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The Sequel Trilogy-era characts feature prominently in Dark Horse Comics' concluding issues of the Codebreaker and Tales From the Nightlands four- and three-issue mini-series, while in Marvel's Han Solo -- Hunt for the Falcon #4 (of 4), Han's got a lot of regrets and Chewie's getting fed up with his long-time friend's pity party.Comics Discussed This Week:Tales From the Nightlands #3 (of 3)Codebreaker #4 (of 4)Han Solo -- Hunt for the Falcon #4 (of 5)Star Wars Comics New to Marvel Unlimited This Week: Han Solo -- Hunt for the Falcon #1 (of 5) News:Be sure to subscribe to Jeff and Pam's new daily podcast, The Audio Advent Calendar where ever you get your podcasts from!If you have an Ollie's that's easy to get to, might be worth going, given they have copies of Marvel's The High Republic Phase I: Light of the Jedi omnibus on sale for $24.99. Upcoming Star Wars comics, graphic novels and omnibuses:Dec. 17 _ Jedi Knights #10Dec. 24 _ Star Wars #8Dec. 31 _ Boba Fett: Black, White & Red #4 (of 4), Hyperspace Stories — The Bad Batch: Rogue Agents #1 (of 4)Jan. 7 _ Han Solo -- Hunt for the Falcon #5 (of 5), Tides of Terror #4 (of 4)Jan. 14 _ Legacy of Vader #12Jan. 21 _ Star Wars (Vol. 4) #9Jan. 27 _ Darth Maul: Black, White & Red TPB (Collects 1-4)Jan. 28 _ Hyperspace Stories: The Bad Batch — Rogue Agents #2 (of 4)Feb. 11 _ Jar Jar Binks #1 One-ShotFeb. 17 _ Star Wars: Hidden Empire Omnibus (Collects HIdden Empire 1-5, Star Wars (Vol. 3) 26-36, Bounty Hunters 27-34, Darth Vader (Vol. 3) 28-32, Doctor Aphra (Vol. 2) 22-31 and 2022's Star Wars: Revelations #1)Feb. 18 _ Star Wars (Vol. 4) #10Feb. 25 _ Hyperspace Stories: The Bad Batch — Rogue Agents #3 (of 4)March 11 _ Hyperspace Stories: The Bad Batch -- Rogue Agents #4 (of 4)March 17 _ Star Wars Legends: The Empire Omnibus Vol. 4 (Collects Star Wars: Underworld - The Yavin Vassilika (2000) #1-5; Free Comic Book Day 2013: Star Wars #1; Star Wars: Empire (2002) #5-6, 8-13, 15; Star Wars: X-Wing Rogue Squadron (1995) #1/2; Star Wars: A New Hope - The Special Edition (1997) #1-4; Star Wars: Tag & Bink Are Dead (2001) #1; Star Wars Infinities: A New Hope (2001) #1-4; The Star Wars (2013) #0-8; material from Star Wars Tales (1999) #1-2, 4, 6, 8-10, 12, 14, 16, 19-20); Hyperspace Stories: Grievous OGNMarch 24 _ Tales From the Nightlands TPB (Collects 1-3); Hyperspace Stories: Codebreaker TPB (Collects 1-4) March 25 _ The High Republic Adventures -- Pathfinders #1 (of 6)March 31 _ Legacy of Vader: The Reign of Kylo Ren Vol. 2 TPB (Collects 7-12)April 14 _ Jedi Knights Vol. 2 - A Higher Path TPB (Collects 6-10), Star Wars Visions TPB (Collects Visions -- Peach Momoko #1, Visions -- Takashi Okazaki #1, Peach Momoko's Story from Darth Vader -- Black, White & Red #1)April 21 _ The High Republic Phase III -- Trial of the Jedi Omnibus (Collects 2023's The High Republic 1-10, Revelations #1's High Republic story, The Acolyte — Kelnacca one-shot, Shadows of Starlight 1-4, Fear of the Jedi 1-5, The Finale #1: The Beacon one-shot); The Mandalorian -- Seasons One & Two (Collects #1-8 of both mini-series), Jedi Knights Vol. 2 TPB (Collects 6-10); Hyperspace Stories: Tides of Terror TPB (Collects 1-4)April 28 _ Han Solo -- Hunt for the Falcon TPB (Collects 1-5), The High Republic Adventures -- The Complete Phase II (1-8, Nameless Terror 1-4, Quest of the Jedi one-shot)May 12 _ Star Wars: New Republic (Collects 1-10, material from Free Comic Book Day 2025: Star Wars #1)May 19 _ Star Wars Legends: Legacy Omnibus Vol. 1 (Collects Star Wars: Legacy (2006) #0, 0-1/2, 1-36, 41); Doctor Aphra — Chaos Agent TPB (Collects 1-10)May 26 _ The High Republic Adventures -- The Complete Phase III Part 1 (Collects The High Republic Adventures (Phase III 1-10), Saber for Hire 1-4 and the Crash Landing and Crash and Burn one-shots)June 16 _ Star Wars Legends: The New Republic Omnibus Vol. 3 (Collects Star Wars: Crimson Empire (1997) #0-6, Star Wars: The Bounty Hunters - Kenix Kil (1999) #1, Star Wars: Crimson Empire II - Council of Blood (1998) #1-6, Star Wars: Crimson Empire III - Empire Lost (2011) #1-6, Star Wars: Jedi Academy - Leviathan (1998) #1-4, Star Wars: The Mixed-Up Droid (1995) #1, Star Wars: Union (1999) #1-4, Star Wars: Chewbacca (2000) #1-4, Star Wars: Invasion (2009) #0-5, Star Wars: Invasion - Rescues (2010) #1-6, Star Wars: Invasion - Revelations (2011) #1-5, Star Wars Handbook (1998) #2; material from Dark Horse Extra (1998) #21-24; Dark Horse Presents (2011) #1; Star Wars Tales (1999) #8, 11, 16-19, 21); The Art of Star Wars: A New Hope — The Manga Vol. 1June 30 _ The High Republic Adventures -- The Complete Phase III Part 2 (Collects The High Republic Adventures (Phase III) 11-20, Echoes of Fear 1-4, Dispatches From the Occlusion Zone 1-4 and the one-shots 2025 Annual, The Wedding Spectacular and The Battle of Eriadu)July 21 _ Star Wars Legends: The Newspaper Strips Omnibus (Collects Classic Star Wars: The Early Adventures (1994) #1-9, Classic Star Wars: Han Solo at Stars' End (1997) #1-3, Classic Star Wars (1992) #1-20, Classic Star Wars: A New Hope (1994) #1-2, Classic Star Wars: The Vandelhelm Mission (1995) #1, Star Wars newspaper strips "The Constancia Affair," "The Kashyyyk Depths" and "Planet of Kadril”); Star Wars Modern Era Epic Collection: The Screaming Citadel (Collects Star Wars (2015) #31-43, Star Wars Annual (2015) #3, Star Wars: The Screaming Citadel (2017) #1, Star Wars: Doctor Aphra (2016) #7-8) Aug. _ The Bad Batch — Rogue Agents TPB (Collects 1-4)Aug. 18 _ The Art of Star Wars: A New Hope -- The Manga Vol. 2----------------------------------------------------------------------------------------------------------------------------------------Star Wars Splash Page is a weekly podcast dedicated solely to contemporary Star Wars comics published by Marvel, Dark Horse and previously IDW, featuring views about the current week's comics, interviews with the writers, artists, colorists, letterers and editors who create them, as well as the latest details on publishing schedules, upcoming series and mini-series, so that you, the listener have more detail and context about the comics that are a vital part of Star Wars canon, lore and legends.
USE CODE DEC25 TO GET 50% OFF PATREON SUBSCRIPTIONS UNTIL THE END OF THE MONTH https://www.patreon.com/lionsledbydonkeys Joe and Tom are joined by Dr. Patrick Wyman, host of Past Lives and Tides of History to talk about the time the US Navy attempted to deploy flying aircraft carriers, which failed at a rate of 100% Sources: https://airandspace.si.edu/stories/editorial/how-airship-became-flying-aircraft-carrier https://nationalsecurityjournal.org/the-u-s-navys-flying-aircraft-carrier-mistake-still-stings/ https://www.military.com/history/navys-short-lived-plan-dominate-skies-flying-aircraft-carriers.html https://www.warhistoryonline.com/instant-articles/the-cursed-uss-akron-class.html https://magazine.atavist.com/2025/american-hindenberg-zeppelin-disaster https://www.usni.org/magazines/proceedings/1934/july/loss-akron https://warfarehistorynetwork.com/article/the-uss-macon/
On episode 120 of District Gooner Pod (DGP), Stephen and KP are back behind the mic discussing everything Arsenal. After a month off, we are back with the common sense you've been seeking. Thanks for spending time with us!→ District Gooner Pod (buzzsprout.com)→ District Gooner Pod on Apple Podcasts→ District Gooner Pod | Podcast on Spotify→ District Gooner - YouTubeRate or leave a review ⭐️⭐️⭐️⭐️⭐️COYG#arsenal #premierleague #championsleague
Music from: Three Quarter Ale, Sea Dog Slams Poems, Rowan and the Rose, Fugli, Brian Tinker Leo, Silent Lion, Bocca Musica, Whiskey Bards, Celtic Shores, Tania Opland and Mike Freeman, The Musical Blades, Dregs, Pride O' Bedlam, Faire to Middlin', Whiskey Bay Rovers, Pirates For Sail, Pirates Inc, Queen's_Gambit, Crimson Pirates, Henry Martin, Captain John Stout, Marc Gunn VISIT OUR SPONSORS Bawdy Podcast https://renfestbawdypodcast.libsyn.com/ Happy To Be Coloring Pages https://happytobecoloring.justonemore.website RESCU https://RESCU.org The 23 Patrons of the Podcast https://www.patreon.com/RenFestPodcast The Ren List http://www.therenlist.com SONGS Song 01: Shall We Gather By The Fire by Three Quarter Ale from Shall We Gather By The Fire www.facebook.com/pg/threequarterale Song 02: A Tale From the Devil's Tavern by Sea Dog Slams Poems from A Night at Devil's Tavern www.facebook.com/seadogslam/ Song 03: Arrow in the Knee by Rowan and the Rose from We Have Adventures www.rowanandtherose.com Song 04: Soup by Fugli from Fugli the Less than Unauthorized Bootleg Edition www.povera.com Song 05: The Songwriter by Brian Tinker Leo from Tinker's Rest www.facebook.com/tinkersings/ Song 06: Into the Medieval World by Silent Lion from Into the Medieval World www.silentlion.com/ Song 07: Bound for a Hangover by Bocca Musica from The Lusty Wench www.boccamusica.com Song 08: Devilish Mary by Whiskey Bards from The Recruiter...Free Rum Ain't Free www.facebook.com/whiskeybards/ Song 09: Good Drinking Weather by Celtic Shores from Let's Raise Another Pint www.matthughesmusic.com Song 10: Jack Monroe by Tania Opland and Mike Freeman from Cut To Rhythms https://opland-freeman.com/social.htm Song 11: Hollywood Pirate by The Musical Blades from Pieces of Eight www.musicalblades.com Song 12: Married to a Mermaid by Dregs from Do It Like You're Drunk www.the-dregs.net Song 13: Cheat Death by Pride O' Bedlam from Cheat Death www.prideofbedlam.com Song 14: The Wild Rover [10] by Faire to Middlin' from Kilts, Celts, & Kippers www.fairetomiddlin.com Song 15: Song for Albright by Whiskey Bay Rovers from Taverns and Tides www.facebook.com/whiskeybayrovers/ Song 16: Boatman by Pirates For Sail from Dark Side of the Lagoon www.piratesforsail.com/ Song 17: Mingulay Boat Song [21] by Pirates Inc from Drunk and Disorderly www.facebook.com/WeArePiratesInc/ Song 18: Madam Im A Darlin+ by Queen's_Gambit from Off The Board UNKNOW WEBSITE Song 19: Health to the Company [14] by Crimson Pirates from That's So Sad www.crimsonpirates.com/ Song 20: 20,000 Rubber Duckies by Henry Martin from Around the Bay UNKNOW WEBSITE Song 21: Friendship by Captain John Stout from Past, Present, & Future www.porterstout.com/ Song 22: Won't You Come With Me [03] by Marc Gunn from Happy Songs of Death www.marcgunn.com Song 23: The Mary Query by Hey Nunnie Nunnie from Hey Nunnie! Nunnie! www.heynunnienunnie.com/ Song 24: Longest Night Of The Year by Barleyjuice from This Is Why We Can't Have Nice Things www.barleyjuice.com HOW TO CONTACT US Please post it on Facebook https://www.facebook.com/renfestmusic Please email us at renfestpodcast@gmail.com OTHER CREDITS Thee Bawdy Verson https://renfestbawdypodcast.libsyn.com/ The Minion Song by Fugli www.povera.com Valediction by Marc Gunn https://marcgunn.com/ HOW TO LISTEN Patreon https://www.patreon.com/RenFestPodcast Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/
We're excited to present a conversation from the 63rd New York Film Festival with director Bi Gan as he discusses the NYFF63 Main Slate selection Resurrection. Resurrection opens at Film at Lincoln Center on Thursday, December 11. Get tickets at filmlinc.org/resurrection This phantasmagoric dream machine from visionary Chinese director Bi Gan is an elusive yet monumental love letter to a century of cinema. Unfolding over five chapters that feature a dazzling array of styles, Resurrection is a cascade of imagery united by a luminous mythopoetic conceit: in a sci-fi-coded world where people have lost the desire to dream in the hopes of prolonging life, rogue “fantasmers” continue to stoke their imaginations and exist within unreality. From this magical premise, the film sends its ever-morphing protagonist through a series of genres, from Méliès-inflected silent fantasy to wartime thriller to con-artist buddy picture to millennial vampire romance—the latter depicted in one of Bi's customary, and ever astonishing, single takes. Resurrection is one of the most audacious and ambitious gifts for cinematic thrill-seekers in many a moon. And before you get to that conversation between Resurrection director Bi Gan and NYFF programmer Florence Almozini, please listen to a brief programmer's preview of our new retrospective Kōzaburō Yoshimura: Tides of Emotion, now in progress at FLC through December 11! The conversation is between FLC Programmer Dan Sullivan and FLC Digital Marketing Manager Erik Luers. To view the complete schedule and secure tickets to the retrospective Kōzaburō Yoshimura: Tides of Emotion, please visit filmlinc.org/yoshimura
A federal judge considers whether to make California hand over sensitive voter data to the federal government. Tomorrow we'll learn which teams are playing at SoFi Stadium for the World Cup. Tonight's supermoon could also bring king tides to our shores. Plus, more from Evening Edition. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.comThis LAist podcast is supported by Amazon Autos. Buying a car used to be a whole day affair. Now, at Amazon Autos, you can shop for a new, used, or certified pre-owned car whenever, wherever. You can browse hundreds of vehicles from top local dealers, all in one place. Amazon.com/autosVisit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency! Support the show: https://laist.com
Vanee makes his final play to bring Kylo Ren into the enveloping darkness in Marvel's Star Wars: Legacy of Vader #11, the penultimate issue of the maxi-series, but how can one who is one with the Dark Side be drawn further in?Comics Discussed This Week:Legacy of Vader #11 (of 12)Star Wars Comics New to Marvel Unlimited This Week: Doctor Aphra -- Chaos Agent #3 (of 5) News:On social media, writer Ethan Sacks explains how he came up with the F'cote District on Nar Shaddaa in Boba Fett -- Black, White & Red #3 (of 4). Near Mint Condition has a detailed look at Dec. 2's Doctor Aphra -- Friends and Enemies "omnibus" that collects issues 26-40 and the Sana Starros five-issue mini-series.In an interview with Comic Book Club, Chris Condon mentions Star Wars now that he's exclusive to Marvel Comics. We're thinking a Condon-penned Star Wars title might be i the offing. (Around the 47-minute mark in the video.) Upcoming Star Wars comics, graphic novels and omnibuses:Dec. 9 _ Young Jedi Adventures — The Training Sessions HC (Collects Free Comic Book Day stories)Dec. 10 _ Han Solo — Hunt for the Falcon #4 (of 5), Codebreaker #4 (of 4), Tales From the Nightlands #3 (of 3)Dec. 17 _ Jedi Knights #10Dec. 24 _ Star Wars #8Dec. 31 _ Boba Fett: Black, White & Red #4 (of 4), Hyperspace Stories — The Bad Batch: Rogue Agents #1 (of 4)Jan. 7 _ Han Solo -- Hunt for the Falcon #5 (of 5), Tides of Terror #4 (of 4)Jan. 14 _ Legacy of Vader #12Jan. 21 _ Star Wars (Vol. 4) #9Jan. 27 _ Darth Maul: Black, White & Red TPB (Collects 1-4)Jan. 28 _ Hyperspace Stories: The Bad Batch — Rogue Agents #2 (of 4)Feb. 11 _ Jar Jar Binks #1 One-ShotFeb. 17 _ Star Wars: Hidden Empire Omnibus (Collects HIdden Empire 1-5, Star Wars (Vol. 3) 26-36, Bounty Hunters 27-34, Darth Vader (Vol. 3) 28-32, Doctor Aphra (Vol. 2) 22-31 and 2022's Star Wars: Revelations #1)Feb. 18 _ Star Wars (Vol. 4) #10Feb. 25 _ Hyperspace Stories: The Bad Batch — Rogue Agents #3 (of 4)March 11 _ Hyperspace Stories: The Bad Batch -- Rogue Agents #4 (of 4)March 17 _ Star Wars Legends: The Empire Omnibus Vol. 4 (Collects Star Wars: Underworld - The Yavin Vassilika (2000) #1-5; Free Comic Book Day 2013: Star Wars #1; Star Wars: Empire (2002) #5-6, 8-13, 15; Star Wars: X-Wing Rogue Squadron (1995) #1/2; Star Wars: A New Hope - The Special Edition (1997) #1-4; Star Wars: Tag & Bink Are Dead (2001) #1; Star Wars Infinities: A New Hope (2001) #1-4; The Star Wars (2013) #0-8; material from Star Wars Tales (1999) #1-2, 4, 6, 8-10, 12, 14, 16, 19-20); Hyperspace Stories: Grievous OGNMarch 24 _ Tales From the Nightlands TPB (Collects 1-3); Hyperspace Stories: Codebreaker TPB (Collects 1-4) March 25 _ The High Republic Adventures -- Pathfinders #1 (of 6)March 31 _ Legacy of Vader: The Reign of Kylo Ren Vol. 2 TPB (Collects 7-12)April 14 _ Jedi Knights Vol. 2 - A Higher Path TPB (Collects 6-10), Star Wars Visions TPB (Collects Visions -- Peach Momoko #1, Visions -- Takashi Okazaki #1, Peach Momoko's Story from Darth Vader -- Black, White & Red #1)April 21 _ The High Republic Phase III -- Trial of the Jedi Omnibus (Collects 2023's The High Republic 1-10, Revelations #1's High Republic story, The Acolyte — Kelnacca one-shot, Shadows of Starlight 1-4, Fear of the Jedi 1-5, The Finale #1: The Beacon one-shot); The Mandalorian -- Seasons One & Two (Collects #1-8 of both mini-series), Jedi Knights Vol. 2 TPB (Collects 6-10); Hyperspace Stories: Tides of Terror TPB (Collects 1-4)April 28 _ Han Solo -- Hunt for the Falcon TPB (Collects 1-5), The High Republic Adventures -- The Complete Phase II (1-8, Nameless Terror 1-4, Quest of the Jedi one-shot)May 12 _ Star Wars: New Republic (Collects 1-10, material from Free Comic Book Day 2025: Star Wars #1)May 19 _ Star Wars Legends: Legacy Omnibus Vol. 1 (Collects Star Wars: Legacy (2006) #0, 0-1/2, 1-36, 41); Doctor Aphra — Chaos Agent TPB (Collects 1-10)May 26 _ The High Republic Adventures -- The Complete Phase III Part 1 (Collects The High Republic Adventures (Phase III 1-10), Saber for Hire 1-4 and the Crash Landing and Crash and Burn one-shots)June 16 _ Star Wars Legends: The New Republic Omnibus Vol. 3 (Collects Star Wars: Crimson Empire (1997) #0-6, Star Wars: The Bounty Hunters - Kenix Kil (1999) #1, Star Wars: Crimson Empire II - Council of Blood (1998) #1-6, Star Wars: Crimson Empire III - Empire Lost (2011) #1-6, Star Wars: Jedi Academy - Leviathan (1998) #1-4, Star Wars: The Mixed-Up Droid (1995) #1, Star Wars: Union (1999) #1-4, Star Wars: Chewbacca (2000) #1-4, Star Wars: Invasion (2009) #0-5, Star Wars: Invasion - Rescues (2010) #1-6, Star Wars: Invasion - Revelations (2011) #1-5, Star Wars Handbook (1998) #2; material from Dark Horse Extra (1998) #21-24; Dark Horse Presents (2011) #1; Star Wars Tales (1999) #8, 11, 16-19, 21); The Art of Star Wars: A New Hope — The Manga Vol. 1June 30 _ The High Republic Adventures -- The Complete Phase III Part 2 (Collects The High Republic Adventures (Phase III) 11-20, Echoes of Fear 1-4, Dispatches From the Occlusion Zone 1-4 and the one-shots 2025 Annual, The Wedding Spectacular and The Battle of Eriadu)July 21 _ Star Wars Legends: The Newspaper Strips Omnibus (Collects Classic Star Wars: The Early Adventures (1994) #1-9, Classic Star Wars: Han Solo at Stars' End (1997) #1-3, Classic Star Wars (1992) #1-20, Classic Star Wars: A New Hope (1994) #1-2, Classic Star Wars: The Vandelhelm Mission (1995) #1, Star Wars newspaper strips "The Constancia Affair," "The Kashyyyk Depths" and "Planet of Kadril”); Star Wars Modern Era Epic Collection: The Screaming Citadel (Collects Star Wars (2015) #31-43, Star Wars Annual (2015) #3, Star Wars: The Screaming Citadel (2017) #1, Star Wars: Doctor Aphra (2016) #7-8) Aug. _ The Bad Batch — Rogue Agents TPB (Collects 1-4)Aug. 18 _ The Art of Star Wars: A New Hope -- The Manga Vol. 2----------------------------------------------------------------------------------------------------------------------------------------Star Wars Splash Page is a weekly podcast dedicated solely to contemporary Star Wars comics published by Marvel, Dark Horse and previously IDW, featuring views about the current week's comics, interviews with the writers, artists, colorists, letterers and editors who create them, as well as the latest details on publishing schedules, upcoming series and mini-series, so that you, the listener have more detail and context about the comics that are a vital part of Star Wars canon, lore and legends.
