Podcasts about Guggenheim

Salesforce (CRM) shares are down following an upgrade at Guggenheim. Rachel Dashiell points to a strong downtrend thus far in 2025, and says the $230 level will be a key focal point for investors looking for support. On a longer-term 5-year chart, Rachel notes a significant move off of CRM's 2022-lows but again highlights the $230 level as a historical testing point for this stock.======== Schwab Network ========Empowering every investor and trader, every market day.Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – / schwabnetwork Follow us on Facebook – / schwabnetwork Follow us on LinkedIn - / schwab-network About Schwab Network - https://schwabnetwork.com/about

A exposição Beatriz Milhazes: Rigor e Beleza, no Museu Guggenheim de Nova York, com curadoria de Geaninne Gutiérrez-Guimarães, oferece uma imersão única no universo artístico da renomada artista brasileira. Composta por 15 obras, sendo cinco delas provenientes da coleção permanente do museu, a mostra traça um panorama da trajetória de Milhazes desde os anos 1990 até os dias atuais. Luciana Rosa, correspondente da RFI em Nova YorkA curadora destaca que a exposição não apenas celebra as "joias" da coleção do Guggenheim, mas também oferece uma visão abrangente do desenvolvimento artístico da artista, que integra a linguagem da abstração geométrica com elementos profundamente enraizados na natureza ao seu redor.Milhazes, que vive e trabalha no Rio de Janeiro, descreve a influência dos jardins botânicos, da floresta da Tijuca, das montanhas e até da praia de Copacabana em seu processo criativo. Esses elementos naturais permeiam suas obras, se transformando em formas geométricas e abstrações que, ao longo dos anos, se consolidaram em sua assinatura visual.A exposição abrange uma variedade de obras, incluindo colagens em papel de 2013 a 2021 e pinturas recentes, como Mistura Sagrada (2022), onde elementos naturais, como folhas de árvores e padrões florais, se encontram representados em cores vibrantes e formas geométricas. A paleta de cores, sempre rica e vibrante, é outro ponto de destaque, refletindo a técnica de transferência que Milhazes desenvolveu em 1989 e que permanece central em sua prática até hoje.Milhazes explica como essa técnica inovadora surgiu, um momento crucial para sua evolução artística: "Na verdade, foi o momento, foi em 89, que é quando eu estava precisando encontrar uma forma de expressar, de utilizar a minha linguagem, crescer e se desenvolver com mais força, e na pintura. Tudo o que eu havia anteriormente trabalhado, começou a me limitar ao invés de abrir portas para esse prosseguimento."Ela continua descrevendo o processo experimental que a levou à descoberta de uma nova técnica: "Eu parei para fazer realmente experimentações, através da monotipia, que é uma técnica de gravura que você trabalha com a tinta molhada. A tinta molhada que você imediatamente imprime, você passa para uma outra superfície. Você pode fazer monotipia utilizando materiais diversos", explica.A partir desses experimentos, Milhazes percebeu algo revolucionário sobre sua técnica: "Eu percebi que a tinta que ficava na folha de plástico, eu podia depois transferir para a tela. E isso foi uma descoberta incrível."Além de representar um marco na carreira de Milhazes, com duas importantes exposições recentes em Londres e sua participação na Bienal de Veneza, esta é a primeira exposição dedicada exclusivamente a ela em Nova York. A mostra no Guggenheim, portanto, não só reforça a importância de Milhazes no cenário global, mas também consolida seu papel essencial na narrativa da arte do século 20, traduzindo suas influências culturais e ambientais em um diálogo com a arte contemporânea internacional."Como um panorama para quem não conhece o trabalho, vai ser interessante ver um confronto entre os anos 90, olhando para 2023", comenta Beatriz Milhazes sobre a exposição. Ela segue: "normalmente, em mostras panorâmicas você tem um percurso sobre a evolução da obra, você vai passando ao longo do tempo, por toda a história daquele artista."Ela também reflete sobre o impacto pessoal de ver sua obra dessa maneira: "Nesse caso existe um confronto entre os anos 90 e as obras super recentes, onde tem, no meio disso, uma pequena passagem da segunda década desse século e uma de 2004 do início do século. Então vai ser uma maneira diferente de observar. Também trouxe reflexões importantes vendo essa situação de confronto de duas épocas distantes."Milhazes compartilha uma visão profunda sobre sua carreira: "Eu fico muito feliz, vamos ver o sucesso que alcancei na carreira, também de mercado, mas realmente a minha grande ambição foi introduzir algo de novo, de inovação dentro do percurso da história da arte abstrata."A exposição é uma oportunidade única de acompanhar a evolução de uma artista que, ao longo de três décadas, conseguiu traduzir sua visão do mundo natural em formas abstratas e universais, que continuam a encantar e inspirar públicos ao redor do mundo.

A exposição Beatriz Milhazes: Rigor e Beleza, no Museu Guggenheim de Nova York, com curadoria de Geaninne Gutiérrez-Guimarães, oferece uma imersão única no universo artístico da renomada artista brasileira. Composta por 15 obras, sendo cinco delas provenientes da coleção permanente do museu, a mostra traça um panorama da trajetória de Milhazes desde os anos 1990 até os dias atuais. Luciana Rosa, correspondente da RFI em Nova YorkA curadora destaca que a exposição não apenas celebra as "joias" da coleção do Guggenheim, mas também oferece uma visão abrangente do desenvolvimento artístico da artista, que integra a linguagem da abstração geométrica com elementos profundamente enraizados na natureza ao seu redor.Milhazes, que vive e trabalha no Rio de Janeiro, descreve a influência dos jardins botânicos, da floresta da Tijuca, das montanhas e até da praia de Copacabana em seu processo criativo. Esses elementos naturais permeiam suas obras, se transformando em formas geométricas e abstrações que, ao longo dos anos, se consolidaram em sua assinatura visual.A exposição abrange uma variedade de obras, incluindo colagens em papel de 2013 a 2021 e pinturas recentes, como Mistura Sagrada (2022), onde elementos naturais, como folhas de árvores e padrões florais, se encontram representados em cores vibrantes e formas geométricas. A paleta de cores, sempre rica e vibrante, é outro ponto de destaque, refletindo a técnica de transferência que Milhazes desenvolveu em 1989 e que permanece central em sua prática até hoje.Milhazes explica como essa técnica inovadora surgiu, um momento crucial para sua evolução artística: "Na verdade, foi o momento, foi em 89, que é quando eu estava precisando encontrar uma forma de expressar, de utilizar a minha linguagem, crescer e se desenvolver com mais força, e na pintura. Tudo o que eu havia anteriormente trabalhado, começou a me limitar ao invés de abrir portas para esse prosseguimento."Ela continua descrevendo o processo experimental que a levou à descoberta de uma nova técnica: "Eu parei para fazer realmente experimentações, através da monotipia, que é uma técnica de gravura que você trabalha com a tinta molhada. A tinta molhada que você imediatamente imprime, você passa para uma outra superfície. Você pode fazer monotipia utilizando materiais diversos", explica.A partir desses experimentos, Milhazes percebeu algo revolucionário sobre sua técnica: "Eu percebi que a tinta que ficava na folha de plástico, eu podia depois transferir para a tela. E isso foi uma descoberta incrível."Além de representar um marco na carreira de Milhazes, com duas importantes exposições recentes em Londres e sua participação na Bienal de Veneza, esta é a primeira exposição dedicada exclusivamente a ela em Nova York. A mostra no Guggenheim, portanto, não só reforça a importância de Milhazes no cenário global, mas também consolida seu papel essencial na narrativa da arte do século 20, traduzindo suas influências culturais e ambientais em um diálogo com a arte contemporânea internacional."Como um panorama para quem não conhece o trabalho, vai ser interessante ver um confronto entre os anos 90, olhando para 2023", comenta Beatriz Milhazes sobre a exposição. Ela segue: "normalmente, em mostras panorâmicas você tem um percurso sobre a evolução da obra, você vai passando ao longo do tempo, por toda a história daquele artista."Ela também reflete sobre o impacto pessoal de ver sua obra dessa maneira: "Nesse caso existe um confronto entre os anos 90 e as obras super recentes, onde tem, no meio disso, uma pequena passagem da segunda década desse século e uma de 2004 do início do século. Então vai ser uma maneira diferente de observar. Também trouxe reflexões importantes vendo essa situação de confronto de duas épocas distantes."Milhazes compartilha uma visão profunda sobre sua carreira: "Eu fico muito feliz, vamos ver o sucesso que alcancei na carreira, também de mercado, mas realmente a minha grande ambição foi introduzir algo de novo, de inovação dentro do percurso da história da arte abstrata."A exposição é uma oportunidade única de acompanhar a evolução de uma artista que, ao longo de três décadas, conseguiu traduzir sua visão do mundo natural em formas abstratas e universais, que continuam a encantar e inspirar públicos ao redor do mundo.

Today is the opening of the Guggenheim's major survey of artist Rashid Johnson, who was born in Chicago in the late 1970s. "Rashid Johnson: A Poem for Deep Thinkers," displays almost 90 pieces, including paintings, films, sculptures, and a site-specific installation at the top of the museum's rotunda. Johnson discusses his practice alongside Naomi Beckwith, Guggenheim deputy director and chief curator.

We always hear about Benjamin Franklin's accomplishments while he was alive, but his bet on America in his Final Will and Testament truly left a legacy.  Author Michael Meyer joins us and shares this story and more from his book "Benjamin Franklin's Last Bet: The Favorite Founder's Divisive Death, Enduring Afterlife and Blueprint for American Prosperity." Michael Meyer is the author of multiple critically acclaimed books, as well as articles in the New York Times and other outlets. A Fulbright scholar, Guggenheim, NEH, Cullman Center and MacDowell fellow, and the recipient of the Whiting Writers Award, Meyer is a Professor of English at the University of Pittsburgh, where he teaches nonfiction writing. He lives with his family in Pittsburgh. This episode is sponsored by Good Capital, a registered investment advisor focused on families, organizations and businesses that also want to plant seeds for future generations. Simplicity, a foundational wealth plan and investing for decades and generations, not days or quarters. Good People. Good Strategies. Good Capital. Visit www.GoodCapital.pro , if this appeals to you.  Follow us at www.BuildUponTheGood.com and on Facebook, Instagram and Bluesky. *Special thanks to Sean Kelly and the band The Samples for permission to use "Streets in the Rain." Please support them at www.TheSamples.com 

Today, we take you inside a staged reading of The Gulf with the High Meadows Environmental Institute, cover the announcement of this year's Guggenheim Fellowships, and finish out with the class of 2029 pre-read announcement. 

ERIC BOGOSIAN (Playwright) is the author of plays, solos, and novels, including TALK RADIO, subUrbia, and PERFORATED HEART. He received a Drama Desk award, three Obie awards, and a Guggenheim fellowship. He has also been nominated for the Pulitzer and a Tony award. Bogosian earned the Berlin Silver Bear for writing and starring in the film adaptation of his play TALK RADIO. His historical account of "Operation Nemesis," the death squad that avenged the Armenian Genocide, was published by Little, Brown in 2015. As an actor, Bogosian has starred in LAW & ORDER: CI (NBC), BILLIONS (Showtime), SUCCESSION (HBO), the Safdie brothers' UNCUT GEMS, and most recently INTERVIEW WITH THE VAMPIRE (AMC) as the interviewer, Daniel Molloy. He produces a website, 100monologues.com, featuring dozens of New York's most vibrant actors. Bogosian is married to director Jo Bonney. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Des de fa uns anys, el cognom Guggenheim

Architect Michael Dean breaks down the hidden patterns behind the great essays of our time. In this video, we go over his 27-point framework that makes up every world class piece of writing and how he uses the same system to analyze the Guggenheim and Apple Store. We also talk about what skills will still matter as AI continues to improve and why learning to write might be more important than ever. Enjoy! A few links: Join the Essay Architecture beta: https://essayarchitecture.com/ Follow Michael Dean on Substack: https://michaeldean.site/ Hey! I'm David Perell and I'm a writer, teacher, and podcaster. I believe writing online is one of the biggest opportunities in the world today. For the first time in human history, everybody can freely share their ideas with a global audience. I seek to help as many people publish their writing online as possible. Follow me Apple: https://podcasts.apple.com/us/podcast/how-i-write/id1700171470 YouTube: https://www.youtube.com/@DavidPerellChannel X: https://x.com/david_perell Learn more about your ad choices. Visit megaphone.fm/adchoices

