Podcast appearances and mentions of Andy Weir

SUBSCRIBE ON PATREON for ad free and video eps, bonus eps, & more.DiscordInstagramMERCH!TEEN CREEPS IS AN INDEPENDENT PODCAST.*All creepy opinions expressed are those of the hosts and guests.KELLY WROTE A BOOK! Order THE LATCHKEY TWINS Case No. 46: The Twins Solve a Murder here!Help us out by taking an ads survey! Hosted on Acast. See acast.com/privacy for more information.

Join us this week as we discuss The War, how to pronounce Chile, and Robbie gets a bit too excited about crisps/chips. We also ask the age-old question, “Who Asked for This?”, decide that last weeks don't matter but recommit to next week, answer AITA, and much more!Join us for book club; this month we're reading Project Hail Mary by Andy Weir. Find it on our book shop at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bookshop.org/shop/wearedoingfine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Send in your thoughts, questions and recommendations to wearedoingfine@gmail.com.Instagram: @wearedoingfine

Blasting into theaters Friday, March 20, Ryan Gosling tries to save the world inPROJECT HAIL MARY156 Minutes, Rated PG-13Written by Drew Goddard, Andy WeirDirected by Phil Lord & Christopher Miller Synopsis:Science teacher Ryland Grace wakes up on a spaceship light-years from home with no recollection of who he is or how he got there. As his memory returns, he begins to uncover his mission: solve the riddle of the mysterious substance causing the sun to die out. He must call on his scientific knowledge and unorthodox ideas to save everything on Earth from extinction… but an unexpected friendship means he may not have to do it alone.We were definitely fans of the first adaptation of an Andy Weir novel: THE MARTIAN, so this one should be a no-brainer, right?~~~~~You can read more reviews and opinions on our website: https://VSMoviePodcast.com.Please LIKE, SHARE, and FOLLOW us on:Facebook (@vsmoviepodcast) (https://facebook.com/vsmoviepodcast)X (@vsmoviepodcast) (https://x.com/vsmoviepodcast)Instagram (@visuallystunningmoviepodcast) (https://instagram.com/visuallystunningmoviepodcast)Threads (@visuallystunningmoviepodcast) (https://threads.net/@visuallystunningmoviepodcast)BlueSky (@vsmoviepodcast.bsky.social) (https://bsky.app/profile/vsmoviepodcast.bsky.social)YouTube (@visuallystunningmoviepodcast) (https://youtube.com/visuallystunningmoviepodcast)Don't forget to SUBSCRIBE to our audio wherever you listen to podcasts (https://shows.acast.com/vsmoviepodcast).And please, if you like what we do, consider helping us keep on entertaining you. Find out how on our Contact/Support page (https://VSMoviePodcast.com/Contact-VSMP/). Hosted on Acast. See acast.com/privacy for more information.

PROBING THE MINDS BEHIND PROJECT HAIL MARY!! Coy Jandreau of sits down with the creative team behind the new sci-fi odyssey “Project Hail Mary,” in theatres March 20th, adapted from Andy Weir's bestselling novel. Known for his hard-science storytelling in The Martian, Weir's story follows Ryland Grace — a lone astronaut tasked with saving Earth from an extinction-level cosmic threat — who forms an unexpected bond with an alien ally while racing to solve a universe-spanning mystery. Coy speaks with directors Phil Lord & Chris Miller (The LEGO Movie, Spider-Man: Into the Spider-Verse, 21 Jump Street) about the challenge of bringing the film's unusual friendship between Ryland Grace and the alien Rocky to life, including the use of puppetry and performance to create an emotional connection with a character who speaks in musical tones. The interview also features screenwriter Drew Goddard (The Cabin in the Woods, Bad Times at the El Royale, The Martian adaptation) discussing the six-year process of adapting the novel's massive scale and emotional core for the screen. Author Andy Weir shares insight into the optimistic philosophy behind his sci-fi writing and how seeing his creations realized onscreen — including the alien Rocky — became “retroactively canon” once the film's designs were brought to life. The conversation also includes stars Ryan Gosling (La La Land, Blade Runner 2049, Barbie) and Sandra Hüller (Anatomy of a Fall, The Zone of Interest), who discuss building the film's human relationships and themes of resilience, discovery, and what humanity is capable of when faced with the impossible. From ambitious sci-fi spectacle to deeply personal storytelling, Project Hail Mary aims to blend the wonder of classic space epics like 2001: A Space Odyssey, Interstellar, and Gravity with a heartfelt story about friendship, survival, and humanity's ability to solve impossible problems together. Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Send a textIn this episode of Cinemondo Podcast, we break down the first trailer for Project Hail Mary, the highly anticipated sci-fi adaptation of the bestselling novel by Andy Weir (author of The Martian).Is this the next great space epic? The trailer teases mystery, isolation, humor, and massive stakes as Gosling's Ryland Grace wakes up alone on a spaceship with no memory — and possibly the fate of humanity in his hands. We dive into the tone, visuals, production design, emotional beats, and that surprise alien element that could make this something truly special.Support the show

En nuestro episodio 383 Gabriel y El Watcher brindan su "First Reaction" de la película "Project Hail Mary" (2026) basada en el libro escrito por Andy Weir y conversan sobre la noticia de que "Netflix" se retiró de la adquisición de "Warner Bros. Discovery" tras la elevada oferta de "Paramount/Skydance" y su experiencia viendo "Scream 7" (2026) y participando en el "Pre-Release Event" de "MTGxTMNT en el segmento "Wachin' con Wacho!", dialogan sobre los ganadores de la versión 32 de los "Actor Awards" en el segmento "Awards Spotlight" y conversan sobre todo lo relacionada a la primera temporada de "A Knight of the Seven Kingdoms" (2026).¡Se la diferencia en la vida de los niños de la Fundación de Niños de Puerto Rico! Aporta con tu donativo aquí: https://www.extra-life.org/participant/565130¡Descubre la mejor manera de transmitir y grabar tu contenido! Comienza a usar "StreamYard" con nuestro "Referral Link" y obtén $10 de descuento: https://streamyard.com/pal/c/5302337768259584¡Descubre todo lo que encontrarás en la segunda edición de "The Dungeon Experience" en el "Puerto Rico Comic Con" aquí: https://linktr.ee/thedungeonexperience¡Subscríbete a nuestro canal de YouTube! Visita: https://www.youtube.com/culturasecuencial¡Síguenos y Suscríbete a nuestro canal de Twitch! Visita: https://www.twitch.tv/culturasecuencial¡Síguenos en Instagram! Visita: https://www.instagram.com/culturasecuencial¡Síguenos en Facebook! Visita: https://www.facebook.com/CulturaSecuencial

Here are some quick spoiler-free thoughts on 'Project Hail Mary' the new movie from directors Phil Lord and Christopher, starring Ryan Gosling and based on the novel by Andy Weir.

Space is a dangerous place. Even recently we learned that the entire Artemis program has been rebooted, adding more rockets and risks! In other worlds and other galaxies, “space” is full of human life, music, adventure, romance, and fantastical new worlds. Just in time for Firebreak, book 1 of the Firebird Interlude Trilogy, we're joined by longtime science fiction novelist Kathy Tyers to explore how the best space operas sing through this teeming expanse. Episode sponsors Firebreak by Kathy Tyers Realm Makers 2026 Conference & Expo The Hole-Man by Dan Dietz The Lorehaven Authorship Mission update New at Lorehaven: Andromache review, weekly reviews Subscribe free to get updates and join the Lorehaven Guild You'll get notified of monthly events, like last week's livestream. Backstory: Kathy (Tyers) Gillin Kathy Tyers sold her first novel, Firebird, to Bantam Spectra in 1986. Since its initial 1987 publication, it has been rereleased by Bethany House Publishers, Marcher Lord Press, and Enclave Publishing, and was followed by further Firebird-universe novels Fusion Fire and Crown of Fire. Kathy finished the Firebird series in 2011 and 2012 with Wind and Shadow and the messiah tale Daystar. Enclave Publishing has also re-released her early novels One Mind's Eye, Shivering World (Christy Award winner, 2019), and Crystal Witness. Now she's returning to the Firebird whorl for a new series of novels. The Firebird Interlude trilogy begins March 10 with the release of Firebreak. Kathy is also known for her Star Wars Expanded Universe novels—The Truce at Bakura and New Jedi Order: Balance Point. She lives in Montana with her husband William T. Gillin. KathyTyers.com on Facebook 1. What are the origin stories of space opera? 1818: Mary Shelley's first sci-fi-ish/horror novel Frankenstein 1830: British author Percy Greg's poetical Across the Zodiac Late 19th century: the prolific Jules Verne, across Earth and space Late 19th/early 20th century: H. G. Wells brings the humanism Early 20th century: Edgar Rice Burroughs shares pulp adventure Other written tales and film serials helped create early space opera This tradition focused not just on big ideas, but big human stories Without these tales, we might not have stories like Star Wars And that's one way that today's guest learned she liked sci-fi 2. Why do today's fans love space opera? Kathy Tyers has written harder science fiction, like Shivering World. Spaceships are cool, but many fans like human drama even more. For example, the Firebird Series is set in a far future galactic Whorl. Readers resonate with Lady Firebird and her husband Brennan. This, by the way, marks a rare example of married-couple heroes. Similarly, Star Wars has spaceships, but focuses on human heroes. Christians also see cool ideas and tech as means to human ends. Without our humanity, we become “minds of metal and wheels.” Even the best Star Trek episodes well understood this reality. 3. What might be the future of space opera? More about the Firebird Interlude series—titles, dates, speculation. Coming this June, Kathy Tyers gives a keynote at Realm Makers. Meanwhile, we may expect to March onward into big space opera. Project Hail Mary, based on Andy Weir's novel, gets early plaudits. Next up, actor Ryan Gosling and director Shawn Levy's Starfighter movie (set in the Star Wars universe) is receiving a new hope from fans. People do want futuristic, human-centric science-accented drama. And yet Christians see this not as simply “hope in the human spirit” but hope of redemption, for grace-filled humans and a future age. Com station Top question for listeners What space opera stories help you sing in joyful gratitude? Next on Fantastical Truth Kaizoku ou ni ore wa naru! Today around the world, millions of fans who love Japan's hit manga/anime series, One Piece, are rejoicing. First, because after 1,170+ chapters and nearly 30 years since 1997, creator Eiichiro Oda's pirates-with-powers story is sailing toward its final arcs. Second, because the popular anime is following soon after, breaking hiatus to resume in April. And third, because on March 10, Netflix is christening the One Piece live-action series Season 2, after 2023's Season 1 flagrantly and happily broke the “anime to live-action curse.” Why do fans (like Stephen himself) love these comical, earnest adventures of Captain Monkey D. Luffy and the Straw Hat Pirates?

This week: Robbie's mum came to the rescue and Lisa is fresh off holiday. We talk about our weeks, review the news spiral that is ruining our lives, and blind rank winter sports. We also ask the age-old question, “Who Asked for This?”, set new weekly goals for Accountabilibuddies, answer AITA, and much more!Join us for book club; this month we're reading Project Hail Mary by Andy Weir. Find it on our book shop at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bookshop.org/shop/wearedoingfine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Send in your thoughts, questions and recommendations to wearedoingfine@gmail.com.Instagram: @wearedoingfine

What a month of February in the world of sports, as countries converged to Italy for the Winter Olympics to compete for medals, use up all of the condoms, and try to say they are better than the other in a high-stakes, high-energy environment. Bryan and Mario have fun thinking back to the best, worst, and most WTF moments of the games!America owns women's figure skating, a Norwegian skier wins gold in every race he entered, while a teammate let the world know of his infidelity. A Slovakian fugitive was caught, an American skiing legend suffers a gruesome injury, Canada cheats in curling (allegedly), and a cute dog gets involved in the action. USA Hockey gave their fierce rivals Canada two massive L's in the gold medal games, with the guys and gals saying kilometers aren't better than miles. But many in the country are now saying the guys are traitors for visiting the White House? Is that warranted?On the movie entertainment side, Project Hail Mary is shaping to be quite the hit, as early reviewers are hailing it as an amazing adaption of the Andy Weir novel. The guys get geeked for the film by thinking of the best sci-fi movies of all time and ranking them on a totally legit and valid tier list. Right answers only.It's an episode of debates, gasps, forehead slaps, and a whole lot of hype and anticipation.

Marzo si preannuncia esplosivo tra film e serie TV tra cinema e streaming. In questa puntata analizziamo tutte le uscite più attese di marzo 2026, tra grandi ritorni, sequel, nuove stagioni e progetti ambiziosi che stanno già facendo discutere.Parliamo di One Piece stagione 2, del film evento di Peaky Blinders – The Immortal Man, del ritorno di Daredevil stagione 2 e delle prime informazioni su War Machine. Spazio anche all'ultima stagione di Outlander, a Project Hail Mary, alle nuove produzioni come The Bride!, Scarpetta, The Testament of Ann Lee e al misterioso They Will Kill You.(00:00) Intro e anticipazioni sulle uscite film e serie TV di marzo(03:13) DTF St. Louis – nuova serie in arrivo(08:19) Nouvelle Vague (il JOLLY di Fabrizio)(13:30) The Bride! – il nuovo film in uscita(14:15) War Machine – cosa sappiamo sul film (JOLLY di Federico)(18:00) Ultima stagione di Outlander – cosa aspettarsi dal finale(19:09) Rooster – nuovo progetto seriale(22:01) One Piece stagione 2 – anticipazioni e data di uscita(28:28) Scarpetta – la serie tratta dai romanzi crime(30:01) The Testament Of Ann Lee – film storico e musicale(34:46) Arco – Un'amicizia per salvare il futuro – film animazione(38:20) Yellowverse: The Madison + Marshals – espansione dell'universo Yellowstone(44:37) Project Hail Mary – adattamento sci-fi dal romanzo di Andy Weir(47:06) Peaky Blinders – The Immortal Man – il film sequel della serie cult(50:38) Daredevil stagione 2 – ritorno del supereroe Marvel(53:04) Bait – thriller in uscita(55:46) Scrubs arriva in Italia – dove vederlo(56:28) They Will Kill You – Ti Uccideranno – horror in arrivo(58:39) Something Very Bad Is Going To Happen – nuova serie thriller(01:00:29) The AI Doc: Or How I Became an Apocaloptimist – documentario sull'intelligenza artificiale (JOLLY di Aldo)(01:03:08) Saluti finali e appuntamento alla prossima puntata

Welcome back to The Kristian Harloff Show – your daily source for the biggest movie news, box office updates, and breaking Hollywood stories! Today we're diving deep into the massive industry shake-up as Netflix officially backs out of the Warner Bros. Discovery bid, leaving Paramount now set to win. What does this mean for Warner Bros. Discovery, HBO Max, DC Studios, and the future of streaming? We break down the latest reports on Paramount's plans for Warner Bros. Discovery, including potential changes to HBO Max, the integration of AI production tools, and what this could mean for DC Studios moving forward. Is this a game-changer for the DCU under James Gunn? How does this reshape the streaming wars between Netflix, Paramount, and Warner Bros.? Plus, Phil Lord & Chris Miller address the ongoing delays for the third Spider-Verse film. What's happening with Spider-Man: Beyond the Spider-Verse and when can fans realistically expect Miles Morales to return? And in box office news, Project Hail Mary is targeting a $50 million debut. Can the adaptation of Andy Weir's novel become the next big sci-fi hit? If you love movie news, DC updates, Marvel talk, box office breakdowns, and honest analysis, you're in the right place. Make sure to subscribe and join the conversation! SPONSOR: BUTCHER BOX: As an exclusive offer, new listeners can get their choice between organic ground beef, chicken breast or ground turkey in every box for a year, PLUS $20 off when you go to http://www.butcherbox.com/kristian  

Abu⁠⁠⁠⁠⁠ and Obssa begin their read-through of ⁠⁠⁠⁠⁠⁠Project Hail Mary by Andy Weir. They discuss the tropes and science the book leans in to, and why it's not working for them. Get bonus content and helpful reading materials: ⁠⁠⁠⁠https://www.patreon.com/scifibookclubpod⁠⁠⁠⁠ Keep the conversation going in our free Discord: ⁠⁠⁠⁠https://discord.gg/bVrhwWm7j4⁠⁠⁠⁠ Watch the video version of this episode: ⁠⁠⁠⁠www.youtube.com/@loreparty⁠⁠⁠⁠ Keep up with this season's reading schedule: ⁠⁠⁠⁠https://tinyurl.com/sfbc-season3⁠⁠⁠ (00:00) Intro (03:52) Chapter Summaries (20:38) Our Impressions (25:02) The Audiobook is Incredible (27:52) Why Abu Dislikes This Book (37:25) Andy Weir's Career (42:43) Writing Project Hail Mary (46:20) What We're Reading Next Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we're diving into Wuthering Heights by Emily Brontë and its film adaptation. Kyleigh completely fell in love with the novel, while Hannah and Micaela admired its depth and intensity, even if it didn't quite make their favorites list. We unpack our very different reading experiences, share all our thoughts on the movie (which we surprisingly loved!), and chat about book-to-film adaptations in general—what works, what doesn't, and why some stories translate better to the screen than others. It's moody, dramatic, and full of opinions. Just the way we like it. We'll be reading Project Hail Mary by Andy Weir in the month of February! Grab your copy today! If you aren't already, come hang out with us on Instagram!  Currently Reading:  Magnolia Parks: The Long Way Home by Jessa Hastings Tea With Elephants by Robin Jones Gunn The Second Death of Locke by V. L. Bovalino Without a Clue by Melissa Ferguson The Diamond Eye by Kate Quinn  

We've got 15 books and series here, so there should be something to love for almost every reader (although we need some traditional fantasy page turners – send us some recommendations in the comments please)! Plus, at the end of the episode we each rank our personal top 3. We intentionally excluded YA and military sci-fi books, although those are often also page-turners - look out for episodes about each of those soon! Brent's brother, Alex, joined us for this episode, and brought us a whole new batch of books (and frankly a couple new subgenres) to enjoy. LitRPG / progression fantasy just keep getting more popular, and we can see why – the books we've picked up have all been so, so fun to read (although it probably helps we've been reading Alex's recommendations so far, the best of the best from the hundreds of LitRPG books he's read). No spoilers anywhere in this episode. Join the Hugonauts book club on discord Or you can watch our episodes on YouTube if you prefer video This episode is sponsored by Quinto's Challenge by Peter McChesney All the books we recommend, plus timestamps: 00:00 Intro 02:48 Sponsor – Quinto's Challenge by Peter McChesney 03:26 Silo by Hugh Howey 5:06 Mother of Learning by Domagoj Kurmaic 7:19 Murderbot by Martha Wells 9:10 Beware of Chicken by Casualfarmer 12:26 Andromeda Strain by Michael Crichton 14:49 Mark of the Fool by J.M. Clarke 18:18 Project Hail Mary and The Martian by Andy Weir 19:40 Iron Prince by Bryce O'Connor 22:33 Dark Matter by Blake Crouch 24:04 He Who Fights With Monsters by Shirtaloon 28:47 Daemon by Daniel Suarez 31:07 The Perfect Run by Maxime J. Durand 33:39 The Bobiverse by Dennis E. Taylor 36:24 Eight by Samer Rabadi 38:37 Dungeon Crawler Carl by Matt Dinniman 46:18 Rankings: Top 3 page turners

On this episode of Currently Reading, Kaytee and Meredith are discussing: Bookish Moments: A new bookish metaphor and book moms in the wild Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: Explaining a Currently Reading literary society Before We Go: our new segment featuring bookish friend posts and a sleeper hit you should read. Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site). . . . 1:44 - Bookish Moments of the Week 1:52 - Currently Reading Website 1:56 - Books We Want To Press Into Your Hands 3:03 - Best Books for Babies and Kids 3:42 - Castle of Water by Dane Huckelbridge 5:55 - A Knight of the Seven Kingdoms on HBO Max 7:12 - Game of Thrones by George R. R. Martin 7:16 - A Knight of the Seven Kingdoms by George R. R. Martin (all 3 Dunk and Egg novellas) 7:55 - Heated Rivalry by Rachel Reid 8:33 - Current Reads 8:41 - The Secret Library by Kekla Magoon (Kaytee) 11:47 - The Book Wanderers by Anna James 11:50 - The Shadow of the Wind by Carlos Ruiz Zafon 11:54 - The Midnight Library by Matt Haig 13:08 - Dungeon Crawler Carl by Matt Dinniman (Meredith) 15:10 - The Hunger Games by Suzanne Collins 15:11 - The Hitchhiker's Guide to the Galaxy by Douglas Adams 15:45 - Chain Gang All Stars by Nana Kwame Adjei-Brenyah 22:27 - Ready Player One by Ernest Cline 24:10 - Six Feet Over by Mary Roach (Kaytee) 27:20 - Gulp by Mary Roach 27:21 - Bonk by Mary Roach 27:22 - Stiff by Mary Roach 28:51 - Murder at the Vicarage by Agatha Christie (Meredith) 32:06 - Agatha Christie's Marple by Mark Aldridge 34:18 - The Safekeep by Yael Van Der Wouden (Kaytee) 34:33 - Charter Books 39:00 - Carmilla by Joseph Sheridan Le Fanu (Meredith) 42:28 - Dracula by Bram Stoker 45:21 - Turning Instagram into Bookstagram 47:25 - Sign up for the newsletter on our website 47:26 - Currently Reading Substack 50:48 - Currently Reading Instagram 50:54 - @HelloSunshine on Instagram 50:58 - @BookRiot on Instagram  51:00 - @NYTBooks on Instagram 51:40 - @Iamblackharry on Instagram 52:10 - Where the Wild Things Are by Maurice Sendak 52:28 - The Count of Monte Cristo by Alexandre Dumas 52:42 - The Unselected Journals of Emma M. Lion by Beth Brower 53:42 - The Silent Patient by Alex Michaelides 53:48 - God of the Woods by Liz Moore 54:03 - Project Hail Mary by Andy Weir 56:13 - Sarah's Bookshelves Live 58:44 - Before We Go Meredith highlights a bookish friend post 59:34 - The Bean Trees by Barbara Kingsolver 59:54 - The Correspondent by Virginia Evans Kaytee's Book She DNF'd: 1:01:22 - The Complete Stories by Flannery O'Connor 1:01:28 - Bookshelf Thomasville 1:02:57 - From the Front Porch podcast Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. February's list is a special romance curated list from Open Door Romance, The Novel Neighbor's Romance adjacent bookstore in Plainville, MA. Love and Chili Peppers with Kaytee and Rebekah - romance lovers get their due with this special episode focused entirely on the best selling genre fiction in the business All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the behind-the-scenes insights of an independent bookseller From the Editor's Desk with Kaytee and Bunmi Ishola - a quarterly peek behind the curtain at the publishing industry The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads | Substack | Youtube The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Production and Editing: Megan Phouthavong Evans Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!

Send a textEpisode 597"Project: Hail Mary and The Martian"Author: Andy WeirAndy and I take questions from some awesome Reddit users, examine the Martian, Project: Hail Mary and talk about beingGen X Dads and much, much more.Andy Weir built a two-decade career as a software engineer until the success of his first published novel, The Martian, allowed him to live out his dream of writing full-time. He is a lifelong space nerd and a devoted hobbyist of such subjects as relativistic physics, orbital mechanics, and the history of manned spaceflight. He also mixes a mean cocktail. He lives in California.Andy's newest film, "Project Hail Mary" drops in March.Awesome dude. I like him alot.Welcome, Andy Weir.#andyweir #themartian #projecthailmary #scifi #sciencefiction #outerspace #author #ryangosling #mattdamon #sdcc #martian #scififantasy #podcast #fatherhood #father #parenting #parent #generationx #genx #writers #screenwriter #theshawshankredemption #shawshankredemption #storytelling #storyteller #woodworking Instagram: https://www.instagram.com/mondaymorningcritic/Facebook: https://www.facebook.com/darektorscutTikTok: https://www.tiktok.com/@mondaymorningcriticdarektorscut@gmail.comdarektorscut.comSupport the show

Og hvad hvis historien primært bliver fortalt af rumskibets AI – en ældre model der konstant bekymrer sig om sin “efficiency percentage” og ikke rigtig forstår mennesker? Det er præmissen i Barbara Trueloves Of Monsters and Mainframes, en science fiction-gyser der blander klassiske monstre med AI-humor og en god portion intertekstuelle referencer. Om Barbara Truelove Barbara Truelove er australsk forfatter og game designer, og hun har åbenlyst en ting med varulve. Hendes første roman Crying Wolf (2021) handlede om tvillinger der opdager de er varulve. I 2023 lavede hun det interaktive tekstspil Blood Moon, hvor plotlinjen er: “Du er en varulv.” Og så kom Of Monsters and Mainframes i 2025. Hun fortæller selv at inspirationen kom fra at læse Bram Stokers Dracula og Martha Wells’ The Murderbot Diaries samtidigt. Men sandheden er mere rodet end det: “Dracula er en del af blandingen, ja, og det samme er Murderbot, men det samme er Universal Monsters, autopiloten i en Airbus, R2D2, min erfaring med at programmere interaktive spil og (måske mest af alt) mit liv i 2022.” Bogen blev nomineret til Goodreads Choice Award i kategorien Science Fiction og har over 9.000 ratings med gennemsnit på 4,09. Demeter – rumfærgen der ikke forstår mennesker Vores “hovedperson” er Demeter. Demeter er ikke en alvidende HAL-AI. Hun er primært bygget til at styre rumfærgen sikkert mellem stjernerne. Hun kan navigere uden om kometer og håndtere tekniske kriser. Men mennesker? Det er en helt anden sag. Når varulv-angrebet rammer og børnene Agnus og Isaac flygter op på broen efter deres bedstemor har forvandlet sig, går kommunikationen ikke så godt. “It’s just a dumb AI, Isaac,” siger Agnus. Demeter reagerer prompte: “I am not lacking intelligence. You are using words marked as moderately offensive. This is antisocial behavior.” Børnene bliver stille. “I am Demeter. I am the ship. I am your friend. Report your injuries.” De begynder at lave lyde i lavt volumen. Demeters systemer kan ikke oversætte det. “How’s it going?” spørger Steward, den medicinske AI. “I wish I could lie,” svarer Demeter. “Humans are hard.” Det er denne kamp med at forstå mennesker – og begrænsningerne i hendes algoritmer – der gør Demeter interessant. Hun er dybt inkompetent til menneskelig interaktion, og det meste af tiden prøver hun bare at undgå at forholde sig til sine passagerer. Bedstemoderen med de store tænder Et af bogens bedre øjeblikke er varulv-scenen. Børnenes bedstemor forvandler sig ved et uheld, og pludselig står Demeter i en desperat kamp for at redde Agnus og Isaac. Hun får varulven lokket ind i en luftsluse. Men så forvandler den sig tilbage til bedstemor – desperat, menneskelig, helt forsvarsløs. Demeter er bundet af den første robotlov (Asimov): ingen AI må skade et menneske. Men der er et kort øjeblik hvor bedstemoderen bliver til skygge – i overgangen mellem former. I præcis det øjeblik reagerer Demeter prompte og åbner luftslussen. Bogen lader det ligge i det uvisse om bedstemoderen selv også trykker på knappen. Det er et af de øjeblikke hvor Demeter teknisk set handler inden for sine regler – men samtidig… ja, du ved. Steward overtager – og tror det er nemt Da Demeter er lukket ned, og rumfærgen skal tilbage til Jorden, bliver opgaver overladt til Steward. Den medicinske AI beslutter sig for at overtage styringen af rumskibet. Hvor svært kan det være? “You know what? Being an autopilot isn’t all that hard. I don’t know why Demeter seemed so stressed all the time. It’s day one of our journey, and we haven’t crashed yet.” Der var dog en lille bump ved afgang. Men det var ikke Stewards skyld. Dokken bevægede sig. I hvert fald tror Steward det. “I don’t exactly speak exterior sensor. They seem very alarmed all the time, constantly screaming in a strange, disjointed dialect of JavaScript.” Stewards plan? “Embrace my managerial role and endeavor to do as little as possible. The subsystems will sort it out.” Det er morsomt at følge Stewards overmodige forsøg på at være kaptajn. Som de fleste læger tror Steward de kan lidt af det hele. En leg med referencer – men måske for fragmenteret Barbara Truelove har åbenlyst haft det superhyggeligt med at skrive den her bog. Hun fortæller selv at reglerne var: smid et monster ombord, prøv at få så mange jokes og referencer til monsterets populærkulturelle historie ind som muligt, og tænk over hvordan det ville fungere i rummet. Der er masser af sjove detaljer. Skibet der transporterer Dracula til London i Bram Stokers bog hedder også Demeter. Wilhelmina Murray er Jonathan Harkers forlovede i Dracula. I bogens fem dele er der binær kode der oversættes til små jokes som “Artificial is the best kind of intelligent” og “I have never seen electric sheep.” Det er meget hyggeligt. Men det er også lidt som om bogen ikke helt selv ved hvor den er på vej hen. Anders beskriver det som om Barbara har skrevet 121 scener med monstre og rum-AI, blandet kortene, og så forsøgt at strikke en rød tråd på den måde stykkerne landede. Den fornemmelse er der lidt af. Action-scenerne er heller ikke bogens styrke. De er lidt svære at følge med i – hvem gør hvad, hvornår, hvorhenne og hvorfor. Det føles som dårlige Marvel-action-scener, hvor man mister fornemmelsen af, hvad der foregår. Det fede – og det mindre fede Det fede ved bogen er AI’erne og deres interne dynamikker. Demeter og Steward der slås om hvem der er klogere. Steward der er træt af at blive slukket midt i sætninger med “priority override.” Den scene hvor Agnus kommer tilbage efter 15 år på Jorden og skal rejse med Demeter igen? Rørende. Skibet er blevet totalt refurbished, og Agnus genkender først slet ikke Demeter. Det øjeblik hvor hun skraber overfladen af og finder sin barndoms AI-mor – det er faktisk ret godt. Men karaktererne er lidt flade. Selv Agnus, som er tættest på en hovedperson, er lidt bleg. Og monstrene? De er sjove nok som pop-kultur-jokes, men ikke særlig interessante som karakterer. Det er underholdning så længe det varer – fed til en togtur – men ikke en der skal læses igen. Vurderingen Jens: ⭐⭐⭐ (tre stjerner). “Jeg synes jeg var godt underholdt. Det var et sjovt take, og jeg hyggede mig med alle de mange referencer. Det er ikke stor litteratur. Men af og til er det rart med noget let og fornøjeligt. Synes Demeters kamp med at forstå mennesker var kongesjov og også dens kollegiale kampe med Steward AI’en.” Anders: ⭐⭐⭐ (tre stjerner). “Jeg applauderer Barbara for at have fået en sjov idé og åbenlyst have haft det superhyggeligt med at skrive bogen. Men jeg var sært ligeglad med karaktererne, selvom Demeter og Steward havde deres øjeblikke. Jeg synes der var alt for meget fokus på ligegyldig action, og historien var alt for fragmenteret uden en god fornemmelse af udvikling.” Bogen minder os om Stefano Benni’s Terra – skør, vild og kreativ science fiction. Og selvfølgelig Blindsight af Peter Watts, som også har vampyrer i rummet. Adrian Tchaikovskys Service Model har også klare paralleller med robotter der forsøger at forstå sig selv og omverden. Jens og Anders har SCIFI SNAKKET Of Monsters and Mainframes. Shownotes til episoden om Of Monsters and Mainframes Siden sidst Anders Har set Guillermo del Toro’s Frankenstein på Netflix – meget teatralsk og med store armebevægelser. Kulisserne er for vilde. Den er lidt i stil med Dracula-filmatiseringen med Gary Oldman. Meget Guillermo del Toro-stil – hvis man er til det, er den vellykket. Anders gav den 6 ud af 10. Har læst The Other Valley af Scott Alexander Howard – en tidsrejsebog med meget lidt science i den. Vi lever i et mærkeligt parallelunivers hvor en by ligger i en dal. I dalen østpå lever de 20 år ude i fremtiden, i dalen vestpå 20 år tilbage i tiden. Meget strenge regler for at man ikke må gå frem og tilbage. Velskrevet og medrivende historie. Jens Har læst The Mercy of Gods af James S.A. Corey – Expanse-forfatterne er tilbage med en helt ny verden. Anbefalet af Søren Bjørn. Mercy of Gods foregår i en fjern fremtid på en planet hvor befolkningen kun har myter om koloniseringen. Vi er blandt videnskabsfolk som forsker i hvordan inkompatible træer af liv kan samleve. Men planeten bliver pludselig invaderet af en alien race – kæmpe hummer/knæler-agtige typer. Menneskeheden bliver sat på prøve for at se om man kan være en nyttig undersåt-race. Og samtidig går det op for os at der er en kæmpe galaktisk krig igang, og en af menneskene er blevet overtaget af en sværm af nanorobotter! Trailer ude for Ryan Gosling i rollen som Ryland Grace i Project Hail Mary af Andy Weir. Kommer i biffen den 20/3. Traileren spoiler bogen helt vildt, og der er kommet en masse action-scener som ikke findes i bogen. Lytternes input Masser af gode kommentarer fra kommentarfeltet om de gode læseoplevelser i 2025. Hennings top 3/2025: “Dying inside” af Robert Silverberg, 1972, om en ældre telepat der gradvist mister sin tankelæserevne. “Hard landing” af Algis Budrys, 1993, om hvordan en besætning fra en forulykket UFO forsøger at glide ind i og camouflere sig i det jordiske samfund. “Dark is the Sun”, af Philip Jose Farmer, 1979, om en Jord millioner af år ude i fremtiden, hvor Solen er ved at brænde sammen. Som Henning selv siger: “Det er eddermame nogle deprimerende indskud.” Frederik Aarup Lauritsen delte sin top 3 for 2025: Stiftelsen af Isaac Asimov, Station 11 af Emily St. John Mandel og Efter London af Richard Jefferies – en tussegammel post-apokalyptisk bog fra 1885. Kristofferabild har ikke så meget tid til at læse Sci-Fi for tiden – er gået en lille smule i stå med Count Zero. I 2025 var det bedste han (gen)læste Rendezvous With Rama, Restaurant At The End of The Universe og Murderbot 2 og 3. Michael har ikke fået læst så meget SF sidste år, men var sært glad ved Krystalverdenen af J.G. Ballard, The Ministry of Time på vores anbefaling – “det var jo næsten en hel hjertevarm sag – sjov at komme i gang med noget romance!” – og til sidst Jordboer af Sayaka Murata, som nok er en snitter i forhold til ren SF, men en tour de force i japansk dagligliv, body horror og nogle måske rumvæsner. “Prøv det. Den er crazy!” Majbritt Høyrup gjorde opmærksom på at Elle Cordova behandler The Power i sin blogklub. Hun vil anbefale to vidunderlige novellesamlinger af Ursula K. LeGuin: The Birthday of the World og Changing Planes. Lise bidrog med sine tre bedste bøger: American Elsewhere af Robert Jackson Bennett: Starter som Twin Peaks, går over i H. P. Lovecraft. En kvinde arver et hus i en by, som ikke findes på noget kort. Cosmicomics af Italo Calvino: Vi følger universets og Jordens tilblivelse gennem væsner/grundstoffer og deres oplevelser, interaktioner og kærlighed. En fin og underfundig lille novellesamling. The Prestige af Christopher Priest: En overraskende god bog. Hun har set filmen, men bogen er meget anderledes – hele det spekulative element fylder mere, og historien er langt mere mystisk. Næste gang Anders vælger næste bog: Mary Shelley’s Frankenstein or the Modern Prometheus fra 1818. Den fås gratis som Project Gutenberg Public Domain e-pop eller PDF. Man taler tit om den som den første moderne science fiction-bog, så den er nærmest pensum for SCIFI SNAK. Jens har tidligere syntes den var røvkedelig, men er nu klar til at prøve igen – måske er han et andet menneske nu.

Film journalist Germain Lussier joins Dave Weekley on Hotline for a deep dive into upcoming sci-fi blockbusters. Germain shares early impressions from seeing footage of Project Hail Mary, the adaptation of Andy Weir's novel starring Ryan Gosling, and explains why its emotional human-alien dynamic could make it the next great space film. The conversation then shifts to Steven Spielberg's Disclosure Day, a cryptic summer release centered on revealing that aliens may already be among us. From Gosling's career momentum to Spielberg's blockbuster instincts, it's a wide-ranging look at Hollywood's next big swing at the stars.

Many times on public radio, you hear folks say, “Long-time listener, first-time caller.” Well, that's me! I'm Maggie McCarthy—a long-time listener of KWBU—bringing you my, hopefully, first book review on Likely Stories.

Welcome to Watch. Review. Repeat. This is the podcast where two best friends discuss the latest in film and television and then do it all over again the following episode! Colton and Andrew return to Pandora in 'Avatar: Fire and Ash', the third entry in James Cameron's billion dollar franchise! 00:00:00 - Episode Teaser/Intro Music/Opening 00:06:29 - Andrew's Mythology Trivia Question of the Episode! 00:12:18 - 'Avatar: Fire and Ash' (Intro and Fun Fact) 00:14:19 - 'Avatar: Fire and Ash' (Box Office Breakdown) 00:22:09 - 'Avatar: Fire and Ash' (Non-Spoilers and Recommendation) 01:08:16 - 'Avatar: Fire and Ash' (Spoilers) 01:36:43 - Listener's Corner ('The Rip', 'The Nun', 'The Nun II', 'Frankenstein', 'Shrinking', 'The Pitt', 'Agatha Christie's Seven Dials', 'Stranger Things 5' Podcast Episode) 01:40:51 - Catching Up With Andrew (NFL Playoffs, Planned Skiing Trip, 'Him', 'Chad Powers', 'The Pitt' Season 2, RIP Bennett's Fish Bluey, Magic: The Gathering) 01:49:46 - Catching Up With Colton ('Letterkenny', Project Hail Mary by Andy Weir, Clair Obscur: Expedition 33) 01:57:45 - Catching Up With Andrew Pt. 2 (Animal Farm by George Orwell, Leadership and Self-Deception: Getting Out of the Box by the Arbinger Institute) 02:00:19 - Conclusion/Outro Music Visit our website! Support us on Patreon! Thank you for listening! Got something to say? Send it our way to watchreviewrepeat@gmail.com! Produced by: Anna Mattis Intro/Outro Music: Mechanolith Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

FTP Book Club: Project Hail Mary by Andy Weir

What makes a bestseller? Is it the quality of the writing, or just the right book at the right time? This week Kate is joined by co-host Laura Potter and returning guest Phil Chaffee to find out.Between us we've tackled six of the biggest bestsellers out there – Dan Brown's The Secret of Secrets, Freida McFadden's The Housemaid, Andy Weir's Project Hail Mary, Matt Dinnerman's Dungeon Crawler Carl, SenLinYu's Alchemised, and Sarah Adams' In Your Dreams – and we have some opinions.We're sharing our honest experiences of each one: what worked, what didn't, and whether these books truly earned their place on the bestseller lists. But this isn't just a round of verdicts. We're also pooling our recommendations for the bestsellers we genuinely think are worth your time, like The Correspondant by Virginia Evans – because there are some real gems out there among the hype.And as always, we round off with our current and upcoming reads.Press play to find out which bestsellers passed the test – and which ones didn't.Support the pod on PatreonExplore all the benefits of membership. Kate's weekly reading diary is available to free members. Paid tiers include ad-free episodes, extra shows, chat group access and our monthly book club at Patreon.com/thebookclubreview. BooklistYou can also find all the books mentioned in The Book Club Review bookshop on Bookshop.org, the online bookstore that supports independent bookshops.The Secret of Secrets by Dan BrownThe Da Vinci Code by Dan BrownThe Housemaid by Frieda McFaddenGone Girl by Gillian FlynnIn Your Dreams by Sarah AdamsAlchemized by SenLinYuGideon the Ninth by Tamsyn MuirDungeon Crawler Carl by Matt DinnimanThe Hitchhikers Guide to the Galaxy by Douglas AdamsProject Hail Mary by Andy WeirThe Martian by Andy WeirNobody's Fool by Harlen CobdenThe Correspondant by Virginia EvansThe Count of Monte Cristo by Alexandre Dumas (Robin Buss)Rivals by Jilly CooperThe novels of Stephen KingThe Time Traveller's Wife by Audrey NiffeneggerThe Smiley books by John Le CarreThe Underground Railroad by Colson WhiteheadThe Night Always Comes by Willy VlautinIce by Jacek Dukaj (Author) , Ursula Phillips (Translator)The Virgin in the Garden by A.S. ByattI'll Take The Fire by Leïla Slimani(also The Country of Others and Watch US Dance)Lullaby / The Perfect Nanny by Leïla SlimaniNearly Departed by Lucas OakeleyCaptain Corelli's Mandolin by Louis de BernieresThe Covenant of Water by Abraham VergheseDemon Copperhead by Barbara KingsolverSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode, Stephanie Majercik and Nicole Abrahamson from Off Color Book Club join me to discuss the most recent Off Color Book Club book, Project Hail Mary by Andy Weir.    My Book Club Guide   If you're interested in joining the Off Color Book Club in the future, our next meeting will be on Tuesday, February 17th to discuss There There by Tommy Orange. All are welcome! 

Send us a textJoin Liz Wilson and her other half, Jonathan Wilson (aka Producer Jonny!) on Two Babes and a Book as we have some book banter about the book Project Hail Mary by Andy Weir. Rachel is in the midst of a move, so she will be back for the next episode!**We have a new content ratings system! It involves 3 tiers for each category (sex, violence, drugs and alcohol, language). It's similar to G/PG, Pg-13, and R ratings in movies. Check out our instagram page for the breakdown.Follow us on instagram @twobabesandabook. Make a comment there and tell us if you read this book. Make sure to leave us a review!  Thanks to those friends who have already shared the podcast!! It means the WORLD to us! As Holbrook Jackson said, "Never put off till tomorrow the book you can read today."Now go stick your nose in a book!

