Studio Noize Podcast

Ceramicist, Malene Barnett, returns to the Noize! We learned all about her amazing book Crafted Kinship and now we learn all about her artistic practice. From designing rugs to ceramics walls Malene's curiosity and passion has pushed her in new directions. After discovering her love for hand building clay she has been on a journey to learn the craft and make work in all forms. We talk about her ceramic murals, how residencies helped her learn about ceramics, being a part of a community of artists, and the structure she uses to keep her on track in the studio. Malene has some great insights in to clay and how it connects her to her ancestors. More of that good art talk that you love on the Noize! Listen, subscribe, and share!Episode 202 topics include:Crafted Kinship world tourworking in clayfinding residencies to study clay being a part of the ceramics communitybeing objective about your worksturcture and discipline in art practiceceramic muralstraveling to Ghana for research Malene Djenaba Barnett is an award-winning multidisciplinary artist, textile surface designer, and community builder. She earned her MFA in ceramics from the Tyler School of Art and Architecture and undergraduate degrees in fashion illustration and textile surface design from the Fashion Institute of Technology. Malene received a Fulbright Award to travel to Jamaica in 2022–23 as the visiting artist at Edna Manley College of the Visual and Performing Arts in Kingston. Malene's art reflects her African Caribbean heritage, building on her ancestral legacy of mark-making as a visual identity, and has been exhibited at galleries and museums throughout the United States, including the Mindy Solomon Gallery in Miami, the Museum of Science and Industry in Chicago, Sugar Hill Children's Museum of Art & Storytelling in New York City, the African American Museum of Dallas, and Temple Contemporary in Philadelphia. Malene's art and design work has appeared in numerous publications, including the New York Times, Galerie, Elle Decor, Architectural Digest, Departures, and Interior Design. In addition, Malene hosts lectures on advocating for African Caribbean ceramic traditions and has participated in residencies at Anderson Ranch Arts Center, Watershed Center for the Ceramic Arts, Greenwich House Pottery, Judson Studios, the Hambidge Center, and Haystack Mountain School of Crafts. In 2024, Malene released her first book, “Crafted Kinship: Inside the Creative Practice of Contemporary Black Caribbean Makers” (Hachette), which includes interviews with over 60 artists of Caribbean heritage, taking readers on an important journey through the world of Black Caribbean creativity. This groundbreaking collection is the first to feature Caribbean makers' intimate stories of their artmaking processes, and how their countries of origin—the “land” —influences and informs how and what they create. See more: Malene Barnett website + Malene Barnett IG @malene.barnettFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

As things change around you it is important to stay ture to you passion and your calling. Its the only way to keep progressing toward your goals. Our guests today are George and Esohe Galbreath who know a little something about change lately. They are back to tell us all about their new event, Artful ATL. Saturday, June 7 at the Atlanta Contemporary. They tell us about the 30 plus artist being featured as well as the lessons they have learned from doing successful art event in the city for over a decade. We talk about building community, the new generation of artists working now, and how we pass the legacy on to other people. Listen, subscribe, and share!Episode 201 topics include:ArtfulAtl opening June 7 at the Atlanta Contemporarychanging and growing in the Atlanta art communitylessons learned for doing art events for over 10 yearsa new generation of artistscontinuing events around building communityappreciating the momentsbeing resilient in 2025Sohé Solutions imagines and executes events and exhibits that promote and support the creative community. Our co-founded annual art summer social, ARTiculate ATL, in ten years has featured over 200 local artists with over $300K generated in sales. We are equally proud of our curation of New Georgia Project's politically themed exhibit Politi-Art featuring women of color artists as well as the Many Rivers to Cross Music and Arts Festival dedicated to racial and social justice. Our goal for our curated experiences is to continue to amplify the voices of emerging artists and include them in rooms that they may usually be excluded from. See more: Sohe Solutions website + Artful Atl IG @creatingfreedomnowFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Everywhere you go you'll find artists in community. The Atlanta community has supported and produced some incredible artists like today's guest, Charity Hamidullah. You can see her murals all over the city, her tattoos all of the people and her canvases all over exhibition walls. Charity talks about switching mediums, the artists that inspire her to grow, and how she takes advantage of all the residency opportunities she's had so far. It's more of that good art talk we love on the Noize. Listen, subscribe, and share!Episode 199 topics include:switching from tattoos to canvaslearning how to drawgetting into muralsbeing fearless in your art practicehow public art changes spaceexploring mixed mediabeing inspired by other artistsgetting the most out of residencies6 week residency in PortugalCharity Hamidullah is a multi-disciplinary artist from Rochester, New York currently creating in Atlanta, Georgia. Through the exploration of daily life as well as environments; Hamidullah utilizes the power of art to dive deeper into her purpose and connect with others.By way of creativity, Charity embraces her vibrant cultural differences and upbringing to create visual narratives that many can relate to. Her colorful pallets are full of emotion, and life; symbolic of the diversity which co-exist in her story. From powerful abstract lines to impactful imagery, Charity unveils chapters of growth, self-discovery and empowerment.From viewing pieces, it is undeniable that Hamidullah truly travels through her art as she examines different techniques, canvases and mediums. But, no matter the style or approach; it is always made with love and the intention to inspire. See more: Charity Hamidullah website + Charity Hamidullah IG @creatingfreedomnowFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Artists know how much of a grind it is to be an artist. So when we see artists exploring and evolving like today's guest Shanneil Clarke we can appreciate the amount of effort that goes into it. Shanneil is out in these art streets, doing shows and building an audience with paintings featuring his unique Black figures. We talk about the essence of his style, the neck pieces, the gold, etc. and the inspiration behind his work. Shanneil talks about his Jamaican roots, how he vibes with collectors and the collab project he did recently with your boy, JBarber. Great incite into a young artist you can get follow on his journey. Right here on the Noize! Listen, subscribe, and share!Episode 198 topics include:grinding in the art streetssymbolism of hairbreaking down Shanneil's style: neck pieces, gold, backgroundslife experiences living in Jamaicainfluence of Black cartoon characters in Shanneil's artcollaborative prints with JBarberexploring materialsconnecting with collectorsShanneil Clarke artist statement:Art has always been my ultimate form of self-expression, a passion that has fueled me throughout my life. Born in Montego Bay, Jamaica, I spent my youth there before migrating to Pennsylvania in 2000. It was in the vibrant artistic environment of Philadelphia that I found inspiration in street art and historical murals. My art journey began during my time at Springfield High School, where I explored multiple mediums and discovered the joy of creating through various projects. After a brief hiatus, I rediscovered my love for art in 2008, particularly using oil-based medium, which reignited my creative energy. Each body of my work draws inspiration from both history and everyday experiences, crafted to evoke subjective interpretations in the viewer. I firmly believe that art is universal and shaped by each individual's life journey. As an introspective figurative artist, I incorporate natural motifs and floral fabric patterns to express communication and determination in the figures' pursuit of a better life. Each stroke of paint exudes boldness, confidence, and strength, aiming to inspire those who encounter my art. I draw inspiration from a multitude of artists, including Dali, Kevin Williams, Charly Palmer, David Hockney, Basquiat, and Amy Sherald, while also embracing techniques from different eras, like gold leaf and textures. Since moving to Atlanta, Georgia, in 2018, I have become actively engaged in the local art community, showcasing my work in various galleries, such as Mint Gallery and Future Dead Artist Gallery. Notably, in 2022, I was featured in an Exhibition sponsored by Amazon Prime during Art Basel Miami. My ultimate goal is to touch hearts and minds with my art, leaving a lasting positive impression on fellow art enthusiasts and inspiring others to express their own passion and creativity. See more: Shanneil Clarke IG @artbys.clarkeFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Today we shine the light on our Caribbean brothers and sisters with Malene Barnett and her amazing book Crafted Kinship: Inside the Creative Practices of Contemporary Black Caribbean Makers. Melene talks about her heritage and how this incredible book came together. More than 60 artists are featured included some Studio Noize Alumni like April Bey. Malene talks about the connections between Caribbean artists in the diaspora, experimenting with materials, and what it means to be rooted to a place. It's more of that good art talk that we love right here on the Noize! Listen, subscribe, and share!Episode 197 topics include:Crafted Kinship: Inside the Creative Practices of Contemporary Black Caribbean Makershighlighting Caribbean artists in the diasporagrowing up with parents from the Caribbeanexperimental materials land, climate and sustainability as a themepride in your homelandsocial constructs around artistic disciplinesceramics in the CaribbeanMalene Djenaba Barnett is an award-winning multidisciplinary artist, textile surface designer, and community builder. She earned her MFA in ceramics from the Tyler School of Art and Architecture and undergraduate degrees in fashion illustration and textile surface design from the Fashion Institute of Technology. Malene received a Fulbright Award to travel to Jamaica in 2022–23 as the visiting artist at Edna Manley College of the Visual and Performing Arts in Kingston.Malene's art reflects her African Caribbean heritage, building on her ancestral legacy of mark-making as a visual identity, and has been exhibited at galleries and museums throughout the United States, including the Mindy Solomon Gallery in Miami, the Museum of Science and Industry in Chicago, Sugar Hill Children's Museum of Art & Storytelling in New York City, the African American Museum of Dallas, and Temple Contemporary in Philadelphia. Malene's art and design work has appeared in numerous publications, including the New York Times, Galerie, Elle Decor, Architectural Digest, Departures, and Interior Design. In addition, Malene hosts lectures on advocating for African Caribbean ceramic traditions and has participated in residencies at Anderson Ranch Arts Center, Watershed Center for the Ceramic Arts, Greenwich House Pottery, Judson Studios, the Hambidge Center, and Haystack Mountain School of Crafts. In 2024, Malene released her first book, “Crafted Kinship: Inside the Creative Practice of Contemporary Black Caribbean Makers” (Hachette), which includes interviews with over 60 artists of Caribbean heritage, taking readers on an important journey through the world of Black Caribbean creativity. This groundbreaking collection is the first to feature Caribbean makers' intimate stories of their artmaking processes, and how their countries of origin—the “land” —influences and informs how and what they create.Malene is also the founder of the Black Artists + Designers Guild, which supports independent Black makers globally. When she's not traveling the world researching Black diasporic aesthetics, Malene resides in Brooklyn, New York.See more: Malene Barnett website + Malene Barnett IG @malene.barnettFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Ariel Dannielle comes back home to the Studio Noize podcast! We been following Ariel since she came on the single digit episodes of the Noize and we love how she has grown as an artist. If you've seen her work you know about her wonderful use of color, her complex compositions and her love of all things girly. She talks about her adventures in these art streets from LA to New York to Chicago and back to Atlanta. We get into her approach to painting and capturing moments, her obsession with painting food, her process of capturing these moments of womanhood/girlhood in her paintings. Its more of that good art talk that you love with one of our favorites. Listen, subscribe, and share!Episode 196 topics include:working on solo exhibitionsFeels Like Glitter show at UTA Atlantabeing obsessed with painting foodcapturing moments with friendsartistic influencesusing yourself as referencemaking in different waysexperiencing a residency in Moroccostudio space in Atlantarepresenting womanhood and girlhood in artAriel Dannielle (b. 1991) is an African-American painter born and raised in Atlanta, GA. She graduated from University of West Georgia, where she received a Bachelor of Fine Arts. Drawing directly from her life, Ariel creates large-scale paintings that depict the daily experiences of young Black women through her personal and playful lens. She believes in the importance of her artwork to provide a look into Black girlhood/womanhood that can be represented and understood. This acrylic archive has enabled her to explore aspects of the mundane, human vulnerability and sexuality. Influenced by Kerry James Marshall and Mickalene Thomas, Dannielle focuses on developing personal narratives within her portraits that challenge gender and racial stereotypes. By placing herself in the paintings, Dannielle welcomes the viewers to also participate in a process of introspection.Ariel's work has been showcased at the Venice Biennale 2024, California African American Museum, Monique Meloche Gallery, Soco Gallery, UTA Atlanta, Harvey B. Gantt Museum, Mint ATL, The Goat Farm, ZuCot Gallery, Dalton Gallery, Trio Contemporary Art Gallery, Sheetcake Gallery, and Perez Museum Miami. She was MOCA GA Working Artist Fellow of 2019-20 and an Artadia 2018 finalist. She also showcased her first mural with Living Walls x Adult Swim in Atlanta, Georgia in 2022. See more: Ariel Dannielle website + Ariel Dannielle IG @byaridannielleFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

