Podcast appearances and mentions of Keith Jarrett

durée : 00:04:32 - Le Bach du matin du samedi 01 novembre 2025 - Pour débuter notre émission ce samedi, nous écoutons la Sonate n°2 en La Maj BWV 1015 : Presto de Jean-Sébastien Bach, avec Michelle Makarski au violon et Keith Jarrett au piano. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:32 - Le Bach du matin du samedi 01 novembre 2025 - Pour débuter notre émission ce samedi, nous écoutons la Sonate n°2 en La Maj BWV 1015 : Presto de Jean-Sébastien Bach, avec Michelle Makarski au violon et Keith Jarrett au piano. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

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The Köln Concert by Keith Jarrett is one of the most iconic recordings in jazz history — a completely improvised solo piano performance, recorded in 1975, that became both the best-selling solo album and the best-selling piano album of all time. And yet, the concert almost didn't happen. The new film Köln 75, directed by Brooklyn-based filmmaker Ido Fluk, tells the remarkable true story behind that night through the eyes of Vera Brandes, the 18-year-old German concert promoter whose persistence and intuition made it possible. Against all odds - and with only a broken, nearly unplayable piano to work with - Brandes helped turn what could have been a disaster into a historic moment that continues to resonate fifty years later. Here Vera Brandes shares her memories of that night and her reflections on the making of Köln 75, which captures not only a pivotal event in jazz but also a coming-of-age story set in a post-war Germany rebuilding its identity. The conversation explores how art, community, and chance intersect, how the myths, friendships, and behind-the-scenes stories give life to the music itself. Narrative films about jazz are notoriously difficult to make, but Köln 75 manages to do the almost unthinkable: it's funny, urgent, and even sexy — a movie about a concert promoter trying to put on a show that somehow feels thrilling and alive. www.third-story.com  leosidran.substack.com  wbgo.org/studios  

History is full of famous tales that are told from one perspective. As we all know, everyone has their own version of how something went down....even if it doesn't contradict the popular narrative, there's always something that happened in the background whose importance is diluted or not told at all. Welcome to episode 130 of See Hear Podcast. In 1974, a German teenage jazz fan named Vera Brandes was inspired to book jazz pianist Keith Jarrett to perform at the Koln Opera House. This seemed like a gigantic task however you look at it. Vera had gained a little experience in helping touring musicians perform around Germany (already a big task) but getting one of the then new leading lights in jazz to perform a large venue like the Koln Opera House at the age of 18???? Adding to the degree of difficulty, Jarrett arrived in Koln to discover that there was only an out of tune, broken pedal baby grand with stuck keys. Things happened, the concert was recorded, and the resulting album sold more than any other solo piano jazz album in history. The thing is....everyone talks about Jarrett's ability to improvise on a (partly repaired) piano for an hour and create wonderful art. The part that is often missing or diluted from the story is how Vera Brandes made this happen at all. If she hadn't been so inspired to promote this show, the biggest selling piano jazz album ever, belongs to someone else. Director and writer Ido Fluk was so inspired by this story, he decided to make a film to tell it from Vera's side of the tale. Sure, Jarrett is a strong part of the filmed version of events, but make no mistake – this is Vera's story. She went on to be a successful album producer and music promoter, but this is the tale she wanted told. As the analogy is made in the film, sometimes you have to tell the story of the scaffolding to appreciate the story of painting the Sistine Chapel ceiling. On the latest episode of See Hear, Tim, Kerry and I were thrilled to chat with Ido about what the definition of success is, how making great art is not always about the artist solely, and how his own journey to write the tale in some ways reflected Keith's approach to improvisational music composition. Mala Emde as Vera and John Margaro as Keith are real revelations. Both actors reveal their characters as 3 dimensional in a way that may not have been in lesser hands. Ido is an incredible director who really knows how to tell a story and how to get the best out of his cast. The film has already had festival screenings in Europe and the US, and is about to get a wider cinema release there. Hopefully, it gets wider worldwide release, before landing on streaming or physical media in the not too distant future. Trust me – you can listen and enjoy this conversation independently of seeing the film....but rush to it first chance you get. Our huge thanks to Ido for his generosity of time and conversation, and to publicist Sasha Berman for making it happen. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com ⁠ Send us feedback via email at ⁠seehearpodcast@gmail.com ⁠ Join the Facebook group at ⁠http://facebook.com/groups/seehearpodcast ⁠ You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

History is full of famous tales that are told from one perspective. As we all know, everyone has their own version of how something went down....even if it doesn't contradict the popular narrative, there's always something that happened in the background whose importance is diluted or not told at all. Welcome to episode 130 of See Hear Podcast. In 1974, a German teenage jazz fan named Vera Brandes was inspired to book jazz pianist Keith Jarrett to perform at the Koln Opera House. This seemed like a gigantic task however you look at it. Vera had gained a little experience in helping touring musicians perform around Germany (already a big task) but getting one of the then new leading lights in jazz to perform a large venue like the Koln Opera House at the age of 18???? Adding to the degree of difficulty, Jarrett arrived in Koln to discover that there was only an out of tune, broken pedal baby grand with stuck keys. Things happened, the concert was recorded, and the resulting album sold more than any other solo piano jazz album in history. The thing is....everyone talks about Jarrett's ability to improvise on a (partly repaired) piano for an hour and create wonderful art. The part that is often missing or diluted from the story is how Vera Brandes made this happen at all. If she hadn't been so inspired to promote this show, the biggest selling piano jazz album ever, belongs to someone else. Director and writer Ido Fluk was so inspired by this story, he decided to make a film to tell it from Vera's side of the tale. Sure, Jarrett is a strong part of the filmed version of events, but make no mistake – this is Vera's story. She went on to be a successful album producer and music promoter, but this is the tale she wanted told. As the analogy is made in the film, sometimes you have to tell the story of the scaffolding to appreciate the story of painting the Sistine Chapel ceiling. On the latest episode of See Hear, Tim, Kerry and I were thrilled to chat with Ido about what the definition of success is, how making great art is not always about the artist solely, and how his own journey to write the tale in some ways reflected Keith's approach to improvisational music composition. Mala Emde as Vera and John Margaro as Keith are real revelations. Both actors reveal their characters as 3 dimensional in a way that may not have been in lesser hands. Ido is an incredible director who really knows how to tell a story and how to get the best out of his cast. The film has already had festival screenings in Europe and the US, and is about to get a wider cinema release there. Hopefully, it gets wider worldwide release, before landing on streaming or physical media in the not too distant future. Trust me – you can listen and enjoy this conversation independently of seeing the film....but rush to it first chance you get. Our huge thanks to Ido for his generosity of time and conversation, and to publicist Sasha Berman for making it happen. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com ⁠ Send us feedback via email at ⁠seehearpodcast@gmail.com ⁠ Join the Facebook group at ⁠http://facebook.com/groups/seehearpodcast ⁠ You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

Geh mit Vera Brandes – Musikproduzentin, Wissenschaftlerin und leidenschaftliche Musikliebhaberin - auf eine klangvolle Reise in die 1970er Jahre. In dieser Episode von „Mein Lieblingssong“ erzählt sie, wie sie ihren Lieblingssong „Sweet Mama Janisse“ von Taj Mahal in einem Plattenladen in der Kölner Innenstadt entdeckte - ein Moment, der bis heute nachhallt. Damals gab sie ihr ganzes Taschengeld für Schallplatten aus - und dieser besondere Fund begleitet sie seither durchs Leben. Der Song macht einfach gute Laune, erzählt sie, und vor allem die vier Tubaspieler sind für sie ein musikalischer Hochgenuss. Aber Vera Brandes ist nicht nur Hörerin - sie hat Musikgeschichte geschrieben: 1975 organisierte sie das legendäre „The Köln Concert“ mit Keith Jarrett. Bis heute erforscht sie die Wirkung von Musik auf die Gesundheit des Menschen. Warum sie immer noch um die halbe Welt reisen würde, um Taj Mahal live zu sehen, und welche Rolle Musik in ihrer wissenschaftlichen Arbeit spielt - all das erfährst du in dieser ganz besonderen Folge. Hör rein und lass dich von Vera Brandes' Begeisterung für „Sweet Mama Janisse“ anstecken!Der „Mein Lieblingssong“-Podcast ist demnächst live in Köln. Am 8. November 2025, 19:30 Uhr, begrüßen Falk & Ryll die Sängerin & Songwriterin Christina Lux und den Kabarettisten Ludger K. im Kölner Hinterhofsalon und sprechen mit ihnen über ihren Lieblingssong. Begleitet mit Live-Musik von Bob Bee am Keyboard. Tickets gibt es bei Kölnticket. Höre deinen Lieblings-Podcast und deine Lieblingsmusik doch einfach auf einem sonoro Musiksystem.Das sonoro MEISTERSTÜCK und viele andere Produkte aus der sonoro Klangschmiede findet ihr hier: sonoro.comHier findest du uns auf Facebook, Instagram oder YouTube.Du möchtest selbst mal Gast in unserem Podcast sein und von deinem Lieblingssong erzählen? Dann schreibe uns einfach eine E-Mail an: post/at/meinlieblingssong.com und wir melden uns bei dir. Hinterlasse gerne eine Bewertung und abonniere unseren Podcast bei deinem Streamingportal der Wahl und verpasse keine Folge. Und wenn du alle Neuigkeiten zum Podcast „Mein Lieblingssong“ mitbekommen möchtest, dann melde dich hier für unseren wöchentlichen Newsletter an: Kostenloser NewsletterGeschichten aus den 80ern: Mein Lieblingssong - Album 2 als Hörbuchversion.Gibt es überall, wo es gute Hörbücher gibt.Mehr über die beiden Hosts Falk & Ryll sowie alle Podcastfolgen findest Du auf www.meinlieblingssong.com Hosted on Acast. See acast.com/privacy for more information.

Dans ce nouveau numéro d'IDÉES, Pierre-Édouard Deldique reçoit Arnaud Teyssier, historien du gaullisme, pour évoquer la Constitution de la Vè République alors que la France traverse une crise politique inédite sans précédent depuis 1958.  Selon lui, la Constitution est solide, capable de faire face à cette crise. «C'est un édifice puissant d'une cohérence profonde et dressé contre la tentation du déclin», écrit-il dans sa monumentale biographie intitulée «Charles de Gaulle, l'angoisse et la grandeur» (Perrin). Il l'explique dans ce nouveau numéro du «magazine qui interroge ceux qui pensent le monde». Dans cet épais ouvrage, Arnaud Teyssier explore la vie exceptionnelle de Charles de Gaulle, en mêlant rigueur historique et profondeur philosophique. Loin d'une simple biographie, le livre propose une méditation sur la grandeur politique et les angoisses quasi-existentielles qu'a connues l'homme du 18 juin. L'auteur, normalien et énarque, revient sur l'enfance de De Gaulle, marquée par une «fierté anxieuse» envers la France, selon les propres mots du général. Il souligne l'influence qu'ont eue chez lui des penseurs et des écrivains comme Chateaubriand, Barrès, Péguy, Bergson ou Maritain, qui ont nourri la vision romantique et spirituelle de Charles de Gaulle qui apparaît comme un homme tiraillé entre la lucidité politique et une quête de transcendance, entre machiavélisme et idéalisme. Le livre insiste sur la conception gaullienne de l'État : fort, souverain, garant de l'unité nationale, le général y est présenté comme profondément conscient du déclin de la France et de l'Occident, confrontés à une modernité sans repères, à une spiritualité affaiblie et à la mort des idéologies. L'auteur montre comment De Gaulle, en bâtissant les institutions de la Vè République, cherchait à conjurer le chaos de juin 1940 et à préparer la France à affronter les défis du futur. Dans l'émission, Arnaud Teyssier explique ce que Charles de Gaulle a voulu faire en créant le Vè République conçue pour lui survivre.   Programmation musicale :  Keith Jarrett, Sonate III en mi mineur - Vivace (Compositeur : Carl Philipp Emanuel Bach).

Dans ce nouveau numéro d'IDÉES, Pierre-Édouard Deldique reçoit Arnaud Teyssier, historien du gaullisme, pour évoquer la Constitution de la Vè République alors que la France traverse une crise politique inédite sans précédent depuis 1958.  Selon lui, la Constitution est solide, capable de faire face à cette crise. «C'est un édifice puissant d'une cohérence profonde et dressé contre la tentation du déclin», écrit-il dans sa monumentale biographie intitulée «Charles de Gaulle, l'angoisse et la grandeur» (Perrin). Il l'explique dans ce nouveau numéro du «magazine qui interroge ceux qui pensent le monde». Dans cet épais ouvrage, Arnaud Teyssier explore la vie exceptionnelle de Charles de Gaulle, en mêlant rigueur historique et profondeur philosophique. Loin d'une simple biographie, le livre propose une méditation sur la grandeur politique et les angoisses quasi-existentielles qu'a connues l'homme du 18 juin. L'auteur, normalien et énarque, revient sur l'enfance de De Gaulle, marquée par une «fierté anxieuse» envers la France, selon les propres mots du général. Il souligne l'influence qu'ont eue chez lui des penseurs et des écrivains comme Chateaubriand, Barrès, Péguy, Bergson ou Maritain, qui ont nourri la vision romantique et spirituelle de Charles de Gaulle qui apparaît comme un homme tiraillé entre la lucidité politique et une quête de transcendance, entre machiavélisme et idéalisme. Le livre insiste sur la conception gaullienne de l'État : fort, souverain, garant de l'unité nationale, le général y est présenté comme profondément conscient du déclin de la France et de l'Occident, confrontés à une modernité sans repères, à une spiritualité affaiblie et à la mort des idéologies. L'auteur montre comment De Gaulle, en bâtissant les institutions de la Vè République, cherchait à conjurer le chaos de juin 1940 et à préparer la France à affronter les défis du futur. Dans l'émission, Arnaud Teyssier explique ce que Charles de Gaulle a voulu faire en créant le Vè République conçue pour lui survivre.   Programmation musicale :  Keith Jarrett, Sonate III en mi mineur - Vivace (Compositeur : Carl Philipp Emanuel Bach).

In onda Fabio Barbieri. Musiche: Average White Band, Jackie Mittoo, Sabres of Paradise, Julian Cubillos, Brad Mehldau, Folk Bitch Trio, Steve Gunn, Signum Quartett, Keith Jarrett, Paul Motian & Gary Peacock.

En septiembre de 1992, Keith Jarrett se presentó con Gary Peacock y Paul Motian en el Deer Head Inn de Pensilvania. Un primer disco se publicó en 1994, 'At the Deer Head Inn', y treinta años después salió por fin el material que faltaba en 'The old country. More from the Deer Head Inn'. Ahora, por primera vez en vinilo, en una caja de 4 LP´s, el concierto completo. Escuchamos la segunda parte de 'The complete recordings': 'Everything I love', 'I fall in love too easily', 'Straight no chaser', 'All of you', 'Someday my prince will come', 'Golden earrings', 'How long has this been going on'.Escuchar audio

durée : 00:25:19 - Salomé Gasselin, violiste - Après un deuxième album "Mystères" consacré à Bach et Biber, la violiste Salomé Gasselin sera demain à la Philharmonie de Paris pour un autre diptyque, plus surprenant, faisant dialoguer Henry Purcell et Keith Jarrett. Celle qui était Révélation aux Victoires 2024 prend aujourd'hui son envol. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:58:03 - Musique matin du jeudi 02 octobre 2025 - par : Jean-Baptiste Urbain - Après un deuxième album "Mystères" consacré à Bach et Biber, la violiste Salomé Gasselin sera demain à la Philharmonie de Paris pour un autre diptyque, plus surprenant, faisant dialoguer Henry Purcell et Keith Jarrett. Celle qui était Révélation aux Victoires 2024 prend aujourd'hui son envol. - réalisé par : Phane Montet Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Keith Jarrett se presentó en septiembre de 1992, en trío con Gary Peacock y Paul Motian, en el Deer Head Inn de Pensilvania. Un primer disco se publicó en 1994, 'At the Deer Head Inn', y treinta años después salió por fin el material que faltaba en 'The old country. More from the Deer Head Inn'. Ahora, por primera vez en vinilo, en una caja de 4 LP´s, el concierto completo. Escuchamos la primera parte de 'The complete recordings': 'Solar', 'Basin street blues', 'You don´t know what love is', 'You and the night and the music', 'Bye bye blackbird', 'It´s easy to remember'. Escuchar audio

durée : 01:00:03 - Souffles - par : Nathalie Piolé -

Et si l'intelligence artificielle ne remplaçait pas les musiciens mais leur permettait de trouver l'inspiration ?Dans cet extrait, Edouard Ferlet nous donne une masterclass : il nous explique comment il met l'iA au service de son art, et nous fait une démo LIVE ! Le résultat est bluffant : à mesure qu'il joue sur son piano à queue, Pianoïd, son intelligence artificielle maison improvise de son côté sur son piano droit. Comme un concert à quatre mains.Écoute l'épisode complet Musique : ce duo Homme / iA improvise sur scène Et c'est encore plus impressionnant à voir : direction Youtube, tape Trench Tech Edouard Ferlet

Filmen Köln 75 om Keith Jarretts legendariska konsert är aktuell på bio. Lyssna på Anton Karis prisade dokumentär om vilka minnen musiken väcker. Lyssna på alla avsnitt i Sveriges Radio Play. Den 24 januari 1975 spelade Keith Jarrett solopiano på Operan i Köln. Konserten spelades in och har med åren blivit Keith Jarretts mest älskade pianoskivaLP-skivan var som gjord för att ligga framme - och spelas. Den har hörts genom sommaröppna fönster, människor har spelat den vid möten och avsked, till och med när barn blivit till. En hörnsten i miljoner människors skivsamlingar.Ändå var det mycket nära att inspelningen aldrig ägt rum. Keith Jarrett var missnöjd med instrumentet. Pianot på operan i Köln var en katastrof, säger Vera Brandes som arrangerade konserten. Hon berättar också flera tidigare okända detaljer om kvällen i Köln. Varför blev det trots allt en konsert och varför spelade Jarrett som han gjorde den januarikvällen 1975?Hör också om hur Kölnkonserten använts och spelats - från Sverige ända bort till Calcutta i Indien.- Skivan låg på när vi älskade med varandra, berättar Lasse som också tog med musiken till BB nio månader senare.

I sin fjärde bok En magisk man skildrar Malmöförfattaren en omvälvande passion och en omöjlig kärlekshistoria. I fokus står kampsportskillen Mikael. Lyssna på alla avsnitt i Sveriges Radio Play. Maria Maunsbach gästar P1 kultur för att berätta om varför hon ville göra den struliga knegarkillen med våldskapital till ett upphöjt kärleksobjekt.”MIRAKLET I KÖLN” I NY SPELFILM1975 bokade en 18-årig konsertarrangör i tyska Köln en av världens största jazzpianister Keith Jarrett till en konsert som senare skulle bli känd som "Miraklet i Köln". Nu kommer spelfilmen ”Köln 75” – och P1 kultur ger dig både en djupdykning i Keith Jarrett och ett kritiksamtal om filmen, med våra kritiker Berit Nygren och Jenny Teleman.SVENSK HIPHOPLEGEND SER TILLBAKADet är ett kvarts sekel sedan rapparen Blues, eller Raymond Peroti, släppte sin banbrytande debutskiva ”Samhällstjänst”. Vad var den svenska hiphoppen för något då, och hur ser Peroti på dagens scen? Vår reporter Tanja Ulriksson har intervjuat honom.KYSKHET – NÅGOT ANNAT ÄN ATT AVSTÅ SEXVad innebär dygden kyskhet egentligen idag? Författaren och översättaren Wera von Essen reflekterar över begreppet i dagens OBS-essä, med hjälp av en ny bok av den norske biskopen Erik Varden.Programledare: Lisa WallProducent: Karin Arbsjö

durée : 01:58:36 - Le Bach de l'été du dimanche 24 août 2025 - Une plongée dans le swing des années 1960 à l'écoute des Swingle Singers, du Trio Play Bach de Jacques Loussier, The Modern Jazz Quartet, Pierre Gossez, Michel Roques… ; Pierre Auclert (1969) dans les « Les introuvables de Bach » ; puis « Les 80 ans de Keith Jarrett » (émission n° 339) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

TU JAZZ CON SABOR A VERANO.-Sheila Jordan - Portrait of Sheila-JAZZACTUALIDAD.-60 Jazzaldia Marco Mezquida & Iñaki Salvador Dúo Portrait of Sheila es el álbum debut de 1963 de la cantante de jazz estadounidense Sheila Jordan , publicado por Blue Note Records . En la encuesta de la crítica de la revista DownBeat de 1963 , ocupó el primer puesto en la categoría vocal por "Talento que merece mayor reconocimiento". No volvió a grabar como líder durante más de doce años. Según las notas de la funda (escritas por Nat Hentoff ), Alfred Lion de Blue Note decidió grabar a Jordan después de escucharla cantar en el Page Three Club en Greenwich Village , Nueva York , a pesar de que el sello "tenía como política no grabar vocalistas de jazz antes". [ 4 ] [ 5 ] El cuarto tema del álbum, « Dat Dere », muestra la predilección de Jordan por los duetos de voz y bajo. Según la biógrafa Ellen Johnson (autora de Jazz Child: A Portrait of Sheila Jordan ), [ 6 ] Jordan originalmente quería dedicar Portrait of Sheila completamente al bajo y la voz, pero Blue Note rechazó la idea. El álbum recibió una calificación de cuatro estrellas de la revista Billboard en enero de 1963. [ 2 ] La Penguin Guide to Jazz seleccionó el álbum como parte de su "Core Collection" y le dio una calificación de cuatro estrellas (de un máximo de cuatro). [ 8 ] AllMusic le dio al álbum una calificación de cinco estrellas (de un máximo de cinco), con Scott Yanow escribiendo en su reseña: "Jordan suena bastante distintiva, de tono fresco y aventurera durante su cita clásica. Sus interpretaciones de 'Hum Drum Blues' de Oscar Brown, Jr. y 11 estándares (incluyendo ' Falling in Love With Love ', ' Dat Dere ', ' Baltimore Oriole ' y ' I'm a Fool to Want You ') son a la vez vibrantes y evocadoras". En las listas de "Álbumes del año" de AllMusic, Portrait of Sheila es nombrado como uno de los álbumes mejor calificados de 1963. El concierto Dichosos tributos es una celebración de la conexión entre dos pianistas excepcionales, el donostiarra Iñaki Salvador y el menorquín Marco Mezquida. Ambos se unen por primera vez en un diálogo musical para rendir homenaje a los grandes compositores y pianistas de la historia del Jazz, reinterpretando piezas emblemáticas que marcaron un hito en la evolución de este género, desde el ragtime hasta nuestros días. Iñaki y Marco construirán, deconstruirán y jugarán sobre canciones de Duke Ellington, Thelonious Monk, Bill Evans, Herbie Hancock o Keith Jarrett, además de creaciones propias, para ofrecer un espacio de escucha y libertad. Será una singular declaración de amor a los grandes compositores del Jazz, un compendio de tradición y modernidad, un diálogo entre composición e improvisación. Iñaki Salvador es una pieza clave en las últimas décadas de la música del País Vasco y sin duda uno de los representantes a nivel internacional más importantes de nuestro Jazz. Pianista, compositor, arreglista y profesor, realizó sus estudios de piano, armonía y composición bajo la dirección de maestros como los pianistas José Antonio Medina y Jesús González Alonso, o el compositor Francisco Escudero. Se formó de manera básicamente autodidacta en lo referido a la música moderna y el Jazz. Marco Mezquida es, aunque todavía no haya llegado a los 40 años de edad, uno de los músicos más recocidos en la escena musical de la península. Un artista destinado a conquistar cualquier escenario del mundo. Ecléctico y camaleónico, brillante como compositor, pianista, improvisador y director.

ERIC PERSON “RHYTHM EDGE” Brooklyn, NY, February 19 & 20 & March, 2007The multitudes, It's time again Eric Person (as,sop,ts,fl) Ingrid Jensen (tp) Robin Eubanks (tb). Jerod Kashkin (p,keyboards) Cary Denigris (g) Adam Armstrong (b) Peter O'Brien (d) Daniel Sadownick (cga,perc) TERELL STAFFORD “BETWEEN TWO WORLDS” Las Vegas, NV, c. 2023Between two worlds, Two hearts as one (1), BloodcountTerell Stafford (tp,flhrn) Tim Warfield (ts,sop) Bruce Barth (p) David Wong (b) Johnathan Blake (d) Alex Acuna (perc-1) KEITH JARRETT “EL JUICIO (THE JUDGEMENT)” julio, 1971 Gypsy Moth, El JuicioDewey Redman (ts) Keith Jarrett (p,sop,steel-d,cga-1) Charlie Haden (b,steel-d) Paul Motian (d,steel-d,cga-2) Continue reading Puro Jazz 18 de agosto, 2025 at PuroJazz.

ERIC PERSON “RHYTHM EDGE” Brooklyn, NY, February 19 & 20 & March, 2007The multitudes, It's time again Eric Person (as,sop,ts,fl) Ingrid Jensen (tp) Robin Eubanks (tb). Jerod Kashkin (p,keyboards) Cary Denigris (g) Adam Armstrong (b) Peter O'Brien (d) Daniel Sadownick (cga,perc) TERELL STAFFORD “BETWEEN TWO WORLDS” Las Vegas, NV, c. 2023Between two worlds, Two hearts as one (1), BloodcountTerell Stafford (tp,flhrn) Tim Warfield (ts,sop) Bruce Barth (p) David Wong (b) Johnathan Blake (d) Alex Acuna (perc-1) KEITH JARRETT “EL JUICIO (THE JUDGEMENT)” julio, 1971 Gypsy Moth, El JuicioDewey Redman (ts) Keith Jarrett (p,sop,steel-d,cga-1) Charlie Haden (b,steel-d) Paul Motian (d,steel-d,cga-2) Continue reading Puro Jazz 18 de agosto, 2025 at PuroJazz.

In onda Fabio Barbieri. Musiche: Miles Davis, Average White Band, Saint Etienne, Alison Krauss, Toby Hay, Marconi Union, Shelley Burgon, Thomas Stronen, Keith Jarrett, Paul Motian, Gary Peacock.

Here There and Everywhere Pat Metheny MoonDialLa tua voce Bïa, Gianmaria Testa NavegarLa vie en rose Chiara Civello, Anat Cohen ChansonsIl cielo in una stanza Franco Battiato Fleurs 3Lucy In The Sky With Diamonds Miloš Karadaglić, Anoushka Shankar Blackbird - The Beatles AlbumMariposa Tecknicolor Liliana Herrero, Fernando Cabrera Canción Sobre CanciónStrawberry Fields Forever Karen Souza, Los Panchos nü CubanaLagrimas Negras Cesária Evora Cesaria Evora & ..éBesame Mucho Rosa Passos AmorosaLa mer Gino Paoli, Danilo Rea 3Tom's Diner Silvana Estrada Tom's DinerSmile Madeleine Peyroux Half The Perfect WorldIf I Should Lose You Ralph Rainger, Leo Robin, Keith Jarrett, Gary Peacock, Jack DeJohnette Standards Vol. 2Escuchar audio

Guest: Anthony Wilson — guitarist, composer, bandleaderEpisode focus: Anthony's new live double LP House of the Singing Blossoms (recorded at Sam First), the return of his nonet, and his upcoming SFJAZZ shows (Sept. 4–5; two shows nightly) in the Joe Henderson Lab.Episode SummaryGuitarist–composer Anthony Wilson joins host Steve Roby to talk about reviving the nine-piece band that shaped his early voice and powers his new live album, House of the Singing Blossoms. Wilson digs into arranging for nonet, capturing the energy of a listening room on record, and why the album was designed for the deep, side-by-side experience of vinyl. He also previews the SFJAZZ dates, the evolving lineup, and how this music balances songful melody with fearless improvisation.Why ListenHear why the nonet remains the ideal canvas for Wilson's writing and guitar voice.Get an inside look at recording live at Sam First and mastering with Bernie Grundman.Learn how sequencing for vinyl shaped the album's narrative flow.Preview the SFJAZZ shows and how the book will evolve on stage.Enjoy featured tracks that frame the conversation: “House of the Singing Blossoms,” “Triple Chase,” and “Bordertown.”Key Quotes (from Anthony Wilson)“The first band that I recorded with was a nine-piece band… I found that configuration compelling.”“I have always loved just how rich a palette, sonically, it can be to have those horns.”“In a club with an audience, you're feeding off each other's energy… You can just concentrate on the good feeling of being together.”“You pick that album up, put it on your turntable… side after side you have these 20-minute periods where you can become engrossed in the music.”“Out of the gate, it shows that what this band is about… is a commitment to serious improvising and serious playing.”Conversation HighlightsThe nonet returns: How the ensemble's color and agility unlock his arranging ideas—and where the guitar fits inside nine voices.Recording the room: Capturing two nights at Sam First to preserve interplay, momentum, and audience energy.Vinyl by design: Double 180-gram LPs, gatefold artwork, and a sequence that feels like stepping into the club.Legacy & lineage: Opening with “Triple Chase” by Gerald Wilson, nods to Joe Zawinul and Keith Jarrett, and a fresh take on Bennie Wallace's “Bordertown.”SFJAZZ preview: A hybrid roster of veterans and rising players, new pieces in progress, and early nonet charts revisited with fresh ears.Music Featured in This Episode“House of the Singing Blossoms” (excerpt) — from House of the Singing Blossoms“Triple Chase” (Gerald Wilson) — from House of the Singing Blossoms“Bordertown” (Bennie Wallace) — from House of the Singing BlossomsPersonnel — Sam First RecordingAnthony Wilson (guitar), CJ Camerieri (trumpet/French horn), Alan Ferber (trombone), Nicole McCabe (alto sax), Bob Reynolds (tenor sax), Henry Solomon (baritone sax), Gerald Clayton (piano), Anna Butterss (bass), Mark Ferber (drums).Upcoming ShowsSFJAZZ — Joe Henderson LabDates: September 4–5 (two shows nightly)What to expect: Song-forward writing, expansive solos, and the punch and glow of a nine-piece band in an intimate room.CreditsHost/Producer: Steve Roby, Backstage Bay AreaGuest: Anthony WilsonEditing/Mix: Backstage Bay AreaMusic: Excerpts courtesy of Anthony WilsonConnectFollow Backstage Bay Area on your favorite podcast app.Share the episode with a friend and leave a rating/review to help others discover the show.For more on Anthony Wilson and House of the Singing Blossoms, visit the artist's official channels and SFJAZZ's calendar for tickets and details.

In this episode of The Bandwich Tapes, I get to reconnect with my good friend and former colleague, Brock Derringer. Brock and I shared a lot of time on stage, in the pit, and the music department at Wesleyan School, and it was a blast to sit down and dig into his story.We start with Brock's roots in small-town Thomasville, Georgia, a place with an unexpectedly rich arts scene, and trace his journey from a 10-year-old piano student to becoming a versatile musician and educator. He shares about his musical family, the influential teachers who shaped him, and how early church gigs prepared him for a lifetime of accompanying, leading, and creating music.Brock talks about his love of teaching, the decision to move from performance into music education, and his current work at Stillwell School of the Arts in Atlanta, where he teaches AP Music Theory and piano. We get into the challenges and changes in music education over the last two decades, the role (and limits) of technology in the classroom, and how he keeps evolving his teaching methods to meet students where they are today.Of course, we reminisce about our time collaborating on musicals, choir projects, and the legendary “Sing-Off” events, including unforgettable Beatles and Billy Joel performances that brought students and faculty to their feet. Along the way, we swap thoughts on musical influences, Billy Joel, Keith Jarrett, Oscar Peterson, and the importance of process over product in mastering any craft.This conversation is part reunion, part masterclass, and part trip down memory lane. Brock's passion for music and dedication to his students are contagious, and I left this talk reminded of why making and teaching music matter so much.Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 

La poesía es una arena tan sensible que registra la edad de nuestra sombra. Con esta cita de Roberto Juarroz comienza el último libro del poeta Matías Miguel Clemente: Una arena tan sensible, publicado por La Bella Varsovia. Con la música de Clacowsky - Los Galgos Sedientos y Las Solfamidas, The National con Taylor Swift, Hozier, Keith Jarrett y Miles Davis.Escuchar audio

durée : 01:16:25 - Club Jazzafip - À l'occasion de la récente sortie de son album "Belonging" en hommage à Keith Jarrett, nous recevons l'un des plus grands saxophonistes de jazz de notre époque. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Cosa hanno in comunt i concerti e questi vermi cattivelli? Niente! O meglio, qualcosa c'e'! Il nostro podcast, e l'italiano. Quindi tutti pronti, e mi raccomando pantaloni lunghi o calzettoni alti! Stiamo per partire. Trascrizione interattiva e Vocab Helper Support Easy Italian and get interactive transcripts, live vocabulary and bonus content: easyitalian.fm/membership Note dell'episodio Intermediate Quiz: Passato Prossimo or Imperfetto? - https://www.youtube.com/watch?v=y5Js_0-qqcQ&t=18s Iniziamo con un verbo che Matteo ha usato, molto comune al sud. Acchiappare - spesso puo' essere usato al posto di prendere, ma la traduzione piu' vicina sarebbe to catch. Primo tema? La televisione! Ebbene si'! Nonostante sia Matteo che Raffaele non guardano spesso la televisione, c'e' stato un programma che ha rapito Raffaele e lo ha tenuto attaccato alla televisione. Curiosi? Money road - qui potete vedere la prima punteta, per allenare il vostro italiano e per capire se potrebbe piacervi. https://www.youtube.com/watch?v=P9UQcDpz1Gk&t=349s Passiamo poi alla musica. Tanti tanti eventi in Gran Bretagna! DAgli Oasis ai Black Sabbath e Ozzy Osbourne. Ne approfittiamo per parlare di concerti ed eventi. Quali concerti sono stati i piu' belli fin ora per Matteo e Raffale? E i prossimi concerti? Il pianista molto famoso e molto bravo che Matteo ha visto in concerto? Keith Jarrett! Trascrizione Raffaele: [0:23] Buongiorno Matteo! Matteo: [0:26] Buongiorno, come va? Raffaele: [0:28] Leggermente meglio. Matteo: [0:30] Beh, se è leggermente meglio è molto buono perché in teoria andiamo verso il caldo ancora un po', quindi se scende è una cosa positiva. ... Support Easy Italian and get interactive transcripts, live vocabulary and bonus content: easyitalian.fm/membership

El Monasterio de Santa María la Real de Valdeiglesias, situado en Pelayos de la Presa, es la más importante fundación cisterciense conservada en la Comunidad de Madrid. Este enclave acoge ahora una propuesta escénica singular: 'Hacia ecos de lo sagrado', una creación del colectivo Nao de Amores dirigida por Ana Zamora. La experiencia lleva un paso más allá la investigación sobre los orígenes de la teatralidad, y propone al público un recorrido sensorial que entrelaza historia, sonido y presencia en el espacio litúrgico.Durante casi dos años, el equipo ha documentado e investigado desde la perspectiva del arte, la música y los rituales sonoros que se desarrollaban en este tipo de monasterios. La pieza es el resultado de esa indagación y se ofrece como un viaje poético a través de formas escénicas y acústicas que remiten al rito y la espiritualidad medieval.Viajamos también hasta Almada, en la ribera sur del Tajo, donde se celebra el Festival de Teatro de Almada. Desde Portugal, Daniel Galindo nos sitúa en la programación y en el ambiente de esta cita que conecta la escena ibérica.Jesús Marchamalo nos regala uno de sus paseos sonoros con el escritor Enrique Vila-Matas, un espacio para la palabra compartida y las referencias literarias que siempre acompañan sus intervenciones.En la cartelera de cine, Conxita Casanovas nos habla de 'Superman', de la cinta de animación 'La mercancía más preciosa' sobre el Holocausto, de la comedia dramática francesa 'Tres amigas' y de 'KÖLN 75', la historia real de Vera Brandes y el icónico concierto de Keith Jarrett en Colonia.Cerramos la semana con Alberto Vega y la música de Black Moth Super Rainbow, un grupo ligado al uso del vocoder y la psicodelia electrónica.Escuchar audio

durée : 00:01:42 - Les 80'' - par : Nicolas Demorand - Le pianiste fête ses 80 ans et un film raconte l'histoire de son concert à l'opéra de Cologne en 1975. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Maria João Pires está afastada dos palcos e o Martim Sousa Tavares quis desejar-lhe as melhoras. Keith Jarrett, que aprendeu a tocar piano antes dos 3 anos, foi o eleito com gravação de "Händel".See omnystudio.com/listener for privacy information.

La guitarrista, compositora y cantante Badi Assad firma el disco 'Acústico' con obras suyas ya grabadas anteriormente como 'Ilha das flores' y 'Do silêncio veio o som' junto a canciones de Chico César ('À primeira vista'), Caetano Veloso ('Araçã azul') o Gilberto Gil ('Se eu quiser falar com Deus'). Del disco de Keith Jarrett, 'New Vienna', grabado durante un concierto de piano solo en 2016 en la capital austriaca, 'Part VIII', 'Part II' y 'Somewhere over the rainbow'. Y, en 'Gênesis', la grabación de un concierto de João Bosco y la Orquestra de Ouro Preto con clásicos de Bosco como 'O ronco da cuíca', 'Kid cavaquinho', 'O bêbado e a equilibrista' y 'Papel maché'. Despedida con Marcos Valle y Joyce Moreno compartiendo 'Valeu'. Escuchar audio

Featuring a brand new jam from a new duo of superstars, Rachel Eckroth and John Hadfield; another single from Seattle baddass Brittany Davis; a stunning tribute to the late legend that is Ron Miles from bassist Greg Garrison; fresh beats from harpist-of-the-decade Brandee Younger; a brand new joint from NYC downtown fixtures Fred Hersch, Drew Gress, and Joey Baron; a reissue of an avantgarde classic pairing John Cale and Terry Riley; and the one and only Keith Jarrett.

My guest today is Ari Hoenig — drummer, composer, educator, and all-around wizard behind the kit. Ari is known for his melodic, almost vocal approach to the drums, especially his ability to bend pitch and bring out distinct note choices on the instrument in a way that sounds nearly impossible. He's collaborated with artists like Chris Potter, Kurt Rosenwinkel, Joshua Redman, and many others, but it's his own solo work that really puts a spotlight on his creative spirit. In this episode, Ari walks through five records that helped shape his unique voice — from the expressive swing of Papa Jo Jones to the unconventional phrasing of Thelonious Monk. We also dive into Ari's early classical roots, why Keith Jarrett changed his musical DNA, and how he began developing his signature melodic drumming approach. Hope you enjoy the five records that shaped Ari Hoenig into the deeply expressive and fiercely original musician he is today. Join Ari's Patreon HERE ARI'S BIG FAT FIVE: Artist – Keith JarrettAlbum – BelongingRelease Year – 1974Key Track – "Spiral Dance"Drummer – Jon Christensen - Artist – Jo JonesAlbum – The Jo Jones Trio: The Everest YearsRelease Year – 1959Key Track – "Philadelphia Bound"Drummer – Jo Jones - Artist – Kenny GarrettAlbum – TrilogyRelease Year – 1995Key Track – "Wayne's Thing"Drummer – Brian Blade - Artist – Miles DavisAlbum – NefertitiRelease Year – 1968Key Track – "Nefertiti"Drummer – Tony Williams - Artist – Thelonious MonkAlbum – Monk's DreamRelease Year – 1963Key Track – "Monk's Dream"Drummer – Frankie Dunlop --- Get Your Copy of the Drummers on Drumming Book Today!

durée : 00:59:39 - Contes de nuit - par : Nathalie Piolé -

本期节目，划水怪和重轻老师聚焦于音乐人梁博及其新专辑《精气神》引发的争议，进行了探讨。为什么这张专辑的“过载失真”就是缺乏音乐完整性；梁博为了找感觉打鼓百遍，却被批 “技术失控”？执着于寻找心里最初想象的东西，却反而被诟病为“DEMO”综合症。两人围绕完美细节追求与真实情感表达之间的矛盾展开探讨，指出这不仅是梁博面临的创作困境，同时也是很多创作人都会面临的问题。那么创作者的自我表达与受众期待又该如何平衡呢？本期节目让我们一起共同深入思考！更多精彩内容，欢迎收听本期节目~主播 / 相征 嘉宾 / 重轻音频后期 / 陆凯BBBBUDDHA音频上传 / 恬恬-本节目由深夜谈谈 Midnight Network出品 -Playlist:00:23:59 Coldplay - Christmas Lights00:28:09 梁博 - 心田00:33:15 MGMT - Time To Pretend00:38:10 梁博 - 苦与乐00:40:04 梁博 - 避世离俗00:44:50 周杰伦 - 双刀00:47:10 Tom Waits - Way Down In The Hole01:13:39 Jeff Buckley - Hallelujah01:27:20 梁博 - 日落大道01:36:14 梁博 - 颠倒梦想01:52:29 梁博 - 男孩 (Live)Timeline:00:02:45 重轻老师翻译的新书《创意行为：存在即答案》00:07:58 梁博新专辑引发争议？00:11:25 艺术是感性的理性表达00:12:33 专辑听后初感受00:15:50 设备对于收听感受的影响大么？00:19:38 音乐制作中的过载和缩混问题探讨00:44:24 缩混的重要性00:51:10 划水怪衡量作品是否优秀的三个标准00:57:19 创作中的真实与粗糙01:06:09 DEMO综合症01:17:43 逆境中Keith Jarrett 的经典现场01:22:12 创作者的职业危机01:33:19 谈及早期的梁博01:46:42 浅聊中国摇滚乐现状5月31日至6月2日，由深夜谈谈播客网络举办的声量Fu将在北京檀谷·慢闪公园举办，三天时间，让我们在山林、庙宇与城市的交界地带，共同探索“慢福”的独特内涵。购票可以微信小程序搜索「大内夜市」购买。深夜谈谈春季招聘2.0，本次开放岗位设计师，感兴趣的朋友们请发送求职信+简历+个人作品请发送至邮箱jobs@midnightalks.com✈️​2025年大内FUJI ROCK团现已开团，5组主播带队，带你奔赴亚洲最值得去的音乐节。具体行程和购买方式还请前往微信小程序「大内夜市」～大内夜市近期上新！大内人气玄学嘉宾张无梦特别推荐5款文玩手串和1款伏藏紫檀五股降魔杵，旺人缘、增桃花、添财运、保健康、增智慧，咱敲多了电子木鱼，转多了赛博锦鲤，不如给自己来条趁手法器。微信搜索「大内夜市」即可购买！​深夜谈谈播客网络旗下播客：大内密谈、枕边风、空岛、随便聪明、淮海333-你还可以在这里找到我们：小红书：@深夜谈谈子、@相征terryB站：@大内密谈midnightalks视频号&抖音：@深夜谈谈子微博：@大内密谈 微信公众号：大内密谈 商务合作邮箱：biz@midnightalks.com加听众群：加深夜谈谈子微信（微信号:SYTT-midnightalks）并回复【听众群】即可进群。

In the 53rd episode of the ECM podcast the great saxophonist and composer Joe Lovano joins us to discuss his second recording alongside the Marcin Wasilewski trio “Homage”, which was produced by Manfred Eicher. Joe talks about the evolution of his work with the trio, about the heritage that this new album falls in line with. He also talks about ballads – how to not play something the way it looks – and much more.

Este 8 de mayo, el pianista Keith Jarrett cumple 80 años. Le escuchamos tocando en estudio 'I loves you, Porgy', 'Someone to watch over me' y 'Be my love' del disco solo de piano de 1999 'The melody at night with you'; en 'Tokyo encore-Nothing but a dream' de su disco grabado en concierto en Japón el 30 de enero de 1985; en 'My song' del disco homónimo de los setenta con el cuarteto europeo formado con Jan Garbarek, Palle Danielsson y Jon Christensen; en 'No moon at all' y 'Don´t ever leave' de su disco 'Jasmine' a dúo con Charlie Haden; en 'Straight no chaser' en trío con Gary Peacock y Jack DeJohnette del disco 'Bye bye blackbird'; en dos partes de su disco 'Rio', grabación de un concierto en solitario en 2011 en Río de Janeiro, y en 'Answer me, my love' de un concierto también de piano solo en Budapest en 2016. Escuchar audio

durée : 01:58:20 - Le Bach du dimanche du dimanche 04 mai 2025 - par : Corinne Schneider - Au programme de cette 339e émission : l'anniversaire des 80 ans de Keith Jarrett (né le 8 mai 1945) ; les Concertos pour 3 et 4 clavecins par le Caravansérail, Bertrand Cuiller (dir.) pour les 10 ans de l'ensemble (Ramée, 11 avril) ; les 30 ans du jeune pianiste de jazz Etienne Manchon. - réalisé par : Anne-Lise Assada

Between Branford Marsalis' integral reimagining of Keith Jarrett's "Belonging" and Tony Tixier's prolific output, here is a playlist full of creative, up and coming musicians. The playlist features Salin; Sun-Mi Hong; Chaerin Im; Lada Obradovic, David Tixier; Hermon Mehari, Tony Tixier; Branford Marsalis. Detailed playlist at https://spinitron.com/RFB/pl/20486535/Mondo-Jazz [up to "Green Horn"]. Happy listening!

Meet our friend Kent Heckman. The proprietor of Red Rock Studio in the Pocono Mountains of Pennsylvania, Kent is a renowned audio engineer. His client list reads like a “Who's Who” of the jazz world, including saxophonist Phil Woods, composer Bob Dorough, drummer Sherrie Maricle, and pianist Keith Jarrett. Our co-hosts enjoy a lively conversation with Kent, who shares stories from his career including the eclectic singer Nellie McKay, the Canadian folk group The Wailin' Jennys, and a live date with Jarrett. Be sure to check out Kent's work on the Jennys' award-winning album, Live at the Mauch Chunk Opera House, as well as Keith Jarrett's two live CDs recorded at the Deer Head Inn on ECM records. Theme music: "All Thumbs" from Faith in a New Key, Bill Carter and the Presbybop Quartet Music used by permission from Presbybop Music (BMI) Announcer: Chris Norton (c) Presbybop MusicSupport the show

One afternoon in Oslo changed the course of jazz piano history! In this episode, Adam and Peter dive into Facing You, the hit 1971 ECM release where a 26-year-old Keith Jarrett – torn between Miles Davis' electric band and his own acoustic instincts – walked alone into a studio and recorded eight completely improvised masterpieces. From the gospel-tinged “In Front” to the apex moment in “Lalene,” we explore his remarkable touch, bluesy intuition, and the distinctive distorted Steinway that producer Manfred Eicher perfectly captured. We place this album among solo piano giants (Monk, Tatum, Evans), lovingly examine Jarrett's “fussy” reputation, and show how this afternoon session laid the blueprint for his legendary Köln Concert. Five decades later, we jazz pianists are still chasing the magic Keith created that day.

Romola Garai won her first professional acting roles as a teenager, and since then, her career has taken her in a wide range of dramatic directions. Most recently, she won a 2025 Olivier Award for her role in The Years, a sometimes shocking play based on a novel by Nobel Prize winner Annie Ernaux – and she was competing against herself, with a nomination in the same category for her part in Giant, a play about Roald Dahl.Her previous stage work includes playing Cordelia opposite Ian McKellen's King Lear, and her extensive screen credits include the title role in a BBC adaptation of Jane Austen's Emma. She also won acclaim for The Hour, a drama set behind the scenes of a TV current affairs programme in the 1950s. In 2020, she went behind the camera to write and direct a horror film called Amulet. Romola's music choices include John Taverner, Handel and Keith Jarrett.

Marie Kruttli, Julia Hulsmann, Mia Knop Jacobsen, Keith Jarrett, Branford Marsalis Quartet, Tarbaby, Kahil El'Zabar's Ethnic Heritage Ensemble, Jenny Scheinman, Calgareal, Kristian Alexandrov and Montuno WestPlaylist: Marie Kruttli Trio, featuring Lukas Traxel and Gautier Garrigue - Conversation With My Old SelfJulia Hulsmann - They Stumble, They WalkMia Knop Jacobsen - Under WaterKeith Jarrett, featuring Gary Peacock and Paul Motian - Everything I LoveKeith Jarrett, featuring Gary Peacock and Paul Motian - Someday My Prince Will ComeBranford Marsalis Quartet, featuring Joey Calderazzo, Eric Revis & Justin Faulkner - Spiral DanceTarbaby, featuring Orrin Evans, Eric Revis and Nasheet Waits - Dee DeeKahil El'Zabar's Ethnic Heritage Ensemble - OrnetteJenny Scheinman, featuring Bill Frisell and Carmen Staaf - Ornette Goes HomeCalgaréal - Il Lago AccantoKristian Alexandrov - MamasitaMontuno West - Luna NuevaMontuno West - Viento (Tormenta)

Featuring Brooklyn funk geniuses Breastfist; the continuing introspective growth of brilliant reedsman Shabaka feat. Esperanza Spalding; a talented young group with a clear vision, Saturn Quartet; brilliant stuff from the latest Verve reissue of Ella Fitzgerald's 1967 concert at the Oakland Coliseum; new music from drum master Billy Hart on the ECM label; another ECM release—this time it's outtakes from the vault delving into the brilliant concert of Keith Jarrett and his trio at the Deer Head Inn; and finally the master of the telecaster, Jim Campilongo and his singular style and sound.

Lawyer turned bestselling author, Scott Turow, joins Simon and Matt for a chat about his new novel, 'Presumed Guilty' (the sequel to his 1987 masterpiece, 'Presumed Innocent') Scott joins us down the line from Florida and discusses writing an 'older' protagonist, the soothing components of jazz music, Keith Jarrett and how much legalise is too much legalise. This episode comes complete with a crashing of dishes in the background, courtesy of the Turow household. Here's some more info on the new book: In a sequel to Presumed Innocent, the book that redefined the legal thriller, judge and lawyer Rusty Sabich returns to the courtroom to defend his step-son against a racially-charged murder indictment as the boy's life – and perhaps Rusty's last chance at happiness – hang in the balance. Rusty is a retired judge attempting a third act in life with a loving soon-to-be wife, Bea, with whom he shares both a restful home on an idyllic lake in the rural Midwest and a plaintive hope that this marriage will be his best, and his last. But the peace that's taken Rusty so long to find evaporates when Bea's young adult son, Aaron, living under their supervision while on probation for drug possession, disappears. If Aaron doesn't return soon, he will be sent back to jail. Aaron eventually turns up with a vague story about a camping trip with his troubled girlfriend, Mae, that ended in a fight and a long hitchhike home. Days later, when she still hasn't returned, suspicion falls on Aaron, and when Mae is subsequently discovered dead, Aaron is arrested and set for trial on charges of first degree murder. Faced with few choices and even fewer hopes, Bea begs Rusty to return to court one last time, to defend her son and to save their last best hope for happiness. For Rusty, the question is not whether to defend Aaron, or whether the boy is in fact innocent – it's whether the system to which he has devoted his life can ever provide true justice for those who are presumed guilty. Learn more about your ad choices. Visit megaphone.fm/adchoices

Featuring a brand new joint courtesy of BK visionary group Breastfist; the sweaty organ soul of Adam Scone and the Scone Cash Players; fresh beats from the minds of Toshio and Kwest; this inspiring film music of Anthony Willis (Saltburn); Norcal singer/songwriter Paris Hayes' and her latest artistic output; and the legends that are Meredith Monk, Keith Jarrett, Massive Attack, and Freddie King.

Featuring new releases from classic recordings on the ECM label from Keith Jarrett and Jakob Bro; the transcendent exploration of Shabaka; brilliant film score music from Clement Ducol and the film “Emilia Perez”; and the swiss production dreamteam that is Kwest and Toshlo.

An unreleased cassette tape of Paul Motian practicing and composing on his piano interspersed with recordings with a variety of pianists he played with: Keith Jarrett, Marc Copland, Frank Kimbrough, Marilyn Crispell, Masabumi Kikuchi, Lowell Davidson, Anat Fort, & Bill Evans. Set List: https://jazzcloset.blogspot.com/2025/02/paul-motian-piano-and-some-pianists.html Photo: Paul Motian & Keith Jarrett 1973  05courtesy ECM Records  photographer unknown