Podcast appearances and mentions of hamilton wood type

On today's episode, we are going to talk about design through the lens of policy. Rick Griffith is a British-West-Indian collagist, writer, letterpress printer, designer, and optimist futurist based in Denver, Colorado. As a designer, he works at the intersection of programming, policy, and production. He is a columnist for PRINTmag.com, the two-time programming chair for the AIGA National Conference, and the 2023 Acuff Chair at Austin Peay State University. Rick's works are collected and exhibited worldwide and can be found in the permanent collections of The Denver Art Museum, The Hamilton Wood Type and Printing Museum, Columbia University's Rare Book & Manuscript Library, and The Tweed Museum at the University of Minnesota, Duluth. He is a founder and partner with Debra Johnson of the graphic design consultancy MATTER, the designer behind the Black Astronaut Research Project (BLARP.org), The Pledge for Spaces, and the Introductory Ethic for Designers and Other Thinking Persons. One of his favorite long-term design projects is a bookstore for designers and revolutionaries. He DJs a live Internet radio show, Design To Kill, every Tuesday 6 pm Eastern Time. Episode mentions and links: MATTER Studio Shop at MATTER: For designers and other thinking persons Rick Griffith: A Love Letter to Design, a List of Demands, and a Stern Look via Print Magazine Rick's Book Recommendations: The Black Experience in Design You Need a Manifesto Buy Health Design Thinking via Shop at MATTER  50% OFF until 3/31/23 if you use discount code: designlab The Restaurant Rick would take you to in NYC: B&H Dairy Kosher Restaurant Follow Rick: Twitter | Insta | LinkedIn Episode Website: https://www.designlabpod.com/episodes/108

In our first episode of Season 3, we welcome the new Senior Director of the Monotype Studio, Tom Rickner, as a first-time host. Tom speaks with Jim Moran, Master Printer and Collections Officer for the internationally-known Hamilton Wood Type & Printing Museum. The two discuss Jim's history as a printmaker working at his family business for 35 years, the road that led him to Hamilton, and why letterpress is still important today. To read more about this episode and our past guests, head over to monotype.com/podcast. To learn more about Type Electives, visit typeelectives.com

Listen in as Craig chats with Joe about Hamilton Wood Type & Museum's generational business.

February 8, 2022- Hamilton Wood Type Museum

February 8, 2022- Hamilton Wood Type Museum

Peter Crabbe joins us to talk about the upcoming Wayzgoose.

October 27, 2021 - Hamilton Wood Type Museum

October 27, 2021 - Hamilton Wood Type Museum

Daniel Schneider (Instagram: rustedrebar) is a letterpress printer with an undergraduate degree in journalism and a master's in industrial archeology, a field I am dying to talk to him about. His research has centered on the transformation of nineteenth century artisanal skills within the context of industrialization. He is the Headquarters Manager for the Society for Industrial Archeology at the Michigan Technological University, which is where he earned his master's.We discussed his master's work “excavating” the function of a wood-border stamping machine at the Hamilton Wood Type & Printing Museum and, more generally, how we retain and recover industrial knowledge to understand how things worked in the past. Daniel's work considers the worker's role in industrial production, considering the transition of work from craft to repetitive low-skill production.Notes on this episode:“Worker Skill in the Industrial Production of Decorative Wood Type Borders”The Museum of Jurassic TechnologyMemory as an aberration in nature: “Obliscence, Theories of Forgetting and the Problem of Matter”The Tiny Typecase episode with Jim Moran, Master Printer and Collections Officer at the Hamilton MuseumThe episode with David Shields, chair of the Department of Graphic Design at Virginia Commonwealth University in RichmondLouis John Pouchée's remarkable stereotyped large ornamental capitalsWilliam H. Page, a major wood-type maker bought out (as most were) by HamiltonThe Barth type casterRob Roy Kelly's American Wood Type (reproduction edition produced by David Shields)Lake copper district in Keweenaw PeninsulaSteam-stamp millMonotype Hot-Metal Ltd., part of The Type Archive in LondonTheo Rehak and his now-rare book Practical TypecastingAmerican Type FoundersMoxon's Mechanick ExercisesHistory of the Hitchcock Chair CompanyThe Hitchcock Chair: the Story of a Connecticut Yankee (1971) by John Tarrant Kenney, who rebuilt the Hitchcock factory and resumed production over a century laterAncient knapped flint tools created by early hominidsMovie about Andy Goldsworthy, Rivers and Tides

Grendl Löfkvist is a calligrapher, letterpress printer, and former offset press operator, and the education director at Letterform Archive in San Francisco, California. She teaches extensively, including at the City College of San Francisco, at the San Francisco Center for the Book, in the Type West postgraduate certificate program, and at typographic events all over. Her areas of expertise include the history of graphic design, book arts, typography, and letterpress.This episode “sponsored” by Six Centuries of Type & Printing! Get a discount off your purchase of the book by listening to this episode's introduction for a coupon code.Some photos from the class I took with Grendl and Paul Shaw at the Hamilton Wood Type & Printing Museum's 2019 Wayzgoose and some general photos from that eventInkworks Press CollectiveAB Dick 360 pressBlack Sheep PressJon WinstonMy hometown of Eugene, Oregon, was described in 1984 by the Wall Street Journal as the “last refuge of the terminally hip”An example of a “direct imaging” or DI pressLinotype 330(when I said “guns” I was referring to Grendl's biceps)Offset printing processVisions of Peace and Justice (Inkworks Press, 2007)Adobe slowly retiring PostScript Type 1 supportGrendl on Toshi Omagari's Sachsenwald (Toshi appeared on the Tiny Typecast in May 2021)Grendl on David Jonathan Ross's ClavichordNazis and their embrace and rejection of Fraktur, the German black-letter style (Handelsblatt)Fraktur and its modern use by white nationalists and fascists (99% Invisible)The Torah must be written with the blackest inkMy interview with Erik Spiekermann about his digital letterpress approachStonecutter and lettercutter Nick Benson's Instagram account

May 26, 2021 - Peter Crabbe, Executive Administrative Director, Hamilton Wood Type Museum

May 26, 2021 - Peter Crabbe, Executive Administrative Director, Hamilton Wood Type Museum

May 26, 2021 - Peter Crabbe, Executive Administrative Director, Hamilton Wood Type Museum

On this first episode in the new run in 2021, please welcome Jim Moran, the master printer and collections officer at the Hamilton Wood Type & Printing Museum in Two Rivers, Wisconsin. Hamilton is a unique institution in all sorts of ways. It preserves the manufacturing history and remaining wood type assets of the historical Hamilton Wood Type Company, the dominant producer of wood type in America from the late 1800s through the 1990s.But it’s a lot more. Hamilton perpetuates the knowledge of the past by being an active printing museum. Volunteers cut wood the old-fashioned way and train apprentices. Hamilton has commissioned the design of new wood faces that can then be produced with vintage equipment, but also in conjunction with P22 Type Foundry releases versions of historic faces from their collection and newly made ones in digital form.The museum has also expanded its collection by acquiring massive collections of hand-carved billboard and poster pieces from the Cincinnati Enquirer. It’s also acquired a lot more wood type than it started with, having the largest collection of wood type in the world.Jim and other staff members, board members, affiliated friends, volunteers, and workshop participants print with historic type on historic presses. Each November for the last decade-plus, hundreds of people gather for the Hamilton Wayzgoose, the traditional name for the annual dinner a printing shop would have to celebrate its apprentices moving up. In 2020, that gatherings was virtual—the Awayzgoose—but it went on.Over the pandemic year of 2020, Hamilton reached out to its community and immediately started up the Hamilton Hangs, informal gatherings via Zoom that started around no topic in particular, and quickly shifted to feature printers and artists from around the world. Thousands of attendees across the more than 50 Hangs so far include old friends of the museum and people who might never be able to get to Two Rivers, but have discovered the joy of letterpress, history, and community online.Jim talks about his background, returning to his printing roots, and making lemonade during a year that might seem fallow of lemons.

September 21, 2020 - Hamilton Wood Type

September 21, 2020 - Hamilton Wood Type

September 21, 2020 - Hamilton Wood Type

May 14, 2020 - Bill Moran, Hamilton Wood Type Museum

October 22, 2019 - Hamilton Wood Type

We're back in the studio with our buddy Bill Moran of the Hamilton Wood Type & Printing Museum. We talk about graphic design, typography, letterpress, Wayzgoose, Studio on Fire, and more. Click play, enjoy yourself. Website: http://woodtype.org Tangents: Stream on Soundcloud: @tangentspodcast Please Rate Tangents on iTunes: itunes.apple.com/us/podcast/tange…d1091455655?mt=2 Theme Music: Yusuke Tsutsumi freemusicarchive.org/music/Yusuke_Tsutsumi/ Interlude Music: Sheridan Fox https://sheridanfox.bandcamp.com/

人工智能技术应用于视觉设计，已屡见不鲜。今天，我们有幸邀来汉仪字库的两位嘉宾——副总经理闻申生、资深字体设计师张暄——与听众分享机器学习在字体设计领域的发展，以及汉字字体生成的探索及实践。 第十五轮抽奖活动开启，截至 10 月 9 日零时前。本期奖品为 Hamilton Wood Type & Printing Museum 出品的海报两张，由嘉宾张暄专程从 ATypI Montréal 带回。 参考链接 ATypI 视频合辑，最近 54 个视频来自 ATypI Montréal 2017 Georg Seifert，字体设计师，字体设计软件 Glyphs 的开发者 Ikarus，一款早年的数码字体设计及开发软件 DDA (Digital Differential Analyzer)，计算图形学的算法之一 Bézier curve（贝济埃曲线，也称贝赛尔曲线） Just van Rossum，字体设计师，曾供职于 Font Bureau 大曲都市（Toshi Omagari），字体设计师，就职于 Monotype Hinting（渲染提示） 汉仪君黑 谢培元，已故中文字体设计师，主持并参与设计了宋一、宋二、新报宋等多款正文字体，发表了「第二中心线」等字体设计理论 Optima，Hermann Zapf 设计的一款西文字体 嘉宾 闻申生：汉仪字库副总经理，中国印刷科学技术研究院高级工程师 张暄：汉仪字库资深字体设计师 主播 Eric：字体排印研究者，译者，Type is Beautiful 编辑 欢迎与我们交流或反馈，来信请致 podcast@thetype.com。如果你喜爱本期节目，也欢迎用 PayPal 或支付宝向我们捐赠，账户与联络信箱一致：podcast@thetype.com。

Hamilton Wood Type is a ubiquitous name in letterpress printing. Hear Jim Moran, the Hamilton Wood Type museum director, talk about the company's history how they preserve that legacy today.

Our final recap of HOW Design Live in Atlanta (has it already been two weeks since the event kicked off?), brings us Stephanie Carpenter of Hamilton Wood Type & Printing Museum and Alex Cohen. We’ll be back next week with the first (of six) podcast[…]↓ Read the rest of this entry... The post HOW Design Live 2016, Recap 4 of 4: The Reflex Blue Show Conference Special appeared first on 36 Point.

Nick Sherman is a typo­grapher and typographic consultant based in New York City, co-founder of Fonts In Use and columnist at A List Apart, serves on the board of directors for the Type Directors Club, the Adobe Typography Customer Advisory Board, as well as the artistic board for the Hamilton Wood Type & Printing Museumh He is both a graduate of and consultant for the typeface design program at Cooper Union. He graduated with honors from the Graphic Design pro­gram at MassArt in Boston, where he also taught undergraduate typography and letterpress printing. Nick has worked at Font Bureau, Webtype, and MyFonts, directing web design and promotional material for typefaces in print and digital media. In this interview we talk about Nick’s rituals involving pizza. We wonder if there’re any similarities between pizza and type. Nick explains how he got interested in graphic arts at an early age through music. And how he later on started focussing more on typography. We also talk about the project he did for the Hamilton Wood Type Museum and his work for MyFonts, Font Bureau, Webtype and Fonts in Use. We wonder if Nick can see how type trends go, where it’s getting influenced by, and if he thinks that we’re reaching some sort of a saturation point? Recorded at the Robothon 2015 Conference in The Hague, the Netherlands. Nick Sherman :: Nick at Font Bureau :: Webtype :: Nick at A List Apart :: Nick at Fonts In Use :: A month of pizza :: File Download (31:24 min / 58 MB)