Podcasts about Guggenheim

Frank Gehry, whose steel and titanium curved structures seemed more like sculptures than buildings, died last week at age 96. His masterpiece was the Guggenheim museum in Bilbao, Spain. He spoke with Terry Gross in 2004 about finding his design voice.  Also, we remember Raul Malo, the lead singer and songwriter of The Mavericks, the country band with rock and roll roots. Justin Chang reviews ‘Wake Up Dead Man,' the newest ‘Knives Out' mystery movie starring Daniel Craig.  Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In this episode of PhotoWork with Sasha Wolf, Sasha is joined by photographer, publisher, editor, and educator Nelson Chan. Together, they trace the winding path that led Nelson to his dream job as a professor at the Rhode Island School of Design. Along the way, Nelson reflects on the “guardian angels” who helped him stay the course, the openness that allowed unexpected opportunities to shape his trajectory, and the community of friends and collaborators who eventually inspired the founding of TIS Books. Sasha and Nelson also talk about the value of building connections, putting yourself out there, and treating your career as a marathon rather than a sprint. https://www.nelsonchanphotography.com/ https://www.tisbooks.pub/ Nelson Chan was born in New Jersey to immigrant parents from Hong Kong and Taiwan and has spent most of his life between the States and Hong Kong. Having grown up between two continents, this immigrant experience influences the majority of his work. Nelson received his BFA and MFA from the Rhode Island School of Design and the Hartford Art School, respectively. He has been exhibited nationally and internationally at institutions such as the Museum of Chinese in America, New York, NY; Boston Center for the Arts, Boston, MA; The Print Center, Philadelphia, PA; Kunstlerhaus Bethanien, Berlin, Germany; and 798 Space, Beijing, China. His books are collected in the institutional libraries of The MET, The Guggenheim, SEMOMA, The Whitney Museum, The Harry Ransom Center, and MoMA, among others. Along with his own photographic work, book publishing and education are extensions of, what Nelson refers to as, an industrious studio practice. He is co-founder of TIS books, an independent art book publisher and was production manager at the Aperture Foundation from 2016-19. In 2025, Nelson was awarded tenure at California College of the Arts but ultimately left the Bay Area to teach at the Rhode Island School of Design as an associate professor of photography.

Frank Gehry, whose steel and titanium curved structures seemed more like sculptures than buildings, died last week at age 96. His masterpiece was the Guggenheim museum in Bilbao, Spain. He spoke with Terry Gross in 2004 about finding his design voice.  Also, we remember Raul Malo, the lead singer and songwriter of The Mavericks, the country band with rock and roll roots. Justin Chang reviews ‘Wake Up Dead Man,' the newest ‘Knives Out' mystery movie starring Daniel Craig.  Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Aimar Bretos y el equipo de Hora 25 realizan esta edición especial desde el Museo Guggenheim de Bilbao. El tema central del programa es la soledad no deseada: ¿Qué podemos hacer como sociedad para paliar este problema, para gestionarlo de forma efectiva? Para reflexionar sobre ello, Aimar Bretos se sienta con Teresa Laespada, Diputada foral de Empleo, Cohesión Social e Igualdad de la Diputación de Bizkaia, y con agentes sociales y personas afectadas como Gérgori Aiarzagüena, Alma N'Dong, Elena Soto y Fernando Fantova. Además, fijamos la mirada en la huella descomunal de Frank Gehry, el arquitecto que le dio a esta ciudad el icono admirado en todo el mundo que supone el Guggenheim y que murió la semana pasada. Hablamos con Íbon Areso, arquitecto urbanista y exalcalde de Bilbao trabajó mano a mano con el arquitecto. 

The Author Events Series presents Keisha N. Blain | Without Fear: Black Women and the Making of Human Rights In Conversation with Timothy Welbeck Even before they were recognized as citizens of the United States, Black women understood that the fights for civil and human rights were inseparable. Over the course of two hundred years, they were at the forefront of national and international movements for social change, weaving connections between their own and others' freedom struggles around the world. Without Fear tells how, during American history, Black women made humans rights theirs: from worldwide travel and public advocacy in the global Black press to their work for the United Nations, they courageously and effectively moved human rights beyond an esoteric concept to an active, organizing principle. Acclaimed historian Keisha N. Blain tells the story of these women-from the well-known, like Ida B. Wells, Madam C. J. Walker, and Lena Horne, to those who are still less known, including Pearl Sherrod, Aretha McKinley, and Marguerite Cartwright. Blain captures human rights thinking and activism from the ground up with Black women at the center, working outside the traditional halls of power. By shouldering intersecting forms of oppression-including racism, sexism, and classism-Black women have long been in a unique position to fight for freedom and dignity. Without Fear is an account of their aspirations, strategies, and struggles to pioneer a human rights approach to combating systems of injustice. Keisha N. Blain is professor of Africana studies and history at Brown University. She is a Guggenheim, Carnegie, and New America Fellow, and author-most recently of the National Book Critics Circle Award finalist Until I Am Free. She lives in Providence, Rhode Island. Timothy Welbeck is the Director for the Center of Anti-Racism at Temple University. A Civil Rights Attorney by training, Timothy is a scholar of law, race, and cultural studies whose work has allowed him to contribute to various media outlets, such as the CNN, CBS, BBC Radio 4, The Washington Post, The Philadelphia Inquirer, NPR, The New York Times, and REVOLT TV. Timothy lives in the Philadelphia area with his wife and three children. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night! All tickets are non-refundable. (recorded 10/27/2025)

durée : 00:05:07 - Journal de 7 h - Né à Toronto, Ephraïm Owen Goldberg, dit Frank Gehry, s'est illustré dans le déconstructivisme et le post-structuralisme. Célèbre pour ses courbes et ondulations, ce géant de l'architecture contemporaine a notamment signé le Musée Guggenheim, à Bilbao, ou la Fondation Louis Vuitton, à Paris.

Ruth Ben-Ghiat is Professor of History at New York University. She writes about fascism, authoritarianism, and propaganda. She is the recipient of Guggenheim and other fellowships; an advisor to Protect Democracy; an MSNBC opinion columnist and television commentator; and publishes Lucid, a newsletter on threats to democracy. Her latest book, Strongmen: Mussolini to the Present, looks at how illiberal leaders use propaganda, corruption, violence, and machismo - and how they can be defeated. Has Donald Trump been weakened by recent elections, scandals, and his own chaos and incompetence? Is he less of a threat to democracy today than he was in January? What might he do next as his approval continues to plummet and his desperation increases? How effective has the resistance movement been? And how concerned should we be about Pete Hegseth and Trump's grip on the military? Ruth shares her thoughts on these questions and more. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

durée : 00:05:07 - Journal de 7 h - Né à Toronto, Ephraïm Owen Goldberg, dit Frank Gehry, s'est illustré dans le déconstructivisme et le post-structuralisme. Célèbre pour ses courbes et ondulations, ce géant de l'architecture contemporaine a notamment signé le Musée Guggenheim, à Bilbao, ou la Fondation Louis Vuitton, à Paris.

