Podcasts about Video art

Neto's back, back again, say he's back, tell a friend Music Oxygen Garden by Chris Zabriskie is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://chriszabriskie.com/divider/Artist: http://chriszabriskie.com/Video Art by Andrei Mata https://andrei4portfolio.carrd.co/

Episode 297 features Josh from Family Video. They are an art rock band from Charlotte, NC. I showcased 2 of their latest songs, Backtalk and Holy Ghost. Which we discussed in the episode. If you like them, you can find their music wherever you stream music. In the episode I spoke with Josh Shabtai and we discussed songwriting styles, job history, his work in the video game industry, and his experience transitioning to building toys. If you want to support the band, you can find them on all the socials. Thanks for listening and for supporting local music!         Part-Time Rockstar Spotify Playlist   Please follow, rate, or review the podcast wherever you are streaming if you'd like to help us out.  -- Part-Time Rockstar Productions is available in the DMV for music videos and live filming. 

A.S.M. Kobayashi on hanging out with archivists, navigating space on wheels, playing with audio, finding transcendence in everyday objects, and more.

Artist Shana Moulton's other self, ‘Cynthia,' seeks enlightenment through song, shopping and exercise. Performing the misadventures of her semi-autobiographical alter ego, artist Shana Moulton has drawn attention in the field of new media studies. Over two decades, Moulton, a professor of time-based arts at UC Santa Barbara, has used physical comedy to interpret her artistic creation, “Cynthia,” a wide-eyed ingénue. In Moulton's performance, video and sculpture series, "Whispering Pines" — named after the trailer park in Central California where Moulton grew up — Cynthia often sports a housecoat or spandex and seeks enlightenment through exercise and shopping. Most recently, Moulton presented an extension of “Whispering Pines” — “Meta/Physical Therapy” — at The Museum of Modern Art (MoMA) in New York. (While the work was on view, from Feb. 17 to April 21, 2024, the museum's overall attendance was close to half a million people.) Series: "UC Santa Barbara News" [Arts and Music] [Show ID: 40207]

Artist Shana Moulton's other self, ‘Cynthia,' seeks enlightenment through song, shopping and exercise. Performing the misadventures of her semi-autobiographical alter ego, artist Shana Moulton has drawn attention in the field of new media studies. Over two decades, Moulton, a professor of time-based arts at UC Santa Barbara, has used physical comedy to interpret her artistic creation, “Cynthia,” a wide-eyed ingénue. In Moulton's performance, video and sculpture series, "Whispering Pines" — named after the trailer park in Central California where Moulton grew up — Cynthia often sports a housecoat or spandex and seeks enlightenment through exercise and shopping. Most recently, Moulton presented an extension of “Whispering Pines” — “Meta/Physical Therapy” — at The Museum of Modern Art (MoMA) in New York. (While the work was on view, from Feb. 17 to April 21, 2024, the museum's overall attendance was close to half a million people.) Series: "UC Santa Barbara News" [Arts and Music] [Show ID: 40207]

Asians on Demand: Mediating Race in Video Art and Activism (University of Minnesota Press, 2023) explores a multilingual archive of contemporary queer and feminist videos by Asian diasporans in North America, Europe, and East Asia. It grapples with the pressing question of how media representation can critique and advance social justice for racialized minorities in the wake of today's unprecedented rise of onscreen diversity. Feng-Mei Heberer is an Assistant Professor in the Department of Cinema Studies at New York University. She is also a faculty affiliate of the department's Asian Film and Media Initiative. Her research interests lie at the junctures of labor, transnational migration, and Asian diaspora, and her work draws heavily on the insights of ethnic studies, queer studies, feminist studies, and critical area studies. In addition, she researches and works in film curation and community arts and culture organizing. Ailin Zhou is a PhD student in Film & Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Asians on Demand: Mediating Race in Video Art and Activism (University of Minnesota Press, 2023) explores a multilingual archive of contemporary queer and feminist videos by Asian diasporans in North America, Europe, and East Asia. It grapples with the pressing question of how media representation can critique and advance social justice for racialized minorities in the wake of today's unprecedented rise of onscreen diversity. Feng-Mei Heberer is an Assistant Professor in the Department of Cinema Studies at New York University. She is also a faculty affiliate of the department's Asian Film and Media Initiative. Her research interests lie at the junctures of labor, transnational migration, and Asian diaspora, and her work draws heavily on the insights of ethnic studies, queer studies, feminist studies, and critical area studies. In addition, she researches and works in film curation and community arts and culture organizing. Ailin Zhou is a PhD student in Film & Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Asians on Demand: Mediating Race in Video Art and Activism (University of Minnesota Press, 2023) explores a multilingual archive of contemporary queer and feminist videos by Asian diasporans in North America, Europe, and East Asia. It grapples with the pressing question of how media representation can critique and advance social justice for racialized minorities in the wake of today's unprecedented rise of onscreen diversity. Feng-Mei Heberer is an Assistant Professor in the Department of Cinema Studies at New York University. She is also a faculty affiliate of the department's Asian Film and Media Initiative. Her research interests lie at the junctures of labor, transnational migration, and Asian diaspora, and her work draws heavily on the insights of ethnic studies, queer studies, feminist studies, and critical area studies. In addition, she researches and works in film curation and community arts and culture organizing. Ailin Zhou is a PhD student in Film & Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Asians on Demand: Mediating Race in Video Art and Activism (University of Minnesota Press, 2023) explores a multilingual archive of contemporary queer and feminist videos by Asian diasporans in North America, Europe, and East Asia. It grapples with the pressing question of how media representation can critique and advance social justice for racialized minorities in the wake of today's unprecedented rise of onscreen diversity. Feng-Mei Heberer is an Assistant Professor in the Department of Cinema Studies at New York University. She is also a faculty affiliate of the department's Asian Film and Media Initiative. Her research interests lie at the junctures of labor, transnational migration, and Asian diaspora, and her work draws heavily on the insights of ethnic studies, queer studies, feminist studies, and critical area studies. In addition, she researches and works in film curation and community arts and culture organizing. Ailin Zhou is a PhD student in Film & Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Asians on Demand: Mediating Race in Video Art and Activism (University of Minnesota Press, 2023) explores a multilingual archive of contemporary queer and feminist videos by Asian diasporans in North America, Europe, and East Asia. It grapples with the pressing question of how media representation can critique and advance social justice for racialized minorities in the wake of today's unprecedented rise of onscreen diversity. Feng-Mei Heberer is an Assistant Professor in the Department of Cinema Studies at New York University. She is also a faculty affiliate of the department's Asian Film and Media Initiative. Her research interests lie at the junctures of labor, transnational migration, and Asian diaspora, and her work draws heavily on the insights of ethnic studies, queer studies, feminist studies, and critical area studies. In addition, she researches and works in film curation and community arts and culture organizing. Ailin Zhou is a PhD student in Film & Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Asians on Demand: Mediating Race in Video Art and Activism (University of Minnesota Press, 2023) explores a multilingual archive of contemporary queer and feminist videos by Asian diasporans in North America, Europe, and East Asia. It grapples with the pressing question of how media representation can critique and advance social justice for racialized minorities in the wake of today's unprecedented rise of onscreen diversity. Feng-Mei Heberer is an Assistant Professor in the Department of Cinema Studies at New York University. She is also a faculty affiliate of the department's Asian Film and Media Initiative. Her research interests lie at the junctures of labor, transnational migration, and Asian diaspora, and her work draws heavily on the insights of ethnic studies, queer studies, feminist studies, and critical area studies. In addition, she researches and works in film curation and community arts and culture organizing. Ailin Zhou is a PhD student in Film & Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Asians on Demand: Mediating Race in Video Art and Activism (University of Minnesota Press, 2023) explores a multilingual archive of contemporary queer and feminist videos by Asian diasporans in North America, Europe, and East Asia. It grapples with the pressing question of how media representation can critique and advance social justice for racialized minorities in the wake of today's unprecedented rise of onscreen diversity. Feng-Mei Heberer is an Assistant Professor in the Department of Cinema Studies at New York University. She is also a faculty affiliate of the department's Asian Film and Media Initiative. Her research interests lie at the junctures of labor, transnational migration, and Asian diaspora, and her work draws heavily on the insights of ethnic studies, queer studies, feminist studies, and critical area studies. In addition, she researches and works in film curation and community arts and culture organizing. Ailin Zhou is a PhD student in Film & Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Asians on Demand: Mediating Race in Video Art and Activism (University of Minnesota Press, 2023) explores a multilingual archive of contemporary queer and feminist videos by Asian diasporans in North America, Europe, and East Asia. It grapples with the pressing question of how media representation can critique and advance social justice for racialized minorities in the wake of today's unprecedented rise of onscreen diversity. Feng-Mei Heberer is an Assistant Professor in the Department of Cinema Studies at New York University. She is also a faculty affiliate of the department's Asian Film and Media Initiative. Her research interests lie at the junctures of labor, transnational migration, and Asian diaspora, and her work draws heavily on the insights of ethnic studies, queer studies, feminist studies, and critical area studies. In addition, she researches and works in film curation and community arts and culture organizing. Ailin Zhou is a PhD student in Film & Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Word Cloud: What place does to video art; Harley Ives; Syrup; Healthy Cigs; There is a Soccer Field under Enmore Road; Dispossessed @ MCA; Relational Aesthetics; K-Pax Jake on instagram @j.starr.io Follow us on instagram for more @hungup.au

In this episode of the Cloud Do You Do Podcast, host Štěpán Kaiser chats with Niall Hendry, VP of Partnerships at Move.ai. Discover how Move.ai's revolutionary markerless motion capture technology is transforming industries like film, gaming, and virtual reality. Niall explains the technology behind their success, the role of AI and computer vision in enhancing motion data accuracy, and the company's vision for the future of 3D animation. He also shares steps to get started with Move.ai's groundbreaking tools. Join us for this insightful discussion and get inspired by the future of motion capture technology.We are Revolgy - a global cloud partner. Our cloud engineers and architects provide professional and managed services for your projects on GCP and AWS. In a nutshell, we help to make life digital-native companies and SMBs in the cloud easier. Check our website revolgy.com for more information. Make sure to follow Revolgy on Spotify, Linkedin, and X. Thanks a lot for listening, and see you next time!

Nathan, B.R and Phil the camera guy report back with a video podcast special from SHOT Show 2024! The gang get into exploring the Vegas convention, free of the shill lenses most coverage offers. The lads talk to Arrius from FLUX Defense about the all new electronic ScopeSwitch (now sadly not featuring manual jacking action) as well as their new CCW PDW setup, the guys stop by Palmetto State Armory to see what's going on with all their new releases from the Krink to the NotAnMP7 and the new Dagger pistol developments and Amend2 let the lads drop by and vandalize some mags with Uncle Ted, Goatse and Trudeau doodles as well as taking the time to discuss improvements and resolved issues with a new generation of AR mags as well as their modular bolt action rifle chassis. Also, the guys drop by Low Light Innovations to talk what's new from them in the world of night vision and thermal offerings from their modular MH1 NVG housing to their prototype Phoenix dual sensor thermal clip on, chat with Varusteleka's Jari about the rise of surplus both in Europe and the US, their planned move to the states and more! A massive thank you to all of our guests: - Palmetto State Armory - Low Light Innovations - FLUX Defense - Amend2 - Magpul / Maztech Industries Special thanks to Discreet Ventures and Weapon Outfitters for getting Art and War into places they shouldn't be.

Guest star: voice of roundy shopkeep and Balchus: AARON VODOVOZ -   / aaronvodovoz    / aaron_waterbearer   Video Art by @seraphangel2506   / seraph_im_angel   Music: I Had a Feeling by Track Tribe Laconic Granny by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Source: http://incompetech.com/music/royalty-... Artist: http://incompetech.com/ Cumbia City by An Jone Veracruz by Quincas Moreira To Pass Time by Godmode Hine Ma Tov by E' Jammy Jams Outlaw's Farewell (part 1) By Reed Mathis Dead Forest by Brian Bolger Edge of Eternity by Norma Rockwell

He's a gadabout... Part 2 in the Diaries. Video Art by https://strawberry7.carrd.co/ Season 2 icon art by https://www.instagram.com/seraph_is_an_angel/ https://twitter.com/Seraph_im_Angel Written, voiced and produced by Hugo Pierre Martin https://www.instagram.com/hugopierremartin/ Music credits: Agronne by Zachariah Hickman The Colonel by Zachariah Hickman To Loom is to Love by The Mini Vandals All sounds and music free use.

Su aceptación para la Historia del Arte es complicada: la arquitectura de museos y salas no está concebida para la experiencia de escucha. Comprende instalación sonora, escultura interactiva, poesía experimental, fonografía, y sobre todo, la prevalencia de la escucha y el sonido sobre el hecho artístico._____Has escuchadoDedicatorias. Infinito Infinity (19/5/2013-10/11/2014) / José Iges. María de Alvear World Edition (2016)El ojo del silencio / José Antonio Sarmiento. [Grabación de la acción e instalación sonora para 100 radio transistores]. Centro de Creación Experimental (2000)Guitar Drag / Christian Marclay. [Banda sonora del vídeo Guitar Drag, 2000. Grabado en San Antonio, Texas, el 18 de noviembre de 1999]. Neon (2006)Irregularity / Homogeneity: Emerging from the Perturbation / Minoru Sato. [Instalación sonora]. Senufo Editions (2012)Magnetic Flights (2007) / Christina Kubisch. [Instalación sonora]. Important Records (2021)Motores / Isidoro Valcárcel Medina. [Obra sonora]. Ediciones sonoras experimentales; Radio Fontana Mix (1973)Small Music. Musik für einen fast leeren Raum / Music for an almost Empty Space (Edition VIII) / Rolf Julius. [Instalación sonora]. Autoedición (1998)_____Selección bibliográficaADEN, Maike (ed.), Disonata: arte en sonido hasta 1980. Museo Nacional Centro de Arte Reina Sofía, 2020ÁLVAREZ-FERNÁNDEZ, Miguel, “Panorama del arte sonoro y la música experimental en la península ibérica”. En: Experimentaclub Limbo: proyecto iberoamericano de intercambio artístico y cooperación cultural. Editado por Jorge Haro y Javier Piñango. Experimentaclub LIMbO (2010), pp. 54-64—, “Sonido, musicología, archivo: tres genealogías (hacia un catálogo de arte sonoro)”. Boletín DM, año 16 (2012), pp. 62-69*ARIZA, Javier, Las imágenes del sonido: una lectura plurisensorial en el arte del siglo XX. Universidad de Castilla-La Mancha, 2003*ASHER, Michael, Writings 1973-1983 on Works 1969-1979. Editado por Benjamin H. D. Buchloh. Press of the Nova Scotia College of Art and Design; The Museum of Contemporary Art, 1983*BARBER, Llorenç y Monserrat Palacios, La mosca tras la oreja. De la música experimental al arte sonoro en España. Fundación Autor, 2009*COSTA, José Manuel (ed.), ARTe SONoro. La Casa Encendida, 2010*CUYÁS, José Díaz, Carmen Pardo y Esteban Pujals (eds.), Encuentros de Pamplona 1972: fin de fiesta del arte experimental. Museo Nacional Centro de Arte Reina Sofía, 2009*DE LA MOTTE-HABER, Helga, Matthias Osterwold y Georg Weckwerth (eds.), Sonambiente Berlin 2006. Kehrer Verlag, 2006DEWEY, Fred et al. Brandon Labelle: Overheard and Interrupted. Les Presses du Réel, 2016*ESPEJO, José Luis (ed.), Escucha, por favor: 13 textos sobre sonido para el arte reciente. Exit Publicaciones, 2019*ESPEJO, José Luis y Óscar Martín (eds.), Ursonate: revista de arte sonoro y culturas aurales (2011-)*ETIENNE, Yvan, Bertrand Gauguet y Matthieu Saladin (eds.), “De l'espace sonore = From Sound Space”. TACET: Sound in the Arts, n.º 3 (2014)FONTÁN DEL JUNCO, Manuel, José Iges y José Luis Maire (eds.), Escuchar con los ojos. Arte sonoro en España, 1961-2016. Fundación Juan March, 2016*GARCÍA FERNÁNDEZ, Isaac Diego, Conversaciones en Nueva York: sobre arte sonoro, música experimental e identidad latina. EdictOràlia, 2020*GRANT, Jane, John Matthias y David Prior (eds.), The Oxford Handbook of Sound Art. Oxford University Press, 2021*HEGARTY, Paul, Noise/Music: A History. Continuum, 2007*—, Rumour and Radiation: Sound in Video Art. Bloomsbury, 2015*IGES, José et al., MASE. Historia y presencia del Arte Sonoro en España. Bandaàparte Editores, 2015*—, “Dimensión sonora de la escritura”. Arte y Parte, n.º 117 (2015), pp. 8-27*—, Conferencias sobre arte sonoro. Árdora Ediciones, 2017*JIMÉNEZ CARMONA, Susana y Carmen Pardo, “Aperturas y derivas del arte sonoro”. Laocoonte: revista de estética y teoría de las artes, n.º 8 (2021), pp. 49-56JOSEPH, Branden W., Beyond the Dream Syndicate: Tony Conrad and the Arts After John Cage. Zone Books, 2008*JOY, Jérôme y Peter Sinclair, Locus Sonus: 10 ans d'expérimentations en art sonore. Le Mot et le Reste, 2015*KAHN, Douglas, Noise Water Meat. A History of Sound in the Arts. The MIT Press, 1999*KELLY, Caleb (ed.), Sound. Documents of Contemporary Art. The MIT Press, 2011*KIM-COHEN, Seth, In the Blink of an Ear: Toward a Non-Cochlear Sonic Art. Continuum, 2009*KOTZ, Liz, Words to Be Looked At. Language in 1960s Art. The MIT Press, 2007*LABELLE, Brandon, Background Noise. Perspectives on Sound Art. Bloomsbury, 2006*—, “Short Circuit: Sound Art and The Museum”. Journal BOL, n.º 6 (2007), pp. 155-175—, Acoustic Territories: Sound Culture and Everyday Life. Continuum, 2010*LABELLE, Brandon y Christof Migone (eds.), Writing Aloud: The Sonics of Language. Errant Bodies Press, 2001*LICHT, Alan, Sound Art: Beyond Music, Between Categories. Rizzoli International Publications, 2007*MADERUELO, Javier, “The Book of i's, de José Luis Castillejo”. Arte y Parte, n.º 108 (2013), pp. 98-115*MAIRE, José Luis, “Documentar el sonido: consideraciones sobre la documentación musical, la música experimental y el arte sonoro”. Boletín DM, año 16 (2012), pp. 73-84*—, “Espacio resonante e instalación sonora: Robert Morris, Michael Asher, Bill Viola, Terry Fox”. Arte y Parte, n.º 117 (2015), pp. 64-85*MOLINA ALARCÓN, Miguel, “El arte sonoro”. Itamar: revista de investigación musical: territorios para el arte, n.º 1 (2008), pp. 213-234*MUNÁRRIZ, Jaime (ed.), Encuentros sonoros: música experimental y arte sonoro. Facultad de Bellas Artes, UCM, 2021*NEUHAUS, Max, Max Neuhaus. Sound Works. Cantz Verlag, 1994*PARDO, Carmen, “Avatares de la ciudad musical”. Quodlibet: Revista de Especialización Musical, n.º 68 (2018), pp. 64-78*ROCHA ITURBIDE, Manuel, “La curaduría, el arte sonoro y la intermedia en México”. Itamar: revista de investigación musical: territorios del arte, n.º 5 (2019), pp. 162-186*SALADIN, Matthieu (ed.), “Sounds of Utopia = Sonorités de l'utopie”. TACET: Sound in the arts, n.º 4 (2015)*SARMIENTO, José Antonio, La música del vinilo. Centro de Creación Experimental de la Universidad de Castilla-La Mancha, 2010*SEIFFARTH, Carsten, Carsten Stabenow y Golo Föllmer (eds.). Sound Exchange: Experimentelle Musikkulturen in Mittelosteuropa = Experimental Music Cultures in Central and Eastern Europe. Pfau, 2012SOLOMOS, Makis, Exploring the Ecologies of Music and Sound: Environmental, Mental and Social Ecologies in Music, Sound Art and Artivisms. Routledge, 2023*TOOP, David, Inflamed Invisible: Collected Writings on Art and Sound, 1976-2018. Goldsmiths Press, 2019*VOEGELIN, Salomé, Listening to Noise and Silence. Towards a Philosophy of Sound Art. Continuum, 2010*WANG, Jing, Half Sound, Half Philosophy: Aesthetics...

Deze week: filmmaker, grafisch ontwerper en story listener Louis Hothothot. Programmamaker Stefan Malešević gaat met hem in gesprek over zijn familiegeschiedenis en unieke werkwijze. Louis kwam ter wereld als tweede kind tijdens de eenkindpolitiek in China, wat verwoestende gevolgen had voor zijn familie en bij hemzelf resulteerde in een bijtend gevoel van schuld. De ontrafeling van deze familiegeschiedenis vormde de basis voor zijn documentaire Four Journeys (openingsfilm IDFA 2021).In deze tweewekelijkse talkshow van De Balie interviewen programmamakers de makers die hen inspireren. Van cabaretiers tot schrijvers en van wetenschappers tot activisten.De podcast wordt geïntroduceerd door programmamaker Sophie Rutenfrans. Deze podcastaflevering is Engelstalig.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

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Rachel Rose is known for her intricate video installations which investigate our changing understanding of the world - from labour in 17th-century England, to explorations of outer space. In this episode she connects with fellow artist Aria Dean, who uses film and sculpture to produce meditations on Blackness and artistic theory. Their conversation digs deep into the contemporary art world: their multidisciplinary practices - including film, sculpture, and installation, the use of memes as critique, and how the weight of history inspires them.

I hope i didn't miss anything else!!

Martin and Inge Riebeek have been working on their video art project The Essential for years. The couple travels around the world to talk to people from all ranks of the (global) population, about the essence of their lives. In July, Martin is coming to Sydney, and the duo is looking for people who would like to participate in their project. - Martin en Inge Riebeek werken al jaren aan hun videokunstproject The Essential. Het echtpaar reist de wereld over om met mensen uit alle gelederen van de (wereld)bevolking te praten over de essentie van hun leven. In juli komt Martin voor opnames naar Sydney en het duo zoekt mensen die mee zouden willen doen aan het project.

it was so hard to decide --- Send in a voice message: https://podcasters.spotify.com/pod/show/summersjournal/message

thank you so much to everyone who entered! ✨ all the art is great, and even if you didn't win, I appreciate you entering SO MUCH

In today's episode, we bring you a Q&A with filmmaker Amanda Kim following a screening of her debut feature NAM JUN PAIK: MOON IS THE OLDEST TV on March 27, 2023. Kim's acclaimed documentary weaves together rare archival material, interviews with art world luminaries, and mesmerizing footage of Nam June Paik's work to create an engrossing portrait of the artist known as the “Father of Video Art.” The event was co-presented by the Korea Society and the Asian American Artists' Workshop, with author Mary H.K. Choi serving as moderator. NAM JUNE PAIK: MOON IS THE OLDEST TV is now playing at Film Forum. Thanks for listening to today's episode of Film Forum Presents. Special thanks to Amanda Kim, Mary H.K. Choi, Greenwich Entertainment, Cinetic Marketing, the Korea Society, and Asian American Writers' Workshop for making this event possible.  Photo by Dora Nano.

When filmmaker Amanda Kim discovered the artist Nam June Paik, she knew she wanted to make a documentary about him. Five years later, Amanda's debut film Nam June Paik: Moon is the Oldest TV premiered at the Sundance Film Festival. Amanda came on the pod to talk about what she learned as a first time filmmaker — from bringing on producers, to fundraising, to navigating the edit. Moon is the Oldest TV is currently screening at Film Forum in NYC.Find Amanda Kim on Instagram.Host Jennie Butler on InstagramExecutive Producer Sky Dylan-RobbinsProducer Amy DiGiacomo on Instagram and TwitterProducer Caley Fox Shannon on InstagramProducer Abhishyant KidangoorEditor Audrey Horowitz on InstagramGot an idea for an episode? Email podcast@videoconsortium.orgClick here to support the Video Consortium

Strap on your leather necklaces, OK Fox and Eric Kostiuk Willams are back.  Each week we compare and contrast episodes of Sex and the City and Gossip Girl. Join our journey through New York history, find love, AND labels. The good show has a femcels into video art porono, the bad show is a bunch of HR … Continue reading "S01E02 I Couldn't Help But Gossip"

This episode is also available as a blog post: https://thecitylife.org/2023/03/03/the-museum-of-modern-art-announces-signals-how-video-transformed-the-world-a-major-exhibition-exploring-the-intersection-of-video-art-and-social-change/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

This week: as the Art Dubai fair opens, The Art Newspaper's acting digital editor Aimee Dawson tells us about this latest edition, its ongoing commitment to displaying the art of the global south and its continued focus on digital art. The Museum of Modern Art in New York opens the largest media exhibition it has ever staged, Signals: How Video Transformed the World on 5 March. It looks at how artists around the globe have used video as a networked technology capable of reaching huge audiences but also how they have employed video to reflect on or engage in activism and urgent political developments. We talk to the show's curators, Stuart Comer and Michelle Kuo. And this episode's Work of the Week is a coffee pot and milk jug from 1960 by Lucie Rie, the great modernist potter. Eliza Spindel, co-curator of the exhibition Lucie Rie: The Adventure of Pottery at Kettle's Yard in Cambridge, UK, tells us about these objects and Rie's life and work.Art Dubai until 5 March.Signals: How Video Transformed the World, Museum of Modern Art, New York, 5 March-8 July.Lucie Rie: The Adventure of Pottery, Kettle's Yard, Cambridge, UK, 4 March-25 June. Hosted on Acast. See acast.com/privacy for more information.

This episode is also available as a blog post: https://thecitylife.org/2023/02/21/all-female-video-art-exhibit-veni-vidi-video-announced-at-manhattan-jcc/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

hey everyone!! today I showed what I got at our craft store, the gift i'm getting for Lauren for Christmas, and the art supplies I got from our gift exchange at the Christmas party!! I hope you enjoy!

In 1975, Sally Dixon left the Carnegie Museum of Art. But Bill Judson took over the Film Section, expanded the program's offerings, and introduced video art into the galleries. Judson guided the program until it was shuttered in 2003. In this episode, we zoom in on certain details of this era. Graphic designer Maria Paul Kyros discusses the process of designing the Film Section posters. Lindsay Mattock and Ben Ogrodnik discuss the importance of the Travel Sheet. This is the continuing story of the Film Section.

hey guys! in this episode I announced the winners of my winter themed are contest! I won't change my cover till I get at least 5-10 comments so it's still a surprise!

Lukas Brasiskis, associate curator of e-flux Video & Film, talks to Erika Balsom about the book and exhibition co-curated with Hila Peleg, Feminist Worldmaking and the Moving Image.  The episode was recorded at e-flux Screening Room before “No Master Territories: Feminist Worldmaking and the Moving Image,” a talk by Erika Balsom preceded by a screening of Han Ok-hee's Untitled 77A (1977, 6 minutes) and Grupo Chaski's Miss Universo en el Perú (1982, 32 minutes). Erika Balsom is Reader in Film Studies at King's College London. She is the author of four books, including After Uniqueness: A History of Film and Video Art in Circulation (Columbia University Press, 2017) and TEN SKIES (Fireflies Press, 2021, shortlisted for the Kraszna Krausz prize). Her criticism appears regularly in venues such as Artforum, Cinema Scope, e-flux, and 4Columns. With Hila Peleg, she is the co-curator of the exhibition No Master Territories: Feminist Worldmaking and the Moving Image (HKW Berlin, 2022) and co-editor of the books Feminist Worldmaking and the Moving Image (2022) and Documentary Across Disciplines (2016), both published by MIT Press. In 2018, she was awarded a Philip Leverhulme Prize and the Katherine Singer Kovacs essay award from the Society for Cinema and Media Studies.

Ann Stoddard is a contemporary interdisciplinary artist, a feminist and an environmentalist. Her work, practice coupled with social activism engage with nature, from rivers in and around Maryland to Corn Fields and beyond. This episode includes some historical perspective of female, pioneer ecofeminists and a lively conversation with Stoddard..List of resources and the images discussed can be found at my website: www.beyondthepaint.net. Visit Ann Stoddard website at www.annstoddard.net and at the A.I.R. Gallery at www.airgallery.org..Image credit: A.I.R. Gallery/Ann Stoddard

This week I'm talking with artist Nora Breen. I first encountered Nora's work around 10 years ago in lower Manhattan and she's still the only artist I know that puts video installations on the street. We're discussing the origins of this project and what keeps here going after 10 years. 

This is my art for Greta!! I hope you like it. I did a fall theme.

Britta Färber, Global Head of Deutsche Bank Art, ist zuständig für die Sammlung der Deutschen Bank und das in Berlin ansässige Kunst- und Kulturforum PalaisPopulaire. Mit Lisa Zeitz sprach sie über die Arbeit der Sammlung, der Förderung zeitgenössischer Künstler:innen sowie die diesjährige Berlin Art Week, zu welcher im PalaisPopulaire Arbeiten von Lu Yang gezeigt werden. Der "WELTKUNST-Podcast - Was macht die Kunst?" wird in Partnerschaft mit Christie's produziert.

this was so hard!!! --- Send in a voice message: https://anchor.fm/artify/message

A two-part episode, join me in an exploration with Digital Art as a practice and medium. This episode dives into Digital Art through four categories or themes; installation, film, video and animation, Virtual Reality, Sound Environments. In part two, we will journey into artists who use digital art as a means of expression. David Hockney, emerging New England artist Ande Ja Johnson an the Digitial Collagist Eugenia Loli. .Text: Paul, Christiane. "Digital Art." London: Thames and Hudson, 2008; writers Penny Rafferty, Molly Gottschalk, Oliver Grau, Dr Karen Leader, Sarah Urist Green of the Art Assignment; Brooklyn Museum, Tate Museum, Museum of Modern Art..Special thanks to this episode's sponsor: Nine 90 Branding (Follow @nine90brand on IG)Image credit: Langlands and Bell, "Osama Bin Laden's Hideout in Afghanistan," 2002

An exhibition in Los Angeles is bringing the work of a groundbreaking video artist to the attention of a new generation. Jeffrey Brown has the story for our arts and culture series, "CANVAS." PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

Un-American Behavior

The Followers.

Good to get home.

Bassem Saad has a background in design and architecture, and he talks about how viewing a Shana Moultin piece at the Palais de Tokyo in Paris triggered his hunger for making video. I find his work deeply incisive in this strange moment, and it was a pleasure to speak to him on the line from Berlin. I began by asking him about how he grew up, where, and how he made the transition from architecture to art. 

OK and Sarah slightly lose it this week talking to their guru at the top of the mountain, possible legend, and internet auteur Topher Florence aka Docfuture1. Actually coming from Something Awful in the early 2000s, Topher's work as a writer and video artist cut to the bone, and present a highly informed perspective of … Continue reading "Episode 127 – Psychic Damage w/ Topher Florence"

Joan is a prolific and unique visual artist, and makes occultist electronic music as Temple ov Saturn. We talk about modernity, the sacred, nature, and pornography.