English classical and popular composer
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4 episodes with Anne Dudley
3 episodes with Anne Dudley
2 episodes with Anne Dudley
5 episodes with Anne Dudley
4 episodes with Anne Dudley
2 episodes with Anne Dudley
2 episodes with Anne Dudley
3 episodes with Anne Dudley
2 episodes with Anne Dudley
Episode 169 Chapter 28, Moog Analog Synthesizers, Part 2. Works Recommended from my book, Electronic and Experimental Music Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 28, Moog Analog Synthesizers, Part 2 from my book Electronic and Experimental music. Playlist: CLASSIC SYNTHESIZER ROCK— FROM TAPE COMPOSITION TO SYNTHESIZERS Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1. The Beatles, “Tomorrow Never Knows” (1966). Tape loops and Lennon's voice fed through the rotating Leslie speaker of a Hammond organ. 02:57 01:42 2. Spooky Tooth and Pierre Henry, “Have Mercy” (1969). Featured tape composition by the French composer of musique concrète as part of a collaborative rock opera. 07:55 04:40 3. Emerson, Lake, & Palmer, “Lucky Man” (1971). Featured the Moog Modular played by Keith Emerson; one of the first rock hits in which a Moog was the featured solo instrument. 04:39 12:34 4. Yes, “Roundabout” (1971). Featured the Minimoog, Mellotron, Hammond Organ and other electronic keyboards played by Rick Wakeman. 08:33 17:10 5. Elton John, “Funeral for a Friend/Love Lies Bleeding” (1973). Featured the ARP 2600 played by Dave Henschel. 11:10 25:42 6. David Bowie, “Speed of Light” (1977). Produced by Brian Eno. Used an EMS AKS synthesizer and Eventide H910 harmonizer for the electronic effects and sounds. 02:47 36:46 7. Gary Wright, “Touch and Gone” (1977). Used Polymoog, Clavinet, Oberheim, and Fender-Rhodes electronic keyboards. 03:58 39:32 8. Gary Numan, “Cars” (1979). Early synth-rock success using electronic keyboards without guitar. Multiple Polymoog synthesizers. 03:52 43:28 9. The Art of Noise, “(Who's Afraid Of?) The Art of Noise” (1984). Art rock devised by Anne Dudley and Trevor Horn exploring the sampling capabilities of the Fairlight CMI. 04:23 47:20 10. Grace Jones, “Slave to the Rhythm” (1985). Featured the Synclavier programmed and played by Trevor Horn. 09:39 51:43 Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.
I denne uges udsendelse kigger vi på om ideén om at boykotte alt amerikansk også skal omfatte deres store musikskat, vi nyder en herlig dansk singlehitliste fra marts 1986 og så anbefaler vi et legendarisk album af John Lennon og Yoko Ono, en koncertoplevelse fra London med komponisten Anne Dudley med store gæstesangere, bl.a. Neil Tennant fra Pet Shop Boys, og så anbefaler en af vores lytter den nye akustiske tourné og tilhørende album fra danske Rasmus Walter. Derudover tager vi på pubber og små klubber med Elton John, vi fascineres over at Spider-Man er begyndt at spille klaver i Londons undergrund, vi mindes en duesteg med fantastisk brun sovs, vi undrer os over et nummer om Den sorte død tilsat italo disco, og så bliver det desuden til en snak om lathyrusfrø, det japanske bootlegmarked, en dansktopklassiker, Walter og Carlo og intet mindre en den danske statsminister som skuespiller. Playliste: John Lennon - I'm losing you Art Of Noise - Moments in love (Anne To Tears Mix) Pet Shop Boys - Nothing has been proved (Live) Rasmus Walter - Skygger af dig Grand Avenue - The outside Andreas Odbjerg - USA The Minds Of 99 - Ideen er død Elton John - Twentieth Century blues Bjørn Tidmand - Tre hvide duer Danielle Deneuve - The plague Mette & The Comets - Slabadubadelle Billy Ocean - When the going gets tough, the tough get going a-ha - The sun always shines on TV Walter og Carlo - Op på fars hat
Se dice que los que hacemos habla más fuerte que todas nuestras palabras. No siempre es cierto, pero hay ocasiones en que lo único que podemos decir es con nuestros actos. Jesús dice que hay algo en lo que se reconocerá a sus discípulos, que es en su amor, los unos por los otros (Juan 13:35). Este capítulo comienza con el ejemplo de humillación del Señor lavando los píes a sus siervos (vv. 1-20). El que fuera guitarrista de Bob Dylan en la gira que hizo hace medio siglo, T-Bone Burnett, se ha convertido en uno de las figuras más importantes de Nashville, como productor y autor de bandas sonoras, pero continua haciendo canciones como esta de su último álbum, que que refleja su fe en el Rey Siervo, "Él descendió" (He Came Down 2024). Marcus Mumford es hijo de los responsables de la Comunidad de la Viña durante más de veinte años en Gran Bretaña e Irlanda. Pasó de dirigir la música de alabanza a ser una estrella de "rock" y casarse con una de las más populares actrices inglesas, Carey Mulligan, que conoció en un campamento evangélico. Ahora no se llama cristiano, pero hace todavía canciones que parecen oraciones, como "Bajo mis píes" (Below My Feet 2012): "Qué mire en lo que pueda servir y aprender con mis manos / cuando Jesús me diga que todo está bien". La entrega de Jesús contrasta con la traición de Judas (vv. 21-30). El líder del grupo The Verve, Richard Ashcroft, llevaba mucho tiempo flirteando con el cristianismo hasta que hizo pública su fe, al emprender su carrera en solitario. En la canción que hizo con el grupo sobre "Judas" en 2008, lucha con los sentimientos que nos llevan a negar a quien más queremos. Martin Scorsese ha hecho el año pasado un documental sobre las impresionantes películas de dos directores ingleses en los años 40 y 50, Powell y Pressburger. Una de las más sorprendentes es "Narciso negro" (1947), la historia de una comunidad de monjas anglicanas (sí, ¡también hay monjas anglicanas!), que bajo la dirección del personaje que interpreta Deborah Kerr, forman un convento en los Himalayas, donde tenía un rajá indio, el palacio de su harén. Viven la tensión entre un cínico inglés y un joven general fascinado por el cristianismo, que encarna el actor indio Sabu. José de Segovia comenta algunas escenas de la versión doblada con la música de fondo de la banda sonora original de Brian Easdale. Suena también la de Gregoire Hertzel para la película francesa sobre una monjas polacas embarazadas, al ser violadas por las tropas rusas, "Las inocentes" (2016). así como la de Anne Dudley para el film sobre la monja mística "Benedetta" (2021) del holandés Paul Verhoeven, criado por su madre en una iglesia pentecostal. "Sin amor, no eres nada", dice Larry Norman en su crítica al "Justo Rockero" (Righteous Rocker) en el primer álbum de la maravillosa trilogía que comenzó a grabar en Londres en 1972, "Sólo de visita en este planeta" (Only Visiting This Planet), calificado por la Biblioteca Nacional del Congreso estadounidense como "la obra clave de la historia del rock cristiano". Acabamos el programa con la invitación a unirse a la "Caravana del amor" (Caravan Of Love) de los hermanos Isley en 1985 y su pregunta de si "estás preparado", porque "Él viene".
Concertina and melodeon player Cohen Braithwaite-Kilcoyne and composer and arranger Anne Dudley contribute to the next five tracks on the playlist. Alongside Jeffrey Boakye and Anna Phoebe, they take us on a journey from the elegant vocals of Amy Winehouse to a Japanese folk tune about hardworking fishermen.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Love is a Losing Game by Amy Winehouse Sarabande by Claude Debussy Lambada by Pinduca The Bristol Sailorman/Will the Waggoner by John Kirkpatrick (Cohen) Kaigara Bushi by MitsuneOther music in this episode:Why Do Fools Fall In Love by Frankie Lymon & The Teenagers There is no Greater Love by Billie Holiday (There is) No Greater Love by Amy Winehouse Love is a Losing Game (Demo) by Amy Winehouse Gymnopédie by Erik Satie Lambada by Kaoma
This week we honor our pagan ancestors and celebrate the winter solstice, the shortest day and longest night of the year in the Northern Hemisphere. We journey over the snow-covered mountains, frozen forests, and blue-gray fjords that inspire the music of northern Europe and Scandinavia. In a land of dark and cold, the focus turns within, and the music of this frigid region warms the heart and nourishes the soul. Classical, jazz, and traditional folk sounds stretch from majestic and powerful, to intimate and ethereal—with brilliant timbres, gorgeous melodies, and rich harmonies. On this transmission of Hearts of Space, another winter solstice celebration, on a program called "STARLIGHT NORTH 2." Music is by ORCHESTRA INDIGO, DEAD CAN DANCE, STEPHAN MICUS, TRINE OPSAHL, ANNBJØRG LIEN, BUKKENE BRUSE, CANTUS, ANNE DUDLEY, HEILUNG, HAGATHORN, SKÁLD, SHIGERU UMEBAYASHI, and ÁINE MINOGUE. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
“We only live, only suspire/ Consumed by either fire or fire.”…are not lines from today's poem, but one gets the feeling Bradstreet understood their meaning as well as anyone could. Happy reading.Anne Bradstreet was born Anne Dudley in 1612 in Northamptonshire, England. She married Simon Bradstreet, a graduate of Cambridge University, at the age of sixteen. Two years later, Bradstreet, along with her husband and parents, immigrated to the American colonies with the Winthrop Puritan group, and the family settled in Ipswich, Massachusetts. There, Bradstreet and her husband raised eight children, and she became one of the first poets to write English verse in the American colonies. It was during this time that Bradstreet penned many of the poems that would be taken to England by her brother-in-law, purportedly without her knowledge, and published in 1650 under the title The Tenth Muse, Lately Sprung Up in America.The Tenth Muse was the only collection of Bradstreet's poetry to appear during her lifetime. In 1644, the family moved to Andover, Massachusetts, where Bradstreet lived until her death in 1672. In 1678, the first American edition of The Tenth Muse was published posthumously and expanded as Several Poems Compiled with Great Wit and Learning. Bradstreet's most highly regarded work, a sequence of religious poems titled Contemplations, was not published until the middle of the nineteenth century.-bio via Academy of American Poets Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe
Malkovich. Malkovich Malkovich Malkovich. Malkovich Malkovich. Malkovich Malkovich Malkovich, Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich. Malkovich! Malkovich Malkovich Malkovich Malkovich, Malkovich Malkovich Malkovich Malkovich, Malkovich Malkovich. Malkovich Malkovich Malkovich Malkovich, Malkovich Malkovich!Malkovich!Music Heard This Episode:"Five Miles High" by Anne Dudley and Chris Seefried"Craig's Overture" by Carter Burwell"Subcon Chase" by Carter Burwell"Amphibian" by Björk (Film Mix)"Malkovich Masterpiece Remix" by John MalkovichIntro music - "If" by Broke For FreeConnect with us!PatreonTwitterFacebookEmailLinktr.eeLetterboxd - Nic & JordanThe Nicsperiment
Sitar player and composer Jasdeep Singh Degun and composer and musician Anne Dudley continue the musical journey with Anna Phoebe and Jeffrey Boakye.From New York punk to Björk's debut via a 13th century drinking song in Latin, this penultimate episode of the series brings the current tally of tracks to 25. Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:I Don't Want to Grow Up by the Ramones The Barley Mow by The Irish Rovers In Taberna from Carmina Burana by Carl Orff Hamri Atariya Pe Aaja Re by Shobha Gurtu Venus as a Boy by BjörkOther music in this episode:It's My Life by Dr Alban Forever Young by Bob Dylan Old Man by Neil Young Glory Days by Bruce Springsteen Help the Aged by Pulp Songs to Aging Children Come by Joni Mitchell Getting Older by Billie Eilish I Don't Wanna Grow Up by Tom Waits O Fortuna by Carl Orff Happy Birthday to You
Composer, producer and arranger Anne Dudley and concert violinist Emily Sun add five more tracks to the playlist with Cerys Matthews and Jeffrey Boakye. The journey takes them from a dark tale of deceit and entrapment to a hotel you can never leave. Irish pipes and whistle player John McSherry also calls in to tell us about his live recording of traditional jigs.Producer Jerome Weatherald Presented, with music direction, by Cerys Matthews and Jeffrey BoakyeThe five tracks in this week's playlist:Babooshka by Kate Bush Piano Concerto in A Minor (1st mvt) by Edvard Grieg Theme from Mission: Impossible by Lalo Schifrin The Roaring Promenade by John McSherry, Brendán Quinn & Francis McIlduff Hotel California by The EaglesOther music in this episode:The Look of Love Pt 4 by ABC Poison Arrow by ABC The Pink Panther Theme by Henry Mancini Piano Concerto in A minor by Robert Schumann Piano Concerto No. 1 in F-sharp minor by Sergei Rachmaninoff Canon in D major by Johann Pachelbel
Classical film scores have given us some of the most recognisable music ever written – and film screenings with a live orchestral soundtrack in the concert hall are increasingly popular. But where do you start when writing a soundtrack and how do you capture that magic? Michael Beek speaks to British film composer Anne Dudley. This episode is sponsored by Bang & Olufsen. Musical Excerpt: Anne Dudley ‘Main Title' from Elle (Original Motion Picture Soundtrack) The Chamber Orchestra of London/Anne Dudley Sony Classical 88985361012 (2017) https://www.amazon.co.uk/Elle-Original-Motion-Picture-Soundtrack/dp/B01KJ331FS Learn more about your ad choices. Visit podcastchoices.com/adchoices
Anne Bradstreet was the first woman to be recognized as an accomplished New World Poet. Her volume of poetry The Tenth Muse Lately Sprung Up in America ... received considerable favorable attention when it was first published in London in 1650. Eight years after it appeared it was listed by William London in his Catalogue of the Most Vendible Books in England, and George III is reported to have had the volume in his library. Bradstreet's work has endured, and she is still considered to be one of the most important early American poets.Although Anne Dudley Bradstreet did not attend school, she received an excellent education from her father, who was widely read— Cotton Mather described Thomas Dudley as a "devourer of books"—and from her extensive reading in the well-stocked library of the estate of the Earl of Lincoln, where she lived while her father was steward from 1619 to 1630. There the young Anne Dudley read Virgil, Plutarch, Livy, Pliny, Suetonius, Homer, Hesiod, Ovid, Seneca, and Thucydides as well as Spenser, Sidney, Milton, Raleigh, Hobbes, Joshua Sylvester's 1605 translation of Guillaume du Bartas's Divine Weeks and Workes, and the Geneva version of the Bible. In general, she benefited from the Elizabethan tradition that valued female education. In about 1628—the date is not certain—Anne Dudley married Simon Bradstreet, who assisted her father with the management of the Earl's estate in Sempringham. She remained married to him until her death on September 16, 1672. Bradstreet immigrated to the new world with her husband and parents in 1630; in 1633 the first of her children, Samuel, was born, and her seven other children were born between 1635 and 1652: Dorothy (1635), Sarah (1638), Simon (1640), Hannah (1642), Mercy (1645), Dudley (1648), and John (1652).Although Bradstreet was not happy to exchange the comforts of the aristocratic life of the Earl's manor house for the privations of the New England wilderness, she dutifully joined her father and husband and their families on the Puritan errand into the wilderness. After a difficult three-month crossing, their ship, the Arbella, docked at Salem, Massachusetts, on July 22, 1630. Distressed by the sickness, scarcity of food, and primitive living conditions of the New England outpost, Bradstreet admitted that her "heart rose" in protest against the "new world and new manners." Although she ostensibly reconciled herself to the Puritan mission—she wrote that she "submitted to it and joined the Church at Boston"—Bradstreet remained ambivalent about the issues of salvation and redemption for most of her life.-bio via Poetry FoundationFor further reading: a picture book about Bradstreet by one of her descendants Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe
Today's absorbing episode of Electronically Yours features a famous production team primarily responsible (together with Anne Dudley) for creating the band Art Of Noise, Gary Langan and JJ Jeczalik. Gary started as assistant engineer on the most famous Queen albums, he then went on to work with Trevor Horn at Sarm on various projects, he produced Beauty Stab for ABC and Through The Barricades for Spandau Ballet. He co-founded ZTT in 1983, and produced Happy? For PIL. Gary went on to work with Malcolm McClaren, Scritti Pollitti and constellations of major stars and some of the most epic albums of the last 30 years. JJ Jeczalik is a British electronic musician/record producer, Fairlight expert and co-founder of Art Of Noise. He was also behind the success of controversial Liverpool band, Frankie Goes to Hollywood and their number one hit singles "Relax" and "Two Tribes" also on ZTT.[9] Other work for ZTT involved further work for FGTH on the Welcome to the Pleasuredome album and for another two signings, Propaganda and Andrew Poppy. Ladies and Gentlemen – meet the men behind the noise, Gary Langan and JJ Jeczalik... If you can, please support the Electronically Yours podcast via my Patreon: https://www.patreon.com/electronicallyours
In this episode we talk with Jo-Anne Dudley, an exceptional leader who has a unique perspective as a C-suite level executive with a technical mining engineering background. Among many topics, we talk about challenges of working in site-based roles as a woman in mining, the learnings and advantages of being 'different', the importance of developing a varied skillset, and the benefits of putting yourself in someone else's shoes (Fluevog's no less!).
País Reino Unido Dirección Ol Parker Guion Ol Parker Música Benny Andersson, Anne Dudley, Björn Ulvaeus Fotografía Robert D. Yeoman Reparto Amanda Seyfried, Lily James, Christine Baranski, Julie Walters, Pierce Brosnan, Colin Firth, Stellan Skarsgård, Dominic Cooper, Andy García, Cher Sinopsis "Mamma Mia: Una y otra vez" nos lleva de viaje al verano donde comenzó todo. Desde su vida en el presente, los protagonistas de "Mamma mia!" nos cuentan los hechos acontecidos el mágico verano en el que comenzó esta historia de los tres posibles padres de Sophie.
Dina Friedman, producer of The Media Path Podcast, joins Ryan and Nicole to discuss the 1997 Peter Cattaneo film, The Full Monty. It was nominated for 4 Oscars and it ended up winning Best Original Score in a Musical or Comedy for Anne Dudley's "controversial" score.We discuss:How the movie went from an indie film to a huge hit. (grossed 250 million on a 3.5 million budget)Why Anne Dudley's score is considered controversialHow the soundtrack is full of great dance tracksHow the film packages a lot of heavy topics in a crowd pleasing filmThe film's legacy and how it will soon be a TV showIf you're looking to create a podcast with professional sound, check out Podtastic Audio at:https://www.podtasticaudio.com/easyFor More Information about The Media Path Podcast:Website: https://www.mediapathpodcast.com/IG: https://www.instagram.com/mediapathpod/Twitter: https://twitter.com/mediapathpodIf you'd like to support Soundtrack Your Life, we have a Patreon, where you'll get bonus episodes and more!https://www.patreon.com/soundtrackyourlife
For centuries, the name of an accomplished and popular portrait painter in the court of Elizabeth I has remained unknown. The renowned art historian Sir Roy Strong dubbed this artist the ‘Master of the Countess of Warwick' but his identity has remained a mystery - until now. A fascinating new exhibition presents his works side-by-side - and it proposes a name for this mysterious artist.In this episode of Not Just the Tudors, Professor Suzannah Lipscomb visits the exhibition at Compton Verney in Warwickshire to meet curator Amy Orrock and to find out more about the work - and probable life - of a great, forgotten painter.This episode was edited and produced by Rob Weinberg.For more Not Just The Tudors content, subscribe to our Tudor Tuesday newsletter here.If you'd like to learn even more, we have hundreds of history documentaries, ad free podcasts and audiobooks at History Hit - subscribe today! To download, go to Android or Apple store Hosted on Acast. See acast.com/privacy for more information.
Musician and composer Anne Dudley and percussionist Ruairi Glasheen embark on a musical journey across continents, centuries and styles as they add the next five tracks to the playlist. Cerys Matthews and Jeffrey Boakye also find out from specialist Simon Heighes about the background to a popular work by Bach, famously used in those old cigar adverts. Producer Jerome Weatherald Presented, with music direction, by Cerys Matthews and Jeffrey Boakye The five tracks in this week's playlist: Infinity by Imamyar Hasanov Mehter Vuruyor by Mehter She's Gone by Darryl Hall & John Oates Air from Orchestral Suite No 3 in D major by J S Bach Many Rivers to Cross by Jimmy Cliff Other music in this episode: 8 Dogs 8 Banjos by Old Crow Medicine Show Makhloogh by Googoosh 7 Heures du Matin by Jacqueline Taïeb A Whiter Shade of Pale by Procol Harum Vietnam by Jimmy Cliff
Studio Soundtracks celebrates International Women's Day alongside six women working in music for film, television, and video games. Chanda Dancy, Lili Haydn, Anna Drubich, Taura Stinson, Jessica Rose Weiss, and Dara Taylor all joined the program to talk about the work of six other female composers in support of their colleagues and to champion each other's work. Listen to the program to hear works by Yoko Kanno, Jocelyn Pook, Mica Levi, Laura Karpman, Anne Dudley, and Natalie Holt. You can learn more about women working in film, television, and video games through The Alliance for Women Film Composers - an organization dedicated to advocating for women composers worldwide. www.theawfc.com
Simon and Eugene discuss the “Big Lie” in fiction, the Oscar-winning music of Anne Dudley, the difference between train length in the UK and the US, and how foreknowledge might affect your behavior in a time paradox. Episode Synopsis Fashion designer Sonia Duval is being interviewed about her upcoming show and about negative feelings about ... Read more
SOLENOÏDE, émission de 'musiques imaginogènes' diffusée sur 30 radios dans le monde
Solénoïde (26.12.2022) - Nouveau focus sur la création musicale au féminin ! Pour l'occasion, nous avons convoqué baroudeuses, magiciennes et autres poétesses du son. En d'autres termes, cette émission est le prétexte idéal pour mettre en lumière une palette d'artistes exigeantes : des musiciennes téméraires et singulièrement libres !
Dans cette 1006e édition nous allons rendre hommage à Pierre Soulage, voir pourquoi les opérations d'entartage de statues et tableaux se multiplient, découvrir un bouquin étonnant, évoquer Anne Dudley et les plans inédits de 2001..
Anne Dudley, composer and co-founder of The Art of Noise, and Welsh traditional musician Patrick Rimes join Cerys Matthews and Jeffrey Boakye as they add five more tracks to the playlist, including a tender but rather unlikely love affair and a New Orleans classic. Presenters Cerys Matthews and Jeffrey Boakye Producer Jerome Weatherald The five tracks in this week's playlist: Night on Bald Mountain by Modest Mussorgsky Hideaway by Jacob Collier Un petit poisson, un petit oiseau by Juliette Gréco When the Saints Go Marching In by Louis Armstrong Ché Ché Colé by Héctor Lavoe and Willie Colón Other music in this episode: Romeo and Juliet by Sergei Prokofiev O, wie will ich triumphieren by Mozart Night on Disco Mountain by David Shire When All the Saints Come Marching In by Paramount Jubilee Singers
Review strategies to incorporate life-long learning in medical practice.Discuss trainee learning and graduated responsibility.Discuss pediatric urology guidelines and application in practice.
Sempre grandi film alla Radio. Ogni lunedì, su radioincontri.org la lettura e l'ascolto di un film che ha fatto la storia del cinema.Guarda il reel. La colonna sonora del film, vincitrice di un premio Oscar come miglior colonna sonora nel 1998, è stata composta da Anne Dudley. Radio Incontri Inblu Cortona. David Lindup – The Zodiac – 3:06 Hot Chocolate – You Sexy Thing – 4:03 Tom Jones – You Can Leave Your Hat On – 4:26 M People – Moving on Up – 5:29 Steve Harley & Cockney Rebel – Make Me Smile (Come Up and See Me) – 3:59 Anne Dudley – The Full Monty – 3:04 Anne Dudley – The Lunchbox Has Landed – 2:14 Wilson Pickett – Land of a Thousand Dances – 2:24 Gary Glitter – Rock & Roll, Pt. 2 – 3:02 Donna Summer – Hot Stuff – 3:49 Sister Sledge – We Are Family – 3:35 Irene Cara – Flashdance... What a Feeling – 3:49 Joe Loss & His Orchestra – The Stripper – 2:11
Tom Service explores television themes with Oscar-winning composer Anne Dudley, who wrote the music for Poldark, Black Narcissus, and Jeeves and Wooster.
Film composer, arranger, producer and performer, Anne Dudley is a multi-talented and critically acclaimed musician. This interview was originally recorded for Niles' BBC Radio 2 documentary, “Richard Niles' History of Pop Arranging”. Beginning as a session musician and arranger for Producer Trevor Horn she worked with him on hits for ABC, Frankie Goes to Hollywood, and Malcolm McClaren. She was a founding member of the Art of Noise whose hits included Close to the Edit, The Seduction of Claude Debussy, and Kiss featuring Tom Jones. In conversation with composer Richard Niles she discusses all this and more. She has composed and produced soundtracks for dozens of award-winning films and television shows. The Anne Dudley Interview - Artist of Noise Watch this episode in video HERE #AnneDudley #RichardNiles #poparranging #musicarranging #ABC #FrankieGoestoHollywood #MalcolmMcClaren #TheArtofNoise #TrevorHorn #TomJonesKiss Please Like, Share, and Subscribe to our YouTube channel HERE Buy Richard's acclaimed books HERE Buy Richard's astounding music HERE Check our channel's official online shop for great & exclusive memorabilia HERE Send me enough for a cup of coffee at The Ritz to keep our Radio Richard growing: Via PayPal Via Patreon “Radio Richard Theme” ©2022Niles Smiles Music (BMI) by Richard Niles
Our latest guest on Soundtracking is someone we've been trying to get on for a very long time. Anne Dudley made her name in Art Of Noise, and has since gone on to score numerous films, including The Full Monty, for which she won an Oscar. She's also collaborated with some of the biggest names in pop music, from Tina Turner and Elton John to George Michael and Liza Minelli. We also discuss her latest solo album, Crossing The Bar.
In between composer interviews, The Film Scorer covers some of the best, most notable, and favorite film scores from January through March, 2022. These include a handful of films released in 2021 whose scores for some reason had delayed releases, like The Harder They Fall by Jeymes Samuel and Benedetta by Anne Dudley, as well as experimental scores like The Seed by Lucrecia Dalt, Texas Chainsaw Massacre by Colin Stetson, and Ted K by Blanck Mass (the latter of whom I recently interviewed), and a whole load more! Keep your eye on The Film Scorer website for reviews and articles covering some of these scores and see below for articles covering some of my favorite scores for the following months, including detailed writeups and lists: January: https://thefilmscorer.com/the-best-film-scores-of-january-2022/
On Unscripted, Oscar-winning composer and musician Anne Dudley joins Nina Nannar.Anne looks back at her career and gives us the behind-the-scenes insights into composing for hits like Poldark and The Full Monty.The pair talk all things Art of Noise - the groundbreaking 1980s band which, Anne tells us, never expected to gain commercial success.We hear all about her new album, and why those who soundtrack film and TV need more respect.
The Oscar-winning composer Anne Dudley has just released an album, 'Crossing the Bar', created during lockdown and prompted by her acquiring a new piano. Gramophone's James Jolly went to speak to her at Angel Studios in Islington about the album, but also about her work in music across so many different genres. Gramophone Podcasts are presented in association with Wigmore Hall.
RTL 5minutes - La machine à explorer le temple... de la musique
Elle a confectionné des robes de gala aux chansons des plus grands artistes, Anne Dudley nous présente sa musique, désormais de chambre, en petite nuisette
This International Women's Day, you are cordially invited to attend the inaugural Girls On Film Awards! This episode was recorded at a glittering ceremony at the gorgeous The Garden Cinema in March 2022, with an audience of industry luminaries. Listen in to discover who won everything from Female Friendship on Screen to the Best Female Orgasm on film - and hear speeches from some of our favourite filmmakers, including Sarah Gavron (Rocks) and Philippa Lowthorpe (Misbehaviour). The Girls On Film Awards reward excellence in the field of feminism, inclusion and diversity, female representation and the female gaze. Because the awards are in part a celebration of Girls On Film's third anniversary, films were eligible if they were released between the launch of Girls On Film on 2 October 2018, and 4 February 2022. Thanks to The Garden Cinema, to principal partners Vanessa Smith and Peter Brewer and to Rémy Martin, Belle & Co and La Gioiosa Prosecco. Here's where to watch the nominated films: FEMINIST FICTION FEATURE Booksmart is on BBC Iplayer until Friday 11th March and on digital internationally. The Lost Daughter is on Netflix. Portrait of a Lady on Fire is available to rent on Amazon Video and other digital platforms. Promising Young Woman is available to rent on Amazon Video. Quo Vadis, Aida? is available on Netflix. DOCUMENTARY FEATURE Cow is on Mubi. Crip Camp is on Netflix. For Sama is on All 4 and on digital internationally. Rebel Dykes is on BFI Player. Writing with Fire is available to pre-order on AppleTV for March 29th 2022. FEMALE FRIENDSHIP ON SCREEN Booksmart is on BBC Iplayer til Friday 11th March. Herself is on BFI Player. Hustlers is on Netflix. Misbehaviour on BBC iPlayer. Rocks is on Netflix and will be on wider digital platforms in the coming months. Ensemble Acting Babyteeth, The Farewell, Little Women and Rocks are on Netflix. Zola is available to rent on Amazon Prime Video. GIRLS ON FILM ALLY Pedro Almodovar for Parallel Mothers, in UK cinemas and will be on Premium Video on Demand from 14th March. J Blakeson for I Care A Lot, on Amazon Prime Video. Bo Burnham for Eighth Grade, to rent on Apple TV. John Krasinski for A Quiet Place Part II is on Now TV. Jordan Peele for Us, to rent on Amazon Prime Video. COMPOSER Nainita Desai. For Sama is available on All 4. The Wall: Climb for Gold is on Apple TV, Google Play and Amazon Prime Video. Anne Dudley. The Hustle is on Netflix. Hildur Guðnadóttir. Joker is available to stream on Amazon Prime Video. Morgan Kibby. Mothering Sunday is available to rent on Amazon Prime Video. Mica Levi. Zola is available to rent on Amazon Prime Video. FEMINIST PUBLICITY CAMPAIGN Misbehaviour is on BBC iPlayer. Mothers of the Revolution is available to rent on Apple TV. Rare Beasts is on Now TV. Rocks is on Netflix. Saint Maud is on Amazon Prime Video. DIVERSITY BADGE OF HONOUR Michaela Coel's I May Destroy You is on BBC iPlayer and on digital internationally. Sarah Gavron's Rocks is on Netflix. Ruth Madeley's new film When Barbara Met Alan will be on BBC iPlayer soon. Years and Years is available on BBC iPlayer and on digital internationally. Ashanti Omkar. BEST FEMALE ORGASM I'm Your Man is available to rent on Amazon Prime Video. If Beale Street Could Talk and The Miseducation of Cameron Post are available to rent on Apple TV. Portrait of a Lady on Fire is available to rent on Amazon Prime Video. Queen & Slim is on Netflix. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Girls On Film is an HLA production. Hosts: Anna Smith and Hedda Archbold. Executive Producer: Hedda Archbold. Audio Producer: Michelle Tofi. Assistant Producer: Shanaiya Pithiya. House band: MX Tyrants. Interns: Jamie Wills and Greta Gard.
It's an hour of music celebrating female composers and an interview with Laura Karpman, who was recently announced as the composer of The Marvels - the upcoming sequel to Captain Marvel to be directed by Nia DaCosta - from this encore episode originally aired November 29 2020.Not only will you hear some of Laura's terrific music from her career, but also tracks by early female pioneers including Delia Derbyshire's Doctor Who theme, Wendy Carlos' work for 1982's Tron, and Academy Award winners Anne Dudley, Rachel Portman and Hildur Guðnadóttir.Set lists available at www.mondohollywood.ca
Get inspired to pack nutritious lunch boxes for your kids! Today, we learn tangible tips for busy parents from a mother of five. [6:04] Dr. Dudley's plant-based journey [11:30] Her perspective on raising plant-based children [15:10] How to stay organized while feeding a larger family [22:24] Tips for packing nutritious lunch boxes [26:00] How to ensure lunches stay balanced [29:15] Her kids' favorite lunch box items [30:58] Experience with her kids being teased for their lunches at school [37:23] Her advice for parents on how to respond to well-meaning friends, family or even strangers concerned about what their kids eat [40:53] Something she wishes she knew before having kids [44:56] What she wishes more parents knew about diet and nutrition [47:54] List of resources for plant-based parents DR. ANNE DUDLEY @deliciouslydrdudley Disclaimer: The information on this blog, website and podcast is for informational purposes only. It is not meant to replace careful evaluation and treatment. If you have concerns about your or your child's eating, nutrition or growth, consult a doctor. Mentions: Meal delivery service: Purple Carrot (https://purplecarrot.com/plans) Dr. Dudley's Resources for Parents: Dr. Yami's Freebies - doctoryami.com/free Dr. Greger's Website - nutritionfacts.org PCRM Vegan Starter Kit for Kids - https://www.pcrm.org/good-nutrition/nutrition-for-kids ACLM Handouts for Children - these aren't publicly available PBJ's Freebies - https://plantbasedjuniors.com/the-pb3-plate-for-vegan-kids/ https://plantbasedjuniors.com/plant-based-juniors-supplement-guide/ Follow Dr. Dudley on Instagram for lunch box pictures: @deliciouslydrdudley Send me an email to yami@doctoryami.com with questions and topics Sign up for my newsletter doctoryami.com/signup MORE LISTENING OPTIONS Apple Podcasts: http://bit.ly/vdritunes Spotify: http://bit.ly/vdrspotify NEWSLETTER SIGN UP https://doctoryami.com/signup FIND ME AT Doctoryami.com Instagram.com/thedoctoryami Facebook.com/thedoctoryami Veggiefitkids.com * * * * MORE FROM ME Read - http://veggiefitkids.com/blog Listen: http://bit.ly/vdrpodcast Watch - http://bit.ly/vfkvideos TEDx Talk - http://bit.ly/DOCTORYAMITEDX * * * * Questions? Email me: Yami@doctoryami.com
Describe testicular testicular descent and epidemiology of undescended testes.Review testicular examinations and how to detect an acquired undescended testis.Describe surgical intervention and long term outcomes of orchiopexy.
Anne Dudley, composer, musician and arranger, shares the stories from her incredible career. Anne's made a huge contribution to some of the biggest pop records and soundtracks of the past 40 years. As well as a founding member of Art of Noise, Anne's string arrangements and keyboard playing can be heard on hits by ABC, Dollar, Frankie Goes To Hollywood, A-ha, Electronic, Wham!, George Michael, Will Young and Lloyd Cole & The Commotions. Art of Noise with Duane Eddy's remake of ‘Peter Gunn' earned them a Grammy for Best Rock Instrumental Performance and Anne has been credited with reinventing the pop career of Tom Jones when he was invited to appear on their version of Prince's Kiss. Anne Dudley shares the stories of some of these classic recordings and composing soundtracks for Buster, Jeeves And Wooster, Poldark and The Full Monty which picked up an Oscar for Best Comedy Score.
Who's afraid of the Art of Noise? Well not us, we loved 'em. So much so that we have invited the one and only Anne Dudley on to the show this week. Anne Dudley is an obscenely talented composer, arranger, producer and performer. She is a fellow of The Royal College of Music, was nominated 3 times for an Ivor Novello Award, she has won two Brit awards, a Grammy and an *Oscar* for her score for the British comedy 'The Full Monty'. In 2014 she was presented with a BASCA Gold Badge for her outstanding contribution to the music industry. And ALL of this was AFTER she helped change the face of electronic music forever through her work with The Art of Noise. We also celebrate one of the best soul and funk labels around 'Daptone' by talking to Jessica Lipsky author of the definitive new book about the label that brought us Sharon Jones, Charles Bradley and Lee Fields, its called 'It aint retro: Daptone Records and the 21st century soul revolution.' And of course Anne and Eamon kick it all off by shooting the breeze and ruminating on the long awaited return of the dancefloor! So strap yourselves in for another tasty slice of pod. PLAYLIST! https://open.spotify.com/playlist/2aJgGb30XvprGhMF8KDhdw?si=21812fd742644315 You:Tube playlist! https://www.youtube.com/playlist?list=PLPPl5xM2fbUqmC91KCSAloSssLFoZeTgF You can buy Jessica Lipsky's book here (or at your local book store). https://www.amazon.co.uk/Aint-Retro-Daptone-21st-Century-Revolution/dp/1911036734 You can also buy the legendary Tokyo concert by the Art of Noise after over 25 years of being unavailable. https://www.roughtrade.com/gb/art-of-noise/noise-in-the-city-live-in-tokyo/lp-x2?channable=409d9269640033313338323106&gclid=Cj0KCQjw6s2IBhCnARIsAP8RfAgBuiSOZ46Yflr3ocolhZUvYQ4iOFhSXKWE86Jh7_VIoUgiYD2rN7waAuV8EALw_wcB CONTACT US: WHATGOESPOD@GMAIL.COM Twitter - @WHATGOESPOD Instagram - @WHATGOESPOD Facebook - https://www.facebook.com/WhatGoesPod/ *BIG UP THE LIKERS RETWEETERS & SHARERS*
Author and educator Kaya Oakes talks with me about the sisters who co-wrote Hall & Oates's biggest hits, one of Carol Kaye's 10,000 bass lines, and how Art of Noise's Anne Dudley won an Oscar. Check out my online music course, "The Completely Abridged History of Bay Area Music," starting July 27: https://bit.ly/bam-rcw Instagram: instagram.com/mrfr3nch Twitter: twitter.com/MrFr3nch My site: mmfrench.com Theme song by Spiky Blimp: spikyblimp.com Kaya Oakes's upcoming book The Defiant Middle: amzn.to/3zI8xhe Originally broadcast on KACR-LP—Alameda.
Mother of God! The boys are back from their Easter break, unboxing all things film music with Oscar winner and reluctant Top of the Pops performer Anne Dudley. PLUS, they interrogate mid-20th-century British composer Geoffrey Bush on the 101st anniversary of his birth. …Sound and Music's Fair Access Principles: https://soundandmusic.org/wp-content/uploads/2020/09/2020_SoundandMusic_FairAccessPrinciples_Graphic_280220_final.pdf Anne Dudley accepts her Oscar : https://www.youtube.com/watch?v=RdJXznkTkvA Mark Simpson's brand-new Violin Concerto: https://www.marquee.tv/videos/lso-benedettitchaikovskysimpson …Music Referenced: ‘Tim and Sam's Podcast' written and performed by Harry Sever 'Lento ma non troppo' from Bush's Divertimento, performed by the Royal Ballet Sinfonia under David-Lloyd Jones‘The Aquarium' from Saint-Saens's The Carnival of the AnimalsAlan Menken's ‘Magic Rose' theme from Beauty and the Beast
Hello and Welcome to the Urology COViD Lecture Series Podcast! Brought to you by the UCSF Department of Urology. In today's episode, we have Dr. Anne Dudley from Connecticut Children's Medical Center and University of Connecticut School of Medicine talking about Urologic Care of Adolescents and Young Adults. Learn more by visiting our website! urologycovid.ucsf.edu.
Hiya! Do you remember us? We are the two northern idiots who shout about running and make immature gags and stuff. We thought we better release some more content for you! Sorry it took us so long, but here we are, in the midst of lockdown 2.0, getting together virtually to shout into our microphones for you about where we've been and if we are still alive. We dug out some of your favourite features for you to enjoy too. As always, get in touch with us on Twitter and instagram @BehindTheMedal it'd be lovely to hear from you during this second lockdown shenanigans. Be sure to subscribe to our podcast, give us a like, leave us a comment and if you enjoyed the show leave us a nice review from wherever your listening, it really helps us out! Music with thanks to; Theme tune by Andrew McCrorie-Hand, Happy Commercial Music by David Fesliyan & Without Me by Marshalll Mathers, Jeffrey Bass, Kevin Bell, Anne Dudley, Malcom McLaren and Trevor Horn.
Sean and Paul have for months now being racking our brains about what to do about Lol Creme. He's long since stated that doing a podcast interview just isn't his thing. So we'll just do a pod talking about his 70s and 80s 'extra-curricular' projects and solo career after Godley and Creme - easy, right? Well, not really. The more we've dug around to find him, the more elusive he's seemed to have got! He's seldom been very audible, let alone visible, in these last 30 years. This episode focuses on Lol's solo work, from his obscure Naughty Nola single in 1973 to the present day. Much of his work in that time has involved playing session guitar on established artists' records, and most of those as part of ace producer Trevor Horn's crack team. These musicians include the likes of Anne Dudley, Steve Lipson, Luis Jardim and Ash Soan - and more on these shortly. You'll hear many, many clips on this podcast from Lol's contributions to major and more minor artists' work, including Inga Humpe, Tom Jones, Cher, Tina Turner and Barry White, Robbie Williams and Olly Murs. An illustrious list, but in truth it's often difficult to pick out what Lol actually played on these records! Much more interesting are his more substantial contributions (as writer-performer) to three outfits: Glam Metal Detectives, Art of Noise and Producers (more recently aka The Trevor Horn Band). All of them are helmed by the ubiquitous Mr Horn, and display very different facets of the Creme gemstone. The former's playful wackiness shows off some terrific rock guitar playing from Lol and his son Lalo. Joining ZTT's established but shifting Art of Noise collective in the late 90s, he brought them some subtly beautiful and tasteful guitar layers we'd never heard from them before. Most interesting of all perhaps is the 2012 album Made in Basing Street by the Producers line-up of Creme, Soan, Lipson and Horn, which although falling short of the 'second coming' status its pedigree promised, contains a few wonderful songs and some spectacular moments. Not to mention an elusive lead vocal from our diminutive ex-10cc man! We've enjoyed picking through the bones of Lol's solo career here, but we're still feeling somewhat frustrated by how thinly its' spread across those decades. But, as Paul rightly says, 'it's our problem, not his.' Next time we're joined by hugely entertaining author Paul Hamilton, who'll be sharing his singular views on Lol and Kevin's non-Godley and Creme projects.
This is a special about the music in the films of Dutch director Paul Verhoeven who lives and works abroad of the Netherlands. About the international films that he made since 1985. From ‘Flesh + Blood' to 'Robocop' to ‘Elle'. Verhoeven worked together with composers such as Jerry Goldsmith, Anne Dudley en Basil Poledouris. Paul Verhoeven himself can also be heard in this podcast in a fragment of an interview that then KRO-colleague Martijn Grimmius and I made in 2012. Verhoeven talks about his cooperation with Jerry Goldsmith for 'Basic Instinct'.
I’ve strung together another mix, with some random tracks that came up on my playlist today… Dumb Waiters (Remastered) – The Psychedelic Furs – Talk Talk Talk Soft Dog – Peter Gabriel – Flotsam and Jetsam Ten Fingers of Love – Anne Dudley – Plays the Art of Noise Norwegian Wood (This Bird Has Flown) [...]
Host Anna Smith is joined by trailblazing Oscar-winner Anne Dudley and BAFTA Breakthrough Brit Nainita Desai. They talk about their careers as film composers, in the first of two episodes partnered with Scala Radio. Anne and Nainita discuss the details and challenges of this offscreen role, and share their stories of breaking into the film scoring industry. Addressing gender imbalance, we look to the positive changes taking place – and how to keep them going. Anne remembers attending the Academy Awards for The Full Monty, while Nainita talks about scoring the award-winning documentary For Sama. Adapting to lockdown life along with the rest of us, Nainita talks about her new project connecting musicians with composers to keep the industry in motion throughout the pandemic. We also learn which classic scores inspired our guests to make a career of composing – and that even they are not immune to the power of ABBA. Thanks to our partners Scala Radio. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on Twitter: www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno www.twitter.com/ScalaRadio Girls On Film is an HLA production, exec produced by Hedda Archbold and audio produced by Jenny Nelson. Intern: Heather Dempsey.
Dins de la setmana de la dona,
El panorama de los creadores de música de cine, es algo que viene recayendo entre los hombres, donde grandes nombres como por ejemplo, John Williams, Jerry Goldsmith, Ennio Morricone, Alan Silvestri, Bernard Herrmann, Maurice Jarre y un sinfín de reconocidos creadores de las bandas sonoras de películas, copan el Olympo de los maestros en esta materia. Pero de un tiempo a esta parte han aparecido una serie de compositoras de reconocido prestigio que poco a poco se van haciendo sitio y donde su calidad es muy contrastada. En este reportaje os comentamos aquellas compositoras recientes que hemos rescatado para recordarlas. Hablaremos y escucharemos temas de las siguientes compositoras: Anne Dudley (1956), Lisa Gerrard (1961), Lesley Barber (1962), Debbie Wiseman (1963), Deborah Lurie (1974), Pinar Toprak (1980) y Hildur Guðnadóttir (1982). Si te gusta el programa, puedes opinar y/o aportar informacion complementaria a este programa, incluso proponiendo nuevas compositoras. Gracias por tu colaboración.
El panorama de los creadores de música de cine, es algo que viene recayendo entre los hombres, donde grandes nombres como por ejemplo, John Williams, Jerry Goldsmith, Ennio Morricone, Alan Silvestri, Bernard Herrmann, Maurice Jarre y un sinfín de reconocidos creadores de las bandas sonoras de películas, copan el Olympo de los maestros en esta materia. Pero de un tiempo a esta parte han aparecido una serie de compositoras de reconocido prestigio que poco a poco se van haciendo sitio y donde su calidad es muy contrastada. En este reportaje os comentamos aquellas compositoras recientes que hemos rescatado para recordarlas. Hablaremos y escucharemos temas de las siguientes compositoras: Anne Dudley (1956), Lisa Gerrard (1961), Lesley Barber (1962), Debbie Wiseman (1963), Deborah Lurie (1974), Pinar Toprak (1980) y Hildur Guðnadóttir (1982). Si te gusta el programa, puedes opinar y/o aportar informacion complementaria a este programa, incluso proponiendo nuevas compositoras. Gracias por tu colaboración.
Programa que volvemos a dedicar a mujeres compositoras dentro de la sección la BSO de tu vida, un nuevo especial que comenzamos hace unas semanas con la gran compositora Rachel Portman. En el programa 423 hablaremos y escucharemos temas de las siguientes creadoras: - Anne Dudley, 1956 - Lisa Gerrard, 1961 - Lesley Barber, 1962 - Debbie Wiseman, 1963 - Deborah Lurie, 1974 - Pinar Toprak, 1980 - Hildur Guðnadóttir, 1982 Un buen número de fantásticas compositoras donde podemo encontrar a la ganadora del Oscar, Hildur Guðnadóttir, por Joker entre las creadoras que pasarán por este programa. Si quieres opinar o enviarnos información de otras compositoras que te gustaría que repasemos nos envías un mail a: masquecine@radionova.cat
Natasha Frederick, MDAnne Dudley, MDJared Bieniek, MDVictoria Pohl, CPNP-PC, MSN, BSNHayley Shaw, RN-BSN, CPHON
The Old School Rewind Podcast Features Jody Watley his week. Welcome Back Jody Vanessa Watley (born January 30, 1959 is an American singer, songwriter, record producer, and artist whose music crosses genres including pop, R&B, jazz, dance, and electronic soul. In 1987, she won the Grammy Award for Best New Artist and has been nominated for three Grammy awards.Jody Vanessa Watley (born January 30, 1959 is an American singer, songwriter, record producer, and artist whose music crosses genres including pop, R&B, jazz, dance, and electronic soul. In 1987, she won the Grammy Award for Best New Artist and has been nominated for three Grammy awards.In 2008, she was the recipient of a Lifetime Achievement Award from Billboard magazine, and was also prominently featured in the historic black issue of Vogue Italia in 2008. Her early music influences are Diana Ross, Marvin Gaye, Stevie Wonder, Michael Jackson, The Jackson 5, The Carpenters, Roberta Flack, Prince, Grace Jones and various jazz artists including Nancy Wilson. In December 2016 Billboard ranked her as the 21st most successful dance artist of all-time. and in 2017 Black Music Honors TV special recognized Watley as Crossover Music Icon Honoree for her groundbreaking achievements and influence. In August 2018 Billboard ranked Jody Watley as one of the top female artists of all-time, at number 53. Jody's Early career1977–1984: Soul Train and ShalamarWatley was born in Chicago, Illinois and made her first stage appearance at 8 years old with family friend and godfather Jackie Wilson. (CLIP JACKIE WILSON) She got her entertainment start on the TV dance show Soul Train at the age of 14. Documented by Ebony magazine in 1977 as a part of "The New Generation," Jody Watley was one of the most popular dancers on the show and recognized as a trendsetter for her style and dance moves. As standouts on the television show, Watley and fellow Soul Train dancer Jeffrey Daniel were selected to join Gary Mumford and become original members of the R&B group Shalamar, which was created by soul trains Don Cornelius. (Mumford was shortly replaced by Gerald Brown, and Brown himself was soon replaced by Howard Hewett as lead vocalist). So The lineup now in shalamar of Hewett, Watley, and Daniel would be the most successful. Jody Watley remained with Shalamar from 1977 to 1983. In that time, The trio released several albums and scored several hits including the US Top 20 "Dead Giveaway", and the R&B hits "The Second Time Around", "For The Lover In You", and "A Night To Remember". A show exclusively for Shalamar up in a few weeks so I didn't mean to tease you their wit den jammies but few weeks we'll hook up with shalamars music.. after all of this and Because of conflicts within the group, disagreements about the artistic direction of Shalamar with Dick Griffey, and lack of payment from Solar Records, Jody Watley finally leaves the group in 1983, prior to the release of Shalamars "The Look" album. Here we are in post Shalamar mode for Jody watley as she moved to England, and while there, she recorded a guest vocal with British Jamaican roots reggae group Musical Youth for their album, Different Style!.(clip) remember them, She also recorded with Gary Langan, Anne Dudley and J.J Jeczalik (who later became Art of Noise).(clip) She had a brief stint with Phonogram Records where two singles were released (in the UK, Europe and Australia – though crucially not America) under the moniker "Jody" (no second name), "Where the Boys Are" and "Girls Night Out". Also during this era, and after departing the group, she took part in Bob Geldof's Band Aid recording of "Do They Know It's Christmas", which included Bono, Boy George, Sting, George Michael, Phil Collins, Status Quo, Paul Weller, Bananarama and other prominent UK artists. After two and a half years in England, Watley returned to America and secured a recording deal with MCA Records, eager to establish her own identity.[29] Her debut solo studio album, titled Jody Watley, was released in March 1987, and she co-wrote six of the album's nine songs. In an interview with Rolling Stone, Watley would say that she wanted to showcase her voice against "really funky hard dance tracks."[29] The album's lead single, "Looking for a New Love", became a hit and was certified Gold by the Recording Industry Association of America (RIAA).[30] The album peaked at number ten on the US Billboard 200, number one on the Top R&B/Hip-Hop Albums chart, and sold 2 million copies in the United States and a total of 4 million copies worldwide. It produced five uptempo dance and R&B singles that charted on the Billboard Hot 100, with three peaking within the top-ten: The first being "Looking for a New Love" was a #2 hit for Jody and was released in January 1987 as the first single from her debut album. The song became one of the biggest pop and R&B singles of 1987. The single hit number two for four consecutive weeks on the Billboard Hot 100 in May 1987 and spent four weeks at number-one on the Billboard R&B chart.[1] It is the only single between 1985 and 1990 in the United States to have spent four weeks in the runner-up position and not have reached the number one. The single was kept out of the top spot of the Hot 100 by Cutting Crew's "(I Just) Died in Your Arms" and U2's "With or Without You", and would itself keep Club Nouveau's Hot 100 number-one single "Lean on Me" out of the top spot of the R&B chart. It ranked number 16 on Billboard's year-end chart for 1987. The song also reached number-one on the RPM Singles Chart in Canada. In 1988 the song was nominated for two Soul Train Music Awards for Best R&B/Soul or Rap Music Video, and Best R&B/Soul Single, Female. She was also nominated for a Grammy Award for Best Female R&B Vocal Performance. The single lookin for a new love came about While listening to a tape of instrumental tracks given to her by producer André Cymone, Watley reflected on a recent sour romantic breakup. Fusing her own feelings of "I'll show you" with the feel of the track, Watley came up with the basic premise of "Looking for a New Love." The released record is the eight-track demo of the song; that way the emotional urgency of Watley's vocal was still intact. One of the song's key phrases became a popular saying: "Hasta la vista, baby." It wound up on innumerable answering machines and was used by Arnold Schwarzenegger in the 1991 film Terminator 2: Judgment Day (see Hasta la vista, baby). This is what the kids now days would call a banger. Jody wattle lookin for new love on this weeks old school rewind podcast CLIP Lookin for a new love We are tracking jody watleys hits on the Old School rewind I'm Aaron from the 35 acres and a microphone podcast farm.. The three most noted singles for jody chart wise were that you just heard lookin for a new love next up a song called still a thrill got to #56 on the top 100. Higher at the r&b radio stations While the #56 (US chart) peaking "Still a Thrill" didn't necessarily match the pop chart success of its blockbuster predecessor, it was, however, a major hit on both the R&B and dance charts in 1987. Watley employed a deep lower register on this uptempo R&B / dance song, which she co-wrote. It was produced by Andre Cymone and David Z. There have been CoversFrom Indie Neo-soulsters, Soulscream, on their 2001 album, Prototype @lpha1 2001 Neophunk. Synth-pop artist, Matthew Duffy, covered "Still a Thrill" on his album, Here I Come. Here it is from jody now on the old school rewind podcast. Still a thrill CLIP still a thrill We're messing around in the lab and hookin you up with some jams to hear, and the stories from the singers and songs from the True School Days of Old School and we're featuring jody wattle. Next up for jody was my favorite song I played on KWIN in Stockton back in those days was this one which reached #6. The song "don't you want me. I can remember like yesterday Christmas of 87 I was doing a lot of filling in for vacationing Dj's and this was actually the footings of Dance and Rhythm music to start taking down the white nature of top 40 radio It was released on August 10, 1987 as the third single from the Jody Watley album. The song was produced by Bernard Edwards of Chic-fame, and written by Franne Golde, David Paul Bryant and Jody herself. "Don't You Want Me" was a huge hit in the United States, reaching position number six on the Billboard Hot 100 and number one and three on the Dance Club Songs and Hot R&B/Hip-Hop Songs charts, respectively. Watley's previous single, "Still a Thrill," fared well in dance and R&B markets, but less-so in the mainstream. This is the race thing I bring up a lot on this show. It was a lil too much for the radio. That was enough and prompted her label, MCA Records, to go in a more pop-friendly direction. "Don't You Want Me" was one of the biggest crossover singles for the year 1987, reaching the top-ten of the Billboard pop and R&B charts. The single was also popular in nightclubs, reaching the top spot of the Billboard dance chart.Some more chart chatter for you Chart performance"Don't You Want Me" landed in the Top 40 of the US Billboard Hot 100 the week of October 24, 1987, advancing from number 56 to 40. The single reached number six on December 19, 1987 and remained there for three consecutive weeks. Theres been some Sample usage "Don't You Want Me" sampled extensively on the 49ers' 1990 hit "Don't You Love Me?". Remixed eurodance versions have appeared on the Dancemania series albums, including Dancemania SPEED 2 issued in 1999. So far Jody had me at hello with this one, Don't you want me from me Aaron Goodwin and theeee old school rewind podcast (CLIP)don't you want me Jody watley featured on this weeks old school rewind. Im Aaron Goodwin thank you for subscribing if your just arriving share to a friend and let em know old school still lives on, here, on one of the only podcast focused on true old school or true school. 82-89. And how it all got on the radio and ending up starting the culture that has enveloped the world.. The next song we'll hit for you is Jodys "Some Kind Of Lover Her third top 10 pop single from the album, and third number-one of the US dance chart, though the single found huge success in the US, outside the states, the single only reached number 81 on the UK charts. Some Kind of Lover advanced into the top 40 of the U.S. Billboard Hot 100 singles chart during the week of February 27, 1988, finally stalling at #10 the week of April 16, 1988. "Some Kind of Lover" kept Watley in the Top 20 of the singles chart for six weeks. The music video premiered in January 1988 and was nominated for two MTV Video Music Awards, for Best Female Video and Best New Artist in a Video, she also performed "Some Kind of Lover" at the award show that year. (CLIP)some kind of lover I am Aaron Goodwin and by the look of the numbers here I am talking week by week to folks worldwide we have numbers in the thousands subscribed to my podcast the old school rewind. Share subscribe tell a friend. Jody watley's next single is "most of all" released on April 18, 1988 as the fifth and final single from the Jody Watley self titled... "Most of All" was the least successful of the five singles released from the Jody Watley album. It peaked at number 60 on the US Billboard Hot 100 but did find success on the Dance Club Songs and Hot R&B/Hip-Hop Songs charts, where it reached numbers eight and eleven, respectively. The song was produced by Patrick Leonard and was co-written by Gardner Cole, both of whom had been involved with Madonna's 1986 album, True Blue. The accompanying black and white music video for "Most of All" was directed by famous Hollywood director David Fincher. David fincher (thinking) where have I heard that name before.. David fincher. Oh I know do you watch jimmy Fallon, when Nicole Kidman went on and said that she went around Jimmy a couple of times and sort of liked him and Fallon knew nothing of it.. the mutual friend is David finches that would make sense. I'm pondering out loud sorry. That isn't confirmed either but. I think that was that guys name For me. the songs kept getting better and I thought the melody of most of all and the hook were incredible. This was a real artist. (CLIP) most of all At the 30th Annual Grammy Awards of 1988, Watley won the award for Best New Artist, and was nominated for Best Female R&B Vocal Performance. That same year, she also received nominations for four MTV Video Music Awards and three Soul Train Awards. Heres a note. After Shalamar she had two singles released under the name of "Jody", without her last name even though adverts in UK pop magazine, Smash Hits, mentioned that she was "Formerly of Shalamar". This "technicality" (no second name), allowed her controversially to be considered a "New Artist" at the Grammy's, beating Breakfast Club, Cutting Crew, Terence Trent D'Arby and Swing Out Sister. Shortly after winning the Grammy, Watley would be featured in Harper's Bazaar magazine photographed by Francesco Scavullo. Things than became "LARGER THAN LIFE" for Jody watley. that is a play on words a bit as it is the name of jody's next album or sophomore effort. In the spring of 1989, Watley released her second studio album, Larger than Life, co-writing eleven of the album’s twelve songs. The album sold over 4 million copies worldwide, reaching number 16 on the Billboard 200, and produced four singles: "Real Love" (US #2, #1 R&B, #2 Dance, UK #31), a Gold-certificated single and her first Top 40 UK single since "Looking for a New Love" in 1987; "Friends" featuring Eric B. & Rakim, (US #9, #3 R&B, #7 Dance, UK #21); and "Everything" (US #4, #3 R&B), her first ballad released as a single. The album's fourth and final single, "Precious Love", was a minor hit, peaking at number 87 on the Billboard Hot 100.[33] "Friends" is notable for being the first multi-format hit single to include the formula of a pop star featuring a guest rapper with the custom full 16-bar verses and bridge concept, and distinguishable from the rap "Intro" by Melle Mel on Chaka Khan's notable cover of Prince's song "I Feel for You". The successful "Friends" formula would become a mainstay formula in commercial pop music and was added as a category at the Grammy's under Grammy Award for Best Rap/Sung Collaboration in 2002. During the summer of 1989, the "Real Love" video, directed by famous Hollywood director David Fincher, was nominated for seven MTV Video Music Awards including Breakthrough Video, Best Art Direction, Best Dance Video and Best Female Video at the 1989 ceremony. That record was held until Michael Jackson and Janet Jackson's video "Scream" received 11 VMA nominations in 1995. The next year, she was nominated for two Soul Train Awards, an NAACP Image Award for Outstanding Female Artist, and a Narm Award for Best Selling R&B Female Album. While riding high on her Larger Than Life World Tour, a remix album, titled You Wanna Dance with Me?, was released in October 1989 and achieved Gold status in America. 1989 also saw Watley featured in Harper’s Bazaar "Ten Most Beautiful Women" issue, photographed by Matthew Rolston. That same year Watley appeared on the cover of the Japanese high fashion magazine SPUR for its debut issue.[37] Watley released the million selling "Dance to Fitness" a first for an African-American woman and artist. Tell a friend to share listen and subscribe.. as I play our final track this week on the old school rewind featuring jody watley. Eric b and rakim.. Jody is so responsible for the rhythm movement. So many firsts what a talent.. CLIP
Dit is de tweede aflevering over de muziek in de films van de in het buitenland werkende en wonende Nederlandse regisseur Paul Verhoeven. Deel 2 gaat over de internationale films die hij sinds 1985 maakte. Van ‘Flesh + Blood’ tot ‘Elle’. Verhoeven werkte daarbij samen met componisten zoals Jerry Goldsmith, Anne Dudley en Basil Poledouris. Paul Verhoeven komt ook zelf aan het woord in een interview dat toenmalig KRO-collega Martijn Grimmius en ik maakten voor KRO’s Nacht van de Filmmuziek op NPO Radio 1 en waarin Verhoeven in detail ingaat op zijn muziek keuzes, samenwerking met componisten en zijn eigen favoriete filmmuziek.
Delve into the stories behind the classic recordings with BE THERE WITH DALI, the music podcast from Denmark’s manufacturers of clean, clear, stunningly beautiful loudspeakers – all in admiration of music.BE THERE is the audio companion to DALI’s print magazine, also called BE THERE. You can get a copy for free at dali-speakers.com/BeThere.On this show: How well do you really know your favourite album? Music writer Sophie Harris of Mojo magazine and Time Out New York has loved The Beatles’ White Album for decades – but when she played the newly remastered version on DALI speakers the sound was a revelation. Plus how string arranger to the stars Anne Dudley brought orchestral glamour to pop from ABC to Pet Shop Boys to Robbie Williams and beyond. And more greatest moments in pop.Hear the tunes mentioned on this show in hi-res audio on our Tidal playlist. BE THERE WITH DALI is presented by Andrew Harrison with audio production by Alex Rees. It’s a Podmasters Production.DALI – designed, developed and produced In Admiration Of Musicdali-speakers.comDALI on Facebook@DALIspeakersDALI on YouTubeDALI on Instagram See acast.com/privacy for privacy and opt-out information.
In a departure from our usual way of doing things we were delighted to welcome Art Of Noise-nik, ABC arranger and purveyor of fine soundtrack music for everything from "Poldark" to "The Hustle" Anne Dudley to talk about a career that has been largely spent behind the scenes. Subjects covered include: the surprising things you can learn from working with people with no musical talent, why everything in a film is provisional, how to suggest a chord to Paul McCartney, the uncanny ear of George Michael and what it's like to stand in front of an orchestra with a baton. Plus, for the first time ever, we're delighted to introduce actual musical illustrations. Let us know what you think. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
In a departure from our usual way of doing things we were delighted to welcome Art Of Noise-nik, ABC arranger and purveyor of fine soundtrack music for everything from "Poldark" to "The Hustle" Anne Dudley to talk about a career that has been largely spent behind the scenes. Subjects covered include: the surprising things you can learn from working with people with no musical talent, why everything in a film is provisional, how to suggest a chord to Paul McCartney, the uncanny ear of George Michael and what it's like to stand in front of an orchestra with a baton. Plus, for the first time ever, we're delighted to introduce actual musical illustrations. Let us know what you think. Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.
In a departure from our usual way of doing things we were delighted to welcome Art Of Noise-nik, ABC arranger and purveyor of fine soundtrack music for everything from "Poldark" to "The Hustle" Anne Dudley to talk about a career that has been largely spent behind the scenes. Subjects covered include: the surprising things you can learn from working with people with no musical talent, why everything in a film is provisional, how to suggest a chord to Paul McCartney, the uncanny ear of George Michael and what it's like to stand in front of an orchestra with a baton. Plus, for the first time ever, we're delighted to introduce actual musical illustrations. Let us know what you think.
Inspired by 'The Hustle', with a new score by Anne Dudley, a remake of the comedy 'Dirty Rotten Scoundrels' gives Matthew Sweet his cinematic theme this week: the con artist.
In our first annual romantic special this month we compare Clint Mansell's score for The Fountain (2006) and Anne Dudley's score for Tristan + Isolde (2006) --- Send in a voice message: https://anchor.fm/soundtrack-showdown/message
Ian McMillan is joined by Michael Palin on the language of 19th century Naval officers (drunk and sober), ‘Rule Britannia', and a remarkable ship called ‘Erebus', He's also joined by beatboxer Jason Singh who uses his voice to create an astonishing maritime soundscape, by Oscar-winning composer Anne Dudley who celebrates the yearning of First World War songs, and Mojdeh Stoakley who beachcombs the language of this 'Proms Verb' to create an instant poem. The Verb audience at Imperial College Union can be heard offering 'cries of delight' for Jason to loop across the introduction to the show, and they gamely attempt to find a replacement town for 'Tipperary' to create a new version of the famous song 'It's a Long Way to Tipperary'. Contains Strong Language: If you want to be part of A Verb audience later this month at the 'Contains Strong Language' festival, you can join Ian McMillan and guests at our Hull recordings on the 29th and 30th September. Free tickets are available if you follow this link: https://www.bbc.co.uk/events/e6xj6q
Today 11am-1pm EST bombshellradio.com Repeats 8pm-9pm ESTTons of new releases, some new finds for me as well as that Joe Strummer x3 shtick that I used to do. Remember those episodes? Good times. This month there will be two yes TWO episodes of Everything and the Kitchen Sink, because it’s August and that means the return of the Joe Strummer specials. For a special reason of course but you’ll have to listen to that show to find out why! If you are on the Twitterverse, remember to check out the hashtag NoPantsRecordStoreShopping for links to get musically digitally. Want to get the tunes featured in this show? Go to EatKS.net for the Hyperlinks. 1. Cemetery - Reptile Walk 2. Thomas Mapfumo - Marima Nzara 3. Kungs feat Wolfgang - Freedom 4. The Dirtbombs - Maybe Your Baby 5. Naked Aggression - Break Free 6. Lie - Can’t Get Enough 7. The Clash - Blonde Rock and Roll 8. The Hundred In The Hands - Pale Moon Out 9. Doctor T meets the 18th Parallel - Fuel For Dub 10. 3TEETH, Ho99o9 - Time’s Up 11. Public Enemy - Prophets of Rage 12. Charles Bradley and the Inversions - Watcha Doing (To Me) 13. Tom Waits - Wrong Side of the Road 14. Simone Denny - Black Roses 15. m1nk - The Far Side 16. Dum Dum Girls - Coming Down 17. Elvis Costello and The Roots - Wise Up Ghost 18. Joe Strummer - Cholo Vest 19. The Clash - King of the Road 20. Bless - Loser 21. Swearin’ - Grow into a Ghost 22. We Deserve This - To Meet You 23. Anne Dudley and Jaz Coleman - The Awakening
Providing a sequel for one of the highest grossing and most loved live-action musicals of all-time is a terrifying challenge by any reckoning, so we think you might be surprised how humble and down to earth the man that was charged with doing so is. Ol Parker wrote and directed Mamma Mia! Here We Go Again, and has done a fine job too. As well as managing an all-star cast including Pierce Brosnan, Colin Firth and Cher, he also had the not insignificant problem of melding all those iconic songs with the wonderful Anne Dudley's score. Thankfully, Benny and Bjorn from ABBA were on hand to help … The reason we're coming to you a little later than normal is because Anne and Mamma Mia music supervisor Becky Bentham have been moving heaven and earth to provide us with exclusive cues from the film. So as well as plenty of sing-along classics, you'll be hearing Anne's score too.
Tons of new releases, some new finds for me as well as that Joe Strummer x3 shtick that I used to do. Remember those episodes? Good times.This month there will be two yes TWO episodes of Everything and the Kitchen Sink, because it’s August and that means the return of the Joe Strummer specials. For a special reason of course but you’ll have to listen to that show to find out why!If you are on the Twitterverse, remember to check out the hashtag NoPantsRecordStoreShopping for links to get musically digitally. Want to get the tunes featured in this show? Go to EatKS.net for the Hyperlinks.1. Cemetery - Reptile Walk2. Thomas Mapfumo - Marima Nzara3. Kungs feat Wolfgang - Freedom4. The Dirtbombs - Maybe Your Baby5. Naked Aggression - Break Free6. Lie - Can’t Get Enough7. The Clash - Blonde Rock and Roll8. The Hundred In The Hands - Pale Moon Out9. Doctor T meets the 18th Parallel - Fuel For Dub10. 3TEETH, Ho99o9 - Time’s Up11. Public Enemy - Prophets of Rage12. Charles Bradley and the Inversions - Watcha Doing (To Me)13. Tom Waits - Wrong Side of the Road14. Simone Denny - Black Roses15. m1nk - The Far Side16. Dum Dum Girls - Coming Down17. Elvis Costello and The Roots - Wise Up Ghost18. Joe Strummer - Cholo Vest19. The Clash - King of the Road20. Bless - Loser21. Swearin’ - Grow into a Ghost22. We Deserve This - To Meet You23. Anne Dudley and Jaz Coleman - The Awakening
A veces nos perdemos entre obras que nos maravillan por su belleza instantánea, pero Perpetuum Mobile se nutre básicamente de esos pequeños tesoros, esas perlas escondidas que poco a poco vamos descubriendo semana a semana. Este episodio está lleno de esas joyas que pueden pasar desapercibidas, pero que iluminarán nuestras vidas. En este episodio escucharemos piezas de Yanni, Hans Zimmer, Art Of Noise, Anne Dudley, Ryuichi Sakamoto, Darlene Koldenhoven, Karl Jenkins, Wim Mertens, Torin Borrowdale, Ben Lukas Boysen, CoversArt versionando a James Withbourn, Whimsically Macabre (Stacy Fahrion), Carles Santos, Rodrigo Leão, Tom Eaton y Orchestral Manoeuvres in the Dark (OMD).
Oh to be in England… This week the legend that is ANNE DUDLEY, string arranger to ABC, Malcolm McLaren, Pet Shop Boys and the pop elite, joins us in the Bigmouth Bunker. Listen up as Anne discusses her Life In Pop™, how she helped create Careless Whisper and Getting Away With It, and her new album ‘Anne Dudley Plays The Art Of Noise’… on piano? Hold tight for an exclusive live rendition of Moments In Love on the hopelessly out-of-tune studio joanna. PLUS Mojo and Guardian journo SOPHIE HARRIS joins Anne, Siân and Anne to discuss ‘Millie Jackson Exposed’, in which the potty-mouthed diva is lovingly reupholstered by producer Steve Levine. And our guests choose the tunes and books they're taking to the beach. It's your own personal Club Tropicana. Picture: Anne on right with Sophie, courtesy of Shane O’Neill. Support BIGMOUTH – buy us a pint via the crowdfunding platform Patreon. Produced and presented by Andrew Harrison with Siân Pattenden. Studio production by Jack Claramunt. Bigmouth is a Podmasters production. See acast.com/privacy for privacy and opt-out information.
I’m proud to once again offer a new episode of the podcast in conjunction with Woman in Mining and Resources Queensland. WIMARQ is a group that works to support and promote women across all areas of the primary resources industry. Back in in episode 76 I spoke with Tim Crossley, the former COO of BHP. In episode 57 I spoke with Jenny Purdie a longtime WIMARQ member who is currently the CEO of Adani’s renewables operation in Australia. In this episode I speak with the 2018 winner of WIMARQ’s Exceptional Women in Mining Award, Jo-Anne Dudley. Jo-Anne has been working in the mining sector for 25 years. She has worked in FIFO roles, spent years of her life underground, been the only women working on site and survived not one but 2 near fatal workplace accidents. It has been a colourful and energetic career.
Our very first episode of Ranked covers the filmography of director Paul Verhoeven. Part 3 of episode 1 covers his Dutch feature films from 1985 to 1995. THERE WILL BE SPOILERS! We recommend watching the movies along with us before listening.... Wait for our Ranking of all Verhoeven Films at the end of this episode. The films discussed in this episode are: Starship Troopers (1997) Hollow Man (2000) Black Book (2006) Elle (2016) Our introduction features music from Hollow Man (2000) by Jerry Goldsmith. Our outro features music from Elle(2017) by Anne Dudley
“Every time a child passed through the station, the child wanted to stop, and every time, the adult with them pulled them along on their way.” Sean Rice interviews author Kathy Stinson, illustrator Dušan Petričić and composer Anne Dudley who all had a hand in creating the music performed by the NAC Orchestra’s telling of The Man With The Violin in December 2017. The book and the music were inspired by the real-life story of world-renown violinist Joshua Bell and the National Post's experiment on a January morning in Washington’s subway station.nn The Man with the Violin: Suite for Violin and Orchestra is a co-commission with the National Arts Centre Orchestra and the National Symphony Orchestra. The work was premiered at the Kennedy Center, Washington D.C. in February 2017.
www.chrisgarrick.com Christian Garrick is an improvising violinist, a composer and a bandleader. He is active on the international concert circuit and on the London studio session scene. He is a professor of jazz and non-classical violin at three of London's major music conservatoires. He has worked with artists such as Wynton Marsalis, Nigel Kennedy, Julian Joseph, Bireli Lagrene, Dolly Parton, All About Eve, Van Morrison, Luka Bloom, Martin Taylor, Brian Ferry & Caro Emerald. He has made tours of the Far East and Australia with guitarist John Etheridge in a tribute to Stephane Grappelli and in 2001 he toured Israel with Dame Cleo Laine and the Israel Philharmonic Orchestra. His performance at the Genius of the Violin Festival in 2004 led to invitations to perform Piazzolla's Seasons with Barry Wordsworth at the Brighton Dome and then in London, at the Royal Festival Hall, in 2008. He has toured and recorded extensively with Parisian guitar virtuoso Angelo Debarre and is a member of Alec Dankworth's Spanish Accents. He formed the band Spirit O' Stephane to celebrate the music of Grappelli. He works frequently in film and television for composers such as Danny Elfman, Anne Dudley, Howard Shore, George Fenton, Rachel Portman, Stephen Warbeck, Mark Thomas and Rob Lane. I sat and chatted with Chris in the house he was staying in just outside of London. We covered mainly his musical upbringing by his jazz pianist father Michael Garrick and his outlook on music and life in general! Chris is a lovley dude and I had a great time chatting with him. Hope you enjoy listening. The intro music is Garrick and David Gordon playing 'Broadway/Afternoon in Paris' (William-Henri-Woode/John Lewis) From their album Paper Jam. The outro music is Benny Golsons 'Whisper Not' recorded by me and my band Latchepen
Matthew Sweet presents a selection of film music and takes a look at some of diverse range of films inspired by the Arthurian legends in the week of the release of Guy Ritchie's new film "King Arthur: Legend of the Sword" with a score by Daniel Pemberton. The programme includes music by Trevor Jones, Miklos Rozsa, Franz Waxman, Hans Zimmer, Jimmy Van Heusen, Lerner and Loewe, Anne Dudley and ... Monty Python? The Classic Score of the Week is Ron Goodwin's "Gawain and the Green Knight".
BAFTA-nominated composer, conductor and musician Anne Dudley known for her scores for Poldark, Les Misérables + American History X discusses her music philosophy + process of creation.
Good grief, does this fine gentleman have a few stories to tell. Whether discussing Tony Hancock with David Bowie or royally pissing off Harvey Weinstein, British producer Stephen Woolley has been there, done that, and bought the (band) T-shirt. Stephen is perhaps best known for his work with Neil Jordan on films such as Interview With The Vampire, The Company Of Wolves, Michael Collins and the Oscar-winning Crying Game. He also directed the Brian Jones biopic Stoned and executive-produced Backbeat - which focused on fifth Beatle Stuart Sutcliffe. If you need any further evidence of his credentials for Soundtracking, he's variously secured the services of David Bowie, Jerry Dammers, Dusty Springfield, Boy George and the Pet Shop Boys for movies he's produced. You'll hear songs from all of these artists woven into the conversation - as well as extracts from Carl Davis' theme for Scandal, Anne Dudley's work on The Crying Game and Rachel Portman's score for Stephen's latest film, Their Finest. But our story begins in punk London - the city where Stephen's love of music and film germinated ...
Matthew Sweet meets composer, conductor and arranger Anne Dudley for a focus on her music for film in the week of the launch of Paul Verhoeven's acclaimed new film "Elle". One time member of the 80s synth band Art of Noise, Anne has an extensive catalogue of film scores from across 30 years in the industry and is one of the few women to win an Oscar for her music. The programme includes music from "Black Books"; "Buster"; "The Pope Must Die"; "Knight Moves"; "The Crying Game"; "The Grotesque"; "The Full Monty"; "American History X"; "Monkeybone"; "The Miracle Maker"; "Tristan and Isolde" and "Elle". And Anne chooses the Classic Score of the week.
LRT ir Asociacijos „LATGA” organizuoto radijo dramaturgijos konkurso „Kviečia radijo teatras”, skirto Lietuvos radijo 90-čiui II vietos laimėtojo Petro Palilionio pjesė. Režisierius Juozas Javaitis. Spektaklyje skamba Anne Dudley, Dž. Verdi kūrinių fragmentai.
Martin Fry is a singer/songwriter who came to prominence in the early 1980s as lead singer of the band ABC. Their debut album, the Lexicon of Love, was a UK number one. Thirty four years on, he has released a sequel to reflect how his perspective on life and love has changed; and he explains why he now chooses to perform with an orchestra. The conductor Paul MacAlindin recalls how a newspaper advert: 'Iraqi teen seeks Maestro' led to him becoming the musical director of the National Youth Orchestra of Iraq. Saturday Live listener Leslye Stansfield describes being reunited with her long lost bicycle and why its value is so sentimental. JP Devlin visits Matthew Sweet to take a look around his home and discover what it reveals about him. Jason Kingsley OBE, is a games developer and Royal Armouries Trustee, but in his spare time he is a practising knight. He discusses his passion for riding warhorses and jousting in a reproduction 15th century Milanese harness. And Billy Ocean shares his Inheritance Tracks - No Woman, No Cry, Bob Marley and A Change Is Gonna Come, Sam Cooke. The Lexicon of Love II is out now. ABC will be performing an autumn tour with the Southbank Sinfonia Orchestra, conducted by Anne Dudley. Upbeat - The Story of the National Youth Orchestra of Iraq will be Book of The Week on Radio 4 from 15 August. Here you are: The Best of Billy Ocean is out now, and he has a Spring Tour in 2017.
De Nederlandse regisseur Paul Verhoeven maakte in 1987 zijn Amerikaanse debuut met de snoeiharde satire RoboCop en gebruikt nu vedette Isabelle Huppert én de kijker als speelbal met zijn Franse "rape-comedy" Elle. Wisten Gudo en John voor de top 5 mooie voorbeelden te vinden van regisseurs die net als Paul in verschillende landen films maakten? 00:00 Introductie 03:39 Recensie: Elle 19:24 Filmmuziek: Zwartboek (componist Anne Dudley) 22:37 Jee of Nee 23:51 Klassieker: RoboCop (1987) 41:01 Filmmuziek: RoboCop (componist Basil Poledouris) 43:13 Top 5: Reizende regisseurs 70:34 Vooruitblik en Filmmuziek: Rosemary's Baby (componist Krzysztof Komeda) Presentatie: Gudo en John
Mark Kermode takes you on a tour of soundtracks from his favourite movies. Including orchestral scores, electronic music. songs from musicals, and sound effects from another world. Along the way he will be joined by film-makers and musicians like William Friedkin, Lynne Ramsay, Bill Forsyth, Mark Knopfler, David Arnold, Anne Dudley, Rachel Portman, Richard O Brien and many more.
Mark examines the mysteries of composing for the screen. He talks to among others Jonny Greenwood of Radiohead who has composed music for the Paul Thomas Anderson films There Will Be Blood and Inherent Vice.Composer Rachel Portman who won an Oscar for her music for Emma starring Gwyneth Paltrow, to Mark Knopfler and Bill Forsyth about the score for Local Hero and to Anne Dudley about her score for The Full Monty.
Mark focuses on electronic film music. Interviews include Alan Parker director of Midnight Express, Steven Price who won an Oscar for his amazing score for Gravity, and William Friedkin who directed The Exorcist and the cult film Sorcerer, Peter Strickland director of Barbarian Sound Studio, Anne Dudley who composed the score for The Full Monty and David Arnold - who scored five Bond moves including Casino Royale.
Cartoonist Alison Bechdel created an influential means of measuring the significance of the role woman play in film: Does the film contain a conversation between two women about something other than a man? Reflecting International Women's Day on Sunday, Matthew Sweet features music for films that pass the Bechdel Test. Featured scores includes "Thelma and Louise", "Gone With The Wind", "Silence Of The Lambs", "The Portrait Of A Lady", "The Princess Mononoke", "Orlando", "Annie Get Your Gun". The Classic Score of the Week is Alfred Newman's "All About Eve". Matthew also profiles scores by some of the foremost women film composers, including Lesley Barber, Lisa Gerrard, Doreen Carwithen, Rachel Portman, Anne Dudley, Jocelyn Pook, Laura Rossi and Debbie Wiseman. @bbcradio3 #womensday.
Corrections & Omissions: - "Unchained Melody" is from the 1955 film Unchained, composed by Mantovani & His Orchestra. - Edith Piaf worked for the French Resistance. - Benny Mardones wrote "Into The Night", which was indeed a hit in both 1980 and 1989 - John Williams is the Don [LaFontaine] of cinematic musical scores. - Neither The Addams Family or Addams Family Values took place during Christmas but rather Thanksgiving was when each movie was released, two years apart. The song in question is "Finale" from the original film's soundtrack in 1991. - "The Soldier's Wife" from The Crying Game was composed by Anne Dudley and performed by the Pro Arts Orchestra of London.
Writer Colin Dexter; comedian Ruby Wax; Terry Jones and Anne Dudley on turning The Owl and the Pussycat into an opera; a review of David Starkey on the Churchills; the latest commission for Tate Modern's Turbine Hall; a review of Mark Rylance in Richard III; director Fernando Meirelles.
Tom Sutcliffe talks to Anne Dudley about the new opera, The Doctor's Tale, which with a Monty Python-esque absurdity tells the story of a devoted doctor, who just happens to be a dog. The writer Elif Batuman follows the footsteps of her Russian literary heroes, to see whether their lives and work can influence her own. While the BBC's former Moscow correspondent, Martin Sixsmith takes in a thousand years of Russian history. And David Runciman asks 'Can Democracy Cope?' with what is happening around the world, and looks back to the works of Tocqueville and Nietzsche to help make sense of the state of democracy today. Producer: Katy Hickman.
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