Podcasts about Wood

Brought to you by Stone and Wood... A Cloudbreak contest for the ages won by the monolithic San Clemente goofy foot, Col Houshmand, over Medina, despite the Brazilian dropping a freakish perfect ten in the final. Erin Brooks wins the final on a walk through after Izzy Nichols is unable to surf due to injury. We recap all the action from the event including the untold injury toll that besieged the tour over the course of a seriously consequential Pacific leg.See omnystudio.com/listener for privacy information.

MMA Lock of the Night is back to give you breakdowns and predictions for UFC Paris: Hooker vs Parnasse. Also on the main card card, Ziam vs Sola, Page vs Ruziboev, Soriano vs Donchenko, Campbell vs Peek, and Keita vs Naimov.

 Has your life ever been changed by a plant? When I ask this question of a group of herbalists, most say yes. But if you're just taking your first steps on the plant path, your answer might be no, or not yet.    To the skeptic, the entire premise sounds completely ridiculous. How exactly could a lowly, unintelligent plant change your life? What is this life transformation that can occur by working with a medicinal plant? How does it work, and is it even real?    In this post, I'm getting personal, which I don't usually do, but I want to illustrate the principle of a plant changing a person's life by sharing my own story with Wood Betony (Stachys officinalis) and the profound impact this plant has had on my life.    In this post, you'll learn: How my experience with Wood Betony shaped my understanding of transformational healing Why herbal medicine can be approached as support for the body, psyche, and spirit How synchronicity and intentional relationship can guide work with medicinal plants The role of Wood Betony in grounding, digestive support, and self-confidence  How plants may help turn past struggles into insight, growth, and wholeness  

Milestones, festival gripes, transfer window annoyances and home or not home.

Dave Jackson in conversation with David Eastaugh  https://theroomtheroominthewood.bandcamp.com/ https://www.facebook.com/p/The-Room-100063702032127/ The Room are a new wave band from Liverpool formed in late 1979. They released three albums and several singles before breaking up in 1985. Two of the band members went on to form Benny Profane, Dust, and Dead Cowboys. The band reformed in 2023. he Room, returned in 2023. Original members Clive Thomas, Dave Jackson and Becky Stringer are joined by new bloods, Ethan Kyme and Darren Brown. They have since released two albums, Restless Fate (2023) and The Telling (2024) on 9x9 Records, will release their third album, Doom Pop! in September 2026. Album opener, Drill, Baby, Drill is a response to the orangepig-who-would-be-king and his enablers. Nine new dark-tinged pop songs, plus a re-recorded version of their 80's John Peel favourite, Things Have Learnt to Walk that Ought to Crawl. Pressed on eco-vinyl giving each copy of the LP a random colour mix.

Former Chicago Homicide Detective Michele Wood returns with an unfiltered look at the cases that haunt her, the ones that cracked open years later, and the ones she's hoping will close. She talks witness intimidation, cold‑case breakthroughs, and what justice really looks like in neighborhoods living with daily violence.Contact me at silverliningshandbookpod@gmail.comCheck out the Silver Linings Handbook website at:https://silverliningshandbook.com/Check out our Patreon to support the show at:https://www.patreon.com/thesilverliningshandbookJoin our Facebook Group at:https://www.facebook.com/groups/1361159947820623Visit the Silver Linings Handbook store to support the podcast at:https://www.bonfire.com/store/the-silver-linings-handbook-podcast-storeVisit The True Crime Times Substack at:https://truecrimemessenger.substack.comJayson's Substack newsletter, The Center Holds, can be found at:The Center Holds | Jayson Blair | SubstackThe Silver Linings Handbook podcast is a part of the ART19 network. ART19 is a subsidiary of Wondery and Amazon Music.See the Privacy Policy at https://art19.com/privacy and the California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Larry Wood joins us this week to talk about the contests and cartoons from the current issue of the New Yorker.We have some great discussions and disagreements on the finalists for the New Yorker and CartoonStock contests. Humor is very subjective!We discuss the winning entry for Contest #1000 (Rocky Swords Picture Show.)Finalists for Contest #1002 (Singin' in the Rain Barrel of Monkeys.)Current Contest #1004 (Hello Doggy, Checkmate!)Be sure to enter the latest CartoonStock Caption Contest with the new rules! The more people who enter, the bigger the cash prize and you can buy more than three captions!https://www.cartoonstock.com/caption-contest/currentBuy Larry's book here at a new low price:https://www.amazon.com/Your-Caption-Has-Been-Selected/dp/1250333407You can find the Reverse Caption Contest here:https://reversecaptioncontest.substack.comYou can buy original New Yorker cartoon art at Curated Cartoons:https://www.curatedcartoons.comThe home for all things to do with cartoon caption contests:https://humororama.lolSend us questions or comments to:  Cartooncaptioncontestpodcast@gmail.com

In 1979, a federal judge in San Antonio was known for one thing above all else: He did not show mercy. John H. Wood Jr. had earned his nickname the hard way, one maximum sentence at a time. Just before he was set to face off with a powerful drug empire, he was killed outside his home in broad daylight. What followed would become the most expensive FBI investigation since the Kennedy assassination, a courtroom circus involving a Las Vegas kingpin, a hitman with the world's most unusual business card, and a famous son fighting to clear his father's name.Crimes of the Centuries is a podcast from Grab Bag Collab exploring forgotten crimes from times past that made a mark and helped change history. You can get early and ad-free episodes and more over at www.grabbagcollab.comOrder the Crimes of the Centuries book at your favorite bookstore or at www.centuriespod.com/book!Follow us on Instagram and other social media: @centuriespod Episode Sponsors: AquaTru: A countertop water purifier certified to remove 84 contaminants using a 4-stage reverse osmosis system, with 20% off at AquaTru.com using code COTC.DripDrop: Doctor-developed, science-based hydration trusted by firefighters, medical pros, and 90% of top sports teams, with 20% off your first order at dripdrop.com using code COTC.Talkiatry: 100% online psychiatry with in-network insurance coverage and appointments in days, not months, at Talkiatry.com/COTC.Hims: Simple, 100% online access to affordable ED treatment through licensed providers, at Hims.com/COTC.

Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsBibliographyCurses, Blessings, and Ritual HarmCannon, Walter B. “‘Voodoo' Death.” American Anthropologist 44, no. 2 (1942): 169–181.Faraone, Christopher A. Ancient Greek Love Magic. Cambridge, MA: Harvard University Press, 1999.Gager, John G., ed. Curse Tablets and Binding Spells from the Ancient World. New York: Oxford University Press, 1992.Graf, Fritz. Magic in the Ancient World. Translated by Franklin Philip. Cambridge, MA: Harvard University Press, 1997.Ogden, Daniel. Magic, Witchcraft, and Ghosts in the Greek and Roman Worlds: A Sourcebook. 2nd ed. New York: Oxford University Press, 2009.Stratton, Kimberly B., and Dayna S. Kalleres, eds. Daughters of Hecate: Women and Magic in the Ancient World. New York: Oxford University Press, 2014.Tambiah, Stanley Jeyaraja. “The Magical Power of Words.” Man 3, no. 2 (1968): 175–208.Placebo, Nocebo, and Medical CommunicationBarsky, Arthur J., Ralph Saintfort, Malcolm P. Rogers, and Jonathan F. Borus. “Nonspecific Medication Side Effects and the Nocebo Phenomenon.” JAMA 287, no. 5 (2002): 622–627.Benedetti, Fabrizio. Placebo Effects: Understanding the Mechanisms in Health and Disease. Oxford: Oxford University Press, 2009.Benedetti, Fabrizio, Marina Lanotte, Lorella Lopiano, and Luana Colloca. “When Words Are Painful: Unraveling the Mechanisms of the Nocebo Effect.” Neuroscience 147, no. 2 (2007): 260–271.Colloca, Luana, and Fabrizio Benedetti. “Nocebo Hyperalgesia: How Anxiety Is Turned into Pain.” Current Opinion in Anaesthesiology 20, no. 5 (2007): 435–439.Colloca, Luana, and Damien Finniss. “Nocebo Effects, Patient–Clinician Communication, and Therapeutic Outcomes.” JAMA 307, no. 6 (2012): 567–568.Colloca, Luana, and Franklin G. Miller. “The Nocebo Effect and Its Relevance for Clinical Practice.” Psychosomatic Medicine 73, no. 7 (2011): 598–603.Enck, Paul, Fabrizio Benedetti, and Manfred Schedlowski. “New Insights into the Placebo and Nocebo Responses.” Neuron 59, no. 2 (2008): 195–206.Häuser, Winfried, Ernil Hansen, and Paul Enck. “Nocebo Phenomena in Medicine: Their Relevance in Everyday Clinical Practice.” Deutsches Ärzteblatt International 109, no. 26 (2012): 459–465.Inner Speech and DevelopmentFernyhough, Charles. The Voices Within: The History and Science of How We Talk to Ourselves. New York: Basic Books, 2016.Vygotsky, Lev S. Thought and Language. Revised and expanded ed. Edited and translated by Alex Kozulin. Cambridge, MA: MIT Press, 1986.Winsler, Adam, Charles Fernyhough, and Ignacio Montero, eds. Private Speech, Executive Functioning, and the Development of Verbal Self-Regulation. Cambridge: Cambridge University Press, 2009.Rumination and Repetitive Negative ThinkingBrosschot, Jos F., Bart Verkuil, and Julian F. Thayer. “Conscious and Unconscious Perseverative Cognition: Is a Large Part of Prolonged Physiological Activity Due to Unconscious Stress?” Journal of Psychosomatic Research 69, no. 4 (2010): 407–416.Ehring, Thomas, and Edward R. Watkins. “Repetitive Negative Thinking as a Transdiagnostic Process.” International Journal of Cognitive Therapy 1, no. 3 (2008): 192–205.Nolen-Hoeksema, Susan. “Responses to Depression and Their Effects on the Duration of Depressive Episodes.” Journal of Abnormal Psychology 100, no. 4 (1991): 569–582.Nolen-Hoeksema, Susan, Blair E. Wisco, and Sonja Lyubomirsky. “Rethinking Rumination.” Perspectives on Psychological Science 3, no. 5 (2008): 400–424.Smith, Jeannette M., and Lauren B. Alloy. “A Roadmap to Rumination: A Review of the Definition, Assessment, and Conceptualization of This Multifaceted Construct.” Clinical Psychology Review 29, no. 2 (2009): 116–128.Treynor, Wendy, Richard Gonzalez, and Susan Nolen-Hoeksema. “Rumination Reconsidered: A Psychometric Analysis.” Cognitive Therapy and Research 27, no. 3 (2003): 247–259.Watkins, Edward R. “Constructive and Unconstructive Repetitive Thought.” Psychological Bulletin 134, no. 2 (2008): 163–206.Watkins, Edward R. Rumination-Focused Cognitive-Behavioral Therapy for Depression. New York: Guilford Press, 2016.Self-Talk and PerformanceHardy, James. “Speaking Clearly: A Critical Review of the Self-Talk Literature.” Psychology of Sport and Exercise 7, no. 1 (2006): 81–97.Hatzigeorgiadis, Antonis, Nikos Zourbanos, Evangelos Galanis, and Yiannis Theodorakis. “Self-Talk and Sports Performance: A Meta-Analysis.” Perspectives on Psychological Science 6, no. 4 (2011): 348–356.Theodorakis, Yiannis, Antonis Hatzigeorgiadis, and Nikos Zourbanos. “Cognition: Self-Talk and Performance.” In The Oxford Handbook of Sport and Performance Psychology, edited by Shane M. Murphy. New York: Oxford University Press, 2012.Affect Labeling, Emotion, and LanguageBarrett, Lisa Feldman. “Solving the Emotion Paradox: Categorization and the Experience of Emotion.” Personality and Social Psychology Review 10, no. 1 (2006): 20–46.Lieberman, Matthew D., Naomi I. Eisenberger, Molly J. Crockett, Sabrina M. Tom, Jennifer H. Pfeifer, and Baldwin M. Way. “Putting Feelings into Words: Affect Labeling Disrupts Amygdala Activity in Response to Affective Stimuli.” Psychological Science 18, no. 5 (2007): 421–428.Lindquist, Kristen A., Lisa Feldman Barrett, Eliza Bliss-Moreau, and James A. Russell. “Language and the Perception of Emotion.” Emotion 6, no. 1 (2006): 125–138.Torre, Jared B., and Matthew D. Lieberman. “Putting Feelings into Words: Affect Labeling as Implicit Emotion Regulation.” Emotion Review 10, no. 2 (2018): 116–124.Self-Distancing and Reflective ProcessingAyduk, Özlem, and Ethan Kross. “From a Distance: Implications of Spontaneous Self-Distancing for Adaptive Self-Reflection.” Journal of Personality and Social Psychology 98, no. 5 (2010): 809–829.Kross, Ethan, and Özlem Ayduk. “Making Meaning out of Negative Experiences by Self-Distancing.” Current Directions in Psychological Science 20, no. 3 (2011): 187–191.Kross, Ethan, Özlem Ayduk, and Walter Mischel. “When Asking ‘Why' Does Not Hurt: Distinguishing Rumination from Reflective Processing of Negative Emotions.” Psychological Science 16, no. 9 (2005): 709–715.Kross, Ethan, Emma Bruehlman-Senecal, Jiyoung Park, Aleah Burson, Adrienne Dougherty, Holly Shablack, Ryan Bremner, Jason Moser, and Özlem Ayduk. “Self-Talk as a Regulatory Mechanism: How You Do It Matters.” Journal of Personality and Social Psychology 106, no. 2 (2014): 304–324.Moser, Jason S., Adrienne Dougherty, Whitney I. Mattson, Benjamin Katz, Tim P. Moran, Darwin Guevarra, Hannah Shablack, et al. “Third-Person Self-Talk Facilitates Emotion Regulation Without Engaging Cognitive Control: Converging Evidence from ERP and fMRI.” Scientific Reports 7 (2017): 4519.Affirmation and Counter-IncantationCascio, Christopher N., Matthew B. O'Donnell, Francis J. Tinney Jr., Matthew D. Lieberman, Shelley E. Taylor, Victor J. Strecher, and Emily B. Falk. “Self-Affirmation Activates Brain Systems Associated with Self-Related Processing and Reward and Is Reinforced by Future Orientation.” Social Cognitive and Affective Neuroscience 11, no. 4 (2016): 621–629.Cohen, Geoffrey L., and David K. Sherman. “The Psychology of Change: Self-Affirmation and Social Psychological Intervention.” Annual Review of Psychology 65 (2014): 333–371.Wood, Joanne V., W. Q. Elaine Perunovic, and John W. Lee. “Positive Self-Statements: Power for Some, Peril for Others.” Psychological Science 20, no. 7 (2009): 860–866.Implementation Intentions and ActionGollwitzer, Peter M. “Implementation Intentions: Strong Effects of Simple Plans.” American Psychologist 54, no. 7 (1999): 493–503.Gollwitzer, Peter M., and Veronika Brandstätter. “Implementation Intentions and Effective Goal Pursuit.” Journal of Personality and Social Psychology 73, no. 1 (1997): 186–199.Gollwitzer, Peter M., and Paschal Sheeran. “Implementation Intentions and Goal Achievement: A Meta-Analysis of Effects and Processes.” Advances in Experimental Social Psychology 38 (2006): 69–119.Schweiger Gallo, Inge, Andreas Keil, Kathleen C. McCulloch, Brigitte Rockstroh, and Peter M. Gollwitzer. “Strategic Automation of Emotion Regulation.” Journal of Personality and Social Psychology 96, no. 1 (2009): 11–31.Ritual, Identity, and Psychological FormationBell, Catherine. Ritual Theory, Ritual Practice. New York: Oxford University Press, 1992.Hobson, Nicholas M., Juliana Schroeder, Jane L. Risen, Dimitris Xygalatas, and Michael Inzlicht. “The Psychology of Rituals: An Integrative Review and Process-Based Framework.” Personality and Social Psychology Review 22, no. 3 (2018): 260–284.Rappaport, Roy A. Ritual and Religion in the Making of Humanity. Cambridge: Cambridge University Press, 1999.Xygalatas, Dimitris. Ritual: How Seemingly Senseless Acts Make Life Worth Living. New York: Little, Brown Spark, 2022.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. 

For millions of people, an everyday legal dispute never justifies the cost of a lawyer or a private mediator, no matter how much the outcome matters to them. Judge Victoria Wood saw that problem over and over during her years on the Napa County Superior Court bench. This week, Wood joins Judicaid Chief Strategy Officer Valerie Clemen to explain how those years led to Judicaid, an AI-assisted mediation platform built to help people resolve everyday disputes before time, expense, and emotion push them deeper into litigation.Wood traces Judicaid's origins to two problems she kept running into as a judge and mediator. Traditional settlement conferences arrive late in a case, after the parties have spent real money and dug into their positions. Then there are the lower-value landlord-tenant, contractor, neighbor, probate, and small-claims disputes where professional mediation rarely pencils out at all. Wood puts a number on the access problem. The State Bar of California's 2024 Justice Gap Study, released in 2025, found that Californians received no legal help, or inadequate help, for 85 percent of their civil legal problems. Judicaid aims at a slice of that gap by giving people an earlier and cheaper chance to communicate and negotiate.Clemen walks Greg Lambert and Marlene Gebauer through Judicaid's "shuttle-style" mediation process. Each participant talks privately with an AI mediator named Jude, so the two sides never have to speak to each other directly. Jude gathers each side's account of the dispute, identifies priorities and possible settlement terms, and moves between the participants while filtering out insults, anger, and inflammatory language. If the parties find common ground, the platform prepares a proposed settlement for review and electronic signature. Wood is careful about one boundary throughout the conversation. Jude is a facilitative mediator, and it stays away from evaluating legal rights. It will not decide who is legally correct, predict who will win, or give legal advice.The conversation then turns to Judicaid's pilot with Napa County Superior Court, and the role courts could play in expanding AI-assisted dispute resolution. In the court model, a court subscribes to the service and hands litigants' access through a QR code, with no integration into the court's technology systems. The pilot has already surfaced a behavioral lesson. Offering mediation as an optional service does not mean parties will use it, and Wood and Clemen see more potential where courts actively encourage or require litigants to attempt dispute resolution before proceeding. Language is another piece of the story, since Judicaid lets participants who speak different languages work through the same mediation without arranging multiple interpreters.Wood and Clemen also see mediation as just the starting point. Wood uses the phrase "intelligent dispute resolution" for a broader category of AI-assisted tools covering mediator proposals, parent coordination, and other structured approaches to conflict. The bigger ambition is a change in habits, where people reach for structured communication and settlement before a disagreement hardens into a lawsuit. Clemen boils that aspiration down to three words she hopes become part of the vocabulary of everyday disputes: "Just Judicate it."Listen on mobile platforms:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠Substack⁠[Special Thanks to ⁠⁠Legal Technology Hub⁠⁠ for their sponsoring this episode.]Email: geekinreviewpodcast@gmail.comMusic: Jerry David DeCiccaLINKSJudicaidState Bar of California, California Justice Gap Study2024 California Justice Gap StudyNapa County Superior Court, Small Claims

Romans 12: 20-21: Call Me “Magnanimous” - Pastor Tom JJ Wood (08/30/2026) by Word of Life Assembly of God

Game Time is a 30 minute sports show which discusses sports in the DMV. The show explores professional, collegiate, high school and amateur sports on and off the field play that contributes to the excitement of sports in the community of DC's City of Champions.

In this episode, Brian welcomes Thomas Sewid of the Kwakwaka'wakw people of northern Vancouver Island for a wide-ranging conversation about Sasquatch traditions, firsthand encounters, Indigenous knowledge, and the debate over the more supernatural claims surrounding the subject.Thomas explains that Sasquatch, known by names including Ćunaq̣, Ts'uunaaka, Tl'onaq'a, Junakwa, and Chunag, holds a significant place within Kwakwaka'wakw culture. The figure appears in traditional masks, potlatch dances, crest imagery, totem poles, and generations of oral teaching. Growing up in a commercial fishing family, Thomas spent much of his life along the remote coast of British Columbia, where stories of Sasquatch were part of the cultural landscape long before the subject became popular in modern cryptozoology.He shares reports he gathered from fishermen, loggers, Indigenous communities, and people living throughout the coastal wilderness, along with several experiences of his own. These include a sighting with his father near Sayward and later encounters while Thomas was living and working deep in the bush and serving as a watchman in isolated areas.Thomas also offers his interpretation of behaviors commonly reported by Sasquatch witnesses.He believes some apparent wood knocks may actually be powerful hand slaps used as warning or communication signals and describes Sasquatch groups as operating within a coordinated clan structure that allows individuals to alert and support one another. He also discusses their ability to use terrain, cover, and wind direction to remain aware of people while avoiding detection.The conversation then turns to what Thomas openly calls the “woo” surrounding Sasquatch.He strongly rejects claims involving cloaking, portals, telepathy, and other paranormal abilities, arguing that fear, stress, and trauma can dramatically affect how people interpret unusual encounters. For Thomas, the investigation should remain focused on physical evidence, observable behavior, and claims that can ultimately be tested.Thomas also explores his belief that Sasquatch could represent an ancient or “original human” population and discusses why official recognition of such a species could create complicated questions involving Indigenous rights, land management, environmental protections, logging, development, and regional economies.It is a conversation that brings together generations of cultural tradition, decades spent in the wilderness, firsthand experience, and a decidedly evidence-focused approach to one of North America's most enduring mysteries.Thomas also discusses his Sasquatch Island work, SasquatchIsland.com, SasquatchLegend.com in Forks, Washington, and plans for an upcoming museum dedicated to preserving and sharing the history and traditions surrounding Sasquatch.Visit Sasquatch Island WebsiteVisit Sasquatch The Legend Website Email BrianJoin Our FREE NewsletterGet Brian's Books Leave Us A VoicemailVisit Our WebsiteBecome a supporter of this podcast: https://www.spreaker.com/podcast/sasquatch-odyssey--4839697/support.Have you had a Bigfoot encounter, Sasquatch sighting, Dogman experience, or other cryptid or paranormal encounter? We'd love to hear your story. Email brian@paranormalworldproductions.com to be featured on a future episode of Sasquatch Odyssey.Sasquatch Odyssey is a leading Bigfoot and cryptid podcast exploring real encounters, field research, and scientific analysis of the Sasquatch phenomenon.Follow the show and turn on automatic downloads so you never miss an episode.

Vlad Sedler and Jason Anthony are joined by Scott Jenstad to discuss early 2027 first-round fantasy targets, Walker Jenkins, end of season lineup strategies, and Week 24 fantasy baseball FAAB. Topics The Giants and Willy Adames Defending Ohtani who did not gamble Best 1.06 for 2027: Soto, Wood, Yordan, Tatis or Caminero Best 2nd Round SP: Yamamoto, Sale, Schlittler, Luzardo, Sanchez or Cease Our Can't Quit player Our Must Draft A's player Pick a Logan Jordan Walker vs. Sal Stewart vs. Konnor Griffin Week 24 schedules and matchups (O's, Rockies, etc.) 3-week target windows 15-team pitcher pick-ups Walker Jenkins Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It's a busy time of the year and we're sorry for not uploading more podcasts consistently! Summertime is always a grind and for a lot of us we're preparing for the World Championships up at Spruce Meadows or getting through the hump of horses we have on our schedule. We recorded this podcast about two weeks ago when i was at Troy Wood's shop getting ready to practice for the weekend and we talked about how practice has been going for us so far. Also chatted about other things we've been up to like Riley had Will Stelter over to his place to make some content for Will's YouTube channel you can go check out. Also talked about some horseshoeing and the challenges we face in our book and to try and help some of those troubled horses or maintaining the good ones. This was just a good sit down and chat to catch up while we've been absent on the podcast for the past little bit to catch everyone up. Hope you guys enjoy!Also check out our website-www.forgingbrains.comOur Proud Sponsors of the Showwww.farrierbox.com use code BRAINS for 25% off your first month's order!www.well-shod.com use code BRAINS for a surprise product in your order!www.worldchampionshipblacksmiths.com use code BRAINS for 10% off in their online store! (not including membership/contest entry fees)www.yukonforge.com use code BRAINS for 10% off your order!