In this episode of "Dance Talk” ® with Joanne Carey , host Joanne Carey interviews Emily CoatesIn this episode of  "Dance Talk” ® with Joanne Carey engages in a deep conversation with dancer, choreographer, and writer Emily Coates. They explore Emily's journey from her early dance training in ballet to her transition into modern dance, her experiences working with renowned figures like Baryshnikov, and her current project 'Tell Me Where It Comes From.' Tell Me Where It Comes From, was sparked by the discovery of an archival box housed at the Wadsworth Atheneum Museum of Art in Hartford, Connecticut, chronicling George Balanchine's brief touchdown there in 1933. The discussion highlights the importance of following one's artistic instincts, the role of dance history, and the collaborative nature of creating new work. Emily shares insights on the creative process, the significance of archival research, and the impact of dance on personal and artistic growth.Emily Coates is a dancer, choreographer, and writer and has performed internationally with New York City Ballet (1992-98), Mikhail Baryshnikov's White Oak Dance Project (1998-2002), Twyla Tharp Dance (2001-2003), and Yvonne Rainer and Group (2005-present), and worked with an array of choreographers, including Jerome Robbins, Angelin Preljocaj, Trisha Brown, Deborah Hay, Mark Morris, John Jasperse, and Sarah Michelson. Career highlights include performing three duets with Baryshnikov, in works by Morris, Karole Armitage, and Erick Hawkins.Her choreographic work has been commissioned and presented by Danspace Project, Performa, Baryshnikov Arts Center, Works & Process at the Guggenheim, Ballet Memphis, Wadsworth Atheneum, Carnegie Hall, University of Chicago, Yale Repertory Theatre, Yale Art Gallery, and Columbia Ballet Collaborative, among other venues. She is currently completing a film project titled “Dancing in the Invisible Universe” in collaboration with filmmaker John Lucas and Yale's Wright Laboratory.Her essays have appeared in PAJ: A Journal of Performance and Art, The Huffington Post, Theater, PEAK Journal, programs and an exhibition catalogue for the Paris Opera Ballet, and in the forthcoming Oxford Handbook of Contemporary Ballet. Her awards and distinctions include the School of American Ballet's Mae L. Wein Award for Outstanding Promise; the Martha Duffy Memorial Fellowship at the Baryshnikov Arts Center; Yale's Poorvu Family Award for Interdisciplinary Teaching; a grant from the Alfred P. Sloan Foundation in the category of Public Understanding of Science, Technology, and Economics; a 2016 Fellowship at the Center for Ballet and the Arts at NYU; and a 2019 Jerome Robbins Dance Division Dance Research Fellowship at the New York Public Library for the Performing Arts at Lincoln Center. She graduated magna cum laude with a BA in English and holds an MA and MPhil in American Studies from Yale. Her first book, Physics and Dance, co-written with her longtime collaborator, particle physicist Sarah Demers, was released in January 2019 by Yale University Press.She is Professor in the Practice in Theater, Dance and Performance Studies at Yale University, with a secondary appointment in Directing at the Yale School of Drama. She has directed the dance studies concentration at Yale since its inception in 2006.Informationhttps://campuspress.yale.edu/emilycoates/Make plans to check out this piece on tour!February 26, 2026 at The Avery Theater , Hartford ConnecticutApril 23 & 24th 2026 at Schwarzman Center , Yale University“Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."https://dancetalkwithjoannecarey.com/Please leave us a Review.You support the podcast:https://gofund.me/e561b42acFollow Joanne Carey on Instagram@westfieldschoolofdance

Miguel is joined by a returning guest, journalist Abraham Marquez. In this episode, we discuss ICE and the 2025 World Series champion Dodgers. Throughout the 2025 baseball season, Dodgers Chairman Mark Walter and Guggenheim Baseball Management have made headlines by first having the Dodgers team visit the Trump White House in April 2025 to honor the 2024 championship team. Additionally, the Dodgers were accused in June 2025 of allowing ICE to stage operations inside their parking lots, and most recently, in November 2025, ICE once again staged at a parking lot near Dodger Stadium the day after the 2025 Dodgers championship parade. Lastly, Guggenheim has investments in GEO Group and Palantir Technologies. We do our best to talk about it all, including the contradictions of Dodger fandom and the fallacy of ethical consumption under capitalism. Abraham Marquez is a freelance writer from Inglewood, California, and a National Association of Hispanic Journalists (NAHJ) member. He is a 2021 USC Annenberg Center for Health Journalism fellow. He's reported from Tijuana, Nicaragua, Guatemala, and Honduras, and writes about social movements, immigration, politics, and sports.He currently has a Substack at https://abemarquez.substack.com/ and is a contributor for LA Taco, The Southland and others. Links:The Dodgers had their ‘shut up and dribble' moment by Abraham Marquez L.A. Dodgers Owner's Ties to Private Prisons and Surveillance Spark Backlash from Latino Fans by NNPAFederal Immigration Agents Spotted In Dodgers Parking Lot, Day After Championship Parade by Lexis-Olivier Ray/LA Taco After LA's Summer of immigration raids, is it OK to root for the Dodgers in the World Series? By Fidel Martinez/De Los and LA TimesMiguel Garcia produced this episode. The Sports As A Weapon Podcast is part of the @Anticonquista Media Collective. Subscribe to the ANTICONQUISTA Patreon and follow ANTICONQUISTA on YouTube, Instagram, Facebook, and Tik Tok!Also, listen/subscribe to the Sports As A Weapon Podcast on Spotify, Apple Podcasts, Amazon Music, Deezer, or wherever you get your podcasts.Follow us on:Twitter/X: @sportsasaweaponFacebook: fb.com/sportsasaweaponpodcastInstagram: @sportsasaweaponpodcastTikTok: @SportsAsAWeaponYouTube: @SportsAsAWeaponBlueSky: @sportsasaweapon.bsky.socialPatreon: https://www.patreon.com/sportsasaweaponpodcast (If you want)Visit our website: www.sportsasaweapon....

