Podcasts about City Colleges

The Mercantilist Restoration - https://anthonyfatseas.substack.com/p/the-mercantilist-restoration-how?r=1ni7opInterview recorded - 10th of June, 2026On this episode of the WTFinance podcast I had the pleasure of welcoming back Professor Richard Wolff. Richard Wolff is Professor of Economics Emeritus at the University of Massachusetts Amherst, and has been described as probably America's most prominent Marxist economist. He is the host of Economic Update and the author of Capitalism Hits the Fan. During our conversation we spoke about the current situation in the economy and geopolitics, the uncertainty in the economy, BRICS enemies of the West, the end of the US hegemony and more. I hope you enjoy!0:00 - Introduction3:37 - Current thoughts on economy and geopolitics8:51 - Geopolitical uncertainty linked to economy?15:42 - Iran conflict resolved?22:27 - BRICS enemies of the West33:56 - US hegemony42:03 - One message to takeaway?Richard D. Wolff is Professor of Economics Emeritus, University of Massachusetts, Amherst where he taught economics from 1973 to 2008. He is currently a Visiting Professor in the Graduate Program in International Affairs of the New School University, New York City.Earlier he taught economics at Yale University (1967-1969) and at the City College of the City University of New York (1969-1973). In 1994, he was a Visiting Professor of Economics at the University of Paris (France), I (Sorbonne). Wolff was also regular lecturer at the Brecht Forum in New York City.Prof Wolff is the co-founder of Democracy at Work and host of their nationally syndicated show Economic Update. Professor Richard Wolff:Democracy at work: https://www.democracyatwork.info/Website: https://www.rdwolff.com/X: https://x.com/profwolffYouTube: @RichardDWolff WTFinance -Instagram - https://www.instagram.com/wtfinancee/Spotify - https://open.spotify.com/show/67rpmjG92PNBW0doLyPvfniTunes - https://podcasts.apple.com/us/podcast/wtfinance/id1554934665?uo=4Twitter - https://twitter.com/AnthonyFatseas

It's YOUR time to #EdUp with Jerell Hill, Dean of Student Services, Los Angeles City CollegeIn this episode, sponsored by EdUp Leadership, the ​HigherEd PodCon​ II happening July 16 & 17, & the 2026 AcOps Conference July 29-31 by CoursedogYOUR host is Dr. Jodi BlincoHow does conscious gratitude become the interior architecture that transforms circumstances when it does not deny the wound but refuses to let the wound have the last word?Why does the counselor who has held students through financial crisis, housing instability & grief sit quietly in the meeting because she knows why the numbers dropped but doesn't have the language that will survive?What makes identity, urgency & direction the 3 pillars that keep students from shrinking to survive when you are not your circumstances, not your zip code & not your poverty?Listen in to #EdUpThank YOU so much for tuning in. Join us on the next episode for YOUR time to EdUp!Connect with YOUR EdUp Team - ⁠⁠⁠⁠⁠ ⁠⁠⁠⁠Elvin Freytes⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠ Dr. Joe Sallustio⁠⁠⁠⁠● Join YOUR EdUp community at The EdUp ExperienceWe make education YOUR business!P.S. Want access to the only intelligence platform built exclusively from presidential conversations in higher ed? Well, we have an app for that!Join EdUp Leadership!

Join us in this episode as we explore the evolving field of cardiovascular medicine with Michael S. Sacks, Professor and Director of the James T. Willerson Center for Cardiovascular Modeling and Simulation at the University of Texas at Austin. As a leading expert in cardiovascular modeling, Professor Sacks focuses on developing patient-specific, simulation-based technologies that improve our understanding of heart and heart valve disease. What's his goal? To advance treatment strategies by helping physicians better predict outcomes and design therapies tailored to individual patients… Click play to learn about: The two major problems with valve therapy. How computational modeling is transforming the diagnosis and treatment of heart disease. Why patient-specific simulations may improve surgical planning and clinical outcomes. The limitations of current valve replacement technologies. Professor Sacks has held numerous leadership roles throughout his distinguished career, including serving as Technical Editor of the Journal of Biomechanical Engineering. He is an inaugural Fellow of the Biomedical Engineering Society, a Fellow of the American Society of Mechanical Engineers, and a Fellow of the American Institute for Medical and Biological Engineering. His honors include the Van C. Mow Medal from the ASME Bioengineering Division, the University of Pittsburgh Chancellor's Distinguished Research Award, the Richard Skalak Distinguished Lectureship from Columbia University, and the SKT Lectureship from the City College of New York. In 2006, he was recognized as one of Scientific American's 50 Leaders in Science and Technology. Connect with Professor Sacks:  LinkedIn University of Texas Profile  Google Scholar Profile Willerson Center for Cardiovascular Modeling and Simulation Oden Institute for Computational Engineering & Sciences

Today we speak about the latest in the Middle East with Rayan El-Amine, then a report with Greg Terry from the Sumud Flotilla. Rayan El-Amine is Community organizer and member leader with Arab Resource and Organizing Center (AROC).  He teaches in the Labor and Community Studies Department at the City College of San Francisco. Greg Terry is a sailor from Arcata, California. He participated in the latest  Global Sumud Flotilla trying to break the Israeli siege in Gaza. Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/ The post 6.1.26 Palestine Post appeared first on KPFA.

Painter George, aka George Harry Crampton-Glassanos, is fine if you wanna call him just "George." In this episode, meet and get to know George. Both of his parents came to San Francisco early in their lives. His mom hails from the East Coast and her family were all working-class folks. His grandpa was a business agent for a machinist's union in Massachusetts. That grandfather shaped George's later involvement in organized labor. (Today, he's a member of the ILWU). George never knew this grandparent who had an outsize impression on him. He died shortly after George was born. But in Massachusetts, in addition to his union involvement, he owned a store that sold records on one half and hats on the other. His dad moved to San Francisco from the Midwest to attend school at the Art Institute (RIP). He got into that school and often slept overnight on a ledge on campus. Both of George's parents were punk rockers in SF in the late-Seventies. Amazing. His dad even lived with the guitarist from The Avengers (Penelope Houston's punk band). Though they would meet later, both spent time at the famed Mabuhay Gardens back in the day. George's dad was a painter as well, and that turned out to have a huge influence on George. His parents met when his mom got a job with his dad's construction working crew. This was around the mid-Eighties. George came along in 1989. After that, his parents had two more boys, making George the oldest of three. His earliest memories are from around the mid-Nineties in The Mission. George spent time when he was a kid running around The Mission and pre-gentrification Dogpatch with his dad. They lived on 18th between San Carlos and Lexington (or, zooming out a bit, between Mission and Valencia). That's two blocks from where I lived from 2003 to 2017, incidentally. But George's family got evicted from that apartment on 18th. The building sold and the new owners evicted tenants one by one, including families like George's. Both of his brothers were born in that apartment. His dad had made modifications there, handyman that he was. And George was old enough to remember all the awesome neighbors they had. I ask George about his favorite restaurants when he was a kid. "I fuckin' ate burritos every night of the week," he answers. He'd hit up nearby La Cumbre or El Buen Sabor around 300 times a year. Whiz Burger also figured big in George's childhood diet. There was a diner across 16th from The Roxie called Aunt Mary's (George shows me a coin purse from the place while we're recording) that he loved as well. Art was always encouraged at home. George's dad would bring home boxes of fax paper for him to draw on with ballpoint pens. He'd draw and draw and draw, often of things he saw. He remembers staring out the window of their place on 18th and watching cars go by, and he'd draw those. But it wasn't until high school at School of the Arts that George really started cranking it out. At SOTA, teachers encouraged George to draw whatever the hell he wanted to. He remembers drawing a skeleton pushing a paleta cart. When George tells me he attended SOTA 2004–2008, I mention that a number of past guests of this show went there around that time. "[The school] churned out a lot of us," he says. Joe Talbot, who co-wrote, produced, and directed The Last Black Man in San Francisco, went to SOTA in that era. George goes on a sidebar to share a story of getting caught smoking pot by a SOTA vice principal. I ask him to rattle off the SF schools he went to, and George obliges. Waldorf in The Mission for Kindergarten, then a Waldorf school in Pac Heights through eighth grade. They wanted him to attend their high school, but he chose SOTA instead. The Waldorf schools also encouraged art, which George appreciated. The social dynamics could be strange, though. You'd have kids like him who got into that school thanks to financial aid being classmates with kids who lived in mansions. After eighth grade, he needed a change. After he graduated from School of the Arts, George took some classes at City College. He'd been working summers painting houses for his dad, and eventually, college tailed off so he could work more. It also gave George more time for his artistic painting. This was about 20 years ago, and since then, he's been painting murals, hanging out with graffiti painters, doing work on Clarion Alley, and working with Precita Eyes to paint various houses and walls in The Mission. I ask whether George's art has evolved over the years. After thinking it over, he talks about the influence of cars and his mom and dad's comic book collections. He loved his mom's underground comics collections, and talks about going down to 23rd Street with them to Scott's Comics and Cards and SF Comic Book Co. next door. George points to artists like Spain Rodriguez, R. Crumb, and the Hernandez Brothers as having shaped his art from a young age. He'd go to Avalon on Mission for iron-on old English letters to have put on hats. The cholo influence of his neighborhood was seeping in, and George ran with it. The gumball machines on Mission with their foil stickers also played a part. He'd take those stickers home, many with images of cars on them, and draw from them. And of course the cars cruising Mission Street caught his artistic eye. George also touches on some of the violence he witnessed in The Mission in the Nineties, when he was a kid. George and his friends got around on skateboards, beater bikes, and Muni. He's quick to point out how, back in the day, you could take the 26-Valencia if you wanted to avoid potential trouble on the 14-Mission. I ask whether George got into any trouble himself. He says mostly harmless stuff like shoplifting. That was before his aforementioned time at School of the Arts. George has mixed feelings about the art scene, and I get it. He's had his art in shows, but prefers bookstores or community-oriented spaces vs. white-walled galleries. He doesn't feel like the audience that goes to those spaces is his. When he talks about painting at home after a long day at work, I ask George to talk about that work. He's currently part of a crew painting the new container cranes in the Port of Oakland. The ILWU is assembling the cranes and George and others use marine enamels to make the cranes look good. We end the podcast with how you can find George and his art. "You can find me on 24th Street," he says. No website. He's on Instagram at @paintergeorge415. We recorded this podcast at George's home in South San Francisco in April 2026. Photography by Nate Oliveira

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  This week, Emily welcomes Abram Jackson, the Director of Interpretation at the Fine Arts Museums of San Francisco, to talk about his work making museum exhibitions more inclusive and equitable. Abram came to the role through an unexpected path — he was a teacher and dean specializing in ethnic studies at the Bay School when a student's mother asked him to review an audio tour for inclusive language. He fell in love with the work and joined the de Young full-time in 2022. In his role, he reads exhibition labels through an equity lens, a practice he traces back to his very first edit on the Soul of a Nation show, where he revised the description of Fred Hampton's death to accurately name the role of COINTELPRO. The conversation also covers an upcoming Lowrider Culture Celebration at the de Young on June 6th, honoring artist Rose B. Simpson's Lexicon — rebuilt classic cars painted like pottery — planned in partnership with three women lowrider community leaders: Angel Romero, Ruby Ramirez, and Vera Majano. The free public event includes a lowrider exhibit, a screening of the documentary Los Dueños, a DJ, and family art-making activities. About Abram Jackson: Abram Jackson is the inaugural Director of Interpretation at the Fine Arts Museums of San Francisco. Jackson utilizes ethnic studies theories and DEIA practices in partnership with staff to incorporate more inclusive narratives into didactics. Jackson holds a Master of Arts in Ethnic Studies from San Francisco State University and a Master of Teaching in Social Studies from the University of Southern California. Jackson has fifteen years of administrative and teaching experience at the high school level, including seven at The Bay School of San Francisco as a humanities teacher and junior class dean, adjunct lecturer at San Francisco State University and at education programs for incarcerated people in California.  Connect with Abram:  LinkedIn Profile Follow Abram on Instagram:  @Interpreting_Abram For Details About The Lowrider Culture Celebration on June 6 at the de Young - CLICK HERE Learn More About Rose B. Simpson Lexicon HERE -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

May 31, 2026 would have been my friend and mentor's 100 birthday.  Sam went to be with the Lord on June 1, 2015-a day after his 89th birthday.    Sam's last book which he co-authored with Alex Newman was Crimes of the Educators.  A week prior to Sam's passing, I called Alex and asked when he was planning on visiting Sam.  They had not yet met in person but frequently met on conference calls.  Alex said that he planned a summer visit.  I told him that he most likely won't be alive by then.  We provided an airline ticket for him, and he flew to Boston on the following day, Thursday.  I had hoped to videotape an interview of the two of them, but Sam's condition had deteriorated, and it would have been an injustice to him.  They interacted as if they were lifelong friends.   Alex, like numerous others, is carrying on the work of Sam.Sam Blumenfeld was born on May 31, 1926, in New York City.  His parents were Polish immigrants.  His mother, who Sam adored, was illiterate.  Sam attended a public school in the Bronx where he received an excellent education.  Sam was a World War II veteran serving in an artillery unit in Italy.    He participated in a prisoner escort where he took pity on a starving German soldier and shared his food with him.  After the war, Sam graduated from City College of New York.  He returned to postwar Europe visiting some friends he made during the war and returned to the U.S. to start a career in the publishing business.  Sam was fluent in several languages.  In 1963, he traveled to Madrid, Spain to interview Dr. Moise Tshombe, the pro-Western leader of Katanga who was ousted by the United Nations  peacekeepers who committed atrocities against the civilian population and replaced by the Moscow trained Patrice Lamumba.It was while he was an editor for Grosset and Dunlop when he got a request from a friend Attorney and Hall of Fame tennis player Watson Washburn to join his reading reform organization which he recently started.  Sam was surprised by the request telling Mr. Washburn that reading was a basic thing you learned in elementary school.  Mr. Washburn suggested that Sam read the book Why Johnny Can't Read by Rudolf Flesch.  The book changed Sam's life.  Flesch pointed out that the look-say or whole word method was introduced to  the nation's schools in the mid to late 1930s.  The Depression made it difficult for most schools to buy the new look-say books but by the mid-1940s most schools around the nation adopted this method of reading.  It  The archive contains an on-line version of Sam's Alpha-Phonics with all 128 lessons in either audio or video,  courses on cursive, and basic arithmetic.  It also contains PDF versions of most of Sam's books, newsletters, hundreds of hours of Sam's lectures in audio and video, manuscripts, and his correspondence.  For unlimited free access to the archive, all we need is an E-mail address and a username.  (Donations are, of course, greatly appreciated.)  Here is the link to the archive:  http://blumenfeld.campconstitution.net/main.htmCamp Constitution is a New Hampshire based charitable trust.  We run a week-long family camp, man information tables at various venues, have a book publishing arm, and post videos from our camp and others that we think are of importance. Please visit our website www.campconstitution.net

This last episode before summer has us dreaming of the beach, Slushies—watching moonlight on the waves, reading novels in the sand. But not before we share this packed episode with you. Today we welcome special guest, Daniel Kuriakose, to hear about “The Common Well,” the literary journal he's relaunching alongside K Hank Jost. Daniel sticks around for our discussion of two poems by Mara Lee Grayson.     We admire the duality on display in the first poem's back and forth-ness which has us pondering the undulation of its syntax. The late reveal of whom the lyric speaker addresses is satisfying surprise. A clever turn of phrase sends the more seasoned members of the team straight to this 90's Divinyls' song. The way enjambment revises meaning after a line break in both of these poems reminds Jason of Heather McHugh's poetry. And ultimately Kathy bring us back to the two questions we ask of every submission: do you want to stay with the poem and do you want to share it? Join us in sharing our deep thanks for two members of our staff who are with us for the final time: Reese, our co-op, and Lillie, our sound engineer. Best of luck to your both in the future. Thank you, Reese! Thank you, Lillie! Over the summer, keep tuning in for a retrospective with deep cuts from our archive. Thanks, as always, for listening!      At the table: Dagne Forrest, Tobi Kassim, Daniel Kuriakose (special guest from “A Common Well”), Reese Pfunder, Jason Schneiderman, Kathleen Volk Miller, Lisa Zerkle, Lillie Volpe (sound engineer), Derek Grebis (sound engineer)          Author Bio: Mara Lee Grayson's poetry has appeared in Poetry Northwest, Tampa Review, and Nimrod, among other literary journals, and has been nominated multiple times for the Best of the Net and Pushcart Prizes. Grayson is the author or editor of five books of nonfiction. She holds an MFA from The City College of New York and a PhD from Columbia University and was previously a tenured professor in the California State University system. Originally from Brooklyn, New York, she currently resides in New Jersey.     Social media: @maraleegrayson  Website: maragrayson.com    She Winds Her Stems through Fire for Burning Leaves Fend Off the Grief of Being Mowed On the trampoline, young boys next door              bounce while inside, their mothers   debate wine or coffee. Another weekend              when the county's on emergency alert.    For now, bees land on dogwood flowers,               robins nest in tall trees    planted by the prior owners,              and my husband's on his knees out back   for hours, pulling branches from hydrangeas              I have neither time nor thumb    to nurture back to life. He's learned a lot              in efforts to identify the colony of ants    that sent a scout across our deck, through               the side door to a cat food bowl,    like what distinguishes Bumblebee               from Carpenter (they look the same,    the bumble fuzzier). A million years               of evolution, the male bee    still hovers in one place, waiting               for a female to fly by. I fold laundry   then look up which buds bloomed               in 17th Century Versailles. (You'd guess    invasive species but, unironically,              it's narcissus and orange blossoms.)    For years, I worshipped palms               on the other side of the Continental Divide,    like I was replanted, like new soil               could change the nature of the seed.   I looked for lightning and caught language              in my mouth. I dreamed of blooms,    then woke up in the desert,               staring at a mountain, believed to be    an imprint of ancient gods whose voices               echoed off the surface of the earth.    The nervous system replicates in utero,              its fight or flight part predetermined,    part piano keys the brain may tap. Healing,              says the therapist, happens in the pendulation.   Insects bounce along the glass as children,               mothers sip merlot in coffee mugs,    and the man I married after you               tans wrist to elbow, scratching up his forearms    rending dead wood stems. It's sticky business,              caught between my lush, infertile soil and flirting    with the bees, he knows that when I think about you,               I touch my self-concept on the page.    What the Fortune Teller Tells Me on the Night I Leave California The Channel Islands will one day rise up in the distance like a resurrected poet  high on mescaline and memories of pretty women. You will or won't  learn how to tunnel through a prison  of the mind. When the wind picks up, she says  she was awoken by the rumble of a saw  told so many times it must be true.  You might as well  drive six years backward, park beside a pool  in west New Jersey.                                       I think she means  beginnings are like endings: eyelid work,  a neuron matter, not ontology or god.  To transit is to navigate the synapses,  trade one water for another,  every body's chemistry the same  except for how the furniture's arranged,  which pieces we keep secret from ourselves.  She eschews the label hypocrite,  calls herself a hippopotamus instead. Oh, she's drinking like a river now,    but can you honestly say you've never felt  a kinship for a living being who could crush you and the glass of bourbon in your hand? Maybe when you were a child, your father  chalked equations on a dusty blackboard. Your height in centimeters  is your adolescent telephone number  divided by the times your mother screamed  bringing you into this world.  

Send us Fan MailTom Bernard is in the financial field, married to a public school teacher, and teaches personal finance courses at the City College of San Francisco. His mission? Tom wants to help the average person understand wealth-building and how the S&P 500 actually works. Tom has been there, done that, and got the T-Shirt by trying to BEAT the market with individual stocks....but coming up short of market returns. Now, Tom has become an expert on the S&P and loves the low fees and simplicity of index Funds This year, Tom released his new book titled "The Index of America"Key Insights from The Index of America Include:The Power of Simplicity: Why broad-based index investing consistently outperforms complex, high-fee trading strategies over the long term.Historical Context: How the index has evolved since 1957 to reflect shifting global influences and technological revolutions.Wealth Compounding: A clear guide for students, new investors, and seasoned professionals on how disciplined participation leads to long-term stability.https://www.amazon.com/INDEX-AMERICA-WORKS-SHOULD-INVEST-ebook/dp/B0GPHQVRTLBe a guest on the show:https://www.financiallyindependentteachers.com/contact-8Check out our website:https://www.financiallyindependentteachers.com/Sign up for FIT coaching:https://www.financiallyindependentteachers.com/services-4

Theoretical physicist Dr Michio Kaku has spent 70 years searching for the single equation that could explain everything in existence. He reveals why there's almost certainly life beyond Earth, how quantum computers will soon crack every bank account and digital codes, and why the secret to human immortality already exists! Dr Michio Kaku is a theoretical physicist, co-founder of String Field Theory, and Professor at the City College of New York. He is one of science's most prominent public communicators, and is also the author of bestselling books such as, 'Quantum Supremacy: How the Quantum Computer Revolution Will Change Everything'.  He explains: ◼️Why aliens almost certainly exist but will probably never reach us ◼️Why travelling to the nearest star would take 70,000 years, and the only way around it ◼️What 70 years studying the universe taught him about the meaning of life ◼️What caused the Big Bang and the theory that says new universes are being born right now ◼️What's inside a black hole and why it might be a doorway to another universe Follow Dr Michio: X - https://link.thediaryofaceo.com/fTQ1ze  Website - https://link.thediaryofaceo.com/AkR5q8z  You can purchase Dr Michio's book, ‘Quantum Supremacy: How the Quantum Computer Revolution Will Change Everything', here: https://link.thediaryofaceo.com/Gi4eG6M  The Diary Of A CEO: ◼ Join DOAC circle here - https://doaccircle.com/  ◼ Buy The Diary Of A CEO book here - https://smarturl.it/DOACbook  ◼ The 1% Diary is back - limited time only: https://bit.ly/3YFbJbt  ◼ The Diary Of A CEO Conversation Cards: https://linkly.link/2hm7r  ◼ Get email updates - https://bit.ly/diary-of-a-ceo-yt  ◼ Follow Steven - https://g2ul0.app.link/gnGqL4IsKKb  Sponsors: Pipedrive - https://pipedrive.com/CEO   Stan - Visit https://coach.stan.store/?ref=stevenbartlett&utm_source=youtube&utm_medium=podcast&utm_campaign=episode7  Function Health - https://Functionhealth.com/DOAC to sign up for $365 a year. One dollar a day for your health

