Podcasts about mellon foundation

“I'm hopeful for revolution. I'm optimistic. I want radical change. I think there's such a disinterest in education in America that it is sickening. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I'm hopeful for revolution. I'm optimistic. I want radical change. I think there's such a disinterest in education in America that it is sickening. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I'm hopeful for revolution. I'm optimistic. I want radical change. I think there's such a disinterest in education in America that it is sickening. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I'm hopeful for revolution. I'm optimistic. I want radical change. I think there's such a disinterest in education in America that it is sickening. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I'm hopeful for revolution. I'm optimistic. I want radical change. I think there's such a disinterest in education in America that it is sickening. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I'm hopeful for revolution. I'm optimistic. I want radical change. I think there's such a disinterest in education in America that it is sickening. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

On this episode of The Object of History, we visit an item from the MHS collection currently on loan to the Museum of African American History on Boston's Beacon Hill. We examine the imposing stone that enabled the printing of William Lloyd Garrison's abolitionist publication, The Liberator. While visiting the Museum, we learn more about the building's importance to African American history in Boston as well as the Museum's current exhibits.  Learn more about episode objects here: https://www.masshist.org/podcast/season-4-episode-7-Imposing-Stone  Email us at podcast@masshist.org. Episode Special Guests: Angela T. Tate is Chief Curator and Director of Collections at the Museum of African American History, Boston and Nantucket (MAAH). She oversees collections, exhibitions, interpretation, and content, focused on the lives and descendants of the Black communities in Boston and Nantucket, as well as New England. Prior to joining MAAH, she was inaugural women's history curator at the Smithsonian National Museum of African American History and Culture (NMAAHC). She co-curated the permanent exhibit, Forces for Change: Mary McLeod Bethune and Black Women's Activism, which highlights the strategies Black women have used to fight for justice and equality. Throughout her career, she has worked as curator and public historian in a variety of archives and museums in California and Illinois that focused on telling inclusive and expansive stories of the American past. She is a PhD candidate in History at Northwestern University and her dissertation discusses cultural diplomacy and Pan-Africanism through the 1950s-60s radio program hosted by Etta Moten Barnett in Chicago. This work has been supported by the Mellon Foundation, the Social Science Research Council, the New York Public Library, and the Schlesinger Library at the Radcliffe Institute. Her work has been published in Resonance: The Journal of Sound and Culture, the Smithsonian's Afrofuturism catalog, Ubuntu Dialogues, and several upcoming publications. Find more information at www.atpublichistory.com  Cara Liasson currently serves as the Collections Manager and Registrar for the Museum of African American History, Boston and Nantucket. Her career in the museum field spans over fifteen years, where she has worked at institutions such as Lowell National Historical Park and Old Sturbridge Village. She holds a B.A. in History from Wheaton College in Massachusetts and a graduate certificate in Museum Collections Management and Care from George Washington University. Selvin Backert is the Education Specialist at the Museum of African American History, Boston and Nantucket. Sage Morgan-Hubbard is the Director of Learning & Engagement  at the Museum of African American History, Boston and Nantucket. This episode uses materials from: Osprey by Chad Crouch (Attribution-NonCommercial 4.0 International)        Psychic by Dominic Giam of Ketsa Music (licensed under a commercial non-exclusive license by the Massachusetts Historical Society through Ketsa.uk)        Curious Nature by Dominic Giam of Ketsa Music (licensed under a commercial non-exclusive license by the Massachusetts Historical Society through Ketsa.uk)

“One of the biggest symbols of America is Mount Rushmore. This monument, right? But I think most people fail to realize where it's located and why it's located there. Even more importantly, who did it? It's on a sacred Native American mountain, a place that was central to their creation stories. But then you think about who did it, and it was a Klansman. The guy who sculpted Mount Rushmore was a Klansman. People were like, "Wait, really?" Like, how is that a thing? But it seeps into our understanding and our embrace of white supremacy. This whole notion of us using Mount Rushmore as a metric of excellence is really sad. We are honoring slave owners and people who viciously killed natives, and those who pillage other lands in the name of capitalism. That's what America is, I guess.I think there's such a disinterest in education in America that it is sickening. We can't even agree on facts. It's up to states' rights to decide. Really? States can say that this is true in one state, but it's not true in another? Although these states are united, it's very bizarre. I'm hopeful for revolution. I'm optimistic. I want radical change. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“One of the biggest symbols of America is Mount Rushmore. This monument, right? But I think most people fail to realize where it's located and why it's located there. Even more importantly, who did it? It's on a sacred Native American mountain, a place that was central to their creation stories. But then you think about who did it, and it was a Klansman. The guy who sculpted Mount Rushmore was a Klansman. People were like, "Wait, really?" Like, how is that a thing? But it seeps into our understanding and our embrace of white supremacy. This whole notion of us using Mount Rushmore as a metric of excellence is really sad. We are honoring slave owners and people who viciously killed natives, and those who pillage other lands in the name of capitalism. That's what America is, I guess.I think there's such a disinterest in education in America that it is sickening. We can't even agree on facts. It's up to states' rights to decide. Really? States can say that this is true in one state, but it's not true in another? Although these states are united, it's very bizarre. I'm hopeful for revolution. I'm optimistic. I want radical change. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“One of the biggest symbols of America is Mount Rushmore. This monument, right? But I think most people fail to realize where it's located and why it's located there. Even more importantly, who did it? It's on a sacred Native American mountain, a place that was central to their creation stories. But then you think about who did it, and it was a Klansman. The guy who sculpted Mount Rushmore was a Klansman. People were like, "Wait, really?" Like, how is that a thing? But it seeps into our understanding and our embrace of white supremacy. This whole notion of us using Mount Rushmore as a metric of excellence is really sad. We are honoring slave owners and people who viciously killed natives, and those who pillage other lands in the name of capitalism. That's what America is, I guess.I think there's such a disinterest in education in America that it is sickening. We can't even agree on facts. It's up to states' rights to decide. Really? States can say that this is true in one state, but it's not true in another? Although these states are united, it's very bizarre. I'm hopeful for revolution. I'm optimistic. I want radical change. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“One of the biggest symbols of America is Mount Rushmore. This monument, right? But I think most people fail to realize where it's located and why it's located there. Even more importantly, who did it? It's on a sacred Native American mountain, a place that was central to their creation stories. But then you think about who did it, and it was a Klansman. The guy who sculpted Mount Rushmore was a Klansman. People were like, "Wait, really?" Like, how is that a thing? But it seeps into our understanding and our embrace of white supremacy. This whole notion of us using Mount Rushmore as a metric of excellence is really sad. We are honoring slave owners and people who viciously killed natives, and those who pillage other lands in the name of capitalism. That's what America is, I guess.I think there's such a disinterest in education in America that it is sickening. We can't even agree on facts. It's up to states' rights to decide. Really? States can say that this is true in one state, but it's not true in another? Although these states are united, it's very bizarre. I'm hopeful for revolution. I'm optimistic. I want radical change. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“One of the biggest symbols of America is Mount Rushmore. This monument, right? But I think most people fail to realize where it's located and why it's located there. Even more importantly, who did it? It's on a sacred Native American mountain, a place that was central to their creation stories. But then you think about who did it, and it was a Klansman. The guy who sculpted Mount Rushmore was a Klansman. People were like, "Wait, really?" Like, how is that a thing? But it seeps into our understanding and our embrace of white supremacy. This whole notion of us using Mount Rushmore as a metric of excellence is really sad. We are honoring slave owners and people who viciously killed natives, and those who pillage other lands in the name of capitalism. That's what America is, I guess.I think there's such a disinterest in education in America that it is sickening. We can't even agree on facts. It's up to states' rights to decide. Really? States can say that this is true in one state, but it's not true in another? Although these states are united, it's very bizarre. I'm hopeful for revolution. I'm optimistic. I want radical change. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

In the final episode of Season 2, Suave and the team visit a location in the Bronx with deep significance to Suave— a place where you can say his journey towards freedom began. As Suave takes inventory of the past, and the challenges of the last couple of years in particular, he comes to terms with the weight of institutionalization. And he reveals one surprising and life-changing decision. Season 2 of Suave was made possible by The Mellon Foundation. Mellon makes grants to support the visionaries and communities that unlock the power of the arts and humanities to help connect us all. More at mellon.org. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on Suave and all our podcasts. www.futuromediagroup.org/joinplus.

After the crisis he's been going through, Suave could use a change of scenery, so the whole team decides to go on a trip to Puerto Rico. It's Suave's first time back since he was a child to the island where his mother was born and raised— a moment he used to fantasize about in prison. There he reconnects with family who come from a long lineage of survivors… and of Santería practitioners. A spiritual belief his mother always believed would be linked to his salvation.Season 2 of Suave was made possible by The Mellon Foundation. Mellon makes grants to support the visionaries and communities that unlock the power of the arts and humanities to help connect us all. More at mellon.org. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on Suave and all our podcasts. www.futuromediagroup.org/joinplus.

An unexpected event turns Suave's world on its head, and Suave seems ready to throw it all away. He feels violated, and it triggers a response from Suave we've never seen before. As he grows increasingly agitated and isolated from everyone around him, Suave's actions put everything that he has built at risk.Season 2 of Suave was made possible by The Mellon Foundation. Mellon makes grants to support the visionaries and communities that unlock the power of the arts and humanities to help connect us all. More at mellon.org. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on Suave and all our podcasts. www.futuromediagroup.org/joinplus.

There's one brother behind bars in particular that Suave can't stop thinking about — Frank Ross, his longtime mentor. The man who taught him how to read and write on the inside. Serving a life sentence for more than half a century, the 93-year-old may have a speck of a chance to get out. That is, if he can convince the state to release him to die on the outside.Season 2 of Suave was made possible by The Mellon Foundation. Mellon makes grants to support the visionaries and communities that unlock the power of the arts and humanities to help connect us all. More at mellon.org. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on Suave and all our podcasts. www.futuromediagroup.org/joinplus.

Written as a love letter to her ancestral motherland, Daughter de Borikén (Editorial Pulpo, 2024) speaks to those who intimately know what it feels like to be diáspora-displaced. It is an ode to her guerrera ancestras and to the sacred archipelago of Borikén that gave them breath. In her poems, Lola shares her rage against the colonizers and an unconditional love for the land that, although it didn't birth her, she has always known as home. Lola Rosario Aponte es una fogosa defensora de Puerto Rico - Daughter de Borikén, es su primer poemario, una obra que parece ser la fruta de varias décadas de solidaridad descolonial y acción comunitaria. Rosario Aponte ha elaborado una especie de manifiesto de varias capas, atacando las realidades socioeconómicas, políticas y culturales colonialistas que enfrentan a la isla. Con una voz audaz y elocuente, aporta una perspectiva amplia sobre cómo desaprender las innumerables falsedades del colonialismo, empezando con la palabra. Su trabajo va desafiando las narrativas del colonialismo, entrelazando la identidad, la resistencia y la libertad en cada verso. Sus letras son un acto de reivindicación que apuesta por un futuro donde la cultura puertorriqueña exista sin el peso de la opresión, invitándonos a reflexionar sobre el pasado y a imaginar un mundo nuevo, donde el arte sea la herramienta de transformación y sanación colectiva. Entrevista realizada por Jeffrey Herlihy-Mera, Catedrático de Humanidades, Universidad de Puerto Rico-Mayagüez, Carmen Haydée Rivera, Universidad de Puerto Rico-Río Piedras y Lola Rosario Aponte. Este podcast y el Instituto Nuevos Horizontes son patrocinados por la Mellon Foundation. Temas dialogados y personas mencionadas en este episodio: Editorial Pulpo Insistir en sólo hablar inglés en casa en Nueva York John Villavicencio y la lengua quechua en Perú y la lengua quichua en Ecuador Jorge Duany William Carlos Williams y su obra Yes, Mrs. Williams: A Personal Record of My Mother La familia de William Carlos Williams en Guayaquil La lengua como filosofía Lenguas “extranjeras” vis-à-vis “domésticas” para familias diaspóricas Nuyorican Poets Cafe Héctor "Tito" Matos (His plena "Gringo Imperialista" is used as an epigraph for the poem “¡Larguense Ya!”) Noel Quiñones Denice Frohman Esmeralda Santiago Catañol La Real Academia Española (y sus deficiencias) Spanglish Code switching Estudiantes STEM y code-switching Rechazo de escritores nuyorican en Puerto Rico Charla Magistral de Carmen Haydée en la UPR-M Carlos Colón Ruiz Census and paper genocide Idalís García-Reyes Alma Datil Calderón Noel Quiñones Denice Frohman Tito Puente Learn more about your ad choices. Visit megaphone.fm/adchoices

Written as a love letter to her ancestral motherland, Daughter de Borikén (Editorial Pulpo, 2024) speaks to those who intimately know what it feels like to be diáspora-displaced. It is an ode to her guerrera ancestras and to the sacred archipelago of Borikén that gave them breath. In her poems, Lola shares her rage against the colonizers and an unconditional love for the land that, although it didn't birth her, she has always known as home. Lola Rosario Aponte es una fogosa defensora de Puerto Rico - Daughter de Borikén, es su primer poemario, una obra que parece ser la fruta de varias décadas de solidaridad descolonial y acción comunitaria. Rosario Aponte ha elaborado una especie de manifiesto de varias capas, atacando las realidades socioeconómicas, políticas y culturales colonialistas que enfrentan a la isla. Con una voz audaz y elocuente, aporta una perspectiva amplia sobre cómo desaprender las innumerables falsedades del colonialismo, empezando con la palabra. Su trabajo va desafiando las narrativas del colonialismo, entrelazando la identidad, la resistencia y la libertad en cada verso. Sus letras son un acto de reivindicación que apuesta por un futuro donde la cultura puertorriqueña exista sin el peso de la opresión, invitándonos a reflexionar sobre el pasado y a imaginar un mundo nuevo, donde el arte sea la herramienta de transformación y sanación colectiva. Entrevista realizada por Jeffrey Herlihy-Mera, Catedrático de Humanidades, Universidad de Puerto Rico-Mayagüez, Carmen Haydée Rivera, Universidad de Puerto Rico-Río Piedras y Lola Rosario Aponte. Este podcast y el Instituto Nuevos Horizontes son patrocinados por la Mellon Foundation. Temas dialogados y personas mencionadas en este episodio: Editorial Pulpo Insistir en sólo hablar inglés en casa en Nueva York John Villavicencio y la lengua quechua en Perú y la lengua quichua en Ecuador Jorge Duany William Carlos Williams y su obra Yes, Mrs. Williams: A Personal Record of My Mother La familia de William Carlos Williams en Guayaquil La lengua como filosofía Lenguas “extranjeras” vis-à-vis “domésticas” para familias diaspóricas Nuyorican Poets Cafe Héctor "Tito" Matos (His plena "Gringo Imperialista" is used as an epigraph for the poem “¡Larguense Ya!”) Noel Quiñones Denice Frohman Esmeralda Santiago Catañol La Real Academia Española (y sus deficiencias) Spanglish Code switching Estudiantes STEM y code-switching Rechazo de escritores nuyorican en Puerto Rico Charla Magistral de Carmen Haydée en la UPR-M Carlos Colón Ruiz Census and paper genocide Idalís García-Reyes Alma Datil Calderón Noel Quiñones Denice Frohman Tito Puente Learn more about your ad choices. Visit megaphone.fm/adchoices

