Podcasts about Guggenheim

Episode No. 733 features curators Diana Seave Greenwald and Megan Fontanella. With Christina Michelon, Greenwald is the co-curator of "Allan Rohan Crite: Urban Glory" at the Isabella Stewart Gardner Museum and the Boston Athenaeum. Both presentations are on view through January 19, 2026. (Theodore Landsmark co-curated the ISGM presentation.) The exhibition surveys the career of Boston-based Crite, whose work spotlighted Boston neighborhoods such as Lower Roxbury and the South End, the challenges they faced from gentrification and so-called urban renewal, and Christianity.  A fine exhibition catalogue was published by the two institutions. Amazon and Bookshop offer it for $42. Fontanella is the curator of "Gabriele Münter: Contours of a World" at the Solomon R. Guggenheim Museum in New York. Across more than 50 paintings and almost 20 photographs, the exhibition survey's Münter's work and finds that it was involved in avant-garde presentations of landscape, still life, and portraiture. Fontanella curated the photography section of the exhibition with Victoria Horrocks. "Contours of a World" is on view through April 26, 2026. A catalogue was published by the Guggenheim. Amazon and Bookshop offer it for about $55. Instagram: Diana Seave Greenwald, Megan Fontanella, Tyler Green. Air date: November 20, 2025.

Princess Alia Al-Senussi, PhD, is a leading member of the contemporary art world, with a special emphasis in her academic, personal and professional work on visual arts and culture in the Middle East, holding a doctorate degree in politics from SOAS which analyzed the nexus of soft power and cultural diplomacy in the context of networks of patronage, with a case study of Saudi Arabia.  Dr. Al-Senussi is a founding member of the Tate's Acquisitions Committee for the Middle East and North Africa, the Board of 1:54 The African Art Fair, and the Middle East Circle of the Guggenheim. Amongst other positions, Dr. Al-Senussi is Chair of the K11 International Council and a member of the Tate Modern Advisory Council, the board of the Serpentine Future Contemporaries and the Strategic Advisory Council of Delfina Foundation. Dr. Al-Senussi's work has encompassed a variety of other initiatives in the global art world, including being integral to the founding of Art Dubai, as well as the international advisory board of Edge of Arabia, the Advisory Board of Ikon Gallery, and the Advisory Group of Photo London.  Dr. Al-Senussi is Senior Advisor, International Outreach and the VIP Representative for the United Kingdom, as well as the Middle East and North Africa, for Art Basel and a Senior Advisor to the Saudi Ministry of Culture focusing on work with the Diriyah Biennale Foundation and will be lecturing this autumn at VCU Qatar.She and Zuckerman discuss cultural diplomacy and soft power, women and self-confidence, being more than one thing, recent travel and exhibitions, and where feels like home!

Three-timer Mary Elizabeth Ellis is back to promote her new season of “A Man On The Inside,” as well as her directorial debut with her short film “Last To Leave.” NBA legend Bill Walton returns and tries to barter for access to Scott's property. Cruchette Dungan is here again—this time after a wild night of team building on the town. Finally, first-time, big time guest Lotto Bosko joins the panel to talk about his AI assisted comedy show. Don't forget to check out the Comedy Bang! Bang! Action Figures at shop.figurecollections.com and go to actionfigureseller.com for international purchases. If you want more great episodes of Comedy Bang! Bang! become a subscriber at comedybangbangworld.com. We have all of the past episodes from the archives, every live show, ad-free new episodes, and original shows like CBB Presents and Scott Hasn't Seen. Find more great Comedy Bang! Bang! merch at https://www.podswag.com/collections/comedy-bang-bang Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/cbb Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

«Il museo è una delle mostruosità più raggianti di Frank Lloyd Wright […] All'esterno sembra una palla di fango […] Questa specie di alveare non è adatto a nessun luogo di New York […] Beh, eccolo, un edificio che dovrebbe essere messo in un museo per mostrare quanto è folle il ventesimo secolo.» Così il “New York Mirror” salutava, nel 1959, l'inaugurazione del Guggenheim di New York progettato da Frank Lloyd Wright. Un commento, senza dubbio sarcastico, che illustra bene quanto la satira possa diventare uno strumento di critica, di riflessione, persino di comprensione dell'architettura, della sua storia e del suo impatto sulla società.Proprio questa chiave di lettura inedita sta al centro di ARCHISATIRE. Una controstoria dell'architettura mostra curata da Gabriele Neri in collaborazione con la Biblioteca dell'Accademia di architettura e allestita al Teatro dell'architettura di Mendrisio dal 14 novembre 2025 al 29 marzo 2026. Cosa ci raccontano le caricature, le vignette e i filmati esposti? Quali nuovi aspetti ci aiutano a scoprire?Ospite: Gabriele Neri, Professore associato di storia dell'architettura al Politecnico di Torino e docente all'Accademia di architettura di Mendrisio. Autore di libri come Caricature architettoniche: satira e critica del progetto moderno (Quodlibet, 2015) e Alan Dunn - The Cartoonist as Architectural Critic in uscita nel 2026 (The MIT Press). L'inserto della settimana ci porta, infine, al Kunstmuseum di Basilea dove fino all'8 marzo 2026 è aperta la mostra Fantasmi: sulle tracce del soprannaturale. Emanuela Burgazzoli ne ha parlato con la curatrice Eva Reifert e la storica dell'arte inglese Susan Owen.

Welcome to the final installment of my interview with Beth Macy, award-winning and New York Times bestselling author of “Factory Man,” “Dopesick,” and her newest book, “Paper Girl,” which uses a blend of memoir and reporting to examine the rural-urban divide through the lens of her hometown of Urbana, Ohio.Beth was the first in her family to go to college, an event that drastically changed and maybe even saved her life. She's gone on to become a Guggenheim fellow and a Nieman fellow for journalism at Harvard.In today's episode we find out what Beth knows at this moment about where her personal throughline is leading her next. And I ask her my fast final five questions about what she's reading, watching, listening to, and fantasizing about eating.We cover:- Why she's feeling called to activism- How she patched things up with her brother, who's on the other end of the political divide- Robert Guy, the Kentucky writer whom Beth considers her “Appalachian sensei”- The Netflix show “about England before it was England” her hairdresser told her about that she loved- Palmyra, her younger son's band that's touring–keep an eye out!Connect with Beth on Bluesky and/or Instagram @bethmacy.For full show notes with links to everything we discuss, plus bonus photos!, visit katehanley.substack.com.Thank you for listening!And thanks to this week's sponsor, Air Doctor Pro. Visit airdoctorpro.com and use code KATE to save 30% off an amazing indoor air filter *and* receive a free three-year warranty (an $84 value). Learn more about your ad choices. Visit megaphone.fm/adchoices

In den 80ern stand Bilbao vor dem Abgrund: Smog, Gewalt, 25% Arbeitslosigkeit. Dann kam das Guggenheim-Museum. Ein mutiger Wurf, der als Größenwahn galt – und eine ganze Stadt veränderte. Viele Unternehmen behandeln Business Intelligence wie eine weitere IT-Initiative. Dabei könnte es ihr „Guggenheim" sein: Der zentrale Taktgeber, der alle Bereiche in Bewegung bringt. In Podcast erkläre ich, warum BI-Projekte oft im Projektdschungel untergehen – und wie der Bilbao-Effekt auch bei Datenprojekten funktioniert.

With 30 generations in the wine business, the Frescobaldis have a long-term view of the wine business. This mindset has enabled Ornellaia to become a global icon. Lamberto Frescobaldi, President of Frescobaldi, discusses how Ornellaia established and maintained its status as a global icon. Detailed Show Notes: Background: grew up in the Italian countryside, studied at UC Davis, learned the wines of the world working at Corti Bros in SacramentoFrescobaldi family30 generations in wineNow in Tuscany, Northern Italy, Oregon, & SicilyFocused only on wineOrnellaia overviewCabernet Sauvignon, Petit Verdot, Merlot basedBolgheri not historically known as a wine region, not good for SangioveseSassicaia, Orenellaia, & Masseto put Bolgheri on the mapFrom year 1, quality was consistently goodFounded by Antinoris, Mondavis invited Frescobaldis to partner (Feb 2002), when Mondavi sold to Constellation (2004), Frescobaldi bought out Ornellaia (April 1, 2005)Frescolbaldis have long-term view, have owned Castiglioni since 1052Distribution is mostly allocated due to limited quantitiesConsistent in giving allocations to people who bought the year beforeGrew distribution globally to maintain scarcityFocused on top restaurants first, get in the right accounts3rd party validation (wine critics, famous artists, top restaurants) key to building reputationVendemmia d'ArtistaGreat artists interpret the wineEach vintage given a name (e.g. - power, elegance)Partnership w/ the Guggenheim globally introduces wine to art collectorsArtist label on large formats and 1 bottle of each 6 bottle caseOrnellaia Blanco1st planting by Antinori was Sauvignon BlancCooler, north facing site, small amount producedAged same amount of time as red, not aromatic, but complexMonitors secondary market to help learn about wine's age ability, if prices dropping, implies inability to ageNot sure if people buy Ornellaia from seeing it on social media, but allows winery to connect directly to customersNegative macro market conditions and trade wars not impacting Ornellaia much, 3rd wine (Le Volte) more susceptible, but haven't seen impact yet Hosted on Acast. See acast.com/privacy for more information.

This week on the Art Problems podcast interview series "Inside Netvvrk", I'm talking with Brent Showalter, a multidisciplinary artist whose brilliantly colored paintings and photographs transform layered compositions of color and shape into vibrating surfaces. Brent runs multiple businesses and brings that same strategic mindset to his art practice. In doing so, he's able to devote more time to his art. We talk about how his accountability group helped him finally organize his entire archive, and what it takes to feel confident when opportunity knocks—whether that's the director of the Guggenheim walking into your studio or an Instagram comment from a curator. Brent also shares how that casual comment turned into a curated opportunity in 24 hours—because he had everything ready to go. If you've been wondering whether Netvvrk is worth the investment, this conversation will help. It shows what happens when you stop reinventing the wheel and start using the tools that already work.

In the 40th episode of our "Reading the Art World" podcast, Megan Fox Kelly speaks with the Guggenheim's Megan Fontanella, Curator of Modern Art and Provenance, about her beautifully researched book "Gabriele Münter: Contours of a World," published by Guggenheim Museum Publications, distributed by Artbook DAP.Our conversation reveals the life and art of Gabriele Münter, a pioneering German Expressionist whose bold use of color and form helped define early modernism—yet whose place in art history has long been understated. Fontanella traces Münter's path from her early photographic work during travels in the United States (1898-1900) to her vibrant paintings that reimagined landscape, still life, and portraiture through radical simplification and expressive color.We discuss Münter's role as cofounder of Der Blaue Reiter (The Blue Rider), the influential collective that included Vasily Kandinsky and other progressive artists who pushed the expressive potential of color and symbolic form. Fontanella shows how Münter developed her distinctive visual language—one that sought to "convey an essence" rather than imitate reality—offering a lyrical alternative to the pure abstraction that dominated much of early Modernism.One of the most compelling parts of our conversation addresses Münter's actions during World War II, when she hid major works by herself and other Blue Rider artists in the basement of her home in Murnau, Germany, protecting them from Nazi confiscation. This act of quiet courage preserved a vital chapter of modern art history. Fontanella reflects on how women artists of Münter's generation have been systematically undervalued, and how recent scholarship is finally restoring Münter to her place in the modernist canon.For anyone interested in German Expressionism, the recovery of women artists' legacies, or the collaborative networks that shaped the early 20th-century avant-garde, this episode offers essential insights into an artist whose vision continues to inspire—and whose work deserves far greater recognition.ABOUT THE AUTHORMegan Fontanella is Curator of Modern Art and Provenance at the Solomon R. Guggenheim Museum. She is recognized as an expert in provenance research with a focus on World War II spoliation issues. Fontanella graduated from Dartmouth College with a BA in art history and received her MA from the Courtauld Institute of Art, London, where she specialized in late 19th-century French art.ABOUT THE EXHIBITION"Gabriele Münter: Contours of a World" is on view at the Solomon R. Guggenheim Museum, New York, from November 7, 2025 through April 26, 2026. The exhibition presents over fifty paintings across three Tower galleries, alongside nineteen photographs Münter captured during her extended stay in the United States. Learn more here: https://www.guggenheim.org/exhibition/gabriele-munterPURCHASE THE BOOKhttps://www.guggenheimstore.org/gabriele-munter-contours-of-a-worldSUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market. They are an opportunity to engage further with the minds behind these insightful new publications.Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

Este jueves volvemos a sintonizar 'Radio Lindo' con la escritora y periodista Elvira Lindo para hablar sobre la hiperpaternidad. Abrimos una edición especial de La Ventana del Arte desde el Museo Guggenheim de Bilbao con su directora, Miren Arzalluz, y Miquel del Pozo. Nieves Concostrina nos trae un nuevo paseo por la historia. Nuestro pianista, Juan Pérez Floristán, vuelve al piano de 'La Ventana' para aclararnos algunos conceptos como el de la apropiación cultural o la música clásica.

Send us a textIn this episode of Sidecar Sync, Mallory Mejias is joined by marine biologist and behavioral researcher Dr. Denise Herzing for a one-of-a-kind conversation about dolphins, data, and deep learning. Dr. Herzing shares insights from her 40-year study of Atlantic spotted dolphins and how that lifetime of underwater research is now powering DolphinGemma—an open-source large language model trained on dolphin vocalizations. The two discuss what it means to label meaning in animal communication, how AI is finally catching up to the natural world, and why collaboration across disciplines is essential to understanding both language and intelligence—human or otherwise.Dr. Denise Herzing is the Founder and Research Director of the Wild Dolphin Project, leading nearly four decades of groundbreaking research on Atlantic spotted dolphins in the Bahamas. She holds degrees in Marine Zoology and Behavioral Biology (B.S., M.A., Ph.D.) and serves as an Affiliate Assistant Professor at Florida Atlantic University. A Guggenheim and Explorers Club Fellow, Dr. Herzing has advised the Lifeboat Foundation and American Cetacean Society and sits on the board of Schoolyard Films. Her work has been featured in National Geographic, BBC, PBS, Discovery, and her TED2013 talk. She is the author of Dolphin Diaries and co-editor of Dolphin Communication and Cognition. 

I am so excited to say that my guest on the GWA Podcast today is the esteemed curator, Megan Fontanella. A specialist in Modern Art and Provenance at the Guggenheim New York, Fontanella's research interests focus on late 19th and early 20th European art and the avant-garde in the USA. She has organised a plethora of exhibitions for the Guggenheim across the globe, from Visionaries: Creating a Modern Guggenheim (2017); Kandinsky (2020–21); Kandinsky: Around the Circle (2021–22; 2023–24); Young Picasso in Paris (2023), as well as travelling collection exhibitions in Australia, Canada, and Europe. But the reason why we are speaking to Fontanella today is because she is very excitingly curating a monumental exhibition by the German Expressionist, Gabriele Münter. Titled Contours of a World, the show – opening 7 November through to April 2026 – will feature 60 of the artist's luminous, bold, sometimes rapidly-made paintings – from her portraits of friends to landscapes of the German alpine town of Murnau – that chart the changing face of modernism in art. Focusing on 1908 to 1920, it will deep-dive into her involvement with “The Blue Rider” – a group of visionary artists and writers who explored how colour and form could evoke emotion and spiritualist ideas – to the works she made during the First World War. Gabriele Münter: Contours of a World is on view at Guggenheim New York, 7 Nov – 26 Apr 2026: https://www.guggenheim.org/exhibition/gabriele-munter Artists mentioned: Gabriele Münter (1877–1962) Wassily Kandinsky (1866–1944) Marianne von Werefkin (1860–1938) Der Blaue Reiter (“The Blue Rider”) group Artworks mentioned: Gabriele Münter - Still Life on the Tram After Shopping (1909–1912) Gabriele Münter - Portrait of Marianne Werefkin (1909) Gabriele Münter - Boating (1910) Gabriele Münter - Meditation (1917) Gabriele Münter - Future (Woman in Stockholm) (1917) Gabriele Münter - Portrait of Anna Roslund (1917) Gabriele Münter - Lady in an Armchair, Writing (1929) Gabriele Munter -  Breakfast of the Birds (1934)

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Snake Draft! In order of it being Halloween we are drafting people at our station that would survive a Zombie Apocalypse. PICKS AGAINST THE SPREAD. Beto Duran comes in for a segment. It is our Pechanga Pick of the week! NBA Commissioner Adam Silver approved the sale of Mark Walter and Guggenheim group for the Los Angeles Lakers yesterday. What changes are going to be made? Learn more about your ad choices. Visit podcastchoices.com/adchoices

Marley Kayden and Charles Moon cover Microsoft (MSFT) for The Morning Trade. Marley discusses the Guggenheim analyst upgrade, which cites optimism around its position within the AI sector. Charles Moon brings a “high risk” example options trade for the stock.======== Schwab Network ========Empowering every investor and trader, every market day.Options involve risks and are not suitable for all investors. Before trading, read the Options Disclosure Document. http://bit.ly/2v9tH6DSubscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-...Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-...Watch on Sling - https://watch.sling.com/1/asset/19192...Watch on Vizio - https://www.vizio.com/en/watchfreeplu...Watch on DistroTV - https://www.distro.tv/live/schwab-net...Follow us on X – / schwabnetwork Follow us on Facebook – / schwabnetwork Follow us on LinkedIn - / schwab-network About Schwab Network - https://schwabnetwork.com/about

Recorded live at the Comixology Originals booth during New York Comic Con 2025, Jace sits down with acclaimed writer Mark Guggenheim to discuss his imaginative new series The Adventures of the Ulysses Monarch. Described as an Indiana Jones-style adventure set in the year 3026, the story blends pulpy treasure-hunting with sci-fi wonder as future archaeologists uncover the “ancient” relics of our own 21st century. Guggenheim talks about balancing the spectacle and emotion that drive the book, highlighting the dynamic art by Harvey Tolibao and vibrant colors from Mark Englert, along with the snarky charm of the robot sidekick Francis. He also teases the possibility of another volume as conversations with Comixology continue and shares how readers can explore more of his creative process through his Legal Dispatch newsletter on Substack. It's a lively NYCC conversation that captures the fun, imagination, and emotional heart behind Ulysses Monarch.

Markets react to a flood of earnings and shifting sector stories. Ohsung Kwon, Wells Fargo Chief Equity Strategist, joins to break down where stocks go from here. Matt Bryson of Wedbush analyzes Intel's results, while Arjun Murti revisits the oil trade. Plus, Diana Olick unveils CNBC's new Housing Survey, and Alex Ramirez of Guggenheim explains why data center dealmaking is exploding. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Walker Art Center's new exhibit, “Dyani White Hawk: Love Language,” is now open and runs through Feb. 15. The show is White Hawk's largest to date, a milestone in an already distinguished career that includes MacArthur “Genius” and Guggenheim fellowships, and acquisitions by the Whitney Museum of Contemporary Art in New York and the Smithsonian National Museum of the American Indian in Washington D.C.White Hawk reflected on her exhibit's opening weekend in Minneapolis with MPR News host Nina Moini.

Music is math that you can dance to. The fact that certain notes sound good when played together, or in succession, is related to the mathematical properties of the frequencies to which they correspond, an idea that goes back as far as Pythagoras himself. These days we have a much more intricate understanding of these relationships and how to manipulate them. I talk to composer and music theorist Dmitri Tymoczko about how different musical scales are constructed and the math underlying what sounds good.Blog post with transcript: https://www.preposterousuniverse.com/podcast/2025/10/20/332-dmitri-tymoczko-on-the-mathematics-behind-music/Support Mindscape on Patreon.Dmitri Tymoczko received a Ph.D. in music composition from the University of California, Berkeley. He is currently a professor of music at Princeton University as well as a composer and performer. He has been the recipient of Rhodes and Guggenheim fellowships. As a composer, his works have been performed by multiple groups, and recorded on several albums.Personal web sitePrinceton web pageMad Musical ScienceSpiral diagrams: rock music, classical musicGoogle Scholar publicationsAmazon author pageWikipediaWilliam Sethares's Tuning Timbre Spectrum ScaleSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Peter Orner is the author of seven acclaimed books including Maggie Brown & Others, Love and Shame and Love, Esther Stories, finalist for the Pen/ Hemingway Award, and Am I Alone Here?, finalist for the National Book Critics Circle Award. His work has appeared in the New Yorker, the Paris Review, Best American Stories, and been awarded four Pushcart Prizes. A former Guggenheim fellow and recipient of the Rome Prize from the American Academy of Arts and Letters, Orner is chair of the English and Creative Writing Department at Dartmouth College. He lives with his family in Vermont, where he's also a volunteer firefighter. Learn more about your ad choices. Visit megaphone.fm/adchoices

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American Express (AXP) showed confidence in its earnings after posting a beat and guidance raise. Diane King Hall talks about how the company targeting affluent customers helps its financial picture. Zions Bancorporation (ZION) got an upgrade from Baird as the firm cites a long-term buy opportunity following a sharp sell-off on Thursday. Diane also touches on Big Tech with Alphabet's (GOOGL) latest price target hike from Guggenheim.======== Schwab Network ========Empowering every investor and trader, every market day. Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/ About Schwab Network - https://schwabnetwork.com/about

Die Stimmung an der Wall Street hebt sich merklich. Auch die Ratingagentur Moody's hält die Turbulenzen bei den Regionalbanken für übertrieben, was auch die breite Marktmeinung spiegelt. Wir haben vor dem Opening zahlreiche Ergebnisse aus dem Sektor, die kaum oder gar keine Zeichen einer nachlassenden Kreditqualität ausweisen, wie zum Beispiel bei American Express. Auch Truist Financial, Fifth Third und Regions Financial schlagen die Ertragsziele der Wall Street. Oracle tendiert nach dem gestrigen Analystentag etwas schwächer, obwohl das Management die Aussichten für das Fiskaljahr 2030 weiter angehoben hat. Wir sehen allerdings weiter steigende Kursziele bei Barclays, Guggenheim, Jefferies, Piper Sandler und der UBS. Abonniere den Podcast, um keine Folge zu verpassen! ____ Folge uns, um auf dem Laufenden zu bleiben: • X: http://fal.cn/SQtwitter • LinkedIn: http://fal.cn/SQlinkedin • Instagram: http://fal.cn/SQInstagram

“At Guggenheim Abu Dhabi, I work with a very international team—people from all over the world, around 50 nationalities in this museum. I've never worked in such an environment, and it's inspiring. When you talk to someone from a different country, you can't help but be inspired. The most important thing for me is to feel fulfilled, and I find fulfillment in learning something new and being inspired every day. Of course, it doesn't have to be the same for everyone. People can find fulfillment in charity or teaching kids. Everyone chooses what makes them feel fulfilled, as long as it's meaningful.”Art museums have long been pillars of culture, but they are now at a critical juncture, navigating a new era defined by artificial intelligence, immersive technology, and the shifting habits of a global audience. The challenge is immense: how do you honor artistic tradition while building a museum for the future? On Saadiyat Island, Abu Dhabi is answering this question in a dramatic way, with the Guggenheim Abu Dhabi. Designed by the visionary architect Frank Gehry, this $1 billion project is more than just a new museum; it's a statement—a new cultural superpower announcing itself on the world stage. It will be the largest contemporary art museum in the world, several times the size of the Guggenheim in New York, and a key part of their constellation of museums that is expected to contribute an estimated $200 million annually to the local economy. In the lead-up to its 2027 opening, the Guggenheim Abu Dhabi is embracing a new vision: moving from an "exhibition economy" to an "experience economy," where art becomes a conversation, a laboratory for ideas at the intersection of creativity and technology. Amr Hussein is the Digital Media Manager for the Guggenheim Abu Dhabi, and with a background in major sports broadcasting—from the FIFA World Cup to the Olympic Games—he's bringing a unique perspective to digital storytelling in the arts. We talk to him about his journey and how he's helping shape the digital narrative for this landmark museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Guggenheim Abu Dhabi is a unique concept. The idea behind the building itself is a dance. It's a living building because it's a dance between spaces. It's a dance between blocks of spaces and shapes and cones, and it's inspiring for the future because the legacy is a huge factor for every project. It's the legacy for young architects and for other architects. It gives them the space to dream more and to feel like it can be possible, and not to be shy. Present more bold ideas that can inspire creativity because you can't see this building and walk in without feeling like you want to be creative as well.”Art museums have long been pillars of culture, but they are now at a critical juncture, navigating a new era defined by artificial intelligence, immersive technology, and the shifting habits of a global audience. The challenge is immense: how do you honor artistic tradition while building a museum for the future? On Saadiyat Island, Abu Dhabi is answering this question in a dramatic way, with the Guggenheim Abu Dhabi. Designed by the visionary architect Frank Gehry, this $1 billion project is more than just a new museum; it's a statement—a new cultural superpower announcing itself on the world stage. It will be the largest contemporary art museum in the world, several times the size of the Guggenheim in New York, and a key part of their constellation of museums that is expected to contribute an estimated $200 million annually to the local economy. In the lead-up to its 2027 opening, the Guggenheim Abu Dhabi is embracing a new vision: moving from an "exhibition economy" to an "experience economy," where art becomes a conversation, a laboratory for ideas at the intersection of creativity and technology. Amr Hussein is the Digital Media Manager for the Guggenheim Abu Dhabi, and with a background in major sports broadcasting—from the FIFA World Cup to the Olympic Games—he's bringing a unique perspective to digital storytelling in the arts. We talk to him about his journey and how he's helping shape the digital narrative for this landmark museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Guggenheim Abu Dhabi is a unique concept. The idea behind the building itself is a dance. It's a living building because it's a dance between spaces. It's a dance between blocks of spaces and shapes and cones, and it's inspiring for the future because the legacy is a huge factor for every project. It's the legacy for young architects and for other architects. It gives them the space to dream more and to feel like it can be possible, and not to be shy. Present more bold ideas that can inspire creativity because you can't see this building and walk in without feeling like you want to be creative as well.”Art museums have long been pillars of culture, but they are now at a critical juncture, navigating a new era defined by artificial intelligence, immersive technology, and the shifting habits of a global audience. The challenge is immense: how do you honor artistic tradition while building a museum for the future? On Saadiyat Island, Abu Dhabi is answering this question in a dramatic way, with the Guggenheim Abu Dhabi. Designed by the visionary architect Frank Gehry, this $1 billion project is more than just a new museum; it's a statement—a new cultural superpower announcing itself on the world stage. It will be the largest contemporary art museum in the world, several times the size of the Guggenheim in New York, and a key part of their constellation of museums that is expected to contribute an estimated $200 million annually to the local economy. In the lead-up to its 2027 opening, the Guggenheim Abu Dhabi is embracing a new vision: moving from an "exhibition economy" to an "experience economy," where art becomes a conversation, a laboratory for ideas at the intersection of creativity and technology. Amr Hussein is the Digital Media Manager for the Guggenheim Abu Dhabi, and with a background in major sports broadcasting—from the FIFA World Cup to the Olympic Games—he's bringing a unique perspective to digital storytelling in the arts. We talk to him about his journey and how he's helping shape the digital narrative for this landmark museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“At Guggenheim Abu Dhabi, I work with a very international team—people from all over the world, around 50 nationalities in this museum. I've never worked in such an environment, and it's inspiring. When you talk to someone from a different country, you can't help but be inspired. The most important thing for me is to feel fulfilled, and I find fulfillment in learning something new and being inspired every day. Of course, it doesn't have to be the same for everyone. People can find fulfillment in charity or teaching kids. Everyone chooses what makes them feel fulfilled, as long as it's meaningful.”Art museums have long been pillars of culture, but they are now at a critical juncture, navigating a new era defined by artificial intelligence, immersive technology, and the shifting habits of a global audience. The challenge is immense: how do you honor artistic tradition while building a museum for the future? On Saadiyat Island, Abu Dhabi is answering this question in a dramatic way, with the Guggenheim Abu Dhabi. Designed by the visionary architect Frank Gehry, this $1 billion project is more than just a new museum; it's a statement—a new cultural superpower announcing itself on the world stage. It will be the largest contemporary art museum in the world, several times the size of the Guggenheim in New York, and a key part of their constellation of museums that is expected to contribute an estimated $200 million annually to the local economy. In the lead-up to its 2027 opening, the Guggenheim Abu Dhabi is embracing a new vision: moving from an "exhibition economy" to an "experience economy," where art becomes a conversation, a laboratory for ideas at the intersection of creativity and technology. Amr Hussein is the Digital Media Manager for the Guggenheim Abu Dhabi, and with a background in major sports broadcasting—from the FIFA World Cup to the Olympic Games—he's bringing a unique perspective to digital storytelling in the arts. We talk to him about his journey and how he's helping shape the digital narrative for this landmark museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“At Guggenheim Abu Dhabi, I work with a very international team—people from all over the world, around 50 nationalities in this museum. I've never worked in such an environment, and it's inspiring. When you talk to someone from a different country, you can't help but be inspired. The most important thing for me is to feel fulfilled, and I find fulfillment in learning something new and being inspired every day. Of course, it doesn't have to be the same for everyone. People can find fulfillment in charity or teaching kids. Everyone chooses what makes them feel fulfilled, as long as it's meaningful.”Art museums have long been pillars of culture, but they are now at a critical juncture, navigating a new era defined by artificial intelligence, immersive technology, and the shifting habits of a global audience. The challenge is immense: how do you honor artistic tradition while building a museum for the future? On Saadiyat Island, Abu Dhabi is answering this question in a dramatic way, with the Guggenheim Abu Dhabi. Designed by the visionary architect Frank Gehry, this $1 billion project is more than just a new museum; it's a statement—a new cultural superpower announcing itself on the world stage. It will be the largest contemporary art museum in the world, several times the size of the Guggenheim in New York, and a key part of their constellation of museums that is expected to contribute an estimated $200 million annually to the local economy. In the lead-up to its 2027 opening, the Guggenheim Abu Dhabi is embracing a new vision: moving from an "exhibition economy" to an "experience economy," where art becomes a conversation, a laboratory for ideas at the intersection of creativity and technology. Amr Hussein is the Digital Media Manager for the Guggenheim Abu Dhabi, and with a background in major sports broadcasting—from the FIFA World Cup to the Olympic Games—he's bringing a unique perspective to digital storytelling in the arts. We talk to him about his journey and how he's helping shape the digital narrative for this landmark museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“At Guggenheim Abu Dhabi, I work with a very international team—people from all over the world, around 50 nationalities in this museum. I've never worked in such an environment, and it's inspiring. When you talk to someone from a different country, you can't help but be inspired. The most important thing for me is to feel fulfilled, and I find fulfillment in learning something new and being inspired every day. Of course, it doesn't have to be the same for everyone. People can find fulfillment in charity or teaching kids. Everyone chooses what makes them feel fulfilled, as long as it's meaningful.”Art museums have long been pillars of culture, but they are now at a critical juncture, navigating a new era defined by artificial intelligence, immersive technology, and the shifting habits of a global audience. The challenge is immense: how do you honor artistic tradition while building a museum for the future? On Saadiyat Island, Abu Dhabi is answering this question in a dramatic way, with the Guggenheim Abu Dhabi. Designed by the visionary architect Frank Gehry, this $1 billion project is more than just a new museum; it's a statement—a new cultural superpower announcing itself on the world stage. It will be the largest contemporary art museum in the world, several times the size of the Guggenheim in New York, and a key part of their constellation of museums that is expected to contribute an estimated $200 million annually to the local economy. In the lead-up to its 2027 opening, the Guggenheim Abu Dhabi is embracing a new vision: moving from an "exhibition economy" to an "experience economy," where art becomes a conversation, a laboratory for ideas at the intersection of creativity and technology. Amr Hussein is the Digital Media Manager for the Guggenheim Abu Dhabi, and with a background in major sports broadcasting—from the FIFA World Cup to the Olympic Games—he's bringing a unique perspective to digital storytelling in the arts. We talk to him about his journey and how he's helping shape the digital narrative for this landmark museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Guggenheim Abu Dhabi is a unique concept. The idea behind the building itself is a dance. It's a living building because it's a dance between spaces. It's a dance between blocks of spaces and shapes and cones, and it's inspiring for the future because the legacy is a huge factor for every project. It's the legacy for young architects and for other architects. It gives them the space to dream more and to feel like it can be possible, and not to be shy. Present more bold ideas that can inspire creativity because you can't see this building and walk in without feeling like you want to be creative as well.”Art museums have long been pillars of culture, but they are now at a critical juncture, navigating a new era defined by artificial intelligence, immersive technology, and the shifting habits of a global audience. The challenge is immense: how do you honor artistic tradition while building a museum for the future? On Saadiyat Island, Abu Dhabi is answering this question in a dramatic way, with the Guggenheim Abu Dhabi. Designed by the visionary architect Frank Gehry, this $1 billion project is more than just a new museum; it's a statement—a new cultural superpower announcing itself on the world stage. It will be the largest contemporary art museum in the world, several times the size of the Guggenheim in New York, and a key part of their constellation of museums that is expected to contribute an estimated $200 million annually to the local economy. In the lead-up to its 2027 opening, the Guggenheim Abu Dhabi is embracing a new vision: moving from an "exhibition economy" to an "experience economy," where art becomes a conversation, a laboratory for ideas at the intersection of creativity and technology. Amr Hussein is the Digital Media Manager for the Guggenheim Abu Dhabi, and with a background in major sports broadcasting—from the FIFA World Cup to the Olympic Games—he's bringing a unique perspective to digital storytelling in the arts. We talk to him about his journey and how he's helping shape the digital narrative for this landmark museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

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Over its first century The Guggenheim Fellowships have supported more than 19,000 artists, writers, thinkers, scientists, and makers of ideas and culture in America. In honor of this milestone, The Guggenheim Fellowship at 100, on view at The New York Historical Society through November 30th, shows off correspondence, application materials, cultural objects, and other signs and tokens of what Guggenheim these fellowships and fellows have done. In this episode, Jeff talks to Guggenheim President Edward Hirsch about the fellowships and what they mean. Then, Hanna Pennington, Associate Director and Archivist at the Guggenheim, joins to talk about the work and materials that went into making this exhibition. Subscribe to First Edition via RSS, Apple Podcasts, or Spotify. For episode extras, subscribe to the First Edition Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Chatterton Williams is a staff writer at The Atlantic. He is also a visiting professor of humanities at Bard College, a 2022 Guggenheim fellow, and a nonresident fellow at the American Enterprise Institute. He is the author of Self-Portrait in Black and White. Williams's work has appeared in The New York Times Magazine, Harper's, The New Yorker, The London Review of Books, Le Monde, and many other places, and has been collected in The Best American Essays and The Best American Travel Writing. His new book, The Summer of Our Discontent: The Age of Certainty and the Demise of Discourse, is published by Knopf.We discuss his latest book, 'The Summer of Our Discontent,' exploring themes of identity, race, and the impact of political discourse in contemporary society. He reflects on his personal journey of unlearning race, the implications of the Obama era, and the rise of identity politics. Williams emphasizes the need for a centrist approach to politics and the importance of open dialogue amidst increasing polarization. The discussion also touches on the role of faith and belonging in modern life, as well as the contrasting responses to identity politics in America and Europe.Become a Patreon member to access full episode and other goodies at https://www.patreon.com/bajadadialogues Hosted on Acast. See acast.com/privacy for more information.

Having been raised in Los Angeles, a place with vast swathes of single-family homes connected by freeways, arriving in Costa Rica was an eye opener for the young cultural anthropologist Setha Low. “I thought it was so cool that everybody was there together,” she tells interview David Edmonds in this Social Science Bites podcast. “… Everybody was talking. Everybody knew their place. It was like a complete little world, a microcosm of Costa Rican society, and I hadn't seen anything like that in suburban Los Angeles.” That epiphany set Low, now a distinguished professor at the Graduate Center of the City University of New York, onto a journey filled with the exploration of public spaces and a desire to explain them to the rest of the world. This trek has resulted in more than a hundred scholarly articles and a number of books, most recently Why Public Space Matters but including 2006's Politics of Public Space with Neil Smith; 2005's Rethinking Urban Parks: Public Space and Cultural Diversity with S. Scheld and D. Taplin; 2004's Behind the Gates: Life, Security and the Pursuit of Happiness in Fortress America; 2003's The Anthropology of Space and Place: Locating Culture with D. Lawrence-Zuniga; and 2000's On the Plaza: The Politics of Public Space and Culture. Low is also director of the Graduate Center's Public Space Research Group, and has received a Getty Fellowship, a fellow in the Center for Place, Culture and Politics, a fellowship from the National Endowment for the Humanities, a Fulbright Senior Fellowship, and a Guggenheim for her ethnographic research on public space in Latin America and the United States. She was president of the American Anthropological Association (from 2007 to 2009) and has worked on public space research in projects for the Center for Advanced Study in the Behavioral Sciences at Stanford and was cochair of the Max Planck Institute for Religious and Ethnic Diversity's Public Space and Diversity Network.  

===== MDJ Script/ Top Stories for September 26th Publish Date:  September 26th    Commercial: From the BG AD Group Studio, Welcome to the Marietta Daily Journal Podcast.    Today is Friday, September 26th and Happy Birthday to Tommy Lasorda I’m Keith Ippolito and here are the stories Cobb is talking about, presented by Times Journal Potential name changes on the horizon for Cobb Galleria, Performing Arts Centre Kennesaw to increase sanitation rates Health officials warn of measles in Georgia Plus, Leah McGrath from Ingles Markets on sodas All of this and more is coming up on the Marietta Daily Journal Podcast, and if you are looking for community news, we encourage you to listen and subscribe!  BREAK: Ingles Markets 4 STORY 1: Potential name changes on the horizon for Cobb Galleria, Performing Arts Centre Big changes are coming to the Cobb Galleria Centre—and not just the $190 million renovation. A new name might be on the way, too. Charlie Beirne, the Galleria’s general manager, floated the idea of renaming it the “Cobb Convention Center” during a meeting Wednesday. “It’s simple, clear, and gives us national recognition,” he said. The authority’s board agreed, though Chair Jerry Nix admitted, “It’s not just a name change—there’s a lot of headache involved.” Meanwhile, the $145 million Cobb Energy Performing Arts Centre is also eyeing a rebrand, with naming rights expiring in 2027. A new sponsor could bring fresh funds to keep the venue cutting-edge. Renovations for both facilities are well underway, with the Galleria’s upgrades—including a grand entrance, expanded meeting spaces, and a sleek new look—set to wrap by early 2027. It’s the end of an era for the Galleria Specialty Shops, but Beirne says the revamped space will better serve the community and attract larger events. As for the Performing Arts Centre, a marketing firm has been hired to find a new name sponsor. Both projects signal a fresh chapter for these iconic Cobb landmarks. STORY 2: Kennesaw to increase sanitation rates Starting Nov. 1, Kennesaw residents will see a 6% bump in their sanitation rates. That means the standard monthly service—one trash can, one recycle cart—goes from $32.50 to $34.50. Got an extra trash can? That’ll now run you $19.50 a month, and additional recycle carts are $6. The increase hits December bills, but if you’ve prepaid for the year, you’re safe until your service period ends. Auto-pay users? Better update your payment info to dodge late fees. The city says it’s been eating rising costs for four years—18% higher, to be exact. “This adjustment was overdue,” Councilman Antonio Jones said, noting it was finalized with the 2026 budget. Republic Services, the city’s contractor, will continue handling trash, recycling, and yard waste. STORY 3: Health officials warn of measles in Georgia  Georgia health officials are keeping a close eye on seven people who may have been exposed to measles after contact with infected individuals. On Tuesday, the state Department of Public Health confirmed three new cases, including one on Sept. 11. Two of the patients are unvaccinated, and the third? Their vaccination status is unclear. All three are isolating at home. So far, 268 close contacts have been identified, but only seven are under “active” monitoring. Officials stress vaccination is the best defense—kids should get their first dose between 12-15 months and a second by age 6. This year, Georgia has seen 10 measles cases, up from six last year. Nationwide, cases have been climbing since the pandemic disrupted routine vaccinations. Meanwhile, a CDC advisory panel recently stirred controversy by recommending standalone chickenpox vaccines for toddlers instead of the combined MMRV shot. The American Academy of Pediatrics pushed back, calling the move “misguided” and warning it could erode trust in vaccines. Georgia parents are urged to talk to their doctors about the best options for their kids. We have opportunities for sponsors to get great engagement on these shows. Call 770.799.6810 for more info.  We’ll be right back. Break: Ingles Markets 4 STORY 4: New art exhibits in Marietta blend the personal, political and the abstract Two new exhibits are turning heads at the Marietta Cobb Museum of Art, running through Dec. 14: Craig Drennen’s “T is for Timon” and Ahmad Hassan Taylor’s “History Lessons.” Drennen, a Guggenheim fellow and Georgia State professor, spent 17 years crafting his Shakespeare-inspired collection. “Timon of Athens,” a play Shakespeare himself never staged, serves as his muse. “It’s a bad play by a great playwright,” Drennen quipped. “I use bad things to make good things.” His bold, abstract works—painted to mimic collages—are designed to last centuries. Taylor, known as the “Atlanta Illustrator,” makes his debut with striking cityscapes and politically charged pieces. One standout, “All In Favor (Of Hate),” features a white horse surrounded by biting commentary on perception and truth. Both artists will host free talks—Drennen on Nov. 1, Taylor on Dec. 14. Admission is free on Oct. 5, Nov. 2, and Dec. 7. STORY 5: Cobb extends student housing moratorium Cobb County’s moratorium on student housing applications just got another six-month extension, as officials wait for Kennesaw State University to wrap up its housing study. The Board of Commissioners voted unanimously Tuesday—no debate, just a quick vote—to keep the pause in place until spring 2026. This is the second extension since the ban started in October 2024. Community Development Director Jessica Guinn said it’ll likely be the last. The issue? It’s messy. Commissioner Keli Gambrill isn’t a fan of purpose-built student housing, saying KSU should handle its own housing needs. Chair Lisa Cupid, on the other hand, has pointed out that many students can’t find affordable housing because of county rules limiting unrelated people from living together. Meanwhile, not everyone’s on board with the moratorium. During public comment, Donald Barth didn’t hold back. “Have y’all bumped your heads?” he asked. “We need student housing. It brings growth, tax dollars, and no problems—at least not where I live.” The county plans to revisit the issue once KSU’s study is done, with potential updates to the student housing code included in the new Unified Development Code. And now here is Leah McGrath from Ingles Markets on sodas We’ll have closing comments after this. Break: Ingles Markets 4 Signoff-   Thanks again for hanging out with us on today’s Marietta Daily Journal Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at mdjonline.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network Show Sponsors: www.ingles-markets.com #NewsPodcast #CurrentEvents #TopHeadlines #BreakingNews #PodcastDiscussion #PodcastNews #InDepthAnalysis #NewsAnalysis #PodcastTrending #WorldNews #LocalNews #GlobalNews #PodcastInsights #NewsBrief #PodcastUpdate #NewsRoundup #WeeklyNews #DailyNews #PodcastInterviews #HotTopics #PodcastOpinions #InvestigativeJournalism #BehindTheHeadlines #PodcastMedia #NewsStories #PodcastReports #JournalismMatters #PodcastPerspectives #NewsCommentary #PodcastListeners #NewsPodcastCommunity #NewsSource #PodcastCuration #WorldAffairs #PodcastUpdates #AudioNews #PodcastJournalism #EmergingStories #NewsFlash #PodcastConversations See omnystudio.com/listener for privacy information.

In this episode Cath and Dr. Herman talked about trauma and recovery, justice for survivors, complex trauma, stages of recovery/healing, what helps in the postpartum period according to research and Dr Herman's incredible work in the field of trauma, justice, repair, healing and recovery.Judith Lewis Herman M.D. is Senior Lecturer in Psychiatry (part time) at Harvard Medical School. For thirty years, until she retired, she was Director of Training at the Victims of Violence Program at The Cambridge Hospital, Cambridge, MA. She is the author of the award-winning books Father-Daughter Incest (Harvard University Press, 1981), and Trauma and Recovery (Basic Books, 1992). She is the recipient of numerous awards, including a Guggenheim fellowship in 1984 and the 1996 Lifetime Achievement Award from the International Society for Traumatic Stress Studies. In 2007 she was named a Distinguished Life Fellow of the American Psychiatric Association.Her new book, Truth and Repair: How Trauma Survivors Envision Justice, was published in March, 2023.If you're enjoying this podcast. Please leave a review and rate the podcast, this really helps others to find it.To sign up for the journal prompts and Nurture.Heal.Grow (on Substack) please head to www.cathcounihan.com or @cathcounihan on Instagram. Follow Cath on social media here:Instagram: @cathcounihanSubstack: Nurture.Heal.GrowFacebook: Cath Counihan Hosted on Acast. See acast.com/privacy for more information.

From award-winning writer Sarah Schulman, a longtime social activist and outspoken critic of the Israeli war on Gaza, comes The Fantasy and Necessity of Solidarity (Penguin, 2025). This book is a brilliant examination of the inherent psychological and social challenges to solidarity movements, and what that means for the future For those who seek to combat injustice, solidarity with the oppressed is one of the highest ideals, yet it does not come without complication. In this searing yet uplifting book, award-winning writer and cultural critic Sarah Schulman delves into the intricate and often misunderstood concept of solidarity to provide a new vision for what it means to engage in this work—and why it matters. To grapple with solidarity, Schulman writes, we must recognize its inherent fantasies. Those being oppressed dream of relief, that a bystander will intervene though it may not seem to be in their immediate interest to do so, and that the oppressor will be called out and punished. Those standing in solidarity with the oppressed are occluded by a different fantasy: that their intervention is effective, that it will not cost them, and that they will be rewarded with friendship and thanks. Neither is always the case, and yet in order to realize our full potential as human beings in relation with others, we must continue to pursue action towards these shared goals. Within this framework, Schulman examines a range of case studies, from the fight for abortion rights in post-Franco Spain, to NYC's AIDS activism in the 1990s, to the current wave of campus protest movements against Israel's war on Gaza, and her own experience growing up as a queer female artist in male dominated culture industries. Drawing parallels between queer, Palestinian, feminist, and artistic struggles for justice, Schulman challenges the traditional notion of solidarity as a simple union of equals, arguing that in today's world of globalized power structures, true solidarity requires the collaboration of bystanders and conflicted perpetrators with the excluded and oppressed. That action comes at a cost, and is not always effective. And yet without it we sentence ourselves to a world without progressive change towards visions of liberation. By turns challenging, inspiring, pragmatic, and poetic, The Fantasy and Necessity of Solidarity provides a much-needed path for how we can work together to create a more just, more equitable present and future. Sarah Schulman is a novelist, playwright, screenwriter, nonfiction writer, and AIDS historian. Her books include The Gentrification of the Mind, Conflict Is Not Abuse, and Let the Record Show: A Political History of ACT UP New York, 1987–1993, and the novels The Cosmopolitans and Maggie Terry. Schulman's honors include a Fulbright in Judaic Studies, a Guggenheim in Playwriting, and honors from Lambda Literary, the Publishing Triangle, NLGJA: The Association of LGBTQ+ Journalists, the American Library Association, and others. Her writing has appeared in The New Yorker, New York, Harper's Magazine, The Atlantic, The Nation, The New Republic, The New York Times, and The Guardian. Schulman holds an endowed chair in creative writing at Northwestern University and is on the advisory board of Jewish Voice for Peace. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Loop Capital upgraded Netflix (NFLX) to a buy from hold and called its prior downgrade of the stream giant a "mistake." Diane King Hall dives into the commentary that includes how Netflix's content drives profits. Piper Sandler and Guggenheim both upgraded Workday (WDAY) due to "environment improvements" and a wider runway for growth. Diane also notes Bernstein's upgrade of Zillow Group (ZG).======== Schwab Network ========Empowering every investor and trader, every market day. Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/ About Schwab Network - https://schwabnetwork.com/about

Even before they were recognized as citizens of the United States, Black women understood that the fights for civil and human rights were inseparable. Over the course of two hundred years, they were at the forefront of national and international movements for social change, weaving connections between their own and others' freedom struggles around the world. Without Fear: Black Women and the Making of Human Rights (W.W. Norton, 2025) tells how, during American history, Black women made humans rights theirs: from worldwide travel and public advocacy in the global Black press to their work for the United Nations, they courageously and effectively moved human rights beyond an esoteric concept to an active, organizing principle. Acclaimed historian Keisha N. Blain tells the story of these women—from the well-known, like Ida B. Wells, Madam C. J. Walker, and Lena Horne, to those who are still less known, including Pearl Sherrod, Aretha McKinley, and Marguerite Cartwright. Blain captures human rights thinking and activism from the ground up with Black women at the center, working outside the traditional halls of power. By shouldering intersecting forms of oppression—including racism, sexism, and classism—Black women have long been in a unique position to fight for freedom and dignity. Without Fear is an account of their aspirations, strategies, and struggles to pioneer a human rights approach to combating systems of injustice. Dr. Keisha Blain is a professor of Africana studies and history at Brown University. She is a Guggenheim, Carnegie, and New America Fellow, and author—most recently of the National Book Critics Circle Award finalist Until I Am Free. You can find her on LinkedIn, Instagram, X, and Facebook. You can find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Even before they were recognized as citizens of the United States, Black women understood that the fights for civil and human rights were inseparable. Over the course of two hundred years, they were at the forefront of national and international movements for social change, weaving connections between their own and others' freedom struggles around the world. Without Fear: Black Women and the Making of Human Rights (W.W. Norton, 2025) tells how, during American history, Black women made humans rights theirs: from worldwide travel and public advocacy in the global Black press to their work for the United Nations, they courageously and effectively moved human rights beyond an esoteric concept to an active, organizing principle. Acclaimed historian Keisha N. Blain tells the story of these women—from the well-known, like Ida B. Wells, Madam C. J. Walker, and Lena Horne, to those who are still less known, including Pearl Sherrod, Aretha McKinley, and Marguerite Cartwright. Blain captures human rights thinking and activism from the ground up with Black women at the center, working outside the traditional halls of power. By shouldering intersecting forms of oppression—including racism, sexism, and classism—Black women have long been in a unique position to fight for freedom and dignity. Without Fear is an account of their aspirations, strategies, and struggles to pioneer a human rights approach to combating systems of injustice. Dr. Keisha Blain is a professor of Africana studies and history at Brown University. She is a Guggenheim, Carnegie, and New America Fellow, and author—most recently of the National Book Critics Circle Award finalist Until I Am Free. You can find her on LinkedIn, Instagram, X, and Facebook. You can find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A listener asked about Anthony's dream scenario whenever Mark Walter fully takes over. Anthony again explained what Guggenheim did with the Dodgers and how that could look with the Lakers. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Get off Apartments.com and grab an Erewhon smoothie, it's time to watch the hottest new real estate show in town, Leasing La Brea! If you think that Selling Sunset is dramatic, just wait for Leasing La Brea, the reality show for millennials who have no chance of buying a house and can only aspire to lease. This week we sat down with 5 cast members from the Oglethorpe agency to hear about their hottest listings, celebrity clientele, real time drama, and get a sneak peek into their own homes. You won't want to miss it!Our guest today is the incomparable Patty Gugenheim! She is an improv sniper and had us cackling with her jingles so go find her on Instagram @patriscuit, on Twisted Metal and Don't Tell Larry on tv, and literally everywhere else you can find her!This episode was filmed in the beautiful Dynasty Typewriter Theater, and tech-produced by Samuel Curtis. For live shows and events you can find more about them at dynastytypewriter.com. To learn more about the BTS of this episode and to find a world of challenges, games, inside scoop, and the Artists being themselves, subscribe to our Patreon! You won't be disappointed with what you find. Check out patreon.com/aoaoaoapod Artists on Artists on Artists on Artists is an improvised Hollywood roundtable podcast by Kylie Brakeman, Jeremy Culhane, Angela Giarratana, and Patrick McDonald. Produced by Laservision Productions. Music by Gabriel Ponton. Edited by Conner McCabe. Thumbnail art by Josh Fleury. Hollywood's talking. Make sure you're listening. Subscribe to us on Apple Podcasts, Spotify, and Youtube! Please rate us five stars!

Grant Dekernion (@grantdekernion) and Patty Guggenheim (@patriscuit) of Twisted Metal join the 'boys to talk pod drivers, musical instruments, and old video games before a review of Pinkberry.Watch this episode at youtube.com/doughboysmediaGet ad-free episodes at patreon.com/doughboysGet Doughboys merch at kinshipgoods.com/doughboysAdvertise on Doughboys via Gumball.fmSources for this week's intro:https://www.latimes.com/archives/la-xpm-2006-aug-04-et-pinkberry-story.htmlhttps://www.tmz.com/2010/01/10/pinkberry-co-founders-marriage-loses-flavor/https://abcnews.go.com/US/pinkberry-founder-accused-beating-homeless-man/story?id=15378930https://www.latimes.com/local/la-me-pinkberry-sentenced-20140315-story.htmlEXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/doughboys Try it risk-free now with a 30-day money-back guarantee!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week Mike “Mitch” Mitchell joins Scott to discuss his time on “The Simpsons”, constantly embarrassing himself, and the new season of “Twisted Metal”. Then, spiritual advisor Yoda stops by to break off a ‘sclusie about the next “Star Wars” movie. Finally, energy reader Deb drops in to talk about how the economy has impacted her business. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/cbb