Podcasts about sam fox school

Quinn Antonio Briceño, a Nicaraguan-American artist in St. Louis, earned his bachelor's degree in fine art from the San Francisco Art Institute (2017) and a master's degree from the Sam Fox School of Design and Visual Art (2022). Notable achievements include winning the Ann Metzger National Biennial in 2019 and being a finalist for the AXA Art Prize in 2021. Featured in publications such as All the Art, Friend of the Artist (Issue 10), St. Louis Magazine, Design St. Louis, and New American Paintings (No. 155, 165, 167), Briceño's works grace private collections nationwide. ------ Briceño's art, a reflection of dualities shaped by two countries, languages, and cultures, explores the perpetual pressure to choose between them. Consciously integrating Americana with Latinx influences, Briceño constructs a visual language bridging cultural gaps. His creations carve a unique space, offering solace to those burdened by societal expectations, and through painting and collage, he weaves a tapestry celebrating identity. Briceño's work is a dual exploration, sharing his personal struggle and narrating a journey towards acceptance, inclusion, and empowerment for the marginalized and forgotten. -----

John Hendrix is a New York Times bestselling author and illustrator. His latest book is a graphic novel called The Mythmakers: The Remarkable Fellowship of C. S. Lewis and J. R. R. Tolkien. In this episode, John and I talk about his new book and about his own creative process. John's work has appeared in numerous publications, such as Newsweek, Sports Illustrated, Entertainment Weekly, Rolling Stone, The New Yorker, Esquire, The New York Times, Time Magazine, National Geographic, among many others. His images also appeared in advertising campaigns for ESPN/ABC, AT&T, Pfizer, and Target. I interviewed John about his creative process for my 2025 book Learning to See: Inside the World's Leading Art and Design Schools. John is the Kenneth E. Hudson Professor of Art and the founding Chair of the MFA in Illustration and Visual Culture program at the Sam Fox School of Design and Visual Arts at Washington University in St. Louis. For more information: John Hendrix Illustration: www.johnhendrix.com The Mythmakers: The Remarkable Fellowship of C. S. Lewis & J. R. R. Tolkien Sawyer's new book Learning to See will be published in April, 2025. Music by license from Soundstripe: "Uptown Lovers Instrumental" by AFTERNOONZ "Miss Missy" by AFTERNOONZ "What's the Big Deal" by Ryan Saranich   Copyright (c) 2024 Keith Sawyer  

We were assigned The Hobbit in seventh grade. We knew it was coming, too—each class ahead of us had to read Tolkien's classic text. Everyone in school always knew when it was that time of year again. The culminating Hobbit-themed project for every seventh grader was to create a sculpture featuring one of the characters in the book. Those sculptures would then line the halls of our school for the remaining two months of the school year. I, Eric Clayton, of course, made a not-at-all-to-scale version of the great dragon Smaug. So, that was seventh grade and coincidentally the year Peter Jackson's The Lord of the Rings: The Fellowship of the Rings debuted in theaters. But long before I made a dragon out of clay, I'd fallen in love with fantasy, myth and fairy tale. I liked the adventure, of course, the epicness of these wild and wondrous worlds. But the more I read in the genre, the more I learned about these worlds and my own reaction to them, the more I wondered: Was something else going on? Was I drawn to these kinds of stories for another reason? Today's guest, New York Times bestselling author and illustrator, John Hendrix, provides a pretty compelling answer in his latest book, “The Mythmakers: The Remarkable Fellowship of C.S. Lewis and J.R.R. Tolkien.” It's from a particular scene in his book—and we discuss at length in our conversation. It's a pivot moment, a conversation between Tolkien, Lewis and their mutual friend, Hugo Dyson. “The hunger in your stomach does not prove that you will get a meal,” Tolkien says. “But it does prove that your body was meant for food. The point is simple. The ‘dying and reviving God' images that moves you so deeply in mythology is the very same story found in the Gospels.” Dyson adds: “Men write their myths and God writes his.” Lewis is exasperated: “Now both of you are saying that Christ is a myth…like Loki?” he asked. “Exactly,” Tolkien says. “With one simple difference: “Christ is the myth that entered history. He is the myth that actually came true.” I won't spoil any more of the story for you. But if you are curious about the intersection of fantastical storytelling and spiritual discoveries, if you've ever wanted to learn more about the creators of Narnia and Middle-earth and their all-important friendship, then this conversation with John Hendrix is for you. And so's his book. A little more about John: His books include The Faithful Spy: Dietrich Bonhoeffer and the Plot to Kill Hitler, called a Best Book of 2018 by NPR, Drawing Is Magic: Discovering Yourself in a Sketchbook, Miracle Man: The Story of Jesus, and many others. His award-winning illustrations have also appeared on book jackets, newspapers, and magazines all over the world. And he is the Kenneth E. Hudson Professor of Art and the founding Chair of the MFA in Illustration and Visual Culture program at the Sam Fox School of Design and Visual Arts at Washington University in St. Louis. You can learn more about John's impressive career and grab copies of his many books at johnhendrix.com.

Haley interviews John Hendrix, a New York Times bestselling author and illustrator. He is the Kenneth E. Hudson Professor of Art and Chair of the MFA in Illustration and Visual Culture program at the Sam Fox School of Design and Visual Arts at Washington University in St. Louis. His books include The Faithful Spy: Dietrich Bonhoeffer and the Plot to Kill Hitler, Drawing Is Magic, and The Mythmakers, a new graphic novel about the friendship between C.S. Lewis and J.R.R. Tolkien. In this episode Haley and John discuss the great value of having companions on the way in both the creative and the spiritual life, how the Gospel as the true myth, and ways to encourage reluctant readers with highly illustrated books like graphic novels. Learn more about the children's literature available from Word on Fire Votive. Stay up-to-date with the latest episodes of the The Votive Podcast biweekly on WordonFire.org or wherever you listen to podcasts. Do you enjoy this podcast? Become a Word on Fire IGNITE member to support the production of the Votive Podcast and other initiatives from Word on Fire. Our ministry depends on the support of listeners like you! Become a part of this mission and join IGNITE today to become a Word on Fire insider and receive some special donor gifts for your generosity.

John Hendrix stops by to talk about his fatherhood journey. We talk about the values he looks to instill into his kids. After that he shares the life lessons he learned from his kids. In addition, we talk about his new book, The Mythmakers. John discusses some of the fun stories he learned about the relationship between C.S. Lewis and J.R.R. Tolkien while writing this book.  Lastly, we finish the interview with the Fatherhood Quick Five.  About John Hendrix John Hendrix is a New York Times bestselling author and illustrator. His books include the young adult graphic novel The Faithful Spy: Dietrich Bonhoeffer and the Plot to Kill Hitler (a YALSA Nonfiction Excellence in Nonfiction Award Finalist) and the picture books Go and Do Likewise!: The Parables and Wisdom of Jesus, Shooting at the Stars: The Christmas Truce of 1914, Miracle Man: The Story of Jesus, and Nurse, Soldier, Spy: The Story of Sarah Edmonds, A Civil War Hero.  He is also the author-artist behind the adult books The Holy Ghost: A Spirited Comic and Drawing Is Magic: Discovering Yourself in a Sketchbook. He is chair of the MFA Illustration and Visual Culture program in the Sam Fox School of Design & Visual Arts at Washington University in St. Louis. Hendrix lives in Webster Groves, Missouri. John lives in the St. Louis, with his wife Andrea, son Jack and daughter Annie, dog Pepper and cats Kit-Kat and Luna. Make sure you follow John on Twitter at @hendrixart and Instagram at @johnhendrix. In addition make sure you pick up his latest book, The Mythmakers wherever you purchase books. About The Mythmakers  From New York Times bestselling, award-winning creator John Hendrix comes The Mythmakers, a graphic novel biography of two literary lions—C.S. Lewis and J.R.R. Tolkien—following the remarkable story of their friendship and creative fellowship, and how each came to write their masterworks. Through narrative and comic panels, Hendrix chronicles Lewis and Tolkien's near-idyllic childhoods, then moves on to both men's horrific tour of the trenches of World War I to their first meeting at Oxford in 1929, and then the foreshadowing, action, and aftermath of World War II. He reveals the shared story of their friendship, in all its ups and downs, that gave them confidence to venture beyond academic concerns (fantasy wasn't considered suitable for adult reading, but the domain of children), shaped major story/theme ideas, and shifted their ideas about the potential of mythology and faith. About The Art of Fatherhood Podcast  The Art of Fatherhood Podcast follows the journey of fatherhood. Your host, Art Eddy talks with fantastic dads from all around the world where they share their thoughts on fatherhood. You get a unique perspective on fatherhood from guests like Bob Odenkirk, Hank Azaria, Joe Montana, Kevin Smith, Danny Trejo, Jerry Rice, Jeff Foxworthy, Patrick Warburton, Jeff Kinney, Paul Sun-Hyung Lee, Kyle Busch, Dennis Quaid, Dwight Freeney and many more.

Patty Heyda, Professor of Urban Design in the Sam Fox School of Design and Visual Arts at Washington University joins Megan Lynch to talk about her most recent piece 'Radical Atlas of Ferguson USA' - The infrastructure of fragmentation.

In recent years AI has become the dominant disruptive force for businesses and scaled organizations in every industry and global region, and it's having a dramatic effect on the profession and practice of design. Over multiple episodes this season, I'll be examining the impact of AI on design and design leadership from a variety of angles.In this episode I look at how AI is showing up in the academic design environment. How are students responding to the possibilities presented by AI, and by the immediate access they have to it? How are design educators integrating AI into their curricula, coursework, and programs? Importantly for design leaders, what does all of this tell us about the generation of designers who will be stepping into the profession—and into our teams—in the years ahead? My guest for this episode is Professor Jonathan Hanahan of the Sam Fox School of Art & Design at Washington University in St Louis. Jonathan brings a deeply technical practice and experimental approach to teaching design—an approach that is sometimes at odds with the more traditional craft-oriented graphic design foundation that the Sam Fox School is built on and known for. Later in the episode, we'll hear about the new cross-disciplinary graduate design program just launched at the school. 

Ep.205 Kahlil Robert Irving was born in San Diego, in 1992, but spent most of his youth in St. Louis, Missouri. He attended the Kansas City Art Institute, where he received his BFA, and earned his MFA from the Sam Fox School of Design and Visual Art at Washington University in St. Louis. Irving's work has been featured in numerous group exhibitions at the Whitney Museum of American Art, the Mass MOCA, the New Museum, and the Contemporary Art Museum St. Louis. In February of 2024, Irving opened concurrent exhibitions at the Nerman Museum of Contemporary Art (AnticKS & MOdels + My theater to your eyes) and Archeology of the Present at the Kemper Art Museum in Saint Louis and both will be on view until July. Like many artists today, Irving works in many media, including sculpture, painting, and collage. His collages are largely influenced by contemporary digital culture. He gathers different pieces of digital material ranging from photographs he takes, to items he sees online to assemble these works. While appearing chaotic at times, he uses this method to subtly describe a view of how to navigate being Black in the United States. Irving's range of ideas and materials shine through his practice—as he combines contemporary memes with evolved ceramic techniques, he shows how different ceramic materials can be fashioned into looking like objects from life. Throughout his practice, Irving focuses on Black joy while also shedding a light on violent white people and their ideologies. Photo credit: Andrew Castañeda Artist https://www.kahlilirving.com/ Nerman Museum https://nermanstaging.jccc.edu/exhibitions/2024-02-09-kahlil-irving.html Kemper Art Museum https://www.kemperartmuseum.wustl.edu/on-view/on-view/kahlil-robert-irving-archaeology-of-the-present-20232024 MoMA https://www.moma.org/calendar/exhibitions/5396 Walker Art Center https://walkerart.org/calendar/2023/kahlil-robert-irving St. Louis Magazine https://www.stlmag.com/culture/visual-arts/kahlil-robert-irving-returns-to-washington-university-for-ar/ Art Review https://artreview.com/kahlil-robert-irving-excavating-the-recent-past-walker-art-center-bold-tendencies/ River Front News https://www.riverfronttimes.com/arts/kahlil-robert-irving-reflects-on-the-built-world-in-kemper-exhibition-41948583 St. Louis Post Dispatch https://www.stltoday.com/life-entertainment/local/art-theater/art-by-kahlil-robert-irving-gets-a-special-platform-at-mildred-lane-kemper-museum/article_14b149ee-cf92-11ee-b349-3fef347f28cf.html ARTnews https://www.artnews.com/art-news/artists/kahlil-robert-irving-walker-art-center-interview-1234663240/ Culture Type https://www.culturetype.com/2023/10/15/on-view-at-walker-art-center-kahlil-robert-irvings-site-specific-installation-reinterprets-the-notion-of-street-art/ Star Tribune https://www.startribune.com/ceramic-artist-kahlil-robert-irving-wants-us-to-stay-in-the-present-walker-art-center-minneapolis/600261276/ NPR https://www.stlpr.org/arts/2024-03-13/st-louis-artist-kahlil-robert-irving-explores-modern-life-and-loss

In this episode, Landscape Architecture Professor Rod Barnett based in Aotearoa New Zealand shares his provocative insights on the role of landscape design in the Anthropocene with our host, Carry Kim. With a focus on indigeneity and community sovereignty, Rod delves into the history and future of landscape architecture, its impact on social ecologies, and the necessity of reimagining our relationship with the land. Listen as we unravel the threads of colonization and discover the emergent systems that could redefine our world. The word landscape derives from Dutch and originally meant “region or tract of land.” By the early 1500s, it came to also reference pictures depicting scenery on land in artworks. In this Anthropocene Era, we are encouraged to consider planetary environments and landscapes as systems that span a wide range of biomes, flora, fauna & funga. Landscapes can reflect regional networks of community empowerment where humans & “more-than-humans” become entangled within shared lifeways that respect and encourage diversity. Perhaps landscape architecture or design can be honestly understood as an evolutionary, contemplative and disruptive practice; one that considers the intersections of environmental justice, climate activism, community sovereignty and indigeneity that empowers local peoples and enhances and restores the landscapes in which they live. Indigenous design remains the key to the future of settler nation landscapes in the Anthropocene. Rod Barnett, founder of the non-profit landscape architecture practice, Kaihanga Awawhenua [Riverland Design https://www.nonlinearlandscapes.com/] joins us for a compelling discussion on the potential of landscape design to evolve generative landscapes that resonate with the aspirations of the local community. For an extended interview and other benefits, become an EcoJustice Radio patron at https://www.patreon.com/ecojusticeradio LINKS Utu in the Anthropocene (placesjournal.org) Utu, the Māori principle of reciprocity, accords all beings the same ontological status. It is profoundly interpersonal. https://placesjournal.org/article/redesigning-colonial-landscapes/?cn-reloaded=1 Rod Barnett is a professor of Landscape Architecture based in Aotearoa also known as New Zealand. He runs a non-profit experimental landscape design practice, Kaihanga Awawhenua [which translates from the Maori to Riverland Design https://www.nonlinearlandscapes.com/], within the intersection of environmental justice, climate activism and community sovereignty. His aim is always to empower local peoples to enhance and restore the landscapes in which they live. Wherever he works across the world the values and practices of Indigenous peoples are his compass and guide Prior to heading the school of architecture at Victoria University of Wellington/Te Herenga Waka, he served as chair of the graduate program in landscape architecture at the Sam Fox School of Design & Visual Arts at Washington University in St. Louis. Carry Kim, Co-Host of EcoJustice Radio. An advocate for ecosystem restoration, Indigenous lifeways, and a new humanity born of connection and compassion, she is a long-time volunteer for SoCal350, member of Ecosystem Restoration Camps, and a co-founder of the Soil Sponge Collective, a grassroots community organization dedicated to big and small scale regeneration of Mother Earth. Podcast Website: http://ecojusticeradio.org/ Podcast Blog: https://www.wilderutopia.com/category/ecojustice-radio/ Support the Podcast: Patreon https://www.patreon.com/ecojusticeradio PayPal https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url Executive Producer and Intro: Jack Eidt Hosted by Carry Kim Engineer and Original Music: Blake Quake Beats Episode 217 Photo credit: Rod Barnett

What happens when a world-renowned landscape architect from Thailand comes to the United States as Designer-in-Residence to work with an award-winning architect whose passion is what he defines as watershed architecture? It has been a year since Season 4, Episode 10 when we first asked that question of our guests, and now it's time for an update. Hosts Sarah Thorne and Jeff King, Lead of the Engineering With Nature® Program at the US Army Corps of Engineers (USACE), welcome back Kotchakorn Voraakhom (“Kotch”), an international member of the American Society of Landscape Architects and founder of Bangkok-based company LANDPROCESS, and Derek Hoeferlin, Chair of the Landscape Architecture program at Washington University in St. Louis. Derek and the Sam Fox School of Design & Visual Arts have been hosting Kotch on her year-long appointment as Designer-in-Residence, sponsored by the Pulitzer Arts Foundation.Reflecting on her expectations for her year in St. Louis, Kotch said, “It is like a journey. When you travel into some new place or experience, you're expecting one thing; but when you actually go through it, you run into different things that you were not expecting.” Kotch spent her time learning from the St. Louis community and, as she says, listening to the ecology of the Mississippi River. Kotch taught Derek's students at Washington University, held several workshops with community members, engaged with a range of people from USACE, and talked with people in small towns along the Mississippi who are dealing with perpetual flooding. Her residency has “been a pause to relearn what I have learned. As a practitioner, you want to conquer the world. You want to change the world. But in the end, you just have to let the world change you as well.” As she notes, “Nature has the final word.”Derek relates a similar kind of experience in wanting to change the world, while also being influenced by it. His journey has been a 15-plus-year project to investigate what he calls “watershed architecture” and his interest in how watersheds can reflect a tipping point in time. Derek has been influenced by large-scale climate-related disasters and thinking about what it means to design buildings in that context. “As designers, we look at these larger-scale events and watersheds and what they mean for design decisions. Specifically, how can we engage water better within our design decisions. That's where we are right now with our conversation with the Engineering With Nature Program. We're trying to think of a much more holistic way to bring communities into the next phase of this transformation.” These are some of the themes that Derek addresses in his recently published book, Way Beyond Bigness: The Need for a Watershed Architecture.Jeff notes the inspiration that Derek and Kotch's work together brings, “To be able to address these issues concerning climate change really is going to take us getting to know one another, to understand and appreciate our uniqueness as individuals, but also how do we harmonize as humans. Please keep pursuing and delivering good strategies and good solutions that will help us get past these existential threats. What you both are doing is incredibly inspiring for future landscape architects and others.”For more information and resource links, please visit the EWN Podcast page on the EWN website at https://www.engineeringwithnature.org/ • Jeff King at LinkedIn• Kotchakorn Voraakhom at LinkedIn• Derek Hoeferlin at LinkedIn

StitchCast Studio Special Edition: The Divided City is a series of four unique conversations in the series will bring historical context around recurring topics chosen by youth in the StitchCast Studio published podcasts, including: the preservation of black history and historical sites and the stories of Missouri's people throughout time. In this episode, our StitchCast, led by Emeara Burns, was on site and interviewed Lois Conley, Director, The Griot Museum of African American History about preserving local history through caretaking. Recorded April 15, 2023, on site at The Griot Museum during COUNTERPUBLIC opening activities.   Pick the City UP Art Interlude Be Yourself Saint Louis Story Stitchers with Triple Tz, 2021   StitchCast Studio Special Edition: The Divided City is funded by The Divided City initiative. The Divided City is a joint project of the Center for the Humanities and the Sam Fox School, College of Architecture and Urban Design at Washington University in St. Louis. The Divided City is funded by The Andrew W. Mellon Foundation. Story Stitchers is supported in part by The Lewis Prize for Music's 2021 Accelerator Award. The mission of The Lewis Prize is to partner with leaders who create positive change by investing in young people through music.  Additional support for StitchCast Studio and Story Stitchers programs is provided by the Spirit of St. Louis Women's Fund, City of St. Louis Youth at Risk Crime Prevention grant of 2023, Trio Foundation of St. Louis, Deaconess Foundation, and the Arts & Education Council. Saint Louis Story Stitchers and The Center is supported in part by Kranzberg Arts Foundation as a resident organization.

StitchCast Studio Special Edition: The WHY of MY City are a series of unique conversations that bring historical context around recurring topics chosen by youth in the StitchCast Studio published podcasts, including: the preservation of black history and historical sites and the stories of Missouri's people throughout time. In this Special Edition episode of StitchCast Studio for The WHY of MY City, our StitchCast, led by Emeara Burns, sits down with Angela da Silva in Part II of a discussion about preserving local history through community organizing with a focus on the Mary Meachum Freedom Crossing, a landmark riverside site of an 1855 slave crossing on  the National Park Service's Underground Railroad Network to Freedom program.   Recorded live on April 15, 2023 on site at The Griot Museum of Black History in collaboration with Counterpublic, a civic exhibition that weaves contemporary art into the life of St. Louis.   Pick the City UP Art Interlude What's Your Why? KP Dennis and Ntegrity for Saint Louis Story Stitchers Copyright 2021, All rights reserved.   StitchCast Studio Special Edition: The WHY of MY City is supported in part by Missouri Humanities Council, a state agency, which receives support from the State of Missouri. The Divided City is funded by The Divided City initiative. The Divided City is a joint project of the Center for the Humanities and the Sam Fox School, College of Architecture and Urban Design at Washington University in St. Louis. The Divided City is funded by The Andrew W. Mellon Foundation. Story Stitchers is supported in part by The Lewis Prize for Music's 2021 Accelerator Award. The mission of The Lewis Prize is to partner with leaders who create positive change by investing in young people through music.  Additional support for StitchCast Studio and Story Stitchers programs is provided by the Spirit of St. Louis Women's Fund, City of St. Louis Youth at Risk Crime Prevention grant of 2023, Trio Foundation of St. Louis, Deaconess Foundation, and the Arts & Education Council. Saint Louis Story Stitchers and The Center is supported in part by Kranzberg Arts Foundation as a resident organization.  

StitchCast Studio Special Edition: The Divided City and The WHY of MY City are a series of unique conversations that bring historical context around recurring topics chosen by youth in the StitchCast Studio published podcasts, including: the preservation of black history and historical sites and the stories of Missouri's people throughout time. Celebrate Juneteenth with The WHY of MY City, a new play by Saint Louis Story Stitchers, written by Mario Farwell and directed by Gregory S. Carr. The story…Wanda, a young African American, returns to St. Louis after graduating high school.  She wants to explore opportunities, but Zoot Suit, a well-known gangster, entices her to come work for him. The community rallies to prevent Wanda from making a serious mistake and with the help of Scott Joplin, Madam CJ Walker, Cool Papa Bell and Tina Turner, they manage to save her from the clutches of Zoot Suit. June 16 and 16 at 7:00 PM at the .ZACK Theater, St. Louis, MO. Get your tickets on Metrotix. In this Special Edition episode of StitchCast Studio for The Divided City and The WHY of MY City, our StitchCast, led by Emeara Burns, sits down with Angela da Silva to discuss preserving local history through community organizing with a focus on the Mary Meachum Freedom Crossing, a landmark riverside site of an 1855 slave crossing on  the National Park Service's Underground Railroad Network to Freedom program. Recorded live on April 15, 2023 on site at The Griot Museum of Black History in collaboration with Counterpublic, a civic exhibition that weaves contemporary art into the life of St. Louis. Pick the City UP Art Interlude Wade Saint Louis Story Stitchers Copyright 2021, All rights reserved.   StitchCast Studio Special Edition: The Divided City is funded by The Divided City initiative. The Divided City is a joint project of the Center for the Humanities and the Sam Fox School, College of Architecture and Urban Design at Washington University in St. Louis. The Divided City is funded by The Andrew W. Mellon Foundation. The WHY of MY City is supported in part by Missouri Humanities Council, a state agency, which receives support from the State of Missouri. Story Stitchers is supported in part by The Lewis Prize for Music's 2021 Accelerator Award. The mission of The Lewis Prize is to partner with leaders who create positive change by investing in young people through music.  Additional support for StitchCast Studio and Story Stitchers programs is provided by the Spirit of St. Louis Women's Fund, City of St. Louis Youth at Risk Crime Prevention grant of 2023, Trio Foundation of St. Louis, Deaconess Foundation, and the Arts & Education Council. Saint Louis Story Stitchers and The Center is supported in part by Kranzberg Arts Foundation as a resident organization.

StitchCast Studio Special Edition: The Divided City is a series of four unique conversations that will bring historical context around recurring topics chosen by youth in the StitchCast Studio published podcasts, including: the preservation of black history and historical sites and the stories of Missouri's people throughout time. The Series dovetails into Story Stitchers' multi-year signature program, The WHY of MY City, which focuses on the stories and history embedded in St. Louis, Missouri's historically Black neighborhoods. Celebrate Juneteenth with The WHY of MY City, a new play by Saint Louis Story Stitchers, written by Mario Farwell and directed by Gregory S. Carr. The story…Wanda, a young African American, returns to St. Louis after graduating high school.  She wants to explore opportunities, but Zoot Suit, a well-known gangster, entices her to come work for him. The community rallies to prevent Wanda from making a serious mistake and with the help of Scott Joplin, Madam CJ Walker, Cool Papa Bell and Tina Turner, they manage to save her from the clutches of Zoot Suit. June 16 and 16 at 7:00 PM at the .ZACK Theater, St. Louis, MO. Get your tickets onMetrotix. In this episode, our StitchCast, led by Emeara Burns, sits down with Sowande' Mustakeem, Ph.D., Associate Professor of History and African and African American Studies at Washington University, to discuss the lost and disappearing histories in Black culture. Recorded February 13, 2023, at Story Stitchers Studio, The Center, 3701 Grandel Sq, 1A, 63108 Pick the City UP Art Interlude Wade By Saint Louis Story Stitchers The WHY of MY City, 2021   StitchCast Studio Special Edition: The Divided City is funded by The Divided City initiative. The Divided City is a joint project of the Center for the Humanities and the Sam Fox School, College of Architecture and Urban Design at Washington University in St. Louis. The Divided City is funded by The Andrew W. Mellon Foundation. Story Stitchers is supported in part by The Lewis Prize for Music's 2021 Accelerator Award. The mission of The Lewis Prize is to partner with leaders who create positive change by investing in young people through music.  Additional support for StitchCast Studio and Story Stitchers programs is provided by the Spirit of St. Louis Women's Fund, City of St. Louis Youth at Risk Crime Prevention grant of 2023, Trio Foundation of St. Louis, Deaconess Foundation, and the Arts & Education Council. Saint Louis Story Stitchers and The Center is supported in part by Kranzberg Arts Foundation as a resident organization.

StitchCast Studio Special Edition: The Divided City is a series of four unique conversations that will bring historical context around recurring topics chosen by youth in the StitchCast Studio published podcasts, including: the preservation of black history and historical sites and the stories of Missouri's people throughout time. The Series dovetails into Story Stitchers' multi-year signature program, The WHY of MY City, which focuses on the stories and history embedded in St. Louis, Missouri's historically Black neighborhoods. Celebrate Juneteenth with with The WHY of MY City, a new play by Saint Louis Story Stitchers, written by Mario Farwell and directed by Gregory S. Carr. The story…Wanda, a young African American, returns to St. Louis after graduating high school.  She wants to explore opportunities, but Zoot Suit, a well-known gangster, entices her to come work for him. The community rallies to prevent Wanda from making a serious mistake and with the help of Scott Joplin, Madam CJ Walker, Cool Papa Bell and Tina Turner, they manage to save her from the clutches of Zoot Suit. June 16 and 16 at 7:00 PM at the .ZACK Theater, St. Louis, MO. Get your tickets on Metrotix. In this episode, our StitchCast, led by Emeara Burns, sits down with John A Wright, Sr., author and historian, to discuss the lost and disappearing histories in Black culture. Recorded January 30, 2023, at Story Stitchers Studio, The Center, 3701 Grandel Sq, 1A, 63108 Pick the City UP Art Interlude Talk' Bout The Ville By Bobby Norfolk for Saint Louis Story Stitchers The WHY of MY City, 2021   StitchCast Studio Special Edition: The Divided City is funded by The Divided City initiative. The Divided City is a joint project of the Center for the Humanities and the Sam Fox School, College of Architecture and Urban Design at Washington University in St. Louis. The Divided City is funded by The Andrew W. Mellon Foundation. Story Stitchers is supported in part by The Lewis Prize for Music's 2021 Accelerator Award. The mission of The Lewis Prize is to partner with leaders who create positive change by investing in young people through music.  Additional support for StitchCast Studio and Story Stitchers programs is provided by the Spirit of St. Louis Women's Fund, City of St. Louis Youth at Risk Crime Prevention grant of 2023, Trio Foundation of St. Louis, Deaconess Foundation, and the Arts & Education Council. Saint Louis Story Stitchers and The Center is supported in part by Kranzberg Arts Foundation as a resident organization.  

We've been ​“saving the planet” for decades and environmental crises just continue to compound. All this Tesla driving, green-roofed corporate headquarters, and carbon trading seems to accomplish little to nothing — all while low-income communities of color continue to suffer the worst consequences. Jenny Price is an ardent advocate for increasing public environmental access, activism, and effectiveness in solving the myriad of challenges we face. She joined us in 2022 to talk about her latest book, 'Stop Saving the Planet, An Environmentalist Manifesto' [https://www.jennyjjprice.net/stop-saving-the-planet]. Its message is that environmental advocates must do better. She suggests a plan with 39 steps to get to cleaning up the toxic messes and rolling back climate change. Buy the Book: https://www.jennyjjprice.net/stop-saving-the-planet# Jenny Price is a writer and public artist, and a Research Fellow at the Sam Fox School at Washington University-St. Louis. She tells stories about the environment and public space, and deploys a wide variety of public arts and humanities formats to do so. Her writings include Stop Saving the Planet: An Environmentalist Manifesto (2021); Flight Maps: Adventures with Nature in Modern America; “Thirteen Ways of Seeing Nature in L.A.” and other essays; op-eds in the NY Times and LA Times; and her not-quite advice column “Green Me Up JJ.” She has created, co-created, and sometimes stumbled into public art projects to work for environmental justice, as well as to de-privatize essential public spaces. She has co-founded the LA Urban Rangers collective, led tours of the concrete LA River, designed the alternative Nature Trail in Laumeier Sculpture Park, co-launched the "What Are You Doing?! (stop saving the planet!)” video series, and co-created the popular Our Malibu Beaches mobile phone app. Jessica Aldridge, Co-Host and Producer of EcoJustice Radio, is an environmental educator, community organizer, and 15-year waste industry leader. She is a co-founder of SoCal 350, organizer for ReusableLA, and founded Adventures in Waste. She is a former professor of Recycling and Resource Management at Santa Monica College, and an award recipient of the international 2021 Women in Sustainability Leadership and the 2016 inaugural Waste360, 40 Under 40. Podcast Website: http://ecojusticeradio.org/ Podcast Blog: https://wilderutopia.com/ecojustice-radio/stop-saving-the-planet-an-environmentalist-manifesto-ep-125/ Support the Podcast: https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url Hosted by Jessica Aldridge Engineer and Original Music: Blake Quake Beats Executive Producer: Jack Eidt Episode 125 Photo credit: Igor Heifetz

In this episode you will hear:   (17:30) Julia and Mark discuss an article written by Mari McQuaid, a former MIT admission officer entitled: 10 College Application Mistakes to Avoid. Last Thursday, Vince discussed four of the 10 mistakes in part 1 with Mark and this week, Julia finishes the remaining 10 reasons.      (52:10) Lisa and Mark discuss a Speakpipe question from Hayley from Arizona about whether a 9th grader should start taking for the SAT or ACT?   (01:05:50) We continue with our interview with Ronne Turner, the Vice Provost of Enrollment at Washington University in St. Louis. Topic: Understanding Wash U, 2 of 3   Preview Part 2 o   Ronne talks about the Sam Fox School o   Ronne shares what is special about the College of Arts and Sciences o   Ronnie shares some of the unique multidisciplinary majors like PNP that are housed within the College of arts of Sciences o   Ronne talks about the advising program that Wash U offers o   Ronne talks about St. Louis and the unique location of Wash U o   Ronne talks about some of the unique programs Wash U has implemented to make Wash U a better place for under-resourced students and rural students. o   Ronne explains what the Gateway scholarship and the Heartland initiative is     (01:14:00) Lynda shares our recommended resource, which is  Khan Academy (khanacademy.org), a great website for free SAT prep and AP prep.   (01:27:20) Mark shares his enthusiasm for the University of Redlands for the College Spotlight. This in-depth Spotlight will air over two episodes, Part 1 of 2     We now have set up audio recordings in your own voice for any question you send in for our “question from a listener” segment. In order to send us an audio message, just go to speakpipe.com/YCBK. You can also use this for many other purposes: 1) Send us constructive criticism about how we can improve our podcast 2) Share an encouraging word about something you like about an episode or the podcast in general 3) Share a topic or an article you would like us to address 4) Share a speaker you want us to interview 5) Leave positive feedback for one of our interviewees. We will send your verbal feedback directly to them and I can almost assure you, your positive feedback will make their day. Speakpipe.com/YCBK is our preferred method for you to ask a question and we will be prioritizing all questions sent in via Speakpipe. If you have a question for one of our upcoming interviews with admissions professionals, here is a list of admissions professionals who we will interview in 2023 or 2024 Confirmed interviews not yet completed Bard-Mackie Siebens Rice University-Tamara Siler American University-Andrea Felder Pitzer College-Yvonne Berumen Chapman University-Marcela Meija-Martinez Connecticut College-Andy Strickler* Trinity College-Anthony Berry* College of the Atlantic-Heather Albert* Spelman College-Chelsea Holley* Scripps College-Victoria Romero* Saint Louis University-Daniel Wood-(Interview is about transfer admissions, Daniel is a transfer counselor) Colby College-Randi Arsenault* University of Georgia-David Graves* University of Minnesota-Keri Risic Cornell University-Jonathon Burdick Oberlin College-Manuel Carballo Carleton College-Art Rodriguez Swarthmore-Jim Bok Joy St. Johns-Harvard Duke-Christoph Guttentag Florida State-John Barnhill Southern Methodist University-Elena Hicks Johns Hopkins-Calvin Wise Cornell University-Shawn Felton Haverford College-Jess Lord UAspire-Brendan Williams Yale University-Moira Poe Akil Bello of Akilbello.com Bard College Baylor University Butler University California Institute of Technology-Ashley Pallie Colorado School of Mines Creighton University   To sign up to receive Your College-Bound Kid PLUS, our new monthly admissions newsletter, delivered directly to your email once a month, just go to yourcollegeboundkid.com, and you will see the sign-up popup.   Check out our new blog. We write timely and insightful articles on college admissions: https://yourcollegeboundkid.com/category/blog/ Follow Mark Stucker on Twitter to get breaking college admission news, and updates about the podcast before they go live. You can ask questions on Twitter that he will answer on the podcast. Mark will also share additional hot topics in the news and breaking news on this Twitter feed. Twitter message is also the preferred way to ask questions for our podcast:   https://twitter.com/YCBKpodcast   1. To access our transcripts, click: https://yourcollegeboundkid.com/category/transcripts/ 2. Find the specific episode transcripts for the one you want to search and click the link 3. Find the magnifying glass icon in blue (search feature) and click it 4. Enter whatever word you want to search. I.e. Loans 5. Every word in that episode when the words loans are used, will be highlighted in yellow with a timestamps 6. Click the word highlighted in yellow and the player will play the episode from that starting point 7. You can also download the entire podcast as a transcript   We would be honored if you will pass this podcast episode on to others who you feel will benefit from the content in YCBK.   Please subscribe to our podcast. It really helps us move up in Apple's search feature so others can find our podcast.   If you enjoy our podcast, would you please do us a favor and share our podcast both verbally and on social media? We would be most grateful!   If you want to help more people find Your College-Bound Kid, please make sure you follow our podcast. You will also get instant notifications as soon as each episode goes live.   Check out the college admissions books Mark recommends:   Check out the college websites Mark recommends:   If you want to have some input about what you like and what you recommend, we change about our podcast, please complete our Podcast survey; here is the link:     If you want a college consultation with Mark or Lisa or Lynda, just text Mark at 404-664-4340 or email Lisa at or Lynda at Lynda@schoolmatch4u.com. All they ask is that you review their services and pricing on their website before the complimentary session. Their counseling website is: https://schoolmatch4u.com/

Jessica Baran is a St. Louis, Missouri-based writer and curator interested in the interplay between art, place, and identity. She's the author of three poetry collections, and her art reviews and essays appear regularly in publications such as Artforum and Art in America, among others. In 2021 she received an Arts Writers Grant for short-form criticism from the Andy Warhol Foundation to support critical writing about artists and exhibitions situated across the greater Midwestern region. In the summer of 2022, She conducted research on the People's Art Center of St. Louis (1945-1965) with the support of a Divided City graduate research fellowship.------ Alongside her freelance writing, which has included an art column for the alt-newsweekly the Riverfront Times (2008-2012), she's spent over a decade organizing exhibitions and programming at a range of independent and community-focused art spaces in St. Louis. From 2008-2011, she was the Assistant Director of White Flag Projects; from 2012-2016, she was the Director of fort gondo compound for the arts; and from 2017-2021, she was the Director of Curatorial and Program Development at Barrett Barrera Projects (2017-2021). She is also an educator who has instructed and advised graduate students in the MFA program at the Sam Fox School of Design & Visual Art (2012-2017); taught writing courses in St. Louis University's Prison Arts & Education program (2013-2017); and overseen numerous public workshops, discussions and literary events.------- 

What happens when a world-renowned landscape architect from Thailand comes to the United States as Designer-in-Residence to work with an award-winning architect whose passion is what he defines as watershed architecture? In Episode 10, hosts Sarah Thorne and Jeff King, Deputy Lead of the Engineering With Nature® Program at the US Army Corps of Engineers (USACE), are talking with Kotchakorn Voraakhom (“Kotch”), an international member of the American Society of Landscape Architects and founder of Bangkok-based landscape architecture company LANDPROCESS, and Derek Hoeferlin, Chair of the Landscape Architecture and Urban Design programs at Washington University in St. Louis. Derek and his colleagues at the Sam Fox School of Design and Visual Arts are hosting Kotch's year-long appointment sponsored by the Pulitzer Arts Foundation.   Kotch is the first landscape architect to receive the UN Global Climate Action Award for her use of nature-based solutions in urban settings. Derek works on integrated water-based design strategies for major river basins, including the Mississippi.   Kotch was born and raised in Bangkok and witnessed its transformation from “green, to gray, to super gray—from a city with natural spaces to one that has been increasingly paved over.” Today, Bangkok is a city of over 10.7 million people. “It's more crowded with less natural habitat for the people who live there, which impacts the quality of life and the quality of the existing green infrastructure, like canals and green space. Agricultural land has been abandoned.”   In 2011, flooding in Thailand displaced millions of people, including Kotch's family: “I think that's really the point where I started questioning who I am as a person living in Bangkok, who I am as a landscape architect, and how can make some changes to address this problem.” This led to her thinking about the role that nature-based solutions can play in landscape architecture, which has become the foundation of her practice. “When I started in landscape architecture in my school, I had been taught to really understand what's the climate at the site, what's the culture of the people, what are the constraints and benefit of the existing natural cycle there and then go on to design. I think my team at LANDPROCESS and I are really different from traditional architects and engineers. We work as a team with them but having us on the team really brings a different approach. We make sure nature-based solutions are part of the process.”   Derek grew up in St. Louis and after studying architecture in New Orleans and New Haven and practicing for multiple years returned in 2005 to begin teaching at Washington University in St. Louis. His experience with flooding events in Missouri, including the Times Beach Disaster in 1982 and the Great Flood of 1993, led him to realize that “water can be a very politicized thing and a very difficult thing to talk about when you're talking about rebuilding communities and protecting them or integrating nature-based solutions, especially in an urbanized setting.” While teaching at WashU, he's witnessed more frequent extreme events, floods, and droughts, and come to understand that these events are not just coastal problems. “This is not just in New Orleans. It's happening up here in the St. Louis in the Midwest, and it's even happening farther upriver, which led me to look at the whole Mississippi water system.” He came across the work of Eddie Brauer, Senior Hydraulic Engineer with the USACE St. Louis District, who has been working on Mississippi basin-scale challenges. And he met Kotch, who has been engaging with the United Nations on global-scale issues. These experiences led him to ask, “How do we come together as a collective, as designers, engineers, policymakers?” on what he calls “watershed architecture thinking”—working at the large watershed scale, back down to the scale of a city, and ultimately a building.   Jeff agrees that applying natural strategies at the watershed scale is critical and notes that this approach was key to the development of the International Guidelines on Natural and Nature-Based Features for Flood Risk Management. “We know now that if we just approach the challenge as one project in one location, then another project in another area of the watershed, we're not thinking about a systematic approach. That can have downstream consequences that negate anything that we've tried to do in the way of creating resilience for that watershed.”   Kotch's focus on using nature-based solutions in urban settings creates more resilient cities that can adapt to the increased flooding that results from climate change. And nature-based solutions are key to providing addition social benefit, especially to the most vulnerable communities. Her not-for-profit company, the Porous City Network, aims to improve the resilience of urban areas by transforming impervious surfaces into a system of productive public green spaces, which help mitigate excess water. This includes maintaining threatened landscape infrastructure such as agricultural land, canals, and ditch orchards, as well as interventions like urban farms, green roofs, rain gardens, and permeable parking that provide needed space for water absorption. “When it comes to nature-based solutions in our landscape-architecture approach, we must understand how nature works and let it work itself. It's not about us controlling everything and measuring everything for our own need.”  She adds: “We have to shift our mindset to really understand the problem.”   Kotch's work is important and inspiring to landscape architects and urban planners. Speaking of her ground-breaking work in Bangkok, Derek notes, “They're stunning and they're beautiful. Her Chulalongkorn University Centenary Park—the scale of what it does embedded in the city of Bangkok—is so inspiring because you see it's not just a pocket park, it's a big project because it needs to accommodate a lot of water and hold it, to slow the water down, then eventually release it into the system. But most of the time it's a public space for people to gather, to communicate, for students to recharge, for tourists, and as a place to have different events. It's multi-use, and it's not just solving the flood risk problem. It's creating opportunities.” He adds: “I hope to see more of those types of projects happening in places like St. Louis, that really bring the nature-based systems that we're talking about and solutions, but also make those places accessible for as many people as possible.” Derek, an acclaimed architect in his own right, has a book coming out soon entitled Way Beyond Bigness: The Need for a Watershed Architecture. He presents the importance of understanding the massive scale of watersheds, like the Mississippi River watershed, and compares it to watersheds of the Mekong and Rhine Rivers in Asia and Europe. “The scales are radically different, but it's interesting to assess things that don't seem quite similar together and try to find different ways of understanding them. The speculation section, which is what we also do as designers, is where we think forward into the future. So, in the third part of the book, we have serious conversations about the future and collaboration. How do you get on the ground and catalyze communities and different groups to get together, to take action? Thinking about the whole watershed is daunting, but if you give people the tools and the language to really think about the nuances, I believe then we can start to enact change.” Jeff, Derek, and Kotch go on to talk about the importance—and challenge—of engaging a diverse set of stakeholders in landscape-scale projects. As Derek notes, “It's not just a bottom-up or top-down approach. It's both—we need to be able to listen.” Kotch notes that a key word in stakeholder engagement is “vulnerability” both from a people and a nature perspective. “Historically, there have been so many stakeholders left behind in decision making about water. Having them as part of the process is very critical. We must reverse our approach and build solutions from the ground up.”   And, as Jeff notes, landscape architects play a critical role doing just that: “Oftentimes when talking with the public and sharing information on model outcomes you're presenting graphs and figures. The message or the concept you are trying to convey can sometimes be missed. Landscape architects have a way of communicating with very broad and diverse stakeholders. That is where it becomes incredibly important for Engineering With Nature—to be able to highlight the engineering outcomes that can be achieved through different projects, using landscape-architecture renderings to provide a better sense of the environmental and social benefits that can also be achieved. Nature-based solutions are dynamic systems—they change over time. Landscape architects can show this progression, which, in turn, informs our adaptive management process. This becomes very important as we work with resource managers and regulatory agencies and the public to maximize the function of these projects over time.”   Kotch is excited about her year at Washington University in St. Louis as the Designer in Residence. She'll be co-teaching at a landscape architecture studio with Derek while learning about urban challenges and watershed management in the US. And she'll be working with Derek and his team on the development a project with the theme of ecologies of access for vulnerable sites at St. Louis. She hopes to involve the community in St. Louis in both the process and the outcome. The EWN Project team will be involved as the project develops.   “We've learned so much today about the critical role of landscape architecture and how it plays a really important part in fostering tough conversations, a new shared future and really getting everyone involved, visualizing different futures,” Jeff notes. “I see this as a continuing opportunity to inform our thinking about how we create resilience in the future and how we get to these nature-based strategies.”   Related Links EWN Website ERDC Website Jeff King at LinkedIn Jeff King at EWN   Kotchakorn Voraakhom at LinkedIn Kotchakorn Voraakhom at Washington University in St. Louis Kotchakorn Voraakhom on Wikipedia Pulitzer Arts Foundation Designer-in-Residence UN Global Climate Action Award LANDPROCESS Porous City Network Chulalongkorn University Centenary Park - Landezine International Landscape Award How to Transform Sinking Cities into Landscapes that Fight Floods – Ted Talk   Derek Hoeferlin at Washington University in St. Louis Derek Hoeferlin at LinkedIn Derek Hoeferlin Design Way Beyond Bigness: The Need for a Watershed Architecture – Book   2011 Thailand Floods Times Beach, Missouri Disaster 1982 The Great Flood of 1993 – Wikipedia The Great Flood of 1993 – Washington University in St. Louis   EWN Podcast S4E3: EWN Practice Leads Sharing Expertise through the EWN Cadre EWN Podcast S4E2: High Energy Roundtable with the EWN Practice Leads EWN Atlas International Guidelines on Natural and Nature-Based Features for Flood Risk Management  

On this episode, Rob interviews self-proclaimed "Scholar Kid" Bianca Rodriguez Pagano, a student in the Class of 2025 cohort of the Beyond Boundaries Program. Bianca talks about her history as an "ABC" A Better Chance Scholar, the Oprah Winfrey Leadership Scholars and the Herrendorf Family Foundation and her role as a proud member of the John B. Ervin Scholars Program at WashU. We talk about her major in marketing at the Olin School of Business and minors in the Business of Social Impact and Design at the Sam Fox School as well as her family's love of dogs and their volunteer work with No Dogs Left Behind in New York City. Don't miss this episode!

Independent Artist, Monika Weiss, stopped by to speak with Nancy about her exhibition monument|antimonument Nirbhaya. Born in Warsaw, Poland, Monika Weiss arrived to NYC in 2001 as a long-term artist in residence at the Experimental Intermedia Foundation. Since 2011, she divides her time between her studio in New York and her appointment as associate professor at Sam Fox School of Design & Visual Arts, Washington University in St. Louis. ------  She has been awarded numerous grants and residency fellowships, including BRIC, Harvestworks, US Embassy in Poland, New York Foundation for the Arts and YADDO. Recent publications about the artist's work include a chapter in Guy Brett's The Crossing of Innumerable Paths: Essays on Art (London: Ridinghouse, 2019) and a forthcoming bi-lingual monograph Monika Weiss – Nirbhaya published by the Centre for Polish Sculpture in Orońsko / National Institution of Culture, with texts by Griselda Pollock (Leeds University) and Mark McDonald (The Metropolitan Museum of Art), among others. ------    

Mary Ruppert- Stroescu- head of WashU Fashion Design Program joins Ray on a Wednesday Night in St. Louis, ahead of their big event this weekend! For more information on Sam Fox School of Design and Visual Arts, visit their website: https://samfoxschool.wustl.edu/

This episode we are so excited to be chatting with the incredible artist Kahlil Robert Irving. Currently living and working in St. Louis, MO, Kahlil's work encompasses ceramics, sculpture, site-specific wallpaper, and other mediums to mine the archive of visual culture and explore notions of Blackness. In December 2021, Kahlil opened his first museum solo exhibition at the Museum of Modern Art in New York, titled Projects: Kahlil Robert Irving. His work has been exhibited at the Nerman Museum of Contemporary Art in Kansas; the Craft Contemporary in Los Angeles; and the RISD Museum in Rhode Island - amongst others. He was selected to participate in the 2019 Great Rivers Biennial hosted by Contemporary Art Museum of St. Louis where he had a solo exhibition in May 2020. In 2018 his first institutional solo exhibition “Street Matter decay and forever: golden age” took place at Wesleyan University Center of the Arts in CT and was accompanied by a full color catalog with essays and an interview. His work is in the collection the Nerman Museum of Contemporary Art in Kansas; and the Carnegie Museum of Art in Pittsburgh; and the Whitney Museum of Contemporary Art in New York. He received his MFA from the Sam Fox School of Design & Visual Art in Washington University in St. Louis; and he got his BFA from the Kansas City Art Institute in Art History & Ceramics. Some artists discussed in this episode: Dayanita Singh Kelley Walker Alex Da Corte Elizabeth Catlett Robert Gober Chuck Close William Pope.L Willie White Royal Robertson Lee Bontecou Glenn Ligon For images, artworks, and more behind the scenes goodness, follow @artfromtheoutsidepodcast on Instagram. Enjoy!

In 1991, 78 percent of Americans identified as environmentalists. By 2021, it had dropped to 41 percent. Why, in the last few decades, has environmentalism experienced this steep decline in popularity? In the final deep dive of season 4, we consider some of the reasons why environmentalism might have rubbed people the wrong way and where the movement might go from here as it works to generate swift climate progress. With special guest Dr. Jenny Price: Research Fellow at the Sam Fox School of Design & Visual Arts at Washington University in St. Louis and author of “Stop Saving the Planet: An Environmentalist Manifesto.” The Sweaty Penguin is presented by Peril and Promise: a public media initiative from The WNET Group in New York, reporting on the issues and solutions around climate change. You can learn more at pbs.org/perilandpromise. Support the show and unlock exclusive merch, bonus content, and more for as little as $5/month at patreon.com/thesweatypenguin. CREDITS Writers: Hallie Cordingley, Ethan Brown Fact Checker: Isabel Plower Editor: Frank Hernandez Producers: Olivia Amitay, Ethan Brown, Megan Crimmins, Shannon Damiano, Frank Hernandez, Dain Kim, Caroline Koehl Ad Voiceover: Maddy Schmidt Music: Brett Sawka The opinions expressed in this podcast are those of the host and guests. They do not necessarily reflect the opinions or views of Peril and Promise or The WNET Group.

Independent Visual Artist, Sarah Paulsen, stopped by to talk to Nancy about her life and work. -----  Raised in Kirkwood, Missouri, Sarah Paulsen is an artist, filmmaker and community organizer whose artwork has been exhibited widely in local and national exhibitions, and whose prize-winning films have been featured in the St. Louis International Film Festival, the True/False Film Festival, the Black Maria Film Festival, the Motivate Film Festival and the Chicago International Children's Film Festival, among many others. She was a 2018 Great Rivers Biennial Winner culminating in an exhibit at the Contemporary Art Museum, St. Louis. A 2010 C.A.T. Institute fellow and 2015 Regional Arts Commission Artist Fellow, she has garnered numerous awards for her work and also completed several residencies – including the Cite Internationale des Arts, Paris. A dedicated advocate for social change, a key aspect of Paulsen's practice has always involved the orchestration of large-scale community projects, such as participatory public murals, thematic round-table discussions and the now-annual People's Joy Parade on Cherokee Street, currently in its ninth year. Paulsen holds a B.A. in visual art from the University of Missouri, Columbia and an M.F.A. from the Sam Fox School of Design and Visual Art at Washington University. She lives and works in St. Louis, where she teaches art and animation at Marian Middle School and local colleges.

On this episode, Rob chats with another pair of Washington University in St. Louis students who have received a Creative Collaborations grant for a project related to writing and crafting a children's book that will help multicultural families explain the cancer diagnosis of a loved one to a child. The students are Beyond Boundaries Program student Christine Nguyen and Sam Fox School of Design & Visual Arts student athlete and Ghostlights cast member Mary Kate Charles. We chat about how they met in the Catholic Student Center (CSC), study in the Interdisciplinary Project in the Humanities, and the non-profit that Christine founded called Limitless Foundation dedicated to providing support for cancer patients and treatment centers. We also talk about Mary Kate's art and Christine's magical cheap-flight algorithm which has made her a world traveler in recent years. She documents her journeys in her travel blog Sightseeing with Stine. A terrific episode featuring two extraordinary students. Check it out!

What is the superpower of designers? Why does healthcare need better design? And how do you create the condition for designers to thrive? Doug Powell has the answers. Doug is an award-winning designer with more than 30 years of experience in a wide range of design disciplines. A recipient of the 2014 Distinguished Alumni Award from the Sam Fox School of Design at Washington University in St. Louis, and the 2014 Fellow Award from AIGA Minnesota, Doug is a lecturer, commentator and thought leader on design issues. He has presented at a variety of global conferences, forums, and universities including Beirut Design Week in Lebanon, Fortune's Brainstorm Design in Singapore, and Yale School of Management. He was on the jury of the 2018 Smithsonian Cooper Hewitt National Design Awards. Between 2011-2013 Doug served as the national president of AIGA, the professional association for design, the largest and most established design organization in the world. Until the end of 2021, Doug was Vice President of Design at IBM, where he helped to build one of the largest enterprise design organizations in the industry. In 2022, Doug became the VP of Design Practice Management at Expedia Group. Bon and Doug talk about the superpower of designers, why healthcare needs designers and how to create the conditions for designers to thrive.

For an extended version of this interview and other benefits, become an EcoJustice Radio patron at https://www.patreon.com/ecojusticeradio We've been ​“saving the planet” for decades and environmental crises just continue to compound. All this Tesla driving, green-roofed corporate headquarters, and carbon trading seems to accomplish little to nothing — all while low-income communities of color continue to suffer the worst consequences. Jenny Price's latest book, 'Stop Saving the Planet, An Environmentalist Manifesto' [https://www.jennyjjprice.net/stop-saving-the-planet] says, enough already! She suggests a plan with 39 steps to get to cleaning up the toxic messes and rolling back climate change. Buy the Book: https://www.jennyjjprice.net/stop-saving-the-planet# Jenny Price is a writer and public artist, and a Research Fellow at the Sam Fox School at Washington University-St. Louis. She tells stories about environment and public space, and deploys a wide variety of public arts and humanities formats to do so. Her writings include Stop Saving the Planet: An Environmentalist Manifesto (2021); Flight Maps: Adventures with Nature in Modern America; “Thirteen Ways of Seeing Nature in L.A.” and other essays; op-eds in the NY Times and LA Times; and her not-quite advice column “Green Me Up JJ.” She has created, co-created, and sometimes stumbled into public art projects to work for environmental justice, as well as to de-privatize essential public spaces. She has co-founded the LA Urban Rangers collective, led tours of the concrete LA River, designed the alternative Nature Trail in Laumeier Sculpture Park, co-launched the "What Are You Doing?! (stop saving the planet!)” video series, and co-created the popular Our Malibu Beaches mobile phone app. Podcast Website: http://ecojusticeradio.org/ Podcast Blog: https://www.wilderutopia.com/category/ecojustice-radio/ Support the Podcast: https://www.patreon.com/ecojusticeradio Hosted by Jessica Aldridge Engineer and Original Music: Blake Quake Beats Executive Producer: Jack Eidt Show Created by Mark and JP Morris Episode 125 Photo credit: Igor Heifetz

On this episode, Rob chats with a pair of WashU students taking advantage of the Creative Collaborations Initiative under the umbrella of the Beyond Boundaries Program where they receive funding to explore an interdisciplinary across divisions at WashU. Alicia Yang from the College of Arts & Sciences and Victoria Xu from the Sam Fox School of Design & Visual Arts plan to address an issue related to homelessness in the St. Louis area by connecting the homeless with information they need to find resources. Their proposal includes creatively designing a booklet that is accessible to individuals who may potentially be illiterate or speak different languages and involve, for example, designing detailed maps with transportation routes to connect unhoused people to services in a way that is easily understandable. It's a great project and we hope YOU consider finding a student partner and apply for YOUR OWN Creative Collaborations grant today!

On this episode, Rob chats with two Sam Fox School of Design & Visual Arts Beyond Boundaries students based in the School of Architecture in BB24 student Brandon Perez and BB25 student Heidy Piña to talk about how architecture, when leveraged with public policy and communication design, can be a power for good in the world! We chat about the new Creative Practice for Social Change minor launched by Beyond Boundaries and Communication Design instructor Penina Acayo Laker, Brandon's time as a Goldman Fellow with the Creative Exchange Lab studying East St. Louis, and Heidy's first semester and "big question" that proposes a solution to homelessness through a combination of architecture, communication design, and public policy. Don't miss this great chat with two AMAZING Beyond Boundaries Program students!

John Hendrix is a New York Times Bestselling illustrator and author of some amazing children's books. John is a professor of Arts at Sam Fox School of Art and Design at Washington University in St. Louis. His work has been seen in the Sports Illustrated, The New York Times, ESPN/ABC, Star Wars, AT&T, and Target, just to name a few. When he is not creating or teaching, you can find him at various speaking engagements or spending time with his family. He is an elite creative who's work continue to bring glory to the Lord.Fellow Citizens is a podcast by Gospel and the Arts. Gospel and the Arts exists to equip artists and to educate the church. **All Episodes Recorded during the first few months of the Covid-19 pandemic in 2020**

Noah Cohan and John Early who are on the show to discuss their project Whereas Hoops. Noah Cohan is the Assistant Director of American Culture Studies at Washington University St. Louis and is a previous Dear Adam Silver guest from Episode 22 where he joined the show to discuss his book on fandom entitled We Average Unbeautiful Watchers. John Early is an artist and senior lecturer at the Sam Fox School of Design and Visual Arts at Washington university St. Louis. Their collective project Whereas Hoops was created to draw attention to the lack of basketball courts in Forest Park, which is located in St. Louis and is one of the biggest urban parks in the country.....but with all that space, there are still no basketball courts. Noah and John are working collaboratively to highlight this issue within its' proper historical context and hopefully correct it in the long term. Follow Whereas Hoops on Twitter and Instagram. Thank you to John and Noah for coming on and thank you to you all for listening! Please subscribe, share, rate and review Dear Adam Silver wherever you get your podcasts.

We've been ​“saving the planet” for decades…and environmental crises just get worse. All this Tesla driving and LEED building and carbon trading seems to accomplish little to nothing — all while low-income communities continue to suffer the worst consequences. Why aren't we cleaning up the toxic messes and rolling back climate change? And why do so many Americans hate environmentalists? Jenny Price says, enough already! — with this short, fun, fierce manifesto for an environmentalism that is hugely more effective, a whole lot fairer, and infinitely less righteous. In Stop Saving the Planet!: An Environmentalist Manifesto (W. W. Norton, 2021), she challenges you, Exxon, and the EPA alike to think and act completely anew — and to start right now — to ensure a truly habitable future. Jenny Price is a public writer and artist, and a Research Fellow at the Sam Fox School of Design & Visual Arts at Washington University-St. Louis. Author of Flight Maps: Adventures with Nature in Modern America, she is co-founder of the public art collective LA Urban Rangers and a co-creator of the Our Malibu Beaches mobile-phone app. She has been a resident artist at MOCA and the Orange County Museum of Art, and has held visiting professorships at Princeton University. She is currently working on “St. Louis Division,” a hometown collection of projects about environmental justice. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy and a Ph.D. candidate at the University of Wisconsin–Madison. Twitter. Website Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

We've been ​“saving the planet” for decades…and environmental crises just get worse. All this Tesla driving and LEED building and carbon trading seems to accomplish little to nothing — all while low-income communities continue to suffer the worst consequences. Why aren't we cleaning up the toxic messes and rolling back climate change? And why do so many Americans hate environmentalists? Jenny Price says, enough already! — with this short, fun, fierce manifesto for an environmentalism that is hugely more effective, a whole lot fairer, and infinitely less righteous. In Stop Saving the Planet!: An Environmentalist Manifesto (W. W. Norton, 2021), she challenges you, Exxon, and the EPA alike to think and act completely anew — and to start right now — to ensure a truly habitable future. Jenny Price is a public writer and artist, and a Research Fellow at the Sam Fox School of Design & Visual Arts at Washington University-St. Louis. Author of Flight Maps: Adventures with Nature in Modern America, she is co-founder of the public art collective LA Urban Rangers and a co-creator of the Our Malibu Beaches mobile-phone app. She has been a resident artist at MOCA and the Orange County Museum of Art, and has held visiting professorships at Princeton University. She is currently working on “St. Louis Division,” a hometown collection of projects about environmental justice. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy and a Ph.D. candidate at the University of Wisconsin–Madison. Twitter. Website Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

We've been ​“saving the planet” for decades…and environmental crises just get worse. All this Tesla driving and LEED building and carbon trading seems to accomplish little to nothing — all while low-income communities continue to suffer the worst consequences. Why aren't we cleaning up the toxic messes and rolling back climate change? And why do so many Americans hate environmentalists? Jenny Price says, enough already! — with this short, fun, fierce manifesto for an environmentalism that is hugely more effective, a whole lot fairer, and infinitely less righteous. In Stop Saving the Planet!: An Environmentalist Manifesto (W. W. Norton, 2021), she challenges you, Exxon, and the EPA alike to think and act completely anew — and to start right now — to ensure a truly habitable future. Jenny Price is a public writer and artist, and a Research Fellow at the Sam Fox School of Design & Visual Arts at Washington University-St. Louis. Author of Flight Maps: Adventures with Nature in Modern America, she is co-founder of the public art collective LA Urban Rangers and a co-creator of the Our Malibu Beaches mobile-phone app. She has been a resident artist at MOCA and the Orange County Museum of Art, and has held visiting professorships at Princeton University. She is currently working on “St. Louis Division,” a hometown collection of projects about environmental justice. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy and a Ph.D. candidate at the University of Wisconsin–Madison. Twitter. Website Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

We've been ​“saving the planet” for decades…and environmental crises just get worse. All this Tesla driving and LEED building and carbon trading seems to accomplish little to nothing — all while low-income communities continue to suffer the worst consequences. Why aren't we cleaning up the toxic messes and rolling back climate change? And why do so many Americans hate environmentalists? Jenny Price says, enough already! — with this short, fun, fierce manifesto for an environmentalism that is hugely more effective, a whole lot fairer, and infinitely less righteous. In Stop Saving the Planet!: An Environmentalist Manifesto (W. W. Norton, 2021), she challenges you, Exxon, and the EPA alike to think and act completely anew — and to start right now — to ensure a truly habitable future. Jenny Price is a public writer and artist, and a Research Fellow at the Sam Fox School of Design & Visual Arts at Washington University-St. Louis. Author of Flight Maps: Adventures with Nature in Modern America, she is co-founder of the public art collective LA Urban Rangers and a co-creator of the Our Malibu Beaches mobile-phone app. She has been a resident artist at MOCA and the Orange County Museum of Art, and has held visiting professorships at Princeton University. She is currently working on “St. Louis Division,” a hometown collection of projects about environmental justice. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy and a Ph.D. candidate at the University of Wisconsin–Madison. Twitter. Website Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

We've been ​“saving the planet” for decades…and environmental crises just get worse. All this Tesla driving and LEED building and carbon trading seems to accomplish little to nothing — all while low-income communities continue to suffer the worst consequences. Why aren't we cleaning up the toxic messes and rolling back climate change? And why do so many Americans hate environmentalists? Jenny Price says, enough already! — with this short, fun, fierce manifesto for an environmentalism that is hugely more effective, a whole lot fairer, and infinitely less righteous. In Stop Saving the Planet!: An Environmentalist Manifesto (W. W. Norton, 2021), she challenges you, Exxon, and the EPA alike to think and act completely anew — and to start right now — to ensure a truly habitable future. Jenny Price is a public writer and artist, and a Research Fellow at the Sam Fox School of Design & Visual Arts at Washington University-St. Louis. Author of Flight Maps: Adventures with Nature in Modern America, she is co-founder of the public art collective LA Urban Rangers and a co-creator of the Our Malibu Beaches mobile-phone app. She has been a resident artist at MOCA and the Orange County Museum of Art, and has held visiting professorships at Princeton University. She is currently working on “St. Louis Division,” a hometown collection of projects about environmental justice. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy and a Ph.D. candidate at the University of Wisconsin–Madison. Twitter. Website Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

On this episode, Rob sits down with Associate Dean of Students for the Sam Fox School of Design & Visual Arts Dean Georgia Binnington. Georgia advises all students in the Beyond Boundaries Program that show interests in art and/or architecture. We talk about Georgia's upbringing in St. Louis, her time as a art history student at WashU and later as an advisor to what now represent hundreds of WashU alums and current students. Don't miss this wide-ranging and interesting talk with Georgia!

With this episode, we begin a series of podcast interviews with 4 undergraduate deans who advise all Beyond Boundaries Program students across 5 divisions at WashU: Arts & Sciences, McKelvey School of Engineering, Olin Business School, and Sam Fox School of Design & Visual Arts. This pod episode features Assistant Dean and Director of Undergraduate Programs for Olin Business School Paige LaRose. We talk about everything from advice to students interested in the Olin Business School to Paige's own undergraduate, graduate, and law school journey. We also chat about her three kids and salute her on this Mother's Day. Give a listen!

StitchCast Studio Special Edition: The Divided City IV Story as Healer in Black Culture StitchCast Studio Special Edition: The Divided City is a series of four unique conversations in the series will bring historical context around recurring topics chosen by youth in the StitchCast Studio published podcasts, including: the culture of trauma caused by poverty and repeated exposure to violence amongst families of color in St. Louis, stories of disorientation and dislocation of black families, and the power of story as healer in black cultures through time.  Story Stitchers' youth led by Stitchers Youth Council co-chairs Branden Lewis and Emeara Burns discuss concepts associated with story as a healing agent in Black culture over time with filmmaker and Washington University alumnus, B.D. Architecture, Jun Bae and St. Louis's own legendary master storyteller Bobby Norfolk. Pick the City UP Art Interlude Saints of Louis By Traydon Rogers Saint Louis Story Stitchers, 2021   This project is funded by The Divided City initiative. The Divided City is a joint project of the Center for the Humanities and the Sam Fox School, College of Architecture and Urban Design at Washington University in St. Louis. The Divided City is funded by The Andrew W. Mellon Foundation. StitchCast Studio Season II in 2021 is sponsored by the Spirit of St. Louis Women's Fund's three year grant 2020-22, Arts and Education Council PNC Grant, and Lush Corporation's The Charity Pot.

Jenny Price is a public writer and artist, and a Research Fellow at the Sam Fox School of Design & Visual Arts at Washington University-St. Louis. She is the Author of a new book Stop Saving the Planet!: An Environmentalist Manifesto . On this episode of the Podcast, Jenny discusses her new book, the state of the Environmental movement, and why environmentalists need to "Stop Savings the Planet". She explains why we need to shift our philosophy away from "out there" environmentalism, green washing, and the endless growth paradigm towards focusing on our local communities, and holding those in power accountable.  With Earth Day right around the corner, this is a well timed conversation! Whether you're an "environmentalist" or not, you will learn something and be challenged by this episode. Thanks to Jenny Price for coming on the shot - support her by buying her book at your local book store!!!

StitchCast Studio Special Edition: The Divided City Extra Is St. Louis a Divided City? Episode XVIII Youth leaders reflect on the previous episodes of StitcherCast Studio Special Edition: The Divided City and explore the topics with peers in this open and honest conversation of growing up and being young and Black in St. Louis.    Pick the City UP Art Interlude Wade Reprise From The WHY of MY City album Saint Louis Story Stitchers, 2021   This project is funded by The Divided City initiative. The Divided City is a joint project of the Center for the Humanities and the Sam Fox School, College of Architecture and Urban Design at Washington University in St. Louis. The Divided City is funded by The Andrew W. Mellon Foundation. StitchCast Studio Season II in 2021 is sponsored by the Spirit of St. Louis Women's Fund's three year grant 2020-22, Arts and Education Council PNC Grant, and Lush Corporation's The Charity Pot.   For more information visit:  https://storystitchers.org/stitchcast-studio/

StitchCast Studio Special Edition: The Divided City III Dislocation and Disorientation of Black Families   StitchCast Studio Special Edition: The Divided City is a series of four unique conversations in the series will bring historical context around recurring topics chosen by youth in the StitchCast Studio published podcasts, including: the culture of trauma caused by poverty and repeated exposure to violence amongst families of color in St. Louis, stories of disorientation and dislocation of black families, and the power of story as healer in black cultures through time.  Story Stitchers' youth led by Stitchers Youth Council co-chairs Branden Lewis and Emeara Burns discuss concepts associated with disorientation and dislocation of black families with filmmaker and Washington University alumnus, B.D. Architecture, Jun Bae, and Sowande' Mustakeem, Ph.D., Associate Professor of History and African and African American Studies at Washington University.   Pick the City UP Art Interlude We Cope By Emeara Burns Saint Louis Story Stitchers, 2019   This project is funded by The Divided City initiative. The Divided City is a joint project of the Center for the Humanities and the Sam Fox School, College of Architecture and Urban Design at Washington University in St. Louis. The Divided City is funded by The Andrew W. Mellon Foundation. StitchCast Studio Season II in 2021 is sponsored by the Spirit of St. Louis Women's Fund's three year grant 2020-22, Arts and Education Council PNC Grant, and Lush Corporation's The Charity Pot.

StitchCast Studio Special Edition: The Divided City II Trauma as Culture in Black Families   StitchCast Studio Special Edition: The Divided City is a series of four unique conversations in the series will bring historical context around recurring topics chosen by youth in the StitchCast Studio published podcasts, including: the culture of trauma caused by poverty and repeated exposure to violence amongst families of color in St. Louis, stories of disorientation and dislocation of black families, and the power of story as healer in black cultures through time.  This episode features a conversation with Story Stitchers' youth led by Stitchers Youth Council co-chairs Branden Lewis and Emeara Burns with author and educator John A. Wright, Sr. and Sowande' Mustakeem, Ph.D., Associate Professor of History and African and African American Studies at Washington University. Recorded live in Zoom February 9, 2021. This project is funded by The Divided City initiative. The Divided City is a joint project of the Center for the Humanities and the Sam Fox School, College of Architecture and Urban Design at Washington University in St. Louis. The Divided City is funded by The Andrew W. Mellon Foundation. StitchCast Studio Season II in 2021 is sponsored by the Spirit of St. Louis Women's Fund's three year grant 2020-22, Arts and Education Council PNC Grant, and Lush Corporation's The Charity Pot.

Originally from San Diego, California, Kahlil Robert Irving is an artist currently living and working in the USA. He attended the Sam Fox School of Design and Visual Art, Washington University in St. Louis (MFA Fellow, 2017); and the Kansas City Art Institute (BFA, Art History and Ceramics/Sculpture, 2015). His work has been exhibited at the Nerman Museum of Contemporary Art, Kansas; the Arizona State University Art Museum, Phoenix; and the Rhode Island School of Design Museum, Rhode Island, among others. Kahlil Irving was selected to participate in the 2020 Great Rivers Biennial hosted by the Contemporary Art Museum St. Louis, where he is exhibiting a solo exhibition entitled “At Dusk” on view from September 11th, 2020 to February 21st, 2021. Recently, he was awarded the Louis Comfort Tiffany Foundation Grant and the Joan Mitchell Foundation Grant for Painters and Sculptors. In 2018, Kahlil Irving’s first institutional solo exhibition took place at Wesleyan University’s Center for the Arts, Connecticut, and was accompanied by a full-color catalogue with essays and an interview. Currently, he is presenting a large-scale commission on the project wall at the Contemporary Art Center, Cincinnati, Ohio. Mr. Irving's work is also featured in two concurrent collection exhibitions Making Knowing: Craft in Art, 1950–2019 and Nothing is so Humble: Prints from Everyday Objects at the Whitney Museum of American Art. Kahlil Irving's work is in the collections of J.P Morgan Chase Art Collection, New York; Nerman Museum of Contemporary Art, Kansas; the Carnegie Museum of Art, Pittsburgh; and the Whitney Museum of American Art, New York. He is also one of the new 30 featured artists in Forbes Magazine’s annual 30 Under 30: Art & Style showcasing 30 groundbreaking cultural figures in the arts all under 30-years-old. Photo Credit of Kahlil Irving: David Johnson

Hey everyone. Happy Lunar New Year. I wish you good luck and hope lots of fortune befalls upon you this coming year. It is the year of the ox and hopefully a lucky year for those of you born on the year of the ox. In what is normally a time for celebration, instead I hope that we can all reflect and take a breather for our physical and mental state in whatever situation we are in. It isn't clear for how long COVID is here to stay, much less the uneven distribution of vaccines and the rise of all these new virus strains. So with all that in mind, 新年快乐 and 恭喜发财! On today's episode, I am chatting with Lyndon Barrois Jr., an artist who breaks down and re-configures the language of print, design, and popular culture in order to investigate underlying ideology, ethics, and conceptions of identity. Lyndon got a BFA from the Maryland Institute College of Art and an MFA from the Sam Fox School of Design from Washington University in St. Louis. I was put in contact with Lyndon through a series of coincidences, starting with an acquaintance of an acquaintance from my undergrad breakdance group who mentioned that his sister and her partner, Addoley and Lyndon, were artists. This was mentioned years ago but I didn't reach out to either one until last year, at which point I realized that Lyndon was just hired at my graduate program as an Assistant Professor of Art at Carnegie Mellon University. I remembered seeing the announcement but I didn't connect the dots until after we started chatting. There were a few other overlaps Lyndon and I had with each other and I was happy to learn more about Lyndon's work, along with Lyndon's pizza making skills, his thoughts on taking time off before grad school, and some of the difficulties he encountered while living the art residency life. I plan to talk with Addoley in the near future as well, so keep an eye out for that episode. Until then, stay safe, stay healthy, and I hope you enjoy this.Links Mentioned:Lyndon's WebsiteLyndon's InstagramYoung Aspirations | Young ArtistsJana NapoliAmiri BarakaMathias Poledna: Imitation of LifeImitation of Life (1959 film)My interview with Didier WilliamLeslie Smith IIIFollow Seeing Color:Seeing Color WebsiteSubscribe on Apple PodcastsFacebookTwitterInstagram

On this episode, Rob chats with two Beyond Boundaries Class of 2023 students in Samantha 'Sam' Ko and Dhillon Miyashiro. Both have connections across divisions between the Sam Fox School of Design & Visual Arts and Olin School of Business. We chat about their hometown of Los Angeles and Dhillon's return to campus this semester despite frigid St. Louis temperatures. Both talk about their interdisciplinary journeys and evolving interests across both schools at WashU, how they spend free time when they have it, and wisdom for incoming 1st Year students. Check it out!

An edited archived video of Art Brunch S2E9 with Drew Nikonowicz, Art Brunch streams live Sundays from 10-1ct on twitch Follow us on Twitch to never miss live art content ► www.twitch.tv/thetravelagency Full Audio Version ► https://anchor.fm/thetravelagency​​ » See pretty pictures on ig: www.instagram.com/thetravelagency.live Timestamps: About The Travel Agency: Our mission is to nurture a digitally native platform that hosts contemporary art making, produces art-centered entertainment, and provides digital residencies with multimedia exhibition opportunities for emerging artists. We present contemporary art in an approachable manner and provide tools and expertise to artists to share their practice in new ways. Our live media programming cultivates unconventional audiences, promotes understanding through interaction, and provides alternative avenues for public interest and support for the arts. About Drew: Drew Nikonowicz (born in St. Louis Missouri, 1993) earned a BFA degree from the University of Missouri - Columbia in 2016. His work employs analog photographic processes as well as computer simulations to deal with exploration and experience in contemporary culture. He has exhibited both nationally and internationally. In 2015 he received the Aperture Portfolio Prize and the Lenscratch Student Prize. In 2017 Nikonowicz completed a one-year residency at Fabrica Research Centre. His first photobook, This World and Others Like It, was co-published by Yoffy Press and FW:Books in 2019. It was awarded Jurors' Special Mention at the 2019 Paris Photo/Aperture Foundation Photobook Awards. He now lives in the United States in Saint Louis, Missouri. He works there as an artist and is the Photography Technician at the Sam Fox School of Design and Visual Arts at Washington University. https://www.instagram.com/drew_nikono...​ http://nikonowicz.com/​​ https://www.twitch.tv/nikono​​

Mary Ruppert-Stroescu is an Associate Professor in the Sam Fox School of Design and Visual Art at Washington University in St. Louis. She holds a Ph.D. in Human Environmental Sciences and a MS in Textile and Apparel Management. With nearly 10 years of prior experience working in fashion design and manufacturing in Europe and North Africa, Mary links industry practices and standards with academic analysis and exploration to foster innovation that is useful and meaningful. Her research focuses on the study and application of creativity, sustainable textile and fashion design, and wearable electronic textile-based systems to improve health and well-being. She holds a patent, titled: Textile repurposing and sustainable garment design. In this episode, you'll learn: How Mary got started in her sustainability research What the research, proof of concept, and patent process looked like How the design process differs when designing for the RECLEM process versus traditional cut and sew manufacturing How the RECLEM process reuses textiles and eliminates waste How Mary defines sustainability in fashion How designers have the biggest impact on the recyclability of a product What Mary sees as the future of fashion design and manufacturing The difference between convergent and divergent creativity The skills Mary sees as essential for the fashion designers of the future People and resources mentioned in this episode: RECLEM website Mary's LinkedIn Mary's email Mary on Instagram RECLEM on Instagram Washington University in Saint Louis Fashion Department on Instagram Textile repurposing and sustainable garment design patent The Ellen Macarthur Foundation Fashion Group International

Aggie Toppins is an Associate Professor and Chair of Undergraduate Communication Design at the Sam Fox School of Design and Visual Arts at Washington University in St. Louis. Previously, Toppins taught at the University of Tennessee at Chattanooga where, for two years, she served as the first female Department Head in Art. Through her studio…