Podcast appearances and mentions of genevieve lacey

"Key Change" 与网络电台 百会 baihui.live 的月度联动。每个自然月第一个星期二，Key Change 伴你正午脑海逃亡。 本期节目将为您带来的作品包括：Poul Høxbro 用竖笛演绎中世纪的德国女性作曲家希德嘉·冯·宾根的合唱作品，比利时电子音乐人 Lieven Martens 化名 Dolphins Into the Future 的田野录音，德国另类爵士组合 Melt Trio, 英国老牌实验音乐团体 Coil, 以及 Laura Misch, Lucrecia Dalt, Ana Roxanne 等一组女性音乐人的作品。 本期节目首发于2023年2月7日，原链接在这里。 曲目单： (00:00) Genevieve Lacey & Poul Høxbro - O viridissima virga (04:08) Laura Misch - Lagoon (08:09) Dolphins Into The Future - Sweeten The Mango (12:48) Lucrecia Dalt - Contenida (17:16) Coil - The Dreamer Is Still Asleep (26:53) Melt Trio - Moon with Planet (31:25) Lichen Slow - Hobbies (36:15) 이랑 - I Want to Sleep Willfully (41:32) Black Brunswicker - House of the High Sun (45:29) Julia Holter - Arriving In The City (46:14) Ana Roxanne - A Study in Vastness (52:42) Midori Hirano - Mizuko Jizo (54:45) Brambles - Such Owls As You Key Change x Baihui 往期节目播单 → 私信/合作联络： 微博/网易云/小宇宙/汽水儿 @线性方舟 → 《周末变奏》WX听友群敲门群主：aharddaysnight

Solénoïde (26.12.2022) - Nouveau focus sur la création musicale au féminin ! Pour l'occasion, nous avons convoqué baroudeuses, magiciennes et autres poétesses du son. En d'autres termes, cette émission est le prétexte idéal pour mettre en lumière une palette d'artistes exigeantes : des musiciennes téméraires et singulièrement libres !

Welcome to episode 2 of our music mini-series on the Dumbo Feather podcast, where we're sharing readings, conversations and most importantly music to celebrate our latest issue of Dumbo Feather magazine. In this episode, we're bringing you a reading by Melbourne-based recorder virtuoso Genevieve Lacey. Genevieve creates poetic, sensual worlds in a variety of contexts – from the stage to the garden to the radio. During the ups and downs of 2020, Genevieve created the album Bower. In the following reading she shares what that experience was like for her and others within the arts community here in Australia. Genevieve has generously shared some of the music from Bower to accompany her reading, which has been magnificently producer by sound engineer Jim Atkin. The order of music is as follows: Lou Bennett Baiyan Woka arr Erkki Veltheim Erkki Veltheim Nocturne over blue ruins Johann Jakob Froberger Lamentation faite sur la mort très douloureuse de Sa Majesté Impériale, Ferdinand III Andrea Keller I Surrender Madeleine Flynn and Tim Humphrey A Mutual Support for Precarious Times Bree van Reyk threaded in amongst the infinite threading

A cura di Fabio Barbieri. Musiche: Vijay Iyer, Linda May Han Oh, Tyshawn Sorey, Joni Mitchell, Genevieve Lacey, Flinders Quartet, Ludwig van Beethoven, Fiona Apple, Keith Jarrett, Now Ensemble, Daniel O'Sullivan, Sarah Neutkens, Nederlands Saxofoon Octet, David Keenan, Arild Andersen, Tommy Smith, Paolo Vinaccia".

A cura di Fabio Barbieri. Musiche: Vijay Iyer, Linda May Han Oh, Tyshawn Sorey, Joni Mitchell, Genevieve Lacey, Flinders Quartet, Ludwig van Beethoven, Fiona Apple, Keith Jarrett, Now Ensemble, Daniel O'Sullivan, Sarah Neutkens, Nederlands Saxofoon Octet, David Keenan, Arild Andersen, Tommy Smith, Paolo Vinaccia".

In this episode of the Chamber of Musical Curiosities, Artistic Director Paul Kildea talks with the Australian artist Genevieve Lacey. As he eloquently notes in the introduction, to simply refer to Genevieve as ‘a recorder player, is missing the point', as she has forged a rich career, with credits as a performer, composer, and curator. In this conversation, Genevieve reflects upon the emergence of her artistic practise, talks about how ‘a life in art is one of constant evolution', and reflects on the genesis, and importance of Musica Viva's Future Makers program. She doesn't leave without revealing tantalising information about the new collaboration she's developed with her friend and colleague, the harpist Marshall McGuire, which they'll be touring for Musica Viva in 2021.

Alexandra Wood talks to recorder virtuoso Genevieve Lacey in the sixth of our 'Lockdown chats'. They chat about our 'Absolute Bird' collaboration in 2019, all things recorder, the process of commissioning new compositions and the importance of arts and culture during lockdown and beyond. Image: Genevieve Lacey by Heide Smith. Credit excerpts: 'The Lark Ascending' (Vaughan Williams), performed by Alexandra Wood in 'Comfortable Classical at Home' episode three on Facebook.

On Friday 3 May 2019, international recorder virtuoso Genevieve Lacey performs with City of London Sinfonia in ‘Absolute Bird: Sounds of the Outback’ at Southbank Centre’s Queen Elizabeth Hall. Here’s what she had to say ahead of our performance. #AbsoluteBird: bit.ly/absolutebird

One Infinity, featuring a live score by Genevieve Lacey and the Jun Tian Fang Music Ensemble, brings together dancers from Dancenorth and the Beijing Dance Theatre, author Stuart Kells outlines the hunt for the Bard of Avon's personal collection and why it matters in Shakespeare's Library: Unlocking the Greatest Mystery in Literature, and a vocal impressionist, a surrealist drag artist and a lonely soul singer welcome us to Fringe World 2019.

Could music one day be something we experience through augmented reality, responding to the way we move through the world? Sound supplemented with colours and shapes? Mavis Wong/The Conversation NY-BD-CC, CC BY-SAYou probably heard your first strains of music when you were in utero. From then on it’s helped you learn, helped you relax, hyped you up, helped you work, helped you exercise, helped you celebrate and helped you grieve. Music is ingrained in so many aspect of our lives, but it’s also the subject of a significant body of academic work. Today’s episode of Trust Me, I’m An Expert is all about research on music. We’ll be hearing from Dr Ben Swift, a digital artist and computer science lecturer from the Australian National University on how technology is changing the way we interact with music. Could it one day be something we experience through augmented reality, responding to the way we move through the world? Sound supplemented with colours and shapes? And Conversation intern Juliana Yu spoke with Dr Clint Bracknell, a researcher at the Sydney Conservatorium of Music about how he’s investigating the power of song to help address the national and global crisis of Indigenous language-loss. He’s working on this research with Wirlomin Noongar Language and Stories Inc. And we’ll hear from researcher Dr Hollis Taylor, most recently at Macquarie University, who has been studying, recording, and transcribing pied butcherbird song for 12 years. Taylor produces what she calls “re(compositions)” – musical arrangements that mimic and complement pied butcherbird song. Trust Me I’m An Expert is a podcast from The Conversation, where we bring you stories, ideas and insights from the world of academic research. Special thanks today to Shelley Hepworth and Juliana Yu, as well as academics Hollis Taylor, Ben Swift and Clint Bracknell. You can download previous episodes of Trust Me here. And please do check out other podcasts from The Conversation – including The Conversation US’ Heat and Light, about 1968 in the US, and The Anthill from The Conversation UK, as well as Media Files, a brand new podcast all about the media. You can find all our podcasts over here. Additional audio Kindergarten by Unkle Ho, from Elefant Traks Svefn-g-englar by Sigur Ros Green Lake, Victoria for soprano recorder and field recording by Hollis Taylor, Genevieve Lacey, recorder Owen Springs Reserve 2014 for vibraphone and field recording by Hollis Taylor/Jon Rose, Claire Edwardes, vibraphone Field recordings by Hollis Taylor 2 Adagio (Fantasia in C minor K 475 by W. A. Mozart) by NoLogic, from Free Music Archive Procession by The Marian Circle Drum Brigade, from Free Music Archive Svela Tal by Blue Dot Sessions, from Free Music Archive Critters creeping Lee Rosevere Shimmering Still Water – Free Sound Archive Asmodeus Redux by Ben Swift Elder Brother by Ben Swift The Illiac Suite by Hiller and Isaacson Wirlomin members practicing old Noongar songs with the guidance of Henry Dabb, Gaye Roberts and the Wirlomin Elders Reference Group

We hear about Monkey Baa's adaptation of Jackie French's Josephine Wants to Dance, Hugo Weaving and Kip Williams give us the lowdown on the STC production of Brecht's The Resistible Rise of Arturo Ui, we hear a live performance of Genevieve Lacey's new work Nest, and we meet US comedian Joel Kim Booster.

Sascha talks to recorder virtuoso Genevieve Lacey ahead of her performances with Melbourne Chamber Orchestra.