Goodreads Book Giveaway The Ghost Girl by John KixMiller Released July 28, 2026 Giveaway ends in about 1 month (September 19, 2026) 100 copies available, 176 people requesting See the giveaway details at Goodreads. Enter Giveaway The Ghost Girl Kixmiller, John Buy Now Buy The Ghost Girl eBook on Amazon — $9.99 The Red Jewel – EP 281 John KixMiller Download CLICK HERE FOR "PROTECTORS OF THE WOOD” PLAYLIST ON YOUTUBE! READ ALONG TO EPISODE 281 - WITH LYRICS; CHORDS TO FEATURED SONGS! CLICK HERE TO VISIT PROTECTORS OF THE WOOD's LINKTREE! Episode 281 Book #4 - The Red Jewel   THE EYE OF THE WORLD ON CHI CHI'S SHED        CAST     Narrator - John KixMiller    Abby Chapman - Gabriela Baez    Wendy, Stephanie - Tamara Josephine    Yelling Voice - Joe Vitaliano Jr. The Great Heart of The Earth, Written by John KixMiller, Performed by Tamara Josephine & The Protectors of the Wood Band "Invite to Adventure" Intro and "Into The Dark" Outro music composed and performed by Tamara Kachelmeier Sound Effects - Joe Vitaliano Jr. and Tamara Kachelmeier Recorded, Edited, and Produced By Tamara Kachelmeier      Adventure Series mixed at Ghost Dog Studio in Brooklyn, New York. DISCLAIMER: All Protectors of the Wood episodes and characters are part of a fantasy series, and do not represent real people, places, or incidents.        © 2026 ALL RIGHTS RESERVED     CLICK our RSS FEED to receive new podcasts automatically. The Protectors of the Wood Book Series is an adventure saga about a group of teenagers who save the world from climate change. While searching for the secrets of Dreamstone and their identities, Phoebe and Abby risk their lives to save the beautiful world around them called home. Together, they help each other and the community around them as they struggle to protect their land and heritage. ECO-FANTASY ADVENTURE SERIES RSS

In this episode, host Stephen Diggins talks with Cuyler Rigney of Focal Point Floors in Delaware, Ohio, about his winding road into the trade. Rigney started out doing carpet cleaning with his father before teaching himself hardwood refinishing through YouTube videos, online forums like Dust Life, and mentors such as Courtney Lee and Alex Franklin — even trading a guitar for his first sanding machine. He recounts building practice panels in his parents' basement, wrecking his first out-of-town job in Toledo, and gradually working up through machines, while also crediting Loba training classes and industry connections (including T.J. Haas) for accelerating his growth. The conversation also digs into the everyday realities of running a one-man (soon to expand) flooring business: mistakes and recoveries. Rigney talks candidly about choosing a business name that isn't tied to his own identity, relying on organic SEO and word-of-mouth in his non-saturated Ohio market rather than paid ads, and the bittersweet decision to "fire" his wife Brianna, his best crew member, as she's stepped back to focus on their growing family. The episode closes with a rapid-fire round covering his favorite sanding equipment, his guitar collection, and reflections on what he'd tell his younger self about getting into the trade. Read Cuyler Rigney's article from the August/September 2026 issue of Wood Floor Business, "How Trading A Guitar For A Sander Launched My Career". Enter the 2026 WFB Ultimate Wood Floor Guy & Gal Contest. Find all the industry news, a massive archive of wood flooring articles, the latest blogs and more at woodfloorbusiness.com.  Follow Wood Floor Business on social media: Facebook Instagram LinkedIn TikTok YouTube Pinterest X Join the Wood Floor Business Community + USED Buy/Sell/Trade Facebook Group.

What is the foundation that keeps you grounded in your everyday walk of life?In this deeper Pass the Mic conversation, LA sits down with Mr. Robb Wood for an honest and personal conversation about inspiration, purpose, perseverance, and the experiences that shape who we become.LA asks: What is the foundation of your inspiration to your everyday walk of life?The conversation then turns toward a question we can all take with us: What words of encouragement, inspiration, motivation, or challenge would you leave with someone navigating their own journey?This isn't simply a conversation about success or accomplishments. It's about the foundation underneath the journey—the experiences, lessons, values, and perspectives that help us continue walking when life doesn't always look the way we expected.Mr. Wood shares from the heart, offering words that invite us not only to listen but to examine our own lives.What is your foundation?What keeps you moving?And what lesson from your journey can you pass on to someone else?This is Pass the Mic with LA—where everyday people share the lessons found along their everyday journey.Because the lesson is in the everyday.

Drew Herstam is a functional potter based in Chicago, IL. Drew received a BA in studio art with a focus in ceramics from Goshen College in 2006. Drew is a former resident of Terra Incognito Studios in Oak Park, IL which also serves as his current studio. https://ThePottersCast.com/1258

The videos of the floods in Nepal are terrible, how can water do so much damage? The legend of “Wood”, remember him from the COVID Memes? We find out who he really was Headlines

Joe Marino of Locked On Bills returns to Centered on Buffalo to talk all things Bills with Eric Wood.The guys break down Buffalo's preseason performance, the early signs from Jim Leonhard's new defense, which young players are emerging, the battle at left guard and whether Ray Davis can become the Bills' primary punt returner.Joe also shares his firsthand thoughts on the new Highmark Stadium and why he thinks some of the criticism surrounding it has overshadowed what Buffalo actually built in Orchard Park.Then it's Rapid Fire: DJ Moore's catch total, James Cook's rushing yards, Buffalo's sack production and how many games the Bills will win this season. Presented by Azuna Fresh and Dan-O's Seasoning.The Centered on Buffalo Podcast is sponsored by:Azuna Freshazunafresh.com20% Off Code: Wood20Dan-O's Seasoning Follow Dan-O's Seasoning on Social @danosseasoning  danosseasoning.com20% Off Code: Wood20US ONLYNugsax Reusable Icenugsax.com10% Off CODE: ewood

In this episode of The Produce Moms Podcast, Lori Taylor joins Venessa Wood on Ag Talk: Your Story Matters to share the story behind The Produce Moms, her unexpected path into agriculture, and her passion for connecting consumers with the people and products that make up America's food system.

Welcome to this episode of The New Warehouse Podcast, recorded at Toyota Material Handling North America's headquarters in Columbus, Indiana. Kevin is joined by Brett Wood, President and CEO of Toyota Material Handling North America.Wood looks at where forklifts and material handling are heading next. The conversation covers electrification, automation, operator experience, customer-driven innovation, and Toyota's long-term strategy. The discussion comes as Toyota Material Handling opens a new electric forklift factory and expands its broader material handling capabilities across North America. It also shows how a major equipment manufacturer is preparing for rapid technology change without losing sight of the people using it.Learn more about Pallite here.Get to Intralogistex! Follow us on LinkedIn and YouTube.Support the show

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In Episode 574, Patrick, Jeffrey and Craig chat about ads and keywords and then discuss five mostly baseball topics.   1. Houston, do we have a problem: The Astros have five new heads of baseball ops, starting now for some reason.2. I don't want this, I don't need this: The Guardians are this week's ascendent AL Wild Card team, and we couldn't be happier for Jo Adell.3. Better to be healthy than good: Some injury and injury returns that might impact the playoff race and playoffs.4. Around the Horn: More Marte news, and some teams and players on hot streaks.5. How well do you know your 4.00 ERA pitchers?Five and Dive is listener-supported, you can join our Patreon at patreon.com/fiveanddive. If you want to get in contact with the show, the e-mail address is fiveanddive@baseballprospectus.com.                                           Our theme tune is by Andy Matthews, who you can follow on Bluesky @andymatthewsmusic. You can listen to him on Spotify and Apple Music. It was produced by Barrie Maguire and Tim Ferguson.

Brain health is shaped by more than age or genetics. The way we exercise, eat, sleep, manage stress, support our metabolism, and stay engaged with the world around us may all influence how well the brain functions over time.Dr. Tommy Wood, associate professor of pediatrics and neuroscience at the University of Washington, studies brain health across the lifespan, from the neurodevelopment of infants born preterm to cognitive aging in older adults. He directs preclinical research in the University of Washington's Division of Neonatology and is the author of “The Stimulated Mind,” a book on the science of keeping the brain sharp at any age.In this Live Talk with Being Patient founder Deborah Kan, Wood discussed how neuroplasticity works, why the adult brain makes almost no new neurons even as the connections between existing neurons keep changing, and which activities can build cognitive reserve. He also addressed the long-term brain health risks tied to preterm birth and concussion, the supplements with the strongest evidence behind them, and the daily habits, from exercise to sleep to social connection, that he relies on himself.----If you loved this Live Talk, visit our website to find more of our Alzheimer's coverage and subscribe to our newsletter: https://www.beingpatient.com/Follow Being Patient: Twitter: https://twitter.com/Being_Patient_Instagram: https://www.instagram.com/beingpatientvoices/Facebook: https://www.facebook.com/beingpatientalzheimersLinkedIn: https://www.linkedin.com/company/being-patientBeing Patient is an editorially independent journalism outlet for news and reporting about brain health, cognitive science, and neurodegenerative diseases. In our Live Talk series on Facebook, former Wall Street Journal Editor and founder of Being Patient, Deborah Kan, interviews brain health experts and people living with dementia. Check out our latest Live Talks: https://beingpatient.com/live-talks/

What does it actually take to make money raising cattle? In this episode of The Landowner Insider, Kasey Mock sits down with Texas cattleman Wesley Wood for a practical conversation about the economics behind the cattle business—from cattle prices and feed costs to break-even numbers, risk, efficiency, and knowing when to buy, hold, or sell. With calves around $2,000 and cows reaching $5,000, there is more money at risk in the cattle business than ever. Wesley explains why knowing your true cost of production and break-even matters, how he evaluates opportunities, and why the cheapest decision isn't always the most profitable one. Kasey and Wesley also dig into cost of gain, feed yard efficiency, interest, facilities, cattle quality, market timing, and the shrinking U.S. cow herd—and what those factors can mean for producers trying to operate profitably. In this episode: How to think about profitability in the cattle business Why ranchers need to know their true break-even Cost of production and cost of gain How Wesley decides which cattle to buy, feed, hold, or move Why eliminating the bottom 10–15% of cattle quality changed his operation $2,000 calves, $5,000 cows, and managing more capital at risk Feed costs, interest, facilities, and operational efficiency The shrinking U.S. cow herd and today's cattle market Calculated risk versus simply playing it safe Why "scared money don't make money" only works when you understand the numbers This isn't about gambling on cattle. It's about understanding the numbers well enough to recognize an opportunity and make an informed decision when it appears. Whether you raise cattle, own a ranch, manage agricultural land, or want to better understand the business behind livestock production, this conversation offers a practical look at the economics driving today's cattle industry. Follow The Landowner Insider for conversations about Texas land, ranching, agriculture, markets, business, and the people shaping the future of our state.

True Encounters with Fairies in Modern Times PLUS - The Missing and the Fairy TheoryBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

Your position matters. Where you stand spiritually can determine how you respond to challenges, recognize God's direction, and walk in His purpose. In The Power of Position, we discover that God calls us to position ourselves in faith, obedience, prayer, and alignment with His Word.Sometimes the breakthrough is not about changing our circumstances, but allowing God to change our position—moving us from fear to faith, from doubt to trust, and from passivity to obedience.

The MFL is here — are you ready? This is your chance to be a part of the only professional Minor Football League in America. Don't miss out on sports talk from host Richard Myles Sr. and industry veterans.

Brian welcomes Craig and Paul of Penn-Ohio Cryptid Research to share the experiences that pulled them into the world of Bigfoot investigation and the strange encounters that have kept them searching. Paul's fascination began after watching The Legend of Boggy Creek in 1972, while Craig's interest was sparked by the famous Patterson-Gimlin film.What began as curiosity eventually turned into hands-on field research across Pennsylvania and Ohio.Their investigations have produced some unsettling moments. During one of their first outings on private property, Craig and Paul spotted brilliant amber eyeshine near a creek before a large rock suddenly landed between them.They took the hint and left the area. On another investigation, they discovered a series of nearly 14-inch, five-toed footprints with an unusual deformity in the left foot and an estimated 54-inch stride. The tracks were found near a massive A-frame log structure positioned along a cliff, adding another layer of mystery to the site.Craig and Paul also discuss recordings they have collected in the field, including wood knocks, whoops, whistles, and a terrifying scream that appeared to come from the hillside above them. Other incidents include red eyeshine spotted high in a tree, repeated rock throwing, twisted saplings, a freshly snapped living tree, unexplained equipment failures, foul odors, unusual lights and silhouettes captured on trail cameras, and a strange phenomenon in which portions of the surrounding landscape appeared to glow.The conversation also explores several compelling eyewitness accounts, including a daytime sighting of a tall, brownish-gray figure in Pennsylvania's Cook Forest, a hunter's story of seeing what he believed was a Bigfoot carrying a deer, and eerie photographs showing unexplained shadows and what appear to be visible eyes. Craig and Paul even describe hearing distant giggling in the woods, raising the possibility that younger or juvenile Sasquatch could have been nearby.Despite the unusual nature of their experiences, Craig and Paul stress the importance of skepticism, careful investigation, and allowing the evidence to speak for itself. They also explain why they protect the exact locations of their research sites, both to respect private property and to reduce the possibility of hoaxing or contamination.To follow their investigations, evidence, and upcoming fieldwork, listeners can find Penn-Ohio Cryptid Research on Facebook.Penn Ohio Cryptid Research Facebook PageEmail BrianJoin Our FREE NewsletterGet Brian's Books Leave Us A VoicemailVisit Our WebsiteBecome a supporter of this podcast: https://www.spreaker.com/podcast/sasquatch-odyssey--4839697/support.Have you had a Bigfoot encounter, Sasquatch sighting, Dogman experience, or other cryptid or paranormal encounter? We'd love to hear your story. Email brian@paranormalworldproductions.com to be featured on a future episode of Sasquatch Odyssey.Sasquatch Odyssey is a leading Bigfoot and cryptid podcast exploring real encounters, field research, and scientific analysis of the Sasquatch phenomenon.Follow the show and turn on automatic downloads so you never miss an episode.

This Episodes Questions Brians Questions: Hey Gents,  As always love the podcast. I just upgrade from a bosch jobsite table saw to a general international 50-220 hybrud thats about 20 years old. It is in great shape and I want to keep it that way. What are some general maintenance things you would initially do with an older saw such as this and what would you do going forward to keep it in tip top shape?  Thanks again! Tyler You guys often talk about pocket hole screws being an easy way to fasten boards together. I find I often have the boards move on me and misalign the joints when I use pocket hole screws. Do you experience this / how do you prevent it? Especially when one of the boards is too long to feasibly clamp it well. Tyler Guys Questions: Hey guys… Indianapolis native woodworker/DIYer here.  Second time to ask a question and unfortunately is one you have probably answered before, but hopefully there is a slight twist to this one. I'm looking to refinish a dinning table that is currently made of oak with a light yellower stain with a clear coat that is knicked up and scratched. The wife would like for the table to be black. I'm interested in using Target Coatings EM6600 - Raven black pigmented laquer. I've never used the pigmented laquer and hopefully it's easy enough for a DIY guy to do a decent job. Couple questions about this: 1. Do I need to sand the old finish off or use a chemical to soften the finish and then sand it off, or can a pigmented laquer go on over and the finish since it is covering over the old colors completely? Or instead of sanding can you use Target coatings HSF5000 primer, surfaced, and grain filler over the top of the old finish? 2. If I do need to sand it at least to scuff it up for the primer to adhere how far back do I need to sand it back? Is it just enough to rough it up, or do I need to be all the way back to bare wood? 3. Lastly has anyone ever used the grain filler primer from Target Coatings? Am I wasting my money on this product? Wood grain showing through the black finish isn't the end of the world, but if we could have a completely smooth finish and little to know grain causing a “feeling” on the table that would be preferable. And maybe we would get that from the laquer building up already. Thanks for the awesome podcast. I've learned a ton from you all! Thanks Jason Im 62 years old been  woodworking for years and would love to use sketch up to help design and build projects. I know that there are versions dedicated to woodworking. My question is do you guys use sketch up? What version do you use?  I know there are subscription fees. Im concerned about the learning curve. Ive watched some YouTube videos  Im a small hobbyist shop doing small projects, built ins and i do a lot of design just in my head. Would love to be able to design and refine projects on the computer before i start building.  Appreciate any advice on beginning this. Thank you, Phil Huys Questions: G'day guys , from Australia. long time listener and I finally have a question. An auction for a closing business appeared on my Instagram feed and it was nearby so I bid and won around 3000 square metres of veneer (roughly 32,000 square feet or 3/4 of an acre.)for the princely sum of $56 AUD or $39 USD. The veneers were shopsawn in house and are 1.8mm - 2.4mm  with some of the walnut 5000mm long and 600mm wide the species also include. - Walnut burl. - Yellow poplar burl. -Maple - Pacific maple. - European Walnut - European oak - Silky Oak - QLD Pepperwood - Palisander Rosewood - Tasmanian blackwood - Fiddleback Tasmanian Blackwood - Blackbutt It's a lifetime supply for me and I have already started to flatten and sort some of the stock , which brings me to my first question. The poplar burl is extremely dry, crinkled, and bubbly. I sprayed it with a homemade veneer flattening solution( alcohol, glycerine and water) and pressed it in cauls and clamps. The veneer definitely flattened out and became pliable and flexible, however. As it has flattened over in the press, it has folded over itself in places, picture ironing over a crinkle in a Shirt i guess. I can send a photo if you want. This is all over the veneer , unlike a shirt I can't just stretch it out and go over it, so my question to you three is, how do I "stretch out" my veneer to get it flat, or is this veneer gone? The rest of the veneer is great, thankfully it's just the poplar burl. Dylan I enjoy your show and have a question to submit.  I am building a cherry slab river table with a black epoxy center.  My question is regarding the final finish coat.  I have done two similar projects on one I used epoxy and didn't care for the plastic look of the finish.  On the second I used Rubio but came out dull and wasn't very durable which is important because my family doesn't always treat wood finishes with the care I would like.  What finish would you recommend that has a sheen in the satin to semi gloss range with good durability?I have a lvlp spray gun if that helps with options. Spencer  

This week on the KPL Podcast we have author Jane Pek.  Her latest novel The Rivals explores the world of AI in a fun, interesting way.  This is a mystery novel set in a dating agency. Claudia Lin works for an agency that explores the truth about online dating profiles.  She uncovers an AI conspiracy and cover-up by corporate matchmakers.  Author ReadsIn the Wood by Tana FrenchGolden Hill by Francis SpuffordThe Great Fire by Shirley HazzardBreakfast at Tiffany's by Truman CapoteThe City and Its Uncertain Walls by Haruki MurakamiCollected Fiction by Jorge Luis Borges

Goodreads Book Giveaway The Ghost Girl by John KixMiller Released July 28, 2026 Giveaway ends in about 1 month (September 19, 2026) 100 copies available, 176 people requesting See the giveaway details at Goodreads. Enter Giveaway The Ghost Girl Kixmiller, John Buy Now Buy The Ghost Girl eBook on Amazon — $9.99 The Red Jewel – EP 280 John KixMiller Download CLICK HERE FOR "PROTECTORS OF THE WOOD” PLAYLIST ON YOUTUBE! READ ALONG TO EPISODE 280 - WITH LYRICS; CHORDS TO FEATURED SONGS! CLICK HERE TO VISIT PROTECTORS OF THE WOOD's LINKTREE! Episode 280 Book #4 - The Red Jewel   THE SOCCER TEAM ARRIVES WITH DREAM FEVER        CAST     Narrator - John KixMiller    Abby Chapman - Gabriela Baez    Patti Hood, Wendy, Shannon - Tamara Josephine    Terrence Williams - Joe Vitaliano Jr. Forever True, Written by John KixMiller, Performed by Tamara Josephine & The Protectors of the Wood Band "Invite to Adventure" Intro and "Into The Dark" Outro music composed and performed by Tamara Kachelmeier Sound Effects - Joe Vitaliano Jr. and Tamara Kachelmeier Recorded, Edited, and Produced By Tamara Kachelmeier      Adventure Series mixed at Ghost Dog Studio in Brooklyn, New York. DISCLAIMER: All Protectors of the Wood episodes and characters are part of a fantasy series, and do not represent real people, places, or incidents.        © 2026 ALL RIGHTS RESERVED     CLICK our RSS FEED to receive new podcasts automatically. The Protectors of the Wood Book Series is an adventure saga about a group of teenagers who save the world from climate change. While searching for the secrets of Dreamstone and their identities, Phoebe and Abby risk their lives to save the beautiful world around them called home. Together, they help each other and the community around them as they struggle to protect their land and heritage. ECO-FANTASY ADVENTURE SERIES RSS

The Wood for the Sacrifice! 

Bills defensive lineman Landon Jackson joins Eric Wood on Centered on Buffalo to talk about his second season in Buffalo, his offseason transformation, and what's ahead for the Bills defensive line. Jackson breaks down the process of getting back near his ideal playing weight, why maintaining that weight during training camp is the hardest part, and how comfortable he feels in Buffalo's defensive scheme. He also discusses the NFL defensive linemen he studies, preparing for joint practices with Cleveland, and what makes the Bills' young defensive front so exciting. Plus, Landon talks about Dion Walker, Michael Hoecht, the early connection between Josh Allen and DJ Moore, his first impressions of the new Bills stadium, the toughest Buffalo offensive linemen to face, and his favorite Buffalo food spots.Subscribe to Centered on Buffalo for more Bills conversations, player interviews, and behind-the-scenes insight.The Centered on Buffalo Podcast is sponsored by:Azuna Freshazunafresh.com20% Off Code: Wood20Dan-O's Seasoning Follow Dan-O's Seasoning on Social @danosseasoning  danosseasoning.com20% Off Code: Wood20US ONLYNugsax Reusable Icenugsax.com10% Off CODE: ewood

2 Timothy 2:20-26 (NKJV)Andrew and Edwin discuss Paul's three step plan for Christians to be honorably useful to God in His household.Read the written devo that goes along with this episode by clicking here.    Let us know what you are learning or any questions you have. Email us at TextTalk@ChristiansMeetHere.org.    Join the Facebook community and join the conversation by clicking here. We'd love to meet you. Be a guest among the Christians who meet on Livingston Avenue. Click here to find out more. Michael Eldridge sang all four parts of our theme song. Find more from him by clicking here.   Thanks for talking about the text with us today.________________________________________________If the hyperlinks do not work, copy the following addresses and paste them into the URL bar of your web browser: Daily Written Devo: https://readthebiblemakedisciples.wordpress.com/?p=26542The Christians Who Meet on Livingston Avenue: http://www.christiansmeethere.org/Facebook Page: https://www.facebook.com/TalkAboutTheTextFacebook Group: https://www.facebook.com/groups/texttalkMichael Eldridge: https://acapeldridge.com/ 

Trish Wood is an award-winning Canadian investigative journalist, author, documentary producer, and host of the podcast Trish Wood is Critical. She is a free-speech advocate and early COVID-19 policy critic who prioritizes “truth over tribe.” She spent nearly a decade as a host and reporter on CBC's Emmy Award-winning investigative series The Fifth Estate, where she pursued high-stakes stories involving organized crime, religious fraud, wrongful convictions, and international conflict zones. She created the pioneering wrongful-conviction series I Didn't Do It and produced the critically acclaimed five-part Amazon Studios documentary Ted Bundy: Falling for a Killer, which reframed the case through the perspectives of the women involved. Cornerstone Forum 26'https://shaunnewmanpodcast.substack.com/Silver Gold Bull Links:Website: https://silvergoldbull.ca/Email: SNP@silvergoldbull.comText Grahame: (587) 441-9100Bow Valley Credit UnionBitcoin: www.bowvalleycu.com/en/personal/investing-wealth/bitcoin-gatewayEmail: welcome@BowValleycu.com Get your voice heard: Text Shaun 587-217-8500

In this week's edition of the Flavors of Northwest podcast, we're at the beloved Piehouse Bakery in Bentonville, talking with owner Lisa Sohl and Manager/Pastry Chef Annie Wood, but before we hear from them?!?! FOOD NEWS! If you don't have plans yet for Friday, or even if you do, I've got something you need to get to. It's the Diners, Drive-Ins, and Dives Watch Party at the Botanical at City Pump in Downtown Rogers!! Both Blu Fish House and Toot Beirut will be on Friday night's episode! I'll kick it off at 7 with Toot Beirut and Blu trivia. Then the episode starts at 8. The folks from Toot Beirut will be there with food, so if you haven't had it yet, prime time to try it. And hustle, because it'll run out! Again, Friday night at 7 at the Botanical at City Pump at 623 West Walnut in downtown Rogers. See you there! (*) We talk to Springdale's Carnitas Los Cuatro Hermanos about being in the NY Times Bienvenue is open to the public in Rogers! We'll hear from Owner/Executive Chef Will Mauk! Nosh Nola had a big opening weekend in downtown Springdale! We'll hear from Owner Hayne Begley! Herman's Ribhouse is working to re-open! Fayetteville's Hill City Popcorn is back open with a new owner and new plans! Fresh Monkee announces their soft opening dates in Fayetteville. It's SOON. The popular Dodo Coffee Trailer is closed this week. We'll tell you what they're saying. A new bakery opens in Highfill soon! We'll hear from the owner. Is your burger better than everyone else's? You might be able to make it to the World Championships in Indianapolis. We'll tell you where to sign up. Happy 30th anniversary to Bordinos! You can win Bordinos for a year this week! In this week's Flavors Flashback. Bienvenue Chef Will Mauk tells us his path into cooking. Piehouse Bakery Owner Lisa Sohl was raised on a Nebraska farm with a big family. She learned how to cook and bake out of necessity. While college took her to the corporate world, she always baked for others and became an office favorite. How did she end up in Northwest Arkansas, and how did she decide that it was time to finally start a bakery? Also, her most important early hire almost spooked her. She'll talk about that. Finally, they earned a golden ticket to the World Food Championships for winning a state championship pie competition on the other side of the state. We hear all about it from Lisa and Annie Wood, next here on the flavors of Northwest Arkansas podcast!

The person you cannot forgive is keeping you awake at 2 a.m. while they sleep just fine, and in this episode I show you where resentment actually lives in your body, why forgiveness has felt impossible, and how to finally release the inherited anger stored in your liver through Kundalini Yoga, the science of the nervous system, and the Christ Consciousness teaching on forgiveness.

Join co-hosts Mark McNease and Rick Rose pre-P-town getaway for Mark. We check out some fun facts about the town, learn that the Whopper came first, harp a bit on Natalie, and spread the word on Mark's new supernatural chiller 'Devil's Wood.'

So you want to use reclaimed wood. But where did it actually come from and what kind of nasty might it have been exposed to along the way? In this episode I talk about where reclaimed wood comes from and what potential hazards might show up and how to test for them. Basically a green light, yellow light, and red light ranking system to think about when considering reclaimed woods.

Dear listeners: my family is moving through a challenging time, which impacts my ability to produce new content for you. I fully intend to be back to writing and recording as soon as possible, but in the meantime, I'm trying to keep the feed active by sharing some classic episodes with accompanying music, and hopefully some more all-night compilations. Maybe you'll discover a story you haven't heard yet – or rediscover and old favorite. Follow me on Instagram, TikTok, or Threads @sleepandsorcery to stay up to date!     JOIN PATREON FOR AD-FREE LISTENING & MORE PERKS: patreon.com/sleepandsorcery   Welcome to Sleep & Sorcery, a folklore and fantasy-inspired sleep series. Step across the threshold into a world of myth and magic, where you can safely drift off into a deep and comfortable sleep. Sleep & Sorcery is one part bedtime story, one part guided meditation, and one part dreamy adventure.   In tonight's Lord of the Rings-inspired story, you and your adventuring party, weary from days of travel, are granted passage into the mystical elven forest known as Dreamwood. You earn a private audience with the queen of the realm, an immortal elf, who gives you keen wisdom and insight about yourself. Rejoining your party, the queen's guard shows you to your bedchambers among the network of treehouses in the forest.   Tonight's key ingredients: High fantasy Visualization exercise   Music: Sense of Relief by Hannah Lindgren from EpidemicSound.com   THANK YOU FOR SUPPORTING ME THROUGH 100 ORIGINAL STORIES!   Music & Sound: A Glimpse of Avalon by Flouw, Beneath the Mist by Spirits of Our Dreams, Via Epidemic Sound   Sleep & Sorcery is a folklore and fantasy-inspired sleep series. My name is Laurel, and I'll be your guide on tonight's fantastical journey. Sleep & Sorcery is one part bedtime story, one part guided meditation, and one part dreamy adventure. Follow along with my voice for as long as it serves you, and when you're ready, feel free to let go of the story and relax into sleep.   All stories are written and read by me, Laurel Hostak Jones… never by AI.     Order the Sleep & Sorcery book! https://www.crossedcrowbooks.com/shop-crossed-crow-books/p/sleepandsorcery Sleep & Sorcery: A Collection of Enchanting Bedtime Stories, Rituals, and Spells for Meaningful Rest, unlimited paperback now available from Crossed Crow Books. Limited edition hardcover is available as well. The book features many of your favorite stories, plus exclusive writings and a suite of rituals to enrich your resting and waking life. Stories like mine are best with headphones! For comfort and security when drifting off to sleep, SleepPhones are the best thing I've found. They won't fall out like earbuds, and they're not bulky or uncomfortable like most over-ear headphones.   Learn more: https://www.sleepphones.com/?aff=846     Now you can support Sleep & Sorcery on Patreon. Pledge a monthly donation to Sleep & Sorcery, which helps me keep making original bedtime stories for you. In return, you can qualify for exclusive supporter benefits, like episode scripts, bonus sleepy readings of classic literature, merch discounts, and giveaways. I hope you'll consider supporting me on Patreon, so I can continue doing what I love.   Visit patreon.com/sleepandsorcery to learn more and pledge your support.     Instagram | Twitter | Insight Timer | YouTube | Newsletter Signup   Sleep & Sorcery MERCH Show your love of Sleep & Sorcery – or get some gifts for the sleepy sorcerer in your life with this cozy collection of apparel, dream journals, die-cut stickers, and home goods. Visit https://bit.ly/shopmyth.   Want to get in touch? sleepandsorcery@gmail.com   Disclaimer: some links in this description are affiliate links, meaning I earn a small commission if you decide to purchase the product, at no additional cost to you. Thank you for supporting my work!   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Cathie is Founder, CEO, and CIO of ARK Investment Management. We discuss why she believes the current innovation wave is not another 1999, the investment implications of AI and technological convergence, and the key consensus views she thinks investors are getting wrong.-This podcast/webcast is provided for informational purposes only and should not be considered legal, tax, investment, or business advice. It is not a solicitation, recommendation, or endorsement. All opinions expressed by participants are their own and do not necessarily reflect the views of the Evoke Advisors Division of MAI Capital Management, LLC ("Evoke”), its affiliates, or any companies mentioned. Information shared has not been independently verified by MAI or its affiliates. MAI Capital Management, LLC (“MAI”) is registered with the U.S. Securities and Exchange Commission ("SEC"), which does not imply any particular level of skill or training.Certain information contained herein has been obtained from third party sources and such information has not been independently verified. No representation, warranty, or undertaking, expressed or implied, is given to the accuracy or completeness of such information by any person.While such sources are believed to be reliable, Evoke does not assume any responsibility for the accuracy or completeness of such information. Evoke does not undertake any obligation to update the information contained herein as of any future date.The content is intended for a general audience and does not constitute a recommendation to buy or sell securities or adopt any investment strategy. Any examples or scenarios discussed are illustrative only, involve risks and uncertainties, and do not guarantee future results. Non-traditional assets carry significant risks and may not be suitable for all investors. Decisions should be based on individual objectives, risk tolerance, and circumstances.Statements herein are general and may not reflect an individual's or entity's specific circumstances or applicable laws, which vary by jurisdiction. Further, speakers' views are personal and may differ from Evoke and MAI recommendations and are not specific investment advice; and do not consider client objectives, risk tolerance, and diversification. Guests may have current or past relationships with Evoke and MAI, its affiliates, or the host, including as clients, service providers, or business partners. Participation does not constitute an endorsement or testimonial. No compensation has been paid or received for guest participation unless disclosed. MAI and its affiliates may have business relationships with entities mentioned in this podcast, which could create potential conflicts of interest. These relationships may include advisory services, investment management, or other arrangements. MAI seeks to manage such conflicts consistent with its fiduciary obligations and policies.(As of December 22, 2025)

Mark spends half this episode geeking out over where lumber actually comes from, and honestly, so will you. John Brenard breaks down why the southeast grows the best trees in the world, why his fund treats a forest like a factory and a warehouse in one, and why a 1919 two by six might just be tougher than anything framing a house today. Mark even brings up Settlers of Catan to explain it, so buckle up. Support the show - https://www.curiousbuilderpodcast.com/shop See our upcoming live events - https://www.curiousbuilderpodcast.com/events The host of the Curious Builder Podcast is Mark D. Williams, the founder of Mark D. Williams Custom Homes Inc. They are an award-winning Twin Cities-based home builder, creating quality custom homes and remodels — one-of-a-kind dream homes of all styles and scopes. Whether you're looking to reimagine your current space or start fresh with a new construction, we build homes that reflect how you live your everyday life. Sponsors for the Episode:  Pella Website: https://www.pella.com/ppc/professionals/why-wood/  Contractor Coalition Summit: Website: https://www.contractorscoalitionsummit.com/ Where to find the Guest:  Website: https://www.southviewtimber.com/ LinkedIn: https://www.linkedin.com/in/johnbrenard/  Where to find the Host:  Website - https://www.mdwilliamshomes.com/  Podcast Website - https://www.curiousbuilderpodcast.com Instagram - https://www.instagram.com/markdwilliams_customhomes/  Facebook - https://www.facebook.com/MarkDWilliamsCustomHomesInc/  LinkedIn - https://www.linkedin.com/in/mark-williams-968a3420/  Houzz - https://www.houzz.com/pro/markdwilliamscustomhomes/mark-d-williams-custom-homes-inc

Highgate Wood rose to prominence in the early 1970s, propelled by the triple threat of dynamic front man Sean Underwood, wunderkind guitarist Peter Van Conklin, and keyboardist Corrine Kennedy. Dancing a line between artsy prog rock and mainstream melodics, they had a string of hit albums before suddenly disbanding in 1975 when a studio fire resulted in Corrine's death, Peter's descent into madness, and ultimately Sean's suicide. Years later, Peter's daughter Patti finds herself haunted by the ghost of Corrine Kennedy. Fearing she may be falling down the same mad rabbit hole as her father, she sets out to find the truth of the fateful night Highgate Wood self-destructed. The eight episodes of Highgate Wood are her investigation. This show is out in full! You can listen to it all right now!

Mens Room Question: Whether you remember it or not, what's the most memorable thing you've done under the influence?

Jennie Nash hosts a #amwriting podcast BookLab with guest Kathleen Barber, author of Truth Be Told and newly released Sisterhood Above All (co-written with Amayah Shaienne), and discusses Barber's range across thrillers and romance, her character-first approach, and how RushTok inspired an authentic sorority-rush thriller featuring Madison, Shay, and Ava as tensions escalate and someone dies. They define RushTok as viral TikTok coverage of University of Alabama sorority recruitment and note its broad international fascination. In the BookLab, they evaluate three first-page submissions by asking “Would we turn the page?” They praise Heather's Trust Me for strong voice, vivid Austin setting, and an intriguing problem hook, with minor notes about genre context. They decline Odeon Omega due to unearned logistics and too much dialogue despite an intriguing title/advert. They find Empty Spaces compellingly written but confusing from too many names and unclear stakes, suggesting more interiority and clarity.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Connect with KathleenVisit Kathleen's website to find her books and more: https://www.kathleenbarber.comTranscriptJennie: [00:00:00] Hi, I'm Jennie Nash, and you're listening to the #amwriting podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. This is a book lab session where we answer the most important question about your first pages.Would we pick up the book? Would we turn the page? Today, I have a really special guest with me. I have Kathleen Barber here, who is so many things. She's the author of Truth Be Told, which was adapted as a series on Apple TV, Follow Me, Both Things Are True, and just brand new, like it came out four days ago, Sisterhood Above All, with, I'm gonna try her name, Amaya Chen?How do you-Barbara: Yeah. Uh, um, yeah. That's, that's very close. I think it's Amaya Chen.Jennie: Okay. Yeah. Uh, so we're gonna hear about that in a minute. Um, I haven't, I haven't cracked it open yet, but I'm so [00:01:00] excited for it. Um, Kathleen's also an Author Accelerator certified book coach and a former attorney, and she lives in Washington, DC with her family.So welcome, Kathleen.Barbara: Thank you so much for having me. I'm really excited to be here.Jennie: So I watched your unboxing the other day. It was so fun, and I didn't realize that we had scheduled this right on top of, like the actual- Oh ... launch of your book.Barbara: No, that, that's okay. It's, it's great. Um, it gives me something to think about that's not just, like, spiraling.Like, is anybody gonna read my book? Is anybody gonna like it? Um, so it gives me something else to focus on.Jennie: Well, it's so interesting you say that because I think of you as this really seasoned pro and, you know, it's been really interesting for me to watch your career because you've written some really different kinds of books.You did a ... Well, your first book was obviously a big thriller and a huge success, and at one point, you pivoted to romance, and now you're doing ... Well, I, I saw that book list [00:02:00] called Sisterhood Above All, a soapy thriller Yes. Yes ... which is such a great description, and you did it with a collaborator. So you just seem interested in story to me.Barbara: I, I am. Yeah. I'm always very ... I always start a story with the characters. Um, and so then their story kind of spirals out from there. Um, yeah, so I, my last book that came out before this one was, was a rom-com. Um, and I was really nervous when I started writing it. I was like, “How am I going to write this when I've been writing suspense and thrillers before?”And it turns out that, like, at the heart of it, stories are stories, and people are people, and, you know, in a romance, happy things happen. In a thriller, bad things happen, but things still happen.Jennie: Amazing. So give us the overview of the brand new book, ‘cause it's, it's really juicy.Barbara: Yeah. Yeah, so I'm really excited about it.Um, Sisterhood Above All is a thriller set during sorority rush, and so it follows three different [00:03:00] women who are involved there. There's Madison, who is the president of what's she perceives as to be the coolest sorority on campus, so she's kind of the gatekeeper, and there's Shay, who is the president of a rival sorority and trying to shake, shake up the Greek institutions, and then there's Ava, who is a potential new member.She's going through rush. She's desperate to join Madison's sorority, um, and she might be a little too desperate. Uh, so you know, it's a thriller. Bad things happen. Somebody dies, um, you know, and things kind of spiral out, spiral out of control.Jennie: But tell us about the collaboration, ‘cause it's- Yeah ... so interesting how that came about and how it went and-Barbara: Yeah.You know, it was, it was a lot of fun. Um, I, like many writers, write alone, and I had never really considered collaborating with anybody before, um, but- But when I was kind of talking about this, I, I'd been pitching my agent a sorority themed thriller for a while. [00:04:00] Um, and at one point when, when Rush Talk was getting really big a couple summers ago, she was like, “This is the moment.This, you should write this book, but I think that in order to make it feel more authentic, we should bring in somebody who's living this in this moment.” Um, so one of her colleagues found Amaya, who, um, was up until very, very recently an active member of a sorority at the University of Alabama, and brought us together.And Amaya and I got along right away, and we both had kind of the same vision for what we wanted the book to be, and so collaborating with her was, was a lot of fun in a way that I had been nervous that it wouldn't be. But it was, it was a really good time, and I'm really, really proud of the book.Jennie: So for those who don't know or weren't following, can you tell us what Rush Talk-Barbara: YeahwasJennie: or isBarbara: or- Yeah ... shall be? Yes, yes, yes. So, um, so if you're gonna join a sorority, um, you go through, you go through recruitment and which is very slangily [00:05:00] called rush. Um, and so on TikTok a few years ago, um, people started sharing about their experiences during sorority rush, but specifically, uh, during sorority rush at the University of Alabama.Um, and it really took on a life of its own, like people were watching it like it was, you know, a television program. Uh, they made a documentary about it, which, you know, I'll, I will let you make your own conclusions about the documentary. Um, but people just got really, really into it, and people... And it was kind of appealing to people who had gone through sorority rush at some point, were thinking about going through a sorority rush, or who were just invested in, you know, watching people have these kind of outlandish experiences and, and share them.So, um, itJennie: was a lot of fun. My understanding was that it got very, very popular in other countries?Barbara: I- it's definitely... [00:06:00] Yeah. You know, um- So sorority, some, some sororities are international. Not, not all of them are. Um, but by and large, when they say international, they mean that there are chapters in Canada, not that, like, there are chapters in, you know, like Europe or, or other countries.And so it just, it's something that is so unique and so, like, uniquely about, like, this type of college experience that I think it's been really interesting to people in lots of different places.Jennie: Yeah, yeah. Fascinating. So obviously the book has been out, like, mere hours here. But, um, how does it feel? Are you, are you- It's excitingyou said you were excited and proud and- SoBarbara: exciting. Yeah. I'm, I'm, I'm really, really proud of the book. I love it. I mean, I know everybody, like, loves their own books, but I do. I truly, like, love this book, and I just really hope that the readers do too.Jennie: You know, it's not true that everybody loves their book.I, I was dying to have somebody on the podcast who will never come on the podcast. But I- Yeah ... I heard a story about somebody who [00:07:00] got a seven-figure deal for a book that they really didn't actually love, and then- Oh, no ... they, they wrote it. It came out, and then when they had to co- come time to do the publicity, they just dreaded it.They, it was like a, just they did it for the money. They got the money, and then didn't, didn't wanna talk about it, like felt sort of ashamed about it. And I was like, “Oh, please, come talk about that.” But of course they, they won't. So...Barbara: That's wild. Isn't that wild? That's wild. Yeah. I just, I just can't even imagine how that would feel.Um, I mean...Jennie: I know. Well, I, uh, the cover of this, um, of this new book, Sisterhood Above All, is- is really cool too. So we will link to it in the show notes, and everyone can go read it and check it out, and, um, Kathleen's other books, I've read them all, and you have such range and, um, like I said, [00:08:00] interesting stories.So with that, let's get to our, our Book Lab entries. We just always wanna start by thanking those who submitted. It's not easy to do this, to put your stuff out there with no context and no ability to talk back or anything and have random s- people on the internet, you know, talk about your stuff. So really appreciate the, the risk-taking of doing that, and we do this in order to help us all get better and, and learn, you know, what works and, and, um, for your own self or your own writing, what, what you want it to be.So what we're gonna do, as always, is I'm gonna read the entry, and then we're gonna ask ourselves, would we turn the page? So, um, the first entry is Fiction and it is, uh, author's name is [00:09:00] Heather and the name of the work is Trust Me. So here we goI can't tell you whether it's the Johnny Cash mural, clusters of candles nestled into every corner of the long stone bar, or the smoky scent of Palo Santo that tucks Austin into my head the first night. Maybe it's the unexpected jazz trio on a Tuesday in a town built for blues, country, and rock, or it could be the two cowboys deep in conversation at a table in the back of the bar.I'll later, I'll later learn that making a hot Austin guy a cowboy because of his hat, faded jeans, and scuffed boots is the same as labing- labeling a frat bro in a hoodie and sweats an athlete. It's just how they dress. I can tell you I like the looks of Austin men a hell of a lot better, especially that wide silver belt buckle that dresses up the whole package in a bow.It's going [00:10:00] on nine PM when I arrive at Whistlers in East Austin, and the bartender hands, hands me a peach-colored mezcal craft cocktail. Fresh juice, pungent herbs, and the smoky sister to tequila are the perfect salve after what's transpired since my flight landed from New York two hours earlier. I follow the snake tattoo on his foreha- forearm as the bartender shakes another cocktail for the couple next to me.Damn, he's hot, too. The crowd starts to pick up, and I signal Snake Tattoo for another before I lose his attention for good. The warm agave liquor spreads through my bones, and I start to relax. Maybe this isn't the disaster I think it is. Maybe I can actually pull it off. I glance around at the mostly twenty and thirty-something crowd angling for spots at the bar.The women wear short dresses and long hair. The men, well, those jeans are something, along with their finely cut biceps and well-placed tattoos. Can't help but glance over at those cowboys again and get a warm smile in [00:11:00] return. Easy, girl. Back to business. I have a problem, and this second mezcal is going to help me solve it.All right. What do you think? What was your first impression?Barbara: I really enjoyed that. I would definitely turn the page there. I, I feel like there was, like, a really strong sense of, sense of place, and I, in particular, I really enjoyed the, the first line, not only because it gives us that sense of place, but it, because it also then tells us something about the narrator and how she perceives the world around her in that first line.Jennie: Yeah, and, and there's a good m- a, a good question at hand here, which is what's she doing here?Barbara: Mm-hmm.Jennie: She's come from New York. We get that. It's a little unclear how, how old she is, ‘cause she's referencing other people's ages, but not her own, so we, we don't really know what's happening or what, what's, what's about.[00:12:00] Um, I mean, I thought the writ-Barbara: Well, IJennie: agree. Yeah. I thought the writing was great. It sort of tripped along-Barbara: Mm ...Jennie: um, nicely. IBarbara: like at the end where... I'm sorry. I didn't mean to step on you. No,Jennie: no, go. Yeah. I like atBarbara: the end, I like at the end where, um, she says she has a problem, and the second mezcal is gonna help her solve it.I thought that was really interesting, ‘cause I, it piqued my interest, made me wanna know what the problem is, but it's also kind of funny. Like, the mezcal's probably not gonna help you solve your problem, but it's like...Jennie: Yeah. No, it's so true. I was longing for a little bit more of a sense of what's happening here.I mean, this could be any kind of story at this point. It could be she could be a spy. She could be an assassin. She could be trying to get a guy back. Like, we, there's really no sense of what the story's gonna be. I always like that on the first page. What about you?Barbara: Yeah. I, I agree with you. I, it, it could, it could go in any direction.I kind of [00:13:00] sense from the tone that it's, you know, it's going to be something, uh- Well, I guess I don't know. You know, honestly. Now, now that I'm looking at it again and thinking about it, um, you're right, it could be... The, the problem that she has could be a thriller problem, or it could be a romantic problem, since she's kind of made, made comments about the different men.I think that was a hint to me that it might be a romantic problem that she's having, but I actually don't know.Jennie: Yeah. The, the- obviously she's clocking all the hot guys in this bar, which tells us something, either about her or what she's up to. We don't know. Um, but yeah, it's, um, really good detail, like the, you mentioned that first line, and I liked the line about her sh- the self-awareness about, you know, she calls him a cowboy and then she says, you know, sort of like, “Oh, right, that's not really fair.”Mm-hmm. “We don't know.” [00:14:00] You know, that, I thought that was, made me think- Yeah ... this character's gonna know themselves.Barbara: Mm-hmm. Yeah. I agree with that. I, I also really enjoyed the kind of specificity that she uses in the descriptions, like when she talks about, you know, the, the cocktail that she's drinking, and the tattoo on the bartender's arm.Like, I just felt like those details really made the story come alive for me. So that, like, even if I didn't exactly know where we were going, I could, I could picture where we were.Jennie: Yeah. Yeah. That's really well said. Well, we like this. I think I would, I would turn the page.Barbara: I would, I would too, yeah. Mm-hmm.Jennie: We would turn the page. Um, I mean, the only notes I think for me would be, I mean, it's always so tricky, because if we were picking this book up, the title, Trust Me, doesn't really tell us anything, but the cover would.Outro: Mm-hmm.Jennie: The vibe of the cover would. We'd have a little more context for where we were and [00:15:00] what this was about, and that would probably help with the issue that, that I have, which is, well, what kind of book is this?We don't know. Um, and you know, now that I'm thinking of it, we don't even know whe- where we are in time. Um, I'm, I'm assuming modern day, but I don't know why I assumed that. It, maybe it's not. So maybe just a tiny bit more of a sense of- Uh, context for the reader. Mm-hmm. But that's my only note. L- do you have any notes?Barbara: Yeah. You know, I honestly don't think that I, I have any additional notes. I mean, I, I really enjoyed this selection, and I would definitely keep reading here.Jennie: Well, Heather, that's high praise, soBarbara: Yeah, I, I usually have ideas. I usually have notes but I don't.Jennie: Yeah, that's, uh, that's g- a good one for us to start with, and very fun, I hope, for you to hear that from Kathleen.All right, let's [00:16:00] go to our, our next one. This is fiction. It's called Odeon Omega, um, and the author is ... Well, the, the, um, it's coming across as, um, Sound Smith, but who knows what that is? So, um, Odeon Omega, they will know who they are, for sure. All right, here we go. “The grand O-O opening continues all month long at your new entertainment destination, the one and only, first of its kind on this or any other coast, the all-new, all-excitement Odeon Omega.‘Gah!' Emmy shrieked from the bathroom. ‘You can turn the TV volume down now, Seth. We're done.' Seth was still lying in bed, his naked body mostly covered with Emmy's cream-colored, satiny soft sheets. He chuckled while reaching for the remote. ‘I wasn't the one who turned it up.' ‘I know that. I have to [00:17:00] turn the TV way up like that, though.It's the only way to drown out the neighbors. The walls in this place are so damn thin, and they're always banging on them, disturbing me when I'm trying to have sex.' ‘Those b******s,' Seth chuckled. ‘I'm saying, I like ... I'm saying, like, what am I supposed to do? Not f**k? Hey, that is so not an option,' Seth p- Seth pressed the mute button, then went back to lying on his back, his hands behind his head.Another noise startled him, this one coming from Emmy's phone. A toneless version of Girls Just Wanna Have Fun blared from Emmy's clutch purse. ‘Turn that off, too,' Emmy shouted from the bathroom. ‘That's my mother's ringtone. I don't feel like talking to her right now.' Seth rolled over to the nightstand and opened her clutch and found the button to silence Emmy's phone.He lingered on the image of Emmy's mother. ‘Wow, Emmy, you and your mom could pass for sisters, easy.' ‘Ew, don't tell me that,' Emmy said. ‘Tell her that, but not me. Bet you're already imagining yourself in a threesome with her and me, [00:18:00] aren't you?' ‘Huh, what's that?' Seth was distracted by Emmy's driver's license in the clutch's interior pocket.He slid it out of the pocket and read what he assumed was Emmy's birth name. ‘Myrtle? What? Your re- your real name is Myrtle?' Emmy stepped out of the bathroom, still naked from their lovemaking, with a sky blue-colored towel clenched between her legs.”That's a vibe.Barbara: It is. It is, yeah. I mean, opening, uh, opening in the aftermath of sex is a, is a bold choice. I'll be honest, I don't feel like I have very much context for what's happening here. Um, it seems like Emmy and Seth don't know each other veryJennie: well. I got that sense, too. I got that sense, too, and that the sex that she has this system for turning up the TV has been for other people.Barbara: Mm-hmm. [00:19:00] Yeah. On, on that note, though, I did kind of have, uh, a fundamental disbelief about the setup that was giving me a stumbling block when I was reading this, just because it didn't seem to make a lot of sense to me that she would turn up the television to distract herself from the neighbors, when I would think that that would be more distracting or, you know, just use music or...And I didn't really understand why she would be explaining it to him after the fact instead of in the moment. Um, that felt like it was perhaps just put there for the reader,Jennie: so that we could be distracted. Yeah, it was a little explainy, a little... Yeah, like a, um, we use that term info dump, and an info dump doesn't have to be a whole scene.It can just be a line like that where I, I didn't buy it either that she would actually say that to him now. Mm-hmm. If... He probably would've said, “Why are you turning the TV on?”Barbara: Right.Jennie: Earlier.Barbara: Yeah. Yeah, [00:20:00] yeah, and it seemed like that would be the conversation that would have before we got to this moment. So that was something that, that I struggled with a bit.Jennie: I also didn't believe, it felt like, uh, unearned that he's pulling this license out of her purse. I could see, I could see that he might have seen something on her phone if he's turning her phone off. But-Barbara: Mm-hmm ...Jennie: to, to actually then see... I kept, like I was trying to think through the logistics. Like, okay, see one of those little slidey things inside a purse, but you can't see- Mmthe driver's license. Like, why would he reach in and pull it out? It felt like the author wanted us to get to this moment where- Mm-hmm ... Seth got this information.Barbara: Mm-hmm. Yeah.Jennie: It, yeah, it felt unearned to me.Barbara: Yeah. I, I agree, especially because it doesn't seem like Seth knows her very well, obviously. Then for him to be [00:21:00] digging around in her clutch purse felt- Untrue to the situation, um, unless something else was going on that we don't hear about.Jennie: Yeah, yeah. Um, this... When I said, like, “Well, this is a vibe,” this character has a, a tone or a style or sense about, like a sort of swagger about- Mm-hmm ... her that interests me. Um, I happen to be in the middle... I'm behind everybody else, but I'm in the middle of reading Yesteryear. Oh. Have you read-Barbara: Oh. Yes, yes.Jennie: Don't tell me what ha- I, I- Don't tell me ...Barbara: I w- I won't. I was also late to it, and everybody was trying to tell me about it, and I was just constantly walking around going, “No spoilers, no spoilers.” Yeah.Jennie: But the, that character has, has such a brashness- Mm-hmm ... of point of view and opinion in both, um, both parts of the story there, and there's something about this character that rem- reminds me of that.[00:22:00] There's like a, I don't know, um, a, just a brashness. S- And I, I've been enjoying that protagonist- Mm-hmm ... the Yesteryear protagonist, just ‘cause it's unusual. I've read a tiny bit, and I know people are saying, “Oh, she is so unlikable,” but there's just something of a character that's so owning their, um-Barbara: Mm-hmmJennie: way, and this woman's ownership of, of her sexuality, I guess, I, I thought was- Hmm ... interesting.Barbara: Yeah. No, I, I, I know what you mean, and I, I, I am intrigued by her as a character because, I mean, again, here she, she seems to have kind of an interesting setup in a, an apartment building that has thin walls, um, has this system of turning up her television, um, but not with Seth before.So, you know, it seems like she's had several partners back to this, this space. Um, but she seems very, very confident and, like you said, kind of swaggery [00:23:00] with him. Um, so yeah, I, I am intrigued to know more about, like, who she is and what makes her that way. Um...Jennie: Yeah. Uh, for me, probably not enough to turn the page.Um-Barbara: Not for, not for me either. I-Jennie: Yeah. And, and I have to say that the thing that intrigues me the most about this whole thing is that the title of this book is Odeon Omega, and that's the random, um- I think that's the random show on TVBarbara: Yeah,Jennie: the- Am I ma- am IBarbara: making that up? No, no, no, that, that, that's the first line.It's, um, it sounds like it's maybe like a commercial. I was kind of envisioning it from the way that it was spelled out as, you know, kind of like, uh, oh, the way that like a, a carnival or like a car salesman is like, “The grand o- o- opening.” Yeah, yeah, yeah, yeah. You know, that's kind of how I was envisioning it.Um, so I, I didn't, I did enjoy s- seeing that right up front, um, [00:24:00] but I wanted more context to understand what it was, because without that, I, I don't know what that line means. Um-Jennie: And that just the author's choice, like, okay, the TV's on f- for a random reason- Mm-hmm ... or for her systematic sex reason, and, and she's hearing this show opening, and then that's the title of the book.Like, something about this, I, I thought of it as a, yeah, like a carnival or a show or something- Mm-hmm ... a theme park, um, that there's g- that's gonna become central to the story. It's kind of an interesting way of putting that in in, and presumably- Mm ... it will come back, um- Yeah ... in an important way. But I, I was intrigued by that most of all, actually.Barbara: Yeah. No, same, especially because that's the moment that Emmy says, “Turn the volume down.” So I was, uh, so it made it seem, to me at least, that there was something about that particular advertisement that she [00:25:00] was reacting to, and I wanted to know what that was.Jennie: Well, that's a really great point, and I think if we were to give this writer some guidance- Um, it might be to make more of that.Mm. If the character reacts more to that. Like, in, you know, that she can't hear it or that it's upsets her in a particular way, or she gives us some information or context about that so that we, I don't know, I guess we need to be more grounded in, in what's happening.Barbara: Yeah. And I also just feel like that would give us a little bit more s- because it, that's right there in the title, so it's obviously gonna be important to the story.And so like that would give us a little bit of curiosity about what it is and would propel us to try and understand why she's reacting the way that she is. Um-Jennie: Yeah. And just from a technical [00:26:00] standpoint, I'm looking at this entry, it's almost all dialogue.Barbara: Mm-hmm.Jennie: Which I think is hard on a, an opening page.Uh, don't you? I think-Barbara: I, I do. I, I would really have liked to see a little bit more interiority from Emmy here to kind of, I don't know, understand how she feels, not only about that advertisement, but about, about Seth. Like, did she li- does she like Seth, or is he just like a guy, you know? Um, I just wanted to know a little bit more about how she, who I'm presuming is the protagonist, is experiencing this scene.Jennie: Yeah. Um, yeah, there was even a moment when I thought, “Is she selling sex?” Mm-hmm. Is, is that... Is she a sex worker? Um, you know- True ... so too many questions about what's, what's happening here, which I think could be solved by, um, balancing out the dialogue, um, w- with some other information. [00:27:00] Mm-hmm. Um, yeah, I mean, I'm, um, I'm hoping that this character gets a story that we want, we want to read ‘cause I'm intrigued.Barbara: Yeah. Same. Same.Jennie: Yeah. All right. We have one more that we're going to, um, read. Do you wanna read this one? From your little, “Oh, oh, oh,” opening- ... I was like, “Oh, maybe you're a good narrator. I'm not.”Barbara: Sure. Sure. I'll, I'll read it. Um, so this one is called Empty Spaces. Um, it's fiction. I'm not entirely certain who the author is, unless I'm missing that in the spreadsheet.It looks like perhaps it starts with a T. Um, but here, here is the submission. “April 1st, 1995. ‘Please, please, please,' Corey sputtered, gripping the black receiver with both hands while the operator relayed her [00:28:00] request. ‘Person-to-person call for Tess. Will you accept the charges?' ‘No, she's asleep.' Corey knew her mother was at the beige phone on the kitchen wall a thousand miles away.Then her father's voice in the background. ‘Honey, let the girl talk to her dau-...' And dial tone. Corey slammed the receiver back into its cradle. ‘What the f**k?' She missed. Her knuckles scraped the chrome holder, and she unleashed her fury on the edge of the black payphone. ‘F**k, f**k, f*****g f****r.' The rain that had been collecting in the roo- in the rim of the payphone box was shaken loose by her tantrum and cascaded down inside the collar of her flay- flight jacket.Well, Charlie's flight jacket. ‘Skipper,' came Top's quiet baritone from behind her. ‘We're ready to roll.' ‘Thanks, Top.' Corey accepted the styrofoam cup of coffee he handed her, then sloshed her way to the lead truck, Arlo trotting at her heels. She hoisted herself up into the passenger side of the rig. Arlo curled up beside her and dug his head into her lap.Why did her mother have to be such a [00:29:00] little b***h? And on this night. Was it too much to expect her to remember that it was Charlie's birthday? No, Maria remembered. She was the one who kept a file of birthday cards, organized by month and paper clipped to envelopes, neatly stamped and addressed to the recipient.But nobody sends a birthday card to a dead person.” After a few minutes, Top started his status report. “Got word from the 24-hour man. The lot they gave us was too small and underwater. He put up a fuss and got us moved to the football field at the high school.” Corey took a sip. “It'll be nice to have a dry lot.Daisy's got that one nail that looks a little soft.” She fiddled with the radio, settling on a country station, what else was there, and yawned. “Where are we headed tonight?” And that is it.Jennie: Wow, well, author T., uh, Wood, what a treat to have Kathleen Barber read your, read your stuff like that. Gee, you, you sounded amazing.You sounded like you'd written that. That was so cool. Do you- I, uh- ... narrate your own books?Barbara: I, I do not, but I have [00:30:00] small children, and I read aloud every night.Jennie: Do you do the voices?Barbara: Oh, yes, I definitely do the voices.Jennie: Do you do all of them, like, in aBarbara: very- I do all of them.Jennie: You do?Barbara: Yeah, yeah. My, my kids were really into the Wings of Fire series, so I've read all of those books, and there are many, many dragons, and they all have different voices, and if I do not remember the different voice, my children will be like, “Mommy, that's not what Peril sounds like,” and then I'll have to remember and try again,Jennie: so.Take notes? Do you have, do you have a guide? Do you just remember? Um,Barbara: no, I just, I just try and remember.Jennie: Oh,Barbara: my. I should take notes, but I'm not that organized. I just go off.Jennie: That, that's amazing. That's amazing. Um, just while we're talking about it, is there audio already for the new book, for, uh, Sisterhood Above All?Barbara: There, there is. There is, yeah. Um, I recently got, uh, got a peek at it, and I am very, very excited. We have a different [00:31:00] narrator for each of the POV characters, and they are all fantastic. Super excited.Jennie: Amazing. All right, so back to this, back to this work. Um, I thought this was great. Uh, did you, did you, how did you feel reading it?Barbara: I, I, I enjoyed reading it. Um, when, when I was, when I was reading it the first time, I, I found myself getting stopped a few times because I felt like there were a lot of names, and I was confused. Um, you know, it's, it's in- I don't feel like an author needs to spell out for me who every single character is on the first page at all.Um, it just felt like in a small amount of time, there were a lot of names that I felt like I was trying to keep track of, and that was a bit confusing for me. Slowed me down a little bit.Jennie: I agree with that. Actually, the first time that I read it And [00:32:00] admittedly, I was scanning these really fast the first time I read it, but there, there's something to that, how things hit your head.But I thought that, um, I thought Daisy was a horse because I was like the one nail that looks a little soft, like is who, what- Yeah ... where would that matter that we need to be on grass? And, and, and then I was like, “Wait, who even is Daisy?” So I got stuck on that- Yeah ... for sure. And, um, and then the, um, there's a nickname that I think the main...I think Corey, the, the other character calls her Skipper, so I was confused by that. Right. So it, yeah. Yeah. Are those some of the things that you mean?Barbara: Yeah. The, those was... And I was also just a little confused when I first started reading that it starts out with person to person call for Tess, and then we're talking about her mother.And I, I thought at first that her mother was [00:33:00] named Tess, and that, and that the operator was trying to reach her, and that her mother was simply not, simply not wanting to talk even though she was by the phone. But then later on I realized that her mother is actually named Maria, and that Tess must be somebody else.Um, I think Corey's daughter, but I didn't, I didn't catch that on first reading. I had to read it again to be able to understand that.Jennie: Yeah. So there, there is a lot going on for sure. When I said that I thought it was great, I- I'm, I'm hoping that this character's some kind of trucker just because that's cool, and, um, it, it seemed like we have some tension both in whatever's happening around...You know, like, they have a 24-hour man. They're... Uh, so there's something afoot. Like, there's a pr- a project or something afoot that feels like it's not gonna go well or something's gonna [00:34:00] happen there. Um, and I also, you know, now we have the thing with the, well, we learn I think it's the mom. But, um, th- there- Yeahwere enough elements of intrigue, like, what's, what's going on here, what's gonna happen, that I... And I thought it was well-written.Barbara: Yeah. No, and I, one of the things that I really enjoyed was the way, the, the descriptions of what the, what the scenery looks like with the, with like the weather. So like there's, there's the rain, um, there's another line about how when they're like getting into the truck that like the lot is underwater, so I'm kind of like envisioning...I actually don't know what time of day it is, but for some reason I'm envisioning it being a little bit darker, but that might just be because of, of the rain that's happening. Maybe that's what's making me think that it's, it's a little bit darker outside, but I'm like envisioning the, the rain, and they're getting into the rig.But I, I didn't get that she was a truck driver. I, I, I think maybe... But I, but I, [00:35:00] I don't know. I don't know. I thought that maybe she was some sort of- Some sort of, like, news person. But I don't... ‘Cause I don't actually, I don't actually know what a 24-hour man is, so I think that might have... Okay. Yeah. No, I don't know.I was just like... So I, so I didn't know. Um, but I was, I was curious to know... Yeah. I was gonna say, I was curious to know why she was making this call to her mother at this moment, and why she was so desperate for her mother to answer the phone at this moment. Um, so yeah, th- those were, those are questions that I had.Jennie: Usually, back in the day, which this was, um, will you accept the charges was something you did when you had no money.Barbara: Mm-hmm.Jennie: You know, you would call home or wherever and, ‘cause you didn't have money to make a call, so the operator would place the call and ask the [00:36:00] person to accept the charges. Mm-hmm. And normally you would do that with somebody who knows you have, you're having a problem, or, you know.So, like, this is a very particular moment that led me to believe that she didn't, she didn't even have money for a call. So- Mm-hmm ... I don't know why I placed her as a trucker. Like, she climbed into the- Oh, okay ... the rig. She s- she sloshed her way to the lead truck. She's fiddling with the radio station. Like, what, where we headed?Yeah. Like, we're just on a job. I totally made her a truckerBarbara: and I- Yeah. No, no, no. I, well, I think maybe the reason I thought maybe she wasn't was because there were all these other... Because, like, Top is there, and the, it's, it's a lead truck, and she's, she's getting into the passenger side. And there's also a, a, a dog, I assume.I assume Arlo's a dog. I suppose it could be some other sort of animal that's, that's with her, but I, I assume Arlo's a dog. Um- Well,Jennie: so this is actually a really great [00:37:00] conversation for anybody listening, and particularly for this author. You can see that if you confuse your reader They're gonna spend their time with these kinds of questions.Like, is the mother Tess or is it Corey? Is this woman a trucker or not? Is... You know, and those are not the kind of questions you want to be leaving your reader with. Those are-Barbara: Yeah ...Jennie: um, I don't know w- how we would describe them, almost logistics. They're,Barbara: they're more like de- yeah, yeah, exactly. ‘Cause I mean, they're, I, I, I enjoy getting a good question at the start of reading something, you know?Like, you know, I mean, for example, it's, it's really interesting that Corey made what seems to be a collect call, and they didn't just not answer it. They answered it, and then hung up on her, which feels, like, very purposeful. And so, like, I'm very, I'm very curious about that relationship. I'm curious about the fact that, that Charlie is, is dead, um, and [00:38:00] who Charlie is to the, to the narrator.These are things that, like, have piqued my curiosity, and I would like to learn more about, um, would inspire me to read more, to learn more about those things. Uh, but then those other things that we were talking about, like, well, like, who is this? W- what kind of animal is Daisy? Like, what are, where are they actually going?Like, what, what is, what is the goal here? What, what is the deal about the, the lot and the, and the football field? The, w- what are we gonna do here? Those are questions that, that slowed me down, and made me less likely to want to keep reading.Jennie: Yeah. I loved that line, “But nobody sends a birthday card to a dead person.”Barbara: Yeah.Jennie: And I, I'm thinking- Really poignant ... that that's the center of this story, you know, s- who, who was Charlie? I think you said that. Mm-hmm. Was-Barbara: Mm-hmm.Jennie: And ‘cause she's got the jacket.Barbara: Yeah.Jennie: She's got Charlie's jacket, so- That, that'sBarbara: true, and sh- and she's wearing it, I think. [00:39:00]Jennie: Yeah, and, and so- I mean, I suppose Charlie could be a child if this person is older.Barbara: Yeah.Jennie: Like, you know, um, but y- I ... So I had this weird reaction to this, which is I thought it was fun, and maybe that was you reading it. I thought, I thought the writing was great, but I wouldn't turn the page. I'd be frustrated. You know, if, if there was another book or another story that was, um, didn't make me work so hard- Mmto figure out where I was or what was happening, I would choose that over this. So it's a weird combination for me of great job, but it's a no for me.Barbara: Yeah,Jennie: that- What about you?Barbara: That's, that's how I felt. There, there were a lot of elements here that I think are, that are intriguing and that if presented slightly differently would make me want to turn the page.But as, as it is right now, I, I would not. [00:40:00]Jennie: I agree with that. I think it feels close. Mm-hmm. Um, so how could we give this person some direction for, um- Yeah ... well, you talked about all the names, and I don't think the solution is ID all these names.Barbara: Right.Jennie: Mm-hmm. That's gonna be clunky. Or ID all these people. Um-Barbara: Yeah.I, I think for, for me personally, what I think would help was if we were to get a bit more of a peek inside the nar- inside Corey's head, so we could understand from her perspective why it's important that she's making this call, like, what the goal is with the truck. Um, if we just saw it a little bit more from her view and got to know a little bit more of the information that she already holds in her head, I think that would go a long way to making the story feel more accessible to the reader.Jennie: That's really well said, and [00:41:00] hopefully that helps the writer for your next pass to, to think about. But I- there's something, there's something good I think here going on. Mm-hmm. And, uh, I have the same, um, comment that I had earlier. I, I wanna know what kind of story I'm in, and I'm s- and I'm not sure. We were talking about sorting out these relationships and what's happening with the field and the truck and then the weather and all that, but again, is thisThere's no sense of what kind of story this is going to be. And, um, I, I always want a little more. And, and the title is Empty Spaces, which doesn't help, um- Yeah ... point us to that. I hear that. So just a little more, um, of a sense of what world are we? What, what problem do we have? What world are we in? Um, you know, and even just that last bit where the character turns the radio station on and yawns, “Where are we headed [00:42:00] tonight?”It- there's, there's not an urgency of It's, s- nobody's running from anything. There's no- Right ... threat, uh,except for the mom who won't answer the call.Barbara: Yeah, yeah.Jennie: Yeah. Um, so a little, a little more of a sense of what's at stake. Um, I know, we always are asking so much on a first page, but- I know ...Barbara: uh. I know, but e- you know, it's, there are so many things to read, you know, from, like agents, editors, readers, all have so many things to choose from, and so it's just so important to nail that first page, you know?Jennie: How many times do you rewrite your first pages?Barbara: Oh my gosh, so many times. So many times. Yeah. Yeah, well, um, ‘cause usually I write the first page, and then I write the rest of the book, and then I'm like, “Oh, like, the rest of the book does something different. I need to go back and, like, make this first page...”Also, I do, I often do the thing that I think a lot of writers do, which is, [00:43:00] once you've written a little bit further, you realize that, like, you've started at the wrong spot. Um, I mean, the, one of, one of the things that helps me when I, when I think to do it is to use one of the exercises that's in, that's in your work, where you, where you start what, you, you write the beginning and the ending before you even start anything.Um, and I, I, when I remember to do that the right way, that really, definitely helps me. Um, but I don't always remember to do that, and so I have, like, partway in, and then I'm like, “Wait, no, the first page.” So,Jennie: it's- Well, that, yeah, that's a, um, a step in the blueprint for a book book. Um, it's a good one, for sure.Uh, well, thank you so much for joining me for, for this, Kathleen, and congratulations on the new book. Um, for everyone listening, go check out, you can find everything at KathleenBarber.com. And, um, you can find Sisterhood Above All, which is brand new and just out and sounds like so much [00:44:00] fun. I, it's on my TBR, TBR.Yay. I just can't read, I just can't read thrillers at night. I get too scared. So,Barbara: um-Jennie: That'sBarbara: fair. That's fair ...Jennie: I, I have to wait till I'm, like, on a plane or, um, you know, somewhere where I'm reading during the day. Yeah. Is this one, is this one l- scary scary?Barbara: I mean, it's, it's not, like, scary scary. It's, it's not, like, uh- It's, it's not like there's someone who's out there to kill you for reasons that you cannot control.You know what I mean? Like, it's like- Yeah, yeah ... it would be scary to the people inside the book, but it should not be scary to you. ButJennie: I understand how- Well, we don't need to reas- We don't need to reassure me because people love these, love these- Yeah ... and, uh, what a fun, fun setting and setup for- Thank youa thriller. It's, it's exciting. Thanks. So can't wait to see how, how the world receives it. And- Mm ... um, I always hate to say this to somebody whose book just came out, but can't wait to see what you do next. [00:45:00]Barbara: Don't worry, I'm already writingJennie: stuff. Oh, yeah. Do you, ooh, do you wanna, do you wanna tell or no?Barbara: I, I do not, just ‘cause I get really superstitious about it, but, um, but I have something that I'm working on that I'm excited about, so you know, we'll see how it goes.Jennie: I love it. Well, thank you for joining us for Book Life, Jennifer.Barbara: Thanks for having me. That was a lot of fun.Jennie: For our listeners, let's get back to work and finish what matters most.Outro: The hashtag amwriting podcast is produced by Andrew Perilla. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output because everyone deserves to be paid for their [00:46:00] work This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Episode: 1615 On learning to use coal.  Today, we learn why we shouldn't bring coals to Newcastle.