Podcast appearances and mentions of Fiona Apple

On this week's Talkhouse Podcast, we've got a pair of fantastic music makers who also happen to be… women in music. That's their joke, not mine—you'll hear. It's Johanna Samuels and Madison Cunningham. Though she's from New York, Johanna Samuels' music has always had West Coast vibes—it makes perfect sense that she now calls Los Angeles home. Her latest album, Sorry, Kid, just came out, and it's got an interesting backstory: The songs were written years ago but never finished, and there were false starts making them work this time around. But she found a great collaborator in Jonathan Rado—you'll hear her refer to “Rado” a bunch in this chat—and finally broke through to a stunning set of mellow, downcast songs. You'll hear the influence of Aimee Mann, Tom Petty, Elliott Smith—if those are your thing, give it a close listen.  The other half of today's conversation, Madison Cunningham, plays a little bit on Samuels' record. The two are old friends, and you may have heard Cunningham in a variety of disparate places over the years: She played with Andrew Bird, and the two covered the lone Buckingham-Nicks album together. She's toured with big names, including Harry Styles. Her 2022 album, Revealer, won the Grammy for Best Folk Album. Cunningham's third album, Ace, was released late last year, and it's a winning left turn—less guitar, more piano, a little weirder than ever before. Check out the Samuels' track “Rare,” which features some playing and singing from Cunningham. This episode was recorded with our guests in the same room, and you can hear the friendly energy these two have. They joke around about being “women in music” as well as the long road to Samuels' album, Fiona Apple, Tom Petty, and much, much more. I hope you enjoy listening as much as they did recording. Thanks for listening to the Talkhouse Podcast, and thanks to Johanna Samuels and Madison Cunningham for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the other great shows in our network. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! 0:00 Intro 2:18 Start of convo 2:20 On “women having a moment” in music, and Pitchfork's mean reviews 3:51 On their newest albums, seeing how art comes out of each others' lives, and artistic phases 7:01 On releasing songs after the inspiring emotion has passed, mental health, and using songs to process emotions 09:22 On the joy of creation, tarot cards, and the addictive qualities of the creative process 12:17 On the recording process, and finding the sound and lyrics 13:46 On Tom Petty, finding inspiration from great songs, simple lyrics, and cover songs 17:05 On learning to write songs by dissecting other songs, inspiring each other, and deceptively simple pop songs 20:45 On the timeline of making an album, the “Sha Sha Redemption,” and the importance of fun 25:06 On humor and self-awareness in sad songs 28:09 On their “women are having a moment” joke, dealing with anger, and not wanting to be known for one emotion 29:43 On how male songwriters approach expressing emotions differently, and if being hot makes for shallower art 33:58 On being grounded, loving life, discomfort, and feeling free to make new art 37:24 On other artists' paths and growth, and being willing to try new things Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠, and visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Don't miss the latest from your favorite artists: subscribe to the Talkhouse newsletter to receive weekly highlights in your inbox. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

Kirk returns to the Mojave, and to QOTSA's groundbreaking 2002 album Songs For The Deaf.  Written by: Josh Homme and Mark Lanegan Produced by: Josh Homme and Eric Valentine Album: Songs For The Deaf, 2002 Listen/Buy via Album.Link Episode photo by Kirk Hamilton @ Joshua Tree, 2026 ALSO REFERENCED/DISCUSSED: “Stairway to Heaven” by Led Zeppelin from Led Zeppelin IV, 1971 “Blood and Thunder” by Mastodon from Leviathan, 2004 “Micro Cuts” by Muse from Origin of Symmetry, 2001 “Barracuda” by Heart from Little Queen, 1977 “Paranoid Android” by Radiohead from OK Computer, 1997 “Holy Wars… The Punishment Due” by Megadeth from Rust in Peace, 1990 "... Millionaire," "No One Knows," "God Is In The Radio," "First It Giveth," by QOTSA from Songs For The Deaf “Thumb” by Kyuss from Blues for the Red Sun, 1992 “Ride” by T-Ride from T-Ride, 1992 “Destination” by Nickel Creek from A Dotted Line, 2014 “Blue 7” by Sonny Rollins feat. Max Roach from Saxophone Colossus, 1957 “Slip It In” by Black Flag from Slip It In, 1984 “Sgt. Pepper's Lonely Hearts Club Band” from Sgt Pepper's Lonely Hearts Club Band, 1967 “Fast as You Can” by Fiona Apple from When The Pawn… ,1999 “Epistrophy” by Thelonious Monk from Genius Of Modern Music, 1951 Goldeneye 007 pause music by Grant Kirkhope, 1997 “Foxy Lady” by Jimi Hendrix from Are You Experienced?, 1967 “Hey Joe” as recorded by the Jimi Hendrix Experience, 1966 MTV interview with Kurt Cobain, Krist Novoselic and Dave Grohl, 1992 MusicRadar and Rick Beato interviews with Eric Valentine "Making Songs For The Deaf" mini-doc, archived on YouTube "Song For The Dead" live at Rock Werchter, 2002 AUGUST 2026 WHOLE NOTE PATRONS AccessViolation - Andy - Ben Barron - Brute Farce - Butch Vig - Catherine Warner - Cerise Gay - Cesar - Christopher McConnell - Christopher Miller - Corpus Frisky - Damon White - Daniel Hannon-Barry - Dave Florey - David Mascetti - Erica Smolinski - Greer Bevel - Greg - Greg - Jamie White - Jay Swartz - Jenness Gardner - Jeremy Dawson - Joe Laska - Julie Rowe - Ken Hirsh - Lisa Crotty - Matt R - Melanie Andrich - Melissa Lucas - Nigel - Pablo Castro - Paul Delaney - Rich Fish - Robyn Metcalfe - Sami Samhuri - Scott Lystig Fritchie - Wendy Moore AUGUST 2026 HALF NOTE PATRONS Aaron CainAaron Wade - Aaron Wilson - Abbie Berg - Achint Srivastava - Adam Clark - Adam Stofsky - Adam W - Ailie Fraser - AJ Schuster - Alan Kress - Alan Maass - Alan Wills - AlanB - Alex - Alexander - Alexander Polson - Alexis - Alison Dugan - Amanda Furlotti - Andrew Baker - Andrew Fair - Andrew Hofer - Andrew Knutson - Angela Livingstone - AnnaSahlee - Anthony Mentz - Arjun Sharma - Aron - Aruni Jayatilleke - Ashley - Bea - Ben Stein - Bernard Khoo - Bill Thornton - Bonnie Prinsen - Brad Callahan - Brett Douville - Brian Amoebas - Brian Rinckenberger - Brian John Peter - Bruno Gaeta - Cameron - Carlos Lerner - Caro Field - Catherine Clause - cbalmain - Charles McGee - Chris K - Chris Remo - Christian Hessmann - Clare H - Clint McElroy - Colin Hodo - Dallas Hockley - Dan Cutter - Daniel Kaberon - Daniel Markoff - Daniel Nervo - Dave Kolas - dave malloy - Dave Sharpe - David - David Boston - David Futter - David Joske - Deebs - Dent Earl - Dhu Wik - Diane Hughes - Diane Turner - Dick Morgan - Donald Mackie - Doreen Carlson - Doug - Doug Belew - Douglas H Frazer - Dr Arthur A Gray - E Margaret Warton - Edward Reisert - Emotional - A Basketball Podcast - Eoin de Burca - Eric Helm - Eric Prestemon - eric sp - Eric Stone - Erik - Ethan Bauman - Ethan Laser - Ferdinand von Seebach - frank - Freddy Freeman - Gabriel Hoffman - Gavin Doig - Geraldine Butler - Greg Henion - Heather J - Henry Mindlin - HiddenJester - Ian Pidd - Inmar Givoni - irritable - Jake Roberts - James - James - James Hicks - James Johnson - James McMurry - Jamie - Janice Berry - Jason Pratt - Jeff Stormer - Jeff Ulm - Jeffrey Bean - Jeffrey Olson - Jennifer Bush - Jim M - Jim Sellers - Joe Gallo - John Auer - john halpin - Jonathan Daniels - Jordan Gatenby - Josh Singer - Joshua Gailey - Joshua Hill - JRRJ - Julie Kellman - Justin McElroy - Karl Dube - Karma Jay - Kaya Woodall - Kellen Steffen - Kelli Brockington - keniareinadelmundo10 - KenIsWearingAHat - Kenneth Jung - Kevin Chris Marcelo - Kevin Davis - Kevin Potter - Kevin Stafford - Klaus - Klodrik - Kym Griffith - Lauren Knotts - Lauren Reay - Lawrence - Lee R. - Linda Lange - Lisa Turner - Lottie Aron - Louise Clarke - M - M Shane Borders - Margaret McReynolds - Mark MacIntosh - MARK PERNA - Martín Salías - Mathias Schmidt - Matt - Matt Baxter - Matt Betzel - Matthew Jones - Max - max barnes - Melanie Stivers - Melissa Kuhns - Melmaniac - Merv Adrian - Meryl Allison - Michael - Michael Adamski - Michael Casner - Michael Livingstone - Michael Martin - Michael Shain - Michael Singer - Michael Sumner - Mike McPherson - Mike! - mino capossela - Minoru Aoki - Misty Haisfield - Monica St. Angelo - Mordok's Vape Pen - Mr J Martin - MT - Naomi - Nathan Gouwens - Ned Rosen - Nell Morse - néa - Pascal Rueger - Paul Bigelman - Paul De Surra - Paul Wayper - Peter Harding - PhantomMare - Philip Kelly - PjandEthan - Portland Eye Care - Praline - R J Helow - Rand LeShay - Randy Souza - Rebecca - Richard Randall - Richard Sneddon - Richard Toller - Rishi Sahay - Rob Tsuk - Robert Granat - Robin Ling - rorey risdon - RsP - Ryan Rairigh - Sam Grogan - Sarah Vetters - Sean Murphy - SeattleTransAndNonbinary ChoralEnsemble - Simon Hellman - STEPHEN - Stephen Tsoneff - Stephen Wolkwitz - Steve B - Steve Martino - Steve Paquin - Stu Baker - Sue Burgess - Tanner Morton - TB - Thomas - Tim Sheehan - Todd Thomas - Tom Coleman - Tucker Ped - Wendy Gilchrist - Will King - Zach Putnam - Zak Remer ----LINKS-----

Send us Fan MailOn this episode, Kelley Dugan and Mina Walker of Daisy the Great drop by YMAAA. For their chosen album deep dive, they selected Fiona Apple's 2005 release Extraordinary Machine. Kelley and Mina talk about their respective musical journeys with the album, from how they individually discovered and got hooked on it to how they collectively take inspiration from Apple's songwriting and performances. They also chat with Al about their own latest album, The Rubber Teeth Talk with Friends, and why they decided to remake the songs from their 2025 album The Rubber Teeth Talk.You can keep up with Daisy the Great via their website daisythegreat.com, as well as on the following social media accounts.Instagram and Facebook: @daisythegreatbandYouTube and TikTok: @daisythegreatBe sure to sign up for the YMAAA Newsletter at youmealbum.ghost.io. To keep up with You, Me and An Album, please give the show a follow on Instagram at @youmealbum.Excerpts from episodes are now available on YouTube at @YouMeAndAnAlbum. Please consider subscribing and liking!Al has put a pause on publishing new Bonus Tracks episodes, but you can listen to the past ones at the You, Me and An Album Patreon for $1/month. Just go to www.patreon.com/youmealbum.1:18 Kelley and Mina's introduction2:08 Mina and Kelley talk about listening to the Jon Brion version of Extraordinary Machine7:08 Mina and Kelley explain how they chose Extraordinary Machine for this episode9:55 Mina recounts how she first encountered Extraordinary Machine13:31 Kelley talks about first discovering Apple early in high school15:54 Kelley, Mina and Al explore the theatrical side of Apple's music17:48 Kelley talks about what makes Extraordinary Machine stand out among Apple's albums20:26 Kelley, Mina and Al all view “Tymps” as a standout track23:17 Mina explains how Apple's rhythms accentuate her lyrics24:32 Mina took some lessons about songwriting from the album28:50 Kelley and Mina discuss the parallels between Apple's music and their own33:58 Mina and Kelley consider whether quirkiness is part of Apple's appeal37:10 Al was mystified the first time he had ever heard Apple39:33 Kelley appreciates the tactile quality of Apple's vocals42:17 Kelley explains why she decided to go to school for theater45:00 Kelley and Mina discuss how they came to create Daisy the Great52:27 Mina and Kelley explain why they remade The Rubber Teeth Talk1:01:24 Kelley and Mina talk about their upcoming plansOutro music is from “Mary's at the Carnival (Lutalo remix)” by Daisy the Great.Support the show

Sabrina Matthews believes that good questions can change the way we lead, learn, and build community.   In this episode of Walk Talk Listen, Sabrina reflects on growing up in Macon, Georgia, overcoming a childhood speech impediment, learning from her parents' example of civic engagement, and gradually discovering that leadership is less about being in front and more about helping others find their voice. Throughout the conversation, she returns to a simple conviction: assumptions limit people, while curiosity creates opportunity. We explore how her career evolved from accounting and financial analysis into organizational development, leadership, and workplace transformation. Sabrina shares the three questions that have guided every career decision she has made: What issues do I want to work on? Who do I want to work on them with? And what room do I want to be in? Those questions ultimately led her to her current work at FSG, helping organizations create more equitable and healthier workplaces.   Along the way we also talk about faith, belonging, siblings, grief after losing a parent, creating intentional traditions like an annual siblings-only retreat, and why communities become stronger when people feel safe enough to ask honest questions.   As always, the conversation includes a question from the previous guest, Sabrina's question for a future guest, and her choice of music: Waltz (Better Than Fine) by Fiona Apple, a song that celebrates embracing who you truly are.   Listener Engagement: Learn more about Sabrina and her work via her LinkedIn or her organization FSG website. Don't only listen to the song picked by Sabrina, but also those by other guests on our #walktalklisten playlist here. Share your feedback on this episode through our Walk Talk Listen Feedback link – your thoughts matter! Follow Us: Support the Walk Talk Listen podcast by following us on Facebook and Instagram. Visit 100mile.org or mauricebloem.com for more episodes and information about our work. Check out the special series "Enough for All" and learn more about the work of the Joint Learning Initiative (JLI).

Como o cinema épico, a literatura sobre empatia e a expressão musical podem transformar a sua relação com o exercício e a prática médica? Nesta edição da Prescrição Cultural do Afya News, analisamos o lançamento de A Odisseia, dirigido por Christopher Nolan, destacando a jornada do herói como uma metáfora sobre liderança, resiliência e tomada de decisões sob forte impacto emocional. Discutimos também o livro A Coragem de Ser Imperfeito, de Brené Brown, que demonstra como reconhecer vulnerabilidades fortalece a conexão com os pacientes e promove uma prática profissional mais humana. Por fim, indicamos o álbum Tidal, de Fiona Apple, ressaltando o autoconhecimento e o autocuidado como pilares fundamentais da saúde de quem cuida do outro. O Afya News apresenta notícias da medicina com informação confiável e atualizada no seu tempo. Criado pela Afya, o maior hub de educação e soluções para a prática médica do Brasil, nosso propósito é transformar a saúde junto com quem tem a medicina como vocação.Fontes do episódio aqui:⁠https://portal.afya.com.br/podcasts/afya-news/26-07-2026

Huias back! After her little holiday Huia brought in a few CDs she found across the north island and played a handful of her favourite tracks out of the wide selection; Some of these being, Fiona Apple, B.C. Camplight, Buscemi and Billie Holiday.  Thanks to The Tuning Fork

There are normal radio shows...and then there's this absolute disaster.This daily comedy show begins with one of the most important ceremonies in modern broadcasting: Riz officially retires his infamous women's anatomy dangler after completing his charity challenge, complete with dramatic speeches, ceremonial music, and enough unnecessary pageantry to qualify as a royal coronation.Then things immediately get worse.The gang reacts to one of the wildest concert stories we've heard in a while after a Morgan Wallen fan allegedly decided the bathroom line wasn't worth it and allegedly relieved himself directly onto families sitting below him. Was it assault? Could police arrest him immediately? Is "swamp justice" a legal defense? We ask all the questions that absolutely no one in law school prepared for.As if that wasn't enough, TikTok introduces everyone to the newest musical genre: Cigarette Mom Rock. Alanis Morissette, Sheryl Crow, Pink, Melissa Etheridge, Natalie Imbruglia, Fiona Apple, Jewel, Lisa Loeb and more all get lovingly grouped into one hilariously accurate category that somehow instantly makes perfect sense.The celebrity chaos keeps rolling with Christopher Nolan's latest blockbuster dominating theaters while Riz desperately tries to find IMAX tickets before heading overseas. The crew debates whether the Sphere is actually distracting audiences from concerts, Rush rumors start swirling, Kelly Clarkson shares way more information than anyone requested about food poisoning, Marvel finally gives us our first real look at Robert Downey Jr. as Doctor Doom, Jennifer's Body gets a sequel, Vanilla Ice heads to the Gathering of the Juggalos, and the crew somehow detours into Beaches, lupus, and why nobody can remember exactly how that movie ends.Along the way you'll hear Drew from Crippling Hot Sauce updates, celebrity birthdays, Crap on Celebrities, superhero confusion, World Cup halftime complaints, cat appreciation, and enough sarcastic commentary to make your morning considerably less productive.If your favorite kind of entertainment is a group of friends turning everyday headlines into ridiculous arguments while accidentally discovering entirely new genres of music, congratulations—you've found your people.Whether you're commuting, pretending to work, avoiding actual responsibilities, or simply looking for a daily comedy show that embraces complete chaos, this episode delivers everything from bizarre news to pop culture commentary with the sarcasm only The Rizzuto Show can provide.Thanks for making us part of your day. Seriously. We still can't believe they let us keep doing this.This daily comedy show is powered by bad decisions, weird news, questionable debates, and listeners who somehow keep coming back for more.Follow The Rizzuto Show → https://linktr.ee/rizzshowConnect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShowHear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