Written as a love letter to her ancestral motherland, Daughter de Borikén (Editorial Pulpo, 2024) speaks to those who intimately know what it feels like to be diáspora-displaced. It is an ode to her guerrera ancestras and to the sacred archipelago of Borikén that gave them breath. In her poems, Lola shares her rage against the colonizers and an unconditional love for the land that, although it didn't birth her, she has always known as home. Lola Rosario Aponte es una fogosa defensora de Puerto Rico - Daughter de Borikén, es su primer poemario, una obra que parece ser la fruta de varias décadas de solidaridad descolonial y acción comunitaria. Rosario Aponte ha elaborado una especie de manifiesto de varias capas, atacando las realidades socioeconómicas, políticas y culturales colonialistas que enfrentan a la isla. Con una voz audaz y elocuente, aporta una perspectiva amplia sobre cómo desaprender las innumerables falsedades del colonialismo, empezando con la palabra. Su trabajo va desafiando las narrativas del colonialismo, entrelazando la identidad, la resistencia y la libertad en cada verso. Sus letras son un acto de reivindicación que apuesta por un futuro donde la cultura puertorriqueña exista sin el peso de la opresión, invitándonos a reflexionar sobre el pasado y a imaginar un mundo nuevo, donde el arte sea la herramienta de transformación y sanación colectiva. Entrevista realizada por Jeffrey Herlihy-Mera, Catedrático de Humanidades, Universidad de Puerto Rico-Mayagüez, Carmen Haydée Rivera, Universidad de Puerto Rico-Río Piedras y Lola Rosario Aponte. Este podcast y el Instituto Nuevos Horizontes son patrocinados por la Mellon Foundation. Temas dialogados y personas mencionadas en este episodio: Editorial Pulpo Insistir en sólo hablar inglés en casa en Nueva York John Villavicencio y la lengua quechua en Perú y la lengua quichua en Ecuador Jorge Duany William Carlos Williams y su obra Yes, Mrs. Williams: A Personal Record of My Mother La familia de William Carlos Williams en Guayaquil La lengua como filosofía Lenguas “extranjeras” vis-à-vis “domésticas” para familias diaspóricas Nuyorican Poets Cafe Héctor "Tito" Matos (His plena "Gringo Imperialista" is used as an epigraph for the poem “¡Larguense Ya!”) Noel Quiñones Denice Frohman Esmeralda Santiago Catañol La Real Academia Española (y sus deficiencias) Spanglish Code switching Estudiantes STEM y code-switching Rechazo de escritores nuyorican en Puerto Rico Charla Magistral de Carmen Haydée Rivera en la UPR-M Carlos Colón Ruiz Census and paper genocide Idalís García-Reyes Alma Datil Calderón Tito Puente Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, on the Hudson Mohawk Magazine, we bring you a May Day special, focusing on labor. The following program of oral histories was conducted by undergraduate students in History 263: American Labor History, a course taught by Professor Eric J. Morser at Skidmore College in Saratoga Springs, New York, as part of The Saratoga Labor History Digital Archive. Project Credits: Project Manager: Professor Eric J. Morser, History Department, Skidmore College, Saratoga Springs, New York Audio Editor and Narrator: Emma Gill Project Consultant/Community Producer: Willie Terry The project was produced in collaboration with MDOCS Co-Creation Initiative and Hudson Mohawk Magazine. It was supported by the MDOCS Co-Creation Initiative and funded in part by the Mellon Foundation. Special thanks to Angela Beallor Press.

On a trip to Philadelphia, Maria meets Suave's new romantic partner and visits the home they share. He's in a stable, happy relationship…but after three decades behind bars, sometimes a girlfriend can feel like a prison guard, and Suave struggles with the idea of commitment. In fact, relationships in general—romantic and otherwise—have been the hardest part of life on the outside for him. Suave and Maria struggle to find a balance in their own relationship as a growing distance creates new tension. What does a friendship for them look like now that he's no longer locked up and the rules have changed? Season 2 of Suave was made possible by The Mellon Foundation. Mellon makes grants to support the visionaries and communities that unlock the power of the arts and humanities to help connect us all. More at mellon.org. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on Suave and all our podcasts. www.futuromediagroup.org/joinplus.

Suave can't drink. He can't smoke weed. He can't travel. He can't visit old prison friends, or basically have any interaction with the police. And that's because even though he's free, he's on parole for a lifetime. In other words he's just serving his prison sentence on the outside. Sometimes all these rules make Suave ask himself, “Will I ever really be free?”Season 2 of Suave was made possible by The Mellon Foundation. Mellon makes grants to support the visionaries and communities that unlock the power of the arts and humanities to help connect us all. More at mellon.org. Want to support our independent journalism? Join Futuro + for exclusive episodes, sneak peaks and behind-the-scenes chisme on Suave and all our podcasts. www.futuromediagroup.org/joinplus.

Una barbie es una muñeca de plástico que se puede vestir de varias formas, pero como bien señala Emily Aguiló-Pérez, profesora en West Chester College, también es un aparato imperialista que tiene una huella particular en Puerto Rico. "I was examining this aspect through the lens of Barbie as colonizer,” comenta Aguiló-Pérez, “What I did not realize, however, was that a completely different transaction was presented in one of my participant's encounters, one in which Barbie became an instrument of resistance against colonizing practices" En esta conversación, Aguiló-Pérez, Martínez, Pecci Zegri y Herlihy-Mera investigan el fenómeno colonialista de Barbie, analizando cómo su aspecto comercial intenta (y a veces falla) manipular la epistemología y las nociones de belleza en Puerto Rico. Entrevista realizada por Jeffrey Herlihy-Mera, Catedrático de Humanidades, Universidad de Puerto Rico-Mayagüez, Nicole (Nicola) Pecci Zegri y Jania Martínez, estudiantes en la Maestría en  Estudios Culturales y Humanísticos. Este podcast y el Instituto Nuevos Horizontes son patrocinados por la Mellon Foundation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Years have passed since Season One, and Suave is thriving. He's got a great job. He's on the news for his work on prison reform. He's even got a new nickname on the block: Mr. Pulitzer. Suave is doing what he always dreamed of – and he's making a real difference. It almost seems like “happily ever after.” Or is it? Season 2 of Suave was made possible by The Mellon Foundation. Mellon makes grants to support the visionaries and communities that unlock the power of the arts and humanities to help connect us all. More at mellon.org.

4:20 pm: Bill D'Agostino, Media Editor and Senior Research Analyst at the Media Research Center joins the program for a conversation about how the media handled reports of the deportation of an El Salvadoran man in the country illegally.4:38 pm: David Craig, Legal Director for the Foundation for Government Accountability joins the show to discuss his piece for USA Today on how the federal layoffs are causing outrage amongst the left.6:05 pm: John D. Sailer, Senior Fellow and Director of Higher Education Policy for the Manhattan Institute joins Rod and Greg to discuss his piece for the City Journal on how the Mellon Foundation is funding radical activists in higher education.

"Golden Age” by Heidi Landecker appeared in The Chronicle of Higher Education on 4 September 2024. The article discusses the scholarship of Jean H. Baker, Samuel Jay Keyser, and Lucy Freeman Sandler, three scholars who produce significant work in their nineties. Landecker highlights their enduring passion for scholarship and addresses broader societal conversations about the academy, age, and the lives of retired academics. This conversation includes Jeffrey Herlihy-Mera, professor at the University of Puerto Rico-Mayagüez; Heidi Landecker, former Deputy Managing Editor at the Chronicle of Higher Education; Jenny Wilson, a Trustee of the London u3a (university of the 3rd Age) and the Chair of Croydon u3a; and MIT linguist Samuel Jay Keyser (Jay); Keyser spent 9 years as associate provost at MIT, and he is the founder and editor of Linguistic Inquiry, housed at MIT Press. This episode and the Instituto Nuevos Horizontes at the UPR-M have been supported by the Mellon Foundation. Topics mentioned in this conversation include: How does age impact knowledge, creativity, identity, kinship, language, cognition, emotions, and how we experience life? What role does age have in culture and in the academy? How do the age of our students, faculty colleagues, and community collaborators influence our activities and the knowledge we develop at universities? “Lingua Franca: Language and writing in academe,” The Chronicle of Higher Education, edited by Heidi Landecker. “Age, Creativity and Culture: Reconsidering how the Phases of Life Influence Knowledge, Experience, and Creation,” by Jeffrey Herlihy-Mera. Sapir-Whorf Hypothesis Scholarship Listening Experiences Accents Linguistic Diversity Ambassadors at North Carolina State University Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

"Golden Age” by Heidi Landecker appeared in The Chronicle of Higher Education on 4 September 2024. The article discusses the scholarship of Jean H. Baker, Samuel Jay Keyser, and Lucy Freeman Sandler, three scholars who produce significant work in their nineties. Landecker highlights their enduring passion for scholarship and addresses broader societal conversations about the academy, age, and the lives of retired academics. This conversation includes Jeffrey Herlihy-Mera, professor at the University of Puerto Rico-Mayagüez; Heidi Landecker, former Deputy Managing Editor at the Chronicle of Higher Education; Jenny Wilson, a Trustee of the London u3a (university of the 3rd Age) and the Chair of Croydon u3a; and MIT linguist Samuel Jay Keyser (Jay); Keyser spent 9 years as associate provost at MIT, and he is the founder and editor of Linguistic Inquiry, housed at MIT Press. This episode and the Instituto Nuevos Horizontes at the UPR-M have been supported by the Mellon Foundation. Topics mentioned in this conversation include: How does age impact knowledge, creativity, identity, kinship, language, cognition, emotions, and how we experience life? What role does age have in culture and in the academy? How do the age of our students, faculty colleagues, and community collaborators influence our activities and the knowledge we develop at universities? “Lingua Franca: Language and writing in academe,” The Chronicle of Higher Education, edited by Heidi Landecker. “Age, Creativity and Culture: Reconsidering how the Phases of Life Influence Knowledge, Experience, and Creation,” by Jeffrey Herlihy-Mera. Sapir-Whorf Hypothesis Scholarship Listening Experiences Accents Linguistic Diversity Ambassadors at North Carolina State University Learn more about your ad choices. Visit megaphone.fm/adchoices

“Dos miradas: Israel y el judaísmo en Puerto Rico” by Dariel U. González García (אוריאל בן אברהם), Universidad de Puerto Rico en Mayagüez, was published in Perspectivas sobre cuestiones globales in 2024. The text examines the historical roots of the Puerto Rican Jewish community, from its beginnings during Spanish colonization in the 15th century, with emphasis on the arrival of Sephardic converts to the island. The author examines the diplomatic relations between the Commonwealth of Puerto Rico and the State of Israel. The article includes interviews with two community leaders of the Puerto Rican Jewish community: Shula Feldkran, an Israeli and former president of Temple Beth Shalom; and Rabbi Hernán D. Rustein, the first permanent rabbi of Latin American origin at Temple Beth Shalom. González García (אוריאל בן אברהם) is a Jew of Sephardic heritage, and his areas of interest are Middle Eastern politics, Zionism and the origins of the State of Israel and Jewish history. This interview includes Jeffrey Herlihy-Mera, Catedrático de Humanidades, Universidad de Puerto Rico-Mayagüez, Dariel U. González García (אוריאל בן אברהם) and Coordinador de Cultura Judía en Puerto Rico at the UPR-M, Joanna Cifredo de Fellman (יוחנה סיפרדו פלמן) UPR-M, and Rabino Hernán D. Rustein (הרב הרנן רוסטיין). They discuss Judaism, Israel, and the Puerto Rican Jewish community. This podcast and the Instituto Nuevos Horizontes are sponsored by the Mellon Foundation. This is the second episode about “Dos miradas: Israel y el judaísmo en Puerto Rico”; the first, in Spanish, is available on the New Books Network en español. Link to the article mentioned in this episode: “Dos miradas: Israel y el judaísmo en Puerto Rico,” Perspectivas sobre cuestiones globales, 2024. For more information about the Reform Jewish community of Puerto Rico, write to: info@tbspr.org Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Episodio realizado por Jeffrey Herlihy-Mera, Catedrático de Humanidades, Universidad de Puerto Rico-Mayagüez (UPR-M), Angie Natalia Bustos (UPR-M) y Camilo Durán (egresado de la UPR-M). Este podcast y el Instituto Nuevos Horizontes son patrocinados por la Mellon Foundation. En su conversación sobre Sharing our Science, Herlihy-Mera, Bustos y Durán dialogan sobre la importancia de la comunicación para estudiosos en STEM; el peso de la experiencia cultura en la educación; la importancia del diseño de los medios de diseminación; y el rol de español e inglés (entre otras lenguas) en el desarrollo de conocimiento científico. Usando el libro de Brandon Brown como eje temático, sus reflexiones son caracterizadas por la interdisciplinaridad, como Bustos es Trabajadora Social, Durán es Ingeniero y Herlihy-Mera es profesor de Humanidades. Bustos ha publicado comentarios sobre Sharing our Science en la revista Tinta regada. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Dos miradas: Israel y el judaísmo en Puerto Rico” by Dariel U. González García (אוריאל בן אברהם), Universidad de Puerto Rico en Mayagüez, was published in Perspectivas sobre cuestiones globales in 2024. The text examines the historical roots of the Puerto Rican Jewish community, from its beginnings during Spanish colonization in the 15th century, with emphasis on the arrival of Sephardic converts to the island. The author examines the diplomatic relations between the Commonwealth of Puerto Rico and the State of Israel. The article includes interviews with two community leaders of the Puerto Rican Jewish community: Shula Feldkran, an Israeli and former president of Temple Beth Shalom; and Rabbi Hernán D. Rustein, the first permanent rabbi of Latin American origin at Temple Beth Shalom. González García (אוריאל בן אברהם) is a Jew of Sephardic heritage, and his areas of interest are Middle Eastern politics, Zionism and the origins of the State of Israel and Jewish history. This interview includes Jeffrey Herlihy-Mera, Catedrático de Humanidades, Universidad de Puerto Rico-Mayagüez, Dariel U. González García (אוריאל בן אברהם) and Coordinador de Cultura Judía en Puerto Rico at the UPR-M, Joanna Cifredo de Fellman (יוחנה סיפרדו פלמן) UPR-M, and Rabino Hernán D. Rustein (הרב הרנן רוסטיין). They discuss Judaism, Israel, and the Puerto Rican Jewish community. This podcast and the Instituto Nuevos Horizontes are sponsored by the Mellon Foundation. This is the second episode about “Dos miradas: Israel y el judaísmo en Puerto Rico”; the first, in Spanish, is available on the New Books Network en español. Link to the article mentioned in this episode: “Dos miradas: Israel y el judaísmo en Puerto Rico,” Perspectivas sobre cuestiones globales, 2024. For more information about the Reform Jewish community of Puerto Rico, write to: info@tbspr.org Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

“Dos miradas: Israel y el judaísmo en Puerto Rico” by Dariel U. González García (אוריאל בן אברהם), Universidad de Puerto Rico en Mayagüez, was published in Perspectivas sobre cuestiones globales in 2024. The text examines the historical roots of the Puerto Rican Jewish community, from its beginnings during Spanish colonization in the 15th century, with emphasis on the arrival of Sephardic converts to the island. The author examines the diplomatic relations between the Commonwealth of Puerto Rico and the State of Israel. The article includes interviews with two community leaders of the Puerto Rican Jewish community: Shula Feldkran, an Israeli and former president of Temple Beth Shalom; and Rabbi Hernán D. Rustein, the first permanent rabbi of Latin American origin at Temple Beth Shalom. González García (אוריאל בן אברהם) is a Jew of Sephardic heritage, and his areas of interest are Middle Eastern politics, Zionism and the origins of the State of Israel and Jewish history. This interview includes Jeffrey Herlihy-Mera, Catedrático de Humanidades, Universidad de Puerto Rico-Mayagüez, Dariel U. González García (אוריאל בן אברהם) and Coordinador de Cultura Judía en Puerto Rico at the UPR-M, Joanna Cifredo de Fellman (יוחנה סיפרדו פלמן) UPR-M, and Rabino Hernán D. Rustein (הרב הרנן רוסטיין). They discuss Judaism, Israel, and the Puerto Rican Jewish community. This podcast and the Instituto Nuevos Horizontes are sponsored by the Mellon Foundation. This is the second episode about “Dos miradas: Israel y el judaísmo en Puerto Rico”; the first, in Spanish, is available on the New Books Network en español. Link to the article mentioned in this episode: “Dos miradas: Israel y el judaísmo en Puerto Rico,” Perspectivas sobre cuestiones globales, 2024. For more information about the Reform Jewish community of Puerto Rico, write to: info@tbspr.org Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

Danielle Allen and Mark Fagan say that when tested, thoughtfully deployed, and regulated AI actually can help governments serve citizens better. Sure, there is no shortage of horror stories these days about the intersection of AI and government—from a municipal chatbot that told restaurant owners it was OK to serve food that had been gnawed by rodents to artificial intelligence police tools that misidentify suspects through faulty facial recognition. And now the Trump administration and Elon Musk's so-called Department of Government Efficiency or DOGE say they are fast-tracking the use of AI to root out government waste and fraud, while making public virtually no details about what tools they are using or how they'll be deployed. But Allen and Fagan, say that while careless deployment creates risks like opening security holes, exacerbating inefficiencies, and automating flawed decision-making, AI done the right way can help administrators and policymakers make better and smarter decisions, and can make governments more accessible and responsive to the citizens they serve. They also say we need to reorient our thinking from AI being a replacement for human judgement to a partnership model, where each brings its strengths to the table. Danielle Allen is an HKS professor and the founder of the Allen Lab for Democracy Renovation. Mark Fagan is a lecturer in public policy and faculty chair of the Delivering Public Services section of the Executive Education Program at HKS. They join PolicyCast host Ralph Ranalli to explain the guidelines, guardrails, and principles that can help government get AI right. Policy Recommendations:Danielle Allen's Policy Recommendations:* Support the "people's bid" for TikTok and generally promote an alternative, pro-social model for social media platforms.* Establish AI offices in state governments: Create offices that use AI to enhance openness, accountability, and transparency in government.Mark Fagan's Policy Recommendations:* Implement "sandbox" spaces for regulatory experimentation that allow organizations to test different policy ideas in a controlled environment to see what works.* Adopt a risk-based regulatory approach similar to the EU that categorize AI regulations based on risk levels, with clear guidelines on high-risk activities where AI use is prohibited versus those where experimentation is allowed. Danielle Allen is the James Bryant Conant University Professor at Harvard University. She is a professor of political philosophy, ethics, and public policy and director of the Democratic Knowledge Project and of the Allen Lab for Democracy Renovation. She is also a seasoned nonprofit leader, democracy advocate, national voice on AI and tech ethics, and author. A past chair of the Mellon Foundation and Pulitzer Prize Board, and former dean of humanities at the University of Chicago, she is a member of the American Academy of Arts and Sciences and American Philosophical Society. Her many books include the widely acclaimed Talking to Strangers: Anxieties of Citizenship Since Brown v Board of Education;  Our Declaration: a reading of the Declaration of Independence in defense of equality; Cuz: The Life and Times of Michael A.; Democracy in the Time of Coronavirus; and Justice by Means of Democracy. She writes a column on constitutional democracy for the Washington Post. Outside the University, she is a co-chair for the Our Common Purpose Commission and Founder and President for Partners in Democracy, where she advocates for democracy reform to create greater voice and access in our democracy, and to drive progress towards a new social contract that serves and includes us all. She holds Ph.Ds from Harvard University in government and from King's College, University of Cambridge, in classics; master's degrees from Harvard University in government and King's College, University of Cambridge in classics; and an AB from Princeton in classics.Mark Fagan is a lecturer in public policy and former senior fellow at the Mossavar-Rahmani Center for Business and Government at Harvard Kennedy School. He teaches Operations Management, Service Delivery via Systems Thinking and Supply Chain Management, and Policy Design and Delivery in the degree program. In executive education, he is the faculty chair for Delivering Public Services: Efficiency, Equity and Quality. In another program, he teaches strategy and cross boundary collaboration. The focus of his research is on the role of regulation in competitive markets. He is presently spearheading an initiative at the Taubman Center for State and Local Government that examines the policy and associated regulatory impacts of autonomous vehicles. He leads efforts to catalyze policy making through Autonomous Vehicle Policy Scrums, cross sector policy design sessions hosted by governments from Boston to Buenos Aries to Toronto. Fagan earned a Masters Degree in City and Regional Planning at Harvard University and a BA at Bucknell University.Ralph Ranalli of the HKS Office of Communications and Public Affairs is the host, producer, and editor of HKS PolicyCast. A former journalist, public television producer, and entrepreneur, he holds an BA in political science from UCLA and a master's in journalism from Columbia University.Scheduling and logistical support for PolicyCast is provided by Lilian Wainaina. Design and graphics support is provided by Laura King and the OCPA Design Team. Web design and social media promotion support is provided by Catherine Santrock and Natalie Montaner of the OCPA Digital Team. Editorial support is provided by Nora Delaney and Robert O'Neill of the OCPA Editorial Team.

This interview includes Jeffrey Herlihy-Mera, Professor of Humanities, Universidad de Puerto Rico-Mayagüez (UPR-M); Annette Martínez-Iñesta, Instructor of Italian, UPR-M; and Baruch Vergara, Artist and Professor of Plastic Arts, UPR-M. This episode has been sponsored by the Mellon Foundation, the Department of Humanities at the UPR-M, and the Instituto Nuevos Horizontes.  This is the second podcast with Ilan Stavans about Latino USA; the first, in Spanish, is available on the New Books Network en español. About the book: In Latino USA, Latin American and Latino scholar Ilan Stavans captures the joys, nuances, and multiple dimensions of Latino culture within the context of the English language. Combining the solemnity of so-called serious literature and history with the inherently theatrical and humorous form of comics, this cartoon history of Latinos includes Columbus, the Alamo, Desi Arnaz, West Side Story, Castro, Guevara, the Bay of Pigs, Neruda, the Mariel boatlift, Selena, Sonia Sotomayor, and much more. To embrace the sweep of Hispanic civilization and its riot of types, archetypes, and stereotypes, Stavans deploys a series of "cliché figurines" as narrators, including a toucan (displayed regularly in books by García Márquez, Allende, and others), the beloved Latino comedian Cantinflas, a masked wrestler, and Captain America. Their multiple, at times contradictory voices provide unique perspectives on Latino history, together creating a carnivalesque epic, democratic and impartial. Updated to bring the book up to the present moment, this twenty-fifth anniversary edition includes thirty new pages of Latino history, from Hamilton to George Santos. Latino USA, like the history it so entertainingly relates, is a treasure trove of irreverence, wit, subversion, anarchy, politics, humanism, and celebration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

This interview includes Jeffrey Herlihy-Mera, Professor of Humanities, Universidad de Puerto Rico-Mayagüez (UPR-M); Annette Martínez-Iñesta, Instructor of Italian, UPR-M; and Baruch Vergara, Artist and Professor of Plastic Arts, UPR-M. This episode has been sponsored by the Mellon Foundation, the Department of Humanities at the UPR-M, and the Instituto Nuevos Horizontes.  This is the second podcast with Ilan Stavans about Latino USA; the first, in Spanish, is available on the New Books Network en español. About the book: In Latino USA, Latin American and Latino scholar Ilan Stavans captures the joys, nuances, and multiple dimensions of Latino culture within the context of the English language. Combining the solemnity of so-called serious literature and history with the inherently theatrical and humorous form of comics, this cartoon history of Latinos includes Columbus, the Alamo, Desi Arnaz, West Side Story, Castro, Guevara, the Bay of Pigs, Neruda, the Mariel boatlift, Selena, Sonia Sotomayor, and much more. To embrace the sweep of Hispanic civilization and its riot of types, archetypes, and stereotypes, Stavans deploys a series of "cliché figurines" as narrators, including a toucan (displayed regularly in books by García Márquez, Allende, and others), the beloved Latino comedian Cantinflas, a masked wrestler, and Captain America. Their multiple, at times contradictory voices provide unique perspectives on Latino history, together creating a carnivalesque epic, democratic and impartial. Updated to bring the book up to the present moment, this twenty-fifth anniversary edition includes thirty new pages of Latino history, from Hamilton to George Santos. Latino USA, like the history it so entertainingly relates, is a treasure trove of irreverence, wit, subversion, anarchy, politics, humanism, and celebration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This interview includes Jeffrey Herlihy-Mera, Professor of Humanities, Universidad de Puerto Rico-Mayagüez (UPR-M); Annette Martínez-Iñesta, Instructor of Italian, UPR-M; and Baruch Vergara, Artist and Professor of Plastic Arts, UPR-M. This episode has been sponsored by the Mellon Foundation, the Department of Humanities at the UPR-M, and the Instituto Nuevos Horizontes.  This is the second podcast with Ilan Stavans about Latino USA; the first, in Spanish, is available on the New Books Network en español. About the book: In Latino USA, Latin American and Latino scholar Ilan Stavans captures the joys, nuances, and multiple dimensions of Latino culture within the context of the English language. Combining the solemnity of so-called serious literature and history with the inherently theatrical and humorous form of comics, this cartoon history of Latinos includes Columbus, the Alamo, Desi Arnaz, West Side Story, Castro, Guevara, the Bay of Pigs, Neruda, the Mariel boatlift, Selena, Sonia Sotomayor, and much more. To embrace the sweep of Hispanic civilization and its riot of types, archetypes, and stereotypes, Stavans deploys a series of "cliché figurines" as narrators, including a toucan (displayed regularly in books by García Márquez, Allende, and others), the beloved Latino comedian Cantinflas, a masked wrestler, and Captain America. Their multiple, at times contradictory voices provide unique perspectives on Latino history, together creating a carnivalesque epic, democratic and impartial. Updated to bring the book up to the present moment, this twenty-fifth anniversary edition includes thirty new pages of Latino history, from Hamilton to George Santos. Latino USA, like the history it so entertainingly relates, is a treasure trove of irreverence, wit, subversion, anarchy, politics, humanism, and celebration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

This interview includes Jeffrey Herlihy-Mera, Professor of Humanities, Universidad de Puerto Rico-Mayagüez (UPR-M); Annette Martínez-Iñesta, Instructor of Italian, UPR-M; and Baruch Vergara, Artist and Professor of Plastic Arts, UPR-M. This episode has been sponsored by the Mellon Foundation, the Department of Humanities at the UPR-M, and the Instituto Nuevos Horizontes.  This is the second podcast with Ilan Stavans about Latino USA; the first, in Spanish, is available on the New Books Network en español. About the book: In Latino USA, Latin American and Latino scholar Ilan Stavans captures the joys, nuances, and multiple dimensions of Latino culture within the context of the English language. Combining the solemnity of so-called serious literature and history with the inherently theatrical and humorous form of comics, this cartoon history of Latinos includes Columbus, the Alamo, Desi Arnaz, West Side Story, Castro, Guevara, the Bay of Pigs, Neruda, the Mariel boatlift, Selena, Sonia Sotomayor, and much more. To embrace the sweep of Hispanic civilization and its riot of types, archetypes, and stereotypes, Stavans deploys a series of "cliché figurines" as narrators, including a toucan (displayed regularly in books by García Márquez, Allende, and others), the beloved Latino comedian Cantinflas, a masked wrestler, and Captain America. Their multiple, at times contradictory voices provide unique perspectives on Latino history, together creating a carnivalesque epic, democratic and impartial. Updated to bring the book up to the present moment, this twenty-fifth anniversary edition includes thirty new pages of Latino history, from Hamilton to George Santos. Latino USA, like the history it so entertainingly relates, is a treasure trove of irreverence, wit, subversion, anarchy, politics, humanism, and celebration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

1. Más funcionarios relacionados a las APP dan el salto a trabajar con privatizadores2. Protestas en la UPR, el presidente Muñoz en media tour con medios corporativos mientras que docentes de la UPRRP sacan la cara por la educación y colaboran con la Universidad de Texas en programa de la Mellon Foundation 3. EDUCAMOS hace un llamado urgente a Educación sobre los feminicidios4. Salud reporta aumento en casos de influenza y 96 muerte con la enfermedad durante la temporada5. A todo galope la censura por parte de la Administración Trump6. Trump, firme en su veto a AP: "No me hacen ningún favor y yo tampoco. Así es la vida"Estas son algunas de las noticias que tenemos hoy En Blanco y Negro con Sandra.AUDIO: Este es un programa independiente y sindicalizado. Esto significa que se transmite simultáneamente por una serie de emisoras de radio y medios que son los más fuertes en sus respectivas regiones, por sus plataformas digitales, aplicaciones para dispositivos móviles y redes sociales. Estos medios son:1. Cadena WIAC - WYAC 930 AM Cabo Rojo- Mayagüez2. Cadena WIAC – WISA 1390 AM Isabela3. Cadena WIAC – WIAC 740 AM Área norte y zona metropolitana4. WLRP 1460 AM Radio Raíces La voz del Pepino en San Sebastián5. X61 – 610 AM en Patillas6. X61 – 94.3 FM Patillas y todo el sureste7. WPAB 550 AM - Ponce8. ECO 93.1 FM – En todo Puerto Rico9. Mundo Latino PR.comPodcast disponible en Spotify, Soundcloud, Apple Podcasts, Google Podcasts y otras plataformas https://anchor.fm/sandrarodriguezcottoTambién nos pueden seguir en:REDES SOCIALES: Facebook, X (Twitter), Instagram, Threads, LinkedIn, Tumblr, TikTokBLOG: En Blanco y Negro con Sandra http://enblancoynegromedia.blogspot.comSUSCRIPCIÓN: Substack, plataforma de suscripción de prensa independientehttps://substack.com/@sandrarodriguezcottoOTROS MEDIOS DIGITALES: ¡Ey! Boricua, Revista Seguros. Revista Crónicas y otros

Inside this Episode with Mitch HamptonI read an enormous amount of books in a given year, partially for the great pleasure it creates in me and partly as my project of lifelong learning, itself probably identical in pleasure. Verba's work on Violeta Parra - one of the giants in Latin American music in general and  Chilean music in particular as well as a leading visual artist and scholar - was one of the books in this new year of 2025 that taught me an enormous amount, not only about music but History and other matters. I found my episode with Verba - someone who has deep and involved careers in music performance as much as scholarship - a delight from beginning to end and I hope our audience gets to learn more about the genius that was Violeta Parra.Dr. Verba's BioEricka Verba is Director and Professor of Latin American Studies at California State University, Los Angeles. Her research interests include the cultural Cold War, the role of music in social movements, and the intersection of gender and class politics in twentieth-century Latin America. She has received grants from the National Endowment from the Humanities, the Mellon Foundation, the Social Science Research Council, the Fulbright, and the Los Angeles Department of Cultural Affairs. She is a founding member of SCALAS (Southern California Association of Latin American Studies) and the recipient of the E. Bradford Burns Award for service to the Pacific Coast Council on Latin American Studies. She is the author of the book Thanks to Life: A Biography of Violeta Parra. Her interest in Violeta Parra dates back to her early teens in the 1970s when she became friends with a Chilean family of musicians and artists who taught Verba her first Violeta Parra songs and guided her political awakening to the brutality of the Pinochet dictatorship and the role of the US government in installing and supporting it. As a musician and founding member of the US-based New Song groups Sabiá and Desborde, she has been performing Parra's music since 1976. In 1980, she wrote her undergraduate honors senior thesis on Parra's autobiography in verse. In 1996, She was the musical director and arranger for a tribute concert to Violeta Parra, supported by an Artists in the Community grant from the Los Angeles Cultural Affairs Department and recorded and released as Desborde, Tribute Concert to Violeta Parra. As a professor of Latin American History since 2004, she has welded her research on the history of women in Chile with her interest in Parra to acquire a deeper understanding of the social context and gender dynamics that shaped Parra's life. Suffice to say, Verba's book represents the culmination of a decades-long curiosity about Violeta Parra and engagement with her work. #folkmusic #chile #guitar #communism #marxist-leninism #fascism #salvadorallende #1940s #1950s #1960s #alanlomax #peteseeger #painting #dance #sculpture #feminism #latinamerica #southamerica #nicanorparra #angelparra #violetawenttoheaven #biennalearte #louvrepalace #albertcamus #existentialism #jeanpaulsartre #picasso #earlbrowder #paulrobeson #woodyguthrie #l'escale #france #paris #argentina #folklorista #chileannewsong Links to her socials:Website:https://erickaverba.com/Instagram: https://www.instagram.com/ericka_verba/More about her new book: THANKS TO LIFE A Biography of Violeta Parra "A stunning achievement. This comprehensive analysis of Parra's life provides an unparalleled opportunity to appreciate one of Latin America's greatest artists. Thanks to Life is an outstanding piece of biographical work on a world-class artist whose legacy continues to shape Latin American music and culture." —Heidi Tinsman, author of Buying into the Regime: Grapes and Consumption in Cold War Chile and the United States For media inquiries contact: Nanda Dyssou, Publicist nanda@corioliscompany.com (424)-226-6148 

Our book is: Thanks to Life: A Biography of Violeta Parra (UNC Press, 2025), by Ericka Verba, which explores the life of Chilean musician and artist Violeta Parra (1917–1967). Parra is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Dr. Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain. Drawing on decades of research, Dr. Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms. CW: suicide Our guest is: Dr. Ericka Verba, who is Director and Professor of Latin American Studies at California State University, Los Angeles. She has received grants from the National Endowment for the Humanities, the Mellon Foundation, the Social Science Research Council, the Fulbright, and the Los Angeles Department of Cultural Affairs. She is a founding member of SCALAS (Southern California Association of Latin American Studies) and the recipient of the E. Bradford Burns Award for service to the Pacific Coast Council on Latin American Studies. She is the author of the book Thanks to Life: A Biography of Violeta Parra. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Remembering Lucille I'm Possible Dear Miss Perkins Sophonisba Breckinridge The Rise and Fall of Henry Christophe Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Our book is: Thanks to Life: A Biography of Violeta Parra (UNC Press, 2025), by Ericka Verba, which explores the life of Chilean musician and artist Violeta Parra (1917–1967). Parra is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Dr. Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain. Drawing on decades of research, Dr. Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms. CW: suicide Our guest is: Dr. Ericka Verba, who is Director and Professor of Latin American Studies at California State University, Los Angeles. She has received grants from the National Endowment for the Humanities, the Mellon Foundation, the Social Science Research Council, the Fulbright, and the Los Angeles Department of Cultural Affairs. She is a founding member of SCALAS (Southern California Association of Latin American Studies) and the recipient of the E. Bradford Burns Award for service to the Pacific Coast Council on Latin American Studies. She is the author of the book Thanks to Life: A Biography of Violeta Parra. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Remembering Lucille I'm Possible Dear Miss Perkins Sophonisba Breckinridge The Rise and Fall of Henry Christophe Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Our book is: Thanks to Life: A Biography of Violeta Parra (UNC Press, 2025), by Ericka Verba, which explores the life of Chilean musician and artist Violeta Parra (1917–1967). Parra is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Dr. Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain. Drawing on decades of research, Dr. Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms. CW: suicide Our guest is: Dr. Ericka Verba, who is Director and Professor of Latin American Studies at California State University, Los Angeles. She has received grants from the National Endowment for the Humanities, the Mellon Foundation, the Social Science Research Council, the Fulbright, and the Los Angeles Department of Cultural Affairs. She is a founding member of SCALAS (Southern California Association of Latin American Studies) and the recipient of the E. Bradford Burns Award for service to the Pacific Coast Council on Latin American Studies. She is the author of the book Thanks to Life: A Biography of Violeta Parra. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Remembering Lucille I'm Possible Dear Miss Perkins Sophonisba Breckinridge The Rise and Fall of Henry Christophe Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Our book is: Thanks to Life: A Biography of Violeta Parra (UNC Press, 2025), by Ericka Verba, which explores the life of Chilean musician and artist Violeta Parra (1917–1967). Parra is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Dr. Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain. Drawing on decades of research, Dr. Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms. CW: suicide Our guest is: Dr. Ericka Verba, who is Director and Professor of Latin American Studies at California State University, Los Angeles. She has received grants from the National Endowment for the Humanities, the Mellon Foundation, the Social Science Research Council, the Fulbright, and the Los Angeles Department of Cultural Affairs. She is a founding member of SCALAS (Southern California Association of Latin American Studies) and the recipient of the E. Bradford Burns Award for service to the Pacific Coast Council on Latin American Studies. She is the author of the book Thanks to Life: A Biography of Violeta Parra. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Remembering Lucille I'm Possible Dear Miss Perkins Sophonisba Breckinridge The Rise and Fall of Henry Christophe Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Our book is: Thanks to Life: A Biography of Violeta Parra (UNC Press, 2025), by Ericka Verba, which explores the life of Chilean musician and artist Violeta Parra (1917–1967). Parra is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Dr. Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain. Drawing on decades of research, Dr. Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms. CW: suicide Our guest is: Dr. Ericka Verba, who is Director and Professor of Latin American Studies at California State University, Los Angeles. She has received grants from the National Endowment for the Humanities, the Mellon Foundation, the Social Science Research Council, the Fulbright, and the Los Angeles Department of Cultural Affairs. She is a founding member of SCALAS (Southern California Association of Latin American Studies) and the recipient of the E. Bradford Burns Award for service to the Pacific Coast Council on Latin American Studies. She is the author of the book Thanks to Life: A Biography of Violeta Parra. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Remembering Lucille I'm Possible Dear Miss Perkins Sophonisba Breckinridge The Rise and Fall of Henry Christophe Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Our book is: Thanks to Life: A Biography of Violeta Parra (UNC Press, 2025), by Ericka Verba, which explores the life of Chilean musician and artist Violeta Parra (1917–1967). Parra is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Dr. Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain. Drawing on decades of research, Dr. Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms. CW: suicide Our guest is: Dr. Ericka Verba, who is Director and Professor of Latin American Studies at California State University, Los Angeles. She has received grants from the National Endowment for the Humanities, the Mellon Foundation, the Social Science Research Council, the Fulbright, and the Los Angeles Department of Cultural Affairs. She is a founding member of SCALAS (Southern California Association of Latin American Studies) and the recipient of the E. Bradford Burns Award for service to the Pacific Coast Council on Latin American Studies. She is the author of the book Thanks to Life: A Biography of Violeta Parra. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Remembering Lucille I'm Possible Dear Miss Perkins Sophonisba Breckinridge The Rise and Fall of Henry Christophe Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life

Our book is: Thanks to Life: A Biography of Violeta Parra (UNC Press, 2025), by Ericka Verba, which explores the life of Chilean musician and artist Violeta Parra (1917–1967). Parra is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Dr. Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain. Drawing on decades of research, Dr. Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms. CW: suicide Our guest is: Dr. Ericka Verba, who is Director and Professor of Latin American Studies at California State University, Los Angeles. She has received grants from the National Endowment for the Humanities, the Mellon Foundation, the Social Science Research Council, the Fulbright, and the Los Angeles Department of Cultural Affairs. She is a founding member of SCALAS (Southern California Association of Latin American Studies) and the recipient of the E. Bradford Burns Award for service to the Pacific Coast Council on Latin American Studies. She is the author of the book Thanks to Life: A Biography of Violeta Parra. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Remembering Lucille I'm Possible Dear Miss Perkins Sophonisba Breckinridge The Rise and Fall of Henry Christophe Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

In an era where even toothpaste shopping can trigger an existential crisis, intellectual historian Sophia Rosenfeld explore how we became both imprisoned and freed by endless options. Her new book The Age of Choice traces our evolution from a world where nobility bragged about not having any choices to one where choice itself has become our modern religion. From voting booths to gender identity, from Amazon's infinite scroll to dating apps' endless swipes, Rosenfeld reveals how "freedom of choice" conquered modern life - and why having too many options might be making us less free than we'd like to think.Here are the 5 KEEN ON takeaways from our conversation with Rosenfeld:* Choice wasn't always central to freedom: Historically, especially among nobility, freedom was associated with not having to make choices. The modern equation of freedom with endless choice is a relatively recent development that emerged alongside consumer capitalism and democracy.* The transformation of choice from moral to preferential: There's been a fundamental shift from viewing choice primarily as a moral decision (like Hercules choosing between right and wrong paths) to seeing it as an expression of personal preference (like choosing between toothpaste brands). The mere act of having choice became morally significant, rather than actually making the "right" choice.* Democracy's evolution transformed voting: The shift to secret ballots in the late 19th century marked a crucial change in how we exercise democratic choice, moving from communal decision-making to private, individual choice - a change that philosophers like John Stuart Mill actually opposed, fearing it would reduce democracy to consumer-style selection.* Choice can work against collective good: While individual choice is celebrated as freedom, it can actually hinder addressing collective challenges like climate change or public health, where limiting individual choices might better serve the common good.* The paradox of modern choice: While we've extended choice into previously unthinkable areas (gender identity, sexuality, family relationships), many people are simultaneously seeking ways to reduce choice overload - from AI recommendations to personal shoppers - suggesting we may have reached the limits of how much choice we can handle.Sophia Rosenfeld is Walter H. Annenberg Professor of History and Chair of the Department of History at the University of Pennsylvania, where she teaches European and American intellectual and cultural history with a special emphasis on the Enlightenment, the trans-Atlantic Age of Revolutions, and the legacy of the eighteenth century for modern democracy. Her newest book, to be published by Princeton University Press in February 2025, is entitled The Age of Choice: A History of Freedom in Modern Life. It explores how, between the 17th century and the present, the idea and practice of making choices from menus of options came to shape so many aspects of our existences, from consumer culture to human rights, and with what consequences. She is also the author of A Revolution in Language: The Problem of Signs in Late Eighteenth-Century France (Stanford, 2001); Common Sense: A Political History (Harvard, 2011), which won the Mark Lynton History Prize and the Society for the History of the Early American Republic Book Prize; and Democracy and Truth: A Short History (Penn Press, 2019). Her articles and essays have appeared in leading scholarly journals, including the American Historical Review, the Journal of Modern History, French Historical Studies, and the William and Mary Quarterly, as well as publications such as The New York Times, The Washington Post, Dissent, and, frequently, The Nation. From 2013 to 2017, she co-edited the journal Modern Intellectual History. In 2022, A Cultural History of Ideas, a 6 volume book series covering antiquity to the present for which she was co-general editor with Peter Struck, appeared with Bloomsbury and won the Association of American Publishers' award for best reference work in the humanities. Her writing has been or is being translated into French, Spanish, Portuguese, Turkish, Hindi, Korean, and Chinese. Rosenfeld received her B.A. from Princeton University and her Ph.D. from Harvard University. She has held fellowships from the Guggenheim Foundation, the School of Social Science at the Institute for Advanced Studies in Princeton, the Mellon Foundation, both the Remarque Institute and the Center for Ballet and the Arts at NYU, the Institute for Advanced Studies in Paris, and the American Council of Learned Societies, as well as visiting professorships at the University of Virginia School of Law and the École des Hautes Études en Sciences Sociales (Paris). Prior to arriving at Penn in January 2017, she was Professor of History at Yale University and, before that, the University of Virginia. She also served a three-year term from 2018 to 2021 as Vice President of the American Historical Association, where she was in charge of the Research Division. In 2022, she held the Kluge Chair in Countries and Cultures of the North at the Library of Congress, and she was also named by the French government Officier dans l'Ordre des Palmes Académiques. Among her other ongoing interests are the history of free speech, dissent, and censorship; the history of aesthetics (including dance); the history of political language; political theory (contemporary and historical); the history of epistemology; the history of information and misinformation; the history of the emotions and senses; the history of feminism; universities and democracy; and experimental historical methods.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

This conversation includes James Boyle, Duke University; Jeffrey Herlihy-Mera, UPR-M; Héctor José Huyke, UPR-M, and Natalia Bustos, UPR-M. This is the first of two episodes about The Line: AI and the Future of Personhood. The second, in Spanish, will appear on the New Books Network en español. The series is sponsored by the Encuentros descoloniales focal group at Instituto Nuevos Horizontes at UPRM, a group of scholars who consider how decolonial approaches ​​can provide nuance in scientific knowledge. This episode and the Instituto Nuevos Horizontes at the UPRM have been supported by the Mellon Foundation. The conversation is part of the “STEM to STEAM” project of the “Cornerstone” initiative, sponsored by the Teagle Foundation, which stresses the importance of integrating humanistic perspectives in the sciences. The Line: AI and the Future of Personhood is available online for free through the MIT website per the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International Public License. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the fervent years of the 1970s, a group of Latino and Latina students formed a collective of makers and artists at the University of Michigan. This community-minded group, La Raza, was about everything, from art to history and movement. Dave Choberka, curator for University Learning at the University of Michigan Museum of Art, and Félix Zamora Gómez, program coordinator with the university’s Arts Initiative, display these works in an exhibition titled La Raza Art and Media Collective, 1975 – Today. The contents of the display, which runs until July 20, 2025, include poems, artwork, gallery proofs and journal editions that discuss Chicano and Latino representation in the media and contain experimental visual art. According to Choberka, these editions marked the evolution and history of the organization. GUESTS: Dave Choberka, Mellon Foundation curator for university learning at the University of Michigan Museum of Arts Félix Zamora-Gómez, program coordinator for engagement, U-M Arts Initiative Looking for more conversations from Stateside? Right this way. If you like what you hear on the pod, consider supporting our work. Music in this episode by Blue Dot Sessions. See omnystudio.com/listener for privacy information.

The Author Events Series presents The Intertextual Self: New Approaches to the Memoir REGISTER Memoirists most often focus on the authenticity of their own voice and experience, and how best to render on the page the intersection of memory and current insight. This traditional approach creates engaging and compelling personal narratives – singular texts of the self. But a new approach seems to be emerging, one in which writers grapple with other texts that have informed their experiences, shaped their thinking, and served as lenses through which to interpret their own lives. This event features three highly accomplished and daring authors who have taken this approach to their memoirs, highlighting how they absorbed other texts and made them integral to telling their own stories. Authors Chris Campanioni (A and B and Also Nothing, 2nd Ed.), Tyler Mills (The Bomb Cloud), and Leah Souffrant (Entanglements) represent a new generation of writers who have turned to an even wider range of texts to help them identify, craft, and share their own stories. Each of their strikingly original memoirs also include visual art created by the authors.  Chris Campanioni was born in Manhattan in 1985 and grew up in a very nineties New Jersey. His research connecting media studies with studies of migration has been awarded a Mellon Foundation fellowship and the Calder Prize and his writing has received the International Latino Book Award, the Pushcart Prize, and the Academy of American Poets College Prize. He lives in Brooklyn. Leah Souffrant is a writer and artist committed to interdisciplinary practice. She is the author of Entanglements: Threads woven from history, memory, and the body (Unbound Edition Press 2023) and Plain Burned Things: A Poetics of the Unsayable (Collection Clinamen, PULG Liège 2017). The range of Souffrant's work involves poetics, visual studies and art, translation, and critical work in literature, feminist theory, and performance. With Abby Paige, she is a founding member of the LeAB Iteration Lab for theater art and performance. Her awards include the New York Foundation for the Arts Fellowship in Poetry and her scholarship was recognized by the Center for the Study of Women & Society. Souffrant's poetry has been a finalist for the National Poetry Award. She keeps an art studio in Brooklyn and teaches writing at New York University. Born in Chicago, Tyler Mills (she/her) is the author of City Scattered (Snowbound Chapbook Award, Tupelo Press 2022), Hawk Parable (Akron Poetry Prize, University of Akron Press 2019), Tongue Lyre (Crab Orchard Series in Poetry First Book Award, Southern Illinois University Press 2013), and co-author with Kendra DeColo of Low Budget Movie (Diode Editions Chapbook Prize, Diode Editions 2021). Her memoir, The Bomb Cloud, received a Literature Grant from the Café Royal Foundation NYC. A poet and essayist, her poems have appeared in The New Yorker, The Guardian, The New Republic, The Believer, and Poetry, and her essays in AGNI, Brevity, Copper Nickel, River Teeth, and The Rumpus. She lived and taught in New Mexico four years, most recently serving as the Burke Scholar for the Doel Reed Center for the Arts in Taos, NM, and now teaches for Sarah Lawrence College's Writing Institute and the Provincetown Fine Arts Work Center. She lives in Brooklyn, NY. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night. (recorded 12/5/2024)

Natalia Mehlman Petrzela and Zibby discussed Natalia's recent New York Times op-ed centered on antisemitism. She shared details about her own experiences, the meaning of "intersectionality," and what it's like to be on the faculty at an academic institution today. Bio:Natalia is the author of CLASSROOM WARS: Language, Sex, and the Making of Modern Political Culture (Oxford University Press, 2015), and FIT NATION: The Gains and Pains of America's Exercise Obsession (University of Chicago Press, 2023). She is co-producer and host of the acclaimed podcast WELCOME TO YOUR FANTASY, from Pineapple Street Studios/Gimlet and the co-host of PAST PRESENT podcast. She is a columnist for MSNBC Opinion, a frequent media guest expert, public speaker, and contributor to outlets including the New York Times, the Washington Post, CNN, and the Atlantic.Natalia is a Carnegie Corporation Fellow in 2024-25, a National Endowment for the Humanities Public Scholar in 2025-26, and is currently working on two new books, a short history of the school culture wars, and a history of the Hamptons, with historian Neil J. Young. She is the executive producer of a new BBC podcast coming in Summer 2024, and of a documentary series based on FIT NATION, in development with TIME Studios. Natalia's career began as a public school teacher, and she is currently Lead Historian on the Jewish American Hidden Voices curriculum for New York City's Department of Education, launching in June 2025.Natalia is Professor of History at The New School, co-founder of the wellness education program Healthclass 2.0, and a Premiere Leader of the mind-body practice intenSati. Her work has been supported by the Spencer, Whiting, Rockefeller, and Mellon Foundations, the Carnegie Corporation, and the National Endowment for the Humanities. She holds a B.A. from Columbia and a Ph.D. from Stanford and lives with her husband and two children in New York City. Now there's more! Subscribe to Moms Don't Have Time to Read Books on Acast+ and get ad-free episodes. https://plus.acast.com/s/moms-dont-have-time-to-read-books. Hosted on Acast. See acast.com/privacy for more information.