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  This week, Emily interviews Emory Douglas, the Black Panther Party's Minister of Culture and revolutionary artist. The episode centers on a retrospective of his work, Emory Douglas in Our Lifetime, on view at San Francisco's African American Arts and Culture Complex. About Artist Emory Douglas: The former Minister of Culture and Revolutionary Artist for the Black Panther Party, Douglas helped define the aesthetics of protest at the height of the Civil Rights era, cementing his status among the 20th century's most influential radical political artists. Throughout the 1960s and 1970s, he designed all but one of the Party's newspapers, each issue marked by the artist's bold, figurative illustrations outlined in thick black line and contrasted with bright colors, block text, and photomontage. The clearly rendered imagery, applied to a range of printed media from newspapers to posters, notecards, and pins, became a hallmark of liberation movements around the world, as supporters calling for an end to the oppression and subjugation of Black, Indigenous, and other communities sought to project a spirit of shared struggle through a common artistic vocabulary. Douglas was born in Grand Rapids, Michigan. In 1951, his family relocated to San Francisco, where he continues to live today. Widely known as an epicenter of radical countercultural politics in the post–World War II era, the city was also deeply divided and segregated, and it was the injustices that Douglas observed as a child that informed his political ideology as an adult. Beginning in the early 1960s, as a student of commercial art at City College of San Francisco, Douglas made frequent trips to nearby San Francisco State University to see civil rights leaders like Amiri Baraka, Stokely Carmichael, and H. Rap Brown speak. He soon lent his talents to the nascent Black Arts Movement, creating fliers and other promotional artworks to advertise events held across the city. These formative experiences solidified his intentions to dedicate his work to the broader struggle for Black liberation that was taking shape around him. In January 1967, Douglas met Huey Newton and Bobby Seale, two young activists from nearby Oakland, who, months earlier, had founded the Black Panther Party (BPP). Black self-determination was the Party's primary motivation, seeking to improve the position of underprivileged people of color in America through “whatever means necessary.” The organization initially focused on an individual's right to bear arms for defense against police violence, but its attention eventually turned to social justice issues like free breakfast for school children and fair housing. Seeking to promote their civil rights agenda to a primarily Black American audience, the Panthers developed a newspaper, the first of which Seale created and published in April 1967. That first issue was simple in layout and design, leading Douglas to offer his expertise in print production, understanding the power that strong visuals could lend to political action. Beginning with the second, he designed every issue thereafter—some 537 newspapers, from 1967 until it ceased publication in the early 1980s. Douglas quickly rose through the ranks of the organization: he was officially named its Revolutionary Artist and, eventually, Minister of Culture, overseeing all aspects of the BPP visual identity. Douglas's familiarity with the print production process was a fruitful asset, as he employed simple tools like markers, rub-off type, and prefabricated texture materials to create his visually impactful designs. To keep costs low, each paper was printed in one or two colors—black ink, often with a contrasting bright color. His illustrations shone a spotlight on state-sanctioned brutality, depicting law enforcement officers and politicians as pigs, while also portraying Black people bearing arms and defeating their oppressors. Some issues featured images of Black suffering, lambasting the political establishment for failing to meet the basic needs of people of color across the United States. Douglas strategically employed photomontage as well, integrating photographs alongside text and illustrations to emphasize urgent issues facing the Party. The impact and influence of Douglas's designs underscored the importance of a consistent graphic strategy in conveying complex political messages in very simple terms. This success was underscored by the massive global distribution of the newspaper and the frequent use of Douglas's illustrations in the political campaigns for organizations like the Organización de Solidaridad con los Pueblos de Asia, África y América Latina, Organization of Solidarity with the People of Asia, Africa, and Latin America, known as OSPAAAL. Despite the popularity of the Panthers' programs and their frequent struggle against the established white political order, the Party was disbanded in the early 1980s. Douglas continues to work as a political artist and activist, producing work that seamlessly translates complex political issues into easily understood illustration, a hallmark of the pieces he produced as a member of the Panthers. His striking figural illustrations connect him to generations of American artists like Elizabeth Catlett, Aaron Douglas, and Charles White, while his combining of type and image draw on generations of political art emanating from across the world, including contemporaries working in Cuba during the Communist Revolution. Deeply bound to American history and politics, his imagery evokes a powerful, globally resonant narrative. For more on Emory, CLICK HERE.   To learn about the exhibit honoring Emory's revolutionary work, CLICK HERE. -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Episode Description (the version that goes in podcast players)New York City has tripled gaming industry jobs since 2008. The average wage is now 14% above the citywide average. Over half of NYC's game studios are indie teams of five or fewer. And almost nobody outside the city knows it.In this episode of Player Driven, Greg Posner sits down with Alia Jones-Harvey, Associate Commissioner of Education and Workforce Development at the New York City Mayor's Office of Media and Entertainment, to talk about how the city is quietly building a connected gaming ecosystem — from K-12 students competing inside Minecraft, to CTE high schools running state-approved game design curriculum, to City College's bachelor's degree in game design housed in the school of arts. They cover Battle of the Boroughs, the NYC Video Game Festival on May 9, the Summer of Games initiative, and why community is the through-line that ties all of it together.If you work in gaming on the East Coast, this episode reframes what's possible.Topics coveredNYC gaming industry, NYC Video Game Festival, Battle of the Boroughs, Mayor's Office of Media and Entertainment, MOME, NYC esports, game design education, K-12 gaming programs, Minecraft education, indie game development NYC, CTE schools, City College game design, Summer of Games NYC, Made in NY digital games, NYC workforce development gaming, East Coast gaming industry, gaming jobs NYC, indie studios New York, gaming community building, Convene Brookfield Place, collegiate esports NYCAbout the guestAlia Jones-Harvey is the Associate Commissioner of Education and Workforce Development at the New York City Mayor's Office of Media and Entertainment (MOME). Her portfolio includes the Battle of the Boroughs program, the NYC Video Game Festival, the Made in NY digital games program, and the city's broader work supporting the indie game development community.About the showPlayer Driven is a podcast and media platform for gaming industry practitioners — community managers, player support leads, live ops professionals, trust and safety operators, and the people building the next generation of player communities. New episodes weekly. Subscribe on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts.LinksNYC Video Game Festival Battle of the Boroughs / NYC Summer of Games2021 NYC Games Industry Economic Impact StudyPlayer DrivenTagsGaming, Esports, Education, Government, New York City, Indie Games, Game Development, Community, Workforce Development, Trade Publication 

2018年全国高考I卷英语听力第一节 (共5小题；每小题1.5分，满分7.5分)听下面5段对话。每段对话后有一个小题，从题中所给的A、B、C三个选项中选出最佳选项。听完每段对话后，你都有10秒钟的时间来回答有关小题和阅读下一小题。每段对话仅读一遍。1.What will James do tomorrow? A. Watch a TV program. B. Give a talk. C. Write a report.2.What can we say about the woman? A. She's generous. B. She's curious. C. She's helpful.3.When does the train leave? A. At 6:30. B. At 8:30. C. At 10:30.4.How does the woman go to work? A. By car. B. On foot. C. By bike.5.What is the probable relationship between the speakers? A. Classmates. B. Teacher and student. C. Doctor and patient.第二节 (共15小题，每小题1.5分，满分22.5分)听下面5段对话或独白。每段对话或独白后有几个小题，从题中所给的A、B、C三个选项中选出最佳选项。听每段对话或独白前，你将有时间阅读各个小题，每小题5秒钟；听完后，各小题将给出5秒钟的作答时间。每段对话或独白读两遍。 听第6段材料，回答第6、7题。6.What does the woman regret? A. Giving up her research. B. Dropping out of college. C. Changing her major.7.What is the woman interested in studying now? A. Ecology. B. Education. C. Chemistry.听第7段材料，回答第8、9题。8.What is the man? A. A hotel manager. B. A tour guide. C. A taxi driver.9.What is the man doing for the woman? A. Looking for some local foods. B. Showing her around the seaside. C. Offering information about a hotel.听第8段材料，回答第10至12题。10.Where does the conversation probably take place? A. In an office. B. At home. C. At a restaurant.11.What will the speakers do tomorrow evening? A. Go to a concert. B. Visit a friend. C. Work extra hours.12.Who is Alice going to call?A.Mike. B. Joan. C. Catherine. 听第9段材料，回答第13至16题。13.Why does the woman meet the man? A. To look at an apartment. B. To deliver some furniture. C. To have a meal together.14.What does the woman like about the carpet? A. Its color. B. Its design. C. Its quality.15.What does the man say about the kitchen? A. It's a good size. B. It's newly painted. C. It's adequately equipped.16.What will the woman probably do next? A. Go downtown. B. Talk with her friend. C. Make payment.听第10段材料，回答第17至20题。17.Who is the speaker probably talking to? A. Movie fans. B. News reporters. C. College students.18.When did the speaker take English classes? A. Before he left his hometown. B. After he came to America. C. When he was 15 years old.19.How does the speaker feel about his teacher? A. He's proud. B. He's sympathetic. C. He's grateful.20.What does the speaker mainly talk about? A. How education shaped his life. B. How his language skills improved. C. How he managed his business well.参考答案1—5 BCCBA 6—10 BABCC11—15ABAAC 16—20 BCBCA录音原文(Text1)W: James, you've been watching TV for the whole evening. What's on?M: It's a science program on the origin of the universe. I'll give a presentation on it in my class tomorrow.(Text2)M: Hello, do you have The Best of Mozart?W: Um, sorry, we've just sold out. But we can order one for you. If you give us your number, we'll call you when the CD arrives.(Text3)W: We'd better be going now, or we'll be late for the train.M: No rush. It's 8:30 now. We still have two hours.(Text4)M: I am so tired of driving all those hours to work.W: Yeah, I know what you mean. I used to drive two hours to work each way. But now I live within walking distance of my office. I don't even need a bike.(Text5)W: Hi, Andy! I didn't see you in Prof. Smith's class yesterday. What happened?M: Well... I had a headache, so I called him and asked for sick leave.(Text6)W: The biggest mistake I made,uh, was leaving college in my last year and not completing my education. So I'm thinking of going back to school.M: School? To study what?W: Ecology. I'm interested in the relationship between humans and nature.M: Cool. Is it what you studied years ago?W: No, I majored in Chemistry then.(Text7)M: Good morning, madam. I am your guide for this trip.W: How lovely! Could you tell me about the hotel I'm going to stay at?M: Yes, of course! The Grand Hotel opened in 1990, and it sits on the seaside along the South Coast Highway.It is the most beautiful hotel here.W: That sounds great!M: And there are some restaurants outside, so at dinnertime, you'd have a lot of choices.W: That's really nice! I like to have some local foods while traveling. What about the scenery around it?M: The hotel has the best views of the Pacific Ocean.W: Oh, I think I will love this hotel.(Text8)W: Hi Mike!M: Hi Alice! Nice to see you. You don't often come here.W: I usually have fast food delivered to my office. Just came here for a change today.M: The environment here is good,clean and relatively quiet.W: Yeah, and I heard the food is tasty. By the way, are you going to the concert tomorrow evening?M: Yes. Are you?W: Yeah. Catherine was supposed to go with me but she may have to work extra hours tomorrow. Do you know anyone who might like to go?M: No... But if you like, I can ask around... Er... Joan might want to go.W: Oh, yes, she's a great fan of classical music. I'll give her a ring after lunch.(Text9)W: Hi, I've only just arrived!M: Oh, good. Now, here are the keys. Let's go in. There are two apartments. The one for rent is on the right.Do come in.W: Thank you. I like the carpet.The color is nice, isn't it?M: Yes, and this apartment is in good condition. Here is your lounge.W: Where would we eat?M: There is this corner here or you can use your kitchen. Come and see.W: The kitchen is quite small.M: Yes, but it has everything,cooker, fridge, even a dishwasher.W: And there are lots of cupboards.M: Let me show you the bedrooms.This is the smaller one.W: It's a good size though.M: Now come into the other bedroom. You can see the bathroom, too.W: Yes. It's very nice but I will have to ask my friend first and we will come together. I understand it is eight hundred dollars a month.M: Yes. But a few blocks downtown would be much more expensive.W: Well, thank you. I will be in touch.(Text10)M: Thank you very much. Thank you, Dr. Johnson. Well, it is really great to be back at university again. The thing that I wanted to tell you today is this: Education is important. When I came to the U.S., I was only thinking about being a carpenter. But I could not read the newspaper, and I could not understand the news on television or movies or anything like this. So I entered the City College to take English classes for foreign students. I was very proud that I was going to a college, because no one in my family ever went to any college or to any university. You know, when you're 15 years old in my country,you finish school and then learn a trade, and that's exactly what I did. When I was 15 years old, I learned how to be a carpenter. A year later I came to America. Luckily, I met a very good teacher who encouraged me to take some math classes, business classes, and history classes, and I became a full-time college student. And today, when I look back, I'm so happy because you never know where life will take you. All of a sudden I started making money because I was really good at math. You know, how to work out everything with math is so important. This is something that I learned when I started my own business, which is doing really well.

Chicago's Cinco de Mayo parade is cancelled for a second year due to immigration enforcement fears. IBM announces a new innovation center at the Quantum and Microelectronics Park on Chicago's South Side, pledging hundreds of jobs for City College graduates. Meanwhile, in Springfield, the Illinois legislature is finalizing its game plan to keep the Chicago Bears in Illinois. In the Loop breaks down those stories and more with Block Club Chicago reporter Mack Liederman, Chicago Sun-Times reporter Mary Norkol and Alex Nitkin, Illinois Answers Project government finance and accountability reporter. For a full archive of In the Loop interviews, head over to wbez.org/intheloop.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  This week, Emily chats with Kara Maria, a painter and printmaker based in San Francisco Episode Highlights: Kara discusses her large-scale wood panel print on display at Chase Center in San Francisco, created at Magnolia Editions in Oakland with master printer Tallulah Terrell How a monarch butterfly painting became the starting point — and then had to be modified — for the Chase Center commission Her colorful aesthetic, rooted in 1970s cartoons, Spirograph, comic books, and Japanese woodblock prints (particularly Hokusai) The influence of her husband, Mexican artist Enrique Chaya, and their travels to Mexico on her color palette Childhood memory of a school librarian who gave her a shelf in the library for her handmade illustrated books Her journey from music school to painting — and why she knew she could never stop making art Her love of Bay Area edges: the Marina, Ocean Beach, and the view from Mount Davidson Why her studio, SF MoMA, the de Young, and the Legion of Honor all hold special meaning About Artist Kara Maria: Kara Maria is a visual artist working in painting, drawing, printmaking, and public art. Her recent work addresses climate change, biodiversity loss, and their significant impact on humanity. She meticulously paints miniature portraits of threatened, endangered, and extinct animals amid fields of flying shapes, twisting lines, and swirling colors. These works celebrate the joy and exuberance of life, emphasizing the incredible variety of existence on our planet. Maria received her BA and MFA from the University of California, Berkeley. She has exhibited work in solo and group shows across the United States at venues such as the de Saisset Museum at Santa Clara University, CA; the Sonoma Valley Museum of Art, Sonoma, CA; the Nevada Museum of Art, Reno, NV; the Contemporary Arts Museum, Houston, TX; and the Katonah Museum of Art in New York. Maria has been selected for awards and honors, including the Masterminds Grant from SF Weekly; a grant from Artadia; and an Eisner Prize in Art from UC Berkeley. Her work has received critical attention in the San Francisco Chronicle, the Los Angeles Times, and Art in America. She has been awarded artist residencies at the Montalvo Arts Center, the Recology Artist in Residence Program, Djerassi Resident Artists Program, and the de Young Museum Artist Studio. Maria's work is part of the permanent collections of the Berkeley Art Museum and Pacific Film Archive; the Cantor Arts Center at Stanford University; the Crocker Art Museum, Sacramento; the Fine Arts Museums of San Francisco; the Frederick R. Weisman Art Foundation, Los Angeles; the Museum of Fine Arts, Houston; and the San Jose Museum of Art, among others. Born in Binghamton, NY (1968), Kara Maria now lives and works in San Francisco, CA. Links & Resources: Visit Kara's Website: KaraMaria.com Follow Kara on Instagram:  @Kara Maria Art Kara Maria's work is on display at Chase Center as part of the Homegrown Series (alongside work by Masako Miki, featured in Episode 60) CLICK HERE FOR MORE INFO -- Coming Up Next: Episode 70 on May 19th — Emery Douglas, graphic artist and former Minister of Culture for the Black Panther Party. His show Emery Douglas: In Our Lifetime is at the African American Art and Culture Complex in San Francisco through October. -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Noticing the history and beauty around us can shift how we see ourselves—and our communities. An awe walk through Harlem reveals how the stories embedded in public spaces can spark connection, perspective, and a sense of what's possible.Summary: Cities are full of quiet moments of wonder—if we know how to notice them. In this episode of The Science of Happiness we explore the science of awe while taking an awe walk with students at City University of New York in Harlem. We learn  how everyday urban spaces can deepen our sense of connection, belonging, and curiosity. How To Do This Practice: Choose a familiar place: Pick a street, park, campus, or neighborhood you move through often—somewhere ordinary. Slow your pace: Walk more slowly than usual and give yourself permission to notice, rather than rush. Look for signs of story: Pay attention to buildings, names, textures, and small details that hint at history, culture, or the people who've been there before. Ask yourself: Who stood here before me? What happened here? What journeys passed through this space? Notice your response: Pause when something catches you—a feeling of wonder, curiosity, or even goosebumps—and stay with it for a moment. Reflect on connection: As you finish, consider how this place and the stories within it connect to your own life, sense of belonging, or what feels possible for you. Scroll down for a transcription of this episode. Today's Guest:BOB MCKINNON is an author, teacher, and Director of the Social Mobility Lab at the Colin Powell School for Civic and Global Leadership at The City College of New YorkLearn more about Bob here: https://greatergood.berkeley.edu/profile/bob_mckinnonThis episode is supported by The Gambrell Foundation, who believe a great life grows from strong relationships, a sense of belonging, and moments of awe and wonder. Learn more about their work at gambrellfoundation.orgRelated Science of Happiness episodes:Cities of Awe Series: https://tinyurl.com/2vyhxvnyHow Cities Can Make Space for Awe: https://tinyurl.com/yr7m2zb5What Humans Can Learn From Trees: https://tinyurl.com/48te84psRelated Happiness Break episodes:How To Ground Yourself in Nature: https://tinyurl.com/25ftdxpmPause to Look at the Sky: https://tinyurl.com/4jttkbw3Experience Nature Wherever You Are, with Dacher: https://tinyurl.com/mrutudehFollow us on Instagram: @ScienceOfHappinessPodWe'd love to hear about your experience with this practice! Share your thoughts at happinesspod@berkeley.edu or use the hashtag #happinesspod.Find us on Apple Podcasts: https://tinyurl.com/2p9h5aapHelp us share Happiness Break! Leave a 5-star review and share this link: https://tinyurl.com/2p9h5aapTranscription: https://tinyurl.com/4j5sveye

In questa puntata di Radio CICAP, ci addentriamo nel sottile confine tra scienza e pseudo-scienza, esplorando perché teorie prive di fondamento riescano a persistere nel tempo, malgrado il lavoro che le sconfessa.Ospite d'eccezione è Massimo Pigliucci, Professore di Filosofia della Scienza al City College di New York, che ci guida attraverso il concetto, apparentemente semplice ma in realtà complesso, del “raccontare balle”.Partendo dalle riflessioni di Harry Frankfurt, distinguiamo tra chi mente consapevolmente e chi, invece, utilizza argomenti senza alcuna preoccupazione per la verità. Questo ci porta a esaminare le pseudo-discipline, quei campi che adottano il linguaggio scientifico ma ne ignorano il metodo rigoroso.Attraverso esempi tratti dalla filosofia, dalla medicina e dalla storia, non ci limitiamo a stabilire cosa sia vero e cosa no, ma analizziamo l'atteggiamento di chi conduce la ricerca: apertura al dubbio o ricerca di conferme?Ospite: Massimo PigliucciRedazione: Elisa Baioni, Clarissa Esposti, Manuela Gialanella, Diego Martin, Matteo Melchiori, Giuseppe Molle, Alex Ordiner, Dasara Shullani, Matilde  Spagnolo, Cristiano Ursella, Chiara Vitaloni, Enrico ZabeoAltri riferimenti:[https://press.uchicago.edu/ucp/books/book/chicago/P/bo15996988.html Philosophy of Pseudoscienceh: Reconsidering the Demarcation Problem, di Massimo Pigliucci e Maarten Boudry, Editore The University of Chicago Press][https://onlinelibrary.wiley.com/doi/full/10.1111/theo.12271 Bullshit, Pseudoscience and Pseudophilosophy, di Victor Moberger, Theoria]Musiche: [https://www.epidemicsound.com/ Epidemic Sound]Seguiteci sui profili social del CICAP:Facebook: https://www.facebook.com/@cicap.orgInstagram: https://www.instagram.com/cicap_it/Newsletter: https://eepurl.com/ihPeWLi

In 1950, the City College of New York pulled off one of the greatest Cinderella stories in sports history, winning both the NIT and NCAA tournaments in the same season. The team, made up largely of Black and Jewish players, became a symbol of possibility. Within months, a point shaving scandal shattered that legacy. For a transcript of this episode: https://bit.ly/campusfiles-transcripts To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

What does Russia's Vladimir Putin make of the Iran war? He's one of the few beneficiaries, making vast sums of money as the oil price spiked and Donald Trump temporarily eased sanctions. The world's attention has been diverted from his war in Ukraine and the thorn in his side, the NATO alliance, is under more pressure than ever. Today, international relations expert Rajan Menon on Trump's growing anger about NATO's refusal to help the US in the Strait of Hormuz and whether Europe will soon be ready to ward off its hostile neighbour on its own. Featured: Rajan Menon, professor emeritus of international relations at the City College of New York and a senior research fellow at the Saltzman Institute at Columbia University

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  In this episode, Emily talks with San Francisco based artist Chad Hasegawa, known for his minimalist, bold abstract style. Chad grew up in Hawaii, moved to San Francisco inspired by the Mission School art movement, and studied advertising at the Academy of Art University before becoming a full-time painter. He discusses how artists like Franz Kline and Mark Rothko shaped his goal of creating work that stirs deep emotion without explanation, and how painting murals on the street — and the raw reactions from passersby — reinforced that vision. Chad is currently painting a mural on shipping containers at the entrance to the San Francisco Art Fair at Fort Mason (April 16–19) and will have a solo presentation at the Good Mother Gallery booth inside the fair. About Artist Chad Hasegawa: Chad Hasegawa is a San Francisco-based artist and a graduate of the San Francisco Academy of Art. Hasegawa's art is a quest for simplicity and emotional resonance. His approach, deeply rooted in minimalism, focuses on reducing complexity to reveal the essence of feeling and reason. Hasegawa believes in stripping away the unnecessary, leaving behind art that genuinely connects with the viewer through color and form. This process, a balance of adding and subtracting elements, aims to capture pure emotion rather than narrate stories. His work is a deep exploration into the intrinsic structures that shape our perceptions. His work is not just an artistic expression; it is a blueprint for understanding and experiencing the world. Through the lens of minimalism, Hasegawa meticulously crafts each piece to serve as a map, guiding viewers through a landscape of feelings and ideas. The essence of his art lies in this careful balance of elements - each subtraction and addition serves a deliberate purpose, ensuring that every stroke, every color, and every form contributes to the overarching narrative of emotional truth. He strips away the extraneous, focusing on the elemental to evoke a raw, unfiltered emotional response. This purity of expression allows the viewer to connect deeply with the work, engaging not just with the art but with their own inner landscapes of emotion and thought. His work reshapes our understanding of art and its purpose, emphasizing the importance of simplicity in a complex world. By removing the superfluous, his work allows us to appreciate the fundamental aspects of life and art. Hasegawa's work uniquely blends emotion and reasoning, ensuring each piece is both meaningful and emotive. When his work lacks feeling, he enriches it with emotion; when it lacks purpose, he refines it to its core. This balance is Hasegawa's signature, making his art a powerful statement in the ongoing evolution of minimal abstraction and its role in shaping our future. For more from Chad, CLICK HERE.  Follow Chad on Instagram:  @ChadHasegawa For more about the San Francisco Art Fair at Fort Mason - CLICK HERE -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In Illinois, nearly 80 percent of community college students say they plan to transfer and earn a bachelor's degree, yet only about 35 percent actually transfer, and just 20 percent complete a four-year degree. Students from underinvested neighborhoods and low-income backgrounds are even less likely to reach the finish line. While research shows that strong transfer pathways are essential to degree completion and economic mobility, many students still encounter lost credits, added costs, and uneven support along the way.In this episode of Trust Talks, we examine why improving the community college-to-four-year transfer process is a critical but often overlooked issue, what the research shows about challenges transfer students face, and how wraparound supports such as advising, financial assistance, and basic needs assistance can help keep students enrolled through graduation. The conversation also explores why transfer success matters beyond higher education: a bachelor's degree is a key driver of long-term earnings and workforce stability, making transfer a powerful lever for expanding access to opportunity and strengthening the regional economy.The conversation is hosted by Sonianne Lozada, the Trust's program manager for income and small business, and features Juan Salgado, chancellor of City Colleges of Chicago, Mike Abrahamson, director of policy & research from the Partnership for College Completion, and Meg Bates director of Illinois Workforce and Education Research Collaborative (IWERC).This episode was produced by Juneteenth Productions and recorded at The Auburn Gresham Healthy Lifestyle Hub.

Yale epidemiologist Dr. Harvey Risch digs into PubMed's controversial retraction of a 2025 study of Fenbendazole (FenBen) for cancer treatment by Dr. William Makis. Naomi Wolf Ph.D. is concerned about bizarre cloud formations and the real threat of government geoengineering programs – and the exclusion of women from public prayer spaces. Evolutionary biologist and pseudoscience expert Massimo Pigliucci breaks down the ancient practices of Stoicism and Epicureanism, explaining the biological and societal forces that lock human beings into predictable routines. Naomi Wolf, Ph.D. is an independent journalist, co-founder, and CEO of DailyClout.io. She edits The Pfizer Papers and authored Facing the Beast and War Room / DailyClout Pfizer Documents Analysis Volunteers' Reports eBook. More at https://x.com/naomirwolf and https://naomiwolf.substack.com⠀Massimo Pigliucci, PhD, is the K.D. Irani Professor of Philosophy at the City College of New York. His academic work is in evolutionary biology, philosophy of science, the nature of pseudoscience, and practical philosophy. He has a PhD in Evolutionary Biology from the University of Connecticut and a PhD in Philosophy from the University of Tennessee. He has published over 190 technical papers in science and philosophy and is the author or editor of 23 books. Learn more at https://massimopigliucci.net/⠀Dr. Harvey Risch is Professor Emeritus of Epidemiology at Yale. He provided testimony to the US Senate regarding the COVID-19 pandemic and has spoken widely about his opposition to masking, vaccine mandates, and the reliability of PCR tests – along with his research on COVID prevention and treatment with existing drugs. In 2025, President Trump appointed him to chair the President's Cancer Panel. Follow at https://x.com/DrHarveyRisch 「 SUPPORT OUR SPONSORS 」 • STRONG CELL – If you want to feel more like your younger self, go to https://strongcell.com/ and use code DREW for 20% off. • AUGUSTA PRECIOUS METALS – Thousands of Americans are moving portions of their retirement into physical gold & silver. Learn more in this 3-minute report from our friends at Augusta Precious Metals: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://drdrew.com/gold⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or text DREW to 35052 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• FATTY15 – The future of essential fatty acids is here! Strengthen your cells against age-related breakdown with Fatty15. Get 15% off a 90-day Starter Kit Subscription at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://drdrew.com/fatty15⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • PALEOVALLEY - "Paleovalley has a wide variety of extraordinary products that are both healthful and delicious,” says Dr. Drew. "I am a huge fan of this brand and know you'll love it too!” Get 15% off your first order at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://drdrew.com/paleovalley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • THE WELLNESS COMPANY - Counteract harmful spike proteins with TWC's Signature Series Spike Support Formula containing nattokinase and selenium. Learn more about TWC's supplements at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twc.health/drew⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 「 ABOUT THE SHOW 」 This show is for entertainment and/or informational purposes only, and is not a substitute for medical advice, diagnosis, or treatment. Executive Producers • Kaleb Nation - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://kalebnation.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • Susan Pinsky - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/firstladyoflove⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Content Producer • Emily Barsh - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/emilytvproducer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Hosted By • Dr. Drew Pinsky - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/drdrew⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, let's revisit a Strategy Skills classic interview with the author of Madison Avenue Makeover: The Transformation of Huge and the Redefinition of the Ad Agency Business, Michael Farmer. He also wrote the award-winning Madison Avenue Manslaughter, an inside view of fee-cutting clients, profit-hungry owners, and declining ad agencies (Third Edition, 2019). In this episode, Michael speaks about the time he worked for McKinsey, Bain, and BCG, and the differences between the three consulting firms. He also shared his advice for those aspiring to build their consulting firm and discussed the technique that helped him write his first book, Madison Avenue Manslaughter. Finally, Michael shared his experience of helping in the Transformation of a Creative Ad Agency (Huge). Michael Farmer is Chairman and CEO of Farmer & Company LLC, a strategy consulting firm for advertisers and agencies. He also serves as Professor of Branding and Integrated Communications at The City College of New York (CCNY). He has an MBA from Harvard Business School and was previously a Director of Bain & Company. Connect with Michael here: https://www.farmerandco.com/ Get Michael's book here: https://www.amazon.com/Madison-Avenue-Makeover-transformation-redefinition/dp/1911687646 Madison Avenue Makeover: The Transformation of Huge and the Redefinition of the Ad Agency Business. Michael Farmer. Enjoying this episode? Get access to sample advanced training episodes here: www.firmsconsulting.com/promo

He builds the perfect opponent, then realizes the contest won't mean anything unless it can truly cost him something. When he finally forces that moment into existence, he has to decide whether victory is still worth pulling the trigger. The Fastest Draw by Larry Eisenberg. That's next on The Lost Sci-Fi Podcast.This is the first story by Larry Eisenberg featured on the podcast. He was born in the Bronx in December 1919 and built a career that spanned both science and writing.Alongside his science fiction, Eisenberg worked as a biomedical engineer and became widely known for the witty limericks he posted in the comment sections of The New York Times. When he died in 2018 at the age of 99, the paper honored him with the headline, “Larry Eisenberg, 99, Dead; His Limericks Were Very Well Read.”He studied at City College of New York, where he earned bachelor's degrees in electrical engineering and mathematics, and later continued at Polytechnic Institute of Brooklyn, completing both a master's degree and a Ph.D. in electronics.With that kind of technical foundation, it's no surprise this story reflects the idea that writers often draw from what they know.Over the course of his career, he wrote about fifty short stories between 1962 and 1988. This was only his second published story, appearing in Amazing Stories in October 1963 on page 35, The Fastest Draw by Larry Eisenberg…Next on The Lost Sci-Fi Podcast, A discovery that could rewrite medicine instead threatens to erase the man who reaches for it first. Now one decision must be made—protect the truth, or bury it forever to preserve a lifetime of belief. The Sweeper of Loray by Robert Sheckley.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  Today, we are paying tribute and remember Tosha Stimage, who passed away earlier this month.  We are revisiting Emily's conversation with Tosha back in 2024, as they discuss her artistic journey, from her childhood experiences with nature to her current projects and inspirations. Emily highlights her creative process, experiences during the pandemic, and her upcoming installation at the Presidio Tunnel Tops. About Artist  Tosha Stimage: Tosha Stimage is an Oakland-based multi-disciplinary artist who uses a variety of art mediums to examine how we create language. Her paintings, collages, installations, and floral sculptures “use experimentation to re-contextualize physical material and histories with fresh perspectives,” she shared. As the founder of SAINTFLORA, a full-service floral design company specializing in “unconventional flower experiences”, Tosha is also a local entrepreneur and the third and final artist within the Presidio's Public Art Mentorship Program. In July 2024 Tosha will create and install a large-scale art installation to transform the space between the Presidio Transit Center and the enclosed Picnic Pavilion at Presidio Tunnel Tops.  “Flowers put us back in the ‘circle' and connect us to labor, land, and each other,” Tosha shared. “I'm incredibly excited to explore the flora of the Presidio and use it to spark curiosity and fresh perspectives. Nature provides an accessible and inclusive entry way for dialogue around complex social and environmental topics.”  Honor the legacy of Tosha and support her family by gifting her GoFundMe HERE.  Visit Tosha's Website:  ToshaStimage.com Support Tosha's Floral Shop: SaintFlora.com Follow Tosha on Instagram:  @SaintFloraCo Check out Emily's 48Hills article about Tosha's 'SUPERBLOOM' back in 2024 - CLICK HERE -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

At its most functional level, clothing serves as essential physical protection from the environment, soft armor and tangible comfort. Visually, clothing is one of the most immediate ways to assert individual identity, signaling values and collective belonging to others at first sight. But, when public discourse is polarized and words feel inadequate, clothing becomes a powerful nonverbal language—communicating solidarity, protest, fear or hope at a glance. During periods of political tension and social exhaustion, clothing serves as a palpable reminder of who we are when the world is in flux, offering a sense of control in an uncontrollable world. When institutions feel fragile and the future unclear, getting dressed is no longer trivial—it's an act of care, self-definition, and sometimes even quiet resistance. With insights from fashion industry leaders—educators, designers, reporters, and historians—this panel conversation will address the importance of clothing—as a marker of identity, symbol of resistance, and sign of belonging—in times of crisis.  About the Speakers Laura L. Camerlengo is curator in charge of costume and textile arts with the Fine Arts Museums of San Francisco. She has organized, co-organized and presented numerous costume and textiles exhibitions for the Fine Arts Museums of San Francisco and the Philadelphia Museum of Art, with a focus on sharing the stories of women and artists of color. Her recent publications include Patrick Kelly: Runway of Love (co-edited by Dilys E. Blum, 2021), and Fashioning San Francisco: A Century of Style (2024), as well as contributions to West 86th. She holds a Master of Arts degree from Parsons School of Design, The New School / Cooper Hewitt, Smithsonian Design Museum in the History of Decorative Arts and Design. Moderator Natalie Smith is the Fashion Department chair and a full-time tenured instructor at City College of San Francisco. She also works as a freelance fashion show and event producer, stage manager, model coach, and voice-over artist. Natalie earned her Associate of Arts degree in interior design from the Fashion Institute of Design and Merchandising (FIDM). Anna Chiu is the founder and creative director of Kamperett, a women's wear brand based in San Francisco, where its flagship atelier and studio are located. Shaped by her German and Chinese heritage, her work brings a forward-looking perspective to clothing through an artistic lens. She has dressed women for the Met Gala, countless award shows and red-carpets, including Angelina Jolie, Ali Wong, and Rashida Jones and Chloe Zhao. Kamperett takes an intentional approach to sustainability, with all pieces designed and made in California. Tony Bravo is the San Francisco Chronicle's arts & culture columnist. His areas of coverage include visual art, the LGBTQ community, style, pop culture and “only in San Francisco” stories. He is also a frequent live interviewer and hosts the “Show & Tell” event series at Four One Nine. Bravo is also an adjunct instructor at the City College of San Francisco Fashion Department, where he teaches journalism. The Commonwealth Club World Affairs of California is a nonprofit public forum; we welcome donations made during registration to support the production of our programming. A Grownups Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. Commonwealth Club World Affairs is a public forum. Any views expressed in our programs are those of the speakers and not of Commonwealth Club World Affairs. Organizer: Denise Michaud  Learn more about your ad choices. Visit megaphone.fm/adchoices

Joining me on the podcast this week is leading Latina psychotherapist, Christine Gutierrez, LHMC. Christine is the founder of Christineg.tv, an online hub that features psychologically-savvy and soulful advice. Christine also specializes in love addiction which happens to be the topic of today's episode. In this episode, we talked about healing from love addiction, Christine's own experience with it and how she now helps clients move through the healing process. We also touched on codependency and love addiction red flags. It's clear through my conversation with Christine that she has worked hard and tirelessly on learning how to trust in herself and lean into her biggest self. I'm happy to share our conversation with you.  In this episode you'll hear: What love addiction is, how Christine's early childhood experiences ultimately led to love addiction, and how she got on the path to healing The distinction between healthy, falling in love and love addiction Some tips and tools for women struggling with love addiction Christine's journey to helping other women heal, the merging of the mundane and divine and what the word Diosa means to her How to experience more fierce love in your life (and what fierce love is, exactly) Resources from this podcast:Christine's websiteJoin my email list for info on upcoming writer's program Christine Gutierrez, MA, LMHC, is a Latina licensed psychotherapist, self-worth expert, and thought leader. Gutierrez is also the author of the book I Am Worthy,  I Am Diosa: A Journey to Healing Deep, Loving Yourself, and Coming Back Home to Soul and the affirmation deck Wisdom Del Alma. Christine has a Bachelor's degree from Fordham University in human behavior and development and a Master's degree from City College of New York in mental health counseling with a focus on prevention and community. Through her work, Christine offers group coaching, corporate wellness, transformational retreats such as her annual Diosa Retreat in Puerto Rico, and soul-based business mentorship in her annual Madre Diosa Legacy Council. In addition, Christine is the founder of the forthcoming app DIOSA a global community where like-hearted women gather to meet soul sisters, gather in circle, and rise together. She has been featured on the Kelly Clarkson Show, Latina Magazine, Yahoo Health, Ebony, Cosmopolitan for Latinas, Oprah Magazine, Entertainment Online, Telemundo, and others. Christine currently resides in Puerto Rico.  Book recommendations:I love a good personal development book, and you do too, right? I've compiled a list of book recommendations, as mentioned in past episodes. Check out these amazing book recommendations here. Happy reading! MSN is supported by:We love the sponsors that make our show possible! You can always find all the special deals and codes for all our current sponsors on our website: andreaowen.com/sponsors/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  Host Emily Wilson sits down with Maria Jenson, executive director of SOMArts Cultural Center in San Francisco. Maria shares her journey from dancer and playwright to arts administrator, including stops at SFMOMA before finding her home at SOMArts. The conversation covers Cece Carpio's solo exhibition Tabi Tabi Po: Come Out with the Spirits, You Are Welcome Here, featuring found objects, poetry-infused wall text, and immersive altar installations that blend Bay Area and Filipino cultural traditions. Maria explains why SOMArts returned to solo shows after focusing on group exhibitions — to amplify community artists ready for bigger platforms. Maria also discusses the "Artists Live Here" cultural convening, which drew over 400 people in response to the announced closures of California College of the Arts and the Mission Cultural Center for Latino Arts. Designed as an "unconference" with no slides and no panels, the gathering channeled grief and anger into collective action and joyful community building. Other topics include SOMArts' annual Día de los Muertos exhibition, the Murphy and Cadogan Awards for Bay Area MFA students, and how Maria organized an art fair at the Tenderloin's Phoenix Hotel that brought together galleries, local artists, and civic partners. She credits advocate Ebony McKinney as a major influence and finds creative inspiration in the Bay Area's natural landscape. About Creative & Exective Director Maria Jensen: Maria Jenson is recognized as a leader in the arts for advancing innovative strategies to sustain creative communities in the midst of rapidly changing urban environments. As Creative and Executive Director of SOMArts, Jenson has deepened the organization's commitment to racial equity, creating clear pathways for Bay Area artists to cultivate new ideas and grow their careers. Through her leadership, Jenson has expanded SOMArts' public programs, advanced new public-private partnerships, and fostered groundbreaking exhibitions such as The Black Woman is God, The Third Muslim: Queer and Trans* Muslim Narratives of Resistance and Resilience, and many more. These projects represent SOMArts' commitment to incubating the growth and careers of Bay Area artists and curators. Prior to joining SOMArts, Maria was a key member of the SFMOMA External Relations team during the museum's expansion and was the Founding Director of ArtPadSF, an independent art fair launched in the Tenderloin at the Phoenix Hotel in 2010. A graduate of the 2018 Getty Foundation Executive Leadership Institute, she is a sought-after thought leader on the role of cultural institutions advocating for a more democratic and equitable society. Visit SOMArts Website: SOMArts.org Follow SOMArts on Instagram: @SOMArts For more about the Cece Carpio exhibit at SOMArts, CLICK HERE.  -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The transition from high school to college can be overwhelming for many students and families. Navigating course requirements, financial aid, academic planning, and transfer pathways often leaves students unsure of how to move forward.In this episode of Full Circle, Ms. Wanda sits down with Dr. Camille Wise, Director of the City Scholars Program at Sacramento City College, to discuss a new initiative designed to simplify that journey and help students reach their goal of transferring to a four-year university.City Scholars is a two-year, cohort-based program designed to help students complete a Degree for Transfer while receiving structured guidance, academic planning, and community support along the way.The program was developed after campus leaders analyzed student data and discovered a significant gap between students who intended to transfer and those who were actually able to do so within two years. City Scholars was created to close that gap by removing common barriers and providing students with a clear academic roadmap.Dr. Wise shares how the program supports students academically, socially, and personally while preparing them for transfer to universities across California and beyond.• How cohort-based learning creates community and accountability• How preset course schedules help students graduate on time• The role of dedicated counselors and student support specialists• How the program connects students to campus resources and services• Transfer opportunities to CSU, UC, and other universities• The three majors currently offered through the program• How students can apply and what the enrollment process looks likeCity Scholars is designed to remove many of the obstacles students face when navigating community college independently.Students in the program may pursue a Degree for Transfer in one of the following fields:PsychologyBusinessAdministration of JusticeThese majors were selected because they are among the most popular pathways for students and offer broad transfer opportunities to universities.This program may be a great fit for students who:• Are graduating high school this year• Plan to attend Sacramento City College in Fall 2026• Plan to enroll full-time (12–16 units per semester)• Want to transfer to a four-year university• Want structured guidance and a supportive student communityStudents interested in the City Scholars Program should:Visit the Sacramento City College City Scholars webpageComplete the City Scholars Student Interest FormApply to Sacramento City College through the California Community College application systemSubmit financial aid applications if neededConnect with program staff who will guide them through the next stepsBecause the program has limited space, early interest is encouraged.For many community college students, the dream of transferring to a four-year university can feel unclear or difficult to achieve.City Scholars was created to make that path more accessible by combining academic structure, personal guidance, and a strong sense of community.By helping students stay on track and connected to the support they need, the program aims to help more students achieve their goal of earning a bachelor's degree.Listen to this episode of Full Circle to learn how the City Scholars Program is helping students move from high school to community college and ultimately to a four-year university with confidence and support.If you are a high school senior, parent, counselor, or mentor supporting a student preparing for college, take the next step today.Learn more about the City Scholars Program and complete the student interest form to get connected with program staff.Share this episode with students and families who may benefit from a structured pathway to college

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  Today, Emily chats with Richmond-based artist Joe Cerda about his multifaceted creative practice spanning tattoo art, painting, and sculpture. Key Topics: Joe's earliest artistic memories, including his godfather teaching him to draw a boat at age four His self-taught journey into tattooing, starting with hand-poked tattoos and a homemade machine built from a Walkman motor Moving between Southern California and the East Bay, eventually opening his own tattoo shop in Richmond His specialty in realistic portrait tattoos and photorealistic paintings Travel-inspired artwork from trips to Spain, the Philippines, and Mexico Sculpture training at the Academy of Art University in San Francisco The emotional connection he feels to his paintings versus commissioned tattoo work Influence of representational artist Richard Schmid on his painting technique His plans to incorporate more abstract elements while maintaining realism Location: Cerda Art Studio, Richmond, California Next Episode: Maria Jensen, Executive Director of SOMArts Visit Joe's Website and Tattoo Studio:  CerdaArt.net Follow Joe on Instagram: @CerdaArtStudio  -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Iran war is expanding and already having ripple effects across the globe.How long will it last? US President Donald Trump says a month or longer, “whatever it takes”.Today, we speak to Rana Dadpour who fled the brutal Iranian regime in 2012 and founded the group Australian United Solidarity for Iran.We also speak with international relations expert Rajan Menon about why this could be a long war. Featured: Rana Dadpour, founder of Australian United Solidarity for IranRajan Menon, professor emeritus of international relations at the City College of New York and a senior research fellow at the Saltzman Institute at Columbia University

Mayor Brandon Johnson and City Council members are pointing fingers over Chicago's latest credit downgrades. Crain's politics reporter Justin Laurence discusses with host Amy Guth. Plus: FAA targets O'Hare flight growth as airline feud heats up; Blackhawks unveil ice center addition as 1901 Project nears spring start; Northwestern Memorial, Rush, UChicago hospitals ranked among best in the world by Newsweek; and Cook County Health and City Colleges to train 1,000 health care workers with $5 million from Pritzker Traubert Foundation. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

When Mayor Lurie took office, San Francisco was spending nearly $1 Billion a year responding to homelessness, yet the number of people living unsheltered had not budged in years. In this episode, Kunal Modi, the city's Chief of Health and Human Services, shares how the Lurie administration is tackling the intersecting homelessness, mental health and addiction crises. Rather than layering on new programs, the city is attempting something harder: redesigning how fragmented systems work together.Kunal and Claudia discuss:The city's move to unify fragmented and siloed outreach teamsThe importance of shifting accountability and decision-making to the front linesHow San Francisco's strategy is leveraging the community supports in CalAIMWhy solutions need to reflect the intersecting nature of the homeless problemKunal reminds us that ending the cycle of homelessness is far more complicated than just finding housing:“This is more than a homelessness crisis, it's an intersecting homelessness, behavioral health, and drug addiction crisis that we need to bring our healthcare system and our social service system in closer alignment… We need to reorient our Public Health strategies to not only support those in crisis, but to think about the broader communities and neighborhoods.”Relevant LinksSee Mayor Lurie's thoughts on the “Breaking the Cycle” initiativeGet more information on the City's new RV parking restrictionsRead the Crankstart report on tackling homelessness in San Francisco About Our GuestKunal Modi is the policy chief of health, homelessness, and family services in San Francisco Mayor Daniel Lurie's administration. In this role, he coordinates eight agencies, including the Department of Homelessness and Supportive Housing, the Department of Children, Youth and Families and the Department of Early Childhood, while also serving as liaison to San Francisco Unified School District and City College. He brings extensive experience in cross-agency collaboration and reform, aiming to deliver compassionate, effective solutions for the city's most pressing health, housing, and family needs. Before joining City Hall, he spent over 11 years as a partner at McKinsey & Company's Bay Area office and previously served on the boards of Larkin Street Youth Services and St. Anthony's Foundation. His educational background includes an M.B.A. from Harvard Business School, an M.P.P. from Harvard Kennedy School, and a B.A. from Northwestern University.Connect With UsFor more information on The Other 80 please visit our website - www.theother80.com. To connect with our team, please email...

Voices is a new mini-series from Humanitarian AI Today. In short daily flashpods, we pass the mic to guests to tell us about new projects, events and advances in artificial intelligence and to discuss topics that are important to the humanitarian community. In this flashpod, Golestan (Sally) Radwan, Chief Digital Officer with the United Nations Environment Program and a Board Member of the Allen Turing Institute speaks with Panagiotis Moutis, Assistant Professor at the City College of New York and a member of the Climate Change AI initiative about AI's environmental “sustainability paradox” with Humanitarian AI Today Producer, Brent Phillips. Balancing technology's potential to solve complex environmental problems against AI's ecological costs, high energy consumption, water usage and e-waste, Sally and Panos emphasize that AI is not a magic solution but a complex equation where the new tools that we'll use to save the environment are themselves taxing its resources, and suggest that AI's value must be weighed against costs and resources that the technology draws away from other humanitarian and environmental needs. The participants explore the potential of on-device machine learning to reduce the environmental footprint of AI by shifting workloads from data centers to local hardware and discuss the critical role of data infrastructure and global cooperation in addressing climate change. Sally touches on the challenges of data interoperability, noting that too many different standards exist for environmental data, which complicates the "multivariable analysis" needed for accurate climate forecasting. Panos offers a somber closing perspective, likening the struggle against climate change to a war where key battles may already be lost. He argues that AI's greatest potential might lie in creating clear, uncurated narratives to help the public and politicians grasp the existential urgency of the crisis. To help address this need for reliable information, Sally highlights the launch of EnvironmentGPT, a new tool designed to make environmental science easier to access and understand. Humanitarian AI Today is a community-led initiative advised and co-produced by collaborating organizations and technology companies. Amidst a fragmented landscape, the podcast serves as a recognizable channel for organizations, donors, and innovators to collectively use to report AI projects, events and advances, turning raw insight into collective intelligence.

In this episode of The Unfolding: Presented by The Loveland Foundation Podcast, host Rachel Keener sits down with Denise Francis, Founder and CEO of The Self Love Organization, for a conversation that challenges the way we talk about self-love.Denise shares how her journey began with going natural more than a decade ago. What started as a hair transition quickly exposed deeper insecurities and led her toward inner child work and intentional healing. She reframes self-love as more than surface-level care, describing it as an umbrella that includes self-trust, self-worth, self-acceptance, and mental, spiritual, and physical wellness.Together, Rachel and Denise unpack the cultural weight of hair for Black women, the pressure of beauty standards, and how anxiety often hides beneath expectations to be “strong.” Denise shares the rhythms that ground her—rest, faith, gratitude, and small daily rituals that make her a softer place for herself. She also explains why healing shouldn't happen in isolation and how that belief led her to build spaces from retreats to digital platforms, where Black women can heal together.Listen in for a thoughtful discussion on redefining self-love, building community, and doing the deeper work that lasts.More about Denise Francis:Denise Francis is the Founder and CEO of the HEAL SIS App, a mental wellness platform built for Black women to heal and thrive through affordable therapy and community. She is also the founder of The Self Love Organization INC., creating healing tools rooted in self-love, therapy, and wellness to help end cycles of trans-generational trauma.A TEDx speaker, author, and educator, Denise is on a mission to transform the narrative of the “strong Black woman” into the healed Black woman. She has spoken before Congress, developed a course on The Psychology of Self-Care and Wellness at The City College of New York, and created therapist-approved tools like her Soul Study Journal. Through Black Girl Healing Socials and Self-Love Healing Retreats, she builds spaces for women to heal in community.–The Unfolding: Presented by The Loveland Foundation podcast is an additional resource not only to the public but also to our therapy fund cohort members. The Loveland Foundation therapy fund and resources are only made possible through support from our community. At The Loveland Foundation, we are committed to showing up for communities of color in unique and powerful ways, with a particular focus on Black women and girls. Our resources and initiatives are collaborative and they prioritize opportunity, access, validation, and healing. Since our founding, the Therapy Fund has provided financial support for therapy to over 13,000 Black women, girls, and non-binary individuals across the country.Links:Join The Abundance Collective: https://thelovelandfoundation.org/abundanceSupport the show: https://give.thelovelandfoundation.org/give/436656/#!/donation/checkoutFollow Denise on Instagram: https://www.instagram.com/livenaturallylove/Follow The Loveland Foundation on Instagram: https://www.instagram.com/thelovelandfoundation/Visit the Loveland Foundation's website: https://thelovelandfoundation.org/Support the show

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily features San Francisco wire sculptor Kristine Mays discussing her politically charged exhibition "State of the Union" at Modernism Gallery. Created in response to the uncertainty and division at the beginning of 2025, the show explores themes of American identity, social justice, and individual responsibility through intricate wire sculptures.Kristine walks through several powerful pieces: "This is America," a frayed wire American flag with beads representing blood and tears; "Human Complacency," depicting the see/hear/speak no evil concept; and "Modern Day Lynchings and Hashtag Memorials," featuring hand-embroidered names of Black people killed by police on silk ribbons. Many works incorporate quotes from writers like Audre Lord, whose words "your silence will not save you" inspired Mays to create this body of work as both political statement and personal healing.She traces her creative journey from childhood craft projects with her mother to her current practice working with construction-grade wire. She explains how she creates faceless figures and sculptural garments that allow viewers to project their own stories and recognize loved ones through gesture alone. The meditative quality of working with wire and its durability appeal to her desire to create lasting legacy work.A major milestone: the Smithsonian National Museum of African American History and Culture recently acquired her piece "Hush Harbor." Kristine, who has participated in San Francisco Open Studios for over 20 years, credits her "divinely led" journey and her mother's early encouragement to create without fear of failure.About Artist Kristine Mays :Kristine Mays, a San Francisco native has been an exhibiting artist since 1993. She was the Grand Finale Winner in 2015 of the 5th Annual Bombay Sapphire Artisan Series National Competition. This competition not only provided an opportunity to exhibit her work at Art Basel Miami, but she had a solo exhibition at the Scope NYC Art Fair as well, and was also afforded a chance to collaborate on a large scale public mural. Her mural is on the side of the Boom Boom Room in San Francisco on Fillmore and Geary Streets. (It has large wire feathers placed among the portraits that adorn the walls, reflecting the fleeting existence of black jazz musicians in San Francisco.) In 2015 she also participated in the Hearts in San Francisco program, creating a large 400 pound heart for their annual public art installation. The heart spent a few weeks on display in Union Square before going to its final home upon purchase from AT&T.In 2009, Kristine was a featured artist in the San Francisco Art Commission's "Art in Storefronts" pilot program, a project which transformed vacant storefronts and commercial corridors into a destination for contemporary art, bringing a new energy to the Bayview Hunters Point neighborhood. A participant in the San Francisco Open Studios program for over 20 years, Kristine has also served on the Board of Directors for ArtSpan-- the Producers of SF Open Studios and has participated on several of their committees. Kristine served as the 2011-2013 artist-in-residence at the Bayview Hunters Point Shipyard in San Francisco. She is a graduate of Lowell High School, received her Bachelor Degree in Arts Administration from DePaul University and has occasionally served as a grant review panelist through the San Francisco Arts Commission.Seeking to create impact and change with her art, Kristine has participated in raising thousands of dollars for AIDS research through the sale of her work by collaborating with organizations like Visual Aid, the San Francisco Alliance Health Project and WE-Actx. Her work has received local and national press including mentions in the San Francisco Chronicle, New York Times, The New York Post, The Washington Post, Source Magazine, Artsy, and the interior design blog Apartment Therapy. She is represented by Simon Breitbard Fine Arts in SF, the Richard Beavers Gallery in Brooklyn and Zenith Gallery in Washington DC.Kristine has participated in programming at the De Young Museum, Museum of African Diaspora (MoAD) and exhibited at the California African American Museum (CAAM) in Los Angeles, CA. Collectors of her work include an eclectic mix of people including Star Wars creator George Lucas and the dearly departed Peggy Cooper Cafritz (who amassed one of the country's largest private collections of African-American art). Her work is displayed in many Bay Area homes and private collections throughout the USA.Visit Kristine's Website:  KristineMays.comFollow Kristine on Instagram: @KristineMaysFor more about Kristine's exhibit, "State of the Union" CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Choose Courage, Build Community, and Take Action to Create Change…  ICYMI: JVN sits down with Cristina Jiménez Moreta to talk about her new book Dreaming of Home: How We Turn Fear Into Pride, Power, and Real Change and the work being done at United We Dream, the country's largest youth-led immigrant organization – which Cristina co-founded. Plus our breakdown of the Tony awards and our HBOTW! Cristina Jiménez Moreta is an award-winning community organizer, political strategist, prominent advocate for social justice, and author. She is the Co-Founder and former Executive Director of United We Dream (UWD), the nation's largest immigrant youth-led organization. Cristina immigrated to the U.S. from Ecuador with her family in 1998, seeking a better life. She grew up undocumented in Queens, New York, and has since become a powerful voice in the fight for immigrant rights and equity. Cristina is currently a Distinguished Lecturer at the City College of New York's Colin Powell School, where she also co-teaches Leadership for Democracy and Social Justice (LDSJ). Under her leadership, UWD grew into a formidable network of over one million members, shifting the national conversation around immigration and helping secure policy changes at both the local and national levels. Cristina played a pivotal role in United We Dream's successful campaign that led to the implementation of Deferred Action for Childhood Arrivals (DACA) under President Obama. The Monday Edit, now on YouTube!  Check out the JVN Patreon for exclusive content, bonus episodes, and more! www.patreon.com/jvn  Follow us on Instagram @gettingbetterwithjvn Jonathan on Instagram @jvn and senior producer Chris @amomentlikechris  Senior Producer, Chris McClure Producer, Editor & Engineer is Nathanael McClure Production support from Chad Hall Our theme music is also composed by Nathanael McClure. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On January 23, 2026, we saw the first general strike in 80 years in Minnesota after the murder of Renee Good by ICE (one day before their murder of Veteran's Administration ICU nurse and union member Alex Pretti). Organizing, direct action and strikes are increasing in recent years and have the potential to lead to a larger general strike. They also have a long rich history in the US. In our latest, Scott talks with writer, historian and labor organizer Fred Glass about the rich history of general strikes in America and their possibilities for the future. We also discussed Fred's short film on May Day and the importance of May Day and the Haymarket Affair in modern labor history

Last month, Legler Regional Library and the Greater Chicago Food Depository opened the city's first food pantry inside a public library. This week, a new partnership between GCFD and City Colleges of Chicago opened Statesmen Market, a redesigned food pantry inside Kennedy-King College in Englewood. Freelance Journalist Chasity Cooper and Block Club Chicago's Atavia Reed join us to break down all the details. Plus, Chicago Restaurant Week is ending, south side lounge culture is alive and well, and are you grabbing the new McNugget Caviar kit?Good News: The MothFill out this survey for a chance to win a $100 gift card!Want some more City Cast Chicago news? Then make sure to sign up for our Hey Chicago newsletter.Follow us @citycastchicagoYou can also text us or leave a voicemail at: 773 780-0246Learn more about the sponsors of this Feb. 6 episode: League of Chicago Theatres Chicago Restaurant Week Paramount Theatre Museum of Contemporary Photography Chicago Architecture Center Become a member of City Cast Chicago.Interested in advertising with City Cast? Find more info HERE

Interview recorded - 4th of February, 2026On this episode I have the pleasure of welcoming back Professor Richard Wolff. Professor Wolff is a well-known critic of an alternative contemporary economic system, host of the Economic Update and Founding Director of Democracy at work. During our conversation we spoke about his economic outlook, the Chinese having the reserve currency, conflict between allies, Europe resting on its laurels, the impact of AI and more. I hope you enjoy!0:00 - Introduction0:59 - Current outlook in the economy10:22 - Yuan reserve currency?12:48 - Conflict between allies19:21 - Europe resting on their laurels26:29 - How is this resolved?32:57 - AI impact?40:05 - One message to takeaway?Richard D. Wolff is Professor of Economics Emeritus, University of Massachusetts, Amherst where he taught economics from 1973 to 2008. He is currently a Visiting Professor in the Graduate Program in International Affairs of the New School University, New York City.Earlier he taught economics at Yale University (1967-1969) and at the City College of the City University of New York (1969-1973). In 1994, he was a Visiting Professor of Economics at the University of Paris (France), I (Sorbonne). Wolff was also regular lecturer at the Brecht Forum in New York City.Prof Wolff is the co-founder of Democracy at Work and host of their nationally syndicated show Economic Update. Professor Richard Wolff:Democracy at work: https://www.democracyatwork.info/Website: https://www.rdwolff.com/X: https://x.com/profwolffYouTube: @RichardDWolff WTFinance -Instagram - https://www.instagram.com/wtfinancee/Spotify - https://open.spotify.com/show/67rpmjG92PNBW0doLyPvfniTunes - https://podcasts.apple.com/us/podcast/wtfinance/id1554934665?uo=4Twitter - https://twitter.com/AnthonyFatseas

Lately the ancient philosophy of Stoicism is having a bit of a resurgence. This hour we learn about the philosophy, why people are drawn to it, and how to live like a Stoic. Plus, we look at how Stoicism appears in music. GUESTS: Massimo Pigliucci: The K.D. Irani Professor of Philosophy at the City College of New York. He is the author of books including Beyond Stoicism: A Guide to the Good Life with Stoics, Skeptics, Epicureans, and Other Ancient Philosophers, How to Be a Stoic: Using Ancient Philosophy to Live a Modern Life, and Nonsense on Stilts: How to Tell Science from Bunk. He also writes the Substack “Figs in Winter: Stoicism and Beyond.” Melinda Latour: Associate Professor of Musicology at Tufts University. She is author of The Voice of Virtue: Moral Song and the Practice of French Stoicism, 1574-1652. She is also editor of The Relentless Pursuit of Tone: Timbre in Popular Music. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe, Dylan Reyes, and Coco Cooley contributed to this show, which originally aired on July 9, 2025.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this week's Episode, Emily features Adriene Busch, a Bay Area fiber artist and weaver whose exhibition "Of Water" is currently on display at M Stark Gallery in Half Moon Bay. They chat at Adriene's home studio and discuss her artistic journey and creative process.Adriene grew up in Arizona making art but studied business in college, considering art impractical as a career. She continued creating throughout her education, exploring photography, ceramics, and painting. About 10 years ago, she discovered fiber arts through embroidery, which led her to weaving—a medium that combines everything she loved: the composition skills from photography, the tactile nature of ceramics, and the color mixing from painting.Her breakthrough came with "West Bay: A Love Letter," a large-scale aerial view of the Bay Area made with felted wool details like San Francisco skyscrapers. This piece was displayed at the Chan Zuckerberg Initiative Center for a year and caught the attention of gallerist Marianna Stark, who offered her the current exhibition.About Artist Adriene Busch:Adriene Busch is a contemporary weaver based in San Mateo, California. She has worked in various modes of fiber art since 2016, eventually committing fully to tapestry weaving. As a self-taught weaver, she finds great joy and satisfaction from artistic problem solving and in the continual development of her technical skills and artistic vision. She is intentional in her selection of materials, using color and texture to represent particular characteristics of her surroundings. As a tapestry weaver, she enjoys the many choices that working with fiber allows; in her pieces, color, texture, and composition interplay to create a balance between bold and neutral, flat and three-dimensional. Adriene's work reflects her personal connection to the world around her, creating pieces that embody her daily experiences.Visit Adriene's Website: WestBayFiber.comFollow Adriene on Instagram: @WestBayFiberFor more on Adriene's exhibition "Of Water" at the M Stark Gallery - CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Part of the school closed after a driver lost control of their car Sunday evening, smashing into a main water line. Part of the school closed after a driver lost control of their car Sunday evening, smashing into a main water line.See omnystudio.com/listener for privacy information.

50 Cent (Curtis Jackson) is the executive producer of a new, multi-part Netflix documentary about Sean "Diddy" Combs, titled "Sean Combs: The Reckoning," which examines Diddy's career, controversies, and recent legal issues, featuring exclusive footage from leading up to his arrest. 50 Cent stated he stepped up to produce it because no one else in hip-hop would, aiming to address the culture's silence despite his long-standing feud with Combs Early Career & Origins: The episode details Combs' origins in Harlem/Mount Vernon and how he transformed into "Puff Daddy," focusing on his early work as an intern and talent scout at Uptown Records.The City College Stampede: The documentary explores the tragic events of a 1991 charity basketball event at the College of the City of New York, organized by Combs and Heavy D, which resulted in the deaths of nine people in a stampede. The series implicates Combs' negligence and push for more attendees in the tragedy.Founding Bad Boy Records: Following his firing from Uptown Records, the episode covers Combs' co-founding of Bad Boy Records and the signing of The Notorious B.I.G. (Christopher Wallace), which launched the label into prominence.Early Allegations: The episode introduces early, disturbing allegations, including Joi Dickerson-Neal's claim that in 1991, Combs drugged and raped her, filmed the assault, and showed the footage to others at his partiesBad Boy vs. Death Row: The episode details how Sean Combs' Bad Boy Records flourished, creating intense competition with Suge Knight's Death Row Records, culminating in the East Coast/West Coast hip-hop feud.Tupac & Biggie Murders: It explores the lingering questions surrounding the murders of Tupac and Biggie, featuring insights from the former LAPD detectives who handled their cases.Allegations of Violence & Bribery: The docuseries examines past incidents, including a 1995 shooting where Combs allegedly tried to bribe someone to take the blame for a gun, and allegations from Keffe D (related to Tupac's murder) about Combs offering money for deaths.The 1991 Stampede: The documentary revisits the tragic 1991 basketball event at City College, where a stampede led to nine deaths, questioning Combs' responsibility for poor planning and insurance issues, notes Netflix.Combs' Own Footage: The series uses extensive personal footage of Combs, showing him documenting his life, as he strategizes with legal teams amidst new accusations, even as he faces the consequences of the recent hotel assault videoSean Combs: The Reckoning Episode 3, "Official Girl," focuses on Combs' post-Biggie era, linking his skyrocketing fame with alleged abusive relationships, particularly with his artists and partners like Kim Porter, and introducing disturbing sex performance claims from former sex worker Clayton Howard, while exploring his potential role in the Tupac/Biggie murders alongside Keefe D's allegations and how Combs allegedly profited from the chaos

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Christine Wong Yap, a visual artist working in printmaking, social practice, and community-based art.Christine discusses her latest project "Bay Windows/Ventanas," a trilingual public art installation featuring lanterns created with Chinese-speaking women in Chinatown and Spanish-speaking women in the Mission District. The lanterns, displayed at five locations through March 11th, explore themes of mental health, belonging, and immigrant experiences through traditional paper-cutting techniques.About Artist Christine Wong Yap:Christine Wong Yap is a visual artist and social practitioner who works in community engagement, drawing, printmaking, publishing, textiles, and public art. Through her hyperlocal participatory research projects, she gathers and amplifies grassroots perspectives on belonging, resilience, and mental well being. Last year, she received a a Creative Power Award from the Walter & Elise Haas Foundation and Creative Capital Award. She has served as Neighborhood Visiting Artist at Stanford University (Stanford, CA) and Creative Citizenship Fellow at the California College of the Arts (San Francisco, CA). She has developed projects with the Chinese Culture Center of San Francisco, For Freedoms, the Library Foundation of Los Angeles, the Othering and Belonging Institute at UC Berkeley, Times Square Arts, and the Wellcome Trust, among others. She holds a BFA and MFA in printmaking from the California College of the Arts. She was born and raised in the San Francisco Bay Area, where she has lived since spending a decade in New York City from 2010 to 2021.Visit Christine's Website:  ChristineWongYap.comFollow Christine on Instagram:  @ChristineWongYapFor more about Christine's Bay Windows project and upcoming scavenger hunt CLICK HERETo learn about The Creative Capital Award CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Dr. Camille U. Adams joins Let's Talk Memoir for a conversation about generations of mothers choosing to unmother their children, colonial violence in Trinidad and Tobago, stifling relationships, cognitive dissonance, finding the psychological, emotional, and geographical distance we need, narcissism and the golden child, not wanting to tell the story we ultimately find a way to tell, being a poet first, retracting and pulling back to get close to ourselves and write, exigence in memoir, going no contact with family, cocooning ourselves, finding support systems that work, getting into literary magazines, how content creates form, and her 300-page poem How To Be Unmothered: a Trinidadian memoir. Info/Registration for Ronit's 10-Week Memoir Class Memoir Writing: Finding Your Story https://www.pce.uw.edu/courses/memoir-writing-finding-your-story   Also in this episode: -the narcissist's nest -using elements of fiction -trusting yourself   Books mentioned in this episode: -Thick and Other Essays by Dr. Tressie McMillam Cottom -Ordinary Girls by Jaquira Diaz -Brother, I'm Dying by Edwidge Danticat -Men We Reaped by Jesmyn Ward -The Dragon Can't Dance by Earl Lovelace -The Hurting Kind by Ada Limon   Dr. Camille U. Adams is a writer from Trinidad and Tobago. Camille is the author of the memoir, How To Be Unmothered: a Trinidadian memoir, released August 2025 with Restless Books. Her manuscript was recognised as a finalist in the Restless Books Prize in New Immigrant Writing 2023. Camille earned her MFA in Poetry from City College, CUNY and a Ph.D. in Creative Nonfiction from FSU. She has been awarded Best of The Net - nonfiction 2024, and has received five Pushcart Prize nominations, three Best of the Net nominations, and recognition for a notable essay in Best American Essays 2022. Among Camille's awarded fellowships is an inaugural Tin House Reading Fellowship, an inaugural Granta nature writing workshop fellowship, an inaugural Anaphora Arts Italy Writing Retreat Fellowship, a McKnight Doctoral Fellowship, a Community of Writers Erica Ellner Memorial Scholarship, and a Roots Wounds Words Fellowship. Additionally, Camille is a Tin House alum and has received support from Kenyon Writers Workshop, VONA, and others. She has served as a juried reader for Tin House for two consecutive years, as a CNF editor at Variant Lit, and as an assistant editor at Split Lip Magazine and at The Account. Camille currently lives in Brooklyn where she teaches and is hard at work on book two.    Connect with Camille: Website: www.camilleuadams.com Instagram: https://www.instagram.com/camille_u_adams Twitter: https://x.com/camille_u_adams Threads: https://www.threads.com/@camille_u_adams Bluesky: https://bsky.app/profile/camilleuadams.bsky.social   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.   More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank   Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social

Brian Lehrer hosts special coverage of Mayor Zohran Mamdani's inaugural speech, with analysis from Dr. Christina Greer, associate professor of political science at Fordham University, co-host of the podcast FAQ NYC and the author of How to Build a Democracy: From Fannie Lou Hamer and Barbara Jordan to Stacey Abrams (Cambridge University Press, 2024), and Harry Siegel, FAQ NYC co-host, editor at The City and Moynihan Public Scholar at City College. Plus, listeners call in to share their hopes and concerns for the future of NYC. Click here to watch the full event, including the inaugurations NYC Comptroller Mark Levine, Public Advocate Jumaane Williams, and Mayor Zohran Kwame Mamdani, as well as musical performances, poetry readings and other speeches.

During this holiday season, hear some recent favorites:New York City's mayor-elect Zohran Mamdani defines himself as a democratic socialist, yet his critics have seized on his leftist identity to paint him as an extremist. Carlo Invernizzi-Accetti, professor of political science and executive director of the Moynihan Center at The City College of New York, and author of 20 Years of Rage: How Resentment Took the Place of Politics (Mondadori, 2024), explains the core principles of the various strains of thought on the left to paint a clearer picture of what Mamdani believes in and how he'll govern as mayor.Joyce Vance, a legal analyst for MSNBC and former U.S. Attorney for the Northern District of Alabama, University of Alabama School of Law professor, and author of the Civil Discourse substack, and of the new book, Giving Up Is Unforgivable: A Manual for Keeping a Democracy (Dutton, 2025), talks about the rule of law and offers legal and historical context for the current moment in American history as she calls for citizens to uphold the Constitution.Jared Fox, education consultant, former NYC secondary science teacher and the author of Learning Environment: Inspirational Actions, Approaches, and Stories from the Science Classroom (Beacon Press, 2025), guides teachers in taking science education out of the classroom, drawing on his experience teaching science in Washington Heights.Randi Weingarten, president of the American Federation of Teachers (AFT) and the author of Why Fascists Fear Teachers: Public Education and the Future of Democracy (Thesis, 2025), talks about her new book and explains why she says education protects democracy.Peter Harnik, co-founder of the Rails-to-Trails Conservancy and the Center for City Park Excellence at the Trust for Public Land and executive producer of the documentary "From Rails to Trails", talks about his work spearheading the movement to convert abandoned railbeds into multi-use trails, 26,000 miles so far, and the new documentary about it, plus listener suggestions for the best places to bike outside the city. These interviews were lightly edited for time and clarity; the original web versions are available here:What is Zohran Mamdani's Political Ideology? (Nov 14, 2025)A Democratic Manifesto (Oct 27, 2025)Reimagining Teaching Science (Nov 11, 2025)Fighting Fascism with Education (Sep 26, 2025)From Railroad to Rail-Trail (Oct 7, 2025) and The Best Places to Bike Outside the City (Oct 8, 2025) 

Diddy's mother is firing back at Netflix — and the accusations are personal. The documentary "Sean Combs: The Reckoning" doesn't just cover Diddy's trial and conviction. It makes a bigger argument: that the behavior that landed him in federal prison started in childhood. That it was learned. Normalized. That before there was Puff Daddy or Bad Boy Records, there was a kid in Mount Vernon — and whatever happened to that kid matters. Two witnesses make the case against Janice Combs. Tim Patterson, a childhood friend, says he watched Janice physically abuse Sean for years. He describes parties at the family home with pimps, drug dealers, and adults having sex in rooms kids could walk into. Kirk Burrowes, who co-founded Bad Boy Entertainment, says he witnessed Sean slap his mother during an argument after the 1991 City College stampede that killed nine people. Janice is calling it all lies. She says she raised Sean with love and hard work as a single mother. She says Patterson's claims are "salacious" and designed to promote the documentary. She says Burrowes has been trying to steal Bad Boy Records for thirty years and this is just his latest play. But here's what she doesn't address: There's footage of Janice herself joking about giving Sean "a lot of beatings" on national television. And Burrowes kept handwritten journals from his time inside Bad Boy. Today we break down the allegations, the evidence, the rebuttals, and the credibility problems on both sides — including the fact that this documentary was executive produced by 50 Cent, Diddy's longtime rival. Sean Combs was convicted on two counts of transportation to engage in prostitution. He was acquitted on racketeering and sex trafficking charges. Janice Combs denies all allegations. All parties are entitled to the presumption of innocence on unproven claims. #Diddy #SeanCombs #JaniceCombs #Netflix #TheReckoning #TrueCrime #CrimeWeekly #BadBoyRecords #50Cent #DiddyDocumentary Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Note: if you haven't already heard it, please start with our original, May 2024 episode with Dr. Moses: Genocidology (CRIMES OF ATROCITY) Part 1A lot has happened since then, and author, scholar and genocide expert Dr. Dirk Moses was kind enough to return for a 2025 episode. We cover how public and legal sentiment has changed since our first episode, and discuss his recent paper, “Introduction: Gaza and the Problems of Genocide Studies,” which includes a roundtable discussion with dozens of experts. Also: some behind-the-scenes influences regarding Gaza in the media, humanitarian law precedents, munitions and the Geneva Conventions, myths, the problems surrounding the language of transgression, new research, up-to-date statistics, and how protests have been criminalized. Like that first Genocide episode, this one would not be possible without the input, research, producing, and additional writing of Mercedes Maitland, who joined me on this interview once again with her questions for our expert. So, huge thanks to her for that passion, hard work, and tireless advocacy for human rights. Donations went to Gaza Hand of Salvation Initiative and the City College of New York Colin Powell School – Student Emergency FundVisit Dr. Dirk Moses's websiteRead his book, “The Problems of Genocide: Permanent Security and the Language of Transgression”More episode sources and linksSmologies (short, classroom-safe) episodesOther episodes you may enjoy: Genocidology (CRIMES OF ATROCITY) Part 1, Agnotology (IGNORANCE), Genealogy (FAMILY TREES), Nomology (THE CONSTITUTION), Indigenous Fire Ecology (GOOD FIRE),  Indigenous Cuisinology (NATIVE FOODS), Indigenous Pedology (SOIL SCIENCE),  Ethnoecology (ETHNOBOTANY/NATIVE PLANTS), Bryology (MOSS), Black American Magirology (FOOD, RACE & CULTURE), Bisonology (BISON)400+ Ologies episodes sorted by topicSmologies (short, classroom-safe) episodesSponsors of OlogiesTranscripts and bleeped episodesBecome a patron of Ologies for as little as a buck a monthOlogiesMerch.com has hats, shirts, hoodies, totes!Follow Ologies on Instagram and BlueskyFollow Alie Ward on Instagram and TikTokEditing by Mercedes Maitland of Maitland Audio Productions, Jake Chaffee, and Jarrett Sleeper of MindJam MediaAdditional producing, writing, and research by Mercedes MaitlandManaging Director: Susan HaleScheduling Producer: Noel Dilworth Transcripts by Aveline MalekWebsite by Kelly R. DwyerTheme song by Nick Thorburn Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.