Starting Lineup: Latest news and notes with Kalani Sitake Utah State needs a QB What You May Have Missed
Dive into imagination and creativity in this captivating episode featuring inspiring children's book authors and storytellers! Host Jed Doherty welcomes special effects artist and entrepreneur Mark Viniello, creator of Enchantails, and debut picture book author-illustrator Krista Leann, author of Finicky Francis. First, discover how Mark's journey in Hollywood special effects and a request from his daughter led to the birth of Enchant ails—an innovative blend of mermaid sleeping bags, interactive bedtime stories, and a mission to connect kids with ocean conservation. Learn how he transformed a family memory into an educational storytelling brand, weaving regional myths and real-life endangered sea creatures into tales that encourage young readers to care for the planet. Mark shares the challenges of launching a business, marketing to families, and the importance of creativity and collaboration. Next, meet Krista Leann, who turned her childhood struggles as a "finicky Francis" into a delightful children's book. Krista shares her journey from artist to author-illustrator, recounting how she overcame obstacles, embraced self-publishing, and crafted stories that help families and picky eaters explore new foods. Hear how Finicky Francis is making an impact in homes and classrooms and Krista's hopes for inspiring courage and curiosity in every young reader. Perfect for parents, educators, and children's book lovers, this episode celebrates storytelling, creativity, and practical inspiration for families everywhere.
Вы слушаете новый выпуск лучшего подкаста про игры, технологии, фильмы, сериалы, ИИ-слоп, автомобили, фотоаппараты и прочие Вархаммеры на русском языке – Завтракаст. В этом выпуске всего два ведущих Тимур и Максим (Дима заболел), но мы весело обсуждаем важные игровые слухи про новый Tomb Raider, Destiny 3, сериал Far Cry, а также как Тимур сходил на DevGAMM и WebSummit 2025 в Лиссабоне, хороши ли Flux 2, ремастер Final Fantasy Tactics и многое другое.
Tides are turning -- slowly, but noticeably. As for noise, well, yes, this week has a lot, but it also has volume controls and off switches. And by the weekend, oh so many things make sense. And trigger action. Astro-Insight for December 1-7, 2025. Please do not forward w/o copyright notice intact, which is: Text & recording ©℗ Kathy Biehl 2025. Image by Gerd Altmann from Pixabay Transcription of this episode Use code: AQUARIAN30 for 30% off a purchase of $99+ or AQUARIAN20 for any purchase at https://otterspirit.com/?ref=professionalaquarian Check out my Witchy & Whimsy apparel Energy management tips in my Actions You Can Take playlist Bonus content at Patreon Join my mailing list Listen to Celestial Compass on OM Times Radio and TV Support this podcast Find out what this means for you! Facebook: Empowerment Unlimited and the Astro-Insight Lounge
New research from the University of Maynooth's Icarus climate research centre showed low tides at the time saved us from serious flooding. For more on this Claire Bergin from the Icarus project.
Who's in on the digital revolution?In this episode of One Vision, Theo welcomes back Simon Kemp, Chief Analyst of DataReportal and Founder of Kepios, for a deep dive into the latest Digital 2026 report. The duo explores the monumental amount of data published over the past six months, including insights on AI usage, internet adoption, socio-demographic disparities, and the hyperbole surrounding digital media. Key highlights include the conservative estimate of over 1 billion monthly users of standalone AI tools, the challenges of internet accessibility in rural areas and among women, and the role of AI in our society. Join us for a thought-provoking discussion on digital trends and the future of our digital economy.00:00 Introduction and Guest Welcome00:53 Digital 2026 Report Overview02:40 AI Usage Statistics05:09 AI in China and Global Impact07:42 AI Tools and User Behavior23:40 Debunking Myths About AI and Agentic Commerce25:54 Consumer Behavior and AI Adoption34:46 Global Internet Access Disparities39:25 Projections for Digital Trends in 2026Hot Take: “ … understanding my place in the universe and my broader purpose as a human being. That's such a deep, profound conversation, and we're having it with robots. It. There's something ironic. A computer program.”Hot Take: “ Nothing in any of this is a binary choice and we've got to stop kidding ourselves that there is this magic one ring to rule them all. 'cause there isn't.”#AI #GenerativeAI #AgenticAI #Internet #Digital #Inclusion Find Simon Kemp on LinkedIn: https://www.linkedin.com/in/eskimon/
Ethan Sacks is back and penning Star Wars: Boba Fett -- Black, White & Red #3, an absolute masterpiece of a character study of the titular bounty hunter that's lavishly illustrated by Juan José Ryp and lettered by Virtual Calligraphy's Joe Caramagna.We break it all down, including that cameo from a certain archeologist that we, nor you, were expecting.Comics Discussed This Week:Boba Fett: Black, White & Red #3 (of 4)Star Wars Comics New to Marvel Unlimited This Week: Star Wars (Vol. 4) #4 News:Ethan Sacks had a chat with Boba Fett Fan Club about this week's Star Wars: Boba Fett -- Black, White & Red #3 (of 4). In his latest newsletter (subscribe if you haven't, it's worth it), Charles Soule mentions the positive clamor about his Legacy of Vader title.In an interview with Comic Book Club, Chris Condon mentions Star Wars now that he's exclusive to Marvel Comics. We're thinking a Condon-penned Star Wars title might be i the offing. (Around the 47-minute mark in the video.) Upcoming Star Wars comics, graphic novels and omnibuses:Dec. 2 _ Star Wars: Doctor Aphra — Friends and Enemies Omnibus (Collects Doctor Aphra 26-40, Star Wars: Sana Starros 1-5)Dec. 3 _ Legacy of Vader #11Dec. 9 _ Young Jedi Adventures — The Training Sessions HC (Collects Free Comic Book Day stories)Dec. 10 _ Han Solo — Hunt for the Falcon #4 (of 5), Codebreaker #4 (of 4), Tales From the Nightlands #3 (of 3)Dec. 17 _ Jedi Knights #10Dec. 24 _ Star Wars #8Dec. 31 _ Boba Fett: Black, White & Red #4 (of 4), Hyperspace Stories — The Bad Batch: Rogue Agents #1 (of 4)Jan. 7 _ Han Solo -- Hunt for the Falcon #5 (of 5), Tides of Terror #4 (of 4)Jan. 14 _ Legacy of Vader #12Jan. 21 _ Star Wars (Vol. 4) #9Jan. 27 _ Darth Maul: Black, White & Red TPB (Collects 1-4)Jan. 28 _ Hyperspace Stories: The Bad Batch — Rogue Agents #2 (of 4)Feb. 11 _ Jar Jar Binks #1 One-ShotFeb. 17 _ Star Wars: Hidden Empire Omnibus (Collects HIdden Empire 1-5, Star Wars (Vol. 3) 26-36, Bounty Hunters 27-34, Darth Vader (Vol. 3) 28-32, Doctor Aphra (Vol. 2) 22-31 and 2022's Star Wars: Revelations #1)Feb. 18 _ Star Wars (Vol. 4) #10Feb. 25 _ Hyperspace Stories: The Bad Batch — Rogue Agents #3 (of 4)March 11 _ Hyperspace Stories: The Bad Batch -- Rogue Agents #4 (of 4)March 17 _ Star Wars Legends: The Empire Omnibus Vol. 4 (Collects Star Wars: Underworld - The Yavin Vassilika (2000) #1-5; Free Comic Book Day 2013: Star Wars #1; Star Wars: Empire (2002) #5-6, 8-13, 15; Star Wars: X-Wing Rogue Squadron (1995) #1/2; Star Wars: A New Hope - The Special Edition (1997) #1-4; Star Wars: Tag & Bink Are Dead (2001) #1; Star Wars Infinities: A New Hope (2001) #1-4; The Star Wars (2013) #0-8; material from Star Wars Tales (1999) #1-2, 4, 6, 8-10, 12, 14, 16, 19-20); Hyperspace Stories: Grievous OGNMarch 24 _ Tales From the Nightlands TPB (Collects 1-3); Hyperspace Stories: Codebreaker TPB (Collects 1-4) March 25 _ The High Republic Adventures -- Pathfinders #1 (of 6)March 31 _ Legacy of Vader: The Reign of Kylo Ren Vol. 2 TPB (Collects 7-12)April 14 _ Jedi Knights Vol. 2 - A Higher Path TPB (Collects 6-10), Star Wars Visions TPB (Collects Visions -- Peach Momoko #1, Visions -- Takashi Okazaki #1, Peach Momoko's Story from Darth Vader -- Black, White & Red #1)April 21 _ The High Republic Phase III -- Trial of the Jedi Omnibus (Collects 2023's The High Republic 1-10, Revelations #1's High Republic story, The Acolyte — Kelnacca one-shot, Shadows of Starlight 1-4, Fear of the Jedi 1-5, The Finale #1: The Beacon one-shot); The Mandalorian -- Seasons One & Two (Collects #1-8 of both mini-series), Jedi Knights Vol. 2 TPB (Collects 6-10); Hyperspace Stories: Tides of Terror TPB (Collects 1-4)April 28 _ Han Solo -- Hunt for the Falcon TPB (Collects 1-5), The High Republic Adventures -- The Complete Phase II (1-8, Nameless Terror 1-4, Quest of the Jedi one-shot)May 12 _ Star Wars: New Republic (Collects 1-10, material from Free Comic Book Day 2025: Star Wars #1)May 19 _ Star Wars Legends: Legacy Omnibus Vol. 1 (Collects Star Wars: Legacy (2006) #0, 0-1/2, 1-36, 41); Doctor Aphra — Chaos Agent TPB (Collects 1-10)May 26 _ The High Republic Adventures -- The Complete Phase III Part 1 (Collects The High Republic Adventures (Phase III 1-10), Saber for Hire 1-4 and the Crash Landing and Crash and Burn one-shots)June 16 _ Star Wars Legends: The New Republic Omnibus Vol. 3 (Collects Star Wars: Crimson Empire (1997) #0-6, Star Wars: The Bounty Hunters - Kenix Kil (1999) #1, Star Wars: Crimson Empire II - Council of Blood (1998) #1-6, Star Wars: Crimson Empire III - Empire Lost (2011) #1-6, Star Wars: Jedi Academy - Leviathan (1998) #1-4, Star Wars: The Mixed-Up Droid (1995) #1, Star Wars: Union (1999) #1-4, Star Wars: Chewbacca (2000) #1-4, Star Wars: Invasion (2009) #0-5, Star Wars: Invasion - Rescues (2010) #1-6, Star Wars: Invasion - Revelations (2011) #1-5, Star Wars Handbook (1998) #2; material from Dark Horse Extra (1998) #21-24; Dark Horse Presents (2011) #1; Star Wars Tales (1999) #8, 11, 16-19, 21); The Art of Star Wars: A New Hope — The Manga Vol. 1June 30 _ The High Republic Adventures -- The Complete Phase III Part 2 (Collects The High Republic Adventures (Phase III) 11-20, Echoes of Fear 1-4, Dispatches From the Occlusion Zone 1-4 and the one-shots 2025 Annual, The Wedding Spectacular and The Battle of Eriadu)July 21 _ Star Wars Legends: The Newspaper Strips Omnibus (Collects Classic Star Wars: The Early Adventures (1994) #1-9, Classic Star Wars: Han Solo at Stars' End (1997) #1-3, Classic Star Wars (1992) #1-20, Classic Star Wars: A New Hope (1994) #1-2, Classic Star Wars: The Vandelhelm Mission (1995) #1, Star Wars newspaper strips "The Constancia Affair," "The Kashyyyk Depths" and "Planet of Kadril”); Star Wars Modern Era Epic Collection: The Screaming Citadel (Collects Star Wars (2015) #31-43, Star Wars Annual (2015) #3, Star Wars: The Screaming Citadel (2017) #1, Star Wars: Doctor Aphra (2016) #7-8) Aug. _ The Bad Batch — Rogue Agents TPB (Collects 1-4)Aug. 18 _ The Art of Star Wars: A New Hope -- The Manga Vol. 2----------------------------------------------------------------------------------------------------------------------------------------Star Wars Splash Page is a weekly podcast dedicated solely to contemporary Star Wars comics published by Marvel, Dark Horse and previously IDW, featuring views about the current week's comics, interviews with the writers, artists, colorists, letterers and editors who create them, as well as the latest details on publishing schedules, upcoming series and mini-series, so that you, the listener have more detail and context about the comics that are a vital part of Star Wars canon, lore and legends.
