Basu, a Lecturer in Performing Arts at Kings College London, explores the history and practice of the folk performance Kobigaan. The book draws on rich archival and historical analysis, as well as fieldwork in West Bengal and Bangladesh, to tell the story of how Kobigaan has evolved over time, how it has been preserved, how it has changed media and changed practice, and how the struggles over to whom Kobigaan belongs play out today. A fascinating and engaging text, the book will be of interest to scholars across the humanities, as well as for anyone interested in arts and culture! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Catalina Muñoz, autora de A Fervent Crusade for the National Soul: Cultural Politics in Colombia, 1930–1946 (Social Movements in the Americas), responde a preguntas sobre las estrategias y políticas culturales relacionadas con la reinvención de identidades nacionales promovidas por el gobierno de Colombia entre 1930 y 1946. En esta conversación, Catalina nos habla sobre su interés en estudiar la implementación de políticas culturales, y cómo estas configuraron nociones de ciudadanía incluyentes y excluyentes que se pueden rastrear hasta el presente. Catalina es doctora en Historia de la Universidad de Pensilvania y actualmente se desempeña como profesora asociada en el Departamento de Historia de la Universidad de los Andes. Sus intereses se centran en el estudio de los usos públicos de la historia, particularmente para la construcción de paz en Colombia. Entrevista por Beatriz Rodriguez-Satizabal, profesora de la Universidad del Pacífico (Perú). Learn more about your ad choices. Visit megaphone.fm/adchoices

Nov 2023, Prime ads expected to “reach 115M viewers per month.” Aral Balkan (Small Tech Foundation): “We didn't lose control. It was stolen.” Isabel Wilkerson's Caste (2020) is now a film. Marjorie Kelly: Wealth Supremacy: How the Extractive Economy and Biased Rules of Capitalism Drive Today's Crises. Marjorie with Laura Flanders (Dec 2023). Toni Morrison's “A Humanist View”, The Source of Self-Regard (Knopf, 2019). Transcript and audio. Prof. Jeffrey Sachs at the United Nations Food Systems Pre-Summit, 2021. The wealth of one billionaire compared to average US household income ($65K). Techcrunch (June 2023): US intel confirms it purchases US citizens' personal data. Prof. Shoshana Zuboff (Harvard Business School) defines surveillance capitalism. Wangari Maathai describes the Green Belt Movement in her 2004 Nobel Lecture. How emotions shape our identities, cultures, and societies: “The Cultural Politics of Emotion” (Sara Ahmed). “The Body Keeps The Score” (Bessel van der Kolk) educates on the impact of emotional pain and trauma on our physical bodies. “Whitey On The Moon”: Gil Scott-Heron on The Revolution Begins.

References:Daedalus Controllerism - https://www.youtube.com/watch?v=spa4emMwhOMLiveness: Performance in a Mediatized Culture by Philip Auslander - https://www.routledge.com/Liveness-Performance-in-a-Mediatized-Culture/Auslander/p/book/9780367468170Playing with Something that Runs by Mark J. Butler - https://global.oup.com/academic/product/playing-with-something-that-runs-9780195393620Push: Software Design and the Cultural Politics of Music Production by Mike D'Errico - https://global.oup.com/ushe/product/push-9780190943318?cc=gb&lang=enMusic Used:Space Town - What Happened to Chiptune ThemeThe Attic Bits - Command Line Fail

In episode 1556, Jack and Miles are joined by writer, speaker, social justice educator, and co-host of BFF: Black, Fat, Femme, Dr. Jon Paul Higgins, to discuss… Speaking of Trump And The UAW, GOP FIGURED OUT HOW TO STAND WITH WORKERS!!! AAAAHGGGGHGHHH, Oh Yeah There Was a GOP Debate... It Was A Sh*tshow! D.A.R.E. Is Somehow Still A Thing and more! Donald Trump Campaign Offered Actors $50 to Cheer for Him at Presidential Announcement Did Donald Trump pay actors to attend Michigan rally? Sign holder makes confession GOP FIGURED OUT HOW TO STAND WITH WORKERS!!! AAAAHGGGGHGHHH Republicans Suddenly Desperate to Seem Pro-Union D.A.R.E. Is Somehow Still A Thing Sheriff: Kenosha County D.A.R.E.-based program to warn high school students of fentanyl threat in Kenosha County Roanoke City Sheriff's Office sergeant talks importance of D.A.R.E. program A brief history of DARE, the anti-drug program Jeff Sessions wants to revive The DARE Program Is Back in Some School Districts — Here's What to Know Drug Prevention Placebo: How DARE wastes time, money, and police DARE to Say No: Police and the Cultural Politics of Prevention in the War on Drugs Flashy Cars Taken From Drug Dealers Go To D.A.R.E. Officers DARE Marks a Decade of Growth and Controversy : Youth: Despite critics, anti-drug program expands nationally. But some see declining support in LAPD. Why the D.A.R.E. Program Failed LISTEN: Kimumbu by Akofa AkoussahSee omnystudio.com/listener for privacy information.

Hosts Katie Walsh and Blake Howard join the Katherine and Frank Price Endowed Chair for Study of Race and Popular Culture at the University of Southern California's School of Cinematic Arts - Dr Todd Boyd - to talk through the entanglement of SCARFACE and the MIAMI VICE TV Series, the way fans embraced and anointed them into the cultural canon, and so much more.Join our Patreon for as little as $1 a month for an exclusive weekly podcast + access to the OHM discord here.ABOUT DR TODD BOYD Ph. DKatherine and Frank Price Endowed Chair for Study of Race and Popular Culture at the University of Southern California's School of Cinematic Arts. Research areas: African American Cinema, New Hollywood, Hip Hop Culture, Cultural Politics, Sports MediaTWITTER: @DrToddBoydONE HEAT MINUTE PRODUCTIONSWEBSITE: ONEHEATMINUTE.COMPATREON:ONE HEAT MINUTE PRODUCTIONS PATREONTWITTER: @ONEBLAKEMINUTE & @KATIEWALSHSTX & @OHMPODSSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy