Podcasts about Southbank Centre

Some people raise the bar just by walking into the room. Mezzo Soprano and Creative Consultant Jennifer Johnston is one of them. We talk about her award-winning creative work during the pandemic, her journey from barrister to singer, and her latest collaboration with the London Transport Museum — recorded at the Southbank Centre ahead of Mahler 8 with the LPO.

As the journals of the American writer Joan Didion (based on conversations with her psychiatrist) are published, writer and journalist Rachel Cooke and Alan Taylor, editor of actor Alan Rickman's diaries, discuss the challenges, responsibilities and ethics of posthumously publishing the diaries of great writers, artists and actors. Acclaimed German pianist Pianist Igor Levit talks about his own challenge - that of performing Erik Satie's pioneering piece Vexations, in a performance at the Multitudes arts festival at London's Southbank Centre. The performance is directed by leading performance artist Marina Abramovic and is expected to last approximately 15 hours, as Levit repeats Satie's one-page score 840 times. And how should great women be memorialised? Cultural critic Stephen Bayley and author and activist Sara Sheridan discuss what a memorial to Queen Elizabeth II might look like, and why, in comparison to their male counterparts, so few women have grand memorials in our towns and cities. Presenter: Kirsty Wark Producer: Mark Crossan

Now for a roundup of accessible arts events as RNIB Connect Radio's Toby Davey catches up with Jess Beal from VocalEyes, the national audio description charity providing access to the arts for blind and partially sighted people to share some of the accessible events that are featured in their regular email newsletter. Audio described shows and events included: The Shark is Broken - Tuesday 8 April, 7.30pm, touch tour 6pm, Theatre Royal Brighton Richard II - Saturday 12 April, 2.30pm, touch tour 12.25pm, Bridge theatre, London Only Fools And Horses The Musical - Wednesday 16 April, 7.30pm, Marlowe Theatre, Canterbury The Lion Inside - Thursday 17 April, 2pm, touch tour 1.15pm, Royal Festival Hall, Southbank Centre, London Here & Now - Friday 18 April, 2.30pm, Norwich Theatre Royal My First Ballet: Swan Lake - Thursday24 April, 1.30pm, Peacock Theatre, London To find out more about these and other up-coming described arts events as well as details on how to sign up to the regular VocalEyes What's On email newsletter do visit - https://vocaleyes.co.uk (Image shows the VocalEyes logo. A speech bubble with 'VOCALEYES' written in bold black letters next to it)

Jude Kelly is a visionary British theatre director and producer, renowned for her bold, transformative approach to the arts. As the founder of the groundbreaking Watermill Theatre in Newbury, and later the artistic director of Southbank Centre, Kelly redefined the landscape of UK theatre with a focus on inclusivity, social change, and dynamic storytelling. Celebrated for championing female voices and championing diverse narratives, her work spans from large-scale productions to intimate, innovative performances. Kelly's impact extends beyond the stage, influencing cultural policy and empowering emerging voices in the arts.

WHEN WE CEASE TO UNDERSTAND THE WORLD by Benjamin Labatut (translated by Adrian Nathan West), chosen by Ted Hodgkinson ENTER GHOST by Isabella Hammad, chosen by Inua Ellams GHOSTING: A DOUBLE LIFE by Jennie Erdal, chosen by Harriett GilbertAs Head of Literature and Spoken Word-programming at the Southbank Centre in London, writers and writing are at the heart of Ted Hodgkinson's work. In 2020 he chaired the judging panel of the International Booker Prize and he has judged many other awards, including the Orwell Prize for Political Writing. His choice of a good read is a slim, genre-defying book by Chilean author Benjamin Labatut which packs a huge punch. It's about the scientists and mathematicians whose work has shaped our world, and the unintended - sometimes horrifying - consequences of scientific advancement.Inua Ellams is a playwright, poet and curator. His work includes Barber Shop Chronicles, The Half-God of Rainfall, and an updating of Chekhov's Three Sisters, set during the Biafran Civil War, and he's recently been announced as one of the writers of the next series of Dr Who. His choice is Isabella Hammad's 2023 novel Enter Ghost. After a disastrous love affair, British-Palestinian actress Sonia goes to stay with her sister in Haifa. Intending the visit as a holiday, she finds herself investigating her family's history and getting involved in a production of Hamlet, to be staged in the West Bank.Presenter Harriett Gilbert's choice is Ghosting by Jennie Erdal. A fascinating account of Jennie's time as ghostwriter for 'Tiger' (the publisher Naim Attallah), penning everything from novels to love letters in his name.Producer: Mair Bosworth

Send us a textIn the first of this two part feature we discuss Selina Brown's journey; obtaining two Degrees and a Masters by the age of 21, her work with BBC & MTV as well as her global experience encompassing New York, Kenya, and Gambia.Not only did she author children's book "Nena" series in 2020, she established the Black British Book Festival, heralded as Europe's largest Black literature festival. In 2023 she partnered with the esteemed Southbank Centre and received sponsorship from influential brands publishing entities, including Audible, Pan Macmillan, Hachette, Simon Schuster, National Express and Penguin.Connect with Selina :https://www.blackbritishbookfestival.com/Subscribe to Reggae Uprising Podcast : https://www.danieal.live/podcastVisit Store : https://dgarms.live/Disclaimer : Reggae Uprising Podcast does not own any of the rights to any of the music or extracts featured. It is used only as a tool of education, upliftment and empowerment for and of people of the diaspora.Subscribe & Connect : www.danieal.live/podcastOfficial Merch : www.dgarms.com

Some gigs stay with you forever, and in this episode of Vinyl Resting Place, Dapo and Hannah relive their most unforgettable live music experiences from the past year. They break down the magic of Raye's stunning 21st Century Symphony show at The O2, intimate sets by Poppy Ajudha and Sipho at venues like House of Koko and Southbank Centre, and the standout moments that made each gig special. With festival season approaching, they also reflect on epic weekends at We Out Here and Lost Village and compare British Summertime in Hyde Park, Jazz Café Festival at Burgess Park, and Yussef Dayes' Summer Dayes event at the Crystal Palace Bowl. Whether you're looking for must-see artists, reminiscing about your own favorite gigs, or planning for the summer, this episode is a must-listen for every live music fan!If you want to see more of Vinyl Resting Place you can find all of our previous episodes here: https://vinylrestingplace.buzzsprout.com/Check out our TikTok and Insta too why don't ya:@vinylrestingplacepodKeep an eye out on our socials for Vinyl Resting Picks. Each week we will give you a selection of albums that we think you need to heart andHosts: Dapo Agiri - @dapo_ag Guest: Hannah Lockett - @hannah_lockett#livemusicexperiences #bestconcerts #raye #poppyajudha #sipho #weoutherefestival #lostvillagefestival #bsthydepark #jazzcafefestival #yussefdayes #summerdayes #londonmusic #musicpodcast #vinylrestingplace #concertreview #musicfestivals

The novel is a living thing, argues author Deborah Levy in the New Statesman Goldsmith's Prize lecture.Tom Gatti hosts Deborah Levy, author of Swimming Home and The Man Who Saw Everything, to deliver a special lecture live from the Southbank Centre in London.Presented in partnership with the Goldsmiths Prize and the Southbank Centre, and recorded at the Southbank Centre.Watch the video: https://www.youtube.com/watch?v=sHFN7ZY9lzM Hosted on Acast. See acast.com/privacy for more information.

Now for a roundup of accessible arts events as RNIB Connect Radio's Toby Davey catches up with Jess Beal from VocalEyes, the national audio description charity providing access to the arts for blind and partially sighted people to share some of the accessible events that are featured in their regular email newsletter. Audio described shows and events included: Titanique - Sunday 9 February, 3pm, touch tour 1.40pm, Criterion Theatre, London The Lonely Londoners - Thursday 13 February, 7.30pm, touch tour 6pm, Kiln Theatre, London Summer 1954, Table Number 7 & The Browning Version - Saturday 15 February, 2.30pm, Oxford Playhouse Six The Musical - Wednesday 19 February, 6pm, Theatre Severn, Shrewsbury Rollercoaster - Saturday 22 February, 6.30pm, Royal Festival Hall, Southbank Centre, London To find out more about these and other up-coming described arts events as well as details about how to sign up to the regular What's On email newsletter do visit the VocalEyes website - https://vocaleyes.co.uk (Image shows the VocalEyes logo. A speech bubble with 'VOCALEYES' written in bold black letters next to it)

Music as Medicine is the latest work by the neuroscientist and best-selling author Daniel Levitin. In it he explores the healing power of music, and the cutting edge research which examines how sound affects the brain. The dance critic Sara Veale is interested in movement. In Wild Grace she tells the untold history of the extraordinary women who were the pioneers of modern dance. While Nwando Ebizie is a practitioner of both music and movement, and is interested in using the latest neurological studies in her art. She will perform the works, Solve et Coagula (arr. Mark Knoop) and All the Calm of a Distant Sea at the Southbank Centre, London (23rd January) as part of the BBC Radio 3 Unclassified concert.Producer: Katy Hickman

In the first episode of 2025, conductor Dinis Sousa joins Netty for a cuppa and a chat in London before he embarks on his touring adventures.Currently Principal Conductor of the Royal Northern Sinfonia, Dinis has a fascinating journey that took him from filmmaker to pianist and finally conductor. His story is inspiring and demonstrates the rewards of pursuing your dreams. Dinis also shares his excitement about joining us as guest artist in June at the Southbank Centre, where he will conduct Elgar's Enigma Variations for the first time.--Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear. Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

Our host, Adrian Ellis, sits down with Elaine Bedell, OBE, CEO of Southbank Centre to discuss what it means to lead Europe's largest  centre for the arts. Guest bioElaine Bedell has been CEO of Southbank Centre since 2017. Southbank Centre is the largest arts centre in Europe and the UK's 5th most visited attraction. Over 20 million people a year visit the 11-acre site, which houses 3 performing arts venues, including the Royal Festival Hall, as well as the Hayward Gallery and the National Poetry Library, 14 bars and restaurants, a food market and the Southbank skatepark. Before this, Elaine enjoyed a 25-year career in media, with roles including Controller of Entertainment at the BBC and ITV Director of Entertainment and Comedy, where she commissioned shows including Strictly, X Factor and Top Gear. She's been a Trustee of the V&A Museum and was the Executive Chair of the Edinburgh International TV Festival.  Elaine's also a published novelist and has won a BAFTA. She was awarded an OBE in the 2024 New Year's Honours for Services to Business and the Arts. ReferencesSouthbank Centre: https://www.southbankcentre.co.uk/Venues at Southbank Centre: https://www.southbankcentre.co.uk/venues/Aurora orchestra: https://www.auroraorchestra.com/Elaine's recent interview with the Brunswick Group: https://review.brunswickgroup.com/article/southbank-centre-ceo-elaine-bedell/LinkedInElaine Bedell: linkedin.com/in/elaine-bedell-obe-7bb172103Southbank Centre: https://www.linkedin.com/company/southbank-centre/posts/

This week's book guest is She Speaks!: What Shakespeare's Women Might Have Said by Harriet Walter.In a truly special episode live from Southbank Centre's Queen Elizabeth Hall as part of the London Literature Festival 2024 Sara and Cariad are joined by the one and only Dame Harriet Walter to talk about her new collection of speeches for thirty of Shakespeare's women.Harriet is one of Britain's most esteemed Shakespearean actors, a stalwart of the RSC she has won an Olivier Award, been nominated for both Tony and Emmy Awards and has starred in the likes of Killing Eve, Ted Lasso and Succession.Her new book re-imagines what some of Shakespeare's women might have been secretly thinking and lets them speak their minds. In this episode they discuss Shakespeare for Breakfast, acting, croissants, the Edinburgh Festival and Patrick Stewart's wig.Thank you for reading with us. We like reading with you!Trigger warning: In this episode we discuss suicide and death.Harriet's book She Speaks!: What Shakespeare's Women Might Have Said is available to buy here. Follow Sara & Cariad's Weirdos Book Club on Instagram @saraandcariadsweirdosbookclub and Twitter @weirdosbookclub Recorded live at the Southbank Centre's Queen Elizabeth Hall as part of the London Literature Festival 2024 and edited by Naomi Parnell for Plosive.Artwork by Welcome Studio. Hosted on Acast. See acast.com/privacy for more information.

Now for a roundup of accessible arts events as RNIB Connect Radio's Toby Davey catches up with Jess Beal from VocalEyes, the national audio description charity providing access to the arts for blind and partially sighted people to share some of the accessible events that are featured in their regular email newsletter. Audio described shows and events included: Hamilton - Thursday 19 December, 2.30pm, Wales Millennium Centre, Cardiff A Christmas Carol (Ish) - Friday 20 December, 7.30pm, @sohoplace, London Circa presents DuckPond - Saturday 21 December, 7.30pm, Royal Festival Hall, Southbank Centre, London Plus a round up of audio described pantos too!  To find out more about these and other up-coming described arts events as well as details about how to sign up to the regular What's On email newsletter do visit the VocalEyes website - https://vocaleyes.co.uk (Image shows the VocalEyes logo. A speech bubble with 'VOCALEYES' written in bold black letters next to it)

To mark the re-publication of Edward Said's The Question of Palestine, this landmark event held at the Royal Festival Hall on 20 November gathers eight key authors to reflect on the enduring legacy of Said's work and its role in the ongoing Palestinian struggle for self-determination. Jehad Abusalim (via video), Tamim Barghouti, Budour Hassan, Saree Makdisi, Max Porter, Jacqueline Rose, Wadie Said, Avi Shlaim and Ahdaf Soueif, hosted by Aimee Shalan, consider what The Question of Palestine has become today, and the painful contradiction that Said himself would observe: that Palestinian gains in international moral and cultural standing since the book's publication have done nothing to prevent the continuous losses of land and life; and that the establishment of Palestinian histories and narratives in the broader public imagination has led not to equality, but to dehumanisation and death on a scale previously unimaginable. Presented in cooperation with the Palestine Festival of Literature and the Southbank Centre. Edited by Frankie Wells. Music composed by Kwes Darko.

We meet legendary poet Joelle Taylor.Joelle Taylor is the author of 4 collections of poetry. Her most recent collection C+NTO & Othered Poems won the 2021 T.S Eliot Prize, and the 2022 Polari Book Prize for LGBT authors. C+NTO is currently being adapted for theatre with a view to touring. She is a co- curator and host of Out-Spoken Live at the Southbank Centre, and tours her work nationally and internationally in a diverse range of venues, from Australia to Brazil. She is also a Poetry Fellow of University of East Anglia and the curator of the Koestler Awards 2023. She has judged several poetry and literary prizes including Jerwood Fellowship, the Forward Prize, and the Ondaatje Prize. Her novel of interconnecting stories The Night Alphabet will be published by Riverrun in Spring of 2024. She is a Fellow of the Royal Society of Literature, and the 2022 Saboteur Spoken Word Artist of the Year. Her most recent acting role was in Blue by Derek Jarman, which was directed by Neil Bartlett and featured Russell Tovey, Jay Bernard, and Travis Alabanza. Blue sold out its run across the UK and more dates are expected for the future.Follow @JTaylorTrashVisit: https://joelletaylor.co.uk/ Hosted on Acast. See acast.com/privacy for more information.

This week's book guest is Ordinary Time by Cathy Rentzenbrink.Sara and Cariad are joined by the writer and Sunday Times bestseller Cathy Rentzenbrink. Her books include Everyone is Still Alive, Write It All Down and The Last Act of Love which was also shortlisted for the Wellcome Book Prize.In this episode they discuss Jane Austen, affairs, quiet people, Anna Karenina, grief and blue cashmere jumpersThank you for reading with us. We like reading with you!Trigger warning: In this episode we discuss grief, early loss, traumatic events and suicide.Ordinary Time is available to buy here.You can find Cathy on Instagram @catrentzenbrink and Twitter @catrentzenbrinkTickets for the live show at the Southbank Centre with special guest Harriet Walter are available to buy here!Cariad's children's book The Christmas Wish-tastrophe is available to buy now.Sara's debut novel Weirdo is published by Faber & Faber and is available to buy here.Cariad's book You Are Not Alone is published by Bloomsbury and is available to buy here.Follow Sara & Cariad's Weirdos Book Club on Instagram @saraandcariadsweirdosbookclub and Twitter @weirdosbookclub Recorded and edited by Naomi Parnell for Plosive.Artwork by Welcome Studio. Hosted on Acast. See acast.com/privacy for more information.

In this final edition of Open Book, Johny Pitts and Chris Power celebrate some of the outstanding novels from the last twenty six years.They are joined by Kamila Shamsie, winner of the Women's Prize for Fiction in 2018 for her novel Home Fire. Sara Collins, author of The Confessions of Frannie Langton, and one of this year's Booker Prize judges. Ted Hodgkinson, Head of Literature and Spoken Word at the Southbank Centre, and previous chair of the International Booker.Kamila, Sara and Ted pick out some of the books, including Wolf Hall, Lincoln in the Bardo and On Beauty, which have stood out for them: books they'd recommend to others, and re-read again and again.Producer: Kirsten LockeBooks List:Best of Friends – Kamila Shamsie Burnt Shadows – Kamila Shamsie Home Fire – Kamila Shamsie The Confessions of Frannie Langton – Sara Collins In the City by the Sea – Kamila Shamsie Wolf Hall – Hilary Mantel Lincoln in the Bardo – George Saunders Cloud Atlas – David Mitchell Klara and the Sun – Kazuo Ishiguro Seasonal Quartet – Ali Smith The Bee Sting – Paul Murray Maps for Lost Lovers – Nadeem Aslam In Memoriam – Alice Winn On Beauty – Zadie Smith

This week's book guest is The Elsie Drake Letters by Robert Popper.Sara and Cariad are joined by legendary comedy writer, producer and actor Robert Popper who's worked on everything from Look Around You to Friday Night Dinner, Peep Show and Stath Lets Flats. In this episode they discuss bananas, the King, Potsy the hedgehog, stamps and the Pope.Thank you for reading with us. We like reading with you!The Elsie Drake Letters are available to buy here.You can find Robert on Instagram @itsrobertpopper and Twitter @robertpopperTickets for the live Weirdos show at the Southbank Centre with special guest Harriet Walter are available to buy here!Cariad's children's book The Christmas Wish-tastrophe is available to pre-order now.Sara's debut novel Weirdo is published by Faber & Faber and is available to buy here.Cariad's book You Are Not Alone is published by Bloomsbury and is available to buy here.Follow Sara & Cariad's Weirdos Book Club on Instagram @saraandcariadsweirdosbookclub and Twitter @weirdosbookclub Recorded and edited by Naomi Parnell for Plosive.Artwork by Welcome Studio. Hosted on Acast. See acast.com/privacy for more information.

Episode 445 / Henry Ward is an artist, writer, and educator living in London. He works primarily as a painter, but also makes drawings and small sculptures. He is interested in exploring the language of paint by investigating the threshold between abstraction and representation.  He was shortlisted for the Trinity Buoy Wharf Drawing Prize in 2018, 2019 and 2022, and longlisted for the Contemporary British Painting Prize 2021. He was included in the inaugural “The Football Art Prize” in 2022. His work has been included in numerous exhibitions. The first substantial publication about his work, “Shed Paintings – Henry Ward”, was published in February 2021 by Hato Press and features 101 works on paper and an essay by Ben Street.  He is the Director for Freelands Foundation and launched the Freelands Painting Prize in 2020. Previously he was Head of Education at Southbank Centre and worked in a variety of roles at Welling School, a Specialist Visual Arts College, where he led on the school's specialism. In 2002 he established the alTURNERtive Prize, an annual award celebrating outstanding student practice. In 2011 he founded the biannual arts and education periodical, æ. He is a visiting lecturer at UK art schools including Bath Spa University, University of Brighton, Manchester School of Art, Plymouth College of Art and Wolverhampton School of Art, and a mentor on the Turps Art School Correspondence and off-site courses. He has written and lectured widely on the arts and education, with a particular focus on teaching as an artistic practice. He was an advisor for Martin Gropius Bau, Berlin from 2018-21 and curated a two day event, “Assembly”, investigating approaches to public engagement in 2018 and a follow up, “Assembly II” in 2021.  In 2023 he undertook a residency at the Albers Foundation in Connecticut.

This week's book guest is One's Company by Ashley Hutson.Sara and Cariad discuss Red Dwarf, safe places, connection in novels, self care and Creed from The Office.Trigger warning: This episode contains references to death, suicide and assault.Thank you for reading with us. We like reading with you!One's Company is available to buy here.Tickets for the live show at the Southbank Centre with special guest Harriet Walter are available to buy here!Sara's debut novel Weirdo is published by Faber & Faber and is available to buy here.Cariad's book You Are Not Alone is published by Bloomsbury and is available to buy here.Cariad's children's book The Christmas Wish-tastrophe is available to buy now.Follow Sara & Cariad's Weirdos Book Club on Instagram @saraandcariadsweirdosbookclub and Twitter @weirdosbookclub Recorded and edited by Naomi Parnell for Plosive.Artwork by Welcome Studio. Hosted on Acast. See acast.com/privacy for more information.

Forty years ago Bronski Beat released Age of Consent, a record so loud and proud that it become an era-defining moment of gay liberation. We look back at the record's music, legacy and politics with novelist Matt Cain and Laurie Belgrave, who has produced the new 'The Age of Consent 40' concert at the Southbank Centre. Samira talks to Percival Everett about his Booker-shortlisted James, a potent retelling of Mark Twain's Adventures of Huckleberry Finn which offers a new voice to the enslaved character Jim. And, we look at how the horror genre has developed on the stage with Jessica Andrews who has adapted Saint Maud for Live Theatre in Newcastle and Matthew Dunster who directed 2:22 A Ghost Story and the recent West End production of The Pillowman.Presenter: Samira Ahmed Producer: Ruth Watts

In this special episode, Fozia Ismail and Ayan Cilmi from the feminist art collective Dhaqan Collective join EMPIRE LINES live at the Eden Project in Cornwall, alongside artists Kaajal Modi and Sovay Berriman, and environmental humanities lecturer Jim Scown, to discuss Somali cultural heritage in the face of climate crises. In the last few decades, Somali nomadic lives have been endangered by environmental degradation, civil war, and displacement. Created in 1960 from a former British protectorate and an Italian colony, the country collapsed into 30 years of conflict following the overthrow of the military regime of President Siad Barre in 1991. Working with diasporic communities in Bristol, the Dhaqan Collective seek to find ways of building imaginative futures that support Somali people both in the UK and in East Africa. They use everyday materials, from cassette tapes and camel meats, to milk teas, foods, and textiles, to create spaces of community and healing that centre the range of experiences across generations. Dhaqan discuss their ‘creative ecology' of work, travelling to contexts from the Southbank Centre in London, to the Isle of Portland in Dorset. We connect with Kaajal Modi, whose practice of ‘embodied listening' intersperses field recordings from British waterways with migration stories and reflections from marginalised communities. Based in Cornwall, Sovay Berriman mines the politics of place embedded in their work, relating to Cornish nationalisms, and working-class identities. We discuss different perceptions of women, mothers, and elders, crossing from Kaajal's particular Ugandan Asian community, to conventional arts institutions, exploring questions of collection and restitution. Plus, Jim Scown shares his research at the intersections of soils, science, and literature. This episode was recorded live at Interweaving Threads of Migration and Climate Justice - a weekend of talks and events at the Eden Project in Cornwall, exploring the power of audio and oral storytelling in cultural preservation - in September 2024: edenproject.com/visit/whats-on/interweaving-threads-of-migration-and-climate-justice Both Dhaqan Collective's House of Weaving Songs, and Kaajal Modi's Songs of the Water, will travel to Journeys Festival 2024 in Leicester from from 11 October 2024, supported by Art Reach and Counterpoints Arts. For more about b-side Festival 2024, read my article about Mohammad Barrangi in gowithYamo: gowithyamo.com/blog/mohammad-barrangi-b-side-festival Listen back to the talk from Reclaim Festival 2024 with Serge Attukweh Clottey on the EMPIRE LINES podcast, in the episode on Noko Y3 Dzen (There's Something in the World (2018-Now): pod.link/1533637675/episode/8093f81c6a2eaaf7589bb73768e2a20c And catch up on Instagram: instagram.com/p/C3pslhaI_P7/?igsh=bnJ1b2dsNHE5czk1 Find out more about Acts of Gathering with curators Misha Curson and Hannah Hooks in the episode on Learning from Artemisia, Uriel Orlow and Orchestre Jeunes Étoiles des Astres (2019-2020): pod.link/1533637675/episode/0e8ab778b4ce1ad24bc15df3fec5a386 Hear Professor Paul Gilroy live in conversation at The Black Atlantic Symposium in Plymouth (2023): ⁠pod.link/1533637675/episode/90a9fc4efeef69e879b7b77e79659f3f⁠ And for more cassette tapes, hear Dr. Mohamed Shafeeq Karinkurayil sound out migration between post-colonial Kerala and the Arab Gulf, through S. A. Jameel's Dubai Kathu Pattu (Dubai Letter Song) (1977): pod.link/1533637675/episode/417429b5c504842ddbd3c82b07f7b0f8

This week's book guest is Honeybee by Dawn O'Porter.Sara and Cariad are joined by the best-selling author, presenter and co-founder of Choose Love, Dawn O'Porter to discuss a room of one's own, temping, reply all, ambition and periods.Thank you for reading with us. We like reading with you!Honeybee is available to buy here.You can find Dawn on Instagram @hotpatooties Tickets for the live show at the Southbank Centre with special guest Harriet Walter are available to buy here!Cariad's children's book The Christmas Wish-tastrophe is available to pre-order now.Sara's debut novel Weirdo is published by Faber & Faber and is available to buy here.Cariad's book You Are Not Alone is published by Bloomsbury and is available to buy here.Follow Sara & Cariad's Weirdos Book Club on Instagram @saraandcariadsweirdosbookclub and Twitter @weirdosbookclub Recorded and edited by Naomi Parnell for Plosive.Artwork by Welcome Studio. Hosted on Acast. See acast.com/privacy for more information.

Topics covered : George Floyd, Black Lives Matter movement, trauma, racism, empathy, capitalism, celebrity culture, social media, privilege, colonialism, photography, power of film and music, Palestine, injustice, grief, community.My guest this week is photographer, filmmaker, entrepreneur and social activist, the wonderful Misan Harriman.He is married to Camilla and they have 2 young daughters and they live in Surrey.He was born in Nigeria and came to England when he was a young boy to attend boarding school and the last few years in particular, have been transformative for him.On his 40th birthday he picked up a camera and his gift behind the lens has led him to photograph some of the most influential people in the world from Harry and Megan, who are good friends of his; Kate Winslet, Harrison Ford and Angelina Jolie to name but a few.He is also the chair of cultural hub, the Southbank Centre, and an ambassador for Save The Children and he was the first black man to shoot the cover of British Vogue in its 104 year history.In this conversation, he talks about George Floyd and the Black Lives Matter movement, celebrity culture, the power of the arts and his love of film and music, his debut short film ‘The After' which is currently on Netflix, and how children everywhere, must be our priority.Watch : The AfterTriangle of SadnessWhite Nanny Black ChildListen :On the nature of daylight by Max Richter Hosted on Acast. See acast.com/privacy for more information.

This week's book guest is Modern Times by Cathy Sweeney.In a special live recording at the Edinburgh International Book Festival, Sara and Cariad are joined by actor, comedian, cartoonist and author Jessie Cave to discuss the Edinburgh Fringe, reviews, puppets, walk-outs, sex dolls and Nancy Dell'Olio.Thank you for reading with us. We like reading with you!Trigger warning: In this episode we discuss grief and death and some explicit sexual scenes.Modern Times by Cathy Sweeney is available to buy here.Jessie's novel Sunset is available to buy here.You can find Jessie on Instagram and Twitter @jessiecaveTickets for the live show at the Southbank Centre with special guest Harriet Walter are available to buy here!Sara's debut novel Weirdo is published by Faber & Faber and is available to buy here.Cariad's book You Are Not Alone is published by Bloomsbury and is available to buy here.Cariad's children's book The Christmas Wish-tastrophe is available to pre-order now.Follow Sara & Cariad's Weirdos Book Club on Instagram @saraandcariadsweirdosbookclub and Twitter @weirdosbookclub Recorded by Edinburgh International Book Festival and edited by Aniya Das for Plosive.Artwork by Welcome Studio. Hosted on Acast. See acast.com/privacy for more information.

Toks Dada, Head of Classical Music at Southbank Centre, reflects on his four years running one of Europe's largest classical music series, drawing on his own lifelong vision. That vision balances continuity, tradition and innovation. The conversation touches on a shift in ticket buying post-pandemic and the opportunities this behavioural changes presents the classical music industry. It also suggests some of the ethical considerations wider classical music management need to grapple with when considering working with controversial figures.

Tracy-Ann Oberman has reprised her role as Eastenders' Chrissie Watts. She talks to Nuala about stepping back into this character after almost two decades, and her recent adaptation of Shakespeare's The Merchant of Venice. In it, Tracy-Ann plays a female version of the Jewish character, Shylock, and sets the action in 1930s London during the rise of Oswald Mosley, the antisemitic founder of the British Union of Fascists.We look back at Tuesday's special programme, live from the Radio Theatre in Broadcasting House in London, looking at the support for children with Special Educational Needs and Disabilities – or SEND as it's often known in England. Nuala heard from guest panellists including Kellie Bright, an actress in EastEnders but also a mum to a child with SEND, Katie, who is 17 and says she was completely failed by the SEND system, Marsha Martin, the founder and CEO of the charity Black SEN Mamas and the Minister for School Standards, Catherine McKinnell.Visual artist Bharti Kher's new exhibition, Target Queen at the Southbank Centre, features supersized bindis reimagined from their microscopic form to the macro size worn by the goddess, transforming the brutalist building into a powerful feminine force. Bharti joins Anita to discuss the exhibition.The newly elected Chair of the Women and Equalities Select Committee, Labour MP Sarah Owen, joins Anita Rani on the programme to discuss the remit of her new role and what she hopes to achieve.A new play, The Lightest Element, which has opened at Hampstead Theatre, explores the life and career of astronomer Cecila Payne-Gaposchkin, the first person to work out what stars are made of. Anita is joined by actor Maureen Beatie, who plays Cecilia, and the playwright Stella Feehilly.

The Chief Executive of Edinburgh Rape Crisis Centre has stepped down. It follows an independent review which found the centre failed to protect women-only spaces. It was commissioned by Rape Crisis Scotland - after an employment tribunal found the centre in Edinburgh had unlawfully discriminated against an employee - who believed sexual assault victims should be able to choose the sex of those supporting them. Anita Rani hears more from Lorna Gordon, the BBC's Scotland correspondent. Karen Maguire received an out-of-court settlement from South Lanarkshire Council last year after her adoption of a two-year-old boy broke down. She won the payout after her lawyer argued that the council had failed to provide her with sufficient background information on the child and did not support her during the placement. Karen tells Anita why she has decided to speak out. And Anita also hears from Dr Polly Cowan from Scottish Adoption and Fostering, who has separately carried out research into child adoption breakdowns. Visual artist Bharti Kher's new exhibition, Target Queen at the Southbank Centre, features supersized bindis reimagined from their microscopic form to the macro size worn by the goddess, transforming the brutalist building into a powerful feminine force. Bharti joins Anita to discuss the exhibition. Director Fawzia Mirza joins Anita to talk about her feature film debut, The Queen of My Dreams. Set across Karachi and Canada, the film follows Azra, a queer aspiring actress who clashes with—and ultimately reconciles with—her conservative Pakistani mother. Partly inspired by Fawzia's own life, it explores the bonds between mothers and daughters and how gay brown girls can also have an epic Bollywood-style romance.Presenter: Anita Rani Producer: Dianne McGregor

This week on the podcast is part two of our interview with renowned English cellist Matthew Barley.  He has performed in over 50 countries, and with numerous orchestras including the BBC Philharmonic and the London Sinfonietta, and in venues from Ronnie Scott's to Wigmore Hall. In addition to being a busy performing musician, his varied experiences include founding Between the Notes, a performance and education group that works with musicians and artists in other arts genres; he was a former music director and presenter of the BBC2 Series Classical Star; and he founded the Matthew Barley Arts Foundation to run creative workshops using music and theatre to help university students improve their mental health. Matthew's most recent project is Light Stories, a new program for cello, electronics and visuals which launches this month in London's Southbank Centre.https://matthewbarley.com/

Today we released part one of our interview with renowned English cellist Matthew Barley.  He has performed in over 50 countries, and with numerous orchestras including the BBC Philharmonic and the London Sinfonietta, and in venues from Ronnie Scott's to Wigmore Hall.  In addition to being a busy performing musician, his varied experiences include founding Between the Notes, a performance and education group that works with musicians and artists in other arts genres; he was a former music director and presenter of the BBC2 Series Classical Star; and he founded the Matthew Barley Arts Foundation to run creative workshops using music and theatre to help university students improve their mental health. Matthew's most recent project is Light Stories, a new program for cello, electronics and visuals which launches this month in London's Southbank Centre.We hope you'll join us for Matthew's inspiring journey from a near-death experience as a teen to becoming a world-class performer.  https://matthewbarley.com/

Jordan Rakei, GoGoPenguin, Roberto Fonseca, MonoNeon sau Matteo Mancuso au fost capetele de afiș pentru ediția 2024, JAZZx Festival de la Timișoara, eveniment ajuns la a 12 ediție. Un eveniment care și-a propus să aducă împreună comunitățile muzicale din vestul țării, invitând pe scenă artiști care inovează, oameni care experimentează, pentru lărgirea perspectivei artistice. Până la Piață Libertății, marea scena a JAZZx, evenimentele de peste zi m-au purtat pe străzile orașului descoperind la Kunsthalle Bega o expoziție de Andrei Arion sau la Casa Isho, unde Marius Bercea a prezentat 'This Side of Paradise'. Pomenesc aici și de 'Future Days', expoziția Facultății de Arhitectura și Urbanism din Timișoara, toate incluse în programul JAZZx de anul acesta.În inima comunității Faber, la Ambasada, prin sesiuni de Masterclass, muzicienii străini invitați la Timișoara și-au împărtășit din experiența lor tuturor celor interesați. Am văzut ușurința cu care omul care a cântat într-o vreme cu Buena Vista Social Club, Roberto Fonseca, a trecut prin compoziții de Gillespie utilizând ritmurile sud-americane, argumentând ușurința cu care face asta printr-o replică scurtă, 'din fericire, m-am născut în Cuba!'.Roberto Fonseca este unul dintre marii ambasadori ai muzicii cubaneze, cu un amestec elegant de vechi și nou. Deși principala sa pasiune rămâne jazz-ul, stilul pianistului este la fel de divers ca populația din Havana: blues, funk, hip-hop, afro-jazz. O multitudine de influențe se revarsă de la clapele sale. Firesc, s-a dansat printre scaunele din Piața Libertății când Fonseca a cântat la scena mare, iar daca asta nu a fost suficient, cine a dorit mai mult, s-a putut retrage la Comenduirea Garnizoanei care a găzduit Jam Session-urile nocturne cu artiștii invitați la JAZZx.Printre cei care au făcut noapte albă improvizând, au fost și artiștii invitați la scena matinală de Spoken-Word, sub brandul deja cunoscut de Strada Fără Nume. O micuță scena ce nu s-a lăsat închisă nici măcar în vremuri de pandemie. ''Tocmai am susținut un show împreună, un show de spoken-word, poezie și muzica, totul improvizat. Nu e nimic planificat, deci nu știm ce urmează să se întâmple, până când nu se întâmplă, și asta face ca totul să fie viu și distractiv, interactiv cu audiența. Este a patra sau a cincea oară când participam la acest festival, de asemenea, am fost invitat să facilitez un curs pentru poezie și muzică aici, pentru a împărtăși din experiența și priceperea noastră în Marea Britanie, lucrând aici cu tineri poeți români, din Moldova de asemenea, anul acesta avem participanți și din Franța și Marea Britanie. Este vorba despre a ajuta și împărtăși din experiența artistică acumulată, cum facem asta, care este nivelul aici în România, similaritățile, care sunt diferențele. Suntem toți artiști și cu cât împărtășim din experiență, cu atât putem învață mai multe împreună.'' spune Chris Redmond.Chris Redmond este un scriitor și interpret care lucrează cu cuvinte vorbite, în muzică și teatru. Poezia sa a fost prezentată la BBC Radio 1, BBC Radio 4, XFM și SKY Arts. Artist consacrat pe scena poeziei spectacolului din Marea Britanie, cântă în locații, de la cafenele și pub-uri până la Southbank Centre din Londra, Soho Theatre și cele mai mari festivaluri din Marea Britanie – Glastonbury, Latitude și The Big Chill. Chris este fondatorul și gazda „Tongue Fu”, responsabil de evenimentele Spoken-Word la JAZZx Timișoara.Strada Fără Nume este un proiect desfășurat în cadrul Festivalului JAZZx, proiect care susține cercetarea artistică și dezvoltarea abilităților artiștilor prin activități de coproducție, cooperare, interdisciplinaritate și schimb de experiență în domeniul muzical și literar, precum și de mediere și incluziune culturală. Ateliere “Spoken Word”: dezvoltarea abilităților de lectură publică ale tinerilor poeți români prin organizarea de ateliere educaționale interdisciplinare, spectacole și jam sessions cu poeți români, poeți și mentori din Europa. În cadrul atelierelor educaționale, poeți tineri din diferite orașe din România au fost selectați prin  apel deschis la nivel național, să petreacă o săptămână în Timișoara, unde împreună au putut crea și dezvolta spectacole de tipul „spoken word” în regim de co-producție. La numai 27 de ani, Matteo Mancuso este un chitarist ce surprinde prin tehnica sa de interpretare, capabil să implementeze din sunete si metode de chitară clasică pe un instrument electric. De altfel, Matteo face ceea ce a văzut acasă. Tatăl sau Vincenzo Mancuso l-a crescut pe muzică de chitară clasică."Pentru mine, jazz-ul și rock-ul au multe elemente în comun, și mereu mi-a plăcut paleta de culori, armoniile sofisticate a jazz-ului, dar în același timp, cântând la chitara electrică, îmi place sunetul distors și puterea rock-ului. Așa că am vrut să amestec cele doua genuri, și sigur este ceva ce se numește jazz fusion, lucru pe care mulți muzicieni îl cântă cu mult înaintea mea, dar asta este genul muzical care îmi place, caut să amestec din ceea ce am auzit în trecut. Familia m-a ajutat mult pentru a ajunge unde sunt astăzi, și asta în mare parte pentru că am cântat mult împreună, și nu a fost deloc forțat, nu a venit cu lecții obligatorii, mereu a fost distractiv pentru mine, și mereu am spus că tatăl meu a fost foarte bun în a mă face să râd, să mă distrez cu instrumentul, și nu m-a forțat să învăț din elementele muzicii, toate chestiile plictisitoare, cele de studiu, au venit mai tărziu, aici cred că este secretul, asta a funcționat, cel puțin în cazul meu." spune Matteo Mancuso.În 2023 a lansat albumul “The Journey”, care a atras atenția la esența diverselor sale influențe muzicale. “Matteo este evoluția chitarei fusion, tehnica să uluitoare este o încântare de urmărit. El este dovada că spiritul evolutiv al chitariștilor este ferm intact” spune Steve Vai. Matteo este unul din artiștii care își recunoaște influențele, și mai mult, dă înapoi din ceea ce a descoperit prin muzică, Matteo fiind printre artiștii care au susținut ore de masterclass la Timișoara.JAZZx este un proiect visat și produs de Centrul Cultural PLAI pentru comunități diverse, într-un parteneriat public-privat și efort comun de a accesibiliza forme artistice de calitate care ne aduc împreună.Început în 2006 cu scopul de a organiza festivalul PLAI - festival de worldmusic, comunități și diversitate în toate formele ei, Centrul Cultural PLAI a luat de-a lungul timpului diferite forme și formate, toate cu scopul de a oferi soluții comunitare și de a genera sinergii și impact de durată. Pe lângă producția de evenimente comunitare și croite pentru parteneri, PLAI a dezvoltat și AMBASADA, proaspăt aniversând 9 ani de existență. Ea a devenit foarte repede locul de întâlnire, conectare și dezvoltare a comunităților de 'doers' din țară - primul centru cultural independent din România parte din Trans Europe Halles - rețea europeană de astfel de spații. JAZZx este despre puterea individului care face ca și în 2024 Timișoara să continue să fie o capitală culturală vibrantă și armonică în care jazz-ul, prin diferitele sale influențe să promoveze libertățile și toleranța. Este despre puterea creației prin artă, muzică, până la puterea cuvântului, Strada Fără Nume este unul din proiectele educaționale care s-a dezvoltat organic din scena de SpokenWord @JAZZx, în același spirit în care scenele festivalului susțin talent local și la început de drum, recunoscând valoarea cuvântului scris și magia colaborărilor din arte, acolo unde poezia și improvizația muzicală crează povești ce mișcă suflete."Poezia poate capta dispoziția a ceva și îl poate condensa și distila într-o cu totul altă formă, și când îl comunicam printr-un performance are efect imediat. Poeții scriu repede pentru că nu facem o nuvelă, așa că putem fi destul de prezenți, gata să răspundem, asta poate fi parte dintr-un show de improvizație. Deci este o oportunitate pentru dialog și reflexie creativă legat de tot ce se întâmplă în lume, asta ne ajută să navigăm prin prezent." mai spune Chris Redmond.

Crazy Smooth chats about his dance journey and his new intergenerational work Crazy Smooth: In My Body coming to Southbank Centre this month. Hosted on Acast. See acast.com/privacy for more information.

‘Parts of the concrete glisten, giving it a sense of treasure buried underneath.'  Please note before you start listening: this podcast is recorded in 3D sound! So make sure that you're wearing headphones for the very best experience. The small details in life can pass you by. Unless you take the time to stop to notice them. Which is exactly what author, actor and social media personality Miranda Keeling does in this podcast series. Expanding on the observations she shares on her popular Twitter account, she invites you to join her out and about as she captures those small, magical moments of everyday life, in sound. Thanks to 3D recordings, you'll hear everything she does as if you were right there with her. There are new episodes every Tuesday and Thursday. These short but lovingly crafted episodes are an invitation to escape from life's hustle, immersing you in Miranda's world for a few minutes.See omnystudio.com/listener for privacy information.

Organist and pianist James McVinnie is Artist in Residence at Southbank Centre in London this year. His programming like many of his recordings often juxtaposes old and new These juxtapositions can bring about a delicious kind of cognitive shift for the listener. James explored his art, his approach to performance and explains more about his fascination with the intersection between baroque and minimalism. Recommended recording: Counterpoint, 2021

‘The sky ranges from a pale robin's egg blue, to a deeper, dark sky blue.' Please note before you start listening: this podcast is recorded in 3D sound! So make sure that you're wearing headphones for the very best experience. The small details in life can pass you by. Unless you take the time to stop to notice them. Which is exactly what author, actor and social media personality Miranda Keeling does in this podcast series. Expanding on the observations she shares on her popular Twitter account, she invites you to join her out and about as she captures those small, magical moments of everyday life, in sound. Thanks to 3D recordings, you'll hear everything she does as if you were right there with her. There are new episodes every Tuesday and Thursday. These short but lovingly crafted episodes are an invitation to escape from life's hustle, immersing you in Miranda's world for a few minutes.See omnystudio.com/listener for privacy information.

Earlier this month, the British Olympic Association announced the 42 athletes selected to represent Team GB in rowing at 2024 Olympic Games in Paris. Among them is the two-time Olympic gold medallist Helen Glover competing at this level for the 4th time as part of the Women's four. In 2015 Helen was ranked the top female rower in the world and went on to become the first mother to row for Team GB in 2021. Now having had three children she has her sights set on the podium once more - joining the ranks of other athletes who've achieved sporting success after having a family - cyclist Dame Laura Kenny, sprinter Shelly Ann Fraser Pryce, and tennis players Elina Svitolina and Serena Williams. Helen joins Anita Rani.In the next of the Woman's Hour interviews with the leaders of the main political parties in the run-up to the General Election, Anita speaks to Carla Denyer, co-leader of the Green Party of England and Wales. Meltdown festival opens at the Southbank Centre in London on Friday. Anita Rani hears from one the acts selected by the legendary American singer/songwriter Chaka Khan. It's the pan-African, all female super group Les Amazones d'Afrique, who shot to global fame in 2017, when President Obama included one of their songs among his 20 favourite tracks of the year. They were formed in Mali in 2014, with the goal of campaigning for gender equality and eradicating ancestral violence. Presenter: Anita Rani Producer: Kirsty Starkey Editor: Karen Dalziel

A new documentary on BBC Two is looking at how new forensic techniques can help police re-examine old cases involving sexual assault and rape, helping to convict perpetrators from decades ago. Cold Case Investigators: Solving Britain's Sex Crimes tells the story of three cases that were re-examined. One is that of Karen, who was raped in 1983. She joins Nuala McGovern alongside Detective Constable Hayley Dyas, who helped work on her case and finally get a conviction.On 28 July last year the British cyclist Lizzy Banks received an email from UK Anti Doping to say she had return two Adverse Analytical Findings. The letter stated she faced the prospect of a two-year ban unless she could establish the source. Thus began a ten-month journey investigating, researching and writing submissions to establish how the contamination event occurred. Absolved of any blame, having proved on the balance of probabilities that her test was contaminated, Lizzy speaks to Nuala about how the process destroyed her mentally, emotionally and professionally.The toy piano virtuoso Margaret Leng Tan is a leading force within avant-garde music and the first woman to earn a doctorate from the prestigious Juilliard School of Music in the US. She's currently in London, performing her sonic autobiography Dragon Ladies Don't Weep at the Southbank Centre this week. It's a combination of spoken text, projected images and original music for toy piano, prepared piano, toys and percussion. It focuses on the obsessive compulsive disorder Margaret has had since her childhood. She explains how music helped her accept OCD as an integral part of who she is.Presenter: Nuala McGovern Producer: Kirsty Starkey Studio Manager: Duncan Hannant and Neva Missirian

In this wonderful episode, I sit with Meghna; choreographer, dancer, filmmaker and the co-creator of Ascending; the first ever official documentary covering the six South Asian artists at Coachella in 2023: Diljit Dosanjh, Joy Crookes, Ali Sethi, Jai Paul, Charli XCX and Jai Wolf. I had the privilege of attending the London screening organised by Dialled In at the Southbank Centre, and this chat was an elaboration of everything that led Meghna to the point of capturing this historic moment in global music. Watch 'Ascending' in full, here: https://www.youtube.com/watch?v=h9qZZguPIZI

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is  Kelly Molson, Founder of Rubber Cheese.Download the Rubber Cheese 2023 Visitor Attraction Website Report - the annual benchmark statistics for the attractions sector.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website rubbercheese.com/podcast.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned in this podcastCompetition ends on 29th March 2024. The winner will be contacted via Twitter. Show references: https://skiptontownhall.co.uk/craven-museum/https://www.linkedin.com/in/jenny-hill-54503a189/ Jenny Hill is Lead Museums Curator at North Yorkshire Council, including at Craven Museum in Skipton. She has a degree in History from Lancaster University and a Contemporary History MA from the University of Sussex. She has worked in the sector for almost 7 years and is passionate about community engagement and making museum collections accessible for all. Between 2018-21 she worked on a National Lottery Heritage Funded capital redevelopment project at Craven Museum. In 2023 her team won the Kids in Museums Best Family Friendly and Most Accessible Museum awards. https://kidsinmuseums.org.uk/https://www.linkedin.com/in/alison-bowyer-0608a417/Alison Bowyer has worked in the cultural sector for over 20 years with previous roles at LAMDA, the National Youth Orchestra of Great Britain, Southbank Centre and the Academy of Ancient Music. The longer her career has continued, the more convinced she is that we still need to work harder to make culture and heritage accessible to all.She has a longstanding interest in museums and how people engage with heritage, having been a volunteer at Handel House Museum (now Handel and Hendrix) in London and completing degrees in Cultural Memory and History. Alison has been Executive Director of Kids in Museums for seven years. During which time, the organisation has become an Arts Council England IPSO, won a Museum + Heritage Award, developed a new national training programme, established a Youth Panel and delivered a range of new programmes.Outside of work, Alison is a listening volunteer for Samaritans, a Director of the Family Arts Campaign and likes to crochet. Transcription:  Kelly Molson: Welcome to Skip the Queue, a podcast for people working in or working with visitor attractions. I'm your host, Kelly Molson. On today's episode I'm joined by my co-host, Paul Marden, CEO of Rubber Cheese.We're speaking with Alison Bowyer, Executive Director of Kids in Museums and Jenny Hill, Lead Museums Curator at Craven Museum.It's almost a Kids in Museums takeover as Paul is one of their amazing trustees.Today we're finding out what it takes to be a truly family friendly museum, why it's important for you to engage with the Kids in Museums manifesto, and how you can enter the awards this year.If you like what you hear, subscribe on all the usual channels by searching Skip the Queue.Kelly Molson: Hello, Alison, Jenny, and Paul, welcome. Welcome to Skip the Queue today. This is a treat. I am joined by Alison and Jenny today and we're going to talk about kids and museums. And I've also got Paul. Hello, Paul, who has joined me as co host today, and he is going to start the icebreakers. This is new.Paul Marden: It is, isn't it?? It's a brave new world for us, isn't it? So I've got a lovely one for you, Alison. So should we get started? What are you most likely to buy when you exit through the museum gift shop?Alison Bowyer: Oh, gosh, that's a really tough one. Definitely postcards. I'm also a sucker for a nice sort of pencil case or I do like museum jewellery. I have quite a lot of tattoo divine, especially museum themed jewellery. And I do also have a pushant for like, cute, fluffy things, even though I'm not a child. I'm 44 years old, but still.Kelly Molson: I'm loving this. Hello. At museums, Alison is your best gift when she comes because she's filling up her bag.Paul Marden: Think of all of those museum gift shops that you can go through with all the jewellery in because there are some amazing ones, aren't there, that have the jewellery stands in them.Alison Bowyer: That completely are. And I like to buy all my gifts for other people from museums if I can. So I am a big museum shopper.Kelly Molson: It's really lovely to do that. So just before Christmas, actually, I think it was. No, yeah, it was November time. I went over to the Ashmolean museum and their gift shop is really lovely, actually, and had a really good nosy around it in between meetings. And oh, my God, I bought so many of my Christmas gifts in there. It was brilliant. My best friends, I bought Edie a book called Bear at the Museum, which she adores. It's the most read book in our house at the moment, which is lovely, but I bought my mother in law jewellery. I bought her earrings from the  Ashmolean, which were absolutely lovely. So I'd never really thought about jewellery from a museum as well. There you go.Kelly Molson: Good tip for you from Alison today. Thank you. Right, Jenny, have you ever been pulled off by security for touching a museum exhibit?Jenny Hill: I haven't personally, no. But I did visit Manchester Museums with a friend and she was told off whilst were in the gallery because it was a really pretty furniture display and she just kind of automatically reached out a hand because she was like, “Oh, it's so pretty”, and instantly clocked by the security guard in the room and we very sheepishly left quite quickly.Kelly Molson: I love that. It's really hard, isn't it, if you're quite a tactile person as well, and you're like, “Oh”, because you would do that if you were in a shop, right?Jenny Hill: Exactly, yes. And she was just really excited by it was kind of just like an instant response. We were like, “Oh, no, shouldn't have done that.”Kelly Molson: I love that. One day you will get told off. I know this, and you need to come back on and share that with us. Okay? Right, I've got one for both of you now. So, Alison, I'm going to start with you. If you had to wear a t shirt with one word on it for the rest of your life, what word would you choose and why?Alison Bowyer: Oh, gosh, one word makes it really difficult because it can't be like a command.Kelly Molson: Well, it could stop.Alison Bowyer: Yeah, that's true.Kelly Molson: It is a command.Alison Bowyer: Because I have one at the moment that I'm quite fond of that just says “Be kind on it.”Kelly Molson: That's nice. All right, well, maybe I'll let you have two words.Alison Bowyer: You can't just say kind because that sounds really weird. And od, if I'm allowed to, it would “Be kind.”Kelly Molson: Okay, we'll allow to, for the purpose of this podcast, we'll allow to. That's nice. I like that one. Jenny, what about you?Jenny Hill: “Be curious” as well. I think that's something that always happy for our visitors to do when they're visiting, is to be curious. And I think it's just a good motto for life, isn't it, to always be thinking, always be inquisitive. Yeah.Kelly Molson: They're very good one, Paul, I'm going to ask you as well. Sorry, dropping you right in it. What about yours?Paul Marden: Learn. It has got to be if it's got to be one word, because one's a toughie. Learn.Kelly Molson: I like that. Somebody actually went with the brief. Thank you for obeying me.Paul Marden: Always. I know my place.Kelly Molson: Doesn't happen often. All right. Thank you, everyone, for sharing that. I appreciate it. Right, unpopular opinions. What have you prepared for us? Alison? Over to you first, I think.Alison Bowyer: Oh, gosh, this question made me so stressed.Kelly Molson: I'm so sorry.Alison Bowyer: No, no, it's fine. Not in a bad way, because I was like, oh, my goodness, I'm not sure what I have that's unpopular. And then I started googling unpopular opinions and I found all these weird lists of things that I never even considered were opinions, like people saying that C is the most redundant letter in the English language and you could replace all C's with S's and K's. Apparently, this is a commonly held unpopular opinion. So, yeah, then I started thinking, oh, goodness, I'm not really sure I'm up to this. I think what I came up with in the end was, which is going to make me unpopular, probably. I think pizza is the worst takeaway because it always survives cold and hard and the topping off, it falls off in transit, so you end up with a really dowsy meal.Kelly Molson: I love a pizza takeaway, though. I can't be down with you on this one because I love a pizza. It's because we never get to eat pizza. Oh, no. Actually, we've had pizza quite frequently recently because Edie loves it. But Lee has always been a bit like anti pizza takeaways. Okay.Paul Marden: I don't understand people that have the delivery of burgers and chips, because surely that is going to be cold by the time it gets to you and they're going to be rubbish chips.Kelly Molson: Yes. That's weird. Yeah, that is weird. I've never ordered a burger to be delivered to my house. That sounds strange to me. Ok, let's see what Twitter feels about your pizza. Unpopular opinion. Jenny, what about you?Jenny Hill: Oh, mine's similar on a food topic, which I feel is going to make me really unpopular. But something I always say that really annoys people is I really hate brunch, which I feel is very unpopular. But I'm a person that gets regularly hungry, so for me, waiting to go out for food in the morning is just not possible. So I will always have to have something to eat before I leave the house. So I'll always basically have breakfast and then before you know it, I'm eating again. So at that point, it's essentially lunch. So for me, brunch doesn't really exist.Kelly Molson: Okay. All right. Let me argue this point back to you, though. So if your girlfriends or whoever had asked you out for brunch, you'd have breakfast first, right? So you'd have like 08:00 breakfast and then you'd go for brunch. But if you're always hungry, doesn't that just mean you just eat lunch a little bit earlier? So brunch is like.Jenny Hill: I mean, I don't mind eating again, but it's just the concept, I guess, of calling it brunch just doesn't feel accurate for me by that point because I've already had a full breakfast.Kelly Molson: Okay. So I have a similar challenge with afternoon tea. I can't stand afternoon tea. Sorry if this upsets people. I don't understand why you get to a certain age and all of your every thing has to be, “Oh, should we go for afternoon tea?” No, why don't we just go to the pub like we used to? Go to the pub. Just go to the pub. What is it about afternoon tea? It's really annoying. And it's one of those. It's always at like 03:00 so what is it?Jenny Hill: It's not a meal. It's the same situation, but in the middle of the afternoon. I agree.Kelly Molson: Exactly. Okay, I can get on board with your brunch thing then. If you're on board with my afternoon tea thing. Good.Paul Marden: I'll take you afternoon tea and I'll raise you a kids party at 2:30 in the afternoon. It's neither lunch nor is it dinner. So I have to feed the child before. I have to feed the child afterwards. And then they're going to eat more food in the middle of the day.Kelly Molson: They are. They are. But I mean, Edie eats constantly so that it doesn't really matter. But kid's parties are amazing because buffet food is the best kind of food. I'm all down for a kid's party. You get what's it, what's not to love? You get party rings. There's always sausage rolls, which is like my number one top snack of all time. I'm here for the kid's parties. I'll just take the food. You can have all the kids. Okay. Should we talk about some serious stuff now?Paul Marden: Yeah. Shall we do that?Kelly Molson: I mean, it's still equally fun, but let's get on, shall we? We're talking about Kids in Museums today.Paul Marden: Which is really good, isn't it?Kelly Molson: It is a great topic.Paul Marden: I feel like I'm going to learn loads about Kids in Museums that I probably should already know as I'm a trustee of Kids in Museums. But I get to ask Alison all the questions that perhaps I've been a little bit too scared to ask for the last year because I might look a little bit silly if I don't know the answer.Kelly Molson: Yeah, and she has to answer you because that is what the podcast rules are.Paul Marden: Exactly. All right then, Alison, why don't we kick off, tell us a little bit about Kids in Museums and how the organisation was developed.Alison Bowyer: Kids in Museums has existed in one form or another for about 20 years now, which always astonishes me a little bit. So we started life when our founder, who at the time wrote to the Guardian, her name was Dea Birkett and she took her young child, I think she was about two years old, to the. I'm going to name and shame, I'm afraid, the Aztec's exhibition at the Royal Academy. And her son screamed at one of the massive Aztec statues, which, if I remember the exhibition correctly, was totally fair enough, because the statues were pretty. I mean, they were designed to be scary. That's one of the reasons why they built some of them. So they were thrown out of the Royal Academy because apparently he was disturbing the other visitors.Alison Bowyer: And then Dea wrote about this in her Guardian column, and what happened after that was the Guardian got a lot of letters coming from families telling Dee about similar experiences they'd had when they were out and about in museums with their children. And so a campaign was born to make museums better places for families, children and young people to visit. And to an extent, what happened on that day at the Royal Academy, that kind of remains our guiding principle. We are led by what visitors tell us about their experiences and we really strongly feel that museums, galleries, heritage sites, as kind of public space, should be for everyone, and everyone should be free to have that access, to feel comfortable when they're visiting and to have a really great time during your visit. So since then, the charity has evolved in various ways.Alison Bowyer: Today, we work across the whole of the UK and we will work with any kind of museum, gallery, heritage site, historic house, castle, any kind of outdoor heritage site to support them and lead them and encourage them to take action, to better places for families, children, young people. We're quite a small organisation. There's only five of us in total, but we feel like we achieve a lot. And last year we won the Museum and Heritage Award for being the Best Sector Support Organisation in the UK, which was a really amazing validation of our work. That definitely doesn't mean we're sitting on our laurels, though. We're always trying to spend time talking to families, talking to young people, talking to museums about how we can create new programmes, refine our existing programs to do better.Alison Bowyer: And we really want to be approachable, supportive, trusted experts. So we are doing the best by both the audiences we represent and the museums we try to support.Paul Marden: I think the size of the organisation. I know Vanessa, our chair, often says how much you, as a team, punch above your weight, because I don't think anyone would imagine that it was such a small team that was having such a loud voice. Is that a positive thing? That should be a positive thing. How much impact you have with such a small team? It's amazing.Kelly Molson: It was lovely at the MandH Show. I was at those awards, and I saw that win happen, and it was fantastic because the cheer from the crowd was pretty phenomenal. So congratulations on that.Alison Bowyer: Thank you. I was so sure weren't going to win. I wasn't there, and I'd gone to bed and gone to sleep.Kelly Molson: Woke up to some spectacular news.Alison Bowyer: Yeah, no, it really did. But, yeah, no, it was brilliant to get that recognition. It helps more people find out about us as well, which is always valuable.Paul Marden: So what is it that you offer museums, and how can they get involved more with what you're doing?Alison Bowyer: So we like to think that we've got something for pretty much any kind of museum, whatever your level of expertise in working with families, children and young people is whatever resources you have, how many staff you have. So we have a large, free offer, which is kind of the building blocks of what we encourage museums to do, and it's all centring on our manifesto. So our manifesto is something that we compile with children, families and young people. So every two years, which actually is something we're going to be doing this year, we will be out talking to museum visitors, doing a national survey, and finding out about what their good and bad experiences of museums are. And then we will take all that information and distil it down into six easy points that make up our manifesto.Alison Bowyer: And then that's a document that we think pretty much every museum should be able to commit to in their work. None of it is particularly complicated, or a lot of it doesn't need to be resource intensive. They're all pretty simple things that everybody should be able to do. So that's a really good starting point. And over a thousand museums have signed up to the manifesto and hopefully are using it in their work. I know we'll hear later from Jenny about how Craven Museum did that. Once you've signed the manifesto, there are lots of other things that you can get involved in.Alison Bowyer: We've got over 100 free resources on our website, which cover everything from ways to implement the manifesto at low cost, how to create self guided resources for families, right up to things like how you can engage children and young people with the climate emergency in your museum. So they cover a really wide range of things that we think are helpful to the teams in museums who are doing that work on the ground. We have a programme of UK training, so we run about trend training sessions a year for museum staff and we also work with museum development organisations on training and that's available to attend in person for a small ticket price or to buy us recordings.Alison Bowyer: Then every year we run a program called Takeover Day, which is a really brilliant, fun, exciting initiative where children and young people age between 0 and 25 go into museums and they do adults jobs for the day. When I say 0 to 25, I really mean that. We have toddlers doing museum Takeover Days, being given tasks like polishing glass museum cases with soft dusters, doing some cleaning and doing some object packing with, like, wooden blocks. They don't let them use loose on the actual collection.Paul Marden: With white gloves on. Kelly Molson: I'm laughing because Edie would be like up there licking the glass, not trying to clean it, thinking about my daughter. And Paul is smiling because he did one of these Takeover Days. Alison Bowyer: He did. Yeah.Kelly Molson: He's got a massive grin on his face.Paul Marden: We loved it. We got to be curators for the day. The kids got to run around the museum and then they went back into the learning suite of the Mary Rose Trust and they got told to design an immersive exhibition and they took ideas from all around the museum and designed out what they would do and such brilliant ideas that they had. It was such a great experience for them to get that kind of behind the scenes experience of what the museum is actually like.Alison Bowyer: So we see from Takeover Day that impact Paul has described. More than 70% of the young people who take part say that they would like to go back to a museum again as a result of being part of Takeover Day. And more than two thirds of the museums say that they now know more about what young people want from their museums and will make a change. So it's a really brilliant initiative. Then we obviously have the Family Friendly Museum Award, which is what we're going to be talking about with Jenny and I'll talk more about it later. And we've got some new programs coming online this year. So for the first time, we're working with a group of museums to help them appoint their first young trustees. So they're going to have people on their boards by the end of the programme age between 18 and 25. Alison Bowyer: And we also are running some programs with our own youth panel that they've designed. So we are working with them on a project which will hopefully show that museums can help address social isolation that young people experience when they move for education or new jobs.Kelly Molson: I think it's just take a pause there and just reiterate that there are five of you in the Kids in Museum's team. That is a pretty phenomenal menu of things that you offer to museums with just five people.Paul Marden: It's amazing, isn't it?Kelly Molson: Yeah. Let's just keep that up there as we're talking today. Thanks, Alison. Jenny, I want to come over and chat to you about Kids in Museums. How did you first kind of find out about them and get involved with what they're doing?Jenny Hill: So, I've been aware of Kids in Museums probably since I first started working in the sector around six, seven years ago now. I've been on their website, sort of seen their name come up and use some of their guidance when I was doing some of my initial sort of museum work. But I think they sort of really stood out to me. From about 2021, I got involved with some training with part of Museum Development Yorkshire, whose sector support as well, funded by Arts Council England, and they were running front of house cohort that I got involved with at the time. And we had a really great training session as part of that cohort with Laura Bedford from Kids inMuseums. She gave a really inspiring talk and session on creating family friendly interactions in museums, and that was really inspiring.Jenny Hill: I learned a lot during that session and really made me think, oh, we definitely need to be involved with this more. And then later on in the same year, I actually did an in person event. It was at the auction museum, and actually got to have a chat with Laura there about Kids in Museum's work. So that was really helpful. So, yeah, we kind of taken it from there. We signed up to the kids and museum manifesto following on from that, started to use those sort of principles in a lot of our front of house work and then behind the scenes as well. So, yes, Kim, have been on my radar for quite a while.Jenny Hill: But, yeah, it's sort of the past three years, really, that we've really sort of been taking on board a lot of their, using a lot of their resources and their ideas.Kelly Molson: It's lovely to see that it was indirectly as well. So obviously, Kids in Museums and what they do, it's good that they work in partnership with other organizations as well. So there was like a crossover there. Why did you enter the Family Friendly Museum award last year?Jenny Hill: So Craven Museum went through a National Lottery Funded redevelopment project between 2018 and 2021. So we completely redesigned our museum space. It used to be really inaccessible. It used to be at the top of Skipton town hall. There was no lifts up there. It was a really steep, horrible flight of stairs to get up there, and a lot of the interpretation was really outdated. A lot of it was not very accessible. So after our redevelopment project, which really put access at the centre of all of our work, and particularly looking at family audiences, this is a group that we really wanted to feel welcome to our museum. It's a group that we'd been working with a lot pre redevelopment and we really wanted to expand our work with this audience after we reopened.Jenny Hill: So after all this work was completed, we spent 2022 in sort of that post Covid year, finding our feet when maybe our visitors weren't quite as confident coming onto site and people were still getting to know that were reopened as well. So we had got a lot of people coming in going, “Oh, I didn't realise the work had finished.”Jenny Hill: That was sort of our sort of pilot year. Whereas last year in 2023, we really felt that we hit our stride and we've been piloting lots of new ideas in 2022 and embedding our family friendly ethos in our work. So it kind of was the year that work really felt like it came to fruition after having spent quite a few years developing it. So we thought, as a team, that we'd really like to sort of get this work hopefully recognised. And a family friendly museum award really felt like a way to do that and we really wanted it to sort of give a boost to our team as well, who'd been working hard on that. So, yeah, we just thought it would be a great year to get involved and we entered it with very low expectations.Jenny Hill: We thought, we're a small museum in the north of England. We weren't sure if we'd be, I don't know, sort of recognised for what we've been doing. So it was absolutely amazing to get recognition through the award in that way. It's fantastic.Kelly Molson: It feels like the recognition was for the team and for the people that were kind of working in it. Is that what was important to you about entering?Jenny Hill: I think so, yes. It was to prove to the team that the work that they'd been doing was really valid and really important. And I think in the museum sector, sometimes there's quite a lot of pressure on quite small teams. Like Alison was saying, there's only five people in Kids in Museums, and we're a small team, too. So I think having that recognition for the team just really helps them to know that, yes, they're doing a good job alongside the fact that it's obviously important to us to sort of share with the families that do come and use the museum, that it's going well.Kelly Molson: How difficult was it to write the entry? Because I think that there's often a barrier. I mean, certainly for us, there's been things that I've thought this would be great to enter, but I look at it and think, “Oh, my goodness, this is going to take me, like, four or five days to actually pull all of these things together and write it. And write it in a way that's appealing.” Did you find it was an easy process to go through?Jenny Hill: Actually, yes, we did find it, because I've done some applications that, yes, like you say, it can be quite as difficult, quite time consuming. I actually found the process for Kim really easy. So when the applications opened, members of the public were asked to nominate their favourite museum through a form on the Kim website. And we're really excited that we got some lovely nominations from families. And then kids and museum got in touch to let us know that we could make full application because we'd been nominated. So after that point, there was an online form that we could fill out that asked questions like, how have you made visiting your museum accessible to families, children and young people with additional needs? So that was one of the sort of longer questions on the form because we applied for the best accessible museum.Jenny Hill: And that was. Yeah, I think because of all the work that we've been doing and because that kind of ethos is embedded in our team, weren't talking maybe about a specific project that we'd been working on. As some applications, I feel like they're very sort of project focused, but having such a wide question like that meant that we could just talk about what we do every day at the museum, which is what's really important to us. Jenny Hill: So, yeah, there were nice questions to answer because they kind of felt like they gave us the space to talk about all of our work. So that was brilliant. And we also had the opportunity to upload some supporting materials so we could get some photos in there, send through some of our more visual. Yeah, I think we might have sent a video as well. So that was great, too, because it meant we could share lots of different aspects of our work.Kelly Molson: I love that. And spoiler alert even. You won. You're not only be the overall winner, you were the Best Accessible Museum winner as well.Jenny Hill: Yes. And I was still absolutely blown away by that.Kelly Molson: It's phenomenal. Congratulations.Jenny Hill: Thank you.Kelly Molson: Huge for that.Paul Marden: I wonder if the reason why you found it not too painful to do the application is because this is folded into you. This is running through your core. You're just telling people what you do every day, and so you're just telling the story of what you do all the time.Jenny Hill: I think that's how it feel. Yeah.Paul Marden: Alison, let's talk about. I remember sitting in the audience listening to you talking about all the different museums and what the judges said and what stood out, and I loved hearing those stories. So what was it, do you think, that stood out about the Craven Museum, about their entry for you?Alison Bowyer: So there were a few things about the Craven entry that really grabbed us. The first that I remember reading was that they had built our manifesto into their visitor charter, which is amazing because they are taking what we know, families, children, young people need and want, and they're building it into that work that they do every day. Like Jenny was saying, this is them living that way of working, which is incredible. And I think throughout the application, you got a real sense that all of their staff really cared about this. There was a page in the supporting document with the whole team on it saying just, like, one little thing about everyone in the team. And it was really amazing to see that because you felt that where in some museums, this is kind of just what the people in the learning team do.Alison Bowyer: That wasn't true at Craven. Everyone at Craven really cared about the families he visited, and I think that was really borne out in the family nominations we received. There were so many families who were telling us how much they loved going to the museum that their children saw it as, like, the highlight of their half term holiday. And they talked for weeks in advance about wanting to go, and the make and take craft seemed to be a particular hit. There were lots of families telling us that their children couldn't wait to go back and do that again. And the families who nominated the museum also, they sounded really proud that their town had the museum, which was really lovely. And also, I think, something that came through, which is a kind of sad reflection of the way the world is at the moment.Alison Bowyer: They really appreciated that all of that was available for free. When they're struggling to find things for their family to do that don't cost much, it felt like it was a really important thing to have that amazing resource in their town. And there were other little things, too. The museum is a safe space. The staff have amazing access training and training in inclusive language, and those things really help with kind of broadening out who can come into the museum and something that we spend quite a lot of time talking about. That isn't always something museums pick up on. And the Craven Museum website is just amazing, incredibly informative. I think it came in like the top five or something in the state.Alison Bowyer: The museum access website report in the whole of the UK for its access information, which a museum of its size is absolutely incredible. We spent so much time telling people that families like to plan, they like to look at a website in advance and find out about all the facilities, and Craven had actually done that and it really makes a difference. So were really pleased to see that. And then I think the final thing was the community case and how they had a space in the museum where local people, local organisations, could show things that were important to them. So they were really giving the local community the opportunity to see themselves in the museum and feel a sense of kind of belonging and ownership.Alison Bowyer: So I think all of those things came together and it was really clear that Craven Museum was going to be a really strong contender, which was why they shortlisted them. And then it was over to the families to judge them during the second stage of the award.Paul Marden: I'd say the fact that you gather together these real families to kind of go and look at the museums that have applied and pass on their feedback to the judges, I think is hugely powerful. Are there any little snippets that the families came back that you liked because there were so many lovely little comments that the families had given to us throughout the awards?Alison Bowyer: Yeah. So I think this quote is one that I think sort of sums it all up, really. The family judge said, “This is one of the most accessible, family friendly and welcoming museums I have ever visited across Britain. Although small compared to city museums, this has a lot to offer and is well laid out. It is very inclusive and their website is a particular strong point in terms of helping people to feel able and welcome to visit. People can visit the museum or attend an event knowing what to expect and what options are available. We especially love the fact that the spot, the mouse activity involved actual exhibits. Often this type of activity utilizes soft toys or pictures that have been placed around the site and end up being a distraction from the collection, meaning families don't get to actually experience the museum and look at the artifacts on display. But this activity in Craving Museum involved looking for things that were part of the carvings and objects. A great way for visitors to get more close to the collection. We all really enjoyed our visit.”Kelly Molson: That's so nice.Paul Marden: That's just brilliant feedback, isn't it?Alison Bowyer: Yeah.Kelly Molson: So nice.Paul Marden: And who would have thought having a website that told you information about the museum that was accessible could actually be of value to people?Alison Bowyer: I know. It's amazing, isn't it?Paul Marden: I know. I wonder who could help you with that.Kelly Molson: Yes, although, full credit, this is not one of our websites, but we definitely could help you with that. This is incredible. What lovely words. We've all got smiles on our faces for people that are listening to the audio of this and can't see us. Jenny, I'd really love to know. We go back to the reason that you entered and, you know, part of that is for the team, it's for the people that have worked really hard to make all of these amazing things happen. What has the impact been for your team since you won this award?Jenny Hill: I think it's just been the real boost that it's given the whole team. Like Alison was saying, everyone on the team really cared about this, know every single member of our team, not just maybe our learning team or our forward facing team, everyone cared about it. And I think it's just really inspired us to carry on with our work. We're all very conscious of the fact that working with families, working with accessibility, is never a finished process. You've not achieved it. So it's kind of really just. Yeah, it's given us that extra push to think, oh, actually, we're doing well in this and we really want to continue. We don't want to sit on our laurels, we don't want to take this for granted. We want to keep working on this. So I think that was really great.Jenny Hill: It was also particularly lovely just to know that it was real families who'd nominated us and that, like were just saying with the undercover judges, it was real families who came to visit us during that judging period and had these positive experiences. So that was just fantastic to know that it was visitors who wanted to sort of recognise the work we've been doing. So, yeah, I think that's been the main thing, really. It's just been amazing being recognised by the sector and our colleagues and given us all that kind of. That boost. Kelly Molson: Yeah. Like a validation of all of the work that gone into it. Jenny Hill: Definitely.Kelly Molson: And what about the impact from kind of general public? Has it had an impact on the visitors that are coming and what they're saying about it and then also the sector itself, you said it's been a good thing to be recognised within the sector.Jenny Hill: So it's definitely had a real impact with our visitors. So we've had some visitors coming to site who've said that they've specifically come because they heard about the Kids in  Museum award, which has been amazing. Some people coming from a distance to visit family in the area and saying, “Oh, when I was looking for things to do, I saw that you'd won the award. So I thought while I was visiting I'd pop in.” So that's been incredible, that impact with visitors and our sort of more regular local visitors who've come in, we've got the award up on a shelf behind the front desk. Our front of house team are so proud to have it there behind them while they're working.Jenny Hill: And we've had local visitors saying, “Oh, it's so amazing that our town's got a museum that's won this award and it's really lovely for local people that we've got this here.” So, yeah, that's been really nice for both bringing in new visitors and also for our local audience and then within the sector, it's just been so good for us, publicity wise, to sort of kind of get our name out there, really. So since the awards I've done, I was just counting up the other day, I've had seven different institutions in touch, asking for site visits to come and look at our work, have a chat with us about best practice. I've delivered another seven presentations either already or got them booked in for the rest of the year. And then obviously doing podcasts like this.Jenny Hill: And then we did a blog post as well for Send in Museums with Sam Bowen. I think that's the pipeline, hopefully. So, yeah, it's really kind of boosted us and we even noticed on social media, new institutions following us that maybe weren't aware of us before, after the award, people taking interest. So that's been really nice as a small local museum to have that kind of more bigger awareness from the sector.Kelly Molson: I love this so much. And this goes back to something that comes up time and time again on these podcast interviews is just how collaborative and how supportive the sector is and how much they want to work with each other. It's so lovely that you can now showcase the processes that you've been through and how you approach accessibility and be able to share that with others so that they can go on and do the same and make theirs better and better. Kelly Molson: I think it's so important to be able to do that, and it makes me love this sector so much. It really does. What top tips Jenny, would you give to any museums that are out there thinking, “We really want to enter the awards this year.” What would you say were your best top tips for them?Jenny Hill: This kind of links to something Paul was saying earlier, and it maybe sounds a bit cliched, but just be yourself. I think there's so much amazing work going on in the sector to do with making venues family friendly. And if you're passionate about what you do and you're working hard to make your venue inclusive, then that will shine through. So maybe sometimes not to overcomplicate it. So if you're doing the work and you really care, then that will make itself apparent. But I guess on a more practical level as well. Give yourself time with the application, don't try and rush it. We work very collaboratively at Craven Museum, so we really wanted the opportunity for all of our staff to be able to feed back into the application process and for lots of different people to read the draft, make comments, have their say.Jenny Hill: So by giving ourselves enough time to do that, it really made the process a lot smoother. And also, have a look at the Kids in Museum manifesto. It's a great place to just, if you haven't signed up already, sign up and if you have, just refresh yourself on it, because it can really help that framework for how to answer questions and things.Kelly Molson: Great tips. Thanks, Jenny.Paul Marden: So with that in mind, should we talk about this year's family friendly awards. Nominations Open on 19th March, I think. Is that right, Alison?Alison Bowyer: Yeah, that's right.Paul Marden: So what is it that museums can do to enter?Alison Bowyer: This year we have five categories, so there are three size categories, so best, small, medium and large museums, which will be organised by number of visits in the previous twelve months. That's all explained on our website. I won't go into that now. Then we have a category for the Best Successful Museum, which is the category that Craven won last year. And then our new category for this year is Best Youth Project, and that is a prize for museums who are doing long term, so work longer than six months with young people from the ages of 14 to 25. And what we're really looking for is work, that young people are given a sort of equal share in decision making, that they're really involved in shaping work.Alison Bowyer: And the guidelines for that category, along with all of the others, are in the guidance notes, which you can download from our website. So that would be the first thing to do. Sounds very obvious, read the guidance notes carefully because that should explain most of what you need to know about how to enter. So then there are two routes to entry, really. So what Jenny described, what happened to Craven, that's what happens to most museums. Families will nominate them. So for a family to nominate, they can just go on our website. It's really simple. They just have to tell us the name with the museum they're nominating and in a few sentences why they're nominating them. That's it. And then we will contact the museum and tell them they've been nominated and ask them to fill in the museum side of the application process.Alison Bowyer: We've got lots of tools to help museums promote nominations to families. So we've got social media assets for all channels and we've got some paper forms you can print out and put in your museum if you want to. Then the other alternative is if you want to enter but you for some reason don't have the time or the capacity to collect lots of family nominations, you can just enter as a museum on our website. That's totally fine. You just go on our website and you look at the museum application form. It's not essential to have a family nomination for the small museum and large category, but for the Best Successful Museum, we do ask that at least one family has supported your museum's nomination. Just because we feel for that category, it's super important that the museums are sort of supported by families for the provision that they offer in terms of accessibility. Alison Bowyer: What happens then is once we've got all the nominations together, we put together a shortlist. So the shortlisting panel is made up of. We normally have primary schools, young people from our youth panel, our staff and trustees, and sometimes representatives from museums who've won in the past. We all come together, we pick a shortlist and then we announce that in June. And then if you've been shortlisted over the summer, we will send out families like mystery shopper judges to your museum. So you won't know they're coming, they will just go on a visit and they will report back to us afterwards. And as Jenny says, it's their scores that choose the winners.Alison Bowyer: We don't intervene in any way. We go with whatever the families tell us, so they really are in control. And I think that's one of the lovely things about this award. It is genuinely an award that is given by people who visit museums and then we will announce all the results in October at our award ceremony.Paul Marden: We've talked a little bit about the mystery shoppers, the family judges, the undercover judges going in and actually looking at the museums. And that's how I first found out about Kids in Museums because I saw a sign when I was in the London Transport Museum suggesting that people could go on to nominate and also apply to be an undercover judge, which was how I found out about you first. This is a few years ago now. What can families do, though, if they want to be an undercover judge? Can they get involved?Kelly Molson: Oh, yeah.Alison Bowyer: Absolutely. So the best thing to do is to sign up on our website to our family mailing list. And then when we recruit the judges, which will be from June onwards, we will get in touch with you and let you know whereabouts in the UK. We need judges. It changes every year because we need the judges to be the museums on the shortlist. So it's a bit of a chicken and egg thing that we can't really start until we know where those museums are. But, yeah, the best thing to do is to sign up for our family mailing list.Paul Marden: Yeah. It's such a great opportunity, isn't it, for people to go and have a mission, for the kids to go in and have a mission to go and check these places out and be the ones that decide who gets the award. What a great opportunity for a family to go and find that out.Kelly Molson: Yeah. Don't tell them until they get home, though, because they'll just be shouting that out in the museum.Paul Marden: Do you know who I am?Alison Bowyer: We get lots of families tell us that their kids really enjoy it because they tell them they're, like, having to play detective or something and not be seen. And apparently it makes the day out really fun. So, yeah, it comes recommended.Paul Marden: So there's a call to action for all the families that might be listening to us to join the mailing list and get in there early to become an undercover judge.Alison Bowyer: Yeah. And I should say that we will cover travel expenses for the family judges, up to 30 pounds a visit. So we try to make it as accessible as possible to be a judge.Paul Marden: Completely brilliant opportunity.Kelly Molson: Thank you both for coming on and sharing this with us today. It's been so lovely to hear about it. We are going to put all of the details on how you can enter and how you can sign up to be a family judge as well on the show notes, but essentially go to Kids in Museum's website because they have everything that you need on there. We always ask our guests to leave us with a book recommendation. Something they love or know can be anything, a personal recommendation, a business book. Whatever you like. Jenny, what have you prepared for us today?Jenny Hill: Well, it's probably not one that people haven't heard of before, but I'm a massive Jane Austen fan, so I would always recommend Emma. Emma is probably my favourite by. Yeah, it's one of those ones that I always go back to. So, yeah, if you're thinking about you've never read Jane Austen before, you want to read some classics? I would always recommend that. Yeah, it's a lovely book.Kelly Molson: Oh, it's nice. We get so many people come on and recommend their favourite. Mean something magic about rereading the book over and over again is that you always find out something different every time you read it, regardless of how many times you've read it before. Thank you. Alison, what about you?Alison Bowyer: Gosh, I found it so hard to pick a favourite book. People who aren't watching won't be able to see the bookcase behind me.Kelly Molson: Very full.Paul Marden: Alison looks like a reader for the people that are listening.Alison Bowyer: It's not probably necessarily my favourite book, but a book that I really love by an author who I think deserves to best known in the UK is Standard Deviation by Katherine Heiney. She is absolutely hilarious and it's just a really beautiful portrait of a family living in New York who are all slightly eccentric and unusual in different ways. And I guess I'm really curious and lazy about people's lives. So I love books that kind of open the window onto different kinds of families. And yeah, she's just a wonderful author. All her books are wonderful, but that's my absolute favourite.Kelly Molson: Good recommendation. Thank you. And both of those books have never been recommended before as well, so they will go top of the list on our blog post that we have where we save off all of our guests recommendations. As ever, if you want to win these books, if you head over to our Twitter account and you retweet this episode announcement with the words I want Alison and Jenny's books, then you'll be in with a chance of winning a copy yourselves. Once again, thank you both for coming on. It's been so lovely to hear about the awards and the impact of winning the awards. Congratulations again on all of your hard work. It's just been wonderful to talk to you. So thank you.Jenny Hill: Thank you very much. It's been lovely speaking to you today.Alison Bowyer: Thank you so much. It's been a real pleasure to share the award and some of the other work we do.Paul Marden: And it's got us smiling all the way through, hasn't it, Kelly? It's been a lovely story to tell.Kelly Molson: I hope people can hear that in our voices, that we're smiling. They can hear that we're smiling if they don't watch them, nobody watches our videos. Hey, go and watch our videos.Paul Marden: There you go. See us grinning all the way through smiling.Kelly Molson: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. You can find show notes and transcriptions from this episode and more over on our website, rubbercheese.com/podcast. The 2023 Visitor Attraction Website Report is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsDownload the report now for invaluable insights and actionable recommendations!

Composer, conductor and bassoonist Leo Geyer, and The Southbank Centre's Gillian Moore, join Jeffrey Boakye and saxophonist Jess Gillam - standing in for Cerys Matthews - as they head from a famous Bach well-tempered classic, via Taiwan, to David Bowie's parting gesture. British-Chinese flautist Daniel Shao explains the intricacies of a traditional Taiwanese flute tune.Producer Jerome Weatherald Presented, with music direction, by Jeffrey Boakye and Jess GillamThe five tracks in this week's playlist:Well-Tempered Clavier: Prelude in C Major by Bach Bad Romance by Lady Gaga A Tayal Folk Song by Ming Flute Ensemble Symphony No.9 in D Major (1st movement) by Gustav Mahler Lazarus by David BowieOther music in this episode:Pull Up To The Bumper by Grace Jones In the Mood by Glenn Miller Ave Maria by Charles Gounod Don't Cry For Me Argentina by Andrew Lloyd-Webber and Tim Rice Fugue No 24 in B Minor by Bach Symphony No.6: 'Pathétique' by Pyotr Ilyich Tchaikovsky

Neil Mackinnon describes himself as a curious human, and his curiosity has guided him throughout a remarkable career in which he has been immersed in creative projects, surrounded by creative people, and focussed on creative potential.Crucially, he has also spent a great deal of his life listening and being truly present to what has occurred around him, and these qualities aided a sense of catharsis and newfound aliveness when he first experienced coaching.Neil is one of the new hosts of The Coach's Journey Podcast, and in this episode he gets to the heart of why coaching has become such a prominent focus of a life in which he has worked as a professional musician, a creative producer for Europe's largest centre for the arts, and now as a faculty member at the Academy of Executive Coaching.He explains how skilful coaches helped him access the power and potential of coaching to overcome profound challenges in his work, and how coaching appealed to his sense of adventure and his disposition as a man fascinated by all industries, all people, and all walks of life. In this episode, we also talk about:How to choose a coaching organisation to train withThe hidden messages that lie within our resistance to coachingBuilding autonomy through your locus of controlThe profound potency of core coaching competenciesCoaching as a relational business, in which your network really matters Neil, who has his own podcast called Creative Practice, also speaks to the deeper work of coaching, and the change that becomes possible when we find the courage to step into our shadow.For more information about Neil, visit https://neilmackinnon.net/For information about Robbie's wider work, his writing or to buy his books, visit www.robbieswale.com.Music by My Good Man William: listen on Spotify: https://open.spotify.com/artist/4KmeQUcTbeE31uFynHQLQgTo support the Coach's Journey, visit www.patreon.com/thecoachsjourney and to join the Coach's Journey Community visit www.thecoachsjourney.com/community. Things and people we mentioned (that you might be interested in):- The Academy of Executive Coaching https://www.aoec.com/ - The Coach's Casebook by Kim Morgan and Geoff Watts https://barefootcoaching.co.uk/product/the-coachs-casebook-kim-morgan-geoff-watts-2015/ - Robbie appearing on Neil's Creative Practice podcast https://creative-practice.net/2021/01/29/robbie-swale-coach/ - Kate Rees - https://www.katereescoaching.com/- A Job To Love by Alain de Botton https://www.theschooloflife.com/shop/a-job-to-love/ - Designing Your Life by Bill Burnett and Dave Evans https://designingyour.life/the-book/ - Richard Hawley - https://www.frycreative.uk/richard-hawley- Gaylene Gould on Neil's podcast, Creative Practice https://creative-practice.net/2021/08/12/episode-13-gaylene-gould/- Link to the art behind Neil on the wall: Jet propulsion library, NASA https://www.jpl.nasa.gov/galleries/visions-of-the-future - Jude Kelly https://thewowfoundation.com/about-wow/about-jude-kelly - The WOW Foundation https://thewowfoundation.com/- RD 1st Coaching Training https://relationaldynamics1st.co.uk/- Theatre People, Greg Jauncey's cultural sector HR Consultancy https://www.theatrepeople.uk/who-are-we- Paul Williamson from The Ambassador Theatre Group https://www.associationforcoaching.com/members/?id=52110032- ABC Creative Music https://www.abcmusic.org.uk/- InterMusica https://www.intermusica.com/- Jerry Seinfeld on The Tim Ferris Show https://podcasts.apple.com/us/podcast/485-jerry-seinfeld-a-comedy-legends-systems/id863897795?i=1000501727043 - The Prosperous Coach by Rich Litvin https://richlitvin.com/book/- Chilly's Water Bottles https://www.chillys.com/uk/categories/bottles- The quote Neil mentions at the end: in his book Reboot, Leadership and the Art of Growing Up, executive coach Jerry Colonna writes about this sort of radical self-inquiry: “I laugh loudly when folks suggest that this is some sort of yoga-inspired soft-bellied call to leadership. ‘Namaste my ass,' I say with my Brooklyn-born chip firmly, squarely, and proudly on my shoulder. ‘Try entering the cave, walking to the dark recesses, and retrieving the treasure wa-a-a-y in the back. Then come tell me about being soft.'”BIOGRAPHY FROM NEILNeil is a London-based leadership and executive coach, accredited by the International Coaching Federation and the European Mentoring and Coaching Council. He works with ambitious individuals, leaders and entrepreneurs, across the cultural and creative industries, tech and beyond. He coaches people to fulfill their potential through helping them establish clarity of purpose, supporting personal growth and enabling valued professional contribution and sustained personal fulfilment.Following an early career as a professional musician Neil worked in various management and leaders roles in the cultural and creative sectors, including 12 years at London's Southbank Centre, Europe's largest centre for the arts. During his time there he discovered coaching through a transformational experience of working with a coach. This sparked a journey of discovery that led to his initial coach training and building coaching skills into his style of leadership.He now splits his time between his private coaching practice and a part time faculty position at the Academy of Executive Coaching, a leading global coaching organisation offering executive coach training, coaching solutions, executive coaching certification.

Robert Winfree, Alexis Hejna and Mark Radulich present their Wonka 2023 Movie Review!Wonka is a 2023 musical fantasy film directed by Paul King, who co-wrote the screenplay with Simon Farnaby, based on a story by King. It tells the origin story of Willy Wonka, a character in the 1964 novel Charlie and the Chocolate Factory by Roald Dahl, featuring his early days as a chocolatier. The film stars Timothée Chalamet in the title role and an ensemble cast including Calah Lane, Keegan-Michael Key, Paterson Joseph, Matt Lucas, Mathew Baynton, Sally Hawkins, Rowan Atkinson, Jim Carter, Natasha Rothwell, Tom Davis, Olivia Colman, and Hugh Grant. It is the third live-action adaptation of Dahl's book, following Willy Wonka & the Chocolate Factory (1971) and Charlie and the Chocolate Factory (2005).Wonka had its world premiere in London at the Royal Festival Hall, Southbank Centre, on November 28, 2023. It was released in the United Kingdom on December 8 and in the United States on December 15 by Warner Bros. Pictures. The film has grossed $156 million worldwide and received generally positive reviews from critics. It was nominated for several awards, including a Golden Globe Award for Best Actor – Motion Picture Musical or Comedy for Chalamet.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsoFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulich

Rupert Murdoch, controversial owner of The Sun, launched "The Birthday Suit Girl", a topless photo feature, on 17th November, 1970. Within a year, the paper's circulation had nearly doubled to 2.5 million. Editor Larry Lamb intended his ‘Page 3 girls' to be wholesome and clean, skating on the edge of what was acceptable in a family newspaper. But by the 80s, Editor Kelvin Mackenzie had introduced raunchier shots, to compete with a resurgent Daily Star. In this episode, Arion, Rebecca and Olly recall how the long-running feature eventually fizzled out; reveal how little money massive stars like Samantha Fox, Melinda Messenger and Jordan were paid for their appearances; and examine how the Editorial team got their knickers in a twist over News in Briefs… Further Reading: • ‘What 80s glamour models did next - from selling 30m records to dating Eric Clapton & jail time for money laundering' (The Sun, 2021): https://www.thesun.co.uk/tvandshowbiz/17129778/glamour-models-page-3-linda-lusardi-sam-fox/ • ‘No More Page 3: how a feminist collective took on a media behemoth to challenge everyday sexism' (The Conversation, 2021): https://theconversation.com/no-more-page-3-how-a-feminist-collective-took-on-a-media-behemoth-to-challenge-everyday-sexism-156478 • ‘Did Page 3 make the world a better place?' (Southbank Centre, 2014): https://www.youtube.com/watch?v=DxkI955FiK8 #Publishing #70s #Sexism #UK We'll be back on Monday - unless you join 

"I don't complain, I create." The house DJ talks about her new multi-platform project, Honeyverse, and using music as a way to celebrate the Black queer community. Honey Dijon is a queer house music icon whose reputation precedes her. Originally hailing from Chicago, she grew up experiencing the city's nightlife, eventually beginning to DJ and produce alongside contemporaries like Derrick Carter, Mark Farina and other artists who shaped the Chicago house music canon. Throughout her career, she's been an active spokesperson for trans rights and a champion for the BIPOC community, and last month she put on her greatest platform for queer Black culture to date: Honeyverse. The multi-platform Honey Dijon experience took place at London's Southbank Centre, bringing club nights, live sets, orchestras and intimate conversations together in a takeover that drew its inspiration from her roots in Chicago's Black queer community. In this RA Exchange live from Southbank Centre, Honey Dijon talks to Josh Caffé about her connection to house music, an art form made from rejection and thus marginalised in the annals of music history. Her work, she says, is about giving visibility to the voices that were lost in its development and creating a more expansive platform for queer artists from the Black and Latinx diaspora. "This is a celebration of love, joy and acceptance," she says of Honeyverse. Listen to the episode in full, and watch video snippets of their conversation on Resident Advisor's Instagram and YouTube.

An accidental invention which revolutionised plant collecting has inspired an artwork from Mat Collishaw, created in collaboration with video artists based in Ukraine, which is being premiered in a gallery at Kew Gardens. The nine minute video, accompanied by music by Samuel Barber's Adagio for strings, draws on the discovery in 1829 that a Wardian case could allow plants to grow under airtight glass. And the way art and music respond to environmental concerns is at the heart of this Free Thinking conversation hosted by Jade Munslow Ong. Jimmy López Bellido has written a symphony inspired by photographs of a changing landscape, Sarah Casey's drawings look at the impact of ice melting in glaciers and New Generation Thinker Vid Simoniti has written a book exploring the political ambitions of contemporary art in the early twenty-first century. He talks about the work of Alberta Whittle, Olafur Eliasson, El Anatsui, Maurice Mbikayi, Margaret Wertheim and Christine Wertheim. Producer in Salford: Nick Holmes Petrichor, a new exhibition of work by Mat Collishaw runs from 20 October 2023- 7 April 2024 at the Shirley Sherwood Gallery of Botanical Art, Kew Gardens. Sarah Casey is Director of the School of Art in Lancaster Institute for the Contemporary Arts and has worked on The Emergency project which uses drawing to examine artefacts emerging from alpine glaciers as a result of climate change and ice melting. She also convenes a group studying rocky environments and geology. From 26-28th October ‘Rocky Futures', an art exhibition in the form of three live video events streamed from destinations across the globe on the theme of geology, mobilities and the climate emergency will be available online at https://wp.lancs.ac.uk/rocky-climates/rocky-futures/ Vid Simoniti's book is called Artists Remake the World: A Contemporary Art Manifesto. He is a New Generation Thinker and teaches at The University of Liverpool. Symphony No 3, Altered Landscapes by Jimmy López Bellido is being played by the BBC Concert Orchestra in a concert at London's Southbank Centre on Thu 12 Oct 2023 and will be broadcast on BBC Radio 3 on October 25th. With thanks to the Concert Orchestra for providing a recording of part of their rehearsal of the piece recorded on 10 October. The Hyundai Commission from artist El Anatsui runs at Tate Modern in London from October 10th - April 14th 2024 Jade Munslow Ong teaches at the University of Salford and is writing a book about the environment in literature. She is on the New Generation Thinkers scheme run by BBC Radio 3 and the Arts and Humanities Research Council to work with early career researchers on making radio. Green Thinking is a collection of programmes exploring different aspects of art and history and the environment available via the Free Thinking programme website - all episodes are downloadable as the Arts & Ideas podcast and on BBC Sounds.

We meet Bengi Ünsal, Director of ICA London which is celebrating its landmark 75th year. She is the second woman to serve as the Director of the Institute of Contemporary Arts and has been successfully refocusing their commitment to live music, live performances alongside extensive visual arts, film and education programmes. (As we discover in this episode, the first female Director was Dorothy Morland from 1952-1968, who was also the longest running the ICA for 18 years).The Institute of Contemporary Arts is much more than a museum. Since its inception in 1947 as the first truly multi-disciplinary arts organisation, the ICA has always been a progressive, alternative, and a safe place for artists who are looking beyond the mainstream: the ones who are willing to go beyond the status quo, and those who take risks and defy definitions.Today, the ICA remains at the heart of contemporary culture in London, commissioning, producing, and presenting urgent new work in film, music, performance, digital art, and the visual arts, by the most vital and provocative artists of our time.Follow @ICAlondon and @BengiUnsalVisit @CounterEditions for 8 new fundraising prints to celebrate 75 Years of the ICA. Find prints here: https://www.countereditions.comBefore the ICA, Bengi was the head of contemporary music at the Southbank Centre, the UK's largest arts centre and one of the most-visited attractions in the country. During her tenure, she was responsible for a year-round programme of more than 200 gigs and contemporary music performances across its venues. She oversaw the award-winning artist-curated Meltdown festival, alongside guest curators M.I.A in 2017, Robert Smith (2018), Nile Rodgers (2019) and Grace Jones, who brought together artists including Peaches and Skunk Anansie for the 27th edition earlier this year. Under her leadership, the Southbank Centre launched its first regular club night, Concrete Lates, in 2018, and futuretense, a weekly free slot for international emerging music talent, delivered in partnership with BBC Music Introducing. As multifaceted as her work, Ünsal is a DJ, has run her own events company, launched a festival, and has worked for radio and music TV channels, Universal Music and BMG. Hosted on Acast. See acast.com/privacy for more information.

We had a live show at Between the Bridges near Southbank Centre on a very rainy night, and we discussed a school bathroom realtime tracking app, a horrendous conference held by the Tony Blair Institute, and much more. The assembled cast of Riley, Milo, Nate, and Alice learned about topics such as Ketamine Keir Starmer, a punitive deployment of ferrets to chase out schoolchildren from toilets, the Leon Burgers to Government Policy pipeline, and a strange conception of the things you can do with barbeque sauce. If you want access to our Patreon bonus episodes, early releases of free episodes, and powerful Discord server, sign up here: https://www.patreon.com/trashfuture   *SCOTLAND ALERT* Get tickets to our live show at the Edinburgh Fringe Festival on 4th August here! https://www.trashfuture.co.uk/event-details/trashfuture-live-at-the-edinburgh-fringe   *STREAM ALERT* Check out our Twitch stream, which airs 9-11 pm UK time every Monday and Thursday, at the following link: https://www.twitch.tv/trashfuturepodcast *WEB DESIGN ALERT* Tom Allen is a friend of the show (and the designer behind our website). If you need web design help, reach out to him here:  https://www.tomallen.media/ *MILO ALERT* Check out Milo's upcoming live shows here: https://www.miloedwards.co.uk/live-shows Trashfuture are: Riley (@raaleh), Milo (@Milo_Edwards), Hussein (@HKesvani), Nate (@inthesedeserts), and Alice (@AliceAvizandum)

This week's guest is the journalist and author Yomi Adegoke. You might know her from her column in the Guardian or as the co-author of the brilliant 2018 non-fiction book, Slay In Your Lane or you might follow her on Instagram for her glamorous serving of LEWKS. And even if you don't know her, you should because she's the definition of good energy and you will love this episode.Yomi joins me to talk about her failures in hodling down a 9-to-5, her experiences with depression while at university and her debut novel, The List, which has already been snapped up by HBO Max for TV adaptation.In this episode, we touch on issues of race, gender and cultural influence and, thrillingly, I get to chat about reality TV with someone who takes it as seriously as I do. Lol.Enjoy!--Signed copies of The List by Yomi Adegoke are available to pre-order here.Yomi will be in conversation with Bernardine Evaristo at the Southbank Centre in London on 20th July. Tickets are available here.--How To Fail With Elizabeth Day is hosted and produced by Elizabeth Day. To contact us, email howtofailpod@gmail.com--Social Media:Elizabeth Day @elizabdayHow To Fail @howtofailpodYomi Adegoke @yomi.adegoke

This episode is part two of our live event on economic growth. In May 2023, journalist Kamal Ahmed, was joined by three influential economists, Kate Raworth, Helen Thompson, and Bim Afolami to discuss if we can indeed have prosperity without growth. Part three of this event is available ad free, for subscribers now.  This conversation is part of Intelligence Squared's live debate partnership with the Southbank Centre. We'd love to hear your feedback and what you think we should talk about next, who we should have on and what our future debates should be.  Send us an email or voice note with your thoughts to podcasts@intelligencesquared.com or Tweet us @intelligence2.  And if you'd like to get ad-free access to all Intelligence Squared podcasts, including exclusive bonus content, early access to new episodes and much more, become a supporter of Intelligence Squared today for just £4.99, or the equivalent in your local currency .  Just visit intelligencesquared.com/membership to find out more.  Learn more about your ad choices. Visit megaphone.fm/adchoices