Podcast appearances and mentions of Tina Turner

Ein kleines Kaff in Tennessee, ein großer Song: Mit „Nutbush City Limits“ setzte Tina Turner ihrer Heimat ein ebenso kraftvolles wie augenzwinkerndes Denkmal. Die Geschichte hinter dem Hit von 1973, der später in ihrer legendären Live-Version zur echten Rockhymne wurde, erzählen wir Euch in dieser Folge.

From locker room encounters with Tina Turner to a controversial baked bean and fried rice buffet debate, NRL icon Mark 'MG' Geyer joined Jason Matthews on 4BC Breakfast live from Hamilton Island to dish out his wildest rugby league predictions yet. He breaks down every upcoming clash - including a brutal forecast for the struggling Broncos and a massive upset warning for the Sharks - before closing the segment with an unexpected musical send-off.See omnystudio.com/listener for privacy information.

Is that a Tina Turner reference in the title of this week's episode? Shut up, don't worry about it. Anyway, Ian Machado Garry couldn't quite get it done against Islam Makhachev over the weekend at UFC 330. Garry did a decent job getting up from the takedowns and, as the fight wore on, it actually seemed like Makhachev was the one who got ti-red. But Makhachev had the fight's biggest moment — kicking Garry in his damn face during the second round — and otherwise was able to salt away the victory with his stifling (if not particularly dangerous) ground game. Could Garry have won it down the stretch if he showed a bit more “killer instinct,” as many (read: Dana White) are saying? Did the fact that he seemed to offer Makhachev head pats and bro hugs between nearly every round reveal something lacking in Garry's ability to get mean enough to close the show? Is he too SAWFT to be a UFC champ? I mean, surely that's bullshit, but we discuss. Learn more about your ad choices. Visit megaphone.fm/adchoices

Seeing your life clearly doesn't mean seeing it harshly.In this episode of Mindful Mondays, we explore how mindset and reframing shape not just how we think - but how our nervous system experiences the world.Many neurodivergent and highly sensitive people live with a loud inner commentary. Thoughts can feel convincing, critical, and fixed - yet thoughts are not facts.Together, we explore:* Growth mindset through a neurodivergent lens* Why reframing supports nervous system safety (not toxic positivity)* How meaning - not circumstances - shapes our experience* Why challenges often deepen, rather than diminish, a meaningful lifeDrawing on wisdom from thinkers and creatives including William James, Hugh Mackay, Tina Turner, Joan Rivers, Kurt Vonnegut, and Michael Jordan, this episode invites a gentler, truer way of seeing yourself.You'll also be guided through a reflective visualisation - The Gallery of Your Life - offering a new relationship with past moments, old judgments, and the stories you live inside.This is not about fixing yourself.It's about learning to see yourself in a way that supports you.Our Sponsors:

Saudações tecnológicas, ouvinte do RÁDIOFOBIA! Se você navega pela internet há mais de 10 anos muito provavelmente já deve ter ouvido falar desse "nice guy", pioneiro da blogosfera, um dos primeiros usuários brasileiros do iPhone e criador, lá em 2006, do Digital Drops, um dos primeiros sites brasileiros a falar sobre tecnologia, inovação e gadgets. Depois de várias participações aqui no RÁDIOFOBIA falando de nerdices, Star Wars, home office e até karaokê, chegou a hora de finalmente conhecer a história de vida e celebrar a trajetória do amigo Nick Ellis! Com Leo Lopes, Thiago Fujiwara, Júlio Macoggi e Victor Estácio! Não deixe de interagir com a gente nas redes sociais, dar seu feedback sobre o papo e sugerir temas e convidados para as próximas edições do nosso podcast, além de deixar seu comentário no post, ok? Você também pode agora mandar sua cartinha para a Caixa Postal 279 - CEP 13930-970 - Serra Negra - SP, e seu e-mail para podcast@radiofobia.com.br! Arte do episódio: Sandro Hojo Links citados no episódio:- The Facts Links citados nas Cartinhas do Totô:- RÁDIOFOBIA Classics #74 – Tina Turner- matricule-se já no Curso de Podcast- garanta o livro Curso de Podcast - Guia Básico em PDF e na Amazon para o seu Kindle- Podcast Store - a loja de produtos exclusivos da podosfera brasileira- Instituto Amargen Links que indicamos sempre:- ouça o Ineditados Podcast- ouça o NovelaCast- ouça o História de Lava-louça- matricule seu filho na escola CESIN- Acesse o novo site e ouça a RÁDIO 24h NO AR do Rádiofobia Classics!- assine o canal do Curso de Podcast no YouTube- siga @ocursodepodcast no Instagram- participe do grupo de produtores, apresentadores e ouvintes dos podcasts da Rádiofobia Podcast Network no Telegram Ouça o Rádiofobia Podcast nos principais agregadores:- Spotify- Apple Podcasts- Amazon Music- Deezer- PocketCasts Publicidade:Entre em contato e saiba como anunciar sua marca, produto ou serviço em nossos podcasts.See omnystudio.com/listener for privacy information.

Seeing your life clearly doesn't mean seeing it harshly.In this episode of Mindful Mondays, we explore how mindset and reframing shape not just how we think - but how our nervous system experiences the world.Many neurodivergent and highly sensitive people live with a loud inner commentary. Thoughts can feel convincing, critical, and fixed - yet thoughts are not facts.Together, we explore:* Growth mindset through a neurodivergent lens* Why reframing supports nervous system safety (not toxic positivity)* How meaning - not circumstances - shapes our experience* Why challenges often deepen, rather than diminish, a meaningful lifeDrawing on wisdom from thinkers and creatives including William James, Hugh Mackay, Tina Turner, Joan Rivers, Kurt Vonnegut, and Michael Jordan, this episode invites a gentler, truer way of seeing yourself.You'll also be guided through a reflective visualisation - The Gallery of Your Life - offering a new relationship with past moments, old judgments, and the stories you live inside.This is not about fixing yourself.It's about learning to see yourself in a way that supports you.Our Sponsors:

Saudações tecnológicas, ouvinte do RÁDIOFOBIA! Se você navega pela internet há mais de 10 anos muito provavelmente já deve ter ouvido falar desse "nice guy", pioneiro da blogosfera, um dos primeiros usuários brasileiros do iPhone e criador, lá em 2006, do Digital Drops, um dos primeiros sites brasileiros a falar sobre tecnologia, inovação e gadgets. Depois de várias participações aqui no RÁDIOFOBIA falando de nerdices, Star Wars, home office e até karaokê, chegou a hora de finalmente conhecer a história de vida e celebrar a trajetória do amigo Nick Ellis! Com Leo Lopes, Thiago Fujiwara, Júlio Macoggi e Victor Estácio! Não deixe de interagir com a gente nas redes sociais, dar seu feedback sobre o papo e sugerir temas e convidados para as próximas edições do nosso podcast, além de deixar seu comentário no post, ok? Você também pode agora mandar sua cartinha para a Caixa Postal 279 - CEP 13930-970 - Serra Negra - SP, e seu e-mail para podcast@radiofobia.com.br! Arte do episódio: Sandro Hojo Links citados no episódio:- The Facts Links citados nas Cartinhas do Totô:- RÁDIOFOBIA Classics #74 – Tina Turner- matricule-se já no Curso de Podcast- garanta o livro Curso de Podcast - Guia Básico em PDF e na Amazon para o seu Kindle- Podcast Store - a loja de produtos exclusivos da podosfera brasileira- Instituto Amargen Links que indicamos sempre:- ouça o Ineditados Podcast- ouça o NovelaCast- ouça o História de Lava-louça- matricule seu filho na escola CESIN- Acesse o novo site e ouça a RÁDIO 24h NO AR do Rádiofobia Classics!- assine o canal do Curso de Podcast no YouTube- siga @ocursodepodcast no Instagram- participe do grupo de produtores, apresentadores e ouvintes dos podcasts da Rádiofobia Podcast Network no Telegram Ouça o Rádiofobia Podcast nos principais agregadores:- Spotify- Apple Podcasts- Amazon Music- Deezer- PocketCasts Publicidade:Entre em contato e saiba como anunciar sua marca, produto ou serviço em nossos podcasts.See omnystudio.com/listener for privacy information.

Superstar Songwriter (and former Prism drummer) Jim Vallance shares his stories working with Bryan Adams, Tears Are Not Enough, Steven Tyler, Joe Perry, Gene Simmons, Tom Jones, Dusty Springfield, Joni Mitchell, Ann & Nancy Wilson, Ozzy Osborne, Glass Tiger, Larry Gowan, Rick Springfield, Tina Turner, Bruce Coburn, Neil Young, Quincy Jones, Martin Short, David Foster, Bruce Allen, Bruce Fairbairn, Bob Clearmountain, Dan Aykroyd and Bananarama! For everything Jim Vallance, please visit http://www.jimvallance.com/01-music-folder/00-pg-music.html TORONTO LEGENDS is hosted by Andrew Applebaum at andrew.applebaum@gmail.com All episodes available at https://www.torontolegends.ca/episodes/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Click on the link and hear Rick Estrin and The Nightcats, Freddie King, War, Buddy Guy, The Mannish Boys and more. Also a feature presentation of Ike and Tina Turner with history, music stories and more. 

Tina Turner sang a song in the 80s called, "What's Love Got To Do With It?" Well, Tina, Paul says Love has everything to do with it and without Love, we are nothing but a noisy cymbal being smacked out of time and rhythm! It just doesn't make any sense and it standing out alone makng a bunch of noise. But when the cymbal is hit in the rhythmn of the song, it great adds an accent and sounds wonderful! Today's culture is full of people trying to stand out or make it on their own. They want to do their own thing and stand above the rest and will do anything to make it happen without any regard to anyone else. Paul says, "Love is..." and he explains what LOve actually is. Love is a noun in the Greek but it is described by Paul using a bunch of verbs. Verbs are action words so if we are Loving, then people should be able to see it and receive something from ou action.

Ress Hajnalka énekesnővel az Icons RockSymphonic koncert megújuló folytatásáról, a világslágerek mögötti emberi történetekről és készülő videóklipjéről beszélgetünk. Tizenöt művész bőrében, szimfonikus zenekarral kiegészülve idézi meg többek között a Queen, Tina Turner, Whitney Houston, Bon Jovi, a Beatles, Donna Summer és az ABBA dalait. Hajni a számok között végigvezeti a közönséget az előadók pályáján, így a koncert a slágerek mellett azokból a döntésekből, mélypontokból és újrakezdésekből is építkezik, amelyek ikonokká tették őket. A produkció első időszaka Hajnit személyesen is komoly erőpróba elé állította. Egy nehéz hónapokkal terhelt élethelyzetből lépett színpadra, majd csaknem két órán át énekelt és mesélt élőben. Elárulja majd, mit kapott vissza a közönségtől, mely részeken változtatnak, és hogyan készül az Icons nagyobb formátumú folytatása. Augusztusban új videóklip is érkezik a Szent Anyaföld című dalhoz. Szó lesz arról is, miért vállalja nyíltan a művészi pálya mélypontjait, és miért tartja alapvetőnek az élő éneket, a szakmai tisztességet és az egymást erősítő alkotói közösséget. A Sláger FM-en minden este 22 órakor a kultúráé a főszerep S. Miller András az egyik oldalon, a másikon pedig a térség kiemelkedő színházi kulturális, zenei szcena résztvevői Egy óra Budapest és Pest megye aktuális kult történeteivel. Sláger KULT – A természetes emberi hangok műsora

Rae Cline draws us into the story of a thirteen-year-old girl seeking to escape her abusive, alcoholic, charismatic father and desperate to protect her mother. Set in 1985 in Harpers Ferry and Jolo, West Virginia, it's a story anchored in the promise of Reagan, the fear of AIDS, the songs of Patti Smith, Cyndi Lauper and Tina Turner heard through a Walkman, and other signs of its time and place. It's also a universal and ongoing story about poverty, addiction, religious charlatans, sexual predators, and how children are made to suffer for the sins of their parents. Yet Cline's debut novel is far from bleak. As told through the eyes of its remarkable young heroine, PRECIOUS UGLY is ultimately a story about the everyday marvels of tenacity and resourcefulness, the kindness of strangers, and the possibility of breaking the cycle of domestic violence and generational trauma.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Seja bem vindo ao RÁDIOFOBIA Classics, nosso podcast musical apresentado por Leo Lopes! Nesta atração apresentamos um pouco da história dos principais artistas da música mundial, assim como alguns de seus maiores sucessos, revivendo um estilo de programas especiais que costumávamos ouvir no rádio nos anos 1980 e 1990. Nossa intenção é apresentar uma visão geral da história musical desses grandes artistas e ilustrar o programa com trechos de algumas de suas músicas mais conhecidas! Anna Mae Bullock nasceu em 1939 em meio aos campos de algodão do Tennessee, nos Estados Unidos. Quem a conhecesse pequena jamais imaginaria que um dia seria conhecida como Tina Turner, uma das cantoras mais influentes da música moderna, ganhadora de duas estrelas na Calçada da Fama e do título de "Rainha do Rock 'n' Roll". Ela morreu pacificamente na Suíça aos 83 anos, em novembro de 2023, mas deixou um legado de sucessos que marcaram para sempre a história da música mundial, além de uma multidão de fãs que seguirão ouvindo suas músicas e honrando o seu legado, como nós fizemos neste edição mais que especial do Rádiofobia Classics! Diz pra gente o que achou do programa e indique sua banda ou artista preferido, nacional ou internacional, deixando seus comentários no post ou então enviando um e-mail para classics@radiofobia.com.br ! Você também pode colaborar rascunhando uma pauta sobre sua indicação! Capriche no texto e na pesquisa e envie por e-mail com seu nome, idade, ocupação e cidade onde mora, para podermos dar os devidos créditos quando (ou se...) o programa for ao ar! Playlist do episódio no Spotify: - https://open.spotify.com/playlist/53zQqezPZuXZzo7lD0tGRV?si=14bf693ceb3a4c6c Créditos do episódio:- Produção geral, apresentação, captação e edição: Leo Lopes- Pesquisa e produção de pauta: Lana Távora- Identidade visual: Gui Dellacolletta- Arte: Camila Nogueira Site e rádio online:Ouça todos os episódios e a RÁDIO ONLINE 24h em radiofobiaclassics.com.br! Acompanhe o Rádiofobia Classics nas redes sociais:- siga o @radiofobiaclassics no Instagram Ouça o Rádiofobia Classics nos principais agregadores:- Apple Podcasts- Amazon Music- PocketCasts- Deezer Publicidade:Entre em contato e saiba como anunciar sua marca, produto ou serviço em nossos podcasts.See omnystudio.com/listener for privacy information.

Seja bem vindo ao RÁDIOFOBIA Classics, nosso podcast musical apresentado por Leo Lopes! Nesta atração apresentamos um pouco da história dos principais artistas da música mundial, assim como alguns de seus maiores sucessos, revivendo um estilo de programas especiais que costumávamos ouvir no rádio nos anos 1980 e 1990. Nossa intenção é apresentar uma visão geral da história musical desses grandes artistas e ilustrar o programa com trechos de algumas de suas músicas mais conhecidas! Anna Mae Bullock nasceu em 1939 em meio aos campos de algodão do Tennessee, nos Estados Unidos. Quem a conhecesse pequena jamais imaginaria que um dia seria conhecida como Tina Turner, uma das cantoras mais influentes da música moderna, ganhadora de duas estrelas na Calçada da Fama e do título de "Rainha do Rock 'n' Roll". Ela morreu pacificamente na Suíça aos 83 anos, em novembro de 2023, mas deixou um legado de sucessos que marcaram para sempre a história da música mundial, além de uma multidão de fãs que seguirão ouvindo suas músicas e honrando o seu legado, como nós fizemos neste edição mais que especial do Rádiofobia Classics! Diz pra gente o que achou do programa e indique sua banda ou artista preferido, nacional ou internacional, deixando seus comentários no post ou então enviando um e-mail para classics@radiofobia.com.br ! Você também pode colaborar rascunhando uma pauta sobre sua indicação! Capriche no texto e na pesquisa e envie por e-mail com seu nome, idade, ocupação e cidade onde mora, para podermos dar os devidos créditos quando (ou se...) o programa for ao ar! Playlist do episódio no Spotify: - https://open.spotify.com/playlist/53zQqezPZuXZzo7lD0tGRV?si=14bf693ceb3a4c6c Créditos do episódio:- Produção geral, apresentação, captação e edição: Leo Lopes- Pesquisa e produção de pauta: Lana Távora- Identidade visual: Gui Dellacolletta- Arte: Camila Nogueira Site e rádio online:Ouça todos os episódios e a RÁDIO ONLINE 24h em radiofobiaclassics.com.br! Acompanhe o Rádiofobia Classics nas redes sociais:- siga o @radiofobiaclassics no Instagram Ouça o Rádiofobia Classics nos principais agregadores:- Apple Podcasts- Amazon Music- PocketCasts- Deezer Publicidade:Entre em contato e saiba como anunciar sua marca, produto ou serviço em nossos podcasts.See omnystudio.com/listener for privacy information.

Pauline Black was seen singing Leonard Cohen and Joni Mitchell songs in Coventry folk clubs and recruited by a local reggae band. Then converted to ska and joined the Selecter - back on tour this summer and with a box-set of live recordings, ‘The Selecter at the BBC'. She looks back here at … … their first gig with Madness for 47 years in Brighton – “very red fezzy!” … her Sliding Doors moment supporting Bert Jansch ... discovering the Pioneers, Prince Buster and the Skatalites through white skinheads in Coventry … the famous 2-Tone Brighton Beach photo of 1979 with the Specials and Madness … “there were three looks for a black girl singer back then – Tina Turner, the I-Threes Earth Mother … or invent something new. So I invented the Rude Girl” … seeing Pentangle playing the theme from ‘Take Three Girls' in 1971 and then the MC5 and Arthur Brown with his “papier-mâché brain” … training as a bio-chemist and radiographer – “there isn't an orifice I haven't inspected” … the first Selecter gig – “flares, safari suits and me in pink spandex trousers like the girls from Chic” .. how Jerry Dammers created the cartoon 2-Tone look and the night radio played the first single … and “a black man with a gun and a stage invasion” on the BBC's Pebble Mill. Order copies of ‘The Selecter At The BBC: The Complete Recordings 1979-1981' here: https://theselecter.lnk.to/AtTheBBC Tickets here: https://theselecter.net/live-dates/Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Pauline Black was seen singing Leonard Cohen and Joni Mitchell songs in Coventry folk clubs and recruited by a local reggae band. Then converted to ska and joined the Selecter - back on tour this summer and with a box-set of live recordings, ‘The Selecter at the BBC'. She looks back here at … … their first gig with Madness for 47 years in Brighton – “very red fezzy!” … her Sliding Doors moment supporting Bert Jansch ... discovering the Pioneers, Prince Buster and the Skatalites through white skinheads in Coventry … the famous 2-Tone Brighton Beach photo of 1979 with the Specials and Madness … “there were three looks for a black girl singer back then – Tina Turner, the I-Threes Earth Mother … or invent something new. So I invented the Rude Girl” … seeing Pentangle playing the theme from ‘Take Three Girls' in 1971 and then the MC5 and Arthur Brown with his “papier-mâché brain” … training as a bio-chemist and radiographer – “there isn't an orifice I haven't inspected” … the first Selecter gig – “flares, safari suits and me in pink spandex trousers like the girls from Chic” .. how Jerry Dammers created the cartoon 2-Tone look and the night radio played the first single … and “a black man with a gun and a stage invasion” on the BBC's Pebble Mill. Order copies of ‘The Selecter At The BBC: The Complete Recordings 1979-1981' here: https://theselecter.lnk.to/AtTheBBC Tickets here: https://theselecter.net/live-dates/Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Pauline Black was seen singing Leonard Cohen and Joni Mitchell songs in Coventry folk clubs and recruited by a local reggae band. Then converted to ska and joined the Selecter - back on tour this summer and with a box-set of live recordings, ‘The Selecter at the BBC'. She looks back here at … … their first gig with Madness for 47 years in Brighton – “very red fezzy!” … her Sliding Doors moment supporting Bert Jansch ... discovering the Pioneers, Prince Buster and the Skatalites through white skinheads in Coventry … the famous 2-Tone Brighton Beach photo of 1979 with the Specials and Madness … “there were three looks for a black girl singer back then – Tina Turner, the I-Threes Earth Mother … or invent something new. So I invented the Rude Girl” … seeing Pentangle playing the theme from ‘Take Three Girls' in 1971 and then the MC5 and Arthur Brown with his “papier-mâché brain” … training as a bio-chemist and radiographer – “there isn't an orifice I haven't inspected” … the first Selecter gig – “flares, safari suits and me in pink spandex trousers like the girls from Chic” .. how Jerry Dammers created the cartoon 2-Tone look and the night radio played the first single … and “a black man with a gun and a stage invasion” on the BBC's Pebble Mill. Order copies of ‘The Selecter At The BBC: The Complete Recordings 1979-1981' here: https://theselecter.lnk.to/AtTheBBC Tickets here: https://theselecter.net/live-dates/Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Trigger warning: This episode contains discussion of miscarriage and pregnancy loss. If you think you may find this difficult to listen to, please choose another episode xYou might know her from Pop Idol, starring in the West End as Tina Turner, or her recent stint joining Take That on tour, but this week Zoe Birkett is reflecting on her role as a mum.Zoe shares with Gi how she never imagined motherhood for herself, how meeting her husband changed everything, and why returning to a career she loves has made her a better mum.She also opens up about her experience of pregnancy loss while performing as a leading lady in the West End, opening up about navigating grief behind the scenes, and the support that helped her through. Hosted on Acast. See acast.com/privacy for more information.

Everyone talks about love. We want it, celebrate it, post about it, and expect it from others. But as Tina Turner famously asked, “What's love got to do with it?” Apparently, quite a bit.

On this episode of The Bandwich Tapes, I sit down with multi-instrumentalist, singer, songwriter, and producer Eliot Lewis for a conversation about rhythm, versatility, technology, and the experiences that shaped his remarkable career.Eliot began as a drummer and still considers rhythm the foundation of everything he does. We talk about how that early connection to the drums influenced his work as a guitarist, bassist, keyboardist, singer, and songwriter, as well as the unspoken communication that develops when musicians spend years learning how to play together.We also explore Eliot's years with Average White Band, where he grew as a performer and lead vocalist while sharing stages with artists including Earth, Wind & Fire, B.B. King, Buddy Guy, War, and the Ohio Players. Eliot discusses his work with producer and songwriter Dan Hartman, playing on Tina Turner's “The Best,” and learning the value of becoming a musical chameleon who can understand and support many different artists.A large part of our conversation focuses on Eliot's time with Hall & Oates and Live from Daryl's House. He explains how the musicians learned and recorded new material with very little rehearsal, why Daryl Hall wanted the performances to remain spontaneous, and what Eliot learned from working with guests such as Robert Fripp, CeeLo Green, Booker T. Jones, Grace Potter, and KT Tunstall.Eliot also takes us inside his current solo live-looping show. He describes the technical and musical challenge of creating the sound and dynamics of a full band by himself, the importance of remaining in the moment, and why technology should always serve the song rather than replace the musicianship underneath it.Key TakeawaysEliot still considers himself a drummer first, and rhythm remains the foundation of his work on every instrument.His live-looping show is designed to create the feeling and dynamics of a three- or four-piece band rather than simply repeat accompaniment.Learning several instruments helped Eliot understand how each musical role fits into an arrangement without competing for space.His years with Average White Band developed his confidence as a singer, songwriter, performer, and collaborative band member.Working on Live from Daryl's House required strong ears, quick preparation, trust between musicians, and an ability to respond in the moment.Eliot believes technology is most effective when it supports the song, but a performer must still be able to play and communicate when the technology fails.Running a solo career means balancing music with booking, travel, marketing, arranging, production, and the many other responsibilities that happen away from the stage.Music from the EpisodeRetroactive - Eliot LewisJetstream - Eliot LewisSonic Soldier - Eliot LewisHelpless - Eliot LewisAbout the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, producers, and other creative artists about their careers, influences, collaborations, musical craft, and the experiences that shape their work.Connect with the ShowQuestions, comments, or guest suggestions:contact@thebandwichtapes.com

Julia's wedding update! Plus, Spider-Man: Brand New Day and The Odyssey are both in theaters, and we've coined it a Spodyssey. We discuss BTS boycotting the Grammys, the Beach Boys canceling the rest of their summer shows, and our return to the Minnesota State Fair! Also: Tina Turner concert memories, Ben Affleck on Who Wants to Be a Millionaire, the Lioness premiere, Donna Mills joining OnlyFans, how much protein women really need, another wild Florida Man story, Marjorie Johnson's State Fair honor, and the documentaries My Grandfather Charles Manson and The Man Will Burn.00:00 – Wedding dress talk, the “pooch,” and Spanx03:04 – Nipple story, Sex and the City, and the recreated scene08:37 – Tom Holland, Zendaya, and the big movie release buzz12:07 – BTS, the Grammys, and the award-category debate16:05 – Minnesota State Fair concerts and broadcasting memories20:44 – Tina Turner memories and concert ticket trading32:17 – Ben Affleck on Who Wants to Be a Millionaire34:34 – RIP Glenn Hansard and a discussion of Once37:54 – Donna Mills joins OnlyFans39:22 – Protein needs, Oikos, and blood donation talk44:48 – The Delta Airlines Florida man breastfeeding story50:19 – State Fair blue-ribbon baking tribute52:37 – My Grandfather Charles Manson and The Man Will Burn documentary discussionTHANK YOU TO OUR SPONSORS:InVision Distinctive Eyewear: https://www.invision-optical.com/Borton Overseas: https://www.bortonoverseas.com/loriandjulia/Twin Cities Closet Company: https://www.tcclosets.com/CONNECT WITH USInstagram: @loriandjuliaTikTok: @loriandjuliaListen on Spotify/Apple Podcasts: loriandjulia.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Weezer - Island In The Sun The Clash - Should I Stay Or Should I Go Arctic Monkeys - Mardy Bum Joe Jackson - Is She Really Going Out With Him Olivia Dean - Man I Need New Order - Bizarre Love Triangle Gregory Porter - Liquid Spirit (Claptone Remix) Prince - 1999 Ed Sheeran - Sing Lizzo - Juice Tina Turner - The Best Bruno Mars - I Just Might Bastille Feat. Marshmello - Happier Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Weezer - Island In The Sun The Clash - Should I Stay Or Should I Go Arctic Monkeys - Mardy Bum Joe Jackson - Is She Really Going Out With Him Olivia Dean - Man I Need New Order - Bizarre Love Triangle Gregory Porter - Liquid Spirit (Claptone Remix) Prince - 1999 Ed Sheeran - Sing Lizzo - Juice Tina Turner - The Best Bruno Mars - I Just Might Bastille Feat. Marshmello - Happier Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

YahZarah, a captivating singer/songwriter, enchants audiences with her mesmerizing voice, electrifying stage presence, and unique perspective as an art heroine. Her music spans across a wide range of genres, including soul, rock, pop, hip-hop, and jazz. Praised by fans and critics alike, she is often compared to the likes of Janelle Monae, Erykah Badu, and Bilal, drawing inspiration from legendary figures such as Tina Turner, Chaka Khan, and Lenny Kravitz. Her latest album, "The Ceremony," showcases her fiery rock and soul sound, creating an immersive live concert experience with its otherworldly synthesizers, powerful drums, and dynamic strings. She encompasses the tenderness of Adele, and the audacity of Prince.She is the archetype of an urban pop Joan of Arch She has shared the stage with the Roots, Anderson Paak, and Bilal Oliver, and held the featured performer on Anthony Hamilton's “Playing it Cool Tour” at the House of Blues. She started her career lending her unique soprano to Erykah Badu's Band “Camp Wisdom” where she would stay for seven years singing backing vocals and providing vocal arrangements for some of the most beloved songs her “Mama's Gun” release.YahZarah has performed for two president Bill Clinton and the first inauguration of former President Barack Obama. YahZarah then went on to become a member of Rock Legend Lenny Kravitz's band for four years on his incredible“Strut Tour” and putting down some considerable vocals in his rockumentary “Just Let Go” ans sang as a key voice on Madonna‘s, Madame X tour .YahZarah was an instrumental creative collaborator while in the legendary “The Foreign Exchange” winning BBC of the year for her songwriting and performance on the single “Sincere” and two other highly regarded projects with the duo.Her release, “The Ballad of Purple Saint James”was considered for a Grammy in 6 major categories. And her most recent project “The Ceremony” single “Running was featured in episode 8 of Spike Lee's “She's Gotta Have It”.Her latest album, "The Ceremony," serves as a testament to her resilience and growth during a seven-year hiatus from the music scene. Collaborating with acclaimed musicians like Ray Angry, Steve McKie, Jonas Soul, NPG's Kat Dyson YAHZARAH has found renewed inspiration and creative energy. Through this album, she showcases her powerful vocals and eclectic musical influences.This episode is proudly sponsored by Cadenas Law Group - Las Vegas' #1 personal injury firm, a boutique law firm with concierge service.Panther Diamonds- Madison ave. prices with diamond district prices.

The Daily Quiz - Music Today's Questions: Question 1: What does the singer Sting suggest you should do if you love somebody? Question 2: Which American rock band released the studio album 'Stadium Arcadium'? Question 3: Which American rock band released the song 'Call Me'? Question 4: Which artist first recorded 'Proud Mary', which was later covered by Ike and Tina Turner? Question 5: Which American music duo released the song 'The Sound of Silence'? Question 6: Which song, originally recorded by Patti Smith, was later covered by Bruce Springsteen? Question 7: Who Wrote The Score To West Side Story Question 8: Which American hard rock band released the song 'Sweet Child O' Mine'? Question 9: Whose Albums Include "Better Living By Chemistry" and "You've Come A Long Way Baby"? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it take to produce a groundbreaking album that reshapes music history? Join host Buzz Knight on this episode of takin' a walk as he reconnects with the legendary music producer and songwriter Spencer Proffer, who has been at the forefront of musical innovation since his teenage years. From his early days of songwriting to producing iconic records, Proffer’s journey is a testament to the power of creativity and resilience in the music industry. Buzz Knight dives deep into Proffer's illustrious career, highlighting his remarkable collaborations with legendary artists like Tina Turner and the monumental achievement of producing Metal Health by Quiet Riot—the first heavy metal album to soar to number one on the pop charts. This episode is not just a stroll down memory lane; it’s an inspiring exploration of music history, filled with inside stories and insights that any music enthusiast will appreciate. Listeners will be captivated by Proffer's reflections on the evolution of music and media, and his recent project: the reissue of Children of the Sun, a groundbreaking collaboration with Billy Thorpe that utilized innovative computer-animated laser choreography. Spencer Proffer shares his vision of leaving a lasting legacy for future generations, making this episode a must-listen for those interested in the intersection of art and culture. With a rich tapestry of music history woven throughout, Buzz Knight and Spencer Proffer engage in a dialogue that resonates with aspiring musicians and seasoned veterans alike. Discover the importance of creativity in the face of challenges, the impact of art on society, and the stories behind some of the most iconic moments in music. Whether you’re a fan of classic rock, heavy metal, or simply love inspiring music stories, this episode of takin' a walk promises to deliver a treasure trove of insights. Join us for this enlightening conversation and immerse yourself in the world of legendary musicians and their journeys. Tune in to experience the magic of music and the stories that shape our cultural landscape. Don’t miss out on this episode of takin' a walk with Buzz Knight, where we celebrate the spirit of creativity and the enduring legacy of music! Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Trees are a major cause of power outages. They're also a wildfire risk—when branches hit a conductor, a small spark can become a big blaze. Lynn Petesch of Overstory joins thinkenergy to talk trees, exploring how AI, satellite imagery, and vegetation intelligence help utilities prevent outages and reduce wildfire threats. Including Hydro Ottawa, who saw a 44% drop in tree-related outages since partnering with Overstory. Listen in for how we work together to keep the grid safe in an era of extreme weather.   Related links    Overstory: https://www.overstory.com/ Lynn Petesch on LinkedIn: https://www.linkedin.com/in/lynnpetesch/    Trevor Freeman on LinkedIn: https://www.linkedin.com/in/trevor-freeman-p-eng-8b612114    Hydro Ottawa: https://hydroottawa.com/en      To subscribe using Apple Podcasts: https://podcasts.apple.com/us/podcast/thinkenergy/id1465129405 To subscribe using Spotify: https://open.spotify.com/show/7wFz7rdR8Gq3f2WOafjxpl To subscribe on Libsyn: http://thinkenergy.libsyn.com/ --- Subscribe so you don't miss a video: https://www.youtube.com/user/hydroottawalimited Follow along on Instagram: https://www.instagram.com/hydroottawa Stay in the know on Facebook: https://www.facebook.com/HydroOttawa Keep up with the posts on X: https://twitter.com/thinkenergypod --- Transcript: [00:00:00] Trevor Freeman: Hi everyone, and welcome to the summer edition of Think Energy. We are officially in podcast vacation mode. So while our normal day-to-day work continues, we're taking a brief pause from our kind of regularly scheduled episodes to recharge, to think about what's coming up in the year ahead content-wise, and just do some planning. But while we do so, we don't want to leave you without anything to listen to, so we look back at some of our favorite insights and episodes over the past year, and that is our summer rewind. So this summer, we're tackling a pretty significant and overarching theme that's really defining the current state of the energy transition, and that is the collision between digital infrastructure and physical infrastructure as it relates to our energy grid. It's this really kind of fascinating look at old versus new, traditional versus up-and-coming, and how we progress to meet the energy needs of our customer base, the growing energy needs as we electrify, as we, you know, expand, while also implementing new technology to protect our grid, protect our assets, to better manage things. So it's kind of a common theme in a lot of episodes that we have done in the last little while and a lot of the conversations that we're having. So in Part 1 today, we're kicking things off with a look at the physical world of our grid and how we're using new technology to protect it, and that is our conversation with Overstory. So we'll re-examine how we use high-resolution satellite imagery and artificial intelligence to act as kind of a shield almost, you know, helping utilities proactively manage our vegetation and reduce vegetation-to-powerline contact, which can reduce power outages, wildfires in many cases, and really has been an important tool for us here at Hydro Ottawa as well as in the utility industry more broadly. So sit back and have a listen to my conversation with Lynn Pedesch from Overstory, and enjoy this summer rewind.   [00:02:26] Trevor Feeman: Welcome to Think Energy, the podcast that dives into the fast-changing world of energy through conversations with industry leaders, innovators, and people on the frontlines of the energy transition. Join me, Trevor Freeman, as I explore the traditional, unconventional, and up-and-coming facets of the energy industry. If you have any thoughts, feedback, or ideas for topics we should cover, please reach out to us at thinkenergy@hydroottawa.com.   [00:02:58] Trevor Freeman: Hi everyone, welcome back. Today on Think Energy, we're going to be talking about trees. Yes, you heard that correctly—trees. I know this is a show about energy, but there's actually a very real connection between our electricity grid and those slow-growing, majestic givers of shade, lumber, fruit, and so many more benefits. Honestly, who doesn't love trees? But I'm not just kicking this episode off in my capacity as a tree hugger. Let's take a look at this through a utility lens, and I will use Hydro Ottawa as an example. Hydro Ottawa's service territory includes some very rural and very forested areas. Even our urban territory has a fairly extensive tree canopy. As a result, Hydro Ottawa trims about 60,000 trees each year. Now why? Because trees contacting power infrastructure is a big problem. Tree interference remains a leading cause of power outages for us. Strong winds force them onto our wires. Heavy snow or freezing rain builds up and weighs down branches, breaks limbs, and increases the risk that part of a tree may touch a line. And in some extreme cases, heavy storms can even send trees or branches crashing into our poles, damaging the poles. The struggle between power lines and trees—which again, don't get me wrong, we all love trees—has been going on for years. There is a constant struggle between trimming enough and getting the right trees trimmed and maintaining as much tree coverage as we can. In 2022, we identified a disruptor in this stance. The solution came through a partnership with Overstory, a company that uses satellite imagery, infrared technology, and artificial intelligence to help utilities manage vegetation and trim trees more efficiently. And the timing could not have been better. Just days after we started working with Overstory in the spring of 2022, the Derecho hit Ottawa. Our Ottawa-based listeners will remember this storm well. It was monumental in the history of our city and indeed for us as a utility. Winds reached 190 kilometers an hour. For our non-metric listeners, that's nearly 120 miles per hour. The storm ripped through poles, houses, and caused considerable damage to our city's urban forest. Overstory played a crucial role during the cleanup and in helping us level up our vegetation management strategies moving forward. We realized that the insights we got from Overstory would help improve our proactive approach to tree encroachment and hazard identification, and this is essential in this era of extreme weather events. We know that climate change is causing more frequent and more extreme weather events. According to Climate Central, the number of weather-related power outages in the United States increased by 78% between 2011 and 2021. And severe weather accounted for over a thousand outages across Nova Scotia just in the year of 2024. We want to keep you connected during these heavy storms, and that's why we're looking to organizations like Overstory. So what does Overstory do to help us keep the lights on? Well, without giving away too much, because we're going to get into the details shortly, Overstory, through a detailed analysis of the scans they do of our entire grid, identifies high-risk areas which we can then prioritize and better focus our resources when it comes to vegetation management. This level of monitoring and focus reduces the risk of trees from coming into contact with our poles and disrupting your connection to the grid. The results speak for themselves. Since partnering with Overstory, we've reduced vegetation-related outages by 44%. And that's only part of the story. As we'll discuss further, Overstory also plays a crucial role in helping utilities prevent wildfires in high-risk areas across North America. Similar to extreme weather, wildfire frequency and intensity is also increasing, in part due to climate change, expanding cities, and many other factors. And when wildfires do happen, these stories are heartbreaking. What many people don't realize is that lots of wildfires are sparked by trees making contact with power lines. And that is why Overstory plays a key role in tagging areas where those fires are most likely to ignite and spread, making it easier for utilities to prioritize trimming work and vegetation management in those areas. To dive more into how Overstory is helping us here at Hydro Ottawa and other utilities, helping us identify and act to mitigate risk associated with vegetation, I'm really excited to have Lynn Pedesch on the show today. Lynn is Overstory's Head of Customer Success and has spent the past 10 years building customer-facing teams with a specific focus on technologies that tackle the climate crisis. She began her career working for the United Nations and the diplomatic service of her home country Luxembourg, before moving into the tech sector to really work in environments where she could drive impact more quickly and at greater scale. Lynn Pedesch, welcome to the show.   [00:08:05] Lynn Pedesch: Thank you. Thanks for having me.   [00:08:07] Trevor Freeman: Okay, so let's start at the very top with a high-level look at what Overstory does and how the organization came to be.   [00:08:15] Lynn Pedesch: Yeah, let me tell you about Overstory. I mean, we are a vegetation intelligence platform. We use remote sensing and AI to give electric utilities, including Hydro Ottawa and others, a clear system-wide view of their risk. They always do it because they want to address three things, or sometimes more, but kind of there's always a few goal posts, and it's either improving reliability, reducing wildfire risk if that is if they're in an area where that is a concern, and/or improving operational efficiencies. So Overstory very much becomes a decision-making tool for their programs. We're used mostly by the vegetation management people, operations people, wildfire mitigation teams, and they each time they want to either use a program that exists, prioritize it, reshape their work, they might be preparing for a storm, they might be working on a wildfire mitigation risk. So the company more broadly was founded in 2018 by Aniek Schouten and Indra den Bakker—this was back in the Netherlands. And they were leveraging or getting really interested in satellite imagery and were very initially using it for deforestation purposes. So the climate resilience DNA has always been with us, but like any startup, we were looking at that kind of target audience that was most interested in what we had to offer. And pretty quickly, we landed on the electric utilities. They had the most pressing need to use remote sensing at scale to solve very big problems, honestly. And so we pivoted into that space of electric utilities. And then in 2020, Fiona Spruill, who's our CEO right now, she joined us. She shaped the company into what it is today, and that is really around building safer and more reliable operations.   [00:10:14] Trevor Freeman: That's great, and I want to dive into some of the details. Our listeners will know that we talk a lot about grid modernization here and talk a lot about better intelligence of what's happening on the grid in all aspects. And something we haven't really talked about and I'm excited to talk to you about today is the sort of vegetation management side of it. So really excited to get into the details, but before we do that, I'm always really curious to understand, you know, the people behind the conversations. How did you get into this area of, you know, high-tech vegetation management? I touched a little bit on your bio in the intro, but give us a sense of, you know, how did Lynn come to be in the space that you're in right now?   [00:10:52] Lynn Pedesch: Yeah, I wouldn't say I grew up thinking I was going to work in this space, but I love working in it now. So actually right out of college, I went to work for the United Nations, but then in the last 15 years, I started working at high-growth tech companies, startups, and I've always been focused on leading and building CS operations, which is basically the customer success teams. They're the ones that are in front of the customers, implementing these software programs, kind of working very closely with customers, solving problems. And about four years ago, I decided that I did want to focus the rest of my career on solving the climate crisis more broadly. And I remember very clearly that I came across Overstory and there were two things that really resonated with me. One was hearing that utility-caused wildfires could be a thing of the past—like they are preventable—and the other thing was learning about this world where vegetation is the biggest cause of outages, which is, you know, I did not know before! And so I think, you know, having these very clear goals is very compelling to kind of work on something where it's so easy to understand what the big problems are. So I joined Overstory, and for the last couple of years, I've been building a team that gets really deeply embedded in these utilities, specifically with the vegetation management and the wildfire mitigation teams. And we work on their programs, we understand their programs, we help them reshape their programs, we roll out obviously the software element that is Overstory. It's been very fun and rewarding work.   [00:12:30] Trevor Freeman: That's great. And I really love, you know, talking to people from a variety of areas that touch on climate change and the climate crisis, and I think there's a bunch of us who share that passion of wanting to do something. I spoke with a group of recent grads about what a green career, what a career in climate change looks like, and really it looks like whatever you want it to look like. There are so many aspects that touch on this. So kind of neat to hear how that was your passion and then you figured out where it made sense for you to enter into the climate sphere, so that's great.   [00:13:06] Lynn Pedesch: Yeah, I guess when I was young, I thought you had to be a scientist to work on climate, and I think now anyone can find an angle on how to contribute to it, and I think everyone needs to help contribute.   [00:13:15] Trevor Freeman: Yeah, any job can be a green job if you care about it and if you make it that. Okay, so let me get back to Overstory. Tell us a little bit about the evolution of the company. You talked about it kind of founding about seven years ago. Tell us how it's evolved and progressed over those seven years.   [00:13:30] Lynn Pedesch: Yeah, so when we started working with utilities, I think at that point everyone was kind of assessing whether satellites could be a good use case for analyzing vegetation. We're now talking about 30-centimeter imagery, so the resolution of satellites has become incredible. You can really see branches, you can detect species of trees, you can see if they're healthy or not. So initially that was kind of our MO. We really were the leading provider to find out where the trees are, how close they are in terms of proximity to your network, so to the conductor, which is the risk. You know, we're looking at the terrain. If you're looking in the mountains in Colorado, you have very different terrain than maybe in Ottawa. So, you know, detecting tree species has been really interesting, detecting the health of trees, and how that decline is furthering. A lot of utilities are experiencing a lot of tree decline, die-off right now. So that was how we started. And then we started working with the really big utilities, and you had to think about this problem at scale. Now we might be scanning with satellites tens of thousands of miles at a time. And some of these utilities, they might have thousands, if not tens of thousands of trees that could pose a risk to their network. They might have had a really big, large weather event, a storm that knocked over some of their system. So at that point, it all becomes about that decisioning tool. Everything starts becoming a priority. And I think that's now where we're really leaning into, is making not just surfacing the data, but making it very actionable. Utilities have a lot to deal with. They deal with very tight budgets, they deal with crew constraints, they might have an aging workforce, there's regulatory pressure, they're really vulnerable to storms, increasingly there's a lot of wildfire exposure. So everything becomes a decision of where should I focus my attention, where can I get the biggest bang for my buck, what should I do, what should I not focus on. And that decisioning is where we really want to be a key player in.   [00:15:47] Trevor Freeman: Absolutely. And looking forward, I know we're jumping the gun here, we haven't gotten into the details of what you do, but looking forward, what is your vision for kind of the future of this space and how it's going to continue to evolve? Are you mature as a company yet or as a sector, or is there still a lot of growth to happen?   [00:16:04] Lynn Pedesch: Yeah, I think the vast majority of utilities are now leveraging remote sensing. It could be LiDAR, it could be drones, it could be satellites, so that has become a pretty established tooling within the sector. I think what our vision really is, is providing utilities that share resilience-first picture of risk. So, you know, we imagine a world where you can kind of see the emerging risks and you can start becoming proactive. Being proactive in this space of vegetation management has been really challenging. You never know where the next tree is going to fall, and over the last couple of years, customers suddenly have access to this risk across the territory so they can start being proactive about it. As a matter of fact, that was a key use case also with the team at Hydro Ottawa, is to start launching these proactive programs. And I think when we think about it, we get very excited about the world in which anyone from the field crews to the vegetation managers to the operation folks to the execs to the regulators, the community partners who think about the safety of their communities, all have that kind of shared view of risk. Just imagine, they all understand the same risk, they operate off the same sheet, and they make the same data-driven decisions. That could solve a lot of problems, because right now the data is often scrambled across different people—certain people have access to it, and certain people don't.   [00:17:33] Trevor Freeman: Great. Okay, so let's get into the specifics here. I want to actually talk about specifically what Overstory does. How do you find—we've kind of talked about vegetation management, obviously you're supporting Hydro Ottawa and other utilities in our vegetation management programs—how do you find and tag high-risk vegetation? What is high risk? Like, what do you actually do on a day-to-day basis?   [00:17:58] Lynn Pedesch: Yeah, that's the part that I deal with the most often! So excited to get into the specifics. Implementing with Overstory is actually pretty easy. I mean, when we start working with a customer, we need to know where your grid is, so we need to understand where your power lines are running. We need to understand the main configurations of them, you know, how tall are the poles, etc., so we can really compute that whole focus of where the trees are in relation to your power lines, to your conductors. That's all ultimately that we're focusing on. Increasingly, we're also focusing on the ground, I'll be talking about that as well. We then task these satellites over your territory. We do that during the leaf-on season, so that will be the summer, essentially. And then we run all these models. So we first need to understand where the trees are, what is their height, and what is their health. An unhealthy tree is much more likely to fall and cause damage to your power lines. We're looking at the fuels on the ground. We can help you determine what type of equipment you might need to attack certain types of vegetation, and we always compute that risk to the conductor, and we look at your right-of-ways. Now, I think the interesting part about your question is what is high risk, and that can be very different across different utilities. And I think that's the maybe unique part with Overstory, is that we can configure it to your standards. So every utility has very unique components. If you're on the West Coast and you're concerned about wildfires, your tolerance to risk will be very different than if you're on the East Coast where you're mostly concerned about not causing too many outages. Including that, you might have specific trimming specifications. The crews run around with chainsaws, they know exactly how far out they need to trim, how much they can trim, and there's a bit of a risk tolerance thing. So we build very configurable risk frameworks for all of our utility partners, so "high" means one thing to Hydro Ottawa, means something different to a customer in California that is facing a very different type of risk.   [00:20:04] Trevor Freeman: So you're out there assessing, essentially just for the context of our listeners, you know, we've got power lines that run overhead, they run through residential neighborhoods, commercial areas, but also forested areas, treed areas where there's lots of vegetation near our equipment. Your company really gets an understanding of the interaction between the vegetation and our lines, and says these ones are too close, or this is a tree that's, you know, not healthy and could come in contact with your lines based on your analysis. So help us, like let's paint that picture a little bit more detailed. How do utility companies take the information that you are coming up with, that your analysis is coming up with, and use that to run a vegetation management program more effectively? What does a utility do with that information?   [00:20:56] Lynn Pedesch: Yeah, so we always center it around four main use cases. One is optimizing a program that already exists, it's creating a targeted program for you, it's quantifying your work, and risk reporting. And I'll dive into each and every one of them a little bit to illustrate a bit more what that could mean. So when we think about program optimization, a lot of utilities have existing vegetation management cycle, they might have a regulatory obligation to visit their territory every four years, for example. Now a lot of times, they've been doing their program the same way for the last 10, maybe 20 years, but the conditions in their territory are different, right? I mean, the things we're seeing, the storms are heavier, there's more tree decline that we're seeing right now. So they know they need to adapt and they need to adjust it, but it's big programs with lots of budgets attached to it, a lot of crews running around, so starting to think about how you can start pulling a circuit that you're meant to trim forward, or starting to tackle an area where you say is more residential, there's fewer trees, focusing on your high-risk areas first, re-managing these programs is one key component that we work with a lot of companies on, and thinking about Oklahoma Gas and Electric, for example, that they have a budget and they can only do that much with the budget, and it was really about reinventing where they can get the biggest impact. The second use case is this targeted program creation, and I'll use the Hydro Ottawa use case for that. You know, they suddenly had a view about where all of their hazard trees are. Hazard trees are these trees that are declining, they're dying or they're dead, and they could have an impact on your system. Now suddenly you know where they are, so you can start building a targeted program about dedicating some time and budget and crews to actually going and addressing those trees. That has a big impact on your reliability and on reducing tree-caused outages. And there's many others, sort of like hot-spotting is a very common term about starting to become proactive and doing something for a specific program. The third use case is work quantification, and I think there, when you think about it again, there's large contractors that are running around managing your territory, and now utilities for the first time often have that data to actually assess how much work there is. So that's really helpful in terms of negotiating your contracts, getting better bids. Some utilities say it's pretty hard to find contractors that want to work on their system because it's very hard to estimate how much work there is. Or they might have a budget to mow certain vegetation along a transmission corridor. Just knowing how much vegetation there is is a really helpful tool to address it and prioritize it in the right way. And then the fourth use case is risk reporting, and that is about getting that baseline view about your risk and tracking it year-over-year. And this is really where we want utilities to have that data to report it out to their boards, insurers, regulators, and often it's used to defend your budget, secure your budgets, or really have some data to kind of back you up on what the problems are that you're facing.   [00:24:26] Trevor Freeman: Great. So you talk about data, and, you know, each of those use cases that you mentioned or strategies that you mentioned really are about getting the right information in the hands of the right people to make decisions and sort of more efficiently and effectively make decisions. But it's a lot of data. And so Hydro Ottawa has over 6,000 kilometers of lines, you know this of course as our partner. We have a big territory and we have a fairly treed territory. That's a lot of data points. You're collecting a lot of data from your satellites, you're doing analysis on that. How are you doing that analysis? Is it—you know, AI is kind of a buzzword in every sector right now, and the utility sector's no different. Are you using some form of AI or machine learning analytics? What are you doing in terms of, you know, crunching the numbers and coming up with the right actions?   [00:25:25] Lynn Pedesch: Totally. Yeah, AI is a buzzword, but it's also very exciting. I think utilities have really embraced it already. They're using it for demand forecasting, they're using it for customer service, they're using it for asset planning. I mean, at the core, Overstory has been using AI to turn remote sensing data into operationally useful intelligence about their vegetation. So when you say, yes, Hydro Ottawa has that many thousands of kilometers of overhead lines, we need to rank it to them: This is your worst circuit, this is your worst area, this is the area where you have the most hazard trees, for example. So we can really rank order on a span level from the worst to the best, right? So that could be one thing. It's still an overwhelming amount of data. So where we started by using AI to kind of predict where the trees are, how tall are they, what was their relation to the conductors, now what we're really excited about or kind of leaning into with AI is how to intelligently kind of assess and prioritize risk. So not every hazard tree has the same impact. If a hazard tree falls on a line where more houses are dependent on, you will knock out the power of more people. So it's always a prioritization exercise, and leveraging AI for that is what is most exciting to us right now. And I think it's important to note that we also don't just want it to be a black box. All of the models we've built, they're always validated by certified arborists and kind of our utility partners, and I think at this stage, this is very important, because every tree that we find exists in the real world, and so validating this AI with ground-truthing has been really important for us to also build that trust in the technology.   [00:27:14] Trevor Freeman: That's great. And I do think it's helpful for our listeners to kind of understand the context before this. This work is sort of done—you know, in the absence of a tool like yours, it's sort of done, you know, there's a degree of manual effort here. There's a degree of patrolling the lines, there's a cycle of vegetation management. So if you've done a line this year, in three years or four years or five years, you want to be looking at it again. This takes a little bit of that—I don't want to call it guesswork, but it takes a little bit of that manual effort out of the equation and really focuses efforts in the right way, and it's only with the tools that, you know, you folks are using that you're able to do that volume of analysis and get that pinpoint accuracy. So that's fantastic. Let me get into the success of it all, like the big picture. We've obviously talked a couple times here that you're our partner here at Hydro Ottawa, so I know the success that we're having with you, but, you know, tell us some of the great success stories with other utility partners. Are you actually reducing weather-related outages? Are you seeing the impact of using the Overstory tools and methodology to support utility partners?   [00:28:28] Lynn Pedesch: Yeah. I mean, weather-related outages can mean many things. You have trees knocking over, like the pole might crack, etc. You know, those, there's a lot of things that can happen during a storm, and I've heard a lot of stories about some of the storms that Ottawa has experienced in the past years where, you know, you could have had anything and they're just heavier and the consequences are really strong. But what we can impact is the tree-caused outages. And that we've proven with Hydro Ottawa where, within a year, by focusing that targeted program on going to an area where you had a massive amount of these trees that were dying off, and at any point with just a little bit too heavy wind could be toppled over and fall on the line, we had a 44% reduction in tree-caused outages. That's a real, tangible number you can see. I'm thinking about a utility as well on the East Coast, a co-op that runs through very rural areas. In those areas, you have trees outside of the right-of-way that are toppling over onto lines, so tree-caused outages are a huge issue for them and it's really impacting their SAIDI and SAIFI, those key KPIs that utilities are always tracking. And by us just giving them a rank order of which hazard tree—they had so many of them—which hazard tree to even go to first, because if that hazard tree were to fall on a line, a ton more people are going to be out of power than if the other one were to fall on the line where you will have like one rural cabin that will not have power. That led to a reduction of something around 90% of tree-caused outages to 70%. It's still a long way to go, but it was a really tangible number that you can see, and it shows that if you then do that proactive work, you have a real impact on your tree-caused outages. And if I think about our customers in California, Pacific Gas and Electric for example, it's a lot about helping them understand where they don't need to go. So it's kind of doing something of a visual inspection and actually skipping certain spans. That can be in itself a really big use case, because right now, if you don't have an understanding about where your risks are, you might be sending trucks to roll for hours around areas where there is not really any tangible work to be done. So redirecting them to the right areas is where we've seen a lot of success there, and that obviously leads to budget wins, right? You'll be saving a lot of money by doing that, and those are kind of the use cases that we chase and that we kind of help prove the cases on.   [00:31:07] Trevor Freeman: Absolutely. Yeah, there's only so many resources you can throw at this, and making sure that we prioritize and focus those resources in the right spot is absolutely critical. You were just talking about the West Coast and you mentioned this earlier, I know wildfires is an area that is obviously of great interest for your organization. We're fortunate here at Hydro Ottawa in that we haven't really had to deal with that much, but anybody who's, you know, following the news knows this is a major problem for us. So how, what is your role in helping those utilities prevent wildfires? Maybe give us a very quick primer on why utilities are a factor when it comes to wildfires first, and then how your organization is supporting that.   [00:31:52] Lynn Pedesch: So unfortunately, utility-caused wildfires tend to be the most catastrophic wildfires because they're critical infrastructure, and we've obviously seen that happen across the world and in the US recently again and again. But utility-caused wildfires, as I said at the beginning, are also the actual wildfires that are preventable. So that's really where we're lying into. A lot of the forests right now, they've become tinderboxes. That is obviously because of fire suppression policies, that's because of forest management techniques that have been leveraged in the last couple of hundred years that are slowly changing at a different pace. Canada's had some, unfortunately, some really bad fire seasons recently as well. And so where Overstory wanted to place itself is in that prevention space—to even not get to the point where you have a spark, because there's a lot of tools out there that focus on mitigation and what do you do when you see that first plume of smoke coming up, and so we've landed in kind of really focusing on the prevention side so that utilities are hopefully in the future not the ones that spark any of those catastrophic wildfires. We've already always been looking at the vegetation that could touch your conductor, right? That I've been speaking about a lot. But now we're really excited for the first time and we recently announced that we launched a fuel detection model. So that's us looking at the ground fuel conditions, and those are actually usually the key contributors to the spark that spreads the fire. We're now providing that to utilities as a much higher resolution than ever before. For me, it's interesting cause I've spent a lot of time looking at trees, and now I'm going into the field and I'm looking at the ground, and it's a new perspective! But yet again, we could just, you know, we don't want to overwhelm our customers with a lot of maps and showing the fuel conditions necessarily, we can really help them identify those spans where a single failure would have the greatest consequence. So yet again, it's about how to make that data—there's a lot of wildfire risk maps out there—but make it a very actionable list of spans that if they were to tackle those, they are very proactively reducing the risk of igniting a fire and as a result obviously protecting their communities.   [00:34:10] Trevor Freeman: Got it. So it's not just about the overhead trees, branches, etc., contacting the line, it's, you know, if a switch goes, if an insulator pops, if something happens that will cause sparks, what's happening on the ground below that line, and how do we make sure it is able to withstand sparks that might happen.   [00:34:29] Lynn Pedesch: Exactly. If you have dry grasses, if you have sagebrush, if you have certain types of fuels, they're just much more likely to spark a fire and then spread out without there even being any trees. You have these prairies along Texas that can blow up in a fire very quickly, and the fires can spread to tremendous sizes. And so understanding the fuels on the ground is really important.   [00:34:55] Trevor Freeman: Super interesting and fascinating, fascinating work to get involved in. As you mentioned, this is obviously an area of, I don't even know if I'd call it growing concern anymore, great concern for the utility industry and all of us. So with the technology that's, you know, we talked about AI a little bit ago, it's literally growing before our eyes, it's really evolving fast. Do you see your technology evolving along with it? What's kind of next for your organization? You talked about getting into sort of the ground vegetation management—what comes next? How do you see it evolving as AI and tools evolve?   [00:35:32] Lynn Pedesch: Yeah, I mean, if we see that the future is where we want to support a grid that is much safer and reliable as I mentioned, we also want to make sure it's resilient to the climate and the economic pressures that there are. So our initial focus and our continued focus and where we have a lot of our expertise has been with vegetation. Now we're starting to look at the ground fuels, then that naturally evolves into looking at the asset vulnerabilities, so, you know, the actual poles and if there's any failures potentially on those, as well as further weather exposures, right? It becomes then about the soil moisture, it becomes about the wind speed, it becomes about the rain precipitation, etc. So there's a myriad of things that we can start looking at and that we want to start looking at in order to get that more holistic view of risk and go beyond just vegetation. Right now where we're investing most heavily in is that wildfire risk. There's also the resolution that we see with satellites right now is at 30 centimetres, that might drop down to 15 or 10 centimetres, so the resolution will get higher. There's other sources that we're exploring already, sometimes flying aerial imagery that is at 5 to 15 centimetres. Then you really start seeing—then you can start seeing a leaf on a tree! It gets really impressive. There's LiDAR, there's lots of other kinds of remote sensing technologies that we're looking to leverage in the future. And then as a company as well, we're starting to obviously also expand internationally. We started working with utilities in New Zealand that have very similar problems and various regulatory changes, they also have a problem with wildfire risk. So that is another angle that at Overstory we're chasing right now.   [00:37:18] Trevor Freeman: Yeah, I'm glad you brought up that understanding of other assets beyond just vegetation has kind of been running through my head of—we talk about, and I think we've talked about it here on the show, if we haven't I should do an episode on that, like a digital twin. A digital twin of our grid, and really having a good understanding of not just, you know, a line drawn on a map of, "Hey, your circuits run this way," but really physically what's happening out there and it being able to sort of model that, interact with it in a digital way to understand if we do X, Y, and Z, what happens. So the technology that you guys are using to really get good imagery and understanding of what's out there, I think what I'm hearing from you is that could potentially be leveraged in that next level to understand what poles do we have, what health are they in, what's happening with that conductor, is it sagging too much, is it in good health, like there's all this opportunity. That's really fascinating to hear.   [00:38:15] Lynn Pedesch: Yeah, already now when we look at transmission corridors, we look at the sag of these lines, and the terrains are also really challenging things to look at. So there's a lot of factors that need to be taken into account, and that can only expand as we want to look at risk more beyond just the vegetation element.   [00:38:34] Trevor Freeman: Very cool. Well, Lynn, very, very interesting to hear this. I'm really glad you came on the show today to talk to us. Fascinating to hear what Overstory's up to. I know that we're super excited to be working with you here at Hydro Ottawa, and excited for what comes next. We always end our interviews with a series of questions, so I'm going to dive into those, and here we go. What is a book that you've read that you think everyone should read?   [00:39:00] Lynn Pedesch: I was thinking about an author more than a book. My favorite author is Jonathan Franzen. If I would recommend one book, it'd probably be The Corrections, his most famous one, I believe. But they're like these chunky 800-900 page books where you kind of get immersed in these families and you feel like you know them at the end, and then they kind of, I think about them for like months afterward! They're really good reading, at least for the winter when it's cold and you spend a lot of time inside, so probably Jonathan Franzen's books, yeah.   [00:39:31] Trevor Freeman: Yeah, we're recording this just before the holidays and I think we'll be releasing the episode after, but winter is such a great time to curl up with a book and it's awesome to have a good recommendation of a nice thick book.   [00:39:41] Lynn Pedesch: It'll still be cold in January, especially in Ottawa!   [00:39:44] Trevor Freeman: Absolutely, absolutely. So, same question, but a movie or a show?   [00:39:49] Lynn Pedesch: Yeah, I'm not a big movie buff, but I recently rewatched What's Eating Gilbert Grape. I don't know if you've seen it, with Johnny Depp and Leonardo DiCaprio, and I always felt like Leonardo DiCaprio should have received an Oscar for that performance back when he was 14, but yeah, it's a beautiful movie.   [00:40:07] Trevor Freeman: Oh, nice! Yeah, that's a bit of a blast from the past, but you're right, that is a fantastic one. If someone offered you a free round-trip flight anywhere in the world, where would you go?   [00:40:17] Lynn Pedesch: French Polynesia, because it's so far, I've never been. I had a friend who went, and I'm sure it's very expensive to go there, so it'd be great for someone to pay! Yeah, no, that's a place I'll go one day, so yeah.   [00:40:31] Trevor Freeman: Fantastic. Who is someone that you admire?   [00:40:34] Lynn Pedesch: Yeah, that's a tricky one because I was thinking about people in my family, etc., but if I were to think about a public persona—and also a bit of a blast from the past—I'll think about Tina Turner. She's been my icon since I'm a kid. I was always listening with my dad to Tina Turner. And I think the word that I've probably most used in today's episode was like "resilience," and I always think about her as like possibly the most resilient woman in the world who reinvented herself and her career in her 40s and 50s, and is this complete power woman, you know, always done everything at her own terms. So I get so much energy from, not just her music, I've seen so many documentaries about her, and she's always been this kind of woman that fills you with energy and kind of drives you. So, I'm a big, big fan of Tina Turner.   [00:41:28] Trevor Freeman: That's fantastic. I have to say, that's never come up on the show before, and now I need to go and dive down a rabbit hole of learning about Tina Turner and listening to some music. That's a really good answer. Last question: What's something about the energy sector or, let me expand that to kind of the climate sector, that you're really excited about?   [00:41:47] Lynn Pedesch: Yeah, I'm going to take a very high level, but I think the thing I've been following the most is like that broad topic of the energy transition, and I think the recent changes or like kind of the way we talk about it has become a lot more interesting because it used to be this kind of fluffy, big kind of vision, and now we're in that phase where it just has to be very practically implemented. And we're trudging along with it, no matter the political climate, etc., there is kind of a move forward. And I actually really like the way that, I think when I first started learning about it or getting interested in it, it was always about renewables, and now it's around just sort of like needing to build a system that is both like low carbon and climate resilient, and there's something in that like way we talk about it now that I find really interesting. There's immense amounts of innovation in it, so, yeah, I'm just enjoying following what's happening on that and how we are moving that direction no matter what's happening right now, so that's exciting.   [00:42:48] Trevor Freeman: Yeah, good one. I know my listeners are probably rolling their eyes because I say this all the time, but it's a very exciting time to be in this industry, and very exciting to kind of see the evolution of energy and how we're interacting with it, how it's impacting our society. It really feels like we're at an inflection point, and very great to have you working on one aspect of that that people probably don't think about a lot, so thanks very much for what you're doing.   [00:43:13] Lynn Pedesch: Yeah, exactly! When you start working for Overstory, the one thing that happens is wherever you go, you see trees and power lines, and I have a very keen eye for, unfortunately, trees that are in poor health right now, so that's one of the professional things I've developed.   [00:43:28] Trevor Freeman: You carry like a spool of red ribbon around, you can tie on the at-risk trees, just so someone could come along! Lynn, thanks so much for coming on the show today, really appreciate it. It's been great chatting with you.   [00:43:38] Lynn Pedesch: Thank you so much. Take care.   [00:43:40] Trevor Freeman: Thanks for tuning in to another episode of the Think Energy podcast. Don't forget to subscribe wherever you listen to podcasts, and it would be great if you could leave us a review—it really helps to spread the word. As always, we would love to hear from you, whether it's feedback, comments, or an idea for a show or a guest. You can always reach us at thinkenergy@hydroottawa.com.  

Rob Scheer was thrown out at 18 with a trash bag. He was the youngest of 10 children. His mother was married six times. His father beat him and his siblings, punching him in the bladder so repeatedly that by the time Rob joined the Navy, it ruptured. He had spent his senior year of high school homeless — sleeping in the bathroom of the taco restaurant where he worked, on beanbag chairs in the public library after closing, and on the floors of friends' homes. He barely graduated. He had no family to go back to. He had no picture to put on his bunk in boot camp except one of Tina Turner. Then he became one of the most successful mortgage bankers in the country. On Episode 237 of Fine is a 4-Letter Word, Rob Scheer sits down with Lori Saitz to share the full arc: the teachers who believed in him when no one else did, the Navy discharge that sent him hitchhiking down Route 7 with a Salvation Army suit and a fabricated resume, the mortgage industry boss who ripped that resume in half and told him he was the most honest person he had ever met, the 28-year banking career, and the moment he looked at his four children in designer clothes and realized he had raised entitled kids who had never learned empathy. That realization led to Comfort Cases — a nonprofit that packs backpacks filled with brand-new essentials for children entering foster care on their first night. No more trash bags. Over 320,000 cases delivered to all 50 states, Washington D.C., Puerto Rico, and the United Kingdom. Three-month waiting list for volunteers. Published by Derek Jeter. Featured on The Ellen DeGeneres Show. Rob also shares what it means to be a foster and adoptive father to five sons, including one adopted at 18 in an adult adoption. He talks about why empathy is not in our DNA and must be taught, what leadership actually looks like outside of a job title, and why a five-year-old named Grayson was the one who understood from the very beginning that every backpack needs a blanket. Listen on all platforms: Search "Fine is a 4-Letter Word" on Spotify, Apple Podcasts, or wherever you get your shows. Subscribe so you never miss an episode. Timestamps: 00:00 How Rob's team pitched this episode: "Anytime I can talk about foster care, I'm gonna do that" 01:30 The teachers who shaped him — not parents — and the book signing reunion with Mrs. Boley 05:00 Aging out of foster care at 18: the trash bag at the door, the youngest of 10 06:30 His mother's choices vs. her environment — and why Rob refuses to blur that distinction 07:30 Senior year homeless: the taco bathroom, the library beanbags, the school breakfast line 09:30 Joining the Navy to have somewhere to go — and being voted Honor Man at boot camp 11:30 The bladder rupture: 12 years of his father's abuse, and how the Navy discharged him 13:00 Hitchhiking down Route 7, the Salvation Army suit, and the fabricated resume 14:30 Confessing the lies to his boss — and the boss who ripped the resume and said "get back to work" 16:00 28 years in banking, mortgage companies across the country 17:00 Looking at four entitled children in designer clothes and realizing something had to change 18:00 What five-year-old Grayson said about the blanket in the backpack 19:00 320,000 cases delivered to all 50 states, DC, Puerto Rico, and the UK 19:30 Empathy is not in our DNA — it has to be taught 23:00 Derek Jeter published his memoir. The Ellen Show. Walking away from banking for purpose. 25:00 740 children enter foster care every day in the United States 25:30 Three-month volunteer waiting list, 40,000 cases this year, and the expansion plan 28:00 Leadership: not a title, not followers, not waiting for someone else to fix the problem 29:00 How you can help: used books, hotel toiletries, yarn for the women at Topeka Correctional Facility 31:00 The gecko/iguana/frog stuffy knitted by women at a Kansas prison — and Melissa Etheridge's role 32:00 Tina Turner's Simply the Best — the only picture he had in boot camp 32:30 How to reach Rob Connect with Rob: Linkedin: https://www.linkedin.com/in/rob-scheer-27482653/ Website: https://comfortcases.org/ About the Show: Fine Is a 4-Letter Word is the show for leaders who are tired of pretending everything is okay. Host Lori Saitz brings on guests who get honest about what it really takes to lead with empathy, vulnerability, gratitude, and courage. New episodes every week. Subscribe so you never miss an episode, and if this conversation hit home, leave a review. It helps more leaders find the show.

Als kleines Mädchen im Iran gab es für Siba Shakib viele Einschränkungen. Später hat sie jede Gelegenheit als Chance betrachtet und genutzt. Sie reiste mit den Scorpions durch die USA, interviewte Tina Turner, schrieb einen internationalen Bestseller und baute ein Frauenzentrum in Afghanistan. 

Welcome to Episode 1 of our special On Tour With Ronnie series featuring the incredible Chanel Haynes.Before joining Ronnie Wood on his European tour, Chanel sits down with Hang Fire to discuss the music that shaped her voice — from Tina Turner and Nina Simone to Louis Armstrong, Howlin' Wolf, The Rolling Stones, and the artists who helped inspire her remarkable journey.A conversation about influences, finding your own voice, and the music that stays with us forever.

THE BEATMASTERS – WHO’S IN THE ACID HOUSE This episode of Turn The Beat Around paid tribute to one of the most inventive production teams to emerge from late‑80s London: The Beatmasters. Across the hour, we explored how Manda Glanfield, Paul Carter and Richard Walmsley stepped out of the commercial jingle world and helped shape the sound of early British house and hip‑house. The special traced their rise from underground club innovators to chart‑breaking hitmakers, revisiting genre‑defining singles including “Rok Da House,” “Burn It Up,” “Hey DJ / I Can't Dance…” and “Who's In The House.” We also spotlighted their transition into one of the UK's most in‑demand production teams, contributing to major releases for Pet Shop Boys, Tina Turner, Yazz and their chart‑topping work with The Shamen. Across the hour, we celebrated the trio's fearless fusion of rap, house, pop and rave energy — a sound that cracked open the UK charts and left a permanent mark on club culture. WHO’S IN THE HOUSE The Beatmasters feat. MC Merlin 1989 STAND UP FOR YOUR LOVE RIGHTS Yazz 1988 PHOREVER PEOPLE The Shamen 1992 The Beatmasters Radio Mix FEMALES (GET ON UP) Cookie Crew 1987 BURN IT UP The Beatmasters feat. PP Arnold 1988 BOULEVARD OF BROKEN DREAMS The Beatmasters 1991 HURTS SO GOOD Jimmy Somerville 1995 12″ Beatmasters Lovers Mix DISCO INFERNO Tina Turner 1993 12″ Version I WOULDN’T NORMALLY DO THIS KIND OF THING Pet Shop Boys 1993 The Beatmasters Mix ROK DA HOUSE The Beatmasters feat. Cookie Crew 1987 HEY DJ / I CAN’T DANCE (TO THAT MUSIC YOU’RE PLAYING) The Beatmasters feat. Betty Boo 1989 DOIN’ THE DO Betty Boo 1990 The post TTBA Replay 10JUL2026 Pt. 1 appeared first on Turn the Beat Around.

It was a privilege to have Bonnie Tyler on How to Fail back in 2024 - and we are heartbroken to hear of her passing today.    Bonnie was open, funny and moving when she joined me on How to Fail. Total Eclipse of the Heart made her a global star, and at the time of this recording, she managed to squeeze in an hour on How to Fail between gigs and the release of her new album, In Berlin. It was also her first ever podcast interview.  You might want to bring the tissues for this one, as we have a bit of a weep when Bonnie talks about losing her amazing mum.  We also touched on miscarriage and a childfree life. Plus her failure at elocution lessons, the fascinating story behind her friendship with Tina Turner, performing for Putin (no, really), being a bit of a hoarder and the secret to a 50-year marriage. We love you Bonnie Tyler, rest in peace.  Production & Post Production Coordinator: Lily Hambly Engineer: Gulliver Tickell and Josh Gibbs Senior Producer: Hannah Talbot Executive Producer: Carly Maile How to Fail is an Elizabeth Day and Sony Music Entertainment Production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Guest bookings for How To Fail only come from official @sonymusic.com emails Learn more about your ad choices. Visit podcastchoices.com/adchoices

Zwischen Brücke 1 und Brücke 10 kennt ihn jeder, den „Hubi“, der seine ersten Einsätze als Kellner bei Barkassen-Meyer hatte. Heute ist Hubert Neubacher (54) Chef der traditionsreichen Reederei, Geschäftsführer der Abicht Elbreederei und für viele so etwas wie der Außenminister der Branche. Einer, der Leute zusammenbringt, gefragt wird, wenn es um Barkassen geht und Kunst, Kultur und Stars wie Robbie Williams und Tina Turner in den Hafen holt. Hubi berichtet von seinem Weg aus den österreichischen Bergen nach Hamburg. Von seiner Freiheit in der großen Stadt, seinem unfreiwilligen Coming-out und dem Tag, an dem er plötzlich Chef von Barkassen-Meyer wurde. Er spricht über die Fusion mit der Konkurrenz Anfang des Jahres und über seine Begegnungen mit Promis und Stars. Und er verrät, wie der Hafen tickt, warum die Landungsbrücken die „Püppi“-Seite genannt werden und welche Plätze er im Hafen am liebsten hat.

Joana Marques traz más notícias: o fim do tributo a Tina Turner, por Sónia Costa. Mas também traz boas novas: o regresso do tributo a Tina Turner, por Sónia Costa.

Episode 11The waffle continues...Laurie, Terry and Katrina are back with another hour of completely unnecessary conversation, questionable observations and the usual descent into chaos.Expect more daft stories, unpredictable tangents, and a few familiar interruptions along the way, including appearances from Brian Cox, Tina Turner and the ever-unpredictable Ray Medallion.No agenda. No planning. Just three friends seeing where the conversation ends up.New to When We Waffle in 2026?This is a continuation of the much-loved podcast that originally ran between 2018 and 2020. While you can jump in anywhere, why not explore the earlier episodes and join us each week for brand-new waffle, characters and chaos.If you're enjoying the show, please consider following the podcast, leaving a rating or review, and telling a fellow waffler. It really helps us reach more listeners.Presented by: Terry Mynott, Katrina Fox & Laurie PetersProduced by Laurie Peters for Peters-Fox Ltd.Thanks for listening, and we'll see you next time for more waffle. Returning in 2026

Bree Smith (Tina / Come From Away) co-hosts The West End Frame Show!Bree joins Andrew Tomlins (West End Frame's Editor) to discuss Hot Mess (The Other Palace) as well as the latest news about Warriors, Billy Elliot, Burlesque, The Sound of Music, The Black British Theatre Awards and more. Most recently, Bree was in the UK and Ireland tour of Tina: The Tina Turner Musical as the alternate Tina Turner.Bree's early theatre credits include Wonderland, The Book of Mormon, West Side Story and Evita. She went on to play Aunt Em and Glinda in The Wiz (Hope Mill Theatre), Marmie in Coming to England (Birmingham Rep), Shug Avery in The Color Purple (UK Tour), Alice in Titanic The Musical (UK Tour) and Hannah & others in Come From Away (UK Tour). Follow Bree on Instagram: @gabbybreesmithThis podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Seeing Them Live, Charles interviews Alan Rosenberg. Alan is the creator and host of The Alan Rosenberg Show on YouTube, a channel dedicated to his lifelong passion for music. Growing up on Long Island, New York, Alan was introduced to rock and roll at an early age through his older sister, whose bedroom walls were covered in posters of The Rolling Stones, Led Zeppelin, and The Allman Brothers. By age 10, Alan was already building what would become a meticulously catalogued collection of over 5,000 albums — all of which he has listened to multiple times. In this episode, Alan takes host Charles Zona through the roots of his obsession, including the typed yearly album lists he kept starting in 1973, a tradition handed down from his sister that eventually evolved into a comprehensive digital database tracking every album he owns, every song on it, its chart position, and the year he acquired it. Alan shares vivid memories from more than five decades of concert-going, starting with his very first show — The Rolling Stones at Madison Square Garden in June 1975, featuring the legendary Lotus Stage and a then-new Ron Wood sitting in as guest guitarist. From there, the conversation moves through highlights including the Stones' massive Steel Wheels Tour at Shea Stadium, a Simon & Garfunkel reunion in Central Park, and what Alan calls perhaps his most purely fun concert experience: seeing The Rolling Stones at the intimate MGM Grand in Las Vegas during the 1999 No Security Tour. A standout moment from the episode is Alan's account of seeing U2 at The Sphere in Las Vegas — a venue he discovered before it became widely known — where the crystal-clear, immersive sound system left him calling it one of the greatest concert experiences of his life. The conversation also covers some of Alan's more disappointing experiences, including a Hackney Diamonds-era Rolling Stones show at MetLife Stadium where the sound quality was, in his words, "atrocious," and a Van Halen reunion show at Jones Beach that failed to deliver. Beyond the concert stories, Charles and Alan dive deep into the philosophy behind The Alan Rosenberg Show, where Alan refuses to review a new album until he has listened to it at least five times — sometimes eight or nine — because, as he puts it, music is deeply personal and mood-dependent. He discusses the decline of new music on classic rock radio, the fearlessness of artists like David Gilmour who still play entire new albums on tour, and why he believes the era of great classic rock concert experiences has fundamentally changed due to ticket prices, stadium sound problems, and the industry's shift toward playing only the hits. Alan also touches on his love of deluxe box sets, his growing appreciation for Taylor Swift's Midnights, and the warm, knowledgeable community he has built around his YouTube channel, which now features close to 600 videos. BANDS: The Allman Brothers, Billy Joel, Blue Öyster Cult, Dave Matthews, David Gilmour, The Eagles, Genesis, Harry Styles, Iron Maiden, James Brown, Jethro Tull, Led Zeppelin, The Moody Blues, Nazareth, Olivia Newton-John, Paul McCartney, Pink Floyd, Ratboys, The Rolling Stones, Ron Wood, Screamin' Jay Hawkins, Simon & Garfunkel, Taylor Swift, Tina Turner, U2, Van Halen, Wishbone Ash, The Who, Yes. VENUES:  Brendan Byrne Arena (Meadowlands), Central Park, Jones Beach, Madison Square Garden, MetLife Stadium, MGM Grand, Shea Stadium, The Sphere (Las Vegas), SUNY Albany, The United Center (Chicago), The Vic Theater (Chicago), Westbury Music Theater, World Music Theater (Tinley Park, Illinois). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

He's the catcher to call when trouble's near!Card 95 on eBay: https://ebay.io/m/idD12WCard 669 on eBay: https://ebay.io/m/4HV7QDSABR bio by Mike Lassman: https://sabr.org/bioproj/person/Lance-Parrish/ Lance on the Top Tigers COuntdown: https://www.blessyouboys.com/2014/1/11/5283538/top-tigers-countdown-21-lance-parrish Lance tells the Tina Turner story: https://youtube.com/shorts/_EmngX_4EYE?si=mibRu-yYodpEDD5F Lance, Chet, Lou, Tram and a baby Tiger: https://www.instagram.com/p/DNjCwnZslpn/ Tigerrr Catcher Poster: https://sportsposterwarehouse.com/products/lance-parrish-tiger-catcher-1983-detroit-tigers-vintage-wall-poster-nike-incLance the Car Salesman: https://youtu.be/PIq9jjZFcqg?si=7FrcZxPp-j_C5FQT World Series blast off the Goose: https://youtu.be/fnL73KqjmW8?si=jNDvMrxIkWkYjh-b Bless You Boys Song: https://youtu.be/QTUA7g1mhcg?si=46_su9Clt7M492PF Lance and Mr. Drummond: https://www.youtube.com/watch?v=xsA4yBT-r8gWAR leaderboard, Catchers 1979-1986: https://www.sports-reference.com/stathead/tiny/rh6iJ

In Australia, no wedding or school dance is complete without the Nutbush, Australia's unofficial national dance. The Nutbush – a simple line dance to the song “Nutbush City Limits,” by Ike and Tina Turner – has become as stereotypically Australian as kangaroos, boomerangs, and Vegemite.And yet, hardly anyone outside of Australia even knows the Nutbush exists. Here at Decoder Ring, we certainly didn't – until we started getting emails from Australians asking us to investigate its origins. How did an American song become the soundtrack for an Australian national tradition? Who invented the iconic steps, and why does every Australian know them?Our producer Max Freedman put on his dancing shoes to get some answers. The global, century-spanning story of the Nutbush involves Australia, Tennessee, Denmark, primary schools, gay discos, and demonstrates that even the goofiest cultural touchstones can go surprisingly deep.In this episode you'll hear from culture journalists David Mack and Angus Kidman; Nutbush researchers Panizza Allmark and Jon Stratton; dance historians Erica Okamura and Richard Powers; Dr. Fiona Chatteur, Jeremy Santolin, and Brian Kerr.This episode was written and produced by Max Freedman and edited by Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

In Australia, no wedding or school dance is complete without the Nutbush, Australia's unofficial national dance. The Nutbush – a simple line dance to the song “Nutbush City Limits,” by Ike and Tina Turner – has become as stereotypically Australian as kangaroos, boomerangs, and Vegemite.And yet, hardly anyone outside of Australia even knows the Nutbush exists. Here at Decoder Ring, we certainly didn't – until we started getting emails from Australians asking us to investigate its origins. How did an American song become the soundtrack for an Australian national tradition? Who invented the iconic steps, and why does every Australian know them?Our producer Max Freedman put on his dancing shoes to get some answers. The global, century-spanning story of the Nutbush involves Australia, Tennessee, Denmark, primary schools, gay discos, and demonstrates that even the goofiest cultural touchstones can go surprisingly deep.In this episode you'll hear from culture journalists David Mack and Angus Kidman; Nutbush researchers Panizza Allmark and Jon Stratton; dance historians Erica Okamura and Richard Powers; Dr. Fiona Chatteur, Jeremy Santolin, and Brian Kerr.This episode was written and produced by Max Freedman and edited by Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

This week we do a bracket episode about who we think is the best female artist.#adele #whitneyhouston #ladygaga #britneyspears #hayleywilliams #taylorswift #celinedion #Tinaturner #taylorswift #selena #cher #arethafranklin #mariahcarey #stevienicks #donnasummer #madonna

Adam Hurrey is joined on the Adjudication Panel by Charlie Eccleshare, David Walker and James Maw. On the agenda: how the BBC & ITV's tournament has gone so far, Simon Jordan treats a basic World Cup question with the disdain only Simon Jordan could, the genuine majesty of the Azteca Stadium, the very moment this World Cup "burst into life", FIFA's condiment censorship, Brazil get the customary broadcasting greeting and Tom Cruise unveils David Beckham's star on the Hollywood Walk of Fame. Meanwhile, the panel imagine what a club "laughing off" a bid for a player would actually sound like and find a new level of "tenuous official club DVD". Play the Happy Hunting Grounds daily quiz at games.footballcliches.com Sign up for Dreamland, the members-only Football Clichés experience, to access our exclusive show and much more: https://dreamland.footballcliches.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

In Australia, no wedding or school dance is complete without the Nutbush, Australia's unofficial national dance. The Nutbush – a simple line dance to the song “Nutbush City Limits,” by Ike and Tina Turner – has become as stereotypically Australian as kangaroos, boomerangs, and Vegemite.And yet, hardly anyone outside of Australia even knows the Nutbush exists. Here at Decoder Ring, we certainly didn't – until we started getting emails from Australians asking us to investigate its origins. How did an American song become the soundtrack for an Australian national tradition? Who invented the iconic steps, and why does every Australian know them?Our producer Max Freedman put on his dancing shoes to get some answers. The global, century-spanning story of the Nutbush involves Australia, Tennessee, Denmark, primary schools, gay discos, and demonstrates that even the goofiest cultural touchstones can go surprisingly deep.In this episode you'll hear from culture journalists David Mack and Angus Kidman; Nutbush researchers Panizza Allmark and Jon Stratton; dance historians Erica Okamura and Richard Powers; Dr. Fiona Chatteur, Jeremy Santolin, and Brian Kerr.This episode was written and produced by Max Freedman and edited by Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.Further ViewingHow to do ‘The Nutbush' - Australian Line Dance Dancin' the Madison on “The Buddy Deane Show” (1960)Alley Cat Tutorial — Spark Physical EducationThe Nutbush on Countdown (December 5, 1976)Tina Turner — Nutbush City Limits, The Midnight Special (1973)Tina Turner — Are You Breaking My Heart, Countdown (1980)Tina Turner: How “The Best” Became Rugby League's Anthem | ABC NewsTina Turner's Electrifying 1993 NRL Grand Final PerformanceSources for This EpisodeAllmark, Panizza, and Jon Stratton. “Doing the Nutbush: How Australia Got Its Very Own Line Dance.” Continuum: Journal of Media & Cultural Studies, vol. 39, no. 1, 2025, pp. 79–94.Allmark, Panizza, and Jon Stratton. “The Nutbush Dance Reframed: Further Analysis Related to ‘Doing the Nutbush.'” Continuum: Journal of Media & Cultural Studies, vol. 39, no. 1, 2025, pp. 95–103.Andrews, Shirley. Take Your Partners: Traditional Dancing in Australia. 3rd ed., Hyland House, 1979.Bloomfield, Anne. “Health or Art? The Case for Dance in the Curriculum of British State Schools 1909–1919.” History of Education, vol. 36, no. 6, 2007, pp. 681–696.Bloomfield, Anne. “The Quickening of the National Spirit: Cecil Sharp and the Pioneers of the Folk-Dance Revival in English State Schools (1900–26).” History of Education, vol. 30, no. 1, 2001, pp. 59–75.Gbogbo, Mawunyo. “Tina Turner and Her Australian Connections: How The Best Became Rugby League's Anthem and Why Is the Nutbush Mandatory at Gatherings?” ABC News, 24 May 2023.Jones, Benjamin T. “Australian Politics Explainer: The White Australia Policy.” The Conversation, 9 Apr. 2017.Kidman, Angus. “Tina Turner: How Australia Saved Her Career.” Angus Kidman, 13 Aug. 2023.Meiners, Jeff. So We Can Dance? In Pursuit of an Inclusive Dance Curriculum for the Primary School Years in Australia. 2017. University of South Australia, Doctor of Education thesis.Spencer, Eliza. “Australia and the Nutbush: The Quest for the Origin of a Cultural Phenomenon Goes On.” The Guardian, 5 May 2024.Ward, Mary. “The Mysterious Allure of the Nutbush and Why the Dance Is Uniquely Australian.” Sydney Morning Herald, 25 May 2023.Zhuang, Yan. “Australia Remembered Tina Turner with a Dance.” New York Times, 25 May 2023.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

In Australia, no wedding or school dance is complete without the Nutbush, Australia's unofficial national dance. The Nutbush – a simple line dance to the song “Nutbush City Limits,” by Ike and Tina Turner – has become as stereotypically Australian as kangaroos, boomerangs, and Vegemite.And yet, hardly anyone outside of Australia even knows the Nutbush exists. Here at Decoder Ring, we certainly didn't – until we started getting emails from Australians asking us to investigate its origins. How did an American song become the soundtrack for an Australian national tradition? Who invented the iconic steps, and why does every Australian know them?Our producer Max Freedman put on his dancing shoes to get some answers. The global, century-spanning story of the Nutbush involves Australia, Tennessee, Denmark, primary schools, gay discos, and demonstrates that even the goofiest cultural touchstones can go surprisingly deep.In this episode you'll hear from culture journalists David Mack and Angus Kidman; Nutbush researchers Panizza Allmark and Jon Stratton; dance historians Erica Okamura and Richard Powers; Dr. Fiona Chatteur, Jeremy Santolin, and Brian Kerr.This episode was written and produced by Max Freedman and edited by Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.Further ViewingHow to do ‘The Nutbush' - Australian Line Dance Dancin' the Madison on “The Buddy Deane Show” (1960)Alley Cat Tutorial — Spark Physical EducationThe Nutbush on Countdown (December 5, 1976)Tina Turner — Nutbush City Limits, The Midnight Special (1973)Tina Turner — Are You Breaking My Heart, Countdown (1980)Tina Turner: How “The Best” Became Rugby League's Anthem | ABC NewsTina Turner's Electrifying 1993 NRL Grand Final PerformanceSources for This EpisodeAllmark, Panizza, and Jon Stratton. “Doing the Nutbush: How Australia Got Its Very Own Line Dance.” Continuum: Journal of Media & Cultural Studies, vol. 39, no. 1, 2025, pp. 79–94.Allmark, Panizza, and Jon Stratton. “The Nutbush Dance Reframed: Further Analysis Related to ‘Doing the Nutbush.'” Continuum: Journal of Media & Cultural Studies, vol. 39, no. 1, 2025, pp. 95–103.Andrews, Shirley. Take Your Partners: Traditional Dancing in Australia. 3rd ed., Hyland House, 1979.Bloomfield, Anne. “Health or Art? The Case for Dance in the Curriculum of British State Schools 1909–1919.” History of Education, vol. 36, no. 6, 2007, pp. 681–696.Bloomfield, Anne. “The Quickening of the National Spirit: Cecil Sharp and the Pioneers of the Folk-Dance Revival in English State Schools (1900–26).” History of Education, vol. 30, no. 1, 2001, pp. 59–75.Gbogbo, Mawunyo. “Tina Turner and Her Australian Connections: How The Best Became Rugby League's Anthem and Why Is the Nutbush Mandatory at Gatherings?” ABC News, 24 May 2023.Jones, Benjamin T. “Australian Politics Explainer: The White Australia Policy.” The Conversation, 9 Apr. 2017.Kidman, Angus. “Tina Turner: How Australia Saved Her Career.” Angus Kidman, 13 Aug. 2023.Meiners, Jeff. So We Can Dance? In Pursuit of an Inclusive Dance Curriculum for the Primary School Years in Australia. 2017. University of South Australia, Doctor of Education thesis.Spencer, Eliza. “Australia and the Nutbush: The Quest for the Origin of a Cultural Phenomenon Goes On.” The Guardian, 5 May 2024.Ward, Mary. “The Mysterious Allure of the Nutbush and Why the Dance Is Uniquely Australian.” Sydney Morning Herald, 25 May 2023.Zhuang, Yan. “Australia Remembered Tina Turner with a Dance.” New York Times, 25 May 2023. Hosted on Acast. See acast.com/privacy for more information.

In Australia, no wedding or school dance is complete without the Nutbush, Australia's unofficial national dance. The Nutbush – a simple line dance to the song “Nutbush City Limits,” by Ike and Tina Turner – has become as stereotypically Australian as kangaroos, boomerangs, and Vegemite.And yet, hardly anyone outside of Australia even knows the Nutbush exists. Here at Decoder Ring, we certainly didn't – until we started getting emails from Australians asking us to investigate its origins. How did an American song become the soundtrack for an Australian national tradition? Who invented the iconic steps, and why does every Australian know them?Our producer Max Freedman put on his dancing shoes to get some answers. The global, century-spanning story of the Nutbush involves Australia, Tennessee, Denmark, primary schools, gay discos, and demonstrates that even the goofiest cultural touchstones can go surprisingly deep.In this episode you'll hear from culture journalists David Mack and Angus Kidman; Nutbush researchers Panizza Allmark and Jon Stratton; dance historians Erica Okamura and Richard Powers; Dr. Fiona Chatteur, Jeremy Santolin, and Brian Kerr.This episode was written and produced by Max Freedman and edited by Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.Further ViewingHow to do ‘The Nutbush' - Australian Line Dance Dancin' the Madison on “The Buddy Deane Show” (1960)Alley Cat Tutorial — Spark Physical EducationThe Nutbush on Countdown (December 5, 1976)Tina Turner — Nutbush City Limits, The Midnight Special (1973)Tina Turner — Are You Breaking My Heart, Countdown (1980)Tina Turner: How “The Best” Became Rugby League's Anthem | ABC NewsTina Turner's Electrifying 1993 NRL Grand Final PerformanceSources for This EpisodeAllmark, Panizza, and Jon Stratton. “Doing the Nutbush: How Australia Got Its Very Own Line Dance.” Continuum: Journal of Media & Cultural Studies, vol. 39, no. 1, 2025, pp. 79–94.Allmark, Panizza, and Jon Stratton. “The Nutbush Dance Reframed: Further Analysis Related to ‘Doing the Nutbush.'” Continuum: Journal of Media & Cultural Studies, vol. 39, no. 1, 2025, pp. 95–103.Andrews, Shirley. Take Your Partners: Traditional Dancing in Australia. 3rd ed., Hyland House, 1979.Bloomfield, Anne. “Health or Art? The Case for Dance in the Curriculum of British State Schools 1909–1919.” History of Education, vol. 36, no. 6, 2007, pp. 681–696.Bloomfield, Anne. “The Quickening of the National Spirit: Cecil Sharp and the Pioneers of the Folk-Dance Revival in English State Schools (1900–26).” History of Education, vol. 30, no. 1, 2001, pp. 59–75.Gbogbo, Mawunyo. “Tina Turner and Her Australian Connections: How The Best Became Rugby League's Anthem and Why Is the Nutbush Mandatory at Gatherings?” ABC News, 24 May 2023.Jones, Benjamin T. “Australian Politics Explainer: The White Australia Policy.” The Conversation, 9 Apr. 2017.Kidman, Angus. “Tina Turner: How Australia Saved Her Career.” Angus Kidman, 13 Aug. 2023.Meiners, Jeff. So We Can Dance? In Pursuit of an Inclusive Dance Curriculum for the Primary School Years in Australia. 2017. University of South Australia, Doctor of Education thesis.Spencer, Eliza. “Australia and the Nutbush: The Quest for the Origin of a Cultural Phenomenon Goes On.” The Guardian, 5 May 2024.Ward, Mary. “The Mysterious Allure of the Nutbush and Why the Dance Is Uniquely Australian.” Sydney Morning Herald, 25 May 2023.Zhuang, Yan. “Australia Remembered Tina Turner with a Dance.” New York Times, 25 May 2023. Hosted on Acast. See acast.com/privacy for more information.

This episode is sponsored by smartwater®Ruth E. Carter is a trailblazing costume designer known for her work on Malcolm X, the Black Panther films, Sinners, and so many more iconic works. She has been awarded Academy Awards, a BAFTA, a Critics Choice Award, the Costume Designers Guild Award, and a star on the Hollywood Walk of Fame. But before that, she was exploring Black literature and history in Black Studies-focused enrichment programs in her home state of Massachusetts. When she was a young adult, she was deconstructing clothing and taking notes from grunge scenes, citing Lisa Bonet and Madonna as early beauty and style inspiration. In our conversation, Ruth walks us through her life and career, explaining how the girl who dressed like a grunge artist would introduce Afrofuturism to the world. During our chat, Ruth tells us about how she has always drawn on her interest in literary, dramatic, and visual arts to design on film sets. She shared the initial culture shock she experienced at her HBCU, Hampton, and how the theater department helped her blend her artistic sensibilities with the coiffed presentation of her classmates. Ruth detailed how she drew on these experiences in her first position in School Daze, and how her dedication led to the first of many creative collaborations with directors like Spike Lee, which would shape her career. Our conversation ranges from the specific way she employs the lessons her psychologist mother taught her, like gaining and keeping people's trust, to spending time with Tina Turner. We discussed so much of her portfolio, and what compelled her to begin archiving her designs, which now make up the traveling exhibition “Ruth E. Carter: Afrofuturism in Costume Design.” Ruth is open about her painstakingly detailed commitment to historical accuracy and how her early exposure to ideas about the future being a site of freedom and exploration shaped the visual identity for Black Panther. Tune in as we discuss:03:35 The Sinners Award Season08:56 Exploring Malcolm X's Time in a Massachusetts Correctional Facility12:50 The Loss of Personal Celebrity Style13:35 How The HBCU Experience Blew Her Mind15:15 Her Experience On School Daze And Working With Spike Lee23:55 Her Love Of Thrifting31:08 Deep Dive Into Her Experience On Sinners Set37:20 Deep Dive Into Her Experience On What's Love Got To Do With It Set40:20 Met Gala Experiences And Thoughts43:50 Deep Dive Into Her Experience On B.A.P.S Set47:44 Early Introduction To Afrofuturism52:02 Her Favorite African Designers52:50 Ruth's Personal Style54:30 The Power of Tailoring1:01:01 Maintaining a Calm Demeanor1:05:08 When Ruth Feels The Most BeautifulRate, Subscribe & Review the Podcast on AppleJoin the Naked Beauty Community on IG: @nakedbeautyplanetThanks for all the love and support. Tag me while you're listening @nakedbeautyplanet & as always love to hear your thoughts :)Check out nakedbeautypodcast.com for all previous episodes & search episodes by topicShop My Favorite Products & Pod Discounts on my ShopMyShelfStay in touch with me: @brookedevardFollow Ruth @therealruthcarter Hosted on Acast. See acast.com/privacy for more information.

In 2024 Gisèle Pelicot waved her legal right to anonymity for the trial of her then husband, declaring that shame has to change sides. Her then husband had drugged and raped her and invited other men to rape her, filming as they did so. He was found guilty of her aggravated rape, along with 46 other men. Another two were found guilty of attempted rape and a further two were found guilty of sexual assault. Gisèle has now written her memoir, A Hymn to Life and joins Nuala McGovern talk about her decision to have an open court, the devasting effect on her and her family of her ex-husband's actions and finding love again in her 70s.For the first time since 2023, a women's match will take centre stage in the tournament's primetime night session at the French Open. The coveted slot has been dominated exclusively by men's matches since then. The absence has drawn growing criticism from players and fans, questioning why they've been overlooked. But now, a fourth round clash between – Belarus's Aryna Sabalenka current number one player and former number 1 Japan's Naomi Osaka finally breaks that run. Tennis reporter Karthi Gnanasegaram joins us.72% of those affected by osteoporosis are women. The government promised to roll out fracture liaison services to every NHS Trust in England two years ago. But there is still no progress or plan. Just over half of NHS Trusts currently have them. Nuala speaks to the Royal Osteoporosis Society CEO Craig Jones and expert Dr Nicola Peel, as well as Irene Baker who says her osteoporosis wasn't treated properly for five years as she has no specialist service in her area.She came to fame on one of the first TV talent shows back in 2002, and twenty four years later Zoe Birkett's now out on tour with Take That. She's played Tina Turner in the West End and the lead in The Bodyguard. She tells us all about performing with Gary, Howard and Mark and stepping into Lulu's shoes on their hit record Relight My Fire for their tour The Circus Live.Presenter: Nuala McGovern Producer: Kirsty Starkey

Welcome to a another journey through the golden era of R&B and hip-hop culture. In this episode of I Only Listen to 90s Music, Darryl, Stacey, and Scott celebrate the 40th anniversary of Janet Jackson's revolutionary "Control" album. The crew breaks down how Janet asserted her independence from the Jackson family shadow to deliver seven number-one singles and set a new standard for empowerment in the industry. The conversation also delves into the complex history of the Jackson family dynamics, featuring a breakdown of the viral reaction to Diana Ross performing for Katherine Jackson and the bizarre, alleged shooting incident involving Tina Turner and Randy Jackson. Beyond the headlines, the hosts explore the "Dirty Mac Tour" and curate their dream 90s R&B concert lineup, debating how artists like Donnell Jones, Tyrese, and Jon B would transform a modern stage. They also tackle the most influential hip-hop features of all time, debating the chemistry behind Mariah Carey's iconic remix with ODB and the unexpected success of the DMX and Sisqo collaboration. From the surprising origins of Groove Theory's hit song "Tell Me" to the hilarious story of a dad going rogue at a Stephanie Mills concert, this episode offers a perfect blend of high-level music analysis and genuine nostalgia.   0:00 90s Music, Sorority Drama, and Michael Jackson Movie Reactions 5:43 Diana Ross's Performance for Katherine Jackson Sparks Mixed Reactions 12:48 Tina Turner Allegedly Shoots Randy Jackson During Domestic Dispute 16:09 Celebrity Drama, Rumors, and 80s Music Industry Scandals 23:46 Impact of Key Member Departures on Music Groups 33:50 Nostalgia, One-Hit Wonders, and Chaka Khan's Comeback 41:51 Throwing draws at a Stephanie Mills Concert 48:11 Imagining a 90s R&B and Rap Concert Lineup 57:13 Planning a Nostalgic R&B Tour Featuring Underrated Artists 1:07:09 Unexpected Origins of Groove Theory's Hit Song Tell Me 1:22:51 Debating The Top Hip Hop Features Of All Time List 1:34:34 Debating Billboard's Top 50 Female Rappers List 1:42:24 Revisiting The Classics: 40 years of Janet Jackson's Control Album and Its Cultural Impact BRAND New Voicemail 314-649-3113 Join the I Only Listen to 90s Music Facebook Group http://bit.ly/3k0UEDe      Follow I Only Listen to 90s Music on IG https://bit.ly/3sbCphv       Follow SOLC Network online Instagram: https://bit.ly/39VL542                          Twitter: https://bit.ly/39aL395                          Facebook: https://bit.ly/3sQn7je                To Listen to the podcast Podbean https://bit.ly/3t7SDJH                      YouTube http://bit.ly/3ouZqJU                      Spotify http://spoti.fi/3pwZZnJ                     Apple http://apple.co/39rwjD1  IHeartRadio http://ihr.fm/2L0A2y

Mayhem continues out in the wastelands of Australia (that we can't believe Tessa can see). Skipping straight through to the third installment of a series brings a buff Phil Collins, Tina Turner worship, levels of shit smells, cul-de-sac farts, surprise Down's Syndrome, the large waxed leathermen we want and need, unexplained light sources, NOT Iron Man, a cow-car (the second stupidest vehicle) and a baby that goes down the HOOOOOOOOOOLE. Get your pocky-lips fit on and head towards Bartertown - two hosts enter but both of us leave, we don't fight or anything. It's Auntie's choice, Mad Max: Beyond Thunderdome, up next on Doom Generation!

Emmanuel has a new show out, Big Lives, and we're excited to share a preview of it! Alongside acclaimed journalist Kai Wright, Emmanuel digs into the BBC archive to examine the sensational stories, messy feelings, and enlightening questions surrounding the icons who have shaped our culture. From musical trailblazers like David Bowie, Amy Winehouse and Tina Turner to stars of the screen like Richard Pryor, Meg Ryan and Jane Fonda, Emmanuel and Kai see these icons in a new light and learn how each legend set the stage for our contemporary cultural landscape. In this preview, they unspool the emotional arc behind George Michael, from teen heartthrob to grieving partner to gay icon. If you like what you hear, find Big Lives wherever you get podcasts. Learn more about your ad choices. Visit podcastchoices.com/adchoices