Julie NemitzWith over fifteen years of experience in executive sales and marketing leadership roles, Julie Nemitz has a proven track record of driving growth through strategic vision and innovative content marketing. She has partnered with Fortune 500 companies and led teams at award-winning agencies and publishers in New York City. Known for rolling up her sleeves and solving challenges, often by finding the perfect creative messaging that drives people to action, she combines big-picture strategy with hands-on execution to deliver awesome marketing solutions for her clients. In 2020, Julie launched her marketing consultancy. To date, over 2,800 arts organizations and artists have benefitted from the training, content, and group coaching with Julie. We're pretty proud of that. Her signature programs Sell The Show! and Merrily We Roll Out: The Season Reveal Launch Plan have impacted local theatre marketing strategies from Glasgow, Ireland to Melbourne, Australia and everywhere in between. Expanding from there, Julie launched Artist Marketing Lab and Creative Leaders Agency, in 2022. There, Julie works directly with creative arts leaders to elevate their authority and presence in the industry. She has worked with playwright and Guggenheim fellow Christine Masciotti, Broadway director James Rocco, award-winning screenwriter and playwright Marc Ketchem, and playwright Susan Parker /Concord Theatricals to rebrand her company Parker Plays for the digital age. CLA has provided strategy, content, and growth for these and many more clients. Julie's deep desire to empower leaders with a better understanding of the power in their unique branding and marketing abilities speaks directly to her passion for keeping the creative arts thriving everywhere. Julie has also worked with numerous for-profit arts companies to guide them in making a huge impact on their businesses by creating influential marketing content born from innovative strategies. Her work with Musical Theater College Auditions, The Broadway Mentors Program, Camp Broadway, Thirty Saints Productions, and more has delivered growth for these for-profit arts organizations. Julie is also a member of the esteemed Adjunct Faculty at Western Michigan University Department of Theatre and Dance, teaching marketing to the next generation of performing artists and arts leaders.Broad Impact NetworkBroad Impact Network is a membership-based community for women passionate about the creative arts. Whether you are working as an artist or supporting the arts, Broad Impact Network empowers its members to celebrate, support, advocate, and shape an arts and culture that we believe in.Our mission is to build a robust and engaged community of women who actively support female-identifying creators, advocate for freedom of artistic expression, and provide a creative space for women-led projects.We unite women who love the creative arts and care about championing female voices so we can lift up artists, explore our own creativity, and make a real impact to advocate as a community. Broads are stronger together.

Donald Trump ha colpito duro le auto straniere importate negli Stati Uniti imponendo una tassa del 25% "permanente" a partire dal 2 aprile: il giorno della "liberazione dell'America" come l'ha definito il presidente, quando scatteranno anche i dazi reciproci nei confronti di 15 Paesi. Per il tycoon la mossa servirà a stimolare la produzione nazionale, ma rischia di mettere a dura prova le finanze delle case automobilistiche che dipendono dalle catene di forniture globali e tradursi in costi più elevati per i consumatori americani. Così di sicuro pensano i mercati che hanno reagito molto male alla notizia: Wall Street ha chiuso in rosso ancora prima dell'annuncio ufficiale ed è calata ulterioremente dopo, mentre la maggior parte delle azioni delle case automobilistiche hanno lasciato sul terreno circa il 2-3%, da General Motors a Stellantis. La misura del presidente americano potrebbe anche innescare ulteriori scontri commerciali con l'Unione europea, in particolare Paesi come Germania e Italia, ma anche Giappone e la Corea del Sud. Affrontiamo il tema con Mario Cianflone, Il Sole24OreTrump Makes China Attractive Again Mentre aumentano le frizioni tra gli Stati Uniti di Trump e i suoi alleati. C'è un grande attore globale pronto ad approfittarne. Durante il China Development Forum, il premier cinese Li Qiang ha intensificato gli sforzi per provare ad attrarre aziende straniere in Cina, nel tentativo di ravvivare l economia cinese che sta attraversando una fase di deflazione, alti tassi di disoccupazione e crescita economica debole. Qiang ha promesso stabilità e politiche favorevoli alle imprese, sottolineando l impegno di Pechino per la globalizzazione, il multilateralismo e la resistenza al protezionismo. Reuters riporta anche che una rete di aziende gestite da una società tecnologica cinese segreta starebbe cercando di reclutare gli ex dipendenti del governo federale statunitense licenziati nelle ultime settimane. Intanto oggi la Cina rigetta l'offerta del presidente americano Donald Trump di concessioni sul fronte dei dazi in cambio del via libera di Pechino alla vendita di TikTok. E' quanto ha detto il portavoce del ministero degli Esteri Guo Jiakun, secondo cui "i nuovi dazi Usa sulle auto importate violano le regole dell'Organizzazione del commercio (Wto) e minacciano il sistema del commercio basato sulle regole". La posizione di Pechino è "consistente e chiara": le tariffe "non aiuteranno gli Stati Uniti a risolvere i suoi problemi" e "le guerre commerciali non avranno alcun vincitore"; ha aggiunto Guo.Il commento è di Filippo Fasulo, Co-head dell'Osservatorio Geoeconomia dell'IspiOlimpiadi, a Cortina inaugurata la pista da bob delle polemiche Lunedì 24 Marzo è stata inaugurata la nuova pista da bob "Eugenio Monti" di Cortina. La pista da Bob di Cortina viene considerato un "Miracolo olimpico" vista la difficoltà nella realizzazione e lo scetticismo che ha accompagnato il progetto dall'inizio. "La pista da bob è il monumento alla follia". A dirlo è stato il presidente del Veneto, Luca Zaia, durante la cerimonia di inaugurazione della pre-omologazione dello Sliding Centre di Cortina che si è svolta martedì 25 marzo.«Mi dicevano che era una follia», ha aggiunto Zaia, «ed invece abbiamo trasformato una discarica nel Guggenheim del ghiaccio». In questi anni, si era discusso della possibilità di utilizzare impianti in Austria, Svizzera o Germania, che avrebbero eliminato la necessità di costruire una nuova pista. Le parole del CIO a dicembre 2023, quando il primo bando di gara è andato deserto, L ultima stroncatura per le gare olimpiche invernali in Italia arriva direttamente con un comunicato del Comitato Olimpico Internazionale: «in una fase così avanzata devono essere prese in considerazione solo le piste già esistenti e operative». Invece poi il governo è riuscito a convincere una delle più grandi imprese italiane, la Pizzarotti, a raccogliere la sfida e in tredici mesi l'opera ha visto la luce. Un tempo record. Anche per il Comitato olimpico internazionale, che nutriva perplessità sul futuro riutilizzo della struttura, oltre che sulle effettive spese, di fatto lievitate dagli 81,6 milioni di euro del bando di ricostruzione andato deserto alla scadenza del 31 luglio 2023, ai 118,4 milioni euro di investimento complessivo dichiarato da Simico, la società infrastrutture di Milano Cortina 2026. Sul cantiere si sono mosse 135 persone sotto la direzione dell'impresa capofila Pizzarotti che ha stretto accordi con 35 appaltatori ditte principalmente bellunesi e nazionali. Ne parliamo proprio con Paolo Pizzarotti, Presidente Impresa Pizzarotti.

Passeggiare lungo la Fifth Avenue, tra palazzi che raccontano storie di fortune leggendarie e musei che custodiscono capolavori inestimabili.In questo episodio vi porto alla scoperta dell'Upper East Side, il quartiere che ha definito l'eleganza newyorkese.Vi racconterò come quest'area, un tempo semplice terreno agricolo, sia diventata "Millionaire's Row" durante la Gilded Age, quando famiglie come i Vanderbilt, i Carnegie e gli Astor costruirono le loro sontuose residenze.Scopriremo i segreti della Museum Mile, la straordinaria concentrazione di musei di fama mondiale nata proprio dalle dimore di questi magnati che trasformarono le loro collezioni private in istituzioni pubbliche.Dal Met al Guggenheim, dalle townhouse storiche alle caffetterie nascoste frequentate dai local, dai giardini segreti ai ristoranti dove mangiare bene senza spendere una fortuna: un viaggio attraverso il quartiere più raffinato di Manhattan che vi mostrerà sia il suo lato iconico che quello più autentico e sorprendente.Per saperne di più leggi la mia guida sull'Upper East Side.

Mai Der Vang is the author of Primordial, Yellow Rain, and Afterland. Her honors include th Lenore Marshall Poetry Prize from the Academy of American Poets, an American Book Award, finalist for the Pulitzer Prize in Poetry, the First Book Award from the Academy of American Poets, among others. The recipient of a Guggenheim and Lannan Literary Fellowship, she teaches in the MFA Program in Creative Writing at Fresno State. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're talking resistance, joy, and queer communities with Brenda Shaughnessy!Please Support Breaking Form!Review the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series.James's ROMANTIC COMEDY is available from Four Way Books.NOTES:Click here for Brenda's Queer Resistance Playlist 2025 (Spotify).Check out Brenda's poem "Panopticon" from Interior with Sudden Joy.Visit Brenda Shaughnessy's website . And hear her read from her newest book, Tanya here. Read more about UC Santa Cruz closing the Feminist Studies Dept here. Read more about Maria RessaFor more about Roland Barthes's contribution to literary criticism, read here.While dated, here's a list of creative writing programs that are LGBTQ+ friendly. Read more about Bettina ApthekerRead more about Donna J. HarawayRead on for more about the clubs Brenda mentions: Meow Mix, Clit Club, Henrietta Hudson (still open!), Pandora's Box, and more.Read more about Angela Davis's work here.For more about Wendy Brown, read her Guggenheim citation here.You can learn more about Allan Bérubé here. Learn more about the incredible Urvashi Vaid here.Watch/listen to Cécile McLorin Salvant's "Until" here. Read more about Kate Clinton on her website here.For more about Teresa de Lauretis, click here. 

 A new Olympics Deal for NBC. The tip off of March Madness and MLB's starting pitch is in Japan. NBA tanking, and Jason's Wormbyte on the real NCAA Basketball Tournament and the continuing annals of the Dr. Mike Smith annual spring training sojourn. 

Guggenheim Securities Co-Chairman Jim Millstein discusses the latest on the markets with Bloomberg's Sonali Basak and Matt Miller. See omnystudio.com/listener for privacy information.

Robert Earl Sinclair is a Future Architect & Speculative World-Builder striving to make sense of our rapidly changing world and co-create bold futures. Born in "the hood" of Los Angeles and challenged with dyslexia, Robert became a successful international hip-hop recording artist in his teens and went on to graduate from the Los Angeles County High School for the Arts and NYU's Tisch School of the Arts. Now, this multicultural, classically trained artist, actor and writer uses storytelling to activate the idea that if something is broken, we can fantasize about what it looks like unbroken, and that exercise, in and of itself, can help us to find our way to a solution. This is speculative world-building. In this pursuit, Robert's dyslexia has become an asset, because dyslexic people experience information as story and possess a much higher retention of facts which allows Robert, a voracious reader, to draw from a vast store of resources and disciplines. Dedicated to beauty, justice and inclusive imagination, Robert designs at the crossroads of art, culture and technology and has created original content and world-building workshops for: NYU, Google Creative Lab, Sundance Film Festival, The Guggenheim, the Rockefeller Foundation, Pop Culture Collaborative, The Doris Duke Foundation and For Freedoms, where he co-created For Freedoms News and its month-long residency at the Brooklyn Museum. Robert is an original member of the Guild of Future Architects' celebrated Futurist Writers Room, a diverse community of visionary artists, intellectuals, engineers and technologists. Working with Dot Connector Studio, Robert is working to shape alternative economic models of sustainability and thrivability for everyone. Most recently, Robert has  lectured at USC's School of Cinematic Arts and the ASU Center for Science and the Imagination. He is currently teaching Emergent Expressions at the Harvard Divinity School.Have a Swan Dive to share? Text us!We are always looking for Swan Dive Stories to share so hit us up, send an e mail to Ron: Ron@artbikesjax.com or Stu: Stuart@stuartsheldon.com

Today, Lauren and Traci are talking to Michael James O'Brien, a photographer, teacher, curator, activist, and writer.Michael is an acclaimed photographer and poet known for his wide-ranging work, from still lifes and portraits to commercial and fine art photography. He earned his MFA from Yale University in the 1970s, studying under Walker Evans, and later taught at Kenyon College and the New School. Currently, he serves as Chairman of the Photography Department at the Savannah College of Art and Design.In 1993, O'Brien began a collaboration with artist Matthew Barney, creating a photographic counterpart to Drawing Restraint 7 and the Cremaster cycle, exhibited at the Musée Moderne in Paris and the Guggenheim in New York. His work has been featured in The New Yorker, Rolling Stone, The New York Times, L'Uomo Vogue, and Elle Décor, as well as in campaigns for Bergdorf Goodman, Ralph Lauren, and Thierry Mugler.You can see Michael's years of incredible work on his website. Make sure to follow him on Instagram to keep up with his life and journey!If you would like to get involved with Focus On Women, you can review sponsorship and contribution options here, as well as become a member here.Remember to stay safe and keep your creative juices flowing!---Tech/Project Management Tools (*these are affiliate links)Buzzsprout*Airtable*17hats*ZoomPodcast Mic*

For a topic that's truly "on pointe," our guest today reminds us of the joys and rewards of freedom and discipline, just in time for Lent: ballet dancer and choreographer Silas Farley.We discuss his early journey in discipleship and liturgical dance, holy coincidences that connected him with his Russian ballet hero, how discipline can lead to freedom in the Spirit both in dance and liturgical life, and understanding the meaning of "grace."We hope you've done your work at the barre, because Silas will stretch our imaginations for worship and discipleship, and even what's possible when it comes to dance in church. Hold on to your leotards. Silas is Armstrong Artist in Residence in Ballet in the Meadows School of the Arts at Southern Methodist University in Dallas. He's been a teacher and choreographer at places like the New York City Ballet, the Guggenheim, the Washington Ballet, the Met, and all over the world.More about SilasJoin a Living Church conferenceGive to support this podcast

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Should the GSEs be privatized? On the latest Walker Webcast, Willy was joined by three of the industry's leading voices to debate this hot-button issue:  Jim Millstein, Co-Chairman, Guggenheim Securities Jim Parrott, Owner, Parrott Ryan Advisors Mark Zandi, Chief Economist, Moody's Analytics  They covered the pros and cons, potential economic ripple effects, the impact on single vs. multifamily, and the real-world implications for investors, lenders, homebuyers, and taxpayers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gordon White is a chaos magician, shamanic practitioner, and permaculture designer based in Tasmania. He podcasts and teaches through the vehicle of Rune Soup, the world's largest magic academy, and he writes prolifically -- not only on the Rune Soup blog but in several incredible books. Gordon's breadth and depth of knowledge is unbelievably humbling, and it was an honor to spend an hour or so with him.We came to Gordon for perspective, to some bring context and breadth and dimension to our relatively narrow world. Disintegrator sits in a kind of para-academic space, where we tend to limit the things we allow ourselves to write and think in terms of what's acceptable in mainstream academia. And there are so many people in this space, squashed between the outer walls of the academy and a totally vast, teeming ocean of different ways of thinking and being.((An academic might chastize us for using 'outside' as a kind of euphemism for an alien or an other, but we'd push back -- it is the inside that we're all kind of bunched up against, like feudal serfs huddling for protection and warmth. As we look outside, we've started to speculate about what might be out there, inventing our own 'pseudosacreds' that preoccupy our minds without forcing us to change anything about ourselves.))Gordon brings sledgehammers from magical practices and shamanic tradtions around the world, alongside a potent alternative canon of Western, and, well, pummels our walls a bit.Tons of references packed in here, but a good place to start would be his books Chaos Protocols and Ani.Mystic (in order). Marek fell in love with Gordon's world through these three podcast episodes (one, two, three) and this lecture at the Guggenheim (with visual media from friend of the pod Refik Anadol).Further references:A big and loving shoutout to Jay Springett, who just absolutely rules in every possible way, you gotta be a JayMo fan fr.Gordon references Dr. Jeff Kripal on the subject of the 'imaginal' -- which becomes a helpful concept later in the episode as we talk through technology. The imaginal is an ontological layer or that is not necessarily physical but still real.The most significant reference here is of Eduardo Viveiros de Castro, a Brazillian anthropologist discussed in the context of pespectivism and what a truly decolonized anthropology (and philosophy) might look like.Gordon references Ephesisans 6:12 ("powers and principalities") in the context of a Christian ontology that affords an idea the status of a being.Dr. Jack Hunter's concept of "ontological flooding" -- an "opening of the floodgates" of what is discussible in ontological terms. Here's a discussion on the subject from 2021.Marek references a recent trend in philosophy ("object oriented ontology") that grapples with the autonomy of the non-human world. This episode is cheekily named after Quentin Meillassoux's concept of the "great outdoors" -- a plane of reality that exceeds human experience or human conception.Gordon references Paracelsus, Edgar Cayce, Rudolf Steiner, and Allan Kardec in the context of a Western spiritualist canon.Gordon discusses Matías De Stefano specifically in the context of mineral intelligence. Here's an absolutely wild talk on the subject.For those unfamiliar, the "Dieta" that Gordon refers to is a period of isolation, strict diet, and deep work with plant medicines like ayahuasca.Ambient track is 'Respect for the Medium' by friend of the pod They Became What They Beheld, show them some love on Bandcamp.

This week, John Hodgman joins Scott to discuss being the "Radar" O'Reilly of the PC world, boldly asking for drugs, and owning a boat. Then, James Cameron and Jake Sully visit to promote "Avatar: Fire and Ash" as well as wet movies in general, and entrepreneur Kitty Sea-Joy Sage drops by to share some products.  Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/cbb

Episode No. 693 is a Presidents' Day weekend clips episode featuring artist John Edmonds.  The Solomon R. Guggenheim Museum in New York recently announced the acquisition of Edmonds's complete 2018 Untitled (Hood) series. The work was included in last year's Guggenheim exhibition "Going Dark: The Contemporary Figure at the Edge of Visibility." Edmonds discussed his Untitled (Hood) series in detail when he came onto the program in 2020 on the occasion of an exhibition at the Brooklyn Museum. Among the institutions that have collected Edmonds' work are the Art Gallery of Ontario, Toronto, the Columbus Museum of Art, the Philadelphia Museum of Art, the Museum of Fine Arts, Houston, and SFMOMA.   For images, see Episode No. 446.  Instagram: John Edmonds, Tyler Green.

Carmen Giménez's poem “Ars Poetica” is a stunning waterfall of words, a torrent of dozens of short statements that begin with “I” or “I'm.” As you listen to them, let an answering cascade of questions fill up your mind. What does this series of confessions reveal to you about poetry? The poet? And yourself?Carmen Giménez is the author of numerous poetry collections, including Milk and Filth, a finalist for the NBCC Award in Poetry, and Be Recorder (Graywolf Press, 2019), a finalist for the 2019 National Book Award in Poetry, the PEN Open Book Award, the Audre Lorde Award for Lesbian Poetry, and the Los Angeles Times Book Prize. She was awarded the Academy of American Poets Fellowship Prize in 2020. A 2019 Guggenheim fellow, she served as the publisher of Noemi Press for 20 years. She is the Publisher and Executive Director of Graywolf Press.Find the transcript for this show at onbeing.org.We're pleased to offer Carmen Giménez's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. Order your copy of Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig) wherever you buy books.

At the age of 7, horse mad Andrea Rapke Knowles, was told by her father that if she stopped sucking her thumb he would buy her a pony. At the advice of a family friend with a beautiful barn on her property, a pony was chosen (a Welsh Cob terror name Gee Whiz), boarded with the friends and their training began. Shortly thereafter, they moved to Loma Alta, owned and run by Penny Wahler in Santa Cruz, California, and her first Warmblood was purchased to begin Children's Hunters / Equitation and a taste of horse shows. In 1989, they moved to G & G Stables in Los Angeles, CA with Rob Gage and Cyndi Grossman at LAEC. Quite a few amazing and life-changing horses took them around the state and beyond on the show circuit. Rob and Cyndi were amazing trainers and friends, as were the incredible assistant trainers, including Richard Spooner. Sadly, school took over and Andrea was then educated in Lugano, Switzerland and London, England, graduating with a double major in Art History and English Literature. Feeling passionately about the art business brought her to positions at Sotheby's, Christie's and Guggenheim, Asher, a NY & LA based art consultancy. Additionally, she received corporate training at WME & CAA in Los Angeles. Her love of art and design began in childhood where, at a young age, she was already attending auctions and picking fabrics and furnishings for her family's homes. This life-long interest led her to her first professional residential renovation in 2009, the creation of her own firm and the building of a business focused on true collaborations, a knowledge of the newest trends in design/build and a holistic and discrete approach to every venture. Now, she is bringing stable life back into the fold with work on Equine Residences throughout the US and abroad. She is involved in a multitude of charitable foundations focused on homelessness, animal care and rescue and childhood illness. She resides with her husband and two Jack Russell Terriers in Beverly Hills, California. Hosted on Acast. See acast.com/privacy for more information.

Imani Perry says that the color blue tells the story of her people, reflecting both oppression and resilience, sorrow and hope. In her new book “Black in Blues,” Perry explores the significance of the color in Black American history and culture – from the indigo trade to the blues music tradition – and stitches together histories that connect the color to spirituality, community, resistance and the complexities of identity. Perry joins us. Guests: Imani Perry, professor in studies of women, gender and sexuality and in African and African American studies, Harvard University; fellowship recipient, MacArthur and Guggenheim; Her previous book ‘South to America' won the 2022 National Book Award for Nonfiction.

Listen as author Julia Philips becomes fast friends with host Matt Sawyer as they talk about her latest best-selling book, Bear.Julia Philips: Julia Philips is the author of the bestselling novel Bear and Disappearing Earth, a finalist for the National Book Award, and one of The New York Times Book Review's 10 Best Books of the Year. A 2024 Guggenheim fellow, she lives with her family in Brooklyn.HostMatt Sawyer: Matt is an educator, podcaster, writer, and hip-hop artist based in Macon County, North Carolina. He is the creator of the Story Made Project, an exploration for and of stories that make a difference in our world. Hosted on Acast. See acast.com/privacy for more information.

Episode No. 690 features curators Vivien Greene and Michael Hartman. With Tracey Bashkoff, Greene is the co-curator of "Harmony & Dissonance: Orphism in Paris, 1910-1930" at the Solomon R. Guggenheim Museum, New York. The exhibition surveys a transnational art movement that joined abstraction to dance, music, and poetry and that engaged with ideas of simultaneity across kaleidoscopic pictures and sculpture. Among the artists included in "Harmony & Dissonance" are Robert Delaunay, Sonia Delaunay, Marcel Duchamp, František Kupka, Francis Picabia, and Stanton Macdonald-Wright. The exhibition is on view through March 9. The Guggenheim published an excellent catalogue for the exhibition. It's available from Amazon and Bookshop for about $60. Hartman is the curator of "Beyond the Bouquet: Arranging Flowers in American Art" at the Hood Museum of Art at Dartmouth College. The exhibition looks at how North American artists have made use of floral beauty. Instagram: Michael Hartman, Tyler Green.

Restaurant Brands (QSR), owner of chains like Burger King and Popeyes, got an upgrade from Guggenheim to Buy from Neutral. George Tsilis talks about what drove the firm's bullish sentiment and looks back at its stock history to determine the likelihood of an upside run. ======== Schwab Network ======== Empowering every investor and trader, every market day. Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribe Download the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185 Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7 Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watch Watch on Vizio - https://www.vizio.com/en/watchfreeplus-explore Watch on DistroTV - https://www.distro.tv/live/schwab-network/ Follow us on X – https://twitter.com/schwabnetwork Follow us on Facebook – https://www.facebook.com/schwabnetwork Follow us on LinkedIn - https://www.linkedin.com/company/schwab-network/ About Schwab Network - https://schwabnetwork.com/about

Carl Quintanilla and David Faber – alongside Sara Eisen, live from the World Economic Forum in Davos this hour – broke down the latest as tech stocks led the broader markets higher. Netflix shares popping double digits after a top and bottom line beat, alongside plans to raise prices here in the US – why Guggenheim says there's more room to run here.  Plus: Chip stocks alongside Oracle & Softbank in the green after Trump revealed the new “Project Stargate”, a $500B venture to boost AI Infrastructure in the U.S. – the key winners and losers at first glance.   Additionally: Sara discussed the latest on the consumer front – and regulation - with the CEOs of the Bank of New York and Williams-Sonoma, both live from the World Economic Forum in Davos during the hour.

**Content Warning: This episode includes discussion of sexual and domestic violence.In this week's episode of then & now, guest host Professor Jared McBride is joined by Dr. Joy Neumeyer to discuss her recent book, A Survivor's Education. In the book, as well as this episode, Joy interweaves her own experiences of domestic abuse and the bureaucracy surrounding Title IX with Soviet and Russian history and examines gender and violence norms within the profession of history and academia writ large. Within the context of the #MeToo movement, Joy reflects on the enduring struggle that victims of abuse face due to the common propensity to amplify and repeat the narratives that are spread by perpetrators of violence. Informed by her extensive research on the history and application of Title IX—including the procedural tribulations of her own case—Joy intertwines the past and present and challenges the postmodernist approach to historical methodology with regard to truth narrativity and meaning. Joy concludes with the sentiment that historians can never be truly objective. Instead, they must expose their positionality and the personal, political, and social factors shaping their narrative about the past. If you are experiencing abuse or are concerned about someone you know, call the National Domestic Violence Hotline (1-800-799-7233) or visit http://www.thehotline.org. Joy Neumeyer is a journalist and historian of Russia and Eastern Europe. She received a PhD in History from the University of California, Berkeley, and was a Fulbright Fellow in Russia and a Max Weber Fellow at the European University Institute in Florence, Italy. She has also worked as a reporter in Moscow and Warsaw. Her first book, A Survivor's Education: Women, Violence, and the Stories We Don't Tell (PublicAffairs, 2024), is an investigative memoir about abuse and the tension between narrative and evidence in understanding the past. Her writing has appeared in numerous publications, including The New York Times, The Nation, Foreign Policy, The Washington Post, The Atlantic, New Left Review, and The Los Angeles Review of Books.Jared McBride is an assistant professor in the UCLA Department of History and is an expert on the history of Russia, Ukraine, and Eastern Europe in the 20th century.  His research examines mass violence, the Holocaust, interethnic conflict, nationalist movements, and war crimes prosecution. McBride's research has been supported by fellowships, including the Guggenheim, SSRC, and Fulbright-Hays. Further Reading Darkness at Noon: On History, Narrative, and Domestic ViolenceTitle IXBernice Sandler#MeToo Movement

Do you know how to turn what you're interested in thinking about into something that other people want to read about? Do you even know what you're interested in, as opposed to what you think you should be interested in? Do you recognise that boredom and feeling lost are necessary and unavoidable parts of the research process, and that you can use them to your advantage? Do you know how to tap into your unique strengths and produce writing that's original and insightful? Do you realise that perfection is not only unattainable, but also - and this was a new one for me - boring? If you've ever struggled as a researcher, or if you're someone who helps students or other researchers, you need to hear this interview with Professor Thomas S. Mullaney and Professor Christopher Rea. They're the authors of the incredibly helfpul book, Where Research Begins, which I've recommended numerous times on this podcast. Thomas S. Mullaney is professor of history at Stanford University and a Guggenheim fellow. His books include The Chinese Typewriter: A History and Your Computer Is on Fire. You can find him on Bluesky or LinkedIn. Christopher Rea is professor of Asian Studies at the University of British Columbia. His books include Chinese Film Classics, 1922-1949 and The Age of Irreverence: A New History of Laughter in China.  Where Research Begins has its own website, where you can learn more about the book, access additional (free!) resources, and contact Chris and Tom.Two books by other authors are mentioned in this episode. They are:Wayne C. Booth, Gregory G. Colomb, Joseph M. Williams, Joseph Bizup, William T. FitzGerald. 1995: The Craft of Research, now in its fifth edition, 2024 (Chicago, IL: University of Chicago Press). Umberto Eco. 1977: How to Write a Thesis, translated by Caterina Mongiat Farina and Geoff Farina, 2015 (Cambridge, MA: MIT Press)

On July 18th, Los Angeles Review of Books and The Berggruen Institute hosted a panel discussion titled "Writing Climate Futures," featuring David Wallace-Wells, Jenny Offill, Bharat Venkat, and Jonathan Blake. As our planet faces a climate crisis, questions about the role and efficacy of environmental writing assume greater urgency by the day. Through education, envisioning fictitious new worlds, and pushing forward the public discourse, writing holds the power to move the conversation we have around the future of our planet. LARB and The Berggruen Institute convened exciting voices in the climate movement from across genres to discuss how writing can enact change. David Wallace-Wells is the author of The Uninhabitable Earth: Life After Warming (Penguin Random House, 2019), which argues that the state of the world, environmentally speaking, is “worse, much worse, than you think.” He is a weekly columnist and staff writer for the New York Times, deputy editor of New York Magazine, and he was previously the deputy editor of The Paris Review. He writes frequently about climate and the near future of science and technology. Jenny Offill is the author of three novels, Last Things, Dept. of Speculation, and most recently, Weather, which was shortlisted for the Women's Fiction Prize and the Joyce Carol Oates Prize. She is also the recipient of a Guggenheim fellowship. She teaches at Bard College and lives in upstate New York. Dr. Bharat Jayram Venkat is an Associate Professor at UCLA with a joint appointment spanning the Institute for Society & Genetics, the Department of History, and the Department of Anthropology. His forthcoming title—tentatively titled Swelter: A History of Our Bodies in a Warming World— is about thermal inequality, the history of heat, and the fate of our bodies in a swiftly warming world riven by inequality. Dr. Venkat is the founding director of the UCLA Heat Lab, which investigates thermal inequality from a variety of disciplinary perspectives, ranging from biology and history to anthropology and urban planning. Jonathan Blake directs the Planetary Program at the Berggruen Institute. He is the coauthor, with Nils Gilman, of Children of a Modest Star: Planetary Thinking for an Age of Crises and author of Contentious Rituals: Parading the Nation in Northern Ireland.

Carl Quintanilla and Jim Cramer discussed stocks maintaining their upward momentum after the S&P 500 and Nasdaqsnapped five-day losing streaks on Friday. The chip sector gets a boost ahead of Monday night's much-anticipated CES keynote by Nvidia CEO Jensen Huang. U.S. Steel and Japan's Nippon Steel sue the federal government over President Biden's decision to block their merger. Also in focus: President-elect Trump's latest message on tariffs, United Airlines to test Elon Musk's Starlink on flights, Guggenheim says "sell" Salesforce, Fed speak on rates, Fubo soars on Disney Hulu + Live TV deal, streamers get roasted at the Golden Globe Awards. Squawk on the Street Disclaimer

New Year, new leadership. Alison speaks to Mariet Westermann, the new director of the Guggenheim, about her vision to take the storied museum forward as well as the current exhibition on Piet Mondrian on view through April 20.

This episode on literary friendship with Claire Messud and Amitava Kumar was recorded live at Lighthouse Writers Workshop in Denver, Colorado at the June 2024 Lit Fest. Learn more about Lighthouse. Claire Messud is the author of six works of fiction. She is a recipient of a Guggenheim and Radcliffe Fellowships and the Strauss Living Award from the American Academy of Arts and Letters. Her essay collection is called Kant's Little Prussian Head and Other Reasons Why I Write. Her recent novel is called This Strange Eventful History. She lives in Cambridge, Massachusetts, with her family. Amitava Kumar is a writer and journalist. He was born in Ara, and grew up in the nearby town of Patna, famous for its corruption, crushing poverty and delicious mangoes. Kumar is the author of several books of non-fiction and four novels. His new novel is My Beloved Life. Kumar lives in Poughkeepsie, in upstate New York, where he is the Helen D. Lockwood Professor of English at Vassar College. He serves on the board of the Corporation of Yaddo. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joaquín Torres-García was Uruguayan-born artist who wanted to bring Constructivism and Modernism to Latin America, and worked for much of his life promoting the idea that Latin-American voices should be part of the Modernist art movement. Research: · Bollar, Gorki. “Primitive Paintings: Connections to Realism and Constructivism.” Leonardo, vol. 17, no. 1, 1984, pp. 17–19. JSTOR, https://doi.org/10.2307/1574851 · Britannica, The Editors of Encyclopaedia. "Joaquín Torres-García". Encyclopedia Britannica, 4 Aug. 2024, https://www.britannica.com/biography/Joaquin-Torres-Garcia · Duncan, Barbara. “Exploring New Horizons in Latin American Contemporary Art.” Revista: Harvard Review of Latin America. Dec. 30, 2001. https://revista.drclas.harvard.edu/exploring-new-horizons-in-latin-american-contemporary-art/ · Grimson, Karen. “JOAQUÍN TORRES-GARCÍA’S CREATIVE PARADOX.” INTI, no. 83/84, 2016, pp. 261–65. JSTOR, http://www.jstor.org/stable/26309985 · Jimenez, Maya, Dr. “Joaquin Torres-Garcia, Inverted America.” Smart History. Aug. 9, 2015. https://smarthistory.org/Torres-Garcia-inverted-america/ · “Joaquín Torres-García.” Art Collection. https://artcollection.io/artist/5ce4801004726600179036b4#:~:text=He%20worked%20on%20the%20first,la%20Sagrada%20Familia%20in%20Barcelona. · “Joaquín Torres García.” Centro Cultura Regoleta. http://cvaa.com.ar/04ingles/04biografias_en/torres_garcia_en.php · “Joaquín Torres-García.” Guggenheim. https://www.guggenheim.org/artwork/artist/joaquin-Torres-Garcia · “Joaquin Torres Garcia (1874-1949).” National Museum of Visual Art. https://mnav.gub.uy/cms.php?a=4 · “Joaquín Torres-García.” National Gallery of Art. https://www.nga.gov/collection/artist-info.2518.html · “Joaquín Torres-García.” Hutchinson Modern & Contemporary. https://hutchinsonmodern.com/artists/40-joaquin-Torres-Garcia/biography/Medina, Alvaro. “Torres-García and the Southern School.” ArtNexus. https://www.artnexus.com/en/magazines/article-magazine-artnexus/5ebf04481ae60a0ea57baa18/3/Torres-Garcia-and-the-southern-school · Museo Torres Garcia. “bio.” https://www.torresgarcia.org.uy/bio.php · ROMMENS, AARNOUD. “Latin American Abstraction: Upending Joaquín Torres-García’s Inverted Map.” Mosaic: An Interdisciplinary Critical Journal, vol. 51, no. 2, 2018, pp. 35–58. JSTOR, https://www.jstor.org/stable/90021965 · Torres, Celia de. “Constructing Abstraction with Wood: Joaquín Torres-García.” Literal. Issue 18. April 18, 2012. https://literalmagazine.com/constructing-abstraction-with-wood-joaquin-Torres-Garcia/ See omnystudio.com/listener for privacy information.

Not too long ago, Brad Pitt and Eric Bana starred in a (loose) adaptation of Homer's epic poem The Iliad; next month, Ralph Fiennes and Juliette Binoche will headline a film based on The Odyssey. Given that the originals were written (or at least written down) in the 8th century BCE, that is some impressive staying power. But they were also written in a very different time than ours, with different cultural context and narrative expectations. We talk about the issues of translation in general, and these Greek classics in particular, with Emily Wilson, whose recent translations of The Iliad and The Odyssey have garnered worldwide acclaim.Support Mindscape on Patreon.Blog post with transcript: https://www.preposterousuniverse.com/podcast/2024/11/25/297-emily-wilson-on-homer-poetry-and-translation/Emily Wilson received her Ph.D. in classical and comparative literature from Yale. She is currently Professor of Classical Studies at the University of Pennsylvania. Among her awards are the Charles Berheimer Prize from the American Comparative Literature Association, a Rome Prize fellowship from the American Academy in Rome, and Guggenheim and MacArthur fellowships.Web siteUPenn web pageWikipediaAmazon.com author pageYouTubeSubstackBlueSkySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.