Podcasts about Zoot suit

Lite tankar om Sverige, etikrapporten om Matt Gaetz släpptes trots allt, och Zoot Suit upploppen i Los Angeles 1943

Lite tankar om Sverige, etikrapporten om Matt Gaetz släpptes trots allt, och Zoot Suit upploppen i Los Angeles 1943LÄNKAR OCH KÄLLOR Hosted on Acast. See acast.com/privacy for more information.

Sintonía: "It´s a Good Day" - Perry Como"Mr. Zoot-Suit" - Flying Neutrinos; "Bodhisattva" - Brian Setzer; "So Long Toots" y "Here Comes The Snake" - Cherry Poppin Daddies; "Come On-A My House" - Indigo Swing; "Go Tell The Preachers" - Mighty Blue Kings; "Violent Love" - Indigo Swing; "Caravan" y "Jumpin´ East Of Java" - Brian Setzer; "On An Evening In Roma" - Dean Martin; "The Boogie Twist Part II" y "Satellite" - Colin James; "Watts Local" y "Whatcha Doin´ Tonight (Sam´s Calling)" - The Royal Crown Revue; "Bei mir bistu shein" - Yiddish Twist Orchestra; "Is This Love" y "Nobody But You" - Ray Collins Hot Club Escuchar audio

Opinions were divided as to the difficulty of today's crossword - Jean found it to be a pleasant Thursday, Mike found it to be more suited for the heretofore undiscovered Impossiday™️,  a day that lies between Saturday and Sunday, one suited only for the most insanely challenging of crosswords ... like, for example, today's (to reiterate, according to Mike), as well as barbecues in which Imposible Burgers play a prominent role

In the midst of WWII, conflict broke out in Los Angeles between members of the navy and Mexican American youth stemming from tensions from a naval base being built over a primarily Mexican community and the young people in the community flaunting zoot suits that defied rationing laws.  In 1943 these tensions spilled over into violence as thousands of navy sailors began to attack anyone the could find wearing a zoot suit or other clothing that made them appear related to the pachuco youth culture movement.  Take a listen and learn about the real Zoot Suit Riots.

Send us a Text Message.Get ready for two weeks loaded with musical recommendations. In this episode, actor and musical aficionado Max Sopkin discusses some of the movie musicals that helped shape his life: Seven Brides for Seven Brothers, Fiddler on the Roof, and Grease. Co-host Nicholas Ybarra shares three musical picks that shaped his life: Zoot Suit, Cabaret, and The Rocky Horror Picture Show. We also discuss our hypothesis on what makes a movie musical. This episode is wildly entertaining and is just a primer for our additional musical episode, which will be released next week! Support the Show.Sign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

I am so excited to have my friend Leo of the Movies on Weed Podcast back on the show to talk about the under appreciated musical ZOOT SUIT directed by Luis Valdez. We discuss the chicano culture represented in the film and how it plays in today's climate. Check it out!Sign up for Zencaster TODAY! https://zen.ai/Ax2lLiOypAMyn_rp4eoKemgLq-YYFcUzPdCT19xZh1EOFFER CODES: cultworthyVisit thecultworthy.comMOVIES ON WEED: https://open.spotify.com/show/6E8dCmovH7nxc1skId9jYj

This week, the docs delve into the sequence of events that precipitated the tragic and disastrous "Zoot Suit" riots in Los Angeles. Despite the Zoot Suit riots receiving far less attention than deserved in the annals of the civil rights struggle in the United States, they represent a pivotal moment in both Los Angeles and national history. The docs investigate how the media exacerbated tensions by demonizing the Latino community, while also shedding light on the pervasive racism and marginalization perpetuated by industry and law enforcement through opinion pieces. Berkshire Podcast Festival Learn more about your ad choices. Visit megaphone.fm/adchoices

If you haven't seen Goodfellas, go f*ck yourself. J. Andrews is way too flamboyant. "'Hello Gub'na!" J. wants to tell you about his feelings. Who's your daddy? Welcome to the neighborhood! DJ Colorado almost kills KM Douglas, but he deserves it because he's poor. Visit SpiritAirlines.com/KMDouglas! (For 20% MORE on all domestic flights). What's the difference between a garbanzo bean and a chick pea? DJ Colorado gets fired! Sports corner! Then she gets re-hired. Then a bathroom break. Be patient, J still has a story to tell! Cheers! (Poetry to follow). Eventually....

Playwright Luis Valdez masterfully uses the Sleepy Lagoon murder case to examine the Chicano Zoot Suit Culture of the 40's. Passionate and provocative, Zoot Suit pulses with the beat of big band music and traditional Latin songs. Music Direction by Daniel Valdez. Recorded before a live audience at the Skirball Cultural Center, Los Angeles in July of 2001.This play is sponsored by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library.Directed by Luis ValdezProducing Director: Susan Albert LoewenbergMarco Rodriguez as El PachucoKinan Valdez as Henry ReynaDaniel Valdez as Enrique ReynaAlma Martinez as Dolores ReynaPrimavera Flor-Valdez as Lupe ReynaLakin Valdez as Rudy Reyna/Sergeant Smith/Bailiff/Bosun's MateGregory Itzin as George ShearerXochiquetzal Candelaria as Alice BloomfieldEstrella Esparza as Della BarriosRuben C. Gonzalez as Smiley Torres/Rafas/SwabieRaul Cardona as Joey Castro/MarineDaniel Chacón as Tommy Roberts/Cub Reporter/SailorKatrina Valdez as Bertha Villareal/NewsboySeth Millwood as Lt. Edwards/Guard/Shore PatrolSpencer Garrett as The PressAl Ruscio as Judge F.W. CharlesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Listen to our interview with actor and educator Alma Martinez, an original Zoot Suit cast member.Sponsored by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Playwright Luis Valdez masterfully uses the Sleepy Lagoon murder case to examine the Chicano Zoot Suit Culture of the 40's. Passionate and provocative, Zoot Suit pulses with the beat of big band music and traditional Latin songs. Music Direction by Daniel Valdez. Recorded before a live audience at the Skirball Cultural Center, Los Angeles in July of 2001.This play is sponsored by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library.Directed by Luis ValdezProducing Director: Susan Albert LoewenbergMarco Rodriguez as El PachucoKinan Valdez as Henry ReynaDaniel Valdez as Enrique ReynaAlma Martinez as Dolores ReynaPrimavera Flor-Valdez as Lupe ReynaLakin Valdez as Rudy Reyna/Sergeant Smith/Bailiff/Bosun's MateGregory Itzin as George ShearerXochiquetzal Candelaria as Alice BloomfieldEstrella Esparza as Della BarriosRuben C. Gonzalez as Smiley Torres/Rafas/SwabieRaul Cardona as Joey Castro/MarineDaniel Chacón as Tommy Roberts/Cub Reporter/SailorKatrina Valdez as Bertha Villareal/NewsboySeth Millwood as Lt. Edwards/Guard/Shore PatrolSpencer Garrett as The PressAl Ruscio as Judge F.W. CharlesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Playwright Luis Valdez masterfully uses the Sleepy Lagoon murder case to examine the Chicano Zoot Suit Culture of the 40's. Passionate and provocative, Zoot Suit pulses with the beat of big band music and traditional Latin songs. Music Direction by Daniel Valdez. Recorded before a live audience at the Skirball Cultural Center, Los Angeles in July of 2001.This play is sponsored by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library.Directed by Luis ValdezProducing Director: Susan Albert LoewenbergMarco Rodriguez as El PachucoKinan Valdez as Henry ReynaDaniel Valdez as Enrique ReynaAlma Martinez as Dolores ReynaPrimavera Flor-Valdez as Lupe ReynaLakin Valdez as Rudy Reyna/Sergeant Smith/Bailiff/Bosun's MateGregory Itzin as George ShearerXochiquetzal Candelaria as Alice BloomfieldEstrella Esparza as Della BarriosRuben C. Gonzalez as Smiley Torres/Rafas/SwabieRaul Cardona as Joey Castro/MarineDaniel Chacón as Tommy Roberts/Cub Reporter/SailorKatrina Valdez as Bertha Villareal/NewsboySeth Millwood as Lt. Edwards/Guard/Shore PatrolSpencer Garrett as The PressAl Ruscio as Judge F.W. CharlesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Playwright Luis Valdez masterfully uses the Sleepy Lagoon murder case to examine the Chicano Zoot Suit Culture of the 40's. Passionate and provocative, Zoot Suit pulses with the beat of big band music and traditional Latin songs. Music Direction by Daniel Valdez. Recorded before a live audience at the Skirball Cultural Center, Los Angeles in July of 2001.This play is sponsored by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library.Directed by Luis ValdezProducing Director: Susan Albert LoewenbergMarco Rodriguez as El PachucoKinan Valdez as Henry ReynaDaniel Valdez as Enrique ReynaAlma Martinez as Dolores ReynaPrimavera Flor-Valdez as Lupe ReynaLakin Valdez as Rudy Reyna/Sergeant Smith/Bailiff/Bosun's MateGregory Itzin as George ShearerXochiquetzal Candelaria as Alice BloomfieldEstrella Esparza as Della BarriosRuben C. Gonzalez as Smiley Torres/Rafas/SwabieRaul Cardona as Joey Castro/MarineDaniel Chacón as Tommy Roberts/Cub Reporter/SailorKatrina Valdez as Bertha Villareal/NewsboySeth Millwood as Lt. Edwards/Guard/Shore PatrolSpencer Garrett as The PressAl Ruscio as Judge F.W. CharlesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Playwright Luis Valdez masterfully uses the Sleepy Lagoon murder case to examine the Chicano Zoot Suit Culture of the 40's. Passionate and provocative, Zoot Suit pulses with the beat of big band music and traditional Latin songs. Music Direction by Daniel Valdez. Recorded before a live audience at the Skirball Cultural Center, Los Angeles in July of 2001.This play is sponsored by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library.Directed by Luis ValdezProducing Director: Susan Albert LoewenbergMarco Rodriguez as El PachucoKinan Valdez as Henry ReynaDaniel Valdez as Enrique ReynaAlma Martinez as Dolores ReynaPrimavera Flor-Valdez as Lupe ReynaLakin Valdez as Rudy Reyna/Sergeant Smith/Bailiff/Bosun's MateGregory Itzin as George ShearerXochiquetzal Candelaria as Alice BloomfieldEstrella Esparza as Della BarriosRuben C. Gonzalez as Smiley Torres/Rafas/SwabieRaul Cardona as Joey Castro/MarineDaniel Chacón as Tommy Roberts/Cub Reporter/SailorKatrina Valdez as Bertha Villareal/NewsboySeth Millwood as Lt. Edwards/Guard/Shore PatrolSpencer Garrett as The PressAl Ruscio as Judge F.W. CharlesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hillary and Tina cover the Zoot Suit Riots of 1943. In Los Angeles, the Zoot Suit Riots of 1943 were fueled by tensions that ran deep. BUT in the chaos, a stark example of underlying racism emerged, exposing an uncomfortable truth about America's past. Hillary's Story Sources History Zoot Suit Riots (https://www.history.com/topics/world-war-ii/zoot-suit-riots) LA Times The untold story of the Zoot Suit riots: How Black L.A. defended Mexican Americans (https://www.latimes.com/california/story/2023-06-02/zoot-suit-riots-south-la-central-avenue-farmers-market) NBC News Los Angeles apologizes for Zoot Suit Riots 80 years later (https://www.nbcnews.com/now/video/los-angeles-apologizes-for-zoot-suit-riots-80-years-later-181564997799) National WW2 Museum The Zoot Suit Riots and Wartime Los Angeles (https://www.nationalww2museum.org/war/articles/zoot-suit-riots-and-wartime-los-angeles) PBS The Rise of Riots (https://www.pbs.org/wgbh/americanexperience/features/zoot-rise-riots/) Zoot Suit Riots (https://www.pbs.org/wgbh/americanexperience/films/zoot/) The Smithsonian A Brief History of the Zoot Suit (https://www.smithsonianmag.com/arts-culture/brief-history-zoot-suit-180958507/) Wikipedia Zoot Suit Riots (https://en.wikipedia.org/wiki/Zoot_Suit_Riots) Photos Mexican American man wearing a zoot suit in 1943 (https://www.nationalww2museum.org/sites/default/files/styles/wide_medium/public/2023-06/zoot-suit-1.jpg?h=b0856314)--from Library of Congress via National WW2 Museum African American men wearing zoot suits in 1942 (https://upload.wikimedia.org/wikipedia/commons/thumb/1/16/African_american_teenagers_in_zoot_suit.jpg/1920px-African_american_teenagers_in_zoot_suit.jpg)--by Kingmidas911 via Wikipedia (CC-BY-SA 4.0) Servicemen holding strips of Zoot Suits during Riots (https://assets.editorial.aetnd.com/uploads/2017/09/zoot-suit-riots-gettyimages-515571646.jpg?width=1248&%3Bheight=400&%3Bcrop=2%3A1&quality=75)--from Bettman Archive via History Two victims stripped of Zoot Suits by Servicemen (https://assets.editorial.aetnd.com/uploads/2017/09/zoot-suit-riots-gettyimages-515449408.jpg?width=1248&%3Bheight=400&%3Bcrop=2%3A1&quality=75)--Anthony Potter Connection via History

And just like that it's another episode of "And Just Like That". This week our favorite girls, gays and theys find themselves in all sorts of hijinks! We witness robberies, tattoos, line running, jewelry heists, and a trip to a T-Mobile store. Oh and of course, there's more Tony Danza for all you Danzalions out there! All that and so much more on this week's episode of Mummy Dearest!Support the show

Today's show is Flamin Hot! It's about to get spicy! So get something to quench your thirst nearby! We give our review for the new Flamin Hot movie which is the story of Richard Montanez, the son of a Mexican immigrant, who was a janitor at Frito Lay when he came up with the idea for Flamin' Hot Cheetos. His creation, inspired by the flavors of his community, helped revitalize Frito-Lay and disrupted the food industry. A must watch for all! We also touch on the infamous Zoot Suit riots of 1943 that went down in L.A. If you're contemplating on watching "The Flash" we may just give you a reason to watch it. Listen to Joey's Review, NO SPOILERS, but it might just help you decide on whether to watch it or not. Plus excitement for next month has doubled with movies like "They Cloned Tyron" & the return of our favorite show "What We Do In The Shadows" & new music for you to get your week started! Learn more about your ad choices. Visit megaphone.fm/adchoices

StitchCast Studio Special Edition: The Why of MY City is a series of unique conversations that will bring historical context around recurring topics chosen by youth for the StitchCast Studio published podcasts, including the preservation of black history and historical sites and the stories of Missouri's people throughout time. The Series dovetails into Story Stitchers' multi-year signature program, The WHY of MY City, which focuses on the stories and history embedded in St. Louis, Missouri's historically Black neighborhoods. Celebrate Juneteenth with The WHY of MY City, a new play by Saint Louis Story Stitchers, written by Mario Farwell and directed by Gregory S. Carr. The story…Wanda, a young African American, returns to St. Louis after graduating high school.  She wants to explore opportunities, but Zoot Suit, a well-known gangster, entices her to come work for him. The community rallies to prevent Wanda from making a serious mistake and with the help of Scott Joplin, Madam CJ Walker, Cool Papa Bell and Tina Turner, they manage to save her from the clutches of Zoot Suit. June 16 and 16 at 7:00 PM at the .ZACK Theater, St. Louis, MO. Get your tickets on Metrotix.   In this Special Edition episode of StitchCast Studio for The WHY of MY City, our StitchCast, led by Emeara Burns, sits down with author and historian John A. Wright, Sr to discuss lost and disappearing Black historic sites. Recorded live at Story Stitchers' Studio at the Story Stitchers Studio called The Center, St. Louis, Missouri, on March 27, 2023. Pick the City UP Art Interlude Who's Ready? Saint Louis Story Stitchers Copyright 2018, All rights reserved.   The WHY of MY City captures and documents pieces of black history through written word and art while training the next generation to become active, engaged citizens. Our goal is that programs become a force multiplier, rippling into families, schools, and neighborhoods, offering solutions to common urban problems.  Saint Louis Story Stitchers' The WHY of MY City is supported in part by an award from the National Endowment for the Arts. On the web at arts dot gov. And by Missouri Arts Council, a State Agency, which receives support from the State of Missouri. The WHY of MY City is supported in part by Missouri Humanities Council, a state agency, which receives support from the State of Missouri. Story Stitchers is supported in part by The Lewis Prize for Music's 2021 Accelerator Award. The mission of The Lewis Prize is to partner with leaders who create positive change by investing in young people through music.  Additional support for StitchCast Studio and Story Stitchers programs is provided by the Spirit of St. Louis Women's Fund, City of St. Louis Youth at Risk Crime Prevention grant of 2023, and Trio Foundation of St. Louis. 

StitchCast Studio Special Edition: The Why of MY City is a series of unique conversations that will bring historical context around recurring topics chosen by youth for the StitchCast Studio published podcasts, including the preservation of black history and historical sites and the stories of Missouri's people throughout time. The Series dovetails into Story Stitchers' multi-year signature program, The WHY of MY City, which focuses on the stories and history embedded in St. Louis, Missouri's historically Black neighborhoods. Celebrate Juneteenth with The WHY of MY City, a new play by Saint Louis Story Stitchers, written by Mario Farwell and directed by Gregory S. Carr. The story…Wanda, a young African American, returns to St. Louis after graduating high school.  She wants to explore opportunities, but Zoot Suit, a well-known gangster, entices her to come work for him. The community rallies to prevent Wanda from making a serious mistake and with the help of Scott Joplin, Madam CJ Walker, Cool Papa Bell and Tina Turner, they manage to save her from the clutches of Zoot Suit. June 16 and 16 at 7:00 PM at the .ZACK Theater, St. Louis, MO. Get your tickets on Metrotix.   In this Special Edition episode of StitchCast Studio for The WHY of MY City, Part II of II, our StitchCast, led by Emeara Burns and Branden Lewis, sits down with Gateway Arch National Park Ranger Doug Harding. Recorded live at Gateway Arch National Park, St. Louis, Missouri, on January 11, 2023.   Pick the City UP Art Interlude We Cope Emeara Burns, Saint Louis Story Stitchers, 2020   The WHY of MY City captures and documents pieces of black history through written word and art while training the next generation to become active, engaged citizens. Our goal is that programs become a force multiplier, rippling into families, schools, and neighborhoods, offering solutions to common urban problems.  Saint Louis Story Stitchers' The WHY of MY City is supported in part by an award from the National Endowment for the Arts. On the web at arts dot gov. And by Missouri Arts Council, a State Agency, which receives support from the State of Missouri. The WHY of MY City is supported in part by Missouri Humanities Council, a state agency, which receives support from the State of Missouri. Story Stitchers is supported in part by The Lewis Prize for Music's 2021 Accelerator Award. The mission of The Lewis Prize is to partner with leaders who create positive change by investing in young people through music.  Additional support for StitchCast Studio and Story Stitchers programs is provided by the Spirit of St. Louis Women's Fund, City of St. Louis Youth at Risk Crime Prevention grant of 2023, and Trio Foundation of St. Louis.   

StitchCast Studio Special Edition: The Why of MY City is a series of unique conversations that will bring historical context around recurring topics chosen by youth for the StitchCast Studio published podcasts, including the preservation of black history and historical sites and the stories of Missouri's people throughout time. The Series dovetails into Story Stitchers' multi-year signature program, The WHY of MY City, which focuses on the stories and history embedded in St. Louis, Missouri's historically Black neighborhoods. Celebrate Juneteenth with The WHY of MY City, a new play by Saint Louis Story Stitchers, written by Mario Farwell and directed by Gregory S. Carr. The story…Wanda, a young African American, returns to St. Louis after graduating high school.  She wants to explore opportunities, but Zoot Suit, a well-known gangster, entices her to come work for him. The community rallies to prevent Wanda from making a serious mistake and with the help of Scott Joplin, Madam CJ Walker, Cool Papa Bell and Tina Turner, they manage to save her from the clutches of Zoot Suit. June 16 and 16 at 7:00 PM at the .ZACK Theater, St. Louis, MO. Get your tickets on Metrotix.   In this Special Edition episode of StitchCast Studio for The WHY of MY City, Part I of II, our StitchCast, led by Emeara Burns and Branden Lewis, sits down with Gateway Arch National Park Ranger Doug Harding. Recorded live at Gateway Arch National Park, St. Louis, Missouri, on January 11, 2023.   Pick the City UP Art Interlude America the Beautiful Recorded with Roland Johnson at Stitchers Storefront Studio for Peace in the Prairie Saint Louis Story Stitchers, 2019   The WHY of MY City captures and documents pieces of black history through written word and art while training the next generation to become active, engaged citizens. Our goal is that programs become a force multiplier, rippling into families, schools, and neighborhoods, offering solutions to common urban problems.  Saint Louis Story Stitchers' The WHY of MY City is supported in part by an award from the National Endowment for the Arts. On the web at arts dot gov. And by Missouri Arts Council, a State Agency, which receives support from the State of Missouri. The WHY of MY City is supported in part by Missouri Humanities Council, a state agency, which receives support from the State of Missouri. Story Stitchers is supported in part by The Lewis Prize for Music's 2021 Accelerator Award. The mission of The Lewis Prize is to partner with leaders who create positive change by investing in young people through music.  Additional support for StitchCast Studio and Story Stitchers programs is provided by the Spirit of St. Louis Women's Fund, City of St. Louis Youth at Risk Crime Prevention grant of 2023, and Trio Foundation of St. Louis.   

