Podcasts about Guggenheim

Snake Draft! In order of it being Halloween we are drafting people at our station that would survive a Zombie Apocalypse. PICKS AGAINST THE SPREAD. Beto Duran comes in for a segment. It is our Pechanga Pick of the week! NBA Commissioner Adam Silver approved the sale of Mark Walter and Guggenheim group for the Los Angeles Lakers yesterday. What changes are going to be made? Learn more about your ad choices. Visit podcastchoices.com/adchoices

Marley Kayden and Charles Moon cover Microsoft (MSFT) for The Morning Trade. Marley discusses the Guggenheim analyst upgrade, which cites optimism around its position within the AI sector. Charles Moon brings a “high risk” example options trade for the stock.======== Schwab Network ========Empowering every investor and trader, every market day.Options involve risks and are not suitable for all investors. Before trading, read the Options Disclosure Document. http://bit.ly/2v9tH6DSubscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-...Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-...Watch on Sling - https://watch.sling.com/1/asset/19192...Watch on Vizio - https://www.vizio.com/en/watchfreeplu...Watch on DistroTV - https://www.distro.tv/live/schwab-net...Follow us on X – / schwabnetwork Follow us on Facebook – / schwabnetwork Follow us on LinkedIn - / schwab-network About Schwab Network - https://schwabnetwork.com/about

Recorded live at the Comixology Originals booth during New York Comic Con 2025, Jace sits down with acclaimed writer Mark Guggenheim to discuss his imaginative new series The Adventures of the Ulysses Monarch. Described as an Indiana Jones-style adventure set in the year 3026, the story blends pulpy treasure-hunting with sci-fi wonder as future archaeologists uncover the “ancient” relics of our own 21st century. Guggenheim talks about balancing the spectacle and emotion that drive the book, highlighting the dynamic art by Harvey Tolibao and vibrant colors from Mark Englert, along with the snarky charm of the robot sidekick Francis. He also teases the possibility of another volume as conversations with Comixology continue and shares how readers can explore more of his creative process through his Legal Dispatch newsletter on Substack. It's a lively NYCC conversation that captures the fun, imagination, and emotional heart behind Ulysses Monarch.

Markets react to a flood of earnings and shifting sector stories. Ohsung Kwon, Wells Fargo Chief Equity Strategist, joins to break down where stocks go from here. Matt Bryson of Wedbush analyzes Intel's results, while Arjun Murti revisits the oil trade. Plus, Diana Olick unveils CNBC's new Housing Survey, and Alex Ramirez of Guggenheim explains why data center dealmaking is exploding. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Deputy Director and Chief Curator of one of the world's leading art museums — the Guggenheim in New York — has spoken to France 24 about how her new exhibition in Paris is her love letter to France. Naomi Beckwith is currently in Paris, working temporarily at the Palais de Tokyo on her exhibition 'Echo Delay Reverb – American Art – Francophone Thought.' She explained that it tells the story of how the flourishing of new ideas in 1960s France — its philosophies and theories — migrated to the United States and profoundly influenced the development of American culture. She spoke to us in Perspective.

The Walker Art Center's new exhibit, “Dyani White Hawk: Love Language,” is now open and runs through Feb. 15. The show is White Hawk's largest to date, a milestone in an already distinguished career that includes MacArthur “Genius” and Guggenheim fellowships, and acquisitions by the Whitney Museum of Contemporary Art in New York and the Smithsonian National Museum of the American Indian in Washington D.C.White Hawk reflected on her exhibit's opening weekend in Minneapolis with MPR News host Nina Moini.

Music is math that you can dance to. The fact that certain notes sound good when played together, or in succession, is related to the mathematical properties of the frequencies to which they correspond, an idea that goes back as far as Pythagoras himself. These days we have a much more intricate understanding of these relationships and how to manipulate them. I talk to composer and music theorist Dmitri Tymoczko about how different musical scales are constructed and the math underlying what sounds good.Blog post with transcript: https://www.preposterousuniverse.com/podcast/2025/10/20/332-dmitri-tymoczko-on-the-mathematics-behind-music/Support Mindscape on Patreon.Dmitri Tymoczko received a Ph.D. in music composition from the University of California, Berkeley. He is currently a professor of music at Princeton University as well as a composer and performer. He has been the recipient of Rhodes and Guggenheim fellowships. As a composer, his works have been performed by multiple groups, and recorded on several albums.Personal web sitePrinceton web pageMad Musical ScienceSpiral diagrams: rock music, classical musicGoogle Scholar publicationsAmazon author pageWikipediaWilliam Sethares's Tuning Timbre Spectrum ScaleSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Peter Orner is the author of seven acclaimed books including Maggie Brown & Others, Love and Shame and Love, Esther Stories, finalist for the Pen/ Hemingway Award, and Am I Alone Here?, finalist for the National Book Critics Circle Award. His work has appeared in the New Yorker, the Paris Review, Best American Stories, and been awarded four Pushcart Prizes. A former Guggenheim fellow and recipient of the Rome Prize from the American Academy of Arts and Letters, Orner is chair of the English and Creative Writing Department at Dartmouth College. He lives with his family in Vermont, where he's also a volunteer firefighter. Learn more about your ad choices. Visit megaphone.fm/adchoices

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American Express (AXP) showed confidence in its earnings after posting a beat and guidance raise. Diane King Hall talks about how the company targeting affluent customers helps its financial picture. Zions Bancorporation (ZION) got an upgrade from Baird as the firm cites a long-term buy opportunity following a sharp sell-off on Thursday. Diane also touches on Big Tech with Alphabet's (GOOGL) latest price target hike from Guggenheim.======== Schwab Network ========Empowering every investor and trader, every market day. Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/ About Schwab Network - https://schwabnetwork.com/about

Die Stimmung an der Wall Street hebt sich merklich. Auch die Ratingagentur Moody's hält die Turbulenzen bei den Regionalbanken für übertrieben, was auch die breite Marktmeinung spiegelt. Wir haben vor dem Opening zahlreiche Ergebnisse aus dem Sektor, die kaum oder gar keine Zeichen einer nachlassenden Kreditqualität ausweisen, wie zum Beispiel bei American Express. Auch Truist Financial, Fifth Third und Regions Financial schlagen die Ertragsziele der Wall Street. Oracle tendiert nach dem gestrigen Analystentag etwas schwächer, obwohl das Management die Aussichten für das Fiskaljahr 2030 weiter angehoben hat. Wir sehen allerdings weiter steigende Kursziele bei Barclays, Guggenheim, Jefferies, Piper Sandler und der UBS. Abonniere den Podcast, um keine Folge zu verpassen! ____ Folge uns, um auf dem Laufenden zu bleiben: • X: http://fal.cn/SQtwitter • LinkedIn: http://fal.cn/SQlinkedin • Instagram: http://fal.cn/SQInstagram

“Guggenheim Abu Dhabi is a unique concept. The idea behind the building itself is a dance. It's a living building because it's a dance between spaces. It's a dance between blocks of spaces and shapes and cones, and it's inspiring for the future because the legacy is a huge factor for every project. It's the legacy for young architects and for other architects. It gives them the space to dream more and to feel like it can be possible, and not to be shy. Present more bold ideas that can inspire creativity because you can't see this building and walk in without feeling like you want to be creative as well.”Art museums have long been pillars of culture, but they are now at a critical juncture, navigating a new era defined by artificial intelligence, immersive technology, and the shifting habits of a global audience. The challenge is immense: how do you honor artistic tradition while building a museum for the future? On Saadiyat Island, Abu Dhabi is answering this question in a dramatic way, with the Guggenheim Abu Dhabi. Designed by the visionary architect Frank Gehry, this $1 billion project is more than just a new museum; it's a statement—a new cultural superpower announcing itself on the world stage. It will be the largest contemporary art museum in the world, several times the size of the Guggenheim in New York, and a key part of their constellation of museums that is expected to contribute an estimated $200 million annually to the local economy. In the lead-up to its 2027 opening, the Guggenheim Abu Dhabi is embracing a new vision: moving from an "exhibition economy" to an "experience economy," where art becomes a conversation, a laboratory for ideas at the intersection of creativity and technology. Amr Hussein is the Digital Media Manager for the Guggenheim Abu Dhabi, and with a background in major sports broadcasting—from the FIFA World Cup to the Olympic Games—he's bringing a unique perspective to digital storytelling in the arts. We talk to him about his journey and how he's helping shape the digital narrative for this landmark museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“At Guggenheim Abu Dhabi, I work with a very international team—people from all over the world, around 50 nationalities in this museum. I've never worked in such an environment, and it's inspiring. When you talk to someone from a different country, you can't help but be inspired. The most important thing for me is to feel fulfilled, and I find fulfillment in learning something new and being inspired every day. Of course, it doesn't have to be the same for everyone. People can find fulfillment in charity or teaching kids. Everyone chooses what makes them feel fulfilled, as long as it's meaningful.”Art museums have long been pillars of culture, but they are now at a critical juncture, navigating a new era defined by artificial intelligence, immersive technology, and the shifting habits of a global audience. The challenge is immense: how do you honor artistic tradition while building a museum for the future? On Saadiyat Island, Abu Dhabi is answering this question in a dramatic way, with the Guggenheim Abu Dhabi. Designed by the visionary architect Frank Gehry, this $1 billion project is more than just a new museum; it's a statement—a new cultural superpower announcing itself on the world stage. It will be the largest contemporary art museum in the world, several times the size of the Guggenheim in New York, and a key part of their constellation of museums that is expected to contribute an estimated $200 million annually to the local economy. In the lead-up to its 2027 opening, the Guggenheim Abu Dhabi is embracing a new vision: moving from an "exhibition economy" to an "experience economy," where art becomes a conversation, a laboratory for ideas at the intersection of creativity and technology. Amr Hussein is the Digital Media Manager for the Guggenheim Abu Dhabi, and with a background in major sports broadcasting—from the FIFA World Cup to the Olympic Games—he's bringing a unique perspective to digital storytelling in the arts. We talk to him about his journey and how he's helping shape the digital narrative for this landmark museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“At Guggenheim Abu Dhabi, I work with a very international team—people from all over the world, around 50 nationalities in this museum. I've never worked in such an environment, and it's inspiring. When you talk to someone from a different country, you can't help but be inspired. The most important thing for me is to feel fulfilled, and I find fulfillment in learning something new and being inspired every day. Of course, it doesn't have to be the same for everyone. People can find fulfillment in charity or teaching kids. Everyone chooses what makes them feel fulfilled, as long as it's meaningful.”Art museums have long been pillars of culture, but they are now at a critical juncture, navigating a new era defined by artificial intelligence, immersive technology, and the shifting habits of a global audience. The challenge is immense: how do you honor artistic tradition while building a museum for the future? On Saadiyat Island, Abu Dhabi is answering this question in a dramatic way, with the Guggenheim Abu Dhabi. Designed by the visionary architect Frank Gehry, this $1 billion project is more than just a new museum; it's a statement—a new cultural superpower announcing itself on the world stage. It will be the largest contemporary art museum in the world, several times the size of the Guggenheim in New York, and a key part of their constellation of museums that is expected to contribute an estimated $200 million annually to the local economy. In the lead-up to its 2027 opening, the Guggenheim Abu Dhabi is embracing a new vision: moving from an "exhibition economy" to an "experience economy," where art becomes a conversation, a laboratory for ideas at the intersection of creativity and technology. Amr Hussein is the Digital Media Manager for the Guggenheim Abu Dhabi, and with a background in major sports broadcasting—from the FIFA World Cup to the Olympic Games—he's bringing a unique perspective to digital storytelling in the arts. We talk to him about his journey and how he's helping shape the digital narrative for this landmark museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Guggenheim Abu Dhabi is a unique concept. The idea behind the building itself is a dance. It's a living building because it's a dance between spaces. It's a dance between blocks of spaces and shapes and cones, and it's inspiring for the future because the legacy is a huge factor for every project. It's the legacy for young architects and for other architects. It gives them the space to dream more and to feel like it can be possible, and not to be shy. Present more bold ideas that can inspire creativity because you can't see this building and walk in without feeling like you want to be creative as well.”Art museums have long been pillars of culture, but they are now at a critical juncture, navigating a new era defined by artificial intelligence, immersive technology, and the shifting habits of a global audience. The challenge is immense: how do you honor artistic tradition while building a museum for the future? On Saadiyat Island, Abu Dhabi is answering this question in a dramatic way, with the Guggenheim Abu Dhabi. Designed by the visionary architect Frank Gehry, this $1 billion project is more than just a new museum; it's a statement—a new cultural superpower announcing itself on the world stage. It will be the largest contemporary art museum in the world, several times the size of the Guggenheim in New York, and a key part of their constellation of museums that is expected to contribute an estimated $200 million annually to the local economy. In the lead-up to its 2027 opening, the Guggenheim Abu Dhabi is embracing a new vision: moving from an "exhibition economy" to an "experience economy," where art becomes a conversation, a laboratory for ideas at the intersection of creativity and technology. Amr Hussein is the Digital Media Manager for the Guggenheim Abu Dhabi, and with a background in major sports broadcasting—from the FIFA World Cup to the Olympic Games—he's bringing a unique perspective to digital storytelling in the arts. We talk to him about his journey and how he's helping shape the digital narrative for this landmark museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“At Guggenheim Abu Dhabi, I work with a very international team—people from all over the world, around 50 nationalities in this museum. I've never worked in such an environment, and it's inspiring. When you talk to someone from a different country, you can't help but be inspired. The most important thing for me is to feel fulfilled, and I find fulfillment in learning something new and being inspired every day. Of course, it doesn't have to be the same for everyone. People can find fulfillment in charity or teaching kids. Everyone chooses what makes them feel fulfilled, as long as it's meaningful.”Art museums have long been pillars of culture, but they are now at a critical juncture, navigating a new era defined by artificial intelligence, immersive technology, and the shifting habits of a global audience. The challenge is immense: how do you honor artistic tradition while building a museum for the future? On Saadiyat Island, Abu Dhabi is answering this question in a dramatic way, with the Guggenheim Abu Dhabi. Designed by the visionary architect Frank Gehry, this $1 billion project is more than just a new museum; it's a statement—a new cultural superpower announcing itself on the world stage. It will be the largest contemporary art museum in the world, several times the size of the Guggenheim in New York, and a key part of their constellation of museums that is expected to contribute an estimated $200 million annually to the local economy. In the lead-up to its 2027 opening, the Guggenheim Abu Dhabi is embracing a new vision: moving from an "exhibition economy" to an "experience economy," where art becomes a conversation, a laboratory for ideas at the intersection of creativity and technology. Amr Hussein is the Digital Media Manager for the Guggenheim Abu Dhabi, and with a background in major sports broadcasting—from the FIFA World Cup to the Olympic Games—he's bringing a unique perspective to digital storytelling in the arts. We talk to him about his journey and how he's helping shape the digital narrative for this landmark museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“At Guggenheim Abu Dhabi, I work with a very international team—people from all over the world, around 50 nationalities in this museum. I've never worked in such an environment, and it's inspiring. When you talk to someone from a different country, you can't help but be inspired. The most important thing for me is to feel fulfilled, and I find fulfillment in learning something new and being inspired every day. Of course, it doesn't have to be the same for everyone. People can find fulfillment in charity or teaching kids. Everyone chooses what makes them feel fulfilled, as long as it's meaningful.”Art museums have long been pillars of culture, but they are now at a critical juncture, navigating a new era defined by artificial intelligence, immersive technology, and the shifting habits of a global audience. The challenge is immense: how do you honor artistic tradition while building a museum for the future? On Saadiyat Island, Abu Dhabi is answering this question in a dramatic way, with the Guggenheim Abu Dhabi. Designed by the visionary architect Frank Gehry, this $1 billion project is more than just a new museum; it's a statement—a new cultural superpower announcing itself on the world stage. It will be the largest contemporary art museum in the world, several times the size of the Guggenheim in New York, and a key part of their constellation of museums that is expected to contribute an estimated $200 million annually to the local economy. In the lead-up to its 2027 opening, the Guggenheim Abu Dhabi is embracing a new vision: moving from an "exhibition economy" to an "experience economy," where art becomes a conversation, a laboratory for ideas at the intersection of creativity and technology. Amr Hussein is the Digital Media Manager for the Guggenheim Abu Dhabi, and with a background in major sports broadcasting—from the FIFA World Cup to the Olympic Games—he's bringing a unique perspective to digital storytelling in the arts. We talk to him about his journey and how he's helping shape the digital narrative for this landmark museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Guggenheim Abu Dhabi is a unique concept. The idea behind the building itself is a dance. It's a living building because it's a dance between spaces. It's a dance between blocks of spaces and shapes and cones, and it's inspiring for the future because the legacy is a huge factor for every project. It's the legacy for young architects and for other architects. It gives them the space to dream more and to feel like it can be possible, and not to be shy. Present more bold ideas that can inspire creativity because you can't see this building and walk in without feeling like you want to be creative as well.”Art museums have long been pillars of culture, but they are now at a critical juncture, navigating a new era defined by artificial intelligence, immersive technology, and the shifting habits of a global audience. The challenge is immense: how do you honor artistic tradition while building a museum for the future? On Saadiyat Island, Abu Dhabi is answering this question in a dramatic way, with the Guggenheim Abu Dhabi. Designed by the visionary architect Frank Gehry, this $1 billion project is more than just a new museum; it's a statement—a new cultural superpower announcing itself on the world stage. It will be the largest contemporary art museum in the world, several times the size of the Guggenheim in New York, and a key part of their constellation of museums that is expected to contribute an estimated $200 million annually to the local economy. In the lead-up to its 2027 opening, the Guggenheim Abu Dhabi is embracing a new vision: moving from an "exhibition economy" to an "experience economy," where art becomes a conversation, a laboratory for ideas at the intersection of creativity and technology. Amr Hussein is the Digital Media Manager for the Guggenheim Abu Dhabi, and with a background in major sports broadcasting—from the FIFA World Cup to the Olympic Games—he's bringing a unique perspective to digital storytelling in the arts. We talk to him about his journey and how he's helping shape the digital narrative for this landmark museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

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Over its first century The Guggenheim Fellowships have supported more than 19,000 artists, writers, thinkers, scientists, and makers of ideas and culture in America. In honor of this milestone, The Guggenheim Fellowship at 100, on view at The New York Historical Society through November 30th, shows off correspondence, application materials, cultural objects, and other signs and tokens of what Guggenheim these fellowships and fellows have done. In this episode, Jeff talks to Guggenheim President Edward Hirsch about the fellowships and what they mean. Then, Hanna Pennington, Associate Director and Archivist at the Guggenheim, joins to talk about the work and materials that went into making this exhibition. Subscribe to First Edition via RSS, Apple Podcasts, or Spotify. For episode extras, subscribe to the First Edition Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Chatterton Williams is a staff writer at The Atlantic. He is also a visiting professor of humanities at Bard College, a 2022 Guggenheim fellow, and a nonresident fellow at the American Enterprise Institute. He is the author of Self-Portrait in Black and White. Williams's work has appeared in The New York Times Magazine, Harper's, The New Yorker, The London Review of Books, Le Monde, and many other places, and has been collected in The Best American Essays and The Best American Travel Writing. His new book, The Summer of Our Discontent: The Age of Certainty and the Demise of Discourse, is published by Knopf.We discuss his latest book, 'The Summer of Our Discontent,' exploring themes of identity, race, and the impact of political discourse in contemporary society. He reflects on his personal journey of unlearning race, the implications of the Obama era, and the rise of identity politics. Williams emphasizes the need for a centrist approach to politics and the importance of open dialogue amidst increasing polarization. The discussion also touches on the role of faith and belonging in modern life, as well as the contrasting responses to identity politics in America and Europe.Become a Patreon member to access full episode and other goodies at https://www.patreon.com/bajadadialogues Hosted on Acast. See acast.com/privacy for more information.

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Having been raised in Los Angeles, a place with vast swathes of single-family homes connected by freeways, arriving in Costa Rica was an eye opener for the young cultural anthropologist Setha Low. “I thought it was so cool that everybody was there together,” she tells interview David Edmonds in this Social Science Bites podcast. “… Everybody was talking. Everybody knew their place. It was like a complete little world, a microcosm of Costa Rican society, and I hadn't seen anything like that in suburban Los Angeles.” That epiphany set Low, now a distinguished professor at the Graduate Center of the City University of New York, onto a journey filled with the exploration of public spaces and a desire to explain them to the rest of the world. This trek has resulted in more than a hundred scholarly articles and a number of books, most recently Why Public Space Matters but including 2006's Politics of Public Space with Neil Smith; 2005's Rethinking Urban Parks: Public Space and Cultural Diversity with S. Scheld and D. Taplin; 2004's Behind the Gates: Life, Security and the Pursuit of Happiness in Fortress America; 2003's The Anthropology of Space and Place: Locating Culture with D. Lawrence-Zuniga; and 2000's On the Plaza: The Politics of Public Space and Culture. Low is also director of the Graduate Center's Public Space Research Group, and has received a Getty Fellowship, a fellow in the Center for Place, Culture and Politics, a fellowship from the National Endowment for the Humanities, a Fulbright Senior Fellowship, and a Guggenheim for her ethnographic research on public space in Latin America and the United States. She was president of the American Anthropological Association (from 2007 to 2009) and has worked on public space research in projects for the Center for Advanced Study in the Behavioral Sciences at Stanford and was cochair of the Max Planck Institute for Religious and Ethnic Diversity's Public Space and Diversity Network.  

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===== MDJ Script/ Top Stories for September 26th Publish Date:  September 26th    Commercial: From the BG AD Group Studio, Welcome to the Marietta Daily Journal Podcast.    Today is Friday, September 26th and Happy Birthday to Tommy Lasorda I’m Keith Ippolito and here are the stories Cobb is talking about, presented by Times Journal Potential name changes on the horizon for Cobb Galleria, Performing Arts Centre Kennesaw to increase sanitation rates Health officials warn of measles in Georgia Plus, Leah McGrath from Ingles Markets on sodas All of this and more is coming up on the Marietta Daily Journal Podcast, and if you are looking for community news, we encourage you to listen and subscribe!  BREAK: Ingles Markets 4 STORY 1: Potential name changes on the horizon for Cobb Galleria, Performing Arts Centre Big changes are coming to the Cobb Galleria Centre—and not just the $190 million renovation. A new name might be on the way, too. Charlie Beirne, the Galleria’s general manager, floated the idea of renaming it the “Cobb Convention Center” during a meeting Wednesday. “It’s simple, clear, and gives us national recognition,” he said. The authority’s board agreed, though Chair Jerry Nix admitted, “It’s not just a name change—there’s a lot of headache involved.” Meanwhile, the $145 million Cobb Energy Performing Arts Centre is also eyeing a rebrand, with naming rights expiring in 2027. A new sponsor could bring fresh funds to keep the venue cutting-edge. Renovations for both facilities are well underway, with the Galleria’s upgrades—including a grand entrance, expanded meeting spaces, and a sleek new look—set to wrap by early 2027. It’s the end of an era for the Galleria Specialty Shops, but Beirne says the revamped space will better serve the community and attract larger events. As for the Performing Arts Centre, a marketing firm has been hired to find a new name sponsor. Both projects signal a fresh chapter for these iconic Cobb landmarks. STORY 2: Kennesaw to increase sanitation rates Starting Nov. 1, Kennesaw residents will see a 6% bump in their sanitation rates. That means the standard monthly service—one trash can, one recycle cart—goes from $32.50 to $34.50. Got an extra trash can? That’ll now run you $19.50 a month, and additional recycle carts are $6. The increase hits December bills, but if you’ve prepaid for the year, you’re safe until your service period ends. Auto-pay users? Better update your payment info to dodge late fees. The city says it’s been eating rising costs for four years—18% higher, to be exact. “This adjustment was overdue,” Councilman Antonio Jones said, noting it was finalized with the 2026 budget. Republic Services, the city’s contractor, will continue handling trash, recycling, and yard waste. STORY 3: Health officials warn of measles in Georgia  Georgia health officials are keeping a close eye on seven people who may have been exposed to measles after contact with infected individuals. On Tuesday, the state Department of Public Health confirmed three new cases, including one on Sept. 11. Two of the patients are unvaccinated, and the third? Their vaccination status is unclear. All three are isolating at home. So far, 268 close contacts have been identified, but only seven are under “active” monitoring. Officials stress vaccination is the best defense—kids should get their first dose between 12-15 months and a second by age 6. This year, Georgia has seen 10 measles cases, up from six last year. Nationwide, cases have been climbing since the pandemic disrupted routine vaccinations. Meanwhile, a CDC advisory panel recently stirred controversy by recommending standalone chickenpox vaccines for toddlers instead of the combined MMRV shot. The American Academy of Pediatrics pushed back, calling the move “misguided” and warning it could erode trust in vaccines. Georgia parents are urged to talk to their doctors about the best options for their kids. We have opportunities for sponsors to get great engagement on these shows. Call 770.799.6810 for more info.  We’ll be right back. Break: Ingles Markets 4 STORY 4: New art exhibits in Marietta blend the personal, political and the abstract Two new exhibits are turning heads at the Marietta Cobb Museum of Art, running through Dec. 14: Craig Drennen’s “T is for Timon” and Ahmad Hassan Taylor’s “History Lessons.” Drennen, a Guggenheim fellow and Georgia State professor, spent 17 years crafting his Shakespeare-inspired collection. “Timon of Athens,” a play Shakespeare himself never staged, serves as his muse. “It’s a bad play by a great playwright,” Drennen quipped. “I use bad things to make good things.” His bold, abstract works—painted to mimic collages—are designed to last centuries. Taylor, known as the “Atlanta Illustrator,” makes his debut with striking cityscapes and politically charged pieces. One standout, “All In Favor (Of Hate),” features a white horse surrounded by biting commentary on perception and truth. Both artists will host free talks—Drennen on Nov. 1, Taylor on Dec. 14. Admission is free on Oct. 5, Nov. 2, and Dec. 7. STORY 5: Cobb extends student housing moratorium Cobb County’s moratorium on student housing applications just got another six-month extension, as officials wait for Kennesaw State University to wrap up its housing study. The Board of Commissioners voted unanimously Tuesday—no debate, just a quick vote—to keep the pause in place until spring 2026. This is the second extension since the ban started in October 2024. Community Development Director Jessica Guinn said it’ll likely be the last. The issue? It’s messy. Commissioner Keli Gambrill isn’t a fan of purpose-built student housing, saying KSU should handle its own housing needs. Chair Lisa Cupid, on the other hand, has pointed out that many students can’t find affordable housing because of county rules limiting unrelated people from living together. Meanwhile, not everyone’s on board with the moratorium. During public comment, Donald Barth didn’t hold back. “Have y’all bumped your heads?” he asked. “We need student housing. It brings growth, tax dollars, and no problems—at least not where I live.” The county plans to revisit the issue once KSU’s study is done, with potential updates to the student housing code included in the new Unified Development Code. And now here is Leah McGrath from Ingles Markets on sodas We’ll have closing comments after this. Break: Ingles Markets 4 Signoff-   Thanks again for hanging out with us on today’s Marietta Daily Journal Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at mdjonline.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. 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In this episode Cath and Dr. Herman talked about trauma and recovery, justice for survivors, complex trauma, stages of recovery/healing, what helps in the postpartum period according to research and Dr Herman's incredible work in the field of trauma, justice, repair, healing and recovery.Judith Lewis Herman M.D. is Senior Lecturer in Psychiatry (part time) at Harvard Medical School. For thirty years, until she retired, she was Director of Training at the Victims of Violence Program at The Cambridge Hospital, Cambridge, MA. She is the author of the award-winning books Father-Daughter Incest (Harvard University Press, 1981), and Trauma and Recovery (Basic Books, 1992). She is the recipient of numerous awards, including a Guggenheim fellowship in 1984 and the 1996 Lifetime Achievement Award from the International Society for Traumatic Stress Studies. In 2007 she was named a Distinguished Life Fellow of the American Psychiatric Association.Her new book, Truth and Repair: How Trauma Survivors Envision Justice, was published in March, 2023.If you're enjoying this podcast. Please leave a review and rate the podcast, this really helps others to find it.To sign up for the journal prompts and Nurture.Heal.Grow (on Substack) please head to www.cathcounihan.com or @cathcounihan on Instagram. Follow Cath on social media here:Instagram: @cathcounihanSubstack: Nurture.Heal.GrowFacebook: Cath Counihan Hosted on Acast. See acast.com/privacy for more information.

From award-winning writer Sarah Schulman, a longtime social activist and outspoken critic of the Israeli war on Gaza, comes The Fantasy and Necessity of Solidarity (Penguin, 2025). This book is a brilliant examination of the inherent psychological and social challenges to solidarity movements, and what that means for the future For those who seek to combat injustice, solidarity with the oppressed is one of the highest ideals, yet it does not come without complication. In this searing yet uplifting book, award-winning writer and cultural critic Sarah Schulman delves into the intricate and often misunderstood concept of solidarity to provide a new vision for what it means to engage in this work—and why it matters. To grapple with solidarity, Schulman writes, we must recognize its inherent fantasies. Those being oppressed dream of relief, that a bystander will intervene though it may not seem to be in their immediate interest to do so, and that the oppressor will be called out and punished. Those standing in solidarity with the oppressed are occluded by a different fantasy: that their intervention is effective, that it will not cost them, and that they will be rewarded with friendship and thanks. Neither is always the case, and yet in order to realize our full potential as human beings in relation with others, we must continue to pursue action towards these shared goals. Within this framework, Schulman examines a range of case studies, from the fight for abortion rights in post-Franco Spain, to NYC's AIDS activism in the 1990s, to the current wave of campus protest movements against Israel's war on Gaza, and her own experience growing up as a queer female artist in male dominated culture industries. Drawing parallels between queer, Palestinian, feminist, and artistic struggles for justice, Schulman challenges the traditional notion of solidarity as a simple union of equals, arguing that in today's world of globalized power structures, true solidarity requires the collaboration of bystanders and conflicted perpetrators with the excluded and oppressed. That action comes at a cost, and is not always effective. And yet without it we sentence ourselves to a world without progressive change towards visions of liberation. By turns challenging, inspiring, pragmatic, and poetic, The Fantasy and Necessity of Solidarity provides a much-needed path for how we can work together to create a more just, more equitable present and future. Sarah Schulman is a novelist, playwright, screenwriter, nonfiction writer, and AIDS historian. Her books include The Gentrification of the Mind, Conflict Is Not Abuse, and Let the Record Show: A Political History of ACT UP New York, 1987–1993, and the novels The Cosmopolitans and Maggie Terry. Schulman's honors include a Fulbright in Judaic Studies, a Guggenheim in Playwriting, and honors from Lambda Literary, the Publishing Triangle, NLGJA: The Association of LGBTQ+ Journalists, the American Library Association, and others. Her writing has appeared in The New Yorker, New York, Harper's Magazine, The Atlantic, The Nation, The New Republic, The New York Times, and The Guardian. Schulman holds an endowed chair in creative writing at Northwestern University and is on the advisory board of Jewish Voice for Peace. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From award-winning writer Sarah Schulman, a longtime social activist and outspoken critic of the Israeli war on Gaza, comes The Fantasy and Necessity of Solidarity (Penguin, 2025). This book is a brilliant examination of the inherent psychological and social challenges to solidarity movements, and what that means for the future For those who seek to combat injustice, solidarity with the oppressed is one of the highest ideals, yet it does not come without complication. In this searing yet uplifting book, award-winning writer and cultural critic Sarah Schulman delves into the intricate and often misunderstood concept of solidarity to provide a new vision for what it means to engage in this work—and why it matters. To grapple with solidarity, Schulman writes, we must recognize its inherent fantasies. Those being oppressed dream of relief, that a bystander will intervene though it may not seem to be in their immediate interest to do so, and that the oppressor will be called out and punished. Those standing in solidarity with the oppressed are occluded by a different fantasy: that their intervention is effective, that it will not cost them, and that they will be rewarded with friendship and thanks. Neither is always the case, and yet in order to realize our full potential as human beings in relation with others, we must continue to pursue action towards these shared goals. Within this framework, Schulman examines a range of case studies, from the fight for abortion rights in post-Franco Spain, to NYC's AIDS activism in the 1990s, to the current wave of campus protest movements against Israel's war on Gaza, and her own experience growing up as a queer female artist in male dominated culture industries. Drawing parallels between queer, Palestinian, feminist, and artistic struggles for justice, Schulman challenges the traditional notion of solidarity as a simple union of equals, arguing that in today's world of globalized power structures, true solidarity requires the collaboration of bystanders and conflicted perpetrators with the excluded and oppressed. That action comes at a cost, and is not always effective. And yet without it we sentence ourselves to a world without progressive change towards visions of liberation. By turns challenging, inspiring, pragmatic, and poetic, The Fantasy and Necessity of Solidarity provides a much-needed path for how we can work together to create a more just, more equitable present and future. Sarah Schulman is a novelist, playwright, screenwriter, nonfiction writer, and AIDS historian. Her books include The Gentrification of the Mind, Conflict Is Not Abuse, and Let the Record Show: A Political History of ACT UP New York, 1987–1993, and the novels The Cosmopolitans and Maggie Terry. Schulman's honors include a Fulbright in Judaic Studies, a Guggenheim in Playwriting, and honors from Lambda Literary, the Publishing Triangle, NLGJA: The Association of LGBTQ+ Journalists, the American Library Association, and others. Her writing has appeared in The New Yorker, New York, Harper's Magazine, The Atlantic, The Nation, The New Republic, The New York Times, and The Guardian. Schulman holds an endowed chair in creative writing at Northwestern University and is on the advisory board of Jewish Voice for Peace. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

From award-winning writer Sarah Schulman, a longtime social activist and outspoken critic of the Israeli war on Gaza, comes The Fantasy and Necessity of Solidarity (Penguin, 2025). This book is a brilliant examination of the inherent psychological and social challenges to solidarity movements, and what that means for the future For those who seek to combat injustice, solidarity with the oppressed is one of the highest ideals, yet it does not come without complication. In this searing yet uplifting book, award-winning writer and cultural critic Sarah Schulman delves into the intricate and often misunderstood concept of solidarity to provide a new vision for what it means to engage in this work—and why it matters. To grapple with solidarity, Schulman writes, we must recognize its inherent fantasies. Those being oppressed dream of relief, that a bystander will intervene though it may not seem to be in their immediate interest to do so, and that the oppressor will be called out and punished. Those standing in solidarity with the oppressed are occluded by a different fantasy: that their intervention is effective, that it will not cost them, and that they will be rewarded with friendship and thanks. Neither is always the case, and yet in order to realize our full potential as human beings in relation with others, we must continue to pursue action towards these shared goals. Within this framework, Schulman examines a range of case studies, from the fight for abortion rights in post-Franco Spain, to NYC's AIDS activism in the 1990s, to the current wave of campus protest movements against Israel's war on Gaza, and her own experience growing up as a queer female artist in male dominated culture industries. Drawing parallels between queer, Palestinian, feminist, and artistic struggles for justice, Schulman challenges the traditional notion of solidarity as a simple union of equals, arguing that in today's world of globalized power structures, true solidarity requires the collaboration of bystanders and conflicted perpetrators with the excluded and oppressed. That action comes at a cost, and is not always effective. And yet without it we sentence ourselves to a world without progressive change towards visions of liberation. By turns challenging, inspiring, pragmatic, and poetic, The Fantasy and Necessity of Solidarity provides a much-needed path for how we can work together to create a more just, more equitable present and future. Sarah Schulman is a novelist, playwright, screenwriter, nonfiction writer, and AIDS historian. Her books include The Gentrification of the Mind, Conflict Is Not Abuse, and Let the Record Show: A Political History of ACT UP New York, 1987–1993, and the novels The Cosmopolitans and Maggie Terry. Schulman's honors include a Fulbright in Judaic Studies, a Guggenheim in Playwriting, and honors from Lambda Literary, the Publishing Triangle, NLGJA: The Association of LGBTQ+ Journalists, the American Library Association, and others. Her writing has appeared in The New Yorker, New York, Harper's Magazine, The Atlantic, The Nation, The New Republic, The New York Times, and The Guardian. Schulman holds an endowed chair in creative writing at Northwestern University and is on the advisory board of Jewish Voice for Peace. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

From award-winning writer Sarah Schulman, a longtime social activist and outspoken critic of the Israeli war on Gaza, comes The Fantasy and Necessity of Solidarity (Penguin, 2025). This book is a brilliant examination of the inherent psychological and social challenges to solidarity movements, and what that means for the future For those who seek to combat injustice, solidarity with the oppressed is one of the highest ideals, yet it does not come without complication. In this searing yet uplifting book, award-winning writer and cultural critic Sarah Schulman delves into the intricate and often misunderstood concept of solidarity to provide a new vision for what it means to engage in this work—and why it matters. To grapple with solidarity, Schulman writes, we must recognize its inherent fantasies. Those being oppressed dream of relief, that a bystander will intervene though it may not seem to be in their immediate interest to do so, and that the oppressor will be called out and punished. Those standing in solidarity with the oppressed are occluded by a different fantasy: that their intervention is effective, that it will not cost them, and that they will be rewarded with friendship and thanks. Neither is always the case, and yet in order to realize our full potential as human beings in relation with others, we must continue to pursue action towards these shared goals. Within this framework, Schulman examines a range of case studies, from the fight for abortion rights in post-Franco Spain, to NYC's AIDS activism in the 1990s, to the current wave of campus protest movements against Israel's war on Gaza, and her own experience growing up as a queer female artist in male dominated culture industries. Drawing parallels between queer, Palestinian, feminist, and artistic struggles for justice, Schulman challenges the traditional notion of solidarity as a simple union of equals, arguing that in today's world of globalized power structures, true solidarity requires the collaboration of bystanders and conflicted perpetrators with the excluded and oppressed. That action comes at a cost, and is not always effective. And yet without it we sentence ourselves to a world without progressive change towards visions of liberation. By turns challenging, inspiring, pragmatic, and poetic, The Fantasy and Necessity of Solidarity provides a much-needed path for how we can work together to create a more just, more equitable present and future. Sarah Schulman is a novelist, playwright, screenwriter, nonfiction writer, and AIDS historian. Her books include The Gentrification of the Mind, Conflict Is Not Abuse, and Let the Record Show: A Political History of ACT UP New York, 1987–1993, and the novels The Cosmopolitans and Maggie Terry. Schulman's honors include a Fulbright in Judaic Studies, a Guggenheim in Playwriting, and honors from Lambda Literary, the Publishing Triangle, NLGJA: The Association of LGBTQ+ Journalists, the American Library Association, and others. Her writing has appeared in The New Yorker, New York, Harper's Magazine, The Atlantic, The Nation, The New Republic, The New York Times, and The Guardian. Schulman holds an endowed chair in creative writing at Northwestern University and is on the advisory board of Jewish Voice for Peace. Learn more about your ad choices. Visit megaphone.fm/adchoices

Loop Capital upgraded Netflix (NFLX) to a buy from hold and called its prior downgrade of the stream giant a "mistake." Diane King Hall dives into the commentary that includes how Netflix's content drives profits. Piper Sandler and Guggenheim both upgraded Workday (WDAY) due to "environment improvements" and a wider runway for growth. Diane also notes Bernstein's upgrade of Zillow Group (ZG).======== Schwab Network ========Empowering every investor and trader, every market day. Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/ About Schwab Network - https://schwabnetwork.com/about

Even before they were recognized as citizens of the United States, Black women understood that the fights for civil and human rights were inseparable. Over the course of two hundred years, they were at the forefront of national and international movements for social change, weaving connections between their own and others' freedom struggles around the world. Without Fear: Black Women and the Making of Human Rights (W.W. Norton, 2025) tells how, during American history, Black women made humans rights theirs: from worldwide travel and public advocacy in the global Black press to their work for the United Nations, they courageously and effectively moved human rights beyond an esoteric concept to an active, organizing principle. Acclaimed historian Keisha N. Blain tells the story of these women—from the well-known, like Ida B. Wells, Madam C. J. Walker, and Lena Horne, to those who are still less known, including Pearl Sherrod, Aretha McKinley, and Marguerite Cartwright. Blain captures human rights thinking and activism from the ground up with Black women at the center, working outside the traditional halls of power. By shouldering intersecting forms of oppression—including racism, sexism, and classism—Black women have long been in a unique position to fight for freedom and dignity. Without Fear is an account of their aspirations, strategies, and struggles to pioneer a human rights approach to combating systems of injustice. Dr. Keisha Blain is a professor of Africana studies and history at Brown University. She is a Guggenheim, Carnegie, and New America Fellow, and author—most recently of the National Book Critics Circle Award finalist Until I Am Free. You can find her on LinkedIn, Instagram, X, and Facebook. You can find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Even before they were recognized as citizens of the United States, Black women understood that the fights for civil and human rights were inseparable. Over the course of two hundred years, they were at the forefront of national and international movements for social change, weaving connections between their own and others' freedom struggles around the world. Without Fear: Black Women and the Making of Human Rights (W.W. Norton, 2025) tells how, during American history, Black women made humans rights theirs: from worldwide travel and public advocacy in the global Black press to their work for the United Nations, they courageously and effectively moved human rights beyond an esoteric concept to an active, organizing principle. Acclaimed historian Keisha N. Blain tells the story of these women—from the well-known, like Ida B. Wells, Madam C. J. Walker, and Lena Horne, to those who are still less known, including Pearl Sherrod, Aretha McKinley, and Marguerite Cartwright. Blain captures human rights thinking and activism from the ground up with Black women at the center, working outside the traditional halls of power. By shouldering intersecting forms of oppression—including racism, sexism, and classism—Black women have long been in a unique position to fight for freedom and dignity. Without Fear is an account of their aspirations, strategies, and struggles to pioneer a human rights approach to combating systems of injustice. Dr. Keisha Blain is a professor of Africana studies and history at Brown University. She is a Guggenheim, Carnegie, and New America Fellow, and author—most recently of the National Book Critics Circle Award finalist Until I Am Free. You can find her on LinkedIn, Instagram, X, and Facebook. You can find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Even before they were recognized as citizens of the United States, Black women understood that the fights for civil and human rights were inseparable. Over the course of two hundred years, they were at the forefront of national and international movements for social change, weaving connections between their own and others' freedom struggles around the world. Without Fear: Black Women and the Making of Human Rights (W.W. Norton, 2025) tells how, during American history, Black women made humans rights theirs: from worldwide travel and public advocacy in the global Black press to their work for the United Nations, they courageously and effectively moved human rights beyond an esoteric concept to an active, organizing principle. Acclaimed historian Keisha N. Blain tells the story of these women—from the well-known, like Ida B. Wells, Madam C. J. Walker, and Lena Horne, to those who are still less known, including Pearl Sherrod, Aretha McKinley, and Marguerite Cartwright. Blain captures human rights thinking and activism from the ground up with Black women at the center, working outside the traditional halls of power. By shouldering intersecting forms of oppression—including racism, sexism, and classism—Black women have long been in a unique position to fight for freedom and dignity. Without Fear is an account of their aspirations, strategies, and struggles to pioneer a human rights approach to combating systems of injustice. Dr. Keisha Blain is a professor of Africana studies and history at Brown University. She is a Guggenheim, Carnegie, and New America Fellow, and author—most recently of the National Book Critics Circle Award finalist Until I Am Free. You can find her on LinkedIn, Instagram, X, and Facebook. You can find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Even before they were recognized as citizens of the United States, Black women understood that the fights for civil and human rights were inseparable. Over the course of two hundred years, they were at the forefront of national and international movements for social change, weaving connections between their own and others' freedom struggles around the world. Without Fear: Black Women and the Making of Human Rights (W.W. Norton, 2025) tells how, during American history, Black women made humans rights theirs: from worldwide travel and public advocacy in the global Black press to their work for the United Nations, they courageously and effectively moved human rights beyond an esoteric concept to an active, organizing principle. Acclaimed historian Keisha N. Blain tells the story of these women—from the well-known, like Ida B. Wells, Madam C. J. Walker, and Lena Horne, to those who are still less known, including Pearl Sherrod, Aretha McKinley, and Marguerite Cartwright. Blain captures human rights thinking and activism from the ground up with Black women at the center, working outside the traditional halls of power. By shouldering intersecting forms of oppression—including racism, sexism, and classism—Black women have long been in a unique position to fight for freedom and dignity. Without Fear is an account of their aspirations, strategies, and struggles to pioneer a human rights approach to combating systems of injustice. Dr. Keisha Blain is a professor of Africana studies and history at Brown University. She is a Guggenheim, Carnegie, and New America Fellow, and author—most recently of the National Book Critics Circle Award finalist Until I Am Free. You can find her on LinkedIn, Instagram, X, and Facebook. You can find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices

A listener asked about Anthony's dream scenario whenever Mark Walter fully takes over. Anthony again explained what Guggenheim did with the Dodgers and how that could look with the Lakers. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Get off Apartments.com and grab an Erewhon smoothie, it's time to watch the hottest new real estate show in town, Leasing La Brea! If you think that Selling Sunset is dramatic, just wait for Leasing La Brea, the reality show for millennials who have no chance of buying a house and can only aspire to lease. This week we sat down with 5 cast members from the Oglethorpe agency to hear about their hottest listings, celebrity clientele, real time drama, and get a sneak peek into their own homes. You won't want to miss it!Our guest today is the incomparable Patty Gugenheim! She is an improv sniper and had us cackling with her jingles so go find her on Instagram @patriscuit, on Twisted Metal and Don't Tell Larry on tv, and literally everywhere else you can find her!This episode was filmed in the beautiful Dynasty Typewriter Theater, and tech-produced by Samuel Curtis. For live shows and events you can find more about them at dynastytypewriter.com. To learn more about the BTS of this episode and to find a world of challenges, games, inside scoop, and the Artists being themselves, subscribe to our Patreon! You won't be disappointed with what you find. Check out patreon.com/aoaoaoapod Artists on Artists on Artists on Artists is an improvised Hollywood roundtable podcast by Kylie Brakeman, Jeremy Culhane, Angela Giarratana, and Patrick McDonald. Produced by Laservision Productions. Music by Gabriel Ponton. Edited by Conner McCabe. Thumbnail art by Josh Fleury. Hollywood's talking. Make sure you're listening. Subscribe to us on Apple Podcasts, Spotify, and Youtube! Please rate us five stars!

Paul Gottfried, editor of Chronicles Magazine, former professor at Elizabethtown College, and author of numerous books, joins Timon and Ben to talk about the history of the conservative movement, what "rights" are, what an American is, and where the New Right is going.    Notes: https://chroniclesmagazine.org/ https://passage.press/products/gottfried   Paul Gottfried is editor in chief of Chronicles: A Magazine of American Culture. He is also the Raffensperger Professor of Humanities Emeritus at Elizabethtown College, where he taught for 25 years, a Guggenheim recipient, and a Yale Ph.D. He is the author of 14 books, most recently Antifascism: The Course of a Crusade and Revisions and Dissents.   Learn more about Paul Gottfried's work: https://chroniclesmagazine.org/author/paulgottfried/   ––––––   Follow American Reformer across Social Media: X / Twitter – https://www.twitter.com/amreformer Facebook – https://www.facebook.com/AmericanReformer/ YouTube – https://www.youtube.com/@AmericanReformer Rumble – https://rumble.com/user/AmReformer Website – https://americanreformer.org/   Promote a vigorous Christian approach to the cultural challenges of our day, by donating to The American Reformer: https://americanreformer.org/donate/   Follow Us on Twitter: Josh Abbotoy – https://twitter.com/Byzness Timon Cline – https://twitter.com/tlloydcline   The American Reformer Podcast is  hosted by Josh Abbotoy and Timon Cline, recorded remotely in the United States, and edited by Jared Cummings.   Subscribe to our Podcast, "The American Reformer" Get our RSS Feed – https://americanreformerpodcast.podbean.com/ Apple Podcasts – https://podcasts.apple.com/us/podcast/the-american-reformer-podcast/id1677193347 Spotify – https://open.spotify.com/show/1V2dH5vhfogPIv0X8ux9Gm?si=a19db9dc271c4ce5

Grant Dekernion (@grantdekernion) and Patty Guggenheim (@patriscuit) of Twisted Metal join the 'boys to talk pod drivers, musical instruments, and old video games before a review of Pinkberry.Watch this episode at youtube.com/doughboysmediaGet ad-free episodes at patreon.com/doughboysGet Doughboys merch at kinshipgoods.com/doughboysAdvertise on Doughboys via Gumball.fmSources for this week's intro:https://www.latimes.com/archives/la-xpm-2006-aug-04-et-pinkberry-story.htmlhttps://www.tmz.com/2010/01/10/pinkberry-co-founders-marriage-loses-flavor/https://abcnews.go.com/US/pinkberry-founder-accused-beating-homeless-man/story?id=15378930https://www.latimes.com/local/la-me-pinkberry-sentenced-20140315-story.htmlEXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/doughboys Try it risk-free now with a 30-day money-back guarantee!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Eileen Guggenheim, a former aide to then-Prince Charles and now leading the New York Academy of Art, emphatically denied any role in facilitating an introduction between Charles and Jeffrey Epstein. Her statement came in response to recurring tabloid insinuations suggesting that she had served as the conduit linking the future king to the disgraced financier. Her denial was swift and pointed: simply put, she had no involvement in bringing the two into contact.Yet this sort of sweeping, “nothing to see here” denial has become almost a reflex among those who orbited Epstein — a well-rehearsed performance of indignation that sidesteps the deeper questions. Guggenheim can insist she never introduced Charles to Epstein, but the problem is that these denials are often delivered in a vacuum, without transparency, documentation, or a willingness to open the books. In the Epstein ecosystem, too many people have tried to firewall their reputations with carefully worded statements, betting that the press won't dig past the headline. Whether her claim is true or not, it lands in the same well-worn pattern: elite figures distancing themselves from Epstein only when their names surface, and offering little more than their own word as proof.To contact me:bobbycapucci@protonmail.comsource:https://www.dailymail.co.uk/news/article-8652923/Prince-Charles-former-aide-denies-introducing-student-Jeffrey-Epstein.html

Yascha Mounk and Thomas Chatterton Williams explore what the summer of 2020 showed about America. Thomas Chatterton Williams is a staff writer at The Atlantic and the author of Losing My Cool, Self-Portrait in Black and White, and Summer of Our Discontent. He is a visiting professor of humanities and senior fellow at the Hannah Arendt Center at Bard College, a 2022 Guggenheim fellow, and a visiting fellow at AEI.  In this week's conversation, Yascha Mounk and Thomas Chatterton Williams discuss why the summer of 2020 played out as it did, the subsequent backlash, and why ideas core to the 2020 protests have now been quietly abandoned. Podcast production by Jack Shields and Leonora Barclay. Connect with us! ⁠Spotify⁠ | ⁠Apple⁠ | ⁠Google⁠ X: ⁠@Yascha_Mounk⁠ & ⁠@JoinPersuasion⁠ YouTube: ⁠Yascha Mounk⁠, ⁠Persuasion⁠ LinkedIn: ⁠Persuasion Community Learn more about your ad choices. Visit megaphone.fm/adchoices

The Boys welcome PATTY GUGGENHEIM on the podcast and hear her funny story.Get a Hat Pack Hat here!Watch the video of today's episode at Patreon.com/HollywoodHandbook This is a Headgum podcast. Follow Headgum on Twitter, Instagram, and Tiktok. Advertise on Hollywood Handbook via Gumball.fm See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week Mike “Mitch” Mitchell joins Scott to discuss his time on “The Simpsons”, constantly embarrassing himself, and the new season of “Twisted Metal”. Then, spiritual advisor Yoda stops by to break off a ‘sclusie about the next “Star Wars” movie. Finally, energy reader Deb drops in to talk about how the economy has impacted her business. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/cbb