Find the 9 Points Rating System here: https://www.alostplot.com/9-points/ Find the Pirates of the Caribbean: At World's End review here: https://www.podomatic.com/podcasts/maverick51411/episodes/2025-11-05T04_00_00-08_00 The review of Pirates of the Caribbean: On Stranger Tides delves into a critical analysis of character development in a film, highlighting how certain characters are perceived as inferior versions of their predecessors. The discussion emphasizes the lack of originality and depth in the new characters compared to the established ones, leading to a weaker narrative overall.----------Highlights:0:00 'Pirates of the Caribbean: On Stranger Tides' Introduction4:08 Opening Scene8:52 Jack Sparrow20:38 Themes & Messages28:15 Blackbeard & The Mermaids41:03 Angelica48:36 Lasting Impact#pirates #piratesofthecaribbean #piratesofthecaribbean5 #onstrangertides #jacksparrow #blackbeard #edwardteach #alostplot #film #filmthoughts #johnnydepp #characterarc #characterdevelopment #review #podcast
Welcome back to another episode of the Online Warriors Podcast! This we have a very special episode for you. We're covering some TV and gaming news! - Xbox Partner Preview (3:47) - Armatus (3:52) - The Mound: Omen of Cthulhu (7:02) - Dave the Diver" In The Jungle (9:31) - Crowsworn (11:20) - Echo Generation 2 (13:58) - Vampire Crawlers (16:15) - 007 First Light (18:34) - Roadside Research (20:32) - Total Chaos (23:40) - Reanimal (24:41) - Erosion (26:43) - Zoopunk (30:14) - Cloverpit (32:52) - Hitman: Eminem Vs Slim Shady (33:39) - Tides of Annihilation (34:56) - Raji: Kaliyuga (37:39) -Farcray TV Series (42:31) Then we discuss what the gang's been up to: - Nerdbomber plays Cloverpit and watches The Mighty Nein (46:53) - Techtic plays Jackbox (52:56) Special shoutout to our Patreon Producer: Steven Keller! We'd like to thank each and every one of you for listening in every week. If you'd like to support the show, you can drop us a review on your favorite podcast platform or, if you're feeling extra generous, drop us a subscribe over at Patreon.com/OnlineWarriorsPodcast. We have three tiers of subscriptions, each of which gives you some awesome bonus content! As always, we appreciate you tuning in, and look forward to seeing you next week! Stay safe and healthy everyone! Find us all over the web: Online Warriors Website: https://www.onlinewarriorspodcast.com Online Warriors Twitter: https://twitter.com/onlinewarriors1 Illeagle's Twitter: https://twitter.com/OWIlleagle86 Nerdbomber's Twitter: https://twitter.com/OWNerdbomber Techtic's Twitter: https://twitter.com/OWTechtic Facebook: https://www.facebook.com/onlinewarriorspodcast Instagram: https://www.instagram.com/onlinewarriorspodcast/ YouTube: https://www.youtube.com/channel/UCwOwzY6aBcTFucWEeFEtwIg Merch Store: https://onlinewarriorspodcast-shop.fourthwall.com/
De retour pour en découdre ! Elisa Do Brasil mélange jungle, Drum n bass dans un set énervé Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Gaming hosts Josh, Ryan, and Ace are back with a jam-packed TWIG as they break down the biggest reveals from the latest Xbox Partner Preview showcase. From the eerie creature-collecting madness of ReAnimal to the cosmic, reality-shattering chaos of Tides of Annihilation, the crew digs into why these new titles are already turning heads in the gaming world. And yes—007 is making moves once again, and the guys have opinions on what this means for the future of video games on Xbox. We're talking surprises, standouts, and a few head-scratchers as the hosts dive into how these reveals fit into Xbox's growing lineup, whether these projects can deliver on their promises, and what fans should realistically expect. With so many video games dropping previews at once, this TWIG episode packs in all the gaming discussion you need to stay caught up, hyped up, and ready for what's next. Don't miss this loaded episode of the Video Gamers Podcast! Thanks to our MYTHIC Supporters: Redletter, Disratory, Ol' Jake, Gaius, Jigglepuf, Phelps and NorwegianGreaser Thanks to our Legendary Supporters: HypnoticPyro, PeopleWonder and Bobby S. Connect with the show: Support us on Patreon: patreon.com/videogamerspod Join our Gaming Community: https://discord.gg/vgp Follow us on Instagram: https://www.instagram.com/videogamerspod/ Follow us on X: https://twitter.com/VideoGamersPod Subscribe to us on YouTube: https://www.youtube.com/@VideoGamersPod?sub_confirmation=1 Visit us on the web:https://videogamerspod.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices
Turning Tides: Algeria will discuss the history of the colonization and subsequent battles which plagued Algeria. The fourth and final episode, I Will Burn Them, will cover the period from 1958 to Present, in which Charles de Gaulle rises to power in France, and the F.L.N. finally achieve Algerian independence.If you'd like to donate or sponsor the podcast, our PayPal is @TurningTidesPodcast1, or you can donate to us through our Buy Me a Coffee link: buymeacoffee.com/theturningtidespodcast. Thank you for your support!Produced by Melissa Marie Brown and Joseph Pascone in affiliation with AntiKs Entertainment.Researched and written by Joseph PasconeEdited and revised by Melissa Marie BrownIntro and Outro created by Melissa Marie Brown and Joseph Pascone using Motion ArrayWebsite: https://theturningtidespodcast.weebly.com/IG/YouTube/Threads/Facebook: @theturningtidespodcastBluesky/Mastodon: @turningtidespodEmail: theturningtidespodcast@gmail.comIG/YouTube/Facebook/Threads/Bluesky/Mastodon: @antiksentEmail: antiksent@gmail.comEpisode 4 Sources:1. French Invasion: Algerian Resistance (1830 - 1871), by S.E. Al-Djazairi2. The Algerian War of Liberation, 1954 - 1962, Myths and Lies, by S.E. Al-Djazairi3. A Short History of Algeria, by Lina De Marco4. Commander of the Faithful: The Life and Times of Emir Abd el-Kader: A Story of True Jihad, by John W. Kiser5. The History of Algeria: From Berbers to Independence, by Fatima Linda Haddad6. A Savage War of Peace: Algeria, 1954 - 1962, by Alistair Horne7. A History of the Arab-Israeli Conflict, by Ian J. Bickerton and Carla L. Klausner8. https://index.prosperity.com/globe/algeria9. Wikipedia
This week on The Gaming Duo, we're skipping the news and going all-in on our Game Awards 2025 predictions. Rob and Kelvin break down the biggest categories, share their picks, debate surprises and snubs, and talk about which games truly deserve the spotlight.We also give our quick thoughts on the new Tides of Annihilation: “Break the Mirror” trailer.If you're enjoying the show, don't forget to leave us a review and join our Discord community, where friendships are built through gaming.Join our discord: https://discord.gg/B7YYMvZtZ2
Waves, river currents, and tidal turbines could help power Canada's clean energy future. Trevor speaks with Elisa Obermann, Executive Director at Marine Renewables Canada, about the promise of marine energy and how countries like Canada are pursuing its potential. They explore how emerging 'blue energy' technologies complement solar and wind, support coastal and Indigenous communities, and move us toward a more sustainable, diverse net-zero grid. Related links Marine Renewables Canada: https://marinerenewables.ca/ Fundy Ocean Research Center for Energy (FORCE): https://fundyforce.ca/ canmetENERGY: https://natural-resources.canada.ca/science-data/science-research/research-centres/canmetenergy Yuquot Wave Energy Project: https://barkley.ca/project/yuquot-wave-energy-project/ Blind Channel Tidal Energy Demonstration Centre: https://onlineacademiccommunity.uvic.ca/primed/blind-channel/ European Marine Energy Center (EMEC): https://www.emec.org.uk/ Canadian Hydrokinetic Turbine Test Centre: (CHTTC): http://www.chttc.ca/ Elisa Obermann on LinkedIn:https://www.linkedin.com/in/elisa-obermann-07469245/ Trevor Freeman on LinkedIn: https://www.linkedin.com/in/trevor-freeman-p-eng-8b612114 Hydro Ottawa: https://hydroottawa.com/en To subscribe using Apple Podcasts: https://podcasts.apple.com/us/podcast/thinkenergy/id1465129405 To subscribe using Spotify: https://open.spotify.com/show/7wFz7rdR8Gq3f2WOafjxpl To subscribe on Libsyn: http://thinkenergy.libsyn.com/ --- Subscribe so you don't miss a video: https://www.youtube.com/user/hydroottawalimited Follow along on Instagram: https://www.instagram.com/hydroottawa Stay in the know on Facebook: https://www.facebook.com/HydroOttawa Keep up with the posts on X: https://twitter.com/thinkenergypod --- Transcript: Trevor Freeman 00:00 Welcome to thinkenergy, a podcast that dives into the fast, changing world of energy through conversations with industry leaders, innovators and people on the front lines of the energy transition. Join me, Trevor Freeman, as I explore the traditional, unconventional and up and coming facets of the energy industry. If you have any thoughts, feedback or ideas for topics we should cover, please reach out to us at think energy at hydro ottawa.com, hi everyone, and welcome back. I have a really great conversation for you today, but before I get to that, I think it's worth a minute or two of time to revisit some first principles people approach the energy conversation from all different backgrounds and angles, and I think it's good to make sure that we're all on the same page when it comes to some foundational knowledge before we dive into our topic today, the thing that I want to quickly review is electricity generation. Now don't worry, we're not going to get into an advanced physics level of knowledge on this, but I just want to quickly refresh everyone on the basics. And by the same token, to all of you advanced physics folks out there that are listening, please forgive me if I'm slightly off on a detail or two, as long as I don't mess up the core foundational information. So for the most part, the electricity that we use is primarily generated by spinning a coil of wire around a magnet, or inversely, spinning a magnet inside a coil of wire that causes electrons to move, and that flow of electrons is electricity. For the most part, that combination of coiled wire and magnets and a spinning motion is what makes most of our electricity. There is one major exception to this, which is solar power that doesn't involve spinning anything. But other than that, our major electricity sources utilize that spinning motion, and I'm not including hydrogen fuel cells here as a major source of electricity. So let's keep going with this spinning idea. Then the next question is, how do we make things spin? One very common method is heat. Let's say you burn something, coal or natural gas, for example, which creates heat. You then use that heat to boil water, which makes steam, which you can push at high pressure against turbine blades to make them spin. It's as simple as that. The problem is, burning things creates harmful emissions, which are causing climate change. You can also generate heat with non emitting sources, and a major one, especially here in Ontario, is nuclear power, splitting atoms in a controlled environment, a nuclear reaction generates heat and then the process is the same as previously described. So as complex as a nuclear reactor is its main purpose when it comes to electricity generation, is simply making heat so we can boil water and create steam, et cetera, other than heat. The other way to make things spin is to utilize naturally occurring kinetic energy. So that means something that's already happening out there that carries a lot of force that can push a turbine blade. This would include wind energy, so using the force of the wind to turn large wind turbines and hydro electricity, which uses water being pulled downhill by gravity, so a flowing river or a large dam to turn that turbine the same end results that spinning motion, but no need to create heat to get there. We're almost done with the science lesson, so just bear with me for another few seconds as we think about reducing our carbon emissions, finding ways to generate electricity that don't require burning fossil fuels is really important. Solar definitely has a role to play, but we also need more emissions free ways to spin things. I mentioned some of the more traditional ones, like solar and wind energy, but today's conversation is about some lesser known, emerging methods, which are covered by the term marine renewable energy generation. Phew, it was a long walk to get there, but we finally got here. All of that is to tee up my conversation today with Elisa Obermann, the Executive Director of Marine Renewables Canada. Marine Renewables Canada is the National Association for tidal wave and river current energy in addition to offshore wind. But it's those first three generation strategies that I am particularly interested in as non mainstream ways to spin things. These technologies are known as blue energy, but are often overshadowed by the more common renewable energies that we talked about, solar and wind generation. So I'm really excited to chat with Elisa to shed some light on them. Today. Elisa has served as the executive director of marine renewables Canada since 2015 she's a founding member of both the Electricity Alliance Canada and the Canadian Council on Renewable Electricity. She has also worked for several other organizations that focus on clean technology, tidal energy and the broader renewable energy sector, including Sustainable Development Technology Canada, the Fundy Ocean Research Center for Energy. Which you'll hear us talk about today as force and Nova scotia's Department of Energy. Elisa Obermann, welcome to the show. Elisa Obermann 05:07 Hi. Thank you very much for having me. Trevor Freeman 05:09 So, let's start off kind of with the basics. Elisa, why don't you tell us a little bit about your background and how you got into this pretty unique space in the energy sector that we're going to dive into a little bit more. Elisa Obermann 05:22 Sure. So I decided after doing my undergrad, so I'm going kind of way back here, all the way back. Yeah, exactly. I did a degree, a bachelor's degree in English, but I really wanted to get involved in something that would help me do more for the environment, play a role in the future. So I decided to go back to school to do a public policy degree. And the first internship I had was with Nova Scotia Department of Energy, and it was actually on the oil and gas side of things, but my thinking was, well, this will get me eventually to where I want to go and working more in renewables. And that's essentially exactly what happened. And so I started working more and more there on renewable energy. Then started working on the province's marine renewable energy strategy. So it really kind of got me into this kind of path of, you know, working on climate change and renewable energy. And the other thing I will also say is that I grew up in Maine and really close to the ocean, and so after university, I moved to Toronto for a while, and I thought to myself, like, I really just want to do something that takes me back to the ocean. So this really combines both kind of goals I had for myself, in terms of working to protect and help the environment, and then also staying close to the ocean. Trevor Freeman 06:35 Yeah. I mean, that makes a ton of sense. It's interesting. I talked to a lot of people, obviously, and often the question of career path comes up, and it's funny to see the things that we're passionate about in those early days, no one could guess how that comes to fruition later on in our careers. And you know, I've got some similar stories of wanting to save the world when I was in university and having no idea how the different paths that that would take me on. So great to hear your story. Thanks for sharing that. Tell us now a little bit about your organization, marine renewable Canada, and you know, kind of its vision for how marine renewables will fit into the energy sector. Elisa Obermann 07:10 Yeah. So marine renewables Canada is a National Association. We're headquartered in Halifax, but we do work across the country, and actually, our beginnings were in British Columbia, really starting around like wave energy, small scale projects. One of our founding members at the time was BC Hydro. We now have over 200 members, and that's really grown just in the past couple years, because our focus is on wave, tidal, river current energy, but also offshore wind. And so there's been a lot of excitement, especially on the East Coast, around offshore wind, but today I'll probably focus mostly on kind of those water resources and how we're working to advance those. Our mandate is really to champion the sector, help with advocacy, engagement, education, and also expand market opportunities. So obviously we do a lot of work around enabling policies that help open up that market, both here, but also globally. But ultimately, what we'd like to see is that marine renewables is playing a role in getting Canada to net zero and right now. I mean, it's a more emerging technology, if you look at wave, tidal and river, but there's a lot of potential for it to play a big role. Trevor Freeman 08:20 Yeah, so great. And that's a great segue into kind of the next thing I want to talk about on this show. We often talk about, let's call them the more traditional or conventional or well known energy sources, so our kind of traditional fossil fuel combustion, our other renewable sources, solar and wind, and even offshore wind, I think people have a sense of what that is. I mean, wind energy is the same on land as off land. It's just in a different location. But tell us about the types of marine energy that you're talking about. You just referenced some of them here, you know, take us back to basics. What are we talking about when we talk about marine energy? Elisa Obermann 08:56 Yeah, absolutely. So I would categorize it as four main kinds, but I also will mention that there are some that our association doesn't cover. And I will touch on those, sure, primarily. So we focus on tidal energy. And when I say tidal I don't mean barrages or dams, which were kind of a more prevalent technology, you know, decades ago. What I'm talking about is what we call tidal stream and so essentially, if you think of, you know, what wind turbines look like, it's essentially a wind turbine, but in the water, so it can be developed or deployed incrementally, which is a lot different than what you think of when you think of a dam that has, you know, very long lasting effects. The idea behind title is that you can install it incrementally if there's concerns and with any kind of impacts to the environment, or concerns with, you know, the technology failing, or anything like that, you are able to remove it, or, you know, have maintenance on it fairly quickly. Wave Energy is another one that we focus on. It's the technology is not as far along as tidal in terms of, you know, getting to a commercial state. And there are many different. Different types of concepts, still for Wave technologies, but essentially, they can be placed near shore or further offshore. One of the things that's been, I think, kind of cool to think about is there's discussions around and some prototype type projects around using wave energy to power, for example, oil and gas platforms and doing that kind of, you know, pairing to help decarbonize that sector's energy use, river current. So I will say a lot of people think marine like that doesn't, you know, make sense rivers, you know, not by the ocean. And the reason we look at it and categorize it as a Marine renewable energy is that the technology is very similar to title, and so it's essentially the same technology that's used, except that it is unidirectional. So when you think of the flow of river, it's going one way, whereas tides, the technology would be used as a bi directional because the tides are going in and out. So but otherwise very, very similar. And then we actually also cover offshore wind, which is, of all of those, you know, a more mature marine renewable technology. And as I said, I think probably today I'll talk mostly about some of the earlier stage technologies. Our association doesn't cover a few others, and I just feel like they're worth mentioning, just because they're kind of cool. Also, floating solar is one that is gaining, you know, I think some more popularity, and also people are looking more what you know, how much of an impact it could have, ocean current technology, which would be kind of further offshore, and ocean thermal. And you can imagine, Ocean Thermal hasn't really been talked about a lot in Canada, because you have colder waters. Like, the technology just isn't right, the right fit. Trevor Freeman 11:35 Got you okay? So I want to, I've got a whole whack of questions I want to understand, make sure I'm understanding the technology correctly. So let's start with Tidal. For Tidal, obviously, just a quick refresher back to, let's say grade 10 science for our listeners. Tides kind of come in and come out. The water moves up and moves down. You're utilizing that flow of water, that movement of water, which happens twice a day. Is that, right? Twice a day, every 12 hours? Elisa Obermann 12:02 Yep, Trevor Freeman 12:02 Good, yeah, just making sure I remember my grades and science most part. And you're using that movement of water to turn turbines that are underwater. Describe those for us. Is that, like you kind of related it to wind energy? Is it like a big wind turbine underwater? Does it look the same? Is it similar to that? Elisa Obermann 12:20 Yeah, I mean, there's still a few different concepts, but essentially, yeah, that's how you could picture in your mind. I will say some are bottom mounted. So as an example, like it might have a gravity base and be anchored to the well, not even anchored. It could just be the weight of it is holding it to the sea floor. Some of the newer tidal technologies are floating. They're kind of like, on a pontoon type device, and they will have kind of the, you know, the turbines connected to that. But essentially, they're, you know, either way, whether it's floating or seabed mounted, it would be capturing the kinetic energy of the tides Trevor Freeman 12:54 Gotcha, okay. And then for the run of river ones, it's, it's kind of the same thing. Water is flowing. Typically, rivers are flowing downhill, so that water is always moving, and you've got a turbine in there taking advantage of the fact that that water is moving in a situation where there isn't a dam that's using sort of gravity flow. It's, but it's the same idea. It's, it's flowing water that's turning a turbine. Yes, exactly. So then the one that I'm, I'm sort of not entirely clear on, is waves, like, what is the mechanism there? Is it just the same thing? You're just putting it in a location where there's prevailing waves generated by wind or current or whatever. Elisa Obermann 13:28 Yeah, that one, I will say, is harder to describe, because I've mentioned there's many different concepts for it, but essentially, if you think of waves like so one concept, maybe this will be easy to visualize, would be more of like a buoy type device, and so it's capturing the height of the wave, like that energy coming through. There's some also called like an oyster. So it opens, like the device opens and closes to capture kinetic energy from waves as well. There's a number of different devices when it comes to to wave energy. And I will also say, depending on where, whether it's closer to shore or further offshore, that the strength of the energy from waves is also can be different too. . Trevor Freeman 14:08 Yeah. So that's actually what, exactly what my next question was is, how far offshore are we placing these things? Are they like, right at the shore's edge? Are they visible? Are they kind of, you know, whatever, 100 metre out? 500 metres out? Elisa Obermann 14:22 Yeah, in terms of for TIDAL, I mean, it would be closer to shore, but not necessary. I mean, still quite far out. It's not like you're looking at it and you're, you know, few 100 feet away, further. As an example, like in Nova Scotia, the Bay of Fundy has had several tidal deployments, and it depends on where you are. So there was one that was in a area called southwest Nova Scotia, where, if you were in the harbor, there in Briar Island, is where it was. You could see it right there, like it was very, very close, whereas those being deployed further out. So it really just depends on the location, but also potential impacts to other users. You know. Fisheries, all those kinds of things are considered when they're they're just determining location. Trevor Freeman 15:04 Got you. And one last question, I apologize, I'm totally going off script here, but you've got me all excited about this, and lots of questions. How is this connected back to land? So you must be running cables, you're generating electricity, you're bringing that back to land, and there's some sort of transformation or storage. It's connected to the provincial grid. Like, what's the connection back to the grid look like? Elisa Obermann 15:28 Exactly, yeah. So you're exactly right. There will be subsea cables that these devices will be connected to. They'll run to shore. Typically, they'll be connected to a substation, which then would be, you know, transmitting that energy electricity, I should say, to a distribution system or the transmission system. So as an example, force has pretty impressive subsea cables that have already been laid about 64 megawatts capacity with those and they built a substation at that site that then connects to the transmission system. Trevor Freeman 15:59 Cool, very cool, awesome. Thank you for that. Thanks for entertaining my sort of nerdy curiosity there. So tell us about the benefits. Why is this something that the energy sector should be looking at? What are the benefits of this type of generation? Elisa Obermann 16:14 Good question, and we get asked a lot. I will say, you know, why are we looking at Marine Renewables when we have solar and onshore wind and hydro that are proven and come at a lower cost, but we know we're going to need more electricity, and so the way we look at we can't put all of our eggs in one basket. We need energy diversity. But also marine renewables, such as Tidal and waves, they have some attributes that other renewables don't, so they can be very complementary to other renewable energy, and actually help to bring on other sources of renewables because of that, you know the synergies that they have. So as an example, and you mentioned it at the beginning, tidal is predictable, so we know when the tides are going to come in and out. We can schedule that. I mean, for energy system planning, we would know even 100 years from now, when exactly is that tide coming out? When is it going to be at peak? And so that's one that is very helpful in terms of reliability, predictability, all those things with waves also, I will say, I mean, they're very similar in some ways, because they are created by wind. So it's kind of the same concept, if you think of bringing it onto the grid, but there is an ability to forecast them further out. And one of the interesting things with wave energy, British Columbia had done some work, and I will say, I think it was the University of Victoria A while ago, just looking at the timing of them and when they're the most strong and powerful and consistent. And they found that they were strongest during peak times, like when BC would really need more power, so in the winter, during stormier times, that kind of thing. So those resources can be a very good match with other resources that maybe, you know, sometimes they they're not generating as much power at a given time. Trevor Freeman 17:56 Yeah, yeah. I mean, that kind of gets into to where I wanted to go next is, how does this work alongside wind and solar and sort of traditional hydro? You kind of answered that a little bit. We know that we need to grow our greater our energy demand is going to grow. You know, here in Ontario, we're looking at a 75% increase. Across Canada, we're looking at sort of two to three times the growth, and especially clean energy. What sort of percentage or how much of a foothold Do you think marine renewable energy has the capability of meeting of that? Elisa Obermann 18:30 Yeah, that's a great question. So I will tell you now, I don't have the numbers for that, but I will this January, February. We're actually working on a sector vision, looking exactly at that, like the capacity scenarios, what could be feasible, but really trying to take realistic view of you know, this is how much electricity wave, tidal and river and offshore wind could contribute. But what I will say is that when it comes to Tidal, for example, there has been some resource assessments done in the past. Canada has 40,000 megawatts of potential tidal energy, and that's looking at, you know, the best locations. So it's technical potential, but it's, it's also looking at just feasibility in terms of locations, and what might be, you know, close to grids, that kind of thing. Wave energy is between, I think, 10,000 to 16,000 megawatts, looking at both Pacific and Atlantic coasts and with river current still in early phases of doing some of this work. But Natural Resources Canada can met energy, and also the National Research Council did a pretty extensive resource assessment, and it was around 340 gigawatts of river current, I will say, I mean, that's a lot, right? So there's some factors there that are still, you know, they're working on, trying to understand, so ice, for example, because where rivers, you know, some of the strongest river resources are in areas that are in northern Canada, maybe not feasible. So there's still some more work there to determine what's actually feasible for these technologies. Trevor Freeman 19:59 Are there this kind of just jogged a question for me. Are there other parts of the world where this technology is, let's say, more mature and greater use, or is Canada kind of leading the fray here, like, where are we compared to other parts of the world? Elisa Obermann 20:15 So I would say Canada has been pretty well known as a global leader in marine renewable energy, and we started this in kind of the early 2000s starting to look at the resources and the technologies and how we could lead. But this was alongside some other countries that have been also doing that work. So the United Kingdom, Scotland, in particular, France and a number of other European countries. The United States has also put quite a bit of investment in R and D technologies, but the UK probably is the furthest along. And one of the reasons for that, and this is different than what we've done in Canada, is they have targeted funding and programs to really support the sector where I find in Canada, there's been, you know, a lot of great supports by both provincial and federal governments, but most of the time we're competing like, there's not a, you know, a specific program for just marine renewable technology. So I think that's had a bit of an impact even on interacting investment here. Trevor Freeman 21:13 Gotcha, yeah. So you're trying to fit your projects into a bigger project funding envelope that could cover a bunch of different sort of energy related projects, and you're having to say, Yeah, look, ours fits in here too. Is that fair to say? Elisa Obermann 21:24 Yeah, exactly, exactly. . Trevor Freeman 21:27 Cool. Okay, I want to shift a little bit here. We often talk on the show about the sort of relationship between energy and society and communities. So what are some community benefits from marine renewable projects. Is this something that sort of has community ownership over it? Does the community get involved in these projects? Tell us a little bit about how that impacts kind of that local level? Elisa Obermann 21:52 Yeah, I would say, from what we've seen so far, and this is just with, you know, very early demonstration projects, is that the local supply chain has benefited a lot. So there's been some studies showing that for both tidal and wave projects, you would be using probably about 60% local supply chain to build the project. And that's also just because the technology is massive, like you're not going to be shipping this. It's more cost effective to have most of the work done close to the site. And so as an example, again, Bay of Fundy projects that force to date, and the, you know, the research that force has been doing, and some of the R and D, I believe they've, they've used up to 500 local suppliers, or Canadian suppliers, so that's one of the biggest ones. But also just with local communities, there's been a number of things that we've also seen where they've been very engaged in some of these projects. I mean, obviously local businesses have but there are opportunities for local ownership. I think that the challenge right now is that there's still a lot of risk because the technologies aren't as mature as some others, and so some communities are more hesitant to buy into the projects. That said, there is a project in British Columbia, the Yuquot Wave Energy Project, where the Mowachaht/Muchalaht First Nation there is partnering very closely with a wave energy developer to move ahead with a wave technology that can help power their community. So there's all those kinds of things that I think make it attractive to communities, allows them to have some self sufficiency. And in the case of some of these northern, remote and coastal and indigenous communities, there's also that whole, you know, it's potentially displacing diesel in their community. So that's one of the drivers for them, marine renewables. There's been some, you know, studies around this as well showing that it would actually be lower cost than the diesel fuel that they're using in those communities. So there's that benefit as well. Trevor Freeman 23:42 Gotcha. Yeah, actually, I've got a question here that I wanted to ask you, and so I'll skip to that one about the impact on especially remote indigenous communities that are not connected to the grid. I've had, actually, a few conversations on this show about how, how we go about helping remote and indigenous communities decarbonize getting off of local diesel generation. Are there other projects you mentioned one? Are there other examples of collaboration here? Do you see this as being sort of a relevant tool for that challenge? Elisa Obermann 24:12 Yeah. So there's another one that I would also mention that I think is a great example again, University of Victoria in British Columbia had been spearheading what they called, it's the blind channel demonstration center. So Initially it started as working to help a, you know, it was like a remote eco kind of lodge become, you know, fully environmentally friendly, using marine renewables for electricity rather than diesel. But since then, they've actually evolved into more of an initiative to test and demonstrate title technologies there, given that it's a remote location, but working very closely with indigenous partners. And so what I think is cool about that is that it's helping indigenous communities to get involved, but not really requiring them to take on. And know, the risk of financing a project, maintaining a project, but it's giving them the opportunity to get the skills and expertise they would need to eventually, you know, bring Tidal or wave energy into their communities at a, you know, at a later date, when they feel more comfortable with the technology and also learn about how that technology impacts the environment and vice versa. Because I have found with communities like that's one of the things that they're most concerned about, is how, you know, how is this technology going to interact with fish or other marine life or the habitat? And so those kinds of smaller demonstrations really help, especially when they're, you know, hands on, and allow community members to be part of the demonstration. Trevor Freeman 25:40 Yeah, yeah. I mean, you're doing my job for me here, Elisa, you're setting up all my questions perfectly. How does it impact, sort of local marine wildlife? What's the what ecological impact of these we're talking about, fairly complex machinery located in a marine environment. Is there an impact? Has that been studied? Is it comparable it's a sort of a traditional hydro electric dam. What is, what is the impact there? Elisa Obermann 26:05 So there's been a lot of work in this area, and depending on the location of the project, and that's kind of the caveat I give with us, it can be easier to understand what the impact is. So as an example, in Scotland, I mentioned there's, they've done a lot of work with marine renewables. There's a test center there called the European Marine Energy Center, EMAC, and they have very high flow tidal sites, similar to what we have in Canada. And they're able to use cameras and other equipment to really see exactly what's happening at the site. And so a number of researchers, you know, over the last couple of decades, have been doing environmental monitoring, collecting data, and what we've seen to date is, for the most part, fish and marine life avoid these devices. There's also been research done on electromagnetic fields sound, but I think the biggest concern that people still have is collision with the devices, and what could happen there. Now, coming to Canada, we're in a bit of a different situation. So at the forest site in the Bay of Fundy, you know, there has been quite a bit of environmental monitoring and research done, but the water is very different than what you'd see in Scotland. At this site EMAC, where in the Bay of Fundy, there's a lot of sediment. It's very it's a higher flow site even. So there's, you know, a lot of turbulence, and the environmental monitoring equipment there that you know that exists, it just can't gather all of that information at the site like you can't use a camera and see exactly where fish may be going. So we can't say 100% no, there has been no, you know, fish collisions. What has been happening is that force and government of Canada and the Province of Nova Scotia, and I think also indigenous partners and some of the local researchers in Nova Scotia. So Acadia University, for example, have been partnering, and just recently announced a project to be able to develop those environmental monitoring systems that can work in the Bay of Fundy. And so those will be something, you know, once that's solved, that knowledge and those systems and that technology can be used anywhere in the world to give us a better idea of exactly what are those environmental interactions. But I will say to date, the body of research does show that there hasn't been any significant interactions at this point, but I'm always hesitant to say there hasn't been any, because we can't say that yet. Trevor Freeman 28:21 Yeah, sure, fair enough. It kind of raises another question in my mind about even just servicing the equipment, or the longevity of the equipment. I mean, in a in a solar field, if you've got a bad panel, you go and you change a panel. A wind turbine, at the very least, is above ground. Not that it's easy to change a blade on a turbine. But what is it like servicing and maintaining the equipment when it's out in a marine environment and underwater? How easy is it? Or is that a challenge? Elisa Obermann 28:51 Yeah, it's a very good point. It's definitely more challenging than onshore technologies, because you also have, you know, weather windows. So with Tidal, for example, even though you know what stage of the tide is in, plays a huge role in when they can go out and maintain or and service the equipment. And so that's one of the reasons these technologies bring in higher cost for the project overall. Obviously. The other thing I would also mention is just that with both tidal and wave like just depending on what if it's a floating technology versus seabed mounted also makes a difference. So what we've seen is some of these technologies are now evolving to be floating, and again, one of the reasons for that is this whole operations and maintenance piece, because it's obviously a lot easier to bring a vessel out there, get onto the pontoon and be able to service it, versus a whole diving operation, or ROV to go underwater to service it. Trevor Freeman 29:48 Gotcha, yeah, tow it back to the dock and work on it at the dock. Elisa Obermann 29:51 Yeah, awesome, exactly. Trevor Freeman 29:52 Okay, let's switch gears a little bit here and talk about the policy, and let's say regulatory. Worry landscape around this. I've got a question here on funding coming up too, but as our listeners will know, and as you certainly know, energy is a very regulated sector, lots of policy around it. What are some of the policy challenges? Or are there policy challenges when it comes to deploying marine renewables? Elisa Obermann 30:20 Yeah, I would say, because they're emerging technology, that's actually been one of the biggest challenges. So when we look at legislation in Canada, I mean, it never a lot of it's very old, right? So it never envisioned that there'd be these clean technologies coming up in the market that would they would need to govern and regulate. We have had a lot of challenges with the Fisheries Act, again, just because of that, it never envisioned that it would be regulating an emerging technology. And so, I mean, luckily with that, we did a lot of work with federal and provincial governments, and we have found a path forward that had been an issue in terms of, like the regulatory barriers being created by the legislation. The other one, I would say, is just these projects are small at the moment, right? So we're talking kilowatts, maybe a couple megawatts. And what we found is the, you know, just the regulatory efficiency is not necessarily there. So applying regulation will look at it just as the same scale as any type of project, you know, could be a very large project. So I think what you know, we would ask is that regulators consider the scale of the project and the regulatory processes and requirements should balance that scale of the project, you know, with what the requirements are. Trevor Freeman 31:34 Yeah. Do you see a world where I'm gonna assume the answer is yes to this, but I'm gonna ask anyway, do you see a world where this is just another option that utilities and energy policy makers have in their toolbox as a way to procure clean energy, that this just becomes one of an item on the menu with solar and wind, et cetera? Are we gonna get to that point? Do you see that happening in the sort of near, medium term future. Elisa Obermann 32:01 I think we can get to that point. But what it's going to require is that there are more deployments, more demonstrations, and regulators will really need to look at those early projects of exactly that demonstrations, and not treat them as commercial projects. And the reason I say this is because to get costs down so that they can be looked at in comparison to onshore and solar, we need to see a lot more deployment like when you think of a cost curve for any technology, you have to get to that scale and volume before the costs start coming down. It's some time before we get to that point, but it's absolutely possible. It just requires the right supports. Trevor Freeman 32:38 Got you. On the funding side. We talked about this a little bit earlier, about how you're kind of using existing funding programs. There aren't necessarily dedicated programs for this kind of technology or these projects. Are there other funding sources, like, are you attracting investors into this? Is there, you know, more public money going into this? What's the funding structure around some of these projects? Elisa Obermann 33:02 Yeah, so, I think to date, a lot of developers have and when I say developers, I mean the technology and project developers. But with marine renewables, sometimes it ends up being one in the same, because technology developers end up being the ones developing their projects. I think a lot of them are looking for two things at this time, so something to cover capital costs. So grants, whatever it might be, and there has, there have been a number of funding programs that the federal government has applied that have been quite useful for that, and then they usually look for something on the back end of the project once it's built. So what I mean by that is feed in tariff, something to help with their return on investment. And that seems to be kind of the right recipe for investment certainty at the moment, the other thing that I think Canada's recently done that's very helpful for this sector are the investment tax credits. And so our hope is actually that those get extended, because right now, where the sector is, and this also comes into play for offshore wind, is that they end, you know, in that 2033 timeline, 2034 I can't remember, whereas a lot of these projects wouldn't be online at that point. And so we're looking for a bit of a longer runway there. And I think tax credits are a very good tool that can help, you know, with attracting investment for these projects. Trevor Freeman 34:16 So looking ahead, I mean, you've kind of touched on this in a few different spots, but to sum it up, what's next on the horizon for this technology and these projects? Are we expecting kind of innovation on the technological side, or is the focus still on the sort of funding and regulatory side right now? What can we expect for those of us who are going to maybe keep an eye on this moving forward? Elisa Obermann 34:40 Yeah, it's a bit of both, I will say. So I mentioned that the tidal sector was having some challenges with the Fisheries Act a number of years ago, and that really kind of created a lull in development, but also in investment attraction. As a result of that, federal and provincial governments established a Tidal Task Force to. Look at the exact issues around you know, where the barriers are with the Fisheries Act, and then the outcome of that has been a new path under the Fisheries Act to support projects. And so there are developers that will be going through that new or revised, staged approach, is what they've been calling it. Time will tell, obviously, if that process works, but from what we've heard from developers, it does give them more certainty, because it essentially covers the entire project, rather than going through a device by device by device approach. And so that's on the regulatory side. I think if that goes well, it will give a lot of confidence to private sector and developers that this can move ahead, but it will also ensure that regulators know that they have an approach that is working, but still having those safeguards to ensure that you know they're protecting the environment and safety of communities and others on the technology side. So it's kind of like they go together hand in hand. So I mean, once we get through that process, I think there'll be more deployments, and we'll see the ability to test more technologies improve them. But to date, and where we are with especially with tidal energy, think the technologies are in, you know, they're in further generation. So we're not first generation technology anymore, and they've come a long way, and some of that's been through deployments and demonstration in other countries, Scotland, for example. So what I would envision happening is seeing some of those technologies tested in Canada, and then being able to, you know, deploy more than one and then, you know, multi device development. Trevor Freeman 36:31 Great. One fine, maybe final question, although I keep thinking of things as we talk here, but you know, obviously this is very focused on coastal regions. You've mentioned, BC and sort of Nova Scotia where you're based. Do you envision, especially on the river side of things? Do you envision this as a technology that can be deployed kind of even in the interior provinces? Like, are we going to see river marine renewables in Saskatchewan, for example, or Ontario, where I'm based? Like, are you having those conversations? Or are we like, we're not quite ready for that yet, because we're still working on the technology piece. Elisa Obermann 37:03 Yeah, I'm so glad that you asked that, because that's part I actually have missed in some of this. So there have been river current technologies deployed in Manitoba already. So the University of Manitoba has the Canadian hydro kinetic turbine Test Center. I know it's a bit of a mouthful, but they have been working with a number of river current developers. They've had several successful demonstrations. And there are also some companies that are that have been members of ours, that have deployed in other areas of Canada as well. In the past, even in Quebec, there's been some deployments. And so I think when it comes to river, you know, one of the challenges is there's, well, it's not a challenge. There's a huge opportunity there. It's just not very well known. And there are things like the ice, I think people are concerned about it being potentially closer to shore, just like the navigational issues, things like that, fish passage is different than what you'd see in tidal so there hasn't been as much of a focus on that. So it's earlier stage in terms of kind of that some of those environmental and social questions, but the technology is, you know, very close to where you'd see title at this point. Trevor Freeman 38:12 Got you very cool we have so as our listeners know, I work for Hydro Ottawa, and Hydro Ottawa, parent company, owns the run-of-the-river generation dam here, right in the center of Ottawa, Chaudière Falls, and it's really fascinating. Now, it's not the same technology, of course. It's a it's a run of the river gravity fed dam, but the complexity around so the North American eel is an endangered species that's particularly impacted by dams and the technologies that we've had to put in place for that. It's really fascinating. Just kind of, I'm rambling a bit here, but all the different pieces that come together to make what should be a fairly straightforward thing, like use water to spin turbine, it's so much more complex than that. So I can appreciate that as you branch out into new areas, new technologies or new deployments of that, all those new complexities have to be figured out and worked on. But glad to hear that that's in the future, that that's on the horizon, because I think this is great, and it'd be cool to see more of this. Elisa Obermann 39:08 Yeah, agreed. We're hoping we're getting there. It's taken time. I think things haven't gone as quickly as we had hoped. But you know, there's been a lot of learnings, lessons learned that have fed into where we are now, and I think just with what we're seeing, you know, with with government support, but also communities getting more excited about it, we'll see some real progress in the coming years. Trevor Freeman 39:30 Okay, Elisa, we always wrap up our interviews with a series of questions to our guests. Some people love them, some people feel like they're on the hot seat, but I'm going to dive in anyway and fire these at you. So what is a book that you've read recently that you think everyone should read? Elisa Obermann 39:45 Haven't read this one recently, but it kind of changed my thinking on everything. And I loved it, "Sapiens", I thought was great just with kind of the, you know, the history of humankind, and just made me rethink a lot of the things that. In terms of how society is structured and why we do the things that we do. Thought it was great, and if people haven't read it, I would highly recommend, Trevor Freeman 40:06 Yes, very cool. That's a great book, and you're not the first one to mention that on the show. That's awesome. So same question. But for a movie or a show. Elisa Obermann 40:14 There's probably a few that I would recommend, but really, I think the one that struck me the most recently, and I haven't watched a lot of movies recently, so I'll also say that, but just in the past couple years, was "Barbie". I loved it. It actually surprised me that, like, I had this totally different impression of what it was going to be, and just the kind of, you know, the key messages and things that it brought out, I thought were great. Like it was, it was very well done. Trevor Freeman 40:38 Yeah, absolutely. It was one of those kind of cultural things that which seemed like it was going to be just another movie, and then there was some buzz behind it. And it got to the point where we, like, we did a family outing to go and, like, watch that movie with our kids, who were kind of at about the age where they can start thinking about some of these things. So it was pretty fun. Elisa Obermann 40:56 Yeah, we did the same. We all wore pink. We really got on the bandwagon. I but it's great because as adults, you know, there were some really important things in it, but then also kids could relate, like it was a fun movie for them. So, yeah, it was good. Trevor Freeman 41:09 Yeah, absolutely. My kids spent a long time, and still it'll come up singing the I'm Just Ken song that happens around our house often that song comes up, which, you know, wears on you after a while. Okay, so it sounds like you travel a little bit. So if someone offers you a free round trip flight anywhere in the world, where would you go? Elisa Obermann 41:28 There's lots of places I would like to go, but I think probably Greece is where I would choose to go. I mean, I've been to Europe quite a bit for work and just also, you know, for fun. But my daughter has been saying for a really long time that she wants to go to Greece. She's only 10, so I've also kind of wondered where she got this idea, but I've also always wanted to go. So I think that would be my, my first choice. Trevor Freeman 41:51 Very cool. I my wife and I honeymooned in Greece. It's a long time ago, but we had had a great time. It's gorgeous. Elisa Obermann 41:56 Oh, amazing. Trevor Freeman 41:58 Who is someone that you admire? Elisa Obermann 41:59 That would probably be one of the tougher ones of these questions. Well, I'll say so generally, when I think about this kind of question, it's like, what are the kind of characteristics or qualities of someone that I would admire? And so I often look at how other women are, you know, conducting themselves, working in business world or in politics or whatnot. And I think what I admire most in some of those women is just the fact that they lift other women up. They're not afraid to be who they are and take a stand on things they really believe in. I think something I also really admire are women that are willing to take risks to build their business, and also in times of you know, where there's challenges or conflicts taking the high road. And so with all that said, you know, when I think about this, and I don't know if this sounds too cliche, but I think Michelle Obama's great, like when she said, 'When they go low, you go high', I just thought that was such an important message. And I actually share that with my daughter all the time when she's having trouble in school. I'm like, think of it this way. So she is a woman that I really admire. I think she's just done some wonderful things for women and just for people in general. Trevor Freeman 43:08 Yeah, absolutely. And again, you're not the first one to mention that on the show, and I don't think that's because it's cliche. I think it's because you're right, absolutely fascinating person and leader, and just the strength of character is very evident, for sure. So, yeah, great answer. So final question, what's something about the energy sector that you're particularly excited about? Elisa Obermann 43:29 Well, I would say, I mean, things are moving quite quickly, but also not never quick enough, yeah, and, but I think we have a lot to be excited about. So when I think about when I started my career in the energy sector, we were literally just starting to talk about renewable energy like it was a new thing, and things have evolved quite a bit since then, obviously, but in Atlantic Canada, where I'm based, so I'm in Nova Scotia, one of the things we've seen just in the past number of years has been An incredible evolution to a lot of projects being indigenous owned, indigenous LED. And I just think that's amazing so, you know, and I think that's going to continue. And it just shows, you know, that these communities are taking a lead. They're interested in ensuring that we're using clean energy, and it's also empowering them to, you know, have that ownership be able to provide investment to these projects, but it's been a big change. And so what I'm looking forward to, I guess, is what I'm saying here is that that continues, and we see more indigenous led projects, more indigenous participation in those projects, whether it be ownership, but also we've been actually working with a lot of indigenous businesses and suppliers that can get involved. And I think that will really change the energy sector. Actually, it's a lot different model from what we thought about, you know, few decades ago. Trevor Freeman 44:49 Yeah, absolutely, I think. And again, it comes up so often on the show, the idea that there's the technological side of energy, but the societal side, and that interaction with the actual. Well stakeholders in local communities and indigenous communities. And you know, the people who are most impacted by this from a usage of energy perspective, but also a production and generation perspective. And of course, the in between, which is the transmission and distribution side of things, that's where the really interesting stories happen, and the opportunities for better collaboration and improving how we do things certainly happen. So I'm totally on the same page as you. Elisa Obermann 45:25 Yeah, I think at the end, I always think of this like everything in the end is about people so and there's that factor that we we sometimes lose in all of this, but in the end, it comes down to the people who are involved or impacted. Trevor Freeman 45:38 Absolutely. Elisa, thanks so much for your time. I really appreciate it. It's been great to learn more about this sector, which doesn't have enough attention on it. So happy to kind of have you explain to us and talk us through some of the exciting things that are happening. Really appreciate it. Elisa Obermann 45:52 Yeah, no. Thank you so much for the opportunity and the time. And like you said, a lot of people don't know about the sector, so I really appreciate the you know, the time spent with you to chat a little more about it. Thank you Trevor Freeman 46:02 For sure. We'll check back in, maybe in a year or two, and see kind of how, how far things have come. Elisa Obermann 46:07 Yeah, that'd be great. I'd appreciate that. Trevor Freeman 46:09 Awesome. Thanks. Elisa, take care. Elisa Obermann 46:11 Thank you. Trevor Freeman 46:13 Thanks for tuning in to another episode of the thinkenergy podcast. Don't forget to subscribe wherever you listen to podcasts, and it would be great if you could leave us a review, it really helps to spread the word. As always, we would love to hear from you, whether it's feedback comments or an idea for a show or a guest. You can always reach us at thinkenergy@hydroottawa.com.
Who's in on the digital revolution?In this episode of One Vision, Theo welcomes back Simon Kemp, Chief Analyst of Data Report and founder of Kios, for a deep dive into the latest Digital 2026 report. The duo explores the monumental amount of data published over the past six months, including insights on AI usage, internet adoption, socio-demographic disparities, and the hyperbole surrounding digital media. Key highlights include the conservative estimate of over 1 billion monthly users of standalone AI tools, the challenges of internet accessibility in rural areas and among women, and the role of AI in our society. Join us for a thought-provoking discussion on digital trends and the future of our digital economy.00:00 Introduction and Guest Welcome00:53 Digital 2026 Report Overview02:40 AI Usage Statistics05:09 AI in China and Global Impact07:42 AI Tools and User Behavior23:40 Debunking Myths About AI and Agentic Commerce25:54 Consumer Behavior and AI Adoption34:46 Global Internet Access Disparities39:25 Projections for Digital Trends in 2026Hot Take: “ … understanding my place in the universe and my broader purpose as a human being. That's such a deep, profound conversation, and we're having it with robots. It. There's something ironic. A computer program.”Hot Take: “ Nothing in any of this is a binary choice and we've got to stop kidding ourselves that there is this magic one ring to rule them all. 'cause there isn't.”#AI #GenerativeAI #AgenticAI #Internet #Digital #Inclusion Find Simon Kemp on LinkedIn: https://www.linkedin.com/in/eskimon/
Episode 197 fo the Zenspath Entertainment Network Podcast is here! Jeremy, Stephen, Chase, & Chris talk about the passing of Rebecca "Becky Burger" Heineman (& legend in the world of gaming), Panic Button was tapped by Nintendo for Switch ports to show off Switch 2, the release of the Analogue 3D (& their weird marketing choices), the Xbox Partner Preview games, Sony files DMCA over Concord fan servers, more! Our "Big Question" for this week is "What are you thankful for in modern video games now that were not prevalent in video games as you grew up? Like autosaves, skippable cutscenes, etc." Check out the video version of the podcast over at www.youtube.com/zenspathcom, share it with friends, give us a thumbs up, & leave us a review if you enjoy the show to help us grow! Website - https://www.zenspath.com Podcast Website - https://www.zenspath.com/podcast Join our Discord - https://discord.com/invite/jsB8GURSvT ( bit.ly/zenspathdiscord ) Apple Podcasts - https://apple.co/3scFDqv Spotify - https://open.spotify.com/show/2nFegSJNWR0na1BAv6AOSD Libsyn - https://zenspath.libsyn.com/2024/02 Amazon Music - https://music.amazon.com/podcasts/08ab7658-e7f2-43f9-b0de-5a12c8ff24a6/zenspath-entertainment-network Join us on Discord at bit.ly/zenspathdiscord (https://discord.com/invite/jsB8GURSvT) Where to find us: https://www.zenspath.com/podcast for the latest episodes, shorts, & more all in one place! Jeremy - Bluesky - https://bsky.app/profile/zenspath.com Instagram - https://www.instagram.com/zenspathcom/ Threads - https://www.threads.net/@zenspathcom Hive - @zenspath Discord - @zenspath Twitch - https://twitch.tv/zenspath YouTube - https://youtube.com/zenspathcom Stephen - Bluesky - https://bsky.app/profile/n1ntendo.bsky.social Hive - @swantendo Discord - @n1ntendo. (don't forget the "." at the end!) Chase - X - https://twitter.com/LegioXGaming Chris - He's around... Intro 00:00 What We've Been Doing 01:24 The Group Chat - Recent Pickups! 21:28 RIP Rebecca "Burger Becky" Heineman - Gaming Has Lost a Legend 27:24 Panic Button Says Nintendo Tapped Them to Directly Handle Switch to Switch 2 Ports 32:28 Analogue 3D Launch & Weird Marketing Choices 37:49 Xbox Partner Preview November 2025 "Armatus" 45:17 Xbox Partner Preview November 2025 "CloverPit" 46:15 Xbox Partner Preview November 2025 "Crowsworn" 48:12 Xbox Partner Preview November 2025 "Dave the Diver" on Xbox + "The Jungle" DLC 49:29 Xbox Partner Preview November 2025 "Echo Generations 2" 49:50 Xbox Partner Preview November 2025 "Erosion" 50:53 Xbox Partner Preview November 2025 "The Mound: Omen of Cthulu" 53:34 Xbox Partner Preview November 2025 "Raj: Kaliyuga" 55:04 Xbox Partner Preview November 2025 "Reanimal" 56:06 Xbox Partner Preview November 2025 "Roadside Research" 56:42 Xbox Partner Preview November 2025 "Tides of Annihilation" 58:23 Xbox Partner Preview November 2025 "Total Chaos" 1:00:51 Xbox Partner Preview November 2025 "Vampire Crawlers: The Turbo Wildcard" 1:04:33 Xbox Partner Preview November 2025 "Zoopunk" 1:09:03 Xbox Partner Preview November 2025 Our Letter Grades 1:14:18 Sony Files DMCA Notices on Team Trying to Make New "Concord" Online Servers 1:14:18 The Speedrun 1:30:55 The Big Question 1:45:04 Outro & Where to Find Us 1:53:19
We often experience righteous anger when we face injustice in the world. However, sometimes this righteous anger can get the better of us and leave us bitter and resentful like Jonah. In this sermon, we look at the final chapter of Jonah's story to uncover the warning signs of when our anger strays from its righteous roots.
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Don't you see, sensei I'm just as disappointed in myself And ready to die Just as I relay the message, Spray me with your morbid essence Don't, croak, you fool, You've only a spoon ful of sugar left to go The dose is coming up your throat, — you didn't know to throw up Grab the rope and go up Before gravity has crushed your —thought: Stupid boy, you don't want to die— Nor to do, but oh, do we have it coming Silly mortal, overlords and governed, Short of morals, steady coming at your doorstep So goes our concert! And so goes our concept for divorce, And sure of course, Your four corse meal, and/or dessert This is just devastating, genetics made me The sort at sorting words, but surfing, Sure. Ever temporarily the cadence changes, Still they say “you've been betrayed” But never had a friend I made made As good as death and God have been to me For everything you're meant to be, Plus everything you're meant to me, I go, unwanted, troubled and disgusted at my own immortal outcome. Sure. My back hurts and I'm wounded, Heartbroke, Thrust in every cardinal direction Also, honored at the mark of magic wand Upon her shoulder; And so, Just as soon as the sun and moon, Does the fire escape set a perfect path For outward destruction of the bricks and mortar Or your alter (This we talk about, to some effect Is your repression and affective form of supernatural perfection) But forget the makeup; I can make you up to be a star And not of wars and other worlds, But those that come before us, Carson, and the others Paar before that. But, I think not dear sir How wrong you are, A wretched bird, Set not to fly, but O father Wit and relay messages, The passage said, and set to clocks, The past was won and so the future altered, But dear feathered father, Mortal you are not But just another triumph Of my god; And set the mirror to the magnets Camera, lights and action, Magic— All the signs of the dawn, and the mad don Red Dawn came upon us, called the Red Man Tom, from other, over, under Still was my mistake to mumble such Or put upon the tongue As such assumption Still— wonder? Bird, shut up; Love I dusk And lust I soak In all the frittered dust and feathers, Colors, coming up as mister Chuck and wood, and wait and ponder Slithered this to wonder, not a rock, But potted fern, Asunder Thunderstorm And wicked rain And fair the back A tide had come And sitting there upon the shore, Was us, and 12 apostles She's a Brick— Seemingly out of nowhere, A RED BRICK HOUSE falls very perfectly from the SKY and into OZ. oh good, my house is here. House. [the festival project ™] But I don't want to make house! Then play it! I don't want to play house it is BORING. You play it— they want it. But I don't want it. Then forget it! What! Listen kid, a job's a job! {Enter The Multiverse} Wrong, this is wrong— everything is wrong. What's wrong, Rob? I'll be back. ROB LOWE has just played TRUTH OR DARE L E G E N D S if I could get inside your head For just a second Bread and butter Heaven, hell, And other places I have wandered But oh, wonder This is never what I wanted, Was it? No sir. Sure, I set you off, No sooner had you got a gun and shot me. Handsome fucker. I'll bet. Wrong act. Wrong award show. Wrong hat and a baseball bat, Peanut butter and a nice cold cheesecake, Don't forget to order cheesesteak For your cat. A carnivore at odds with the other worlds, And also fused to us; This drifting back and forth Between the Rock And Hollywood Has got to stop. ((The world is toxic.)) the legend of… L. JONES It's you! BLŪ AH, crap. L. JONES Listen, I got something for you. BLŪ Where did your bird go? L.JONES What bird? CUT TO: Now open that. No wait! It's a trap! THE VAULT inside THE CRYPT at 30 ROCK has been opened. I keep looking down at my phone As if I'm expecting a phone call Or incoming message from God But the worlds to a song Are all jumbled up in my Concious I don't want to talk about it I feel Nauseous Everyone is being obnoxious Even my own blood I don't want to function I just want some French toast crunch For lunch Nostalgia I got a whole inch taller on the peloton Holla Now I got a body, Broader, So close to Broadway But I never go there That's a tall order Of “gotta have money” I mean live theatre It's fine I'll eat here And repeat these things till they just rhyme Line them all up like a context, Story Someday I'm gonna cut my own check Watch me lol none of this rhymes without a hard Brooklyn accent ; Guess you can't hack it! Send you ass packin! I said “That's whack son!” Then I went back blonde Now they want Backend, Contract, Off the top, Royalties Residuals I'm an individual with insidious syntax And yet I'm ridiculed Truly I'm a tit-for-tat Or particle of all you are Circular centrifuge, I trickle down your tentacles (Eugh) Choke the chicken just to give the cat a chicken bowl, Chick fil et and pret a tair just to get a ritual Espresso and a quick snack So I can get my dick wrapped In chocolate and licorice because the shit is edible Damn that I guess they set a damn trap By putting out the welcome mat, Then strapping Like a mothafuckin' straight jacket Matter fact, I look a nap in it, Then magic tricked the slip effective Compliments of Michael Jackson Or was it tech nine? Maybe I should get my Mind right I lost it once I guess I've better find it If I am, in fact, A diamond in the rough It's probably blooded it up enough That you should dig it up and shine it; Better yet, Somebody outta pick it up And sign it, Cause I write enough To put a vision To a blind man It's Fran Fine, man I'm behind, man The shadowgov had put me on a diet My bad I noticed that they tried to shut me up But couldn't stop the words or other stuff That just keeps coming out of my head I put coconuts as butter onto my bread And thinking thoughts of Carl cox As I drift off in my bed, I said, “It shouldn't be a problem, officer” As I reached for the gun And he aimed it at my death. That's an impossible apocalyptic suicide— Did you invite the devil in? I said “Nah, but that guy did.” The problem is, I pointed over yonder to a ghost Who also knows that I'm a well respected psychic; Nevermind a sidekick, side bitch in a sidecar, Psych ward, Sike! We spike war on your kind! So far, If I make history tonight, The other side decides their psalm is just as likely The third reike. Okay, strike one: I'm gonna turn your lights off. Strike two : you do and say what I do: Strike three: we're gonna make you suicidal I specialize in denying rights for high profits But big brother, or boss— What if my glove fits? The instance it does, We lock you up with no service, Your world becomes dark And your words become worthless Oh shit. This is not a good rap song. Like, at all. I must say, I do agree, You lose your trust, but silently Denied is all your trouble, Till it just begins to bubble up Until the cookie crumbles— See that feeling in your stomach? This is bigger than the money, girl — They want your soul, and then the world! I told you never call him. I didn't! Then explain this: [Skrillex] *sharp inward sigh* CUT IMMIDIATLEH TO STAN You know what! That's it! I don't care how handsome or rich and famous he is! This has to stop! KYLE Hey, wait just a minute— STAN SHUT UP KYLE. KYLE You shut up! STAN You're starting to sound just like him! KYLE Take that back! STAN I won't take it back! You all might have forgotten who you are, but I haven't!after of fact, I bet to Cartman, you're still that stupid little Jew kid! KYLE That's IT. KYLE takes out his phone. what are you doing? …I'm tweeting about this. I thought it was X now… It is, but you can't ‘x' anything, it's still calledl tweeting. I guess youre right. —and I'm tagging Cartman ! STAN Are you serious? Oh shit, this is social suicide. …did I ever explain this storyline? …I don't know, did i? I'd gotten so focused on this impending doom looming over me with this whole lawsuit that I'd forgotten entire worlds and whole documents. Even more terrifying, was the sudden quiet and the onset guilt that came over me for getting distracted. But I couldn't remove myself from it entirely—- it seemed to have ruined everything. It wasn't just motorcycle noises, it was like a nervousness and angst twisting in my stomach for months and months, until finally, as the court dates started approaching, it was peaceful, or rather, normal, all of a sudden. It couldn't be peaceful because now that the extreme noise was gone, I knew it had been planted all long— but what was the purpose? I'd lost two years not knowing, and though there were albums, they were never what I wanted. Now I was sorting through the documents of the show like it was the rubble of a decimated building— completely demolished, and I hadn't the slightest clue the contexts or the storylines anymore. It was pain and suffering, but not in the legal context. It was a creative disaster— I hadn't any idea in the slightest where I'd left my audience before I was forced to abandon them. But I was forced to choose, at times, between soap and toilet paper, or eventually, food, and water— or a phone. Eventually, this too became a pattern of the impossible— trying my hardest to do what I thought had been my purpose, but for far, being so endlessly sabotaged, even ridiculed and humiliated, and still, I couldn't understand why. I was tired— and somehow, even though I'd wanted to be left alone, I was the target. Worse was that I assumed it to be bigger than I thought and completely out of control— I thought immediately back to how my best friend from middle school had been attacked, and how she was made to think that it was me…to the point that she'd become obsessive about it to call my mom over it. And as far as the court was concerned, to the wrong ears or wrong eyes, anything I'd published in the festival project could look troublesome, like the ramblings of a mad mad, or schizo, or uncontrolled obsessive thoughts— because the biggest secrets of all, the things that tied together these fictional worlds and plots, were my own real life experience. The inability in a court of law to detail the podcast, which had started as meltdown some would call grandiose over an almost long forgotten rockstar and a porn model — and the entries into the festival project that followed, which included high concepts, off-kilter comedy, politics, and even fringed on social justice. Nothing I ever would have wanted and especially over money, but the lawsuit wasn't about money at all. In fact, at any moment I would have chosen to die and have it all stop if it weren't for my very young son being left alone. Though recently the dread had overcome with a sense of unbearable loss and agony, encrypted with suicidal thoughts and wants, reeling for human touch, the overbearing factor seemed to be that if I killed myself, I was giving someone what they wanted. I was really much too tired to go on, but leaving behind the world in entirety, in my very own way of beliefs wasn't just “shitutting it off”, it was starting it over. Understandably and undeniably immortal in its nature, the instances of God I had left spoke with a reminiscence of being born again, and having to remember which is it I'd wanted to start off. It was an unachievable overload of chaos and disruption, a level of corruption that spoke to something so dark and sinister it seemed biblical — then, again, I tried to wrap my mind around a way to rebuild a positive world from hope and thought, or manifest reality, but this is the very experience I'd felt was intended all along. The motorcycles weren't merely meant to destroy my career, or my will power, or force— they were, but also they were made to play upon my most valuable asset, the power of thought, to make it impossible to become something other than what was wanted; to use my own mind against itself and destroy my way of thought by using vibrations that could not be shut out, or stopped— they followed me to the sound collective, to Shakespeare in the park, the bank, the doctors office— it was as if they knew and understood my very thoughts, my process. It was of nothing at all to corrupt every single body and brain who would surround me or come close— by using the power that seemed supernatural enough, but indeed were powered by money, and technology. Perhaps, in this essence, I thought, was the purest display of defective intention itself; the mere thought that this indeed was rather Good Vs. Evil or God and The Devil would easily be written off as a diseased way of thought. The social world and constructs had been built around being open minded to a system of psychology that was intrinsically rather corrupt. I knew this could only be fought with what I knew, and what I could draw from as logic. I didn't want to go to court because I knew the people I would be fighting were liars, and well trained psychological masters of manipulation, well hidden terrorists dressed as public servants and systematic corrupters all for simple profit margins, to whom I was not so much a person or a mother, or a daughter, but a number. Because I was poor, and had once or four times chosen to love the wrong person in an unorthodox and uncontrollable form of torture, dismissing each and every social construct or physiology that was by the book, by embracing that there was a reason for change I quickly became quite the antagonist of sorts and hopefully not some sort of martyr —for the kind of people that had money and property, and perhaps even socially constructed circles to camoflage their own self doubt and hatred, but absolutely also had no morals. –Death of a Superstar DJ If I lose my mind At least I know I'm right on time This time— I meant that, I had it bad this time MCBADBAT I had it bad this time, And the last. Perchance for you, Hour or folded, Hair my weight And glassed upon thy, This upon now, Feathered waking, And there barely weathered Shaking. Dear, dear, Tis is fair truth, To fare that I have gasp And fated at thy doorstep; And yet, care to force, Her breaking waves and saving tinder, Fit there slithered in as yet astonished, Then another; And I hated. So, then, slower now. All there, gathered none. And show to show thy force What then became and withered after, None to bark or beg But birds and feathered creatures, pander The tides did Quake, And the heart did grow ten fold and steady saying None upon us but one left to shiver in the depths That yet remain as undiscovered For now never there was another world, Undone, And also another becomes, My death— And therefore all the worlds I kept, To travel on and travel As becomes one, does another onward As the first is glass to dust, And last is born there. So, Then, I, Crept, In my dress, Kept for clothes that church did water I, met, My mark and there the doors of shadows open Wilted and wake? Hear you; A star was born In other cosmos tied with our own nurture So, Kept, The weight of clasp and bone That holds the crept and precious alter Goddamn cat! Where are you. AAtticus Caaticus Oop. Gotta go. Toonces! Tooooonces! Where are you? Omg remember that one where that couple has a magic toddler and they just let him like,float away. Yeah, barely. Yeah. So I do. CUT TO: TOONCES focuses intently on the task at hand; he's sure he can manage to drive the human vehicle to his own home— to where he's assured he will find the actual body in which he belongs. Now… let's see, if I can just Wait, I who? ATTICUS CATTICUS, An ancient alien sorcerer must relay a series of important messages. Unfortunately. YO WHAT THE FUCK. None of them seem to be getting through. CUT BACK TO: TOONCEEESSSS. here kitty kitty kitty!! {Enter the Multiverse} I would dedicate, but honestly I've not time to waste And I'm craving wedding cake I hate to destroy you But for now, you know I can't employ you; This implies my eyes are also murder And I'm sure of her departure From another world, Perhaps across the border. Also, quite the dark sorcerer himself LORNE MICHAELS has well hidden himself under the guise of having become one of the most successful television producer of all times— And even in his own very small world, Nobody quite seems to know why. JIMMY FALLON Lorne, I have to tell you something. LORNE MICHAELS This had better be good, Jimmy, I've just made popcorn. [the festival project ™] Don't worry, for now, The risk remains hidden, As sure as an asset is an advantage, I can't have the classes counting Heads of cabbage as accomplishes, The masses are honestly astonished And impossible, but what was wrong with Boredom in the first place? Nonsense More words And still no dollars Hunger strike, And burning harder, California deficit, lack of bread, Heaven sent interventions and scissors, Mistresses, disasters and divorces But who says the whole story has to suffer? You're a surfer under water, Remember that when you finally catch your breath above the surface Can you clear her? He who? Back to work! Or back to the future! My super brain is dead but I think I'm next I think heaven swallows whole the blooded laugher From the constructs I've come from. Remember that. Remember not to fall from too far up, God would give you wings With time to spare Before you ever wondered where Your mark was On the plaza Don't let me up to the very top. I will at the very least Best scenario jump off And rid the world myself, Just for a dozen donuts over Crossing hearts and Hollywood And Griffith park To also soft my foot Upon red carpets. You ever shave your armpits!? …no. Hm. Catholic. Of course. Get in. Destination. —Rotterdam. You idiot. I made it. Whatever, get in the boat. DI NERO Give her your shirt. What. Your shirt. Why my shirt. Just— Fine. Here. [he hands over his shirt— in an instant, the woman becomes an exact REPLICA.] …my shirt. Relax. Nothing's gonna happen to it. Okay? —in fact, you're still wearing it. Alright! She's right, Jimmy, relax. I can't, that's— It's simple. There is nothing simple about this whatsoever. You're right. It's not, so get over it. [The Festival Project ™] BILL MURRAY There's a compartment at the end of the left corridor— Alright. In that hatch, there's a chamber. Okay, what'll I do? You'll open it? How? I'll tell you how, just get there. Suddenly, a barrier falls; it appears as though there are booby traps set here. Uh— that might be a problem. There might be a few of them. What just happened? Booby traps. —ah, I know what you're talking. Those aren't booby traps— they're Bobby Traps. What in the Hell are you talking about? For whatever reason Jimmy Kimmel Is important Now I'm scared of him, I know he knows the devil Come to think of it, Might even be an advocate Have an avocado But don't know the half of it These are, as it stands Comes what may Special circumstances I could circumvent an intervention, Never second chances I've been setting rat traps, Trapeze artists, Bampheramph camp, And also trampolines over the plaza That seems dangerous. Yeah. AHHHHHHhhhhhhhhhhhhhhh. Damn. Know it's plausible, That I also am an alcoholic, Though dysfunctional, Professional, And underrepresented So I stand myself, Let's just say pro-se if you will I could add Prozac to my snacks But I'll be delayed, if you still Don't get my messages I'm sick of having heart attacks; A hard advantage I was looking back on “fully packaged” A six pack of abs And nothing left to eat but cabbage, Haven't had a mouth, But I've been counting on my ass To get me back up north, I'm coming from the South Out West, there's a word for that At best, you're a four and a half My body double stunts and stumbles Struts at nothing Struck before the one, And so between high noon and Somewhere around 30 in I'm never turning 30, 30 Rock is in the wind— So count that up, That's what my income is. That's what they said? “Too late, you've been betrayed” If that's how it is, Then I request “beheaded” You know your mother says That ugly face just becomes permanent If you keep making it, And so I did, The second that it ended I'm Trying so hard Just to be What they want That it hurts Just to stop And relax For a moment INT. THE LAIR. NIGHT What is this? Where am I? You're— Alive. Why? …I changed my mind. You're not ugly You're just not mine I changed my mind I changed my life around. I skip line after line, But the message ain't right, I have time a chance No challenge accepted No exceptions or Expectations Expand this racism vocabulary Set the rat traps back To February Stamp the weather's getting Better with the postage clearing Abstr– My cat is so cute I can't stand him; But he's pretty bad, That my only friend; Animal. I blacklisted deadmau5, And my whole set sucked. Presently, however I'm a peasant Plucking pheasant feathers Guess I– pppftt. Like it never even happened But I'm sure we're all to war, Like a fear I never grasp it, What's l before, uncertain of your l words— My dear, were tattered and the masters heavy handed, Oh, my dear, we're marching on a battered Wit, to all your fan mail I tel you, I was I tortured, Let me show you And also, No one forced my hand at magic, Questioned prestidigitation, Or went back to every second, Land you think you owned as time In fact, my crucial very hard earned gossip column Asks the reader to reform his or her thought Before a judgement can be made How fascinating. The bag says ‘poems' so I wrote one, But I'm sure since my marker's toggled on I'm being stalked, It's like a magnet, Punch the clock And here they pour into the coffin So I won't be pouring coffee for the puffin; Maybe someday I'll look back at this as all I ever wanted, But for now it's just a horror show, Where I belong the murder— Yet a thriller, Best, The audience is captivated, Yes This is evasive, Cause I can't been captured yet By either masses or Mass murderers. At last, a cadence comes clean of its Breaking waves and rhythms, Tides and ties, Becomes another— Then, I'm whisked away Not back to slumber, but of subtle thoughts Of Californian water Lapping up across our surfboards; I often wear them tides, The undertow As pull of greater waves I sit aside as all that passes [The Festival Project ™] When I see Calvin Klein, I think of you; Not what you used to be But turned in to So it's mutual— Pay attention, fool As does moss grow on a rock And this to you— It is unfortunate, my dear You miss with every twist, Adjustment of attention span, The glances I foreshadowed (Here you are, inside your past) It's just affective of the effect, You've been levitating, Yes, I find it devastating Every second kept is just a fortune But you pause before you post— You reap before you even think Of what you sow, You don't belong, Agast, (True) Set the tone, Classless, But I'm Art, you are a Daunting folk song, Mistletoe and marker. CAMERA ASSISTANT Marker. …what is this for again? CAMERA ASSISTANT (Annoyed, mumbling) Shut up. Ten minutes passes and still, I'm awake But the tragedy of the mistake has just set in, I'm sure I've been tortured, I'm paid in mistakes, but I'd rather be shattered with Mortimer's curse. To the tune of Ten by ten by ten I will never be lover, nor friend in the end. {Enter The Multiverse] DRAKE concentrates heavily on a very long , seemingly very angry message— a frowning face plastered as he writes that is so noteworthy, it catches the attention of many a passerby— still this focus unwatered, as he bashes heavily away at the text message with the thumbs of fury for over 30 minutes while sitting at a booth in a well-loved pancake restaurant. As a tall stack of pancakes is served before him, and he, still unbreaking this angry texting streak or eye contact with his phone sits before them, history is made in what internet culture has now deemed as “the most meme worthy face in history” The world wonders what he could possibly be writing— and more importantly—-who he could be texting. Tears come to his eyes but do not fall as he raises his thumb with reserve, to finally press [RETURN.] CUT TO: SUNNI BLU receives a text amidst a wild party. Almost without so much as a reaction, SUNNI BLU pings the message to a projector and cuts off the lights, and music. A VERY LONG, ANGRY TEXT is projected on the wall. I slept from 10-2 There was nothing else to do My name is Devin DeLouise And I am not supposed to know these things Seven are dead and three are left I know what's next I'm also often known as And referred to as coyote ugly; Suffering a tantra wall, Yo, you son of a bitch! You dirty, dirty son of a bitch. I must admit, I had a lot to do with this… I had no part in it! Relax… soon enough, the both of your realize— this is how the unimaginable gets written. [he loads the polished sterling silver pistol and glamours over it] You have our memory. —all memory. And as soon as it ends, before it can begin again. The slate is wiped clean. Good riddance. “A Different Kind of Monologue” Is this what you wanted? Ooh— you should try me! I wish you would try me! Try me! I wish you would. Be calm, Grand Master. This will all be over momentarily. What's going on. Deprivation chamber. Crypt? —Encrypted? A lockup. Ah. Thought so. That ought to show us what he's really made up. We can all hope. [he pounds on the glass, the one way mirror acts as a camera which the maj aresses, rabid and wi the anger of a dangerous animal, both we, n audience, and the small group of men gathered a the other side of the room. This could be the basis of a lot of lawsuits. So now I have your tears and agony A wilted throne and wand Which which would grant a wish of comedy, And therefore ever after, Not pain and guilt, but laughter So heavy is the hat that acts as crown, And so foolish is the King to think ‘imself as not one, Creaks the crow and also of the feathered guilt that follows, I Kept and bashful, wishing not the show as throne but sorrow, Kept to wick and wake and bones to shatter from tomorrow. Tomorrow. Tomorrow. Do you fear us? …do you wish to be feared? What of us? I seek to cause the wish that stands as though you may as granted. So shallow, fair child. And brother and my son also. Gross! Stop. You are weird! Dude, you are fucked. In the withdraw, my shadows and darkness Are there always, never resting Stories and gathered images, Visions of betrayal and archaic wants. In time, I've abandoned them all and betraying that which I've lost, For I know, and not ponder on That I shall never know love, As all standing tal over me Have eyes; And all I want Knows not what hides under my ugly. Alright. I followed your spiral, downward, and down wind and down wood, Into a place where I also aspired to show your mark Upon my rotted corpse or coarse crossifix; Sure worded and down trodden. Now, worse, I'm also sworn To mourn all my own losses, Kind folk. Kind hearted and now my eyes also sudden to wander— And there goes my miles and triumphs And morals and war songs, And sure, swallowed the barrel of a gun But also departed with honor, I tell I. Glimpses of wither and winter and whittling pain, And I slither my back to the center of All I am, in this, and shadows, Fairtails, And grains of rice and sand to twist away Into the rain as I lay dying. What a fortunate! Don't make my mark up and out, few for short times, Aye, conspire to warthog, Remember so force your spirit onto ours, And shake, sandbox! There aiming at you were the snakes of six liars, And the stakes of empires lost and won over, Also one solemn subtle Star of David Worn upon the neck of six monks, Ragtime Six popes, pass I; Six fathers and streaks solemn and Care tan teared salamander, Having weight and wake to cheer For our slaughter. Then, you, Having gained and also lost should reap to sow, What you'd have wanted; Though the tongue so convexed having way to guild your complex, Shaking as I hunger fruit that not but hangs Before l wanted I know, I could knot be consoled I know, I could not be consoled I know I could not be consolidated either Bought, or purchased I know I'm not consoled at all, I know I'm not confirmed at all I know, I know I'm not confronted, nor immortal — but your glorified affliction. Poor infinity. Of poverty, perhaps, but never poor at all. For your were warned of all the doors as opened at your calling. Not to walk though, But to ponder at them, wondering. he's gone Maybe I should go Too Heavy weight hanging on my Shoulders I'm just star struck I don't know You I don't really like saying What I go through Talk an hour, Fake it All day show Monologue Improvisation Now i'm on a roll, But my thoughts got darker I like adderall and a real smooth talker I like a husband-father , Doctor, Actor, Tall and handsome, Doesn't matter I'm alone, so i feel hopeless Aggie's gone, So i might as well go though Oh– She's gone ((I think i'm past my time)) I think i should go to She's gone (so long) Right on, man I might as well go to It's been a long time, Gotta turn my light off, Overtime, That's a long ball game Season's over; On my back in the middle of the ball court She's gone, So i might as well go too. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW LEGAL NOTICE / ARTIST STATEMENT Project: The Festival Project ™ (Season 12) Genre: Speculative Auto-Ethnography / Social Surrealism Disclaimer: This document is a work of creative non-fiction and political satire. While inspired by the author's lived experiences with systemic oppression, housing displacement, and surveillance, the narrative employs stylized fragmentation, stream-of-consciousness, and metaphor to dramatize the psychological impact of these events. The "characters" and "dialogue" herein are artistic devices used to critique historical and modern power structures. This text should be viewed as a performative artistic expression protected under the First Amendment, and not as a literal transcript of clinical psychosis or a formal sworn affidavit. This is a character study of 'Chroma111,' the collective artworks of a musician living in a dystopian surveillance state. The erratic language is a stylistic choice to represent the character's psychological deterioration under systemic oppression. All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental. The Genre: "Afro-Surrealism" / "Social Horror" "Psycho-Acoustic Weaponry" or "Havana Syndrome symptoms." The Frame: The protagonist is subjected to "noise harassment"—a tactic dramatized here but rooted in the known reality of tenant displacement and "psychological attrition." The narrative depicts a process of "Soul Murder" ( also known as spiritual warfare) orchestrated by a hostile apparatus. The antagonist is "The Institution," representing deep-state mechanisms that view multicultural intellectualism as a threat. The story allegorically dramatizes the invisible mechanisms that enforce racial hierarchy, depicting how broken social systems weaponize psychological practices against the individual. Artist's Note: This is a living document. In the event of the artist's silence or unnatural death, this text serves as an artistic testament to the psychological siege endured from to 2023-2025. It is a creative record of survival against a hostile state architecture. The following is a creative non-fiction horror manifesto regarding the psychological assassination of a multicultural American artist. It documents—through the lens of Afro-Surrealism—how modern surveillance technology and sonic harassment are experienced by the targeted individual. As it stands It has become a modern sequel which mirrors the civil rights struggles of the 1960s, set in the present day. "The protagonist is being subjected to 'noise harassment'—a known tactic used by landlords and corrupt entities to displace tenants. The sound is weaponized to induce sleep deprivation and psychological attrition, dismantling of their ego and will to live, orchestrated by a hostile state apparatus. The antagonist in this piece is 'The Institution'—a deep state that views multicultural intellectualism as a threat. The story dramatizes over time the invisible mechanisms (the 'Deep State') that enforce racial hierarchy and and psychological genocide, weaponizing broken social systems and unfounded psychological practices as biological weapons. This is a living document. In the event of the artist's silence or unnatural death, this text serves as evidence of the psychological siege endured from 2023-2025. It is a transcript of survival against a hostile state architecture. This project spans an unlimited multiprojectoral arc of over two years of chronic violence, reaching into historical and theatrical projections and parallels over the all documented records of human existence through time and space.
From Patrick Wyman (host of Fall of Rome and Tides of History) comes Past Lives, a brand new podcast! Every week, we'll focus on the lived experiences of real people from the past, bringing their stories to life.The first season of Past Lives is available December 3rd! Be sure to subscribe to the feed now (https://podcasts.apple.com/gb/podcast/past-lives/id1852618120) so you get our first three episodes delivered straight to you on the same day for our series premiere drop.Become a member now at www.patreon.com/cw/PastLivesMedia. You'll get access to the Past Lives Discord server and four pieces of bonus content per month (including historian interview, book club, Q and A, and a sources and evidence discussion).See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
00:00:00 Intro w/Myelin, Watts, and Fran00:01:00 Is Briar a Dealer?00:02:30 Arc Raiders: Got Any Apricots?00:11:00 Nioh 3 00:24:00 Myelin's New Baby00:43:10 Destiny 2 Renegades New Info Coming00:47:00 Arc Raiders01:17:00 The Game Awards Nominees 202501:44:00 Silent Hill F01:44:30 Tides of Annihilation 01:48:30 Reanimal (Little Nightmares / Inside) 01:49:50 Total Chaos 01:53:00 Metroid Prime 4 Drama Join our DCP Discord Server!https://discord.gg/dcp--------------------------------------------------------We have a new merch store! Exclusive t-shirts and more incoming!https://store.streamelements.com/dcp_liveSave 5% on Scuf Gaming with code "DCP"https://scufgaming.com/----------------------------------------------------------------------------------------------------------------Find all of the DCP Members on Twitter: @teft | @TheBriarRabbit | @myelingames | @Mrs5oooWattsaArt by Ash: @AR_McDSocial Media and Twitch Management by Mr_Ar3s: @Mr_Ar3s
#xbox #xboxpartnerpreview #zoopunk #tidesofannihilation 00:00 Intro02:52 Xbox Partner Preview44:40 OutroPatreon - https://www.patreon.com/TastyLootGamingTikTok - https://www.tiktok.com/@tastylootgamingDiscord - https://discord.gg/UFu7esQERnAudio only versions:iTunes - https://podcasts.apple.com/us/podcastSpotify - https://open.spotify.com/show/3cmUaDzAnchor - https://anchor.fm/tastylootgamingOvercast - https://overcast.fm/itunes1375254919/Pocket Casts - http://pca.st/Z4xQRadio Public - https://radiopublic.com/tastycast-6rVCastbox - https://castbox.fm/channel/id1254770Breaker - https://www.breaker.audio/tastycast
Is it possible to produce enough healthy food to feed the nation whilst also restoring nature? The farmer and best-selling author James Rebanks thinks it is but says there needs to be a radical change to government policy and our entire food system. He explains why he thinks farming subsidies are flawed, the unintended consequences of cheap food, and the delicate balance between food security and environmental stewardship. And from the hills of Cumbria to a remote island in Norway, he also reflects on the lessons he learnt about masculinity whilst writing his latest book, ‘The Place of Tides'. A government spokesperson said: “Farmers are stewards for our nation's land and for our food security. Farming also plays a central role in our mission to kickstart economic growth. “We understand that when farmers run profitable businesses, it's good for the whole economy. “That is why we are backing them through new technology, streamlined regulation and our nature-friendly farming schemes are helping farmers produce food for the nation.” (00:05:34) James explains his rise to farming fame (00:08:49) Why British farming is in crisis (00:16:42) Food production vs nature recovery (00:24:35) Our cheap food system (00:32:27) Supermarkets and food security (00:36:29) Restoring the balance between supermarkets and farmers (00:39:00) How can consumers help British farmers? (00:42:15) What do we do to build a better system? (00:46:00) Farming and politics (00:49:30) What it's like to be a British farmer and James' family history (00:52:43) From the farm to Oxford University (00:57:37) How a visit to a remote island in Norway led to ‘The Place of Tides' (01:05:17) Amol's reflections GET IN TOUCH * WhatsApp: 0330 123 9480 * Email: radical@bbc.co.uk Episodes of Radical with Amol Rajan are released every Thursday and you can also watch them on BBC iPlayer: https://www.bbc.co.uk/iplayer/episodes/m002f1d0/radical-with-amol-rajan Amol Rajan is a presenter of the Today programme on BBC Radio 4. He is also the host of University Challenge on BBC One. Before that, Amol was media editor at the BBC and editor at The Independent. Radical with Amol Rajan is a Today Podcast. It was made by Lewis Vickers with Anna Budd. Digital production was by Gabriel Purcell-Davis. Technical production was by Dave O'Neill. The editor is Sam Bonham. The executive producer is Owenna Griffiths.
Welcome listeners, to Season 2 of Charles Speaks on Alternative Convos. This episode is titled “ Leading with Consistency in a World of Shifting Tides” Recently, I published a book titled The Art and Science of Consistent Leadership: Steady Steps to Extraordinary Impact. In today's episode, we are diving into Chapter 7 of the book. Alternative Convos Podcast is a dynamic and engaging talk show that aims to foster unity and drive positive transformation in Africa. Alternative Convos Podcast is your go-to source for thought-provoking conversations that inspire change.
Having been at the precipice, Qui-Gon Jinn returns and, after actually garnering help from Jocast Nu, may know why Corlis Rath is trying to kil him as Jedi Knights #9 propels the maxi-series to its conclusion in December. Comics Discussed This Week:Jedi Knights #9Star Wars Comics New to Marvel Unlimited This Week: Jedi Knights #6 News:Dark Horse is collecting its The High Republic Adventures Phase II and III stories in three TPBs coming out in April, May and June, including the 20-issue main series, the Nameless Terror, Saber for Hire, Echoes of Fear and Dispatches From the Occlusion Zone mini-series, as well as the Quest of the Jedi, Crash Landing, Crash and Burn, 2025 Annual, The Wedding Spectacular and The Battle of Eriadu one-shots. Dark Horse dropped images of a new team clones (Cole, Hank, Rice and Charger) making its debut in Dec. 31's Hyperspace Stories: The Bad Batch -- Rogue Agents #1 (of 4) as Illustrated by Artist Reese Hannigan.Taurin Clarke is doing a connecting-cover variant for Black History Month that will be on Jar Jar Binks #1 and Star Wars #10 in February. It features film icons Lando Calrissian, Mace Windu, Saw Gerrera, Finn and Jannah; The Mandalorian's Moff Gideon, Greef Karga and Kelleran Beq; Star Wars Jedi: Fallen Order and Star Wars Jedi: Survivor's Cere Junda; The High Republic's Keeve Trennis and Lula Talisola; and Marvel's own Sana Starros. Upcoming Star Wars comics, graphic novels and omnibuses:Nov. 25 _ Star Wars: Darth Vader Modern Era Epic Collection: Vader Down (Collects 13-25, Star Wars 13-14 and Vader Down #1)Nov. 26 _ Boba Fett: Black, White & Red #3 (of 4)Dec. 2 _ Star Wars: Doctor Aphra — Friends and Enemies Omnibus (Collects Doctor Aphra 26-40, Star Wars: Sana Starros 1-5)Dec. 3 _ Legacy of Vader #11Dec. 9 _ Young Jedi Adventures — The Training Sessions HC (Collects Free Comic Book Day stories)Dec. 10 _ Han Solo — Hunt for the Falcon #4 (of 5), Codebreaker #4 (of 4), Tales From the Nightlands #3 (of 3)Dec. 17 _ Jedi Knights #10Dec. 24 _ Star Wars #8Dec. 31 _ Boba Fett: Black, White & Red #4 (of 4), Hyperspace Stories — The Bad Batch: Rogue Agents #1 (of 4)Jan. 7 _ Han Solo -- Hunt for the Falcon #5 (of 5), Tides of Terror #4 (of 4)Jan. 14 _ Legacy of Vader #12Jan. 21 _ Star Wars (Vol. 4) #9Jan. 27 _ Darth Maul: Black, White & Red TPB (Collects 1-4)Jan. 28 _ Hyperspace Stories: The Bad Batch — Rogue Agents #2 (of 4)Feb. 11 _ Jar Jar Binks #1 One-ShotFeb. 17 _ Star Wars: Hidden Empire Omnibus (Collects HIdden Empire 1-5, Star Wars (Vol. 3) 26-36, Bounty Hunters 27-34, Darth Vader (Vol. 3) 28-32, Doctor Aphra (Vol. 2) 22-31 and 2022's Star Wars: Revelations #1)Feb. 18 _ Star Wars (Vol. 4) #10Feb. 25 _ Hyperspace Stories: The Bad Batch — Rogue Agents #3 (of 4)March 11 _ The High Republic Adventures -- Pathfinders #1 (of 6)March 17 _ Star Wars Legends: The Empire Omnibus Vol. 4 (Collects Star Wars: Underworld - The Yavin Vassilika (2000) #1-5; Free Comic Book Day 2013: Star Wars #1; Star Wars: Empire (2002) #5-6, 8-13, 15; Star Wars: X-Wing Rogue Squadron (1995) #1/2; Star Wars: A New Hope - The Special Edition (1997) #1-4; Star Wars: Tag & Bink Are Dead (2001) #1; Star Wars Infinities: A New Hope (2001) #1-4; The Star Wars (2013) #0-8; material from Star Wars Tales (1999) #1-2, 4, 6, 8-10, 12, 14, 16, 19-20); Hyperspace Stories: Grievous OGNMarch 24 _ Tales From the Nightlands TPB (Collects 1-3); Hyperspace Stories: Codebreaker TPB (Collects 1-4) March 31 _ Legacy of Vader: The Reign of Kylo Ren Vol. 2 TPB (Collects 7-12)April 14 _ Jedi Knights Vol. 2 - A Higher Path TPB (Collects 6-10), Star Wars Visions TPB (Collects Visions -- Peach Momoko #1, Visions -- Takashi Okazaki #1, Peach Momoko's Story from Darth Vader -- Black, White & Red #1)April 21 _ The High Republic Phase III -- Trial of the Jedi Omnibus (Collects 2023's The High Republic 1-10, Revelations #1's High Republic story, The Acolyte — Kelnacca one-shot, Shadows of Starlight 1-4, Fear of the Jedi 1-5, The Finale #1: The Beacon one-shot); The Mandalorian -- Seasons One & Two (Collects #1-8 of both mini-series), Jedi Knights Vol. 2 TPB (Collects 6-10); Hyperspace Stories: Tides of Terror TPB (Collects 1-4)April 28 _ Han Solo -- Hunt for the Falcon TPB (Collects 1-5), The High Republic Adventures -- The Complete Phase II (1-8, Nameless Terror 1-4, Quest of the Jedi one-shot)May 12 _ Star Wars: New Republic (Collects 1-10, material from Free Comic Book Day 2025: Star Wars #1)May 19 _ Star Wars Legends: Legacy Omnibus Vol. 1 (Collects Star Wars: Legacy (2006) #0, 0-1/2, 1-36, 41); Doctor Aphra — Chaos Agent TPB (Collects 1-10)May 26 _ The High Republic Adventures -- The Complete Phase III Part 1 (Collects The High Republic Adventures (Phase III 1-10), Saber for Hire 1-4 and the Crash Landing and Crash and Burn one-shots)June 16 _ Star Wars Legends: The New Republic Omnibus Vol. 3 (Collects Star Wars: Crimson Empire (1997) #0-6, Star Wars: The Bounty Hunters - Kenix Kil (1999) #1, Star Wars: Crimson Empire II - Council of Blood (1998) #1-6, Star Wars: Crimson Empire III - Empire Lost (2011) #1-6, Star Wars: Jedi Academy - Leviathan (1998) #1-4, Star Wars: The Mixed-Up Droid (1995) #1, Star Wars: Union (1999) #1-4, Star Wars: Chewbacca (2000) #1-4, Star Wars: Invasion (2009) #0-5, Star Wars: Invasion - Rescues (2010) #1-6, Star Wars: Invasion - Revelations (2011) #1-5, Star Wars Handbook (1998) #2; material from Dark Horse Extra (1998) #21-24; Dark Horse Presents (2011) #1; Star Wars Tales (1999) #8, 11, 16-19, 21); The Art of Star Wars: A New Hope — The Manga Vol. 1June 30 _ The High Republic Adventures -- The Complete Phase III Part 2 (Collects The High Republic Adventures (Phase III) 11-20, Echoes of Fear 1-4, Dispatches From the Occlusion Zone 1-4 and the one-shots 2025 Annual, The Wedding Spectacular and The Battle of Eriadu)July 21 _ Star Wars Legends: The Newspaper Strips Omnibus (Collects Classic Star Wars: The Early Adventures (1994) #1-9, Classic Star Wars: Han Solo at Stars' End (1997) #1-3, Classic Star Wars (1992) #1-20, Classic Star Wars: A New Hope (1994) #1-2, Classic Star Wars: The Vandelhelm Mission (1995) #1, Star Wars newspaper strips "The Constancia Affair," "The Kashyyyk Depths" and "Planet of Kadril”); Star Wars Modern Era Epic Collection: The Screaming Citadel (Collects Star Wars (2015) #31-43, Star Wars Annual (2015) #3, Star Wars: The Screaming Citadel (2017) #1, Star Wars: Doctor Aphra (2016) #7-8) Aug. _ The Bad Batch — Rogue Agents TPB (Collects 1-4)Aug. 18 _ The Art of Star Wars: A New Hope -- The Manga Vol. 2----------------------------------------------------------------------------------------------------------------------------------------Star Wars Splash Page is a weekly podcast dedicated solely to contemporary Star Wars comics published by Marvel, Dark Horse and previously IDW, featuring views about the current week's comics, interviews with the writers, artists, colorists, letterers and editors who create them, as well as the latest details on publishing schedules, upcoming series and mini-series, so that you, the listener have more detail and context about the comics that are a vital part of Star Wars canon, lore and legends.
Send us a textWeek 11 in the NFL has come to an end, and the tides, they be a changing. The Divisions have been flipped, turned, upside down, and the cream is rising to the top. We cover the games of the week, and the headlines, before diving into the NBA, NHL, F1, and UFC.Support the showThanks for tuning in! We are now on Youtube @fringe_fanatics and streaming live weekly at 5:30 pm MST Tuesday night on Twitch.tv/fringe_fanatics!!! Please make sure to Like, Share, Subscribe, and Follow Us and leave us a review and rating. It really helps us in the long run!linktr.ee/fringe_fanatics To find us on all social media, find where to stream or watch the show, and find out how to donate to the show!!!Follow us on Twitter and Instagram @fringe_fanatics and Facebook @Fringe Fanatics - if you would like to reach out to us through email, you can do so at fringefanaticspodcast@gmail.com
CONTINUED Venezuela Crisis: Potential Maduro Exit and Shifting Political Tides in Latin America Guests: Ernesto Araújo and Alejandro Peña Esclusa Alejandro Peña Esclusa and Ernesto Araújo discussed the crisis in Venezuela, noting a powerful US fleet gathered nearby, with Maduro fearing military intervention and... 1930 Caracas
Venezuela Crisis: Potential Maduro Exit and Shifting Political Tides in Latin America Guests: Ernesto Araújo and Alejandro Peña Esclusa Alejandro Peña Esclusa and Ernesto Araújo discussed the crisis in Venezuela, noting a powerful US fleet gathered nearby, with Maduro fearing military intervention and reportedly wanting to discuss surrender conditions with President Trump, though his exit is complicated by his ally Diosdado Cabello, who heads operations for the Cartel of the Suns and has no path for redemption, while Maduro's potential fall would deliver a severe blow to the organized crime and drug trafficking networks that permeate South America's political structures, with the opposition, led by María Corina Machado, having transition plans, and Brazilian President Lula neutralized from strongly opposing US actions due to ongoing tariff negotiations with Trump, as the conversation highlighted a new conservative political wave in Latin America, with optimism reported in Argentina following elections that strengthened Javier Milei, and in Chile, where conservative José Antonio Kast is strongly positioned, representing a blend of economic freedom, anti-organized crime platforms, and conservative values. 1950
A classic RTS for a classic group of fellas. We get into a very one-sided debate on the age-old question: Horde or Alliance? Matt gives it all in his back-of-the-box reading, Jarin brings up The Big Bang Theory, and we enjoy all that the first hour of Warcraft II has to offer. Listen to this episode in HIGH-FIDELITY Crystal-tek™ audio, ONLY on this platform, as a special gift to our listeners on this platform. Send us a textSupport the showhttps://linktr.ee/thefirsthourpodcast
How does failure impact you? For most, personal failure has a devastating effect. It brings shame, regret, self-loathing, and a desire to distance ourselves from others. But God comes to us in our failures, and allows us to experience mercy in a way that heals our deepest wounds.
How does failure impact you? For most, personal failure has a devastating effect. It brings shame, regret, self-loathing, and a desire to distance ourselves from others. But God comes to us in our failures, and allows us to experience mercy in a way that heals our deepest wounds.
Hello everyone,Today's episode is called 'The Mermaid and The Map of Tides‘, a gentle and enchanting fairytale by Judith Taylor.This calming bedtime story is designed to help you relax, unwind, and drift into a peaceful sleep.If you enjoy cosy storytelling, soothing narration, or sleep stories to fall asleep to, this one is for you.If you enjoy listening, please do leave an Apple review or rate us on Spotify — it really helps the podcast grow and allows more people to find our sleep stories.You can now listen on our YouTube channel as well:Sleepy Stories ☁️ - YouTubeSweet Dreams,Lucy ❤#SleepStories #BedtimeStories #GuidedMeditation #Relaxation #Calm #Mindfulness #MeditationPodcast #SleepPodcast #Folktales #FairyTales #Storytelling #SoothingVoices #SleepAid #RelaxingStories #Tranquility #DriftOffToSleep
King tide season is almost here. The exceptionally high tides, which in 2025 will occur in November, December and January, according to the Oregon King Tide Project, are an opportunity for excitement on the Oregon coast, but come with a heavy dose of caution for anyone hoping to see them. Before you pull on your rain gear and head out into the elements, here is everything you need to know about the king tides this year. Learn more about your ad choices. Visit megaphone.fm/adchoices
The saboteurs are discovered by Kit Fisto in Dark Horse Comics' Tides of Terror #3 (of 4), but is it too late for the station? In Marvel's Star Wars (Vol. 4) #7, Luke, Han, Chewie and Valance take the fight for the Nagai to the front as Leia counsels Mon on why sometimes direct violence is the right path. In Han Solo — Hunt for the Falcon #3 (of 5), Han is forced to take a long, hard look at himself — and his life — and how it's impacted Leia and Ben Solo after a heart to heart with Chewbacca nearly comes to blows. Comics Discussed This Week:Tides of Terror #3 (of 4)Star Wars (Vol. 4) #7Han Solo — Hunt for the Falcon #3 (of 5) Star Wars Comics New to Marvel Unlimited This Week: Legacy of Vader #7 News:Dark Horse's Star Wars: Tales From the Nightlands #3 (of 3) delayed two weeks to Dec. 10, as is Hyperspace Stories: The Bad Batch -- Rogue Agents #1 (of 4), which is now due out Dec. 31.Due out Aug. 18 from Dark Horse Comics is The Art of Star Wars: A New Hope — The Manga Vol. 2 by Hisao Tamaki and translated by Michael Gombos.The developer of The Cantina Archive app notes that the ability to track more than 2,300 comics -- legends and canon -- is coming soon. Upcoming Star Wars comics, graphic novels and omnibuses:Nov. 18 _ Hyperspace Stories: The Bad Batch - Ghost Agents TPB (Collects 1-5), The Sequel Trilogy TPB (Dark Horse)Nov. 19 _ Jedi Knights #9Nov. 25 _ Star Wars: Darth Vader Modern Era Epic Collection: Vader Down (Collects 13-25, Star Wars 13-14 and Vader Down #1)Nov. 26 _ Boba Fett: Black, White & Red #3 (of 4)Dec. 2 _ Star Wars: Doctor Aphra — Friends and Enemies Omnibus (Collects Doctor Aphra 26-40, Star Wars: Sana Starros 1-5)Dec. 3 _ Legacy of Vader #11Dec. 9 _ Young Jedi Adventures — The Training Sessions HC (Collects Free Comic Book Day stories)Dec. 10 _ Han Solo — Hunt for the Falcon #4 (of 5), Codebreaker #4 (of 4), Tales From the Nightlands #3 (of 3)Dec. 17 _ Jedi Knights #10Dec. 24 _ Star Wars #8Dec. 31 _ Boba Fett: Black, White & Red #4 (of 4), Hyperspace Stories — The Bad Batch: Rogue Agents #1 (of 4)Jan. 7 _ Han Solo -- Hunt for the Falcon #5 (of 5), Tides of Terror #4 (of 4)Jan. 14 _ Legacy of Vader #12Jan. 21 _ Star Wars (Vol. 4) #9Jan. 27 _ Darth Maul: Black, White & Red TPB (Collects 1-4)Jan. 28 _ Hyperspace Stories: The Bad Batch — Rogue Agents #2 (of 4)Feb. 11 _ Jar Jar Binks #1 One-ShotFeb. 17 _ Star Wars: Hidden Empire Omnibus (Collects HIdden Empire 1-5, Star Wars (Vol. 3) 26-36, Bounty Hunters 27-34, Darth Vader (Vol. 3) 28-32, Doctor Aphra (Vol. 2) 22-31 and 2022's Star Wars: Revelations #1)Feb. 25 _ Hyperspace Stories: The Bad Batch — Rogue Agents #3 (of 4)March 11 _ The High Republic Adventures -- Pathfinders #1 (of 6)March 17 _ Star Wars Legends: The Empire Omnibus Vol. 4 (Collects Star Wars: Underworld - The Yavin Vassilika (2000) #1-5; Free Comic Book Day 2013: Star Wars #1; Star Wars: Empire (2002) #5-6, 8-13, 15; Star Wars: X-Wing Rogue Squadron (1995) #1/2; Star Wars: A New Hope - The Special Edition (1997) #1-4; Star Wars: Tag & Bink Are Dead (2001) #1; Star Wars Infinities: A New Hope (2001) #1-4; The Star Wars (2013) #0-8; material from Star Wars Tales (1999) #1-2, 4, 6, 8-10, 12, 14, 16, 19-20); Hyperspace Stories: Grievous OGNMarch 24 _ Tales From the Nightlands TPB (Collects 1-3); Hyperspace Stories: Codebreaker TPB (Collects 1-4) March 31 _ Legacy of Vader: The Reign of Kylo Ren Vol. 2 TPB (Collects 7-12)April 14 _ Jedi Knights Vol. 2 - A Higher Path TPB (Collects 6-10), Star Wars Visions TPB (Collects Visions -- Peach Momoko #1, Visions -- Takashi Okazaki #1, Peach Momoko's Story from Darth Vader -- Black, White & Red #1)April 21 _ The High Republic Phase III -- Trial of the Jedi Omnibus (Collects 2023's The High Republic 1-10, Revelations #1's High Republic story, The Acolyte — Kelnacca one-shot, Shadows of Starlight 1-4, Fear of the Jedi 1-5, The Finale #1: The Beacon one-shot); The Mandalorian -- Seasons One & Two (Collects #1-8 of both mini-series), Jedi Knights Vol. 2 TPB (Collects 6-10); Hyperspace Stories: Tides of Terror TPB (Collects 1-4)April 28 _ Han Solo -- Hunt for the Falcon TPB (Collects 1-5)May 12 _ Star Wars: New Republic (Collects 1-10, material from Free Comic Book Day 2025: Star Wars #1)May 19 _ Star Wars Legends: Legacy Omnibus Vol. 1 (Collects Star Wars: Legacy (2006) #0, 0-1/2, 1-36, 41); Doctor Aphra — Chaos Agent TPB (Collects 1-10)June 16 _ Star Wars Legends: The New Republic Omnibus Vol. 3 (Collects Star Wars: Crimson Empire (1997) #0-6, Star Wars: The Bounty Hunters - Kenix Kil (1999) #1, Star Wars: Crimson Empire II - Council of Blood (1998) #1-6, Star Wars: Crimson Empire III - Empire Lost (2011) #1-6, Star Wars: Jedi Academy - Leviathan (1998) #1-4, Star Wars: The Mixed-Up Droid (1995) #1, Star Wars: Union (1999) #1-4, Star Wars: Chewbacca (2000) #1-4, Star Wars: Invasion (2009) #0-5, Star Wars: Invasion - Rescues (2010) #1-6, Star Wars: Invasion - Revelations (2011) #1-5, Star Wars Handbook (1998) #2; material from Dark Horse Extra (1998) #21-24; Dark Horse Presents (2011) #1; Star Wars Tales (1999) #8, 11, 16-19, 21); The Art of Star Wars: A New Hope — The Manga Vol. 1July 21 _ Star Wars Legends: The Newspaper Strips Omnibus (Collects Classic Star Wars: The Early Adventures (1994) #1-9, Classic Star Wars: Han Solo at Stars' End (1997) #1-3, Classic Star Wars (1992) #1-20, Classic Star Wars: A New Hope (1994) #1-2, Classic Star Wars: The Vandelhelm Mission (1995) #1, Star Wars newspaper strips "The Constancia Affair," "The Kashyyyk Depths" and "Planet of Kadril”); Star Wars Modern Era Epic Collection: The Screaming Citadel (Collects Star Wars (2015) #31-43, Star Wars Annual (2015) #3, Star Wars: The Screaming Citadel (2017) #1, Star Wars: Doctor Aphra (2016) #7-8) July 28 _ The Bad Batch — Rogue Agents TPB (Collects 1-4)Aug. 18 _ The Art of Star Wars: A New Hope -- The Manga Vol. 2----------------------------------------------------------------------------------------------------------------------------------------Star Wars Splash Page is a weekly podcast dedicated solely to contemporary Star Wars comics published by Marvel, Dark Horse and previously IDW, featuring views about the current week's comics, interviews with the writers, artists, colorists, letterers and editors who create them, as well as the latest details on publishing schedules, upcoming series and mini-series, so that you, the listener have more detail and context about the comics that are a vital part of Star Wars canon, lore and legends.
There could be some CFP clarity after this weekend OR things could get even more convoluted. With GameDay in town, Pittsburgh will try to end Notre Dame's CFP dreams as the Irish stand under the college football microscope, Texas heads to Georgia looking to keep their CFP hopes alive (even with a loss they could still beat A&M and make things VERY interesting), while Alabama welcomes Oklahoma to town a year after the Sooners ended the Tides playoff dreams. BYU, Louisville and Virginia are looking to bounce back and stay alive in conference races, while Texas A&M and USC try to keep things rolling. McElroy breaks it all down for you in his week 12 previews. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Turning Tides: Algeria will discuss the history of the colonization and subsequent battles which plagued Algeria. The third episode, To Start a Revolution, will cover the period from 1955 to 1957, in which the French attempted to silence the F.L.N. and maintain control of Algeria using genocidal tactics.If you'd like to donate or sponsor the podcast, our PayPal is @TurningTidesPodcast1, or you can donate to us through our Buy Me a Coffee link: buymeacoffee.com/theturningtidespodcast. Thank you for your support!Produced by Melissa Marie Brown and Joseph Pascone in affiliation with AntiKs Entertainment.Researched and written by Joseph PasconeEdited and revised by Melissa Marie BrownIntro and Outro created by Melissa Marie Brown and Joseph Pascone using Motion ArrayWebsite: https://theturningtidespodcast.weebly.com/IG/YouTube/Threads/Facebook: @theturningtidespodcastBluesky/Mastodon: @turningtidespodEmail: theturningtidespodcast@gmail.comIG/YouTube/Facebook/Threads/Bluesky/Mastodon: @antiksentEmail: antiksent@gmail.comEpisode 3 Sources:1. French Invasion: Algerian Resistance (1830 - 1871), by S.E. Al-Djazairi2. The Algerian War of Liberation, 1954 - 1962, Myths and Lies, by S.E. Al-Djazairi3. A Short History of Algeria, by Lina De Marco4. Commander of the Faithful: The Life and Times of Emir Abd el-Kader: A Story of True Jihad, by John W. Kiser5. The History of Algeria: From Berbers to Independence, by Fatima Linda Haddad6. A Savage War of Peace: Algeria, 1954 - 1962, by Alistair Horne7. A History of the Arab-Israeli Conflict, by Ian J. Bickerton and Carla L. Klausner8. Wikipedia
There could be some CFP clarity after this weekend OR things could get even more convoluted. With GameDay in town, Pittsburgh will try to end Notre Dame's CFP dreams as the Irish stand under the college football microscope, Texas heads to Georgia looking to keep their CFP hopes alive (even with a loss they could still beat A&M and make things VERY interesting), while Alabama welcomes Oklahoma to town a year after the Sooners ended the Tides playoff dreams. BYU, Louisville and Virginia are looking to bounce back and stay alive in conference races, while Texas A&M and USC try to keep things rolling. McElroy breaks it all down for you in his week 12 previews. Learn more about your ad choices. Visit podcastchoices.com/adchoices
King Tides have returned to Southern California and the Coastal Commission wants your help documenting them. LA 2028 organizers have unveiled a community volunteer program with opportunities to help with things like wildfire recovery and hunger relief ahead of the Games. An L.A. film festival circuit staple returns after a brief hiatus with an all new look. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.com This LAist podcast is supported by Amazon Autos. Buying a car used to be a whole day affair. Now, at Amazon Autos, you can shop for a new, used, or certified pre-owned car whenever, wherever. You can browse hundreds of vehicles from top local dealers, all in one place. Amazon.com/autos Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency! Support the show: https://laist.com