If you've ever wondered what would happen if a trivia contest, a morning radio show, and a sleep-deprived group chat collided, congratulations—you've found today's episode.The crew kicks things off with another wildly competitive round of Simpleton Trivia, where callers either bet on themselves or trust the show's questionable collection of brains to win concert tickets. Some contestants absolutely cruise. Others discover that knowing where the Sahara Desert is can become a surprisingly stressful life event. Moon attempts to prove he warned everyone not to bet on him, King Scott puts family honor on the line, and somehow frozen rain becomes one of the most debated scientific discoveries in broadcast history.Meanwhile, Rizz officially retires his infamous anatomy-themed dangler earring in a ceremony that absolutely did not need to be as dramatic as it became. Somehow robes, speeches, and unnecessary levels of pageantry all make perfect sense before the crew immediately pivots into one of the strangest news stories imaginable: a Morgan Wallen concert where one attendee decided bathrooms were optional. The discussion spirals into assault laws, concert etiquette, swamp justice, and exactly how far someone should be allowed to test another person's patience before consequences arrive.As if that weren't enough chaos, the show celebrates the return of Moon from Canada, complete with wildfire smoke stories, soccer debates, TSA adventures involving industrial-sized Pepto, and the search for Lern's official NBA team. Naturally, choosing a basketball franchise somehow becomes more difficult than filing taxes.Then the gang dives into the internet's newest music genre obsession—"Cigarette Mom Rock." If your childhood soundtrack included Alanis Morissette, Sheryl Crow, Pink, Fiona Apple, Melissa Etheridge, Michelle Branch, Lisa Loeb, Jewel, or Natalie Imbruglia blasting from a minivan with the windows cracked, congratulations...you've apparently been part of a movement this whole time.Along the way you'll hear stories about raccoons, questionable bodily functions, celebrity news, ridiculous debates, weird observations, and enough sarcastic commentary to make even the smartest person feel like a Simpleton contestant.It's exactly the kind of unpredictable daily comedy show you'd expect when nobody in the room agrees on anything except that making fun of each other is always the correct answer.Whether you're here for funny stories, entertainment gossip, weird news, celebrity chaos, ridiculous arguments, or simply to laugh at adults behaving like overgrown children, this episode delivers all of it—with absolutely zero guarantees anyone learned a lesson.Thanks for hanging out with The Rizzuto Show. Subscribe, leave a review, and tell a friend who appreciates organized chaos because that's basically our business model.If you're looking for your new favorite daily comedy show, welcome home.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShowHear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.Seattle Darling Jimothy The Raccoon Has Scampered Into Hearts Across The GlobIdaho man receives 54 vials of antivenom after Oroville rattlesnake bitesMorgan Wallen fan accused of peeing on family during Baltimore concertWhat Is ‘Cigarette Mom Rock'? The New Trend Counters ‘Divorced Dad Rock' With 90s Alt VibesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of Sound Up!, Mark and Alan welcome Ethan Millman, music editor of The Hollywood Reporter, to catch us up on the latest legislative efforts to combat ticket scalping. Mark recaps a rain-soaked Train/Barenaked Ladies/Matt Nathanson concert at Jones Beach and we get a listener review of LP Giobbi in Toronto. In music news, we discuss the much-talked-about halftime show at the World Cup Finals and note the deaths of Dave Kendall of MTV's “120 Minutes” and Jennifer Finch of pioneering alt-rock band L7. Our new music picks this week come from Fiona Apple and Snow Patrol featuring Kylie Minogue. We want to make you part of the conversation. Leave us your comments via text or audio message at connect@sounduppod.com https://www.instagram.com/sounduppod/https://twitter.com/sounduppod Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

If you know the name Bear McCreary, it's probably from the goosebumps he's given you without you even knowing it was him. You may know his work from Battlestar Galactica, The Walking Dead, God of War, and The Lord of the Rings: The Rings of Power. He's one of the most prolific composers working today, and on July 31st, he's releasing Singularity: Ekleipsis, his second metal album. He sat down with us to talk about creating something that is his own art. We dug into how neither of us comes from a metal background and what that means for the music he is creating. He drops some great recommendations of things to listen to in order to find your way into the genre. The album itself is brilliant from top to bottom. Bear McCreary discusses how this was, in his opinion, more finely tuned than the first, but both albums have been on constant repeat for me lately. About Bear McCreary and Singularity: Ekleipsis Award-winning composer and recording artist Bear McCreary began his career as a protégé of legendary film composer Elmer Bernstein, before bursting onto the scene scoring the revered series Battlestar Galactica in 2004. Since then, McCreary has won three Emmy Awards, including two for Disney's Percy Jackson and the Olympians and one for his theme for Da Vinci's Demons, a musical palindrome, and has won twelve International Film Music Critics Association Awards, including the award for Score of the Year in 2024, his second. Named the 23rd Most Definitive Bear in Popular Culture (The Ringer), he's also been the subject of a clue on Jeopardy! Project highlights include The Lord of the Rings: The Rings of Power (Amazon); Foundation (Apple TV); the beloved series Outlander (STARZ); Godzilla: King of the Monsters (Warner Bros. and Legendary Pictures); The Walking Dead (AMC); and Netflix's Academy Award–nominated documentary Crip Camp (produced by Barack and Michelle Obama). McCreary's celebrated scores for Sony PlayStation's blockbusters God of War and God of War Ragnarök have earned him two BAFTA Awards and two Grammy nominations. In 2024, McCreary released The Singularity, a hard-rock concept album featuring legendary rock talent including Slash, Serj Tankian (System of a Down), Corey Taylor (Slipknot), Rufus Wainwright, and more.  McCreary has collaborated with artists from across the musical spectrum, including Hozier, Fiona Apple, Shirley Manson (Garbage), Annie Lennox, and the late Sinéad O'Connor. In 2014, Maestro Gustavo Dudamel conducted a suite of McCreary's music with the L.A. Philharmonic at the Hollywood Bowl.

… y más novedades de Nouvelle Vague, The Amazons y Girl UltraEscuchar audio

This week the boys sit down and talk about Cypress, Elvis, Janis Joplin, Mariah Carrey, Fiona Apple, Joni Mitchell, Old Town, Whitney Houston, MJ, and much much more!!!

Send us Fan MailThis week on the ole pod john: J Dough, reverse catfish, Fiona Apple inspiration, and being an art in the master of living. Support the showThanks for listening! Listen, rate, subscribe and other marketing type slogans! Here's my Insta:@dannypalmernyc@thedannypalmershow@blackcatcomedy (NYC stand-up show every Friday at 9 pm. 172 Rivington St.)And subscribe to my Patreon? Maybe? If you know how to? I don't know how it works. Let's just leave this thing be:https://www.patreon.com/thedannypalmershow

Colin and Mike discuss the album discography of legendary songwriter Fiona Apple.

Alex Frank is the Musical Director and bassist for actor and musician Jeff Goldblum's jazz group, The Mildred Snitzer Orchestra. He co-produced the group's latest album, which includes Ariana Grande, Cynthia Erivo, and Scarlett Johansson. He's also worked on previous albums with Kelly Clarkson, Fiona Apple and Miley Cyrus. He played the bass in the film Jersey Boys, directed by Clint Eastwood, and he's also appeared on albums by Michael Bublé, Charlie Puth, and Nas. He's played with Tamir Hendelman, Tierney Sutton, Jackie Ryan and Benny Benack III, each of whom has been a guest on this podcast  My featured song is Robert's reimagined version of Miles Davis's “All Blues”. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Reflections Click here for Special Collections Click here for Legends Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH ALEX:www.alexfrankmusic.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Short, sweet and totally different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

No novo episódio do 100 Rótulos, celebramos os 30 anos de Tidal, disco de estreia da cantora Fiona Apple que completa três décadas em 2026. Ao longo do programa, Maria Eduarda Rangel conta histórias, curiosidades e os bastidores de um álbum que marcou os anos 90.

Bomethius is the baroque pop project led by Jonathan Hodges, a multi-instrumentalist singer-songwriter based in Chicago. Hodges draws from decades of classical training to craft a mischievous brand of chamber rock that echoes the sounds of Andrew Bird, Low Roar, Paul Simon, Sufjan Stevens, Randy Newman, and Elliott Smith.   Tropopause, Bomethius' second release on Chicago-based indie label Oakley Avenue Records, arrives with the sort of effortlessness that can only be born from experience. Working with the same core of collaborators from his prior record, Borrowed Time, and following years of diligent live performances, singer-songwriter and multi-instrumentalist Jonathan Hodges has opened a new, louder, and more compact chapter of his nearly decade-long baroque pop project.    In a discography that maintains a clear continuity aesthetically and thematically—with each release in conversation with its predecessors—Tropopause serves as a welcoming entry point for new listeners. For one, it's Hodges' most concise statement. A trim-the-fat approach to composition for this album produced a 10-song tracklist and 26-minute runtime, and the lean result is both digestible and direct. There's also a greater clarity to the writing as Hodges covers similar lyrical territory to his most recent releases. “The cycle, against which most of my music is set, borbles on,” he says, but on Tropopause, he's been afforded time and distance from this cycle, which allows for a wider perspective unburdened by still-sharp pains. Like the meteorological term from which it draws its name, the record represents a threshold in one's life and the areas on either side of it—all of which can be best appreciated from a bird's-eye view.     Lastly, Tropopause carries Hodges' most refined and arresting pop earworms to date. Rhythms and guitar lines chug in lead single “Thunderbird.” An explosive Weezer-esque guitar solo closes “I'm Out.” The piano-led “The Clown” hearkens to the playful yet biting ballads of Randy Newman and Fiona Apple. Guest harmonies from Hodges' sister, Caroline, dance through some of the record's quieter moments (“Over,” “Almost,” “Scorched Earth”), and the album ends with what's sure to be one of the most memorable violin pieces in the Bomethius catalog. The closing moments wordlessly represent that barrier between the turmoil below and the lucidity above, as explored by the preceding songs. It's a memorial of divine goodness, a reminder that it doesn't have to be that serious, and a nudge to pet a dog, and go outside, and chase pigeons and squirrels. Sometimes, that's all you need to do.   Tropopause releases June 7th on Oakley Avenue Records.

A songstress from the moment she entered the world, Sadie Gust is the type of musician that was born to do it.  And while she's only at the beginning of her journey, she's already garnering praise and earning accolades for her songwriting and performing.Sadie has won the XPN 24-hour songwriting contest, made it to Hollywood on American Idol, and has released 2 EPs and several singles, with more on the way.Her sound finds a way to sound like a familiar soulful standard but also urgently breaking new ground in rock, with vocals that soothe the soul.  All built around lyrics that break your heart and take you out for a night on the town to forget all about it.Dig in and listen over and over - time for some Sadie Gust!Artist BioSadie Gust is a 25 year-old singer-songwriter hailing from Philadelphia, PA. A unique mix of 70s soul/rock with 90s indie, she is making a name for herself and her sound by juxtaposing intricate melodies and carefully crafted lyrics with her rough, raspy tone and free spirit stage presence. With influences ranging from Fiona Apple to Radiohead to Pink Floyd, she strives to create a genre all of her own, bringing an interesting vulnerability, perspective, and sonic to rock music.Text us your thoughts on this episode, and who should be OUR #NextFavBand...As always, our hope is to bring you "your next favorite band".  If you tuned in today because you already knew this musician - thank you very much!  We hope that you enjoyed it and would consider following us and subscribing so we can bring you your #nextfavband in the future.  And check out nextfavband.com for our entire catalog of interviews!If you have a recommendation on who you think OUR next favorite band should be, hit us up on social media (@nextfavband everywhere) or send us an email at nextfavband@stereophiliastudio.com.Thank you to Carver Commodore, argonaut&wasp, and Blair Crimmins for allowing us to use their music in the show open and close.  It makes everything sound so much better!Let's catch a live show together soon!#nextfavband #livemusic #music #musicinterview #musician  #singer  #guitar  #song  #newmusic  #explorepage  #instamusic #bestmusic #musicismylife #musicindustry #musiclife #songwriter #musiclover #musicfestival 

• Podmasters is 10 years old! Get an extra 10% off a year's Patreon support – that's 20% in total.  Oh Mandy… the scandal that won't die is back (again). Can Keir Starmer style this one out or is his credibility finally shot? Plus, imagine if you wrote a hoax government report about how a secretive shadow government controls America and then everyone believed it. Even though you admitted it was false. And believed it so completely that they ended up destroying democracy. Nightmare, right? Author Phil Tinline talks us through the scarcely believable true tale he sets out in Ghosts of Iron Mountain – a story that takes in Lee Harvey Oswald, the Oklahoma Bombings, neo-Nazis, hippies, Oliver Stone and The X Files – and how it's still warping our world today.  • Order Ghosts of Iron Mountain through our affiliate bookshop and you'll help fund the podcast by earning us a small commission for every sale. Bookshop.org's fees help support independent bookshops too. • Hear America Against The World from This Is Not A Drill on your favourite podcast app. • Questions for But Your Emails? Thoughts? Comments? Email us at ogwn@podmasters.co.uk.  ESCAPE ROUTES • Rachel recommends The Critic with Ian McKellen on Netflix • Raf has just discovered Fast As You Can by Fiona Apple from the album ‘When The Pawn Hits Etc Etc Yadda Yadda'. • Phil has been listening to drum, bass and related stuff from Ivy Lab • Andrew went to see the Murdoch vs Brenda Dean play In The Print at the New King's Head in Islington, London – it's on til 3 May. www.patreon.com/ohgodwhatnow Presented by Andrew Harrison with Rachel Cunliffe and Rafael Behr Audio Production by:Robin Leeburn. Art direction: James Parrett. Theme tune by Tom Taylor and Simon Williams. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. OH GOD, WHAT NOW? is a Podmasters production. www.podmasters.co.uk  Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the year 2000, four pre-teen girls in Santa Rosa — three 11-year-olds, and one 9-year-old little sister — wrote and recorded an album inspired by the Spice Girls, Destiny's Child and Fiona Apple, and even filmed music videos for the album. Then, their band X-Cetra disbanded as the elder members entered junior high and found the entire project — to use the slang of today's kids — cringe. Decades later, online experimental music nerds discovered the album, with its haunting child vocals and startling low-fi beats, and turned it into a cult hit, garnering X-Cetra a record contract and a 25th anniversary reissue. A new film “Summer 2000: The X-Cetra Story,” which won the South by Southwest documentary jury award last month, documents the reunion of X-Cetra, many of whose members hadn't made art since. We'll talk with the band about what it means to revisit childhood creativity in adulthood, and we'll hear from you: Were you more creative as a tween than you are now? Have you returned to the art you made? Guests: Ayden Mayeri, member, X-Cetra; director, "Summer 2000: The X-Cetra Story" Jessica Hall, member, X-Cetra Robin O'Brien, musician; producer of X-Cetra's 2000 album, “Stardust"; mom of X-Cetra members Janet and Mary Brittany Spanos, music journalist who wrote the Rolling Stone profile, “Four Best Friends Made an Album as Kids. 25 Years Later, It's a Cult Classic” Learn more about your ad choices. Visit megaphone.fm/adchoices

Fiona Apple has such a unique career arc. Following huge mainstream success with her debut album to creating genre-defying critical masterpieces, she's got the respect of the public and the critics locked. Maybe it's time we actually give her our undivided attention?

Playlist:https://www.youtube.com/playlist?list=PLGvtexGBpn_w8RTjV9_7nKInRBY83Pq8hLisa Fevral:https://www.youtube.com/channel/UCJdvK5wMriowQqbGC7G0lDAhttps://twitter.com/LisaFevralhttps://www.instagram.com/lisafevral/ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit lisafevral.substack.com

Send us Fan MailVermont-based singer, composer, guitarist, dancer and poet Hannah Frances joins Al to introduce him to Fiona Apple's 2012 album The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do (aka The Idler Wheel…). Hannah talks about her earliest experiences with listening to The Idler Wheel… and why the album made such an impression on her. She and Al delve into several of the album's tracks, and they highlight what they enjoy about Apple's lyrics, vocal delivery and instrumentation in general. Hannah also discusses her most recent album Nested in Tangles as well as her recent and upcoming shows and projects, including her Landscapes of Song workshop.Correction: Al made an incorrect reference to Hannah's album Nested in Tangles as Nestled in Tangles.To find Hannah's music, videos, merch and more, visit her website https://hannahfrancesmusic.com/. As mentioned on this episode, you will also be able to purchase the on-demand version of Hannah's Landscapes of Song songwriting workshop via her website soon.You can follow Hannah on Instagram and Substack at @hannahfracesmusic.Be sure to sign up for the YMAAA Newsletter at youmealbum.ghost.io. The first eight episodes of Bonus Tracks—YMAAA's subscriber-only podcast series—are now available at patreon.com/youmealbum. More monthly episodes and other good stuff are soon to come. Please consider subscribing! Your support will make it possible for Al to keep this podcast going.To keep up with You, Me and An Album, please give the show a follow on Instagram at @youmealbum.2:02 Hannah's introduction2:38 Does Vermont need a new state seal?3:17 Hannah talks about how she got introduced to The Idler Wheel…5:53 Hannah explains why she chose to discuss The Idler Wheel…8:27 Hannah discusses the personal loss that changed her music listening13:27 Hannah revisits one of the first times she had listened to the album17:01 Hannah explains why she thinks Apple's anger is part of what makes The Idler Wheel… an important album20:33 Hannah and Al find Apple's lyrical directness appealing23:10 Hannah explains why she needs to hear the album in fullDiscussion of specific tracks:23:59 Daredevil/Valentine27:09 Werewolf30:20 Periphery31:58 Regret34:05 Hannah contrasts Apple's approach on The Idler Wheel… to Fetch the Bolt Cutters and Extraordinary Machine37:06 Al and Hannah comment on the variety in the use of percussion across the tracks on The Idler Wheel…42:07 Hannah sums up what she loves about The Idler Wheel…42:57 Hannah talks about the sonic and lyrical landscapes of Nested in Tangles46:08 Hannah explains how she consciously wanted to defy genre labels51:10 Hannah talks about how Joni Mitchell is an inspiration for her54:38 Hannah discusses how her love of progressive rock impacts her own music56:47 Hannah shares her upcoming plans for live and recorded music1:00:43 Hannah talks about her recent songwriting workshopOutro music is from “Falling From and Further” by Hannah Frances.Support the show

En este episodio de Observador Paranormal, Juan Manuel Torreblanca (compositor y pianista) conversa con Juan Manuel Torreblanca y Roberto Belmont sobre la sobrenaturalidad de lo creativo: cómo el arte puede sentirse como una fuente externa, cómo los sueños pueden traer letras completas y cómo la sensibilidad musical se relaciona con el trabajo emocional. Hablan de terapia a partir de una carta astral, de la técnica Meisner y del reto de “cerrar” procesos cuando se abren emociones intensas; también de muerte, duelo y música como memoria (incluida una canción pensada para un funeral y la idea de dejar una lista de reproducción para los hijos). El episodio recorre el vínculo entre belleza y verdad en la música, referencias como PJ Harvey, Björk, Tori Amos, Fiona Apple, Jeff Buckley y They Might Be Giants, y termina con una mirada realista a la industria musical, la inspiración como disciplina y el lanzamiento del proyecto Protocolo de Caídas como una obra en actos. CHAPTERS / TIMESTAMPS 00:10 Aviso de contenido sensible 00:29 Presentación del invitado: Juan Manuel Torreblanca 01:57 Encuentro entre tocayos y origen de la conversación 03:20 Componer con la idea de trascender después de la muerte 03:54 “Canción para mi funeral” y la crudeza del demo 05:44 Sensibilidad artística y el costo emocional de volver al pasado 06:13 Técnica Meisner y “cisterna” de emociones 07:26 Herramientas para cerrar procesos emocionales en la actuación 08:38 Miedo, escepticismo y apertura a lo paranormal 09:29 Carta astral, terapia y decisiones creativas 11:14 Mudanzas, vocación y el dilema de irse a otro país 13:46 El misterio como fuente creativa: musas, demonios y sueños 17:35 Letras que se vuelven espejo con el tiempo 18:20 Corte y regreso: identidad, nombres y coincidencias 19:09 Música, doble vida y lista de reproducción para los hijos 20:47 Muerte, duelo y señales: “La chica de Ipanema” 22:25 Trascendencia inmediata, conciertos y frustración en la carrera 24:39 Escuchas colectivas y percepción de la propia obra 26:31 Deseo de giras sin pensamiento mágico ni “manifestación” 27:07 Soundtrack personal: Björk, Tori Amos, Fiona Apple, Jeff Buckley 29:10 Cierre con dinámica de palabras: vida después de la muerte 30:04 Banda antigua y visión lúdica de la astrología 32:11 Virgo: ordenar el caos y perfeccionismo 33:19 Industria musical: corrupción, sistema y dificultad de jugar fuera 33:53 Música como camino espiritual: belleza, disciplina y conexión 35:51 Qué es la música: descubrir belleza, verdad y catarsis 39:09 Ritual, música y energía social 41:52 Canciones nuevas y juegos de coro: pedir una canción que salve 42:56 Redes y lanzamiento por actos de Protocolo de Caídas 44:22 Despedida y cierre del episodio FAQ P: ¿Qué significa “sobrenaturalidad” en este episodio? R: La sensación de que la creatividad toca un misterio real: sueños, intuición, emoción y presencia en el proceso artístico. P: ¿Cómo describe Juan Manuel Torreblanca la inspiración? R: Como algo que a veces viene de uno mismo y a veces parece llegar desde otra fuente, sin necesidad de explicarlo como religión. P: ¿Qué papel juegan los sueños en su composición? R: A veces trae frases o canciones completas que graba y desarrolla al despertar. P: ¿Qué experiencia se menciona sobre carta astral y terapia? R: Que una lectura lo empujó a iniciar terapia en un momento crítico de su vida. P: ¿Cómo se aborda la música como camino espiritual? R: Como una práctica que ordena el caos, conecta con emociones profundas y busca belleza y verdad. The supernatural side of music: Juan Manuel Torreblanca on dreams, astrology, and the creative mystery In this episode of Observador Paranormal, Juan Manuel Torreblanca joins hosts Juan Manuel Torreblanca and Roberto Belmont for a deep, human talk about the unseen mechanics of artistry. They unpack how songwriting can feel like channeling, how dreams can seed lyrics and melodies, and how emotional work (including Meisner repetition) can open powerful inner material that requires conscious “closing” tools afterward. The episode touches on grief, funeral rituals, and leaving music as a message for children, then pivots into the tension between beauty and truth in art, with references to PJ Harvey, Björk, Tori Amos, Fiona Apple, Jeff Buckley, and They Might Be Giants. It closes with a clear-eyed view of the music industry and an update on Torreblanca's release plan for Protocolo de Caídas, structured as acts. CHAPTERS / TIMESTAMPS 00:10 Sensitive-content notice 00:29 Introducing the guest: Juan Manuel Torreblanca 01:57 Two namesakes meet and set the tone 03:20 Writing with the idea of being heard after death 03:54 “Song for my funeral” and the raw phone demo 05:44 Artistic sensitivity and the cost of revisiting the past 06:13 Meisner technique and a “cistern” of emotions 07:26 Tools for closing emotional processes after acting work 08:38 Fear, skepticism, and opening up to the paranormal 09:29 Birth charts, therapy, and creative decisions 11:14 Moving countries, vocation, and the risk of starting over 13:46 The mystery as a creative source: muses, spirits, and dreams 17:35 Lyrics that later mirror real-life patterns 18:20 Break and return: identity, names, and coincidence 19:09 Music, parallel lives, and a playlist for children 20:47 Grief and signs: “The Girl from Ipanema” 22:25 Near-term legacy, live shows, and career frustration 24:39 Group listening sessions and self-perception of the work 26:31 Wanting to tour without “manifestation” narratives 27:07 Personal soundtrack: Björk, Tori Amos, Fiona Apple, Jeff Buckley 29:10 Closing game: life after death 30:04 An old band and a playful view of astrology 32:11 Virgo: ordering chaos and perfectionism 33:19 The music industry: corruption, systems, and constraints 33:53 Music as a spiritual path: beauty, discipline, connection 35:51 What music is: discovering beauty, truth, and catharsis 39:09 Ritual roots and music as social energy 41:52 New songs and the chorus concept: asking for a saving song 42:56 Social links and the act-based rollout of Protocolo de Caídas 44:22 Farewell and episode close A sobrenaturalidade da música: Juan Manuel Torreblanca, sonhos, astrologia e o mistério criativo Neste episódio de Observador Paranormal, Juan Manuel Torreblanca conversa com os apresentadores Juan Manuel Torreblanca e Roberto Belmont sobre o que há de invisível no fazer artístico. Eles exploram como compor pode parecer um tipo de canalização, como sonhos podem originar letras e melodias, e como o trabalho emocional na atuação (incluindo a repetição da técnica Meisner) pode exigir estratégias para “fechar” processos depois. O episódio aborda morte, memória e a ideia de deixar uma seleção de músicas para os filhos, além do contraste entre beleza e verdade na arte, com referências a PJ Harvey, Björk, Tori Amos, Fiona Apple, Jeff Buckley e They Might Be Giants. No final, há uma leitura direta sobre a indústria musical e uma atualização do projeto Protocolo de Caídas, lançado em atos. CHAPTERS / TIMESTAMPS 00:10 Aviso de conteúdo sensível 00:29 Apresentação do convidado: Juan Manuel Torreblanca 01:57 Encontro entre dois homônimos e início da conversa 03:20 Compor pensando em ser ouvido após a morte 03:54 “Canção para o meu funeral” e o demo cru no celular 05:44 Sensibilidade artística e o custo de revisitar o passado 06:13 Técnica Meisner e uma “cisterna” de emoções 07:26 Ferramentas para fechar processos emocionais após atuar 08:38 Medo, ceticismo e abertura ao paranormal 09:29 Mapa astral, terapia e decisões criativas 11:14 Mudar de país, vocação e recomeço 13:46 O mistério como fonte criativa: musas, entidades e sonhos 17:35 Letras que viram espelho de padrões pessoais 18:20 Pausa e retorno: identidade, nomes e coincidência 19:09 Música, vidas em paralelo e seleção para os filhos 20:47 Luto e sinais: “Garota de Ipanema” 22:25 Legado no imediato, shows e frustração na carreira 24:39 Escuta coletiva e percepção da própria obra 26:31 Vontade de fazer turnês sem narrativas de “manifestação” 27:07 Trilha sonora pessoal: Björk, Tori Amos, Fiona Apple, Jeff Buckley 29:10 Dinâmica final: vida após a morte 30:04 Banda antiga e visão lúdica da astrologia 32:11 Virgem: ordenar o caos e perfeccionismo 33:19 Indústria musical: corrupção, sistema e limitações 33:53 Música como caminho espiritual: beleza, disciplina, conexão 35:51 O que é música: descobrir beleza, verdade e catarse 39:09 Raízes rituais e música como energia social 41:52 Músicas novas e o coro: pedir uma canção que salve 42:56 Redes e lançamento em atos de Protocolo de Caídas 44:22 Despedida e encerramento   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Our guest this week is Iron & Wine. The beloved folk project of songwriter and musician Sam Beam, Iron & Wine has spent over 20 years crafting warm, thoughtful songs, collaborating with artists like Fiona Apple and Band of Horses, with his songs becoming deeply embedded in pop culture through films and shows, including The O.C., Garden State, and The Twilight Saga. Later this month, Sam returns with his eighth studio album, Hen's Teeth, which incorporates small sonic influences from jazz and other genres while staying true to his signature troubadour sound. To celebrate, Iron & Wine is heading back to Australia for the first time in over eight years, with headline shows and festival appearances at WOMADelaide and Port Fairy Folk Festival. On today's episode, we chat with Sam Beam about Hen's Teeth, the project's ongoing evolution, and what fans can expect from these long-awaited Australian shows.Iron & Wine : Instagram / Spotify / WebsiteVisit our official website here and follow us across our socials.

This week I bring you a video version of last year's MTV Summer series. 2025 marked the end of MTV as we know it, although it is not completely wiped from the airwaves.  I wanted to mark its cultural demise with a bang—more specifically, the fondled trigger of Fiona Apple's gun.  The video vixens, like Alicia Silverstone and Erin Everly, who lit up the visuals for rock gods, are the sisters of the siren writhing on the floor, mouthing vitriolic truths about gender dynamics.   

rWotD Episode 3181: Apple of Sodom (song) Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Sunday, 18 January 2026, is Apple of Sodom (song)."Apple of Sodom" is a song by American rock band Marilyn Manson. The track was recorded for the soundtrack to David Lynch's 1997 film Lost Highway. It was written by the band's eponymous vocalist and produced by Manson with Sean Beavan. Lynch personally chose the band to contribute music to the soundtrack as he found Manson inspiring, and because of the band's commercial viability. An industrial song about obsession, it was inspired by Manson's feelings about singer Fiona Apple; the eponymous apple of Sodom is a toxic plant. The song was followed by multiple collaborations between Manson and Lynch.The track received a mainly positive response from music critics, who commended its composition. A music video was directed by Joseph Cultice, although initially was not made public due to its low-budget nature and depiction of nudity. The clip was released to YouTube in 2009. It garnered critical acclaim and comparisons to the work of Manson's contemporaries.This recording reflects the Wikipedia text as of 00:23 UTC on Sunday, 18 January 2026.For the full current version of the article, see Apple of Sodom (song) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Ivy.

Musician Michael G. Ronstadt has traversed a wide range of musical styles from singer-songwriter, folk, jazz, classical, Americana to new age. Ronstadt displays genre-blending explorations on cello and guitar in complement to thought-provoking lyrics, as well as instrumental work. In addition to his solo and group recordings with Ronstadt Brothers, Trotta & Ronstadt, Serenity Fisher & The Cardboard Hearts, Aaron Na-thans & Michael G. Ronstadt, he is a much sought-after studio musician, who has appeared on more than 200 albums in the last 20 years. Michael has recorded in studios across the United States in Philadelphia, Tucson, Phoenix, Nashville, New York City, New Jersey, Cincinnati, Los Angeles, Germany & North Wales (UK).His versatile work has been tapped for studio and concert work by such artists as David Bromberg, Linda Ronstadt, Murial Anderson and Craig Bickhardt (SKB). He has opened up for artists like Ruthie Foster, Jor-ma Kaukonen (Hot Tuna, Jefferson Airplane), Steve Katz (Blood, Sweat & Tears), Ramblin' Jack Elliott, Neil Young, Death Cab For Cutie, Smashing Pumpkins and Josh Groban. He has toured and performed with the late, great Rick Rosas (Crazy Horse) and Dave Krusen (Pearl Jam). His performances have been heard at the National Cowboy Poetry Gathering (Elko, NV), Philadelphia Folk Festival, San Diego Sail Festival, Musical Instrument Museum (MIM), Common Ground On The Hill Music Festival, and Tucson Folk Festival to name a few.Serenity Fisher has a piano style that is theatrical and passionate. Her music has been compared to Regina Spektor, Tori Amos and Fiona Apple.

LOL, it's the annual Facebook Friends Ride and hopefully it's worth a share or two. Dan throws out a playlist request to all 780 of his FB friends on a cold and lonely Friday night in January and gets some great songs and a little love in return. Included: John Mellencamp; Santo & Johnny; James McMurtry; Fiona Apple; Prank Williams; Joe Bonamassa; Ferron; Renee Christian; Joe Ely/Jimmy Dale Gilmore/Butch Hancock; Mike Munson; Allison Russell

Maggie & John C. Reilly discuss “What's Not to Love?” Mister Romantic's debut album out now on Eternal Magic Recordings is a collection of beloved songs from the American Songbook reimagined by Reilly and his Grammy-winning band. “What's Not To Love?” was recorded in 2024 in Los Angeles at Nest Recorders and was co-produced by Reilly and Davíd Garza. In addition to Garza on piano and guitar, the band also includes Gabe Witcher on violin, Sebastian Steinberg on bass, and Charles De Castro on accordion and cornet.  CREATED BY JOHN C. REILLY“I looked at our weary world a few years ago and tried to think of a way I could spread love and empathy. I decided the most fun way to do that was through performing and singing and telling people I love them…so the emotional vaudeville show Mister Romantic was born, out of both hope and despair.”From studying theater as a kid growing up in Chicago, to amateur clowning as a teen and studying acting at The Theatre School at DePaul University, to his Oscar-nominated role starring in the film adaptation of Chicago and beloved performance starring in Walk Hard: The Dewey Cox Story, to his TONY-nominated performance in Sam Shepard's True West, and more, theater and music have been pillars of John's career. What's Not To Love? is a collection of gorgeous renditions of songs from the Great American Songbook backed by a band of multiple GRAMMY®-winners. On lead single “Dream” Reilly delivers a gentle, dreamy sea-side cover of the 1944 Johnny Mercer song, which has previously been recorded by Frank Sinatra and Roy Orbison.The album was recorded in 2024 in Los Angeles at Nest Recorders and was co-produced by Reilly and Davíd Garza (Fiona Apple, Sharon Van Etten). In addition to Garza on piano and guitar, the band also includes Gabe Witcher on violin (Punch Brothers, Rosanne Cash), Sebastian Steinberg on bass (Fiona Apple, Phoebe Bridgers), and Charles De Castro on accordion and cornet (Keb' Mo'). The 13 tracks include a pair of Irving Berlin songs, a trio of Tom Waits songs and many songs made famous by Louis Armstrong, Frank Sinatra, Jo Stafford and more. Reilly and this special band reimagine and re-embrace these beloved tunes and bring them again to another generation.About the Live Show:Prepare to be captivated by the incomparable John C. Reilly in Mister Romantic, a vaudeville show that has already garnered critical acclaim and captured the public's imagination. The New York Times calls the show "wryly funny, sometimes tender and sad, but always sincere" and Vanity Fair describes it as “fiercely funny” and says "John C. Reilly is one hell of a singer." Mister Romantic asks you to open your heart to the love all around you and marks a new chapter in Reilly's acclaimed career. Source: https://www.misterromantic.com/Source: https://www.steppenwolf.org/tickets--events/seasons-/2025-26/mister-romantic/Source: https://www.misterromantic.com/musicHost Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us a textSupport the show@profileswithmaggielepique@maggielepique

Not only is this Veronica and Eli's last episode, it's our fourth annual Cruisemas. With the release of One Battle After Another, we revisit Paul Thomas Anderson's blank check big swing Magnolia (1999), and get into: young PTA and the New New Hollywood, sincerity and good listening, Phil Parma made Chad become a therapist, Fiona Apple as PTA's Polly Platt, we desperately want a Tom Cruise coconut cake, life imitating art with Cruise's Oprah interview, Melora Walters' enigmatic smile, Magnolia trying to understand the same things as the Bible, the bleak prescience of ‘Seduce and Destroy,' how to pace a 3+ hour runtime, and more.Further reading: Roger Ebert's “ecstatic” review, Lynn Hirschberg's profile “His Way,” Steven Hyden on PTA and Fiona Apple for Grantland, and books from friends of the pod Adam Nayman (Paul Thomas Anderson: Masterworks) and Ethan Warren (The Cinema of Paul Thomas Anderson).The Bright Wall/Dark Room Podcast has been co-hosted since 2021 by Veronica Fitzpatrick and Chad Perman, and produced by Eli Sands. Our theme music is composed by Chad. Find every issue of Bright Wall/Dark Room at brightwalldarkroom.com, and thanks for listening.Note: This episode was recorded days before the December 13 shooting at Brown University. Our thoughts remain with Veronica's students and the entire community at Brown and beyond.

In addition to the monthly movie talk regarding directors (for Director's Club), I am happy to present the latest episode of the music version of that same format! Only this time - all about bands/musicians that we think are worth discussing. Along w/co-host Sharon Gissy, we both can't wait for you to listen to us nerd out about music each month. This time, it's all about the remarkably talented Fiona Apple! Without further ado, here is the 3rd episode of B-Side Me.The format is simple: each of us pick an A-side to discuss (a more popular well-known song) and then we choose a B-side (a song that's more obscure) that we think you should listen to ASAP. Add our choices to playlists, listen to us talk about another art form we both adore just as much as film! Thank you so much to Sharon for joining me on this nerdy podcasting journey and can't wait for 2026 (next year - we will also have guests on too).Patrick Podcast - Uptown Song Club (more Fiona talk): https://www.buzzsprout.com/2039079/episodes/11190527-1-we-are-all-just-meat

No introduction is required for this album. It's just one of the greatest ones ever released by anyone. Fiona Apple, When the Pawn everybody!Originally recorded April 26, 2025.

DEFENDANT: Tori Amos EVIDENCE: Cloud Watcher California Red Blend SCENE OF THE CRIME: "The Finest Vineyards in California"  -- Hey friend — welcome to the chaos: we opened a grocery-store red called Cloud Watcher (hello, green-pepper nose and dark-plum cocoa vibes), wrestled over a billion points in Corrections Corner, and brought our dog Hermes along to supervise. We sip, we sigh, and we trade childhood-cloud stories while debating whether cloud-watching is relaxing or suspiciously boring.    Then things get deliciously melodic because our “defendant” today is Tori Amos. We peel back her origin story — piano prodigy at Peabody, early L.A. band experiments, exile to the UK, and the piano-driven masterpiece Little Earthquakes — and run through highlights from Choirgirl Hotel to Boys for Pele, Night of Hunters and beyond. There's talk of kazoo deep cuts, mood rings, curly hair aesthetics, and why Tori's lyrics made us fall in love with poetry all over again.   Of course we couldn't resist a game: a twelve-question cross-examination where we read lyrics and guessed whether they were Tori or Not-Tori. There were surprises (Fiona Apple, Tracy Chapman, The Cranberries), triumphant wins, a couple of tequila—I mean wine—sips for wrong answers, and a lot of nostalgic 90s energy. You'll hear about favorite songs (Crucify gets a special shout), concert memories, and how husband, Fact Checker and our little group fit into the Tori fandom saga.   Gossip alert: we dive into the messy 90s drama — Trent Reznor, Courtney Love, and the career fallout that left some fans scribbling love and hate in equal measure. We don't shy away from the heavy stuff either: there's a frank moment about trauma, loss, and how those themes weave through Tori's music.   Between parenthetical jokes about Publix ads, soup-watching disasters, and a recurring helicopter/hematite-cloud dream, this episode is equal parts nerdy music-nerd history and cozy chat over a $10 bottle that punches way above its price. We also bouquet in a little wanderlust — Cornwall homes, haunted castles, and the dream of living like older, well-rested rich people with perfect towels and fireplaces in every room.   So pour a glass, settle in, and listen for the lyric-guessing triumphs, the wardrobe nostalgia (yep, we reunited with our high-school T-shirts), and the way Tori's songs keep looping back into our weird little lives. If you're a Tori obsessive, an accidental listener, or just here to find out whether that wine is worth a splurge — welcome, you're home.

819 Fiona Apple - Tidal

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week, we're heading to The Big Apple so all of the songs featured are from artists from New York. On today's episode, Steve Riddle is watching, “Criminal” by Fiona Apple from 1997.   The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=FFOzayDpWoI

(00:00-17:49) If you see Tim out and about on trashed Tuesday, just celebrate in silence. Not sure there's a fit with Kyrou and the Maple Leafs right now. Jackson is responding through drops. Tim wants 364 designated as the best road in all of St. Louis. STOP TELLING PEOPLE ABOUT 364. Jackson loves autumnal drives and fall sunsets. PCP's got a nice ass. Getting deported from Cottleville.(17:57-19:56) Continuing the horny music theme.(20:06-35:46) Doug, what about that Fiona Apple? How do tornados work? We respect golf course employees and their airhorns. Audio of Danny Kanell saying he's done with a G5 team getting an autobid into the College Football Playoffs. The five-seed is the sweet spot to be in for the CFP. Is Lex Luthor playing a character? Jackson was the first to announce the Brian Daboll firing.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Born and raised in the Blue Ridge Mountains, Kayla Renee Jones is singer songwriter currently based out of Roanoke Virginia. With a diverse cover selection ranging from the Goo Goo Dolls and Pearl Jam, to Etta James and Billy Joel, her emotive and brutally honest voice captures audiences. Her main influences include Jeff Buckley, Elliott Smith, Phoebe Bridgers, Radiohead, Cocteau Twins, Fiona Apple, and Tori Amos.With the help of other local artists, Kayla has played at many local venues such as Sweet Donkey, Twin Creeks Brewery, and Brady's Distillery. When she isn't performing or writing, Kayla Renee spends her free time baking or reading.

Ce 28 octobre, Marjorie Hache enchaîne deux heures de guitares affûtées et de nouveautés explosives dans Pop-Rock Station. L'émission démarre avec "1969" des Stooges avant le retour de Kasabian avec "Hippie Sunshine", annonçant leur neuvième album "Act III". Elle célèbre aussi les 11 ans de "Royals" de Lorde, titre culte qui révélait la chanteuse néo-zélandaise à seulement 16 ans. L'album de la semaine, "We Were Just Here" de Just Mustard, se poursuit avec le titre "Pollyanna", tandis que la reprise du jour revisite "Comfortably Numb" de Pink Floyd par les Scissor Sisters. Dans la foulée, Marjorie Hache diffuse Die Spitz, Wet Leg, The Charlatans et les Deftones, avant un clin d'œil à Cream et System of a Down. La nouveauté " Fresh" du soir met à l'honneur le retour des Lemonheads et leur premier album en vingt ans, "Love Chant", enregistré au Brésil. La soirée s'achève sur Fiona Apple, Gossip et Soulwax. The Stooges - 1969 Kasabian - Hippie Sunshine Lorde - Royals Santa Esmeralda - Don't Let Me Be Misunderstood Editors - Papillon Dire Straits - Love Over Gold Franz Ferdinand - Ulysses Just Mustard - Pollyanna Van Halen - Ain't Talkin 'Bout Love Fun Lovin' Criminals - Scooby Snacks Deep Purple - Hush Deftones - Infinite Source Scissor Sisters - Comfortably Numb The Smashing Pumpkins - Tonight Tonight Die Spitz - Pop Punk Anthem (Sorry For The Delay) Cream - White Room Rival Sons - Company Man Wet Leg - Mangetout The Pretenders - Brass In Pocket System Of A Down - Aerials The Lemonheads - In The Margin Jimi Hendrix - Crosstown Traffic Fiona Apple - Criminal Gossip - Standing In The Way Of Control The Charlatans - Deeper And Deeper Soulwax - Gimme A ReasonHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Esta semana, en nuestras Islas de Noche, nos sumergimos en medio de los 90; entre el 93 y el 96, con un buen puñado de clásicos que nos meten de lleno en el espíritu de aquel momento. Suenan: THE BREEDERS - "DO YOU LOVE ME NOW?" ("THE BREEDERS", 1993) / SONIC YOUTH - "BULL IN THE HEATHER" ("EXPERIMENTAL JET SET, TRASH AND NO STAR", 1994) / HELIUM - "MEDUSA" ("THE DIRT OF LUCK", 1995) / MIND SCIENCE OF THE MIND - "YOUR HUMAN SPINE" ("MIND SCIENCE OF THE MIND", 1996) / JEFF BUCKLEY - "GRACE" ("GRACE", 1994) / RADIOHEAD - "SULK" ("THE BENDS", 1995) / THE FLAMING LIPS - "PLACEBO HEADWOUND" ("CLOUDS TASTE METALLIC", 1995) / FRANK BLACK - "FAZER EYES" ("TEENAGE OF THE YEAR", 1994) / PJ HARVEY - "TECLO" ("TO BRING YOU MY LOVE", 1995) / ELLIOTT SMITH - "LAST CALL" ("ROMAN CANDLE", 1994) / E- "MASS" ("BROKEN TOY SHOP", 1993) / FIONA APPLE - "PALE SEPTEMBER" ("TIDAL", 1996) / ERIC MATTHEWS - "FAITH TO CLAY" ("ERIC MATTHEWS", 1995) Escuchar audio

In today's episode we're thrilled to have Reeya Banerjee—writer, vocalist, voice‑over artist, and the raw, honest storyteller behind the critically‑acclaimed album The Way Up—joining host James Cox for a deep‑dive into the healing power of music.We kick things off with a quick word from our sponsor, BetterHelp, reminding listeners that affordable, flexible online therapy is just a few clicks away (and you can snag 10 % off your first month at betterhelp.com/music‑speaks).From there, James and Reeya wanders through the musical landscape that shapes her art:the Beatles' “Something,”Springsteen's “Thunder Road,”U2's “The Sweetest Thing,”Fiona Apple's “Criminal,”Peter Gabriel's “Sledgehammer,”and Eminem's “Lose Yourself.”Reeya reveals how each of these tracks inspired her own songwriting, and why certain songs—like her own “The Way Up,” “Deep Water,” and the childhood‑memory‑laden “Snow”—feel easier to say when they're sung. She also opens up about the mental‑health crisis she faced in 2019, the intensive therapy that helped her reclaim her voice, and the way music became her conduit for processing grief, insomnia, and the restless energy of a night‑owl musician.Listeners get a sneak peek at Reeya's upcoming August release “This Place,” a concept album that maps nine cities to nine core emotions, and we hear about the stories behind singles such as “Misery of Place,” “For the First Time,” “Runner,” and the soon‑to‑drop “Upstate Rust.”The conversation rounds out with playful cover‑quiz challenges, a nostalgic look at the Hudson‑Valley bar that sparked her creative community, and a heartfelt promise that when words fail, music always speaks.Stay tuned, grab your headphones, and prepare for an episode packed with candid conversation, lyrical insights, and a reminder that—no matter how dark the night—there's always a melody waiting to lift you up.And remember: when you need a mental‑health boost, BetterHelp is just a click away at betterhelp.com/music‑speaks.

On this week's show, we celebrate the 50th anniversary of Bruce Springsteen's Born to Run, spend quality time with new records from Superchunk and Charley Crockett and spin fresh tracks from Ivy, The Last Dinner Party and Margo Price. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

Super special not-so-secret friend Jordan Pries, copropietor of Electric Kitcsh, joins Jay and Deon for a discussion about the music he creates along with Mitch Anderson of Black Circle Radio. 8 additional vinyl records from 8 other artists are covered and some of life's questions are answered along the way. JOIN US PLLLLLLLLEASE!Sonic contributors of this special twenty-seventh bonusepisode of Lightnin' Licks Radio include:Dave Mathews Band, Jurassic 5, DJ NuMark, Prince Paul. De La Soul, Zach Braff, Natilie Portman. Jula @soundwavesofwax, Kriss Kross, Arc of All, Errol Paul Reed, N.W.A. Electrik Funk, Lou Reed, A Tribe Called Quest, Red Man. Jay Dilla, Leaders of the New School, Morrissey, Autumn Defense, Bob Welch. Lindsey Buckingham, 10,000 Maniacs, Goldfrapp. Wes Montgomery, Bobby Hebb, Burt Bacharach, Love. The Smithereens, The Sand Rubies, Fiona Apple, Abraham Jefferson. M.M. Knapps. Mitch Anderson, Paul Simon, The Bee Gees. Albhy Galuten, Karl Richardson, Northwoods Improvisors. Mike Johnstone, Donovon Boxey, Roland Kirk. Height Keech, Cindy Lee, Ol' Burger Beats. Roy Ayers, CalTjader, Roberta Flacc, Donny Hathaway. Ralph MacDonald, William Salter. Tom Bell, Linda Reed, and Spongebob Squarepants. Deon urges you to continue appreciating the music of Q-Tip,Richard & Linda Thompson, George Benson, and Johnny Lytle.Jay suggested the sonic stylings of Josh Rouse, AlisonGoldfrapp, Sidewinders, and Wee.Super special not-so-secret friend Jordan is funking withhis own music, The Source of Light and Power. We're so happy to share this with you.We'll be returning next month, continuing with the alphabet.Up next…the letter ”M.”Bonus 27 mixtape tracklist[V.A.] (1) Richard & Linda Thompson - I Wanna See the Bright Lights Tonight (2) Alison Goldfrapp - The Love Invention (3) Q-Tip - Even If It Is So (4) Josh Rouse - Trouble (5) Wee - Try Me (6) Johnny Lytle - Where Is the Love? (7) Sidewinders - We Don't Do That Anymore (8) George Benson - Giblit Gravy.[SOLP] (1) Whisper Telepathy (2) Sonny was, Sonny is with Donovon Boxey (3) A Rap About Records with Deon and Height Keech (4) Numeric Tumor (5) The Immotal Rites of Bongo Whoosh.Please be kind to each other. Also don't be a bitch, stand up for what is right. Distinguishing what is right and what is not is not as difficult as you think.

Interview date: July 16, 2023Episode Summary:Bobby Amamizu, a seasoned dancer, educator, and choreographer. Bobby shares his inspiring journey from a competitive dancer at Irvine Dance Academy to working with top choreographers and performing in high-profile productions like Dancing with the Stars. He talks about his early years in the dance industry, including the pivotal moments that shaped his career, such as performing in the Fiona Apple music video at just 10 years old and his experiences with Cirque du Soleil's Viva Elvis show in Las Vegas.He reflects on the importance of training in multiple dance styles, including tap, ballet, jazz, and hip-hop, and emphasizes how versatility helped him stand out in a competitive industry. He shares valuable advice for dancers, stressing the need to enjoy the process and cultivate strong relationships within the industry. The episode wraps up with Bobby's heartfelt insights into building lasting connections in the dance world.Show Notes:(1:00) Bobby's early dance journey and transition to competitive dance(5:00) Mentorship from Moni Adamson and his first professional gig at 10(10:00) Training at OC High School of the Arts and landing Viva Elvis with Cirque du Soleil(15:00) Navigating challenges as a young dancer in a competitive industry(20:00) How versatility in ballet, tap, and other styles set him apart(25:00) Moving to LA and diving into TV and film work(30:00) Teaching at major conventions like Tremaine and Hollywood Connection(35:00) Building relationships with top choreographers and mentors(40:00) Balancing live performances, TV shows, and teaching(45:00) Current projects, including The Marvelous Mrs. Maisel and an Amazon ballet show(50:00) Final advice: Keep training, stay humble, enjoy the journey, and never give upBiography:Bobby Amamizu originally from Irvine, CA is a graduate from Orange County High School of the Arts and holds a BFA in Dance Performance from UC Irvine. He is a professional dancer, educator, assistant choreographer, and choreographer who has worked in all varieties of entertainment such as stage, industrials, company, film, commercials, and television.Stage/Industrials/Company credits include: Cirque du Soleil's Viva Elvis (original cast), The Power of Music Evening with Hans Zimmer, Freelusion, Cirque du Soleil Worlds Away Roadshow, Loving The Silent Tears (original musical), International Ballet Festival of Miami, Laguna Dance Festival, National Choreographers Initiative, L'Oreal, Mattel, Morinda, Unity LA (Tessandra Chavez), and Commonality (Adam Parson).Film: A Week Away (Netflix), Valley Girl “Like Totally A Musical”, Fame, A Very Harold and Kumar Christmas, Dear Dumb Diary. Television/Commercials: Young Sheldon, The Marvelous Mrs. Maisel (Season 5), Physical (Season 2 and 3), Roar, The Voice Promo, Carpool Karaoke, Ford, Lip Sync Battle, Hulu's “Door No.1”, Home Joy, Miss Universe, Strictly Come Dancing, Fiona Apple music video “Paper Bag,” Jerry Lewis Telethon.He has taught for different companies, institutions, and conventions including Cirque du Soleil, Houston Met, OCSA, Edge Performing Arts Center, Steps on Broadway, Tremaine Dance Convention, and LA Elite/Elite Dance Convention. He is currently on faculty for Hollywood Connection Dance Convention and an Adjunct Professor at Pace University's Commercial Dance Department.Bobby is an assistant to many choreographers such as Marguerite Derricks, Michael Rooney, Bonnie Story, Lane Napper, Dominique Kelley among others. Some of the past projects he was fortunate to be a part of as an assistant choreographer include Happy Socks, AT&T, Carvana, Flirty Dancing and The Marvelous Mrs. Maisel. At the time of taping The Business of Dance Podcast he was working on a new ballet TV show “Etoile” as an assistant choreographer that was filmed in New York and Paris.Connect on Social Media:https://www.instagram.com/bobbyamamizuhttps://www.facebook.com/bobby.amamizu.9

Filmmaker Mark Romanek's early love of cinema not only lead him to early acclaim at Sundance for his 1986 film Static, but his later award-winning feature films like One Hour Photo (2002), and Never Let Me Go (2010). But it also lead him to become one of the most prolific and identifiable auteurs of the 1990's music video boom, with a client list that includes Jay-Z, Beck, Fiona Apple, Beyonce, Nine Inch Nails, Taylor Swift, Billie Eilish, Lady Gaga, David Bowie, and even Johnny Cash. In this week's Special Episode, we take a detour from chats with musical artists and record producers to talk about the images behind popular music icons, and Romanek's ongoing journey of sound and vision.   The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

Following the recent release of her excellent sophomore album, If You Asked For A Picture, Blondshell's Sabrina Teitelbaum joins the LSQ podcast to talk about important musical discoveries along her creative path: Falling in love with the Rolling Stones after her parents took her to see them in concert at Madison Square Garden when she was only seven years old, delving into songwriting a few years later, as a way of coping with obsessive-compulsive disorder, going to as many concerts as she could in NYC as a teenager and seeing bands like the Black Keys, Haim and The Kooks, finding inspiration in the lyrical prowess of Fiona Apple and Frank Ocean, and more. Blondshell is on tour now, and through most of the rest of this year. Get tickets here. 

Comedian Josh Gondelman was surprised to learn that he's married to famous singer-songwriter Fiona Apple. After all, he'd just celebrated his eighth wedding anniversary with his wife, author Maris Kreizman. But Google's AI summary of Josh's personal life essentially scraped his professional Internet presence and misinterpreted the “data” from an old standup bit and a 2020 tweet. With big tech companies pushing AI into seemingly everything these days, what lessons can we learn from this massive, yet very funny error? This week, Katelyn and Christine reunite! in! person! for a sit-down with Josh at Multitude Productions' NYC recording studio. How can we protect our livelihoods and our lives from AI-ification? Katelyn, Christine, and Josh discuss how people like us can beat the machines.Watch the full episode on Cancel Me, Daddy's YouTube channel!Links:Cancel Me, Daddy's YouTube channelFollow Josh Gondelman on Bluesky and InstagramWatch Josh's upcoming YouTube comedy special, Positive Reinforcement, dropping 6/27! Subscribe to Josh's newsletter, That's Marvelous!, and read the issue about his “marriage” to Fiona AppleGianmarco Soresi's Spongebob bit: https://www.youtube.com/shorts/8V2nYBy5300Cancellation List Patreon Supporters:-Megg-I Beauregard-Diego M Sanchez-Leslie Zavisca-Maggi Joseph-Siobhan GreenSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're back with another update, and it is a doozy!There was a lawsuit settled in the case of Aron Christensen & Buzzo, possibly new evidence in the D.B. Cooper case, a sentencing for the man who put a woman in a cage, and Fiona Apple has new music!Oh, and there might be one VERY BIG change in the show's hosts, but you'll have to listen to find out!Remastered Releases Out 31 Years After Singer's MurderLawsuit probing Aron Christensen's death on remote Lewis County trail is settled | The Daily ChronicleThe FBI Has Released 472 New Pages in D.B. Cooper's File—With Riveting Clues About SuspectsOregon man who kidnapped a Seattle woman and kept her in a makeshift cell gets life sentence | AP NewsSupport this podcast at — https://redcircle.com/murder-in-the-rain/exclusive-contentAdvertising Inquiries: https://redcircle.com/brands

We've got another update to our running list of the year's best songs with the return of Fiona Apple, Laufey, deep reflections from Lord Huron and more.Featured artists and songs:1. Fiona Apple: "Pretrial (Let Her Go Home)" (single)2. Jerskin Fendrix: "SK1" (single)3. Lord Huron: "Looking Back," from 'The Cosmic Selector, Vol. 1'4. Eph See: "Malachi The Uber Driver" (Tiny Desk Contest entry)5. Kacy Hill: "Please Don't Cry" (single)6. Laufey: "Tough Luck," from 'A Matter Of Time''All Songs Considered' 25th anniversary segment: Our No. 1 songs from 2013Weekly reset: Neighborhood birds on a spring morningEnjoy the show? Share it with a friend and leave us a review on Apple or wherever you listen to podcasts. Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.org Hear new songs from past episodes in the All Songs Considered playlists in Apple Music and Spotify.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Kirk digs into Fiona Apple's breakneck 1999 single "Fast As You Can," a cornerstone in her late 90s collaborations with Jon Brion, as well as her work with drummer Matt Chamberlain.Written by: Fiona AppleProduced by: Jon BrionAlbum: When The Pawn..., 1999Listen/Buy via Album.LinkALSO REFERENCED/DISCUSSED:Jon Brion in Performing Songwriter Magazine, 2000"Criminal" by Fiona Apple from Tidal, 1996"Tymps (The Sick in the Head Song) by Fiona Apple from Extraordinary Machine, 2005"Monday" by Jon Brion from I Heart Huckabees, 2004"Epistrophy" by Thelonious Monk recorded w/ Milt Jackson in 1948Sound Space Studios demonstrating a Chamberlin keyboard----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STORE (NEW STUFF JUST IN!)store.strongsongspodcast.comKIRK'S GEAR & INSTRUMENT LISTkirkhamilton.com/gearSOCIAL MEDIAIG: @Kirk_Hamilton | Bluesky: @kirkhamilton.comKIRK'S NEWSLETTERnewsletter.kirkhamilton.comJOIN THE STRONG SONGS DISCORDhttps://discord.gg/GCvKqAM8SmSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman Graphics--------------------MARCH 2025 WHOLE-NOTE PATRONSAndyLisa CrottyElizabeth CulverMeryl AllisonRobyn MetcalfeCesarCorpus FriskyBen BarronCatherine WarnerDamon WhiteJay SwartzRushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshMelanie AndrichJenness GardnerNathaniel BauernfeindPaul DelaneySami SamhuriJeremy DawsonAccessViolationDave FloreyMARCH 2025 HALF-NOTE PATRONSRachelAruni JayatillekeRyan GillenTerry AuvenshineTBDaniel KaberonWiggy HashWhit SidenerJulie KellmanSimon HellmanBeaClaudia CartyDaniGlenn JacksonChristopher Selby SpinkPhilip KellyDaniel NervoKevin StaffordLawrenceSy JacobsirritableIan PiddAndrew HoferJordan GatenbyMelissa KuhnsAshleySeattle Trans And Nonbinary Choral EnsembleKevin MarceloSamantha CoatesJamesMark NadasdiJeffDan CutterJoseph RomeroOl ParkerJohn BerryDanielle KrizClint McElroyMordok's Vape PenInmar GivoniMichael SingerMerv AdrianJoe GalloLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan LaserBrian John PeterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiLee R.Callum WebbLynda MacNeilDick MorganBen SteinGrettir AsmundarsonSean MurphyRandal VegterKellen SteffenKaya WoodallRobert Granatdave malloyAlan MaassNick Gallowayjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonTim SheehanCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareRichard SneddonJanice BerryDoreen CarlsonDavid McDarbyWendy GilchristLisa TurnerPaul WayperMiles FormanBruno GaetaKenneth JungZak RemerRishi SahayJeffrey BeanJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyBonnie PrinsenEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNell MorseNathan GouwensLauren ReayEric PrestemoncbalmainAngela LivingstoneDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMelmaniacEric HelmJonathan DanielsCaro FieldDave SharpeNaomi WatsonDavidAlexanderAdam GeorgandisChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo