Podcast appearances and mentions of jillian mayer

The new docuseries The Exhibit from MTV and the Smithsonian Channel debuts tonight! The six episode docuseries will follow seven American artists who will compete for a presentation at the museum and a $100,000 cash prize. The cast includes your boy, printmaker, Jamaal Barber! Yes, your boy is on national tv, and it was quite the experience. You might see me on the tv and all over the internets but he's bringing the real talk to the fam, the day ones. Right here on the Noize! JBarber gives his thoughts on the eve of the show and talks as much as he can about the process, the rest of the cast, and what you can expect. Plus he talks about what these types of opportunities can mean to artists and gives his hopes for what comes out of this. Tune in and let us know what you think of the show! Listen, subscribe, and share!Episode 161 topics include:The Exhibit on MTVbeing on national televisionmaking art outside your comfort zoneDometi Pongo and Melissa Chiu as the host of The Exhibitjudges Adam Pedelton, Abigail Deville and Keith Richardswatching yourself on tvwhat opportunities mean to artistsmaking art to be freeThe Smithsonian's Hirshhorn Museum and Sculpture Garden is teaming up with MTV Studios to create the six episode docuseries The Exhibit, which will follow seven American artists who will compete for a presentation at the museum and a cash prize.Following a nationwide search, participants were selected in consultation with Hirshhorn curators. The group includes printmaker Jamaal Barber, Onondaga artist Frank Buffalo Hyde, designer and sculptor Misha Kahn, painter Clare Kambhu, multimedia artist Baseera Khan, video and performance artist Jillian Mayer, and painter Jennifer Warren.See more: ArtNews: Who Is the Next Great Artist? A New TV Series from the Hirshhorn and MTV Aims to Find Out + MTV The Exhibit Presented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

The medium video art gives artists the freedom to create works outside the gallery or museum space, opening avenues to record, document their performances and to be own producers and distributors. For female artists, incorporating video art into their performance works becomes a means of self-expression and the exploration of female imagery. .Resources for this episode include Jillian Mayer website, Martha Rosler website, PBS Art Assignment, Art21, Tate Museum, Museum of Modern Art, Miami New Times writer Hans Morgenstern, writer Emily Dinsdale. .Video Excerpts foudn on Youtube include: Jillian Mayer, "I Am Your Grandma," (2011)Bill Viola, "The Raft," (2004)MOMA has video excerpts for Joan Jonas "Vertical Roll," 1972 and Martha Rosler, "Semiotics of the Kitchen," 1975 You can also see images/videos discussed at my website: beyondthepaint.net

The medium video art gives artists the freedom to create works outside the gallery or museum space, opening avenues to record, document their performances and to be own producers and distributors. For female artists, incorporating video art into their performance works becomes a means of self-expression and the exploration of female imagery. .Resources for this episode include Jillian Mayer website, Martha Rosler website, PBS Art Assignment, Art21, Tate Museum, Museum of Modern Art, Miami New Times writer Hans Morgenstern, writer Emily Dinsdale. .Video Excerpts foudn on Youtube include: Jillian Mayer, "I Am Your Grandma," (2011)Bill Viola, "The Raft," (2004)MOMA has video excerpts for Joan Jonas "Vertical Roll," 1972 and Martha Rosler, "Semiotics of the Kitchen," 1975 You can also see images/videos discussed at my website: beyondthepaint.net

We shadow CYJO, a Miami-based  Korean American visual artist, as she navigates the complex maze of Art Basel Miami Beach in 2018. Her goal is to discover and document exceptional work in the photographic medium for the “Art Basel Miami Week Diary” that she contributes to the bilingual online publication L’Œil de la Photographie (The Eye of Photography). Inside the fair, Gian Paolo Paci, of Paci Contemporary, in Bresi, Italy, introduces us to his gallery’s featured artist: American photographer Nancy Burson. Burson created some of the earliest photographic portraits using computer-morphing technology.  Jared Quintan, Associate Director of Rhona Hoffman, in Chicago, deconstructs the symbolism in a photographic wall installation by Lorna Simpson, an African-American photographer and multimedia artist known for her singular approach to portraiture. Quintan also talks about intimate portraits by African American artist Deana Lawson, whose photographs reveal the body’s ability to channel personal and social histories. A few weeks later, we meet CYJO in her studio, a light-filled loft that looks out over Biscayne Bay in Miami. We’re here to learn more about how the artist explores the complexities of identity, beauty and belonging through her own photography, video and text.  Sound Editor: Anamnesis Audio Related Episodes: Modern Portrait of Black Florida, Jillian Mayer on the Nude Selfie Project, Adam Schreiber on the Spatial Dynamics of Photography Related Links: CYJO, Art Basel Miami Beach, L’Œil de la Photographie, Paci Contemporary, Rhona Hoffman Gallery

Jillian Mayer is an artist and filmmaker living in Miami, Florida. Through videos, sculptures, online experiences, photography, performances, and installations, she explores how technology affects our lives, bodies, and identities. Mayer investigates the points of tension between our online and physicals worlds and makes work that attempts to inhabit the increasingly porous boundary between the two. ​Solo exhibitions include Tufts University, Boston, MA (2018); Postmasters Gallery, New York, NY (2018); Pérez Art Museum, Miami, FL (2016); LAXART, Los Angeles, CA (2016); Utah Museum of Fine Art, Salt Lake City, UT (2014); and David Castillo Gallery, Miami, FL (2011 & 2016). She has exhibited and performed at  MoMA PS1 (2017); MoMA (2013); the Museum of Contemporary Art, North Miami, FL (2013); the Bass Museum of Art, North Miami, FL (2012); the Guggenheim Museum (2010); and the Musée d'Art Contemporain de Montréal, Québec as a part of the Montréal Biennial (2014). Mayer’s work has been featured in Artforum, Art Papers, Art in America, ArtNews, The Huffington Post, and The New York Times. Mayer is a recipient of the Creative Capital Fellowship, South Florida Cultural Consortium Visual/Media Artists Fellowship, Cintas Foundation Fellowship for Cuban Artists, and was named one of the “25 New Faces of Independent Film” by Filmmaker Magazine. Mayer's films have screened at festivals including Sundance, SXSW, Rottenberg, and the New York Film Festival. She is a fellow of the Sundance Institute's New Frontiers Lab and New Narratives on Climate Change Lab. She is the co-director of Borscht Corp, a non-profit film and art collaborative in Miami, Florida. Mayer is represented by David Castillo Gallery, in Miami, FL. Slumpie 9 - Knee Hole, 60" x 40" x 55" Slumpie 7 - Arm Hole, 75" x 46" x 38"  

The warm months have fully settled upon the land, and with every Danish summer comes the yearly tradition of Roskilde Festival, one of the world's largest music festivals. Around 130,000 people attend the festival, which is run by a non-profit organization. For many years now they have also had a surprisingly ambitious art zone during the festival, with running themes and critical commentary on social and political issues. This year, for example they built four one-to-one replicas of the proposed wall types for the donald's anti-cooties barrier between Mexico and the US. We spoke with the head curator, Mette Woller, and three of the exhibiting artists, Jillian Mayer, Oskar Koliander, and previous guest of the program, Lilibeth Cuenca Rasmussen. It was nice to see a large festival working on promoting critical and contemporary art, and we are already looking forward to next years program. This episode is brought to you in collaboration with the Artland App. Please visit artlandapp.com for more information

The warm months have fully settled upon the land, and with every Danish summer comes the yearly tradition of Roskilde Festival, one of the world's largest music festivals. Around 130,000 people attend the festival, which is run by a non-profit organization. For many years now they have also had a surprisingly ambitious art zone during the festival, with running themes and critical commentary on social and political issues. This year, for example they built four one-to-one replicas of the proposed wall types for the donald's anti-cooties barrier between Mexico and the US. We spoke with the head curator, Mette Woller, and three of the exhibiting artists, Jillian Mayer, Oskar Koliander, and previous guest of the program, Lilibeth Cuenca Rasmussen. It was nice to see a large festival working on promoting critical and contemporary art, and we are already looking forward to next years program. This episode is brought to you in collaboration with the Artland App. Please visit artlandapp.com for more information

One of Miami’s finest daughters, artist and filmmaker Jillian Mayer, currently has a solo exhibition called “Post Posture” up at Postmasters Gallery here in New York through March 31st. In the middle of her chaotic schedule in town this week, we managed to schedule some time to sit down and catch up. I’ve know Jillian for five years now and think the world of her as both an artist and a friend. We discussed her “Slumpies” sculptures currently on view, the Singularity, taking psychedelics at amusement parks, doomsday prepping and  whether the rich will survive the end times, her involvement with the nonprofit Borscht Corp film collective, speaking tangentially, making tech-based art that’s actually emotional, and a whole lot more. We’re sponsored this week by angry college art history professors who take to YouTube to whine that people don’t carve shit out of marble any longer, how your attitude influences the way your life might go if you’re a cowboy or a filmmaker, Kentucky Fried Chicken’s Dunked Wings, sex as an innovation, and how gracefully the Futurist Manifesto has aged. The outro song is "Mega Mega Upload," a total fucking banger from Jillian's #Postmodem film.

Artist, stand-up comedian, and occasional curator Jennifer Sullivan is my guest this week. We talked about the show she put together last summer called “Cosmic Joke” at Safe Gallery, channeling Julian Schnabel, contexts for stand-up comedy, why legal weed is strangling Denver’s artist community, balancing real life and studio residencies, early Saturday Night Live, why performance art could stand to be a little more entertaining, going off-script, quitting vices, and tons of other stuff. You can catch Jennifer performing at friend-of-the-podcast Jennifer Vanilla’s live show this week on Tuesday, February 6th at the Windjammer in Ridgewood alongside Natalie Casagran Lopez, Teeny Lieberson, Sam Regal, Jen Goma, plus a video from Peter Smith. Also -- pick up a copy of this month’s Art in America for a new feature I wrote called “The Practical Precariat” featuring Jaimie Warren, Brontez Purnell, Jillian Mayer, and comedian Chris Gethard, and come out to a live panel about the piece on Monday, February 12th at Neuehouse in New York.

The co-creators of the certifiably insane Turner Masters Memory Hospital podcast, Catherine Cohen and Steven Markow, came by the studio to talk about this new epic miniseries produced by the Forever Dog network. We also chatted about ghost stories, having lovers, people from our high schools who later became kind of famous, Catherine’s new show coming up at UCB, whether or not Steven and I should become closer friends, how to really wow people during an audition, and whether or not we’ve ever actually seen improv. This week’s episode is sponsored by Malcolm in the Middle, and local nightly news consumer report-style stories specifically targeting the restaurant chain T.G.I. Friday’s. The outro song is from an inimitable video by Miami-based artist Jillian Mayer, who is a fucking national treasure.

This week: Artist and videographer Jillian Mayer! Born in 1984 in Miami, the artist and filmmaker Jillian Mayer lives in South Florida. Her work has been shown at the Utah Museum of Fine Arts, Salt Lake City (2014); Orlando Museum of Art, Orlando, FL (2014); Locust Projects, Miami (2013); Museum of Modern Art, New York (2013); Bass Museum of Art, Miami (2012); and World Class Boxing, Miami (2012). Her video Scenic Jogging was one of the 25 selections for the Guggenheim’s YouTube Play: A Biennial of Creative Video and was exhibited at the Solomon R. Guggenheim Museum, New York; Peggy Guggenheim Collection, Venice, Italy; Guggenheim Museum, Bilbao, Spain; and Deutsche Guggenheim, Berlin (2010). Her videos have also been shown at the Rotterdam Film Festival (2014); Sundance Film Festival (2012, 2013); SXSW, Austin, TX (2012, 2013); and New York Film Festival (2013). A recipient of the Sundance Institute New Frontier Story Lab Fellowship (2013); the Zentrum Paul Klee Fellowship, Berne, Switzerland (2013); the Cintas Foundation Fellowship, New York (2012); and the NEA Southern Constellation Fellowship at Elsewhere Museum, Greensboro, NC, Mayer was included in the “25 New Faces of Independent Film” by Filmmaker Magazine (2012). She was recently featured on the cover of ART PAPERS. Mayer is represented by David Castillo Gallery, Miami.

Miami-based artist Jillian Mayer introduces 400 Nudes, a revealing found photo project to debut at the Montreal Biennial. Mayer's work examines the nude selfie phenom on the Internet to comment on information sharing, privacy, the manipulation of identity, and the body politics of revenge porn. Sound Editor: Kris McConnachie

Music Video Land heads down to Miami (in person!) to talk to directors Lucas Leyva and Jillian Mayer about their music videos, including Jacuzzi Boys - "Glazin'". Also Doug and Adam talk about how videos get promoted and distributed.