Podcasts about City Colleges

America's electric grid wasn't built for AI, electric vehicles, battery storage, or the rapid growth of renewable energy.So how do we modernize a system that was built and started in the late 1800s and early 1900s, more than a century ago?In this episode of Clean Power Hour, Tim Montague sits down with Zaid Ashai, CEO of Nexamp, the nation's largest community solar developer, to discuss community solar, battery storage, grid modernization, and why policy certainty is essential to building a cleaner, more reliable, and more affordable energy system.Nexamp operates across 19 states and has become one of the leading developers of community solar, distributed generation, utility-scale solar, and battery storage. The conversation centers on the Clean and Reliable Grid Affordability Act, Illinois' new storage law that targets 3,000 megawatts of storage by the end of 2030, with the first procurement round set for August 2026 and two more rounds to follow in 2027 and 2028. Ashai lays out why In this episode, you'll learn:Why America's electric grid needs modernization How community solar benefits homeowners, renters, businesses, and utilities Why the Clean and Reliable Grid Affordability Act uses an indexed storage credit contract instead of a merchant revenue model How storage unlocks additional generation capacity without new transmission and distribution buildout What a Massachusetts ISO study found about grid size when storage is left out of the equation Why Illinois requires 14 percent of a participating project's workforce to be equity eligible How Nexamp's renewable energy fellowship with City Colleges of Chicago grew from 20 students toward a projected 80 by year-end Why affordable clean energy starts with predictable regulation How flexible interconnection and curtailment could unlock more capacity on the existing grid Which states Nexamp is watching next for community solar and storage growth, including Ohio, Michigan, Virginia, Maryland, and PennsylvaniaIf you work in solar, battery storage, utilities, project development, energy policy, grid modernization, or renewable energy investing, this episode offers practical insights into where the industry is headed next.The first Clean and Reliable Grid Affordability Act (CRGA) procurement round opens in August 2026, with two more rounds following in 2027 and 2028, so the pricing structure Ashai describes will shape Illinois storage economics for years. Illinois already holds the only B grade on the Institute for Local Self-Reliance Community Power Scorecard, ahead of New York, Massachusetts, and California, at a moment when federal support for clean energy programs is pulling back. For developers and investors watching how states balance affordability, reliability, and equity, Illinois is currently the clearest test case in the country.About Zaid AshaiZaid Ashai is the CEO of Nexamp, the largest community solar developer in the United States. Under his leadership, Nexamp has expanded into battery storage, utility-scale solar, and integrated clean energy solutions across 19 states. He is passionate about building an affordable, reliable, and equitable clean energy future through innovation, smart policy, and grid modernization.Connect with Zaid Ashai Zaid Ashai LinkedIn: https://www.linkedin.com/in/zaid-ahmad-ashai-aa1683/Nexamp Website: https://www.nexamp.com/ Support the showConnect with Tim  Clean Power Hour  Clean Power Hour on YouTubeTim on TwitterTim on LinkedIn Email tim@cleanpowerhour.com Review Clean Power Hour on Apple PodcastsThe Clean Power Hour is produced by the Clean Power Consulting Group and created by Tim Montague. Contact us by email:  CleanPowerHour@gmail.comCorporate sponsors who share our mission to speed the energy transition are invited to check out https://www.cleanpowerhour.com/support/The Clean Power Hour is brought to you by CPS America, maker of North America's number one 3-phase string inverter, with over 6GW shipped in the US. With a focus on commercial and utility-scale solar and energy storage, the company partners with customers to provide unparalleled performance and service. The CPS America product lineup includes 3-phase string inverters from 25kW to 275kW, exceptional data communication and controls, and energy storage solutions designed for seamless integration with CPS America systems.  Learn more at www.chintpowersystems.com

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  Today, Emily chats with Miguel Arzabe, a engineer turned artist based in Oakland, Ca... About Artist Miguel Arzabe: Miguel Arzabe makes colorful and dynamic abstractions - weavings, paintings, videos. He starts by finding outdated beauty in paper ephemera from art shows, modernist paintings, discarded audio recordings. They are methodically analyzed, deconstructed, reverse-engineered. Drawing inspiration from the cultural techniques and motifs of his Andean heritage, Arzabe weaves the fragments together revealing uncanny intersections between form and content, the nostalgic and the hard-edged, failure and recuperation. Arzabe lives and works in Oakland, CA. He had recent solo shows at Shulamit Nazarian Gallery (Los Angeles, CA) and Johansson Projects (Oakland, CA). Arzabe's work has been featured in such festivals as Hors Pistes (Centre Pompidou, Paris), Festival du Nouveau Cinéma (Montreal), and the Geumgang Nature Art Biennale (Gongju, South Korea); and in museums and galleries including MAC Lyon (France), MARS Milan (Italy), RM Projects (Auckland), FIFI Projects (Mexico City), Marylhurst University (Oregon), the Contemporary Jewish Museum, Berkeley Art Museum, the CCA Wattis Institute, and the San Francisco Museum of Modern Art. Arzabe's work is held in public collections such as the Harn Museum of Art in Gainseville, FL; the de Young Museum; Albuquerque Museum of Art; Oakland Museum of California; San Francisco Arts Commission; the State of California; as well as numerous private collections. He has attended many residencies including Facebook AIR, Headlands Center for the Arts, Montalvo Arts Center, Millay Arts, and Santa Fe Art Institute. He holds a BS from Carnegie Mellon University, an MS from Arizona State University, and an MFA from UC Berkeley. In 2022 Arzabe was awarded the San Francisco Bay Area Artadia Award. In 2023 he was awarded a Pollock-Krasner Foundation Grant and and a Golden Foundation Residency. In 2024 his work was featured in the exhibitions About Place at the deYoung Museum and The Poetics of Dimensions at the ICA San Francisco. His work is featured in the 2025 contemporary art survey TEXTILES x ART published by Thames and Hudson AU. Visit Miguel's Website:  MiguelArzabe.net Follow Miguel on Instagram: @Miguel.Arzabe -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

May 1979: queer protesters set cop cars ablaze in San Francisco's Civic Center, in response to cop-turned-politician Dan White's relatively light sentence for the assassination of gay politician Harvey Milk and the Mayor, George Moscone. Four people who were there describe the riots, and the related police riots where cops stormed the lesbian bar Peg's Place in the Richmond, and the Elephant Walk, a gay bar in the Castro, during a time of heavy state surveillance and repression—so not unlike today. Event organized by Left in the Bay and PINKO magazine. Recorded live at Et Al in the Mission 6/24/2026. Left in the Bay: leftinthebay.com PINKO: www.pinko.online On this episode (in speaking order): Jen Reck, moderator: Sociology & Sexuality Studies professor at SF State who recently published a history of the Castro with Gerard Koskovich: The Castro: The Story of San Francisco's Best-Known LGBTQ+ Neighborhood. https://books.google.com/books/about/The_Castro.html?id=uu2Z0QEACAAJ Ruth Mahaney worked for years as a member of the Modern Times Bookstore Collective, and as an LGBT Studies professor at City College of SF. Randy Alfred is a journalist who cofounded the Bay Times, edited the San Francisco Sentinel, and hosted The Gay Life radio show. Revisiting The Gay Life, on Queer Power Hour / KALW: www.kalw.org/show/queer-power-hour/2026-06-18/revisiting-the-gay-life-e01-history-of-lgbtq-radio Charlie Hinton: co-founded Magnus magazine and has worked on campaigns against the World Bank/IMF and to free Leonard Peltier. Episode with Charlie on BAGL (Bay Area Gays and Lesbians): www.patreon.com/sadfrancisco/posts/gay-liberation-f-95946813 Charlie on solidarity with Haiti: www.patreon.com/sadfrancisco/posts/why-us-fears-f-98899594 Gwenn Craig worked on the Harvey Milk campaign, and against the Briggs Initiative. Support the show and get new episodes early on Patreon: https://patreon.com/sadfrancisco 

This Monday on KPFA's Women's Magazine Lisa Dettmer will talk to Wynd Kaufman and Valerie Sizemore  from the local grassroots group Stop AI about the existential threat that AI poses to our existence.  Stop AI is a very committed group of local activists who are willing to put their bodies on the line as they seek a world that values humanity over machines and community care over profit. They work to raise  public awareness, influence decision-makers and legislation, and engaging in non-violent direct action which 5 members of their group did recently right here in  SF, the capital of AI. One of our guests Wynd Kaufman was part of the group of Stop AI members who blockaded the doors of  OpenAI, a leading company in the global race to develop “Artificial General Intelligence” (AGI) and “Artificial Superintelligence” (ASI), AI that would match or exceed human capabilities across the board.  Wynd Kaufman a former professor at City College  was recently convicted by the SF prosecutors of trespassing, interfering with a business, unlawful assembly, and refusal to disperse for her acts of Civil Disobedience.   This case marks the first time a court got  to hear some of the copious evidence that AI companies are gambling with our lives. You can find out more about StopAI at https://www.stopai.info/ Next, we talk to 3 women directors who are showing their documentaries at the Sf Jewish Film Festival, Leah Galant, Vivian Kleinman and Sai Gilman Director Leah Galant's Landscapes of Memory delves into the thorny issues of who Holocaust memorials are made for and the proliferation and mystification of memorial culture in Germany. Galant's documentary is a profound meditation on the uses and abuses of memorial culture and the intersection of national trauma and collective memory Berkeley resident Vivian Kleiman  will talk to us about her short film, A Grain of Truth, which journeys into wartime Denmark to uncover a cherished national myth—the Legend of the Yellow Star—through the lens of collective memory.   And Sari Gilman will be screening her Work-in-Progress short film, American Jew. About  her father and how his sense of belonging to Judaism has eroded because of Israel. You can get more information about the festival at https://jfi.org/sfjff-2026   The post Lisa Dettmer talks to Stop AI members/ and to 3 directors of films at SF Jewish Film Festival appeared first on KPFA.

Razid Season, filmmaker and alum of The City College of New York, will screen his latest short film, Elijah, a coming-out story of a second-generation Bengali-American who desires to live life fully as a man in a trans-phobic immigrant culture. Inspired by a real-life story.

Tardive dyskinesia (TD) is often misunderstood, misdiagnosed, or simply ignored — leaving many people feeling isolated, frustrated, and afraid to speak up. In this episode, we share the deeply personal story of Sherland Peterson, a woman living with tardive dyskinesia, while exploring the physical, emotional, and social impact of this complex movement disorder. Whether you are living with TD yourself, caring for someone who is, or simply trying to better understand the realities of long-term mental health treatment, this episode offers insight, validation, and practical understanding. Our guest discusses what it was like to first notice the symptoms, the challenges of getting answers, and how TD affected confidence, relationships, communication, and daily life. Listeners will learn: the emotional toll of living with visible involuntary movements  how psychiatric medication side effects can create complicated treatment decisions  what caregivers and loved ones should know about supporting someone  how stigma and shame can prevent people from seeking help  If you've ever wondered what TD actually feels like beyond the clinical definition — or if you're searching for hope, support, and real-world perspective — this episode delivers an authentic and compassionate look at life with TD.We would like to thank Teva Pharmaceuticals for providing educational support for this episode. “In my case, my mouth was so affected by TD (tardive dyskinesia), my jaw would quiver, my speech would be slurred.” ~Sherland Peterson Our guest, Sherland Peterson, is a vocal advocate for mental health awareness and has appeared in numerous podcasts, TV, and radio interviews in which she shares her mental health journey. Ms. Peterson attended Hunter College and City College of NYC. She has taught English at LaGuardia Community College, City College of NYC, and DeVry Institute in NYC. She has also served as a Schedule C in the Obama administration's Administrative Conference of the US. Our host, Gabe Howard, is an award-winning writer and speaker who lives with bipolar disorder. He is the author of the popular book, "Mental Illness is an Asshole and other Observations," available from Amazon; signed copies are also available directly from the author. Gabe is also the host of the "Inside Bipolar" podcast with Dr. Nicole Washington. Gabe makes his home in the suburbs of Columbus, Ohio. He lives with his supportive wife, Kendall, and a Miniature Schnauzer dog that he never wanted, but now can't imagine life without. To book Gabe for your next event or learn more about him, please visit gabehoward.com.

Dr. JP Novin welcomes Dr. Ricky Shabazz, President of San Diego City College, for a conversation on the evolving role of community colleges in preparing students for the future of work. Together, they discuss expanding access through dual enrollment, apprenticeships, and affordable bachelor's degree pathways, the impact of AI on teaching and learning, and the importance of ensuring technology enhances opportunity rather than deepening equity gaps. Dr. Shabazz also shares how San Diego City College is addressing housing affordability, workforce partnerships, and student success while staying rooted in its mission of access, innovation, and social justice.

Both sides of Michael Gene Sullivan's family are from Detroit. In Part 2, we get to know Keiko's fellow SFMT collective member. Michael was born in Livonia, Michigan, a small town outside of Detroit. His parents met at a summer camp, but we need to rewind a bit before we get to that. When his dad was a boy, he was kidnapped. Yes, really. He and his brothers, all Black boys, were taken from Detroit to work on a plantation in Louisiana. One day, three years later, a car pulled up to the plantation. Some people got out of the car, grabbed Michael's dad and uncles, and threw them into the car (not minding the trauma these boys had already been through or might be experiencing in the moment). Much to the boys' relief, their mom was in that car. She'd been looking for her sons the entire time. They made it back to Michigan, but the effect of having been kidnapped and missing key years with his family stayed with Michael's dad. Michael characterizes his dad's side of the family as old-school gangsters. His mom's family were upper-working-class, many of them with jobs at Ford. The aforementioned camp was in Detroit and it was designed to bring kids from all different economic levels together. The camp held a dance, and his dad found himself with all the boys on one side of the room—on the other side, the girls, of course. No one had started dancing when one of the girls suddenly got up (on a dare from a friend), walked over to the boys, and sat in Michael's dad's lap. That girl was his mom, of course. They danced, talked a little, then had to separate. The next summer, at the next camp, the two met again. Then it happened again the following year. Eventually, they started dating and fell in love. Michael's mom's family wasn't too pleased, given the criminal aspect of his dad's family. But his mom was a bit of a rebel and went with love. The new couple settled in Detroit. They had three children—two girls and a boy, Michael, their youngest. His dad did radio work in the Army and his mom studied art. When dad got out of the service, he parlayed the tech work he'd learned into the infant industry. He got a job with National Cash Register, who relocated the family to Los Angeles. Michael was three when his family moved to California, so he doesn't have distinct memories of that. With the move to LA, his mom started doing more and more art, sculpting and painting. His dad worked a lot, but the couple also started getting involved in politics. They went to protests, rallies, Black Panther meetings. Michael shares his family's story of being at a protest against LBJ's visit to Los Angeles. It involves a family of five plus their pet rabbit climbing a tree. The next year, 1968, was a presidential election year, and Michael's mom worked for the Bobby Kennedy campaign. She was there on primary night, June 5, when RFK was assassinated. She was in the same room, even. Soon after that, the FBI showed up at their house looking for witnesses. To make up for known failings around the JFK assassination, the agency moved to protect witnesses around this tragedy. They sent his mom back to Detroit. The rest of Michael's family stayed behind. The FBI gave Michael rides to school in that time period. Two weeks later, when his mom returned, his parents decided to move the family to San Francisco. It was originally planned as a temporary visit, but they never left. The first place his family landed was The Sunset District. He was seven, and started school in San Francisco. From there, the family moved to Bayview, Western Addition, back to The Sunset, over to The Richmond District, and back to Western Addition. I ask Michael to list his SF schools, and he obliges. Now settling into the Bay Area, Michael's family kept their political interests. He recalls his parents taking him with them to a Black Panthers meeting. His dad was now working in Silicon Valley as a diagnostic engineer. Michael's mom had given up creating her own art and shifted to film publicity work. Michael has always been a passionate person. When he was a kid, he and his sister got into film. He was also deeply interested in history. He wanted to be a history teacher when he grew up. They planned to make movies together. They wanted to remake Butch Cassidy and the Sundance Kid, but recast as two Black kids. At school, the kids considered Michael shy. When he got to Marina Junior High, he decided on the first day of school that it wasn't for him. And it wasn't difficult for him to transfer, because his family had that habit of moving around The City. Michael asked his mom to drive him around town, and when he saw Roosevelt Middle School, he loved the building's architecture. So, he transferred there. He shares the story of another transfer student, who arrived in his last year at Roosevelt, a girl so pretty he developed a crippling crush on her right away. We'll get back to that. He and his crush ended up going to Washington High the next year. He still wouldn't/couldn't talk to her, but they were both in band. She ended up in a theater group called Street of Dreams Theater Company. Michael's best friend was also in the group, so he was around them a lot. Michael still had his sights set on being a history professor. That, or he would write horror short stories. One day, a teacher more or less forced him to sing in choir. His crush was also in choir. And he ended up joining Street of Dreams in order to be closer to her. They graduated, and within the following year, Michael was artistic director of the company. He started doing more and more with Street of Dreams, eventually directing shows. Both Michael and his crush, whom he could at least talk with now, if not look in the eyes, were at City College and also joined a group of friends singing at the Renaissance Faire. By then, she'd had a couple boyfriends and he a couple girlfriends. Then the two decided to go on a "test date." They even shared a "test kiss" that night. A year later, they were dating. And today, they're married and have three children. Around this time, Michael's dad took him to see a show by the San Francisco Mime Troupe. Theater was still fairly new to both of them, and Michael was blown away. He even saw Keiko performing in a show back in the day. Because he'd had some acting experience, once there was an opening, he auditioned. But they told him he was too young. Eventually, they had an actor call in sick and asked Michael to sub. And so he stepped in. It was 1988, and Michael toured with SF Mime Troupe. And he and his wife have been with them ever since. Check tomorrow for Part 3, when Keiko and Michael will share the history and legacy of the San Francisco Mime Troupe.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  This week, Emily welcomes Paola de la Calle, a Colombian American multidisciplinary artist based in San Francisco. Her work spans textiles, ceramics, printmaking, and writing, and often explores themes of immigration, land sovereignty, family memory, and diaspora identity. About Artist Paola de la Calle: Paola de la Calle is a Colombian-American multidisciplinary artist whose work examines home, identity, borders, and nostalgia through the use of textiles, printmaking, and sculpture. In her practice, De la Calle combines photographs sourced from family albums and found images which she prints on textiles, as well as poetic texts, paintings made with coffee instead of paint, and found objects, to mine the aesthetics of nostalgia and examine the socio-political relationship between the United States and Colombia.  She is a graduate of the New York Foundation of the Arts Immigrant Artist Program in 2019 and the lead artist for the Caravan for the Children Campaign as part of her residency with Galeria de la Raza in 2020. She was awarded fellowships at KALA (2022) and The Studios at MassMOCA (2025). She has attended residencies at the Textile Arts Center in Brooklyn, NY and Casa Lu in Mexico City, MX. ​De la Calle was awarded the 2026/2027 Ann Chamberlain Artist-in-Residence at San Francisco State University. She's been featured on Hyperallergic's “A View from the Easel”, “Through My Eyes” on Hulu, NPR, Refinery29, The Boston Art Review, Latina Magazine, Glasstire, and VOGUE among others. Visit Paola's Website:  PaoladelaCalle.com Follow Paola on Instagram: @PaoladelaCalle -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What does it mean to be both a Stoic and a skeptic?In this episode of the Via Stoica Podcast, philosopher and author Massimo Pigliucci returns to discuss his new book How to Be a (Happy) Skeptic: a guide to building a philosophy of life rooted in Stoic virtue and the ancient art of proportioning belief to evidence.Welcome to the Via Stoica Podcast, the podcast on Stoicism. Massimo Pigliucci is Professor of Philosophy at the City College of New York, a former evolutionary biologist, and one of the most important voices in modern Stoic philosophy. This is his second conversation on the show.The discussion moves from the foundations of a philosophy of life to the ancient debate between the Stoics and the Academic Skeptics, and then to one of the most compelling figures in Western history: Marcus Tullius Cicero. Not a Stoic himself, but deeply shaped by Stoic ethics, Cicero lived through the fall of the Roman Republic, exile, personal grief, and death at the hands of Mark Antony's soldiers. His life, Pigliucci argues, is a model for holding strong convictions while remaining honestly uncertain about what you know and why.The episode also explores how skepticism is not the enemy of commitment but its most honest companion: that our beliefs should be proportioned to evidence, and that a life examined with intellectual humility is not weaker but more durable.Read the full article here: https://viastoica.com/a-stoic-conversation-with-massimo-pigliucci/Support the showviastoica.comYouTube: @viastoicaProduced by: Badmic.comEpisode Outline:00:00 Introduction to Massimo Pigliucci02:30 The Importance of Personal Philosophy11:46 Key Ingredients of a Philosophy of Life15:12 The Evolution of Skepticism in Philosophy19:31 Understanding Skepticism: Pyrrhonism vs. Academic Skepticism29:52 The Evolution of Persuasion and Belief33:15 Stoicism vs. Skepticism: A Philosophical Rivalry42:49 Cicero: The Relatable Philosopher52:05 The Structure of Cicero's Philosophy58:53 Future Endeavors: Exploring New Philosophies

Each month, writers gather for feedback at Script Lab Laurie Slattery, who discovered Savage Wonder's Script Lab online and appreciated the nonprofit's focus on veterans, showed up for the first time at a workshop last month. Her grandfather stormed Iwo Jima with the Marines, and her nephew served in Iraq. "I wrote some poetry and a script that I had to retrieve from an old computer," she says. After moving to Beacon three years ago, "it took me a while to get my nerve up, but I need some enlightenment and to be around creative people." During the three-hour session, Slattery observed as the group read, then mildly critiqued several script excerpts. Suggestions are delivered with a positive spirit; nothing gets carved up. Francis Kielbe, who had made revisions based on feedback from the previous Script Lab meeting, listened to "Version 2.0" of his screenplay about depressed monsters attending an AA-style gathering. Rob Barron, a regular who teaches theater at The City College of New York, suggested that Kielbe consider "character directions. Do you want the vampire to be like Bela Lugosi or some frat boy? What kind of zombie are you looking for?" Topher Kage, an actor, writer, Army veteran and director of experience at Savage Wonder, plays a genial and gentle host who asks writers, "What do you want to get out of this?" Most come to hear the dialogue outside of their heads. Lauren O'Brien, who created the one-woman Lolo's Boyfriend Show, is writing a TV pilot. "Early in the process, it's hard to tell what you have. Does it hit with people? Is it confusing?" she asks. "The lab helps you see what works and what doesn't work. I'm ready to feel it." O'Brien, who lives in Beacon, heard buzz about the gathering and decided to take the plunge. "I'm a sensitive artist, but we always need feedback," she says. As Kage read the opening scene at a frantic pace, O'Brien pressed play on a phone soundtrack as her alter ego darted around Manhattan, chased by a mystery man wearing expensive shoes. As much as the creators enjoy hearing people read their work, several attendees show up to bring the scripts alive. Cold and semi-cold readings notwithstanding, volunteers keep things moving. Animating one of Barron's scenes, Beacon resident Lily Cabe played a waitress with aplomb, supporting O'Brien and Ted Swindley, author of Always … Patsy Cline, who poured on the smarm as a rogue substance abuser with three ex-wives and a prison bid on his resume. Swindley also dug into his role as an air traffic controller in Kage's script, a 10-minute play presented with authentic sound effects. "I like to work the acting muscle," says Swindley, who also provides advice. Time limits for individual works are loose, but everyone gets an equitable shot depending on the work's length and merit. Kielbe's monster mash lasted four pages; others are more elaborate. "We get excellent feedback from skilled people, and I'm honored to get the attention," says O'Brien. "This vortex of creativity and sharing with others is like being close to God. I feel like I'm part of something." Script Lab is held at 6 p.m. for writers ages 21 and older on the first Wednesday of each month at Savage Wonder, 141 Main St., in Beacon. The next sessions are July 1 and Aug. 5. See dub.sh/script-lab.

Tom Bernard finished undergrad at Berkeley, he holds an MBA from The Wharton School of Business, as well as a Masters in Taxation.He has spent over 3 decades in finance and has taught personal finance at the City College of San Francisco.Born and raised in California, Tom lives in San Francisco with his family and is very close to being a free-birder (as opposed to empty nester).When he's not talking money, teaching, looking at real estate or advising clients you can find him in the water… an average swimmer, a mediocre sailor and a beginner surfer. Tom Bernard Vroom Vroom Veer Summary Jeff sits down with Tom Bernard, author of The Index of America, to talk about why the S&P 500 has become his go-to long-term investment. Tom shares his winding path through personal finance—early speculative bets, real estate headaches, and leveraged funds gone wrong—before settling on a simple "set and forget" approach with index investing. They dig into the S&P 500's history and eligibility rules (timely given SpaceX's IPO that day), the power of dividends and buybacks, compound growth over decades, and how the 4% retirement withdrawal rule holds up under scrutiny. Tom also shares a case study showing how Nevada's public pension fund thrived using the S&P 500 as its sole U.S. equity holding. Bottom line: invest in yourself, control your expenses, automate your contributions, and ignore the noise. Connections The Index of America

What does it mean to live well when certainty is unavailable? Michael Shermer speaks with Massimo Pigliucci about moral character, ancient philosophy, and the difficult art of making decisions without easy answers. The conversation moves from Cicero and Stoicism to the legacy of the New Atheism, asking why rejecting religion is not the same as having a philosophy of life. They discuss virtue ethics, moral dilemmas, effective altruism, faith, free will, democracy, human flourishing, and the uneasy relationship between facts and values. From the trolley problem and Peter Singer's drowning child thought experiment to the ethics of charity, the limits of utilitarian thinking, and the dangers of tribalism, this episode asks how we should act when rules fail, consequences are uncertain, and good intentions are not enough. Massimo Pigliucci is a bestselling author, philosopher, evolutionary biologist, and the K.D. Irani Professor of Philosophy at the City College of New York. His work spans evolutionary biology, philosophy of science, pseudoscience, and practical philosophy. His latest book is How to Be a Happy Skeptic: The Power of Doubt in a Meaningful Life.

Dr Kirk Honda and Humberto explore the psychology of Sean “Diddy” Combs. June 17, 2026This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/KIRK to get 10% off your first month.00:00 Sean Combs: The Reckoning  17:54 Was the documentary biased? 26:25 Revelations from the documentary 50:29 What does his MO reveal about him?57:25 What might happen once he's released?1:03:58 The ongoing civil suits1:17:54 The state of the music industry1:39:02 City College stampede & other event disastersSupport us by... Become a member: https://www.youtube.com/channel/UCOUZWV1DRtHtpP2H48S7iiw/joinBecome a patron: https://www.patreon.com/PsychologyInSeattleContact us/more info... Email: https://www.psychologyinseattle.com/contactAbout Dr. Kirk: https://www.psychologyinseattle.com/about-dr-kirk-hondaWebsite: https://www.psychologyinseattle.comGet stuff... Merch: https://psychologyinseattle-shop.fourthwall.com/KIRKgram (like Cameo): https://www.psychologyinseattle.com/kirkgramThe Psychology In Seattle Podcast ®Trigger Warning: This episode may include topics such as assault, trauma, and discrimination. If necessary, listeners are encouraged to refrain from listening and care for their safety and well-being. Disclaimer: The content provided is for educational, informational, and entertainment purposes only. Nothing here constitutes personal or professional consultation, therapy, diagnosis, or creates a counselor-client relationship. Topics discussed may generate differing points of view. If you participate (by being a guest, submitting a question, or commenting) you must do so with the knowledge that we cannot control reactions or responses from others, which may not agree with you or feel unfair. Your participation on this site is at your own risk, accepting full responsibility for any liability or harm that may result. Anything you write here may be used for discussion or endorsement of the podcast. Opinions and views expressed by the host and guest hosts are personal views. Although we take precautions and fact check, they should not be considered facts and the opinions may change. Opinions posted by participants (such as comments) are not those of the hosts. Readers should not rely on any information found here and should perform due diligence before taking any action. For a more extensive description of factors for you to consider, please see www.psychologyinseattle.com

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  This week, Emily Wilson sits down with Julia Goodman, a San Francisco-based artist who makes paper and textiles, as well as paintings and sculptures. They meet on the campus of the California College of the Arts — the last art school in San Francisco, set to close at the end of the 2026–27 school year — where Julia has been teaching. Their conversation covers Julia's winding path to art, the meditative and cathartic labor of making paper from recycled fabrics, grief, and an ongoing audio archive project about astronomy and motherhood. About Artist Julia Goodman: Julia Goodman is an artist and educator working at the intersection of papermaking, textiles, sculpture, and painting. Her work is held in the collections of the National Museum of Women in the Arts (NMWA), DePaul Art Museum, Recology San Francisco, and Google. Unimaginable Units of Time marks her first solo museum exhibition, presented at the San Luis Obispo Museum of Art. Recent group exhibitions include NMWA, Contemporary Jewish Museum, San Jose Museum of Art, DePaul Art Museum, Poetry Foundation, and Berkeley Art Center. Her residencies include JB Blunk Residency, Recology SF, Creativity Explored, Salina Art Center, The Space Program SF, and The Eames Institute. She is a recipient of the 2020 Women to Watch Award from the San Francisco chapter of NMWA. She is a longtime resident of the San Francisco Bay Area and started making paper in 2003 with a kitchen blender and old window screens. Visit Julia's  Website:  JAGoodman.com Follow Julia on Instagram:  @JuliaAnneGoodman Learn more about Julia's Wrenching News Workshops HERE. -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Segment 1: Ilyce Glink, owner of Think Glink Media, and publisher of Love, Money + Real Estate on Substack, joins John Williams to talk about the SpaceX IPO, and a new study from Zillow that shows a record 242 US cities now have starter homes that cost $1M. Segment 2: Verónica Herrero, City Colleges of Chicago executive […]

The Mercantilist Restoration - https://anthonyfatseas.substack.com/p/the-mercantilist-restoration-how?r=1ni7opInterview recorded - 10th of June, 2026On this episode of the WTFinance podcast I had the pleasure of welcoming back Professor Richard Wolff. Richard Wolff is Professor of Economics Emeritus at the University of Massachusetts Amherst, and has been described as probably America's most prominent Marxist economist. He is the host of Economic Update and the author of Capitalism Hits the Fan. During our conversation we spoke about the current situation in the economy and geopolitics, the uncertainty in the economy, BRICS enemies of the West, the end of the US hegemony and more. I hope you enjoy!0:00 - Introduction3:37 - Current thoughts on economy and geopolitics8:51 - Geopolitical uncertainty linked to economy?15:42 - Iran conflict resolved?22:27 - BRICS enemies of the West33:56 - US hegemony42:03 - One message to takeaway?Richard D. Wolff is Professor of Economics Emeritus, University of Massachusetts, Amherst where he taught economics from 1973 to 2008. He is currently a Visiting Professor in the Graduate Program in International Affairs of the New School University, New York City.Earlier he taught economics at Yale University (1967-1969) and at the City College of the City University of New York (1969-1973). In 1994, he was a Visiting Professor of Economics at the University of Paris (France), I (Sorbonne). Wolff was also regular lecturer at the Brecht Forum in New York City.Prof Wolff is the co-founder of Democracy at Work and host of their nationally syndicated show Economic Update. Professor Richard Wolff:Democracy at work: https://www.democracyatwork.info/Website: https://www.rdwolff.com/X: https://x.com/profwolffYouTube: @RichardDWolff WTFinance -Instagram - https://www.instagram.com/wtfinancee/Spotify - https://open.spotify.com/show/67rpmjG92PNBW0doLyPvfniTunes - https://podcasts.apple.com/us/podcast/wtfinance/id1554934665?uo=4Twitter - https://twitter.com/AnthonyFatseas

It's YOUR time to #EdUp with Jerell Hill, Dean of Student Services, Los Angeles City CollegeIn this episode, sponsored by EdUp Leadership, the ​HigherEd PodCon​ II happening July 16 & 17, & the 2026 AcOps Conference July 29-31 by CoursedogYOUR host is Dr. Jodi BlincoHow does conscious gratitude become the interior architecture that transforms circumstances when it does not deny the wound but refuses to let the wound have the last word?Why does the counselor who has held students through financial crisis, housing instability & grief sit quietly in the meeting because she knows why the numbers dropped but doesn't have the language that will survive?What makes identity, urgency & direction the 3 pillars that keep students from shrinking to survive when you are not your circumstances, not your zip code & not your poverty?Listen in to #EdUpThank YOU so much for tuning in. Join us on the next episode for YOUR time to EdUp!Connect with YOUR EdUp Team - ⁠⁠⁠⁠⁠ ⁠⁠⁠⁠Elvin Freytes⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠ Dr. Joe Sallustio⁠⁠⁠⁠● Join YOUR EdUp community at The EdUp ExperienceWe make education YOUR business!P.S. Want access to the only intelligence platform built exclusively from presidential conversations in higher ed? Well, we have an app for that!Join EdUp Leadership!

Join us in this episode as we explore the evolving field of cardiovascular medicine with Michael S. Sacks, Professor and Director of the James T. Willerson Center for Cardiovascular Modeling and Simulation at the University of Texas at Austin. As a leading expert in cardiovascular modeling, Professor Sacks focuses on developing patient-specific, simulation-based technologies that improve our understanding of heart and heart valve disease. What's his goal? To advance treatment strategies by helping physicians better predict outcomes and design therapies tailored to individual patients… Click play to learn about: The two major problems with valve therapy. How computational modeling is transforming the diagnosis and treatment of heart disease. Why patient-specific simulations may improve surgical planning and clinical outcomes. The limitations of current valve replacement technologies. Professor Sacks has held numerous leadership roles throughout his distinguished career, including serving as Technical Editor of the Journal of Biomechanical Engineering. He is an inaugural Fellow of the Biomedical Engineering Society, a Fellow of the American Society of Mechanical Engineers, and a Fellow of the American Institute for Medical and Biological Engineering. His honors include the Van C. Mow Medal from the ASME Bioengineering Division, the University of Pittsburgh Chancellor's Distinguished Research Award, the Richard Skalak Distinguished Lectureship from Columbia University, and the SKT Lectureship from the City College of New York. In 2006, he was recognized as one of Scientific American's 50 Leaders in Science and Technology. Connect with Professor Sacks:  LinkedIn University of Texas Profile  Google Scholar Profile Willerson Center for Cardiovascular Modeling and Simulation Oden Institute for Computational Engineering & Sciences

Today we speak about the latest in the Middle East with Rayan El-Amine, then a report with Greg Terry from the Sumud Flotilla. Rayan El-Amine is Community organizer and member leader with Arab Resource and Organizing Center (AROC).  He teaches in the Labor and Community Studies Department at the City College of San Francisco. Greg Terry is a sailor from Arcata, California. He participated in the latest  Global Sumud Flotilla trying to break the Israeli siege in Gaza. Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/ The post 6.1.26 Palestine Post appeared first on KPFA.

Painter George, aka George Harry Crampton-Glassanos, is fine if you wanna call him just "George." In this episode, meet and get to know George. Both of his parents came to San Francisco early in their lives. His mom hails from the East Coast and her family were all working-class folks. His grandpa was a business agent for a machinist's union in Massachusetts. That grandfather shaped George's later involvement in organized labor. (Today, he's a member of the ILWU). George never knew this grandparent who had an outsize impression on him. He died shortly after George was born. But in Massachusetts, in addition to his union involvement, he owned a store that sold records on one half and hats on the other. His dad moved to San Francisco from the Midwest to attend school at the Art Institute (RIP). He got into that school and often slept overnight on a ledge on campus. Both of George's parents were punk rockers in SF in the late-Seventies. Amazing. His dad even lived with the guitarist from The Avengers (Penelope Houston's punk band). Though they would meet later, both spent time at the famed Mabuhay Gardens back in the day. George's dad was a painter as well, and that turned out to have a huge influence on George. His parents met when his mom got a job with his dad's construction working crew. This was around the mid-Eighties. George came along in 1989. After that, his parents had two more boys, making George the oldest of three. His earliest memories are from around the mid-Nineties in The Mission. George spent time when he was a kid running around The Mission and pre-gentrification Dogpatch with his dad. They lived on 18th between San Carlos and Lexington (or, zooming out a bit, between Mission and Valencia). That's two blocks from where I lived from 2003 to 2017, incidentally. But George's family got evicted from that apartment on 18th. The building sold and the new owners evicted tenants one by one, including families like George's. Both of his brothers were born in that apartment. His dad had made modifications there, handyman that he was. And George was old enough to remember all the awesome neighbors they had. I ask George about his favorite restaurants when he was a kid. "I fuckin' ate burritos every night of the week," he answers. He'd hit up nearby La Cumbre or El Buen Sabor around 300 times a year. Whiz Burger also figured big in George's childhood diet. There was a diner across 16th from The Roxie called Aunt Mary's (George shows me a coin purse from the place while we're recording) that he loved as well. Art was always encouraged at home. George's dad would bring home boxes of fax paper for him to draw on with ballpoint pens. He'd draw and draw and draw, often of things he saw. He remembers staring out the window of their place on 18th and watching cars go by, and he'd draw those. But it wasn't until high school at School of the Arts that George really started cranking it out. At SOTA, teachers encouraged George to draw whatever the hell he wanted to. He remembers drawing a skeleton pushing a paleta cart. When George tells me he attended SOTA 2004–2008, I mention that a number of past guests of this show went there around that time. "[The school] churned out a lot of us," he says. Joe Talbot, who co-wrote, produced, and directed The Last Black Man in San Francisco, went to SOTA in that era. George goes on a sidebar to share a story of getting caught smoking pot by a SOTA vice principal. I ask him to rattle off the SF schools he went to, and George obliges. Waldorf in The Mission for Kindergarten, then a Waldorf school in Pac Heights through eighth grade. They wanted him to attend their high school, but he chose SOTA instead. The Waldorf schools also encouraged art, which George appreciated. The social dynamics could be strange, though. You'd have kids like him who got into that school thanks to financial aid being classmates with kids who lived in mansions. After eighth grade, he needed a change. After he graduated from School of the Arts, George took some classes at City College. He'd been working summers painting houses for his dad, and eventually, college tailed off so he could work more. It also gave George more time for his artistic painting. This was about 20 years ago, and since then, he's been painting murals, hanging out with graffiti painters, doing work on Clarion Alley, and working with Precita Eyes to paint various houses and walls in The Mission. I ask whether George's art has evolved over the years. After thinking it over, he talks about the influence of cars and his mom and dad's comic book collections. He loved his mom's underground comics collections, and talks about going down to 23rd Street with them to Scott's Comics and Cards and SF Comic Book Co. next door. George points to artists like Spain Rodriguez, R. Crumb, and the Hernandez Brothers as having shaped his art from a young age. He'd go to Avalon on Mission for iron-on old English letters to have put on hats. The cholo influence of his neighborhood was seeping in, and George ran with it. The gumball machines on Mission with their foil stickers also played a part. He'd take those stickers home, many with images of cars on them, and draw from them. And of course the cars cruising Mission Street caught his artistic eye. George also touches on some of the violence he witnessed in The Mission in the Nineties, when he was a kid. George and his friends got around on skateboards, beater bikes, and Muni. He's quick to point out how, back in the day, you could take the 26-Valencia if you wanted to avoid potential trouble on the 14-Mission. I ask whether George got into any trouble himself. He says mostly harmless stuff like shoplifting. That was before his aforementioned time at School of the Arts. George has mixed feelings about the art scene, and I get it. He's had his art in shows, but prefers bookstores or community-oriented spaces vs. white-walled galleries. He doesn't feel like the audience that goes to those spaces is his. When he talks about painting at home after a long day at work, I ask George to talk about that work. He's currently part of a crew painting the new container cranes in the Port of Oakland. The ILWU is assembling the cranes and George and others use marine enamels to make the cranes look good. We end the podcast with how you can find George and his art. "You can find me on 24th Street," he says. No website. He's on Instagram at @paintergeorge415. We recorded this podcast at George's home in South San Francisco in April 2026. Photography by Nate Oliveira

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  This week, Emily welcomes Abram Jackson, the Director of Interpretation at the Fine Arts Museums of San Francisco, to talk about his work making museum exhibitions more inclusive and equitable. Abram came to the role through an unexpected path — he was a teacher and dean specializing in ethnic studies at the Bay School when a student's mother asked him to review an audio tour for inclusive language. He fell in love with the work and joined the de Young full-time in 2022. In his role, he reads exhibition labels through an equity lens, a practice he traces back to his very first edit on the Soul of a Nation show, where he revised the description of Fred Hampton's death to accurately name the role of COINTELPRO. The conversation also covers an upcoming Lowrider Culture Celebration at the de Young on June 6th, honoring artist Rose B. Simpson's Lexicon — rebuilt classic cars painted like pottery — planned in partnership with three women lowrider community leaders: Angel Romero, Ruby Ramirez, and Vera Majano. The free public event includes a lowrider exhibit, a screening of the documentary Los Dueños, a DJ, and family art-making activities. About Abram Jackson: Abram Jackson is the inaugural Director of Interpretation at the Fine Arts Museums of San Francisco. Jackson utilizes ethnic studies theories and DEIA practices in partnership with staff to incorporate more inclusive narratives into didactics. Jackson holds a Master of Arts in Ethnic Studies from San Francisco State University and a Master of Teaching in Social Studies from the University of Southern California. Jackson has fifteen years of administrative and teaching experience at the high school level, including seven at The Bay School of San Francisco as a humanities teacher and junior class dean, adjunct lecturer at San Francisco State University and at education programs for incarcerated people in California.  Connect with Abram:  LinkedIn Profile Follow Abram on Instagram:  @Interpreting_Abram For Details About The Lowrider Culture Celebration on June 6 at the de Young - CLICK HERE Learn More About Rose B. Simpson Lexicon HERE -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

May 31, 2026 would have been my friend and mentor's 100 birthday.  Sam went to be with the Lord on June 1, 2015-a day after his 89th birthday.    Sam's last book which he co-authored with Alex Newman was Crimes of the Educators.  A week prior to Sam's passing, I called Alex and asked when he was planning on visiting Sam.  They had not yet met in person but frequently met on conference calls.  Alex said that he planned a summer visit.  I told him that he most likely won't be alive by then.  We provided an airline ticket for him, and he flew to Boston on the following day, Thursday.  I had hoped to videotape an interview of the two of them, but Sam's condition had deteriorated, and it would have been an injustice to him.  They interacted as if they were lifelong friends.   Alex, like numerous others, is carrying on the work of Sam.Sam Blumenfeld was born on May 31, 1926, in New York City.  His parents were Polish immigrants.  His mother, who Sam adored, was illiterate.  Sam attended a public school in the Bronx where he received an excellent education.  Sam was a World War II veteran serving in an artillery unit in Italy.    He participated in a prisoner escort where he took pity on a starving German soldier and shared his food with him.  After the war, Sam graduated from City College of New York.  He returned to postwar Europe visiting some friends he made during the war and returned to the U.S. to start a career in the publishing business.  Sam was fluent in several languages.  In 1963, he traveled to Madrid, Spain to interview Dr. Moise Tshombe, the pro-Western leader of Katanga who was ousted by the United Nations  peacekeepers who committed atrocities against the civilian population and replaced by the Moscow trained Patrice Lamumba.It was while he was an editor for Grosset and Dunlop when he got a request from a friend Attorney and Hall of Fame tennis player Watson Washburn to join his reading reform organization which he recently started.  Sam was surprised by the request telling Mr. Washburn that reading was a basic thing you learned in elementary school.  Mr. Washburn suggested that Sam read the book Why Johnny Can't Read by Rudolf Flesch.  The book changed Sam's life.  Flesch pointed out that the look-say or whole word method was introduced to  the nation's schools in the mid to late 1930s.  The Depression made it difficult for most schools to buy the new look-say books but by the mid-1940s most schools around the nation adopted this method of reading.  It  The archive contains an on-line version of Sam's Alpha-Phonics with all 128 lessons in either audio or video,  courses on cursive, and basic arithmetic.  It also contains PDF versions of most of Sam's books, newsletters, hundreds of hours of Sam's lectures in audio and video, manuscripts, and his correspondence.  For unlimited free access to the archive, all we need is an E-mail address and a username.  (Donations are, of course, greatly appreciated.)  Here is the link to the archive:  http://blumenfeld.campconstitution.net/main.htmCamp Constitution is a New Hampshire based charitable trust.  We run a week-long family camp, man information tables at various venues, have a book publishing arm, and post videos from our camp and others that we think are of importance. Please visit our website www.campconstitution.net

This last episode before summer has us dreaming of the beach, Slushies—watching moonlight on the waves, reading novels in the sand. But not before we share this packed episode with you. Today we welcome special guest, Daniel Kuriakose, to hear about “The Common Well,” the literary journal he's relaunching alongside K Hank Jost. Daniel sticks around for our discussion of two poems by Mara Lee Grayson.     We admire the duality on display in the first poem's back and forth-ness which has us pondering the undulation of its syntax. The late reveal of whom the lyric speaker addresses is satisfying surprise. A clever turn of phrase sends the more seasoned members of the team straight to this 90's Divinyls' song. The way enjambment revises meaning after a line break in both of these poems reminds Jason of Heather McHugh's poetry. And ultimately Kathy bring us back to the two questions we ask of every submission: do you want to stay with the poem and do you want to share it? Join us in sharing our deep thanks for two members of our staff who are with us for the final time: Reese, our co-op, and Lillie, our sound engineer. Best of luck to your both in the future. Thank you, Reese! Thank you, Lillie! Over the summer, keep tuning in for a retrospective with deep cuts from our archive. Thanks, as always, for listening!      At the table: Dagne Forrest, Tobi Kassim, Daniel Kuriakose (special guest from “A Common Well”), Reese Pfunder, Jason Schneiderman, Kathleen Volk Miller, Lisa Zerkle, Lillie Volpe (sound engineer), Derek Grebis (sound engineer)          Author Bio: Mara Lee Grayson's poetry has appeared in Poetry Northwest, Tampa Review, and Nimrod, among other literary journals, and has been nominated multiple times for the Best of the Net and Pushcart Prizes. Grayson is the author or editor of five books of nonfiction. She holds an MFA from The City College of New York and a PhD from Columbia University and was previously a tenured professor in the California State University system. Originally from Brooklyn, New York, she currently resides in New Jersey.     Social media: @maraleegrayson  Website: maragrayson.com    She Winds Her Stems through Fire for Burning Leaves Fend Off the Grief of Being Mowed On the trampoline, young boys next door              bounce while inside, their mothers   debate wine or coffee. Another weekend              when the county's on emergency alert.    For now, bees land on dogwood flowers,               robins nest in tall trees    planted by the prior owners,              and my husband's on his knees out back   for hours, pulling branches from hydrangeas              I have neither time nor thumb    to nurture back to life. He's learned a lot              in efforts to identify the colony of ants    that sent a scout across our deck, through               the side door to a cat food bowl,    like what distinguishes Bumblebee               from Carpenter (they look the same,    the bumble fuzzier). A million years               of evolution, the male bee    still hovers in one place, waiting               for a female to fly by. I fold laundry   then look up which buds bloomed               in 17th Century Versailles. (You'd guess    invasive species but, unironically,              it's narcissus and orange blossoms.)    For years, I worshipped palms               on the other side of the Continental Divide,    like I was replanted, like new soil               could change the nature of the seed.   I looked for lightning and caught language              in my mouth. I dreamed of blooms,    then woke up in the desert,               staring at a mountain, believed to be    an imprint of ancient gods whose voices               echoed off the surface of the earth.    The nervous system replicates in utero,              its fight or flight part predetermined,    part piano keys the brain may tap. Healing,              says the therapist, happens in the pendulation.   Insects bounce along the glass as children,               mothers sip merlot in coffee mugs,    and the man I married after you               tans wrist to elbow, scratching up his forearms    rending dead wood stems. It's sticky business,              caught between my lush, infertile soil and flirting    with the bees, he knows that when I think about you,               I touch my self-concept on the page.    What the Fortune Teller Tells Me on the Night I Leave California The Channel Islands will one day rise up in the distance like a resurrected poet  high on mescaline and memories of pretty women. You will or won't  learn how to tunnel through a prison  of the mind. When the wind picks up, she says  she was awoken by the rumble of a saw  told so many times it must be true.  You might as well  drive six years backward, park beside a pool  in west New Jersey.                                       I think she means  beginnings are like endings: eyelid work,  a neuron matter, not ontology or god.  To transit is to navigate the synapses,  trade one water for another,  every body's chemistry the same  except for how the furniture's arranged,  which pieces we keep secret from ourselves.  She eschews the label hypocrite,  calls herself a hippopotamus instead. Oh, she's drinking like a river now,    but can you honestly say you've never felt  a kinship for a living being who could crush you and the glass of bourbon in your hand? Maybe when you were a child, your father  chalked equations on a dusty blackboard. Your height in centimeters  is your adolescent telephone number  divided by the times your mother screamed  bringing you into this world.  

Send us Fan MailTom Bernard is in the financial field, married to a public school teacher, and teaches personal finance courses at the City College of San Francisco. His mission? Tom wants to help the average person understand wealth-building and how the S&P 500 actually works. Tom has been there, done that, and got the T-Shirt by trying to BEAT the market with individual stocks....but coming up short of market returns. Now, Tom has become an expert on the S&P and loves the low fees and simplicity of index Funds This year, Tom released his new book titled "The Index of America"Key Insights from The Index of America Include:The Power of Simplicity: Why broad-based index investing consistently outperforms complex, high-fee trading strategies over the long term.Historical Context: How the index has evolved since 1957 to reflect shifting global influences and technological revolutions.Wealth Compounding: A clear guide for students, new investors, and seasoned professionals on how disciplined participation leads to long-term stability.https://www.amazon.com/INDEX-AMERICA-WORKS-SHOULD-INVEST-ebook/dp/B0GPHQVRTLBe a guest on the show:https://www.financiallyindependentteachers.com/contact-8Check out our website:https://www.financiallyindependentteachers.com/Sign up for FIT coaching:https://www.financiallyindependentteachers.com/services-4

Theoretical physicist Dr Michio Kaku has spent 70 years searching for the single equation that could explain everything in existence. He reveals why there's almost certainly life beyond Earth, how quantum computers will soon crack every bank account and digital codes, and why the secret to human immortality already exists! Dr Michio Kaku is a theoretical physicist, co-founder of String Field Theory, and Professor at the City College of New York. He is one of science's most prominent public communicators, and is also the author of bestselling books such as, 'Quantum Supremacy: How the Quantum Computer Revolution Will Change Everything'.  He explains: ◼️Why aliens almost certainly exist but will probably never reach us ◼️Why travelling to the nearest star would take 70,000 years, and the only way around it ◼️What 70 years studying the universe taught him about the meaning of life ◼️What caused the Big Bang and the theory that says new universes are being born right now ◼️What's inside a black hole and why it might be a doorway to another universe Follow Dr Michio: X - https://link.thediaryofaceo.com/fTQ1ze  Website - https://link.thediaryofaceo.com/AkR5q8z  You can purchase Dr Michio's book, ‘Quantum Supremacy: How the Quantum Computer Revolution Will Change Everything', here: https://link.thediaryofaceo.com/Gi4eG6M  The Diary Of A CEO: ◼ Join DOAC circle here - https://doaccircle.com/  ◼ Buy The Diary Of A CEO book here - https://smarturl.it/DOACbook  ◼ The 1% Diary is back - limited time only: https://bit.ly/3YFbJbt  ◼ The Diary Of A CEO Conversation Cards: https://linkly.link/2hm7r  ◼ Get email updates - https://bit.ly/diary-of-a-ceo-yt  ◼ Follow Steven - https://g2ul0.app.link/gnGqL4IsKKb  Sponsors: Pipedrive - https://pipedrive.com/CEO   Stan - Visit https://coach.stan.store/?ref=stevenbartlett&utm_source=youtube&utm_medium=podcast&utm_campaign=episode7  Function Health - https://Functionhealth.com/DOAC to sign up for $365 a year. One dollar a day for your health

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  This week, Emily interviews Emory Douglas, the Black Panther Party's Minister of Culture and revolutionary artist. The episode centers on a retrospective of his work, Emory Douglas in Our Lifetime, on view at San Francisco's African American Arts and Culture Complex. About Artist Emory Douglas: The former Minister of Culture and Revolutionary Artist for the Black Panther Party, Douglas helped define the aesthetics of protest at the height of the Civil Rights era, cementing his status among the 20th century's most influential radical political artists. Throughout the 1960s and 1970s, he designed all but one of the Party's newspapers, each issue marked by the artist's bold, figurative illustrations outlined in thick black line and contrasted with bright colors, block text, and photomontage. The clearly rendered imagery, applied to a range of printed media from newspapers to posters, notecards, and pins, became a hallmark of liberation movements around the world, as supporters calling for an end to the oppression and subjugation of Black, Indigenous, and other communities sought to project a spirit of shared struggle through a common artistic vocabulary. Douglas was born in Grand Rapids, Michigan. In 1951, his family relocated to San Francisco, where he continues to live today. Widely known as an epicenter of radical countercultural politics in the post–World War II era, the city was also deeply divided and segregated, and it was the injustices that Douglas observed as a child that informed his political ideology as an adult. Beginning in the early 1960s, as a student of commercial art at City College of San Francisco, Douglas made frequent trips to nearby San Francisco State University to see civil rights leaders like Amiri Baraka, Stokely Carmichael, and H. Rap Brown speak. He soon lent his talents to the nascent Black Arts Movement, creating fliers and other promotional artworks to advertise events held across the city. These formative experiences solidified his intentions to dedicate his work to the broader struggle for Black liberation that was taking shape around him. In January 1967, Douglas met Huey Newton and Bobby Seale, two young activists from nearby Oakland, who, months earlier, had founded the Black Panther Party (BPP). Black self-determination was the Party's primary motivation, seeking to improve the position of underprivileged people of color in America through “whatever means necessary.” The organization initially focused on an individual's right to bear arms for defense against police violence, but its attention eventually turned to social justice issues like free breakfast for school children and fair housing. Seeking to promote their civil rights agenda to a primarily Black American audience, the Panthers developed a newspaper, the first of which Seale created and published in April 1967. That first issue was simple in layout and design, leading Douglas to offer his expertise in print production, understanding the power that strong visuals could lend to political action. Beginning with the second, he designed every issue thereafter—some 537 newspapers, from 1967 until it ceased publication in the early 1980s. Douglas quickly rose through the ranks of the organization: he was officially named its Revolutionary Artist and, eventually, Minister of Culture, overseeing all aspects of the BPP visual identity. Douglas's familiarity with the print production process was a fruitful asset, as he employed simple tools like markers, rub-off type, and prefabricated texture materials to create his visually impactful designs. To keep costs low, each paper was printed in one or two colors—black ink, often with a contrasting bright color. His illustrations shone a spotlight on state-sanctioned brutality, depicting law enforcement officers and politicians as pigs, while also portraying Black people bearing arms and defeating their oppressors. Some issues featured images of Black suffering, lambasting the political establishment for failing to meet the basic needs of people of color across the United States. Douglas strategically employed photomontage as well, integrating photographs alongside text and illustrations to emphasize urgent issues facing the Party. The impact and influence of Douglas's designs underscored the importance of a consistent graphic strategy in conveying complex political messages in very simple terms. This success was underscored by the massive global distribution of the newspaper and the frequent use of Douglas's illustrations in the political campaigns for organizations like the Organización de Solidaridad con los Pueblos de Asia, África y América Latina, Organization of Solidarity with the People of Asia, Africa, and Latin America, known as OSPAAAL. Despite the popularity of the Panthers' programs and their frequent struggle against the established white political order, the Party was disbanded in the early 1980s. Douglas continues to work as a political artist and activist, producing work that seamlessly translates complex political issues into easily understood illustration, a hallmark of the pieces he produced as a member of the Panthers. His striking figural illustrations connect him to generations of American artists like Elizabeth Catlett, Aaron Douglas, and Charles White, while his combining of type and image draw on generations of political art emanating from across the world, including contemporaries working in Cuba during the Communist Revolution. Deeply bound to American history and politics, his imagery evokes a powerful, globally resonant narrative. For more on Emory, CLICK HERE.   To learn about the exhibit honoring Emory's revolutionary work, CLICK HERE. -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Episode Description (the version that goes in podcast players)New York City has tripled gaming industry jobs since 2008. The average wage is now 14% above the citywide average. Over half of NYC's game studios are indie teams of five or fewer. And almost nobody outside the city knows it.In this episode of Player Driven, Greg Posner sits down with Alia Jones-Harvey, Associate Commissioner of Education and Workforce Development at the New York City Mayor's Office of Media and Entertainment, to talk about how the city is quietly building a connected gaming ecosystem — from K-12 students competing inside Minecraft, to CTE high schools running state-approved game design curriculum, to City College's bachelor's degree in game design housed in the school of arts. They cover Battle of the Boroughs, the NYC Video Game Festival on May 9, the Summer of Games initiative, and why community is the through-line that ties all of it together.If you work in gaming on the East Coast, this episode reframes what's possible.Topics coveredNYC gaming industry, NYC Video Game Festival, Battle of the Boroughs, Mayor's Office of Media and Entertainment, MOME, NYC esports, game design education, K-12 gaming programs, Minecraft education, indie game development NYC, CTE schools, City College game design, Summer of Games NYC, Made in NY digital games, NYC workforce development gaming, East Coast gaming industry, gaming jobs NYC, indie studios New York, gaming community building, Convene Brookfield Place, collegiate esports NYCAbout the guestAlia Jones-Harvey is the Associate Commissioner of Education and Workforce Development at the New York City Mayor's Office of Media and Entertainment (MOME). Her portfolio includes the Battle of the Boroughs program, the NYC Video Game Festival, the Made in NY digital games program, and the city's broader work supporting the indie game development community.About the showPlayer Driven is a podcast and media platform for gaming industry practitioners — community managers, player support leads, live ops professionals, trust and safety operators, and the people building the next generation of player communities. New episodes weekly. Subscribe on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts.LinksNYC Video Game Festival Battle of the Boroughs / NYC Summer of Games2021 NYC Games Industry Economic Impact StudyPlayer DrivenTagsGaming, Esports, Education, Government, New York City, Indie Games, Game Development, Community, Workforce Development, Trade Publication 

2018年全国高考I卷英语听力第一节 (共5小题；每小题1.5分，满分7.5分)听下面5段对话。每段对话后有一个小题，从题中所给的A、B、C三个选项中选出最佳选项。听完每段对话后，你都有10秒钟的时间来回答有关小题和阅读下一小题。每段对话仅读一遍。1.What will James do tomorrow? A. Watch a TV program. B. Give a talk. C. Write a report.2.What can we say about the woman? A. She's generous. B. She's curious. C. She's helpful.3.When does the train leave? A. At 6:30. B. At 8:30. C. At 10:30.4.How does the woman go to work? A. By car. B. On foot. C. By bike.5.What is the probable relationship between the speakers? A. Classmates. B. Teacher and student. C. Doctor and patient.第二节 (共15小题，每小题1.5分，满分22.5分)听下面5段对话或独白。每段对话或独白后有几个小题，从题中所给的A、B、C三个选项中选出最佳选项。听每段对话或独白前，你将有时间阅读各个小题，每小题5秒钟；听完后，各小题将给出5秒钟的作答时间。每段对话或独白读两遍。 听第6段材料，回答第6、7题。6.What does the woman regret? A. Giving up her research. B. Dropping out of college. C. Changing her major.7.What is the woman interested in studying now? A. Ecology. B. Education. C. Chemistry.听第7段材料，回答第8、9题。8.What is the man? A. A hotel manager. B. A tour guide. C. A taxi driver.9.What is the man doing for the woman? A. Looking for some local foods. B. Showing her around the seaside. C. Offering information about a hotel.听第8段材料，回答第10至12题。10.Where does the conversation probably take place? A. In an office. B. At home. C. At a restaurant.11.What will the speakers do tomorrow evening? A. Go to a concert. B. Visit a friend. C. Work extra hours.12.Who is Alice going to call?A.Mike. B. Joan. C. Catherine. 听第9段材料，回答第13至16题。13.Why does the woman meet the man? A. To look at an apartment. B. To deliver some furniture. C. To have a meal together.14.What does the woman like about the carpet? A. Its color. B. Its design. C. Its quality.15.What does the man say about the kitchen? A. It's a good size. B. It's newly painted. C. It's adequately equipped.16.What will the woman probably do next? A. Go downtown. B. Talk with her friend. C. Make payment.听第10段材料，回答第17至20题。17.Who is the speaker probably talking to? A. Movie fans. B. News reporters. C. College students.18.When did the speaker take English classes? A. Before he left his hometown. B. After he came to America. C. When he was 15 years old.19.How does the speaker feel about his teacher? A. He's proud. B. He's sympathetic. C. He's grateful.20.What does the speaker mainly talk about? A. How education shaped his life. B. How his language skills improved. C. How he managed his business well.参考答案1—5 BCCBA 6—10 BABCC11—15ABAAC 16—20 BCBCA录音原文(Text1)W: James, you've been watching TV for the whole evening. What's on?M: It's a science program on the origin of the universe. I'll give a presentation on it in my class tomorrow.(Text2)M: Hello, do you have The Best of Mozart?W: Um, sorry, we've just sold out. But we can order one for you. If you give us your number, we'll call you when the CD arrives.(Text3)W: We'd better be going now, or we'll be late for the train.M: No rush. It's 8:30 now. We still have two hours.(Text4)M: I am so tired of driving all those hours to work.W: Yeah, I know what you mean. I used to drive two hours to work each way. But now I live within walking distance of my office. I don't even need a bike.(Text5)W: Hi, Andy! I didn't see you in Prof. Smith's class yesterday. What happened?M: Well... I had a headache, so I called him and asked for sick leave.(Text6)W: The biggest mistake I made,uh, was leaving college in my last year and not completing my education. So I'm thinking of going back to school.M: School? To study what?W: Ecology. I'm interested in the relationship between humans and nature.M: Cool. Is it what you studied years ago?W: No, I majored in Chemistry then.(Text7)M: Good morning, madam. I am your guide for this trip.W: How lovely! Could you tell me about the hotel I'm going to stay at?M: Yes, of course! The Grand Hotel opened in 1990, and it sits on the seaside along the South Coast Highway.It is the most beautiful hotel here.W: That sounds great!M: And there are some restaurants outside, so at dinnertime, you'd have a lot of choices.W: That's really nice! I like to have some local foods while traveling. What about the scenery around it?M: The hotel has the best views of the Pacific Ocean.W: Oh, I think I will love this hotel.(Text8)W: Hi Mike!M: Hi Alice! Nice to see you. You don't often come here.W: I usually have fast food delivered to my office. Just came here for a change today.M: The environment here is good,clean and relatively quiet.W: Yeah, and I heard the food is tasty. By the way, are you going to the concert tomorrow evening?M: Yes. Are you?W: Yeah. Catherine was supposed to go with me but she may have to work extra hours tomorrow. Do you know anyone who might like to go?M: No... But if you like, I can ask around... Er... Joan might want to go.W: Oh, yes, she's a great fan of classical music. I'll give her a ring after lunch.(Text9)W: Hi, I've only just arrived!M: Oh, good. Now, here are the keys. Let's go in. There are two apartments. The one for rent is on the right.Do come in.W: Thank you. I like the carpet.The color is nice, isn't it?M: Yes, and this apartment is in good condition. Here is your lounge.W: Where would we eat?M: There is this corner here or you can use your kitchen. Come and see.W: The kitchen is quite small.M: Yes, but it has everything,cooker, fridge, even a dishwasher.W: And there are lots of cupboards.M: Let me show you the bedrooms.This is the smaller one.W: It's a good size though.M: Now come into the other bedroom. You can see the bathroom, too.W: Yes. It's very nice but I will have to ask my friend first and we will come together. I understand it is eight hundred dollars a month.M: Yes. But a few blocks downtown would be much more expensive.W: Well, thank you. I will be in touch.(Text10)M: Thank you very much. Thank you, Dr. Johnson. Well, it is really great to be back at university again. The thing that I wanted to tell you today is this: Education is important. When I came to the U.S., I was only thinking about being a carpenter. But I could not read the newspaper, and I could not understand the news on television or movies or anything like this. So I entered the City College to take English classes for foreign students. I was very proud that I was going to a college, because no one in my family ever went to any college or to any university. You know, when you're 15 years old in my country,you finish school and then learn a trade, and that's exactly what I did. When I was 15 years old, I learned how to be a carpenter. A year later I came to America. Luckily, I met a very good teacher who encouraged me to take some math classes, business classes, and history classes, and I became a full-time college student. And today, when I look back, I'm so happy because you never know where life will take you. All of a sudden I started making money because I was really good at math. You know, how to work out everything with math is so important. This is something that I learned when I started my own business, which is doing really well.

Chicago's Cinco de Mayo parade is cancelled for a second year due to immigration enforcement fears. IBM announces a new innovation center at the Quantum and Microelectronics Park on Chicago's South Side, pledging hundreds of jobs for City College graduates. Meanwhile, in Springfield, the Illinois legislature is finalizing its game plan to keep the Chicago Bears in Illinois. In the Loop breaks down those stories and more with Block Club Chicago reporter Mack Liederman, Chicago Sun-Times reporter Mary Norkol and Alex Nitkin, Illinois Answers Project government finance and accountability reporter. For a full archive of In the Loop interviews, head over to wbez.org/intheloop.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  This week, Emily chats with Kara Maria, a painter and printmaker based in San Francisco Episode Highlights: Kara discusses her large-scale wood panel print on display at Chase Center in San Francisco, created at Magnolia Editions in Oakland with master printer Tallulah Terrell How a monarch butterfly painting became the starting point — and then had to be modified — for the Chase Center commission Her colorful aesthetic, rooted in 1970s cartoons, Spirograph, comic books, and Japanese woodblock prints (particularly Hokusai) The influence of her husband, Mexican artist Enrique Chaya, and their travels to Mexico on her color palette Childhood memory of a school librarian who gave her a shelf in the library for her handmade illustrated books Her journey from music school to painting — and why she knew she could never stop making art Her love of Bay Area edges: the Marina, Ocean Beach, and the view from Mount Davidson Why her studio, SF MoMA, the de Young, and the Legion of Honor all hold special meaning About Artist Kara Maria: Kara Maria is a visual artist working in painting, drawing, printmaking, and public art. Her recent work addresses climate change, biodiversity loss, and their significant impact on humanity. She meticulously paints miniature portraits of threatened, endangered, and extinct animals amid fields of flying shapes, twisting lines, and swirling colors. These works celebrate the joy and exuberance of life, emphasizing the incredible variety of existence on our planet. Maria received her BA and MFA from the University of California, Berkeley. She has exhibited work in solo and group shows across the United States at venues such as the de Saisset Museum at Santa Clara University, CA; the Sonoma Valley Museum of Art, Sonoma, CA; the Nevada Museum of Art, Reno, NV; the Contemporary Arts Museum, Houston, TX; and the Katonah Museum of Art in New York. Maria has been selected for awards and honors, including the Masterminds Grant from SF Weekly; a grant from Artadia; and an Eisner Prize in Art from UC Berkeley. Her work has received critical attention in the San Francisco Chronicle, the Los Angeles Times, and Art in America. She has been awarded artist residencies at the Montalvo Arts Center, the Recology Artist in Residence Program, Djerassi Resident Artists Program, and the de Young Museum Artist Studio. Maria's work is part of the permanent collections of the Berkeley Art Museum and Pacific Film Archive; the Cantor Arts Center at Stanford University; the Crocker Art Museum, Sacramento; the Fine Arts Museums of San Francisco; the Frederick R. Weisman Art Foundation, Los Angeles; the Museum of Fine Arts, Houston; and the San Jose Museum of Art, among others. Born in Binghamton, NY (1968), Kara Maria now lives and works in San Francisco, CA. Links & Resources: Visit Kara's Website: KaraMaria.com Follow Kara on Instagram:  @Kara Maria Art Kara Maria's work is on display at Chase Center as part of the Homegrown Series (alongside work by Masako Miki, featured in Episode 60) CLICK HERE FOR MORE INFO -- Coming Up Next: Episode 70 on May 19th — Emery Douglas, graphic artist and former Minister of Culture for the Black Panther Party. His show Emery Douglas: In Our Lifetime is at the African American Art and Culture Complex in San Francisco through October. -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Noticing the history and beauty around us can shift how we see ourselves—and our communities. An awe walk through Harlem reveals how the stories embedded in public spaces can spark connection, perspective, and a sense of what's possible.Summary: Cities are full of quiet moments of wonder—if we know how to notice them. In this episode of The Science of Happiness we explore the science of awe while taking an awe walk with students at City University of New York in Harlem. We learn  how everyday urban spaces can deepen our sense of connection, belonging, and curiosity. How To Do This Practice: Choose a familiar place: Pick a street, park, campus, or neighborhood you move through often—somewhere ordinary. Slow your pace: Walk more slowly than usual and give yourself permission to notice, rather than rush. Look for signs of story: Pay attention to buildings, names, textures, and small details that hint at history, culture, or the people who've been there before. Ask yourself: Who stood here before me? What happened here? What journeys passed through this space? Notice your response: Pause when something catches you—a feeling of wonder, curiosity, or even goosebumps—and stay with it for a moment. Reflect on connection: As you finish, consider how this place and the stories within it connect to your own life, sense of belonging, or what feels possible for you. Scroll down for a transcription of this episode. Today's Guest:BOB MCKINNON is an author, teacher, and Director of the Social Mobility Lab at the Colin Powell School for Civic and Global Leadership at The City College of New YorkLearn more about Bob here: https://greatergood.berkeley.edu/profile/bob_mckinnonThis episode is supported by The Gambrell Foundation, who believe a great life grows from strong relationships, a sense of belonging, and moments of awe and wonder. Learn more about their work at gambrellfoundation.orgRelated Science of Happiness episodes:Cities of Awe Series: https://tinyurl.com/2vyhxvnyHow Cities Can Make Space for Awe: https://tinyurl.com/yr7m2zb5What Humans Can Learn From Trees: https://tinyurl.com/48te84psRelated Happiness Break episodes:How To Ground Yourself in Nature: https://tinyurl.com/25ftdxpmPause to Look at the Sky: https://tinyurl.com/4jttkbw3Experience Nature Wherever You Are, with Dacher: https://tinyurl.com/mrutudehFollow us on Instagram: @ScienceOfHappinessPodWe'd love to hear about your experience with this practice! Share your thoughts at happinesspod@berkeley.edu or use the hashtag #happinesspod.Find us on Apple Podcasts: https://tinyurl.com/2p9h5aapHelp us share Happiness Break! Leave a 5-star review and share this link: https://tinyurl.com/2p9h5aapTranscription: https://tinyurl.com/4j5sveye

In questa puntata di Radio CICAP, ci addentriamo nel sottile confine tra scienza e pseudo-scienza, esplorando perché teorie prive di fondamento riescano a persistere nel tempo, malgrado il lavoro che le sconfessa.Ospite d'eccezione è Massimo Pigliucci, Professore di Filosofia della Scienza al City College di New York, che ci guida attraverso il concetto, apparentemente semplice ma in realtà complesso, del “raccontare balle”.Partendo dalle riflessioni di Harry Frankfurt, distinguiamo tra chi mente consapevolmente e chi, invece, utilizza argomenti senza alcuna preoccupazione per la verità. Questo ci porta a esaminare le pseudo-discipline, quei campi che adottano il linguaggio scientifico ma ne ignorano il metodo rigoroso.Attraverso esempi tratti dalla filosofia, dalla medicina e dalla storia, non ci limitiamo a stabilire cosa sia vero e cosa no, ma analizziamo l'atteggiamento di chi conduce la ricerca: apertura al dubbio o ricerca di conferme?Ospite: Massimo PigliucciRedazione: Elisa Baioni, Clarissa Esposti, Manuela Gialanella, Diego Martin, Matteo Melchiori, Giuseppe Molle, Alex Ordiner, Dasara Shullani, Matilde  Spagnolo, Cristiano Ursella, Chiara Vitaloni, Enrico ZabeoAltri riferimenti:[https://press.uchicago.edu/ucp/books/book/chicago/P/bo15996988.html Philosophy of Pseudoscienceh: Reconsidering the Demarcation Problem, di Massimo Pigliucci e Maarten Boudry, Editore The University of Chicago Press][https://onlinelibrary.wiley.com/doi/full/10.1111/theo.12271 Bullshit, Pseudoscience and Pseudophilosophy, di Victor Moberger, Theoria]Musiche: [https://www.epidemicsound.com/ Epidemic Sound]Seguiteci sui profili social del CICAP:Facebook: https://www.facebook.com/@cicap.orgInstagram: https://www.instagram.com/cicap_it/Newsletter: https://eepurl.com/ihPeWLi

In 1950, the City College of New York pulled off one of the greatest Cinderella stories in sports history, winning both the NIT and NCAA tournaments in the same season. The team, made up largely of Black and Jewish players, became a symbol of possibility. Within months, a point shaving scandal shattered that legacy. For a transcript of this episode: https://bit.ly/campusfiles-transcripts To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

What does Russia's Vladimir Putin make of the Iran war? He's one of the few beneficiaries, making vast sums of money as the oil price spiked and Donald Trump temporarily eased sanctions. The world's attention has been diverted from his war in Ukraine and the thorn in his side, the NATO alliance, is under more pressure than ever. Today, international relations expert Rajan Menon on Trump's growing anger about NATO's refusal to help the US in the Strait of Hormuz and whether Europe will soon be ready to ward off its hostile neighbour on its own. Featured: Rajan Menon, professor emeritus of international relations at the City College of New York and a senior research fellow at the Saltzman Institute at Columbia University

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  In this episode, Emily talks with San Francisco based artist Chad Hasegawa, known for his minimalist, bold abstract style. Chad grew up in Hawaii, moved to San Francisco inspired by the Mission School art movement, and studied advertising at the Academy of Art University before becoming a full-time painter. He discusses how artists like Franz Kline and Mark Rothko shaped his goal of creating work that stirs deep emotion without explanation, and how painting murals on the street — and the raw reactions from passersby — reinforced that vision. Chad is currently painting a mural on shipping containers at the entrance to the San Francisco Art Fair at Fort Mason (April 16–19) and will have a solo presentation at the Good Mother Gallery booth inside the fair. About Artist Chad Hasegawa: Chad Hasegawa is a San Francisco-based artist and a graduate of the San Francisco Academy of Art. Hasegawa's art is a quest for simplicity and emotional resonance. His approach, deeply rooted in minimalism, focuses on reducing complexity to reveal the essence of feeling and reason. Hasegawa believes in stripping away the unnecessary, leaving behind art that genuinely connects with the viewer through color and form. This process, a balance of adding and subtracting elements, aims to capture pure emotion rather than narrate stories. His work is a deep exploration into the intrinsic structures that shape our perceptions. His work is not just an artistic expression; it is a blueprint for understanding and experiencing the world. Through the lens of minimalism, Hasegawa meticulously crafts each piece to serve as a map, guiding viewers through a landscape of feelings and ideas. The essence of his art lies in this careful balance of elements - each subtraction and addition serves a deliberate purpose, ensuring that every stroke, every color, and every form contributes to the overarching narrative of emotional truth. He strips away the extraneous, focusing on the elemental to evoke a raw, unfiltered emotional response. This purity of expression allows the viewer to connect deeply with the work, engaging not just with the art but with their own inner landscapes of emotion and thought. His work reshapes our understanding of art and its purpose, emphasizing the importance of simplicity in a complex world. By removing the superfluous, his work allows us to appreciate the fundamental aspects of life and art. Hasegawa's work uniquely blends emotion and reasoning, ensuring each piece is both meaningful and emotive. When his work lacks feeling, he enriches it with emotion; when it lacks purpose, he refines it to its core. This balance is Hasegawa's signature, making his art a powerful statement in the ongoing evolution of minimal abstraction and its role in shaping our future. For more from Chad, CLICK HERE.  Follow Chad on Instagram:  @ChadHasegawa For more about the San Francisco Art Fair at Fort Mason - CLICK HERE -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Yale epidemiologist Dr. Harvey Risch digs into PubMed's controversial retraction of a 2025 study of Fenbendazole (FenBen) for cancer treatment by Dr. William Makis. Naomi Wolf Ph.D. is concerned about bizarre cloud formations and the real threat of government geoengineering programs – and the exclusion of women from public prayer spaces. Evolutionary biologist and pseudoscience expert Massimo Pigliucci breaks down the ancient practices of Stoicism and Epicureanism, explaining the biological and societal forces that lock human beings into predictable routines. Naomi Wolf, Ph.D. is an independent journalist, co-founder, and CEO of DailyClout.io. She edits The Pfizer Papers and authored Facing the Beast and War Room / DailyClout Pfizer Documents Analysis Volunteers' Reports eBook. More at https://x.com/naomirwolf and https://naomiwolf.substack.com⠀Massimo Pigliucci, PhD, is the K.D. Irani Professor of Philosophy at the City College of New York. His academic work is in evolutionary biology, philosophy of science, the nature of pseudoscience, and practical philosophy. He has a PhD in Evolutionary Biology from the University of Connecticut and a PhD in Philosophy from the University of Tennessee. He has published over 190 technical papers in science and philosophy and is the author or editor of 23 books. Learn more at https://massimopigliucci.net/⠀Dr. Harvey Risch is Professor Emeritus of Epidemiology at Yale. He provided testimony to the US Senate regarding the COVID-19 pandemic and has spoken widely about his opposition to masking, vaccine mandates, and the reliability of PCR tests – along with his research on COVID prevention and treatment with existing drugs. In 2025, President Trump appointed him to chair the President's Cancer Panel. Follow at https://x.com/DrHarveyRisch 「 SUPPORT OUR SPONSORS 」 • STRONG CELL – If you want to feel more like your younger self, go to https://strongcell.com/ and use code DREW for 20% off. • AUGUSTA PRECIOUS METALS – Thousands of Americans are moving portions of their retirement into physical gold & silver. Learn more in this 3-minute report from our friends at Augusta Precious Metals: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://drdrew.com/gold⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or text DREW to 35052 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• FATTY15 – The future of essential fatty acids is here! Strengthen your cells against age-related breakdown with Fatty15. Get 15% off a 90-day Starter Kit Subscription at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://drdrew.com/fatty15⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • PALEOVALLEY - "Paleovalley has a wide variety of extraordinary products that are both healthful and delicious,” says Dr. Drew. "I am a huge fan of this brand and know you'll love it too!” Get 15% off your first order at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://drdrew.com/paleovalley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • THE WELLNESS COMPANY - Counteract harmful spike proteins with TWC's Signature Series Spike Support Formula containing nattokinase and selenium. Learn more about TWC's supplements at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twc.health/drew⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 「 ABOUT THE SHOW 」 This show is for entertainment and/or informational purposes only, and is not a substitute for medical advice, diagnosis, or treatment. Executive Producers • Kaleb Nation - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://kalebnation.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • Susan Pinsky - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/firstladyoflove⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Content Producer • Emily Barsh - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/emilytvproducer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Hosted By • Dr. Drew Pinsky - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/drdrew⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, let's revisit a Strategy Skills classic interview with the author of Madison Avenue Makeover: The Transformation of Huge and the Redefinition of the Ad Agency Business, Michael Farmer. He also wrote the award-winning Madison Avenue Manslaughter, an inside view of fee-cutting clients, profit-hungry owners, and declining ad agencies (Third Edition, 2019). In this episode, Michael speaks about the time he worked for McKinsey, Bain, and BCG, and the differences between the three consulting firms. He also shared his advice for those aspiring to build their consulting firm and discussed the technique that helped him write his first book, Madison Avenue Manslaughter. Finally, Michael shared his experience of helping in the Transformation of a Creative Ad Agency (Huge). Michael Farmer is Chairman and CEO of Farmer & Company LLC, a strategy consulting firm for advertisers and agencies. He also serves as Professor of Branding and Integrated Communications at The City College of New York (CCNY). He has an MBA from Harvard Business School and was previously a Director of Bain & Company. Connect with Michael here: https://www.farmerandco.com/ Get Michael's book here: https://www.amazon.com/Madison-Avenue-Makeover-transformation-redefinition/dp/1911687646 Madison Avenue Makeover: The Transformation of Huge and the Redefinition of the Ad Agency Business. Michael Farmer. Enjoying this episode? Get access to sample advanced training episodes here: www.firmsconsulting.com/promo

He builds the perfect opponent, then realizes the contest won't mean anything unless it can truly cost him something. When he finally forces that moment into existence, he has to decide whether victory is still worth pulling the trigger. The Fastest Draw by Larry Eisenberg. That's next on The Lost Sci-Fi Podcast.This is the first story by Larry Eisenberg featured on the podcast. He was born in the Bronx in December 1919 and built a career that spanned both science and writing.Alongside his science fiction, Eisenberg worked as a biomedical engineer and became widely known for the witty limericks he posted in the comment sections of The New York Times. When he died in 2018 at the age of 99, the paper honored him with the headline, “Larry Eisenberg, 99, Dead; His Limericks Were Very Well Read.”He studied at City College of New York, where he earned bachelor's degrees in electrical engineering and mathematics, and later continued at Polytechnic Institute of Brooklyn, completing both a master's degree and a Ph.D. in electronics.With that kind of technical foundation, it's no surprise this story reflects the idea that writers often draw from what they know.Over the course of his career, he wrote about fifty short stories between 1962 and 1988. This was only his second published story, appearing in Amazing Stories in October 1963 on page 35, The Fastest Draw by Larry Eisenberg…Next on The Lost Sci-Fi Podcast, A discovery that could rewrite medicine instead threatens to erase the man who reaches for it first. Now one decision must be made—protect the truth, or bury it forever to preserve a lifetime of belief. The Sweeper of Loray by Robert Sheckley.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  Today, we are paying tribute and remember Tosha Stimage, who passed away earlier this month.  We are revisiting Emily's conversation with Tosha back in 2024, as they discuss her artistic journey, from her childhood experiences with nature to her current projects and inspirations. Emily highlights her creative process, experiences during the pandemic, and her upcoming installation at the Presidio Tunnel Tops. About Artist  Tosha Stimage: Tosha Stimage is an Oakland-based multi-disciplinary artist who uses a variety of art mediums to examine how we create language. Her paintings, collages, installations, and floral sculptures “use experimentation to re-contextualize physical material and histories with fresh perspectives,” she shared. As the founder of SAINTFLORA, a full-service floral design company specializing in “unconventional flower experiences”, Tosha is also a local entrepreneur and the third and final artist within the Presidio's Public Art Mentorship Program. In July 2024 Tosha will create and install a large-scale art installation to transform the space between the Presidio Transit Center and the enclosed Picnic Pavilion at Presidio Tunnel Tops.  “Flowers put us back in the ‘circle' and connect us to labor, land, and each other,” Tosha shared. “I'm incredibly excited to explore the flora of the Presidio and use it to spark curiosity and fresh perspectives. Nature provides an accessible and inclusive entry way for dialogue around complex social and environmental topics.”  Honor the legacy of Tosha and support her family by gifting her GoFundMe HERE.  Visit Tosha's Website:  ToshaStimage.com Support Tosha's Floral Shop: SaintFlora.com Follow Tosha on Instagram:  @SaintFloraCo Check out Emily's 48Hills article about Tosha's 'SUPERBLOOM' back in 2024 - CLICK HERE -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

At its most functional level, clothing serves as essential physical protection from the environment, soft armor and tangible comfort. Visually, clothing is one of the most immediate ways to assert individual identity, signaling values and collective belonging to others at first sight. But, when public discourse is polarized and words feel inadequate, clothing becomes a powerful nonverbal language—communicating solidarity, protest, fear or hope at a glance. During periods of political tension and social exhaustion, clothing serves as a palpable reminder of who we are when the world is in flux, offering a sense of control in an uncontrollable world. When institutions feel fragile and the future unclear, getting dressed is no longer trivial—it's an act of care, self-definition, and sometimes even quiet resistance. With insights from fashion industry leaders—educators, designers, reporters, and historians—this panel conversation will address the importance of clothing—as a marker of identity, symbol of resistance, and sign of belonging—in times of crisis.  About the Speakers Laura L. Camerlengo is curator in charge of costume and textile arts with the Fine Arts Museums of San Francisco. She has organized, co-organized and presented numerous costume and textiles exhibitions for the Fine Arts Museums of San Francisco and the Philadelphia Museum of Art, with a focus on sharing the stories of women and artists of color. Her recent publications include Patrick Kelly: Runway of Love (co-edited by Dilys E. Blum, 2021), and Fashioning San Francisco: A Century of Style (2024), as well as contributions to West 86th. She holds a Master of Arts degree from Parsons School of Design, The New School / Cooper Hewitt, Smithsonian Design Museum in the History of Decorative Arts and Design. Moderator Natalie Smith is the Fashion Department chair and a full-time tenured instructor at City College of San Francisco. She also works as a freelance fashion show and event producer, stage manager, model coach, and voice-over artist. Natalie earned her Associate of Arts degree in interior design from the Fashion Institute of Design and Merchandising (FIDM). Anna Chiu is the founder and creative director of Kamperett, a women's wear brand based in San Francisco, where its flagship atelier and studio are located. Shaped by her German and Chinese heritage, her work brings a forward-looking perspective to clothing through an artistic lens. She has dressed women for the Met Gala, countless award shows and red-carpets, including Angelina Jolie, Ali Wong, and Rashida Jones and Chloe Zhao. Kamperett takes an intentional approach to sustainability, with all pieces designed and made in California. Tony Bravo is the San Francisco Chronicle's arts & culture columnist. His areas of coverage include visual art, the LGBTQ community, style, pop culture and “only in San Francisco” stories. He is also a frequent live interviewer and hosts the “Show & Tell” event series at Four One Nine. Bravo is also an adjunct instructor at the City College of San Francisco Fashion Department, where he teaches journalism. The Commonwealth Club World Affairs of California is a nonprofit public forum; we welcome donations made during registration to support the production of our programming. A Grownups Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. Commonwealth Club World Affairs is a public forum. Any views expressed in our programs are those of the speakers and not of Commonwealth Club World Affairs. Organizer: Denise Michaud  Learn more about your ad choices. Visit megaphone.fm/adchoices

Joining me on the podcast this week is leading Latina psychotherapist, Christine Gutierrez, LHMC. Christine is the founder of Christineg.tv, an online hub that features psychologically-savvy and soulful advice. Christine also specializes in love addiction which happens to be the topic of today's episode. In this episode, we talked about healing from love addiction, Christine's own experience with it and how she now helps clients move through the healing process. We also touched on codependency and love addiction red flags. It's clear through my conversation with Christine that she has worked hard and tirelessly on learning how to trust in herself and lean into her biggest self. I'm happy to share our conversation with you.  In this episode you'll hear: What love addiction is, how Christine's early childhood experiences ultimately led to love addiction, and how she got on the path to healing The distinction between healthy, falling in love and love addiction Some tips and tools for women struggling with love addiction Christine's journey to helping other women heal, the merging of the mundane and divine and what the word Diosa means to her How to experience more fierce love in your life (and what fierce love is, exactly) Resources from this podcast:Christine's websiteJoin my email list for info on upcoming writer's program Christine Gutierrez, MA, LMHC, is a Latina licensed psychotherapist, self-worth expert, and thought leader. Gutierrez is also the author of the book I Am Worthy,  I Am Diosa: A Journey to Healing Deep, Loving Yourself, and Coming Back Home to Soul and the affirmation deck Wisdom Del Alma. Christine has a Bachelor's degree from Fordham University in human behavior and development and a Master's degree from City College of New York in mental health counseling with a focus on prevention and community. Through her work, Christine offers group coaching, corporate wellness, transformational retreats such as her annual Diosa Retreat in Puerto Rico, and soul-based business mentorship in her annual Madre Diosa Legacy Council. In addition, Christine is the founder of the forthcoming app DIOSA a global community where like-hearted women gather to meet soul sisters, gather in circle, and rise together. She has been featured on the Kelly Clarkson Show, Latina Magazine, Yahoo Health, Ebony, Cosmopolitan for Latinas, Oprah Magazine, Entertainment Online, Telemundo, and others. Christine currently resides in Puerto Rico.  Book recommendations:I love a good personal development book, and you do too, right? I've compiled a list of book recommendations, as mentioned in past episodes. Check out these amazing book recommendations here. Happy reading! MSN is supported by:We love the sponsors that make our show possible! You can always find all the special deals and codes for all our current sponsors on our website: andreaowen.com/sponsors/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  Host Emily Wilson sits down with Maria Jenson, executive director of SOMArts Cultural Center in San Francisco. Maria shares her journey from dancer and playwright to arts administrator, including stops at SFMOMA before finding her home at SOMArts. The conversation covers Cece Carpio's solo exhibition Tabi Tabi Po: Come Out with the Spirits, You Are Welcome Here, featuring found objects, poetry-infused wall text, and immersive altar installations that blend Bay Area and Filipino cultural traditions. Maria explains why SOMArts returned to solo shows after focusing on group exhibitions — to amplify community artists ready for bigger platforms. Maria also discusses the "Artists Live Here" cultural convening, which drew over 400 people in response to the announced closures of California College of the Arts and the Mission Cultural Center for Latino Arts. Designed as an "unconference" with no slides and no panels, the gathering channeled grief and anger into collective action and joyful community building. Other topics include SOMArts' annual Día de los Muertos exhibition, the Murphy and Cadogan Awards for Bay Area MFA students, and how Maria organized an art fair at the Tenderloin's Phoenix Hotel that brought together galleries, local artists, and civic partners. She credits advocate Ebony McKinney as a major influence and finds creative inspiration in the Bay Area's natural landscape. About Creative & Exective Director Maria Jensen: Maria Jenson is recognized as a leader in the arts for advancing innovative strategies to sustain creative communities in the midst of rapidly changing urban environments. As Creative and Executive Director of SOMArts, Jenson has deepened the organization's commitment to racial equity, creating clear pathways for Bay Area artists to cultivate new ideas and grow their careers. Through her leadership, Jenson has expanded SOMArts' public programs, advanced new public-private partnerships, and fostered groundbreaking exhibitions such as The Black Woman is God, The Third Muslim: Queer and Trans* Muslim Narratives of Resistance and Resilience, and many more. These projects represent SOMArts' commitment to incubating the growth and careers of Bay Area artists and curators. Prior to joining SOMArts, Maria was a key member of the SFMOMA External Relations team during the museum's expansion and was the Founding Director of ArtPadSF, an independent art fair launched in the Tenderloin at the Phoenix Hotel in 2010. A graduate of the 2018 Getty Foundation Executive Leadership Institute, she is a sought-after thought leader on the role of cultural institutions advocating for a more democratic and equitable society. Visit SOMArts Website: SOMArts.org Follow SOMArts on Instagram: @SOMArts For more about the Cece Carpio exhibit at SOMArts, CLICK HERE.  -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The transition from high school to college can be overwhelming for many students and families. Navigating course requirements, financial aid, academic planning, and transfer pathways often leaves students unsure of how to move forward.In this episode of Full Circle, Ms. Wanda sits down with Dr. Camille Wise, Director of the City Scholars Program at Sacramento City College, to discuss a new initiative designed to simplify that journey and help students reach their goal of transferring to a four-year university.City Scholars is a two-year, cohort-based program designed to help students complete a Degree for Transfer while receiving structured guidance, academic planning, and community support along the way.The program was developed after campus leaders analyzed student data and discovered a significant gap between students who intended to transfer and those who were actually able to do so within two years. City Scholars was created to close that gap by removing common barriers and providing students with a clear academic roadmap.Dr. Wise shares how the program supports students academically, socially, and personally while preparing them for transfer to universities across California and beyond.• How cohort-based learning creates community and accountability• How preset course schedules help students graduate on time• The role of dedicated counselors and student support specialists• How the program connects students to campus resources and services• Transfer opportunities to CSU, UC, and other universities• The three majors currently offered through the program• How students can apply and what the enrollment process looks likeCity Scholars is designed to remove many of the obstacles students face when navigating community college independently.Students in the program may pursue a Degree for Transfer in one of the following fields:PsychologyBusinessAdministration of JusticeThese majors were selected because they are among the most popular pathways for students and offer broad transfer opportunities to universities.This program may be a great fit for students who:• Are graduating high school this year• Plan to attend Sacramento City College in Fall 2026• Plan to enroll full-time (12–16 units per semester)• Want to transfer to a four-year university• Want structured guidance and a supportive student communityStudents interested in the City Scholars Program should:Visit the Sacramento City College City Scholars webpageComplete the City Scholars Student Interest FormApply to Sacramento City College through the California Community College application systemSubmit financial aid applications if neededConnect with program staff who will guide them through the next stepsBecause the program has limited space, early interest is encouraged.For many community college students, the dream of transferring to a four-year university can feel unclear or difficult to achieve.City Scholars was created to make that path more accessible by combining academic structure, personal guidance, and a strong sense of community.By helping students stay on track and connected to the support they need, the program aims to help more students achieve their goal of earning a bachelor's degree.Listen to this episode of Full Circle to learn how the City Scholars Program is helping students move from high school to community college and ultimately to a four-year university with confidence and support.If you are a high school senior, parent, counselor, or mentor supporting a student preparing for college, take the next step today.Learn more about the City Scholars Program and complete the student interest form to get connected with program staff.Share this episode with students and families who may benefit from a structured pathway to college

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  Today, Emily chats with Richmond-based artist Joe Cerda about his multifaceted creative practice spanning tattoo art, painting, and sculpture. Key Topics: Joe's earliest artistic memories, including his godfather teaching him to draw a boat at age four His self-taught journey into tattooing, starting with hand-poked tattoos and a homemade machine built from a Walkman motor Moving between Southern California and the East Bay, eventually opening his own tattoo shop in Richmond His specialty in realistic portrait tattoos and photorealistic paintings Travel-inspired artwork from trips to Spain, the Philippines, and Mexico Sculpture training at the Academy of Art University in San Francisco The emotional connection he feels to his paintings versus commissioned tattoo work Influence of representational artist Richard Schmid on his painting technique His plans to incorporate more abstract elements while maintaining realism Location: Cerda Art Studio, Richmond, California Next Episode: Maria Jensen, Executive Director of SOMArts Visit Joe's Website and Tattoo Studio:  CerdaArt.net Follow Joe on Instagram: @CerdaArtStudio  -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Mayor Brandon Johnson and City Council members are pointing fingers over Chicago's latest credit downgrades. Crain's politics reporter Justin Laurence discusses with host Amy Guth. Plus: FAA targets O'Hare flight growth as airline feud heats up; Blackhawks unveil ice center addition as 1901 Project nears spring start; Northwestern Memorial, Rush, UChicago hospitals ranked among best in the world by Newsweek; and Cook County Health and City Colleges to train 1,000 health care workers with $5 million from Pritzker Traubert Foundation. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Choose Courage, Build Community, and Take Action to Create Change…  ICYMI: JVN sits down with Cristina Jiménez Moreta to talk about her new book Dreaming of Home: How We Turn Fear Into Pride, Power, and Real Change and the work being done at United We Dream, the country's largest youth-led immigrant organization – which Cristina co-founded. Plus our breakdown of the Tony awards and our HBOTW! Cristina Jiménez Moreta is an award-winning community organizer, political strategist, prominent advocate for social justice, and author. She is the Co-Founder and former Executive Director of United We Dream (UWD), the nation's largest immigrant youth-led organization. Cristina immigrated to the U.S. from Ecuador with her family in 1998, seeking a better life. She grew up undocumented in Queens, New York, and has since become a powerful voice in the fight for immigrant rights and equity. Cristina is currently a Distinguished Lecturer at the City College of New York's Colin Powell School, where she also co-teaches Leadership for Democracy and Social Justice (LDSJ). Under her leadership, UWD grew into a formidable network of over one million members, shifting the national conversation around immigration and helping secure policy changes at both the local and national levels. Cristina played a pivotal role in United We Dream's successful campaign that led to the implementation of Deferred Action for Childhood Arrivals (DACA) under President Obama. The Monday Edit, now on YouTube!  Check out the JVN Patreon for exclusive content, bonus episodes, and more! www.patreon.com/jvn  Follow us on Instagram @gettingbetterwithjvn Jonathan on Instagram @jvn and senior producer Chris @amomentlikechris  Senior Producer, Chris McClure Producer, Editor & Engineer is Nathanael McClure Production support from Chad Hall Our theme music is also composed by Nathanael McClure. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On January 23, 2026, we saw the first general strike in 80 years in Minnesota after the murder of Renee Good by ICE (one day before their murder of Veteran's Administration ICU nurse and union member Alex Pretti). Organizing, direct action and strikes are increasing in recent years and have the potential to lead to a larger general strike. They also have a long rich history in the US. In our latest, Scott talks with writer, historian and labor organizer Fred Glass about the rich history of general strikes in America and their possibilities for the future. We also discussed Fred's short film on May Day and the importance of May Day and the Haymarket Affair in modern labor history

Last month, Legler Regional Library and the Greater Chicago Food Depository opened the city's first food pantry inside a public library. This week, a new partnership between GCFD and City Colleges of Chicago opened Statesmen Market, a redesigned food pantry inside Kennedy-King College in Englewood. Freelance Journalist Chasity Cooper and Block Club Chicago's Atavia Reed join us to break down all the details. Plus, Chicago Restaurant Week is ending, south side lounge culture is alive and well, and are you grabbing the new McNugget Caviar kit?Good News: The MothFill out this survey for a chance to win a $100 gift card!Want some more City Cast Chicago news? Then make sure to sign up for our Hey Chicago newsletter.Follow us @citycastchicagoYou can also text us or leave a voicemail at: 773 780-0246Learn more about the sponsors of this Feb. 6 episode: League of Chicago Theatres Chicago Restaurant Week Paramount Theatre Museum of Contemporary Photography Chicago Architecture Center Become a member of City Cast Chicago.Interested in advertising with City Cast? Find more info HERE

Note: if you haven't already heard it, please start with our original, May 2024 episode with Dr. Moses: Genocidology (CRIMES OF ATROCITY) Part 1A lot has happened since then, and author, scholar and genocide expert Dr. Dirk Moses was kind enough to return for a 2025 episode. We cover how public and legal sentiment has changed since our first episode, and discuss his recent paper, “Introduction: Gaza and the Problems of Genocide Studies,” which includes a roundtable discussion with dozens of experts. Also: some behind-the-scenes influences regarding Gaza in the media, humanitarian law precedents, munitions and the Geneva Conventions, myths, the problems surrounding the language of transgression, new research, up-to-date statistics, and how protests have been criminalized. Like that first Genocide episode, this one would not be possible without the input, research, producing, and additional writing of Mercedes Maitland, who joined me on this interview once again with her questions for our expert. So, huge thanks to her for that passion, hard work, and tireless advocacy for human rights. Donations went to Gaza Hand of Salvation Initiative and the City College of New York Colin Powell School – Student Emergency FundVisit Dr. Dirk Moses's websiteRead his book, “The Problems of Genocide: Permanent Security and the Language of Transgression”More episode sources and linksSmologies (short, classroom-safe) episodesOther episodes you may enjoy: Genocidology (CRIMES OF ATROCITY) Part 1, Agnotology (IGNORANCE), Genealogy (FAMILY TREES), Nomology (THE CONSTITUTION), Indigenous Fire Ecology (GOOD FIRE),  Indigenous Cuisinology (NATIVE FOODS), Indigenous Pedology (SOIL SCIENCE),  Ethnoecology (ETHNOBOTANY/NATIVE PLANTS), Bryology (MOSS), Black American Magirology (FOOD, RACE & CULTURE), Bisonology (BISON)400+ Ologies episodes sorted by topicSmologies (short, classroom-safe) episodesSponsors of OlogiesTranscripts and bleeped episodesBecome a patron of Ologies for as little as a buck a monthOlogiesMerch.com has hats, shirts, hoodies, totes!Follow Ologies on Instagram and BlueskyFollow Alie Ward on Instagram and TikTokEditing by Mercedes Maitland of Maitland Audio Productions, Jake Chaffee, and Jarrett Sleeper of MindJam MediaAdditional producing, writing, and research by Mercedes MaitlandManaging Director: Susan HaleScheduling Producer: Noel Dilworth Transcripts by Aveline MalekWebsite by Kelly R. DwyerTheme song by Nick Thorburn Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.