Welcome to Watch. Review. Repeat. This is the podcast where two best friends discuss the latest in film and television and then do it all over again the following episode! Special guests James Bailey and Luke Elliott from the Ink to Film podcast join us for one last adventure in Hawkins, Indiana, in 'Stranger Things 5', the long-awaited final season of the Netflix original series! 00:00:00 - Episode Teaser/Intro Music/Opening 00:13:14 - 'Stranger Things 5' (Intro and Fun Facts) 00:21:08 - 'Stranger Things 5' (Non-Spoilers and Recommendation) 01:20:04 - 'Stranger Things 5' (Spoilers) 02:54:06 - Catching Up With James (Wedding, Honeymoon in Japan, 'Bugonia', Clair Obscur: Expedition 33) 03:00:02 - Catching Up With Luke (Researching and Writing Book, Kingdom Come: Deliverance II, Enter Shikari, Manchester Orchestra) 03:05:56 - Catching Up With Andrew (Football Bad, 'Chad Powers', Magic: The Gathering, ARC Raiders, Home Renovations) 03:11:32 - Catching Up With Colton (Christmas Movie Staples, Project Hail Mary by Andy Weir)  03:15:58 - Conclusion/Outro Music Visit our website! Support us on Patreon! For more information on the Ink to Film Podcast, check out www.inktofilm.com! If you enjoy their show, please leave a rating or review! Thank you for listening! Got something to say? Send it our way to watchreviewrepeat@gmail.com! Produced by: Anna Mattis Intro/Outro Music: Mechanolith Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

What if the most transformative thing you can do for your writing craft and author business is to face what you fear? How can you can find gold in your Shadow in the year ahead? In this episode, I share chapters from Writing the Shadow: Turn Your Inner Darkness Into Words. In the intro, curated book boxes from Bridgerton's Julia Quinn; Google's agentic shopping, and powering Apple's Siri; ChatGPT Ads; and Claude CoWork. Balancing Certainty and Uncertainty [MoonShots with Tony Robbins]; and three trends for authors with me and Orna Ross [Self-Publishing with ALLi Podcast]; plus, Bones of the Deep, Business for Authors, and Indie Author Lab. This show is supported by my Patrons. Join my Community at Patreon.com/thecreativepenn  Joanna Penn writes non-fiction for authors and is an award-winning, New York Times and USA Today bestselling author of thrillers, dark fantasy, and memoir as J.F. Penn. She's also an award-winning podcaster, creative entrepreneur, and international professional speaker. What is the Shadow? The ‘creative wound' and the Shadow in writing The Shadow in traditional publishing The Shadow in self-publishing or being an indie author The Shadow in work The Shadow in money You can find Writing the Shadow in all formats on all stores, as well as special edition, workbook and bundles at www.TheCreativePenn.com/shadowbook Writing the Shadow: Turn Your Inner Darkness Into Words The following chapters are excerpted from Writing the Shadow: Turn Your Inner Darkness Into Words by Joanna Penn. Introduction. What is the Shadow? “How can I be substantial if I do not cast a shadow? I must have a dark side also if I am to be whole.” —C.G. Jung, Modern Man in Search of a Soul We all have a Shadow side and it is the work of a lifetime to recognise what lies within and spin that base material into gold. Think of it as a seedling in a little pot that you're given when you're young. It's a bit misshapen and weird, not something you would display in your living room, so you place it in a dark corner of the basement. You don't look at it for years. You almost forget about it. Then one day you notice tendrils of something wild poking up through the floorboards. They're ugly and don't fit with your Scandi-minimalist interior design. You chop the tendrils away and pour weedkiller on what's left, trying to hide the fact that they were ever there. But the creeping stems keep coming. At some point, you know you have to go down there and face the wild thing your seedling has become. When you eventually pluck up enough courage to go down into the basement, you discover that the plant has wound its roots deep into the foundations of your home. Its vines weave in and out of the cracks in the walls, and it has beautiful flowers and strange fruit. It holds your world together. Perhaps you don't need to destroy the wild tendrils. Perhaps you can let them wind up into the light and allow their rich beauty to weave through your home. It will change the look you have so carefully cultivated, but maybe that's just what the place needs. The Shadow in psychology Carl Gustav Jung was a Swiss psychologist and the founder of analytical psychology. He described the Shadow as an unconscious aspect of the human personality, those parts of us that don't match up to what is expected of us by family and society, or to our own ideals. The Shadow is not necessarily evil or illegal or immoral, although of course it can be. It's also not necessarily caused by trauma, abuse, or any other severely damaging event, although again, it can be. It depends on the individual. What is in your Shadow is based on your life and your experiences, as well as your culture and society, so it will be different for everyone. Psychologist Connie Zweig, in The Inner Work of Age, explains, “The Shadow is that part of us that lies beneath or behind the light of awareness. It contains our rejected, unacceptable traits and feelings. It contains our hidden gifts and talents that have remained unexpressed or unlived. As Jung put it, the essence of the Shadow is pure gold.” To further illustrate the concept, Robert Bly, in A Little Book on the Human Shadow,uses the following metaphor: “When we are young, we carry behind us an invisible bag, into which we stuff any feelings, thoughts, or behaviours that bring disapproval or loss of love—anger, tears, neediness, laziness. By the time we go to school, our bags are already a mile long. In high school, our peer groups pressure us to stuff the bags with even more—individuality, sexuality, spontaneity, different opinions. We spend our life until we're twenty deciding which parts of ourselves to put into the bag and we spend the rest of our lives trying to get them out again.” As authors, we can use what's in the ‘bag' to enrich our writing — but only if we can access it. My intention with this book is to help you venture into your Shadow and bring some of what's hidden into the light and into your words. I'll reveal aspects of my Shadow in these pages but ultimately, this book is about you. Your Shadow is unique. There may be elements we share, but much will be different. Each chapter has questions for you to consider that may help you explore at least the edges of your Shadow, but it's not easy. As Jung said, “One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular.” But take heart, Creative. You don't need courage when things are easy. You need it when you know what you face will be difficult, but you do it anyway. We are authors. We know how to do hard things. We turn ideas into books. We manifest thoughts into ink on paper. We change lives with our writing. First, our own, then other people's. It's worth the effort to delve into Shadow, so I hope you will join me on the journey. The creative wound and the Shadow in writing “Whatever pain you can't get rid of, make it your creative offering.” —Susan Cain, Bittersweet  The more we long for something, the more extreme our desire, the more likely it is to have a Shadow side. For those of us who love books, the author life may well be a long-held dream and thus, it is filled with Shadow. Books have long been objects of desire, power, and authority. They hold a mythic status in our lives. We escaped into stories as children; we studied books at school and college; we read them now for escape and entertainment, education and inspiration. We collect beautiful books to put on our shelves. We go to them for solace and answers to the deepest questions of life. Writers are similarly held in high esteem. They shape culture, win literary prizes, give important speeches, and are quoted in the mainstream media. Their books are on the shelves in libraries and bookstores. Writers are revered, held up as rare, talented creatures made separate from us by their brilliance and insight. For bibliophile children, books were everything and to write one was a cherished dream. To become an author? Well, that would mean we might be someone special, someone worthy. Perhaps when you were young, you thought the dream of being a writer was possible — then you told someone about it. That's probably when you heard the first criticism of such a ridiculous idea, the first laughter, the first dismissal. So you abandoned the dream, pushed the idea of being a writer into the Shadow, and got on with your life. Or if it wasn't then, it came later, when you actually put pen to paper and someone — a parent, teacher, partner, or friend, perhaps even a literary agent or publisher, someone whose opinion you valued — told you it was worthless. Here are some things you might have heard: Writing is a hobby. Get a real job. You're not good enough. You don't have any writing talent. You don't have enough education. You don't know what you're doing. Your writing is derivative / unoriginal / boring / useless / doesn't make sense. The genre you write in is dead / worthless / unacceptable / morally wrong / frivolous / useless.  Who do you think you are? No one would want to read what you write. You can't even use proper grammar, so how could you write a whole book? You're wasting your time. You'll never make it as a writer. You shouldn't write those things (or even think about those things). Why don't you write something nice? Insert other derogatory comment here! Mark Pierce describes the effect of this experience in his book The Creative Wound, which “occurs when an event, or someone's actions or words, pierce you, causing a kind of rift in your soul. A comment—even offhand and unintentional—is enough to cause one.” He goes on to say that such words can inflict “damage to the core of who we are as creators. It is an attack on our artistic identity, resulting in us believing that whatever we make is somehow tainted or invalid, because shame has convinced us there is something intrinsically tainted or invalid about ourselves.” As adults, we might brush off such wounds, belittling them as unimportant in the grand scheme of things. We might even find ourselves saying the same words to other people. After all, it's easier to criticise than to create. But if you picture your younger self, bright eyed as you lose yourself in your favourite book, perhaps you might catch a glimpse of what you longed for before your dreams were dashed on the rocks of other people's reality. As Mark Pierce goes on to say, “A Creative Wound has the power to delay our pursuits—sometimes for years—and it can even derail our lives completely… Anything that makes us feel ashamed of ourselves or our work can render us incapable of the self-expression we yearn for.” This is certainly what happened to me, and it took decades to unwind. Your creative wounds will differ to mine but perhaps my experience will help you explore your own. To be clear, your Shadow may not reside in elements of horror as mine do, but hopefully you can use my example to consider where your creative wounds might lie. “You shouldn't write things like that.” It happened at secondary school around 1986 or 1987, so I would have been around eleven or twelve years old. English was one of my favourite subjects and the room we had our lessons in looked out onto a vibrant garden. I loved going to that class because it was all about books, and they were always my favourite things. One day, we were asked to write a story. I can't remember the specifics of what the teacher asked us to write, but I fictionalised a recurring nightmare. I stood in a dark room. On one side, my mum and my brother, Rod, were tied up next to a cauldron of boiling oil, ready to be thrown in. On the other side, my dad and my little sister, Lucy, were threatened with decapitation by men with machetes. I had to choose who would die. I always woke up, my heart pounding, before I had to choose. Looking back now, it clearly represented an internal conflict about having to pick sides between the two halves of my family. Not an unexpected issue from a child of divorce. Perhaps these days, I might have been sent to the school counsellor, but it was the eighties and I don't think we even had such a thing. Even so, the meaning of the story isn't the point. It was the reaction to it that left scars. “You shouldn't write things like that,” my teacher said, and I still remember her look of disappointment, even disgust. Certainly judgment. She said my writing was too dark. It wasn't a proper story. It wasn't appropriate for the class. As if horrible things never happened in stories — or in life. As if literature could not include dark tales. As if the only acceptable writing was the kind she approved of. We were taught The Prime of Miss Jean Brodie that year, which says a lot about the type of writing considered appropriate. Or perhaps the issue stemmed from the school motto, “So hateth she derknesse,” from Chaucer's The Legend of Good Women: “For fear of night, so she hates the darkness.” I had won a scholarship to a private girls' school, and their mission was to turn us all into proper young ladies. Horror was never on the curriculum. Perhaps if my teacher had encouraged me to write my darkness back then, my nightmares would have dissolved on the page. Perhaps if we had studied Mary Shelley's Frankenstein, or H.P. Lovecraft stories, or Bram Stoker's Dracula, I could have embraced the darker side of literature earlier in my life. My need to push darker thoughts into my Shadow was compounded by my (wonderful) mum's best intentions. We were brought up on the principles of The Power of Positive Thinking by Norman Vincent Peale and she tried to shield me and my brother from anything harmful or horrible. We weren't allowed to watch TV much, and even the British school drama Grange Hill was deemed inappropriate. So much of what I've achieved is because my mum instilled in me a “can do” attitude that anything is possible. I'm so grateful to her for that. (I love you, Mum!) But all that happy positivity, my desire to please her, to be a good girl, to make my teachers proud, and to be acceptable to society, meant that I pushed my darker thoughts into Shadow. They were inappropriate. They were taboo. They must be repressed, kept secret, and I must be outwardly happy and positive at all times. You cannot hold back the darkness “The night is dark and full of terrors.” —George R.R. Martin, A Storm of Swords It turned out that horror was on the curriculum, much of it in the form of educational films we watched during lessons. In English Literature, we watched Romeo drink poison and Juliet stab herself in Zeffirelli's Romeo and Juliet. In Religious Studies, we watched Jesus beaten, tortured, and crucified in The Greatest Story Ever Told, and learned of the variety of gruesome ways that Christian saints were martyred. In Classical Civilisation, we watched gladiators slaughter each other in Spartacus. In Sex Education at the peak of the AIDS crisis in the mid-'80s, we were told of the many ways we could get infected and die. In History, we studied the Holocaust with images of skeletal bodies thrown into mass graves, medical experiments on humans, and grainy videos of marching soldiers giving the Nazi salute. One of my first overseas school field trips was to the World War I battlegrounds of Flanders Fields in Belgium, where we studied the inhuman conditions of the trenches, walked through mass graves, and read war poetry by candlelight. As John McCrae wrote: We are the Dead. Short days agoWe lived, felt dawn, saw sunset glow,Loved and were loved, and now we lie, In Flanders fields. Did the teachers not realise how deeply a sensitive teenager might feel the darkness of that place? Or have I always been unusual in that places of blood echo deep inside me? And the horrors kept coming. We lived in Bristol, England back then and I learned at school how the city had been part of the slave trade, its wealth built on the backs of people stolen from their homes, sold, and worked to death in the colonies. I had been at school for a year in Malawi, Africa and imagined the Black people I knew drowning, being beaten, and dying on those ships. In my teenage years, the news was filled with ethnic cleansing, mass rape, and massacres during the Balkan wars, and images of bodies hacked apart during the Rwandan genocide. Evil committed by humans against other humans was not a historical aberration. I'm lucky and I certainly acknowledge my privilege. Nothing terrible or horrifying has happened to me — but bad things certainly happen to others. I wasn't bullied or abused. I wasn't raped or beaten or tortured. But you don't have to go through things to be afraid of them, and for your imagination to conjure the possibility of them. My mum doesn't read my fiction now as it gives her nightmares (Sorry, Mum!). I know she worries that somehow she's responsible for my darkness, but I've had a safe and (mostly) happy life, for which I'm truly grateful. But the world is not an entirely safe and happy place, and for a sensitive child with a vivid imagination, the world is dark and scary. It can be brutal and violent, and bad things happen, even to good people. No parent can shield their child from the reality of the world. They can only help them do their best to live in it, develop resilience, and find ways to deal with whatever comes. Story has always been a way that humans have used to learn how to live and deal with difficult times. The best authors, the ones that readers adore and can't get enough of, write their darkness into story to channel their experience, and help others who fear the same. In an interview on writing the Shadow on The Creative Penn Podcast, Michaelbrent Collings shared how he incorporated a personally devastating experience into his writing:  “My wife and I lost a child years back, and that became the root of one of my most terrifying books, Apparition. It's not terrifying because it's the greatest book of all time, but just the concept that there's this thing out there… like a demon, and it consumes the blood and fear of the children, and then it withdraws and consumes the madness of the parents… I wrote that in large measure as a way of working through what I was experiencing.” I've learned much from Michaelbrent. I've read many of his (excellent) books and he's been on my podcast multiple times talking about his depression and mental health issues, as well as difficulties in his author career. Writing darkness is not in Michaelbrent's Shadow and only he can say what lies there for him. But from his example, and from that of other authors, I too learned how to write my Shadow into my books. Twenty-three years after that English lesson, in November 2009, I did NaNoWriMo, National Novel Writing Month, and wrote five thousand words of what eventually became Stone of Fire, my first novel. In the initial chapter, I burned a nun alive on the ghats of Varanasi on the banks of the Ganges River. I had watched the bodies burn by night on pyres from a boat bobbing in the current a few years before, and the image was still crystal clear in my mind. The only way to deal with how it made me feel about death was to write about it — and since then, I've never stopped writing. Returning to the nightmare from my school days, I've never had to choose between the two halves of my family, but the threat of losing them remains a theme in my fiction. In my ARKANE thriller series, Morgan Sierra will do anything to save her sister and her niece. Their safety drives her to continue to fight against evil. Our deepest fears emerge in our writing, and that's the safest place for them. I wish I'd been taught how to turn my nightmares into words back at school, but at least now I've learned to write my Shadow onto the page. I wish the same for you. The Shadow in traditional publishing If becoming an author is your dream, then publishing a book is deeply entwined with that. But as Mark Pierce says in The Creative Wound, “We feel pain the most where it matters the most… Desire highlights whatever we consider to be truly significant.” There is a lot of desire around publishing for those of us who love books! It can give you: Validation that your writing is good enough Status and credibility Acceptance by an industry held in esteem  The potential of financial reward and critical acclaim Support from a team of professionals who know how to make fantastic books A sense of belonging to an elite community Pride in achieving a long-held goal, resulting in a confidence boost and self-esteem Although not guaranteed, traditional publishing can give you all these things and more, but as with everything, there is a potential Shadow side. Denying it risks the potential of being disillusioned, disappointed, and even damaged. But remember, forewarned is forearmed, as the saying goes. Preparation can help you avoid potential issues and help you feel less alone if you encounter them. The myth of success… and the reality of experience There is a pervasive myth of success in the traditional publishing industry, perpetuated by media reporting on brand name and breakout authors, those few outliers whose experience is almost impossible to replicate. Because of such examples, many new traditionally published authors think that their first book will hit the top of the bestseller charts or win an award, as well as make them a million dollars — or at least a big chunk of cash. They will be able to leave their job, write in a beautiful house overlooking the ocean, and swan around the world attending conferences, while writing more bestselling books. It will be a charmed life. But that is not the reality. Perhaps it never was. Even so, the life of a traditionally published author represents a mythic career with the truth hidden behind a veil of obscurity. In April 2023, The Bookseller in the UK reported that “more than half of authors (54%) responding to a survey on their experiences of publishing their debut book have said the process negatively affected their mental health. Though views were mixed, just 22%… described a positive experience overall… Among the majority who said they had a negative experience of debut publication, anxiety, stress, depression and ‘lowered' self-esteem were cited, with lack of support, guidance or clear and professional communication from their publisher among the factors that contributed.” Many authors who have negative experiences around publishing will push them into the Shadow with denial or self-blame, preferring to keep the dream alive. They won't talk about things in public as this may negatively affect their careers, but private discussions are often held in the corners of writing conferences or social media groups online. Some of the issues are as follows: Repeated rejection by agents and publishers may lead to the author thinking they are not good enough as a writer, which can lead to feeling unworthy as a person. If an author gets a deal, the amount of advance and the name and status of the publisher compared to others create a hierarchy that impacts self-esteem. A deal for a book may be much lower than an author might have been expecting, with low or no advance, and the resulting experience with the publisher beneath expectations. The launch process may be disappointing, and the book may appear without fanfare, with few sales and no bestseller chart position. In The Bookseller report, one author described her launch day as “a total wasteland… You have expectations about what publication day will be like, but in reality, nothing really happens.” The book may receive negative reviews by critics or readers or more publicly on social media, which can make an author feel attacked. The book might not sell as well as expected, and the author may feel like it's their fault. Commercial success can sometimes feel tied to self-worth and an author can't help but compare their sales to others, with resulting embarrassment or shame. The communication from the publisher may be less than expected. One author in The Bookseller report said, “I was shocked by the lack of clarity and shared information and the cynicism that underlies the superficial charm of this industry.” There is often more of a focus on debut authors in publishing houses, so those who have been writing and publishing in the midlist for years can feel ignored and undervalued. In The Bookseller report, 48 percent of authors reported “their publisher supported them for less than a year,” with one saying, “I got no support and felt like a commodity, like the team had moved on completely to the next book.” If an author is not successful enough, the next deal may be lower than the last, less effort is made with marketing, and they may be let go. In The Bookseller report, “six authors—debut and otherwise—cited being dropped by their publisher, some with no explanation.” Even if everything goes well and an author is considered successful by others, they may experience imposter syndrome, feeling like a fraud when speaking at conferences or doing book signings. And the list goes on … All these things can lead to feelings of shame, inadequacy, and embarrassment; loss of status in the eyes of peers; and a sense of failure if a publishing career is not successful enough. The author feels like it's their fault, like they weren't good enough — although, of course, the reality is that the conditions were not right at the time. A failure of a book is not a failure of the person, but it can certainly feel like it! When you acknowledge the Shadow, it loses its power Despite all the potential negatives of traditional publishing, if you know what could happen, you can mitigate them. You can prepare yourself for various scenarios and protect yourself from potential fall-out. It's clear from The Bookseller report that too many authors have unrealistic expectations of the industry. But publishers are businesses, not charities. It's not their job to make you feel good as an author. It's their job to sell books and pay you. The best thing they can do is to continue to be a viable business so they can keep putting books on the shelves and keep paying authors, staff, and company shareholders. When you license your creative work to a publisher, you're giving up control of your intellectual property in exchange for money and status. Bring your fears and issues out of the Shadow, acknowledge them, and deal with them early, so they do not get pushed down and re-emerge later in blame and bitterness. Educate yourself on the business of publishing. Be clear on what you want to achieve with any deal. Empower yourself as an author, take responsibility for your career, and you will have a much better experience. The Shadow in self-publishing or being an indie author Self-publishing, or being an independent (indie) author, can be a fantastic, pro-active choice for getting your book into the world. Holding your first book in your hand and saying “I made this” is pretty exciting, and even after more than forty books, I still get excited about seeing ideas in my head turn into a physical product in the world. Self-publishing can give an author: Creative control over what to write, editorial and cover design choices, when and how often to publish, and how to market Empowerment over your author career and the ability to make choices that impact success without asking for permission Ownership and control of intellectual property assets, resulting in increased opportunity around licensing and new markets Independence and the potential for recurring income for the long term Autonomy and flexibility around timelines, publishing options, and the ability to easily pivot into new genres and business models Validation based on positive reader reviews and money earned Personal growth and learning through the acquisition of new skills, resulting in a boost in confidence and self-esteem A sense of belonging to an active and vibrant community of indie authors around the world Being an indie author can give you all this and more, but once again, there is a Shadow side and preparation can help you navigate potential issues. The myth of success… and the reality of experience As with traditional publishing, the indie author world has perpetuated a myth of success in the example of the breakout indie author like E.L. James with Fifty Shades of Grey, Hugh Howey with Wool, or Andy Weir with The Martian. The emphasis on financial success is also fuelled online by authors who share screenshots showing six-figure months or seven-figure years, without sharing marketing costs and other outgoings, or the amount of time spent on the business. Yes, these can inspire some, but it can also make others feel inadequate and potentially lead to bad choices about how to publish and market based on comparison. The indie author world is full of just as much ego and a desire for status and money as traditional publishing. This is not a surprise! Most authors, regardless of publishing choices, are a mix of massive ego and chronic self-doubt. We are human, so the same issues will re-occur. A different publishing method doesn't cure all ills. Some of the issues are as follows: You learn everything you need to know about writing and editing, only to find that you need to learn a whole new set of skills in order to self-publish and market your book. This can take a lot of time and effort you did not expect, and things change all the time so you have to keep learning. Being in control of every aspect of the publishing process, from writing to cover design to marketing, can be overwhelming, leading to indecision, perfectionism, stress, and even burnout as you try to do all the things. You try to find people to help, but building your team is a challenge, and working with others has its own difficulties. People say negative things about self-publishing that may arouse feelings of embarrassment or shame. These might be little niggles, but they needle you, nonetheless. You wonder whether you made the right choice. You struggle with self-doubt and if you go to an event with traditional published authors, you compare yourself to them and feel like an imposter. Are you good enough to be an author if a traditional publisher hasn't chosen you? Is it just vanity to self-publish? Are your books unworthy? Even though you worked with a professional editor, you still get one-star reviews and you hate criticism from readers. You wonder whether you're wasting your time. You might be ripped off by an author services company who promise the world, only to leave you with a pile of printed books in your garage and no way to sell them. When you finally publish your book, it languishes at the bottom of the charts while other authors hit the top of the list over and over, raking in the cash while you are left out of pocket. You don't admit to over-spending on marketing as it makes you ashamed. You resist book marketing and make critical comments about writers who embrace it. You believe that quality rises to the top and if a book is good enough, people will buy it anyway. This can lead to disappointment and disillusionment when you launch your book and it doesn't sell many copies because nobody knows about it. You try to do what everyone advises, but you still can't make decent money as an author. You're jealous of other authors' success and put it down to them ‘selling out' or writing things you can't or ‘using AI' or ‘using a ghostwriter' or having a specific business model you consider impossible to replicate. And the list goes on… When you acknowledge the Shadow, it loses its power Being in control of your books and your author career is a double-edged sword. Traditionally published authors can criticise their publishers or agents or the marketing team or the bookstores or the media, but indie authors have to take responsibility for it all. Sure, we can blame ‘the algorithms' or social media platforms, or criticise other authors for having more experience or more money to invest in marketing, or attribute their success to writing in a more popular genre — but we also know there are always people who do well regardless of the challenges. Once more, we're back to acknowledging and integrating the Shadow side of our choices. We are flawed humans. There will always be good times and bad, and difficulties to offset the high points. This too shall pass, as the old saying goes. I know that being an indie author has plenty of Shadow. I've been doing this since 2008 and despite the hard times, I'm still here. I'm still writing. I'm still publishing. This life is not for everyone, but it's my choice. You must make yours. The Shadow in work You work hard. You make a living. Nothing wrong with that attitude, right? It's what we're taught from an early age and, like so much of life, it's not a problem until it goes to extremes. Not achieving what you want to? Work harder. Can't get ahead? Work harder. Not making a good enough living? Work harder. People who don't work hard are lazy. They don't deserve handouts or benefits. People who don't work hard aren't useful, so they are not valued members of our culture and community. But what about the old or the sick, the mentally ill, or those with disabilities? What about children? What about the unemployed? The under-employed? What about those who are — or will be — displaced by technology, those called “the useless class” by historian Yuval Noah Harari in his book Homo Deus? What if we become one of these in the future? Who am I if I cannot work? The Shadow side of my attitude to work became clear when I caught COVID in the summer of 2021. I was the sickest I'd ever been. I spent two weeks in bed unable to even think properly, and six weeks after that, I was barely able to work more than an hour a day before lying in the dark and waiting for my energy to return. I was limited in what I could do for another six months after that. At times, I wondered if I would ever get better. Jonathan kept urging me to be patient and rest. But I don't know how to rest. I know how to work and how to sleep. I can do ‘active rest,' which usually involves walking a long way or traveling somewhere interesting, but those require a stronger mind and body than I had during those months. It struck me that even if I recovered from the virus, I had glimpsed my future self. One day, I will be weak in body and mind. If I'm lucky, that will be many years away and hopefully for a short time before I die — but it will happen. I am an animal. I will die. My body and mind will pass on and I will be no more. Before then I will be weak. Before then, I will be useless. Before then, I will be a burden. I will not be able to work… But who am I if I cannot work? What is the point of me? I can't answer these questions right now, because although I recognise them as part of my Shadow, I've not progressed far enough to have dealt with them entirely. My months of COVID gave me some much-needed empathy for those who cannot work, even if they want to. We need to reframe what work is as a society, and value humans for different things, especially as technology changes what work even means. That starts with each of us. “Illness, affliction of body and soul, can be life-altering. It has the potential to reveal the most fundamental conflict of the human condition: the tension between our infinite, glorious dreams and desires and our limited, vulnerable, decaying physicality.” —Connie Zweig, The Inner Work of Age: Shifting from Role to Soul The Shadow in money In the Greek myth, King Midas was a wealthy ruler who loved gold above all else. His palace was adorned with golden sculptures and furniture, and he took immense pleasure in his riches. Yet, despite his vast wealth, he yearned for more. After doing a favour for Dionysus, the god of wine and revelry, Midas was granted a single wish. Intoxicated by greed, he wished that everything he touched would turn to gold — and it was so. At first, it was a lot of fun. Midas turned everything else in his palace to gold, even the trees and stones of his estate. After a morning of turning things to gold, he fancied a spot of lunch. But when he tried to eat, the food and drink turned to gold in his mouth. He became thirsty and hungry — and increasingly desperate. As he sat in despair on his golden throne, his beloved young daughter ran to comfort him. For a moment, he forgot his wish — and as she wrapped her arms around him and kissed his cheek, she turned into a golden statue, frozen in precious metal. King Midas cried out to the gods to forgive him, to reverse the wish. He renounced his greed and gave away all his wealth, and his daughter was returned to life. The moral of the story: Wealth and greed are bad. In Charles Dickens's A Christmas Carol, Ebenezer Scrooge is described as a “squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner.” He's wealthy but does not share, considering Christmas spending to be frivolous and giving to charity to be worthless. He's saved by a confrontation with his lonely future and becomes a generous man and benefactor of the poor. Wealth is good if you share it with others. The gospel of Matthew, chapter 25: 14-30, tells the parable of the bags of gold, in which a rich man goes on a journey and entrusts his servants with varying amounts of gold. On his return, the servants who multiplied the gold through their efforts and investments are rewarded, while the one who merely returned the gold with no interest is punished: “For whoever has will be given more, and they will have an abundance. Whoever does not have, even what they have will be taken from them.” Making money is good, making more money is even better. If you can't make any money, you don't deserve to have any. Within the same gospel, in Matthew 19:24, Jesus encounters a wealthy man and tells him to sell all his possessions and give the money to the poor, which the man is unable to do. Jesus says, “It is easier for a camel to go through the eye of a needle than for someone who is rich to enter the kingdom of God.” Wealth is bad. Give it all away and you'll go to heaven. With all these contradictory messages, no wonder we're so conflicted about money! How do you think and feel about money? While money is mostly tied to our work, it's far more than just a transactional object for most people. It's loaded with complex symbolism and judgment handed down by family, religion, and culture. You are likely to find elements of Shadow by examining your attitudes around money. Consider which of the following statements resonate with you or write your own. Money stresses me out. I don't want to talk about it or think about it. Some people hoard money, so there is inequality. Rich people are bad and we should take away their wealth and give it to the poor.  I can never make enough money to pay the bills, or to give my family what I want to provide. Money doesn't grow on trees.  It's wasteful to spend money as you might need it later, so I'm frugal and don't spend money unless absolutely necessary. It is better and more ethical to be poor than to be rich. I want more money. I read books and watch TV shows about rich people because I want to live like that. Sometimes I spend too much on things for a glimpse of what that might be like.  I buy lottery tickets and dream of winning all that money.  I'm jealous of people who have money. I want more of it and I resent those who have it. I'm no good with money. I don't like to look at my bank statement or credit card statement. I live off my overdraft and I'm in debt. I will never earn enough to get out of debt and start saving, so I don't think too much about it. I don't know enough about money. Talking about it makes me feel stupid, so I just ignore it. People like me aren't educated about money.  I need to make more money. If I can make lots of money, then people will look up to me. If I make lots of money, I will be secure, nothing can touch me, I will be safe.  I never want to be poor. I would be ashamed to be poor. I will never go on benefits. My net worth is my self worth. Money is good. We have the best standard of living in history because of the increase in wealth over time. Even the richest kings of the past didn't have what many middle-class people have today in terms of access to food, water, technology, healthcare, education, and more. The richest people give the most money to the poor through taxation and charity, as well as through building companies that employ people and invent new things. The very richest give away much of their fortunes. They provide far more benefit to the world than the poor.  I love money. Money loves me. Money comes easily and quickly to me. I attract money in multiple streams of income. It flows to me in so many ways. I spend money. I invest money. I give money. I'm happy and grateful for all that I receive. The Shadow around money for authors in particular Many writers and other creatives have issues around money and wealth. How often have you heard the following, and which do you agree with? You can't make money with your writing. You'll be a poor author in a garret, a starving artist.  You can't write ‘good quality' books and make money. If you make money writing, you're a hack, you're selling out. You are less worthy than someone who writes only for the Muse. Your books are commercial, not artistic. If you spend money on marketing, then your books are clearly not good enough to sell on their own. My agent / publisher / accountant / partner deals with the money side. I like to focus on the creative side of things. My money story Note: This is not financial or investment advice. Please talk to a professional about your situation. I've had money issues over the years — haven't we all! But I have been through a (long) process to bring money out of my Shadow and into the light. There will always be more to discover, but hopefully my money story will help you, or at least give you an opportunity to reflect. Like most people, I didn't grow up with a lot of money. My parents started out as teachers, but later my mum — who I lived with, along with my brother — became a change management consultant, moving to the USA and earning a lot more. I'm grateful that she moved into business because her example changed the way I saw money and provided some valuable lessons. (1) You can change your circumstances by learning more and then applying that to leverage opportunity into a new job or career Mum taught English at a school in Bristol when we moved back from Malawi, Africa, in the mid '80s but I remember how stressful it was for her, and how little money she made. She wanted a better future for us all, so she took a year out to do a master's degree in management. In the same way, when I wanted to change careers and leave consulting to become an author, I spent time and money learning about the writing craft and the business of publishing. I still invest a considerable chunk on continuous learning, as this industry changes all the time. (2) You might have to downsize in order to leap forward The year my mum did her degree, we lived in the attic of another family's house; we ate a lot of one-pot casserole and our treat was having a Yorkie bar on the walk back from the museum. We wore hand-me-down clothes, and I remember one day at school when another girl said I was wearing her dress. I denied it, of course, but there in back of the dress was her name tag. I still remember her name and I can still feel that flush of shame and embarrassment. I was determined to never feel like that again. But what I didn't realize at the time was that I was also learning the power of downsizing. Mum got her degree and then a new job in management in Bristol. She bought a house, and we settled for a few years. I had lots of different jobs as a teenager. My favourite was working in the delicatessen because we got a free lunch made from delicious produce. After I finished A-levels, I went to the University of Oxford, and my mum and brother moved to the USA for further opportunities. I've downsized multiple times over the years, taking a step back in order to take a step forward. The biggest was in 2010 when I decided to leave consulting. Jonathan and I sold our three-bedroom house and investments in Brisbane, Australia, and rented a one-bedroom flat in London, so we could be debt-free and live on less while I built up a new career. It was a decade before we bought another house. (3) Comparison can be deadly: there will always be people with more money than you Oxford was an education in many ways and relevant to this chapter is how much I didn't know about things people with money took for granted. I learned about formal hall and wine pairings, and how to make a perfect gin and tonic. I ate smoked salmon for the first time. I learned how to fit in with people who had a lot more money than I did, and I definitely wanted to have money of my own to play with. (4) Income is not wealth You can earn lots but have nothing to show for it after years of working. I learned this in my first few years of IT consulting after university. I earned a great salary and then went contracting, earning even more money at a daily rate. I had a wonderful time. I traveled, ate and drank and generally made merry, but I always had to go back to the day job when the money ran out. I couldn't work out how I could ever stop this cycle. Then I read Rich Dad, Poor Dad by Robert Kiyosaki, a book I still recommend, especially if you're from a family that values academic over financial education. I learned how to escape the rat race by building and/or accumulating assets that pay even when you're not working. It was a revelation! The ‘poor dad' in the book is a university professor. He knows so much about so many things, but he ends up poor as he did not educate himself about money. The ‘rich dad' has little formal education, but he knows about money and wealth because he learned about it, as we can do at any stage in our lives. (5) Not all investments suit every person, so find the right one for you Once I discovered the world of investing, I read all the books and did courses and in-person events. I joined communities and I up-skilled big time. Of course, I made mistakes and learned lots along the way. I tried property investing and renovated a couple of houses for rental (with more practical partners and skilled contractors). But while I could see that property investing might work for some people, I did not care enough about the details to make it work for me, and it was certainly not passive income. I tried other things. My first husband was a boat skipper and scuba diving instructor, so we started a charter. With the variable costs of fuel, the vagaries of New Zealand weather — and our divorce — it didn't last long! From all these experiments, I learned I wanted to run a business, but it needed to be online and not based on a physical location, physical premises, or other people. That was 2006, around the time that blogging started taking off and it became possible to make a living online. I could see the potential and a year later, the iPhone and the Amazon Kindle launched, which became the basis of my business as an author. (6) Boring, automatic saving and investing works best Between 2007 and 2011, I contracted in Australia, where they have compulsory superannuation contributions, meaning you have to save and invest a percentage of your salary or self-employed income. I'd never done that before, because I didn't understand it. I'd ploughed all my excess income into property or the business instead. But in Australia I didn't notice the money going out because it was automatic. I chose a particular fund and it auto-invested every month. The pot grew pretty fast since I didn't touch it, and years later, it's still growing. I discovered the power of compound interest and time in the market, both of which are super boring. This type of investing is not a get rich quick scheme. It's a slow process of automatically putting money into boring investments and doing that month in, month out, year in, year out, automatically for decades while you get on with your life. I still do this. I earn money as an author entrepreneur and I put a percentage of that into boring investments automatically every month. I also have a small amount which is for fun and higher risk investments, but mostly I'm a conservative, risk-averse investor planning ahead for the future. This is not financial advice, so I'm not giving any specifics. I have a list of recommended money books at www.TheCreativePenn.com/moneybooks if you want to learn more. Learning from the Shadow When I look back, my Shadow side around money eventually drove me to learn more and resulted in a better outcome (so far!). I was ashamed of being poor when I had to wear hand-me-down clothes at school. That drove a fear of not having any money, which partially explains my workaholism. I was embarrassed at Oxford because I didn't know how to behave in certain settings, and I wanted to be like the rich people I saw there. I spent too much money in my early years as a consultant because I wanted to experience a “rich” life and didn't understand saving and investing would lead to better things in the future. I invested too much in the wrong things because I didn't know myself well enough and I was trying to get rich quick so I could leave my job and ‘be happy.' But eventually, I discovered that I could grow my net worth with boring, long-term investments while doing a job I loved as an author entrepreneur. My only regret is that I didn't discover this earlier and put a percentage of my income into investments as soon as I started work. It took several decades to get started, but at least I did (eventually) start. My money story isn't over yet, and I keep learning new things, but hopefully my experience will help you reflect on your own and avoid the issue if it's still in Shadow. These chapters are excerpted from Writing the Shadow: Turn Your Inner Darkness Into Words by Joanna Penn  The post Writing The Shadow: The Creative Wound, Publishing, And Money, With Joanna Penn first appeared on The Creative Penn.

Pippa and KJ are back to discuss The Martian by Andy Weir and it's 2015 feature adaptation of the same name. Come for the light discussion on what counts as hard scifi vs. soft scifi and stay for the cannibalism tangent. Website: https://adaptordiepod.wixsite.com/mysite  Patreon: https://www.patreon.com/adaptordiepod  Cover art by Jess Rubio. Music by Isabel Forden. Sources: Sandstorms, Explosions, Potatoes, Oh My: 'Martian' Takes Its Science Seriously NPR https://www.npr.org/2015/09/27/443192327/sandstorms-explosions-potatoes-oh-my-martian-takes-its-science-seriously The surprising story of how Andy Weir's self-published book 'The Martian' topped best seller lists and got a movie deal Business Insider https://www.businessinsider.com/how-andy-weirs-the-martian-became-so-successful-2015-6 Andy Weir's Website https://www.galactanet.com/writing.html 'The Martian': Andy Weir, Drew Goddard Discuss the Book-to-Film Journey Variety / Jacob Bryant https://variety.com/2016/film/awards/martian-andy-weir-drew-goddard-book-film-journey-1201705079/

Das Jahr beginnt mit Karma und zwar Bastis schlechtem Karma! Her Bielendorfer hat sich nachts auf dem Weg zur Toilette auf die Fresse gelegt und sich verletzt...woher kenne ich das nur? Ansonsten geht es um Schusswaffen in Filmen, Jackass, Unbeschwertheit, Fotos, MP3 Player, USB, Andy Weir, Aktien und Crypto. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/AlliterationAmArsch Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

In this episode, Madeline chats with her friend Ben Fetterman, a chemical laboratory technician. During their conversation, they discuss his conversion from evangelical Mennonite to Byzantine Catholic, a brief history of Mennonites and the Amish, his college journey at Penn State, why he joined an Eastern Sui iris church, praying the liturgy, priesthood in the Eastern Catholic churches, and so much more.During the course of their conversation, they make many references which you can explore. Some of these references include Project Hail Mary by Andy Weir, the Inkwells and Anvils writing community, and Fide et Ratio.Feel free to like, subscribe, and share the episode! Follow us on Instagram! @sbltfpodcastDon't forget to go out there, and be a light to this world!

Könyvelés: Andy Weir – Artemis Star Trek: Strange New Worlds 3×05 “Through the Lens of Time” Pirates: Behind the Legends Play Dirty The Rats: A Witcher Tale Elérhetőségek: Web oldalunk Discord Youtube ITunes TuneIn Spotify RSS Twitter Facebook Paypal támogatói link! PATREON link Outro: Track: I'm Yours [Lofi Hip Hop/Chill Study Music Mix] Music provided by Lofi Fruits / Strange Fruits Watch: https://youtu.be/9eyqOO7i3b8

This week on Enjoy Stuff, Jay and Shua tumble head-first into the wonderfully absurd world of Monty Python, celebrating the comedy troupe that made nonsense an art form. From silly walks to spam, it's a fast-paced love letter to ridiculous genius. It's…….Monty Python's Flying Circus! Let's dive head first into the pepper pot of silliness with the classic BBC comedy show that influenced generations.    News Ghostbusters II's River of Slime being turned into a five-hour cinematic ambience video, plunging viewers into the eerie tunnels beneath New York City. Dark Chocolate Reese's Puffs and Cinnamon Toast Crunch Peanut Butter hit the shelves A Kansas public library has recreated some iconic scenes from The Breakfast Club to promote reading and community   Check out our TeePublic store for some enjoyable swag and all the latest fashion trends What we're Enjoying Jay has been diving deep into the imaginative worlds of Andy Weir, enjoying The Martian, Artemis, and Project Hail Mary for their clever science, humor, and heartfelt storytelling. He shares how Weir's blend of problem-solving and character makes each book feel like a cinematic adventure. Shua is loving the Harry Potter: The Full-Cast Audio Editions, now available on Audible, praising the huge ensemble of recognizable voices that bring the wizarding world to life. The immersive performances make it feel like listening to a blockbuster movie in audiobook form.     Sci-Fi Saturdays -  This week on Sci-Fi Saturdays Jay gives ARQ (2016) the spotlight as he discusses this tense, time-looping science-fiction thriller. It's an obscure one that is definitely worth a watch. Read his article on RetroZap.com. And make sure to play around with the interactive map on MCULocationScout.com. Plus, you can tune in to SHIELD: Case Files where Jay and Shua talk about great stuff in the MCU.   Enjoy Spam!  Digging into the history of Monty Python's Flying Circus, exploring how six writers, one animator, and one fearless Carol Cleveland changed comedy forever through sketch, satire, and surreal animation. Through 4 seasons of absurdist comedy, they broke the mold of what comedy was supposed to be.    Then we wrap things up with a playful game in which Jay reads the opening line of an iconic Python quote and challenges Shua to guess what comes next. Test yourself if you're a Python fan to see if you can do better than Shua. .   Are you a Monty Python fan? Do you like Spam? Who won the English football cup in 1949? Let us know! First person that emails me with the subject line, "This is a dead parrot" will get a special mention on the show.  Let us know. Come talk to us in the Discord channel or send us an email to EnjoyStuff@RetroZap.com 

A conversation with author Peter McChesney about his upcoming debut science fiction novel Quinto's Challenge, which asks the question, “What if science and religion collided and resurrection became a reality?” Websitepetermcchesney.com Facebook@PeterMcChesneyAuthor X@peteramcchesney LinkedIn@peter-mcchesney Amazon.com | Amazon.ca About Quinto's Challenge For fans of Andy Weir, Blake Crouch, and The Three-Body Problem comes a bold, futuristic, … Continue reading "Episode 208: Peter McChesney – Quinto's Challenge" Source

Today, I review The Martian, by Andy Weir!Goodreads/Fable: Ellie ManoEmail: hookofabookpodcast@gmail.comTikTok/Instagram: @hookofabook

O QueIssoAssim 342 – Expectativas 2026 chega com tudo para quem ama cinema, séries e cultura pop. Neste episódio especial do podcast, Brunão e Baconzitos recebem a amiga Andreia, do Livros em Cartaz, para uma conversa recheada de hype, apostas e boas reflexões sobre os filmes e séries mais esperados de 2026 — além de um balanço sincero do que marcou o consumo audiovisual em 2025. Se você gosta de ficar por dentro dos próximos lançamentos de Hollywood, adaptações literárias, continuações aguardadas e novas apostas de diretores consagrados, este episódio é praticamente obrigatório.

In der neuen Folge machen wir das, was wir immer am Jahresende machen. Wir schauen auf das neue Jahr und erzählen, auf was wir uns aus wissenschaftlicher Sicht freuen. Das sind 2026 u.a. das Nancy Grace Roman Space Telescope, der Besuch von Hera bei einem Asteroiden und der Film “Der Astronaut”. Es gibt aber noch viel mehr zu erzählen, was wir bei Sekt, Schokolade und Keksen getan haben. Wenn ihr uns unterstützen wollt, könnt ihr das hier tun: https://www.paypal.com/paypalme/PodcastDasUniversum Oder hier: https://steadyhq.com/de/dasuniversum Oder hier: https://www.patreon.com/dasuniversum

Happy Holidays from the MCPL Podcast! From a new baby and rice cooker to binge-worthy shows like Stranger Things Season 5, Welcome to Derry, and Only Murders in the Building, plus standout books such as Project Hail Mary by Andy Weir, I See You've Called in Dead by John Kenney, and Michael J. Fox's Future Boy – the team reflects on concerts, podcasts, and personal wins that made the year memorable. Stay tuned next week for what they're looking forward to in 2026!

The average reader need not go far in a bookstore before, knowingly or not, they encounter authors who started their careers by self-publishing prior to achieving commercial success. Examples include Margaret Atwood, Andy Weir, Colleen Hoover, Anna Todd, E. L. James, Scarlett St. Clair, and many more. Such stories of self-made writers are compelling and seem more attainable to others with the accessibility of modern publishing platforms such as Amazon, Apple, Google, Kobo, Wattpad, Webtoon, Radish, Inkitt, Qidian, Tapas, and Swoon Reads. However, in Inequalities of Platform Publishing: The Promise and Peril of Self-Publishing in the Digital Book Era (U Massachusetts Press, 2025) Claire Parnell uncovers in her examination of the two most popular—Amazon and Wattpad—these services in fact perpetuate systemic racial, gender, and sexual bias against authors of color and queer authors through their technological, economic, social, and cultural structures. At a time when there is a real reckoning with the discrimination that has resulted in publishing opportunities for only relatively few privileged authors—who are often White, upper class, and male—self-publishing presents itself as an equalizer of sorts. Exploring that idea, Parnell shows that these platforms are not just intermediaries for information; they structure content and users in multiple, often inequitable, ways through their ability to set market conditions and apply algorithmic sorting. Combining original interviews, walkthrough method, metadata analysis, and more, Parnell finds that self-publishing platforms reproduce challenges for authors from marginalized communities. Far from equalizing the market, the new platforms instead frequently perpetuate the stubborn barriers to mainstream success for BIPOC and queer authors. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The average reader need not go far in a bookstore before, knowingly or not, they encounter authors who started their careers by self-publishing prior to achieving commercial success. Examples include Margaret Atwood, Andy Weir, Colleen Hoover, Anna Todd, E. L. James, Scarlett St. Clair, and many more. Such stories of self-made writers are compelling and seem more attainable to others with the accessibility of modern publishing platforms such as Amazon, Apple, Google, Kobo, Wattpad, Webtoon, Radish, Inkitt, Qidian, Tapas, and Swoon Reads. However, in Inequalities of Platform Publishing: The Promise and Peril of Self-Publishing in the Digital Book Era (U Massachusetts Press, 2025) Claire Parnell uncovers in her examination of the two most popular—Amazon and Wattpad—these services in fact perpetuate systemic racial, gender, and sexual bias against authors of color and queer authors through their technological, economic, social, and cultural structures. At a time when there is a real reckoning with the discrimination that has resulted in publishing opportunities for only relatively few privileged authors—who are often White, upper class, and male—self-publishing presents itself as an equalizer of sorts. Exploring that idea, Parnell shows that these platforms are not just intermediaries for information; they structure content and users in multiple, often inequitable, ways through their ability to set market conditions and apply algorithmic sorting. Combining original interviews, walkthrough method, metadata analysis, and more, Parnell finds that self-publishing platforms reproduce challenges for authors from marginalized communities. Far from equalizing the market, the new platforms instead frequently perpetuate the stubborn barriers to mainstream success for BIPOC and queer authors. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The average reader need not go far in a bookstore before, knowingly or not, they encounter authors who started their careers by self-publishing prior to achieving commercial success. Examples include Margaret Atwood, Andy Weir, Colleen Hoover, Anna Todd, E. L. James, Scarlett St. Clair, and many more. Such stories of self-made writers are compelling and seem more attainable to others with the accessibility of modern publishing platforms such as Amazon, Apple, Google, Kobo, Wattpad, Webtoon, Radish, Inkitt, Qidian, Tapas, and Swoon Reads. However, in Inequalities of Platform Publishing: The Promise and Peril of Self-Publishing in the Digital Book Era (U Massachusetts Press, 2025) Claire Parnell uncovers in her examination of the two most popular—Amazon and Wattpad—these services in fact perpetuate systemic racial, gender, and sexual bias against authors of color and queer authors through their technological, economic, social, and cultural structures. At a time when there is a real reckoning with the discrimination that has resulted in publishing opportunities for only relatively few privileged authors—who are often White, upper class, and male—self-publishing presents itself as an equalizer of sorts. Exploring that idea, Parnell shows that these platforms are not just intermediaries for information; they structure content and users in multiple, often inequitable, ways through their ability to set market conditions and apply algorithmic sorting. Combining original interviews, walkthrough method, metadata analysis, and more, Parnell finds that self-publishing platforms reproduce challenges for authors from marginalized communities. Far from equalizing the market, the new platforms instead frequently perpetuate the stubborn barriers to mainstream success for BIPOC and queer authors. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Whether you like ripping page turners, incredible characters, books that make you laugh out loud, exploring unforgettable new worlds, or literary books that will make you see the world in a new way, there's a great intro to scifi out there for everyone!Join the Hugonauts book club on discord to tell us about your favorite time travel booksOr you can watch the episode on YouTube if you prefer videoIf you want to jump around, here are the timestamps for all the books we talked about: 00:00 Intro 00:38 Incredible Characters - Vorkosigan Saga by Lois McMaster Bujold 3:07 A Long Way to a Small, Angry Planet by Becky Chambers 4:04 Flowers for Algernon by Daniel Keyes 4:52 Unforgettable Worlds - The Expanse by James S.A. Corey 6:58 Hyperion by Dan Simmons 8:24 House of Suns by Alastair Reynolds 9:20 Children of Time by Adrian Tchaikovsky 10:56 The Forever War by Joe Haldeman 12:22 Funny SF - Hitchhiker's Guide to the Galaxy by Douglas Adams 13:36 Snow Crash by Neal Stephenson 14:50 Old Man's War by John Scalzi 16:01 Page turners - Project Hail Mary by Andy Weir 17:43 Dark Matter or Recursion by Blake Crouch 18:52 All Systems Red by Martha Wells 20:01 Ender's Game by Orson Scott Card 21:35 Ready Player One by Ernest Cline 22:34 Literary SciFi - The Left Hand of Darkness by Ursula K. LeGuin 24:55 Never Let Me Go by Kazuo Ishiguro 26:26 The Road by Cormac McCarthy 27:49 Slaughterhouse-Five by Kurt Vonnegut 28:40 Starship Troopers by Robert Heinlein

On this episode, Jesus, Emily, and Brian from Off Color Book Club join me to discuss the most recent Off Color Book Club book, Martyr! by Kaveh Akbar.    My Book Club Guide If you're interested in joining the Off Color Book Club in the future, we will not be meeting in December but will meet on Tuesday, January 20th to discuss Project Hail Mary by Andy Weir. All are welcome!

The Space Show Presents Dr. Daniel Whiteson on his new book, “Do Aliens Speak Physics” Friday, 11-14-25Brief Summary:Our program began with introductions and discussions about alternative physics theories, including hyperdimensional physics, and the challenges of accepting unconventional ideas in the scientific community. The group explored various topics related to extraterrestrial life and communication, including the nature of mathematics, the potential for alien civilizations, and the challenges of decoding alien messages. They concluded by discussing unidentified aerial phenomena, the possibility of discovering extraterrestrial life, and the difficulties of communicating with alien civilizations, while acknowledging the skepticism of most physicists regarding philosophical questions about the nature of physics and reality.Detailed full summary:David, Dr. Daniel Whiteson (our guest) and John Jossy discussed alternative physics theories, including the brief mention of hyperdimensional physics (if real), and the challenges of accepting unconventional ideas in the scientific community. John Jossy, a physicist & astronomy major at Cal and now a retired engineer, shared his educational background and interest in astronomy, expressing excitement for the upcoming discussion on life and the universe. The group also touched on the importance of traditional science education and the evolution of science requirements in universities that seem weaker today than yesteryear.The meeting recording started with a discussion about Andy Weir's book, “Project Hail Mary,” including its screenplay adaptation by the same person who wrote “The Martian.” Daniel expressed admiration for the book's creativity, particularly in its portrayal of alien interactions. David then introduced the show's format and Wisdom Team participants, including Marshall Martin, a retired software engineer with an engineering perspective, and John Hunt, a physics advisor to David and TSS. David explained his background in business and his interest in space and science, as well as his son's experience with cystic fibrosis and the advancements in medical technology which led him to many lessons learned re media, science and medical reporting, narrow versus broad minded thinking while remaining grounded in reality. The Team discussed the potential for alien contact and the importance of science and media in shaping public perception of future technologies. The conversation ended with an announcement of upcoming guests and a reminder about the show's fundraising campaign which is essential to Space Show continuance as it is a 100% listener supported non-profit program.Daniel discussed his book “Do Aliens Speak Physics?” which explores the question of whether physics is universal and if aliens would necessarily understand it in the same way as humans. He emphasized the importance of remaining open-minded about potential alternative ways of understanding the universe, as current data only supports the universality of physics within our observable universe. Daniel explained his decision to write the book in a light-hearted, accessible format with humor and illustrations to make complex concepts more approachable for readers. David raised the possibility that aliens might perceive and interact with the universe in fundamentally different ways than humans, potentially challenging our current understanding of physics and conservation laws.Daniel discussed the nature of physics and reality, exploring the possibility of multiple ways to describe the universe. He explained that while our current models of physics work well, they are based on philosophical assumptions rather than scientific evidence. Daniel suggested that the universe could be much stranger than we imagine, and that our intuitive understanding may not align with the true nature of reality. He also touched on the limitations of our senses and how they shape our perception of the universe, highlighting the potential for alien physics to be fundamentally different from our own.The Wisdom Team discussed the challenges of communicating with extraterrestrial life, focusing on two scenarios: receiving a message from aliens and their physical arrival on Earth. Daniel and David explored the difficulties of decoding alien messages, highlighting the arbitrary nature of language encoding and the lack of a Rosetta Stone for alien languages. They emphasized that even understanding human languages without cultural context is challenging, making the prospect of decoding alien messages seem hopeful but uncertain. The discussion concluded that direct physical interaction with aliens might offer a more promising avenue for communication, as it would provide a shared context for building understanding.The Wisdom Team discussed the possibility of extraterrestrial intelligence and the nature of mathematics in the universe. Daniel and David explored the idea that mathematics might not be universal, while John Hunt suggested that alien species could have different senses and physical capabilities. Daniel shared his experiences with the elegance of mathematical descriptions in physics, but also acknowledged the arguments of mathematician Field, the author of the classic “Science Without Numbers,” that mathematics could be a human construct rather than a universal language. The discussion raised questions about whether aliens could understand the universe differently, and whether mathematics is necessary for explaining physical phenomena.We continued discussing the nature of mathematics and its potential alternatives, with Daniel explaining that while mathematicians seek universal axioms, physicists are more flexible in their approach, often modifying axioms to better describe observations. Marshall challenged the notion of alternative foundations to Euclidean geometry, while John Jossy focused on the universality of the four fundamental forces, suggesting that even aliens would likely recognize these forces despite different methods of perception and communication.Daniel discussed the possibility that alien civilizations might not share humanity's scientific approach to understanding the universe, suggesting that technological advancement could occur without a deep understanding of fundamental physics. He emphasized that human descriptions of the universe are approximate and historically contingent, leading to the idea that there could be multiple valid ways to describe and interact with the universe. David asked about the best way to attempt contact with aliens, given potential incompatibilities in communication methods. Daniel suggested building von Neumann probes for exploration, noting the large distances involved and the potential for exponential reproduction, while acknowledging the ethical and practical challenges of such an endeavor.Daniel and David discussed the possibility of extraterrestrial life and the potential for discovering intelligent beings with different ways of understanding the universe. Daniel emphasized the excitement of finding colleagues with similar interests but also highlighted the value of encountering beings who challenge human assumptions about mathematics and physics. He suggested that discovering alien intelligence that operates differently from humans could offer profound insights into the nature of human existence. David raised a question about the role of a universal God in the context of alien life, prompting Daniel to reflect on the possibility that such a God might not necessarily be the same for all intelligent beings.Daniel and David discussed the potential for extraterrestrial life and the implications for human understanding of the universe. Daniel suggested that aliens might have diverse beliefs and cultures, including religious and scientific perspectives, which could challenge human concepts of God and faith. David shared a perspective from a Chabad rabbi that equates scientific and religious faith, but Daniel emphasized the self-correcting nature of science as a key distinction given that scientific faith requires data. Religious faith is usually based on stories, not quantifiable data. Marshall raised the possibility of using artificial intelligence to communicate with aliens, but Daniel expressed doubt that AI could truly understand the universe, though it might assist in decoding alien communications.As we were nearing the end of the program, our Wisdom Team discussed the possibility of unidentified aerial phenomena (UAP) and extraterrestrial life, with Daniel expressing skepticism despite wanting to believe in aliens. John Hunt shared his perspective on the pervasive nature of UAP reports over the past 80 years and the government's history of disinformation. They explored potential methods of communication with aliens, with Daniel suggesting starting with mathematics and using a broad range of sensors to detect signals. David raised questions about Earth's signal leakage and the potential for extraterrestrial civilizations to detect us, suggesting that light-based communication might be more effective than radio waves, assuming we used the best wave lengths for such communication.In conclusion, our discussion focused on the challenges of communicating with extraterrestrial civilizations, with Daniel explaining that while powerful astrophysical phenomena like quasars emit intense signals, harnessing such energy for communication would be impractical and potentially dangerous. Daniel emphasized the difficulty of distinguishing between natural signals and potential alien communications due to our limited understanding of the universe, using examples like the WOW signal and cosmic rays to illustrate this challenge. The conversation concluded with Daniel expressing optimism about the possibility of discovering extraterrestrial life, while acknowledging that most physicists are skeptical of philosophical questions about the nature of physics and reality.If you are reading the summary on The Space Show website, try Substack and watch the Zoom video: doctorspace.substack.com. Please don't forget that we are in our fund raising period to support TSS for the coming year. Please donate now. Let me know if you have questions.drspace@thespaceshow.com. Thank you very much.Special thanks to our sponsors:Northrup Grumman, American Institute of Aeronautics and Astronautics, Helix Space in Luxembourg, Celestis Memorial Spaceflights, Astrox Corporation, Dr. Haym Benaroya of Rutgers University, The Space Settlement Progress Blog by John Jossy, The Atlantis Project, and Artless EntertainmentOur Toll Free Line for Live Broadcasts: 1-866-687-7223 (Not in service at this time)For real time program participation, email Dr. Space at: drspace@thespaceshow.com for instructions and access.The Space Show is a non-profit 501C3 through its parent, One Giant Leap Foundation, Inc. To donate via Pay Pal, use:To donate with Zelle, use the email address: david@onegiantleapfoundation.org.If you prefer donating with a check, please make the check payable to One Giant Leap Foundation and mail to:One Giant Leap Foundation, 11035 Lavender Hill Drive Ste. 160-306 Las Vegas, NV 89135Upcoming Programs:Broadcast 4462: Zoom: Dr. Doug Plata | Sunday 16 Nov 2025 1200PM PTGuests: Dr. Doug Plata Get full access to The Space Show-One Giant Leap Foundation at doctorspace.substack.com/subscribe

In Ep. 210, Laura McGrath, author of the popular Substack newsletter, textCrunch, joins Sarah to take a sharp look at the State of the Publishing Industry in 2025. This packed episode covers a high-level look at the top sales and book trends, as well as Laura's insights into the future of the book world for 2026. Also, Laura shares her favorite books of 2025! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights Laura McGrath's book Middlemen (publishing April 28, 2026) is available for pre-order here: Amazon | Bookshop.org  Fiction's performance in the sales charts since 2019. The trend seen in nonfiction over the past few years and where it may be headed. The continued debate about whether 2025 has a "Book of the Year." Surprising sales trends in religious books and imprints. How self-publishing still brings us successful authors. What Laura sees in her research that she thinks publishers should be paying attention to. A bit about the current outlook for mid-list and debut authors. Laura's predictions for 2026 book trends. State of the Publishing Industry in 2025 HIGH-LEVEL OVERVIEW [2:45]  Onyx Storm (Empyrean, 3) by Rebecca Yarros (2025) | Amazon | Bookshop.org  [7:49] Fourth Wing (series, 1) by Rebecca Yarros | Amazon | Bookshop.org [8:58]  The Women by Kristin Hannah (2024) | Amazon | Bookshop.org  [9:21] James by Percival Everett (2024) | Amazon | Bookshop.org  [9:59] The God of the Woods by Liz Moore (2024) | Amazon | Bookshop.org  [10:02] Flashlight by Susan Choi (2025) | Amazon | Bookshop.org  [10:25] The Dream Hotel by Laila Lalami (2025) | Amazon | Bookshop.org  [11:58] The Emperor of Gladness by Ocean Vuong (2025) | Amazon | Bookshop.org  [12:04] A Guardian and a Thief by Leela Tapryal (2025) | Amazon | Bookshop.org  [12:31] The Names by Florence Knapp (2025) | Amazon | Bookshop.org  [13:19] Audition by Katie Kitamura (2025) | Amazon | Bookshop.org  [13:57] The Wilderness by Angela Flournoy (2025) | Amazon | Bookshop.org  [13:59] 2025 BOOK SALES & TRENDS [14:41]   The Martian by Andy Weir (2011) | Amazon | Bookshop.org [17:03]  The River Is Waiting by Wally Lamb (2025) | Amazon | Bookshop.org  [21:38]   The Bright Years by Sarah Damoff (2025) | Amazon | Bookshop.org  [21:40]   Heart the Lover by Lily King (2025) | Amazon | Bookshop.org [21:42]  BIG BOOK STORIES OF 2025 [30:18]  Catch-22 by Joseph Heller (1961) | Amazon | Bookshop.org  [33:30]  V by Thomas Pynchon (1963) | Amazon | Bookshop.org  [33:32]  Portnoy's Complaint by Philip Roth (1969) | Amazon | Bookshop.org  [33:41]  The Intuitionist by Colson Whitehead (1999) | Amazon | Bookshop.org  [33:47]  The Mothers by Brit Bennett (2016) | Amazon | Bookshop.org  [33:54]  2026 PUBLISHING PREDICTIONS [42:29]  Audition by Katie Kitamura (2025) | Amazon | Bookshop.org  [4:41] Pick a Color by Souvankham Thammavongsa (2025) | Amazon | Bookshop.org [43:55]  Discipline by Larissa Pham (January 20, 2026) | Amazon | Bookshop.org [45:01]  Under Water by Tara Menon (March 17, 2026) | Amazon | Bookshop.org [45:07]  Laura's 3 Favorites Books of 2025 [45:31]  Culpability by Bruce Holsinger (2025) | Amazon | Bookshop.org [46:17]  Wild Dark Shore by Charlotte McConaghey (2025) | Amazon | Bookshop.org[47:59]  The Wilderness by Angela Flournoy (2025) | Amazon | Bookshop.org  [49:38] Other Links The New York Times | The Dogged, Irrational Persistence of Literary Fictionby Gerald Howard The Walrus | Publishing Has a Gambling Problem by Tajja Isen Time | How Taylor Jenkins Reid Became a Publishing Powerhouse by Lucy Feldman Book Riot | How Much Does Genre Matter to Readers? (Podcast Episode) Public Books | Who Cares About Literary Prizes? by Alexander Manshel, Laura B. Mcgrath, & J. D. Porter

On this episode of Currently Reading, Meredith and Kaytee are discussing: Bookish Moments: a poem a day + excitement over release days Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: we discuss your top books from 2019-2024 and draw the giveaway winner The Fountain: we visit our perfect fountain to make wishes about our reading lives Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site). .  .  .  1:59 - Our Bookish Moments of the Week 2:07 - The Poetry Foundation's Poem of the Day 2:27 - A Rebellion of Care by David Gate 3:55 - The Black Wolf by Louise Penny 4:34 - The Grey Wolf by Louise Penny 6:02 - Our Current Reads 6:08 - The Teller of Small Fortunes by Julie Leong (Kaytee) 8:21- A Psalm for the Wild Built by Becky Chambers 9:03 - The Vanishing of Josephine Reynolds by Jennifer Moorman (Meredith) 10:11 - Words Matter Bookshop 10:40 - The Magic All Around by Jennifer Moorman 14:17 - The Bookshop by Evan Friss (Kaytee) 15:12 - Parnassus Books 17:29 - Exile in Bookville 17:58 - Books - A Manifesto: Or, How to Build A Library by Ian Patterson (Meredith, Goldsboro link)  20:16 - Goldsboro Books UK 24:16 - The Perfectionist's Guide to Losing Control by Katherine Morgan Schafler  26:03 - I Leave It Up To You by Jinwoo Chong (Kaytee) 29:05 - Flux by Jinwoo Chong (amazon link) 29:34 - The Wasp Trap by Michael Edwards (Meredith) 32:45 - The Guest List by Lucy Foley 33:09 - Listeners' Top Ranked Books 35:11 - Giveaway Post to see other listeners' best books! (reminder - giveaway is CLOSED) 42:17 - Remarkably Bright Creatures by Shelby Van Pelt 42:32 - Lessons in Chemistry by Bonnie Garmus 42:43 - The Anthropocene Reviewed by John Green 42:56 - Lonesome Dove by Larry McMurtry 43:06 - Homegoing by Yaa Gyasi 43:07 - Still Life by Louise Penny 43:59 - Frozen River by Ariel Lawhon 44:03 - Hamnet by Maggie O'Farrell 44:08 - Demon Copperhead by Barbara Kingsolver 44:16 - Project Hail Mary by Andy Weir 44:18 - The Midnight Library by Matt Haig Giveaway Winner Christie's Reads 47:25 - Harry's Trees by Jon Cohen 47:27 - Lessons in Chemistry by Bonnie Garmus 47:30 - The Thursday Murder Club by Richard Osman 47:33 - Olive Kitteridge by Elizabeth Strout 47:35 - The Anxious Generation by Johnathan Haidt 47:39 - Demon Copperhead by Barbara Kingsolver 48:17 - Meet Us At The Fountain 48:22 - I wish to tell you about the gold star item I found for reading and sleep. (Kaytee) 48:32 - Stolen Focus by Johann Hari 48:47 - Bloom 51:30 - I wish for you to try more specific ASMR rooms or listening to playlists for books. (Meredith) 51:34 - Katabasis by R.F. Kuang 51:37 - A Discovery of Witches by Deborah Harkness 51:38 - Shadow of the Wind by Carlos Ruiz Zafon   Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. November's's IPL is brought to us from Content Bookstore in Northfield, Minnesota. Love and Chili Peppers with Kaytee and Rebekah - romance lovers get their due with this special episode focused entirely on the best selling genre fiction in the business.  All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the behind-the-scenes insights of an independent bookseller From the Editor's Desk with Kaytee and Bunmi Ishola - a quarterly peek behind the curtain at the publishing industry The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Production and Editing: Megan Phouthavong Evans Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!

Today, I review Project Hail Mary, by Andy Weir!Goodreads/Fable: Ellie ManoEmail: hookofabookpodcast@gmail.comTikTok/Instagram: @hookofabook

It's space book club time, featuring the latest book by author and photography expert Andy Saunders: Gemini and Mercury Remastered. Producer Richard enthuses about these mid-60s missions and we talk to the author. Meanwhile, Dr Becky, Izzie and Dr Robert also discuss Project Hail Mary by Andy Weir and A City on Mars by Kelly and Zach Weinersmith. With questions on the size of space and why the centres of galaxies are brighter, it really is quite the bonus episode. You can hear a longer version of the interview with Andy Saunders in the latest Space Boffins Podcast. Join The Supermassive Club for ad-free listening and share your questions, images and more. Or email reach us at podcast@ras.ac.uk or on Instagram @SupermassivePod (particularly if you discover a comet). The Supermassive Podcast is a Boffin Media production. The producers are Izzie Clarke and Richard Hollingham. Hosted on Acast. See acast.com/privacy for more information.

We're rereleasing Bald Move's coverage of The Martian (2015) in honor of the film's 10th anniversary! Check out the Matt Damon poster photos here! Jim and A.Ron saw Ridley Scott's "The Martian" last night, starring Matt Damon, and have a lot to say about it.  Note, the first part of the podcast is spoiler free, but then when we say we're about to spoil things, that's your cue to get out while the getting is good.  Along the way, we talk about the trailers we saw for The Revenant, The Big Short, Joy, and Concussion. If you are still hungry for more Martian goodness, might I recommend reading Andy Weir's original book (The Martian) the film is based on?  Then, I'd proceed to reading Robert Zubrin's A Case For Mars, upon which most of the science of the book and film are based upon.  And if that's not enough, check out the Red/Green/Blue Mars trilogy by Kim Stanley Robinson. Hey there!  Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts! Join the Club! Join the discussion:  Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter  |  Instagram  |  Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices