Podcasts about limited fork

Artist Statement for "Mother's Day," a graphic prose poem in eight 20x30 panels, part of the Place.Mark exhibition opening on 7 March 2008 at the Work Gallery on State Street in Ann Arbor, Michigan. The music is a remix of "Environmental Experiment 109" by Strexx, and is available, with other environmental experiments, from strexx.com A small slideshow of the panels may be experienced in the Limited Fork podcast.

Part of the project to distill the soundtrack of HEAT DOZENS (a video poam available in the Limited Fork podcast) into some of its composite sonic constituents. This unit of composite sonic constituency focuses on the "Elements of Damage" isolate. The designation of "damage" for this isolate may depend in part upon the cooperation of visual damage cues, and feedback loops between the sound and the visual to reinforce a "damage" contract (which may be broken or strengthened in a number of ways, by either partner or by other arriving parties). Even if this sonic isolate retains an association with damage based upon sonic elements only, the nature of the damage may be perceived differently without the corroboration of visual damage to help define intensity and duration of damage.

soundtrack of the LFMK video poam made for the SAPAC (Sexual Assault Prevention and Awareness Center & SafeHouse Center) "rEVOLUTION" show in the Duderstadt Center Gallery to launch the LFMK brand. LFMK (Looking for My Killer) is a (type of) PSA that hopes to call attention to the vulnerability of humanity through an extreme selfless act, that of a woman using herself to attract the attention of an attacker in order to protect other women the attacker might pursue if she were not willingly available. Because she enters into her humanitarian mission joyfully, the music is spirited, the colors of the embedded ads (by Ansted Moss of abstract-projections.com) are vivid. Look for LFMK T-shirts, mouse pads, mugs, picture frames, tote bags. Read some of the LFMK print poams in The Canary, Callaloo, NOR, and the Oleander Review. The LFMK video poam is available in the Limited Fork podcast.

Soundtrack of the "Bubbling" video poam (in the Limited Fork podcast) with all of the vocals and none of Ansted's music. The complete "Bubbling" soundtrack is available in this podcast.

Complete soundtrack poam of the "Bubbling to Memphis" video poam (in the Limited Fork podcast). Features "Neptunian Studio" composed and performed by Ansted Moss. The a capella version of the soundtrack is in this podcast. Look for "Neptunian Studio" on Ansted's "WinslowSpeak" album coming soon to a music download location. For Primus.

A sound poam version of the "Me and Bubble Went to Memphis" print poam that is part of the "Bubbling to Memphis" print, sound, and tactile poam group. Other group members are in this podcast and in the Limited Fork podcast. For Primus.

Soundtrack poam of the "In Your Face" video poam available in the Limited Fork podcast. Contains sound effects from various sound banks.

Detonated (short) sound poam soundtrack from the "Monday Aardvark DETONATED" video poam in the Limited Fork podcast where the full "Monday Aardvark of Laundry" video poam is also located. Thanks again, Evie of MiPO where the print "Ardvark" poam is.

Main soundtrack poam composed in collaboration with the "Pleasurable Complexity" video poam that concludes with the sound poam "Glassy Implications of the Lattice" composed for the mirroring sequence, and available in this podcast. "Pleasurable Complexity" is a video poam that debuted at the collaborative poetry event and concurrent Duderstadt Center Gallery show that featured photography by John Chervinsky in September 2006 at the University of Michigan. The "Pleasurable Complexity" video poam is available in the Limited Fork podcast where other materials, including pdfs, related to lattices (including lattices in TOKYO BUTTER, a collection of print poams by Thylias Moss) are available.

Soundtrack Poam of "Pi Complex," a video poam short available in the Limited Fork podcast. This soundtrack poam is related to "Pi Song" and to video and audio versions of "Tornado Pi" available in Limited Fork and Limited Fork Music.

Sound poam composed in collaboration with the mirroring sequence in the "Pleasurable Complexity" video poam that debuted at the collaborative poetry event and concurrent Duderstadt Center Gallery show that featured photography by John Chervinsky in September 2006 at the University of Michigan. The "Pleasurable Complexity" video poam is available in the Limited Fork podcast where other materials, including pdfs, related to lattices (including lattices in TOKYO BUTTER, a collection of print poams by Thylias Moss) are available.

Soundtrack poam of "Rush Hour," a video poam available in the Limited Fork podcast.

A spoken poam for practitioners, dabbler or immersed, the curious and for the attendees --also for those who could not attend-- my CREW (Collaboratory for Reseach in Electronic Work) Seminar last week in the School of Information (north campus), a session during which an attendee in the remote West Hall (central campus)location asked me about the challenge of judging the quality of Limited Fork poams if there are no boundaries to what may achieve the status of poam. This audio poam comes from further consideration of the question and my response at the time. This is extended collaboration with the asker of the question. This audio poam also suggests ways to respond to work created outside the system of evaluation within which student forkers explore my Limited Fork learning opportunities. To the attendee whose name I don't know, thanks for asking. Thanks also to Mick and David for arranging my participation in CREW.

This sonic poam is for Profjr!, and for any others curious about the basics of what happens when formal poetic structures are forked. Just a little bare-bones map of fork possibilities to consider when laboring through an act of making and hoping for multiples, but not necessarily identicals or even twins at all. If something's born on/in/over/under/through/with/navigating/zigzagging/climbing/opening/folding/unfolding [& so forth] the ladder, and you'd like to share it with me (and possibly other Limited Fork podcast subscribers), please send it to thyliasm@umich.edu. Thanks.

A book of still poams, images from "Ostrich Culture of Snowmen" from the Limited Fork Poetics simultaneity studies video series. Companion poams are available in this podcast and in the Limited Fork Music podcast. This visual poam, dedicated to Haesong Kwon and the CREAM CITY REVIEW where "The Culture of Snowmen" appeared as a print object poam, is a product of investigations of scale and simultaneity of activity in interactions in language systems. The print object poam "The Culture of Snowmen" is part of TOKYO BUTTER, my new collection of poetry from Persea. Please send any requests for LFP information or for sonic and/or video forked treatment of any of my print object poams to thyliasm@umich.eduand I'll post the resulting poams to the appropriate Limited Fork podcasts as soon as the poams are made.

This video poam, dedicated to Haesong Kwon and the CREAM CITY REVIEW where "The Culture of Snowmen" appeared as a print object poam, is a product of investigations of scale and simultaneity of activity in interactions in language systems, and is part of the Limited Fork Simultaneity Studies Series. This video poam forms different structures (including structures of meaning) when it interacts with static and focused platforms (also achievable by pause functions) such as document forms such as the pdf visual poam, available in this podcast, of still images from the video. The interactions are not limited to the sound poam, the video poam, and the pdf of stills. The print object poam "The Culture of Snowmen" is part of TOKYO BUTTER, my new collection of poetry from Persea. Please send any requests for LFP information or for sonic and/or video forked treatment of any of my print object poams to thyliasm@umich.edu and I'll post the resulting poams to the appropriate Limited Fork podcast(s) as soon as the poams are made. A high resolution widescreen version of this video poam is available from Thylias Moss (thyliasm@umich.edu).

This sound/poam/track, dedicated to Haesong Kwon and the CREAM CITY REVIEW where "The Culture of Snowmen" appeared as a print object poam, is a product of investigations of scale and simultaneity of activity in interactions in language systems, and is part of the Limited Fork Simultaneity Studies Series. This sound poam forms different structures (including structures of meanings) when it interacts with the video poam "Ostrich Culture of Snowmen" which is available in the Limited Fork podcast. The interactions are not limited to the sound poam and the video poam. Also in the Limited Fork podcast is a pdf of a small book of video stills from the video poam. The print object poam "The Culture of Snowmen" is part of TOKYO BUTTER, my new collection of poetry from Persea. Please send any requests for LFP information or for sonic and/or video forked treatment of any of my print object poams to thyliasm@umich.edu and I'll post the resulting poams to the appropriate Limited Fork podcast(s) as soon as the poams are made. A high resolution widescreen version of the video poam is available from Thylias Moss (thyliasm@umich.edu).

A video poam for Mikel Alvarez whose request for the sound poam "Tornados" led to the creation of this video poam. I hope you like it, Mikel. "Tornado Pi" contains an image of the mother of Limited Fork Poetics taken by Ansted Moss. "Tornado Pi" also contains footage of the "Pi Song" ENG 429 players: Nate Barron, Rachel Harkai, Jennifer Obidike, Julia Ris, and Jennifer Sharkey. Nate and Jennifer Sharkey's video poams are available in the Limited Fork Video Anthology podcast. The soundtrack of "Tornado Pi" is available in the Limited Fork Music podcast. "Pi Song" is available in the Limited Fork podcast and the the Limited Fork Music podcast. The soundtrack of Jennifer Sharkey's video poam is also available in the Limited Fork Music podcast. "Colorful Dimensions," composed and performed by Ansted Moss, is the sonic structure that emerges with visual structures in this video poam. Please send any requests for sonic and/or video poams to thyliasm@umich.edu

Soundtrack of "Tornado Pi," a video poam available in the Limited Fork podcast for Mikel Alvarez whose request for the sound poam "Tornados" led to the creation of the video poam. Thank you for asking for the sound poam, Mikel. The sound poams "Tornados" and "Pi Song" are available in the Limited Fork Music podcast. Send any requests for sound or video poams to thyliasm@umich.edu

The complete soundtrack of the 2005 video poam "DOD-the death of depth" that introduces principles of Limited Fork Poetics. The video poam is available from the Limited Fork podcast. An instrumental version is also available from the Limited Fork Music podcast.

Video soundtrack poam by three teams of MADD Poets from their April 2006 single-day access to Limited Fork Poetics on the north campus of the University of Michigan. See the video medley poam in the Limited Fork podcast and the Limited Fork Video Anthology podcast. The MADD Poets Society is a group of teens from Toledo, Ohio who are Making A Direct Difference through positive actions. David Bush is the Director of the MADD Poets Society.

A Limited Fork sound poam

This movie poam debuted at the "Pleasurable Complexity" Limited Fork poetry event on 14 September at the University of Michigan. The theme is "place value: implications of the lattice." 37 layers (communities) of interacting language systems (communities) are latticed in the making of this poam. Poams related to this theme, including a "Pleasurable Complexity event book," may be found throughout all three Limited Fork podcasts: Limited Fork, Limited Fork Music, and Limited Fork Video Anthology. This poam contains images © 2005 by John Chervinsky and are used by permission. This poam also contains content from the "Pleasurable Complexity event book" also available in this podcast. The image of the women in burqas is by Steve Evans and is used under the Creative Commons license.

This movie poam debuted at the "Pleasurable Complexity" Limited Fork poetry event on 14 September at the University of Michigan. The theme is "place value: implications of the lattice." 37 layers (communities) of interacting language systems (communities) are latticed in the making of this poam. Poams related to this theme, including a "Pleasurable Complexity event book," may be found throughout all three Limited Fork podcasts: Limited Fork, Limited Fork Music, and Limited Fork Video Anthology. This poam contains images © 2005 by John Chervinsky and are used by permission. This poam also contains content from the "Pleasurable Complexity event book" available in the Limited Fork podcast. The image of the women in burqas is by Steve Evans and is used under the Creative Commons license.

Soundtrack from "Lattice Looking," the slideshow poam that is a companion to the "Pleasurable Complexity" Limited Fork poetry event. Parts of the slideshow poam are also part of "Latticed Shadowbox Suite" by KC Trommer and Ansted Moss. These pieces are available in the Limited Fork and the Limited Fork Video Anthology podcasts.

A video poam exploring implications of the lattice in conjunction with the "Pleasurable Complexity" Limited Fork event on 14 September. A variation of the image sequence is also woven (interacting) into "Latticed Shadowbox Suite" which also features work by KC Trommer, a Limited Fork practitioner, and cellist Pablo Casals performing a suite for cello by Bach. Related poams are available in this and other Limited Fork podcasts. These poams are part of a lattice of inquiry considering notions of place value.

The composer of the soundtrack for the video poam "Project Genealogy" plays the instrumental version. The video poam is available at the Limited Fork and the Limited Fork Video Anthology podcasts.

Spoken text from the video poam "Project Genealogy: why I wrote SLAVE MOTH" available in the Limited Fork and the Limited Fork Video Anthology podcasts.

This video poam is an unintended collaboration that in the lack of intention becomes a lattice itself, a community of interactions from multiple locations intersecting on a number of levels (or lattices). The compatibility of KC's video, and the spoken language with Ansted's images seems designed rather than incidental, yet it wasn't until I had these separate components for the Gallery exhibit component of "Pleasurable Complexity" Limited Fork poetry event that I realized the benefit of seeing the separate pieces together, allowing them to speak a shared language in addition to the multiple levels of saying in their separate languages. Two themes of the "Pleasurable Complexity" Limited Fork poetry event were "place value" and "implications of the lattice," with "implications of the lattice" contained in notions of "place value," and notions of "place value" contained in "implications of the lattice." More "Pleasurable Complexity" materials are available from the Limited Fork podcast. --Thylias Moss

Soundtrack of the video poam "Place Value" available from the Limited Fork and the Limited Fork Video Anthology podcasts. Contains a looped half minute of the voice of NPR recorded in the background of a conversation in October 2005 along a Michigan highway.

This visual poam is a companion to the "Pleasurable Complexity" Limited Fork poetry event that considered notions of place value and implications of the lattice. Some of Ansted's lattice looking images were part of a larger lattice or woven piece featuring the poam "Shadowbox Suite" by KC Trommer. This larger piece, "Latticed Shadowbox Suite," is available in the Limited Fork Video Anthology podcast and in the Limited Fork podcast. Other pieces related to the "Pleasurable Complexity" are also available in the Limited Fork podcast. Implications and interactions extend beyond the separate poams; such is the nature of resonance available for notice and further interaction and transformation.

A video poam exploring implications of the lattice in conjunction with the "Pleasurable Complexity" Limited Fork event on 14 September. A variation of the image sequence is also woven (interacting) into "Latticed Shadowbox Suite" which also features work by KC Trommer, a Limited Fork practitioner, and cellist Pablo Casals performing a suite for cello by Bach. Related poams are available in this and other Limited Fork podcasts. These poams are part of a lattice of inquiry considering notions of place value.

This video poam is an unintended collaboration that in the lack of intention becomes a lattice itself, a community of interactions from multiple locations intersecting on a number of levels (or lattices). The compatibility of KC's video, and the spoken language with Ansted's images seems designed rather than incidental, yet it wasn't until I had these separate components for the Gallery exhibit component of "Pleasurable Complexity" Limited Fork poetry event that I realized the benefit of seeing the separate pieces together, allowing them to speak a shared language in addition to the multiple levels of saying in their separate languages. Two themes of the "Pleasurable Complexity" Limited Fork poetry event were "place value" and "implications of the lattice," with "implications of the lattice" contained in notions of "place value," and notions of "place value" contained in "implications of the lattice." More "Pleasurable Complexity" materials are available from the Limited Fork podcast. --Thylias Moss

Soundtrack from the first Limited Fork video piece "The Song of Iota," October 2004. The text of this piece, adapted from the video piece where the text was composed, also exists as a print object in Gargoyle 50.

From the soundtrack of "DOD - the death of depth," a Limited Fork video poam (product of an act of making) available at the Limited Fork podcast. Explores the beauty of merger and forking movements in text choreography. "DOD," the video poam, is a theory piece of Limited Fork Poetics, a theory that this music suits very well.

Theme song of Limited Fork Music, all about the forky approach to responding to experience. For more about the forky approach to experience, visit the Limited Fork podcast. This is a song of the starting place of forky understanding in 2004.

a song about ants, as in insects and cosmic iota; see the animated text form of this sound art at the Limited Fork podcast; "The Song of Iota" exists as a print object in Gargoyle.

An essay that defines Limited Fork Poetics, the study of interacting language systems, as of May 2006.