Podcasts about sculpture gardens

When critics hinted Maurice Prendergast was getting a little repetitive as he approached 50, he could've hung up his brushes. After all, he'd been pretty successful. Instead, he headed back to where it all began--Paris--and came away reinvigorated with “a new impulse,” as he called it.   Today's episode takes us to the Hirshhorn Museum and Sculpture Garden in Washington DC. We'll find out how an idea that started with Congress just before the Depression led to an official modern art museum on the National Mall!   SHOW NOTES “A Long Look” themes are "Easy" by Ron Gelinas https://youtu.be/2QGe6skVzSs and “At the Cafe with You” by Onion All Stars https://pixabay.com/users/onion_all_stars-33331904/   Episode music “Scenes from Childhood, Op. 15 - IX. King of the Hobbyhorse” by Robert Schumman Performed by Donald Betts.   “Children's Corner, L. 113 - III. Serenade of the doll” by Claude Debussy Performed by Edward Rosser Both courtesy of musopen.org   “Loopster” by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License https://creativecommons.org/licenses/by/3.0/   Artwork information  Beach at Saint-Malo https://iiif.si.edu/mirador/?manifest=https%3A%2F%2Fids.si.edu%2Fids%2Fmanifest%2FHMSG-HMSG-66.4131 (mirador zoom-in view)   https://hirshhorn.si.edu/collection/artwork/?edanUrl=edanmdm%3Ahmsg_66.4131   Prendergast info https://www.theartstory.org/artist/prendergast-maurice/   https://www.nga.gov/collection/artist-info.5270.html   Maurice Prendergast. Wattenmaker, Richard J, and National Museum of American Art. New York: H.N. Abrams, 1994.  https://archive.org/details/mauriceprenderga0000watt/page/n5/mode/2up    Maurice Prendergast : By the Sea. Homann, Joachim. Brunswick, Maine: Bowdoin college Museum of Art, 2013.   “The Early Art Education of Maurice Prendergast.” Glavin, Ellen. Archives of American Art Journal 33, no. 1 (1993): 2–12. https://www.jstor.org/stable/1557569. (JSTOR)   Hirshhorn info https://hirshhorn.si.edu/explore/the-founding-donor/   https://hirshhorn.si.edu/about-us/   https://siarchives.si.edu/history/hirshhorn-museum-and-sculpture-garden Hirshhorn Museum and Sculpture Garden : The Collection. Brunet, Briana Feston, and Romare Bearden. Edited by Stéphane Aquin, Anne Reeve, and Sandy Guttman. New York: DelMonico Books, 2022.   Transcript available at https://alonglookpodcast.com/saint-malo/

Minnesota has made it's first wage theft criminal conviction. It was after a man underpaid his employees at least 37,000 dollars for their work. We talked to Hennepin County Attorney Mary Moriarty about the office's effort to protect workers. Two mothers whose sons were killed by police in Brooklyn Center have been fighting for police reforms. But four years later, the city is reversing course on some of their initial promises. A Minnesota couple joined the show to talk about their work to make the vanilla bean trade more sustainable. In our “Thank You, Stranger” series, a group of professional women athletes rally around an 8-year-old girl. A hub for the Black community in Minneapolis, the Phyllis Wheatley Community Center, is celebrating 100 years. Our Minnesota Music Minute was “Sculpture Garden” by Semisonic.

Hans Op de Beeck is beeldend kunstenaar. In zijn werk bekijkt hij de samenleving en de zin van het leven. Zijn sculpturen, immersieve installaties en waterverftekeningen, meestal in grijstinten, zijn over de hele wereld tentoongesteld. Van het Smithsonian's Hirshhorn Museum and Sculpture Garden in Washington tot het Screen Space in Melbourne. In zijn nieuwste tentoonstelling ‘Nachtreis', voor het Koninklijk Museum voor Schone Kunsten in Antwerpen, stappen bezoekers een ruimte vol sculpturen over fictieve taferelen in de nacht binnen. Femke van der Laan gaat met Hans Op de Beeck in gesprek.

Dan starts this week with a very bizarre story. It's hard to even explain but we are off to Finland to review a tale about a sculpture garden. Then we head to Saudi Arabia to explore the lore around Bride of the Red Sea. Lynze really goes for it this week with five stories! They are short and quite varied. Her first two deal with family members sticking around after their deaths in very small, kind but still eery ways. Then, because it's March, she offers us a little Leprechaun tale. Then, we hear a tale of poltergeist activity not surrounding an angsty teen, which feels new. Lastly, a shadow figure that seems to leave behind some lasting effects. March Bad Magic Donation: This month, we are sending $11,800 to The AP. Founded in 1846, The AP continues to provide fact based journalism and remains the the most trusted, the most accurate and the most unbiased news source in all formats of news. More than half of the entire worlds population consumes news provided by AP journalists every day. We are excited to support journalists in 100 countries as they continue to report on the biggest stories that affect us all. To learn more about what The AP does, please visit apnews.com. We are also adding $1,300 to the scholarship fund!Thank you for continuing to send in your stories, Creeps and Peepers!Please keep doing so!!Send them to mystory@scaredtodeathpodcast.comSend everything else to info@scaredtodeathpodcast.comWant to be a Patron? Get episodes AD-FREE, listen and watch before they are released to anyone else, bonus episodes, a 20% merch discount, additional content, and more! Learn more by visiting: https://www.patreon.com/scaredtodeathpodcast.Please rate, review, and subscribe anywhere you listen.Thank you for listening!Follow the show on social media: @scaredtodeathpodcast on Facebook and IG and TTWebsite: https://www.badmagicproductions.com/Facebook: https://www.facebook.com/scaredtodeathpodcastInstagram: https://bit.ly/2miPLf5Mailing Address:Scared to Deathc/o Timesuck PodcastPO Box 3891Coeur d'Alene, ID 83816Opening Sumerian protection spell (adapted):"Whether thou art a ghost that hath come from the earth, or a phantom of night that hath no home… or one that lieth dead in the desert… or a ghost unburied… or a demon or a ghoul… Whatever thou be until thou art removed… thou shalt find here no water to drink… Thou shalt not stretch forth thy hand to our own… Into our house enter thou not. Through our fence, breakthrough thou not… we are protected though we may be frightened. Our life you may not steal, though we may feel SCARED TO DEATH."

Faye Toogood is perhaps best known for her Roly-Poly chair, among the more famous pieces of furniture to come out of the 2010s and take over the zeitgeist, but the London-based designer's artistry and craft runs much deeper and spans much wider. She began finding, collecting, cataloging, producing, and editing her “assemblages” long before she ever had a name for them, and her design career has been marked by exactly that, beginning with the debut of Assemblage 1 (2010) and through to her latest, Assemblage 8: Palette (2024). On the whole, Toogood's creations serve as material investigations and discipline-defying attempts to better understand herself. Without formal training in design, Toogood—who was the Designer of the Year at the Maison&Objet design fair in Paris this past January and the Stockholm Furniture Fair's Guest of Honor in February—uses what she describes as the feeling of being “a fraud in the room” to her advantage. Through her work, she is an enigma; with projects across furniture, interiors, fashion, and homewares, she's unwilling to be defined by a single output and has instead built a multilayered practice and belief system that allows her to be “all heart and hands.” On this week's Time Sensitive—our debut of Season 11—Toogood talks about the acts of creation and connection, and how each underscores the enduring play that's ever-present in her work.Special thanks to our Season 11 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Faye ToogoodToogood[3:49] Assemblage 1[7:43] Assemblage 7[13:28] Seamus Heaney[14:50] Isamu Noguchi[14:50] Kan Yasuda[17:23] Roly-Poly chair[18:06] Rachel Whiteread[20:07] Barbara Hepworth Museum and Sculpture Garden[22:45] Matisse Chapel[25:40] “Ways of Seeing”[29:57] “Womanifesto!”[36:55] Assemblage 8[52:17] “The World of Interiors”

Mike Switzer interviews Robin Salmon, vice president of art and historical collections and curator of sculpture at Brookgreen Gardens in Murrells Inlet, S.C.

Reykjavík has a reputation for being an expensive city. Whether you're planning your first trip to Iceland or you're a return visitor, this episode will highlight 15 fantastic activities you can enjoy at no cost while soaking up the unique atmosphere of the city.I've crafted this list with both locals and travelers in mind, ensuring you get a taste of Reykjavík's history, culture, and natural beauty without spending a single krona. If you're someone who loves walking, taking photos, or simply enjoying the simple pleasures of travel, this episode is perfect for you. 1. Admire the Street Art Reykjavík's streets are alive with color and creativity, thanks to the city's vibrant street art scene. Murals, graffiti, and sculptures can be found on walls, buildings, and even sidewalks throughout the city. Many works are commissioned by local businesses or created during festivals like the Reykjavík Art Festival, showcasing the talents of both Icelandic and international artists. These artworks often tell stories about Icelandic culture, folklore, or social issues, adding a layer of depth to your exploration. Walking through areas like Laugavegur, Hlemmur, and Grandi, you'll discover a mix of playful, thought-provoking, and visually stunning pieces.The ever-changing nature of street art ensures that no two visits to Reykjavík will be the same. Whether you're a fan of contemporary art or simply enjoy stumbling upon surprises, the city's street art is sure to leave an impression. 2. Visit Hallgrímskirkja Church Hallgrímskirkja is one of Reykjavík's most recognizable landmarks, drawing visitors from all over the world. This towering church, named after the Icelandic poet and clergyman Hallgrímur Pétursson, is an architectural marvel designed to resemble Iceland's basalt lava flows. The striking exterior is a tribute to the country's unique natural landscapes, and it stands as a symbol of Reykjavík's skyline. While the tower requires a fee to access its panoramic views, entering the main hall is free of charge. Inside, the church's simplicity and minimalist design create a serene and spiritual atmosphere. The massive pipe organ, built by Johannes Klais of Bonn, is a highlight of the interior.Visitors are often treated to organ recitals that fill the space with mesmerizing sounds. Outside the church, don't miss the statue of Leif Erikson, a gift from the United States commemorating the Norse explorer's discovery of North America. Whether you're a history buff, an architecture enthusiast, or just looking for a peaceful spot, Hallgrímskirkja is a must-visit destination. 3. Explore the Free Sculpture Garden at the Einar Jónsson Museum The Einar Jónsson Sculpture Garden, located near Hallgrímskirkja, is a hidden gem that art lovers won't want to miss. This open-air garden features a collection of works by Einar Jónsson, Iceland's first sculptor, whose art is deeply influenced by Icelandic folklore, mythology, and spirituality. The sculptures, crafted in bronze and stone, range from dramatic and thought-provoking to serene and whimsical. As you wander through the garden, you'll gain insight into Iceland's cultural heritage and the artist's unique perspective. The peaceful setting, combined with the stunning views of the city, makes this garden a perfect spot for reflection and inspiration. Best of all, access to the garden is completely free, allowing visitors to enjoy world-class art without spending a penny. The Einar Jónsson Sculpture Garden is a testament to Reykjavík's vibrant art scene and its commitment to making culture accessible to all. 4. Take a photo at the Sun Voyager The Sun Voyager, or Sólfarið, is a striking steel sculpture located along Reykjavík's scenic waterfront. Designed by artist Jón Gunnar Árnason, it symbolizes exploration, progress,

A 2025 preview: Georgina Adam, our editor-at-large, tells host Ben Luke what might lie ahead for the market. And Ben is joined by Jane Morris, editor-at-large, and Gareth Harris, chief contributing editor, to select the big museum openings, biennials and exhibitions.All shows discussed are in The Art Newspaper's The Year Ahead 2025, priced £14.99 or the equivalent in your currency. Buy it here.Exhibitions: Site Santa Fe International, Santa Fe, US, 28 Jun-13 Jan 2026; Liverpool Biennial, 7 Jun-14 Sep; Folkestone Triennial, 19 Jul-19 Oct; Ruth Asawa: A Retrospective, San Francisco Museum of Modern Art, 5 Apr-2 Sep; Museum of Modern Art (MoMA), New York, 19 Oct-7 Feb 2026; Gabriele Münter, Guggenheim Museum, New York, 7 Nov-26 Apr 2026; Musée d'Art Moderne de Paris, 4 Apr-24 Aug; Elizabeth Catlett: a Black Revolutionary Artist, Brooklyn Museum, New York, until 19 Jan; National Gallery of Art (NGA), Washington DC, 9 Mar-6 Jul; Art Institute of Chicago, US, 30 Aug-4 Jan 2026; Ithell Colquhoun, Tate Britain, London, 13 Jun-19 Oct; Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams, Courtauld Gallery, London, 20 Jun-14 Sep; Michaelina Wautier, Kunsthistorisches Museum, Vienna, 30 Sep-25 Jan 2026; Radical! Women Artists and Modernism, Belvedere, Vienna, 18 Jun-12 Oct; Dangerously Modern: Australian Women Artists in Europe, Art Gallery of South Australia, Adelaide, 24 May-7 Sep; Art Gallery of New South Wales, Sydney, 11 Oct-1 Feb 2026; Lorna Simpson: Source Notes, Metropolitan Museum of Art, New York, 19 May-2 Nov; Amy Sherald: American Sublime, SFMOMA, to 9 Mar; Whitney Museum of American Art, New York, 9 Apr-Aug; National Portrait Gallery, Washington DC, 19 Sep-22 Feb 2026; Shahzia Sikander: Collective Behavior, Cincinnati Art Museum, 14 Feb-4 May; Cleveland Museum of Art, US, 14 Feb-8 Jun; Cantor Arts Center, Stanford, US, 1 Oct-25 Jan 2026; Jenny Saville: The Anatomy of Painting, National Portrait Gallery, London, 20 Jun-7 Sep; Linder: Danger Came Smiling, Hayward Gallery, London, 11 Feb-5 May; Arpita Singh, Serpentine Galleries, London, 13 Mar-27 Jul; Vija Celmins, Beyeler Collection, Basel, 15 Jun-21 Sep; An Indigenous Present, ICA/Boston, US, 9 Oct-8 Mar 2026; The Stars We Do Not See, NGA, Washington, DC, 18 Oct-1 Mar 2026; Duane Linklater, Dia Chelsea, 12 Sep-24 Jan 2026; Camden Art Centre, London, 4 Jul-21 Sep; Vienna Secession, 29 Nov-22 Feb 2026; Emily Kam Kngwarray, Tate Modern, London, 10 Jul-13 Jan 2026; Archie Moore, Queensland Gallery of Modern Art, 30 Aug-23 Aug 2026; Histories of Ecology, MASP, Sao Paulo, 5 Sep-1 Feb 2026; Jack Whitten, Museum of Modern Art, New York, 23 Mar-2 Aug; Wifredo Lam, Museum of Modern Art, Rashid Johnson, Solomon R. Guggenheim Museum, New York, 18 Apr-18 Jan 2026; Adam Pendleton, Hirshhorn Museum and Sculpture Garden, Washington DC, 4 Apr-3 Jan 2027; Marie Antoinette Style, Victoria and Albert Museum, London, 20 Sep-22 Mar 2026; Leigh Bowery!, Tate Modern, 27 Feb- 31 Aug; Blitz: the Club That Shaped the 80s, Design Museum, London, 19 Sep-29 Mar 2026; Do Ho Suh, Tate Modern, 1 May-26 Oct; Picasso: the Three Dancers, Tate Modern, 25 Sep-1 Apr 2026; Ed Atkins, Tate Britain, London, 2 Apr-25 Aug; Turner and Constable, Tate Britain, 27 Nov-12 Apr 2026; British Museum: Hiroshige, 1 May-7 Sep; Watteau and Circle, 15 May-14 Sep; Ancient India, 22 May-12 Oct; Kerry James Marshall, Royal Academy of Arts, London, 20 Sep-18 Jan 2026; Kiefer/Van Gogh, Royal Academy, 28 Jun-26 Oct; Anselm Kiefer, Ashmolean Museum, Oxford, 14 Feb-15 Jun; Anselm Kiefer, Van Gogh Museum, Stedelijk Museum, Amsterdam, 7 Mar-9 Jun; Cimabue, Louvre, Paris, 22 Jan-12 May; Black Paris, Centre Pompidou, Paris, 19 Mar-30 Jun; Machine Love, Mori Art Museum, Tokyo, 13 Feb-8 Jun Hosted on Acast. See acast.com/privacy for more information.

It's getting chilly, the holiday season is here, and that means it's December in D.C.! Our team is here to give you all the tips and tricks to have the best December ever, from ice skating at the Sculpture Garden to noshing on soup dumplings. Check out Hey DC's take on what to do this month. And if you're finding our recs helpful, please consider becoming a member to help us stick around long-term. If you're new here, welcome! We've put together a whole guide for you, with episodes and articles to welcome you to our City Cast DC community. Learn more about the sponsors of this December 2nd episode: District Bridges Paulson & Nace Ronald Reagan Building and International Trade Center BetterHelp - get 10% off at betterhelp.com/CITYCAST If you enjoyed today's interview with District Bridges' Director of Storytelling and Marketing, Anna Claire Walker, learn more here. Interested in advertising with City Cast? Find more info HERE. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 449 / Fred Tomaselli (born 1956, Santa Monica, CA) Fred has been the subject of solo exhibitions at institutions including the Joslyn Art Museum, Omaha, NE (2019); Oceanside Museum of Art, Oceanside, CA (2018); Toledo Museum of Art, Toledo, OH (2016);  Modern Art Museum of Fort Worth (2014) and the University of Michigan Museum of Art (2014); a survey exhibition at Aspen Art Museum (2009) that toured to Tang Museum in Saratoga, NY and the Brooklyn Museum, Brooklyn NY (2010); The Fruitmarket Gallery, Edinburgh (2004) toured to four venues in Europe and the US; Albright-Knox Gallery of Art (2003); Site Santa Fe (2001); Palm Beach ICA (2001), and Whitney Museum of American Art (1999). His works have been included in international biennial exhibitions including Sydney (2010); Prospect 1 (2008); Site Santa Fe (2004); Whitney (2004) and others. Tomaselli's work can be found in the public collections of institutions such as the Museum of Modern Art; Whitney Museum of American Art; Metropolitan Museum of Art; Brooklyn Museum; Albright Knox Art Gallery; Hirshhorn Museum and Sculpture Garden; San Diego Museum of Contemporary Art; San Francisco Museum of Modern Art; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; the Orange County Museum of Art, Santa Ana, CA; and many others.

Halima Taha, the curator of the Hammonds House Museum, discusses the new John Rhoden Sculpture Garden. Plus, the design team of Esrawe and Cadena details “Los Trompos,” the new interactive installation at Woodruff Park, and we hear about the Southern Arts Relief Fund.See omnystudio.com/listener for privacy information.

Subscribe Apple | Google | Spotify | Stitcher | iHeart Support The Daily Gardener Buy Me A Coffee  Connect for FREE! The Friday Newsletter |  Daily Gardener Community Botanical History On This Day 1840 Auguste Rodin (oh-GOOST roh-DAN), the great French sculptor, was born. A man who found the divine in both marble and flowers - Auguste Rodin would ultimately earn the title of the father of modern sculpture. Today, we gardeners might better remember him as a kindred spirit who understood that true beauty grows wild and free. 1850 Princess Therese of Bavaria (teh-RAY-zuh of buh-VAIR-ee-uh), was born.  This remarkable woman found her true calling not in the gilded halls of Bavaria's royal palaces but in the wild gardens of the world. T Grow That Garden Library™  Read The Daily Gardener review of Habitat Creation In Garden Design by Catherine Heatherington and Alex Johnson  Buy the book on Amazon: Habitat Creation In Garden Design by Catherine Heatherington and Alex Johnson  Today's Botanic Spark 1818 Clarissa Tucker Tracy, a passionate botanist and the Mother of Ripon (RIP-un) College, is born. Clarissa was a remarkable woman who found her life's purpose in both plants and people, and her story reminds us that sometimes the most beautiful gardens we cultivate are the ones we plant in others' hearts. Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.

Phillip Arnold is the director of Plus Minus Design, a Sydney-based practice founded in 2007.  Phillip is a sole-practitioner who works on a variety of complex projects, often in collaboration, and has given lectures in Sydney and Seoul, as well as teaching design studios and history at UNSW, UTS and Western Sydney University. He recently learned that he, along with CO_AP, Studio JEF and TARN, won the competition for the Sculpture Garden at the National Gallery of Australia.If you'd like to learn more about his studio, you can visit plusminusdesign.com.au or follow him on Instagram @shftoptplus.Office Talk is hosted and produced by Office D.SHARP, a strategic marketing and brand strategy practice for architecture. We work collaboratively with clients across the UK. To learn more about our process and book a consultation, simply visit officedavesharp.com.Thank you to Programa for sponsoring today's episode. Visit programa.design/officetalk to start for free and save 25% on annual plans.This episode of Office Talk was edited and engineered by Oscar Crawford.

Annabel reviews Heartstopper by Alice Oseman. Romy finds a newfound respect for Darth Maul. --- Music by Eric Matyas, "Sculpture Garden" | www.soundimage.org --- Send your answer to this week's listener question to PaperbackPleasuresBooks@gmail.com. Find all books mentioned in this podcast ⁠here⁠. Follow us on ⁠TikTok⁠, ⁠Instagram⁠, and ⁠Youtube⁠. Join us on ⁠Patreon⁠ for exclusive bonus content, including more answers to the listener question and blooper reels! --- Paperback Pleasures is a podcast dedicated to de-stigmatizing romance literature and female sexuality. In each episode, lifelong best friends Romy and Annabel take turns highlighting romance novels, unpacking a genre historically underestimated due mainly to its link with female pleasure. We're here to celebrate one of the most underrated genres in literature. Let's talk romance! --- This podcast discusses themes of adult romantic relationships and sex. Listener discretion is advised.

Better Lawns and Gardens Hour 2 – Coming to you from the Summit Responsible Solutions Studios,  Garden expert, Teresa Watkins describes her trip to Frederik Meijer Gardens & Sculpture Park, private gardens, and nurseries. New Zone Envy plants that Teresa is going to trial. Dirty Word of the Day is Lignin. What to plant and do in your landscape for September. Garden topics include Peace Lily flowering, is it St. Augustine grass or an invasive weed, can Shell Gingers be cut right now, perennial peanut, trimming bougainvillea, and more. https://bit.ly3c1f5x7 Sign up for Teresa's monthly gardening newsletter, “In Your Backyard” where you can read Teresa's what to do in your landscape tips, Landscape Malpractice: How to know when to fire your landscaper,” Teresa's Design Tips; and more. https://bit.ly/2YRBbsT  Join Teresa in Philadelphia for a magical tour March 7th – 10th 2025.  Check out Art in Bloom Garden Tours for more information!  Graphic credit: Teresa Watkins   Listen every Saturdays from 7am - 9am EST on WFLA- Orlando. Call in with your garden questions and text messages on 1-888.455.2867 and 23680, Miss the live broadcast? Listen on Audioboom podcast 24/7. https://bit.ly/3c1f5x7   #WFLF #WFLA #FNN #WNDB #BetterLawns #gardening #Florida #planting #gardeninglife #radio #southflorida #northflorida #centralflorida #Deland #SHE #Orlando #Sarasota #Miami #FortLauderdale #podcast #syndicated #BLGradio #WRLN #WiOD #gardening #SummitResponsibleSolutions #QualityGreenSpecialists #BlackKow 

Melissa Chiu is Director of the Smithsonian's Hirshhorn Museum and Sculpture Garden, the National Museum of Modern and Contemporary art. Since her appointment in 2014, she has advocated for contemporary art through the Museum's exhibitions, acquisitions, and public programs, with landmark exhibitions of work by some of today's most important artists. A native of Australia, Chiu earned her bachelor's degree in art history and criticism from the University of Western Sydney in 1992 and her master's degree in arts administration in 1994 from the University of New South Wales. She completed her Ph.D. with a dissertation on contemporary Chinese art at the University of Western Sydney in 2005. Chiu has authored and edited several books and catalogues on contemporary art, and has lectured at Harvard, Yale, Columbia, the Museum of Modern Art, and other universities and museums.She and Zuckerman discuss radical accessibility, running our nation's Museum of modern and contemporary art, the difference between TV and museums, the humility of motherhood, and learning from artists.

Jazz in the Garden, Episode Three: “Return to the Garden” An overwhelmingly popular series of jazz concerts in MoMA's Sculpture Garden in 1985 proved…a little too popular, and it would be nearly a decade before live jazz was once again a regular occurrence at the Museum. In our third and final episode, hear about a new generation of musicians who revived the legacy of jazz at the Museum in the 1990s, and brought it into the 21st century. Writer/producers: Naeem Douglas, Alex Halberstadt, Jason Persse Host: Naeem Douglas Additional readings: Karen Chilton Engineer, mixer, original music: Zubin Hensler Special thanks: Prudence Peiffer, Arlette Hernandez, Ellen Levitt, Kelsey Head, Dore Murphy, Allison Knoll, Tina James, Michelle Harvey, Marc-Auguste Desert II, Omer Leibovitz, Peter Oleksik Music: “Namesake.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Reecie Music; “Soloscope, Part 1.” Written and performed by Sonny Rollins. Courtesy of Concord Records. By arrangement with Kobalt obo Son Rol Music Company; “Strauss Waltz Medley.” Written by Johann Strauss II. Performed by the United States Air Force Band. Public domain recording; “The Thrill Is Gone.” Written by Ray Henderson and Lew Brown. Performed by Claudia Acuña. Used by permission. By arrangement with Warner Chappell Music; “Mambo Jazz.” Written (as “Titorama”) by Chris Washburne. Performed by Chris Washburne and the Syotos Band. Used by permission. Courtesy Wash and Burne Music; “Moon Bird.” Written by Myra Melford. Performed by Myra Melford's The Tent. Used by permission. Courtesy Myra Melford; “Malinke's Dance.” Written by Marty Ehrlich. Performed by the Marty Ehrlich Sextet. Used by permission. Courtesy Marty Ehrlich

Antonia Wright is an award-winning Cuban American multimedia artist based in Miami, FL whose work has been exhibited all over the world, from the Hirschhorn Museum and Sculpture Garden in Washington, D.C. and the Pérez Art Museum in her hometown to the Havana Biennial and the Faena Arts Center in Buenos Aires. The focus of her work tends to be the human body and how it responds to extremes of emotion, control and violence promulgated by systems of power, and in the past, she has often used her own body — often in startling and violent ways — to illustrate her themes. Her tools are varied, including video, photography, light and sculpture, and are constantly evolving. In 2021 she transformed a cement mixer into a giant musical instrument for her project “Not Yet Paved,” and recently she has been creating site-specific installations with the kinds of barricades that have long been used as methods of crowd control at protests the world over.Her interest in examining the autonomy – and lack thereof – of the human body, particularly the female body, extends to her personal life. She has long been an advocate and activist for reproductive rights and serves on the board of Planned Parenthood of South, East and North Florida.Art Restart was eager to speak with Antonia soon after Florida banned abortion after six weeks of gestation. We wanted to hear how a changemaking artist continued or recommitted to her work when the sociopolitical winds around her shifted dramatically. In this interview she explains how she's long channeled her anger into her practice and describes how she remains committed to the curiosity and fearlessness that initially launched her from poetry into performance and installation art.https://antoniawright.com/

Jazz in the Garden, Episode One: “In the Beginning” Our story begins on June 16, 1960, when George Wein and the Storyville Sextet played the first jazz concert in MoMA's Sculpture Garden—and launched more than a decade of legendary performances and recordings from some of the leading lights of jazz, including Dizzy Gillespie, Thelonious Monk, Duke Ellington, and Sonny Rollins. In this episode, you'll hear about the first era of jazz at MoMA from some of the musicians who were there. Writer/producers: Naeem Douglas, Alex Halberstadt, Jason Persse Host: Naeem Douglas Additional readings: Karen Chilton Engineer, mixer, original music: Zubin Hensler Special thanks: Prudence Peiffer, Arlette Hernandez, Ellen Levitt, Kelsey Head, Dore Murphy, Allison Knoll, Tina James, Michelle Harvey, Marc-Auguste Desert II, Peter Oleksik Music: “That's a Plenty” (Live) (2014 remaster). Written by Lew Pollack. Performed by George Wein and the Storyville Sextet. Courtesy of Bethlehem Records. By arrangement with BMG Rights Management; “Soloscope.” Written and perfrormed by Sonny Rollins. Courtesy of Concord Records. By arrangement with Kobalt obo Son Rol Music Company; “Namesake.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. Bt arrangement with Reecie Music; “September in the Rain.” Written by Al Dubin, Harry Warren. Performed by George Wein and the Storyville Sextet. Courtesy of BMG. By arrangement with WC Music Corp. (ASCAP); “Undecided.” Written by Charles Shavers. Performed by George Wein and the Storyville Sextet. Courtesy of BMG. By arrangement with Universal Music Publishing; “Novamo.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Hall Leonard; “Take the A Train.” Written by Billy Strayhorn. Performed by Clark Terry. Courtesy of The Orchard. By arrangement with Reservoir Media and WISE; “Take Three Parts Jazz.” Written by Teddy Charles. Performed by the Teddy Charles New Directions Quartet. Courtesy of 43 North Broadway LLC. By arrangement with Raybird Music; “A Night in Tunisia.” Written by John Gillespie, Frank Paparelli. Performed by the Dizzy Gillespie Quintet. Courtesy of Universal Music Group; “On Green Dolphin Street.” Written by Kaper Bronislaw, Ned Washington. Performed by Sonny Rollins. Courtesy of Universal Music Group. By arrangement with Reservoir Media, BRTS, and BMG; “The Quota.” Written by Jimmy Heath. Performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Hall Leonard; “Now's The Time.” Written by Charlie Parker. Performed by Clark Terry. Courtesy of The Orchard. By arrangement with Universal Music Publishing and Sony Music Publishing

Have you every wanted to go on a road trip with Rick B? Now's your chance! This is the first in a series of Tangent Trips we'll go on: Gilgal Gardens. The idea is to visit various Mormon history sites, both obscure & famous, and take you along for the ride! In this first Tangent Trip, we'll visit Gilgal Garden, home of the Joseph Smith Sphinx! Why a sphinx? Why not! I'll let my friend Clair Barrus tell you more! Don't miss our other trips: https://gospeltangents.com/people/cristina-rosetti/ transcript to follow Copyright © 2024 Gospel Tangents All Rights Reserved Except for book reviews, no content may be reproduced without written permission transcript to follow Copyright © 2024 Gospel Tangents All Rights Reserved

Jason de Caires Taylor takes intentional art to another level with his sculptures that can be visited by humans and fish.READ MORE IN THE ATLAS: https://www.atlasobscura.com/places/underwater-sculpture-garden

Sculptures in the ForestIn this episode we will visit to the Sculpture Garden near Solsberry, Indiana. We visited this hidden gem during our camping trip to Shakamak State Park.Shakamak State Parkhttps://mossyfeetbooks.com/2023/10/12/shakamak-indiana-state-park/Sculpture Garden WebsiteA map to the trail is on the web site for visitors to download.https://sculpturetrails.com/The Author's WebsiteThe Author on LocalsThe Author on FacebookThe Author on TwitterThe Author on RumbleThe Author on YouTubeThe Author's Amazon Page

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Episode Notes Holzwarth, Hans Werner. (2016). Clyfford Still. Taschen. [https://www.taschen.com/pages/en/catalogue/art/all/44668/facts.clyfford_still.htm] Anfam, David. (2012). Clyfford Still: The Artist's Materials. Clyfford Still Museum. [https://clyffordstillmuseum.org/publication/clyfford-still-the-artists-materials/] Still, Clyfford. (2012). Clyfford Still: The Artist's Museum. Clyfford Still Museum. [https://clyffordstillmuseum.org/publication/clyfford-still-the-artists-museum/] Giménez, Carmen, & Still, Clyfford. (2001). Clyfford Still: 1904-1980. The Menil Collection. [https://www.menil.org/exhibitions/153-clyfford-still-1904-1980] Still, Clyfford. (1997). Clyfford Still: Paintings, 1944-1960. The Metropolitan Museum of Art. [https://www.metmuseum.org/art/metpublications/Clyfford_Still_Paintings_1944_1960] Marika Herskovic. (2003). American Abstract Expressionism of the 1950s: An Illustrated Survey. New York School Press. Sandler, Irving. (1970). The Triumph of American Painting: A History of Abstract Expressionism. Praeger Publishers. Kramer, Hilton. (1959). The New York School: A Cultural Reckoning. Harper & Row. Kuspit, Donald. (1990). Clyfford Still: Paintings 1944-1960. Hirshhorn Museum and Sculpture Garden. Clyfford Still Museum. (n.d.). Clyfford Still Biography. [https://clyffordstillmuseum.org/clyfford-still/biography/] Find out more at https://three-minute-modernist.pinecast.co

The combining of sculpture and gardens dates back centuries if not millennia, and there are few public gardens I know of that do not incorporate sculpture into their aesthetics and identity at some point. This week we are in conversation with an exemplary public garden, whose identity grows out of this pairing: the art of horticulture and the art of sculpture. The Frederik Meijer Gardens and Sculpture Park in Grand Rapids, Michigan is “proudly ranked as one of the top 45 most visited museums in the world” and their award winning gardens “showcase over 200 captivating sculptures,” inviting visitor to experience what they see as the “perfect blend of art and nature.” We're joined this week by Steve LaWarre, the Vice President of Horticulture at Frederick Meijer Gardens and Sculpture Park to share more. Cultivating Place now has a donate button! We thank you so much for listening over the years, and we hope you'll support Cultivating Place. We can't thank you enough for making it possible for this young program to grow even more of these types of conversations. The show is available as a podcast on SoundCloud, iTunes, and Google Podcasts. To read more and for many more photos please visit www.cultivatingplace.com.

Mathieu Malouf "I am genuinely trying to make beautiful paintings. Not beautiful by contemporary standards of beauty, but something more atemporal or enduring. My paintings are not anchored in any particular period. I like art that is beautiful, even if that makes no sense in our era. No one discusses whether things are beautiful or not anymore. It's more difficult to paint women than men. I have only painted men—nude men, gay men, famous men. I think men can be more ugly and weird, and it doesn't really matter; they are more forgiving. But painting women is more difficult. I started noticing how intensely omnipresent women were in art, and I thought that I probably have something to learn from that; by trying to paint women, maybe I'll discover why. It is a way for me to learn about something that people have traditionally thought is beautiful. Painting women is a way to address art history itself. The Odalisque as a historical genre intrigues me. This was a woman who was essentially enslaved, but she was always richly adorned and confidently portrayed. She looked empowered to me, like Manet's Olympia. The women in my paintings are not goofy like some of my male subjects tend to be. They are not cynical or sarcastic. Maybe painting beautiful women right now is like a comedian today telling a joke from the 1920s. Penguins have been lingering in my mind for a while. Unlike women, there are not a lot of penguins in art, maybe in a Sigmar Polke. My attraction to them began as a formal one. They are very aesthetically minimal: only three colors and simple shapes. They are crisp and uncomplicated. My painted penguins are materially simple, they are loose and flat, painted in acrylic–unlike the women, who are painted in oil and highly modeled. These two subjects are hard to paint at once, as they occupy different parts of the brain. Maybe there is an allegory there."  - Mathieu Malouf Malouf lives and works in New York. He has been featured in exhibitions at institutions such as Swiss Institute, New York (2018); Le Consortium, Dijon (2018); LUMA Foundation, Zürich (2017); Artists Space, New York (2017); Stavanger Art Museum (2014); Kunsthalle Lüneburg, (2014); and SculptureCenter, New York (2012). Work by the artist is included in museum collections worldwide, including the Astrup Fearnley Museum of Modern Art, Oslo; Hirshhorn Museum and Sculpture Garden, Washington, DC; and Whitney Museum of American Art, New York. Mathieu Malouf, Untitled, 2023-24 Acrylic and ceramic plates on canvas 86 x 92 inches (218.44 x 233.68 cm) Mathieu Malouf, The Writer, 2023-24 Oil and ceramic plates on canvas 60 x 70 inches (152.4 x 177.8 cm) Mathieu Malouf, The Legionnaire, 2023-24 Oil and acrylic on canvas, artist's frame 35 x 29.5 x 2.5 inches (88.9 x 74.93 x 6.35 cm)

Josh sits down with Melissa Chiu, Director of the Hirshhorn Museum and Sculpture Garden on the occasion of the museum's 50th anniversary, and the 10th anniversary of her tenure as Director. Listen as Melissa reflects on the unique role of the national museum, their TV show, The Exhibit: Finding the Next Great Artist, and the ways artists have influenced the museum, from Hiroshi Sugimoto's vision for the revitalized sculpture garden, to the impact of Yayoi Kusama's Infinity Mirror Rooms. She also shares her personal observations on the evolution of the art world in Asia over the last several decades.

Ep.186 Loie Hollowell was born in 1983 and raised in Woodland, California. She currently lives and works in New York City. She received a BFA at University of California Santa Barbara in 2005 and an MFA inpainting from Virginia Commonwealth University in 2012. Her work has been exhibited at museums and galleries worldwide including Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis; Pace Gallery; Long Museum West Bund, Shanghai; Feuer/Mesler, New York; White Cube Gallery, Paris; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Los Angeles County Museum of Art, Los Angeles; The Flag Art Foundation, New York; Crystal Bridges Museum of American Art, Bentonville, Arkansas; Victoria Miro, London; and Ballroom Marfa, Texas. Her work is in public collections including the Albertina Museum, Vienna; Centre Pompidou, Paris; Crystal Bridges Museum of American Art, Bentonville; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; ICA, Miami; Long Museum, Shanghai; Los Angeles County Museum of Art, Los Angeles; M+Museum, Hong Kong; Stedjelijk Museum, Amsterdam; and Zentrum Paul Klee, Switzerland.  Her work has been exhibited at museums and galleries worldwide including Pace Gallery, The Aldrich Contemporary Art Museum, Ridgefield, CT; Jessica Silverman, San Francisco, CA.  Photo by Melissa Goodwin Artist https://www.loiehollowell.com/ Pace Gallery https://www.pacegallery.com/online-exhibitions/loie-hollowell/ The Aldrich Contemporary Art Museum  https://thealdrich.org/exhibitions/loie-hollowell-a-survey Jessica Silverman https://jessicasilvermangallery.com/online-shows/loie-hollowell-in-transition/- Urist, Jac. Loie Hollowell Abstracts the Female Body, W Magazine / January 18, 2024- Dafoe, Taylor. Loie Hollowell's New Move From Abstraction to Realism Is Not a One-Way Journey, Artnet / January 19, 2024 Thornton, Sarah. Loie Hollowell on Frottage, Fantasy and Feminist Erotica, Interview Magazine / January 23, 2024 Greenberger, Alex. 33 Must-See Exhibitions to Visit This Winter, ARTnews / December 3, 2023 Knupp, Kristen. Loie Hollowell: The Third Stage, Art Vista / September 4, 2023 Woodcock, Victoria. The Cosmic Heirs of Hilma af Klint, Financial Times / May 26, 2023 Lesser, Casey. Loie Hollowell on Abstraction, Making the Grotesque Beautiful, and Her Latest Work, Artsy / March 14, 2023 Gómez-Upegui, Salomé. The New Generation of Transcendental Painters, Artsy / February 28, 2023 Belcove, Julie. How a New Generation of Women Painters Is Creating Dreamy Kaleidoscopic Works, Robb Report / February 26, 2023 Compton, Nick. Generative art: the creatives powering the AI art boom  Wallpaper* / December 12, 2022 Binlot, Ann. At the Aldrich, Revisiting a Groundbreaking Show forFeminist Art, New YorkMagazine's The Cut / June 7, 2022 Yerebakan, Osman Can. Loie Hollowell on Painting, Pain, and her Second Birth,  Artforum / May 26, 2021 Wilco, Hutch. Loie Hollowell's Shanghai Recalibration, Ocula / May 26, 2021 New York Up Close. Loie Hollowell's Transcendent Bodies, Video by Art21 / April 14, 2021 Giles, Oliver. Artist Loie Hollowell On How Motherhood Inspired Her Paintings, Tatler Asia /April 11, 2021 Donoghue, Katy. Art Mamas: Loie Hollowell on ‘Going Soft', Whitewall / July 17, 2020 The A-List: The Best Culture To Catch From Home This Week, Vanity Fair / July 5, 2020 Urist, Jacoba. Artists Share the Most Inspiring Books They're Reading Right Now, Galerie Magazine/ March 30, 2020

Dame Barbara Hepworth (1903 - 1974) was a Sculptor and Artist who was one of the early pioneers of abstract sculpture  in England.  Many of her works incorporated lyrical forms with close connection to the feeling and form of the materials that she used in her work making Barbara Hepworth one of the most influential sculptors of the mid-20th century. At the breakout of World War II Barbara Hepworth moved from London to Cornwall with her husband Ben Nicholson and their young family. Setting up a home and studios in the buildings and gardens of Trewyn studios in St Ives where she lived and worked from 1949 until her death in 1975. Following her death, her home, studio and garden became the Barbara Hepworth Museum and Sculpture Garden. RNIB Connect Radio's Toby Davey recently visited St Ives and went on a guided touch tour of some of Barbara Hepworth's work that is on display in the museum and gardens of the Barbara Hepworth Museum and Sculpture Garden. The guided touch tour of the Barbara Hepworth Museum and Sculpture Garden was lead by trained guides Sarah and Rose included tours of; Infant - wood carved sculpture of a baby 1929, Four Square Walk Through - bronze squares 1966 and Poised Form - Purbeck marble on concrete base 1951 - 52, re-worked 1957.  Toby was also joined by Cassie Penn, Assistant Curator of Public programmes at Tate St Ives who gave a bit of background and history to the Barbara Hepworth Museum and Sculpture Garden, why Barbara Hepworth moved down to St Ives at the beginning of World War II along with the history of the buildings and garden that became her home and studio and now the Barbara Hepworth Museum and Sculpture Garden and talking about her favourite examples of Barbara Hepworth's work.   The Barbara Hepworth Museum and Sculpture Garden in St Ives, Cornwall is managed by Tate St Ives and during the year offers bookable guided touch tours of many of Barbara Hepworth's work which is on display in the museum and Garden. Tours need to be booked in advance by calling 01736 791 177 and more details about the Barbara Hepworth Museum and Sculpture Garden can be found on the following pages of the Tate website - https://www.tate.org.uk/visit/tate-st-ives/barbara-hepworth-museum-and-sculpture-garden (Image shows Four Square Walk Though, a 4.2 meter tall bronze sculpture by Barbara Hepworth made in 1966. The sculpture consists of a base square and 4 separate bronze squares with circles cut into them stacked on top. Two squares face each other on opposite sides of the base with two perpendicular squares stacked on top, above head height. There is a child in the bottom right corner of the photograph looking up towards the top of the sculpture)

Ep.182 features MICHAELA YEARWOOD-DAN. Throughout paintings, works on paper, ceramics, and site-specific mural and sound installations, Michaela Yearwood-Dan (b. 1994; London, UK) endeavors to build spaces of queer community, abundance, and joy. Yearwood-Dan's singular visual language draws on a diverse range of influences, including Blackness, queerness, femininity, healing rituals, and carnival culture. Moving freely between media, Yearwood-Dan embeds botanical motifs and diaristic meditations within brushy abstract forms and heavy drips of paint. From the monumental scale of her paintings to the more intimate scale of her ceramics and works on paper, Yearwood-Dan's practice frequently reflects an inviting domesticity. Resisting any singular definition of identity, the artist explores the possibilities of creating spaces—physical, pastoral, metaphorical—that allow for unlimited and unbounded ways of being. Lush and brightly hued, Yearwood-Dan's work is at once personal and political. She often engages colors and materials for their symbolic associations—from the hints of the oranges, pinks, purples, and blues of the lesbian and bisexual pride flags mingling through the compositions to the queer histories of the ceramic carnation and pansy petals collaged into her recent paintings. Language intertwines with botanical motifs throughout Yearwood-Dan's work: abstract habitats teem with painted plant life while live houseplants grow out of wall-mounted ceramics. Within the paintings, she inscribes lines of text—pulled from song lyrics, poetry, or her own diaristic writings. These meditations, appearing at various scales and degrees of legibility, are at once insightful and funny, confident, and questioning. Her words beckon the viewer into a vivid, welcoming world of paradox, play, and contemplation formed within an atmosphere of swirling forms and brilliant chromaticity. Yearwood-Dan's work has been shown at the Contemporary Arts Center, Cincinnati, OH; Scottsdale Museum of Contemporary Art, AZ; the Green Family Art Foundation, Dallas, TX; Palazzo Monti, Brescia, Italy; and the Museum of Contemporary African Art, Marrakesh, Morocco, among others. Her work is in the permanent collections of the Hirshhorn Museum and Sculpture Garden, Washington D.C.; Institute of Contemporary Art Miami, FL; the Crocker Art Museum, Sacramento, CA; the Jorge M. Perez Collection, Miami, FL; and the Columbus Museum of Art and the Pizzuti Collection, Columbus, OH. In 2022, she produced her first public mural installation for Queercircle, London, UK. She has participated in a range of fellowships and residencies, including the Palazzo Monti Residency, Brescia, Italy, and Bloomberg New Contemporaries in Partnership with Sarabande: The Lee Alexander McQueen Foundation, London, UK. The artist received her B.A. from the University of Brighton in 2016. Yearwood-Dan lives and works in London. Please visit cerebralwomen.com for her expanded bio. Thank you. Photo credit: Sam Hylton Marianne Boesky https://marianneboeskygallery.com/artists/448-michaela-yearwood-dan/biography/ Artnet https://news.artnet.com/art-world/rising-artist-michaela-yearwood-dans-lavish-flora-filled-visions-make-beauty-political-2291399 Artnet https://news.artnet.com/art-world/studio-visit-michaela-yearwood-dan-2141292 Cultured Magazine https://www.culturedmag.com/article/2021/12/08/beyond-their-lavish-aesthetic-michaela-yearwood-dans-paintings-make-you-feel Flaunt https://www.flaunt.com/post/michaela-yearwood-dan-the-cocoon-issue Culture Type https://www.culturetype.com/2021/10/31/latest-news-in-black-art-michaela-yearwood-dan-joins-marianne-boesky-gallery-colin-powell-portrait-on-display-at-smithsonian-plus-chef-bryant-terrys-new-book-on-art-stories-and-recipes-more/ NEO2 https://www.neo2.com/dior-lady-art-bolsos-moda-arte-lujo/

In another life, the German-born architect Annabelle Selldorf might have been a painter or a profile writer. In this one, she expresses her proclivity for portraiture as the principal of the New York–based firm Selldorf Architects, which she founded in 1988. Renowned for its work in the art world—from galleries for the likes of David Zwirner and Hauser & Wirth to cultural institutions including The Frick Collection in New York, the National Gallery in London, and the Hirshhorn Museum and Sculpture Garden in Washington, D.C.—Selldorf's firm has also designed a wide variety of residential projects and civic buildings. Many of these designs serve as architectural depictions of their respective clients, revealing each one's inner nature and underlying ethos.On this episode, Selldorf discusses the links she sees between Slow Food and her architecture, the intuitive aspects of form-making, and why she considers architecture “the mother of all arts.”Special thanks to our Season 8 sponsor, Van Cleef & Arpels.Show notes: [00:31] Selldorf Architects[08:19] The Frick Collection[10:42] Lucian Freud[17:45] Dia Beacon[18:43] Art Gallery of Ontario expansion[18:54] Two Row[18:57] Diamond Schmitt[26:08] Sunset Park Material Recovery Facility[30:03] CSO Red Hook[30:05] CSO Owls Head[34:31] National Gallery, London[35:17] One Domino Park[37:15] John Russell Pope[37:28] Thomas Hastings[43:13] I.M. Pei[55:38] Ludwig Mies van der Rohe[58:54] Neue Galerie

Episode No. 625A remembers artist Robert Irwin. Nota bene: Episode No. 625B, which will post here on the evening of Friday, October 27, will feature artists Tammy Nguyen and Jammie Holmes. Irwin, a painter and anti-sculptor who substantially invented the Light and Space movement (and responses to it as a teacher), died on October 25, 2023. He was 95. This program remembers Irwin with two curators who worked with him, and by re-playing Irwin's two appearances on The Modern Art Notes Podcast. Michael Auping retired from the chief curatorship of The Modern Art Museum of Fort Worth in 2017 after curatorial stints at the University Art Museum, University of California, Berkeley, the Ringling Museum of Art, Sarasota, Fla., and the Albright-Knox Art Gallery, Buffalo, NY. He organized "Robert Irwin / Matrix 15" for what is now the Berkeley Art Museum & Pacific Film Archive in 1978. Evelyn Hankins is head curator at the Smithsonian's Hirshhorn Museum and Sculpture Garden, Washington DC. She organized "Robert Irwin: All the Rules Will Change," a survey of Irwin's transition from painting to installation, in 2016. The two Irwin interview segments on the program are from 2012's Episode No. 26; and 2016's Episode No. 231.

I had Christine Mollring on today. For those who don't know who she is, you need to. Christine is one of the backbones of Western art. She started her own gallery early on in the 1970s and owned Trailside Gallery until about 94. Think back on what kind of individuals were running Western art galleries back in that era. They were pretty much all men.  We talked about it a little, not a lot, because she felt like it was just what she had to do. It didn't stop her from becoming the best of the best. Christine represented some real heavy hitters back then too. People like Charles Loloma who was a very important Hopi artist and silversmith.So I think you'll have a great time. I really enjoyed it. Christine is a remarkable person and we're so fortunate to have her in the world of Western and native art. Christine Mollring on episode 256 of Art Dealer Diaries Podcast.

Nearly a century ago, famed photographer and innovator Emile Brunel purchased Boiceville's Brown Hotel and transformed it into Le Chalet Indien, a world-class resort frequented by famed artists and politicians of the day. Brunel's fascination with Native American culture manifested in an adjoining sculpture park, which still stands and is now stewarded by the Friends of Brunel Park, a 501(c)(3) non-profit organization. Even concrete is no match for a hundred years of Catskills weather, though, and the sculptures and totems Brunel left behind were in desperate need of restoration. So, co-founders Cynthia and Evgeny Nikitin organized a matching donation fundraising campaign to save the collection for future generations.  Anthony Mennella and his team were hired to rehabilitate the largest of the sculptures, transforming the space from a "delightful ruin," to a welcoming, lush garden of plants and sculpted works. Join us at Brunel Park, where we met up with co-founder Cynthia Nikitin and mason Anthony Mennella. Then, make a point to see this iconic roadside attraction for yourself! Thanks to our sponsors: Hanford Mills Museum Briars and Brambles Books The Mountain Eagle Catskill Mountains Scenic Byway And listeners like you!

We look at the case involving Chrystul Kizer who is imprisoned for killing her abuser. We speak with the author of the book “Owner of a Lonely Heart.” We learn about an art installation at the Lynden Sculpture Garden. Plus, hear music from Rhett Miller in the latest episode of Live at Lake Effect.

When Maine-based artist Daniel Minter saw the devastation created by Emerald ash borer to towering trees at Lynden Sculpture Garden, he decided to create around it. Two years later his creation has come to life.

In this special episode, we delve into the Meet Me at the Museum archive to pull out highlights from our visits to museums near the coast, including writer and art historian Katy Hessel at the Barbara Hepworth Museum and Sculpture Garden in St Ives, author and podcaster Robert Diament at the Turner Contemporary in Margate, and actor and comedian Mawaan Rizwan at Brighton Museum & Art Gallery. Hosted on Acast. See acast.com/privacy for more information.

In this podcast episode of Truth in this Art, host Rob Lee interviews Rachel Mijares Fick, the Co-Founder of Future Fair, to discuss the future of this groundbreaking art exhibition platform. Rachel has extensive experience in the art world, having organized 21 art fairs in New York, Switzerland, and Germany and worked in curatorial departments at Exit Art and the Hirshhorn Museum & Sculpture Garden.Future Fair is a unique platform that supports small business art galleries and the artists they represent, both through digital and in-person events. Rachel explains how Future Fair aims to create a more accessible and diverse environment for artists, providing a space for new and often overlooked voices to thrive.Listeners will also be excited to learn about Future Fair's upcoming event taking place from May 10-13, 2023, at the Chelsea Industrial in New York City. This is an incredible opportunity to experience the work of emerging artists and support small galleries. Tickets are available for purchase on the Future Fair website: https://futurefairs.com/During the interview, Rachel shares her personal background, including her BFA in Fine Art from the Corcoran College of Art + Design, where she focused on video, performance, and art history. She has been featured in various publications, including the New York Times, ArtNews, Artnet, and REVS Magazine.Listeners will gain a deeper understanding of the art world and the challenges facing small galleries and artists, as well as the innovative solutions Future Fair provides. Rachel's insights provide a unique perspective on the importance of supporting emerging artists and the role that Future Fair plays in this crucial mission.photo credit goes to David Willems.  ★ Support this podcast ★

Robert Adanto is a documentary film maker who had made 5 films about art, many of them featuring female artists, including "The F-Word," a documentary on fourth wave feminist artists in Brooklyn, which he started making 10 years ago. Particularly when women are both the artist and the muse, and where women use their body in their art, we come to the challenge of taking women seriously and fitting in the art world. A fellow of the Sundance Institute Documentary Program, Robert Adanto is interested in exploring how artists respond to rapid, sometimes catastrophic change. His award-winning films have looked at China's explosive contemporary art scene (The Rising Tide 2008), the lives and works of Iranian female artists (Pearls on the Ocean Floor 2010), the impact of Hurricane Katrina on the lives of New Orleans-based artists (City of Memory 2014), and radical "4th wave" feminist performance in Brooklyn (The F Word 2015). His most recent project - Born Just Now, explores the art and life of the Serbian artist Marta Jovanovic. The film received the Dziga Vertov Award for Best Documentary Feature at the Chicago International Arthouse Film Festival and was also named Best Feature Documentary at Arte NonStop Film Festival in Bueno Aires, Argentina. Robert's films have enjoyed screenings at over 40 international film festivals and have been presented at the Smithsonian Institution's Hirshhorn Museum and Sculpture Garden in Washington D.C., the National Center for Contemporary Art in Moscow, The MFA Boston, LACMA, and the National Museum of Australia in Canberra, amongst others. He earned his M.F.A. at NYU Tisch School of the Arts. Click here for the transcript. Show notes: "The F-Word" Trailer

The new docuseries The Exhibit from MTV and the Smithsonian Channel debuts tonight! The six episode docuseries will follow seven American artists who will compete for a presentation at the museum and a $100,000 cash prize. The cast includes your boy, printmaker, Jamaal Barber! Yes, your boy is on national tv, and it was quite the experience. You might see me on the tv and all over the internets but he's bringing the real talk to the fam, the day ones. Right here on the Noize! JBarber gives his thoughts on the eve of the show and talks as much as he can about the process, the rest of the cast, and what you can expect. Plus he talks about what these types of opportunities can mean to artists and gives his hopes for what comes out of this. Tune in and let us know what you think of the show! Listen, subscribe, and share!Episode 161 topics include:The Exhibit on MTVbeing on national televisionmaking art outside your comfort zoneDometi Pongo and Melissa Chiu as the host of The Exhibitjudges Adam Pedelton, Abigail Deville and Keith Richardswatching yourself on tvwhat opportunities mean to artistsmaking art to be freeThe Smithsonian's Hirshhorn Museum and Sculpture Garden is teaming up with MTV Studios to create the six episode docuseries The Exhibit, which will follow seven American artists who will compete for a presentation at the museum and a cash prize.Following a nationwide search, participants were selected in consultation with Hirshhorn curators. The group includes printmaker Jamaal Barber, Onondaga artist Frank Buffalo Hyde, designer and sculptor Misha Kahn, painter Clare Kambhu, multimedia artist Baseera Khan, video and performance artist Jillian Mayer, and painter Jennifer Warren.See more: ArtNews: Who Is the Next Great Artist? A New TV Series from the Hirshhorn and MTV Aims to Find Out + MTV The Exhibit Presented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

This week hear about some soon-to-close art shows around town. Today: Susanna Temkin, curator at El Museo del Barrio, talks about the shows at El Museo de Barrio closing March 26th -- DOMESTICANX, Juan Francisco Elso: Por América, and Reynier Leyva Novo: Methuselah. →El Museo offers tours of the exhibitions on Saturdays and Sundays at 1pm and 2:30 pm.(free with admission). →Register for the 3/16 virtual launch party for the publication of the monograph Juan Francisco Elso: Essays on América [Juan Franciso Elso: Ensayos sobre América], the first bi-lingual study of his work. Juan Francisco Elso, Por América (José Martí), 1986, wood, plaster, earth, pigment, synthetic hair, and glass eyes, 56.75 x 17.25 x 18.25 in (Ron Amstutz/Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC)   

Our Main Event this week is a trip to the Glenstone Museum in North Potomac, MD with my friend EZZAT SALEH OBAID, a DC area based Photographer, Filmmaker, and Coffee Maker. We talk about the creation of community through art, being an outsider, Punk Music in 80s & 90s DC, and the power of metaphor. And we journey to Glenstone - a beautiful and uneasy fortress of art, and incredible juxtaposition of peaceful nature with brutalist bricks. Glenstone is a combination Museum, Arts Installation, Sculpture Garden, and Gallery centered inside a compound that has to be seen to believed. The whole experience is a vibe that blends natural serenity with an ominous tension, and themes of confinement, surveillance, and defense.  And we have our very first Existential Question of the week. Pro Wrestlers ISAIAH FRAZIER, SAGE MATTHEWS, and THE BOAR each make their Collected Possibilities debut to share what keeps them up at night, as they answer "What do you fear?" Is Glenstone something you have to do before you die? Listen and find out! COLLECTED POSSIBILITIES - E-Mail: collectedpossibilities@gmail.com - Instagram: https://www.instagram.com/collectedpossibilities/ - Facebook: https://www.facebook.com/collectedpossibilities EZZAT SALEH OBAID - Instagram: https://www.instagram.com/mynameisezzat/ - Photography Instagram: https://www.instagram.com/blan.kroll/ GLENSTONE MUSEUM - Website: https://www.glenstone.org/ - Instagram: https://www.instagram.com/glenstonemuseum/ - Twitter: https://twitter.com/glenstonemuseum - Facebook: https://www.facebook.com/glenstonemuseum/ ISAIAH FRAZIER - Instagram: https://www.instagram.com/giftedif/ - Twitter: https://twitter.com/GiftedIF "SCUMDAWG" SAGE MATTHEWS - Instagram: https://www.instagram.com/sageistrash/ - Twitter: https://twitter.com/sageisdawg THE BOAR - Instagram: https://www.instagram.com/boariswar/ - Twitter: https://twitter.com/BoarIsWar BETTER TOGETHER MEDIA GROUP - Website: https://www.bettertogethermediagroup.com/ - Instagram: https://www.instagram.com/bettertogethermediagroup/ - Facebook: https://www.facebook.com/bettertogethermediagroup WORLD DOMINATION WRESTLING ALLIANCE - Facebook: https://www.facebook.com/wdwawrestling  

This week we head to the NoHo Arts District to talk about the sculpture garden located outside of the National Academy of Television Arts and Sciences buidling on Lankershim.         

In the first episode of the year, we look ahead at the next 12 months. Anny Shaw, the acting art market editor at The Art Newspaper, peers into her crystal ball and tries to predict the fortunes of the art market this year. Then, Jane Morris, one of our editors-at-large, José da Silva, our exhibitions editor, and host Ben Luke select the museum projects, biennales and exhibitions that they are most looking forward to in 2023.Events discussed:The Grand Egyptian Museum: no confirmed opening date. https://www.theartnewspaper.com/keywords/grand-egyptian-museumThe National Portrait Gallery reopens on 22 June. https://www.npg.org.uk/Factory International, Manchester, also opens in June. Yayoi Kusama's You Me and the Balloons opens there on 29 June, as does the Manchester International Festival. https://factoryinternational.org/The Sharjah Biennial: Thinking Historically in the Present opens on 7 February. https://sharjahart.org/biennial-15The Gwangju Biennial: Soft and Weak Like Water opens on 7 April. https://www.gwangjubiennale.org/gb/intro.doCelebration Picasso 1973-2023 https://celebracionpicasso.es/en/calendarioVermeer opens at the Rijksmuseum, Amsterdam, on 10 February. https://www.rijksmuseum.nl/en/stories/themes/vermeerManet/Degas opens at the at the Musée d'Orsay, Paris, on 28 March and then at the Metropolitan Museum, New York, on 24 September https://www.musee-orsay.fr/en/whats-on/exhibitions/manet-degasJuan de Pareja: Afro-Hispanic Painter, opens at the Met on 3 April https://www.metmuseum.org/exhibitions/listings/2023/juan-de-parejaSimone Leigh opens at the ICA, Boston, on 6 April, then at the Hirshhorn Museum and Sculpture Garden, Washington D.C., on 3 November before travelling to the Los Angeles County Museum of Art and the Californian African American Museum in 2024 https://www.icaboston.org/exhibitions/simone-leighBarkley Hendricks: Portraits at the Frick opens at Frick Madison, New York, on 21 September https://www.frick.org/sites/default/files/pdf/press/2022/Hendricks_Release_Final_07_13_22.pdfAlma Thomas: Composing Colour is at the Smithsonian American Art Museum, in D.C., from 15 September https://americanart.si.edu/exhibitions/alma-thomasThe Culture: Hip Hop and Contemporary Art in the 21st Century opens at the Baltimore Museum of Art on 5 April and the Saint Louis Art Museum on 25 August https://artbma.org/about/press/release/baltimore-museum-of-art-and-saint-louis-art-museum-co-organize-monumental-exhibition-exploring-the-global-significance-and-impact-of-hip-hopJaune Quick-to-See Smith opens at the Whitney Museum, New York, on 19 April https://whitney.org/exhibitions/jaune-quick-to-see-smithRemedios Varo: Science Fictions is at the Art Institute of Chicago from 29 July Hilma af Klint and Piet Mondrian: Forms of Life opens at Tate Modern in London on 20 April https://www.tate.org.uk/press/press-releases/hilma-af-klint-piet-mondrian-forms-of-lifeMarina Abramovic is at the Royal Academy in London from 23 September https://www.royalacademy.org.uk/exhibition/marina-abramovic Hosted on Acast. See acast.com/privacy for more information.

Welcome back to another episode of the Your Good News Podcast, where I give you the scoop on the good news coming out of Washington, and how you can get involved with this thing called democracy.In this episode, Katherine gives an update on the government funding - will it or won't it expire!? Katherine also delves into some of her favorite holiday traditions - from skating around the Sculpture Gardens to viewing the Botanical Gardens. She gives you a fun look on traditions and how DC slows down to celebrate (well tries to slow down). Timestamps: [1:21] A new spending bill. [3:46] Holiday traditions in DC. [4:02] The national Christmas tree and the menorah. [5:29] Skating at the sculpture garden. [6:27] The botanical gardens. [7:30] The ballet and The Nutcracker. Links & Resources:Transcript: https://otter.ai/u/14w3WGnH9IzFYdRtTc0i60VjPY4 Let's Connect!To engage with the host, visit her Instagram via @KatherineGettyCheck out our website at yourgoodnewspodcast.comAd: To learn more about Lyndsi Sitcov and Matt Windsor, visit their website at https://www.lyndsiandmatt.com. Reference my name when reaching out!

Jonas Wood makes paintings that can be classified as a variety of different genres, including portraits, still lifes, landscapes, and interior scenes. In each of these, however, his work reflects an instantly recognizable vision of the contemporary world, as well as a personal approach to subject matter defined by his affinities and experiences. Its warmth is matched by a quasi-abstract logic that breaks pictures down into layered compositions of geometry, pattern, and color. Wood works at every scale, and maintains active drawing and printmaking practices, each of which helps him generate techniques that he eventually uses in paintings. Conjuring depth using flat forms—his process involves collage-based studies in which he works with photographs, breaking images apart and reassembling them—Wood probes the boundary between the new and the familiar, integrating emotionally resonant material from everyday life. Jonas Wood has been the subject of solo and two-person exhibitions at the Dallas Museum of Art (2019); Museum Voorlinden, Wassenaar, the Netherlands (with Shio Kusaka, 2017); Lever House, New York (2014); and Hammer Museum, Los Angeles (2010). Other solo projects include Still Life with Two Owls, a monumental picture covering the façade of The Museum of Contemporary Art, Los Angeles (2016— 2018); Shelf Still Life, High Line Billboard, High Line Art, New York (2014); and LAXART Billboard and Façade, LAXART, Los Angeles (2014). Recent group exhibitions include Since Unveiling: Selected Acquisitions of a Decade, The Broad, Los Angeles (2021–2022); Psychic Wounds: On Art and Trauma, The Warehouse, Dallas (2020); One Day at a Time: Manny Farber and Termite Art, The Museum of Contemporary Art, Los Angeles (2018); and Los Angeles: A Fiction, Astrup Fearnley Museet, Oslo (2016) and Musée d'art contemporain de Lyon, France (2017). His work is in the permanent collections of many institutions, including the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Hammer Museum, Los Angeles; Metropolitan Museum of Art, New York; San Francisco Museum of Modern Art; Guggenheim Museum, New York; The Broad, Los Angeles; Museum of Modern Art, New York; and Whitney Museum of American Art, New York. In 2019, Phaidon published the first monograph dedicated to Wood's paintings and drawings. Wood lives and works in Los Angeles. He is represented by David Kordansky Gallery and Gagosian.Here is what you can expect on this week's show:Introduction 1:42 The American Dream Through ArtA Mixed Games RomanceA Love for PokerLearning DisabilitiesIntroducing Art to Mixed GamesLife Outside of Art and Partnering with Triton PokerStrategy in Art and Poker▬ Winning the Game of Life ▬▬▬▬▬▬Check out other "Winning the Game of Life" episodes:► https://www.youtube.com/c/WinningTheGameofLifeConnect with Jonas Wood:Instagram: @jonasbrwoodFollow "Jungleman" Dan Cates on social:Website: https://www.wtgol.comInstagram: @wtgolpodcast@thedancatesTwitter: @junglemandanPhoto Credit for Jonas Wood Headshot: Aubrey Mayer

We all know there are four First Ladies of TRPE. The Cephas Sisters and the women we affectionately call The Two Alicia's/Alysha's. Today the guys gather to discuss the viral video that surfaced of some Krazy Karen trashing the business of Alysha that made Worldstar, The Shade Room and more. Enjoy this preview of the best damn Patreon there is!! All original content, no recycled bs.  Subscribe today at https://patreon.com/officialtrpe Yearly subs get 15% their bottomline!!  Do remember the 6th Anniversary Show sponsored by Hennessy, DTLR, SLX Studio and more is on the horizon!! Grab your tickets today at https://trpe6.eventbrite.com  And FINALLY, Sunday Nov. 20th #TRPE hosts EAGLES WATCH LIVE at Sculpture Garden. Food, drinks, vendors, hookah and 420 friendly :) Get your tix now https://eagleswatchlive.com 

Katie checks in with former director of public engagement at the Hirshhorn Museum and Sculpture Garden, former public relations director for The Drawing Center, former director of development and communications for Socrates Sculpture Park, and current Executive Director of the Asian American Arts Alliance, Lisa Gold.

Ep.125 features Danielle Mckinney. Born 1981 in Montgomery, Alabama, she completed her BFA at Atlanta College of Arts in 2005 and her MFA at Parsons School of Design in 2013. Her work is in private and public collections including the Hirshhorn Museum and Sculpture Garden, Washington DC; Dallas Museum of Art, Dallas, TX; Institute of Contemporary Art, Miami, FL; The Israel Museum, Jerusalem, Israel; and the Hessel Foundation Collection at Bard, Annandale-on-Hudson, NY. Her work has been included in the exhibitions Heroic Bodies at the Rudolph Tegners Museum, Dronningmølle, Denmark, IN A DREAM YOU SAW A WAY TO SURVIVE AND YOU WERE FULL OF JOY at The Contemporary Austin, Uncanny Interiors at Nicola Vassel Gallery, and Black Melancholia at Hessel Museum of Art. She is represented by Marianne Boesky Gallery in New York and Night Gallery in Los Angeles. Mckinney lives and works in Jersey City, NJ.  Portrait credit Pierre Le Hors Artist https://daniellejmckinney.com/ Marianne Boesky Gallery https://marianneboeskygallery.com/artists/453-danielle-mckinney/biography/ Night Gallery https://www.nightgallery.ca/artists/danielle-mckinney Juxtapoz https://www.juxtapoz.com/news/magazine/features/danielle-mckinney-comfort-and-quietude/ C& https://contemporaryand.com/exhibition/danielle-mckinney-golden-hour/ W Magazine https://www.wmagazine.com/culture/danielle-mckinney-interview-marianne-boesky-studio-visit Vogue https://www.vogue.com/article/danielle-mckinney-artist-profile-october-2022 Culture Type https://www.culturetype.com/2021/06/02/danielle-mckinneys-portraits-are-self-reflective-sometimes-theyre-me-sometimes-theyre-an-emotion-im-feeling/ Mousee Magazine https://www.moussemagazine.it/magazine/danielle-mckinney-alison-gingeras-2021/ Fortnight Institute https://fortnight.institute/exhibitions/51-danielle-mckinney-saw-my-shadow/ Art of Choice https://www.artofchoice.co/experience-the-poetic-solitude-in-danielle-mckinneys-body-of-work-saw-my-shadow-at-fortnight-institute-ny/ Elephant Magazine https://elephant.art/why-danielle-mckinney-abandoned-photography-in-favour-of-painting-04062021/ Honestly WTF https://honestlywtf.com/art/danielle-mckinney/ ARTPIL https://artpil.com/danielle-mckinney/ GothamToGo https://gothamtogo.com/marianne-boesky-gallery-presents-danielle-mckinney-golden-hour-in-fall-2022/?utm_source=rss&utm_medium=rss&utm_campaign=marianne-boesky-gallery-presents-danielle-mckinney-golden-hour-in-fall-2022

Before you listen to this episode, try to be near something made of wood that means something to you, or simply feels nice. A piece of furniture or a hand-carved object works. The soundscape featured in this episode is also better listened to with company, so… get a listening buddy if you can!  On June 4th and 5th of 2022, we exhibited an interactive installation of Material Feels, titled Conversations with the Material World, as a part of Sound Scene, at the Hirschhorn Museum and Sculpture Garden in Washington D.C. The work features four sculptures, each accompanied by a narrated soundscape designed with the material, maker and process in mind. The wooden arch referenced in this episode was created by Dominque Tutwiler; to see what the sculpture looked like, check out pictures of the on Instagram, @materialfeels, or images on the podcast's website, www.materialfeelspodcast.com.     Learn more about Dominique's work as a furniture designer: https://www.oaksmithfurniture.com/   Learn more about Sound Scene: https://soundscenefest.org/about/   Check out a virtual tour of the piece on the Material Feels Instagram: https://www.instagram.com/p/CebVWcIlsAf/?hl=en