Podcasts about finneas

Check out this exclusive Fred Show Lollapalooza interview with Finneas! See omnystudio.com/listener for privacy information.

After a late-night Lolla after show with Ashe, Finneas shares how a casual text turned into a full-blown band and a new record dropping September 19. Inspired by classic groups with shared lead vocals, he reflects on making music as a duo, high school band memories, and a fire mid-gig in Singapore.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As record heat scorches the US, Trump's government is making things dramatically worse. We break down the devastating implications of the One Big Beautiful Bill, the reversal of the Environmental Protection Agency's endangerment finding, and a potential US withdrawal from all UN agencies. It's a full-blown climate backslide with global consequences.Then, we bring you a conversation with the brilliant Maggie Baird - actor, producer, climate activist, and mother of Billie Eilish and Finneas. Maggie joins us backstage at the Co-op Live Arena in Manchester, where Billie's shows are going plant-based, thanks to Maggie's food justice initiative Support + Feed. We talk food, parenting, the power of culture to shift climate narratives, and how to stay hopeful - even when it feels like the world is falling apart.Learn more ⛽ ‘How the ‘Big Beautiful Bill' positions US energy to be more costly for consumers and the climate' in The Conversation

Every time I take him in I must remember the best thing That have ever happened to him As he said And whether or not the band Wraps around the bent and broken digit I just simply remember that, I'm just infatuated as a friend I mark it like a mantra Just as adequately as the director Calls to action All the actors at the set; With no resentments We're all just doing our jobs All just doing our jobs We're all just doing our… Lessons. Come back. Not quite. It's not (Uh) There (Where you want it) Hold on. (Yeah) Sit tight (Where) I don't want to spoil any of it Boil all the letters Burning all the bridges Sitting at the forest (Where) There's the alter (Where) Really you didn't recognize The moment when it happened But it's been pinpointed (Where) —but where is it? Cut to commercial But don't let it hurt you All of a sudden. My eyes aren't his, This isn't witchcraft It's just a glitch Did you miss an interview? Or is it that you're just disinterested Or disintegrated Integration, integers and interference Running backs and runners, Gymnasts, models, other lovers Alcoholics Now it's not so daunting, comic I'm also sort of off and autistic Obsessive with narrow vision But glimpses of the ever bending present Is indeed a gift To know I left the letter Letting it get soaking wet Before they ever even read it Know the news, Wave the wand, Wind the whales, Dig the hole Burn the bridge, Burn the ace Throw the cards, Get the day over with and won't you know There's Something wrong I think it's simple to tell The wind will whistle when It's good to win again There are Ten men to a collar Ten phones to a number One call to a voicemail And all of them know her Now, take it all back before the bathwater stagnates Would you make it in this day and age? No, I'm glad that you hate me. 4,000 years later and all of a sudden The pact is clear and concise As if As it As if Turn it on its head a bit And light another candle Get the glitch out of your Obsession with the asshole And wrap you head around it Found a sweater Pick it up and pray that it just Isn't bewitched, But sickness is sickness Whatever it is This is comfort food A comfort blanket If I hate myself enough Then all it does Is put the elf back on the shelf The trophy back inside the case My eyes go back inside my head And everything I ever thought Just stopped And disappears into the heavens Wherever it goes Before the gore Around and and around and around and around 4,000 years, and now we're here: The mirrors Man and Mr. And it might be another million years Until I see to hear But this and that, The dance of dances Comes again And ebbs and flows It's not as random As it is sporadic And it's not that deep But it's also keeping secrets That precede this realm Or Space and time Or name or face And body, souls and mind. It could be another million years, But it comes around, It comes around It could be getting wider, But it's steady going down and out It comes around when it comes around 27, were it ended Now it's umpteen years into the after life And we're shadows now Just projections of such, But it wasn't once More than just a thought, Becomes a story All the world was just the thought And then a song, The dance that came along Is simply steady moving Is simple steady moving. All of the world, Was just a thought. Watch with one eye open only First the right And then the left Covered over with one closed palm So you know how old you go One foot forward And no coals to walk over Rolling rolling, Your role is One off, Now too off Now too late But what you process Is your whole world over The goal for the gold? Oh, no, Warm Sundays Try to warn her While her heart is open To fucking close it Keep your friends close And your Fallons closer. There's no trust in the golden auras There's no honor in golden globes If you don't work for them Know doors open and close And open and close And you don't blow smoke, But you just keep moving forward [The Festival Project ™ ] Just the idea if him will kill you Whether with guilt or otherwise, And now you know And now you know You're on no sugar till the goal You got your cake and ate it, too Oh, the way he cries in the confines of my mind The blood would curdle The tears that seared my soul disk through the wall with every color If his was a shoulder to cry on, If God was a cover for longing Yo. Where the fuck did Patrick come from? He just showed up. I don't think he owns me so much As I want to know I don't think I'm lonely As much as it's I'm alone What are you looking at Well, I don't know yet What are you asking? I can't. There's a mask there What I want to know is, What is this pain? What is this pain in him? What is this pain in this? What kind of psychic sense That lives in my back; I just hope that's the last of it What a weird kid. Core Concept: "Enter The Multiverse" (ETM) is a living, evolving meta-narrative that documents the ontological fluidity of reality itself. It functions as a grand experiment, proposing that all perceived realities – fictional, historical, and contemporary – exist as vibrational frequencies within an infinite cosmic tapestry. ETM doesn't just feature alternate worlds; it explores the mechanics of their existence, their interconnectedness, and the profound implications for consciousness. It blends high-concept quantum physics with ancient spiritual metaphysics. It includes creatures such as shapeshifters (like Gerald and potentially Jimmy Fallon), fairies, and monsters. Integration of Real-Life Figures: ETM famously integrates real-life celebrities (from A-list icons like Oprah Winfrey, Beyoncé, Janet Jackson, Madonna, Billie Eilish, Finneas, Eddie Murphy, Christopher Walken, Johnny Depp, Charlie Sheen, Katt Williams, and Whoopi Goldberg, to late-night hosts and media personalities like Tina Fey and Jimmy Fallon). ETM posits that these individuals, often without their conscious awareness, are either key nodal points in the multiversal fabric, accidental conduits for interdimensional energies, or even unwitting "Lightworkers" whose public personas are part of a larger cosmic script. You son of a bitch. Can you do that?! Can you do that? I can do— anything I want— Really? Except that. Oh?! And why's this?! Because I don't want to. But if you could, you would. I can— I just— Oh really. I'm sure there are reasons— besides the obvious —I'm sure— Moral ones. Almost Sam was a safe bet Almost mark John was a good lad Almost once was the Ireland's best, And I guess with the beat of the drum, I ponder Ponder to the beat of the Pity my pocket, much Pity the fool, if you're. It put b perfect; Get in the picture, Just to cut you out of it If I close my eyes one time, Even just for a little while Take me right off and away Take me right off and away And I bet with the task, you can't have handled it I bet to run better you'd forget your purpose I guess I'm a purist- pure problems, the pussy car l Put it to sleep, Or just— in a waste basket I'm so confused, ya'll, I got on the train. Of course. And nothing was at all interesting until this nigga got on With a samurai sword And a Trader Joe's clutch Pick a side! You can't get on the What the fuck am I looking at You tel me I don't know. You see that. I wish I didn't. Take it all in. I— Okay. This is gross What is the state of New York today? L Infected. Corrupt. Disingenuous. What is the state of New York today No identity No indegenous Murder me Leave me to drown In the tides of the ocean Just let me sink That's the only way to Bury me, With this murderous, traitorous Listen, if you will To a story ne'er told, But often sung And often rang like moons as bells Often thought, but never spoken Often brought up, But never put down Come around, will you I'll tell you a tale of a glorious story The take of all time, and as you listen, These words and this whispers will mend with your spirit, Then cease to exist with it Listen Celebrating resonances Has no effect. Yet I haven't even messaged any I haven't even lets a message yet I've just been celebrating resonances I haven't noticed any difference her. Only reflections on the way you get affexted How to get the guy at the bar— aunt you just lean on the bar Maybe you just sit at the bar Maybe you just be at the bar; How to get the guy at the bar Maybe you just stare at the bare Sit right there at the bare Maybe have a care at the bar Don't share at the bar Several small disaster. Why the fuck Am I alive I might as just well die I should have never made Pasquale Rotella one of my role models. —then again. This is before I really knew who he was, or what he was about— and at the end of the day, the truth of the matter is, nobody can ever really know who he really was, or what he was really about. Semitus, Semitus Relax the semitones Verdis Quo varitus You still aren't coming through! Varuq de Adonai Semitus, Semitus Verdis Quo, Veritus You still aren't coming through Cover up Cover up You still aren't coming through! Tau Kappa Epslilon You still aren't coming through Kappa Kappa epsilon, You still aren't coming through Kappa Delta Epsilon, you still aren't coming through MR. REDUNDANT, RAINBOW KITTEN SUPRISE– But IN AN UNASSUMING IRISH BAR in DRUNKEN HARMONY surrounding a piano played by what appears to be… An exceptionally tall leprechaun? I wouldn't know. I wasn't. [invited] Enchilada muffins Ah nah, I'm in Manhattan. I almost forgot what that was like. What a head change. More like a change of heart. What's this, a song? More like, I just don't know yet One day this will all be gone For now this is just a poem. How to wear Santa yellow: don't That took avoid anount of forever. That took a long punch of time That took a good bit of forever And now you're mine, You're mine, you're mine That took a good bit of forever, And now I'm on your mind That took a long bit of forever But now, I'm not counting time And now you're mine Now you're mine Now you're mine Now you're kine Jack in the box You really like to think you're smart, don't you? You really like to get your way? I can't Blame you But baby, I can't tame you LEAN WIT IT, ROCK WIT IT–BUT VIKING PIRATES. lol dumb “Nobody's really going to take that ad in the same way I am, are they?” I had reached a breaking point. I was going to let the world make me go mad because being good wasn't working and being bad seemed like my only option. Should I get a vape? Grab a drink? Fuck a friend? The truth was, none of the above would suffice, but in truth I felt the hate and rapid fire of judgement in cruelty in that whatever voice inside my head posing as Jimmy Fallon always seemed to be right. I had been replaced. People will try to feed you. Dont you see Because People will try to defeat you And they will fail Back to the wall Because after all It was you who needed me. After all, Over all, It was not a cacauphony, It was an apostrophe. How preposterous. Don't you see the weight of it, With what you made of it all, It was fly over fall And you chose the first. Wasn't it something of a hallmark moment That you went for the donut, And still came out With a basket of apples? Indeed, a crisis, In fact, You're there again In fact Beware of her It's obvious That it's not her fault It's just not the right time It's just not the right te, it's just not the right time When all they need if your compliance And all the my want is your attention And don't you see, it's just applied physics I'll take Literally Whatever I can get But you already knew that I needed you to need to know You know you knew But you already blue that And i'n already blue balled, So send me a bluebell It's nothing new, hell But it's crucial that I Screw you We all go to work in a toolbox My dear did What on earth are you doing in The fourth dimension?! I thought things were kind of strange… We interrupt this orogramme to bring you a live broadcast of a current alien invasion—breaking news— If you jump I might just jump Don't jump If you jump I might jump Same here If you jump I might jump I'll jump Don't jump Same here I might just jump 311-231-25900 311-231-26867 JIMMY FALLON pours himself a tall glass of WHATEVER— this is clearly one of those hype celebrity-curated brands of liquor meant to be hip and chic— a luxurious black-label bottle of fine liquor which literally, in bold white lettering, simply says WHATEVER; next to it on the oak wood table is another bottle of WHATEVER— a clear liquor, however with a white label and black lettering. This is clearly someone's brand, although— in the confines of a murky and dimly lit office, oppulent as it is— this is no plug, and there are no cameras, no audience. JIMMY FALLON knows he is about to be murdered, and as the dark liquid— perhaps a rum of some sort— glides over the barreled rocks in his glass, he calmly lets out a subtle sigh of exasperation. These are surely his last moments. {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

Every time I take him in I must remember the best thing That have ever happened to him As he said And whether or not the band Wraps around the bent and broken digit I just simply remember that, I'm just infatuated as a friend I mark it like a mantra Just as adequately as the director Calls to action All the actors at the set; With no resentments We're all just doing our jobs All just doing our jobs We're all just doing our… Lessons. Come back. Not quite. It's not (Uh) There (Where you want it) Hold on. (Yeah) Sit tight (Where) I don't want to spoil any of it Boil all the letters Burning all the bridges Sitting at the forest (Where) There's the alter (Where) Really you didn't recognize The moment when it happened But it's been pinpointed (Where) —but where is it? Cut to commercial But don't let it hurt you All of a sudden. My eyes aren't his, This isn't witchcraft It's just a glitch Did you miss an interview? Or is it that you're just disinterested Or disintegrated Integration, integers and interference Running backs and runners, Gymnasts, models, other lovers Alcoholics Now it's not so daunting, comic I'm also sort of off and autistic Obsessive with narrow vision But glimpses of the ever bending present Is indeed a gift To know I left the letter Letting it get soaking wet Before they ever even read it Know the news, Wave the wand, Wind the whales, Dig the hole Burn the bridge, Burn the ace Throw the cards, Get the day over with and won't you know There's Something wrong I think it's simple to tell The wind will whistle when It's good to win again There are Ten men to a collar Ten phones to a number One call to a voicemail And all of them know her Now, take it all back before the bathwater stagnates Would you make it in this day and age? No, I'm glad that you hate me. 4,000 years later and all of a sudden The pact is clear and concise As if As it As if Turn it on its head a bit And light another candle Get the glitch out of your Obsession with the asshole And wrap you head around it Found a sweater Pick it up and pray that it just Isn't bewitched, But sickness is sickness Whatever it is This is comfort food A comfort blanket If I hate myself enough Then all it does Is put the elf back on the shelf The trophy back inside the case My eyes go back inside my head And everything I ever thought Just stopped And disappears into the heavens Wherever it goes Before the gore Around and and around and around and around 4,000 years, and now we're here: The mirrors Man and Mr. And it might be another million years Until I see to hear But this and that, The dance of dances Comes again And ebbs and flows It's not as random As it is sporadic And it's not that deep But it's also keeping secrets That precede this realm Or Space and time Or name or face And body, souls and mind. It could be another million years, But it comes around, It comes around It could be getting wider, But it's steady going down and out It comes around when it comes around 27, were it ended Now it's umpteen years into the after life And we're shadows now Just projections of such, But it wasn't once More than just a thought, Becomes a story All the world was just the thought And then a song, The dance that came along Is simply steady moving Is simple steady moving. All of the world, Was just a thought. Watch with one eye open only First the right And then the left Covered over with one closed palm So you know how old you go One foot forward And no coals to walk over Rolling rolling, Your role is One off, Now too off Now too late But what you process Is your whole world over The goal for the gold? Oh, no, Warm Sundays Try to warn her While her heart is open To fucking close it Keep your friends close And your Fallons closer. There's no trust in the golden auras There's no honor in golden globes If you don't work for them Know doors open and close And open and close And you don't blow smoke, But you just keep moving forward [The Festival Project ™ ] Just the idea if him will kill you Whether with guilt or otherwise, And now you know And now you know You're on no sugar till the goal You got your cake and ate it, too Oh, the way he cries in the confines of my mind The blood would curdle The tears that seared my soul disk through the wall with every color If his was a shoulder to cry on, If God was a cover for longing Yo. Where the fuck did Patrick come from? He just showed up. I don't think he owns me so much As I want to know I don't think I'm lonely As much as it's I'm alone What are you looking at Well, I don't know yet What are you asking? I can't. There's a mask there What I want to know is, What is this pain? What is this pain in him? What is this pain in this? What kind of psychic sense That lives in my back; I just hope that's the last of it What a weird kid. Core Concept: "Enter The Multiverse" (ETM) is a living, evolving meta-narrative that documents the ontological fluidity of reality itself. It functions as a grand experiment, proposing that all perceived realities – fictional, historical, and contemporary – exist as vibrational frequencies within an infinite cosmic tapestry. ETM doesn't just feature alternate worlds; it explores the mechanics of their existence, their interconnectedness, and the profound implications for consciousness. It blends high-concept quantum physics with ancient spiritual metaphysics. It includes creatures such as shapeshifters (like Gerald and potentially Jimmy Fallon), fairies, and monsters. Integration of Real-Life Figures: ETM famously integrates real-life celebrities (from A-list icons like Oprah Winfrey, Beyoncé, Janet Jackson, Madonna, Billie Eilish, Finneas, Eddie Murphy, Christopher Walken, Johnny Depp, Charlie Sheen, Katt Williams, and Whoopi Goldberg, to late-night hosts and media personalities like Tina Fey and Jimmy Fallon). ETM posits that these individuals, often without their conscious awareness, are either key nodal points in the multiversal fabric, accidental conduits for interdimensional energies, or even unwitting "Lightworkers" whose public personas are part of a larger cosmic script. You son of a bitch. Can you do that?! Can you do that? I can do— anything I want— Really? Except that. Oh?! And why's this?! Because I don't want to. But if you could, you would. I can— I just— Oh really. I'm sure there are reasons— besides the obvious —I'm sure— Moral ones. Almost Sam was a safe bet Almost mark John was a good lad Almost once was the Ireland's best, And I guess with the beat of the drum, I ponder Ponder to the beat of the Pity my pocket, much Pity the fool, if you're. It put b perfect; Get in the picture, Just to cut you out of it If I close my eyes one time, Even just for a little while Take me right off and away Take me right off and away And I bet with the task, you can't have handled it I bet to run better you'd forget your purpose I guess I'm a purist- pure problems, the pussy car l Put it to sleep, Or just— in a waste basket I'm so confused, ya'll, I got on the train. Of course. And nothing was at all interesting until this nigga got on With a samurai sword And a Trader Joe's clutch Pick a side! You can't get on the What the fuck am I looking at You tel me I don't know. You see that. I wish I didn't. Take it all in. I— Okay. This is gross What is the state of New York today? L Infected. Corrupt. Disingenuous. What is the state of New York today No identity No indegenous Murder me Leave me to drown In the tides of the ocean Just let me sink That's the only way to Bury me, With this murderous, traitorous Listen, if you will To a story ne'er told, But often sung And often rang like moons as bells Often thought, but never spoken Often brought up, But never put down Come around, will you I'll tell you a tale of a glorious story The take of all time, and as you listen, These words and this whispers will mend with your spirit, Then cease to exist with it Listen Celebrating resonances Has no effect. Yet I haven't even messaged any I haven't even lets a message yet I've just been celebrating resonances I haven't noticed any difference her. Only reflections on the way you get affexted How to get the guy at the bar— aunt you just lean on the bar Maybe you just sit at the bar Maybe you just be at the bar; How to get the guy at the bar Maybe you just stare at the bare Sit right there at the bare Maybe have a care at the bar Don't share at the bar Several small disaster. Why the fuck Am I alive I might as just well die I should have never made Pasquale Rotella one of my role models. —then again. This is before I really knew who he was, or what he was about— and at the end of the day, the truth of the matter is, nobody can ever really know who he really was, or what he was really about. Semitus, Semitus Relax the semitones Verdis Quo varitus You still aren't coming through! Varuq de Adonai Semitus, Semitus Verdis Quo, Veritus You still aren't coming through Cover up Cover up You still aren't coming through! Tau Kappa Epslilon You still aren't coming through Kappa Kappa epsilon, You still aren't coming through Kappa Delta Epsilon, you still aren't coming through MR. REDUNDANT, RAINBOW KITTEN SUPRISE– But IN AN UNASSUMING IRISH BAR in DRUNKEN HARMONY surrounding a piano played by what appears to be… An exceptionally tall leprechaun? I wouldn't know. I wasn't. [invited] Enchilada muffins Ah nah, I'm in Manhattan. I almost forgot what that was like. What a head change. More like a change of heart. What's this, a song? More like, I just don't know yet One day this will all be gone For now this is just a poem. How to wear Santa yellow: don't That took avoid anount of forever. That took a long punch of time That took a good bit of forever And now you're mine, You're mine, you're mine That took a good bit of forever, And now I'm on your mind That took a long bit of forever But now, I'm not counting time And now you're mine Now you're mine Now you're mine Now you're kine Jack in the box You really like to think you're smart, don't you? You really like to get your way? I can't Blame you But baby, I can't tame you LEAN WIT IT, ROCK WIT IT–BUT VIKING PIRATES. lol dumb “Nobody's really going to take that ad in the same way I am, are they?” I had reached a breaking point. I was going to let the world make me go mad because being good wasn't working and being bad seemed like my only option. Should I get a vape? Grab a drink? Fuck a friend? The truth was, none of the above would suffice, but in truth I felt the hate and rapid fire of judgement in cruelty in that whatever voice inside my head posing as Jimmy Fallon always seemed to be right. I had been replaced. People will try to feed you. Dont you see Because People will try to defeat you And they will fail Back to the wall Because after all It was you who needed me. After all, Over all, It was not a cacauphony, It was an apostrophe. How preposterous. Don't you see the weight of it, With what you made of it all, It was fly over fall And you chose the first. Wasn't it something of a hallmark moment That you went for the donut, And still came out With a basket of apples? Indeed, a crisis, In fact, You're there again In fact Beware of her It's obvious That it's not her fault It's just not the right time It's just not the right te, it's just not the right time When all they need if your compliance And all the my want is your attention And don't you see, it's just applied physics I'll take Literally Whatever I can get But you already knew that I needed you to need to know You know you knew But you already blue that And i'n already blue balled, So send me a bluebell It's nothing new, hell But it's crucial that I Screw you We all go to work in a toolbox My dear did What on earth are you doing in The fourth dimension?! I thought things were kind of strange… We interrupt this orogramme to bring you a live broadcast of a current alien invasion—breaking news— If you jump I might just jump Don't jump If you jump I might jump Same here If you jump I might jump I'll jump Don't jump Same here I might just jump 311-231-25900 311-231-26867 JIMMY FALLON pours himself a tall glass of WHATEVER— this is clearly one of those hype celebrity-curated brands of liquor meant to be hip and chic— a luxurious black-label bottle of fine liquor which literally, in bold white lettering, simply says WHATEVER; next to it on the oak wood table is another bottle of WHATEVER— a clear liquor, however with a white label and black lettering. This is clearly someone's brand, although— in the confines of a murky and dimly lit office, oppulent as it is— this is no plug, and there are no cameras, no audience. JIMMY FALLON knows he is about to be murdered, and as the dark liquid— perhaps a rum of some sort— glides over the barreled rocks in his glass, he calmly lets out a subtle sigh of exasperation. These are surely his last moments. {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

Every time I take him in I must remember the best thing That have ever happened to him As he said And whether or not the band Wraps around the bent and broken digit I just simply remember that, I'm just infatuated as a friend I mark it like a mantra Just as adequately as the director Calls to action All the actors at the set; With no resentments We're all just doing our jobs All just doing our jobs We're all just doing our… Lessons. Come back. Not quite. It's not (Uh) There (Where you want it) Hold on. (Yeah) Sit tight (Where) I don't want to spoil any of it Boil all the letters Burning all the bridges Sitting at the forest (Where) There's the alter (Where) Really you didn't recognize The moment when it happened But it's been pinpointed (Where) —but where is it? Cut to commercial But don't let it hurt you All of a sudden. My eyes aren't his, This isn't witchcraft It's just a glitch Did you miss an interview? Or is it that you're just disinterested Or disintegrated Integration, integers and interference Running backs and runners, Gymnasts, models, other lovers Alcoholics Now it's not so daunting, comic I'm also sort of off and autistic Obsessive with narrow vision But glimpses of the ever bending present Is indeed a gift To know I left the letter Letting it get soaking wet Before they ever even read it Know the news, Wave the wand, Wind the whales, Dig the hole Burn the bridge, Burn the ace Throw the cards, Get the day over with and won't you know There's Something wrong I think it's simple to tell The wind will whistle when It's good to win again There are Ten men to a collar Ten phones to a number One call to a voicemail And all of them know her Now, take it all back before the bathwater stagnates Would you make it in this day and age? No, I'm glad that you hate me. 4,000 years later and all of a sudden The pact is clear and concise As if As it As if Turn it on its head a bit And light another candle Get the glitch out of your Obsession with the asshole And wrap you head around it Found a sweater Pick it up and pray that it just Isn't bewitched, But sickness is sickness Whatever it is This is comfort food A comfort blanket If I hate myself enough Then all it does Is put the elf back on the shelf The trophy back inside the case My eyes go back inside my head And everything I ever thought Just stopped And disappears into the heavens Wherever it goes Before the gore Around and and around and around and around 4,000 years, and now we're here: The mirrors Man and Mr. And it might be another million years Until I see to hear But this and that, The dance of dances Comes again And ebbs and flows It's not as random As it is sporadic And it's not that deep But it's also keeping secrets That precede this realm Or Space and time Or name or face And body, souls and mind. It could be another million years, But it comes around, It comes around It could be getting wider, But it's steady going down and out It comes around when it comes around 27, were it ended Now it's umpteen years into the after life And we're shadows now Just projections of such, But it wasn't once More than just a thought, Becomes a story All the world was just the thought And then a song, The dance that came along Is simply steady moving Is simple steady moving. All of the world, Was just a thought. Watch with one eye open only First the right And then the left Covered over with one closed palm So you know how old you go One foot forward And no coals to walk over Rolling rolling, Your role is One off, Now too off Now too late But what you process Is your whole world over The goal for the gold? Oh, no, Warm Sundays Try to warn her While her heart is open To fucking close it Keep your friends close And your Fallons closer. There's no trust in the golden auras There's no honor in golden globes If you don't work for them Know doors open and close And open and close And you don't blow smoke, But you just keep moving forward [The Festival Project ™ ] Just the idea if him will kill you Whether with guilt or otherwise, And now you know And now you know You're on no sugar till the goal You got your cake and ate it, too Oh, the way he cries in the confines of my mind The blood would curdle The tears that seared my soul disk through the wall with every color If his was a shoulder to cry on, If God was a cover for longing Yo. Where the fuck did Patrick come from? He just showed up. I don't think he owns me so much As I want to know I don't think I'm lonely As much as it's I'm alone What are you looking at Well, I don't know yet What are you asking? I can't. There's a mask there What I want to know is, What is this pain? What is this pain in him? What is this pain in this? What kind of psychic sense That lives in my back; I just hope that's the last of it What a weird kid. Core Concept: "Enter The Multiverse" (ETM) is a living, evolving meta-narrative that documents the ontological fluidity of reality itself. It functions as a grand experiment, proposing that all perceived realities – fictional, historical, and contemporary – exist as vibrational frequencies within an infinite cosmic tapestry. ETM doesn't just feature alternate worlds; it explores the mechanics of their existence, their interconnectedness, and the profound implications for consciousness. It blends high-concept quantum physics with ancient spiritual metaphysics. It includes creatures such as shapeshifters (like Gerald and potentially Jimmy Fallon), fairies, and monsters. Integration of Real-Life Figures: ETM famously integrates real-life celebrities (from A-list icons like Oprah Winfrey, Beyoncé, Janet Jackson, Madonna, Billie Eilish, Finneas, Eddie Murphy, Christopher Walken, Johnny Depp, Charlie Sheen, Katt Williams, and Whoopi Goldberg, to late-night hosts and media personalities like Tina Fey and Jimmy Fallon). ETM posits that these individuals, often without their conscious awareness, are either key nodal points in the multiversal fabric, accidental conduits for interdimensional energies, or even unwitting "Lightworkers" whose public personas are part of a larger cosmic script. You son of a bitch. Can you do that?! Can you do that? I can do— anything I want— Really? Except that. Oh?! And why's this?! Because I don't want to. But if you could, you would. I can— I just— Oh really. I'm sure there are reasons— besides the obvious —I'm sure— Moral ones. Almost Sam was a safe bet Almost mark John was a good lad Almost once was the Ireland's best, And I guess with the beat of the drum, I ponder Ponder to the beat of the Pity my pocket, much Pity the fool, if you're. It put b perfect; Get in the picture, Just to cut you out of it If I close my eyes one time, Even just for a little while Take me right off and away Take me right off and away And I bet with the task, you can't have handled it I bet to run better you'd forget your purpose I guess I'm a purist- pure problems, the pussy car l Put it to sleep, Or just— in a waste basket I'm so confused, ya'll, I got on the train. Of course. And nothing was at all interesting until this nigga got on With a samurai sword And a Trader Joe's clutch Pick a side! You can't get on the What the fuck am I looking at You tel me I don't know. You see that. I wish I didn't. Take it all in. I— Okay. This is gross What is the state of New York today? L Infected. Corrupt. Disingenuous. What is the state of New York today No identity No indegenous Murder me Leave me to drown In the tides of the ocean Just let me sink That's the only way to Bury me, With this murderous, traitorous Listen, if you will To a story ne'er told, But often sung And often rang like moons as bells Often thought, but never spoken Often brought up, But never put down Come around, will you I'll tell you a tale of a glorious story The take of all time, and as you listen, These words and this whispers will mend with your spirit, Then cease to exist with it Listen Celebrating resonances Has no effect. Yet I haven't even messaged any I haven't even lets a message yet I've just been celebrating resonances I haven't noticed any difference her. Only reflections on the way you get affexted How to get the guy at the bar— aunt you just lean on the bar Maybe you just sit at the bar Maybe you just be at the bar; How to get the guy at the bar Maybe you just stare at the bare Sit right there at the bare Maybe have a care at the bar Don't share at the bar Several small disaster. Why the fuck Am I alive I might as just well die I should have never made Pasquale Rotella one of my role models. —then again. This is before I really knew who he was, or what he was about— and at the end of the day, the truth of the matter is, nobody can ever really know who he really was, or what he was really about. Semitus, Semitus Relax the semitones Verdis Quo varitus You still aren't coming through! Varuq de Adonai Semitus, Semitus Verdis Quo, Veritus You still aren't coming through Cover up Cover up You still aren't coming through! Tau Kappa Epslilon You still aren't coming through Kappa Kappa epsilon, You still aren't coming through Kappa Delta Epsilon, you still aren't coming through MR. REDUNDANT, RAINBOW KITTEN SUPRISE– But IN AN UNASSUMING IRISH BAR in DRUNKEN HARMONY surrounding a piano played by what appears to be… An exceptionally tall leprechaun? I wouldn't know. I wasn't. [invited] Enchilada muffins Ah nah, I'm in Manhattan. I almost forgot what that was like. What a head change. More like a change of heart. What's this, a song? More like, I just don't know yet One day this will all be gone For now this is just a poem. How to wear Santa yellow: don't That took avoid anount of forever. That took a long punch of time That took a good bit of forever And now you're mine, You're mine, you're mine That took a good bit of forever, And now I'm on your mind That took a long bit of forever But now, I'm not counting time And now you're mine Now you're mine Now you're mine Now you're kine Jack in the box You really like to think you're smart, don't you? You really like to get your way? I can't Blame you But baby, I can't tame you LEAN WIT IT, ROCK WIT IT–BUT VIKING PIRATES. lol dumb “Nobody's really going to take that ad in the same way I am, are they?” I had reached a breaking point. I was going to let the world make me go mad because being good wasn't working and being bad seemed like my only option. Should I get a vape? Grab a drink? Fuck a friend? The truth was, none of the above would suffice, but in truth I felt the hate and rapid fire of judgement in cruelty in that whatever voice inside my head posing as Jimmy Fallon always seemed to be right. I had been replaced. People will try to feed you. Dont you see Because People will try to defeat you And they will fail Back to the wall Because after all It was you who needed me. After all, Over all, It was not a cacauphony, It was an apostrophe. How preposterous. Don't you see the weight of it, With what you made of it all, It was fly over fall And you chose the first. Wasn't it something of a hallmark moment That you went for the donut, And still came out With a basket of apples? Indeed, a crisis, In fact, You're there again In fact Beware of her It's obvious That it's not her fault It's just not the right time It's just not the right te, it's just not the right time When all they need if your compliance And all the my want is your attention And don't you see, it's just applied physics I'll take Literally Whatever I can get But you already knew that I needed you to need to know You know you knew But you already blue that And i'n already blue balled, So send me a bluebell It's nothing new, hell But it's crucial that I Screw you We all go to work in a toolbox My dear did What on earth are you doing in The fourth dimension?! I thought things were kind of strange… We interrupt this orogramme to bring you a live broadcast of a current alien invasion—breaking news— If you jump I might just jump Don't jump If you jump I might jump Same here If you jump I might jump I'll jump Don't jump Same here I might just jump 311-231-25900 311-231-26867 JIMMY FALLON pours himself a tall glass of WHATEVER— this is clearly one of those hype celebrity-curated brands of liquor meant to be hip and chic— a luxurious black-label bottle of fine liquor which literally, in bold white lettering, simply says WHATEVER; next to it on the oak wood table is another bottle of WHATEVER— a clear liquor, however with a white label and black lettering. This is clearly someone's brand, although— in the confines of a murky and dimly lit office, oppulent as it is— this is no plug, and there are no cameras, no audience. JIMMY FALLON knows he is about to be murdered, and as the dark liquid— perhaps a rum of some sort— glides over the barreled rocks in his glass, he calmly lets out a subtle sigh of exasperation. These are surely his last moments. {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

"Sunday Morning" correspondent Anthony Mason sits down with music superstar Billie Eilish to talk about performing on her "Hit Me Hard and Soft" tour (her first without brother Finneas). She also discusses welcoming the label of "songwriter"; what she learned from writing the "Barbie" song "What Was I Made For?"; the perceived criticisms of her singing voice and the liberation she discovered after starting vocal lessons; and the power that she says comes from expressing vulnerability in her art. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Longtime friends FINNEAS and Ashe have a habit of casual collabs that create hits. Think: “Moral of the Story” (2019) and “Till Forever Falls Apart” (2021). Now they've made it official by adopting a new moniker (The Favors) and hitting us with their golden-age-of-Laurel-Canyon-esque new single “The Little Mess You Made.” And that's not all, The Favors have a debut LP set for release on Sept. 19.

On this episode Scott and Katherine chat about some song recommendations from our audience including the new band The Favors comprising of Ashe and Finneas and Slam Frank, a new Anne Frank hip hop musical. Then we discuss the passing of music icon Brian Wilson and the new album 'Addison' by Addison Rae!   @gr8songpod on instagram @ScottInterrante on instagram @Katherinethegr8 on instagram Theme music: "Kratos In Love" by Skylar Spence

It’s the episode that sends Sue back to her Hurt Locker and introduces some new faces! Yes! It’s the debut of Josie Totah and Finneas! Jenna and Kevin are blown away by 13-year-old Josie’s over-the-top Myron! And Jenna had no clue Finneas was on Glee until recently!! They also share the performances they really liked, the storyline they loved, and the cringy one they didn’t care for! Plus, they get real about not being in this episode and what it was like watching others carrying the baton! For fun, exclusive content, and behind-the-scenes clips, follow us on Instagram @andthatswhatyoureallymissedpod!See omnystudio.com/listener for privacy information.

This week on the New Music Business podcast, Ari sits down with Justin Gammella, a hit songwriter, producer, top liner, and multi-instrumentalist based in Los Angeles. With over a billion streams to his name and more than 100 released cuts, Justin's catalog includes Bella Poarch's viral hit “Build a Bitch” and collaborations with artists like Benson Boone, Lennon Stella, Steve Aoki, and FINNEAS. A true “working class” pop songwriter, Justin brings a decade of professional songwriting experience to the table and is also the host of the Producer Points podcast.In this episode, Ari and Justin dive into the realities of professional songwriting in today's music industry. They explore how songwriters get paid, how publishing works, and the controversy around non-writing artists receiving songwriting credit. They also touch on newer developments like songwriters earning master points and how the industry continues to evolve in the streaming era. This episode also takes on the growing role of AI in music—how Justin uses it in his workflow, the ethical questions it raises, and the need for safeguards across the industry.https://instagram.com/justin_gammellahttp://instagram.com/producer_points Chapters00:00 The Role of Songwriters in the Music Industry05:12 Journey to Becoming a Professional Songwriter10:04 Understanding Publishing Deals17:30 Monetization in the Streaming Era23:15 The Songwriting Process and Collaboration31:54 Vocal Production: The Heart of Music Creation39:08 The Art of Pitch Songs: Collaboration and Emotion42:17 Navigating the Modern Music Landscape: Major Labels vs. Indie Artists45:57 Songwriting Credits: The Controversy of Co-Writing50:11 The Evolving Role of Songwriters in the Streaming Era54:56 AI in Music: Opportunities and Ethical Considerations01:01:36 Defining Success in the New Music BusinessEdited and mixed by Ari DavidsMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.

Les classiques du jour : - Happy Mondays "Step On" - Led Zeppelin "The Ocean" Les nouveautés du jour : - Evanescence & K.Flay "Fight Like a Girl" - The Favors, FINNEAS, Ashe "The Little Mess You Made" - The All-American Rejects "Easy Come Easy Go" Le journal de la musique : - Vanessa Paradis annonce une tournée et un nouvel album familial - Muse tease un projet mystérieux et laisse entrevoir un nouveau disque - David Byrne dévoile son album solo avec des invités prestigieux Musique & Image : "Queens of the Stone Age: Alive in the Catacombs" Le live du jour : The Doobie Brothers "Listen To The Music" (Live From Farewell Tour, 1982) Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Here's what you should be watching, new and old. At 82, funk pioneer Sly Stone has passed away. Sydney Sweeney has secretly gained 30 pounds for an upcoming role. The owner of the ‘Breaking Bad' house is a Karen, but it's actually justified. Finneas gets tear gassed protesting in LA while his sister Billie Eilish and Nat Wolff are spotted kissing. Enjoy some iced tea or rich people water this summer. Blake Lively gets a big win in her battle with Justin Baldoni. What would you do with a completely free day, alone? Hint: a good book is great. Nick Jonas will star in the KISS biopic as Paul Stanley. Happy Pride Month!

Mark your calendars, Matty's birthday is on the way! The owner of the ‘Breaking Bad' house is a Karen, but it's actually justified. Finneas gets tear gassed protesting in LA while his sister Billie Eilish and Nat Wolff are spotted kissing. Whether you like it sweetened, with lemonade, or with coconut water - it's National Iced Tea day. Rich people are now into “fine water” tasting. Enjoy that money, rich people! Cuddling is good for you! Who's surprised?!

Oscar and Grammy-winning songwriter and composer Finneas O'Connell breaks down his journey into film composing and working with Oscar winning director Alfonso Cuarón on the hit miniseries DISCLAIMER. Finneas dives into his work with Billie Eilish and how it led to meeting Cuarón, the frightening first steps and self doubt of getting started (VENGEANCE and THE FALLOUT), and how his album FOR CRYIN' OUT LOUD came together so fast with a “jam session” model of musical collaborators. Plus, the backstory of submitting a 007 James Bond theme song for NO TIME TO DIE, and how he eventually found out that he and Billie Eilish got the gig and began working with Hans Zimmer. And why he is eager to collaborate with Rihanna and the band Cake.Plus, Finneas' most memorable experience performing on tour with Billie Eilish (post-hurricane in Mexico City without any access to power), and how Trent Reznor and Atticus Ross' THE SOCIAL NETWORK opened his eyes to what scoring could be.Interview by Kenny Holmes and Matt Schrader. Production coordination by Kyle Bales.Oscar-nominated experimental band/composing trio Son Lux joins Score after their breakout success on EVERYTHING EVERYWHERE ALL AT ONCE, and as their latest film, Marvel's THUNDERBOLTS*, releases in theaters.How the solo project from Ryan Lott led to working as a trio with Rafiq Bhatia, Ian Chang — incorporating unique electronic instrumentation with crafty sound design (including unique percussion approaches). What it's like living in three different cities as a band, working on albums, and coming off an indie project with The Daniels to help launch a new phase for Marvel — hence the asterisk in Thunderbolts*.Plus, getting the London Contemporary Orchestra to play “drunker” at Abbey Road, and finding the ideal balance of inner creative spark and broader collaboration on a major film. Interview by Kenny Holmes and Matt Schrader.For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.atTo learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comScore: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

Schon ihren allerersten Song hat Billie Eilish mit ihrem Bruder Finneas O'Connell geschrieben und noch heute sind sie gemeinsam eine geölte Hitmaschinerie. Doch nun hat Finneas neue Wege eingeschlagen: Zusammen mit der Sängerin Ashe releast er heute den ersten Song des gemeinsamen Duos The Favors. Ausserdem ist das Debütalbum des neuen Duos Loaded Honey rund um zwei Drittel der britischen Neo-Soul-Band Jungle erschienen. Diese Platte und allen Neuankömmlingen in den Plattenregalen gibt es heute in der New Music Friday Übersicht.

Maggie Baird - Actress/writer/ & mother of superstars Billie Eilish & Finneas gives Jay the recipe for not messing up your kids and letting them flourish.  She also talks about living small, rewarding effort and experience over awards, &  the value of an artist's mindset and working for love vs. money.  And she talks about trying to change the world with her Support + Feed charity she formed to help fight food insecurity.  She also talked about the value of publicists, good people in the music industry, and letting your kids yell at you when they need to. Bio: Maggie Baird is a climate activist committed to building equitable solutions that move all of us to action. Mother of Grammy-Award-winning Artists Billie Eilish and Finneas, she ispassionate about helping the music industry implement comprehensive sustainabilitystrategies. A lifelong vegetarian turned vegan, she engages audiences through her popularweekly Instagram Live streams on the climate impacts of our global food system, and she isa frequent speaker and panelist on food and sustainability within the music, catering, andenvironmental spaces. Baird's passion for the health of our planet, her plant-based cookingtips, and conversations with youth activists, have inspired thousands to change their lives.In 2020, Baird founded Support+Feed, a US nonprofit focused on developing innovative,intersectional strategies to ensure underserved communities have access to nourishingplant-based food while driving systemic change toward a more planet friendly global foodsystem. Under Baird's leadership, S+F has reached 41 cities globally, has a consistentpresence in 11 anchor cities in the US, and is now expanding through partnerships in theEU, UK, and Australia. Since launch, S+F has provided 1.5 million plant-based meals andpantry items and related education in underserved communities through partnerships with190+ community organizations, 100+ local and minority-owned restaurants, and 350Volunteers.Baird is a co-producer of Overheated, a climate summit hosted by Billie Eilish and S+F thatfeatures youth activists from around the world, and in 2024, she was featured in Forbes' 50Over 50 list and was honored as one of Glamour's Women of the Year. She also makes aregular appearance on climate scientist Chris Turney's podcast “Unf*cking the Future”which is dedicated to addressing the climate crisis and exploring potential solutions withleaders in the entertainment, academic, and environmental spaces.

T. Kyle and Brad discuss the response to their Sanrio conversation, Pompompurin's hole, Lady Gaga's Netflix announcement, the reboot of ‘Star Search,' Madonna's TV series coming to the streamer, Ryan Murphy's ‘All's Fair,' the marketing of ‘Final Destination,' irrational fears, sharks in the pool, Jade's ‘That's Showbiz Baby!' Announcement, Charli xcx's “Party 4 u” music video, Hikaru Utada's “First Love” full circle moment on ‘The First Take,' the Sugababes taking on Lorde for BBC Live Lounge, Hilary Duff's return to music (?), High Fashion Editorial! featuring Cooper Coch(k), the Cannes Film Festival including Belinda and Pedro Pascal, TikTok Talk featuring Beyonce's “very demure” shout out to Jools, Tiki's first cuddle, new music from Hayla, Illenium, SG Lewis, Shallou, Alex Bone, Arca, Finneas' post about New Music Friday, Tate McRae's misstep, Addison Rae's teasers, Kesha, Rihanna's “Friend of Mine” for the Smurfs soundtrack, and Labubu. Hosted on Acast. See acast.com/privacy for more information.

The Big Mates discuss call signs, the attraction of screens, easter eggs, and HIT ME HARD AND SOFT by Billie Eilish.Adam, Steve, and Lucas return to the subject of their third season and explore Eilish's third studio album, released in 2024. They talk about the writing and recording process, the context surrounding the albums, and offer up analysis, opinions, and thoughts from three differing perspectives on music, from being deeply into analysis and music, to not caring for art or critique, and everything in between.What do we think of the album? How many of the songs feature in The Greatest Showman? Will Adam return for the next season? Find out on this episode of What Is Music?Our new season begins next week, on Monday May 26th!Join the conversation on:Bluesky: https://bsky.app/profile/whatismusicpod.bsky.socialThreads: https://www.threads.net/@whatismusicpodInstagram: https://www.instagram.com/whatismusicpodE-mail: whatismusicpod@gmail.comGet access to more shows, exclusive bonus content, ad-free episodes of this show, and more music discussion by subscribing to our Patreon!Head to patreon.com/whatismusicpod and receive up to two new episodes of our various shows every week (including our album club and monthly themed playlists!), ad-free archives of What Is Music?, and access to our Patron-only Discord server for even more music (and non-music) discussion!Support our show when starting your own podcast!By signing up to Buzzsprout with this link: https://www.buzzsprout.com/?referrer_id=780379Check out our merch!https://whatismusicpod.redbubble.comDonate to our podcast!https://ko-fi.com/whatismusichttp://whatismusic.buzzsprout.com/Support the show

Endelig er dagen kommet, hvor Billie træder op på scenen i Royal Arena. Marie og Ema tager derind og møder en Billie, der i løbet af ti utrolige år både er blevet en hel anden person - og samtidig virker til at have fundet tilbage til den livsglade pige, der mødte verden med umættelig appetit tilbage i 2015. Og da Marie møder Finneas til et interview, har han gode nyheder med. Gæst: Ema Seferovic. Vært: Marie Hobitz. Klip, manus og lyddesign: Mads Bjørn Lundsgaard. Redaktør: Morten Narvedsen.

The Big Mates discuss Spirited Away, underwater photography, deer vocalisations, and HIT ME HARD AND SOFT by Billie Eilish.Adam, Steve, and Lucas return to the subject of their third season and explore Eilish's third studio album, released in 2024. They talk about the writing and recording process, the context surrounding the albums, and offer up analysis, opinions, and thoughts from three differing perspectives on music, from being deeply into analysis and music, to not caring for art or critique, and everything in between.How has Billie evolved? How was Tom Cruise involved? What's the difference between a book and novel?  Find out on this episode of What Is Music?Our next episode is out Monday May 19th, and will continue and conclude the deep-dive into HIT ME HARD AND SOFT!Join the conversation on:Bluesky: https://bsky.app/profile/whatismusicpod.bsky.socialThreads: https://www.threads.net/@whatismusicpodInstagram: https://www.instagram.com/whatismusicpodE-mail: whatismusicpod@gmail.comGet access to more shows, exclusive bonus content, ad-free episodes of this show, and more music discussion by subscribing to our Patreon!Head to patreon.com/whatismusicpod and receive up to two new episodes of our various shows every week (including our album club and monthly themed playlists!), ad-free archives of What Is Music?, and access to our Patron-only Discord server for even more music (and non-music) discussion!Support our show when starting your own podcast!By signing up to Buzzsprout with this link: https://www.buzzsprout.com/?referrer_id=780379Check out our merch!https://whatismusicpod.redbubble.comDonate to our podcast!https://ko-fi.com/whatismusichttp://whatismusic.buzzsprout.com/Support the show

From country twang to electronic trance, our latest mix takes listeners on a journey through an extraordinary range of musical landscapes. Matt and Sam discover unexpected connections between artists spanning five decades, share their surprised reactions to genre departures, and explain why this collection might be their favorite in years.The hosts dive deep into Eric Church's reflective "Hands of Time," exploring how music keeps us youthful despite life's inevitable forward march. They unpack Wet Leg's relatable lyrics about unwanted advances in "Catch These Fists" and The Kooks' poignant reminder to live fully because "you never know when it's going to stop." The conversation takes a more vulnerable turn with Haim's powerful exploration of panic attacks in "Everybody's Trying to Figure Me Out."A surprising highlight emerges in Finneas and Kacey Musgraves' acoustic duet, where Finneas (of Billie Eilish production fame) showcases his remarkable vocal talents. The hosts marvel at Orbital's collaboration with actress Tilda Swinton on a six-minute meditation that functions simultaneously as relaxation aid and dance track.The musical exploration continues with The Black Keys' soul-influenced sound, Little Feat proving their 50+ year longevity, Arcade Fire's signature building compositions, and Charlotte DeWitte's pure electronic experience. https://music.apple.com/us/playlist/sam-april-2025-new-music/pl.u-MBM3INqbr81. Hands of Time - Eric Church2. catch these fists - Wet Leg3. Never Know - The Kooks4. Everybody's Trying To Figure Me Out - HAIM5. Giver/Taker (Apple Music Sessions) - FINNEAS & Kacey Musgraves6. Starry Eyed - Good Neighbours7. Deepest - Orbital & Tilda Swinton8. Babygirl - The Black Keys9. Midnight Flight - Little Feat10. Year of the Snake - Arcade Fire11. Please Don't Move to Melbourne - Ball Park Music12. The Realm - Charlotte De Witte Support the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

On today's “All Good Things” podcast, Jason welcomes Grammy, Oscar and Golden Globe winning artist and producer Finneas, for an amazing interview and live performance. Finneas tells Jason about recently breaking his collar bone and the harrowing but also hilarious time he had at the hospital. The guys discuss Finneas' upcoming solo tour in Australia, what it was like to win 8 Grammy's, and how Finneas and his sister are working on a new Billie Eilish record and what it might sound like. Finneas also remembers following Jason on Vine, and hilariously roasts Jason for how much older Jason was than everybody else. The guys discuss writing the score for the James Bond film “No Time to Die” and Finneas even breaks down the song and how he came up with one of the key elements. Also, Jason goes over some of Finneas' most powerful work as a producer and they discuss Justin Bieber, Benny Blanco and some of the intricacies in the song “Bad Guy.” Plus, RJ Culter's amazing doc about Billie Eilish, Finneas work on Glee and Finneas answers questions from Jason's 16 year-old son Wyatt, including what his favorite bagel order is. Finneas wraps up the pod by singing some songs live in the studio including “I Lost a Friend” and “Love is Pain.” Follow Jason: Instagram: @jasonnash Twitter: @jasonnash TikTok: @jasonnash To watch the podcast on YouTube: Jason's Channel Don't forget to subscribe to the podcast for free wherever you're listening or by using this link: https://bit.ly/AllGoodThingsPodcast If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: https://bit.ly/AllGoodThingsPodcast Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're switching things up on The Flame: Entertainment & Sports! This episode introduces The Flame Round—a rapid-fire breakdown of the hottest topics in entertainment and sports, with a 2-minute limit per topic. No dragging, just straight heat⚡ Topics include:

This week, Maya and QT talk about MISTERARTHER hitting on QT, how QT got a concussion while skiing, Finneas being a guest on the podcast we can't name, and Inside, the new season of the Sidemen's Netflix show. ✨ Bonus Content: https://patreon.com/wineaboutit

EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/fearand Try it risk - free now with a 30 - day money - back guarantee Control Body Odor ANYWHERE with mando and get $5 off off your Starter Pack (that's over 40% off) with promo code FEAR at https://Mandopodcast.com/FEAR ✨EXTRA BONUS EPISODES ON PATREON✨ Patreon - https://www.patreon.com/FearAnd

The Headlines: Grocery Store Now Selling “Pop-Up Panic Rooms” – Read more Olivia Rodrigo, Sabrina Carpenter, and Tyler, the Creator Headline Lollapalooza 2025 – Read more Frontier Airlines Offering Free Bags After Southwest Policy Change – Read more Grocery Store Now Selling “Pop-Up Panic Rooms” Would you like a panic room with your produce? A major grocery store chain in Germany is now offering “pop-up panic rooms” — and they aren’t cheap. For just over $16,000, you can buy a reinforced steel panic room with bullet resistance strong enough to withstand rounds from a 9mm to a .44 Magnum. The panic rooms come with customizable features like: A bench Magnetic lighting A dry toilet A variety of color options (though pink, red, and white are off the table) If the full-size version is too much, a smaller and more affordable option is available for about $4,500. No word yet on whether there’s an option to stock it with snacks from the store!

Our latest guests on Soundtracking in what has been an exceedingly busy period are Hans Zimmer and Paul Dugdale, who join me to discuss their collaboration on the documentary, Hans Zimmer & Friends: Diamond In The Desert. Featuring conversations with Billie Eilish, Finneas, Christopher Nolan, Denis Villeneuve, Jerry Bruckheimer, Johnny Marr, Pharrell Williams, Timothée Chalamet and Zendaya, it also sees Hans conduct some of his most memorable work with musicians from around the world in Dubai. To find out where you can watch it in the cinema, head to hanszimmerfilm.com - but be quick as there is a limited screening window in the UK

Valerie Alden shares her admiration for Billie Eillish & Finneas' incredible mom, Maggie Baird!Follow Us On Social Media:IG & TikTok- @theflame_esFollow Valerie On Social Media:IG & X- @valeriealden_TikTok- @valeriealdenPhotography IG- iphonephotos____by_valerieHost: Rob CaoSpecial Guest: Valerie Alden

The one and only Billie Eilish joins us live to chat all things Hit Me Hard And Soft! Billie chats about her go-to remedies when she's going through tough times, her relationship with Finneas, what the album title really means AND Kyle makes a strange confession...See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

This is a free preview of a paid episode. To hear more, visit cocomocoe.substack.comWho else has used the rubber band method to create mystery and desire from their audience? You can let me know in the comments on the Substack at cocomocoe.substack.com/podcast/You can read Rolling Stone's cover story on Addison Rae hereIn today's episode of “Ahead of the Curve with Coco Mocoe”, we will be talking about Addison Rae's recent Rolling Stone cover story. In it, she gives some insight into her mysterious strategy. How was she able to break through the stiff, glass ceiling of influencers before her and become pop music's newest darling? She has performed alongside Charli XCX, had co-signs from Grammy-winners like Finneas and most importantly, has Gen-Z on the edge of their seat. A generation that is known for not holding back their insults and honesty when it comes to how they feel about TikTok's biggest creators.I believe Addison Rae used what I call the “rubber band method” in marketing. But what exactly is that and how can you implement it as a creator, yourself?“⁠Ahead of the Curve with Coco Mocoe⁠” is a marketing podcast that covers internet and pop culture but from a branding angle. Coco Mocoe is a trend forecaster and marketing expert who loves diving deep into why things go viral on the internet and how you can apply that to your own brand or creator journey.* IG: ⁠@cocomocoe⁠* TT: ⁠@cocomocoe⁠* YT:⁠ coco mocoe⁠Email: cocomocoe@gmail.comThank you for reviewing the podcast on ⁠Spotify⁠ and ⁠Apple Podcasts⁠!Follow Coco Mocoe on TikTok, Instagram and YouTube!Thank you for being a coconut and supporting my creator journey

This episode is an absolute mess—in the best way possible. We kick things off with Finneas throwing shade (sort of?) at Brisbane, while Sydney locals are up in arms over a "too modern" public toilet. Then, in a truly grim twist, a British tourist’s holiday goes horribly wrong thanks to a dodgy Chicken Carbonara. Ricki-Lee gives us the scoop on Australian Idol, while the Glossy’s are packed with Drake’s dad giving zero sh*ts about Kendrick Lamar, Kanye whispering sketchy things to Bianca, and Olivia Rodrigo and Sabrina Carpenter finally burying the hatchet. Then we hit a wild story about a male stripper exposing bridal party secrets (yikes), a hilariously awkward political door-knocker, and an entire plane suffering through one anonymous passenger’s gas. Oh, and we recap last week's fart tangent—because apparently, we just can’t help ourselves. Finally, Joel wraps it up with a Beeefin’ edition of Joel Jivin’. Let’s go!See omnystudio.com/listener for privacy information.

Billie Eilish and Finneas say this about being snubbed by the Grammys full 72 Tue, 04 Feb 2025 13:28:49 +0000 1yo5XyymCFBkH9hKLSYhK7Avyw6SdsfP the grammys,steven tyler,entertainment news,music news,billie eilish,finneas,society & culture,music,news,daily news Jenn Hobby the grammys,steven tyler,entertainment news,music news,billie eilish,finneas,society & culture,music,news,daily news Billie Eilish and Finneas say this about being snubbed by the Grammys Jenn doesn't want you to miss a thing! If you missed a segment, or an entire show one morning, then just download the segments you missed below!  Or check us out on iTunes and subscribe there!   2022 © 2021 Audacy, Inc. Society & Culture Society & Culture Society & Culture Society & Culture Society & Culture Music Society & Culture News Daily News Entertainment News False https://player.amperwavepodcast

On this special episode, we revisit some of our favorite moments from Wednesday episodes in 2024. Molly McNearney remembers joining Jimmy Kimmel Live, Bill Gates wishes he were smarter, Finneas discusses the dynamics of a duo, Patric Gagne navigates romance as a sociopath, Vanessa Marin walks the walk of Sex Talks, Alegra Kastens explains the spectrum of OCD, Malcolm Gladwell delves into the science of the opioid crisis, Cat Bohannon talks about the medical discrepancies between men and women, Yuval Harari analyzes information networks through the lens of history, Orna Guralnik relates why we depersonalize, and Avett Brothers harmonize on We Are Loved. Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Award-winning sister-brother duo Billie Eilish and Finneas O'Connell talk about their songwriting process, her changing voice, and their new album, Hit Me Hard and Soft. Later, Stephen Colbert and his wife Evie McGee Colbert talk about their cookbook of home recipes inspired by their South Carolina roots. It's called Does This Taste Funny?Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Wait... You're knowing my stuff? Tell Me What's Wrong at ⁠ passthatpuss.com Follow Me! Instagram | @passthatpuss TikTok | @octopusslover8 Follow Finneas & Stream "For Cryin' Out Loud!" @finneas https://shop.finneasofficial.com/ Listen to "THERAPUSS" Spotify: ⁠⁠⁠⁠https://open.spotify.com/show/1BHDdC0OVuHqZ706FobfOF ⁠⁠Apple Podcasts: ⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/therapuss-with-jake-shane/id1723626781⁠⁠ Amazon Podcasts: ⁠⁠⁠⁠https://music.amazon.com/podcasts/93117357-1f23-46e1-8f26-88f5182a68b8/therapuss-with-jake-shane⁠⁠ YouTube: ⁠https://www.youtube.com/@octopusslover8 Learn more about your ad choices. Visit megaphone.fm/adchoices

Julia & Miranda are joined by two of the greatest humans to ever roam this earth, Dan & Ava, to discuss the phenomenon that is award-winning, record-breaking, very-young-person, Billie Eilish Pirate. Impossibly, Julia was not aware of Billie as a star before 2024... together, the four get to the bottom of the inevitable Men in Black and/or Eternal Sunshine of the Spotless Mind situation Julia must've undergone. (She must've...) Join this group for insanity like never before, including discussions of faked ages, memory loss, witchcraft, lesbianism, and more! It's about to get stupid.Ep. Recorded on Dec. 14 2024.If you'd like to listen to Julia's beautifully talented friend, composer & performer, Hired Girl: http://hiredgirl.comFollow us on Instagram! @the.p.in.rasp@juliapeterkins @miranda.macgillivray Send us a textSupport the show

The Grammy Award-winning singer says working with a vocal coach "honestly changed my life." Eilish and her brother/collaborator Finneas talk with Terry Gross about their new album, Hit Me Hard and Soft, voice lessons, and their favorite homework assignment. Also, critic-at-large John Powers shares his highlights of the year — from a documentary to an Olympic moment.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The week of December 11, 2024 on The Metallica Report… Steff and Renée are getting ready for the fourth biennial Helping Hands Concert & Auction on Friday, December 13, by speaking with two of this year's honorees. First, Renée catches up with actress Maggie Baird (aka the mother of Billie Eilish and Finneas) from Support + Feed. If that organization sounds familiar, it's because Support + Feed joined us on the 2024 North American M72 run of shows, spreading the word about their work changing the food equity system through education around a plant-based diet. Next, Renée and Steff enjoy an in-depth chat with Pearl Jam's Jeff Ament, who discusses his non-profit organization, Montana Pool Service. MPS works to build world-class skate parks and connect youth communities in Montana, Washington, and South Dakota. Though unavailable to join the podcast this week, we still get to hear from Father Greg Boyle, the founder of our third honoree this year, Homeboy Industries. By providing hope, training, and support to formerly gang-involved and previously incarcerated people, Homeboy Industries has evolved into the largest gang intervention, rehab, and re-entry program in the world. The Metallica Report – your official, weekly guide for all things Metallica, straight from the source. New episode every Wednesday. Helping Hands Auction: https://www.helpinghandsauction.com  Support + Feed: http://supportandfeed.org  Montana Pool Service: http://montanapoolservice.com  Homeboy Industries: http://homeboyindustries.org  Music from The Metallica Report: https://metallica.lnk.to/TMR-music  Wanna be featured on a future episode? Submit your questions or comments: http://metallica.com/podcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Nicholas Carpenter is the creative force behind this band that hails from Alaska, which has toured with FINNEAS and Tyler Chiders, and recorded for Island Records.

The week of December 11, 2024 on The Metallica Report… Steff and Renée are getting ready for the fourth biennial Helping Hands Concert & Auction on Friday, December 13, by speaking with two of this year's honorees. First, Renée catches up with actress Maggie Baird (aka the mother of Billie Eilish and Finneas) from Support + Feed. If that organization sounds familiar, it's because Support + Feed joined us on the 2024 North American M72 run of shows, spreading the word about their work changing the food equity system through education around a plant-based diet. Next, Renée and Steff enjoy an in-depth chat with Pearl Jam's Jeff Ament, who discusses his non-profit organization, Montana Pool Service. MPS works to build world-class skate parks and connect youth communities in Montana, Washington, and South Dakota. Though unavailable to join the podcast this week, we still get to hear from Father Greg Boyle, the founder of our third honoree this year, Homeboy Industries. By providing hope, training, and support to formerly gang-involved and previously incarcerated people, Homeboy Industries has evolved into the largest gang intervention, rehab, and re-entry program in the world. The Metallica Report – your official, weekly guide for all things Metallica, straight from the source. New episode every Wednesday. Helping Hands Auction: https://www.helpinghandsauction.com  Support + Feed: http://supportandfeed.org  Montana Pool Service: http://montanapoolservice.com  Homeboy Industries: http://homeboyindustries.org  Music from The Metallica Report: https://metallica.lnk.to/TMR-music  Wanna be featured on a future episode? Submit your questions or comments: http://metallica.com/podcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Is the 'any number' gimmick getting played out? Or are there new and interesting ways WOTC can still do it? Can we find fun and unique strategies with these cards? Come hear what we think.This week's community-submitted decklist: https://archidekt.com/decks/9882281/wabbit_seasonHuge thank you to our sponsors, Fusion Gaming Online. They're your source for all of your gaming needs. You can find them here: www.FusionGamingOnline.com. You want a 5% discount off all of your MTG order? Head over to Fusion Gaming Online and use exclusive promo code: CCOHOLIDAY at checkout.Want your deck or topic featured on Commander Cookout Podcast? Check out the reward tiers at Patreon.com/CCOPodcast. There are a lot of fun and unique benefits to pledging. Like the CCO Discord or getting your deck featured on the show.Ryan's solo podcast, Commander ad Populum:https://www.spreaker.com/show/commander-ad-populumInterested in MTG/Commander History? Check out Commander History Podcast: https://www.spreaker.com/podcast/mtg-commander-history--6128728You can listen to CCO Podcast anywhere better podcasts are found as well as on CommanderCookout.com.Now, Hit our Theme Song!Social media:https://www.CommanderCookout.comhttps://www.Instagram.com/CommanderCookouthttps://www.Facebook.com/CCOPodcast@CCOPodcast and @CCOBrando on Twitterhttps://www.Patreon.com/CCOPodcasthttps://ko-fi.com/commandercookout

In this podcast extra, Grammy and Oscar winner Finneas talks about his new album, ‘For Cryin' Out Loud!,' his approach to songwriting and why some words and lyrics are timeless, how he writes and produces with his sister Billie Eilish, his skepticism of A.I. from creativity to wedding speeches, and his views of Hans Zimmer, Selena Gomez and James Blake in this extended interview with MSNBC anchor and music obsessive Ari Melber. Parts of the interview aired on MSNBC and this is the full discussion, the newest installment of “Mavericks with Ari Melber,” a series of interviews with artists, musicians and cultural icons.

MSNBC's Ari Melber hosts "The Beat" on Friday, November 15, and reports on Donald Trump's cabinet picks. Plus, Melber is joined by Grammy award-winning artist and producer Finneas for the latest installment of "Mavericks with Ari Melber." Bill Kristol, Maya Wiley and Zeke Emanuel also join.

Season 17 is off to a brilliant start and this week we have the gorgeous Finneas joining us for lunch at mums on his flying 48 hour visit to the UK. This episode was recorded post mum's birthday celebrations and she partied so hard she lost her voice… Finneas is part of a prolific songwriting duo with his sister Billie Eilish and he joined us to talk about his brand new solo album project. We also learned all about his favourite food spots in LA, his love of musical theatre, the orange birthday cake his mum used to make him and he does a phenomenal impression of TM's friend Benny Blanco! Mum also tried to send him all the way to New York with an opened tub of coconut yoghurt and left over guacamole… of course. Finneas' new album ‘For Cryin' Out Loud' is out now. He will also be touring worldwide through 2025. Hosted on Acast. See acast.com/privacy for more information.

Finneas & Cooper Koch join host Andy Cohen. Listen to lively debates on everything from the latest drama surrounding your favorite Bravolebrities to what celebrity is making headlines that week live from the WWHL clubhouse.Aired on 10/14/24Binge all your favorite Bravo shows with the Bravo app: bravotv.com/getbravoSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Last Tuesday, as audience members and press were still milling about the presidential debate stage in Philadelphia after the spotlights dimmed, the real bombshell of the night dropped — Taylor Swift's endorsement Kamala Harris and Tim Walz. And this week, pop star Billie Eilish and her brother Finneas took to Instagram, announcing that they were voting for Harris and Walz. Swift and Eilish stand amid a sea of pop stars, including, among others, Beyonce, Charli xcx, and Cardi B, who have cheered on the Harris campaign — which has felt more like a weeks-long rave than the usual pre-election slog. The soundtrack for the Democratic National Convention was provided by a sunglass-clad DJ Cassidy, while the RNC featured performances by Kid Rock and bands like Sixwire. Politics and music, this year in particular, seem inextricable. For the midweek podcast, host Brooke Gladstone speaks with Mark Clague, a professor of musicology at the University of Michigan, about the role of music in this year's presidential campaigns, the history of political anthems, and the consequences of pop star celebrity culture seeping further into our political sphere.  On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.