Podcast appearances and mentions of Keith Jarrett

Award winning jazz saxophonist and broadcaster Soweto Kinch and writer and director of new film Köln 75, Ido Fluk, join Tom to explore the importance of Keith Jarrett's seminal performance at the Cologne Opera House in 1975, and its subsequent album, which became the bestselling solo album in jazz history.Sex Education and Rivals writer Sophie Goodhart on her award-winning comedy-drama Alice and Steve, starring Nicola Walker and Jemaine Clement. It's about best friends turned enemies, after Steve starts dating Alice's 26-year-old daughter.Cultural historian Thomas W. Laqueur talks about depictions of dogs in art, as he publishes his new book The Dog's Gaze.Critic Clarisse Loughrey talks about how small screen directors and creators on YouTube have made the leap to Hollywood's big leagues, with films like Obsession and Backrooms breaking box office records and driving Gen Z to the cinemas.Presenter: Tom Sutcliffe Presenter: Claire Bartleet

For my final podcast for The Independent, I am talking to film director Ido Fluk about his new movie – which transported me back to 1970s Germany. a war-weary land where much was changing. Koln 75 tells the story of the best-selling jazz piano album by Keith Jarrett – who was cajoled to Cologne and onto the stage by a teenager named Vera Brandes. A great story, told with great care of time and place.This podcast is free, as is Independent Travel's weekly newsletter. Sign up here to get it delivered to your inbox. Hosted on Acast. See acast.com/privacy for more information.

Fast wäre sie Fußballerin geworden, heute gilt sie als eine der erfolgreichsten Grenzgängerinnen zwischen Klassik und Jazz und nennt Keith Jarrett ihr großes Vorbild: die Pianistin Johanna Summer. Sie hat mit Chilly Gonzales und Malakoff Kowalski zusammengearbeitet und Musik von Schumann und Bach „weiterkomponiert“. Gerade ist ihr siebtes Album erschienen, „Dialoge“, für das sie sich ganz besondere musikalische Partnerschaften ausgedacht hat.

Keith Jarrett fê-lo ser pianista, nunca mais largou o piano, compondo ou interpretando do clássico ao jazz passando por sonoridades de longínquas geografias. Com segurança lhes garanto: é um génio.See omnystudio.com/listener for privacy information.

Pianist /composer Keith Jarrett (born May 8, 1945) has had a long and distinguished career performing with his own groups, making a succession of solo piano recordings, and playing with the bands of Miles Davis, Art Blakey and Charles Lloyd. In recent years he has been sidelined by the effects of a stroke which tragically left him without the use of his right hand.

El 8 de mayo de 1945, en Allentown, población del estado de Pensilvania, nacía Keith Jarrett. Escuchamos al pianista en solitario en un estudio tocando 'Be my love', 'I´m through with love' y 'I loves you Porgy' de su disco 'The melody at night with you' (1999), a dúo con el contrabajista Charlie Haden en 'Don´t ever leave me', 'No moon at all' y 'One day I´ll fly away'' del disco 'Jasmine (2010), en concierto en el Musikverein de Viena en julio de 2016 ('Over the rainbow', Part IX') y, también en julio de 2016, en el Palacio de Congresos de Budapest ('Part VII', 'Answer me, my love', 'It´s a lonesome old town').Escuchar audio

David Epstein just handed parents a whole new way to think about creativity, childhood, and the everyday limits we usually try to escape. In this fascinating episode of The 1000 Hours Outside Podcast, Ginny Yurich talks with the bestselling author of Range and Inside the Box about why complete freedom often leads to conformity, how constraints can make us more inventive, and why kids may actually become more creative when they have fewer options, less input, and more time outside. From Pixar to Dr. Seuss, Kyrie Irving, Keith Jarrett, childhood chores, multitasking, and the hidden cost of too much autonomy, David makes a powerful case that the boundaries in our lives are not always holding us back. Often, they are the very things that help us grow. Find David's work and books at davidepstein.com, including Range and Inside the Box. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Planificamos ciudadosamente la mayoría de nuestra vida: nuestra jornada laboral, nuestro tiempo de ocio, nuestra semana de actividades, nuestras vacaciones, nuestro futuro... Y le dedicamos mucho tiempo y esfuerzo a organizar todo y a programar cada acto para que salga como nos imaginamos que debe salir, para que se aproxime en la mayor medida a las expectativas creadas. Pero la vida y sus circunstancias siempre se empeñan es salirse del plan establecido. Por mucho que planifiquemos nuestro tiempo, al final tenemos que ir ajustando el guión a cada giro de los acontecimientos, a cada imprevisto que aparece tras cada esquina. Porque la vida está llena de azares y contratiempos. La música no es una excepción. Cada melodía es planificada y modelada según un plan premeditado, adaptándose a medida que se va conformando para crear una composición original y personal. Pero a veces sucede que de repente se cruza en nuestro proyecto una idea diferente, aparece un giro inesperado que lo cambia todo y conduce a un resultado absolutamente increíble, único y sorprendente. Martin Stürtzer, Infinite Reflections, Keith Jarrett, Ralph Zurmühle, Poppy Ackroyd, Norman Ackroyd, Luis Alberto Naranjo, Roger Subirana, Tom Rogerson, Brian Eno. El playlist detallado: lostfrontier.org/t30.html#1077

Erik Deutsch is an American keyboard player currently touring with The Black Crowes. While he is well known for his extensive live and session work—including time spent with Leftover Salmon and Charlie Hunter—Erik is also a dedicated solo artist with a diverse catalogue of original jazz and funk releases. We chat with Erik about his career to date, how he balances major touring commitments with his solo output, and the gear he relies on for the road. A huge thanks to guest co-host Sandy Soon for joining us as well! To listen / watch: Audio-only: click on the play button in the audio player above, or: Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel Discussion topics covered during the show (links will open in new tab):   Erik’s website Erik Deutsch – This Was Then Erik playing Martha live in 2025 The music scene in Mexico City versus New York York Erik’s musical upbringing Erik’s first band Fat Mama Erik in action with Fat Mama (2000) Joining County Road X Working in a trio with the brilliant Art Lande Joining the Charlie Hunter Trio Erik in action with the Charlie Hunter Trio  Charlie Hunter – Baboon Strength Joining Shooter Jennings Erik in action with Shooter Jennings in 2011 Working with Citizen Cope Erik’s keyboard rig with Citizen Cope Joining Leftover Salmon Erik playing with Leftover Salmon, 2017 Approach to long touring periods Erik joins The Chicks (formerly Dixie Chicks) and perhaps sets the record for the shortest gigging employment with a band Erik in action on the one and only song he played with The Chicks Discussion on female instrumentalists and barriers / opportunities Joining The Black Crowes Erik in action with The Black Crowes The level of playing freedom at a Black Crowes gig Erik’s keyboard rig with The Black Crowes Erik’s work on The Black Crowes’ album Happiness Bastards Erik’s ‘front of stage’ train/bus wreck Erik’s own amazing podcast – Sounds of Brooklyn and Beyond Desert Island Discs:  Moon Safari – Air, Kind of Blue – Miles Davis, Treasure Island – Keith Jarrett, Illmatic – Nas, Music from Big Pink – The Band Key links: Become a member of our YouTube channel and receive extra content Buy some keyboard related merchandise Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn Complete our audience survey to help us improve! Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post Erik Deutsch, The Black Crowes / Solo Artist appeared first on The Keyboard Chronicles.

While the new world struggles to be born, people all round this dying old world cannot help but keep making music. Too many, frankly. Please stop. Anyway, I cannot help but keep playing you all this incredible music, postpunkindustrialdubjunglegamelanglitchjazzfolkclassical, as those in the know call it *taps nose* LISTEN AGAIN to the music of the spheres. Stream on demand from fbi.radio, podcast here. Laeter – Isolate [Laeter Bandcamp] Laeter – Leibowitz [Laeter Bandcamp] Liam Bosecke is based on Kaurna country, in Adelaide, and he’s founded a creative community called Empty Frames that aims to raise mental health awareness. His latest album as Laeter is released via that platform, but is of course available on Bandcamp (and in a handsome CD edition!) Blanket Doubt is a wonderful thing that kind of answers the question, “What if indietronica except slow-moving industrial dub?” Intense distorted drum machines and synthetic screeches underscore almost-spoken vocals, or shudder and crash under New Order-esque synth melodies. Pure perverted pleasure. Damos Room – All Shall Go [Long Gone/Bandcamp] Damos Room – Gullet (Dirty Protest) [Long Gone/Bandcamp] Last time I played Damos Room on the show was a mere month ago. I wrote at the time: I’m not sure who Damos is or what’s in their Room, but signs point to it being three guys: Luke Miles, Nicholas Elson & Huw Oleskar. I’ve just found out (because they told me, nothing underhand) that Huw Oleskar is also known as Elijah Minnelli, responsible for some of the most interesting and lovely dub-folk hybrids in recent times, ostensibly under the auspices of Breadminster County Council. As for Damos Room, you can find a series of fantastic, weirdly-shaped releases on their Bandcamp, including a mixtape of two bizarre 40-minute radio pieces, some quasi-singles of abstracted dub/spoken-word/electronics, and the experimental electronics of their collaboration with rapper LYAM, which I played on this show a few years back. So, a month ago I played something from Walk With The Militia, a vaguely-album-shaped item that wasn’t actually their new album – rather it’s a mixtape, entirely in keeping with the mystery what all this is about. It collects – I said – a whole lot of weird shit, but it’s all dub-based experimental electronics, with Minnelli’s distinctive spoken word & low-key singing, odd radio interludes and noise bits and so on. It’s really fantastic. So how about All Shall Go, their new album which is really released now? Well, it’s just as murky, weird-shaped and all as the prior mixtape and earlier works. And as with earlier works, there are also some head-nodding beats and bass, and tracks where Oleskar’s voice chants and sings in nearly melodic fashion. Don’t expect pop, dancehall or grime here, but do expect music that’s evocative, challenging, ancient and modern. Do go deep, but don’t miss that mixtape, or 2020’s Commencement either. Carl Gari – Pick’n’Peel [Molten Moods/Bandcamp] Most of us know German band Carl Gari from their incredibly strong albums made with Egyptian singer/trumpeter/poet/composer Abdullah Miniawy, on AD93 and Amphibian Records. Between those two releases, the band & singer released a live album on Molten Moods, and it’s that label that Carl Gari return to now for their self-titled album, forthcoming in June. This is the first single (by the time of writing I’ve heard the second), and it’s just what the doctor ordered – dark, insistent minimal drum’n’bass if it was produced by Depeche Mode circa Songs of Faith and Devotion, a very specific reference that probably only makes sense to me 🖤 Fez The Kid & BRUK – Original Secret [RuptureLDN/Bandcamp] Two young junglists from Bristol tearin’ it up on this new EP, their first for the iconic jungle-revival label RuptureLDN. These guys really know their jungle originals and are making the kind of tracks that wouldn’t have been out of place in an East London club circa ’93. Both Fez The Kid & BRUK have a number of EPs to their names, but have also worked together for a while, and DJ back2back as well. Turn up yr subs and feel the bass pressure while the snares go renegade. Rrrrrrrince out! A.Fruit – I Left You [YUKU/Bandcamp] A.Fruit – Choice [YUKU/Bandcamp] Anna Derlemenko aka A.Fruit is a Ukrainian music producer, born in Moscow, but her family relocated to Spain after Russia’s war on Ukraine. She co-runs the Distorted Barcelona club and does a lot of music production training & tips on her Patreon – in fact, the first track I played tonight is the subject of a full track breakdown there, and she’s shared the full Ableton project. Her productions are consistently adventurous, mixing up genres and manipulating sounds while remaining dancefloor friendly, and that’s certainly the case on her new EP Choice for the one & only YUKU. She’s an artist I’ll never not recommend. upsammy & Valentina Magaletti – Superimposed [PAN/Bandcamp] upsammy & Valentina Magaletti – It Comes To An End [PAN/Bandcamp] Dutch producer & DJ upsammy (who visited Sydney recently for Soft Centre) has previously worked the built & natural environment into her music: Germ in a Population of Buildings in 2023 created a whole environment of hallucinatory fauna and automata, repurposing IDM in a similar-but-different way to Eora’s own gi. Valentina Magaletti is one of the most versatile drummer/percussionists working at the moment, found in the postpunk-electronica band Moin, but also remaking kuduro & batida with Afro-Portuguese producer Nídia, a kind of postpunk dub with electronic producer Al Wootton, and plenty of other avant-garde stuff. upsammy & Magaletti’s collaborative album Seismo (yes, it means “earthquake”) came out of a commission from the Rijksmuseum in Amsterdam, for which they sampled the sounds of the museum itself, using its spaces as percussive surfaces, and much of the joy of the album comes from the blurring of live drums and other acoustic rhythms with electronic programming and manipulation. Around & amongst the percussion are snippets of voice (a callback Mageletti’s work with Raime and Moin, albeit applied very differently), strange fragmentary samples of guitar & bass, piano notes stretched thin, slow melodic synths. Mostly delicate, mostly the opposite of an earthquake, these are musical giants striding across our world while imps dance in their footprints. It’s a wonderful album. Hoavi – Song of the Forgotten [Peak Oil] Hoavi – Colossus [Peak Oil] And speaking of imps dancing, Russian producer Hoavi is one of the exemplars of music that sounds like skittering insects and tumbling waterfalls, drawing jungle-ish IDM into dub technoid waters. His second album for Peak Oil, Architectonics, takes those aspects into newer territories, with a bank of samples of percussive sounds from around his house, and inspiration taken from Indonesian gamelan and minimalist composition. For all this though, it’s vintage Hoavi – rhythmically complex, deep sound design. Genius. Foote/Dickow – Underwater Welder [Geographic North/Bandcamp] Peak Oil is run by two Bria/ons – Brion Brionson is the “o” guy, and the other is Brian Foote, who’s been kranky‘s media guy forever as well as running various labels (including Peak Oil just above here!) and playing in various bands. Brian’s also a connoisseur of IDM, electronica & rave in all its variations (solo as Leech), and here he teams up with Paul Dickow, best known as Strategy, maker of much dubwise, ambient & technoid musics and himself co-founder of the Community Library label. High Cube is their first outing together as a duo, and you can feel their shared musical heritage in its bones. Skittering IDM glitchbeats hover above a dub techno skeleton, and there’s a jazzy sensibility to the keyboards. Charming. Richard Pike – III. “August” [Salmon Universe/Bandcamp] Sydney’s Richard Pike, alum of PVT, is now based in London. He can be found in various ensembles, including with Joe Quirke, with whom he co-runs the Salmon Universe label, and under his own name has been making ambient-techno-hybrid-orchestral soundtracks for TV. Outside of that, he’s released solo music under the alias DEEP LEARNING on Oxtail Recordings, based around subtly rhythmic glitchy loops, but now returns to his own name for album that mixes late-night piano and glitchy dub-techno. It’s not surprising to discover that the creation of this music was directly triggered by the death of Ryuichi Sakamoto, but the music takes darker paths than the Japanese master. The full album’s out later in May, and the last single brings in something of the jungle-meets-dub techno we’ve heard a lot of tonight. Laurence Pike – Guardians of Memory [Balmat/Bandcamp] It’s lovely to find Laurence Pike – brother to Richard above – coming out on Philip Sherburne & Albert Salinas‘ Balmat label in late May. Pike was drummer in Pivot/PVT and Triosk, and the hallucinatory melding of live jazz and micro-sampled loops has remained central to his DNA since the start. There’s a trickery at the heart of Possible Utopias for Jazz Quintet, hinted at with “possible”: while there are guests on these tracks, it’s never a jazz quintet, and still predominantly Laurence solo. The “utopias” denote an idea of freedom which Pike is reaching for, in continuity with his last album The Undreamt-of Centre – that people are not atomised individuals but exist interdependently with their environment. And for all that this is a solo album, Pike begins the album with a substantial, sumptuous feature from Eora/Sydney pianist Novak Manojlovic. Utopian indeed. David Norland – E-Car Soul reNYX [Denovali] English composer David Norland, who lives between LA & London, is best known as a soundtrack writer for film and stage, as well as a composer of electronic and experimental choral music. He has an album coming via Denovali called La Source, which is not a soundtrack, but incorporates choral music into its beat-driven electronic framework. Strangely, I didn’t hear the single “E-Car Soul” as choral, but the “reNYX” by UK vocal/electronic collective NYX reworks it into their image, with vocal harmonies and rearranged electronics. Carl Stone & Asuna – Ulna As Ancestor [Room40/Bandcamp] A pioneer of live laptop music, Carl Stone has been at it since the 1980s, and has had a renaissance since Unseen Worlds released a series of his early music on triple LP sets. Stone has for a long time lived between LA and Japan, and on this new CD he’s collaborating with Japanese artist Asuna Arashi, whose toy instruments are sampled and processed by Stone and then handed by to Arashi for her to rework and… send back to Stone. With all these layers of processing, it’s not often easy to make out the original toy instruments, but it’s pretty immersive, experimental but friendly. In keeping with a lot of Stone’s own work, the titles are all anagrams of “Carl Stone Asuma”, all of which are unreasonably good (“A Nacreous Slant”? “Nascent Arousal”!) Loom & Thread – Spheres [Macro/Bandcamp] A few years ago, German jazz trio Loom & Thread released their debut album Island Grammar on macro rec. Pianist Tom Schneider is known as “frontman” of the live techno act KUF, playing as lead instrument the sampler. On Loom & Thread’s debut, Schneider at least played piano primarily, albeit sampled and processed live, as were the double bass of Tobi Fröhlich and the drums of Daniel Klein. For their follow-up Bandcamp, Schneider is well and truly a sampler-player (although yes, piano’s in there too), triggering & manipulating samples of two saxophonists and two vibraphone players (one of whom is drummer Daniel Klein). The samples’ use can range from chaotic scatter to undulant layers, around which is constructed a form of contemporary jazz. It’s weirder than their first album, but just as enjoyable. You can see them playing some of this live here, with Fröhlich also alternating between double bass & sampler. Christian Wallumrød Ensemble – Not new to [Aspen Edities/Bandcamp] It’s seems like yesterday – well OK, it was only last week – when I was talking about the richness of the Norwegian (and generally, Nordic) music scene(s), highlighting among others the stunning new solo album from saxophonist, singer, composer etc Espen Reinertsen. Reinertsen’s album was released on SusannaSonata, run by the artist known as Susanna or Susanna and the Magical Orchestra, who is also Susanna Wallumrød. She’s the youngest of a family of musicians – as well as their cousin, jazz pianist David Wallumrød, her brother Fredrik Wallumrød is a drummer of mainly rock & pop, and the oldest of the lot is pianist Christian Wallumrød (born in 1971 – Susanna was born in 1979), a renowned jazz pianist & keyboard player, whose eponymous Ensemble have released a series of albums on ECM Records. Christian & Fredrik also release music made of drum machines & synths as Brutter (also here) – glitchy, arhythmic synthetic grooves. Anyway, last week I remarked on the uncanny beauty of Reinertsen’s album, and there’s something similarly bewitching, gorgeous but slightly wrong about the music on the Christian Wallumrød Ensemble’s latest album Non Sonett, released by Belgian post-folk/jazz label Aspen Edities. The label specialises in acoustic experimental music by and large, but does slip sideways into electronics at times, and so does this latest album, where minimalist jazz compositions sidle up to Norwegian folk and haunted electronics, while remaining utterly restrained throughout. You may think this would sound cold & difficult, but it’s not: it’s engrossing and delightful, like Penguin Cafe Orchestra recording Talk Talk’s last albums, Keith Jarrett jamming Sunn O))), Henry Purcell discovering free jazz. If you only listen to one Norwegian jazz/folk record this week, make it this one (but don’t stop there). tokesmo – 02.02 [tokesmo Bamdcamp] tokesmo – 01 [tokesmo Bandcamp] Andrea B of doom/psych/metal trio Morkobot is tokesmo, a project in which he combines field recordings and found sounds with electronics. Two EPs launch the project; on tksm 01 it’s more sound-art and noise than rhythms, while tksm 02 transforms found sounds into percussive instruments for its IDM-meets-industrial beats. Whitney Johnson, Lia Kohl, Macie Stewart – paper folding | disappearing [International Anthem/Bandcamp] Whitney Johnson, Lia Kohl, Macie Stewart – laundry | blood [International Anthem/Bandcamp] Last year I played a track from a trio of Chicago-based women who were all string players and singers – in fact, I loved it so much I played it in Part 2 of my Best of 2025. Whitney Johnson on viola, Lia Kohl on cello and Macie Stewart on violin don’t just all sing – they all operate various tape machines, into which they feed their sounds and alchemically transmute their playing & singing into dusty loops. You can see this gorgeous transformation happening in real time in this video. Last year’s “stone | piece” was one partially improvised composition that’s part of the BODY SOUND album now released by Chicago (post-?)jazz institution International Anthem. There’s a surprising variety of sound here – string drones melting into tape hiss are part of it, but so are plucked prepared cello, loops glitched through manipulated recording heads, deconstructed folk melodies and quasi-classical accompaniments to angelic singing, squalling loops played at triple-time and roaring bass as the cello is pitched down multiple octaves. An extraordinary album like no other. Hara Alonso – A Second is a Choir (feat. Lia Kohl) [FUU/Bandcamp] Lia Kohl also turns up as one guest on the brilliant new EP Music of Many Nows from Stockholm-based Spanish sound-artist Hara Alonso. Here, Alonso combines accidental and casual recordings of life going by, combined with recordings of a nearby choir, a found piano and a couple of guests, and makes beautifully cracked vignettes, much deeper musically than this method would suggest. Honestly this couldn’t be more Utility Fog, and I love it so much. Daniel O’Toole – Breathing Colour [Cascade Rumble Records] Naarm-based artist & musician Daniel O’Toole was based here in Eora until a few years back, and was responsible for a lot of well-loved street art under the name Ears. Accompanying that were a few albums of funky instrumental hip-hop as Captain Earwax, but these days Daniel is emphasising the more abstract, gallery-friendly side of his art – gorgeous colour gradients and textures that you can sample here – and musically he’s making incredible custom-built instruments alongside his own strings, keyboard playing, percussion etc: check out the particle plate and the particle drum. Hand-made gestural instruments like this are at the core of O’Toole’s new album Outer Magnolia, but equally there’s a lot of acoustic sounds here – folktronica but not like your Daddy made it. Euan Alexander Millar-McMeeken – Nothing Moves In Me [Sleep In The Fire Records] London-based Scottish musician Euan Alexander Millar-McMeeken has recorded a lot of solo ambient music as glacis, and led indie/folk band The Kays Lavelle for many years. He has a substantial number of collaborative projects, many of them duos, all of them wonderful: Graveyard Tapes with Matthew Collings and Civic Hall with Craig Tattersall, Bird Battles with Jesse Narens and now Yoal with Satomimagae. In 2024, Euan released his first album under his full name, All The Weather Of The Human Heart, a deeply moving work that’s a meditation on loss, in which the central vocals & piano are cracked & smudged through digital & analogue means. Similar approaches to sound design are found on the solo follow-up Framed Insects – fragile songs and tape hiss interrupted by distorted beats or glitched into strange structures. Just gorgeous. Listen again — ~217MB

On today's episode of "My 5 Fav Albums", I interview Mitch Dorge who shares his favourite albums of all time. He's the drummer for the Juno award winning and 3x Grammy nominated band Crash Test Dummies who have sold over 12 million albums. https://www.crashtestdummies.com/00:43:00 My 5 Fav Albums00:53:35 Nine Inch Nails - "The Downward Spiral"01:25:43 Propellarheads - "Decksandrumsandrockandroll"01:44:30 Keith Jarrett - "The Koln Concert"01:54:40 Soulwax - "Much Against Everyone's Advice"02:07:50 Miles Davis - "Four and More"If you prefer to watch the episode instead of listen to it, you can do so on Youtube at:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://youtu.be/RsQCAntxtIsYou can watch my first 2 hour deep dive interview with Mitch Dorge back on episode #110 where we cover his entire life, career and discography at https://youtu.be/mvnxIZb5MwIIf you've enjoyed today's episode, please take a moment to subscribe, like, comment and share!You can find all my social media links to connect with me at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://joelmartin.ca/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Your friend and ally,Joel MartinWe've Got Time by LiQWYD | https://www.instagram.com/liqwyd Music promoted by https://www.free-stock-music.com Creative Commons Attribution 3.0 Unported License https://creativecommons.org/licenses/by/3.0/deed.en_US

Mi hija de 14 años lleva dos semanas memorizando la tabla periódica. Hidrógeno, litio, sodio, potasio... Y yo me pregunto: ¿para qué? ¿Tan poco hemos avanzado en la educación si se sigue enseñando de la misma manera que hace 50 años? Así que decidí invitar al podcast a Víctor Mourelle. Víctor tiene una trayectoria que no se parece a ninguna otra.   Premio de Honor de Piano del Conservatorio Superior de Madrid. Gestor de carreras artísticas internacionales. Productor de discos con orquestas sinfónicas.   Y un día decidió que su escenario iba a ser otro: la educación.   Hoy dirige tres colegios en Madrid y escribe un blog que os recomiendo mucho: Otras Maneras de Educar.   Quedé con él un viernes por la tarde - día de protestas de profes, por casualidad ( o ¿será una señal?) -  y la conversación se fue a hora y media sin darnos cuenta.   Hablamos de qué tienen en común dirigir una orquesta y liderar un centro educativo.  De por qué la EBAU pervierte todo el sistema.  De qué enseña el concierto de Keith Jarrett en Colonia sobre improvisar cuando todo sale mal.  De por qué Ferran Adrià no podría dar clase de cocina en un colegio español aunque quisiera.  De por qué nadie copia nuestro sistema educativo.   Y de esta frase que bien merecería una reflexión profunda: "El éxito de la privada es que no estamos haciendo bien la parte pública."   Lo dice alguien que lleva 20 años trabajando en educación privada.   Enjoy!

Whooping, whistling, punching the air, standing on the arm-rests and generally adding our voice to the sound of the crowd this week involves … … the creepy way Google eavesdrops our conversations … the cleverly positioned “secret” on McCartney's new album … why a knackered piano made Keith Jarrett's Cologne Concert a success … Daryl Hannah, Mick McCarthy, Ray Manzarek: people who hated the way they were played in biopics … Pectoralz? The Rain? Tony Flow and the Miraculously Majestic Masters of Mayhem? Abandoned band names moratorium … how movies are still revolve around white-hat heroes and black-hat villains … “Festival Seating” and the days when suffering was part of the entertainment … why Zappa thought bands exploited live audiences … “Jackson Browne In Concert”: when going to gigs was like going to the movies … plus Blink 182, Big Audio Dynamite and the days when the Marquee had two front rows of plastic seating.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Whooping, whistling, punching the air, standing on the arm-rests and generally adding our voice to the sound of the crowd this week involves … … the creepy way Google eavesdrops our conversations … the cleverly positioned “secret” on McCartney's new album … why a knackered piano made Keith Jarrett's Cologne Concert a success … Daryl Hannah, Mick McCarthy, Ray Manzarek: people who hated the way they were played in biopics … Pectoralz? The Rain? Tony Flow and the Miraculously Majestic Masters of Mayhem? Abandoned band names moratorium … how movies are still revolve around white-hat heroes and black-hat villains … “Festival Seating” and the days when suffering was part of the entertainment … why Zappa thought bands exploited live audiences … “Jackson Browne In Concert”: when going to gigs was like going to the movies … plus Blink 182, Big Audio Dynamite and the days when the Marquee had two front rows of plastic seating.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Whooping, whistling, punching the air, standing on the arm-rests and generally adding our voice to the sound of the crowd this week involves … … the creepy way Google eavesdrops our conversations … the cleverly positioned “secret” on McCartney's new album … why a knackered piano made Keith Jarrett's Cologne Concert a success … Daryl Hannah, Mick McCarthy, Ray Manzarek: people who hated the way they were played in biopics … Pectoralz? The Rain? Tony Flow and the Miraculously Majestic Masters of Mayhem? Abandoned band names moratorium … how movies are still revolve around white-hat heroes and black-hat villains … “Festival Seating” and the days when suffering was part of the entertainment … why Zappa thought bands exploited live audiences … “Jackson Browne In Concert”: when going to gigs was like going to the movies … plus Blink 182, Big Audio Dynamite and the days when the Marquee had two front rows of plastic seating.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Elvira en Anne-Maartje vieren de lente met een plantenfeestje: ombeurten leggen ze een plaat uit hun collectie op de pick up van de NPO klassiek studio. Van de Sound of Music tot Stravinsky en van Kate Bush tot Keith Jarrett. Het is een kleine strijd met toerentallen, maar het is ook een feestje! Gedraaid in de uitzending: Will Holshouser - Nocturnal Richard Rogers - Sound of Music Eric Satie - Gymnopedie & Prelude Laufey - Fragile Igor Stravinsky - Tango Waldo de los Rios - Tchaikovsky Symfonie 5 Keith Jarrett - So Tender Kate Bush - Wuthering Heights Ryuichi Sakamoto - Aurora

MELAINE DALIBERT live @ Bars en Trans, La Chapelle du concervatoire Melaine Dalibert est un pianiste bien connu de la scène contemporaine, notamment pour ses interprétations du répertoire minimaliste, ou sa relecture enflammée du Köln Concert de Keith Jarrett. C'est dans ses propres compositions qu'il se produira, déployant les titres oniriques de son dernier album Vermilion Hours réalisé avec la complicité de David Sylvian pour le label Ici d'ailleurs. infos Melaine Dalibert : https://www.barsentrans.com/programmation/?guest=6915e847178b8467b92b4b07 https://www.instagram.com/melainedalibert Enregistrement et post-production réalisés avec la complicité du festival Bars en Trans, à Chapelle du Conservatoire à Rennes à l'occasion d'un atelier L!VE Campus en déc 2025. Production : RC Clermont Ferrand, C-lab, Radio U, Radio Campus Paris, Radio Campus France Prise de son, post prid et voix : Matis Megoz Décembre 2025 ---------------------------------- L!VE CAMPUS, l'émission dédiée à la musique live ! La musique live, toutes les musiques lives ! " L!VE CAMPUS " , un nouveau programme musical live qui place en son centre la découverte de nouveaux talents. Partout sur le territoire, dans les studios radios, dans les salles, festivals et cafés concerts, les radios Campus captent les instants où les artistes musicien.ne.s présentent sur scène, parfois pour la première fois, le fruit de leur travail. Des performances et des moments enregistrés parfois fragiles mais toujours uniques et sensibles. Enregistrés, produits et diffusés sur les ondes de près de 30 radios Campus en France, ce programme offre à des projets musicaux émergents un changement d'échelle, permettant à des projet locaux de se faire connaitre en dehors de leur territoire d'origine. Enfin en arrière scène, ce sont des équipes radios, personnes bénévoles ou en formation, qui, avec la complicité de nos partenaires, s'essayent et manipulent les enregistreurs, consoles sons, câbles, micros et logiciels pour rendre possible ces captations sonores qui vous seront ensuite retransmises. Des défis techniques formateurs pour celles et ceux qui souhaitent se confirmer aux métiers du son. L!VE Campus, les jeunes talents à découvrir et a ré-écouter en podcast c'est ici et en FM/DAB+ sur vos radios Campus préférées. Avec le soutien du Centre National de la Musique. crédits visuels : Alice Marmond | IG @aliicetakespics

MELAINE DALIBERT live @ Bars en TransMelaine Dalibert est un pianiste bien connu de la scène contemporaine, notamment pour ses interprétations du répertoire minimaliste, ou sa relecture enflammée du Köln Concert de Keith Jarrett. C'est dans ses propres compositions qu'il se produira, déployant les titres oniriques de son dernier album Vermilion Hours réalisé avec la complicité de David Sylvian pour le label Ici d'ailleurs. https://www.barsentrans.com/programmation/?guest=6915e847178b8467b92b4b07 https://www.instagram.com/melainedalibertEnregistrement et post-production réalisés avec la complicité du festival Bars en Trans, à Chapelle du Conservatoire à Rennes à l'occasion d'un atelier L!VE Campus en déc 2025.Production : RC Clermont Ferrand, C-lab, Radio U, Radio Campus Paris, Radio Campus FrancePrise de son, post prid et voix : Matis MegozDécembre 2025----------------------------------L!VE CAMPUS, l'émission dédiée à la musique live !La musique live, toutes les musiques lives ! " L!VE CAMPUS " , un nouveau programme musical live qui place en son centre la découverte de nouveaux talents.Partout sur le territoire, dans les studios radios, dans les salles, festivals et cafés concerts, les radios Campus captent les instants où les artistes musicien.ne.s présentent sur scène, parfois pour la première fois, le fruit de leur travail. Des performances et des moments enregistrés parfois fragiles mais toujours uniques et sensibles.Enregistrés, produits et diffusés sur les ondes de près de 30 radios Campus en France, ce programme offre à des projets musicaux émergents un changement d'échelle, permettant à des projet locaux de se faire connaitre en dehors de leur territoire d'origine.Enfin en arrière scène, ce sont des équipes radios, personnes bénévoles ou en formation, qui, avec la complicité de nos partenaires, s'essayent et manipulent les enregistreurs, consoles sons, câbles, micros et logiciels pour rendre possible ces captations sonores qui vous seront ensuite retransmises. Des défis techniques formateurs pour celles et ceux qui souhaitent se confirmer aux métiers du son.L!VE Campus, les jeunes talents à découvrir et a ré-écouter en podcast c'est ici et en FM/DAB+ sur vos radios Campus préférées.Avec le soutien du Centre National de la Musique.crédits visuels : Alice Marmond | IG @aliicetakespicsHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

At the age of four, Steve Nieve drew pictures of piano keys and pretended to play them. He joined Elvis Costello & the Attractions when he was 19, the start of a life that involves having to find a flight case for a Steinway Grand. He talks to us here from his Paris apartment about Stiff package tours, recording remotely, his upcoming shows with the French singer Kessada and … … being a teenager as fond of Stravinsky as Alice Cooper and the Carpenters … playing in a mid-‘70s Top Forty covers band … the ad for a “rockin' pop combo” that changed his life … touring with Costello and Ian Dury and how he got his stage name … playing the Thunderbirds theme as a chat show bandleader on the Last Resort … a giant Klavins piano “that has stairs leading up the seat” … working on Morrissey's Kill Uncle … the 40,000 audience that watched his online Lockdown shows … unreliable stage pianos and the story of Keith Jarrett's Köln Concert. Tickets here: https://www.tickettailor.com/events/westhampsteadartsclub/2059256 The “About Love” album: https://music.apple.com/gb/album/about-love/1834791707 Steve's new album: https://stevenieve.hearnow.com/piano-night-2026 Steve's Instagram: https://www.instagram.com/steveprofessornieve/ Kessada's Instagram: https://www.instagram.com/iamkessada/ www.stevenieve.comwww.kessada.comHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

At the age of four, Steve Nieve drew pictures of piano keys and pretended to play them. He joined Elvis Costello & the Attractions when he was 19, the start of a life that involves having to find a flight case for a Steinway Grand. He talks to us here from his Paris apartment about Stiff package tours, recording remotely, his upcoming shows with the French singer Kessada and … … being a teenager as fond of Stravinsky as Alice Cooper and the Carpenters … playing in a mid-‘70s Top Forty covers band … the ad for a “rockin' pop combo” that changed his life … touring with Costello and Ian Dury and how he got his stage name … playing the Thunderbirds theme as a chat show bandleader on the Last Resort … a giant Klavins piano “that has stairs leading up the seat” … working on Morrissey's Kill Uncle … the 40,000 audience that watched his online Lockdown shows … unreliable stage pianos and the story of Keith Jarrett's Köln Concert. Tickets here: https://www.tickettailor.com/events/westhampsteadartsclub/2059256 The “About Love” album: https://music.apple.com/gb/album/about-love/1834791707 Steve's new album: https://stevenieve.hearnow.com/piano-night-2026 Steve's Instagram: https://www.instagram.com/steveprofessornieve/ Kessada's Instagram: https://www.instagram.com/iamkessada/ www.stevenieve.comwww.kessada.comHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

At the age of four, Steve Nieve drew pictures of piano keys and pretended to play them. He joined Elvis Costello & the Attractions when he was 19, the start of a life that involves having to find a flight case for a Steinway Grand. He talks to us here from his Paris apartment about Stiff package tours, recording remotely, his upcoming shows with the French singer Kessada and … … being a teenager as fond of Stravinsky as Alice Cooper and the Carpenters … playing in a mid-‘70s Top Forty covers band … the ad for a “rockin' pop combo” that changed his life … touring with Costello and Ian Dury and how he got his stage name … playing the Thunderbirds theme as a chat show bandleader on the Last Resort … a giant Klavins piano “that has stairs leading up the seat” … working on Morrissey's Kill Uncle … the 40,000 audience that watched his online Lockdown shows … unreliable stage pianos and the story of Keith Jarrett's Köln Concert. Tickets here: https://www.tickettailor.com/events/westhampsteadartsclub/2059256 The “About Love” album: https://music.apple.com/gb/album/about-love/1834791707 Steve's new album: https://stevenieve.hearnow.com/piano-night-2026 Steve's Instagram: https://www.instagram.com/steveprofessornieve/ Kessada's Instagram: https://www.instagram.com/iamkessada/ www.stevenieve.comwww.kessada.comHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Have no fear - the boys are not discussing just any four quartets. No, there's a couple of matching sets. An influential album from a certain "European Quartet" confronts its doppelganger from fifty years later; a recent leader date from a guitarist known for his electric work faces off with a work of his youth dating back forty-five years. And if that's not exciting enough, Pat leads Mike into the dark alleyway of Beach Boy bootlegs. Branford Marsalis – BELONGING; Keith Jarrett – BELONGING; Nels Cline, et al – QUARTET MUSIC; Nels Cline – CONSENTRIK QUARTET.

M

Í þætti dagsins hittum við þá Sævar Jóhannsson, tónlistarmann og Ólaf Sverri Traustason, skiptilykil hjá Bíó paradís, og ræðum um kvikmyndina Köln 75 sem sýnd er næsta laugardag á Þýskum kvikmyndadögum sem og tónleika sem þeir ætla að blása til í kvikmyndahúsinu að lokinni sýningu. Tónleika sem verða eins konar tilbrigði við víðfræga Kölnartónleika bandaríska tónlistarmannsins Keith Jarretts. Trausti Ólafsson rýnir í Birting í uppsetningu Leikfélags Akureyrar og einnig heiðrum við minningu Davíðs Oddsonar með brotum úr útvarpsþættinum Útvarp Matthildur.

Daniel Minsteris is a versatile keyboardist, programmer, and musical director best known for his extensive work with visionary artists like St. Vincent and David Byrne. Widely lauded for his deep expertise in Ableton Live, Daniel is a master at bridging the gap between the studio and the stage, seamlessly integrating complex electronic production with live performance. Beyond his high-profile touring work, Daniel has made his mark as a composer. In this episode, we sit down with Daniel to discuss his unique approach to live show design, his philosophy on keeping performance rigs reliable on the road, and his experiences sharing stages with some of modern music’s most innovative acts. We also dive into specific gear preferences and the challenges of translating meticulously crafted studio albums into massive live shows. To listen / watch: Audio-only: click on the play button in the audio player above, or: Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel Discussion topics covered during the show (links will open in new tab):   Daniel’s past year or so Joining David Byrne on his current ‘Who Is The Sky?’ tour Daniel in action on the 2013 St Vincent / David Byrne ‘Love This Giant’ tour Daniel in full mobile mode with David Byrne Ray Suen Daniel’s musical upbringing including early years in Lithuania Working with Joy Askew Joining Marianne Faithfull’s band Daniel in action live with Marianne Faithfull Daniel with Fernando Saunders – See The Light The Roland A-90 Working with Peter Cincotti Daniel with Peter Cincotti at Montreaux 2009 A discussion on playing strings and horns as a keyboard player The Ghost Train Orchestra performing on David Byrne’s ‘Everybody Laughs’ Audio Modeling’s SWAM Strings Meeting Annie Clark / St Vincent and joining her band Daniel performing live with St Vincent at Glastonbury 2014 Prepping sounds for a St Vincent tour Drummer Matt Johnson Daniel’s conflicted thoughts on redundancy management in a complex rig  Preparing for David Byrne’s ‘Who is the Sky?’ tour Divisimate by Nextmidi A detailed discussion on Daniel’s 100% wireless and mobile keyboard rig with David Byrne Daniel live with David Byrne in 2026 Implementing a large-scale wireless MIDI rig and tracking down some critical legacy equipment Sensory Percussion software for drummers Fascinating discussion on developing the means to use arms / elbows  for expression pedals instead of feet, in conjunction with keyboard tech Arturo Leon. Arduino hardware Working with Joe Jackson on the ‘What A Racket’ tour Daniel in action live with Joe Jackson Working with Steve Nieve Collaborating with Meshell Ndegeocello Meshell Ndegocello – Burn Progression Daniel recounts two notable train wrecks Daniel’s online course on troubleshooting MIDI and audio Desert Island Discs: Facing You – Keith Jarrett, Homogenic – Bjork, Animals – Pink Floyd, Todo Corazon – Julio De Caro, Turangalîla-Symphonie – Olivier Messiaen Key links: Become a member of our YouTube channel and receive extra content Buy some keyboard related merchandise Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn Complete our audience survey to help us improve! Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post Daniel Mintseris, David Byrne / St Vincent / Joe Jackson / Marianne Faithfull / Meshell Ndegeocello appeared first on The Keyboard Chronicles.

durée : 00:59:19 - Plain Gold Ring - par : Nathalie Piolé -

Un modesto tributo a Towner, DeJohnette, Pascoal o Eddie Palmieri, maestros del jazz y las músicas populares, cuyos ecos permanecerán en la memoria sonora de los tiempos.My Foolish Heart – Ralph Towner – Standards, Vol. 2Waltz For Debby – Ralph Towner – Open LetterMúsica da Lagoa – Hermeto Pascoal – Música da LagoaBebe – Hermeto Pascoal – The Monash SessionsSo Tender – Keith Jarrett – Standards, Vol. 2Luisito Serena Salsa – Jack DeJohnette – Sound TravelsOyelo que te Conviene – Eddie Palmieri Vámonos Pa’l Monte – Eddie Palmieri – Vámonos Pa’l MonteEscuchar audio

Is Steely Dan's Gaucho more perfect than Aja? Maybe even ... too perfect? Two years in the studio. The greatest session musicians alive asked to play take after take after take until it was exactly right. And sometimes that STILL wasn't enough for Donald Fagen and Walter Becker.On today's episode of You'll Hear It, jazz pianists Peter Martin and Adam Maness are breaking down the 1980 album track by track: the jazz harmony hiding inside those smooth grooves, the abstract poetry of the lyrics, and the insane stories behind how this thing got made. Including the $150,000 drum machine invented specifically for this record, the interview quote that cost them a third of a song, and the drum track that took 85 takes and 35 tape edits to piece together.And after all that, we didn't get another Steely Dan record for 20 years.Was it worth it?Read about the simple mistake that would haunt Steely Dan for 44 years in this week's edition of the You'll Read It newsletter: https://youllhearit.com/newsletterWatch our FULL breakdown of Steely Dan's Aja: https://youtu.be/G10mYohR6T400:00 - Steely Dan's Gaucho: A Monument to Perfect01:15 - "Babylon Sisters"11:00 - What Makes Steely Dan Genius13:35 - The Precision of Purdie's Drums on Babylon Sisters16:10 - Abstract Lyrics19:35 - "Hey Nineteen"22:25 - Pristine Rhodes25:25 - Isolated Vocal Stems on "Hey Nineteen"33:00 - "Glamour Profession"38:55 - The Mingus Influence40:10 - "Gaucho"43:20 - The Keith Jarrett Lawsuit48:50 - Gaucho Chorus Deep Dive54:10 - "Time Out Of Mind"57:50 - Monument to Perfectionism (Lead Boots)1:01:35 - Perfectionism and Jazz1:05:05 - Is Gaucho More Perfect Than Aja?1:06:25 - "My Rival"1:10:40 - Bowie / Steely Dan Side-By-Side1:14:00 - Too Fussy?1:19:05 - Open Studio Plays "Glamour Profession"

A set for piano lovers, with a particular focus on recent and newly issued solo recordings which explore spontaneity, lyricism, and the quiet intensity of unaccompanied playing, from Antonio Faraò's balanced mix of freedom and structure to the poetic restraint and emotional clarity of Frank Kimbrough, Bugge Wesseltoft, and Shai Maestro, before arriving at one of Keith Jarrett's late solo concert statements. Fred Hersch's Trio wraps up the playlist. The playlist features Antonio Faraò; Frank Kimbrough; Bugge Wesseltoft; Shai Maestro [pictured]; Keith Jarrett; and Fred Hersch. Detailed playlist at https://spinitron.com/RFB/pl/21792586/Mondo-Jazz [from "MT" onwards]. Happy listening! Photo: Gabriel Baharlia

Hot Box 148 is going to be both sad and joyful since we now remember the extraordinary drummer Jack DeJohnette who died at the end of October aged 83. He was a native of Chicago and certainly could lay a claim to being the greatest of all jazz drummers. Immensely influential in the overall direction of drumming in jazz and, by any standards, extraordinarily versatile. You only have to rattle off the names of the musicians he worked with to emphasise that point, take Miles Davis for example, then Bill Evans, John Surman, Keith Jarrett and Pat Matheney, really ticking most of the boxes in the post-bop era. So, let's listen to some of that music while we pay tribute to an extraordinary musician. Track list for The Hot Box #148 – Jack DeJohnette Sleeping Bee – Bill Evans Trio Forest Flower: Sunrise / Sunset – Charles Lloyd Quartet at Monterey Jazz Festival The Wrong Blues – Keith Jarrett Trio Hilltop Dancer – John Surman Entranced Androids – Jack DeJohnette Spanish Key – Miles Davis Tune In: Live Broadcast: Every two weeks on Jazz Radio Eire. Listen Live Listen Back: Catch past episodes on The Hot Box Jazz and Jazz Ireland. Subscribe to The Hot Box: Via Android: Subscribe on Android By Email: Subscribe by Email Spread the Word: Help us grow our jazz community by sharing The Hot Box with your friends and on social media. Your support keeps us going!

김송현 씨는 윤이상 콩쿠르 준우승, 리스트 콩쿠르 우승 등 국제 콩쿠르에서 두각을 나타낸 차세대 피아니스트입니다. 193cm의 장신으로 무대 위에서 강한 존재감을 드러내지만, 그의 음악은 작고 조용하며 내밀한 감정에서 출발합니다. 최근 발매한 두 번째 앨범 〈TIMESCAPE 시간의 풍경〉은 피아노 연주를 넘어, 사진 촬영과 글쓰기, 영문 번역까지 모두 직접 완성한 120페이지 분량의 북 앨범(book album)입니다. 1월부터 12월까지 열두 달의 시간을 12곡의 음악과 문장으로 기록하며, ‘시간의 풍경'을 담아냈습니다. 선곡과 연주는 어떻게 이뤄졌는지, 혼자 셔터를 누르고 문장을 고치며 완성해 간 창작 과정은 어땠는지 들어봅니다. 앨범의 주요 수록곡과 함께, 김송현 씨가 자신의 글을 직접 낭독하는 시간도 담았습니다. 글을 쓰고, 곡을 쓰며, 다양한 예술적 관심사를 확장해 가는 피아니스트 김송현. 아름다움을 사랑하고 지켜내는 사람이고 싶다는 그가 나직하게 들려주는 이야기를 만나보세요. ♬ ‘Embraceable You' ？ 조지 거슈윈(George Gershwin), 편곡 얼 와일드(Earl Wild) / 연주 김송현 ♬ ‘Spruce(가문비 나무)' ？ 시벨리우스(Sibelius) Op.75-5 / 연주 김송현 (금호아트홀 제공) ♬ ‘Be My Love' ？ 칸&브로드스키(Kahn & Brodsky), 편곡 키스 자렛(Keith Jarrett) / 연주 김송현 진행 : SBS 김수현 문화전문기자, 이병희 아나운서ㅣ출연 : 피아니스트 김송현ㅣ글·편집 : 김은혜 PD

durée : 00:59:33 - Hauts les notes - par : Nathalie Piolé -

Det starter med 1 tilsyneladende simpelt spørgsmål og ender med tusind nye, da Brevet og Mixi forsøger at reflektere lidt over det med afslutninger. Lytterne nægter at lade noget som helst slutte og fører i stedet – med lytter Bitten Fiskepixel i spidsen – programmet i en grøntsags-forankret kosmologisk retning, der starter en bimlende lavine af MMS'er og opkald. PunkPanda, Keith Jarrett, Snoop Dogg og Willie Nelson m.fl. agerer backingband. Du kan jo selv jamme med på kaffekværnen derhjemme. Næste udsendelse sendes live torsdag den 8. januar kl. 19:00 på thelakeradio.com Du kan skrive emailz til programmet på hallo [snabel-a] hallohvemerdet [punktum] dk Du kan lægge talebeskeder og sende SMS'er til Hallo-mo-fonen på 4266 8029 Du kan følge programmets værter på det sociale medie Pixelfed: @miximedia, @dj_brevet Du kan støtte The Lake Radio økonomisk på thelakeradio.com -> support Musik spillet i showet: 001 - Mr D - Extra Classy Girl 002 - (lytterønske) Woofers & Tweeters Ensemble - I Feel Fine 003 - Etta James - I'd Rather Go Blind 004 - Willie Nelson, Snoop Dogg, Kris Kristofferson, Jamey Johnson - Roll Me Up 005 - Macka B - Cucumba to Di World 006 - Panduranga Henderson - Hari Haraya 007 - Keith Jarrett ft. PunkPanda - Country (fuck jazz) 008 - Rex Gyamfi - Ebe Ye Yie 009 - (ik en objektiv banger alligevel :< ) Natasha Bedingfield - Unwritten 010 - Jenny Wilson - Let My Shoes Lead Me Forward 011 - Taina Gee, Pitua, Sharzy - Taku Marama 012 - Hasse & William - Aldrig For Sent 013 - Joy of Cooking - Beginning of Tomorrow 014 - Talk Talk - Living In Another World

Featuring the brand new single from CDMX mod-space-groovers Hate Love Trio; a live drop on ECM from guitarist Wolfgang Muthspiel w/legends Scott Colley and Brian Blade; Brooklyn bass master Arthur Kell; Keith Jarrett's seminal classic ‘Live at the Deer Head Inn'; the timeless genius of Dr. John; 2 words: Nina Simone; and the one and only Prince.

Wolfgang Sandner hat mit seinem feinen Gespür für Klang und seinem kritischen Blick, die Musiklandschaft Deutschlands über viele Jahrzehnte geprägt. Als langjähriger FAZ-Redakteur und Biograf von Leonard Bernstein und Keith Jarrett hat er Generationen von Lesern das Abenteuer Musik nahegebracht.

Wolfgang Sandner hat mit seinem feinen Gespür für Klang und seinem kritischen Blick, die Musiklandschaft Deutschlands über viele Jahrzehnte geprägt. Als langjähriger FAZ-Redakteur und Biograf von Leonard Bernstein und Keith Jarrett hat er Generationen von Lesern das Abenteuer Musik nahegebracht.

It's Cyber Monday at Open Studio! Grab our biggest savings of the year and take your playing to the next level: https://www.openstudiojazz.com/yhi/Keith Jarrett's "The Köln Concert" is the best selling solo piano album of all time. But why this album? Possibly because it sounded like nothing else in popular music at the time of its release in 1975. It is cinematic, genre-fluid and masterful – in many ways ahead of its time.Jazz musicians Adam Maness and Peter Martin listen to one of the most popular albums in the history of jazz, pulling apart all the elements that make it great: the melodies, the vamps, even the "soul" of Jarrett's notoriously flawed piano. If you know "The Köln Concert" well, watch for the analysis and hot takes. If you haven't heard this album before, it may just become the soundtrack to your life!00:00 - Is it Köln or Cologne?06:30 - Part I09:20 - How Jarrett Made Music for the Moment17:00 - Jumping Back Into Part I23:00 - Joyful and Fearless 29:00 - All the Genres33:20 - Legit Amazing AND Popular36:05 - The Harp42:00 - Part II a48:25 - 80s Cinema Vibes54:20 - Part II b1:00:55 - Part II c1:04:00 - Apex Moments & Categories1:11:45 - GALA + Black Friday at Open Studio!

Escucha el programa con Igor Paskual y Alfonso CardenalPLAYLIST: Los grandes trabajos de la historia

Mick Rossi has had a burgeoning career spanning decades, genres and artists. We attempt in an hour to cover some decent ground on that amazing career, including Mick’s work with Philip Glass, The Philip Glass Ensemble, Paul Simon, Carly Simon and Hall & Oates to name just a few. To listen / watch: Audio-only: click on the play button in the audio player above, or: Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel Discussion topics covered during the show (links will open in new tab):   Mick’s recent and (8th or 9th) tour with Paul Simon Mick in action in 2025 with Paul Simon – The Sacred Harp Mick in action with Paul Simon – Wristband Recent work with the Philip Glass and the Philip Glass Ensemble – Floe (Glassworks) Mick with the Philip Glass Ensemble in 2024 – The Grid The late and great Dennis Sandole Touring with Angela Bofill Being approached to play with Philip Glass Philip Glass – La Belle et la Bête Michael Riesman Mick’s keyboard rig with The Philip Glass Ensemble Philip Glass – Orion Philip Glass & Leonard Cohen – Book of Longing On playing Philip Glass’ Music in 12 Parts On conducting a Philip Glass Ensemble show with a couple of hours notice On recording with, and joining, Paul Simon’s band Mick in action with Paul Simon on Cool, Cool River Mick’s keyboard rig with Paul Simon New York’s The Knitting Factory Mick’s prolific solo output including 160 (and why it should have been titled something different) Mick Rossi’s Anti-Matter Live at Barbes Mick with Caleb Wheeler Curtis – Runt Desert Island Discs: Facing You – Keith Jarrett, Symphonies Nos 1-15 – Shostakovich, Self-Titled – Led Zeppelin, Music for Strings, Percussion & Celesta, Five Pieces for Orchestra – Webern Key links: Buy some keyboard related merchandise Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn Complete our listener survey to help us improve the show, it only takes 90 seconds. Support us on Patreon and receive bonus content Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post Mick Rossi, Paul Simon / Philip Glass / Solo Artist appeared first on The Keyboard Chronicles.

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With both a U.S. tour and a new session of Sky Academy booked for April/May, Uli Jon Roth is headed for an exciting Spring of 2026. It's all part of his passion to reach (and help his Sky Academy students reach) new musical heights. “A great musician is always growing,” says the German-born, U.K.-based guitar hero. Indeed, Uli could have rested on his laurels as the lava-hot lead player of '70s-era Scorpions hard rock. But, taking inspiration from the music of heroes such as Keith Jarrett, Jimi Hendrix, and Antonio Vivaldi, he has always strived for a much deeper level of artistic expression. In this exclusive visit to Sky Academy, we plug in with Uli and embark on some epic improvisational odysseys, gain insights into his hugely influential rock masterpiece “The Sails of Charon,” learn about his unique extended-neck Sky Guitars, and, best of all, learn why, as he says, “the fingers are the least important part of your sound.” Hosted by Jude Gold, this episode is brought to you by your online guitar instruction friends at TrueFire. TrueFire offers thousands of hours of guitar instruction from A-list players. For a free 30-day all-access membership (no credit card required!), click to truefire.com/safe.

It's been a hot minute since the boys did a "pop" episode, but given this very special installment is devoted to jazz-rock gods of the seventies Steely Dan, maybe this doesn't count. The Dan's somewhat controversial 1980's sign-off gets a good look in and then various tributes are dissected, with Pat arguing that jazz musicians need to take the kid gloves off when confronting this most seminal of cross-over hit-makers. Also, Keith Jarrett called and he wants his royalties. Steely Dan - GAUCHO;  Chris Ingham – WALTER/DONALD; Sara Isaksson and Rebecca Tornqvist - FIRE IN THE HOLE; Marian McPartland's Piano Jazz – STEELY DAN ; Woody Herman – CHICK, DONALD, WALTER, AND WOODROW.

On October 26, 2025, the legendary jazz drummer Jack DeJohnette passed away at the age of 83. DeJohnette was one of the greatest drummers in modern jazz. He released more than 50 albums as a bandleader and appeared on hundreds of recordings as a sideman — including landmark sessions such as Miles Davis' “Bitches Brew”, Wayne Shorter's “Super Nova”, and Keith Jarrett's “Standards”, among many others. DeJohnette also recorded six classic albums with Naptown jazz icon Freddie Hubbard. This week on Echoes of Indiana Avenue, we'll share music highlighting Freddie Hubbard's collaborations with Jack DeJohnette.  Born in Chicago in 1942, DeJohnette began his musical journey studying classical piano before switching to drums — a duality that shaped his melodic sensibility behind the kit. He rose to prominence in the 1960s through his work with jazz luminaries including Charles Lloyd, Chick Corea, Bill Evans, and Miles Davis. During his six-decade career, DeJohnette led numerous ensembles and recorded prolifically, creating a distinctive sound that fused jazz traditions with abstract and avant-garde influences. A National Endowment for the Arts Jazz Master and Grammy Award winner, DeJohnette was a guiding force in the evolution of modern jazz.

The Köln Concert by Keith Jarrett is one of the most iconic recordings in jazz history — a completely improvised solo piano performance, recorded in 1975, that became both the best-selling solo album and the best-selling piano album of all time. And yet, the concert almost didn't happen. The new film Köln 75, directed by Brooklyn-based filmmaker Ido Fluk, tells the remarkable true story behind that night through the eyes of Vera Brandes, the 18-year-old German concert promoter whose persistence and intuition made it possible. Against all odds - and with only a broken, nearly unplayable piano to work with - Brandes helped turn what could have been a disaster into a historic moment that continues to resonate fifty years later. Here Vera Brandes shares her memories of that night and her reflections on the making of Köln 75, which captures not only a pivotal event in jazz but also a coming-of-age story set in a post-war Germany rebuilding its identity. The conversation explores how art, community, and chance intersect, how the myths, friendships, and behind-the-scenes stories give life to the music itself. Narrative films about jazz are notoriously difficult to make, but Köln 75 manages to do the almost unthinkable: it's funny, urgent, and even sexy — a movie about a concert promoter trying to put on a show that somehow feels thrilling and alive. www.third-story.com  leosidran.substack.com  wbgo.org/studios  

History is full of famous tales that are told from one perspective. As we all know, everyone has their own version of how something went down....even if it doesn't contradict the popular narrative, there's always something that happened in the background whose importance is diluted or not told at all. Welcome to episode 130 of See Hear Podcast. In 1974, a German teenage jazz fan named Vera Brandes was inspired to book jazz pianist Keith Jarrett to perform at the Koln Opera House. This seemed like a gigantic task however you look at it. Vera had gained a little experience in helping touring musicians perform around Germany (already a big task) but getting one of the then new leading lights in jazz to perform a large venue like the Koln Opera House at the age of 18???? Adding to the degree of difficulty, Jarrett arrived in Koln to discover that there was only an out of tune, broken pedal baby grand with stuck keys. Things happened, the concert was recorded, and the resulting album sold more than any other solo piano jazz album in history. The thing is....everyone talks about Jarrett's ability to improvise on a (partly repaired) piano for an hour and create wonderful art. The part that is often missing or diluted from the story is how Vera Brandes made this happen at all. If she hadn't been so inspired to promote this show, the biggest selling piano jazz album ever, belongs to someone else. Director and writer Ido Fluk was so inspired by this story, he decided to make a film to tell it from Vera's side of the tale. Sure, Jarrett is a strong part of the filmed version of events, but make no mistake – this is Vera's story. She went on to be a successful album producer and music promoter, but this is the tale she wanted told. As the analogy is made in the film, sometimes you have to tell the story of the scaffolding to appreciate the story of painting the Sistine Chapel ceiling. On the latest episode of See Hear, Tim, Kerry and I were thrilled to chat with Ido about what the definition of success is, how making great art is not always about the artist solely, and how his own journey to write the tale in some ways reflected Keith's approach to improvisational music composition. Mala Emde as Vera and John Margaro as Keith are real revelations. Both actors reveal their characters as 3 dimensional in a way that may not have been in lesser hands. Ido is an incredible director who really knows how to tell a story and how to get the best out of his cast. The film has already had festival screenings in Europe and the US, and is about to get a wider cinema release there. Hopefully, it gets wider worldwide release, before landing on streaming or physical media in the not too distant future. Trust me – you can listen and enjoy this conversation independently of seeing the film....but rush to it first chance you get. Our huge thanks to Ido for his generosity of time and conversation, and to publicist Sasha Berman for making it happen. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com ⁠ Send us feedback via email at ⁠seehearpodcast@gmail.com ⁠ Join the Facebook group at ⁠http://facebook.com/groups/seehearpodcast ⁠ You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

Dans ce nouveau numéro d'IDÉES, Pierre-Édouard Deldique reçoit Arnaud Teyssier, historien du gaullisme, pour évoquer la Constitution de la Vè République alors que la France traverse une crise politique inédite sans précédent depuis 1958.  Selon lui, la Constitution est solide, capable de faire face à cette crise. «C'est un édifice puissant d'une cohérence profonde et dressé contre la tentation du déclin», écrit-il dans sa monumentale biographie intitulée «Charles de Gaulle, l'angoisse et la grandeur» (Perrin). Il l'explique dans ce nouveau numéro du «magazine qui interroge ceux qui pensent le monde». Dans cet épais ouvrage, Arnaud Teyssier explore la vie exceptionnelle de Charles de Gaulle, en mêlant rigueur historique et profondeur philosophique. Loin d'une simple biographie, le livre propose une méditation sur la grandeur politique et les angoisses quasi-existentielles qu'a connues l'homme du 18 juin. L'auteur, normalien et énarque, revient sur l'enfance de De Gaulle, marquée par une «fierté anxieuse» envers la France, selon les propres mots du général. Il souligne l'influence qu'ont eue chez lui des penseurs et des écrivains comme Chateaubriand, Barrès, Péguy, Bergson ou Maritain, qui ont nourri la vision romantique et spirituelle de Charles de Gaulle qui apparaît comme un homme tiraillé entre la lucidité politique et une quête de transcendance, entre machiavélisme et idéalisme. Le livre insiste sur la conception gaullienne de l'État : fort, souverain, garant de l'unité nationale, le général y est présenté comme profondément conscient du déclin de la France et de l'Occident, confrontés à une modernité sans repères, à une spiritualité affaiblie et à la mort des idéologies. L'auteur montre comment De Gaulle, en bâtissant les institutions de la Vè République, cherchait à conjurer le chaos de juin 1940 et à préparer la France à affronter les défis du futur. Dans l'émission, Arnaud Teyssier explique ce que Charles de Gaulle a voulu faire en créant le Vè République conçue pour lui survivre.   Programmation musicale :  Keith Jarrett, Sonate III en mi mineur - Vivace (Compositeur : Carl Philipp Emanuel Bach).

durée : 01:58:36 - Le Bach de l'été du dimanche 24 août 2025 - Une plongée dans le swing des années 1960 à l'écoute des Swingle Singers, du Trio Play Bach de Jacques Loussier, The Modern Jazz Quartet, Pierre Gossez, Michel Roques… ; Pierre Auclert (1969) dans les « Les introuvables de Bach » ; puis « Les 80 ans de Keith Jarrett » (émission n° 339) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

本期节目，划水怪和重轻老师聚焦于音乐人梁博及其新专辑《精气神》引发的争议，进行了探讨。为什么这张专辑的“过载失真”就是缺乏音乐完整性；梁博为了找感觉打鼓百遍，却被批 “技术失控”？执着于寻找心里最初想象的东西，却反而被诟病为“DEMO”综合症。两人围绕完美细节追求与真实情感表达之间的矛盾展开探讨，指出这不仅是梁博面临的创作困境，同时也是很多创作人都会面临的问题。那么创作者的自我表达与受众期待又该如何平衡呢？本期节目让我们一起共同深入思考！更多精彩内容，欢迎收听本期节目~主播 / 相征 嘉宾 / 重轻音频后期 / 陆凯BBBBUDDHA音频上传 / 恬恬-本节目由深夜谈谈 Midnight Network出品 -Playlist:00:23:59 Coldplay - Christmas Lights00:28:09 梁博 - 心田00:33:15 MGMT - Time To Pretend00:38:10 梁博 - 苦与乐00:40:04 梁博 - 避世离俗00:44:50 周杰伦 - 双刀00:47:10 Tom Waits - Way Down In The Hole01:13:39 Jeff Buckley - Hallelujah01:27:20 梁博 - 日落大道01:36:14 梁博 - 颠倒梦想01:52:29 梁博 - 男孩 (Live)Timeline:00:02:45 重轻老师翻译的新书《创意行为：存在即答案》00:07:58 梁博新专辑引发争议？00:11:25 艺术是感性的理性表达00:12:33 专辑听后初感受00:15:50 设备对于收听感受的影响大么？00:19:38 音乐制作中的过载和缩混问题探讨00:44:24 缩混的重要性00:51:10 划水怪衡量作品是否优秀的三个标准00:57:19 创作中的真实与粗糙01:06:09 DEMO综合症01:17:43 逆境中Keith Jarrett 的经典现场01:22:12 创作者的职业危机01:33:19 谈及早期的梁博01:46:42 浅聊中国摇滚乐现状5月31日至6月2日，由深夜谈谈播客网络举办的声量Fu将在北京檀谷·慢闪公园举办，三天时间，让我们在山林、庙宇与城市的交界地带，共同探索“慢福”的独特内涵。购票可以微信小程序搜索「大内夜市」购买。深夜谈谈春季招聘2.0，本次开放岗位设计师，感兴趣的朋友们请发送求职信+简历+个人作品请发送至邮箱jobs@midnightalks.com✈️​2025年大内FUJI ROCK团现已开团，5组主播带队，带你奔赴亚洲最值得去的音乐节。具体行程和购买方式还请前往微信小程序「大内夜市」～大内夜市近期上新！大内人气玄学嘉宾张无梦特别推荐5款文玩手串和1款伏藏紫檀五股降魔杵，旺人缘、增桃花、添财运、保健康、增智慧，咱敲多了电子木鱼，转多了赛博锦鲤，不如给自己来条趁手法器。微信搜索「大内夜市」即可购买！​深夜谈谈播客网络旗下播客：大内密谈、枕边风、空岛、随便聪明、淮海333-你还可以在这里找到我们：小红书：@深夜谈谈子、@相征terryB站：@大内密谈midnightalks视频号&抖音：@深夜谈谈子微博：@大内密谈 微信公众号：大内密谈 商务合作邮箱：biz@midnightalks.com加听众群：加深夜谈谈子微信（微信号:SYTT-midnightalks）并回复【听众群】即可进群。