Podcast appearances and mentions of Vivien Goldman

Episodio 6.29 de Las Cosas Que Hay Que Escuchar, en el cual estornudamos las primeras alergias mientras escuchamos la música de Carolina Durante, Cub, Sasami, Death Valley Girls, 16 Horsepower, Gaby Moreno, Alaitz eta Maider, Comida China, Celeste Carballo, Jorgelina Aranda, Vivien Goldman, Crash Test Dummies, Cult With No Name y Sapho Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio Programa emitido originalmente el 15 de septiembre de 2024 por FM La Tribu, 88.7, Buenos Aires, Argentina. Repite el 16 de septiembre de 2024 en Radio Asamblea FM 94.1, CABA, y el 17 y 21 de septiembre en Radio de la Calle, FM 87.9, Bahía Blanca

Discussões sobre surfe olímpico são um chute nas partes íntimas, no Boia dessa semana calçamos uma bota bico fino para tratar do assunto. Bem que o João Valente tentou, mas a conexão caía mais que o Neymar, então Bruno Bocayuva e Júlio Adler cuidaram sozinhos do tema. Não poderia faltar os parabéns pro Ian Gouveia pelo seu enorme retorno ao CT, nem a celebração mexicana no US Open. Nas carrapetas, Krs-One Pelo Sublime do sagrado ano de 1992, (Sittin' On) The Dock of the Bay pelo fenomenal Otis Redding de 1968 (gravada em 67!) e Vivien Goldman, com Private Armies de 1981. Menu completo.

In Evelyn McDonnell's The World According to Joan Didion, readers will find an intimate exploration of the life, craft, and legacy of the revered and influential writer Joan Didion. As a groundbreaking journalist, essayist, novelist, and screenwriter, Didion was a writer's writer—a keen observer of life's telling little details. Her insights continue to influence creatives and admirers, encouraging a close observation of the world by unsentimental critics and meticulous stylists. McDonnell is an acclaimed journalist, essayist, and critic herself. A native Californian, feminist, and university professor, she regularly teaches Didion's work and thus is well able to interpret her legacy for readers today. Inspired by Didion's own words—from both published and unpublished works—and informed by the people who knew Didion and whose lives she helped shape, The World According to Joan Didion traces the path she carved from Sacramento, Portuguese Bend, Los Angeles, and Malibu to Manhattan, Miami, and Hawaii. McDonnell reveals the world as seen through Didion's eyes and explores her work in chapters keyed to the singular physical motifs of her writing: Snake. Typewriter. Hotel. Notebook. Girl. Etc. Hat & Beard editor and fellow traveler Vivien Goldman introduced me to McDonnell's work a decade ago. Being a big Didion head myself, I couldn't wait to talk to McDonnell about this smart, elegant, and undeniably readable biography—the first published since Joan's death in December of 2021.

Em sua pesquisa de mestrado na Escola de Artes, Ciências e Humanidades (EACH) da USP, orientada pelo professor Ricardo Santhiago Corrêa, a jornalista Márcia Scapatício discute as imbricações de gênero no Jornalismo Musical, pela perspectiva de uma garota que sempre respirou música mas nunca conseguiu acessar esta área de especialização, ambiente ainda extremamente masculino. “Isso alimenta a indústria da música, o mercado, as artistas e tem um desdobramento, um ‘eco' no jornalismo musical”. Nesta edição do USP Especiais #91, Márcia conta sobre um projeto a que deu início mas não chegou a ser publicado em lugar algum: os caras da loja de disco Laser Express, em Piracicaba, composta fundamentalmente por homens que, com sua influência para além das indicações de discos, regiam a agenda cultural e a cena musical da cidade.  A pesquisadora fala sobre a proximidade entre artistas e jornalistas. Ela tem como referência a trajetória da cantora britânica Poly Styrene - primeira vocalista negra a ganhar relevância na cena do punk rock inglês dos anos 1970. E sobre o sexismo na música, Márcia entrevistou a jornalista inglesa Vivien Goldman, uma das cronistas mais importantes sobre o punk e o reggae, biógrafa de Bob Marley e conhecida como “professora de punk” da New York University. Goldman desabafou que a indústria musical de sua época era uma área de garotos, em que os homens do pedaço acreditavam que as mulheres não consumiam música.   “Os caras que eu lia aos 15 anos, e agora eu tenho 41, são os mesmos. Se eu pegar entrevistando uma banda joia, vai ser aquele cara. Eu vejo isto como uma estrutura social que não permite que mulheres alcancem todos os lugares, ou que, se alcancem, sejam somente algumas mulheres”, lembra Márcia. Créditos do programa Produção e roteiro: Tabita Said Direção e montagem: Gustavo Xavier Captação: Cid Roberto e Mariana Franco Créditos musicais Waiting Room / Composição: Ian MacKaye / Interpretação: Fugazi O Que Eu Vou Ser Quando Crescer? / Composição: Mao / Interpretação: Garotos Podres A Noite Vai Chegar / Composição: Paulinho Camargo / Interpretação: Lady Zu Loneliness / Composição: Alexandra, Zé Antonio, Flávio e Eliane/ Interpretação: Pin Ups Deusa Sombria/ Composição: Chico Lobo/ Interpretação: Perfume Azul do Sol Na Hora Do Almoço / Composição: Belchior / Interpretação: As Baias Crash / Composição: Rodrigo Ogi / Interpretação: Juçara Marçal Humanos / Composição: Supla, Bid e Andrés / Interpretação: Tokyo Som ambiente Correndo sem Parar / Composição: Karl Hummel e Marcelo Nova / Interpretação: Camisa de Vênus Status / Composição: Lee Marcucci, Luiz Sérgio Carlini e Rita Lee / Interpretação: Rita Lee & Tutti Frutti Kitsch / Composição: Marian Elliott, Celeste Bell e Martin Glover / Interpretação: Poly Styrene What to do / Composição: Papi e Alf Soares / Interpretação: Vanusa E acho que não sou só eu / Composição: Marina Lima / Interpretação: Marina Lima Heavy Drums Bass/ Composição: Audionautix / Interpretação: Audionautix

In this episode we welcome the great Kate Simon, who Zooms in from New York City to answer our questions about her stellar career and the new edition of Rebel Music, her book of classic reggae portraits. Kate talks about the formative moments that made her a music photographer, plus the 1972 move to London that brought her into the pages of Disc & Music Echo and Sounds. Her hosts quiz her about her timeless shots of David Bowie, Rod Stewart and the Clash before we hear of her first trip to Jamaica in 1976 and the start of her long association with Bob Marley and his fellow Wailers. We also learn more about Kate's friendships with Sounds colleagues such as Jonh Ingham, Vivien Goldman and art director Dave Fudger. After hearing about Kate's return to her native soil and her '80s work for The Face – as well as her personal preferences as a photographer — we switch coasts to California in order to mark the imminent 80th birthday of Joni Mitchell. Clips from Dave Zimmer's 1983 audio with the First Lady of Laurel Canyon – with her wry observations about Messrs. Crosby, Stills and Nash – prompt more general thoughts on her peerless music from Blue to Hejira to Night Ride Home. With Mark sipping the last of the summer wine in his beloved Crete, Jasper concludes matters with quotes from — and reflections on — newly-added library pieces about Miles Davis, Rod Stewart and Steve Reich... not to mention a priceless Billy Eckstine reminiscence of gigging with John Coltrane. Many thanks to special guest Kate Simon. The new edition of Rebel Music: Bob Marley and Roots Reggae is published by Genesis Publications. Pieces discussed: Kate Simon interviewed by Paul Gorman, Reggae: Black punks on 'erb, Richard Hell, David Bowie, Patti Smith, Joni Mitchell audio, The Seeds, Miles Davis, Rod Stewart, Billy Eckstine, Steve Reich, Queen Latifah and Michael Kiwanuka.

The mosh pit has a reputation as a violent place where (mostly) white guys vent their aggression. There's some truth to that, but it's also a place bound by camaraderie and—believe it or not—etiquette. In this episode, we explore the unwritten rules of this 50-year-old live-music phenomenon with punks, concertgoers, and a heavy-metal physicist. Decoder Ring is produced by Willa Paskin with Katie Shepherd. This episode was written by Katie Shepherd. This episode was edited by Willa Paskin and Andrea Bruce, with help from Joel Meyer. Derek John is Slate's executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Thank you to Vivien Goldman, Paolo Ragusa, and Philip Moriarty, whose insights and research on moshing were crucial to this episode. You can create your own mosh pit using this simulator developed by Jesse Silverberg and his colleagues. Learn more about your ad choices. Visit megaphone.fm/adchoices

The mosh pit has a reputation as a violent place where (mostly) white guys vent their aggression. There's some truth to that, but it's also a place bound by camaraderie and—believe it or not—etiquette. In this episode, we explore the unwritten rules of this 50-year-old live-music phenomenon with punks, concertgoers, and a heavy-metal physicist. Decoder Ring is produced by Willa Paskin with Katie Shepherd. This episode was written by Katie Shepherd. This episode was edited by Willa Paskin and Andrea Bruce, with help from Joel Meyer. Derek John is Slate's executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Thank you to Vivien Goldman, Paolo Ragusa, and Philip Moriarty, whose insights and research on moshing were crucial to this episode. You can create your own mosh pit using this simulator developed by Jesse Silverberg and his colleagues. Learn more about your ad choices. Visit megaphone.fm/adchoices

The mosh pit has a reputation as a violent place where (mostly) white guys vent their aggression. There's some truth to that, but it's also a place bound by camaraderie and—believe it or not—etiquette. In this episode, we explore the unwritten rules of this 50-year-old live-music phenomenon with punks, concertgoers, and a heavy-metal physicist. Decoder Ring is produced by Willa Paskin with Katie Shepherd. This episode was written by Katie Shepherd. This episode was edited by Willa Paskin and Andrea Bruce, with help from Joel Meyer. Derek John is Slate's executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Thank you to Vivien Goldman, Paolo Ragusa, and Philip Moriarty, whose insights and research on moshing were crucial to this episode. You can create your own mosh pit using this simulator developed by Jesse Silverberg and his colleagues. Learn more about your ad choices. Visit megaphone.fm/adchoices

The mosh pit has a reputation as a violent place where (mostly) white guys vent their aggression. There's some truth to that, but it's also a place bound by camaraderie and—believe it or not—etiquette. In this episode, we explore the unwritten rules of this 50-year-old live-music phenomenon with punks, concertgoers, and a heavy-metal physicist. Decoder Ring is produced by Willa Paskin with Katie Shepherd. This episode was written by Katie Shepherd. This episode was edited by Willa Paskin and Andrea Bruce, with help from Joel Meyer. Derek John is Slate's executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Thank you to Vivien Goldman, Paolo Ragusa, and Philip Moriarty, whose insights and research on moshing were crucial to this episode. You can create your own mosh pit using this simulator developed by Jesse Silverberg and his colleagues. Learn more about your ad choices. Visit megaphone.fm/adchoices

The mosh pit has a reputation as a violent place where (mostly) white guys vent their aggression. There's some truth to that, but it's also a place bound by camaraderie and—believe it or not—etiquette. In this episode, we explore the unwritten rules of this 50-year-old, live-music phenomenon with punks, concertgoers and a heavy metal physicist. Decoder Ring is produced by Willa Paskin with Katie Shepherd. This episode was written by Katie Shepherd. This episode was edited by Willa Paskin and Andrea Bruce, with help from Joel Meyer. Derek John is Slate's executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Thank you to Vivien Goldman, Paolo Ragusa, and Philip Moriarty whose insights and research on moshing were crucial to this episode. You can create your own mosh pit using this simulator developed by Jesse Silverberg and his colleagues. If you haven't yet, please subscribe and rate our feed on Spotify, Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show and want to support us, consider signing up for Slate Plus. As a member, you'll get to listen to Decoder Ring without any ads—and your support is crucial to our work. Go to slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

The mosh pit has a reputation as a violent place where (mostly) white guys vent their aggression. There's some truth to that, but it's also a place bound by camaraderie and—believe it or not—etiquette. In this episode, we explore the unwritten rules of this 50-year-old, live-music phenomenon with punks, concertgoers and a heavy metal physicist. Decoder Ring is produced by Willa Paskin with Katie Shepherd. This episode was written by Katie Shepherd. This episode was edited by Willa Paskin and Andrea Bruce, with help from Joel Meyer. Derek John is Slate's executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Thank you to Vivien Goldman, Paolo Ragusa, and Philip Moriarty whose insights and research on moshing were crucial to this episode. You can create your own mosh pit using this simulator developed by Jesse Silverberg and his colleagues. If you haven't yet, please subscribe and rate our feed on Spotify, Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show and want to support us, consider signing up for Slate Plus. As a member, you'll get to listen to Decoder Ring without any ads—and your support is crucial to our work. Go to slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

The mosh pit has a reputation as a violent place where (mostly) white guys vent their aggression. There's some truth to that, but it's also a place bound by camaraderie and—believe it or not—etiquette. In this episode, we explore the unwritten rules of this 50-year-old, live-music phenomenon with punks, concertgoers and a heavy metal physicist. Decoder Ring is produced by Willa Paskin with Katie Shepherd. This episode was written by Katie Shepherd. This episode was edited by Willa Paskin and Andrea Bruce, with help from Joel Meyer. Derek John is Slate's executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Thank you to Vivien Goldman, Paolo Ragusa, and Philip Moriarty whose insights and research on moshing were crucial to this episode. You can create your own mosh pit using this simulator developed by Jesse Silverberg and his colleagues. If you haven't yet, please subscribe and rate our feed on Spotify, Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show and want to support us, consider signing up for Slate Plus. As a member, you'll get to listen to Decoder Ring without any ads—and your support is crucial to our work. Go to slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

The mosh pit has a reputation as a violent place where (mostly) white guys vent their aggression. There's some truth to that, but it's also a place bound by camaraderie and—believe it or not—etiquette. In this episode, we explore the unwritten rules of this 50-year-old, live-music phenomenon with punks, concertgoers and a heavy metal physicist. Decoder Ring is produced by Willa Paskin with Katie Shepherd. This episode was written by Katie Shepherd. This episode was edited by Willa Paskin and Andrea Bruce, with help from Joel Meyer. Derek John is Slate's executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Thank you to Vivien Goldman, Paolo Ragusa, and Philip Moriarty whose insights and research on moshing were crucial to this episode. You can create your own mosh pit using this simulator developed by Jesse Silverberg and his colleagues. If you haven't yet, please subscribe and rate our feed on Spotify, Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show and want to support us, consider signing up for Slate Plus. As a member, you'll get to listen to Decoder Ring without any ads—and your support is crucial to our work. Go to slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're signing off Season 9 with a pioneering legend. Here's what the incomparable Vivien Goldman wrote about Lora Logic back in the nascent days of punk: “The remarkable Lora Logic, several phases ahead as usual, proves yet again that she's the best thing that ever played in the Roxy…The woman defines herself, un-pompously fills a cultural vacuum. If there is a modern dance, she's our Ginger Rogers.”I was listening to Lora's back catalogue and I started to think that those cultural vacuums that Vivien wrote about could be those that appear when one movement fades, but the next movement hasn't yet formed and doesn't have a genre…that exciting, experimental phase – bands like X-Ray-Spex, ESG, Bush Tetras and Lora's own post-X-Ray-Spex band, Essential Logic, were the ones that were always pushing boundaries, doing things a bit differently, never standing still.Her latest album, Land of Kali, released towards the end of last year, is a wonderful odyssey that takes us through the mirror of our own lives into the dangerous and dystopian age of Kali Yuga, ultimately emerging with positivity and hope. There are some people who, through their art, their music or just their whole being, make you feel that, whatever happens to us, things are going to be ok. https://www.heysunday.co/i-wanna-jump-like-dee-deeI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you by Hey Sunday, the mothership of the experimental mindset™- logo and art by Tide Adesanya, Coppie and Paste

On this week's Talkhouse Podcast we've got a pair of women who came up together during one of the most exciting musical eras ever, and who've got the stories to prove it: Gina Birch and Vivien Goldman. Birch started the Raincoats with friends from a London art college in 1977, stepping right into the burgeoning punk scene with records that were notoriously challenging in a scene not known for being particularly welcoming to women to begin with. The Raincoats were never poppy enough to flirt with the mainstream, but thanks to Kurt Cobain, the band had a bit of a resurrection in the mid-1990s. At Cobain's behest, Nirvana's American label re-released the Raincoats catalog, complete with liner notes by Cobain, and the band subsequently made its first album in over a decade. They were even set to tour with Nirvana in Europe, but Cobain's death scuppered that plan. But Birch didn't slow down; she set out on a filmmaking career while still pursuing music; she even made music videos for the likes of New Order and The Libertines. Later this year, Birch's paintings will accompany a hardbound volume of Sharon Van Etten's lyrics. Just recently, Jack White's Third Man Records came calling, and it reignited Birch's musical endeavors: This week marks the release of her first proper solo album, called I Play My Bass Loud. Check out the title track right here. Vivien Goldman is known more as a writer than as a musician, but she's done both of those things and much, much more. She worked in PR for Bob Marley and the Wailers way back when—and she lives part of the time in Jamaica nowadays, which is where she Zoomed in from. At the height of the punk boom, she released an influential single called “Launderette” before transitioning more into writer and journalist mode: She was the editor of influential UK music paper Sounds and co-wrote the Massive Attack song “Sly.” She was also roommates with Chrissie Hynde and, more important to this conversation, Geoff Travis of Rough Trade Records, which is how she got to know Gina Birch. These days, Goldman has been teaching about the history of punk at NYU, and she dove back into music last year, releasing an album called Next is Now. I've only scratched the surface, too: Check out viviengoldman.com for a more complete picture. In this conversation, Birch and Goldman chat about the old days and the newer days, how roles and respect for women have changed over the decades, and about the famous musician and producer, Youth, who encouraged them both—and produced both of their new records. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Gina Birch and Vivien Goldman for this fantastic chat. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all we've got on offer at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

Solénoïde (26.12.2022) - Nouveau focus sur la création musicale au féminin ! Pour l'occasion, nous avons convoqué baroudeuses, magiciennes et autres poétesses du son. En d'autres termes, cette émission est le prétexte idéal pour mettre en lumière une palette d'artistes exigeantes : des musiciennes téméraires et singulièrement libres !

Vivien Goldman ist die Punk Professorin. Sie brachte Punks und Rastas im London der Siebzigerjahre zusammen, besuchte Fela Kuti in Nigeria und schrieb das erste Buch über Bob Marley. In ihren Büchern, Filmen und Songs verbindet sie Pop und Politik, Rebellion und Reflexion. Vivien Goldman bewegt sich entlang der Schnittstellen von Musik, Identität und Politik. Ihre Familie flüchtete aus Nazi-Deutschland nach London, mit jüdischer Musik bewahrten sie sich ihre Erinnerungen an ihre Wurzeln. In den Siebzigern wurde Vivien Goldman Musikjournalistin, zu einer Zeit als die Rolle von Frauen in Musikmagazinen eher auf Abtippen und Kaffeekochen beschränkt war. Die  Punk-Bewegung war ein Befreiungsschlag für sie und viele andere junge Frauen. Gleichzeitig entstand eine Verbindung zur Reggae-Szene. Auf der "Punky Reggae Party" tanzten britische Working Class Kids zusammen mit Einwanderern aus Jamaika - und mittendrin Vivien Goldman. In ihrem Soundtrack erzählt uns Vivien von den Zouk-Grooves von Kassav, dem revolutionären Aspekt von Beyoncé und den Gemeinsamkeiten von Fela Kuti und Bob Marley. // Shownotes unter www.wdr.de/k/soundtrackvon Von Adrian Nowak.

Vivien Goldman is the punk professor. She brought punks and rastas together in seventies London, visited Fela Kuti in Nigeria and wrote the first book about Bob Marley. In her books, films and songs, she combines pop and politics, rebellion and reflection. Vivien Goldman moves along the intersections of music, identity and politics. Her family fled Nazi Germany to London, preserving their memories of their roots with Jewish music. Vivien Goldman became a music journalist in the seventies, at a time when the role of women in music magazines was rather limited to typing and making coffee. The punk movement was a liberation for her and many other young women. At the same time, a connection to the reggae scene emerged. At the "Punky Reggae Party", British working class kids danced together with immigrants from Jamaica - and Vivien Goldman was in the middle of it. In her soundtrack, Vivien tells us about the zouk grooves of Kassav, the revolutionary aspect of Beyoncé and the similarities between Fela Kuti and Bob Marley. // Shownotes at www.wdr.de/k/soundtrackvon Von Adrian Nowak.

For episode #105 of ImmaLetYouFinish... Court & Amy speak to the legendary writer, educator and musician Vivien Goldman. The Punk Professor details her work with Bob Marley, she-punks and Fela who along with artist Lemi Ghariokwu is the subject of Vivien's forthcoming book on Hat & Beard press. ImmaLetYouFinish... is a proud part of the Pantheon Podcast Network.

For episode #105 of ImmaLetYouFinish... Court & Amy speak to the legendary writer, educator and musician Vivien Goldman. The Punk Professor details her work with Bob Marley, she-punks and Fela who along with artist Lemi Ghariokwu is the subject of Vivien's forthcoming book on Hat & Beard press. ImmaLetYouFinish... is a proud part of the Pantheon Podcast Network.

The EpisodeJ Dilla—aka James Dewitt Yancey or Jaydee as he was previously known—was a musical genius who was hardly known to mainstream audiences during his brief life. In Dilla Time—equal parts biography, musicology, and cultural history—hip hop historian and NYU professor Dan Charnas chronicles this musical outlier who changed popular music behind the scenes, working with renowned acts like D'Angelo and Erykah Badu and influencing the music of superstars like Michael and Janet Jackson.Dilla died at the age of 32, and in his lifetime never had a pop hit. Since his death, however, he has become a demigod of sorts: revered by jazz musicians and rap icons from Robert Glasper to Kendrick Lamar; memorialized in symphonies and taught at universities. And at the core of this adulation is innovation: a new kind of musical time-feel he created on a drum machine, one that changed the way “traditional” musicians play. Charnas echoes the life of James DeWitt Yancey from his gifted childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death. Charnas also rewinds the histories of American rhythms: from the birth of soul in Dilla's own “Motown,” to funk, techno, and disco.Dilla Time (MCD/FSG, 2022) is a different kind of book about music, a visual experience with graphics that build those concepts step by step for fans and novices alike, teaching us to “see” and feel rhythm in a unique and enjoyable way. It's the story of the man and his machines, his family, friends, partners, and celebrity collaborators. Culled from more than 150 interviews about one of the most important and influential musical figures of the past hundred years, Dilla Time is a book as delightfully detail-oriented and unique as J Dilla's music itself.Filling in for interviewing duties this episode is Charnas' NYU professor colleague and Hat & Beard Press editor Vivien Goldman, who is the author, most recently, of Revenge of the She-Punks: A Feminist Music History from Poly Styrene to Pussy Riot.Here is Vivien's conversation with Dan Charnas, discussing the life and times of J Dilla.Reading by Dan Charnas from Dilla Time.music by J Dilla

Im Buch "Die Rache der She-Punks" erforscht Vivian Goldman, welche Befreiung Punk-Musik für Frauen barg und wie Musikerinnen der ganzen Welt dafür kämpfen, gehört zu werden. Diviam Hoffmann blickt zurück auf fast 50 Jahre feministische Musikgeschichte.

Lecher, Berndwww.deutschlandfunk.de, CorsoDirekter Link zur Audiodatei

Edición Limitada - 23 de Agosto del 2021. Producción, realización y conducción: Francisco J. Brenes. Presentando música de Porridge Radio, Angel Olsen, St. Vincent, Big Thief, Gone to Color con Martina Topley-Bird, Eddie Vedder con Olivia Vedder y Glen Hansard, Julien Baker, José González, Chvrches, Keane, The Killers, Future Islands, British Sea Power, Billy Idol, Film School, Low, Garbage, Kælan Mikla, Shaun Ryder, Hackedepicciotto, Vivien Goldman, The Umbrellas, Giant Party, Sincere Engineer, Hana Vu, Provoker, Møtrik, Ducks Ltd., Immersion con Laetitia Sadier, Second Skin, Ora the Molecule, Cruel Sister, Loraine Club, Ladyhawke, Magdalena Bay, Mogwai, Ministry, Danny Elfman con Trent Reznor, Primal Scream, A Flock of Seagulls, Alphaville, Ela Minus con Helado Negro, Martin Gore, Richie Hawtin, Disclosure, Pop. 1280, Leaether Strip y Sally Shapiro.

In this week's episode, Lynne speaks to her revolutionary friend Vivien Goldman aka the Punk Rock Professor, truly a legend in her own time. She is a writer, educator, broadcaster, and a musician. 40 years after her first single, Launderette, Goldman has now released her debut album Next is Now.Lynne discusses Vivien's life as a writer in the male-dominated industry of music publications such as NME and the UK weekly poprock music newspaper /Sounds.  They also discuss her time as a music PR for the legendary Bob Marley, her relentless boundary busting for better representation of women in music and her and Lynne's shared practise of manifestation and chanting.Watch out for the upcoming art book The Afrobeat Artist, Vivien's art book collaborating with the godfather of today's Lagos art scene, Lemi Ghariokwu, who set the template for the great Fela Kuti's visuals, coming out later this year on @hatandbeardpress.You can follow Vivien on Instagram, Facebook, Twitter andvisit her site. Vivien Goldman's album Next is Now is out now and available to download. Vivien's best seller,Revenge of the She Punks can be purchased here.To find more episodes and information about the podcast, go to https://lynnefranks.com/podcast. From here, you will also be able to learn more about Lynne's work and her Power of 7 Women's Leadership retreats and coaching.If you like what you hear, and want to find out more about our community of like-minded women who believe in living and working in alignment with the feminine values of collaboration, authenticity and most of all, love, you can learn more at https://seednetwork.com and join the community in the SEED Hub Club by visiting https://www.theseedhub.club/You can find Lynne on Instagram at @lynnejfranks, Facebook @lynnefranksobe, Twitter @Lynne_Franks, LinkedIn @Lynne Franks OBE.This episode was produced by Lynne Franks and Tanya Anastasiadis.Production support and graphics by Lotte Micklethwaite.Music by Joolz Barker

In this episode, hosts Barney Hoskyns, Mark Pringle & Jasper Murison-Bowie welcome the one & only Vivien Goldman to join them live & direct from her beloved Jamaica — and to talk about her life as a writer about postpunk, reggae, dub & her other "outernationalist" passions.The "Punk Professor" reminisces about her days on Sounds & the UK's other "inkies", and her fight to make women's voices heard in the '70s music press: her 1977 challenging of George Benson's ingrained male chauvinism; her championing of the Raincoats & other "she-punks" of the period; and her own 1981 indie classic 'Launderette'. She brings her musical odyssey up to date by trailing Next Is Now, the new album she's just finished with producer Youth.After we hear clips from Adam Sweeting's 1988 audio interview with Joe Strummer, Vivien pitches in with her memories of the Clash man — and of the Ladbroke Grove "punky reggae" scene of which she was herself a key part. Mark then talks us through his library highlights from the past fortnight, including a 1966 Melody Maker interview with a young David Bowie; Penny Valentine's Disc review of 'River Deep — Mountain High' from the same year; and Harold Bronson's 1972 Rolling Stone retrospective on Animals/Yardbirds producer Mickie Most. Barney mentions more recent pieces about Britpop, Roy Harper & Willie Nelson, and Jasper wraps things up with a nod to Gary Lucas' memoir of introducing a young Vin Diesel to cult "mixmaster" Arthur Russell.Many thanks to special guest Vivien Goldman; visit her website at viviengoldman.com.Pieces discussed: Vivien Goldman vs. George Benson, Raincoats, Punk Renaissance Woman Vivien Goldman, Joe Strummer audio, David Bowie, Nancy Sinatra, Mahavishnu Orchestra, Robert Wyatt, River Deep – Mountain High, Sly and the Family Stone, Mickie Most, Blondie, Wanda Jackson, Britpop, Roy Harper, Willie and the Weed Factory, Labelle and Vin Diesel meets Arthur Russell.

In this episode, hosts Barney Hoskyns, Mark Pringle & Jasper Murison-Bowie welcome the one & only Vivien Goldman to join them live & direct from her beloved Jamaica — and to talk about her life as a writer about postpunk, reggae, dub & her other "outernationalist" passions. The "Punk Professor" reminisces about her days on Sounds & the UK's other "inkies", and her fight to make women's voices heard in the '70s music press: her 1977 challenging of George Benson's ingrained male chauvinism; her championing of the Raincoats & other "she-punks" of the period; and her own 1981 indie classic 'Launderette'. She brings her musical odyssey up to date by trailing Next Is Now, the new album she's just finished with producer Youth. After we hear clips from Adam Sweeting's 1988 audio interview with Joe Strummer, Vivien pitches in with her memories of the Clash man — and of the Ladbroke Grove "punky reggae" scene of which she was herself a key part. Mark then talks us through his library highlights from the past fortnight, including a 1966 Melody Maker interview with a young David Bowie; Penny Valentine's Disc review of 'River Deep — Mountain High' from the same year; and Harold Bronson's 1972 Rolling Stone retrospective on Animals/Yardbirds producer Mickie Most. Barney mentions more recent pieces about Britpop, Roy Harper & Willie Nelson, and Jasper wraps things up with a nod to Gary Lucas' memoir of introducing a young Vin Diesel to cult "mixmaster" Arthur Russell. Many thanks to special guest Vivien Goldman; visit her website at viviengoldman.com. Pieces discussed: Vivien Goldman vs. George Benson, Raincoats, Punk Renaissance Woman Vivien Goldman, Joe Strummer audio, David Bowie, Nancy Sinatra, Mahavishnu Orchestra, Robert Wyatt, River Deep – Mountain High, Sly and the Family Stone, Mickie Most, Blondie, Wanda Jackson, Britpop, Roy Harper, Willie and the Weed Factory, Labelle and Vin Diesel meets Arthur Russell.

In this episode, hosts Barney Hoskyns, Mark Pringle & Jasper Murison-Bowie welcome the one & only Vivien Goldman to join them live & direct from her beloved Jamaica — and to talk about her life as a writer about postpunk, reggae, dub & her other "outernationalist" passions.The "Punk Professor" reminisces about her days on Sounds & the UK's other "inkies", and her fight to make women's voices heard in the '70s music press: her 1977 challenging of George Benson's ingrained male chauvinism; her championing of the Raincoats & other "she-punks" of the period; and her own 1981 indie classic 'Launderette'. She brings her musical odyssey up to date by trailing Next Is Now, the new album she's just finished with producer Youth.After we hear clips from Adam Sweeting's 1988 audio interview with Joe Strummer, Vivien pitches in with her memories of the Clash man — and of the Ladbroke Grove "punky reggae" scene of which she was herself a key part. Mark then talks us through his library highlights from the past fortnight, including a 1966 Melody Maker interview with a young David Bowie; Penny Valentine's Disc review of 'River Deep — Mountain High' from the same year; and Harold Bronson's 1972 Rolling Stone retrospective on Animals/Yardbirds producer Mickie Most. Barney mentions more recent pieces about Britpop, Roy Harper & Willie Nelson, and Jasper wraps things up with a nod to Gary Lucas' memoir of introducing a young Vin Diesel to cult "mixmaster" Arthur Russell.Many thanks to special guest Vivien Goldman; visit her website at viviengoldman.com.Pieces discussed: Vivien Goldman vs. George Benson, Raincoats, Punk Renaissance Woman Vivien Goldman, Joe Strummer audio, David Bowie, Nancy Sinatra, Mahavishnu Orchestra, Robert Wyatt, River Deep – Mountain High, Sly and the Family Stone, Mickie Most, Blondie, Wanda Jackson, Britpop, Roy Harper, Willie and the Weed Factory, Labelle and Vin Diesel meets Arthur Russell.

In this episode, hosts Barney Hoskyns, Mark Pringle & Jasper Murison-Bowie welcome the one & only Vivien Goldman to join them live & direct from her beloved Jamaica — and to talk about her life as a writer about postpunk, reggae, dub & her other "outernationalist" passions. The "Punk Professor" reminisces about her days on Sounds & the UK's other "inkies", and her fight to make women's voices heard in the '70s music press: her 1977 challenging of George Benson's ingrained male chauvinism; her championing of the Raincoats & other "she-punks" of the period; and her own 1981 indie classic 'Launderette'. She brings her musical odyssey up to date by trailing Next Is Now, the new album she's just finished with producer Youth. After we hear clips from Adam Sweeting's 1988 audio interview with Joe Strummer, Vivien pitches in with her memories of the Clash man — and of the Ladbroke Grove "punky reggae" scene of which she was herself a key part. Mark then talks us through his library highlights from the past fortnight, including a 1966 Melody Maker interview with a young David Bowie; Penny Valentine's Disc review of 'River Deep — Mountain High' from the same year; and Harold Bronson's 1972 Rolling Stone retrospective on Animals/Yardbirds producer Mickie Most. Barney mentions more recent pieces about Britpop, Roy Harper & Willie Nelson, and Jasper wraps things up with a nod to Gary Lucas' memoir of introducing a young Vin Diesel to cult "mixmaster" Arthur Russell. Many thanks to special guest Vivien Goldman; visit her website at viviengoldman.com. Pieces discussed: Vivien Goldman vs. George Benson, Raincoats, Punk Renaissance Woman Vivien Goldman, Joe Strummer audio, David Bowie, Nancy Sinatra, Mahavishnu Orchestra, Robert Wyatt, River Deep – Mountain High, Sly and the Family Stone, Mickie Most, Blondie, Wanda Jackson, Britpop, Roy Harper, Willie and the Weed Factory, Labelle and Vin Diesel meets Arthur Russell.

Traemos un nuevo Planazo de la mano del Sr. Sanabria en un programa sobre emancipación, punkys históricas y sonidos llenos de rabia y fuerza. Charlamos con Vivien Goldman, periodista musical, artista, heroína del punk y su libro “La Venganza de las Punks”. El planazo fílmico de lo dedicamos a “The Punk Singer”, el documental acerca de la imponente figura de Kathleen Hanna, líder de Bikini Kill, Y nos agitamos con las dentelladas de “Maleza”, el nuevo disco de Bala. Más información aquí: https://bit.ly/Planazo880
 Sigue haciendo posible los monográficos de Carne Cruda: www.carnecruda.es/hazte_productor/

Vivien Goldman began her career as a journalist for Cassettes and Cartridges. She then became a PR officer for Atlantic Records and then Island Records, where she worked with Bob Marley. She was a writer and editor for London-based Sounds magazine in the late 1970s. In the early 1980s she began making documentaries for Channel Four television, developing and producing the world-music show Big World Cafe. Vivien Goldman has made a career in punk rock, doing everything from music to journalism. Vivien wrote for the music magazines NME, Sounds and Melody Maker about reggae, punk and post-punk. She was a member of The Flying Lizards, shared a flat with fellow NME journalist and The Pretenders singer Chrissie Hynde.Goldman's book, Revenge of the She-Punks, was released in 2019 and documents women's involvement in the punk rock scene. She has written the biography for Kid Creole, as well as being featured in numerous music documentaries. Musically, she released the Dirty Washing EP in 1981, with tracks produced by John Lydon and Adrian Sherwood. She was a member of the band Flying Lizards. Vivien is also a professor of punk and reggae at New York University's (NYU) Clive Davis Institute of Recorded Music. She is also an adjunct professor of musical cultures and industry at Rutgers University's School of Communication and Information (Rutgers University.Vivien spoke with us via her home in Jamaica, where she resides for part of the year.www.viviengoldman.com

In this  episode of I Don't Like Reggae, I Love It, a special audio series on the historical origins and impact of reggae on popular music, I explore the convergence of punk and reggae music in the late 70s in England and how that extraordinary coming together of Black and white street  culture helped to change the sound of popular music as punks looked to apply the techniques of reggae music to rock and roll.While The Stranglers may not immediately come to mind as a punky reggae band, the fact is that they created their own unique take on reggae into one of their earliest and most popular songs “Peaches" which reached #8 on the UK charts in 1977.  Like other 70s era punk bands, they were part of a movement that brought punk and reggae bands together and they shared stages with British reggae and ska acts, most notably Steel Pulse. Punky reggae, or Jah Punk – a term coined by the writer and journalist Vivien Goldman in a story she wrote for Sounds Magazine in 1977 – is  the antithesis of cod reggae. This was best epitomized by Tony James of Generation X who told Goldman, “I really want to apply reggae techniques to rock and roll. I don't want to be a white guy playing reggae” If you've listened and received some value from this episode, then please help support the podcast for as little as $3 per month on Patreon. Supporters get access to exclusive content like special episodes of this series and advanced promo chapters from my forthcoming book Ska Boom: An American Ska & Reggae Oral History. Just go to patreon.com/skaboompodcast for more information or click this link: https://patreon.com/skaboompodcast?utm_medium=social...Please note: The music clips included in this podcast fall under the “Fair Use Doctrine” as defined by Section 107 of the Copyright Act. The law allows for use of music clips for purposes of criticism, comment, and news reporting.

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Kiss Me Again [Original Edit] by Dinosaur on Disco Not Disco (Strut) 8′46″ Use Me by Grace Jones on Nightclubbing (Island) 12′50″ Same Thing Twice by Vivien Goldman on Resolutionary (Songs 1979-1982) (Staubgold) 16′24″ Shopping de Voodoos by Fausto Fawcett on Outro Tempo II (Music from Memory) 19′02″ Oleo Strut by Marc Barreca on Twilight (Palace of Lights) 24′43″ Ab Marrimen by Studio der Frühen Musik on L'Agonie du Languedoc (EMI) 30′06″ 2HB by Julia Holter on Maria (Human Ear Music) 34′12″ Empire II by Jon Hassel on Aka/Darbari/Java (Virgin) 38′59″ Windy Land by Haruomi Hosono on Mercuric Dance (Monad Records) 44′09″ Red Planes by Weekend on La Variete (Rough Trade) 48′51″ Soft Meadow by Green-House on Six Songs For Invisible Gardens (Leaving Records) 55′39″ Harriet Brown by Opal on Early Recordings (Rough Trade) Check out the full archives on the website.

Join Jewish Comedians Rachel Creeger and Philip Simon for Episode 13 of their comedy podcast, a chat show about all things Jewish, produced by Russell Balkind. This week's guests are Vivien Goldman and Toby Mott.Follow them on social media, follow US on social media and don't forget to let us know what you think about the show.Facebook: @JewTalkinTwitter: @JewTalkinInstagram: @JewTalkinLots more fantastic episodes waiting to be released every Friday morning, so don't forget to subscribe and leave us a 5* review - it really helps other people find the show. Go on...it's what your mother would want!--------------------------------------------------------------------- Vivien Goldman: Twitter @PunkProfessor Insta @viviengoldmanforrealwww.viviengoldman.comVivien is a writer, musician and teacher, best known as the Punk Professor. She was Bob Marley's first UK publicist and worked with him and the Wailers, eventually writing “The Book Of Exodus - The Making and Meaning of Bob Marley & the Wailers' Album of the Century”. She is also the author of many other books, including the biography of Kid Creole and the award winning “Revenge Of The She Punks”. She was a member of The Flying Lizards and Chantage, and her greatest hits album, Resolutionary, was released in 2016.Toby Mott:Twitter @CulturalTraffic Instagram @culturaltrafficwww.culturaltraffic.comToby is a British artist, designer and sometime Punk historian known for his work with the Grey Organisation, an artists' collective that was active in the 1980s, for being a founder member of the infamous Anarchist Street Army and for his fashion brand Toby Pimlico. More recently he has become known for his Mott Collection, an archive of UK punk rock and political ephemera, and the Cultural Traffic Arts Project..--------------------------------------------------------------------- *This episode was recorded under lockdown conditions. See acast.com/privacy for privacy and opt-out information.

Volvemos a las trincheras, radio underground en tiempos confusos. Nuestro nuevo plan: un programa semanal grabado como buenamente podamos. Viendo lo que hay por ahí, tampoco es mala idea. El reinicio lo copan Jacques Tourneur y su cine B que parece A y Carlotta Escribano y su Hotel Chelsea que hoy abre a Vivien Goldman y su Venganza de las Punks. Y mucha música, como (Ronnie James) Dio manda. Los temas: 1 Charnego - Frágil 2 Los Estanques - Soy español pero tengo un Kebab. 3 Chuck Prophet - Marathon 4 X-Ray Spex - Oh Bondage! Up yours! 5 Bikini Kill - Rebel Girl 6 7 Year Bitch - MIA 8 Pussy Riot - Mother of God, Drive Putin Away 9 Shonen Knife - Burning Farm 10 Idles - Mr Motivator

This Season kicks off with an interesting conversation with Vivien Goldman. She began her career as a journalist for Cassettes and Cartridges. She then became a PR officer for Atlantic Records and then Island Records, where she worked with Bob Marley. She was a writer and editor for London-based Sounds magazine in the late 1970s. In the early 1980s she began making documentaries for Channel Four television, developing and producing the world-music show Big World Cafe. We talk about cultural appropriation, modern music and the impact of Bob Marley over the years. --- Support this podcast: https://anchor.fm/thetopformpodcast/support

© WDR 2020

© WDR 2020

"Newhart" and "Deadwood" actor William Sanderson on his transcendent career. Plus, punk journalist and musician Vivien Goldman shares the "her"story of the punk scene and author Nick de Semelyn on the wild and crazy guys who changed Hollywood comedy films forever.

Dr. Aram Sinnreich is a media professor, author, and musician. He currently serves as chair of Communication Studies at American University’s School of Communication. http://sinnreich.com Sinnreich’s work focuses on the intersection of culture, law and technology, with an emphasis on subjects such as emerging media and music. He is the author of three books, Mashed Up (2010), The Piracy Crusade (2013), and The Essential Guide to Intellectual Property (2019). He has also written for publications including The New York Times, Billboard, Wired, The Daily Beast, and The Conversation. In prior incarnations, Sinnreich worked at Rutgers University, NYU Steinhardt, OMD Ignition Factory, Radar Research, and Jupiter Research. As a bassist and composer, Sinnreich has played with groups and artists including reggae soul band Dubistry, jazz and R&B band Brave New Girl, punk chanteuse Vivien Goldman, hard bop trio The Rooftoppers, and Ari-Up, lead singer of The Slits. Along with co-authors Dunia Best and Todd Nocera, Sinnreich was a finalist in the 2014 John Lennon Songwriting Contest, in the jazz category. Chiron Armand is mentioned in this episode: https://www.impactshamanism.com Rendering Unconscious Podcast is hosted by Dr. Vanessa Sinclair, who interviews psychoanalysts, psychologists, scholars, creative arts therapists, writers, poets, philosophers, artists and other intellectuals about their process, world events, the current state of mental health care, politics, culture, the arts and more. Rendering Unconscious is also a book! Rendering Unconscious: Psychoanalytic Perspectives, Politics and Poetry (Trapart, 2019): www.trapart.net Rendering Unconscious Podcast can be found at: Spotify, iTunes, YouTube, Vimeo, SoundCloud... visit www.renderingunconsious.org/about for links To support the podcast visit: www.patreon.com/vanessa23carl For more, please visit the following websites: http://sinnreich.com www.drvanessasinclair.net/podcast www.renderingunconscious.org/about www.trapart.net www.dasunbehagen.org The music playing at the end of the episode is "Third Minds Think Alike" by Genesis Breyer P-Orridge & Carl Abrahamsson from the bonus 12" "Slowly/Third Minds Think Alike" accompanying the album "Loyalty Does Not End With Death" from iDeal Recordings: https://idealrecordings.bandcamp.com Photo of Dr. Aram Sinnreich

In Revenge of the She-Punks, Vivien Goldman charts feminist ideology in punk across nations, languages and decades. Beginning with 70s pioneers like Poly Styrene, Patti Smith and The Slits, the book draws together threads that are often ignored in wider conversations about the genre. The book follows the rebirth of Goldman’s own musical career, with 2016’s terrific anthology, Resolutionary (Songs 1979-1982). Now doing double duty as a musician and author, Goldman continues to teach at NYU, where she’s affectionately know as the “punk professor.” Using her latest book as a starting point, Goldman joined us to discuss the secret history of women in punk, the lingering role of the holocaust in the birth of the movement and drawing inspiration from continued musical resistance.

Bob Marley went from singing R&B harmonies in Trenchtown, Kingston, Jamaica to becoming a pioneer of reggae music, bringing his own blend of reggae, rock and ska music to a global audience. But as a popular figure in Jamaica, he was unwillingly thrust into the country’s political strife.  The situation became so dangerous for Marley that on December 3, 1976, he became a target of assassins.  Several resources were used in the research for this episode including:  Chris Salewicz, Bob Marley: The Untold Story, (New York: Faber and Faber), 2010.  Biolgraphy.com, "Bob Marley", https://www.biography.com/musician/bob-marley Vivien Goldman, The Guardian, "Dread, beat and blood", July 16, 2006.  Hua Hsu, The New Yorker, "Manufacturing Bob Marley", July 17, 2017 Mike Lanchin, BBC World Service, "I was there when gunmen tried to kill Bob Marley," December 4, 2016.  Kief Davidson, Remastered: Who Shot the Sheriff?, Netflix, 2015.  Sponsors:  Truman's: www.trumans.com - use promo code ONCE at checkout for 50% off your starter kit and subscription.  Solid Gold: www.solidgoldpet.com/once for 30% off your first order.  Music Credits:  Music from https://filmmusic.io Sunny Rasta" by Alexander Nakarada (https://www.serpentsoundstudios.com/) License: CC BY (http://creativecommons.org/licenses/by/4.0/) "Stealth Groover" by Kevin MacLeod (https://incompetech.com)License: CC BY (http://creativecommons.org/licenses/by/4.0/)  "Dub Feral" by Kevin MacLeod (https://incompetech.com) License: CC BY (http://creativecommons.org/licenses/by/4.0/)  

Programme de HERVÉ ZÉNOUDA pour webSYNradio : « Continuer à s'obstiner… » Programme de variété expérimentale. avec les sons de : Aksak Maboul, Samuel Andreyev, Norman Bambi, Franco Battiato, Captain Beefheart, Karl Biscuit, Andrea Cera, Etienne Charry, Chris Cochrane, Fred Frith, Vivien Goldman, The Hat Shoes, Daniel Johnston, Le-Li, Rainer Lericolais, Philippe Petit, Elisa Point, The Pop Group, Reg Bloor Brain, Eugene S. Robinson, Sébastien Roux, Sparks, Semuin, Daniel Smith, SufJan Stevens, Tuxedomoon, Hervé Zénouda.

Have you ever met a professor of punk? I didn't even know such a thing existed, before I met Vivien Goldman. She lectures at New York University but way before she was an educator, Vivien was in the thick of it. She was writing about the scene back when it began; in fact she was one of the first people to explore the parallels between punk and reggae. And she lived in that realm too; Vivien was Bob Marley's first UK publicist and formed a strong bond with him. She made friends with The Slits, and sang back-up vocals alongside Neneh Cherry. Vivien Goldman has also authored six books, the latest of which is Revenge of the She-Punks: A feminist music history from Poly Styrene to Pussy Riot. After reading this, I wanted her to Take 5; she's lived such a wild and varied life, I knew she would have stories. But this goes beyond. It's a passionate education and exploration of the music histories we haven't heard about. There's a sense of rebellion and fire in all she does, and Vivien articulates brilliantly the very spirit of punk and just why it's been such an outlet for those who haven't always been let into the club.  Here are her hidden histories. Bob Marley & the Wailers – 'Do It Twice' The Slits — 'Newtown' Astrud Gilberto - 'The Girl From Ipanema' Kassav – 'Soleil' The Velvet Underground — 'Sunday Morning'

Have you ever met a professor of punk? I didn’t even know such a thing existed, before I met Vivien Goldman. She lectures at New York University but way before she was an educator, Vivien was in the thick of it. She was writing about the scene back when it began; in fact she was one of the first people to explore the parallels between punk and reggae. And she lived in that realm too; Vivien was Bob Marley’s first UK publicist and formed a strong bond with him. She made friends with The Slits, and sang back-up vocals alongside Neneh Cherry. Vivien Goldman has also authored six books, the latest of which is Revenge of the She-Punks: A feminist music history from Poly Styrene to Pussy Riot. After reading this, I wanted her to Take 5; she’s lived such a wild and varied life, I knew she would have stories. But this goes beyond. It’s a passionate education and exploration of the music histories we haven’t heard about. There’s a sense of rebellion and fire in all she does, and Vivien articulates brilliantly the very spirit of punk and just why it’s been such an outlet for those who haven’t always been let into the club.  Here are her hidden histories. Bob Marley & the Wailers – 'Do It Twice' The Slits — 'Newtown' Astrud Gilberto - 'The Girl From Ipanema' Kassav – 'Soleil' The Velvet Underground — 'Sunday Morning'

Have you ever met a professor of punk? I didn’t even know such a thing existed, before I met Vivien Goldman. She lectures at New York University but way before she was an educator, Vivien was in the thick of it. She was writing about the scene back when it began; in fact she was one of the first people to explore the parallels between punk and reggae. And she lived in that realm too; Vivien was Bob Marley’s first UK publicist and formed a strong bond with him. She made friends with The Slits, and sang back-up vocals alongside Neneh Cherry. Vivien Goldman has also authored six books, the latest of which is Revenge of the She-Punks: A feminist music history from Poly Styrene to Pussy Riot. After reading this, I wanted her to Take 5; she’s lived such a wild and varied life, I knew she would have stories. But this goes beyond. It’s a passionate education and exploration of the music histories we haven’t heard about. There’s a sense of rebellion and fire in all she does, and Vivien articulates brilliantly the very spirit of punk and just why it’s been such an outlet for those who haven’t always been let into the club.  Here are her hidden histories. Bob Marley & the Wailers – 'Do It Twice' The Slits — 'Newtown' Astrud Gilberto - 'The Girl From Ipanema' Kassav – 'Soleil' The Velvet Underground — 'Sunday Morning'

Click here to listen live between 10pm and midnight Eastern US Time You can also get the show from our flagship station website: www.wtbq.com. ***Check the bottom of this post for other affiliates' dates and times.This week's Revenge of the 80s Radio podcast edition is up, The Punk Professor, Vivien Goldman, is back on with us and with a new book: Revenge of the She-Punks: A Feminist Music History from Poly Styrene to Pussy Riot. Vivien looks at the female stars of punk from the early pioneers to today, not only in the US and UK.We also play music from Poly Styrene, The B-Girls, The Divinyls, Midnight Oil and more.If you like our show, please feel free to help us keep going through our Patreon Page. Revenge of the 80s Radio also broadcasts each week on our affiliate radio stations:* Q93.5FM – WTBQ FM, Warwick, NY, US* Rock 103 FM, Central Illinois* Q107 FM, Peoria, Illinois* The Big 80s Radio – Appleton, WI* Flashback Radio, Honolulu, Hawaii* Totally 80s – 88.4 FM, Beindorm, Spain* Surf FM – 87.6 FM, Melbourne, AUS* Radio 80s – 87.6 FM, Korumburra, AUS* Seymour FM – 103.9 FM, Seymour, AUS* Greater Home Radio – 96.7FM, Holbrook, New South Wales, AUS* Indigo FM Radio Network – 88.0 FM Beechworth, AUS; 88.0 FM Yackandandah, AUS; 87.6 FM, Corowa, AUS; 87.6 FM Rutherglen, AUS* Elwood FM – 89.1 FM, Melbourne, AUS* Whaley Radio – 107.4FM, High Points, UK* WMAC Radio – 107.3FM, Manchester, UK* 80s & More – Internet Radio, U.K.* Radio Vera – Limerick, Ireland* TKO Replay – Internet Radio, U.K./Spain  

The Punk Professor, Vivien Goldman, is back on with us and with a new book: Revenge of the She-Punks: A Feminist Music History from Poly Styrene to Pussy Riot. Vivien looks at the female stars of punk from the early pioneers to today, not only in the US and UK.

Never before released in the US, Franco Rosso’s incendiary BABYLON had its world premiere at Cannes in 1980 but was deemed “too controversial, and likely to incite racial tension” (Vivien Goldman, Time Out) by the New York Film Festival that same year. Raw and smoldering, it follows a young reggae DJ (Brinsley Forde, frontman of landmark British group Aswad) in Thatcher-era Brixton as he pursues his musical ambitions, while battling fiercely against the racism and xenophobia of employers, neighbors, police, and the National Front. Written by Martin Stellman (QUADROPHENIA) and shot by two-time Oscar® winner Chris Menges (THE KILLING FIELDS) with beautiful, smoky cinematography that's been compared to TAXI DRIVER, BABYLON is fearless and unsentimental, yet tempered by the hazy bliss of the dancehall set to a blistering reggae, dub, and lovers rock soundtrack featuring Aswad, Johnny Clarke, and others, anchored by Dennis Bovell’s (The Slits) atmospheric score. BABYLON is the product of outsiders: director Rosso (1941-2016) immigrated from Italy as a child, Stellman is the son of Viennese Jewish immigrants, producer Gavrik Losey is the son of blacklisted Hollywood director Joseph Losey, and composer Bovell immigrated from Barbados, and was falsely imprisoned for running a sound system—the script was partly based on his experiences. Beyond the significance of being the only feature film about London's sound system scene, BABYLON unflinchingly observes the place of marginalized people in a society resistant—to the point of violence—to multiculturalism. Writer Martin Stellman joins us to talk about the impact that Babylon had on the Caribbean diaspora living in London, the neo-realism style of the film and winding path that Babylon has taken over the last 40 years. For news and updates go to: kinolorber.com/film/Babylon

The story of 99 (pronounced “nine nine” and not “ninety-nine”) it's basically the story of Ed Bahlman, a born-and-bred Brooklynite with a strong work ethic and an intense passion for music, especially new and underground music that wasn’t wholly embraced by the mainstream or even alternative establishments. Everything started from a punk clothing store called 99, that later Ed transformed in the infamous record shop, thanks to his incredible selection of obscure and independent rock, reggae and punk music, that later became the ideal launching pad for the homonymous independent record label. The episode features: Y Pants, Liquid Liquid, ESG, Vivien Goldman, Bush Tetras, Maximum Joy, John Cage (in an interview about Glenn Branca) and Glenn Branca.

In episode 4, we sat down with Vivien Goldman. Vivien is a singer, writer, author, professor, activist, broadcaster and so much more. In this episode, we discuss the #MeToo movement, staying active in stressful political times, separating art from the artist and much more.

Peter Laughner showcase, featuring both Rocket from the Tombs and solo, as well as Vivien Goldman, Nat Adderley and The dB's

Vivien Goldman’s New York City apartment is a shrine to decades of music journalism, bookshelves overflowing with seemingly every title ever published on the subject. This particular evening, former Chantage bandmate Eve Blouin is over for a visit, discussing their days in Paris and the myriad ways in which even Queens has become virtually unlivable for artists. The two still perform music when they get together from time to time, but Goldman spends most of her time these days writing about and teaching music history.  The fact that we were able to get together when we were was something of a minor miracle, as she was devoting most of her time to piecing together a syllabus for incoming NYU freshman for her gig as the school’s adjunct professor of punk and reggae. All the while, Goldman has been enjoying a new round of interest in her wonderful, if sporadic music career, courtesy of Resolutionary, a new collection of her singles recorded between 1979 and 1982.

DYNAMITE HEMORRHAGE #76 lands more than a few haymakers in 65 minutes of raw, feral, sub-underground rocknroll music from the last five decades. It's full of new stuff from the likes of CUTSS, PRIMETIME, DAN MELCHIOR, WOODBOT, LEATHER TOWEL, HONEY RADAR, DOCTOR NOD, BURNT ENVELOPE, SPRAY PAINT, USELESS EATERS, UNITY and many others - plus reissues from MIKE REP & THE QUOTAS, VIVIEN GOLDMAN, THE SAXONS and ANGRY ANGLES. I also took a trip downstairs into our vast mp3 library and pulled up material from THE BRENTWOODS, THE PORTAGE, HUSKER DU and THE MEAT PUPPETS. In 76 tries, it may just be the phony rocknroll radio show we've been shooting for all of this time. Track listing: MIKE REP & THE QUOTAS - Even Higher CUTSS - Odeto THE PORTAGE - Sin THE GORLS - Bongo Beat LEATHER TOWEL - L.E.A.T.H.E.R. Towel WOODBOT - Black Piss HUSKER DU - Bricklayer MEAT PUPPETS - Dolphin Field BURNT ENVELOPE - Looking Through Cracks HONEY RADAR - Ink Circle DOCTOR NOD - Wha??? UNITY - Comes To You OMNI - Afterlife SPRAY PAINT - Brat Beater PRIMETIME - Get a Grip USELESS EATERS - Electrical Outlet THE BRENTWOODS - Go Little Sputnik DIRTY LOVERS - Teenage Love Bomb THE SAXONS - The Way of a Down DAN MELCHIOR - Bottom of the Sea ANGRY ANGLES - The 15th VIVIEN GOLDMAN - Private Armies/P.A. Dub

'Morrocci Klung!' independent tapezine (Sept 1981 edition). Vivien Goldman interview (7 mins).

'Morrocci Klung!' independent tapezine (Sept 1981 edition). Vivien Goldman interview (7 mins).

PUNKCAST#1062-02-12 The Slits w/ Vivien Goldman performing live at Syrup Room, Brooklyn, on Nov 3 2006. More info: http://punkcast.com/1062

PUNKCAST#974 Vivien Goldman reading at Soho McNally Robinson, NYC, on Sep 10 2006 from her new book 'The Book Of Exodus' about the recording of Bob Marley's 'album of the century,' This clip describes a brush with the London Constabulary. More info: http://punkcast.com/974

Web standards, design, business and code talk coming to you straight from the creative bunker of The Mechanism in NYC.

Web standards, design, business and code talk coming to you straight from the creative bunker of The Mechanism in NYC.