StitchCast Studio Special Edition: The Divided City and The WHY of MY City are a series of unique conversations that bring historical context around recurring topics chosen by youth in the StitchCast Studio published podcasts, including: the preservation of black history and historical sites and the stories of Missouri's people throughout time. Celebrate Juneteenth with The WHY of MY City, a new play by Saint Louis Story Stitchers, written by Mario Farwell and directed by Gregory S. Carr. The story…Wanda, a young African American, returns to St. Louis after graduating high school.  She wants to explore opportunities, but Zoot Suit, a well-known gangster, entices her to come work for him. The community rallies to prevent Wanda from making a serious mistake and with the help of Scott Joplin, Madam CJ Walker, Cool Papa Bell and Tina Turner, they manage to save her from the clutches of Zoot Suit. June 16 and 16 at 7:00 PM at the .ZACK Theater, St. Louis, MO. Get your tickets on Metrotix. In this Special Edition episode of StitchCast Studio for The Divided City and The WHY of MY City, our StitchCast, led by Emeara Burns, sits down with Angela da Silva to discuss preserving local history through community organizing with a focus on the Mary Meachum Freedom Crossing, a landmark riverside site of an 1855 slave crossing on  the National Park Service's Underground Railroad Network to Freedom program. Recorded live on April 15, 2023 on site at The Griot Museum of Black History in collaboration with Counterpublic, a civic exhibition that weaves contemporary art into the life of St. Louis. Pick the City UP Art Interlude Wade Saint Louis Story Stitchers Copyright 2021, All rights reserved.   StitchCast Studio Special Edition: The Divided City is funded by The Divided City initiative. The Divided City is a joint project of the Center for the Humanities and the Sam Fox School, College of Architecture and Urban Design at Washington University in St. Louis. The Divided City is funded by The Andrew W. Mellon Foundation. The WHY of MY City is supported in part by Missouri Humanities Council, a state agency, which receives support from the State of Missouri. Story Stitchers is supported in part by The Lewis Prize for Music's 2021 Accelerator Award. The mission of The Lewis Prize is to partner with leaders who create positive change by investing in young people through music.  Additional support for StitchCast Studio and Story Stitchers programs is provided by the Spirit of St. Louis Women's Fund, City of St. Louis Youth at Risk Crime Prevention grant of 2023, Trio Foundation of St. Louis, Deaconess Foundation, and the Arts & Education Council. Saint Louis Story Stitchers and The Center is supported in part by Kranzberg Arts Foundation as a resident organization.

Luego de muchas especulaciones sobre el futuro de Lionel Messi, fue el propio futbolista quien confirmó la noticia del día: su fichaje con el Inter Miami. Araceli Martínez nos habla de los movimientos políticos más relevantes y su influencia en las elecciones del próximo 27 de junio. Además, comenta sobre la caravana de los autos lowriders, que se espera se convierta en la Semana de la Herencia de los Zoot Suit o Pachucos.

StitchCast Studio Special Edition: The Why of MY City is a series of unique conversations that will bring historical context around recurring topics chosen by youth for the StitchCast Studio published podcasts, including the preservation of black history and historical sites and the stories of Missouri's people throughout time. The Series dovetails into Story Stitchers' multi-year signature program, The WHY of MY City, which focuses on the stories and history embedded in St. Louis, Missouri's historically Black neighborhoods. Celebrate Juneteenth with The WHY of MY City, a new play by Saint Louis Story Stitchers, written by Mario Farwell and directed by Gregory S. Carr. The story…Wanda, a young African American, returns to St. Louis after graduating high school.  She wants to explore opportunities, but Zoot Suit, a well-known gangster, entices her to come work for him. The community rallies to prevent Wanda from making a serious mistake and with the help of Scott Joplin, Madam CJ Walker, Cool Papa Bell and Tina Turner, they manage to save her from the clutches of Zoot Suit. June 16 and 16 at 7:00 PM at the .ZACK Theater, St. Louis, MO. Get your tickets on Metrotix. In this Special Edition episode of StitchCast Studio for The WHY of MY City, our StitchCast, led by Emeara Burns and Branden Lewis, sits down with Pastor Richard Ashley from Lutheran Church in The Ville, to discuss the role of Black churches in preserving history. Recorded live at Story Stitchers' Studio at Hansen House, St. Louis, Missouri, on December 14, 2022.    Pick the City UP Art Interlude Sneaker Tact K.P. Dennis Copyright, Saint Louis Story Stitchers   The WHY of MY City captures and documents pieces of black history through written word and art while training the next generation to become active, engaged citizens. Our goal is that programs become a force multiplier, rippling into families, schools, and neighborhoods, offering solutions to common urban problems.  Saint Louis Story Stitchers' The WHY of MY City is supported in part by an award from the National Endowment for the Arts. On the web at arts dot gov. And by Missouri Arts Council, a State Agency, which receives support from the State of Missouri. The WHY of MY City is supported in part by Missouri Humanities Council, a state agency, which receives support from the State of Missouri. Story Stitchers is supported in part by The Lewis Prize for Music's 2021 Accelerator Award. The mission of The Lewis Prize is to partner with leaders who create positive change by investing in young people through music.  Additional support for StitchCast Studio and Story Stitchers programs is provided by the Spirit of St. Louis Women's Fund, City of St. Louis Youth at Risk Crime Prevention grant of 2023, and Trio Foundation of St. Louis.  

StitchCast Studio Special Edition: The Divided City is a series of four unique conversations that will bring historical context around recurring topics chosen by youth in the StitchCast Studio published podcasts, including: the preservation of black history and historical sites and the stories of Missouri's people throughout time. The Series dovetails into Story Stitchers' multi-year signature program, The WHY of MY City, which focuses on the stories and history embedded in St. Louis, Missouri's historically Black neighborhoods. Celebrate Juneteenth with The WHY of MY City, a new play by Saint Louis Story Stitchers, written by Mario Farwell and directed by Gregory S. Carr. The story…Wanda, a young African American, returns to St. Louis after graduating high school.  She wants to explore opportunities, but Zoot Suit, a well-known gangster, entices her to come work for him. The community rallies to prevent Wanda from making a serious mistake and with the help of Scott Joplin, Madam CJ Walker, Cool Papa Bell and Tina Turner, they manage to save her from the clutches of Zoot Suit. June 16 and 16 at 7:00 PM at the .ZACK Theater, St. Louis, MO. Get your tickets onMetrotix. In this episode, our StitchCast, led by Emeara Burns, sits down with Sowande' Mustakeem, Ph.D., Associate Professor of History and African and African American Studies at Washington University, to discuss the lost and disappearing histories in Black culture. Recorded February 13, 2023, at Story Stitchers Studio, The Center, 3701 Grandel Sq, 1A, 63108 Pick the City UP Art Interlude Wade By Saint Louis Story Stitchers The WHY of MY City, 2021   StitchCast Studio Special Edition: The Divided City is funded by The Divided City initiative. The Divided City is a joint project of the Center for the Humanities and the Sam Fox School, College of Architecture and Urban Design at Washington University in St. Louis. The Divided City is funded by The Andrew W. Mellon Foundation. Story Stitchers is supported in part by The Lewis Prize for Music's 2021 Accelerator Award. The mission of The Lewis Prize is to partner with leaders who create positive change by investing in young people through music.  Additional support for StitchCast Studio and Story Stitchers programs is provided by the Spirit of St. Louis Women's Fund, City of St. Louis Youth at Risk Crime Prevention grant of 2023, Trio Foundation of St. Louis, Deaconess Foundation, and the Arts & Education Council. Saint Louis Story Stitchers and The Center is supported in part by Kranzberg Arts Foundation as a resident organization.

StitchCast Studio Special Edition: The Divided City is a series of four unique conversations that will bring historical context around recurring topics chosen by youth in the StitchCast Studio published podcasts, including: the preservation of black history and historical sites and the stories of Missouri's people throughout time. The Series dovetails into Story Stitchers' multi-year signature program, The WHY of MY City, which focuses on the stories and history embedded in St. Louis, Missouri's historically Black neighborhoods. Celebrate Juneteenth with with The WHY of MY City, a new play by Saint Louis Story Stitchers, written by Mario Farwell and directed by Gregory S. Carr. The story…Wanda, a young African American, returns to St. Louis after graduating high school.  She wants to explore opportunities, but Zoot Suit, a well-known gangster, entices her to come work for him. The community rallies to prevent Wanda from making a serious mistake and with the help of Scott Joplin, Madam CJ Walker, Cool Papa Bell and Tina Turner, they manage to save her from the clutches of Zoot Suit. June 16 and 16 at 7:00 PM at the .ZACK Theater, St. Louis, MO. Get your tickets on Metrotix. In this episode, our StitchCast, led by Emeara Burns, sits down with John A Wright, Sr., author and historian, to discuss the lost and disappearing histories in Black culture. Recorded January 30, 2023, at Story Stitchers Studio, The Center, 3701 Grandel Sq, 1A, 63108 Pick the City UP Art Interlude Talk' Bout The Ville By Bobby Norfolk for Saint Louis Story Stitchers The WHY of MY City, 2021   StitchCast Studio Special Edition: The Divided City is funded by The Divided City initiative. The Divided City is a joint project of the Center for the Humanities and the Sam Fox School, College of Architecture and Urban Design at Washington University in St. Louis. The Divided City is funded by The Andrew W. Mellon Foundation. Story Stitchers is supported in part by The Lewis Prize for Music's 2021 Accelerator Award. The mission of The Lewis Prize is to partner with leaders who create positive change by investing in young people through music.  Additional support for StitchCast Studio and Story Stitchers programs is provided by the Spirit of St. Louis Women's Fund, City of St. Louis Youth at Risk Crime Prevention grant of 2023, Trio Foundation of St. Louis, Deaconess Foundation, and the Arts & Education Council. Saint Louis Story Stitchers and The Center is supported in part by Kranzberg Arts Foundation as a resident organization.  

You might not fall in love with weirdos who you've only known for four or five days, who collect baseball cards, and pee when they see the ocean, and have perfect table manners, but it's perfectly fine to fall in love with Filmshake, as we're talking 1999's Brendan Fraser and Alicia Silverstone-starring romantic comedy, Blast From the Past.  After your two favorite podcast gentleman have a perfectly pleasant conversation  about this sweet 'lil champagne cocktail of a film, they talk this episode's punishment movie, ANOTHER 1999 Brendan Fraser film, and not the one where he fights a sexy deceased man. That only leaves one film, and that film is Dudley Do-Right...which one of your hosts likes?Music Heard this Episode:"Adam & Eve Love Theme" -- Steve Dorff"It's a Good Day" -- Perry Como"Mr. Zoot Suit" -- Ingrid Lucia & the Flying Neutrinos"Dudley Do-Right of the Royal Mounties" -- Fred Steiner"Political Science" -- Randy NewmanConnect with us!PatreonTwitterFacebookEmailLinktr.eeLetterboxd - Nic & JordanThe Nicsperiment

Even though March just started, Josh and Logan are talking about Valentine's Day and the pressures that come with dating during February. Josh has several stories about friends that either put way too much pressure on V-Day or not near enough. Either way, people get hurt. They also discuss strange moments during church and in the mailbag, Logan has a literal hard time reading an email. Like, his brain won't let him. This episode is taken from the most recent virtual live show that Josh and Logan do every month. For access to the extended show as well as all of our past live shows, consider joining the JJS Patreon at https://www.patreon.com/joshjohnsonshow The next JJS live show is happening March 27th at 8pm EDT. Get tickets at https://www.eventbrite.com/e/the-josh-johnson-show-march-virtual-show-tickets-565502662687 Find Josh's tour dates, albums, and socials at https://linktr.ee/joshjohnsoncomedy Check out Logan's projects, show dates, and social media at https://linktr.ee/logannielsen Music by Brad Kemp. Find his stuff and hire him at http://www.secondbedroomstudio.com Get in the mailbag by emailing joshjohnsonshow@gmail.com

What's a Zoot Suiter?! Pachuco Manny Alcaraz draped in his zoot suit cruising his 1933 Chevy Eagle, down the same Los Angeles streets where the Zoot Suit Riots took place in 1943. The Zoot Suit era and style is important to Manny. He co-founded the Los Angeles, Zoot Suit Riots cruise. A lowrider bombs cruise through LA to commemorate the riots of 1943, against young men and woman Zoot Suiters. Manny reminds us of the past and the styles that keep us proud. Oralé!

A new year brings a new series here on the OST Party! This week's film, the 1999 sci-fi rom-com Blast from the Past, marks the finale of our neo-swing trilogy, and also the beginning of our series on the films of Brendan Fraser. Blast from the Past, as Libby's husband Ian pointed out, is like if you crossed Encino Man with The Unbreakable Kimmy Schmidt. And the soundtrack reflects that weird clash of tones. You've got the square 60s tunes of Perry Como, the neo-swing revival of The Cherry Poppin' Daddies and Squirrel Nut Zippers, and modern 90s rock in acts like Everclear, Dishwalla and Sonichrome. The whole thing is a fascinating time capsule of where we were in the late-90s, and how that era is well and truly behind us. Time marches on, and so do we! SHOW NOTES FOR THIS EPISODE: Blast From The Past is available to stream here For more thoughts on R.E.M., check out our episode on Tommy Boy INTRO/OUTRO: "Dance Rocket" by Jesse Spillane MUSIC VIDEOS: "I Will Buy You A New Life" by Everclear "It's The End of the World As We Know It (And I Feel Fine)" by R.E.M. "I See The Sun" by Tommy Henriksen "Mr. Zoot Suit" by Ingrid Lucia and the Flying Neutrinos Have a soundtrack you'd like us to cover?  Follow us on Twitter @OSTParty and let us know! Or email us at OSTPartyPod@gmail.com

Despedimos el año con una sesión de bailes en donde recordamos algunas de las bandas más relevantes del swing revival que aconteció en la década de los 90 junto a otros nombres más actuales que se mueven en estilos adyacentes. Un programa pensado para que bailes en la cocina. ¡Feliz año nuevo!Playlist;(sintonía) THE BIG JAMBOREE “A room full of blues”ROOMFUL OF BLUES “Switchin’ in the kitchen”CHERRY POPPIN DADDIES “Dind Dong daddy of the D-car line”BRIAN SETZER ORCHESTRA “(Everytime I hear) That mellow saxophone”ROYAL CROWN REVUE “Elevator operator”BIG BAD VOODOO DADDY “Why me?”FLYING NEUTRINOS “Mr Zoot Suit”CRESCENT CITY MAULERS “Lost for words”SWINGERHEAD “Pick up the phone”THE BILL ELLIOTT SWING ORCHESTRA “Bill’s bounce”RAY GELATO GIANTS “Given up, given up”SUGAR DADDY and THE CEREAL KILLERS “All I want is you”TAMMI NIELSON “Stay outta my business”DR MAHA'S MIRACLE TONIC “Boogie mama”THE BIG MARTEENS “I’ll die happy”RAY COLLINS HOT CLUB “Thank you”RAY COLLINS HOT-CLUB “Let’s drink to us” Escuchar audio

Rose Portillo '75 has built a career in theater, film and television for more than four decades. Her creativity has flourished as an actor, writer, director, educator at Pomona College and visual artist. She shares with the Sagecast audience how she has embraced her Latin identity along the way. Hosted by: Marilyn Thomsen and Patty Vest Produced by: Kris Vargas Editorial Assistant: Lorraine Harry '97 Transcript: https://www.pomona.edu/sites/default/files/Sagecast-11-28-22-RosePortillo.txt Video Teaser: https://youtu.be/94-JOG1ULCk

Its my birthday today, and I'm back!

Our guest today is 80s star, multiple-awards film, and theater actor, and activist, Edward James Olmos.Olmos's roles in films or TV shows like Stand and Deliver, Battlestar Galactica, broadway musical and film Zoot Suit, Blade Runner as detective Gaff, and many others are some of the most memorable of all time and he's still dominating our screens.While I could not resist talking about his iconic roles over several decades, we mainly discussed Olmos' new must-see film, Chasing Wonders.The picturesque Australian/British drama was the official selection at the Adelaide film festival in 2020. The beautiful cinematography of the film was shot over a five years period to authentically capture the coming of age story by screenwriter, Judy Morris. Chasing Wonders is a story of hope, possibility adventure, and overcoming your past – a heart-warming story of a young boy, who, encouraged by his grandfather (Olmos) to live a life of hope and possibility, takes off on the adventure of a lifetime to find the magical Emu Plains. His journey through the lush landscapes of Australia and Spain leads him to the heart of the human condition – learning to acknowledge the complexity of what comes before us but struggling not to be defined by the past.The Hollywood Walk of Famer earned an Academy nomination for Best Actor in the 1988 drama, Stand and Deliver. He gave a stellar lead performance as Bolivian- American educator Jaime Alfonso Escalante Gutiérrez.Olmos filmography is quite extensive. Literally, the man has stayed booked and busy since 1974. He's appeared in over 130 films, TV shows, and plays.One of his outstanding roles is perhaps,  Lieutenant Martin Castillo in the Miami Vice (1984) as a series regular. A fan-favorite for sure.But if we do talk about Lieutenant Castillo we must mention Olmos' role as Detective Gaff in Blade Runner (1982) and a brief reprise in the sequel Blade Runner 2049 (2017). Gaff is the Los Angeles police officer who detains and escorts Deckard (Harrison Ford) throughout his mission as a ‘Blade Runner' to track down bioengineered humanoids known as replicants and terminally “retire” them.Olmos showed the world his versatility in both the Broadway play and film adaptation of the musical comedy, Zoot Suit. The story weaves the real-life events of the Sleepy Lagoon murder trial – resulting in the racially fueled Zoot Suit Riots throughout Los Angeles. Olmos portrays El Pachuco, an idealized Zoot Suiter, who functions as narrator throughout the story and serves as Henry's conscience in both adaptations.Honestly, I could go on and on down Olmos' filmography, but we can't spotlight all of his other spectacular films right now. So, let's get into this interview, shall we?Don't forget to click the links in the show notes to watch Chasing Wonders.Please enjoy my conversation with Edward James Olmos.

Our guest today is 80s star, multiple-awards film, and theater actor, and activist, Edward James Olmos.Olmos's roles in films or TV shows like Stand and Deliver, Battlestar Galactica, broadway musical and film Zoot Suit, Blade Runner as detective Gaff, and many others are some of the most memorable of all time and he's still dominating our screens.While I could not resist talking about his iconic roles over several decades, we mainly discussed Olmos' new must-see film, Chasing Wonders.The picturesque Australian/British drama was the official selection at the Adelaide film festival in 2020. The beautiful cinematography of the film was shot over a five years period to authentically capture the coming of age story by screenwriter, Judy Morris. Chasing Wonders is a story of hope, possibility adventure, and overcoming your past – a heart-warming story of a young boy, who, encouraged by his grandfather (Olmos) to live a life of hope and possibility, takes off on the adventure of a lifetime to find the magical Emu Plains. His journey through the lush landscapes of Australia and Spain leads him to the heart of the human condition – learning to acknowledge the complexity of what comes before us but struggling not to be defined by the past.The Hollywood Walk of Famer earned an Academy nomination for Best Actor in the 1988 drama, Stand and Deliver. He gave a stellar lead performance as Bolivian- American educator Jaime Alfonso Escalante Gutiérrez.Olmos filmography is quite extensive. Literally, the man has stayed booked and busy since 1974. He's appeared in over 130 films, TV shows, and plays.One of his outstanding roles is perhaps,  Lieutenant Martin Castillo in the Miami Vice (1984) as a series regular. A fan-favorite for sure.But if we do talk about Lieutenant Castillo we must mention Olmos' role as Detective Gaff in Blade Runner (1982) and a brief reprise in the sequel Blade Runner 2049 (2017). Gaff is the Los Angeles police officer who detains and escorts Deckard (Harrison Ford) throughout his mission as a ‘Blade Runner' to track down bioengineered humanoids known as replicants and terminally “retire” them.Olmos showed the world his versatility in both the Broadway play and film adaptation of the musical comedy, Zoot Suit. The story weaves the real-life events of the Sleepy Lagoon murder trial – resulting in the racially fueled Zoot Suit Riots throughout Los Angeles. Olmos portrays El Pachuco, an idealized Zoot Suiter, who functions as narrator throughout the story and serves as Henry's conscience in both adaptations.Honestly, I could go on and on down Olmos' filmography, but we can't spotlight all of his other spectacular films right now. So, let's get into this interview, shall we?Don't forget to click the links in the show notes to watch Chasing Wonders.Enjoy my epic conversation with Edward James Olmos.

EPISODE NOTES:This episode is a follow up to episode 5 where we got into the nitty gritty of the zoot suit's origins. This episode is dedicated to the bloody conflict that surrounded the suit nationally and internationally in the 1940s, including the infamous zoot suit riots of Los Angeles. Support us at :https://www.patreon.com/historyunhemmedhttps://anchor.fm/historyunhemmed/support Follow us on: Instagram: @history_unhemmed Facebook: History Unhemmed Thank you!

EPISODE NOTES:The first of two episodes dedicated to a controversial and incredibly consequential piece of twentieth century menswear. This episode will delve into the history of the zoot suit and the different groups and individuals who helped bring it about and how it became an icon of social and political resistance.  Support us at :https://www.patreon.com/historyunhemmedhttps://anchor.fm/historyunhemmed/support Follow us on: Instagram: @history_unhemmed Facebook: History Unhemmed Thank you!

Mona LisaLeonardo da Vinci1503-1516The Louvre Museum, Salle des États,  Room 711, Denon wing, Level 1If you haven't yet listened to our first episode about Mona Lisa, we recommend checking out Part One before continuing with this episode about how the First Lady of the Renaissance keeps making her mark — even in our modern world.In this episode (Mona Lisa, Part Two), we will learn about how Jackie Kennedy orchestrated the Mona Lisa's tour to the United States in 1963. We will hear from Liz Lidgett Gallery artist Hunt Slonem who saw the Mona Lisa on that tour at the National Gallery as a middle school student. We will also examine how the Mona Lisa has inspired acts of honor and controversy over the years.Mona Lisa (Part One and Part Two) features Liz Lidgett Gallery artist Hunt Slonem. Ten Minute Masterpieces is hosted by art advisor Liz Lidgett and produced by Maribeth Romslo.CREDITSMusic credits:Creative Morning (Premium Beat)Silent as Smoke, Zoot Suit, Voyager (Epidemic Sound)Schubert Trio No. 1 in B flat Op. 99, Eugen Istomin (piano), Isaac Stern, (violin), Leonard Rose (cello). Recorded in 1964.Mona Lisas and Mad Hatters (Elton John)Newsreel, historic audio, and film clip credits:Mona Lisa Makes U.S. DebutJacqueline and John F. Kennedy in ParisLes Kennedy à VersaillesPresident Kennedy's Speech in Paris (1961)The Cuban Crisis An Overview NewsreelPriceless Smile: President Leads Mona Lisa TributeMona Lisa scene from The Da Vinci Code movieRESEARCH AND LINKS OF INTERESTThe Two First Ladies by Margaret Leslie Davis (Vanity Fair, November 2008)Art News about Mona Lisa VandalismColored Mona Lisas ChristiesMy Modern MetLouvre Mona Lisa VR Experience“Jackie and the Mona Lisa” children's book by Debbie Rovin Murphy and Jen BrickingOur Spotify playlist inspired by the Mona Lisa Spotify playlist

We are excited to bring you this podcast series, Choreographers in Conversation. This series will allow choreographers to interview other choreographers whose work excites them as a way to learn more about their craft and preserve the stories of these exciting artists in our industry. In this episode, Maria Torres, Director/Choreographer/SDCF Trustee interviews Director/Choreographer, Jerry Mitchell to learn more about his career, what brought him to the theatre, the work that he is passionate about, the current state of our industry, and what he hopes for the future.  Jerry Mitchell: Jerry Mitchell (Director/Choreographer, Kinky Boots) made his Broadway and West End debuts as Director/Choreographer of Legally Blonde, which won the Olivier Award for Best Musical. He was also nominated for both the Tony® and Drama Desk Awards for his choreography for Legally Blonde, as well as the Drama Desk Award for his direction. A Tony® winner for his dazzling choreography created for the first revival of La Cage Aux Folles, Jerry was also nominated for that Award for choreographing Dirty Rotten Scoundrels, Hairspray, Never Gonna Dance, and The Full Monty. For Broadway, Jerry also choreographed Catch Me If You Can, and revivals of Charlie Brown, Rocky Horror Show, and Gypsy (starring Bernadette Peters), and for Off-Broadway and film, Hedwig and the Angry Inch and Jeffrey. Other film work includes In & Out, Camp, Drop Dead Gorgeous, and Scent of a Woman. Twenty years ago, Jerry conceived and created Broadway Bares, a comedy burlesque show performed annually for the charity Broadway Cares/Equity Fights AIDS. Jerry proudly serves as a Board member of BC/EFA and annually as the Executive Producer of Broadway Bares, with a book, website and satellite productions in Las Vegas and London. Cumulative fundraising efforts have resulted in more than $10 million raised for the charity. Next up: directing and choreographing The Honeymooners on Broadway.   Maria Torres: Maria Torres' extensive career as director, choreographer, instructor, and Producer began as a critically acclaimed performer, contributing choreography while performing in the film Dance, with the six-time Tony-nominated Broadway musical Swing and Me!. Torres was nominated for a 2018 Ovation Award for Best Choreography for Luis Valdes' Zoot Suit, is a Lucille Lortel & Carbonell nominee of Four Guys named Jose', The Donkey Show and Celia, the musical based on the life of the late Cuban singer Celia Cruz. Torres received accolades as Associate Choreographer for the Broadway & Touring productions of On Your Feet, the Oscar-nominated film Enchanted, the musical film Idlewild, the showcase for the Tony Award-winning In The Heights, and as a resident choreographer for So You Think You Can Dance. Torres also co-conceived, choreographed, and directed the Magic Of Salsa Kingdom and Off-Broadway hit Latin Heat. Recently, she directed and choreographed the new musical Havana Music Hall, Sol of El Barrio, and served as dance consultant for Summer: The Donna Summer Musical on Broadway. Torres is an Artist in Residence at The Rosetta LeNoire Amas Musical Theater, Trustee of Stage Directors and Choreographers Foundation (SDCF), a proud executive board member of the Stage Directors, and Choreographers Society, and the League of Professional Theatre Women. Her life is documented in the Dance Oral History Project at the New York Public Library for the Performing Arts.

Join Snaxton & Goose as they talk about the Zoot Suit Riots and and explosion powerful enough to get rid of Summer for a year. don't forget to rate, review, and subscribe!

They fell in love with fashion. They remixed looks, dressed our favorite characters, ignited the industry, took what others might've seen as scraps and made them beautiful. They carved out a space for themselves. Featuring Jeffrey Banks, Ceci, Romeo Hunte, Law Roach, Letesha Renee, Darnell-Jamal Lisby, Miko Underwood, Brandice Daniel, Jasmine Guy, Connor McKnight, Monica Miller, April Walker, Monica Morrow, Boz Bradshaw and Randy Cousin.    Syllabus:  Throughout history, Black people have always had that “special sauce” that has created a style tradition that is uniquely resourceful and innovative. The book Stylin': African-American Expressive Culture, from Its Beginnings to the Zoot Suit takes us through that history. Black people have seen the influence of their style travel across the globe, and the book, How to Slay: Inspiration from the Queens and Kings of Black Style, provides a complete survey of how we “slay.” We all have a story about that certain thing we wore that made us feel special or seen. Dressed in Dreams: A Black Girl's Love Letter to the Power of Fashion inspires us to remember what those things were, and explains how it's vital in keeping our culture alive.  When host Kimberly Jenkins had the opportunity to meet the late fashion legend André Leon Talley, he joined her at Parsons School of Design as she hosted a screening of the documentary, The Gospel According to André, in effort to give Talley his flowers. Fashion veteran Bethann Hardison also has a motherly connection to a “Different World” star referenced in our upcoming episode on HBCU style. How many Black fashion designers throughout history can you name? Podcast guest Elizabeth Way provides us with the much-needed book, Black Designers in American Fashion, as an essential reference guide.  Guest Darnell-Jamal Lisby penned this profile on the admired Willi Smith and speaks about Smith's design approach in this episode. The late designer Patrick Kelly showed Black fashion design hopefuls just how far you could make it in an industry known for being famously exclusive. Which is why we recommend the piece, “Patrick Kelly Was the Jackie Robinson of High Fashion”. A contemporary of our podcast guest Jeffrey Banks, along with the late designers Willi Smith and Patrick Kelly, our profile on Stephen Burrows celebrates the fashion designer who dressed our bodies to dance and move. For a transcript of this episode, please visit fashionandrace.org/database/ep1-no-blueprint. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Full transparency: all Blu-rays reviewed were provided by Criterion, Kino Lorber, Imprint Films, Arrow Video & 88 Films US. On this months episode of Physical Media Isn't Dead, It Just Smells Funny, we have nothing but the biggest bangers. Imprint Films delivers The Odd Couple Collection. Kino Lorber brings Zoot Suit and Shakedown. Arrow Video comes through with awaited releases To Sleep So As To Dream and Come Drink With Me. I sit down with returning guest and martial arts master Jesse Balzer to discuss 88 Films US's releases of Shaolin Mantis and welcome mega surprise Monkey Kung Fu. Finally, I'm pleased to talk about Criterions incredible additions to their collection with The Last Waltz and Love Jones.

Estudió tecnología y producción teatral en Ithaca College, Nueva York y completó la maestría de diseño escénico en la Universidad de Yale. Ha creado diseños de escenografía e iluminación para más de 80 producciones, desde proyectos experimentales pequeños hasta espectáculos masivos, entre ellos: Yo soy mi propia esposa, Zoot Suit, Mentiras el musical, Godspell, Homéridas, Hoy no me puedo levantar, Madre Coraje, La Muerte y la Doncella, Homéridas, La Dalia Negra, Tres Días en Mayo, Billy Elliot, Tres días en Mayo y el Hilador. Dirigió y diseñó “El Árbol de la Vida” como parte de los festejos del Bicentenario en el Zócalo capitalino en el 2010. Fue curador nacional de la participación de México en la Cuadrienal de Praga de Diseño y Espacio Escénico 2011 en donde México recibió la medalla de oro en Arquitectura Teatral. Diseñó el nuevo Teatro Milán y Foro Lucerna en la Colonia Juárez. Desde el 2013 conduce y produce el podcast semanal de teatro Desafora2. Actualmente es presidente de la Academia Metropolitana de Teatro que organiza los Premios Metropolitanos de Teatro. Tuvo un perro llamado Fígaro.

A suit that started as a fashion statement in the jazz halls of Harlem ended up being a symbol of resistance for the Latino community in the 1940's and 50's. We're talking the history of the Zoot Suit, the Zoot Suit Riots, and the precursor event that led up to them, the Sleepy Lagoon Murder.Research Credits:https://books.google.com/books/about/Mexico_and_the_United_States.html?id=yIkrAQAAMAAJhttps://www.history.com/topics/world-war-ii/zoot-suit-riotshttps://www.latimes.com/local/lanow/la-me-ln-zoot-suit-riots-anniversary-20180604-story.htmlhttps://research.pomona.edu/zootsuit/en/riots/https://www.smithsonianmag.com/arts-culture/brief-history-zoot-suit-180958507/https://www.teenvogue.com/story/zoot-suit-riots-symbol-of-resistance-mexican-american-peopleLike our facebook page: www.facebook.com/allsick.podcastFollow us on instagram: @allsick.podcastFollow Felecia on instagram/tiktok/twitter: @heyxfeleciaFollow Cassie on instagram: @cassandranhernandez

“Telling Untold Stories: The Latino Theatre Company of the Los Angeles Theatre Company” Evelina Fernandez, a founding member of the Latino Theatre Company and currently an Associate Artistic Director of the Los Angeles Theatre Center located in the heart of downtown, Los Angeles, describes her path from her part in the original production of Zoot Suit which went to Broadway, to becoming a lifelong advocate for social justice in the Chicano-Mexican American-Latino communities.

El Pochcast Movie Club #2 - Zoot Suit In this episode: Zoot Suit Riots, Pulling off Drapes, Generational Gaps, In The Heights, Pedro Infante Movies, Mexicans Whistling while they work, Artisanal Churros, Takuache-Punk, Menudo Talk Here's the story Fidel mentioned on the Zoot Suit Revival: https://www.latimes.com/entertainment/arts/la-et-cm-zoot-suit-review-20170212-story.html Roberto's Twitter: @R_AndradeFranco Fidel's Twitter: @fidmart85 Subscribe to Fidel's newsletter, The Latinx Files HERE: https://www.latimes.com/newsletters/latinx-files El Pochast is a part of The Irrelevant Podcast Network Twitter:@irrelevantpods Instagram: @elpochcast Email : elpochcast@ gmail.com rapture.mp3 by Vincent Augustus is licensed under a Attribution 4.0 International License. https://creativecommons.org/licenses/by/4.0/ Support El Pochcast by contributing to their Tip Jar: https://tips.pinecast.com/jar/el-pochcast

In the premier episode, I look into the making of the Chicano culture. I give a brief insight on how the Zoot Suit era came about, and set the stage for the future of Chicano culture.

This is definitely the most meaningful film to be on the Podcastio. I learned so much just preparing for Zoot Suit (1981) and honestly, my love for the work of Edward James Olmos has actually grown after seeing his performance in this film. I brought on one of my favorite humans for this episode, the great Dr. Faustus! So get those drapes out of the closet, put on your finest tando and suspenders and let's hit the streets!! Check out work from Faustus at: Website: https://eroticmadscience.com/ (18 and Up) TW: https://twitter.com/EroticMadSci Episode Artwork provided by: Lucy aka LuFidelis https://lucyfidelis.com.br/ TW: https://twitter.com/lucyfidelis IG: http://instagram.com/lucyfidelis The Moustachioed Podcastio is the weird uncle of the wonderful PodMoth Media Network. Check out more PodMoth podcasts here: https://podmoth.network/ TW: https://twitter.com/podmothnetwork?lang=en IG: https://www.instagram.com/podmoth/ Featured Podcast Portal 8 Podcast https://podcasts.apple.com/us/podcast/portal-8-podcast/id1527149396 Join hostess Abi and her guests to discuss the paranormal mysteries of the universe, life's curiosities, as well as all things Bachelor franchise and pop culture. Reference Links: Zoot Suit Discovery Guide https://research.pomona.edu/zootsuit/en/zoot-suit-la/#:~:text=Pachuco%20and%20Pachuca%20are%20terms,originated%20in%20El%20Paso%2C%20Texas.&text=These%20migrants%20came%20to%20be%20known%20as%20Pachucos. Zoot Suit Riots: History.com https://www.history.com/topics/world-war-ii/zoot-suit-riots Edward James Olmos discusses "Zoot Suit" - EMMYTVLEGENDS.ORG https://www.youtube.com/watch?v=eTQYws4Anag Seventy years later: The Zoot Suit riots and the complexity of youth culture https://www.kcet.org/history-society/seventy-years-later-the-zoot-suit-riots-and-the-complexity-of-youth-culture

In this week's episode, RBP's very own Terrible Trio are joined by the legendary Jill Furmanovsky for a free-ranging conversation about her long career – and about rock photography in general. Jill describes her lucky 1972 break at London's Rainbow Theatre, talks about shooting Pink Floyd and Bob Dylan, and namechecks fellow snappers Pennie Smith and Barrie Wentzell. Discussion follows about free pieces (on Henry Diltz, Dennis Morris, and Barry Feinstein) by Observer photography critic Sean O'Hagan. The first of three clips from a 1975 interview with the late Errol Brown prompts reflections on the delicious Hot Chocolate – and what made Brown such a compelling star of '70s pop. Mark then guides us through new library pieces about Andy Williams (1963), the MC5 (1968), Ringo Starr (1972), and Scritti Politti (1988). Barney spotlights articles on Frankie Goes to Hollywood and the state of music journalism in 2018. Jasper wraps up the episode by considering the post-Velvets careers of Lou Reed, John Cale and co., plus an unlikely 2011 live pairing of Foo Fighters and CeeLo Green… Many thanks to special guest Jill Furmanovsky; visit rockarchive.com to see her photography.We are delighted to launch our exclusive collaboration with Rockarchive at rocksbackpages.com/rockarchive.The Rock's Backpages podcast is part of the Pantheon podcast network.Pieces discussed: Jill Furmanovsky's Moment, Jill's Bobquest, Val Wilmer, Dennis Morris, Henry Diltz, Barry Feinstein, Hot Chocolate audio, Andy Williams, The Beatles, MC5, Ringo Starr, Muddy Waters, Scritti Politti, Suede, Fiona Apple, Frankie Goes to Hollywood, Music journalism, Life beyond the Velvets, Foo Fighters/CeeLo Green and Zoot Suit riots.