New Year, New season of Studio Noize! Your boy JBarber went to see Giants at the High Museum of Art and he has some thoughts. The exhibition featured art from the Dean Collection of Swizz Beats and Alicia Keys. There are so many conversations to be had coming out of the show. There's wealth and celebrity, there's propaganda, and there's phenomenal, awe inspiring art. We owe it to them and their efforts to give a good honest critique of the whole endeavor. The same way we examine a show like Afro Atlantic Histories we should examine the good and bad about Giants. A great way to blast into the new year! Listen, subscribe, and share!Episode 194 topics include:Giants at the High Museum of Art in Atlantacelebrity and wealth in articonographythe who's who of Black artKehinde Wiley's 30ft paintingBarkley Hendrickpropaganda in exhibitionsAbout Giants:Musicians, songwriters, and producers Swizz Beatz (Kasseem Dean) and Alicia Keys have stood as giants in the global cultural landscape for decades. As collectors, the Deans have lived their ethos of “artists supporting artists,” acquiring a world-class collection of paintings, photographs, and sculptures by diverse, multigenerational artists.The exhibition illuminates the renown and impact of legendary and canon-expanding artists. Preeminent “giants” such as Barkley L. Hendricks, Esther Mahlangu, and Gordon Parks push the boundaries of what can be seen on canvas and in photography while building a foundation for today's Black creatives. Contemporary artists like Hank Willis Thomas and Qualeasha Wood use materials like textiles, steel, and beads to celebrate Blackness and critique society, while mesmerizing compositions from Deana Lawson and Mickalene Thomas challenge and add nuance to perceptions of Blackness. Embodying the exhibition's “giant” ethos, the paintings by Amy Sherald and Titus Kaphar command attention through striking monumentality. Together, these works bring to the fore many facets of the term giants and reflect the spirit of the Deans, whose creative lives infuse the exhibition. See more: Giants exhibition at the High MuseumFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

We back! It's been a crazy few weeks for your boy JBarber. I had extensive water damage to my house and had to shut down my studio for a full renovation. My studio is in shambles! It makes me think of two things. One, the people out in western NC that were devastated by the recent hurricane. The River Arts District was completely underwater for days. We have to continue to support them in any way that we can. Two, I can't help be remember the amazing Legacy Print Weekend at Delita Martin's studio hanging out with some of the best printmakers in the world. Today we got Rabea Ballin and Ann Johnson on the podcast recorded during our fun in Houston. We talked about experimenting in the studio, insight into your friends' art process, taking classes at Anderson Ranch and much more. We are forgetting about our big studio problems for a little while and getting back to that good art talk we love. Listen, subscribe, and share!Episode 194 topics include:Legacy Weekend at Delita Martin's studio how the ROUX Collective worksexperimenting with colleaguesCan you run leaves through a letterpress?group critiquing with peerstaking Mickalene Thomas' class at Anderson Ranchcontinuing education for artistsseeing artists workRabea Ballinb. deutschland. louisiana. JAH. germany. louisiana. violin. kurtis blow. mexico. sax. high school. native tongues. art school. colorado. louisiana. college. job. first love. broken heart. spanish. paris. graphic design. italy. rebirth. painting. mrc. houston. mfa. houston 7. gallery. new york. solo exhibition. jeep. professor. 3rd ward. miami basel. zula. roux. afrikaans. stir. brooklyn. bas. suga. everything records. massachusetts review. gallery director. professorship.lief.round 41. netherlands.spain. germany. south africa. mended heart. harvey. biennial. artadia. department chair. cuba. camh. 2020. public art. loss. mfah. mexico city.AnnJohnsonAnn is a graduate of Prairie View A&M University in Texas, (where she now teaches) and received a BS in Home Economics. She has also received an MA in Humanities from the University of Houston-Clear Lake, as well as an MFA from The Academy of Art University, in San Francisco with a concentration in printmaking. Primarily an interdisciplinary artist, Johnson's passion for exploring issues particularly in the Black community has led her to create series' of works that are evocative and engaging. Her series Converse: Real Talk has been exhibited at Women and Their Work in Austin, TX, The Kansas City Art Institute, and The Community Folk Art Center in Syracuse, NY. She has been acknowledged as an “Artist to Watch” by the International Review of African American Art, and is a member of the Bearden 100 (honoring artist Romare Bearden). She is co-founder of the organization PrintMatters and PrintHouston and is a member of the ROUX Collective. See more: Rabea Ballin website + Rabea Ballin IG @rballin + Ann Johnson website + Ann Johnson IG @solesisterart Follow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

A couple of weeks ago a group of super talented printmakers got to together in Houston at the studio of the one and only Delita Martin. We talking Delita, Chloe Alexander, Anne Johnson, Rabea Ballin, Shanna Strauss, Jess Sabogal, Rashaun Rucker and Steve Prince who couldn't make it. Even your boy JBarber slid in there some how. The magic of the moment inspired us to create a new printmaking collective called the Legacy Print Council. Of course JBarber pulled out the mics to document such a momentous occasion. Today we got Delita Martin and Chloe Alexander talking about how this all came together and the value of sharing with your peers. Followed by Dr. Kheli Willetts who came by the studio to visit and ended up making a print herself. Kheli talks about being inspired to make a print, the time she spent with Elizabeth Catlett and her observation about the event. It's just a little taste of that good art talk from Legacy Weekend with the crew. Listen, subscribe, and share!Episode 193 topics include:how the Legacy Weekend came togetherenergy in the print studiosharing techniques with your peerscontinuing to learn as your career growscreating a collaborative portfolioDr Kheli Willetts jumping into printing againDr Kheli Willetts spending time with Elizabeth Catlettthe context of Legacy WeekendDelita Martin is an artist currently based in Huffman, Texas. She received a BFA in drawing from Texas Southern University and an MFA in printmaking from Purdue University. Formerly a member of the fine arts faculty at UA Little Rock in Arkansas, Martin currently works as a full-time artist in her studio, Black Box Press. Martin's work has been exhibited both nationally and internationally. Most recently Martin's work was included in the State of the Arts: Discovering American Art Now, an exhibition that included 101 artists from around the United States. Her work is in numerous portfolios and collections.Chloe Alexander is a printmaker who works out of Atlanta, Georgia. She earned her Bachelor of Fine Arts in 2010 and an M.Ed. in 2014, both from Georgia State University. Alexander is a national and international exhibiting artist who has shown work in institutions such as the International Print Center in New York, the Woolwich Contemporary Print Fair in London, and the Kai Lin Art Gallery in Atlanta. Dr. Kheli Willetts is Principal and Founder of Dira Professional Development. Prior to starting her own firm, Dr. Willetts was Director of Professional Development at Mid-America Arts Alliance (MAAA) small to midsize arts and cultural organizations as well as practicing artists. See more: Delita Martin website + Delita Martin IG @blackboxpress + Chloe Alexander website + Chloe Alexander IG @thehaplessprintmaker + Dr Kheli Willetts websiteFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Artists should be comfortable blazing their own paths. Even if it take you outside the norms of Black figuration and makes people look at you funny. Today's guest, Anthony Burks Sr., knows all about that. As a Black artist using animals as his main subjects he has stories of people that didn't want his work at first but the beautiful compositions, the masterful drawing and the spirit that he puts into the work is undeniable. Anthony talks about his animals, his creative drive, how he approaches his business and survives as an artist. It's a wide ranging art conversation for yall today. We know you like that good art talk right here on the Noize! Listen, subscribe, and share!Episode 192 topics include:the love of drawingstaying in your lane as an artistpainting animals as a Black artistturning his home into a galleryhandling commissionsZero Empty Spaces art studio and collectiveusing social media to get clientshow to get support at a fundraiserthe art hustle in FloridaAnthony Burks, a native Floridian, is a conceptual fine and commercial artist. He works in numerous forms of media including charcoal, pen & ink, pastels, watercolor, and color pencil. The Art Institute of Fort Lauderdale graduate has won awards and contests including Best of Show in several different art shows. He has worked and collaborated with numerous companies and organizations over the years through his 30-year company with his wife, Trina Slade-Burks, ATB Fine ArtGroup Inc. (ATB).Anthony has exhibited his artwork at various galleries, museums, and events. He also utilizes his skills to encourage artistic youth and adults to further pursue their own creative talents and to help promote the arts. He has co-curated varies exhibitions including Continuum PB Arts Fair, Collaboration: African Diaspora Exhibition, Karibu and Boys II Men Art Expo just to name a few. These exhibitions have provided opportunities for emerging, mid-career and established artists and have exposed them to collectors who may not have had the opportunity otherwise.Over the last 20 years, he has also provided opportunities through arts education and artistic techniques to develop artistic skills in drawing and art appreciation. See more: Anthony Burks Sr. website + Anthony Burks Sr. IG @ampburksFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Mint Gallery in Atlanta has closed its doors, suddenly and sloppily. How could this happen to such a well known, well used space? Studio Noize has recorded episodes there. Your boy JBarber had his thesis show there. There was a history and reputation to the gallery. Today we bring back Jasmine Nicole Williams, aka Jiggy Jas, back for an emergency episode of Studio Noize. We unload our thoughts on the closing of Mint and how poorly it was all handled. We discuss the precarious nature of being an artist and how devastating it can be to have your life and livelihood threatened by bad business. We talk about the changing landscape of arts funding, the need for community and the courage it takes to advocate for yourself and your fellow artists. Listen, subscribe, and share!Episode 191 topics include:the chaos of Mint Gallery closingnon-profit arts fundinghow poor leadership effects working artistsbeing transparentthe dream of having a studiowhat creates culturewhat comes from the chaosJasmine Nicole Williams is a Black American visual artist and organizer from Atlanta, GA. She earned her Bachelor of Fine Art in Printmaking from the University of West Georgia in 2017. Her work explores her southern, black, and femme identities through printmaking and murals to inspire people to dive deeper into their humanity.Influenced by the work of artists like Elizabeth Catlett and Emory Douglas, Jasmine believes in the transformative power of portraiture, print, and public art. She understands the role of art and the need for that art to be accessible to the people as a tool to advance the working-class struggle. With a deep interest in craft and process, Jasmine makes dignified work that reflects and relates to everyday people and injects them with a spirit of optimism toward the future.Since receiving her BFA, Jasmine's work has been showcased at Prizm Art Fair, Perez Museum Miami, ZuCot Gallery, Eyedrum, MINT Gallery, and Echo Contemporary. She has received residencies from Hambidge and Midtown Alliance. She was awarded grants from RedBull, Sprite, WISH ATL, and Dream Warriors Foundation and fellowships from Southern Graphics Council International and TILA Studios. She has worked with [adult swim] and Nike. Currently, Jasmine is the 2023 recipient of the Living Walls Abroad Fellowship. Jasmine continues her practice in Atlanta, GA.See more: Rough Draft Atlanta: MINT Gallery abruptly closes its doors at MET Atlanta + AJC: Mint gallery closed suddenly, leaving artists scrambling and unhappy + Jasmine Williams website + Jasmine Williams IG @jn.ooomamiFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Pittsburgh-based art historian and curator, Kilolo Luckett joins the Studio Noize fam today! Its always exciting to have dynamic, interesting women on the show because they have so much to offer. Kilolo has created an experimental, contemporary art platform with Alma Lewis and still works as an independent curator with artists like Stephen Towns, Amani Lewis and Thaddeus Mosley. She talks about building connections with artists that she curates, the importance or reading for artists and creating Alma Lewis as a place where artists can grow in their practice. Kilolo shares what she sees as the job of a curator and how to created a culture that supports artists in every way. Listen, subscribe, and share!Episode 190 topics include:building a connection to artistswhat an artist readsadvocating for artistswhat a curator doesthe importance of narratives in artcreating Alma Lewis art culture supporting artists during a residencyKilolo Luckett bio:Kilolo Luckett is a Pittsburgh-based art historian and curator. With more than twenty-five years of experience in arts administration and cultural production, she is committed to elevating the voices of underrepresented visual artists, especially women, and Black and Brown artists.Luckett is Founding Executive Director and Chief Curator of ALMA | LEWIS (named after abstract artists Alma Thomas and Norman Lewis), an experimental, contemporary art platform for critical thinking, constructive dialogue, and creative expression dedicated to Black culture.Among the many exhibitions to her credit are Familiar Boundaries. Infinite Possibilities (2018), Resurgence – Rise Again: The Art of Ben Jones (2019), I Came by Boat So Meet Me at the Beach by Ayana Evans and Tsedaye Makonnen (2020), Vanishing Black Bars & Lounges: Photographs by L. Kasimu Harris (2020), and Dominic Chambers: Like the Shapes of Clouds on Water (2020) at the August Wilson African American Cultural Center; Amani Lewis: Reimagining Care (2021) and Lizania Cruz: Performing Inquiry (2022) at ALMA | LEWIS; Stephen Towns: Declaration & Resistance (2022), which premiered at the Westmoreland Museum of American Art and travels to Boise Art Museum in Boise, Idaho, and Reynolda House Museum of American Art in Winston-Salem, North Carolina (2023); and Luckett co-curated SLAY: Artemisia Gentileschi & Kehinde Wiley (2022) at The Frick Pittsburgh.She has curated exhibitions by national and international artists such as Peju Alatise, Martha Jackson Jarvis, Thaddeus Mosley, Tajh Rust, Devan Shimoyama, and Shikeith. She served as an Art Commissioner for the City of Pittsburgh's Art Commission for twelve years. Luckett has held positions as Curator of Meta Pittsburgh's Open Arts, Consulting Curator of Visual Arts at the August Wilson African American Cultural Center, Director of Development at The Andy Warhol Museum, and Curatorial Assistant at Wood Street Galleries, where she helped organize shows that included Xu Bing, Louise Bourgeois, Larry Bell, Catherine Opie, Nam June Paik, and Tim Rollins + K.O.S.See more: Alma Lewis website + Kilolo Luckett's IG @kilololuckettFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

We are talking about collecting today on the Noize! We got attorney and art collector Nick Bedford. You might catch Nick in Miami at Art Basel, flying worldwide to check out all the shows, or in the studio with your favorite artists. Nick talks about the value of art, following artists as they grow, and getting into the politics behind collecting. Nick shines a light on what he values in purchasing, which includes the sketches and preliminary drawings. It's a talk about the other side of the art business from a person actively supporting and acquiring work. Listen, subscribe, and share!Episode 189 topics include:reasons to collectvalue in artcollecting sketches and preliminary workswhat makes a great artisthow success changes artists and collectingfollowing artists as they growrecent treasures in the collectiongatekeeping by museums and galleriesNick Bedford bio:Nicholas Bedford is a highly accomplished, leveraging his extensive legal expertise to provide exceptional defense for prominent corporate entities, municipalities, and trucking companies across the nation. Among his esteemed clientele are renowned organizations like National Indemnity Company, The Kroger Co., American Family Insurance, Grady Memorial Hospital, The Home Depot, Inc., The City of Atlanta, and some of the nation's biggest corporate citizens. With over a decade of experience, Nicholas has consistently demonstrated his prowess in handling complex legal matters.Beyond his legal achievements, Nicholas is deeply committed to his community and passionate about promoting artistic advocacy. He serves as a Board Member of Georgia Lawyers for the Arts and is the visionary Founder of the Artist Making a Difference Mural Program. Through this innovative initiative, Nicholas has spearheaded impactful murals and initiated programs for philanthropic causes, including the Ronald McDonald House, the Atlanta Missions, Allgood Elementary School, and the Jesse Draper Boys & Girls School.See more: Nick Bedford's IG @nick_bedFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

The 2024 Florida Prize exhibition at the Orland Museum of Art introduced your boy, JBarber, to 10 fantastic artists in the state of Florida. We got the People's Choice Award winner from that show, Njeri Kinuthia, on the Noize today. Her work is centered around her experiences growing up in Kenya and the ways she wrestles with culture, religion and social norms. Njeri talks about her love of drawing, her complex relationship with religion, and the ways her art helps her build a sense of self. We go through the details of some of Njeri's amazing work in the show including Njeri the Great, Nyumba, and Smothered II. Plus some stories about Njeri being a pastor and throwing shade with fabrics. Listen, subscribe, and share!Episode 188 topics include:coming to New York from Kenyafinding freedom in the clothingwrestling with cultural norms in artthe importance of drawingfemale oppression 2024 Florida PrizeNjeri Kinuthia bio:Njeri Kinuthia was born and raised in Kenya. She received her bachelor's degree in Fashion Design from Machakos University, Kenya. Njeri moved to the U.S. in 2021 to pursue her MFA at the University of Central Florida, funded by the Provost's Fellowship Award. Her artistic merit has been recognized with awards, including the 2024 Florida Prize in Contemporary Art People's Choice Award, the 2024 University of Central Florida Outstanding Graduate Creative Research, the 2023 Éclat Law Prize, the 2023 United Arts Public Art Award, the 2023 Innovation in Arts Award, among others. Njeri has exhibited her work in various shows and galleries, including the ongoing Florida Prize at the Orlando Museum of Art, and a solo exhibition at Snap! Gallery in Orlando. She has also showcased her art in international settings, including Norway. Njeri is also an Art Educator teaching at the University of Central Florida. Her work explores themes of self-reflection, feminism, and the suppression of women perpetuated by cultural and societal norms. Njeri has also shared her insights through artist talks and interviews, further contributing to the discourse on the role of art in society. See more: Njeri Kinuthia website + Njeri Kinuthia's IG @njeri_artistarFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Vanessa Meshack is fresh off her first solo gallery show at Pencil and Paper Gallery and a feature in the international printmaking magazine Pressing Matters. Now she joins her favorite art podcast, Studio Noize, to talk about her new career. Vanessa was one of the super fans featured on the 100th episode! She's made huge leaps in her art practice since she me JBarber out at Print Austin years ago. She discusses the way that making art has helped her find herself again, how she began exploring printmaking, and the challenges of setting up a new studio practice. Listen, subscribe, and share!Episode 187 topics include:Inner Visions solo show at Pencil and Paper Galleryfiguring out a directionobstacles on the way to making artfalling in love with printmakingusing yourself as a referenceexpressing yourself through artbeing featured in Pressing Matters magazineprint nerding out over monoprintingseparating your practice from your businessVanessa Meshack bio:In her profound journey towards self-actualization, Vanessa Meshack draws upon spiritual guidance, memory's whispers, graceful movement, and rich experiences to craft abstract figurative masterpieces. Her creations convey not just strength, healing, vulnerability, and joy, but also embody the intricate tapestry woven by intersectionality, shaping her unique worldview. Rather than dwelling on the shadows of overlapping social identities, Vanessa reframes the narrative, showcasing the elegance that blooms from embracing one's inner wisdom. Her chosen mediums, such as drawing, fiber, and printmaking techniques like monotype and woodcut, are meticulously applied to archival paper and fabric. Through stitching and quilting, she imparts intention, infusing her work with a profound meditative essence. Vanessa Meshack, a self-taught maestro, channels her artistic voyage into her prints. Her monotypes, a dance of ink and texture, create vignettes of her narrative. Her studio, nestled in a detached garage apartment in Dallas, Texas, serves as her sanctuary. Here, she transforms solitude into eloquent expressions, demonstrating the boundless potency of artistic exploration. See more: Vanessa Meshack website + Vanessa Meshack's IG @vlmeshackartFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

After spending 8 weeks at the Penland School of Craft there was a perfect time to reflect on the experience. Your boy JBarber got together a diverse panel of Penland people to talk about it. You got students (Erika Marin and Tori Hoang), a teaching assistant (Jasmin Warnock), a CORE student (Nicholas Malik), and an instructor. Not to mention some diverse ethnic backgrounds from Latinx to Asian to Black to discuss being in art spaces like Penland and exploring your curiosity in craft. We discuss their experience in the spring concentration, how diversity effects art spaces, and what they have learned during the process. Most importantly, do we recommend Penland to other artists of color? Listen, subscribe, and share!Episode 186 topics include:how to find out about Penlandmaking time for an 8 week class/residencyCore students at Penland for 2 yearsexperiencing craft for the first timeliving at an adult summer campinteracting with creativeslearning from the other people at Penlanddiversity at Penland and art spaceslearning about yourself with making Penland School of Craft is a national craft education center dedicated to the creative life. Located in North Carolina's Blue Ridge Mountains, Penland offers total-immersion workshops in sixteen beautifully-equipped studios along with artist residencies, a gallery and visitors center, and community programs.See more: Penland School of Craft website + Penland School of Craft IG @penlandschool , Nicholas Malik's IG @nicholas_malik, Jasmin Warnock IG @warnockartFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Your boy, JBarber, has been teaching at the Penland School of Craft and now we're back with new Studio Noize! We found David Harper Clemons in a weaving cabin making broaches, print, sculptures and drawings. David is also the HBCU tour coordinator for Penland. We talk about the HBCU tours and how to get more diversity into artist communities. David talks about his curiosity with materials in making his functional and wearable art, the value of Black narratives in objects and what you need to be a great metalsmith. Listen, subscribe, and share!Episode 185 topics include:gettting into metalsHBCU tour at Penland School of Craftbringing diversity to Penlandmetalsmithing vs jewelrythe attention to detailtop 3 skills of a metalsmithcuriosity for materialsBlack narratives in objectsimportance of surfaces and touchDavid was born in El Paso, Texas and spent much of his life in Austin, Texas. Initially he began his undergraduate career attending Tulane University in New Orleans, Louisiana, pursuing a degree program for Biology Art. He attended the program for two years before returning to Austin to complete his BFA at the University of Texas in Austin, with a primary emphasis in painting. He earned his MFA in Metalsmithing in 2007 from San Diego State University. David taught in the art department at the University of Arkansas in Little Rock, Arkansas for 10 years. During 8 of those years he was responsible for creating and heading the Metalsmithing and Jewelry Department. In 2018 he relocated to Penland, North Carolina to dedicate his time to be an independent artist and workshop instructor. Much of his work embraces the craft of Metalsmithing and it's collected history of techniques and objects. The resulting works rendered in metal, mixed media, and hand made artist books are vehicles to communicate ideas surrounding identity, narrative, and forays into material and process-based work. He has exhibited in numerous exhibitions including: Craft in America: Expanding Traditions, Different Tempers: Jewelry & Blacksmithing, RE/ACTIONS, and has work in the permanent collection of the Arkansas Art Center in Little Rock, National Ornamental Metal Museum. Yale Contemporary Craft Museum, Ollie Trout Collection at the University of Texas in Austin. See more: David Harper Clemons' website + David Harper Clemons' IG @harperclemons Follow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

It's an instant classic for you today on the Noize! We got the wonderful LaNia Roberts on the show and she came with all the energy, honesty and transparency that we needed in our studios. LaNia talks about how she got her big personality, empowering herself through art and the inner thoughts that artists feel and don't often speak on. There is a truly awesome story on how she got to her style of painting that is a must here for any artist trying to find their way. You gotta rate the show 5 stars just for that! Its all that good art talk that you need in your life with a young woman artist that is blazing a trail in these art streets. Listen, subscribe, and share!Episode 184 topics include:being a young artist at SCOPE getting empowerment through arthow LaNia developed her personalitycreating systems to support your practicethe big shift in paintingStan Squirewell as a mentorovercoming the fear of growthwhat artists believe about themselvesLaNia Roberts, born in 1996 and hailing from Louisville, KY, discovered a profound means of self-expression in visual art amidst her early struggle with identity. Supported by numerous scholarships as a first-generation college student, she pursued a degree in Painting at Syracuse University's Visual and Performing Arts School. LaNia culminated her academic journey in 2019, achieving a degree in Painting from Syracuse University and traveling to over 12 countries across three continents since attending art school. Presently, she resides in Louisville, KY, fully engaged as a professional artist. Her practice has also expanded into an online-based social art practice, empowering millions worldwide to embody radical self-compassion, love, and acceptance, with over 200,000+ followers between Instagram and Tiktok. Most notably, her artistic endeavors have garnered her the representation of the esteemed Claire Oliver Gallery in Harlem, New York City.See more: LaNia Roberts' website + LaNia Roberts' IG @laniarobertsFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Today on the Noize we got printmaker, Tenjin Ikeda! he has been making art as for over 30 years and its been a journey across all kinds of mediums. From painting, to dancing, to sculpting, to printmaking, Tenjin has been open to where his talents and opportunity take him. We learn about Tenjin and his philosophy on making work. We nerd out a little bit on carving and relief printmaking masters like Latoya Hobbs, Elizabeth Catlett and more. Tenjin talks about a turning point print for him, how his spirituality inspires his work and what he's learned by being in exhibitions over so many year. Listen, subscribe, and share!Episode 183 topics include:doing art for 30 plus yearsfinding printmakingcarving tips and secretsdeveloping compositionswhat piece was a turning point in his eyesthe differences between mediumsexperience gained from exhibitionsoffering critique to younger artistsTenjin Ikeda is an Afro-Puerto Rican artist born and raised in Brooklyn, New York on October 30, 1968. At a very young age learned the importance of tradition and heritage from his mother. He taught himself how to draw at an early age and he was hooked, he has been seriously making art for 30 plus years using the various mediums of painting, sculpture, and printmaking. He attended the School of Visual Arts in New York first focusing on graphic design and ultimately Fine Arts where he felt more freedom to express himself. It was at the Art Students League that he discovered printmaking, which has been his focus for the past 20 plus years. “It is my desire to continue to visibly show the richness of my ancestry to the world.” He has various works in private collections in the US, Canada, Mexico, Bahamas as well as acquisitions by The Schomburg Center for Research in Black Culture, The Print Club of Albany, and the Art Student's League. Tenjin's work has been featured as cover art and illustrations for various books. He has been included in “Modern Printmaking” an up coming book of 30 contemporary printmakers by Sylvie Covey.Tenjin, also worked for 6 years as an artist assistant to Richard Artschwager and with artist Keith Haring on a mural project Mr. Haring did at Woodhull Hospital in Brooklyn, NY. He has participated in-group shows in different parts of the United States, Ireland, Japan as well as Spain and Australia.See more: Tenjin Ikeda's website + Tenjin Ikeda's IG @ify.chi.chiejinaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Ify Chiejina is a self taught artist making her way in art world. JB found her work after she created a beautiful print with master printmaker, Curlee Holton, at Raven Fine Art Editions. Ify talks about her work with Curlee and how she has navigated being a self taught artist and building the career that she wants. Her previous and recently announced illustrations for the Criterion Collection for legendary Senegalese filmmaker, Ousmane Sembene, has had an impact on how she approaches her practice. Ify is also active on IG @ify.chi.chiejina and we talk about the movitvation behind some of here interesting IG commentary on art and artists. Listen, subscribe, and share!Episode 182 topics include:working with Curlee Holton at Raven Fine Art Editionsbeing a draftswomandefining yourself as an artistartist having career goalsdeveloping outside of art schooldoing a project with the Criterion Collectionimposter syndromeexperimenting in the studio Ifeatuanya (Ify) Chiejina is a visual artist born and raised in Queens, NY. Ify is a black Igbo female with ideas, thoughts, and truths that are rooted and reflective of different customs and traditions. As a Nigerian-American, Ify considers the tensions and complexities that come with being brought up in an African household, in a western society. Ify completed her B.A in philosophy from Queens College. Ify completed a certificate program for the Caribbean Cultural Center of African Diaspora Institute's in 2015 She has participated in residencies at Snug Harbor Cultural Center and Jamaica Center for Arts and Learning. Her paintings are in the Petrucci Family Foundation Collection. Ify is also one of the founding members for the Southeast Queens Artist Alliance, (SEQAA).See more: Ify Chiejina website + Ify Chiejina IG @ify.chi.chiejinaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Your boy JBarber manage to sit with two people from the Studio Noize fam while down at Miami Art Week. First up is Ben Muñoz, Chicano printmaker we talked to at Print Austin. JB met up with Ben and attended a bunch of the satellite fairs like Untitled, NADA, Ink, Prizm, and Pinta. We recorded a conversation riding in traffic after leaving Pinta. You get our fresh relfections on the day including how shows create a vibe, impressions of the work at the show, the best things about Miami, and more After that it's the man himself Jeremiah Ojo, Founder and Managing Director of Ilèkùn Wa (an art business advisory firm). Jeremiah selected two artist to showcase at SCOPE and that lead to a conversation about what it means to show at the an art fair. What does an art career look like with being at Miami Art Week as the big goal? Listen, subscribe, and share!Episode 181 topics include:different fairs at Miami Art WeekPinta - the Latin American art faircreating a vibe an an art faircomparing the work you see at the fairparticipating in Scope Art Faircurating for art fairsincreasing visibility and audiencedefining what you want in your careerBenjamin Muñoz (b. 1993) is a Dallas-based multi-disciplinary artist whose practice spans painting, installation, and monumental printmaking. Muñoz grew up in the vibrant Chicano culture of Corpus Christi, Texas, which boasts the country's largest Day of the Dead celebration, lowriders shows, and unique food culture. The middle child of artist brothers, Muñoz found his voice by reflecting on his heritage, upbringing, and current surroundings. J. Olayinka is the Founder and Managing Director of Ilèkùn Wa (Our doors), an art business advisory firm, facilitating & cultivating opportunities for visual artists of African descent to create, sustain and thrive.Over the last decade, J. Olayinka has become a sought after arts and culture management consultant, working internationally in artist professional development, gallery management, and art fair operations. His collaborative work with minority emerging contemporary artists, art institutions, corporations, and collectors has carved a pathway of connectivity for creative professionals throughout the African Diaspora and on the continent. Having worked with a number of black-owned, fine art galleries throughout the African Diaspora, J. Olayinka has forged an alliance of artist collectives and galleries in North America, Europe, and Africa working uniformly to economically advance the artistic and cultural production of their communities. See more: Ben Muñoz website + Ilekun Wa WebsiteFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Live from outside of SCOPE we chat it up with Martha A Wade and Reisha from the Women's LIVE Artist Studio. They had a wonderful journey from Chicago to Miami Art Week. They talk with us about process of showing at the fair and some insights on the interactions with attendees and how it all working into their plans for the studio. Time is a premium so this short interview is only an introduction to the good work they're doing in Chicago. Your boy JBarber ends the episode with some reflection on the last year as we welcome in 2024. Listen, subscribe, and share!Episode 180 topics include:participating at SCOPEraising money to come to Miami Art WeekWomen's LIVE Artist Studiointeracting with the SCOPE crowdsupporting young women artistshaving tough conversations with colleagues From the Women's LIVE Artist Studio website:The Women's LIVE Artist Studio (WLAS) is a vibrant hub nestled within the heart of Navy Pier, Chicago's premier indoor tourist destination, boasting over 9 million visitors annually. Our Gallery is dedicated to showcasing the artistic talents of women artists from the local community.Through daily live art demonstrations, we invite our visitors to witness the creative process in action. We represent a supportive community of 30 female artists from diverse backgrounds and mediums, all sharing a common commitment to empowering women in the Chicago art scene and advocating for equal recognition and opportunities.See more: Women's LIVE Artist Studio website + Women's LIVE Artist Studio IG @womensliveartiststudioFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudio

Studio Noize done hit the big time! We're back with a special series of episodes recorded at Miami Art Week. We've heard so much about Art Basel, the awesome art fairs on South Beach, The grand event of Art Basel. We are taking you behind the scenes to see what is really going on. Miami Noize is a series of episodes records live during Miami Art Week. Kicking off with Valerie Francis, owner and operator of Knowhere Art Gallery. It was A LOT going on but we stole 15 minutes from Valerie to talk about her experience at SCOPE, the artist she displayed including the OG Charly Palmer, and what is the value of being shown at an art fair. Its just a taste of the bigger conversation. Listen, subscribe, and share!Episode 179 topics include:participating at SCOPEselling work at an art fairKnowhere Art Gallery in Martha's Vineyarddiversity at Miami Art Weekthe value of art fairsValerie Francis is the director and chief curator of Knowhere Art Gallery. After graduating from Hunter College with a BFA in Printmaking, Interior & Architectural Design, and an MBA in Marketing from Rutgers Business School, Francis amassed a wealth of experience in the global health and technology field with over a decade in the public health sector with Sanofi. Francis serves on the board for Artists for Humanity (Boston, MA), the Leo Project (Nanyuki, Kenya), and the Martha's Vineyard Center of Visual Arts.See more: Knowhere Art Gallery website + Knowhere Art Gallery IG @knowhereartFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

The wonderful Althea Murphy-Price joins the Studio Noize fam today! Althea is an awesome printmaker and professor at the University of Tennessee- Knoxville. Her work explores the politics and culture of Black women's hair. She's not confined to one medium in her exploration. She does lithography, screenprinting, collage, photography, and 3D printing. We talked about what inspired her to do so much experimentation and where she found her love for printmaking. Of course, we talk about her wonder work, ideas of realness and perfection, adornment of little girls, being a “good printer,” and much more. Two printmakers that love printmaking talking that good art talk like you like it. It's the Noize! Listen, subscribe, and share!Episode 178 topics include:Falling in love with printmakingstruggling with letting gogetting into teaching having an artistic communitythe politics of Black women's hairexperimenting with materialsbeing a good printerusing technology in experimentingmaking mistakes in the print shopAlthea Murphy-Price is inspired by the social implication of beauty and its relationship to female identity, women, and culture. Topics of real and false, decoration, and imitation are explored in two and three-dimensional working methods, using traditional and non-conventional approaches to printmaking and sculpture.Althea Murphy-Price began her studies in Fine Art at Spelman College before receiving her Master of Arts in Printmaking and Painting from Purdue University and later studying at the Tyler School of Art, Temple University, where she earned her Master of Fine Arts. Her artwork has been shown widely throughout the country and in international cities in Spain, China, Japan, Italy and Sweden. Her writings and work have been featured in such publications as Art Papers Magazine, CAA Reviews, Contemporary Impressions Journal, Art in Print, Printmaking: A Complete Guide to Materials and Process., and Printmakers Today.See more: Althea Murphy-Price website + Althea Murphy-Price IG @altheamurphypricePresented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

The new director of the BAIA Foundation, Faron Manuel returns to the Noize! Faron and JBarber talk about his years of experience as a curator and writer that took him from Clark Atlanta Museum as a docent to the High Museum of Art and now his new role at Black Art In America. Faron talks about his plans for the foundation, new partnerships and programming on the horizon, and curating in the contemporary art market. We dive into the upcoming Fine Art Print Fair and his thoughts on the work of Richard Mayhew. More of that good art talk you love on the Noize! Listen, subscribe, and share!Episode 177 topics include:being an informed collector and artistworking on the Black Art in America Foundationworking at the High Museum of Artpartnerships with the Future Foundationreal-life experience in institutionscurating Better Days: Joy and Revolutionthesis about Richard MayhewFine Art Print Fair at BAIA GalleryFaron Manuel is the Director of the Black Art In America (BAIA) Foundation. A 501c3 organization that provides funding and professional development opportunities for Black artists and arts professionals in Atlanta and beyond. Before joining the BAIA Foundation, Manuel oversaw two Mellon Foundation-funded curatorial fellowship grants at the High Museum of Art in Atlanta from 2016-2023. Before joining the High Museum, he was the Special Projects Curatorial Assistant to the Clark Atlanta University Art Museum Director. He also served as the Assistant Editor at Black Art In America from 2015-2016, where he regularly interviewed collectors and reported widely on contemporary art.Manuel earned his B.A. in History from Clark Atlanta University in 2015, where he completed several museum fellowships. He has worked as an independent curator and art writer with notable collections and institutions over the years, doing much to expand the footprint of early-career artists. He was presented with the Hammonds House Honors Award for Curatorial Excellence in 2019 and recently served as a Resource Specialist for the Aspen Institute's 2022 Fall Workshop Series on grant program development.See more: BAIA Welcomes Faron Manuel As Director Of BAIA Foundation Presented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

The Postman is here! We got the esteemed collector Kerry Davis joining the Studio Noize fam. Kerry built his legendary collection while working 30 years as a postman at USPS. How impressive is his collection? Well, it's in the middle of a 5-year national museum tour, and he could have a whole other show from work currently up in his home. The collection includes the biggest names in Black art, from Charles White to Radcliff Bailey, Mo Brooker to Louis Delsarte. The collection alone is enough to discuss, but we go deeper than that. Kerry tells us about the relationships with those names on the wall. Mildred Thomas was his real friend; those personal stories are so great to hear. We talk about how he started touring his collection, got so much incredible work, and all the artists he met and got to know on his journey. Another great episode with that good art talk for you. Listen, subscribe, and share!Episode 176 topics include:-buying art vs collecting art-getting to know artists-Mildred Thomas stories -helping Louis Delsarte in his studio-meeting artists as a postman-organizing a collection-developing an “eye”-touring the Davis collection-how to handle a big collection-appreciating printmaking “It's been called “a museum in a home.” The private collection of art amassed by Kerry and C. Betty Davis over nearly 40 years is one of the richest collections of African American art in the world. The Davises – a retired postal worker and a former television news producer – have invited friends, neighbors, church members and their children's friends into their home to see their art.Now they are sharing their extraordinary collection with a wider audience. “Memories & Inspiration: The Kerry and C. Betty Davis Collection of African American Art” opens Feb. 4 through May 14 at the Taft Museum of Art.The exhibition features 67 of the more than 300 works that grace their suburban Atlanta home. It includes Romare Bearden's colorful portrayal of a jazz quartet, photographer Gordon Parks documentation of racial disparity and abstract pieces by Sam Gilliam, Norman Lewis and Alma Thomas. The show spans from early Black pioneers, such as Elizabeth Catlett and Jacob Lawrence, to contemporary artists.” -Janelle GelfandSee more: Cinncinnati Business Courier:Retired postal worker, wife share their world-class collection of African American art Presented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

We're covering the other side of this art game today! Ashley Lee, a lawyer by day and art collector, every other moment of her life. Ashley is committed to building her art collection, and we discuss how she does it. It's a little bit of budgeting, a little bit of research, and a whole lot of passion for the work that she loves. We break down things like budgeting and framing, getting to know artists, and how the pieces make her feel. Ashley tells us about her favorite artists, her dream pieces, and the importance of telling everyone how they can build a great collection without being rich. It's a great art collecting conversation for you today on the Noize! Listen, subscribe, and share!Episode 175 topics include:why collect artthe art-collecting communityconnecting with artists and artdefining your art collectionbudgeting for collectingartist wish listframing and presenting work in your homeunderstanding abstractionstudying artgrowth in collectingAshley is an attorney, black art blogger, and private Black art collector based in Atlanta, GA. Although she acquired her first open edition print by notable artist Gilbert Young in 2005 as part of a leadership program with her alma mater Spelman College, she became a serious Black art collector in 2018 when she acquired the "Obama No Drama" linocut by David C. Driskell to commemorate her experience as a 2012 Democratic National Convention Obama Delegate. Over the years, she has collected scores of works including works from established artists such as Kerry James Marshall, Sam Gilliam, Faith Ringgold, Elizabeth Catlett, and Samella Lewis. Ashley collects Black art exclusively because in the words of Faith Ringgold "art is a form of experience of the person, the place, the history of the people, and as Black people, we are different." While she has acquired amazing pieces thus far, her art collecting journey is in full swing as she continues to purchase pieces that resonate with her and represent different aspects of her soul.See more: The AML Collection website + The AML Collection IG @theamlcollection Presented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

It's always an honor to bring on one of the greats in Black art. We got Leroy Campbell joining the Studio Noize fam! Leroy has been an artist for 31 years, and his signature neckbone paintings can be seen worldwide. We talk about Leroy's path to becoming an artist, from how he created his signature neck bone work to how he honors his culture and embraces his Gullah heritage. We talk about a couple of upcoming books he's been working on, new experiments in painting, and a look back at the Black galleries, collectors, and artists that defined his career. This is a great episode to get you inspired. Listen, subscribe, and share!Episode 174 topics include:Getting started in Artthe Black Art Renaissanceproducing work for the communitybeing self-taughtbeing inspired by Romare Bearden and Jacob Lawrenceembracing his Southern Gullah heritagehonoring the Black galleries and collectorscreating a children's bookwriting a memoircreated new experimental workCharleston, South Carolina native, Leroy Campbell's art speaks of the contributions to humanity through the African American perspective. More than just art, each piece serves as Campbell's tithe, as he uses his gifts and talents to teach others about the richness of the Gullah/ Geechee heritage and the beauty of his people. Leroy Campbell describes humanity like a garden. In the 1300s Native Americans invented a system of gardening called “Three Sisters,” which involved strategically planting corn, beans, and squash together. The corn provides support and structure for the beans to grow. While the beans pull nitrogen from the air, returning it to the soil and enriching all the plants. The squash, planted at the base, spreads its large leaves, which offer shade and protection, keeping the soil moist and cool. When each of the plants is whole and thriving and healthy, it is able to reach its full potential and contribute to the garden. If one of the plants becomes sick, it affects the balance of the garden. Master gardener, painter, storyteller, and lover of souls, Leroy Campbell paints a beautiful hope for humanity through his art and through his words. In telling the stories he knows best, he is offering the wisdom and lessons of the elders as a gift to us all. As part of the human experience, we are all searching for our place in the garden, our purpose, our connection, our significance in this world. Those stories are the most powerful gifts in the universe as they provide a sense of self and a foundation of wisdom based on patience, love, and discernment. Campbell's vision is of a healthy garden, where each is whole, liberated and validated, where people are free to love who they are and in turn nurture others around them. Leroy Campbell's paintings, infused with history, tie the past to the present in the practice of sankofa, the understanding that you can't move forward until you receive the lessons of the past. The vulnerability of his art, his soul, his ability to tell a story through the use of acrylic, paper, tapestries, and organic materials, creates an opportunity for conversation, for something real, for the human connection that we are all desperately seeking.See more: Leroy Campbell website + Leroy Campbell IG @leroycampbellart Presented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

The new book Shifting Time: African American Artists 2020-2021 collects the art, poems, essays, and statements of over 70 African American artists as a glimpse into their lives during the pandemic years. Co-editors Berrisford Boothe and Klare Scarborough join the podcast to discuss this passion project that includes some of the Studio Noize fam like Tokie Taylor, Imo Imeh, Alfred Conteh, Delita Martin, and more. They talk about how it all came together from the Shuga and Wata online talks to the artwork and essays. They also discuss the need for community, whether online or in person, how events change artists, and the need for art during tough times. Listen, subscribe, and share!Episode 173 topics include:Shifting Time: African American Artists 2020-2021artists working during COVIDhow artwork changed over timenetworking during the pandemicvirtual communitiesShuga & Wata sessionscreating the book Shifting Timelessons from the COVID yearsthe trend of Black figuration Berrisford Boothe was born in Kingston, Jamaica and is now a U.S. citizen. Boothe has served on the Pennsylvania Council of the Arts. He is currently a Professor of Fine Art at Lehigh University. Berrisford Boothe is the Principal Curator of the Petrucci Family Foundation Collection. He was one of 100 artists nationwide featured in Robert Wuthnow's book ‘Creative Spirituality: The Way of the Artist.' Berrisford's digital print collages, ‘Virtual Lithographs' were part of the exhibition African-American printmakers: The Legacy Continues at The Aljira Center for Contemporary Arts in Newark, NJ. He was in the 2008 seminal exhibition: In Search of the Missing Masters: The Lewis Tanner Moore Collection of African American Art at The Woodmere Art Museum in Philadelphia, PA. His work has been featured in exhibitions at The Allentown Art Museum, The Fabric Workshop and Museum, Philadelphia, PA, The African American Museum, Philadelphia, PA, The William Benton Museum of Art, The New Arts Program, Kutztown, PA and The State Museum of PA.See more: Order Shifting Time from Amazon + Berrisford Booth IG @verbena2160 Presented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Lauren Tate Baeza is the curator of African Art at the High Museum in Atlanta and recently curated an amazing exhibition featuring the work of African printmaker, Bruce Onobrakpeya. We got Lauren on the show today to talk about the exhibition (you know your boy JB loves the prints!), the approach to contemporary African art, Bruce Onobrakpeya's long storied career, judging art and all types of topics. Lauren has a brilliant thought process and is here to enlighten us all about the wonder “transitions” in the art world. Listen, subscribe, and share!Episode 172 topics include:Bruce Onobrakpeya's work and career“The Mask and the Cross” exhibition at the High MuseumCatholic church's influence on Nigerian arttelling a story with an exhibitiondesigning an exhibitionartists embracing mistakestechnical printmaking unlocking masteryexoticizing African art2022 Hudgens PrizeLauren Tate Baeza joined the High Museum of Art in November 2020 as the Fred and Rita Richman Curator of African Art. Baeza oversees the African art collection of more than one thousand objects, including extraordinary examples of masks and sculpture, exceptionally fine textiles, beadwork, metalwork, and ceramics. Prior to joining the High, Baeza served as director of exhibitions at the National Center for Civil and Human Rights from 2018 to 2020. During her tenure there, Baeza maintained the Center's two ongoing installations in its American Civil Rights Movement and Global Human Rights Movement galleries and organized sixteen temporary exhibitions and installations, including Fragments, a collaboration with celebrated designer Paula Scher, featuring passages from Dr. King's handwritten speeches and letters.Concurrent with her position at the National Center for Civil and Human Rights, Baeza also curated the Morehouse College Martin Luther King Jr. Collection, featuring approximately ten thousand items, and managed the James Allen and John Littlefield Collection. Previously, she served as executive director of the APEX Museum in Atlanta, which interprets, presents, and celebrates Black history.Baeza holds a Master of Arts in African studies from the University of California, Los Angeles; a Bachelor of Arts in Africana studies with a cultural studies concentration from California State University, Northridge; and a certification in curatorial studies from Sotheby's Institute of Art.See more: Lauren Tate Baeza at The High Museum + Lauren Tate Beaza IG @elletatebaeza Presented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Today we got Jacksonville artist, muralist, painter, Chris Clark on the Noize! Make sure you follow Chris everywhere you can to see how vibrant and experimental an art practice can be. You'll see him painting a mural one day, hitting you with some Midjourney collaborations the next. This type of energy is always great to see. This episode we talk about what inspires Chris and how he works across mediums to explore the themes he loves. We talk about his recent solo exhibition New Growth and we as how he approaches using AI in his art. he tells us about the shenanigans with Black Wall Street Gallery, the value of putting Black face in his murals and more about his motto: DO THE WORK! Listen, subscribe, and share!Episode 171 topics include:learning about Black artistsexploring AI art tools/ Midjourneywhat AI generators mean for artistshow Chris uses AI imagery as reference and collaborationhaving an art practice#dotheworkstudio spacebeing inspired by familyapproach to making muralsNew Growth solo exhibition gallery shenanigans/ Black Wall Street GalleryChris Clark is an internationally recognized painter, illustrator, and muralist based in Jacksonville, FL. Renowned for his portraiture and celebration of Black culture. Clark's captivating artwork has garnered awards and exhibitions nationwide, showcasing his exceptional talent and powerful narratives. With a distinct artistic vision, Clarks work transcends boundaries, evoking powerful emotions and fostering connections between art and viewers worldwide. See more: Chris Clark IG @cooli_ras_art The New York Art World Had High Hopes for Black Wall Street Gallery. Allegations Against Its Founder Have Soured Those DreamsPresented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

If there ever was an artist that wasn't scared to say what needed to be said, it's Dawn Williams Boyd. Whether it is issues of gun violence, abortion, or voting rights, she will make sure she shares her feelings about it in her wonderful cloth paintings. We talk to Dawn about her recent exhibition, Tip of the Iceberg at Fort Gavsenvoort in New York, and some of the issues she's covered in the show. We talk about how she makes her complex compositions, sources her fabrics, and the power of doing work that makes people uncomfortable sometimes. Her cloth paintings are powerful, and we talk all about it today on the Noize! Listen, subscribe, and share!Episode 170 topics include:using different mediumsdoing work about current eventssourcing fabrics and materialsThe Tip of the Iceberg show at Fort Gansevoort Gallerysaying things that need to be saidcontinuing to learn historythe process of putting together Dawn's work revising work in processthe necessity of saying somethingtackling new subjectsDawn Williams Boyd was born in 1952 in Neptune, New Jersey. She earned her BFA at Stephens College, Columbia, MO in 1974. She has exhibited her works at Wofford College, Spartanburg, SC; Southwest Art Center, Atlanta, GA; Hammonds House Museum, Atlanta, GA; Bulloch Hall, Roswell, GA; Agnes Scott College, Decatur, GA; Callanwolde Fine Arts Center, Atlanta, GA; and Contemporary Craft, Pittsburgh, PA. Her work is included in the collections of The Columbus Museum in Columbus, GA and the Richardson Family Art Museum at Wofford College in Spartanburg, SC.See more: www.dawnwilliamsboyd.com + https://www.fortgansevoort.com/artists/dawn-williams-boyd/selected-worksPresented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Studio Noize wants to make sure that you are handling your art business properly. We are bringing back our resident tax specialist, Esohe Galbreath with Sohe Solutions , to give the fam some tax tips and help us start to get our affairs in order. Artists do a lot of freelance work, but we still need to ensure we stay out of trouble with Uncle Sam. Esohe talks about the different deductions available to artists, how to keep track of receipts and mileage, and the consequences of NOT doing your taxes properly. Nobody wants to talk about taxes, but we got to do it! Time to get yourself and your art business all the way together. Listen, subscribe and share!Episode 169 topics include:important tax deadlineswhat artists can deduct on taxeshow to build a habit of tracking expenses and receiptsusing a tax preparer not hiding your income from Uncle Samthe Youth Artists Programlifting up Black talentArticulate ATL 2023 artist callorganizing and elevating your art businessEsohe completed her collegiate studies in Electrical Engineering at the University of Kentucky. In 2004, she began her career at UPS and held management roles in Distribution Solutions, Implementations, Operations, Engineering, and Transportation Solutions, and in her free time assisted small businesses with planning, financial documentation, and tax preparation. In 2012, Esohe merged her corporate experience with her passion for the arts and working with creatives to form Sohé Solutions – Boutique Small Business Consulting.In early 2015, Esohe decided to dedicate 100% of her time to her entrepreneurial endeavors. Through consulting clients, Esohe discovered a love and passion for working with creatives, artists, and visionaries and with her husband George was inspired to co-found ARTiculate ATL – an annual art social featuring 30+ artists with 1,000 art enthusiast attendees; and the Youth Artists Program – a 501c3 non-profit bridging the exposure gap of some of Atlanta's most visually talented youth. Esohe and George are also avid art collectors and recently published The Galbreath Collection: A Decade of Collecting Atlanta featuring over 100 pieces of artwork from 70 artists.See more: wwwsohesolutions.com + Esohe Galbreath IG @sohesolutionsPresented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

The Noize is giving you a special episode replay with one of the best contemporary artists in the game, Jamea Richmond-Edwards. The 7 Mile girl, joins the podcast to talk about her amazing mixed media work. Her work centers Black women fully and unapologetically. She crafts narratives around her life experiences growing up in Detroit in the '90s. We talk about her inspirations from Ebony magazine spreads to Howard and beyond. It's another great conversation with one of the best contemporary Black artists in the world. Listen, subscribe and share!Episode 168 topics include:AFRICobra influencesembracing colorbeing a Black Indigenous womanspiritual energy in artsymbols in Jamae's workusing women as subjectsgrowing up in Detroit in the 1990sthe power of styleJamea Richmond-Edwards graduated with a Bachelor of Arts degree from Jackson State University in 2004 where she studied painting and drawing. She went on to earn an MFA from Howard University in 2012. She offers a repertoire of portraits of women drawn using ink, graphite, and mixed media collage. Richmond-Edward's work has garnered the attention of various art critics including in the Washington Post and the Huffington Post's “Black Artists: 30 Contemporary Art Makers Under 40 You Should Know”. Richmond-Edwards has exhibited her artwork nationally and internationally including the Delaware Art Museum, California African American Museum, Charles Wright Museum in Detroit, MI, and Galerie Myrtis In Baltimore Maryland. Her works are in the permanent collection of private collectors across the country including the Embassy of the United States in Dakar, Senegal.See more: www.jamearichmondedwards.com + @jamearichmondedwardsPresented by: Black Art In AmericaRead the Studio Noize Artist FeatureArtist Jamea Richmond-Edwards: Story of a 7 Mile GirlEpisode TranscriptFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

The Exhibit, on MTV and the Smithsonian Channel, introduced America to the wonderful, brilliant Baseera Khan, and she joins Studio Noize to talk all about it. Baseera has been making her performances, sculptures, and installations for years, and her work explores materials and their intersections with identity. She talks about being on the show, her approach to exploring materials, and her life's many facets. We discuss her solo exhibition, I Am an Archive, at the Brooklyn Museum and the ways that experience changed her view of her work and herself. We learn more about her psychedelic prayer rugs, her upcoming project for Highline Park in New York, and some of the work from The Exhibit. Listen, subscribe, and share!Episode 167 topics include:making art on The Exhibitmeeting all the artistsusing identity in artpsychedelic prayer rugsI Am an Archive exhibition at the Brooklyn Museumbeing an artist during the pandemicdealing with rejection as an artistthe excitement of exploring materials how your practice can change after a big projectBaseera Khan is a New York-based performance, sculpture, and installation artist who makes work to discuss materials and their economies, the effects of this relationship to labor, family structures, religion, and spiritual well being. Khan is currently working on a public art commission on The High Line for fall 2023. Khan mounted their first museum solo exhibition at the Brooklyn Museum of Art, New York (2021-22), and opened their first solo touring exhibition in Houston, Texas at Moody Arts Center for the Arts, Rice University (2022-2023). Khan has representation at Simone Subal Gallery, New York where they mounted their first solo exhibition called Snake Skin (2019). They have exhibited in numerous locations such as Wexner Center for the Arts (2021), New Orleans Museum of Art (2020), Munich Documentation Centre for the History of National Socialism, Munich, Germany, Jenkins Johnson Projects, Brooklyn, NY (2019), Sculpture Center, NY (2018), , Aspen Museum (2017), Participant Inc. (2017). Khan's performance work has premiered at several locations including Brooklyn Museum of Art, Whitney Museum of American Art, and Art POP Montreal International Music Festival. Khan completed a 6 week performance residency at The Kitchen NYC (2020) and was an artist in residence at Pioneer Works (2018-19), Abrons Art Center (2016-17), was an International Travel Fellow to Jerusalem/Ramallah through Apexart (2015), and attended the Skowhegan School of Painting and Sculpture (2014). Khan is a recipient of the UOZO Art Prize (2020), BRIC Colene Brown Art Prize and the Joan Mitchell Painters and Sculptors Grant (2019), was granted by both NYSCA/NYFA and Art Matters (2018). Their works are part of several public permanent collections including the Solomon R. Guggenheim, Whitney Museum of American Art, Brooklyn Museum of Art, the Walker Art Center, MN, and the New Orleans Museum of Art, LA. Khan's work is published in 4Columns, The New York Times, The New Yorker, Artforum, Art in America, BOMB, Brooklyn Rail, and TDR Drama Review. Khan is an adjunct professor of sculpture, performance, and critical theory, and received an M.F.A. from Cornell University (2012) and a B.F.A. from the University of North Texas (2005)See more: www.baseerakhan.com + Baseera Khan IG @baseerakhanPresented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Every great show needs a well-dressed superstar host, and on The Exhibit, we had Dometi Pongo! JB and Dometi go behind the scenes of the MTV and Smithsonian Channel's art competition show and talk about the cast, the challenges, the art, and the memorable moments that didn't make it to the screen. Dometi explains where his love for art started and how his curiosity made him the perfect person to host a show with so many different art styles and personalities. He talks about work on TV, his latest work with the Pongo Strategy Group, and some exciting new partnerships that will produce more great content soon. We can't level without hearing about his trips back to Ghana. It's more of that good art talk on the Noize! Listen, subscribe, and share!Episode 166 topics include:hosting The Exhibit on MTV and the Smithsonian Channelhaving a love for artcuriosity as a hostimpressions of the cast of The Exhibitmemorable moments for the showthe Pongo Strategy Group producing the type of shows people need and wanttraveling back to Ghanabeing in the room where decisions are madeDometi Pongo {pronounced dō-meh-TEE} is the host of the hit MTV docuseries True Life Crime and multiple MTV News franchises, including its flagship program, “Need to Know,” which provides award-winning analysis of trending news stories. Pongo's work lives at the intersection of pop culture and social justice. In addition to hosting red carpet activations for Paramount's tentpole events (like the Video Music Awards, Grammys, and MTV Movie & TV Awards), the Chicago-born journalist helms a number of Smithsonian Channel programs exploring topics spanning hip-hop, pop culture, and American history. Pongo regularly joins senior leadership in moderating company-wide discussions on equity in Paramount's “Courageous Conversations” series led by MTV Entertainment Group President Chris McCarthy. His illuminating reporting and perspective can also be heard in his role as contributor to ET Live and Sirius XM's Karen Hunter Show. The award-winning journalist also works as a speaker and multimedia consultant through his firm, Pongo Strategy Group, which helps organizations tell better stories through multimedia. In partnership with Sankofa Ventures, Dometi's annual group tours of Ghana, West Africa provided more than 70 American travelers from the African diaspora an opportunity to explore their ancestral lineage.See more: https://www.dometi.net + Dometi Pongo IG @dometi_Presented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Straight from MTV and the Smithsonian Channel, we got one of the stars of The Exhibit, Jennifer Warren! We've been watching Jennifer do her thing the last few weeks on the art docuseries as the self-taught artist in the group, inspiring viewers with her beautiful oil paintings. Jennifer and your boy, JBarber, discuss the experience of being on reality tv; what her regular life is like back in Chicago, and how she's looking to build an art career. We get to know the woman behind the wonderful work on the tv show and JB shares advice with her as she starts her journey into the art world. Listen, subscribe, and share!Episode 165 topics include:Competing on The Exhibit on MTV and Smithsonian Channeloil painting in Franceenvisioning an art careerhaving a full-time job vs being a full-time artistdoing artwork without a communitymotivating yourself to make artplanning to make a new series of artswitching from a corporate job to artnetworking advice for artistsbuilding a career and a familyJennifer Warren Bio:“I am a Chicago-based oil painter making work that explores themes around nature, beauty, and the Black body. As a largely self-taught artist, my practice reflects my passion for incorporating new ideas and techniques that aim to convey the lived Black experience through everyday intimate and meditative moments. My work has been exhibited at the Martin Gallery, Chicago, IL; the Sidney Larson Gallery, Columbia, MO; and in Saatchi Art Virtual exhibition. I graduated with a BA in International Business and minor in Visual Arts from Eckerd College and attended a Painting and Drawing program at the Leo Marchutz School of Fine Art in France. I currently live and work in Chicago, IL.”See more: www.jenniferwarrenart.com + Jennifer Warren IG @jenniferwarren_artPresented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

So many articles are coming out about Atlanta becoming a major hub for the art world. Who decides if Atlanta has arrived? Who gets to represent the city? What does Atlanta have or need to reach this new status? There's no one better to talk about this than Najee Dorsey. As an artist, gallery owner, art dealer, and collector, he's been on all sides of the art ecosystem. Najee and your boy JBarber break down the parts of the ecosystem and give insights into what they've seen in Atlanta and the different ways to support an art community. This ain't random people talking outside Magic City! These two brothers have seen some things and given a good insight into the moment happening around art in the South. Listen, subscribe, and share!Episode 164 topics include:Painting the Moment: The Time has Come for Atlanta's African American Visual Art Scene by D Amari Jacksondescribing the art ecosystem in Atlantadeveloping as an art collectorbuying original workswho validates an art sceneIs Atlanta's Art Scene Finally Achieving Critical Mass? There Are Big Signs That Point to ‘Yes' on ARTNET.complaces to view Black art in Atlantathe hope for Atlanta as a place for artdifferent ways to support artistsSince becoming a full-time artist in 2005, Najee Dorsey has become well acquainted with the trials and tribulations of most African American artists: the closed doors in the arts community, the lack of representation in art institutions, and the undervaluation of African American art and its creators by the dominant society. Being the proactive individual that he is, Najee founded Black Art In America™ (BAIA) in 2010 as a free online media platform for African American artists, collectors, art enthusiasts, and arts professionals. In the company's conceptual stages, influencers from BAIA's audience were surveyed and it became clear that their issues were centered on exposure, appreciation, and access to each other. BAIA™ was founded as a centralized location for profiling the African American artist -- giving members of the network access to the work of African American artists (past and contemporary), and most importantly, opportunities for interchange. Since 2010, the network has become the leading online portal and resource focused on African American art, artists, collectors, industry leaders, and arts enthusiasts. The BAIA™ online network currently has a monthly virtual reach of 750,000 people and growing.See more: www.najeedorsey.com + Najee Dorsey IG @najee.dorseyPresented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Your boy JBarber got to see the show Declaration and Resistance at the Reynolda House and immediately had to get the artist Stephen Towns to come on the show! Stephen has had a crazy busy couple of years but he had some time to talk to the Noize about his show. He has paintings in the National Museum of African American History & Culture and this show has been touring for a couple of years. We talk about his vibrant, beautiful paintings and his wonderful quilts from the show. Stephen talks about his process of research and adding life to his archived photography, how artists get to tour a show, and how teaching yourself a medium changes how you make art. More of that good art talk that we love over here. Listen, subscribe, and share!Episode 163 topics include:Declaration and Resistance at the Reynolda House through May 14, 2023researching stories as inspirationbreathing life into archive photographyswitching between painting and quiltingmagical elements in artvibrant color of Black peoplemaking work about life in the SouthStephen Towns was born in 1980 in Lincolnville, SC, and lives and works in Baltimore, MD. He trained as a painter with a BFA in studio art from the University of South Carolina and has also developed a rigorous, self-taught quilting practice. In 2018 the Baltimore Museum of Art presented his first museum exhibition, Stephen Towns: Rumination and a Reckoning. His work has been featured in publications such as the New York Times, Artforum, the Washington Post, Hyperallergic, Cultured, Forbes, AFROPUNK, and American Craft. Towns was honored as the inaugural recipient of the 2016 Municipal Art Society of Baltimore Travel Prize, and in 2021, Towns was the first Black artist-in-residence at the Fallingwater Institute, located at Frank Lloyd Wrights' renowned Fallingwater house in Pennsylvania. In 2021 Towns was also awarded the Maryland State Arts Council's Individual Artist Award.See more: www.stephentowns.com/ + Stephen Towns IG @stephentownsPresented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Simone Elizabeth Saunders makes her New York debut with her new solo exhibition Unearthing Unicorns. Simone joins the Studio Noize fam to talk about her fantastic textile work. She explains the process behind tufting (with a tufting gun and a punch needle), her techniques to build her narratives, and her Black Nouveau aesthetic. Simone walks us through a few of the wonderful pieces and speaks about her use of animals as metaphors. It's another great art conversation with getting to know another powerful, international Black woman artist. Listen, subscribe, and share!Episode 162 topics include:Unearthing Unicorns March 17 - May 13 at Claire Oliver Galleryworking on large-scale textilesthe Unicorn Tapestriesart nouveau influencestufting guns vs punch needlesworking with textiles the Black experience in Canadasparkles in the artusing animals as metaphorsSimone Elizabeth Saunders (she/her) is a textile artist based in Mohkinstsis - Calgary, Canada.She holds a B.F.A. with Distinction from the Alberta University of Arts in 2020.Her textiles are hand tufted in the medium of rug-making using a punch-needle and tufting machine.Saunders explores themes of the diaspora, ancestorship and Black womanhood. Her colourful textiles highlight motifs and iconography from her Jamaican heritage and engage with socio-cultural factors reclaiming power from oppressive ideologies. Currently,Saunders is exploring the iconography of the famed high Renaissance era Unicorn Tapestries and Art Nouveau advertising through a contemporary Black feminist lens.See more: www.simoneelizabethsaunders.com + Simone Elizabeth Saunders IGPresented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

The new docuseries The Exhibit from MTV and the Smithsonian Channel debuts tonight! The six episode docuseries will follow seven American artists who will compete for a presentation at the museum and a $100,000 cash prize. The cast includes your boy, printmaker, Jamaal Barber! Yes, your boy is on national tv, and it was quite the experience. You might see me on the tv and all over the internets but he's bringing the real talk to the fam, the day ones. Right here on the Noize! JBarber gives his thoughts on the eve of the show and talks as much as he can about the process, the rest of the cast, and what you can expect. Plus he talks about what these types of opportunities can mean to artists and gives his hopes for what comes out of this. Tune in and let us know what you think of the show! Listen, subscribe, and share!Episode 161 topics include:The Exhibit on MTVbeing on national televisionmaking art outside your comfort zoneDometi Pongo and Melissa Chiu as the host of The Exhibitjudges Adam Pedelton, Abigail Deville and Keith Richardswatching yourself on tvwhat opportunities mean to artistsmaking art to be freeThe Smithsonian's Hirshhorn Museum and Sculpture Garden is teaming up with MTV Studios to create the six episode docuseries The Exhibit, which will follow seven American artists who will compete for a presentation at the museum and a cash prize.Following a nationwide search, participants were selected in consultation with Hirshhorn curators. The group includes printmaker Jamaal Barber, Onondaga artist Frank Buffalo Hyde, designer and sculptor Misha Kahn, painter Clare Kambhu, multimedia artist Baseera Khan, video and performance artist Jillian Mayer, and painter Jennifer Warren.See more: ArtNews: Who Is the Next Great Artist? A New TV Series from the Hirshhorn and MTV Aims to Find Out + MTV The Exhibit Presented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

While JBarber is out giving a Tedx talk at Wake Forest we're flashing back to one of the classic Studio Noise episodes with the one and only Vanessa German! Vanessa tells us about her mother and all the lessons she taught her about art and making space for art practice. She talks about the power of objects and how she turned from making singular Power Figures to a community of figures. Vanessa gives a great perspective on how she relates to her art, how she sees all the different mediums she uses, and her commitment to making art. Listen, subscribe, and share!Episode 160 topics include:Vanessa German inspired by her mothercreating power figuresincluding the community in your art practicetelling stories with artVanessa German is a visual and performance artist based in the Pittsburgh neighborhood of Homewood. Homewood is the community that is the driving force behind German's powerful performance work, and whose cast-off relics form the language of her copiously embellished sculptures. As a citizen artist, German explores the power of art and love as a transformative force in the dynamic cultural ecosystem of communities and neighborhoods. She is the founder of Love Front Porch and the ARThouse, a community arts initiative for the children of Homewood. Her work is in private and public collections including Everson Museum of Art, Figge Art Museum, Flint Institute of Arts, Spelman College Museum of Fine Art, Crystal Bridges Museum of American Art, David C. Driskell Center, Snite Museum of Art, Wadsworth Atheneum Museum of Art and Wellin Museum of Art at Hamilton College. German's fine art work has been exhibited widely, most recently at the Figge Art Museum, The Union for Contemporary Art, The Fralin Museum of Art at the University of Virginia, Flint Institute of Arts, Mattress Factory, Everson Museum of Art, Spelman College Museum of Fine Art, Wadsworth Atheneum Museum of Art, Studio Museum, Ringling Museum of Art and Crystal Bridges Museum of American Art. Her work has been featured on CBS Sunday Morning, NPR'sAll Things Considered and in The Huffington Post, O Magazine and Essence Magazine. She is the recipient of the 2015 Louis Comfort Tiffany Foundation Grant, the 2017 Jacob Lawrence Award from the American Academy of Arts and Letters, the 2018 United States Artist Grant and most recently the 2018 Don Tyson Prize from Crystal Bridges Museum of American Art.See more: pavelzoubok.com/artist/vanessa-german/ + @vanessalgermanPresented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Today we're talking to art collectors George and Esohe Galbreath about their journey into collecting. George, an artist, and his wife, Esohe, have crafted a fantastic collection of Atlanta artists. They just published a book chronicling the experience called The Galbreath Collection: A Decade of Collecting Atlanta. They talk about how they built their collection over the years, what it means to share their passion for art, and building a relationship with the artists they collect. They've watched the Atlanta art scene over the last ten years and have good observations about what they see. Listen, subscribe, and share!Episode 159 topics include:marrying a visual artistbecoming an art collectorthe first big purchasestrategy for collectorsARTiculate ATLsupporting the local art communitythe Black figureconnecting with and learning from other collectorsGeorge Galbreath graduated from Hickman High School in 1997 and received his Bachelor of Fine Arts in Graphic Design from Howard University in in 2000. He completed his M.Ed. in Curriculum and Instruction at the University of Missouri-Columbia in 2002. Throughout his eighteen years of classroom teaching, including sixteen years with the Fulton County School District in Atlanta, Georgia, he has maintained a career as a working artist. He currently serves as Art Department Chair at Westlake High School. His work has most recently been showcased in his 2021 solo exhibition at P2 Gallery in Castleberry Hill Art District.Esohe completed her collegiate studies in Electrical Engineering at the University of Kentucky. In 2004, she began her career at UPS and held management roles in Distribution Solutions, Implementations, Operations, Engineering, and Transportation Solutions, and in her free time assisted small businesses with planning, financial documentation, and tax preparation. In 2012, Esohe merged her corporate experience with her passion for the arts and working with creatives to form Sohé Solutions – Boutique Small Business Consulting.In early 2015, Esohe decided to dedicate 100% of her time to her entrepreneurial endeavors. Through consulting clients, Esohe discovered a love and passion for working with creatives, artists, and visionaries and with her husband George was inspired to co-found ARTiculate ATL – an annual art social featuring 30+ artists with 1,000 art enthusiast attendees; and the Youth Artists Program – a 501c3 non-profit bridging the exposure gap of some of Atlanta's most visually talented youth. Esohe and George are also avid art collectors and recently published The Galbreath Collection: A Decade of Collecting Atlanta featuring over 100 pieces of artwork from 70 artists.See More: www.thegalbreathcollection.com + Galbeath Collection IG @galbreathcollection Follow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

On this special episode of Studio Noize brought to you by Print Austin, we go complete print nerd on you! Myles Calvert is a multi-faceted printmaker working as an assistant professor at Winthrop University and making fantastic prints. Myles is one of the artists included in the 2023 Print Austin 5x5. He talks about his love of objects and how that drives his experimentation in multiple print mediums. We talk about his travels from Toronto to South Carolina, finding the hidden histories of patterns, digital art vs printmaking and how he's working to push himself to do more with printmaking. Listen, subscribe, and share!Episode topics include:a love for objectsusing multiple print mediumsusing the multiple handling paperdigital art vs printmakingSurface Appeal exhibitionworking at the McColl Center in Charlotte, NCtechnology adding to printmakingtraveling across the SouthMyles Calvert was born in Collingwood, Ontario. He attended the University of Guelph with a focus in printmaking, before travelling to London, UK where he completed his MA in Printmaking, at Camberwell College of Art (University for the Arts, London). Major bodies of work included installations of screen printed toast and the idolization of popular British celebrity culture. During this time, he worked for the National Portrait Gallery before moving to Hastings in East Sussex, to teach printmaking at Sussex Coast College and become Duty Manager of the newly built Jerwood Gallery (Hastings Contemporary). Myles' toast-based work continued with a 43000 slice installation during the Queen's ‘Diamond Jubilee' with college students, drawing BBC media attention, and culminated in two solo exhibitions before making a return to the University of Guelph to teach. 2019 residencies included Art Print Residence (Barcelona, Spain) and Proyecto'ace (Buenos Aires, Argentina), as well as a lecture/workshop at PUCP (Pontificia Universidad Catòlica del Perú) in Lima. Myles is currently an Assistant Professor in Fine Arts at Winthrop University, South Carolina.See More: www.squirrelpigeonfish.com + Myles Calvert IG @squirrelpigeonfish Follow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

On this special episode of Studio Noize brought to you by Print Austin, we go complete print nerd on you! We're talking with printmaker Julia Curran, who was selected for the Print Austin and Print Sante Fe 5 x 5. Julia's work deals with the larger social and political phenomena that land in the body, and she has a unique vision for how that manifests. We talk about some of the themes she explores like her Mother Nature monsters, the perils of working as an adjunct professor, and the ways she uses different print mediums. of course, we talk about some specific pieces with her world-class titles and what career change she sees as an addendum to her art practice. All that and more on this print-focused episode. Listen, subscribe, and share!Episode topics include:exploring printmakingprocesses real life through artthe perils of adjunct teaching at universitiesswitching careers understanding the human bodya dream studio set upJulia's time at the Jentel Residencyexploring different mediumsnetworking for successThe Spring Break Art FairJulia Curran is a multi-disciplinary artist with a background in the socio-politically conscious tradition of printmaking. Through her experiences dealing with an auto-immune disease from a young age, she has developed a fascination with what it means to be in touch with one's body in a disembodied culture, our presumption of agency over flesh, and the interconnected health of our internal and shared environments. Recent works feature Mother Nature embodied as a cast of anatomical and anthropomorphic figures such as trees, suns, bones, roots, seedlings, volcanoes, digestive systems, and underground monsters – each perpetuating cycles of life and death, as well as humorous remixes of old myths. Her intricate and precise craftsmanship combines painting, printmaking, and collage; Curran calls for us to look within and around, and to find resilience through celebrating our fleshy, sexual, abject, mortal, celestial, and interdependent nature. See More: www.juliacurranprints.com + Julia Curran IG @julia.s.curran Follow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Today your boy JBarber explores his experience as an exhibition juror over the last year. It's a different perspective on artist calls and calls for art programs and contests. The experience of awarding the Hudgens Prize last year was a real eye-opener in terms of what works and what stands out in a wide-open field. We talk about things that eliminate you immediately and what can help when applying. JBarber also went through the process of creating an artist's call for this year's annual juried show at Mint Gallery. Listen, subscribe, and share!Episode 158 topics include:Being an art jurorapplying to artist callshow to eliminate yourself immediatelyways to approach making workwhat interests you to apply to an artist callhow jurors think about the workthe Hudgens PrizeSend a voice memo of your thoughts about artist calls to studionoizepodcast@gmail.com to be included in a future episode of the Noize.See More: Hudgens Prize Winner 2022 Follow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Happy New Year! The Noize is back for more Black art conversations for you. Your boy JBarber can't come back without talking about the biggest thing going in art right now. The Hank Willis Thomas sculpture honoring Martin Luther King and Coretta Scott King. To say the reviews have been mixed is an understatement. JB talks about the piece, all the conversation around it, and what we can take away from it all. We are excited to announce our partnership with Black Art In America and how we will work together to keep bringing you more content and conversations. Listen, subscribe, and share!Episode 157 topics include:Embrace sculpture by Hank Willis Thomasintention versus interpretationpublic criticismconsidering scale as an artistexpectations of art patronssynergy with Black Art In AmericaSend a voice memo of your thoughts about the Embrace sculpture to studionoizepodcast@gmail.com to be included in a future episode of the Noize.See More: Spelman Museum website + Spelman Museum IG @spelmanmuseum Follow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

The new executive director of the Spelman Museum of Fine Art, Dr. Liz Andrews, joins the Noize! She has been tasked to lead the museum through a new exciting period in its illustrious history. We recorded live from the Lave Thomas: Homecoming exhibition in the halls of Spelman. Dr. Andrews tells us about the upcoming Black American Portraits exhibition overflowing with some of the biggest and best Black women artists like Bisa Butler, Amy Sherald, and Calida Rawles. She discusses her time at LACMA, the power of museum acquisitions, and the meaning of portraits. Listen, subscribe, and share!Episode 156 topics include:Lava Thomas: HomecomingSpelman Museum of Fine Artcurating at LACMAthe power of museum acquisitions authenticity in artBlack American Portraits exhibitionmeaning of portraitsthe reputation of Spelman Collegethe new Spelman Center for Innovation & the ArtsLiz Andrews is an artist, curator, museum professional, and leader who is dedicated to the arts and social justice. She has worked with arts organizations across the nation. In August 2021, Liz began her role as Executive Director of the Spelman College Museum of Fine Art. Prior to joining Spelman College, Liz Andrews was Executive Administrator in the Director's Office of LACMA where she expanded her role to collaborate on projects and priorities across museum departments, including diversity and inclusion efforts and curating exhibitions. Her curatorial projects at LACMA included The Obama Portraits Tour and a companion exhibition Black American Portraits, and she commissioned an augmented reality (AR) monument dedicated to Biddy Mason by the artist Ada Pinkston, among other projects. Liz's career is also defined by a long-standing commitment to engaging college students through research and the arts through teaching at George Mason University and serving as an advisor and organizing public programming at the NYU Tisch School of the Arts. Liz was born and raised in Denver, Colorado and attributes her commitment to justice from her father, attorney Irving P. Andrews. She holds a B.A. in American Studies from Wesleyan University, a M.A. in Arts Politics from the NYU Tisch School of Arts, and a Ph.D in Cultural Studies from George Mason University. Her dissertation was entitled Envisioning President Barack Obama.See More: Spelman Museum website + Spelman Museum IG @spelmanmuseum Follow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

ArtFields is a southern art competition that is changing the landscape of art in South Carolina and giving real money out to artists. Kyle Coleman, fine art manager of ArtFields, joins Studio Noize to let us know about this 9-day celebration of art. We get to know the ins and outs of the Artfields competition, from the selection panels to the live events in Lake City, SC. We talk about the impact of a festival like this in the rural south, the response from the artists and the community, and what's coming in 2023 as ArtFields celebrates 11 years of this event. Listen, subscribe, and share!Episode 155 topics include:ArtFields in Lake City, SCcreating an art competition in the rural southcash prizes for artistsgrowing ArtFields over 11 yearsart selection panelscomparison to Art Basel and other art fairsArtfields Jr.interfacing with artists as an organizationArtFields started in 2013 with a simple goal: honor the artists of the Southeast with a week's worth of celebration and competition in the heart of a traditional Southern small town. The competition and exhibition offers over $145,000 in cash prizes. The winners of two People's Choice Awards are determined by the votes of people visiting ArtFields; a panel of art professionals selects all the other awards, including the $50,000 Grand Prize and $25,000 Second Place award.Kyle Coleman is the fine arts manager of ArtFields since 2019.See More: ArtFieldssc.org + ArtFields @artfieldssc Follow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

What does it look like to have an art institution built for Black artists and audiences throughout the diaspora? Today we talk about the African Diaspora Art Museum of Atlanta (ADAMA) with founder, Dr Fahamu Pecou and interim village chief, Stephanie Flemming. This is not a Black version of a white museum. It's a space that honors, uplifts, and celebrates the culture of the diaspora. We talk about the programs like the Bridge Residency and PassPortal, how to build a new institution, and connecting with Blackness around the world. More of that good art talk that we do right here on the Noize! Listen, subscribe, and share!Episode 154 topics include:African Diaspora Art Museum of Atlantadiversity in institutionsAdama Bridge ResidencyPassPortalconnecting with Blackness around the worldcultural exchangephysical museum spaces vs virtual spacesbuilding an institutionSTEPHANIE FLEMING, Interim Village Chief of ADAMAI am a first generation American from an innovative pair of Jamaican immigrant parents. I am passionate about how people of African descent construct identity and discover agency in a world that insists upon misconstrued narratives. I love working with ADAMA because it feels like home and the institutional extension of my art practice. For me ADAMA is where I can bring my whole self with joy, as a Jamaican Black woman, an artist, a storyteller, facilitator, and cultivator.DR. FAHAMU PECOU, Founder of ADAMAI am an interdisciplinary artist and scholar whose works combine observations on hip-hop, fine art, and popular culture to address concerns around contemporary representations of Black men. Through paintings, performance art, and academic work, I confront the performance of Black masculinity and Black identity, challenging and expanding the reading, performance and expressions of Blackness.See More: adamatl.org + ADAMA IG @adama_atl Follow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Studio Noize fam, Dawn Okoro, returns to the show to catch us up on her art life. Dawn has been through some major changes since we last talked to her. She toured her Punk Noir show, created and showed new work in London, and featured her work in movies, tv shows, and Life Water bottles! We talk about her latest show, Mad Explosive Spontaneity, Kool-Aid drawings, and baking to survive the pandemic. It's always great to catch up with the fam! Listen, subscribe, and share!Episode 153 topics include:Mad Explosive Spontaneity showshowing work internationallyworking during the pandemicKool-AId drawingsLife Water deal and responsechanging your art processworking with models onlinePunk Noir updatespublicity from having art in movies and tv showshow Dawn sees her career growthDawn Okoro is a multidisciplinary artist living in Austin, Texas. Her desire to make art sparked from her love of fashion illustration and design. Her work is influenced by punk, hip-hop, and the composition techniques used in fashion photography.Okoro's art is highlighted on Season 2 of “Law & Order: Organized Crime” on NBC. Her work can be seen in theaters in Sony Pictures' “The Invitation,” opening on August 26. She has collaborated with Pepsico, with her art on the company's LIFEWTR water bottles. Okoro is featured in Harper's Bazaar, Architectural Digest, Hyperallergic, USA Today, W Magazine, and Essence. Her art was recently exhibited at Christie's New York. In 2022, Okoro made her UK debut with her solo exhibition, “Mad Explosive Spontaneity” at Maddox Gallery.See More: okorostudio.com + Dawn Okoro IG @dawnokoro Follow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast