Podcasts about mustakeem

StitchCast Studio Special Edition: The Divided City is a series of four unique conversations that will bring historical context around recurring topics chosen by youth in the StitchCast Studio published podcasts, including: the preservation of black history and historical sites and the stories of Missouri's people throughout time. The Series dovetails into Story Stitchers' multi-year signature program, The WHY of MY City, which focuses on the stories and history embedded in St. Louis, Missouri's historically Black neighborhoods. Celebrate Juneteenth with The WHY of MY City, a new play by Saint Louis Story Stitchers, written by Mario Farwell and directed by Gregory S. Carr. The story…Wanda, a young African American, returns to St. Louis after graduating high school.  She wants to explore opportunities, but Zoot Suit, a well-known gangster, entices her to come work for him. The community rallies to prevent Wanda from making a serious mistake and with the help of Scott Joplin, Madam CJ Walker, Cool Papa Bell and Tina Turner, they manage to save her from the clutches of Zoot Suit. June 16 and 16 at 7:00 PM at the .ZACK Theater, St. Louis, MO. Get your tickets onMetrotix. In this episode, our StitchCast, led by Emeara Burns, sits down with Sowande' Mustakeem, Ph.D., Associate Professor of History and African and African American Studies at Washington University, to discuss the lost and disappearing histories in Black culture. Recorded February 13, 2023, at Story Stitchers Studio, The Center, 3701 Grandel Sq, 1A, 63108 Pick the City UP Art Interlude Wade By Saint Louis Story Stitchers The WHY of MY City, 2021   StitchCast Studio Special Edition: The Divided City is funded by The Divided City initiative. The Divided City is a joint project of the Center for the Humanities and the Sam Fox School, College of Architecture and Urban Design at Washington University in St. Louis. The Divided City is funded by The Andrew W. Mellon Foundation. Story Stitchers is supported in part by The Lewis Prize for Music's 2021 Accelerator Award. The mission of The Lewis Prize is to partner with leaders who create positive change by investing in young people through music.  Additional support for StitchCast Studio and Story Stitchers programs is provided by the Spirit of St. Louis Women's Fund, City of St. Louis Youth at Risk Crime Prevention grant of 2023, Trio Foundation of St. Louis, Deaconess Foundation, and the Arts & Education Council. Saint Louis Story Stitchers and The Center is supported in part by Kranzberg Arts Foundation as a resident organization.

BONUS EPISODES & PREMIUM ACCESS: https://auxoro.supercast.com/ Sowande' Mustakeem is an author, educator, and speaker. Her latest book Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage is out now. SOWANDE' MUSKATEEM LINKS:Slavery At SeaSlavery At Sea: The Book SoundtrackTwitterInstagramBio THE AUXORO PODCAST LINKS:Apple: https://apple.co/3B4fYju Spotify: https://spoti.fi/3zaS6sPOvercast: https://bit.ly/3rgw70DYoutube: https://bit.ly/3lTpJdjWebsite: https://www.auxoro.com/ AUXORO SOCIAL LINKS:Instagram: https://www.instagram.com/auxoroYouTube: https://bit.ly/3CLjEqFFacebook: https://www.facebook.com/auxoromagNewsletter: https://www.auxoro.com/thesourceYouTube: https://bit.ly/3CLjEqF If you enjoy the show, please consider leaving a short review on Apple Podcasts. It takes less than 60 seconds, helps us appear higher in searches so more people discover the show, and it boosts my ego;) Past Guests On The Auxoro Podcast Include: Aubrey de Grey, Andy Weir, Eben Britton, Eric Jorgenson, Isabelle Boemeke, Houston Arriaga, Jerzy Gregorek, Chris Cooper, Gryffin, Elsa Diaz, Dave Robinson, Meghan Daum, FINNEAS, Chloé Valdary, Coleman Hughes, Maziar Ghaderi, YONAS, Ryan Michler, Ryan Meyer, Gavin Chops, Bren Orton, Zuby, Jason Khalipa, Ed Latimore, Jess Glynne, Noah Kahan, Kid Super, Deryck Whibley, and many more.  Audio editing by dbsound: https://www.fiverr.com/dbsound  

In which the Historians discuss how our guest got into reality television and Bravo, play two games, hear a pitch on cord-cutting, discuss the CosmicDoc, spirituality and ghosts on RHOD, and much, much more!

In which the Historians discuss enslavement at sea, the metaphysical presence of the ghosts of the enslaved, spirit channelling and Tyler Henry, Sowande' Mustakeem's band Amalghemy, and much, much more!

StitchCast Studio Special Edition: The Divided City III Dislocation and Disorientation of Black Families   StitchCast Studio Special Edition: The Divided City is a series of four unique conversations in the series will bring historical context around recurring topics chosen by youth in the StitchCast Studio published podcasts, including: the culture of trauma caused by poverty and repeated exposure to violence amongst families of color in St. Louis, stories of disorientation and dislocation of black families, and the power of story as healer in black cultures through time.  Story Stitchers' youth led by Stitchers Youth Council co-chairs Branden Lewis and Emeara Burns discuss concepts associated with disorientation and dislocation of black families with filmmaker and Washington University alumnus, B.D. Architecture, Jun Bae, and Sowande' Mustakeem, Ph.D., Associate Professor of History and African and African American Studies at Washington University.   Pick the City UP Art Interlude We Cope By Emeara Burns Saint Louis Story Stitchers, 2019   This project is funded by The Divided City initiative. The Divided City is a joint project of the Center for the Humanities and the Sam Fox School, College of Architecture and Urban Design at Washington University in St. Louis. The Divided City is funded by The Andrew W. Mellon Foundation. StitchCast Studio Season II in 2021 is sponsored by the Spirit of St. Louis Women's Fund's three year grant 2020-22, Arts and Education Council PNC Grant, and Lush Corporation's The Charity Pot.

StitchCast Studio Special Edition: The Divided City II Trauma as Culture in Black Families   StitchCast Studio Special Edition: The Divided City is a series of four unique conversations in the series will bring historical context around recurring topics chosen by youth in the StitchCast Studio published podcasts, including: the culture of trauma caused by poverty and repeated exposure to violence amongst families of color in St. Louis, stories of disorientation and dislocation of black families, and the power of story as healer in black cultures through time.  This episode features a conversation with Story Stitchers' youth led by Stitchers Youth Council co-chairs Branden Lewis and Emeara Burns with author and educator John A. Wright, Sr. and Sowande' Mustakeem, Ph.D., Associate Professor of History and African and African American Studies at Washington University. Recorded live in Zoom February 9, 2021. This project is funded by The Divided City initiative. The Divided City is a joint project of the Center for the Humanities and the Sam Fox School, College of Architecture and Urban Design at Washington University in St. Louis. The Divided City is funded by The Andrew W. Mellon Foundation. StitchCast Studio Season II in 2021 is sponsored by the Spirit of St. Louis Women's Fund's three year grant 2020-22, Arts and Education Council PNC Grant, and Lush Corporation's The Charity Pot.

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem's award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem's approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In her new book Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage, historian Sowande' Mustakeem reveals the forgotten world of 18th century slave ships. Here, she shares the tragic story of one enslaved woman and discusses why it's so important for Americans to confront this foundational, brutal chapter of history. Mustakeem's research focuses on the experiences of those most frequently left out of the history of the Middle Passage - women, children, the elderly, and the diseased. A version of this episode was first released in 2013, in our American Identities series.

In her forthcoming book, Routes of Terror: Gender, Health and Power in the Eighteenth Century Middle Passage, assistant professor Sowande' Mustakeem reveals the forgotten world of 18th century slave ships. In today's podcast, she shares the story of one enslaved woman and discusses why it's so important for Americans to confront this foundational, brutal chapter of history. Mustakeem's research focuses on the experiences of those most frequently left out of the history of the Middle Passage - women, children, the elderly, and the diseased.