In Conversation

Helena Rathbone has long been a central and beloved figure in Australia's musical life. As Principal Violin and sometimes leader of the Australian Chamber Orchestra, she brings both incisive musicianship and deep artistic integrity to everything she touches. She's equally at home leading string ensembles, mentoring young musicians, or stepping into a solo spotlight.In this wide-ranging and warm interview, Helena reflects on her rich musical life as Principal Violin of the ACO and co-director of the upcoming ACO Unleashed tour. She shares stories from her musical upbringing in a singing family, her training in the UK including at the Guildhall School of Music, her experiences with the Academy of St Martin in the Fields, and her decision to move to Australia to join the ACO 30 years ago. She talks about her passion for mentoring young musicians through the ACO's emerging artist programs, her treasured Stradivarius violin, and the emotional significance behind her music choices.Helena Rathbone co-directs the Australian Chamber Orchestra for ACO Unleashed around Australia from June 21 to July 2.

Associate Conductor of The Sixteen, Eamonn Dougan has built a reputation as an inspirational communicator with a wide-ranging and adventurous repertoire. In addition to his work with The Sixteen, he is the founding director of Britten Sinfonia Voices and Music Director of the Thomas Tallis Society. The website Bachtrack perhaps sums him up best, praising his “remarkable knack for finding the perfect balance between allowing the emotion time to speak, while keeping everything moving.”In this conversation, Eamonn shares his passion for unearthing overlooked musical treasures, including the rich and rarely heard repertoire of the Polish Baroque. He speaks warmly about his educational work with emerging artists, advocating for ensemble singing as a distinct discipline deserving serious attention. We also discuss the origins and impact of his podcast Choral Chihuahua, created during the pandemic and now in its eighth season, as well as his approach to recording, and the lasting emotional power that music holds in his life.Eamonn Dougan is currently in Australia guest directing The Song Company for Love's Four Seasons, a compelling program exploring the cycle of human relationships through madrigals by Monteverdi, Gesualdo, and Barbara Strozzi, alongside modern works. At the time of publication, performances have already taken place in Newcastle, Wollongong and Canberra, with further concerts at the Utzon Room of the Sydney Opera House on Saturday 14 June and at the Blackheath Uniting Church on Sunday 15 June.

One of Australia's foremost young conductors, Luke Spicer has appeared as guest conductor of the Tasmanian, Queensland, and Canberra Symphony Orchestras, and as a conductor and music director with Opera Australia. He's also been guest Assistant Conductor at the Bruckner Orchestra Linz, the Saarländisches Staatstheater of Saarbrücken, and with the Sydney Symphony, working with both Simone Young and Vladimir Ashkenazy.In this conversation, Luke reflects on his journey from violinist to violist to conductor, influenced by formative experiences including a pivotal moment in Bathurst. He recounts studying under demanding mentors like Gianluigi Gelmetti, and his early performing experiences, including touring with Opera Australia. Luke Spicer conducts musicians of the Guizhou Chinese Orchestra and the Australia Orchestra for Folk Reimagined: East in Symphony in the Concert Hall of the Sydney Opera House on Monday 7 July and at the Melbourne Recital Centre on Wednesday 9 July.

Susannah Lawergren has developed a reputation as a beautifully clear soprano with “stunning vocal expression” and “compelling stagecraft”. A principal artist with both The Song Company and Bach Akadamie Australia, she's also performed with our other top ensembles, from Sydney Chamber Choir and Opera Australia, to Cantillation and Ensemble Offspring, plus has appeared at the Sydney and Adelaide Festivals and the Canberra International Music Festival.In this conversation, Susannah speaks candidly about her musical upbringing and studies, and reflects on the unique qualities of singing in different languages, explaining how language profoundly shapes vocal expression. We hear about how a beer at a pub serendipitously led to her involvement with Bach Akadamie Australia, plus about her career-making role with The Song Company. She also delves into the technical and emotional challenges of singing early and contemporary music, the importance of vocal pedagogy, and how her teaching approach emphasises sustainable practice and motor learning. Susannah Lawergren performs The Class of 85 with Bach Akadamie Australia 30 May to 1 June, followed by Love's Four Seasons with The Song Company from 6 to 15 June.

One of Australia's finest mezzo-sopranos, multi-award-winner Sally-Anne Russell has a career spanning over 80 operatic roles and performances on some of the world's most prestigious stages. She is celebrated for her rich, expressive voice and captivating artistry. From Baroque masterpieces to contemporary works, Sally-Anne has enchanted audiences across the globe. She's worked with luminaries from Bryn Terfel and Sumi Jo, to our own Richard Gill and Simone Young, and appears on over 40 albums and DVDs. Sally-Anne recounts her early beginnings in Adelaide, including her shift from aspiring dancer to opera singer, and her unusually young entry into the State Opera of South Australia Chorus. She discusses her time performing in The Phantom of the Opera, her return to classical singing, and her subsequent international experiences, including scholarships and working with major figures like Bryn Terfel and Pavarotti. The conversation explores her affinity for Baroque repertoire, particularly Bach and Handel, her work as co-artistic director of the Albury Chamber Music Festival, and the unpredictability and resilience required in a performer's life.Sally-Anne Russell performs Warm Winter Songs at the Yallamundi Room of the Sydney Opera House onWednesday, June 11. A fundraiser by the Sydney Opera House Ladies Committee, their events support the Arts Assist & Access Programs of the Opera House so children from under-resourced schools, or with a disability, can attend a performance at the House, which is often their first such experience.

A man who can only be described as musical theatre royalty, Michael Ball made his West End debut in 1985 as Marius in the original cast of Les Misérables. He went on to play the lead role of Alex Dillingham in Andrew Lloyd Webber's Aspects of Love in both the West End and on Broadway. He's appeared in a long string of musicals covering all parts of the repertoire – The Phantom of the Opera, Sweeney Todd, Chitty Chitty Bang Bang, Chess, Sunset Boulevard, even going full drag for Hairspray. He's recorded 27 albums, including 6 number 1s, not including the 12 cast recordings he's a part of. He's twice won the Olivier Award for Best Actor in a Musical, and in 2015 was made an Officer of the Order of the British Empire for his services to musical theatre.In this lively and heartfelt interview, Michael reflects on his illustrious career, from his breakout role as Marius to his current portrayal of Javert in the Australian arena tour. He shares behind-the-scenes stories about the show's early development, the camaraderie among its global cast, and how the evolving production has stayed relevant over four decades. Michael opens up about personal challenges, including a battle with stage-related anxiety early in his career, and how he overcame it with support from Cameron Mackintosh and others. We also hear about his success as a solo artist, his collaborations with Alfie Boe, and his ventures into songwriting. With warmth and humour, he discusses some of his memorable roles, his thoughts on fame and creative control, and the deep satisfaction he finds in all aspects of his work.

Described as a renegade opera star and cabaret artist, Ali McGregor began her career as a principal soprano with Opera Australia before running away to the circus to become an award winning cabaret performer. Nominated for an ARIA in 2014, she went on to win both a Green Room and Helpmann Award in 2015. She's one of the most in-demand performers on the international festival circuit and is a former artist director of the Adelaide Cabaret Festival, performing at venues from Glastonbury and Carnegie Hall to the Sydney Opera House.She's currently collaborating with the Signum Saxophone Quartet and Musica Viva for Hollywood Songbook, a concert tour exploring the turbulent first half of the 20th Century through the music of emigres such as Kurt Weill and Hanns Eisler, with performances until 17 May.In this interview, Ali traces her journey from performing at Opera Australia to creating innovative, genre-blending shows. She discusses the artistic freedom and creative risks involved in moving from traditional opera to the cabaret scene, and shares insights into her creative process plus her role as an artistic director. The conversation also touches on her efforts to make classical music more accessible and engaging to broader audiences through inventive programming and theatrical flair.

Gottfried von der Goltz is a violinist, conductor, and artist of extraordinary insight. As the director of the Freiburg Baroque Orchestra, he has played a pivotal role in shaping the modern sound of historically informed performance, breathing new life into Baroque and Classical music with a blend of scholarship and sheer musical brilliance. Whether wielding the bow as a soloist or guiding an ensemble from the podium, his interpretations are known for their energy, elegance, and deep expressiveness.In this conversation, Gottfried discusses his musical upbringing, his leadership of the Freiburg Baroque Orchestra, and his early involvement in historically informed performance. He reflects on his musical family background, his studies at Juilliard, and his passion for exploring Baroque and Classical repertoire with authenticity, including playing on period instruments and embracing improvisation and varied ornamentation. He shares insights into the different national styles of Baroque music and talks about the challenges and creativity involved in recording historically informed interpretations.This interview was kindly arranged by the Snow Concert Hall in Canberra.

As Assistant Concertmaster of the Sydney Symphony Orchestra, violinist Lerida Delbridge is a vital cornerstone of our classical music scene. She also has a passion for chamber music as a founding member of the Tinalley String Quartet, which has performed internationally and been the recipient of numerous awards. She has recently taken on the role of artistic director of Hunters Hill Music, which brings outstanding chamber music closer to audiences.In this wide-ranging conversation, Lerida discusses her multifaceted musical life, reflecting on her early musical influences, international study experiences, and the challenges and triumphs of building a career in chamber music from Australia. Delbridge also speaks about the importance of community music-making, her cherished historic violin, and the joy and insight she gains from teaching.The next Hunters Hill Music – Swirl, Swoop & Dance – is on at 2pm on Sunday 4 May at the Hunters Hill Town Hall. Visit huntershillmusic.com.au for further details about this and future concerts.

It's difficult to categorise Tom Gleisner, because he's done it all. He's a presenter, producer, director, writer, and actor, and even then that only scratches the surface of his talents. We first became aware of Tom thanks to The D Generation back in 1986, and as a part of Working Dog Productions he's created comedy classics like Frontline and Utopia, panel shows like Have You Been Paying Attention and The Panel, and feature films such as the critically acclaimed The Castle and The Dish. But it's musical theatre which Tom has most recently turned his hand to, writing the book and lyrics for Bloom, a new Australian musical set in an aged care facility.Tom reflects on his inspiration for the show, and his desire to treat older characters with dignity and complexity. He also shares insights into the collaborative process of developing the musical. He also discusses his multifaceted career, from his early days with The D-Generation and Frontline, the success of The Panel, to his more recent work in television satire with The Hollowmen and Utopia. He talks about making The Castle on a shoestring and the greater complexities and budget requirements for The Dish. Beyond entertainment, Gleisner speaks passionately about his involvement in charity work, including co-founding an autism support organisation and chairing a cancer charity. Bloom plays at the Roslyn Packer Theatre until May 11.

Zubin Kanga is a pianist, composer and technologist, who has been at the forefront of curating and creating interdisciplinary musical programs exploring what it means to be a performer in the 21st Century. His multi year project, Cyborg Solosits, is unlocking new possibilities in music making through interactions with motion and biosensors, new hybrid instruments, interactive visuals, and AI.In this conversation, Zubin provides a fascinating glimpse into this project, where he is collaborating with dozens of composers around the world in an exciting exploration of the limitless possibilities that lie ahead in how we create, perform, and enjoy music.Zubin also provides insights into the world premieres he will be performing, which includes one of his own compositions, with Ensemble Offspring to launch their 30th anniversary season, for Lumen Machine, on April 12 at The Neilson and April 13 at the Newcastle Conservatorium.

Globally renowned for his interpretation of baroque, classical and modern repertoire, counter-tenor Reginald Mobley is best known for his performances of JS Bach and Purcell. He's sung with the Monteverdi Choir, the English Baroque Soloists, the Philharmonia Baroque Orchestra and Early Music Vancouver, among many others, as well as at the coronation of King Charles III. He's also an advocate for diversity in music and its programming, and has become the first ever Programming Consultant for the Handel and Haydn Society in his home town of Boston. He's come to Australia for a national tour with Bach Akadamie Australia.Reggie reflects on the significance of J.S. Bach in his musical journey. He shares insights into his early years, the influences that shaped his distinctive vocal career, and his passion for bringing Baroque music to life. The conversation also touches on diversity in classical music, his collaborations with leading ensembles, and his passion for blending musical traditions. With a mix of humour and thoughtful reflection, Reggie offers a fascinating look into his artistry.Reginald Mobley performs with Bach Akadamie Australia for The Countertenor – Bach's Holy Spirit at venues around Australia until April 25. 

A pianist dubbed both as a “formidable talent” as well as “Australia's pre-eminent chamber music pianist”, Kathryn Selby has performed with orchestras and chamber groups around the world, most extensively throughout Australia and North America. For nearly 15 years she was the anchor of the Macquarie Trio, which made many recordings, several of which were nominated for the Best Classical Album ARIA award. She's perhaps most familiar to us now as the name behind the popular series of chamber music recitals, Selby and Friends which the Sydney Morning Herald has described as “chamber music at its best”.Kathy talks about how her passion for the piano led her to study in the United States from a very young age. We hear about the founding of Selby & Friends, the challenges of making a career as a pianist, and the rise and fall of the Macquarie Trio. She also touches on her personal struggle of her early move to the States, plus stories about the many great musicians who have influenced her. Selby & Friends next concert series, Joyeux Anniversaire, is on around the country from the 6th to the 13th of April.

The New Yorker described cellist and composer Peter Gregson as “working at the forefront of the new music scene”. As a cellist, he has performed all over the world, from The Royal Albert Hall to Capitol Studios in Hollywood. He has composed music for award-winning TV shows and movies, including the much loved Bridgerton from Netflix, and The New Pope from HBO. He also crosses into the pop industry, having featured as both cello soloist and conductor for Ed Sheeran on his record-breaking 2017 album, Divide.In this interview, Peter Gregson discusses his latest work, Everything We Hear Comes First from Silence, written for the Omega Ensemble. We hear about his inspiration from composers like Steve Reich and Philip Glass, and his approach to blending acoustic instruments with electronics. He shares insights into his reimagining of the Bach Cello Suites, and how a chance encounter with Alan Rickman led him to compose for film and television.The Omega Ensemble performs the world premiere of Peter's new work, Everything We Here Comes First From Silence, as part of their upcoming tour La Musica Notturna from March 24-27.

Bass/baritone Adrian Tamburini has enjoyed a long and varied career in opera, musical theatre, and also as a director and producer. He has won two Green Room Awards, the second for his performance in Wagner's Götterdämmerung, and has also been the winner of Australia's most prestigious singing award, the Australian Opera Award. His voice features on international recordings, in cinema, and on radio and TV. He's appeared in a raft of productions for opera companies around the country. On top of that, he's a music educator and also a champion of new Australian works.Adrian takes us through the inspirations and challenges he has had throughout his singing career, from boy soprano to the master of the underworld. He shares his recently found passion for music education and provides some insights on what it's like moving from the world of traditional opera to a large scale commercial musical.Adrian Tamburini plays Hades in Hadestown, playing now at Sydney's Theatre Royal until 26 April before heading to Melbourne.

Bobby Fox is best known for originating the role of Frankie Valli in the Australian production of Jersey Boys. He has appeared in many other musical theatre productions, including Hairspray, Mamma Mia, Spamalot, Oklahoma and Sweet Charity, amongst others, and he received a Helpmann nomination for his role in Stephen Sondheim's Assassins which played at both the Hayes and the Sydney Opera House. He also has a shuffle in his shoes, having been a part of Riverdance as well as a four time World Irish Dance Champion. He has released the album The Fantastic Mr Fox.Bobby takes us through his childhood in regional Ireland, learning to dance as soon as he could walk, and being part of Riverdance from just 15 years of age. His journey ultimately takes him to Australia where he has lived for over 20 years as a successful musical theatre performer.Bobby Fox appears in Guys and Dolls, this year's Handa Opera on Sydney Harbour thanks to Opera Australia, from 21 March to 20 April.

One of Australia's most eclectic, respected and prolific artists, Eddie Perfect has received multiple awards and nominations for the different strands of his work. He won the 2009 Helpmann Award for Best New Australian Work for Shane Warne: The Musical, and received a Tony nomination for Best Original Score for his work as composer/lyricist of Beetlejuice. He's back on stage to star in Opera Australia's new production of Leonard Bernstein's Candide, and from this May will once again perform his own music as he takes on the title role in the Australian run of Beetlejuice.In this conversation, Eddie takes a deep dive into the development and creation of a successful Broadway show, charting his initial struggle to get his foot in the door, the long process of writing, workshopping, and re-writing, to coping with the initial out-of-town and Broadway premieres to an initially lacklustre critical response. The show went on to receive eight Tony nominations. He also talks about his formative years as a performer that eventually led to creating Shane Warne: The Musical.This episode of In Conversation contains additional content to the broadcast edition.

Latvian cellist and conductor Margarita Balanas has played at venues around the world, from Carnegie Hall to the Sydney Opera House. She's performed as soloist with the Munich Philharmonic and the Barcelona Symphony Orchestra among many others, and conducted orchestras including the Tonhalle-Orchester Zürich and the Baltic Sea Philharmonic, and is the founder and music director of the ANONIMI orchestra and charity.As children, Margarita and her siblings raised money by busking in order to afford the travel and entry fees to be able to play in competitions. Her incredible tenacity and motivation took her to London and the Purcell School, then the Royal Academy of Music, and lead her to becoming assistant conductor to Paavo Järvi. Margarita shares this incredible journey with us, as well as a number of pieces she has performed with her sister, violinist Kristine Balanas, as part of that journey.Follow Margarita on Instagram @margaritabalanas and on her website www.margaritabalanas.com

A British composer, writer and broadcaster, Stephen Johnson has a long and eclectic career. His book titles include Discover Music of the Classical Era, The Eighth: Mahler and the World in 1910, and How Shostakovich Changed My Mind, not to mention his curation of a book of ghost stories. His compositions include a String Quartet for the Brodsky Quartet, andBehemoth Dances for the Moscow State Symphony Orchestra. He was also a long-time broadcaster with the BBC's classical radio channel, Radio 3, particularly for his acclaimed program Discovering Music. He's been called “The authoritative British voice of classical music”.This conversation dips into Stephen's vast musical knowledge, and he very candidly talks about music's role in mental health and his own struggles with illness. He also shares some of his experiences a the BBC and the catalysts for some of his writing.This program was recorded at the 2024 Australian Festival of Chamber Music. The 2025 Festival runs from 25 July to 2 August in Townsville. For more information, and to become a Friend of the Festival which entitles you to priority tickets, visit afcm.com.au

A celebrated pianist, Alexander Boyd is appreciated for his sensitivity and the integrity of his interpretations. He made his concerto debut at the age of just 11 with the BBC Scottish Symphony Orchestra. He's since performed at London's Wigmore Hall and St Martins in the Fields, as well as throughout Europe, the US and Australia. He's also a composer, having written music for three films. He has a pair of new albums out in March, one of Chopin's Ballades and other works, the other an album of Fandangos. Alexander talks about the development of these albums, and also gives some lovely insights into the life of a professional pianist.

Soprano, actress and producer Amy Manford has delighted audiences young and old with her gorgeous voice and magnetic stage presence. Audiences will recall her highly acclaimed run as Christine Daaé in The Phantom of the Opera at the Sydney Opera House and Melbourne Arts Centre, having already played the role in the West End. She's performed with Andrea Bocelli and for the British Royal Family. She's also quite the arts entrepreneur, having co-founded MM Creative Productions. Their production, Disney in Concert, is back by popular demand, returning to the Sydney Opera House and the Melbourne Arts Centre in March. Amy spent her early childhood not as a singer, but as a gymnast, until a knee injury changed her trajectory. Her natural talents took her to the Royal College of Music in London, and she hasn't looked back since. Amy shares the challenges and opportunities of running a production company, and being part of one of the world's most famous entertainment brands. She introduces some of her own recordings, including one of her own compositions.

A French pianist applauded for his versatility and wide-ranging repertoire, Cédric Tiberghien has an openness to explore innovative concert formats and dynamic chamber music partnerships. He's recorded over 20 solo albums and over 15 collaborative ones, has played concerts and recitals in all parts of the world, with the Berlin Philharmonic, Orchestre National de France, the London Philharmonic, the Sydney Symphony, among many others. He was fascinated by a grand piano when he was 2 years old, and started lessons as soon as he was able. In this conversation, Cédric takes us through his approach to music and performance with joy and excitement, and his musical selections demonstrate the full breadth of his approach to his craft. Cédric Tiberghien performs The Cage Project with Musica Viva at the Sydney Festival on 23-25 January, before heading to Canberra and Melbourne.

In Conversation begins a new year with a conductor whose passion for music is irrepressible. Australian born Daniel Smith is now based in Italy, and proudly bears the Italian honour of Australian Cultural Ambassador. Following his highly successful debut with The Mariinsky Orchestra, Daniel has guest conducted the Czech Philharmonic, London Philharmonic, Israel Philharmonic, Warsaw National Philharmonic, Frankfurt Radio Symphony, New Japan Philharmonic, amongst many others. Daniel shares stories of his hard fought career milestones, from cornering maestro Gianluigi Gelmetti in a Sydney Opera House lift to beg him to take him on as a student, to his breakthrough being the only conductor to be awarded Laureate in four of the most prestigious international conducting competitions in a single year. He speaks with great passion on his plans to share culture with as broad an audience as possible. Daniel Smith conducts The Barber of Seville for Opera Australia, which plays at the Sydney Opera House until 28 February.

Composer Ann Carr-Boyd has helped shape Australian classical composition for over 60 years. She was a trail blazer from the very beginning, being the University of Sydney's first ever Master of Arts in music. As well as composition, she's been involved in broadcasting, teaching, as well as lexicography, having contributed to the Grove Dictionary of Music and Musicians. We delve into Ann's long lasting and groundbreaking career, to hear the insights of this remarkable contributor to the development of the Australian compositional voice.

A conductor beloved by Australian audiences for nearly 50 years, Graham Abbott has conducted all the state symphony orchestras, most of our major opera companies, and many of our choirs. He's also a well-respected broadcaster, most particularly for the ABC program Keys to Music, and has more recently developed a reputation as one of our premier music tour leaders. After many decades of waving his arms about, he's decided that he will bring his conducting career to a close with a composer he has dedicated much of his career to and one of the most famous pieces of music ever written – Handel's Messiah. Graham shares his adoration of Handel and gives us an understanding of how he worked and where Messiah fits into his greater oeuvre. He talks of his love of radio broadcasting, and his role as a music tour leader. His skills in all these areas manifest themselves throughout the program through his musical selections. Graham Abbott conducts Sydney Philharmonia Choirs for Handel's Messiah at the Sydney Opera House from 13-15 December.

Violist Irina Morozova has a long and distinguished career, including as principal viola of the Australian Chamber Orchestra, the Australian Opera and Ballet Orchestra, and guest principal of the Sydney Symphony and Hong Kong Philharmonic Orchestras. But it's as part of the Goldner String Quartet that she and her fellow musicians Dene Olding, Dimity Hall and Julian Smiles, have found a significant place in the hearts of Australia's classical music lovers. Long been considered Australia's pre-eminent string quartet, the Golders are considered among the best quartets in the world. They've recorded 19 albums covering repertoire from Beethoven to Peter Sculthorpe and have performed internationally including at London's Wigmore Hall and at the Biennale in Venice. But this year, their 30th season, is also their last, with their farewell concert taking place this Sunday 8th of December at the Verbruggen Hall of the Sydney Conservatorium of Music in association with Musica Viva. Irina talks about the significant place the Golden String Quartet has had in her life and heart. The music she shares is done so with thoughtfulness and passion, and her story is inspiring.

A conductor renowned for his dynamic interpretations and exceptional leadership, Vasily Petrenko has firmly established himself as one of the most compelling conductors of our time. Currently the Music Director of the Royal Philharmonic Orchestra, after his 15 year stint as chief conductor of the Royal Liverpool Philharmonic Orchestra, his illustrious career spans collaborations with some of the world's finest orchestras and opera companies including the Berlin and London Symphony Orchestra, as well as the Gewandhaus, the Bavarian Radio Symphony Orchestra, the Metropolitan Opera, among many others. Vasily talks about his upbringing in the then-USSR, and speaks with great passion about the need for music to bring peace in all parts of the world. He has a deep understanding of the music he conducts, and strives to expand the musical horizons of audiences. Vasily Petrenko conducts the Sydney Symphony Orchestra from 27-30 November.

A young violinist who undoubtedly represents the future of classical music , Edward Walton won his first international competition in Italy at the age of just 13. He has appeared with orchestras and performed recitals across the globe. Now aged just 18, he was described by The Violin Channel as having “maturity and understanding far beyond his age”. Born in Australia, he took up opportunities in the UK a couple of years ago, and is currently based in Vienna to further develop his career. He has studied with some greats of the violin, most notably Itzhak Perlman. Edward modestly talks about his talents and early development as he embarks on what is already becoming a stellar performing career. Edward Walton performs Brahms's Violin Concerto in D with the Willoughby Symphony Orchestra under chief conductor Dr Nicholas Milton on 23-24 November.

Phillip Scott has joyfully been puncturing the inflated egos of this country's elite for four decades. He does it all – a writer, composer, actor, singer, and musician – skills which come together for satirical comedy shows beginning in the early 1980s with The Gillies Report, morphing into their current guise as The Wharf Revue for the past 25 years. All good things must come to an end, and he and his fellow satirists are presenting their final iteration of the show – The End of the Wharf as We Know It. Phillip also has a connection with 2MBS Fine Music Sydney. As the first Director of Programming back in 1975, Phillip shares some of the stories of the chaotic early days of the station, as it approaches its 50th anniversary. We also find out how his professional life has been shaped and get a peek into how his acclaimed shows come together. There are some guest appearances from a couple of his well known characters, too! The End of the Wharf as We Know It runs at The Seymour Centre until 23 December, and tours regionally during 2025.

A musician described as “the most interesting voice on the guitar for a generation”, Edinburgh-born Sean Shibe is as at home on the electric guitar as he is on the classical acoustic one. Winner of awards including the 2018 Royal Philharmonic Society Young Artist Award and the 2022 Leonard Bernstein Award, he was nominated in 2023 for a Grammy, and continues to prove himself as an original mind at the frontier of contemporary classical music. In this conversation, Sean demystifies the electric guitar while eloquently introducing us to a deliciously diverse selection of music. He has an inspiring approach to both the acoustic and electric guitar which embraces tradition while pushing boundaries. Sean Shibe performs with the Australian Chamber Orchestra under artistic director Richard Tognetti for Scotland Unbound around Australia until November 18, with performances at the City Recital Hall on November 9, 12 and 13, and at the Sydney Opera House on November 10.

A keyboard soloist and conductor, Francesco Corti is one of Europe's most in demand musicians. He is a member of Les Musiciens du Louvre, Bach Collegium Japan and Le Concert des Nations, among several others. He's led Tafelmusik, the English Concert, and the Freiburg Baroqueorcheter, is the musical director at the Drottningholm Royal Court Theatre, and appears on over 30 albums. Francesco takes us through his passion for early music, and performing on instruments authentic to the period. He details his love of this era and shares some of his deep understanding of the fortepiano and its relevance as an instrument today. We also delve into the technique and process of his reconstruction of a JS Bach concerto.  Francesco Corti performs with the Australian Brandenburg Orchestra until 2 November.

He is a counter-tenor loved by audiences around the world. Andreas Scholl has a beautiful pure clarity of voice, gives absolutely divine performances including on his dozens of albums, and he has a wonderful gentle good humour too. Andreas talks about the discovery of his beautiful counter tenor voice as an adolescent, which inspired him to make music his career. We hear about how his musical development was nurtured and what he has learnt on this journey. We also get to hear his baritone singing voice, which is heard more often than you might think, including on electro-pop songs! Andreas Scholl performs with the Australian World Orchestra in Sydney on 23 and 24 October, and in Melbourne on 26 October.

Violist and music curator Katie Yap has performed with some of Australia's finest ensembles, including the Melbourne Symphony Orchestra, the Australian Chamber Orchestra, Van Diemen's Band, and the Australian Brandenburg Orchestra. She's also played overseas, including with the Academy of Ancient Music. She's a founding member of a prog-baroque quartet Croissants & Whisky, plus the Chrysalis Harp Trio, and crossover folk/baroque group the Wattleseed Ensemble. Katie shares her passion for improvisation and merging the worlds of baroque, folk, and contemporary music. Since her professional start in Orchestra Victoria, she has embarked on a diverse and successful career forming music ensembles and curating festivals, including the Music She Wrote festival for 3MBS in Melbourne, celebrating female composers. In 2022 she was the recipient of the Freedman Fellowship. This conversation was recorded at the Australian Festival of Chamber Music in late July.

One of the UK's most sought-after baritones, Roderick Williams has a vast repertoire which spans from the baroque to world premieres. He was called the greatest living baritone by Britain's Daily Telegraph, and The New York Times labelled him a natural and expressive communicator in song. He has performed at Wigmore Hall, the Concertgebouw and the Musikverein, and composed for and performed in the coronation of King Charles III. Roddy is infectiously cheerful, and his musical selections highlight key points of his career. He shares stories with joy and humility, from his idyllic childhood and the discovery of his massive potential to performing at some significant events of the 21st Century. This conversation was recorded at the Australian Festival of Chamber Music in late July.

A pianist who The New Yorker described as “New York's queen of avant-garde piano”, Lisa Moore has performed with the London Sinfonietta, Australian Chamber Orchestra, the Sydney, Canberra and Tasmanian Symphony Orchestras to name just a few, and has played under the baton of luminaries like Leonard Bernstein, Pierre Boulez, David Robertson and Edo de Waart. She's appeared in venues from Carnegie Hall to the Sydney Opera House, and been part of over 30 albums. Lisa has made her career performing music of living composers. In this conversation she speaks with great passion about this music, sharing great insights about it plus her career journey as a modern pianist. Since recording this interview, Lisa is happy to announce the release in early 2025 of the new album from Crux Duo, a collaboration between herself and clarinettist Lloyd Van't Hoff. Called My Place, it's a compilation of modern Australian and American works written and arranged especially for them, including by Elena Kats-Chernin, Erik Griswold, Nick Russoniello, Harriet Steinke, and Martin Bresnick, and will be released on the ABC Classics label. Lisa and Lloyd will perform a concert launching the album at the Goethe Institute, as part of the Goethe Lounge Series, at 6pm on Wednesday 22 January 2025. Find Lisa's albums on the usual streaming services, and follow Lisa via her website lisamoore.org as well as on Instagram @lisapianomoore and on Facebook @lisamoorepiano

Opera singer Katherine Wiles has been a permanent member of the Opera Australia chorus since 2007, and has performed several principal roles there as well as in South Australia, New Zealand, and the UK. She's performed at the Edinburgh Festival and on the Royal Yacht Britannia. Katherine's new book, No Autographs Please, tells the tale of the backstage antics, onstage disasters and the long road to success of an opera singer. Opera Australia CEO Fiona Allan says that her account of life as a chorus member is "full of wit and behind the scenes revelations", while Todd McKenney says that the book proves that "the real stars of any show are the chorus". Katherine tells us about her inspiration for writing this book, and gives us a no holds barred take on what it's like taking your bow from the second row. No Autographs Please is out now from all good book retailers.

A composer who Australian Stage has dubbed “the most interesting voice in Australian composition for many years”, Harry Sdraulig has risen to prominence through a string of collaborations with renowned artists and organisations. He's composed for The Australian Chamber Orchestra, Musica Viva, the Australia Ensemble, as well as the Sydney, Melbourne, Queensland, Tasmanian, and Canberra Symphony Orchestras, and has also been commissioned by cellist Yo-Yo Ma. Harry shares some great insights and perspectives on the life a composer, and he introduces some of the compositions which have featured at key points of his career. Harry Sdraulig's new work, Triptych, is performed by the Omega Ensemble as part of their Concertante tour, 1-5 October in Sydney, Melbourne and Newcastle.

“The complete package!” is how Tim Draxl has been described for his performance as Joe Gillis in Andrew Lloyd-Webber's musical Sunset Boulevard, currently playing at the Sydney Opera House. That part is just the latest in a long line of Tim's roles in his 20-plus year career which has garnered him nominations for AACTAs, Logies, and a Helpmann Award. On stage he has appeared in musicals such as Jagged Little Pill, Into the Woods and Catch Me If You Can. He is a familiar face on TV, most particularly for his long running role in A Place to Call Home, and more recently the ABC series about the Australian response to the AIDS crisis, In Our Blood. His films include Swimming Upstream and Blacklight among many others. He's also no stranger to cabaret, and has released four albums. Tim takes us through his career from budding cabaret performer, through his time in Hollywood and to his most recent roles. He candidly shares the story of coming out publicly, his embrace of which has led him to be a part of several ground-breaking productions and being an inspiration for many LGTBQIA+ Australians, young and old. Tim Draxl plays Joe Gillis in Sunset Boulevard in the Joan Sutherland Theatre of the Sydney Opera House until 1 November.

Australia's very own “genius of jazz”, James Morrison has entertained audiences here and overseas for over 40 years.  He's played with many jazz legends, including Dizzy Gillespie, Dave Brubeck, Quincy Jones, Ray Charles and Don Burrows, to name just a few. He frequents the world's greatest jazz clubs in New York, Paris and London, has performed for US Presidents and British Monarchs, and has received countless awards and nominations. James takes us through his somewhat unorthodox entrée into music, the inspiration from playing with so many jazz legends as a younger musician and his passion for helping emerging artists now. We also hear about his love of being behind the wheel of everything from coaches to aircraft. James Morrison performs with Romanian jazz sensation Marian Petrescu at venues around Australia during September, including at the City Recital Hall on Monday 16 September thanks to Live at Yours.

"Totally embraceable" and "larger than life" is how critics have described Rhonda Burchmore. An actor and singer who has entertained Australians for four decades, she has forged a career across stage and screen. Her musical theatre credits are vast, from Mame and Annie Get Your Gun to Mamma Mia and Hairspray. She's no stranger to cabaret, has released seven albums, and has also written her autobiography. Rhonda shares some highlights from her long career, taking us back to her earliest days when the passion for performing was clearly in her blood. She reminisces about the excitement and opportunities of live to air performances on popular TV variety shows such as The Don Lane Show and The Bert Newton Show, the trials of her stint on I'm a Celebrity Get Me Out of Here, and we hear some of the music which has shaped her life. Rhonda Burchmore is currently dressing up eight times a week as a nun, for the riotous feel-good musical Sister Act playing now at Sydney's Capitol Theatre until late October before heading to Melbourne and the other major state capitals.

An Australian pianist who has taken the world by storm, Andrea Lam has performed with orchestras across Australia, the US, Japan and China, and in venues from the Sydney Opera House to New York's Carnegie Hall. Words used to describe her playing include “sensitive”,  “riveting” and “mesmerising”, and the Wall Street Journal has pronounced her “a real talent”. Andrea takes us through her upcoming album, Sad Piano, music by Matthew Hindson, who Andrea has been friends with most of her life. We hear about her journey with the piano, her career living and performing in New York, plus the relevance of both star jumps and spaghetti bolognese! Visit andrealam.com for all the details of Andrea's upcoming performances.

A violinist known for phenomenal technique, persuasive interpretations, and ravishing tones, Augustin Hadelich has performed across the world. He's appeared with orchestras from the Berlin and London Philharmonics to Tokyo's NHK Symphony and our own Sydney Symphony Orchestra. His recordings cover a wide range of the violin repertoire, and in 2016 he won a Grammy for Best Classical Instrumental Solo. He has a new album out this month – American Road Trip – and in this program Augustin takes us on that journey through some of the greats of American violin music. He shares with us stories of his life playing the violin, without a Rubik's cube in sight!

International icon Sarah Brightman began her stage career at the age of just 13, and never looked back. She's best known for creating the role of Christine Daaé in The Phantom of the Opera both in the West End and on Broadway, the cast album of which is the highest selling cast album in history. She went on to a stellar recording career, having released dozens of albums. She's now in Australia, ready for her close up, performing the role of Norma Desmond in Andrew Lloyd-Webber's Sunset Boulevard. Sarah revisits the early days of her career development. We hear about her breakthrough in Cats, the success of The Phantom of the Opera, plus her subsequent recording career which includes iconic performances with Andrea Bocelli and José Carreras. Sarah also tells about training to be an astronaut! Sarah Brightman stars as Norma Desmond in Sunset Boulevard from 28 August to 1 November at the Sydney Opera House.

French cellist Christian-Pierre La Marca has been hailed by Gramophone as “a master of his instrument” and by Le Monde as belonging to “the French Cello Elite”. He has appeared at major concert venues around the world, whether it's Paris, New York, London or Vienna. He performs across musical genres, and his recordings receive unanimous critical acclaim. In this conversation, Christian-Pierre delves into two of his albums of recent years, Cello360 and his environmentally themed project Wonderful World, both of which have appeared in concert, plus a preview of his new album, Legacy. He also talks about the challenges and opportunities for artists of the modern era of social media and streaming services. This edition of In Conversation was recorded at the 2024 Australian Festival of Chamber Music, in Townsville. The next festival runs from 25 July to 4 August 2025.

James O'Donnell is one of the leading organists and choral conductors of his generation. He was Master of Music at Westminster Cathedral, and subsequently Master of the Choristers at Westminster Abbey for over 20 years, during which time he was responsible for the music at several significant events – most notably the wedding of Their Royal Highnesses the Prince and Princess of Wales, William and Katherine, and the state funeral of Her Majesty Queen Elizabeth II. Since 2023 he has been Professor of Organ and Sacred Music at Yale. In this conversation, James shares some of the history of the remarkable institutions he has served, and we delve into some of the recordings he has made with the Choirs of Westminster Cathedral and Westminster Abbey. We also hear about some of the broader responsibilities which came with his service at Westminster Abbey. James O'Donnell performs the opening recital for the new Bicentennial pipe organ at St James King Street on Friday 26 July.

A two-time Grammy nominee, Rod Gilfry is a singer and actor who performs across opera, musicals, recitals and cabaret, all over the world. His opera repertoire in particular is vast, spanning 75 roles. He's come to Opera Australia and the Sydney Opera House to perform one of the many roles in new operas that he has created – Claudius in Brett Dean's Hamlet, directed by Neil Armfield. Rod has already performed this role at the Met in New York and at Glyndebourne in the UK. Rod takes us through his long career which began in school choirs and musicals in California, and speaks passionately about some of the roles he has played. In particular, he takes us through the joys and challenges of creating some of these new roles, including his acclaimed performance in A Streetcar Named Desire. Rod Gilfry play Claudius in Brett Dean's Hamlet from 20 July to 9 August in the Joan Sutherland Theatre of the Sydney Opera House.

The Choir of King's College, Cambridge, undoubtedly ranks as one of the world's best-known choral groups. Founded in the 15th Century, the choir's main function is to sing in the daily services in King's College Chapel, but it has long since spread its wings far broader than that, generating worldwide fame through a wealth of recordings and an extensive international tour schedule. Daniel Hyde has been Musical Director since 2019. His distinguished career as an organist and choral conductor includes roles at Jesus College, Cambridge, at Magdalen College, Oxford, and most recently at Saint Thomas Church in New York. Daniel talks about the long history and significance of the choir, and how he came to be inspired by this timeless musical tradition. The Choir of King's College, Cambridge, tours Australia thanks to Musica Viva, from 21 July to 5 August.

One of the world's leading young harpsichordists, Justin Taylor has released numerous award-winning solo recordings, and is one of the founders of the internationally renowned period ensemble, Le Consort. The Australian Brandenburg Orchestra's artistic director Paul Dyer calls him "a true master of the harpsichord". He comes to the Australian Brandenburg Orchestra stage to be part of a rare performance of JS Bach's Concerto for Four Harpsichords. Justin speaks about the intricacies and subtleties of playing the harpsichord and other period keyboards. He elaborates on how the sound production of original keyboard instruments of different eras informs the performance of the music, giving us a greater understanding of what the composer intended. Justin Taylor performs with the Australian Brandenburg Orchestra in Sydney and Melbourne from 5-14 July.

A musical theatre actor responsible for some of the most notable performances on our stages, Anthony Warlow began his career with the Australian Opera in 1980. He has since become a household name thanks to his work in The Phantom of the Opera, The Secret Garden, Annie, My Fair Lady, Jeckyll & Hyde to name only a few, while also performing with Opera Australia for The Magic Flute, Die Fledermaus, The Pirates of Penzance, and more. He's performed on Broadway and the West End, and has several albums to his name. In this extended version of the broadcast edition, Anthony displays his deep understanding of how to create a successful performance, time and again. We hear stories about his journey to the stage, and about some of the roles that have made him one of Australia's popular and successful musical theatre performers. Anthony Warlow plays Billy Flynn, the lawyer who lets you get away with murder, in Chicago, on now at Sydney's Capitol Theatre.

French-German cellist Nicolas Altstaedt is one of the most sought after and versatile musicians today, performing repertoire spanning early music to the contemporary, as a soloist, conductor and artistic director. He's performed with the Philharmonia Orchestra, the Montreal Symphony Orchestra, and the London Philharmonic, to name only a few. His conducting has taken him to the Scottish Chamber Orchestra and the Budapest Festival Orchestra and more. As a chamber musician he's collaborated with Joshua Bell, Janine Jansen and Pekka Kuusisto, amongst many other, and has recorded 15 albums. In this conversation Nicolas enthusiastically talks about his craft and shares music from his contemporaries who inspire him most. He articulately describes the variations between the different ensembles with which he has collaborated. His energy and insights shine a fresh light into the works he performs. Nicolas Altstaedt is in Australia to guest direct the Australian Chamber Orchestra until 30 June.

A  global artist who has enjoyed chart-topping success, international tours, and celebrated collaborations, violinist Vov Dylan enjoys taking audiences to a place where the classical meets the contemporary, coalescing with world music and jazz.   He's premiered works by some of this country's finest composers, including Elena Kats-Chernin, Margaret Brandman and Ann Carr-Boyd. He has two new albums coming soon – Elevation, featuring the works of those composers as well as Stuart Greenaum, Ross Edwards and others, plus La Vida Apasionada, an album of works by Margaret Brandman. Vov talks about his life as a working musician – from serenading in biker bars through to introducing international audiences to Australian works, plus how a couple of bottles of Bollinger may well have been the deciding factor for a career in music!