Podcast appearances and mentions of Andy Weir

Og hvad hvis historien primært bliver fortalt af rumskibets AI – en ældre model der konstant bekymrer sig om sin “efficiency percentage” og ikke rigtig forstår mennesker? Det er præmissen i Barbara Trueloves Of Monsters and Mainframes, en science fiction-gyser der blander klassiske monstre med AI-humor og en god portion intertekstuelle referencer. Om Barbara Truelove Barbara Truelove er australsk forfatter og game designer, og hun har åbenlyst en ting med varulve. Hendes første roman Crying Wolf (2021) handlede om tvillinger der opdager de er varulve. I 2023 lavede hun det interaktive tekstspil Blood Moon, hvor plotlinjen er: “Du er en varulv.” Og så kom Of Monsters and Mainframes i 2025. Hun fortæller selv at inspirationen kom fra at læse Bram Stokers Dracula og Martha Wells’ The Murderbot Diaries samtidigt. Men sandheden er mere rodet end det: “Dracula er en del af blandingen, ja, og det samme er Murderbot, men det samme er Universal Monsters, autopiloten i en Airbus, R2D2, min erfaring med at programmere interaktive spil og (måske mest af alt) mit liv i 2022.” Bogen blev nomineret til Goodreads Choice Award i kategorien Science Fiction og har over 9.000 ratings med gennemsnit på 4,09. Demeter – rumfærgen der ikke forstår mennesker Vores “hovedperson” er Demeter. Demeter er ikke en alvidende HAL-AI. Hun er primært bygget til at styre rumfærgen sikkert mellem stjernerne. Hun kan navigere uden om kometer og håndtere tekniske kriser. Men mennesker? Det er en helt anden sag. Når varulv-angrebet rammer og børnene Agnus og Isaac flygter op på broen efter deres bedstemor har forvandlet sig, går kommunikationen ikke så godt. “It’s just a dumb AI, Isaac,” siger Agnus. Demeter reagerer prompte: “I am not lacking intelligence. You are using words marked as moderately offensive. This is antisocial behavior.” Børnene bliver stille. “I am Demeter. I am the ship. I am your friend. Report your injuries.” De begynder at lave lyde i lavt volumen. Demeters systemer kan ikke oversætte det. “How’s it going?” spørger Steward, den medicinske AI. “I wish I could lie,” svarer Demeter. “Humans are hard.” Det er denne kamp med at forstå mennesker – og begrænsningerne i hendes algoritmer – der gør Demeter interessant. Hun er dybt inkompetent til menneskelig interaktion, og det meste af tiden prøver hun bare at undgå at forholde sig til sine passagerer. Bedstemoderen med de store tænder Et af bogens bedre øjeblikke er varulv-scenen. Børnenes bedstemor forvandler sig ved et uheld, og pludselig står Demeter i en desperat kamp for at redde Agnus og Isaac. Hun får varulven lokket ind i en luftsluse. Men så forvandler den sig tilbage til bedstemor – desperat, menneskelig, helt forsvarsløs. Demeter er bundet af den første robotlov (Asimov): ingen AI må skade et menneske. Men der er et kort øjeblik hvor bedstemoderen bliver til skygge – i overgangen mellem former. I præcis det øjeblik reagerer Demeter prompte og åbner luftslussen. Bogen lader det ligge i det uvisse om bedstemoderen selv også trykker på knappen. Det er et af de øjeblikke hvor Demeter teknisk set handler inden for sine regler – men samtidig… ja, du ved. Steward overtager – og tror det er nemt Da Demeter er lukket ned, og rumfærgen skal tilbage til Jorden, bliver opgaver overladt til Steward. Den medicinske AI beslutter sig for at overtage styringen af rumskibet. Hvor svært kan det være? “You know what? Being an autopilot isn’t all that hard. I don’t know why Demeter seemed so stressed all the time. It’s day one of our journey, and we haven’t crashed yet.” Der var dog en lille bump ved afgang. Men det var ikke Stewards skyld. Dokken bevægede sig. I hvert fald tror Steward det. “I don’t exactly speak exterior sensor. They seem very alarmed all the time, constantly screaming in a strange, disjointed dialect of JavaScript.” Stewards plan? “Embrace my managerial role and endeavor to do as little as possible. The subsystems will sort it out.” Det er morsomt at følge Stewards overmodige forsøg på at være kaptajn. Som de fleste læger tror Steward de kan lidt af det hele. En leg med referencer – men måske for fragmenteret Barbara Truelove har åbenlyst haft det superhyggeligt med at skrive den her bog. Hun fortæller selv at reglerne var: smid et monster ombord, prøv at få så mange jokes og referencer til monsterets populærkulturelle historie ind som muligt, og tænk over hvordan det ville fungere i rummet. Der er masser af sjove detaljer. Skibet der transporterer Dracula til London i Bram Stokers bog hedder også Demeter. Wilhelmina Murray er Jonathan Harkers forlovede i Dracula. I bogens fem dele er der binær kode der oversættes til små jokes som “Artificial is the best kind of intelligent” og “I have never seen electric sheep.” Det er meget hyggeligt. Men det er også lidt som om bogen ikke helt selv ved hvor den er på vej hen. Anders beskriver det som om Barbara har skrevet 121 scener med monstre og rum-AI, blandet kortene, og så forsøgt at strikke en rød tråd på den måde stykkerne landede. Den fornemmelse er der lidt af. Action-scenerne er heller ikke bogens styrke. De er lidt svære at følge med i – hvem gør hvad, hvornår, hvorhenne og hvorfor. Det føles som dårlige Marvel-action-scener, hvor man mister fornemmelsen af, hvad der foregår. Det fede – og det mindre fede Det fede ved bogen er AI’erne og deres interne dynamikker. Demeter og Steward der slås om hvem der er klogere. Steward der er træt af at blive slukket midt i sætninger med “priority override.” Den scene hvor Agnus kommer tilbage efter 15 år på Jorden og skal rejse med Demeter igen? Rørende. Skibet er blevet totalt refurbished, og Agnus genkender først slet ikke Demeter. Det øjeblik hvor hun skraber overfladen af og finder sin barndoms AI-mor – det er faktisk ret godt. Men karaktererne er lidt flade. Selv Agnus, som er tættest på en hovedperson, er lidt bleg. Og monstrene? De er sjove nok som pop-kultur-jokes, men ikke særlig interessante som karakterer. Det er underholdning så længe det varer – fed til en togtur – men ikke en der skal læses igen. Vurderingen Jens: ⭐⭐⭐ (tre stjerner). “Jeg synes jeg var godt underholdt. Det var et sjovt take, og jeg hyggede mig med alle de mange referencer. Det er ikke stor litteratur. Men af og til er det rart med noget let og fornøjeligt. Synes Demeters kamp med at forstå mennesker var kongesjov og også dens kollegiale kampe med Steward AI’en.” Anders: ⭐⭐⭐ (tre stjerner). “Jeg applauderer Barbara for at have fået en sjov idé og åbenlyst have haft det superhyggeligt med at skrive bogen. Men jeg var sært ligeglad med karaktererne, selvom Demeter og Steward havde deres øjeblikke. Jeg synes der var alt for meget fokus på ligegyldig action, og historien var alt for fragmenteret uden en god fornemmelse af udvikling.” Bogen minder os om Stefano Benni’s Terra – skør, vild og kreativ science fiction. Og selvfølgelig Blindsight af Peter Watts, som også har vampyrer i rummet. Adrian Tchaikovskys Service Model har også klare paralleller med robotter der forsøger at forstå sig selv og omverden. Jens og Anders har SCIFI SNAKKET Of Monsters and Mainframes. Shownotes til episoden om Of Monsters and Mainframes Siden sidst Anders Har set Guillermo del Toro’s Frankenstein på Netflix – meget teatralsk og med store armebevægelser. Kulisserne er for vilde. Den er lidt i stil med Dracula-filmatiseringen med Gary Oldman. Meget Guillermo del Toro-stil – hvis man er til det, er den vellykket. Anders gav den 6 ud af 10. Har læst The Other Valley af Scott Alexander Howard – en tidsrejsebog med meget lidt science i den. Vi lever i et mærkeligt parallelunivers hvor en by ligger i en dal. I dalen østpå lever de 20 år ude i fremtiden, i dalen vestpå 20 år tilbage i tiden. Meget strenge regler for at man ikke må gå frem og tilbage. Velskrevet og medrivende historie. Jens Har læst The Mercy of Gods af James S.A. Corey – Expanse-forfatterne er tilbage med en helt ny verden. Anbefalet af Søren Bjørn. Mercy of Gods foregår i en fjern fremtid på en planet hvor befolkningen kun har myter om koloniseringen. Vi er blandt videnskabsfolk som forsker i hvordan inkompatible træer af liv kan samleve. Men planeten bliver pludselig invaderet af en alien race – kæmpe hummer/knæler-agtige typer. Menneskeheden bliver sat på prøve for at se om man kan være en nyttig undersåt-race. Og samtidig går det op for os at der er en kæmpe galaktisk krig igang, og en af menneskene er blevet overtaget af en sværm af nanorobotter! Trailer ude for Ryan Gosling i rollen som Ryland Grace i Project Hail Mary af Andy Weir. Kommer i biffen den 20/3. Traileren spoiler bogen helt vildt, og der er kommet en masse action-scener som ikke findes i bogen. Lytternes input Masser af gode kommentarer fra kommentarfeltet om de gode læseoplevelser i 2025. Hennings top 3/2025: “Dying inside” af Robert Silverberg, 1972, om en ældre telepat der gradvist mister sin tankelæserevne. “Hard landing” af Algis Budrys, 1993, om hvordan en besætning fra en forulykket UFO forsøger at glide ind i og camouflere sig i det jordiske samfund. “Dark is the Sun”, af Philip Jose Farmer, 1979, om en Jord millioner af år ude i fremtiden, hvor Solen er ved at brænde sammen. Som Henning selv siger: “Det er eddermame nogle deprimerende indskud.” Frederik Aarup Lauritsen delte sin top 3 for 2025: Stiftelsen af Isaac Asimov, Station 11 af Emily St. John Mandel og Efter London af Richard Jefferies – en tussegammel post-apokalyptisk bog fra 1885. Kristofferabild har ikke så meget tid til at læse Sci-Fi for tiden – er gået en lille smule i stå med Count Zero. I 2025 var det bedste han (gen)læste Rendezvous With Rama, Restaurant At The End of The Universe og Murderbot 2 og 3. Michael har ikke fået læst så meget SF sidste år, men var sært glad ved Krystalverdenen af J.G. Ballard, The Ministry of Time på vores anbefaling – “det var jo næsten en hel hjertevarm sag – sjov at komme i gang med noget romance!” – og til sidst Jordboer af Sayaka Murata, som nok er en snitter i forhold til ren SF, men en tour de force i japansk dagligliv, body horror og nogle måske rumvæsner. “Prøv det. Den er crazy!” Majbritt Høyrup gjorde opmærksom på at Elle Cordova behandler The Power i sin blogklub. Hun vil anbefale to vidunderlige novellesamlinger af Ursula K. LeGuin: The Birthday of the World og Changing Planes. Lise bidrog med sine tre bedste bøger: American Elsewhere af Robert Jackson Bennett: Starter som Twin Peaks, går over i H. P. Lovecraft. En kvinde arver et hus i en by, som ikke findes på noget kort. Cosmicomics af Italo Calvino: Vi følger universets og Jordens tilblivelse gennem væsner/grundstoffer og deres oplevelser, interaktioner og kærlighed. En fin og underfundig lille novellesamling. The Prestige af Christopher Priest: En overraskende god bog. Hun har set filmen, men bogen er meget anderledes – hele det spekulative element fylder mere, og historien er langt mere mystisk. Næste gang Anders vælger næste bog: Mary Shelley’s Frankenstein or the Modern Prometheus fra 1818. Den fås gratis som Project Gutenberg Public Domain e-pop eller PDF. Man taler tit om den som den første moderne science fiction-bog, så den er nærmest pensum for SCIFI SNAK. Jens har tidligere syntes den var røvkedelig, men er nu klar til at prøve igen – måske er han et andet menneske nu.

Film journalist Germain Lussier joins Dave Weekley on Hotline for a deep dive into upcoming sci-fi blockbusters. Germain shares early impressions from seeing footage of Project Hail Mary, the adaptation of Andy Weir's novel starring Ryan Gosling, and explains why its emotional human-alien dynamic could make it the next great space film. The conversation then shifts to Steven Spielberg's Disclosure Day, a cryptic summer release centered on revealing that aliens may already be among us. From Gosling's career momentum to Spielberg's blockbuster instincts, it's a wide-ranging look at Hollywood's next big swing at the stars.

Many times on public radio, you hear folks say, “Long-time listener, first-time caller.” Well, that's me! I'm Maggie McCarthy—a long-time listener of KWBU—bringing you my, hopefully, first book review on Likely Stories.

Welcome to Watch. Review. Repeat. This is the podcast where two best friends discuss the latest in film and television and then do it all over again the following episode! Colton and Andrew return to Pandora in 'Avatar: Fire and Ash', the third entry in James Cameron's billion dollar franchise! 00:00:00 - Episode Teaser/Intro Music/Opening 00:06:29 - Andrew's Mythology Trivia Question of the Episode! 00:12:18 - 'Avatar: Fire and Ash' (Intro and Fun Fact) 00:14:19 - 'Avatar: Fire and Ash' (Box Office Breakdown) 00:22:09 - 'Avatar: Fire and Ash' (Non-Spoilers and Recommendation) 01:08:16 - 'Avatar: Fire and Ash' (Spoilers) 01:36:43 - Listener's Corner ('The Rip', 'The Nun', 'The Nun II', 'Frankenstein', 'Shrinking', 'The Pitt', 'Agatha Christie's Seven Dials', 'Stranger Things 5' Podcast Episode) 01:40:51 - Catching Up With Andrew (NFL Playoffs, Planned Skiing Trip, 'Him', 'Chad Powers', 'The Pitt' Season 2, RIP Bennett's Fish Bluey, Magic: The Gathering) 01:49:46 - Catching Up With Colton ('Letterkenny', Project Hail Mary by Andy Weir, Clair Obscur: Expedition 33) 01:57:45 - Catching Up With Andrew Pt. 2 (Animal Farm by George Orwell, Leadership and Self-Deception: Getting Out of the Box by the Arbinger Institute) 02:00:19 - Conclusion/Outro Music Visit our website! Support us on Patreon! Thank you for listening! Got something to say? Send it our way to watchreviewrepeat@gmail.com! Produced by: Anna Mattis Intro/Outro Music: Mechanolith Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

FTP Book Club: Project Hail Mary by Andy Weir

What makes a bestseller? Is it the quality of the writing, or just the right book at the right time? This week Kate is joined by co-host Laura Potter and returning guest Phil Chaffee to find out.Between us we've tackled six of the biggest bestsellers out there – Dan Brown's The Secret of Secrets, Freida McFadden's The Housemaid, Andy Weir's Project Hail Mary, Matt Dinnerman's Dungeon Crawler Carl, SenLinYu's Alchemised, and Sarah Adams' In Your Dreams – and we have some opinions.We're sharing our honest experiences of each one: what worked, what didn't, and whether these books truly earned their place on the bestseller lists. But this isn't just a round of verdicts. We're also pooling our recommendations for the bestsellers we genuinely think are worth your time, like The Correspondant by Virginia Evans – because there are some real gems out there among the hype.And as always, we round off with our current and upcoming reads.Press play to find out which bestsellers passed the test – and which ones didn't.Support the pod on PatreonExplore all the benefits of membership. Kate's weekly reading diary is available to free members. Paid tiers include ad-free episodes, extra shows, chat group access and our monthly book club at Patreon.com/thebookclubreview. BooklistYou can also find all the books mentioned in The Book Club Review bookshop on Bookshop.org, the online bookstore that supports independent bookshops.The Secret of Secrets by Dan BrownThe Da Vinci Code by Dan BrownThe Housemaid by Frieda McFaddenGone Girl by Gillian FlynnIn Your Dreams by Sarah AdamsAlchemized by SenLinYuGideon the Ninth by Tamsyn MuirDungeon Crawler Carl by Matt DinnimanThe Hitchhikers Guide to the Galaxy by Douglas AdamsProject Hail Mary by Andy WeirThe Martian by Andy WeirNobody's Fool by Harlen CobdenThe Correspondant by Virginia EvansThe Count of Monte Cristo by Alexandre Dumas (Robin Buss)Rivals by Jilly CooperThe novels of Stephen KingThe Time Traveller's Wife by Audrey NiffeneggerThe Smiley books by John Le CarreThe Underground Railroad by Colson WhiteheadThe Night Always Comes by Willy VlautinIce by Jacek Dukaj (Author) , Ursula Phillips (Translator)The Virgin in the Garden by A.S. ByattI'll Take The Fire by Leïla Slimani(also The Country of Others and Watch US Dance)Lullaby / The Perfect Nanny by Leïla SlimaniNearly Departed by Lucas OakeleyCaptain Corelli's Mandolin by Louis de BernieresThe Covenant of Water by Abraham VergheseDemon Copperhead by Barbara KingsolverSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode, Stephanie Majercik and Nicole Abrahamson from Off Color Book Club join me to discuss the most recent Off Color Book Club book, Project Hail Mary by Andy Weir.    My Book Club Guide   If you're interested in joining the Off Color Book Club in the future, our next meeting will be on Tuesday, February 17th to discuss There There by Tommy Orange. All are welcome! 

Send us a textJoin Liz Wilson and her other half, Jonathan Wilson (aka Producer Jonny!) on Two Babes and a Book as we have some book banter about the book Project Hail Mary by Andy Weir. Rachel is in the midst of a move, so she will be back for the next episode!**We have a new content ratings system! It involves 3 tiers for each category (sex, violence, drugs and alcohol, language). It's similar to G/PG, Pg-13, and R ratings in movies. Check out our instagram page for the breakdown.Follow us on instagram @twobabesandabook. Make a comment there and tell us if you read this book. Make sure to leave us a review!  Thanks to those friends who have already shared the podcast!! It means the WORLD to us! As Holbrook Jackson said, "Never put off till tomorrow the book you can read today."Now go stick your nose in a book!

Welcome to Watch. Review. Repeat. This is the podcast where two best friends discuss the latest in film and television and then do it all over again the following episode! Special guests James Bailey and Luke Elliott from the Ink to Film podcast join us for one last adventure in Hawkins, Indiana, in 'Stranger Things 5', the long-awaited final season of the Netflix original series! 00:00:00 - Episode Teaser/Intro Music/Opening 00:13:14 - 'Stranger Things 5' (Intro and Fun Facts) 00:21:08 - 'Stranger Things 5' (Non-Spoilers and Recommendation) 01:20:04 - 'Stranger Things 5' (Spoilers) 02:54:06 - Catching Up With James (Wedding, Honeymoon in Japan, 'Bugonia', Clair Obscur: Expedition 33) 03:00:02 - Catching Up With Luke (Researching and Writing Book, Kingdom Come: Deliverance II, Enter Shikari, Manchester Orchestra) 03:05:56 - Catching Up With Andrew (Football Bad, 'Chad Powers', Magic: The Gathering, ARC Raiders, Home Renovations) 03:11:32 - Catching Up With Colton (Christmas Movie Staples, Project Hail Mary by Andy Weir)  03:15:58 - Conclusion/Outro Music Visit our website! Support us on Patreon! For more information on the Ink to Film Podcast, check out www.inktofilm.com! If you enjoy their show, please leave a rating or review! Thank you for listening! Got something to say? Send it our way to watchreviewrepeat@gmail.com! Produced by: Anna Mattis Intro/Outro Music: Mechanolith Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

What if the most transformative thing you can do for your writing craft and author business is to face what you fear? How can you can find gold in your Shadow in the year ahead? In this episode, I share chapters from Writing the Shadow: Turn Your Inner Darkness Into Words. In the intro, curated book boxes from Bridgerton's Julia Quinn; Google's agentic shopping, and powering Apple's Siri; ChatGPT Ads; and Claude CoWork. Balancing Certainty and Uncertainty [MoonShots with Tony Robbins]; and three trends for authors with me and Orna Ross [Self-Publishing with ALLi Podcast]; plus, Bones of the Deep, Business for Authors, and Indie Author Lab. This show is supported by my Patrons. Join my Community at Patreon.com/thecreativepenn  Joanna Penn writes non-fiction for authors and is an award-winning, New York Times and USA Today bestselling author of thrillers, dark fantasy, and memoir as J.F. Penn. She's also an award-winning podcaster, creative entrepreneur, and international professional speaker. What is the Shadow? The ‘creative wound' and the Shadow in writing The Shadow in traditional publishing The Shadow in self-publishing or being an indie author The Shadow in work The Shadow in money You can find Writing the Shadow in all formats on all stores, as well as special edition, workbook and bundles at www.TheCreativePenn.com/shadowbook Writing the Shadow: Turn Your Inner Darkness Into Words The following chapters are excerpted from Writing the Shadow: Turn Your Inner Darkness Into Words by Joanna Penn. Introduction. What is the Shadow? “How can I be substantial if I do not cast a shadow? I must have a dark side also if I am to be whole.” —C.G. Jung, Modern Man in Search of a Soul We all have a Shadow side and it is the work of a lifetime to recognise what lies within and spin that base material into gold. Think of it as a seedling in a little pot that you're given when you're young. It's a bit misshapen and weird, not something you would display in your living room, so you place it in a dark corner of the basement. You don't look at it for years. You almost forget about it. Then one day you notice tendrils of something wild poking up through the floorboards. They're ugly and don't fit with your Scandi-minimalist interior design. You chop the tendrils away and pour weedkiller on what's left, trying to hide the fact that they were ever there. But the creeping stems keep coming. At some point, you know you have to go down there and face the wild thing your seedling has become. When you eventually pluck up enough courage to go down into the basement, you discover that the plant has wound its roots deep into the foundations of your home. Its vines weave in and out of the cracks in the walls, and it has beautiful flowers and strange fruit. It holds your world together. Perhaps you don't need to destroy the wild tendrils. Perhaps you can let them wind up into the light and allow their rich beauty to weave through your home. It will change the look you have so carefully cultivated, but maybe that's just what the place needs. The Shadow in psychology Carl Gustav Jung was a Swiss psychologist and the founder of analytical psychology. He described the Shadow as an unconscious aspect of the human personality, those parts of us that don't match up to what is expected of us by family and society, or to our own ideals. The Shadow is not necessarily evil or illegal or immoral, although of course it can be. It's also not necessarily caused by trauma, abuse, or any other severely damaging event, although again, it can be. It depends on the individual. What is in your Shadow is based on your life and your experiences, as well as your culture and society, so it will be different for everyone. Psychologist Connie Zweig, in The Inner Work of Age, explains, “The Shadow is that part of us that lies beneath or behind the light of awareness. It contains our rejected, unacceptable traits and feelings. It contains our hidden gifts and talents that have remained unexpressed or unlived. As Jung put it, the essence of the Shadow is pure gold.” To further illustrate the concept, Robert Bly, in A Little Book on the Human Shadow,uses the following metaphor: “When we are young, we carry behind us an invisible bag, into which we stuff any feelings, thoughts, or behaviours that bring disapproval or loss of love—anger, tears, neediness, laziness. By the time we go to school, our bags are already a mile long. In high school, our peer groups pressure us to stuff the bags with even more—individuality, sexuality, spontaneity, different opinions. We spend our life until we're twenty deciding which parts of ourselves to put into the bag and we spend the rest of our lives trying to get them out again.” As authors, we can use what's in the ‘bag' to enrich our writing — but only if we can access it. My intention with this book is to help you venture into your Shadow and bring some of what's hidden into the light and into your words. I'll reveal aspects of my Shadow in these pages but ultimately, this book is about you. Your Shadow is unique. There may be elements we share, but much will be different. Each chapter has questions for you to consider that may help you explore at least the edges of your Shadow, but it's not easy. As Jung said, “One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular.” But take heart, Creative. You don't need courage when things are easy. You need it when you know what you face will be difficult, but you do it anyway. We are authors. We know how to do hard things. We turn ideas into books. We manifest thoughts into ink on paper. We change lives with our writing. First, our own, then other people's. It's worth the effort to delve into Shadow, so I hope you will join me on the journey. The creative wound and the Shadow in writing “Whatever pain you can't get rid of, make it your creative offering.” —Susan Cain, Bittersweet  The more we long for something, the more extreme our desire, the more likely it is to have a Shadow side. For those of us who love books, the author life may well be a long-held dream and thus, it is filled with Shadow. Books have long been objects of desire, power, and authority. They hold a mythic status in our lives. We escaped into stories as children; we studied books at school and college; we read them now for escape and entertainment, education and inspiration. We collect beautiful books to put on our shelves. We go to them for solace and answers to the deepest questions of life. Writers are similarly held in high esteem. They shape culture, win literary prizes, give important speeches, and are quoted in the mainstream media. Their books are on the shelves in libraries and bookstores. Writers are revered, held up as rare, talented creatures made separate from us by their brilliance and insight. For bibliophile children, books were everything and to write one was a cherished dream. To become an author? Well, that would mean we might be someone special, someone worthy. Perhaps when you were young, you thought the dream of being a writer was possible — then you told someone about it. That's probably when you heard the first criticism of such a ridiculous idea, the first laughter, the first dismissal. So you abandoned the dream, pushed the idea of being a writer into the Shadow, and got on with your life. Or if it wasn't then, it came later, when you actually put pen to paper and someone — a parent, teacher, partner, or friend, perhaps even a literary agent or publisher, someone whose opinion you valued — told you it was worthless. Here are some things you might have heard: Writing is a hobby. Get a real job. You're not good enough. You don't have any writing talent. You don't have enough education. You don't know what you're doing. Your writing is derivative / unoriginal / boring / useless / doesn't make sense. The genre you write in is dead / worthless / unacceptable / morally wrong / frivolous / useless.  Who do you think you are? No one would want to read what you write. You can't even use proper grammar, so how could you write a whole book? You're wasting your time. You'll never make it as a writer. You shouldn't write those things (or even think about those things). Why don't you write something nice? Insert other derogatory comment here! Mark Pierce describes the effect of this experience in his book The Creative Wound, which “occurs when an event, or someone's actions or words, pierce you, causing a kind of rift in your soul. A comment—even offhand and unintentional—is enough to cause one.” He goes on to say that such words can inflict “damage to the core of who we are as creators. It is an attack on our artistic identity, resulting in us believing that whatever we make is somehow tainted or invalid, because shame has convinced us there is something intrinsically tainted or invalid about ourselves.” As adults, we might brush off such wounds, belittling them as unimportant in the grand scheme of things. We might even find ourselves saying the same words to other people. After all, it's easier to criticise than to create. But if you picture your younger self, bright eyed as you lose yourself in your favourite book, perhaps you might catch a glimpse of what you longed for before your dreams were dashed on the rocks of other people's reality. As Mark Pierce goes on to say, “A Creative Wound has the power to delay our pursuits—sometimes for years—and it can even derail our lives completely… Anything that makes us feel ashamed of ourselves or our work can render us incapable of the self-expression we yearn for.” This is certainly what happened to me, and it took decades to unwind. Your creative wounds will differ to mine but perhaps my experience will help you explore your own. To be clear, your Shadow may not reside in elements of horror as mine do, but hopefully you can use my example to consider where your creative wounds might lie. “You shouldn't write things like that.” It happened at secondary school around 1986 or 1987, so I would have been around eleven or twelve years old. English was one of my favourite subjects and the room we had our lessons in looked out onto a vibrant garden. I loved going to that class because it was all about books, and they were always my favourite things. One day, we were asked to write a story. I can't remember the specifics of what the teacher asked us to write, but I fictionalised a recurring nightmare. I stood in a dark room. On one side, my mum and my brother, Rod, were tied up next to a cauldron of boiling oil, ready to be thrown in. On the other side, my dad and my little sister, Lucy, were threatened with decapitation by men with machetes. I had to choose who would die. I always woke up, my heart pounding, before I had to choose. Looking back now, it clearly represented an internal conflict about having to pick sides between the two halves of my family. Not an unexpected issue from a child of divorce. Perhaps these days, I might have been sent to the school counsellor, but it was the eighties and I don't think we even had such a thing. Even so, the meaning of the story isn't the point. It was the reaction to it that left scars. “You shouldn't write things like that,” my teacher said, and I still remember her look of disappointment, even disgust. Certainly judgment. She said my writing was too dark. It wasn't a proper story. It wasn't appropriate for the class. As if horrible things never happened in stories — or in life. As if literature could not include dark tales. As if the only acceptable writing was the kind she approved of. We were taught The Prime of Miss Jean Brodie that year, which says a lot about the type of writing considered appropriate. Or perhaps the issue stemmed from the school motto, “So hateth she derknesse,” from Chaucer's The Legend of Good Women: “For fear of night, so she hates the darkness.” I had won a scholarship to a private girls' school, and their mission was to turn us all into proper young ladies. Horror was never on the curriculum. Perhaps if my teacher had encouraged me to write my darkness back then, my nightmares would have dissolved on the page. Perhaps if we had studied Mary Shelley's Frankenstein, or H.P. Lovecraft stories, or Bram Stoker's Dracula, I could have embraced the darker side of literature earlier in my life. My need to push darker thoughts into my Shadow was compounded by my (wonderful) mum's best intentions. We were brought up on the principles of The Power of Positive Thinking by Norman Vincent Peale and she tried to shield me and my brother from anything harmful or horrible. We weren't allowed to watch TV much, and even the British school drama Grange Hill was deemed inappropriate. So much of what I've achieved is because my mum instilled in me a “can do” attitude that anything is possible. I'm so grateful to her for that. (I love you, Mum!) But all that happy positivity, my desire to please her, to be a good girl, to make my teachers proud, and to be acceptable to society, meant that I pushed my darker thoughts into Shadow. They were inappropriate. They were taboo. They must be repressed, kept secret, and I must be outwardly happy and positive at all times. You cannot hold back the darkness “The night is dark and full of terrors.” —George R.R. Martin, A Storm of Swords It turned out that horror was on the curriculum, much of it in the form of educational films we watched during lessons. In English Literature, we watched Romeo drink poison and Juliet stab herself in Zeffirelli's Romeo and Juliet. In Religious Studies, we watched Jesus beaten, tortured, and crucified in The Greatest Story Ever Told, and learned of the variety of gruesome ways that Christian saints were martyred. In Classical Civilisation, we watched gladiators slaughter each other in Spartacus. In Sex Education at the peak of the AIDS crisis in the mid-'80s, we were told of the many ways we could get infected and die. In History, we studied the Holocaust with images of skeletal bodies thrown into mass graves, medical experiments on humans, and grainy videos of marching soldiers giving the Nazi salute. One of my first overseas school field trips was to the World War I battlegrounds of Flanders Fields in Belgium, where we studied the inhuman conditions of the trenches, walked through mass graves, and read war poetry by candlelight. As John McCrae wrote: We are the Dead. Short days agoWe lived, felt dawn, saw sunset glow,Loved and were loved, and now we lie, In Flanders fields. Did the teachers not realise how deeply a sensitive teenager might feel the darkness of that place? Or have I always been unusual in that places of blood echo deep inside me? And the horrors kept coming. We lived in Bristol, England back then and I learned at school how the city had been part of the slave trade, its wealth built on the backs of people stolen from their homes, sold, and worked to death in the colonies. I had been at school for a year in Malawi, Africa and imagined the Black people I knew drowning, being beaten, and dying on those ships. In my teenage years, the news was filled with ethnic cleansing, mass rape, and massacres during the Balkan wars, and images of bodies hacked apart during the Rwandan genocide. Evil committed by humans against other humans was not a historical aberration. I'm lucky and I certainly acknowledge my privilege. Nothing terrible or horrifying has happened to me — but bad things certainly happen to others. I wasn't bullied or abused. I wasn't raped or beaten or tortured. But you don't have to go through things to be afraid of them, and for your imagination to conjure the possibility of them. My mum doesn't read my fiction now as it gives her nightmares (Sorry, Mum!). I know she worries that somehow she's responsible for my darkness, but I've had a safe and (mostly) happy life, for which I'm truly grateful. But the world is not an entirely safe and happy place, and for a sensitive child with a vivid imagination, the world is dark and scary. It can be brutal and violent, and bad things happen, even to good people. No parent can shield their child from the reality of the world. They can only help them do their best to live in it, develop resilience, and find ways to deal with whatever comes. Story has always been a way that humans have used to learn how to live and deal with difficult times. The best authors, the ones that readers adore and can't get enough of, write their darkness into story to channel their experience, and help others who fear the same. In an interview on writing the Shadow on The Creative Penn Podcast, Michaelbrent Collings shared how he incorporated a personally devastating experience into his writing:  “My wife and I lost a child years back, and that became the root of one of my most terrifying books, Apparition. It's not terrifying because it's the greatest book of all time, but just the concept that there's this thing out there… like a demon, and it consumes the blood and fear of the children, and then it withdraws and consumes the madness of the parents… I wrote that in large measure as a way of working through what I was experiencing.” I've learned much from Michaelbrent. I've read many of his (excellent) books and he's been on my podcast multiple times talking about his depression and mental health issues, as well as difficulties in his author career. Writing darkness is not in Michaelbrent's Shadow and only he can say what lies there for him. But from his example, and from that of other authors, I too learned how to write my Shadow into my books. Twenty-three years after that English lesson, in November 2009, I did NaNoWriMo, National Novel Writing Month, and wrote five thousand words of what eventually became Stone of Fire, my first novel. In the initial chapter, I burned a nun alive on the ghats of Varanasi on the banks of the Ganges River. I had watched the bodies burn by night on pyres from a boat bobbing in the current a few years before, and the image was still crystal clear in my mind. The only way to deal with how it made me feel about death was to write about it — and since then, I've never stopped writing. Returning to the nightmare from my school days, I've never had to choose between the two halves of my family, but the threat of losing them remains a theme in my fiction. In my ARKANE thriller series, Morgan Sierra will do anything to save her sister and her niece. Their safety drives her to continue to fight against evil. Our deepest fears emerge in our writing, and that's the safest place for them. I wish I'd been taught how to turn my nightmares into words back at school, but at least now I've learned to write my Shadow onto the page. I wish the same for you. The Shadow in traditional publishing If becoming an author is your dream, then publishing a book is deeply entwined with that. But as Mark Pierce says in The Creative Wound, “We feel pain the most where it matters the most… Desire highlights whatever we consider to be truly significant.” There is a lot of desire around publishing for those of us who love books! It can give you: Validation that your writing is good enough Status and credibility Acceptance by an industry held in esteem  The potential of financial reward and critical acclaim Support from a team of professionals who know how to make fantastic books A sense of belonging to an elite community Pride in achieving a long-held goal, resulting in a confidence boost and self-esteem Although not guaranteed, traditional publishing can give you all these things and more, but as with everything, there is a potential Shadow side. Denying it risks the potential of being disillusioned, disappointed, and even damaged. But remember, forewarned is forearmed, as the saying goes. Preparation can help you avoid potential issues and help you feel less alone if you encounter them. The myth of success… and the reality of experience There is a pervasive myth of success in the traditional publishing industry, perpetuated by media reporting on brand name and breakout authors, those few outliers whose experience is almost impossible to replicate. Because of such examples, many new traditionally published authors think that their first book will hit the top of the bestseller charts or win an award, as well as make them a million dollars — or at least a big chunk of cash. They will be able to leave their job, write in a beautiful house overlooking the ocean, and swan around the world attending conferences, while writing more bestselling books. It will be a charmed life. But that is not the reality. Perhaps it never was. Even so, the life of a traditionally published author represents a mythic career with the truth hidden behind a veil of obscurity. In April 2023, The Bookseller in the UK reported that “more than half of authors (54%) responding to a survey on their experiences of publishing their debut book have said the process negatively affected their mental health. Though views were mixed, just 22%… described a positive experience overall… Among the majority who said they had a negative experience of debut publication, anxiety, stress, depression and ‘lowered' self-esteem were cited, with lack of support, guidance or clear and professional communication from their publisher among the factors that contributed.” Many authors who have negative experiences around publishing will push them into the Shadow with denial or self-blame, preferring to keep the dream alive. They won't talk about things in public as this may negatively affect their careers, but private discussions are often held in the corners of writing conferences or social media groups online. Some of the issues are as follows: Repeated rejection by agents and publishers may lead to the author thinking they are not good enough as a writer, which can lead to feeling unworthy as a person. If an author gets a deal, the amount of advance and the name and status of the publisher compared to others create a hierarchy that impacts self-esteem. A deal for a book may be much lower than an author might have been expecting, with low or no advance, and the resulting experience with the publisher beneath expectations. The launch process may be disappointing, and the book may appear without fanfare, with few sales and no bestseller chart position. In The Bookseller report, one author described her launch day as “a total wasteland… You have expectations about what publication day will be like, but in reality, nothing really happens.” The book may receive negative reviews by critics or readers or more publicly on social media, which can make an author feel attacked. The book might not sell as well as expected, and the author may feel like it's their fault. Commercial success can sometimes feel tied to self-worth and an author can't help but compare their sales to others, with resulting embarrassment or shame. The communication from the publisher may be less than expected. One author in The Bookseller report said, “I was shocked by the lack of clarity and shared information and the cynicism that underlies the superficial charm of this industry.” There is often more of a focus on debut authors in publishing houses, so those who have been writing and publishing in the midlist for years can feel ignored and undervalued. In The Bookseller report, 48 percent of authors reported “their publisher supported them for less than a year,” with one saying, “I got no support and felt like a commodity, like the team had moved on completely to the next book.” If an author is not successful enough, the next deal may be lower than the last, less effort is made with marketing, and they may be let go. In The Bookseller report, “six authors—debut and otherwise—cited being dropped by their publisher, some with no explanation.” Even if everything goes well and an author is considered successful by others, they may experience imposter syndrome, feeling like a fraud when speaking at conferences or doing book signings. And the list goes on … All these things can lead to feelings of shame, inadequacy, and embarrassment; loss of status in the eyes of peers; and a sense of failure if a publishing career is not successful enough. The author feels like it's their fault, like they weren't good enough — although, of course, the reality is that the conditions were not right at the time. A failure of a book is not a failure of the person, but it can certainly feel like it! When you acknowledge the Shadow, it loses its power Despite all the potential negatives of traditional publishing, if you know what could happen, you can mitigate them. You can prepare yourself for various scenarios and protect yourself from potential fall-out. It's clear from The Bookseller report that too many authors have unrealistic expectations of the industry. But publishers are businesses, not charities. It's not their job to make you feel good as an author. It's their job to sell books and pay you. The best thing they can do is to continue to be a viable business so they can keep putting books on the shelves and keep paying authors, staff, and company shareholders. When you license your creative work to a publisher, you're giving up control of your intellectual property in exchange for money and status. Bring your fears and issues out of the Shadow, acknowledge them, and deal with them early, so they do not get pushed down and re-emerge later in blame and bitterness. Educate yourself on the business of publishing. Be clear on what you want to achieve with any deal. Empower yourself as an author, take responsibility for your career, and you will have a much better experience. The Shadow in self-publishing or being an indie author Self-publishing, or being an independent (indie) author, can be a fantastic, pro-active choice for getting your book into the world. Holding your first book in your hand and saying “I made this” is pretty exciting, and even after more than forty books, I still get excited about seeing ideas in my head turn into a physical product in the world. Self-publishing can give an author: Creative control over what to write, editorial and cover design choices, when and how often to publish, and how to market Empowerment over your author career and the ability to make choices that impact success without asking for permission Ownership and control of intellectual property assets, resulting in increased opportunity around licensing and new markets Independence and the potential for recurring income for the long term Autonomy and flexibility around timelines, publishing options, and the ability to easily pivot into new genres and business models Validation based on positive reader reviews and money earned Personal growth and learning through the acquisition of new skills, resulting in a boost in confidence and self-esteem A sense of belonging to an active and vibrant community of indie authors around the world Being an indie author can give you all this and more, but once again, there is a Shadow side and preparation can help you navigate potential issues. The myth of success… and the reality of experience As with traditional publishing, the indie author world has perpetuated a myth of success in the example of the breakout indie author like E.L. James with Fifty Shades of Grey, Hugh Howey with Wool, or Andy Weir with The Martian. The emphasis on financial success is also fuelled online by authors who share screenshots showing six-figure months or seven-figure years, without sharing marketing costs and other outgoings, or the amount of time spent on the business. Yes, these can inspire some, but it can also make others feel inadequate and potentially lead to bad choices about how to publish and market based on comparison. The indie author world is full of just as much ego and a desire for status and money as traditional publishing. This is not a surprise! Most authors, regardless of publishing choices, are a mix of massive ego and chronic self-doubt. We are human, so the same issues will re-occur. A different publishing method doesn't cure all ills. Some of the issues are as follows: You learn everything you need to know about writing and editing, only to find that you need to learn a whole new set of skills in order to self-publish and market your book. This can take a lot of time and effort you did not expect, and things change all the time so you have to keep learning. Being in control of every aspect of the publishing process, from writing to cover design to marketing, can be overwhelming, leading to indecision, perfectionism, stress, and even burnout as you try to do all the things. You try to find people to help, but building your team is a challenge, and working with others has its own difficulties. People say negative things about self-publishing that may arouse feelings of embarrassment or shame. These might be little niggles, but they needle you, nonetheless. You wonder whether you made the right choice. You struggle with self-doubt and if you go to an event with traditional published authors, you compare yourself to them and feel like an imposter. Are you good enough to be an author if a traditional publisher hasn't chosen you? Is it just vanity to self-publish? Are your books unworthy? Even though you worked with a professional editor, you still get one-star reviews and you hate criticism from readers. You wonder whether you're wasting your time. You might be ripped off by an author services company who promise the world, only to leave you with a pile of printed books in your garage and no way to sell them. When you finally publish your book, it languishes at the bottom of the charts while other authors hit the top of the list over and over, raking in the cash while you are left out of pocket. You don't admit to over-spending on marketing as it makes you ashamed. You resist book marketing and make critical comments about writers who embrace it. You believe that quality rises to the top and if a book is good enough, people will buy it anyway. This can lead to disappointment and disillusionment when you launch your book and it doesn't sell many copies because nobody knows about it. You try to do what everyone advises, but you still can't make decent money as an author. You're jealous of other authors' success and put it down to them ‘selling out' or writing things you can't or ‘using AI' or ‘using a ghostwriter' or having a specific business model you consider impossible to replicate. And the list goes on… When you acknowledge the Shadow, it loses its power Being in control of your books and your author career is a double-edged sword. Traditionally published authors can criticise their publishers or agents or the marketing team or the bookstores or the media, but indie authors have to take responsibility for it all. Sure, we can blame ‘the algorithms' or social media platforms, or criticise other authors for having more experience or more money to invest in marketing, or attribute their success to writing in a more popular genre — but we also know there are always people who do well regardless of the challenges. Once more, we're back to acknowledging and integrating the Shadow side of our choices. We are flawed humans. There will always be good times and bad, and difficulties to offset the high points. This too shall pass, as the old saying goes. I know that being an indie author has plenty of Shadow. I've been doing this since 2008 and despite the hard times, I'm still here. I'm still writing. I'm still publishing. This life is not for everyone, but it's my choice. You must make yours. The Shadow in work You work hard. You make a living. Nothing wrong with that attitude, right? It's what we're taught from an early age and, like so much of life, it's not a problem until it goes to extremes. Not achieving what you want to? Work harder. Can't get ahead? Work harder. Not making a good enough living? Work harder. People who don't work hard are lazy. They don't deserve handouts or benefits. People who don't work hard aren't useful, so they are not valued members of our culture and community. But what about the old or the sick, the mentally ill, or those with disabilities? What about children? What about the unemployed? The under-employed? What about those who are — or will be — displaced by technology, those called “the useless class” by historian Yuval Noah Harari in his book Homo Deus? What if we become one of these in the future? Who am I if I cannot work? The Shadow side of my attitude to work became clear when I caught COVID in the summer of 2021. I was the sickest I'd ever been. I spent two weeks in bed unable to even think properly, and six weeks after that, I was barely able to work more than an hour a day before lying in the dark and waiting for my energy to return. I was limited in what I could do for another six months after that. At times, I wondered if I would ever get better. Jonathan kept urging me to be patient and rest. But I don't know how to rest. I know how to work and how to sleep. I can do ‘active rest,' which usually involves walking a long way or traveling somewhere interesting, but those require a stronger mind and body than I had during those months. It struck me that even if I recovered from the virus, I had glimpsed my future self. One day, I will be weak in body and mind. If I'm lucky, that will be many years away and hopefully for a short time before I die — but it will happen. I am an animal. I will die. My body and mind will pass on and I will be no more. Before then I will be weak. Before then, I will be useless. Before then, I will be a burden. I will not be able to work… But who am I if I cannot work? What is the point of me? I can't answer these questions right now, because although I recognise them as part of my Shadow, I've not progressed far enough to have dealt with them entirely. My months of COVID gave me some much-needed empathy for those who cannot work, even if they want to. We need to reframe what work is as a society, and value humans for different things, especially as technology changes what work even means. That starts with each of us. “Illness, affliction of body and soul, can be life-altering. It has the potential to reveal the most fundamental conflict of the human condition: the tension between our infinite, glorious dreams and desires and our limited, vulnerable, decaying physicality.” —Connie Zweig, The Inner Work of Age: Shifting from Role to Soul The Shadow in money In the Greek myth, King Midas was a wealthy ruler who loved gold above all else. His palace was adorned with golden sculptures and furniture, and he took immense pleasure in his riches. Yet, despite his vast wealth, he yearned for more. After doing a favour for Dionysus, the god of wine and revelry, Midas was granted a single wish. Intoxicated by greed, he wished that everything he touched would turn to gold — and it was so. At first, it was a lot of fun. Midas turned everything else in his palace to gold, even the trees and stones of his estate. After a morning of turning things to gold, he fancied a spot of lunch. But when he tried to eat, the food and drink turned to gold in his mouth. He became thirsty and hungry — and increasingly desperate. As he sat in despair on his golden throne, his beloved young daughter ran to comfort him. For a moment, he forgot his wish — and as she wrapped her arms around him and kissed his cheek, she turned into a golden statue, frozen in precious metal. King Midas cried out to the gods to forgive him, to reverse the wish. He renounced his greed and gave away all his wealth, and his daughter was returned to life. The moral of the story: Wealth and greed are bad. In Charles Dickens's A Christmas Carol, Ebenezer Scrooge is described as a “squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner.” He's wealthy but does not share, considering Christmas spending to be frivolous and giving to charity to be worthless. He's saved by a confrontation with his lonely future and becomes a generous man and benefactor of the poor. Wealth is good if you share it with others. The gospel of Matthew, chapter 25: 14-30, tells the parable of the bags of gold, in which a rich man goes on a journey and entrusts his servants with varying amounts of gold. On his return, the servants who multiplied the gold through their efforts and investments are rewarded, while the one who merely returned the gold with no interest is punished: “For whoever has will be given more, and they will have an abundance. Whoever does not have, even what they have will be taken from them.” Making money is good, making more money is even better. If you can't make any money, you don't deserve to have any. Within the same gospel, in Matthew 19:24, Jesus encounters a wealthy man and tells him to sell all his possessions and give the money to the poor, which the man is unable to do. Jesus says, “It is easier for a camel to go through the eye of a needle than for someone who is rich to enter the kingdom of God.” Wealth is bad. Give it all away and you'll go to heaven. With all these contradictory messages, no wonder we're so conflicted about money! How do you think and feel about money? While money is mostly tied to our work, it's far more than just a transactional object for most people. It's loaded with complex symbolism and judgment handed down by family, religion, and culture. You are likely to find elements of Shadow by examining your attitudes around money. Consider which of the following statements resonate with you or write your own. Money stresses me out. I don't want to talk about it or think about it. Some people hoard money, so there is inequality. Rich people are bad and we should take away their wealth and give it to the poor.  I can never make enough money to pay the bills, or to give my family what I want to provide. Money doesn't grow on trees.  It's wasteful to spend money as you might need it later, so I'm frugal and don't spend money unless absolutely necessary. It is better and more ethical to be poor than to be rich. I want more money. I read books and watch TV shows about rich people because I want to live like that. Sometimes I spend too much on things for a glimpse of what that might be like.  I buy lottery tickets and dream of winning all that money.  I'm jealous of people who have money. I want more of it and I resent those who have it. I'm no good with money. I don't like to look at my bank statement or credit card statement. I live off my overdraft and I'm in debt. I will never earn enough to get out of debt and start saving, so I don't think too much about it. I don't know enough about money. Talking about it makes me feel stupid, so I just ignore it. People like me aren't educated about money.  I need to make more money. If I can make lots of money, then people will look up to me. If I make lots of money, I will be secure, nothing can touch me, I will be safe.  I never want to be poor. I would be ashamed to be poor. I will never go on benefits. My net worth is my self worth. Money is good. We have the best standard of living in history because of the increase in wealth over time. Even the richest kings of the past didn't have what many middle-class people have today in terms of access to food, water, technology, healthcare, education, and more. The richest people give the most money to the poor through taxation and charity, as well as through building companies that employ people and invent new things. The very richest give away much of their fortunes. They provide far more benefit to the world than the poor.  I love money. Money loves me. Money comes easily and quickly to me. I attract money in multiple streams of income. It flows to me in so many ways. I spend money. I invest money. I give money. I'm happy and grateful for all that I receive. The Shadow around money for authors in particular Many writers and other creatives have issues around money and wealth. How often have you heard the following, and which do you agree with? You can't make money with your writing. You'll be a poor author in a garret, a starving artist.  You can't write ‘good quality' books and make money. If you make money writing, you're a hack, you're selling out. You are less worthy than someone who writes only for the Muse. Your books are commercial, not artistic. If you spend money on marketing, then your books are clearly not good enough to sell on their own. My agent / publisher / accountant / partner deals with the money side. I like to focus on the creative side of things. My money story Note: This is not financial or investment advice. Please talk to a professional about your situation. I've had money issues over the years — haven't we all! But I have been through a (long) process to bring money out of my Shadow and into the light. There will always be more to discover, but hopefully my money story will help you, or at least give you an opportunity to reflect. Like most people, I didn't grow up with a lot of money. My parents started out as teachers, but later my mum — who I lived with, along with my brother — became a change management consultant, moving to the USA and earning a lot more. I'm grateful that she moved into business because her example changed the way I saw money and provided some valuable lessons. (1) You can change your circumstances by learning more and then applying that to leverage opportunity into a new job or career Mum taught English at a school in Bristol when we moved back from Malawi, Africa, in the mid '80s but I remember how stressful it was for her, and how little money she made. She wanted a better future for us all, so she took a year out to do a master's degree in management. In the same way, when I wanted to change careers and leave consulting to become an author, I spent time and money learning about the writing craft and the business of publishing. I still invest a considerable chunk on continuous learning, as this industry changes all the time. (2) You might have to downsize in order to leap forward The year my mum did her degree, we lived in the attic of another family's house; we ate a lot of one-pot casserole and our treat was having a Yorkie bar on the walk back from the museum. We wore hand-me-down clothes, and I remember one day at school when another girl said I was wearing her dress. I denied it, of course, but there in back of the dress was her name tag. I still remember her name and I can still feel that flush of shame and embarrassment. I was determined to never feel like that again. But what I didn't realize at the time was that I was also learning the power of downsizing. Mum got her degree and then a new job in management in Bristol. She bought a house, and we settled for a few years. I had lots of different jobs as a teenager. My favourite was working in the delicatessen because we got a free lunch made from delicious produce. After I finished A-levels, I went to the University of Oxford, and my mum and brother moved to the USA for further opportunities. I've downsized multiple times over the years, taking a step back in order to take a step forward. The biggest was in 2010 when I decided to leave consulting. Jonathan and I sold our three-bedroom house and investments in Brisbane, Australia, and rented a one-bedroom flat in London, so we could be debt-free and live on less while I built up a new career. It was a decade before we bought another house. (3) Comparison can be deadly: there will always be people with more money than you Oxford was an education in many ways and relevant to this chapter is how much I didn't know about things people with money took for granted. I learned about formal hall and wine pairings, and how to make a perfect gin and tonic. I ate smoked salmon for the first time. I learned how to fit in with people who had a lot more money than I did, and I definitely wanted to have money of my own to play with. (4) Income is not wealth You can earn lots but have nothing to show for it after years of working. I learned this in my first few years of IT consulting after university. I earned a great salary and then went contracting, earning even more money at a daily rate. I had a wonderful time. I traveled, ate and drank and generally made merry, but I always had to go back to the day job when the money ran out. I couldn't work out how I could ever stop this cycle. Then I read Rich Dad, Poor Dad by Robert Kiyosaki, a book I still recommend, especially if you're from a family that values academic over financial education. I learned how to escape the rat race by building and/or accumulating assets that pay even when you're not working. It was a revelation! The ‘poor dad' in the book is a university professor. He knows so much about so many things, but he ends up poor as he did not educate himself about money. The ‘rich dad' has little formal education, but he knows about money and wealth because he learned about it, as we can do at any stage in our lives. (5) Not all investments suit every person, so find the right one for you Once I discovered the world of investing, I read all the books and did courses and in-person events. I joined communities and I up-skilled big time. Of course, I made mistakes and learned lots along the way. I tried property investing and renovated a couple of houses for rental (with more practical partners and skilled contractors). But while I could see that property investing might work for some people, I did not care enough about the details to make it work for me, and it was certainly not passive income. I tried other things. My first husband was a boat skipper and scuba diving instructor, so we started a charter. With the variable costs of fuel, the vagaries of New Zealand weather — and our divorce — it didn't last long! From all these experiments, I learned I wanted to run a business, but it needed to be online and not based on a physical location, physical premises, or other people. That was 2006, around the time that blogging started taking off and it became possible to make a living online. I could see the potential and a year later, the iPhone and the Amazon Kindle launched, which became the basis of my business as an author. (6) Boring, automatic saving and investing works best Between 2007 and 2011, I contracted in Australia, where they have compulsory superannuation contributions, meaning you have to save and invest a percentage of your salary or self-employed income. I'd never done that before, because I didn't understand it. I'd ploughed all my excess income into property or the business instead. But in Australia I didn't notice the money going out because it was automatic. I chose a particular fund and it auto-invested every month. The pot grew pretty fast since I didn't touch it, and years later, it's still growing. I discovered the power of compound interest and time in the market, both of which are super boring. This type of investing is not a get rich quick scheme. It's a slow process of automatically putting money into boring investments and doing that month in, month out, year in, year out, automatically for decades while you get on with your life. I still do this. I earn money as an author entrepreneur and I put a percentage of that into boring investments automatically every month. I also have a small amount which is for fun and higher risk investments, but mostly I'm a conservative, risk-averse investor planning ahead for the future. This is not financial advice, so I'm not giving any specifics. I have a list of recommended money books at www.TheCreativePenn.com/moneybooks if you want to learn more. Learning from the Shadow When I look back, my Shadow side around money eventually drove me to learn more and resulted in a better outcome (so far!). I was ashamed of being poor when I had to wear hand-me-down clothes at school. That drove a fear of not having any money, which partially explains my workaholism. I was embarrassed at Oxford because I didn't know how to behave in certain settings, and I wanted to be like the rich people I saw there. I spent too much money in my early years as a consultant because I wanted to experience a “rich” life and didn't understand saving and investing would lead to better things in the future. I invested too much in the wrong things because I didn't know myself well enough and I was trying to get rich quick so I could leave my job and ‘be happy.' But eventually, I discovered that I could grow my net worth with boring, long-term investments while doing a job I loved as an author entrepreneur. My only regret is that I didn't discover this earlier and put a percentage of my income into investments as soon as I started work. It took several decades to get started, but at least I did (eventually) start. My money story isn't over yet, and I keep learning new things, but hopefully my experience will help you reflect on your own and avoid the issue if it's still in Shadow. These chapters are excerpted from Writing the Shadow: Turn Your Inner Darkness Into Words by Joanna Penn  The post Writing The Shadow: The Creative Wound, Publishing, And Money, With Joanna Penn first appeared on The Creative Penn.

Pippa and KJ are back to discuss The Martian by Andy Weir and it's 2015 feature adaptation of the same name. Come for the light discussion on what counts as hard scifi vs. soft scifi and stay for the cannibalism tangent. Website: https://adaptordiepod.wixsite.com/mysite  Patreon: https://www.patreon.com/adaptordiepod  Cover art by Jess Rubio. Music by Isabel Forden. Sources: Sandstorms, Explosions, Potatoes, Oh My: 'Martian' Takes Its Science Seriously NPR https://www.npr.org/2015/09/27/443192327/sandstorms-explosions-potatoes-oh-my-martian-takes-its-science-seriously The surprising story of how Andy Weir's self-published book 'The Martian' topped best seller lists and got a movie deal Business Insider https://www.businessinsider.com/how-andy-weirs-the-martian-became-so-successful-2015-6 Andy Weir's Website https://www.galactanet.com/writing.html 'The Martian': Andy Weir, Drew Goddard Discuss the Book-to-Film Journey Variety / Jacob Bryant https://variety.com/2016/film/awards/martian-andy-weir-drew-goddard-book-film-journey-1201705079/

Das Jahr beginnt mit Karma und zwar Bastis schlechtem Karma! Her Bielendorfer hat sich nachts auf dem Weg zur Toilette auf die Fresse gelegt und sich verletzt...woher kenne ich das nur? Ansonsten geht es um Schusswaffen in Filmen, Jackass, Unbeschwertheit, Fotos, MP3 Player, USB, Andy Weir, Aktien und Crypto. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/AlliterationAmArsch Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

In this episode, Madeline chats with her friend Ben Fetterman, a chemical laboratory technician. During their conversation, they discuss his conversion from evangelical Mennonite to Byzantine Catholic, a brief history of Mennonites and the Amish, his college journey at Penn State, why he joined an Eastern Sui iris church, praying the liturgy, priesthood in the Eastern Catholic churches, and so much more.During the course of their conversation, they make many references which you can explore. Some of these references include Project Hail Mary by Andy Weir, the Inkwells and Anvils writing community, and Fide et Ratio.Feel free to like, subscribe, and share the episode! Follow us on Instagram! @sbltfpodcastDon't forget to go out there, and be a light to this world!

Könyvelés: Andy Weir – Artemis Star Trek: Strange New Worlds 3×05 “Through the Lens of Time” Pirates: Behind the Legends Play Dirty The Rats: A Witcher Tale Elérhetőségek: Web oldalunk Discord Youtube ITunes TuneIn Spotify RSS Twitter Facebook Paypal támogatói link! PATREON link Outro: Track: I'm Yours [Lofi Hip Hop/Chill Study Music Mix] Music provided by Lofi Fruits / Strange Fruits Watch: https://youtu.be/9eyqOO7i3b8

This week on Enjoy Stuff, Jay and Shua tumble head-first into the wonderfully absurd world of Monty Python, celebrating the comedy troupe that made nonsense an art form. From silly walks to spam, it's a fast-paced love letter to ridiculous genius. It's…….Monty Python's Flying Circus! Let's dive head first into the pepper pot of silliness with the classic BBC comedy show that influenced generations.    News Ghostbusters II's River of Slime being turned into a five-hour cinematic ambience video, plunging viewers into the eerie tunnels beneath New York City. Dark Chocolate Reese's Puffs and Cinnamon Toast Crunch Peanut Butter hit the shelves A Kansas public library has recreated some iconic scenes from The Breakfast Club to promote reading and community   Check out our TeePublic store for some enjoyable swag and all the latest fashion trends What we're Enjoying Jay has been diving deep into the imaginative worlds of Andy Weir, enjoying The Martian, Artemis, and Project Hail Mary for their clever science, humor, and heartfelt storytelling. He shares how Weir's blend of problem-solving and character makes each book feel like a cinematic adventure. Shua is loving the Harry Potter: The Full-Cast Audio Editions, now available on Audible, praising the huge ensemble of recognizable voices that bring the wizarding world to life. The immersive performances make it feel like listening to a blockbuster movie in audiobook form.     Sci-Fi Saturdays -  This week on Sci-Fi Saturdays Jay gives ARQ (2016) the spotlight as he discusses this tense, time-looping science-fiction thriller. It's an obscure one that is definitely worth a watch. Read his article on RetroZap.com. And make sure to play around with the interactive map on MCULocationScout.com. Plus, you can tune in to SHIELD: Case Files where Jay and Shua talk about great stuff in the MCU.   Enjoy Spam!  Digging into the history of Monty Python's Flying Circus, exploring how six writers, one animator, and one fearless Carol Cleveland changed comedy forever through sketch, satire, and surreal animation. Through 4 seasons of absurdist comedy, they broke the mold of what comedy was supposed to be.    Then we wrap things up with a playful game in which Jay reads the opening line of an iconic Python quote and challenges Shua to guess what comes next. Test yourself if you're a Python fan to see if you can do better than Shua. .   Are you a Monty Python fan? Do you like Spam? Who won the English football cup in 1949? Let us know! First person that emails me with the subject line, "This is a dead parrot" will get a special mention on the show.  Let us know. Come talk to us in the Discord channel or send us an email to EnjoyStuff@RetroZap.com 

A conversation with author Peter McChesney about his upcoming debut science fiction novel Quinto's Challenge, which asks the question, “What if science and religion collided and resurrection became a reality?” Websitepetermcchesney.com Facebook@PeterMcChesneyAuthor X@peteramcchesney LinkedIn@peter-mcchesney Amazon.com | Amazon.ca About Quinto's Challenge For fans of Andy Weir, Blake Crouch, and The Three-Body Problem comes a bold, futuristic, … Continue reading "Episode 208: Peter McChesney – Quinto's Challenge" Source

Today, I review The Martian, by Andy Weir!Goodreads/Fable: Ellie ManoEmail: hookofabookpodcast@gmail.comTikTok/Instagram: @hookofabook

O QueIssoAssim 342 – Expectativas 2026 chega com tudo para quem ama cinema, séries e cultura pop. Neste episódio especial do podcast, Brunão e Baconzitos recebem a amiga Andreia, do Livros em Cartaz, para uma conversa recheada de hype, apostas e boas reflexões sobre os filmes e séries mais esperados de 2026 — além de um balanço sincero do que marcou o consumo audiovisual em 2025. Se você gosta de ficar por dentro dos próximos lançamentos de Hollywood, adaptações literárias, continuações aguardadas e novas apostas de diretores consagrados, este episódio é praticamente obrigatório.

In der neuen Folge machen wir das, was wir immer am Jahresende machen. Wir schauen auf das neue Jahr und erzählen, auf was wir uns aus wissenschaftlicher Sicht freuen. Das sind 2026 u.a. das Nancy Grace Roman Space Telescope, der Besuch von Hera bei einem Asteroiden und der Film “Der Astronaut”. Es gibt aber noch viel mehr zu erzählen, was wir bei Sekt, Schokolade und Keksen getan haben. Wenn ihr uns unterstützen wollt, könnt ihr das hier tun: https://www.paypal.com/paypalme/PodcastDasUniversum Oder hier: https://steadyhq.com/de/dasuniversum Oder hier: https://www.patreon.com/dasuniversum

Happy Holidays from the MCPL Podcast! From a new baby and rice cooker to binge-worthy shows like Stranger Things Season 5, Welcome to Derry, and Only Murders in the Building, plus standout books such as Project Hail Mary by Andy Weir, I See You've Called in Dead by John Kenney, and Michael J. Fox's Future Boy – the team reflects on concerts, podcasts, and personal wins that made the year memorable. Stay tuned next week for what they're looking forward to in 2026!

The average reader need not go far in a bookstore before, knowingly or not, they encounter authors who started their careers by self-publishing prior to achieving commercial success. Examples include Margaret Atwood, Andy Weir, Colleen Hoover, Anna Todd, E. L. James, Scarlett St. Clair, and many more. Such stories of self-made writers are compelling and seem more attainable to others with the accessibility of modern publishing platforms such as Amazon, Apple, Google, Kobo, Wattpad, Webtoon, Radish, Inkitt, Qidian, Tapas, and Swoon Reads. However, in Inequalities of Platform Publishing: The Promise and Peril of Self-Publishing in the Digital Book Era (U Massachusetts Press, 2025) Claire Parnell uncovers in her examination of the two most popular—Amazon and Wattpad—these services in fact perpetuate systemic racial, gender, and sexual bias against authors of color and queer authors through their technological, economic, social, and cultural structures. At a time when there is a real reckoning with the discrimination that has resulted in publishing opportunities for only relatively few privileged authors—who are often White, upper class, and male—self-publishing presents itself as an equalizer of sorts. Exploring that idea, Parnell shows that these platforms are not just intermediaries for information; they structure content and users in multiple, often inequitable, ways through their ability to set market conditions and apply algorithmic sorting. Combining original interviews, walkthrough method, metadata analysis, and more, Parnell finds that self-publishing platforms reproduce challenges for authors from marginalized communities. Far from equalizing the market, the new platforms instead frequently perpetuate the stubborn barriers to mainstream success for BIPOC and queer authors. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The average reader need not go far in a bookstore before, knowingly or not, they encounter authors who started their careers by self-publishing prior to achieving commercial success. Examples include Margaret Atwood, Andy Weir, Colleen Hoover, Anna Todd, E. L. James, Scarlett St. Clair, and many more. Such stories of self-made writers are compelling and seem more attainable to others with the accessibility of modern publishing platforms such as Amazon, Apple, Google, Kobo, Wattpad, Webtoon, Radish, Inkitt, Qidian, Tapas, and Swoon Reads. However, in Inequalities of Platform Publishing: The Promise and Peril of Self-Publishing in the Digital Book Era (U Massachusetts Press, 2025) Claire Parnell uncovers in her examination of the two most popular—Amazon and Wattpad—these services in fact perpetuate systemic racial, gender, and sexual bias against authors of color and queer authors through their technological, economic, social, and cultural structures. At a time when there is a real reckoning with the discrimination that has resulted in publishing opportunities for only relatively few privileged authors—who are often White, upper class, and male—self-publishing presents itself as an equalizer of sorts. Exploring that idea, Parnell shows that these platforms are not just intermediaries for information; they structure content and users in multiple, often inequitable, ways through their ability to set market conditions and apply algorithmic sorting. Combining original interviews, walkthrough method, metadata analysis, and more, Parnell finds that self-publishing platforms reproduce challenges for authors from marginalized communities. Far from equalizing the market, the new platforms instead frequently perpetuate the stubborn barriers to mainstream success for BIPOC and queer authors. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The average reader need not go far in a bookstore before, knowingly or not, they encounter authors who started their careers by self-publishing prior to achieving commercial success. Examples include Margaret Atwood, Andy Weir, Colleen Hoover, Anna Todd, E. L. James, Scarlett St. Clair, and many more. Such stories of self-made writers are compelling and seem more attainable to others with the accessibility of modern publishing platforms such as Amazon, Apple, Google, Kobo, Wattpad, Webtoon, Radish, Inkitt, Qidian, Tapas, and Swoon Reads. However, in Inequalities of Platform Publishing: The Promise and Peril of Self-Publishing in the Digital Book Era (U Massachusetts Press, 2025) Claire Parnell uncovers in her examination of the two most popular—Amazon and Wattpad—these services in fact perpetuate systemic racial, gender, and sexual bias against authors of color and queer authors through their technological, economic, social, and cultural structures. At a time when there is a real reckoning with the discrimination that has resulted in publishing opportunities for only relatively few privileged authors—who are often White, upper class, and male—self-publishing presents itself as an equalizer of sorts. Exploring that idea, Parnell shows that these platforms are not just intermediaries for information; they structure content and users in multiple, often inequitable, ways through their ability to set market conditions and apply algorithmic sorting. Combining original interviews, walkthrough method, metadata analysis, and more, Parnell finds that self-publishing platforms reproduce challenges for authors from marginalized communities. Far from equalizing the market, the new platforms instead frequently perpetuate the stubborn barriers to mainstream success for BIPOC and queer authors. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Whether you like ripping page turners, incredible characters, books that make you laugh out loud, exploring unforgettable new worlds, or literary books that will make you see the world in a new way, there's a great intro to scifi out there for everyone!Join the Hugonauts book club on discord to tell us about your favorite time travel booksOr you can watch the episode on YouTube if you prefer videoIf you want to jump around, here are the timestamps for all the books we talked about: 00:00 Intro 00:38 Incredible Characters - Vorkosigan Saga by Lois McMaster Bujold 3:07 A Long Way to a Small, Angry Planet by Becky Chambers 4:04 Flowers for Algernon by Daniel Keyes 4:52 Unforgettable Worlds - The Expanse by James S.A. Corey 6:58 Hyperion by Dan Simmons 8:24 House of Suns by Alastair Reynolds 9:20 Children of Time by Adrian Tchaikovsky 10:56 The Forever War by Joe Haldeman 12:22 Funny SF - Hitchhiker's Guide to the Galaxy by Douglas Adams 13:36 Snow Crash by Neal Stephenson 14:50 Old Man's War by John Scalzi 16:01 Page turners - Project Hail Mary by Andy Weir 17:43 Dark Matter or Recursion by Blake Crouch 18:52 All Systems Red by Martha Wells 20:01 Ender's Game by Orson Scott Card 21:35 Ready Player One by Ernest Cline 22:34 Literary SciFi - The Left Hand of Darkness by Ursula K. LeGuin 24:55 Never Let Me Go by Kazuo Ishiguro 26:26 The Road by Cormac McCarthy 27:49 Slaughterhouse-Five by Kurt Vonnegut 28:40 Starship Troopers by Robert Heinlein

On this episode, Jesus, Emily, and Brian from Off Color Book Club join me to discuss the most recent Off Color Book Club book, Martyr! by Kaveh Akbar.    My Book Club Guide If you're interested in joining the Off Color Book Club in the future, we will not be meeting in December but will meet on Tuesday, January 20th to discuss Project Hail Mary by Andy Weir. All are welcome!

It's the shadow season time of year, people! Bay and Laura discuss all things dark season, like Adult Sleep Training, Ghost Jokes and more. Bay has distilled a fresh Essence for Laura, and they break down this foundational ontological concept for West of Wonderland listeners. Follow West of Wonderland Podcast for more Adult Sleep Training tips that do and don't work! PS. Bay reads The Egg by Andy Weir.

The Space Show Presents Dr. Daniel Whiteson on his new book, “Do Aliens Speak Physics” Friday, 11-14-25Brief Summary:Our program began with introductions and discussions about alternative physics theories, including hyperdimensional physics, and the challenges of accepting unconventional ideas in the scientific community. The group explored various topics related to extraterrestrial life and communication, including the nature of mathematics, the potential for alien civilizations, and the challenges of decoding alien messages. They concluded by discussing unidentified aerial phenomena, the possibility of discovering extraterrestrial life, and the difficulties of communicating with alien civilizations, while acknowledging the skepticism of most physicists regarding philosophical questions about the nature of physics and reality.Detailed full summary:David, Dr. Daniel Whiteson (our guest) and John Jossy discussed alternative physics theories, including the brief mention of hyperdimensional physics (if real), and the challenges of accepting unconventional ideas in the scientific community. John Jossy, a physicist & astronomy major at Cal and now a retired engineer, shared his educational background and interest in astronomy, expressing excitement for the upcoming discussion on life and the universe. The group also touched on the importance of traditional science education and the evolution of science requirements in universities that seem weaker today than yesteryear.The meeting recording started with a discussion about Andy Weir's book, “Project Hail Mary,” including its screenplay adaptation by the same person who wrote “The Martian.” Daniel expressed admiration for the book's creativity, particularly in its portrayal of alien interactions. David then introduced the show's format and Wisdom Team participants, including Marshall Martin, a retired software engineer with an engineering perspective, and John Hunt, a physics advisor to David and TSS. David explained his background in business and his interest in space and science, as well as his son's experience with cystic fibrosis and the advancements in medical technology which led him to many lessons learned re media, science and medical reporting, narrow versus broad minded thinking while remaining grounded in reality. The Team discussed the potential for alien contact and the importance of science and media in shaping public perception of future technologies. The conversation ended with an announcement of upcoming guests and a reminder about the show's fundraising campaign which is essential to Space Show continuance as it is a 100% listener supported non-profit program.Daniel discussed his book “Do Aliens Speak Physics?” which explores the question of whether physics is universal and if aliens would necessarily understand it in the same way as humans. He emphasized the importance of remaining open-minded about potential alternative ways of understanding the universe, as current data only supports the universality of physics within our observable universe. Daniel explained his decision to write the book in a light-hearted, accessible format with humor and illustrations to make complex concepts more approachable for readers. David raised the possibility that aliens might perceive and interact with the universe in fundamentally different ways than humans, potentially challenging our current understanding of physics and conservation laws.Daniel discussed the nature of physics and reality, exploring the possibility of multiple ways to describe the universe. He explained that while our current models of physics work well, they are based on philosophical assumptions rather than scientific evidence. Daniel suggested that the universe could be much stranger than we imagine, and that our intuitive understanding may not align with the true nature of reality. He also touched on the limitations of our senses and how they shape our perception of the universe, highlighting the potential for alien physics to be fundamentally different from our own.The Wisdom Team discussed the challenges of communicating with extraterrestrial life, focusing on two scenarios: receiving a message from aliens and their physical arrival on Earth. Daniel and David explored the difficulties of decoding alien messages, highlighting the arbitrary nature of language encoding and the lack of a Rosetta Stone for alien languages. They emphasized that even understanding human languages without cultural context is challenging, making the prospect of decoding alien messages seem hopeful but uncertain. The discussion concluded that direct physical interaction with aliens might offer a more promising avenue for communication, as it would provide a shared context for building understanding.The Wisdom Team discussed the possibility of extraterrestrial intelligence and the nature of mathematics in the universe. Daniel and David explored the idea that mathematics might not be universal, while John Hunt suggested that alien species could have different senses and physical capabilities. Daniel shared his experiences with the elegance of mathematical descriptions in physics, but also acknowledged the arguments of mathematician Field, the author of the classic “Science Without Numbers,” that mathematics could be a human construct rather than a universal language. The discussion raised questions about whether aliens could understand the universe differently, and whether mathematics is necessary for explaining physical phenomena.We continued discussing the nature of mathematics and its potential alternatives, with Daniel explaining that while mathematicians seek universal axioms, physicists are more flexible in their approach, often modifying axioms to better describe observations. Marshall challenged the notion of alternative foundations to Euclidean geometry, while John Jossy focused on the universality of the four fundamental forces, suggesting that even aliens would likely recognize these forces despite different methods of perception and communication.Daniel discussed the possibility that alien civilizations might not share humanity's scientific approach to understanding the universe, suggesting that technological advancement could occur without a deep understanding of fundamental physics. He emphasized that human descriptions of the universe are approximate and historically contingent, leading to the idea that there could be multiple valid ways to describe and interact with the universe. David asked about the best way to attempt contact with aliens, given potential incompatibilities in communication methods. Daniel suggested building von Neumann probes for exploration, noting the large distances involved and the potential for exponential reproduction, while acknowledging the ethical and practical challenges of such an endeavor.Daniel and David discussed the possibility of extraterrestrial life and the potential for discovering intelligent beings with different ways of understanding the universe. Daniel emphasized the excitement of finding colleagues with similar interests but also highlighted the value of encountering beings who challenge human assumptions about mathematics and physics. He suggested that discovering alien intelligence that operates differently from humans could offer profound insights into the nature of human existence. David raised a question about the role of a universal God in the context of alien life, prompting Daniel to reflect on the possibility that such a God might not necessarily be the same for all intelligent beings.Daniel and David discussed the potential for extraterrestrial life and the implications for human understanding of the universe. Daniel suggested that aliens might have diverse beliefs and cultures, including religious and scientific perspectives, which could challenge human concepts of God and faith. David shared a perspective from a Chabad rabbi that equates scientific and religious faith, but Daniel emphasized the self-correcting nature of science as a key distinction given that scientific faith requires data. Religious faith is usually based on stories, not quantifiable data. Marshall raised the possibility of using artificial intelligence to communicate with aliens, but Daniel expressed doubt that AI could truly understand the universe, though it might assist in decoding alien communications.As we were nearing the end of the program, our Wisdom Team discussed the possibility of unidentified aerial phenomena (UAP) and extraterrestrial life, with Daniel expressing skepticism despite wanting to believe in aliens. John Hunt shared his perspective on the pervasive nature of UAP reports over the past 80 years and the government's history of disinformation. They explored potential methods of communication with aliens, with Daniel suggesting starting with mathematics and using a broad range of sensors to detect signals. David raised questions about Earth's signal leakage and the potential for extraterrestrial civilizations to detect us, suggesting that light-based communication might be more effective than radio waves, assuming we used the best wave lengths for such communication.In conclusion, our discussion focused on the challenges of communicating with extraterrestrial civilizations, with Daniel explaining that while powerful astrophysical phenomena like quasars emit intense signals, harnessing such energy for communication would be impractical and potentially dangerous. Daniel emphasized the difficulty of distinguishing between natural signals and potential alien communications due to our limited understanding of the universe, using examples like the WOW signal and cosmic rays to illustrate this challenge. The conversation concluded with Daniel expressing optimism about the possibility of discovering extraterrestrial life, while acknowledging that most physicists are skeptical of philosophical questions about the nature of physics and reality.If you are reading the summary on The Space Show website, try Substack and watch the Zoom video: doctorspace.substack.com. Please don't forget that we are in our fund raising period to support TSS for the coming year. Please donate now. Let me know if you have questions.drspace@thespaceshow.com. Thank you very much.Special thanks to our sponsors:Northrup Grumman, American Institute of Aeronautics and Astronautics, Helix Space in Luxembourg, Celestis Memorial Spaceflights, Astrox Corporation, Dr. Haym Benaroya of Rutgers University, The Space Settlement Progress Blog by John Jossy, The Atlantis Project, and Artless EntertainmentOur Toll Free Line for Live Broadcasts: 1-866-687-7223 (Not in service at this time)For real time program participation, email Dr. Space at: drspace@thespaceshow.com for instructions and access.The Space Show is a non-profit 501C3 through its parent, One Giant Leap Foundation, Inc. To donate via Pay Pal, use:To donate with Zelle, use the email address: david@onegiantleapfoundation.org.If you prefer donating with a check, please make the check payable to One Giant Leap Foundation and mail to:One Giant Leap Foundation, 11035 Lavender Hill Drive Ste. 160-306 Las Vegas, NV 89135Upcoming Programs:Broadcast 4462: Zoom: Dr. Doug Plata | Sunday 16 Nov 2025 1200PM PTGuests: Dr. Doug Plata Get full access to The Space Show-One Giant Leap Foundation at doctorspace.substack.com/subscribe

Esta semana Raystryder nos cuenta su experiencia viendo KPop Demon Hunters en el cine. Estamos sorprendidos con Guillermo del Toro y su adaptación de Frankenstein. Dan Trachtenberg se va 3 de 3 con su tercera película en el mundo de los Yautja con Predator: Badlands. Seguimos con algunos updates sobre los anime de esta temporada. Andy Weir, el autor detrás de The Martian, tiene otro libro Project Hail Mary que pronto será una película protagonizada por Ryan Gosling. Terminamos con updates sobre los spin-offs de The Walking Dead. La saga que, al igual que los zombies, nunca muere.   Suscribanse y sigan a LAG: Facebook: https://www.facebook.com/lagpod Instagram: https://www.instagram.com/lagpod_/ Bluesky: https://bsky.app/profile/lagbytes.bsky.social   Bryan: instagram.com/brncarrion Chanlaser: x.com/Chanlaser_ Jercyan: https://bsky.app/profile/jercyan.bsky.social Rasalas: instagram.com/ratalas Raystryder: tiktok.com/@raystryder   Discord: bit.ly/DiscordLAG

In Ep. 210, Laura McGrath, author of the popular Substack newsletter, textCrunch, joins Sarah to take a sharp look at the State of the Publishing Industry in 2025. This packed episode covers a high-level look at the top sales and book trends, as well as Laura's insights into the future of the book world for 2026. Also, Laura shares her favorite books of 2025! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights Laura McGrath's book Middlemen (publishing April 28, 2026) is available for pre-order here: Amazon | Bookshop.org  Fiction's performance in the sales charts since 2019. The trend seen in nonfiction over the past few years and where it may be headed. The continued debate about whether 2025 has a "Book of the Year." Surprising sales trends in religious books and imprints. How self-publishing still brings us successful authors. What Laura sees in her research that she thinks publishers should be paying attention to. A bit about the current outlook for mid-list and debut authors. Laura's predictions for 2026 book trends. State of the Publishing Industry in 2025 HIGH-LEVEL OVERVIEW [2:45]  Onyx Storm (Empyrean, 3) by Rebecca Yarros (2025) | Amazon | Bookshop.org  [7:49] Fourth Wing (series, 1) by Rebecca Yarros | Amazon | Bookshop.org [8:58]  The Women by Kristin Hannah (2024) | Amazon | Bookshop.org  [9:21] James by Percival Everett (2024) | Amazon | Bookshop.org  [9:59] The God of the Woods by Liz Moore (2024) | Amazon | Bookshop.org  [10:02] Flashlight by Susan Choi (2025) | Amazon | Bookshop.org  [10:25] The Dream Hotel by Laila Lalami (2025) | Amazon | Bookshop.org  [11:58] The Emperor of Gladness by Ocean Vuong (2025) | Amazon | Bookshop.org  [12:04] A Guardian and a Thief by Leela Tapryal (2025) | Amazon | Bookshop.org  [12:31] The Names by Florence Knapp (2025) | Amazon | Bookshop.org  [13:19] Audition by Katie Kitamura (2025) | Amazon | Bookshop.org  [13:57] The Wilderness by Angela Flournoy (2025) | Amazon | Bookshop.org  [13:59] 2025 BOOK SALES & TRENDS [14:41]   The Martian by Andy Weir (2011) | Amazon | Bookshop.org [17:03]  The River Is Waiting by Wally Lamb (2025) | Amazon | Bookshop.org  [21:38]   The Bright Years by Sarah Damoff (2025) | Amazon | Bookshop.org  [21:40]   Heart the Lover by Lily King (2025) | Amazon | Bookshop.org [21:42]  BIG BOOK STORIES OF 2025 [30:18]  Catch-22 by Joseph Heller (1961) | Amazon | Bookshop.org  [33:30]  V by Thomas Pynchon (1963) | Amazon | Bookshop.org  [33:32]  Portnoy's Complaint by Philip Roth (1969) | Amazon | Bookshop.org  [33:41]  The Intuitionist by Colson Whitehead (1999) | Amazon | Bookshop.org  [33:47]  The Mothers by Brit Bennett (2016) | Amazon | Bookshop.org  [33:54]  2026 PUBLISHING PREDICTIONS [42:29]  Audition by Katie Kitamura (2025) | Amazon | Bookshop.org  [4:41] Pick a Color by Souvankham Thammavongsa (2025) | Amazon | Bookshop.org [43:55]  Discipline by Larissa Pham (January 20, 2026) | Amazon | Bookshop.org [45:01]  Under Water by Tara Menon (March 17, 2026) | Amazon | Bookshop.org [45:07]  Laura's 3 Favorites Books of 2025 [45:31]  Culpability by Bruce Holsinger (2025) | Amazon | Bookshop.org [46:17]  Wild Dark Shore by Charlotte McConaghey (2025) | Amazon | Bookshop.org[47:59]  The Wilderness by Angela Flournoy (2025) | Amazon | Bookshop.org  [49:38] Other Links The New York Times | The Dogged, Irrational Persistence of Literary Fictionby Gerald Howard The Walrus | Publishing Has a Gambling Problem by Tajja Isen Time | How Taylor Jenkins Reid Became a Publishing Powerhouse by Lucy Feldman Book Riot | How Much Does Genre Matter to Readers? (Podcast Episode) Public Books | Who Cares About Literary Prizes? by Alexander Manshel, Laura B. Mcgrath, & J. D. Porter

On this episode of Currently Reading, Meredith and Kaytee are discussing: Bookish Moments: a poem a day + excitement over release days Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: we discuss your top books from 2019-2024 and draw the giveaway winner The Fountain: we visit our perfect fountain to make wishes about our reading lives Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site). .  .  .  1:59 - Our Bookish Moments of the Week 2:07 - The Poetry Foundation's Poem of the Day 2:27 - A Rebellion of Care by David Gate 3:55 - The Black Wolf by Louise Penny 4:34 - The Grey Wolf by Louise Penny 6:02 - Our Current Reads 6:08 - The Teller of Small Fortunes by Julie Leong (Kaytee) 8:21- A Psalm for the Wild Built by Becky Chambers 9:03 - The Vanishing of Josephine Reynolds by Jennifer Moorman (Meredith) 10:11 - Words Matter Bookshop 10:40 - The Magic All Around by Jennifer Moorman 14:17 - The Bookshop by Evan Friss (Kaytee) 15:12 - Parnassus Books 17:29 - Exile in Bookville 17:58 - Books - A Manifesto: Or, How to Build A Library by Ian Patterson (Meredith, Goldsboro link)  20:16 - Goldsboro Books UK 24:16 - The Perfectionist's Guide to Losing Control by Katherine Morgan Schafler  26:03 - I Leave It Up To You by Jinwoo Chong (Kaytee) 29:05 - Flux by Jinwoo Chong (amazon link) 29:34 - The Wasp Trap by Michael Edwards (Meredith) 32:45 - The Guest List by Lucy Foley 33:09 - Listeners' Top Ranked Books 35:11 - Giveaway Post to see other listeners' best books! (reminder - giveaway is CLOSED) 42:17 - Remarkably Bright Creatures by Shelby Van Pelt 42:32 - Lessons in Chemistry by Bonnie Garmus 42:43 - The Anthropocene Reviewed by John Green 42:56 - Lonesome Dove by Larry McMurtry 43:06 - Homegoing by Yaa Gyasi 43:07 - Still Life by Louise Penny 43:59 - Frozen River by Ariel Lawhon 44:03 - Hamnet by Maggie O'Farrell 44:08 - Demon Copperhead by Barbara Kingsolver 44:16 - Project Hail Mary by Andy Weir 44:18 - The Midnight Library by Matt Haig Giveaway Winner Christie's Reads 47:25 - Harry's Trees by Jon Cohen 47:27 - Lessons in Chemistry by Bonnie Garmus 47:30 - The Thursday Murder Club by Richard Osman 47:33 - Olive Kitteridge by Elizabeth Strout 47:35 - The Anxious Generation by Johnathan Haidt 47:39 - Demon Copperhead by Barbara Kingsolver 48:17 - Meet Us At The Fountain 48:22 - I wish to tell you about the gold star item I found for reading and sleep. (Kaytee) 48:32 - Stolen Focus by Johann Hari 48:47 - Bloom 51:30 - I wish for you to try more specific ASMR rooms or listening to playlists for books. (Meredith) 51:34 - Katabasis by R.F. Kuang 51:37 - A Discovery of Witches by Deborah Harkness 51:38 - Shadow of the Wind by Carlos Ruiz Zafon   Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. November's's IPL is brought to us from Content Bookstore in Northfield, Minnesota. Love and Chili Peppers with Kaytee and Rebekah - romance lovers get their due with this special episode focused entirely on the best selling genre fiction in the business.  All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the behind-the-scenes insights of an independent bookseller From the Editor's Desk with Kaytee and Bunmi Ishola - a quarterly peek behind the curtain at the publishing industry The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Production and Editing: Megan Phouthavong Evans Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!

Today, I review Project Hail Mary, by Andy Weir!Goodreads/Fable: Ellie ManoEmail: hookofabookpodcast@gmail.comTikTok/Instagram: @hookofabook

It's space book club time, featuring the latest book by author and photography expert Andy Saunders: Gemini and Mercury Remastered. Producer Richard enthuses about these mid-60s missions and we talk to the author. Meanwhile, Dr Becky, Izzie and Dr Robert also discuss Project Hail Mary by Andy Weir and A City on Mars by Kelly and Zach Weinersmith. With questions on the size of space and why the centres of galaxies are brighter, it really is quite the bonus episode. You can hear a longer version of the interview with Andy Saunders in the latest Space Boffins Podcast. Join The Supermassive Club for ad-free listening and share your questions, images and more. Or email reach us at podcast@ras.ac.uk or on Instagram @SupermassivePod (particularly if you discover a comet). The Supermassive Podcast is a Boffin Media production. The producers are Izzie Clarke and Richard Hollingham. Hosted on Acast. See acast.com/privacy for more information.

We're switching things up this week and sharing some of our favorite Bible study recommendations! This episode is a little different from our usual book chats, but it's something that's been on our hearts lately. Whether you're just starting out in your faith or have been studying for years, we've got resources for every stage of the journey. Tune in for a mix of personal favorites and practical tools to deepen your time in the Word. We compiled a list of all of our recommendations for you here!   Make sure to check out our Instagram bio for a link to our storefront where you can find links to all the studies we reference today!   Currently Reading: Alchemised by SenLinYu If It Makes You Happy by Julie Olivia Project Hail Mary by Andy Weir  

Bar Talk (our recommendations):Jessica is reading The Other Valley by Scott Alexander Howard; drinking Labatt's NA.Damien is reading Vampires in the Lemon Grove by Karen Russell; drinking Hibiki Japanese Harmony.Ryan is reading Project Hail Mary by Andy Weir; drinking the Lagavulin 16yr.If you liked this week's story, watch Oddity (2024; dir. Damian McCarthy)Up next: "The Parson's Oath" by Mrs. Henry Wood.Special thank you to Dr Blake Brandes for our Whiskey and the Weird music! Like, rate, and follow! Check us out @whiskeyandtheweird on Instagram, Threads & Facebook, and at whiskeyandtheweird.com

We're rereleasing Bald Move's coverage of The Martian (2015) in honor of the film's 10th anniversary! Check out the Matt Damon poster photos here! Jim and A.Ron saw Ridley Scott's "The Martian" last night, starring Matt Damon, and have a lot to say about it.  Note, the first part of the podcast is spoiler free, but then when we say we're about to spoil things, that's your cue to get out while the getting is good.  Along the way, we talk about the trailers we saw for The Revenant, The Big Short, Joy, and Concussion. If you are still hungry for more Martian goodness, might I recommend reading Andy Weir's original book (The Martian) the film is based on?  Then, I'd proceed to reading Robert Zubrin's A Case For Mars, upon which most of the science of the book and film are based upon.  And if that's not enough, check out the Red/Green/Blue Mars trilogy by Kim Stanley Robinson. Hey there!  Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts! Join the Club! Join the discussion:  Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter  |  Instagram  |  Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 174 Monday September 22, 2025 On the Needles 5:35 ALL KNITTING LINKS GO TO RAVELRY UNLESS OTHERWISE NOTED.  Please visit our Instagram page @craftcookreadrepeat for non-Rav photos and info   Succulents 2025 Blanket CAL by Mallory Krall, Hue Loco DK in ??   SSAL Delectable Collectible Socks by Stephen West, Dark Omen Yarns Sock in Electric Minis (navy, royal, light blue with speckles, cream with speckles, cream)- 2nd sock for PSP   Pop Rock Pullover by Tanis Lavallee, La Bien Aimée singles and Mohair Silk in AVFKW A Day by the Bay   Clapotis ‘24 by Kate Davies, Three Irish Girls Adorn Sock in Ainsley (original 23.8K, sharon mcmahon 3IG) On the Easel 10:12 All the sewing, gardening, & painting…esp work on 2026 calendar. On the Table 18:13 Sheet-Pan Gnocchi with Mushroom Bolognese   my favorite vegetarian sandwich is.... - by Julia Turshen   Pickled potato salad by Casey Elsass from What Can I Bring: How to live your guest life   Secret Menu Dill-Pepperoncini Tuna Salad from Smitten Kitchen   Ottolenghi Spicy Mushroom lasagna Blueberry Cheesecake Phyllo cups Paper airplane cocktail On the Nightstand 31:18 We are now a Bookshop.org affiliate!  You can visit our shop to find books we've talked about or click on the links below.  The books are supplied by local independent bookstores and a percentage goes to us at no cost to you! Heart Lamp by Banu Mushtaq, trans by Deepa Bhasthi from Kannada  On the Calculation of Volume II by Solvej Balle, trans by Barbara J. Haveland The Other Side of Now by Paige Harbison The Bewitching by Silvia Moreno-Garcia Hemlock & Silver by T. Kingfisher A Witch's Guide to Magical Innkeeping by Sangu Mandanna   The Heaven & Earth Grocery Store by James McBride Project Hail Mary by Andy Weir  

In this expansive episode of Rewind, host Tony brings together a constellation of voices from the groundbreaking Nat Geo series Mars. Compiled from one-on-one and roundtable interviews at NYCC, SDCC, and a special New York Mars event, this episode explores the intersection of science fiction and science fact through the lens of one of television's most ambitious hybrid series.

Episode Page Episode Info Project Hail Mary - Andy Weir Description Dan & Thalia speak with friends of the show, Guy and Mike about Project Hail Mary, Andy Weir, and Science Fiction Topics Intro (0:00:00) Project Hail Mary vs. The Martian (0:02:46) Where to Rank Andy Weir? (0:17:12) Optimism vs. Dystopia (0:22:30) Open Discussion (0:28:00) Favorite Scientific Concept (0:32:38) What Do You Re-Read? (0:35:57) Adaptation Most Looking Forward To (0:43:20) Outro (0:46:34) Contact rehydrate@fastmail.com @rehydrate.bsky.social @rehydrate@mas.to

  Thank you for tuning in to Episode 305 of the Down Cellar Studio Podcast. Full show notes with photos can be found on my website. This week's segments included:   Off the Needles, Hook or Bobbins On the Needles, Hook or Bobbins From the Armchair KAL News Events Ask Me Anything On a Happy Note Quote of the Week   Thank you to this episode's sponsors: Skein & Co and Handmade Hygge   Off the Needles, Hook or Bobbins   Tie Dye Day Socks Yarn: Legacy Fiber Artz Steel Toes base in the Tie Dye Day Colorway Pattern: OMG Heel Socks by Megan Williams ($5 knitting pattern available on Ravelry) Needles: US 1.5 (2.5 mm) Ravelry Project Page 262.3 meters for Stash Dash   Four Leaf Clover Granny Square Blanket Pattern: Four Leaf Clover Granny Square by Apinya Roszko Hook: H (5.0 mm) Yarn: Knit Picks Brava 500 in colorway Mint & Loops and Threads Impeccable in Colorway 01808 Center square (in darker green)- 4g. Three rounds on outside of clover (in mint)- 12g Size:  6 inch square. 5x7 blanket (30x42”) before border. Modification- the pattern calls for attaching new yarn (at the end of the square) to make the stem for the clover. I just chain to get to the center, make the stem and cut the yarn. I find it easy to crochet the granny square around it in Mint. No issues and one less end to weave in. I am joining squares as I go. I used this YouTube tutorial to remind me how to do this. 1186.1 meters for Stash Dash   10,426.8 meters for Stash Dash this year.   716 Splash Pad Socks Yarn: 716 Knit Sock Set  in the 716sock base in the colorway: It needs to be ok with getting on a boat with Levar Burton and never coming back. Pattern: OMG Heel Socks by Megan Williams ($5 knitting pattern available on Ravelry) Needles: US 1.5 (2.5 mm) Ravelry Project Page About the yarn: stripe of black, stripe of bright poolside colors (orange, yellow, peach, greens & aquas . 344.2 yards/ 86 grams used.   On the Needles, Hook or Bobbins   Sweetly Striped Hat Pattern: Sweetly Striped Hat by Chit Chat Knits. $4.50 knitting pattern available on Ravelry Yarn: Berroco Vintage in colorway 5185 Tide Pool Needles: US 6 (4.0 mm) & US 8 (5.0 mm) Ravelry Project Page Pattern: Snack Shack Sponsor- Chit Chat Knits- 20 points Project Bag & Notions Pouch- Pro Shop Sponsor The Huckleberry Girl- 40 pts each= 80 points   Traveler Sweater Pattern: The Traveler by Andrea Mowry ($9 pattern available on Ravelry & the designer's website) Yarn: Hazel Knits Small Batch Sport (90/10 SW/Nylon) Needles: US 3 (3.25 mm) & US 4 (3.5 mm) Ravelry Project Page Progress: 5 purl ridges done   Mayor of Halloween Town Socks Yarn: Woolens & Nosh Targhee Sock in the Mayor of Halloween Town colorway Pattern: OMG Heel Socks by Megan Williams ($5 knitting pattern available on Ravelry) Needles: US 1.5 (2.5 mm) Ravelry Project Page Cast on 9/4 for Pigskin Party Project bag: Pro Shop Sponsor Wandering Purl (40 pts) Yarn: Pro Shop Sponsor Woolens & Nosh (40 pts) About the yarn: Light gray- larger stripes with smaller stripes of dark gray, white and orange   Born to Be Mild Socks Yarn: Hypnotic Yarn Plush Sock in the Born to Be Mild Colorway Pattern: OMG Heel Socks by Megan Williams ($5 knitting pattern available on Ravelry) Needles: US 1.5 (2.5 mm) Ravelry Project Page Progress- just into the leg of the first sock. About the yarn: tan base with browns and robin's egg. It reminds me of a robin's nest.   From the Armchair   Writers & Lovers by Lily King. Amazon Affiliate Link. Check out Season 3 Episode 6 of the Books, Beach & Beyond podcast with Elin Hilderbrand with Lily King Euphoria by Lily King. Amazon Affiliate Link. Project Hail Mary by Andy Weir. Amazon Affiliate Link. One Golden Summer by Carley Fortune. Amazon Affiliate Link. In the Likely Event by Rebecca Yarros. Amazon Affiliate Link.   Lily King talking on Books, Beach & Beyond (2025)-  on love "Love is really the most important thing to us and possibly the thing, the only thing that is going to save us from our other impulses. I am extremely concerned about the state of mind of this country and what we are allowing and what we have voted in and what we are experiencing and, in in some ways, our lack of resistance to it, and our our silence and our complicity. And it all really comes down to love. And if we lose that ability, I don't think AI is going to help us with love, I don't think Instagram is going to help us with love. I feel like all of our habits that are increasing and increasing are pulling us apart even giving us the illusion that its not, but we are, and we have to remember what it is like to love people. In all of those forms. It is the thing that makes us human. And we have to stay human." Lily King   A few of my other favorite quotes from Writers & Lovers “When my mother died, I sort of felt her inside me sometimes,' I say. ‘Like I'd swallowed her.' He laughs. ‘Swallowed her.' ‘I still have moments when I feel that, when it feels like she's inside me, and there's no difference between us or that the difference doesn't matter.” ― Lily King, Writers & Lovers   “I can tell he lost someone close somehow. You can feel that in people, an openness, or maybe it's an opening that you're talking into. With other people, people who haven't been through something like that, you feel the solid wall. Your words go scattershot off of it.” ― Lily King, Writers & Lovers   “When I was visiting her a few years ago she hugged me and said, ‘Tomorrow after you leave I will stand here at this window and remember that yesterday you were right here with me.' And now she's dead and I have that feeling all the time, no matter where I stand.” ― Lily King, Writers & Lovers   “I look into my eyes, but they aren't really mine, not the eyes I used to have. They're the eyes of someone very tired and very sad, and once I see them I feel even sadder and then I see that sadness, that compassion, for the sadness in my eyes, and I see the water rising in them. I'm both the sad person and the person wanting to comfort the sad person. And then I feel sad for that person who has so much compassion because she's clearly been through the same thing, too. And the cycle keeps repeating. It's like when you go into a dressing room with a three-paneled mirror and you line them up just right to see the long narrowing hallway of yourselves diminishing into infinity. It feels like that, like I'm sad for an infinite number of my selves.” ― Lily King, Writers & Lovers   Note: Some links are listed as Amazon Affiliate Links. If you click those, please know that I am an Amazon Associate and I earn money from qualifying purchases.   KAL News   Pigskin Party '25 Event Dates: KAL Dates- Thursday September 4, 2025- Monday February 9, 2026 Find everything you need in the Start Here Thread in the Ravelry Group Official Rules Registration Form  (you must be Registered to be eligible for prizes) Enter your projects using the Point Tally Form Find the full list of Sponsors in this Google Doc. Coupon Codes are listed in this Ravelry Thread Exclusive Items from our Pro Shop Sponsors are listed in this Ravelry Thread Questions-  ask them in this Ravelry Thread or email Jen at downcellarstudio @ gmail.com Our Official Sponsor for Quarter 1 (October): Love in Stitches with Knitty Natty is hosting a Cozy Up Challenge. The challenge doesn't start until 10/1 but you can start planning now. Check out the details in this Ravelry Thread. Join Knitty Natty & me for a special zoom hangout Thursday 10/2 at 8p Eastern. Details will be shared in the Start Here Thread. Check out this Ravelry Thread with helpful tips for the event, crowd sourced from our incredible players.   Updates In This Episode Thanks to Mary for her Commentator report. She talked specifically about these 2 large projects that have already been finished. 904Stephanie (my teammate!) has already finished a blanket- Ravelry photo & cmfamigli has already finished a pullover- check out her Ravelry Project Thanks to Sarah for starting a Pigskin Tips Ravelry Thread! Add your Super Bowl Prediction- details in this Ravelry Thread Our first Official Sponsor of the Quarter is Love in Stitches! Check out all of the details in this Ravelry Post. Join Knitty Natty & me for a special zoom hangout Thursday 10/2 at 8p Eastern. Cast on, chat, learn about some of Natalie's cool cozy patterns and have some fun. Official Sponsor for Quarter 2 (November)- Twice Sheared Sheep Official Sponsor for Quarter 3 (December)- Suburban Stitcher Official Sponsor for Quarter 4 (January)- Yarnaceous Fibers   Events DFW Fiber Fest Sept 19-21 in Irving Texas Adirondack Wool & Arts Festival September 20 & 21 in Greenwich, New York. Greater Boston Yarn Crawl. September 26-28 - 16 shops Cape and South Shore Yarn Haul. September 25-28- 8 shops Vermont Sheep & Wool. October 4 & 5 Indie Untangled. October 17 CAKEpalooza. October 17 A Woolen Affair. October 17 NY Sheep & Wool (aka Rhinebeck). October 18 & 19. Down Cellar Studio Meet up at Saturday 2p at the Pavilion to the left of the beer tent! Come and say hi. The Fiber Festival of New England. November 1 & 2 Sunkissed Fiber Festival: January 24-25, 2026- just outside Tampa, FL   Ask Me Anything Tune in to hear my answer to kjkrochet's question: How did you come up with the concept for Pigskin Party?   On a Happy Note Saturday of Labor Day weekend- Clear the Needles Event w/ Love in Stitches group 2 fun pool days over Labor Day Weekend complete with cornhole tournament  I gifted my friend Megg her "I'll bring the dance moves" hat to go with my "I'll bring the alcohol" hat since my dad always teases her for dancing constantly. Dinner with Melissa of Maple Roots Creative Dinner with friends including my dance teacher from middle/high school Pigskin Paty Kick Off Weekend was so much fun! Seeing Passengers at American Repertory Theater   Quote of the Week “It's a particular kind of pleasure, of intimacy, loving a book with someone.” ― Lily King, Writers & Lovers   Thank you for tuning in!   Contact Information: Check out the Down Cellar Studio Patreon! Ravelry: BostonJen & Down Cellar Studio Podcast Ravelry Group Instagram: BostonJen1 YouTube: Down Cellar Studio Facebook: https://www.facebook.com/downcellarstudio Sign up for my email newsletter to get the latest on everything happening in the Down Cellar Studio Check out my Down Cellar Studio YouTube Channel Knit Picks Affiliate Link Bookshop Affiliate Link Yarnable Subscription Box Affiliate Link FearLESS Living Fund to benefit the Blind Center of Nevada Music -"Soft Orange Glow" by Josh Woodward. Free download: http://joshwoodward.com/ Note: Some links are listed as Amazon Affiliate Links. If you click those, please know that I am an Amazon Associate and I earn money from qualifying purchases.  

Welcome to Watch. Review. Repeat. This is the podcast where two best friends discuss the latest in film and television and then do it all over again the following episode! Colton, Andrew, and special guest Henrique Jaime launch into Earth 828 to witness the heroism of Mr. Fantastic, the Invisible Woman, The Human Torch, and The Thing in 'The Fanastic Four: First Steps'! 00:00:00 - Intro 00:05:23 - Andrew's Totally Embarrassing Dad Joke of the Episode! 00:07:42 - Henrique and Colton's Fun Facts About 'The Fantastic Four: First Steps' 00:13:20 - Sony and Nintendo Reveal Zelda and Link Casting in 'The Legend of Zelda' Live-Action Film 00:20:16 - Sony Unveils New Spider-Suit in 'Spider-Man: Brand New Day'; Jon Bernthal and Mark Ruffalo Join Cast 00:32:01 - 'Project Hail Mary' Official Trailer 00:41:19 - 'Tron: Ares' Official Trailer 00:50:41 - 'Avatar: Fire and Ash' Official Trailer 00:59:15 - 'The Fantastic Four: First Steps' (Non-Spoilers and Recommendation) 01:50:04 - 'The Fantastic Four: First Steps' (Spoilers) 02:36:43 - Catching Up With Henrique (The Martian by Andy Weir,   'Superman', Nintendo Switch 2, 'KPop Demon Hunters', 'Dandadan', 'My Hero Academia', 'Demon Slayer: Kimetsu No Yaiba', 'Call of the Night', 'Delicious in Dungeon', 'My Dress-Up Darling', 'The Summer Hikaru Died', 'Rascal Does Not Dream of Bunny Girl Senpai') 02:55:14 - Catching Up With Andrew (Magic: The Gathering, 'Eyes of Wakanda', Dad Life) 03:06:17 - Catching Up With Colton ('Fantastic Four' (2005), 'Fantastic Four: Rise of the Silver Surfer', 'The Fantastic Four' (1994), 'Silver Surfer: The Animated Series', 'Rogue One: A Star Wars Story') 03:17:58 - Conclusion/Outro Visit our website! Support us on Patreon! Thank you for listening, and please send any feedback to watchreviewrepeat@gmail.com! Intro/Outro Credit: Mechanolith Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Director Ridley Scott returned to outer space with the 2013 Alien prequel Prometheus, set on a distant world, and two years later, when he adapted Andy Weir's best-selling 2011 novel, Scott visited another extraterrestrial destination, albeit one relatively closer to home: Mars. On the Red Planet, Matt Damon plays an astronaut stranded by fate who must survive in the harsh environment while his NASA colleagues come up with plans to rescue him. With an ensemble cast, including Jessica Chastain, Jeff Daniels, Kristen Wiig, Chiwetel Ejiofor, Sean Bean, Michael Peña, Kate Mara, Sebastian Stan, Aksel Hennie, Mackenzie Davis, Donald Glover, and Benedict Wong, the film was an interplanetary success, premiering at Number One and going on to top the box office for multiple non-consecutive weekends. Just a month after its release, the film surpassed Gladiator to become Scott's highest-grossing film at the domestic box office. With Weir's novel Project Hail Mary set to get the big screen treatment next year, we're visiting The Martian for its tenth anniversary, and we promise to bring him home when we're done!   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Aug-Heist: The Getaway Theme features beats produced by Anabolic Beatz https://www.anabolicbeats.com | Remixed with lyrics and vocals by Jonolobster   Normal Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

Our summer of podcasting comes to an end with this 682nd episode about The Martian, where we talk about Matt Damon having a years-long space adventure alone on the red planet. He's left behind by his crew and has to use his wits & botany talent to survive until they can come back for him...with plenty of help from the geniuses at NASA back on Earth. The optimism in Andy Weir's novel translates to the rare cheery entry in Ridley Scott's filmography. Damon's charm and sense of humour are a huge part of what made that possible in a science fiction film that's actually pretty close to science fact. So DO NOT fire up that disco music on the 4th planet, but DO like them potatoes as you devour our ep about The Martian. Residents of Mars can't order Sparkplug Coffee, but Canadians and Americans can...and our listeners will enjoy a onetime 20% discount if they use our "HYES" promo code. The website is "sparkplug.coffee/hyes". Subscribe to Have You Ever Seen in your app and/or on YouTube (@hyesellis in the YouTube search bar). Rate our 'casts, write a review and comment on YouTube. Let us know your own thoughts about The Martian by firing off an email (haveyoueverseenpodcast@gmail.com). Or contact us on Twi-X (@moviefiend51 and @bevellisellis) or Bluesky (ryan-ellis and bevellisellis).

In Episode 202, Susie (@NovelVisits) and Sarah explore some of their new favorite Micro Genres. Since starting the Micro Genres series, they've loved taking the opportunity each year to examine and define their tastes in these sub-sub-genres. This year, they have curated a list of 10 all-new Micro Genres, along with notable books for each category. With over 80 books mentioned, this is another year of niching down for some great book recommendations! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Books Told From the Perspective of the Person Left Behind (Sarah) [2:26] Sarah The Wanderers by Meg Howrey (2017) | Amazon | Bookshop.org  [3:39] Atmosphere by Taylor Jenkins Reid (2025) | Amazon | Bookshop.org  [3:52] Happiness Falls by Angie Kim (2023) | Amazon | Bookshop.org [4:29] Miracle Creek by Angie Kim (2019) | Amazon | Bookshop.org [4:31] Shred Sisters by Betsy Lerner (2024) | Amazon | Bookshop.org [4:42] Penitence by Kristin Koval (2025) | Amazon | Bookshop.org [4:52] Z by Therese Ann Fowler (2013) | Amazon | Bookshop.org  [5:11] The Paris Wife by Paula McLain (2011) | Amazon | Bookshop.org  [5:19] An American Wife by Curtis Sittenfeld (2008) | Amazon | Bookshop.org  [5:26] The Swans of Fifth Avenue by Melanie Benjamin (2016) | Amazon | Bookshop.org  [5:35] The Wives by Simone Gorrindo (2024) | Amazon | Bookshop.org  [5:59] A Mother's Reckoning by Sue Klebold (2016) | Amazon | Bookshop.org  [6:41] Susie Station Eleven by Emily St. John Mandel (2014) | Amazon | Bookshop.org  [7:07] Good Morning, Midnight by Lily Brooks-Dalton (2016) | Amazon | Bookshop.org [7:35] The Light Pirate by Lily Brooks-Dalton (2022) | Amazon | Bookshop.org  [7:37] Circe by Madeline Miller (2018) | Amazon | Bookshop.org  [7:52] We Begin at the End (Susie) [8:22] Sarah Beyond the Point by Claire Gibson (2019) | Amazon | Bookshop.org [12:46] Penitence by Kristin Koval (2025) | Amazon | Bookshop.org [13:16] I'm That Girl by Jordan Chiles (2025) | Amazon | Bookshop.org  [14:20]  Susie The Three Lives of Cate Kay by Kate Fagan (2025) | Amazon | Bookshop.org[10:20] What Happened to Nina? by Dervla McTiernan (2024) | Amazon | Bookshop.org[10:49]  Victim by Andrew Boryga (2024) | Amazon | Bookshop.org  [11:48] How We Named the Stars by Andrés N. Ordorica (2025) | Amazon | Bookshop.org  [12:21]  Broken Country by Clare Leslie Hall (2025) | Amazon | Bookshop.org  [12:28]  Other Books Mentioned We Begin at the End by Chris Whitaker (2021) [8:33]  A Marriage at Sea by Sophie Elmhirst (2025)  [13:54]  Big Business Women (Sarah) [14:34] Sarah Anna Bright is Hiding Something by Susie Orman Schnall (2024) | Amazon | Bookshop.org [15:29] The Boys' Club by Erica Katz (2020) | Amazon | Bookshop.org  [15:46]  Women Are the Fiercest Creatures by Andrea Dunlop (2023) | Amazon | Bookshop.org  [15:51]  Dead Money by Jakob Kerr (2025) | Amazon | Bookshop.org  [15:55]  Susie The Whisper Network by Chandler Baker (2019) | Amazon | Bookshop.org[16:30] The Female Persuasion by Meg Wolitzer (2018) | Amazon | Bookshop.org [16:55]  Other Books Mentioned Bad Blood by John Carreyrou (2018) [15:34]  Books By Irish Authors Telling Distinctly Irish Stories (Susie) [17:35] Sarah Say Nothing by Patrick Radden Keefe (2018) | Amazon | Bookshop.org  [22:30]  Northern Spy by Flynn Berry (2021) | Amazon | Bookshop.org  [22:43]  The Rachel Incident by Caroline O'Donoghue (2023) | Amazon | Bookshop.org [22:52]  56 Days by Catherine Ryan Howard (2021) | Amazon | Bookshop.org  [23:39]  Susie Nesting by Roisín O'Donnell (2025) | Amazon | Bookshop.org  [19:39] The Coast Road by Alan Murrin (2024) | Amazon | Bookshop.org [20:07] The Heart's Invisible Furies by John Boyne (2017) | Amazon | Bookshop.org[20:54]  Juno Loves Legs by Karl Geary (2023) | Amazon | Bookshop.org  [20:59] Home Stretch by Graham Norton (2020) | Amazon | Bookshop.org  [21:02]  Small Things Like These by Claire Keegan (2021) | Amazon | Bookshop.org [21:50]   Trespasses by Louise Kennedy (2022) | Amazon | Bookshop.org  [22:07]  Other Books Mentioned Angela's Ashes by Frank McCourt (1996) [19:20]  Normal People by Sally Rooney (2018) [23:16]  Strange Sally Diamond by Liz Nugent (2023) [24:07]  Unraveling Oliver by Liz Nugent (2013) [24:09]  The Collective “We” Narration (Sarah) [24:33] Sarah The Virgin Suicides by Jeffrey Eugenides (1993) | Amazon | Bookshop.org[25:59]  We Wish You Luck by Caroline Zancan (2020) | Amazon | Bookshop.org [26:16]  The Mothers by Britt Bennett (2016)| Amazon | Bookshop.org  [27:31]  Unlikely Animals by Annie Hartnett (2022) | Amazon | Bookshop.org  [27:56]  Susie The Buddha in the Attic by Julie Otsuka (2011) | Amazon | Bookshop.org [28:38] The Swimmers by Julie Otsuka (2023) | Amazon | Bookshop.org  [28:58]   Other Books Mentioned The Age of Miracles by Karen Thompson Walker (2012) [25:09]  The Strange Case of Jane O. by Karen Thompson Walker (2025) [25:11]  The Vanishing Half by Brit Bennett (2020) [27:39]  Torn Between Two Lovers: The Women's Edition (Susie) [29:40] Sarah Gone with the Wind by Margaret Mitchell (1936) | Amazon | Bookshop.org [33:05]  Bridget Jones's Diary by Helen Fielding (1996) | Amazon | Bookshop.org  [33:14]  Twilight by Stephenie Meyer (2005) | Amazon | Bookshop.org  [33:35] Susie Broken Country by Clare Leslie Hall (2025) | Amazon | Bookshop.org [31:18]  The Paper Palace by Miranda Cowley Heller (2021) | Amazon | Bookshop.org  [31:38]  One True Loves by Taylor Jenkins Reid (2016) | Amazon | Bookshop.org [32:18]  An American Marriage by Tayari Jones (2018) | Amazon | Bookshop.org  [32:44]  Fiction Modeled on Real-Life Serial Killers or Crimes (Sarah) [33:50] Sarah The Death of Us by Abigail Dean (2025) | Amazon | Bookshop.org [34:33]  Bright Young Women by Jessica Knoll (2023) | Amazon | Bookshop.org [34:39]  Heartwood by Amity Gaige (2025)| Amazon | Bookshop.org  [34:42]   We Burn Daylight by Bret Anthony Johnston (2024) | Amazon | Bookshop.org [34:52]  The Girls by Emma Cline (2016) | Amazon | Bookshop.org  [35:00] Only Love Can Break Your Heart by Ed Tarkington (2016) | Amazon | Bookshop.org [35:05] When the Stars Go Dark by Paula McLain (2021) | Amazon | Bookshop.org [35:29]  Monday, Monday by Elizabeth Crook (2014) | Amazon | Bookshop.org  [35:39]  Susie Wolf at the Table by Adam Rapp (2024) | Amazon | Bookshop.org  [36:05]  Books with Characters Struggling with Mental Health (Susie) [36:57] Sarah Sociopath by Patric Gagne, PhD (2024) | Amazon | Bookshop.org  [41:24]  Sorrow and Bliss by Meg Mason (2020) | Amazon | Bookshop.org  [41:58]  Bitter Sweet by Hattie Williams (2025) | Amazon | Bookshop.org  [42:13]  Fire Exit by Morgan Talty (2024) | Amazon | Bookshop.org  [42:23]  When I Ran Away by Ilona Bannister (2021) | Amazon | Bookshop.org  [42:28] The Curious Incident of the Dog in the Night-Time by Mark Haddon (2003) | Amazon | Bookshop.org  [42:36]   Susie Shred Sisters by Betsy Lerner (2024) | Amazon | Bookshop.org [37:56]  More or Less Maddy by Lisa Genova (2025) | Amazon | Bookshop.org [39:06]  Interesting Facts About Space by Emily Austin (2024) | Amazon | Bookshop.org [39:43]  My Lovely Wife in the Psych Ward by Mark Lukach (2017) | Amazon | Bookshop.org [40:13]  I'm Thinking of Ending Things by Iain Reid (2016) | Amazon | Bookshop.org [40:58] Other Books Mentioned Soldier Sailor by Claire Kilroy (2023) [42:33]  Dude Thrillers (Sarah) [42:45] Sarah Dead Money by Jakob Kerr (2025) | Amazon | Bookshop.org [43:34]  The Boomerang by Robert Bailey (2025) | Amazon | Bookshop.org  [43:40]  Departure 37 by Scott Carson (2025) | Amazon | Bookshop.org  [43:55]  The Wealth of Shadows by Graham Moore (2024) | Amazon | Bookshop.org [44:10]  Red Widow by Alma Katsu (2021) | Amazon | Bookshop.org  [44:27] Red London by Alma Katsu (2023) | Amazon | Bookshop.org  [44:28]   Susie The Holdout by Graham Moore (2020) | Amazon | Bookshop.org  [44:57]  The River by Peter Heller (2019) | Amazon | Bookshop.org  [45:24]  Burn by Peter Heller (2024) | Amazon | Bookshop.org  [45:25]  The Martian by Andy Weir (2011) | Amazon | Bookshop.org  [45:36]  Other Books Mentioned Project Hail Mary by Andy Weir (2021) [45:41]  All the Sinners Bleed by S. A. Cosby (2023) [45:33]  Blacktop Wasteland by S. A. Cosby (2020) [46:06]  Razorblade Tears by S. A. Cosby (2021) [46:13]  Standalone Fantasy Set on Earth (Susie) [46:36] Susie The Invisible Life of Addie LaRue by V. E. Schwab (2020) | Amazon | Bookshop.org [48:36] Bury Our Bones in the Midnight Soil by V. E. Schwab (2025) | Amazon | Bookshop.org [48:39] The Familiar by Leigh Bardugo (2024) | Amazon | Bookshop.org [49:07] Ninth House by Leigh Bardugo (2019) | Amazon | Bookshop.org [49:08] Weyward by Emilia Hart (2023) | Amazon | Bookshop.org  [49:28]  The Library at Mount Char by Scott Hawkins (2015) | Amazon | Bookshop.org [49:32]  Circe by Madeline Miller (2018) | Amazon | Bookshop.org  [49:50]  The Song of Achilles by Madeline Miller (2011) | Amazon | Bookshop.org [49:51]  Other Books Mentioned A Court of Thorns and Roses by Sarah J. Maas (2015) [47:03]  Black Chalk by Christopher J. Yates (2013) [50:30] 

Author Andy Weir was as shocked as anyone when The Martian became a top bestseller novel in the US. He repeated that achievement with his equally mind-blowing science fiction masterpiece Project Hail Mary. Former Planetary Radio host Mat Kaplan welcomed Andy in April of 2023 for the first livestreamed author conversation in The Planetary Society's member book club. Now, with the film version of Project Hail Mary approaching, we’re proud to begin making these insider interviews available to Planetary Radio listeners. We’ll post them on the third Friday of each month. Join us as we talk with Andy about his obsession with getting the science right while his reluctant and unlikely hero attempts to save humanity from a deep space scourge. Discover more at: https://www.planetary.org/planetary-radio/book-club-andy-weirSee omnystudio.com/listener for privacy information.

Jared and Joe welcome friend of the Network Seth Skorkowsky to discuss Andy Weir's Project Hail Mary, the birth of RPGs, and our philosophical stances on spoilers. Watch the video here: ⁠⁠⁠https://youtu.be/y99hHUx6P6c Access exclusive podcasts, ad-free episodes, and livestreams with a 30-day free trial with code "GCN30" at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠jointhenaish.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Join Troy Lavallee, Joe O'Brien, Skid Maher, Matthew Capodicasa, Sydney Amanuel, and Kate Stamas as they tour the country. Get your tickets today at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://hubs.li/Q03cn8wr0⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. For more podcasts and livestreams, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://hubs.li/Q03cmY380⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on news, Rosie and Jason ponder what caused Megan to flop at the box office. Is this a Blum House misstep or a change in the culture? Then, we're looking at the film adaptation of Andy Weir's best-selling novel Project Hail Mary starring Ryan Gosling. We gently judge the ranking of the New York Times' top 100 Films of the 21st Century List and share our top 10 movies of the past twenty-five years. Plus, Jason and Rosie remember actor Michael Madsen. See omnystudio.com/listener for privacy information.

On today's show, we'll discuss some headlines that might've slipped under the radar this week. First, most staff at the U.S. Agency for International Deveopment officially marked their final day with the agency. What might the dismantling of USAID mean for U.S. influence abroad? Plus, school districts are scrambling as federal education dollars are on hold. Then, we'll smile about Andy Weir's latest sci-fi novel being adapted for the big screen and the WNBA expanding into more cities! Here's everything we talked about today: “Bush, Obama and Bono Commend USAID Staff Members on Their Last Day” from The New York Times“The US says 'little to show‘ for six-decade aid agency. Supporters point to millions of lives saved” from The Associated Press“USAID cuts could lead to 14 million deaths over the next five years, researchers say” from NBC News“Education Department freezes cash for school districts, teacher training, migrant students” from POLITICO“Watch the first trailer for ‘Project Hail Mary'” from Popular Science“WNBA adds three more franchises as league's popularity continues to grow” from The Washington Post“‘Friendship' Review: Tim Robinson and Paul Rudd Hit Maximum Cringe” from The New York TimesIf you have a question, give us a call: 508-U-B-SMART or email makemesmart@marketplace.org

• Let's Encrypt drops its long-running email notifications. • Microsoft's new "Unexpected Restart Experience". • Microsoft's response to last year's massive CrowdStrike outage. • Windows 10's extended service updates will sort of be free. • Russia-sold iPhones MUST include the RuStore app. • Lyon, in France, says bye-bye to Windows. Hello to Linux. • The US Gov gets more serious about memory-safe languages. • A new unbelievable AI malware scanner evaSion technique. • A new pair of Cisco 9.8 and 10.0 vulnerabilities. • The current state of post-Elon government cybersecurity. • PNGv3, Swift on Android, and the Samsung email purge. • Andy Weir's "Hail Mary" movie trailer. • And a close look at the pervasiveness of web browser tracking fingerprinting. Show Notes - https://www.grc.com/sn/sn-1032-notes.pdf Hosts: Steve Gibson and Leo Laporte Download or subscribe to Security Now at https://twit.tv/shows/security-now. You can submit a question to Security Now at the GRC Feedback Page. For 16kbps versions, transcripts, and notes (including fixes), visit Steve's site: grc.com, also the home of the best disk maintenance and recovery utility ever written Spinrite 6. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: go.acronis.com/twit bitwarden.com/twit threatlocker.com/twit joindeleteme.com/twit promo code TWIT