Breaking this hour: Amazon announcing new AI chips and models from its re:Invent conference in Las Vegas. Then, Costco sues the Trump administration seeking a tariff refund. More on the timing of that suit and how it relates to the upcoming Supreme Court decision. Plus, Guggenheim lays out its M&A playbook for the next year and how AI is changing the deal environment. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Writer and editor Thomas Beller joins me to discuss his new essay collection Degas at the Gas Station. The essays trace his experience of fatherhood through the landscapes of his own childhood, including the early death of his psychoanalyst father and Tom's later return—wife and children in tow—to the very Manhattan apartment where he was raised. We talk about some of the fundamental conflicts of personal writing, including the ethics of writing about your children and even your ambivalence about parenthood. We also discuss why some writers feel trapped inside the genres that come most naturally to them, how the literary sensibility of The New Yorker shaped the styles of generations of writers, and how Tom is feeling about New York City these days. The episode was recorded on the morning of November 4, Election Day, and Tom talks about why he's voting for Zohran Mamdani—and why he thinks some of my early writing relates directly to Mamdani's platform. Guest Bio: Thomas Beller is a long time contributor to the New Yorker and the author of several books including Lost in the Game: A Book about Basketball, also published by Duke University Press; J.D. Salinger: The Escape Artist; and The Sleep-Over Artist. A 2024-25 Guggenheim fellow, he is a founding editor of Open City Magazine and Books and Mrbellersneighborhood.com, and  Professor and Director of creative writing at Tulane University.

#AD - Cork Street Galleries special episode!We meet art critic Louisa Buck to explore 100 years of Cork Street!Cork Street Galleries this year celebrates its centenary as a pioneering force in the art world, with 2025 marking 100 years as the iconic London art destination. A specially curated programme honours its rich legacy as the historic and enduring home of modern and contemporary art in London.In tribute to the centennial year, a first-of-its-kind initiative, a group exhibition entitled Fear Gives Wings to Courage was staged across all 15 galleries on Cork Street in the Summer, with each gallery presenting a response to a central theme conceived by Tarini Malik, curator of modern and contemporary Art at the Royal Academy of Arts, London.Fear Gives Wings to Courage has been commissioned in three parts as a response to the curatorial theme conceived by Malik. This is comprised of Fear Gives Wings to Courage Part I; a new edition of the Cork Street Galleries Banners Commission forming an outdoor element of the exhibition on view until the end of 2025; Fear Gives Wings to Courage Part II; a presentation of works within each participating gallery space, on view from 11 to 25 July 2025; and Fear Gives Wings to Courage Part III; CATALOGUE Issue 8:0, guest-edited by Malik, which coincided with Frieze London 2025.Taking its title from Jean Cocteau's seminal 1938 work La peur donnant des ailes au courage(Fear Giving Wings to Courage), the exhibition celebrates 100 years of Cork Street and the transformative potential of artists' voices both within gallery spaces and outside of them. Gesturing to the street's long-established cultural history, the exhibition's theme recalls Cork Street's pioneering role in transforming London into a hub for international art practices in the twentieth century, while also making it one of the key platforms in Europe for the expansion of Surrealist and Dadaist movements.13 years after Freddy Mayor established the first gallery on Cork Street in 1925, Peggy Guggenheim opened her 'Guggenheim Jeune' gallery in 1938. While hosting her first show with the famed polymath Jean Cocteau, the gallery stirred up significant controversy due to his painting La peur donnant des ailes au courage (Fear Giving Wings to Courage), which was confiscated by British customs authorities upon arrival in the United Kingdom. Similarly, this exhibition nods to the necessity of the gallery ecosystem in encouraging, upholding and presenting artists' practices that are assertions of agency in the face of societal and political pressures. The galleries on Cork Street were asked to respond to the theme with artists' work that can be thought of as emblematic of Cocteau's unabashed vigour and Guggenheim's abiding belief in supporting artists. The galleries were also encouraged to profile artists who continue to draw from the legacies of Surrealism, not as a mere style or movement within the Western canon, but rather as a state of mind; a fluid, boundless approach of navigating notions of the self and society that transgress borders and temporalities. Follow @CorkStreetGalleries and Visit http://CorkStGalleries.com to discover more about this history of Cork Street as well as current exhibitions! Follow Louisa Buck on her Instagram @LouBuck01 Hosted on Acast. See acast.com/privacy for more information.

We are feeling extra grateful for our creative community this year! 

Ultan Guilfoyle is a filmmaker and an author, who co-curated the landmark 1998 exhibition “The Art of the Motorcycle” at the Solomon R. Guggenheim Museum in New York City. “Installing motorcycles in the rotunda was a thrill,” he recalls. “It was like taking sculptural, three-dimensional objects and putting them up in the space and allowing people to see them in a way they had never seen before.”On this episode of the “Driven to Ride” podcast, Guilfoyle relates the story behind the exhaustive efforts to gather the astounding 111 motorcycles presented in the exhibition. “If you're curating an art exhibition, say you're doing Picasso, you know where all the Picassos are,” he tells host Mark Long. “You make 50 calls, and you've got 40 yeses and 10 nos. At least you got an idea. We had no idea.”Co-curator Charles Falco and Guilfoyle had a list of 50 “must-have” motorcycles, without which they had little hope of achieving their lofty exhibition goals. Twenty-one of those machines were ultimately lent to the Guggenheim by the Barber Vintage Motorsports Museum in Birmingham, Alabama. That, Guilfoyle says, led to a relationship with founder George Barber, a relationship that continues to this day. Connect with Us:Website: www.driventoridepodcast.comInstagram: www.Instagram.com/driventoridepodcastFacebook: www.facebook.com/driventorideEmail:hello@driventoridepodcast.com

Drawing from her experience as an author and cultural critic who consistently challenges predictable opinions, Roxane Gay urges us to embrace the danger and discomfort of dissent. But in an age of polarised opinion warfare, this comes at a personal and professional cost. Courage is an essential ingredient in this strategy, but it can only take you so far. When the tide of viral criticism, is both toxic and overwhelming, it can seem rational either to give up on nuance or withdraw. What does it take to stand your ground and fight for complex and difficult ideas?    Roxane Gay's writing appears in Best American Nonrequired Reading 2018, Best American Mystery Stories 2014, Best American Short Stories 2012, Best Sex Writing 2012, Harper's Bazaar, A Public Space, McSweeney's, Tin House, Oxford American, American Short Fiction, Virginia Quarterly Review, and many others. She is a contributing opinion writer for The New York Times where she also writes the "Work Friend" column. She is the author of the books Ayiti, An Untamed State, The New York Times' bestselling Bad Feminist, the nationally bestselling Bad Feminist and The New York Times' bestselling Hunger: A Memoir of My Body and the nationally bestselling Opinions: A Decade of Arguments, Criticism, and Minding Other People's Business. She is also the author of the Eisner Award winning World of Wakanda for Marvel and the editor of Best American Short Stories 2018. She is currently at work on film and television projects, a book of writing advice, an essay collection about television and culture, and a YA novel entitled The Year I Learned Everything. In 2018, she won a Guggenheim fellowship. She is also the Gloria Steinem Endowed Chair in Media, Culture and Feminist Studies at Rutgers University-New Brunswick.

Today, we're putting The Tonearm's needle on saxophonist and composer Miguel Zenón.A MacArthur Fellow, Guggenheim recipient, and Grammy winner, Miguel has spent over two decades creating music that connects jazz tradition with Puerto Rican rhythms and modern composition.He's here to talk about his latest release, Vanguardia Subterránea - his quartet's first live album, captured at the Village Vanguard with musicians he's played with for twenty years. Miguel and I first spoke in 2011 about his role as both an artist and an educator. Now, fourteen years later, we pick up that conversation as he reflects on what it means to document this long-running musical partnership in one of jazz's most sacred spaces.(The musical excerpts heard in the interview are from Miguel Zenón's album Vanguardia Subterránea)–Dig DeeperArtist and AlbumVisit Miguel Zenón at miguelzenon.com and follow him on Instagram, Facebook, YouTube, and BandcampPurchase Miguel Zenón Quartet's Vanguardia Subterránea: Live at The Village Vanguard from Bandcamp or Qobuz and listen on your streaming platform of choiceMiguel Zenón Quartet MembersLuis Perdomo (piano) - Visit luisperdomojazz.comHans Glawischnig (bass) - Visit hansglawischnig.comHenry Cole (drums) - Visit henry-cole.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, we're putting The Tonearm's needle on saxophonist and composer Miguel Zenón.A MacArthur Fellow, Guggenheim recipient, and Grammy winner, Miguel has spent over two decades creating music that connects jazz tradition with Puerto Rican rhythms and modern composition.He's here to talk about his latest release, Vanguardia Subterránea - his quartet's first live album, captured at the Village Vanguard with musicians he's played with for twenty years. Miguel and I first spoke in 2011 about his role as both an artist and an educator. Now, fourteen years later, we pick up that conversation as he reflects on what it means to document this long-running musical partnership in one of jazz's most sacred spaces.(The musical excerpts heard in the interview are from Miguel Zenón's album Vanguardia Subterránea)–Dig DeeperArtist and AlbumVisit Miguel Zenón at miguelzenon.com and follow him on Instagram, Facebook, YouTube, and BandcampPurchase Miguel Zenón Quartet's Vanguardia Subterránea: Live at The Village Vanguard from Bandcamp or Qobuz and listen on your streaming platform of choiceMiguel Zenón Quartet MembersLuis Perdomo (piano) - Visit luisperdomojazz.comHans Glawischnig (bass) - Visit hansglawischnig.comHenry Cole (drums) - Visit henry-cole.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Episode No. 733 features curators Diana Seave Greenwald and Megan Fontanella. With Christina Michelon, Greenwald is the co-curator of "Allan Rohan Crite: Urban Glory" at the Isabella Stewart Gardner Museum and the Boston Athenaeum. Both presentations are on view through January 19, 2026. (Theodore Landsmark co-curated the ISGM presentation.) The exhibition surveys the career of Boston-based Crite, whose work spotlighted Boston neighborhoods such as Lower Roxbury and the South End, the challenges they faced from gentrification and so-called urban renewal, and Christianity.  A fine exhibition catalogue was published by the two institutions. Amazon and Bookshop offer it for $42. Fontanella is the curator of "Gabriele Münter: Contours of a World" at the Solomon R. Guggenheim Museum in New York. Across more than 50 paintings and almost 20 photographs, the exhibition survey's Münter's work and finds that it was involved in avant-garde presentations of landscape, still life, and portraiture. Fontanella curated the photography section of the exhibition with Victoria Horrocks. "Contours of a World" is on view through April 26, 2026. A catalogue was published by the Guggenheim. Amazon and Bookshop offer it for about $55. Instagram: Diana Seave Greenwald, Megan Fontanella, Tyler Green. Air date: November 20, 2025.

Princess Alia Al-Senussi, PhD, is a leading member of the contemporary art world, with a special emphasis in her academic, personal and professional work on visual arts and culture in the Middle East, holding a doctorate degree in politics from SOAS which analyzed the nexus of soft power and cultural diplomacy in the context of networks of patronage, with a case study of Saudi Arabia.  Dr. Al-Senussi is a founding member of the Tate's Acquisitions Committee for the Middle East and North Africa, the Board of 1:54 The African Art Fair, and the Middle East Circle of the Guggenheim. Amongst other positions, Dr. Al-Senussi is Chair of the K11 International Council and a member of the Tate Modern Advisory Council, the board of the Serpentine Future Contemporaries and the Strategic Advisory Council of Delfina Foundation. Dr. Al-Senussi's work has encompassed a variety of other initiatives in the global art world, including being integral to the founding of Art Dubai, as well as the international advisory board of Edge of Arabia, the Advisory Board of Ikon Gallery, and the Advisory Group of Photo London.  Dr. Al-Senussi is Senior Advisor, International Outreach and the VIP Representative for the United Kingdom, as well as the Middle East and North Africa, for Art Basel and a Senior Advisor to the Saudi Ministry of Culture focusing on work with the Diriyah Biennale Foundation and will be lecturing this autumn at VCU Qatar.She and Zuckerman discuss cultural diplomacy and soft power, women and self-confidence, being more than one thing, recent travel and exhibitions, and where feels like home!

Three-timer Mary Elizabeth Ellis is back to promote her new season of “A Man On The Inside,” as well as her directorial debut with her short film “Last To Leave.” NBA legend Bill Walton returns and tries to barter for access to Scott's property. Cruchette Dungan is here again—this time after a wild night of team building on the town. Finally, first-time, big time guest Lotto Bosko joins the panel to talk about his AI assisted comedy show. Don't forget to check out the Comedy Bang! Bang! Action Figures at shop.figurecollections.com and go to actionfigureseller.com for international purchases. If you want more great episodes of Comedy Bang! Bang! become a subscriber at comedybangbangworld.com. We have all of the past episodes from the archives, every live show, ad-free new episodes, and original shows like CBB Presents and Scott Hasn't Seen. Find more great Comedy Bang! Bang! merch at https://www.podswag.com/collections/comedy-bang-bang Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/cbb Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome to the final installment of my interview with Beth Macy, award-winning and New York Times bestselling author of “Factory Man,” “Dopesick,” and her newest book, “Paper Girl,” which uses a blend of memoir and reporting to examine the rural-urban divide through the lens of her hometown of Urbana, Ohio.Beth was the first in her family to go to college, an event that drastically changed and maybe even saved her life. She's gone on to become a Guggenheim fellow and a Nieman fellow for journalism at Harvard.In today's episode we find out what Beth knows at this moment about where her personal throughline is leading her next. And I ask her my fast final five questions about what she's reading, watching, listening to, and fantasizing about eating.We cover:- Why she's feeling called to activism- How she patched things up with her brother, who's on the other end of the political divide- Robert Guy, the Kentucky writer whom Beth considers her “Appalachian sensei”- The Netflix show “about England before it was England” her hairdresser told her about that she loved- Palmyra, her younger son's band that's touring–keep an eye out!Connect with Beth on Bluesky and/or Instagram @bethmacy.For full show notes with links to everything we discuss, plus bonus photos!, visit katehanley.substack.com.Thank you for listening!And thanks to this week's sponsor, Air Doctor Pro. Visit airdoctorpro.com and use code KATE to save 30% off an amazing indoor air filter *and* receive a free three-year warranty (an $84 value). Learn more about your ad choices. Visit megaphone.fm/adchoices

In den 80ern stand Bilbao vor dem Abgrund: Smog, Gewalt, 25% Arbeitslosigkeit. Dann kam das Guggenheim-Museum. Ein mutiger Wurf, der als Größenwahn galt – und eine ganze Stadt veränderte. Viele Unternehmen behandeln Business Intelligence wie eine weitere IT-Initiative. Dabei könnte es ihr „Guggenheim" sein: Der zentrale Taktgeber, der alle Bereiche in Bewegung bringt. In Podcast erkläre ich, warum BI-Projekte oft im Projektdschungel untergehen – und wie der Bilbao-Effekt auch bei Datenprojekten funktioniert.

With 30 generations in the wine business, the Frescobaldis have a long-term view of the wine business. This mindset has enabled Ornellaia to become a global icon. Lamberto Frescobaldi, President of Frescobaldi, discusses how Ornellaia established and maintained its status as a global icon. Detailed Show Notes: Background: grew up in the Italian countryside, studied at UC Davis, learned the wines of the world working at Corti Bros in SacramentoFrescobaldi family30 generations in wineNow in Tuscany, Northern Italy, Oregon, & SicilyFocused only on wineOrnellaia overviewCabernet Sauvignon, Petit Verdot, Merlot basedBolgheri not historically known as a wine region, not good for SangioveseSassicaia, Orenellaia, & Masseto put Bolgheri on the mapFrom year 1, quality was consistently goodFounded by Antinoris, Mondavis invited Frescobaldis to partner (Feb 2002), when Mondavi sold to Constellation (2004), Frescobaldi bought out Ornellaia (April 1, 2005)Frescolbaldis have long-term view, have owned Castiglioni since 1052Distribution is mostly allocated due to limited quantitiesConsistent in giving allocations to people who bought the year beforeGrew distribution globally to maintain scarcityFocused on top restaurants first, get in the right accounts3rd party validation (wine critics, famous artists, top restaurants) key to building reputationVendemmia d'ArtistaGreat artists interpret the wineEach vintage given a name (e.g. - power, elegance)Partnership w/ the Guggenheim globally introduces wine to art collectorsArtist label on large formats and 1 bottle of each 6 bottle caseOrnellaia Blanco1st planting by Antinori was Sauvignon BlancCooler, north facing site, small amount producedAged same amount of time as red, not aromatic, but complexMonitors secondary market to help learn about wine's age ability, if prices dropping, implies inability to ageNot sure if people buy Ornellaia from seeing it on social media, but allows winery to connect directly to customersNegative macro market conditions and trade wars not impacting Ornellaia much, 3rd wine (Le Volte) more susceptible, but haven't seen impact yet Hosted on Acast. See acast.com/privacy for more information.

This week on the Art Problems podcast interview series "Inside Netvvrk", I'm talking with Brent Showalter, a multidisciplinary artist whose brilliantly colored paintings and photographs transform layered compositions of color and shape into vibrating surfaces. Brent runs multiple businesses and brings that same strategic mindset to his art practice. In doing so, he's able to devote more time to his art. We talk about how his accountability group helped him finally organize his entire archive, and what it takes to feel confident when opportunity knocks—whether that's the director of the Guggenheim walking into your studio or an Instagram comment from a curator. Brent also shares how that casual comment turned into a curated opportunity in 24 hours—because he had everything ready to go. If you've been wondering whether Netvvrk is worth the investment, this conversation will help. It shows what happens when you stop reinventing the wheel and start using the tools that already work.

In the 40th episode of our "Reading the Art World" podcast, Megan Fox Kelly speaks with the Guggenheim's Megan Fontanella, Curator of Modern Art and Provenance, about her beautifully researched book "Gabriele Münter: Contours of a World," published by Guggenheim Museum Publications, distributed by Artbook DAP.Our conversation reveals the life and art of Gabriele Münter, a pioneering German Expressionist whose bold use of color and form helped define early modernism—yet whose place in art history has long been understated. Fontanella traces Münter's path from her early photographic work during travels in the United States (1898-1900) to her vibrant paintings that reimagined landscape, still life, and portraiture through radical simplification and expressive color.We discuss Münter's role as cofounder of Der Blaue Reiter (The Blue Rider), the influential collective that included Vasily Kandinsky and other progressive artists who pushed the expressive potential of color and symbolic form. Fontanella shows how Münter developed her distinctive visual language—one that sought to "convey an essence" rather than imitate reality—offering a lyrical alternative to the pure abstraction that dominated much of early Modernism.One of the most compelling parts of our conversation addresses Münter's actions during World War II, when she hid major works by herself and other Blue Rider artists in the basement of her home in Murnau, Germany, protecting them from Nazi confiscation. This act of quiet courage preserved a vital chapter of modern art history. Fontanella reflects on how women artists of Münter's generation have been systematically undervalued, and how recent scholarship is finally restoring Münter to her place in the modernist canon.For anyone interested in German Expressionism, the recovery of women artists' legacies, or the collaborative networks that shaped the early 20th-century avant-garde, this episode offers essential insights into an artist whose vision continues to inspire—and whose work deserves far greater recognition.ABOUT THE AUTHORMegan Fontanella is Curator of Modern Art and Provenance at the Solomon R. Guggenheim Museum. She is recognized as an expert in provenance research with a focus on World War II spoliation issues. Fontanella graduated from Dartmouth College with a BA in art history and received her MA from the Courtauld Institute of Art, London, where she specialized in late 19th-century French art.ABOUT THE EXHIBITION"Gabriele Münter: Contours of a World" is on view at the Solomon R. Guggenheim Museum, New York, from November 7, 2025 through April 26, 2026. The exhibition presents over fifty paintings across three Tower galleries, alongside nineteen photographs Münter captured during her extended stay in the United States. Learn more here: https://www.guggenheim.org/exhibition/gabriele-munterPURCHASE THE BOOKhttps://www.guggenheimstore.org/gabriele-munter-contours-of-a-worldSUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market. They are an opportunity to engage further with the minds behind these insightful new publications.Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

Este jueves volvemos a sintonizar 'Radio Lindo' con la escritora y periodista Elvira Lindo para hablar sobre la hiperpaternidad. Abrimos una edición especial de La Ventana del Arte desde el Museo Guggenheim de Bilbao con su directora, Miren Arzalluz, y Miquel del Pozo. Nieves Concostrina nos trae un nuevo paseo por la historia. Nuestro pianista, Juan Pérez Floristán, vuelve al piano de 'La Ventana' para aclararnos algunos conceptos como el de la apropiación cultural o la música clásica.

Send us a textIn this episode of Sidecar Sync, Mallory Mejias is joined by marine biologist and behavioral researcher Dr. Denise Herzing for a one-of-a-kind conversation about dolphins, data, and deep learning. Dr. Herzing shares insights from her 40-year study of Atlantic spotted dolphins and how that lifetime of underwater research is now powering DolphinGemma—an open-source large language model trained on dolphin vocalizations. The two discuss what it means to label meaning in animal communication, how AI is finally catching up to the natural world, and why collaboration across disciplines is essential to understanding both language and intelligence—human or otherwise.Dr. Denise Herzing is the Founder and Research Director of the Wild Dolphin Project, leading nearly four decades of groundbreaking research on Atlantic spotted dolphins in the Bahamas. She holds degrees in Marine Zoology and Behavioral Biology (B.S., M.A., Ph.D.) and serves as an Affiliate Assistant Professor at Florida Atlantic University. A Guggenheim and Explorers Club Fellow, Dr. Herzing has advised the Lifeboat Foundation and American Cetacean Society and sits on the board of Schoolyard Films. Her work has been featured in National Geographic, BBC, PBS, Discovery, and her TED2013 talk. She is the author of Dolphin Diaries and co-editor of Dolphin Communication and Cognition. 

I am so excited to say that my guest on the GWA Podcast today is the esteemed curator, Megan Fontanella. A specialist in Modern Art and Provenance at the Guggenheim New York, Fontanella's research interests focus on late 19th and early 20th European art and the avant-garde in the USA. She has organised a plethora of exhibitions for the Guggenheim across the globe, from Visionaries: Creating a Modern Guggenheim (2017); Kandinsky (2020–21); Kandinsky: Around the Circle (2021–22; 2023–24); Young Picasso in Paris (2023), as well as travelling collection exhibitions in Australia, Canada, and Europe. But the reason why we are speaking to Fontanella today is because she is very excitingly curating a monumental exhibition by the German Expressionist, Gabriele Münter. Titled Contours of a World, the show – opening 7 November through to April 2026 – will feature 60 of the artist's luminous, bold, sometimes rapidly-made paintings – from her portraits of friends to landscapes of the German alpine town of Murnau – that chart the changing face of modernism in art. Focusing on 1908 to 1920, it will deep-dive into her involvement with “The Blue Rider” – a group of visionary artists and writers who explored how colour and form could evoke emotion and spiritualist ideas – to the works she made during the First World War. Gabriele Münter: Contours of a World is on view at Guggenheim New York, 7 Nov – 26 Apr 2026: https://www.guggenheim.org/exhibition/gabriele-munter Artists mentioned: Gabriele Münter (1877–1962) Wassily Kandinsky (1866–1944) Marianne von Werefkin (1860–1938) Der Blaue Reiter (“The Blue Rider”) group Artworks mentioned: Gabriele Münter - Still Life on the Tram After Shopping (1909–1912) Gabriele Münter - Portrait of Marianne Werefkin (1909) Gabriele Münter - Boating (1910) Gabriele Münter - Meditation (1917) Gabriele Münter - Future (Woman in Stockholm) (1917) Gabriele Münter - Portrait of Anna Roslund (1917) Gabriele Münter - Lady in an Armchair, Writing (1929) Gabriele Munter -  Breakfast of the Birds (1934)

Snake Draft! In order of it being Halloween we are drafting people at our station that would survive a Zombie Apocalypse. PICKS AGAINST THE SPREAD. Beto Duran comes in for a segment. It is our Pechanga Pick of the week! NBA Commissioner Adam Silver approved the sale of Mark Walter and Guggenheim group for the Los Angeles Lakers yesterday. What changes are going to be made? Learn more about your ad choices. Visit podcastchoices.com/adchoices

Marley Kayden and Charles Moon cover Microsoft (MSFT) for The Morning Trade. Marley discusses the Guggenheim analyst upgrade, which cites optimism around its position within the AI sector. Charles Moon brings a “high risk” example options trade for the stock.======== Schwab Network ========Empowering every investor and trader, every market day.Options involve risks and are not suitable for all investors. Before trading, read the Options Disclosure Document. http://bit.ly/2v9tH6DSubscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-...Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-...Watch on Sling - https://watch.sling.com/1/asset/19192...Watch on Vizio - https://www.vizio.com/en/watchfreeplu...Watch on DistroTV - https://www.distro.tv/live/schwab-net...Follow us on X – / schwabnetwork Follow us on Facebook – / schwabnetwork Follow us on LinkedIn - / schwab-network About Schwab Network - https://schwabnetwork.com/about

Recorded live at the Comixology Originals booth during New York Comic Con 2025, Jace sits down with acclaimed writer Mark Guggenheim to discuss his imaginative new series The Adventures of the Ulysses Monarch. Described as an Indiana Jones-style adventure set in the year 3026, the story blends pulpy treasure-hunting with sci-fi wonder as future archaeologists uncover the “ancient” relics of our own 21st century. Guggenheim talks about balancing the spectacle and emotion that drive the book, highlighting the dynamic art by Harvey Tolibao and vibrant colors from Mark Englert, along with the snarky charm of the robot sidekick Francis. He also teases the possibility of another volume as conversations with Comixology continue and shares how readers can explore more of his creative process through his Legal Dispatch newsletter on Substack. It's a lively NYCC conversation that captures the fun, imagination, and emotional heart behind Ulysses Monarch.

Markets react to a flood of earnings and shifting sector stories. Ohsung Kwon, Wells Fargo Chief Equity Strategist, joins to break down where stocks go from here. Matt Bryson of Wedbush analyzes Intel's results, while Arjun Murti revisits the oil trade. Plus, Diana Olick unveils CNBC's new Housing Survey, and Alex Ramirez of Guggenheim explains why data center dealmaking is exploding. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Walker Art Center's new exhibit, “Dyani White Hawk: Love Language,” is now open and runs through Feb. 15. The show is White Hawk's largest to date, a milestone in an already distinguished career that includes MacArthur “Genius” and Guggenheim fellowships, and acquisitions by the Whitney Museum of Contemporary Art in New York and the Smithsonian National Museum of the American Indian in Washington D.C.White Hawk reflected on her exhibit's opening weekend in Minneapolis with MPR News host Nina Moini.

Music is math that you can dance to. The fact that certain notes sound good when played together, or in succession, is related to the mathematical properties of the frequencies to which they correspond, an idea that goes back as far as Pythagoras himself. These days we have a much more intricate understanding of these relationships and how to manipulate them. I talk to composer and music theorist Dmitri Tymoczko about how different musical scales are constructed and the math underlying what sounds good.Blog post with transcript: https://www.preposterousuniverse.com/podcast/2025/10/20/332-dmitri-tymoczko-on-the-mathematics-behind-music/Support Mindscape on Patreon.Dmitri Tymoczko received a Ph.D. in music composition from the University of California, Berkeley. He is currently a professor of music at Princeton University as well as a composer and performer. He has been the recipient of Rhodes and Guggenheim fellowships. As a composer, his works have been performed by multiple groups, and recorded on several albums.Personal web sitePrinceton web pageMad Musical ScienceSpiral diagrams: rock music, classical musicGoogle Scholar publicationsAmazon author pageWikipediaWilliam Sethares's Tuning Timbre Spectrum ScaleSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Peter Orner is the author of seven acclaimed books including Maggie Brown & Others, Love and Shame and Love, Esther Stories, finalist for the Pen/ Hemingway Award, and Am I Alone Here?, finalist for the National Book Critics Circle Award. His work has appeared in the New Yorker, the Paris Review, Best American Stories, and been awarded four Pushcart Prizes. A former Guggenheim fellow and recipient of the Rome Prize from the American Academy of Arts and Letters, Orner is chair of the English and Creative Writing Department at Dartmouth College. He lives with his family in Vermont, where he's also a volunteer firefighter. Learn more about your ad choices. Visit megaphone.fm/adchoices

American Express (AXP) showed confidence in its earnings after posting a beat and guidance raise. Diane King Hall talks about how the company targeting affluent customers helps its financial picture. Zions Bancorporation (ZION) got an upgrade from Baird as the firm cites a long-term buy opportunity following a sharp sell-off on Thursday. Diane also touches on Big Tech with Alphabet's (GOOGL) latest price target hike from Guggenheim.======== Schwab Network ========Empowering every investor and trader, every market day. Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/ About Schwab Network - https://schwabnetwork.com/about

“Guggenheim Abu Dhabi is a unique concept. The idea behind the building itself is a dance. It's a living building because it's a dance between spaces. It's a dance between blocks of spaces and shapes and cones, and it's inspiring for the future because the legacy is a huge factor for every project. It's the legacy for young architects and for other architects. It gives them the space to dream more and to feel like it can be possible, and not to be shy. Present more bold ideas that can inspire creativity because you can't see this building and walk in without feeling like you want to be creative as well.”Art museums have long been pillars of culture, but they are now at a critical juncture, navigating a new era defined by artificial intelligence, immersive technology, and the shifting habits of a global audience. The challenge is immense: how do you honor artistic tradition while building a museum for the future? On Saadiyat Island, Abu Dhabi is answering this question in a dramatic way, with the Guggenheim Abu Dhabi. Designed by the visionary architect Frank Gehry, this $1 billion project is more than just a new museum; it's a statement—a new cultural superpower announcing itself on the world stage. It will be the largest contemporary art museum in the world, several times the size of the Guggenheim in New York, and a key part of their constellation of museums that is expected to contribute an estimated $200 million annually to the local economy. In the lead-up to its 2027 opening, the Guggenheim Abu Dhabi is embracing a new vision: moving from an "exhibition economy" to an "experience economy," where art becomes a conversation, a laboratory for ideas at the intersection of creativity and technology. Amr Hussein is the Digital Media Manager for the Guggenheim Abu Dhabi, and with a background in major sports broadcasting—from the FIFA World Cup to the Olympic Games—he's bringing a unique perspective to digital storytelling in the arts. We talk to him about his journey and how he's helping shape the digital narrative for this landmark museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“At Guggenheim Abu Dhabi, I work with a very international team—people from all over the world, around 50 nationalities in this museum. I've never worked in such an environment, and it's inspiring. When you talk to someone from a different country, you can't help but be inspired. The most important thing for me is to feel fulfilled, and I find fulfillment in learning something new and being inspired every day. Of course, it doesn't have to be the same for everyone. People can find fulfillment in charity or teaching kids. Everyone chooses what makes them feel fulfilled, as long as it's meaningful.”Art museums have long been pillars of culture, but they are now at a critical juncture, navigating a new era defined by artificial intelligence, immersive technology, and the shifting habits of a global audience. The challenge is immense: how do you honor artistic tradition while building a museum for the future? On Saadiyat Island, Abu Dhabi is answering this question in a dramatic way, with the Guggenheim Abu Dhabi. Designed by the visionary architect Frank Gehry, this $1 billion project is more than just a new museum; it's a statement—a new cultural superpower announcing itself on the world stage. It will be the largest contemporary art museum in the world, several times the size of the Guggenheim in New York, and a key part of their constellation of museums that is expected to contribute an estimated $200 million annually to the local economy. In the lead-up to its 2027 opening, the Guggenheim Abu Dhabi is embracing a new vision: moving from an "exhibition economy" to an "experience economy," where art becomes a conversation, a laboratory for ideas at the intersection of creativity and technology. Amr Hussein is the Digital Media Manager for the Guggenheim Abu Dhabi, and with a background in major sports broadcasting—from the FIFA World Cup to the Olympic Games—he's bringing a unique perspective to digital storytelling in the arts. We talk to him about his journey and how he's helping shape the digital narrative for this landmark museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Guggenheim Abu Dhabi is a unique concept. The idea behind the building itself is a dance. It's a living building because it's a dance between spaces. It's a dance between blocks of spaces and shapes and cones, and it's inspiring for the future because the legacy is a huge factor for every project. It's the legacy for young architects and for other architects. It gives them the space to dream more and to feel like it can be possible, and not to be shy. Present more bold ideas that can inspire creativity because you can't see this building and walk in without feeling like you want to be creative as well.”Art museums have long been pillars of culture, but they are now at a critical juncture, navigating a new era defined by artificial intelligence, immersive technology, and the shifting habits of a global audience. The challenge is immense: how do you honor artistic tradition while building a museum for the future? On Saadiyat Island, Abu Dhabi is answering this question in a dramatic way, with the Guggenheim Abu Dhabi. Designed by the visionary architect Frank Gehry, this $1 billion project is more than just a new museum; it's a statement—a new cultural superpower announcing itself on the world stage. It will be the largest contemporary art museum in the world, several times the size of the Guggenheim in New York, and a key part of their constellation of museums that is expected to contribute an estimated $200 million annually to the local economy. In the lead-up to its 2027 opening, the Guggenheim Abu Dhabi is embracing a new vision: moving from an "exhibition economy" to an "experience economy," where art becomes a conversation, a laboratory for ideas at the intersection of creativity and technology. Amr Hussein is the Digital Media Manager for the Guggenheim Abu Dhabi, and with a background in major sports broadcasting—from the FIFA World Cup to the Olympic Games—he's bringing a unique perspective to digital storytelling in the arts. We talk to him about his journey and how he's helping shape the digital narrative for this landmark museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“At Guggenheim Abu Dhabi, I work with a very international team—people from all over the world, around 50 nationalities in this museum. I've never worked in such an environment, and it's inspiring. When you talk to someone from a different country, you can't help but be inspired. The most important thing for me is to feel fulfilled, and I find fulfillment in learning something new and being inspired every day. Of course, it doesn't have to be the same for everyone. People can find fulfillment in charity or teaching kids. Everyone chooses what makes them feel fulfilled, as long as it's meaningful.”Art museums have long been pillars of culture, but they are now at a critical juncture, navigating a new era defined by artificial intelligence, immersive technology, and the shifting habits of a global audience. The challenge is immense: how do you honor artistic tradition while building a museum for the future? On Saadiyat Island, Abu Dhabi is answering this question in a dramatic way, with the Guggenheim Abu Dhabi. Designed by the visionary architect Frank Gehry, this $1 billion project is more than just a new museum; it's a statement—a new cultural superpower announcing itself on the world stage. It will be the largest contemporary art museum in the world, several times the size of the Guggenheim in New York, and a key part of their constellation of museums that is expected to contribute an estimated $200 million annually to the local economy. In the lead-up to its 2027 opening, the Guggenheim Abu Dhabi is embracing a new vision: moving from an "exhibition economy" to an "experience economy," where art becomes a conversation, a laboratory for ideas at the intersection of creativity and technology. Amr Hussein is the Digital Media Manager for the Guggenheim Abu Dhabi, and with a background in major sports broadcasting—from the FIFA World Cup to the Olympic Games—he's bringing a unique perspective to digital storytelling in the arts. We talk to him about his journey and how he's helping shape the digital narrative for this landmark museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“At Guggenheim Abu Dhabi, I work with a very international team—people from all over the world, around 50 nationalities in this museum. I've never worked in such an environment, and it's inspiring. When you talk to someone from a different country, you can't help but be inspired. The most important thing for me is to feel fulfilled, and I find fulfillment in learning something new and being inspired every day. Of course, it doesn't have to be the same for everyone. People can find fulfillment in charity or teaching kids. Everyone chooses what makes them feel fulfilled, as long as it's meaningful.”Art museums have long been pillars of culture, but they are now at a critical juncture, navigating a new era defined by artificial intelligence, immersive technology, and the shifting habits of a global audience. The challenge is immense: how do you honor artistic tradition while building a museum for the future? On Saadiyat Island, Abu Dhabi is answering this question in a dramatic way, with the Guggenheim Abu Dhabi. Designed by the visionary architect Frank Gehry, this $1 billion project is more than just a new museum; it's a statement—a new cultural superpower announcing itself on the world stage. It will be the largest contemporary art museum in the world, several times the size of the Guggenheim in New York, and a key part of their constellation of museums that is expected to contribute an estimated $200 million annually to the local economy. In the lead-up to its 2027 opening, the Guggenheim Abu Dhabi is embracing a new vision: moving from an "exhibition economy" to an "experience economy," where art becomes a conversation, a laboratory for ideas at the intersection of creativity and technology. Amr Hussein is the Digital Media Manager for the Guggenheim Abu Dhabi, and with a background in major sports broadcasting—from the FIFA World Cup to the Olympic Games—he's bringing a unique perspective to digital storytelling in the arts. We talk to him about his journey and how he's helping shape the digital narrative for this landmark museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“At Guggenheim Abu Dhabi, I work with a very international team—people from all over the world, around 50 nationalities in this museum. I've never worked in such an environment, and it's inspiring. When you talk to someone from a different country, you can't help but be inspired. The most important thing for me is to feel fulfilled, and I find fulfillment in learning something new and being inspired every day. Of course, it doesn't have to be the same for everyone. People can find fulfillment in charity or teaching kids. Everyone chooses what makes them feel fulfilled, as long as it's meaningful.”Art museums have long been pillars of culture, but they are now at a critical juncture, navigating a new era defined by artificial intelligence, immersive technology, and the shifting habits of a global audience. The challenge is immense: how do you honor artistic tradition while building a museum for the future? On Saadiyat Island, Abu Dhabi is answering this question in a dramatic way, with the Guggenheim Abu Dhabi. Designed by the visionary architect Frank Gehry, this $1 billion project is more than just a new museum; it's a statement—a new cultural superpower announcing itself on the world stage. It will be the largest contemporary art museum in the world, several times the size of the Guggenheim in New York, and a key part of their constellation of museums that is expected to contribute an estimated $200 million annually to the local economy. In the lead-up to its 2027 opening, the Guggenheim Abu Dhabi is embracing a new vision: moving from an "exhibition economy" to an "experience economy," where art becomes a conversation, a laboratory for ideas at the intersection of creativity and technology. Amr Hussein is the Digital Media Manager for the Guggenheim Abu Dhabi, and with a background in major sports broadcasting—from the FIFA World Cup to the Olympic Games—he's bringing a unique perspective to digital storytelling in the arts. We talk to him about his journey and how he's helping shape the digital narrative for this landmark museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Guggenheim Abu Dhabi is a unique concept. The idea behind the building itself is a dance. It's a living building because it's a dance between spaces. It's a dance between blocks of spaces and shapes and cones, and it's inspiring for the future because the legacy is a huge factor for every project. It's the legacy for young architects and for other architects. It gives them the space to dream more and to feel like it can be possible, and not to be shy. Present more bold ideas that can inspire creativity because you can't see this building and walk in without feeling like you want to be creative as well.”Art museums have long been pillars of culture, but they are now at a critical juncture, navigating a new era defined by artificial intelligence, immersive technology, and the shifting habits of a global audience. The challenge is immense: how do you honor artistic tradition while building a museum for the future? On Saadiyat Island, Abu Dhabi is answering this question in a dramatic way, with the Guggenheim Abu Dhabi. Designed by the visionary architect Frank Gehry, this $1 billion project is more than just a new museum; it's a statement—a new cultural superpower announcing itself on the world stage. It will be the largest contemporary art museum in the world, several times the size of the Guggenheim in New York, and a key part of their constellation of museums that is expected to contribute an estimated $200 million annually to the local economy. In the lead-up to its 2027 opening, the Guggenheim Abu Dhabi is embracing a new vision: moving from an "exhibition economy" to an "experience economy," where art becomes a conversation, a laboratory for ideas at the intersection of creativity and technology. Amr Hussein is the Digital Media Manager for the Guggenheim Abu Dhabi, and with a background in major sports broadcasting—from the FIFA World Cup to the Olympic Games—he's bringing a unique perspective to digital storytelling in the arts. We talk to him about his journey and how he's helping shape the digital narrative for this landmark museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast